
Browse content similar to The Falcon and the Co-Eds. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
GATE CREAKS | 0:01:17 | 0:01:20 | |
Hello? Is this the police station? | 0:01:33 | 0:01:36 | |
Can you tell me where I could find the Falcon...Mr Tom Lawrence, please? | 0:01:36 | 0:01:39 | |
Yes, lady, I can, but I don't know whether I oughta or not. Is it important? | 0:01:39 | 0:01:43 | |
Yes, it's about a schoolteacher. He's been murdered. | 0:01:43 | 0:01:46 | |
Oh, well, if it's a murder case, that's different. | 0:01:46 | 0:01:49 | |
Mr Lawrence's number is Bradbury, 2-4-4-5. Marenn Apartments. | 0:01:52 | 0:01:58 | |
Not at all. | 0:01:59 | 0:02:01 | |
Mr Bates, what department is this? | 0:02:04 | 0:02:07 | |
-Homicide, why? -That includes murder, doesn't it? | 0:02:07 | 0:02:10 | |
Yeah. Oh, my gosh! | 0:02:10 | 0:02:13 | |
-Operator, operator, trace that call! -Never mind that. | 0:02:13 | 0:02:16 | |
-Would you be upset if I asked you to drive me to the Falcon's apartment? -No, not at all, Chief. | 0:02:16 | 0:02:22 | |
Thank you. | 0:02:22 | 0:02:23 | |
CAR ENGINE | 0:02:30 | 0:02:32 | |
Mr Lawrence? | 0:02:35 | 0:02:36 | |
Yes? | 0:02:36 | 0:02:38 | |
Nice! | 0:02:44 | 0:02:46 | |
But why? | 0:02:46 | 0:02:47 | |
You mean you don't remember me? | 0:02:47 | 0:02:49 | |
Perhaps with another reminder like that it would come back to me. | 0:02:49 | 0:02:53 | |
You've forgotten that lovely night? | 0:02:53 | 0:02:55 | |
The flowers? The champagne? | 0:02:55 | 0:02:58 | |
Flowers, champagne! How long ago was all this? | 0:02:58 | 0:03:01 | |
Three years ago. | 0:03:01 | 0:03:03 | |
I don't see how it could have been. Where were we? | 0:03:03 | 0:03:07 | |
-The opening of Luscious Lady, in Mother's dressing room. -You're not Joan Harris? | 0:03:07 | 0:03:12 | |
-Jane! -No wonder I didn't remember you. | 0:03:12 | 0:03:15 | |
-Most people grow up, but few so beautifully. -Please... | 0:03:15 | 0:03:19 | |
Something terrible's happened. Professor Jameson was murdered. | 0:03:19 | 0:03:23 | |
They're saying it was heart failure. | 0:03:23 | 0:03:25 | |
With eyes like yours looking at him every day, it probably was! | 0:03:25 | 0:03:29 | |
-It wasn't! It was murder. Marguerita prophesised it. -Marguerita? | 0:03:29 | 0:03:32 | |
-My roommate at Bluecliff. She's psychic. -Really? | 0:03:32 | 0:03:35 | |
Yes. Everybody liked the professor. We can't figure out who'd kill him! | 0:03:35 | 0:03:40 | |
So I am indebted to the murderer for sending you into my life. | 0:03:40 | 0:03:44 | |
-No, I phoned the Homicide department. -Oh, you did. | 0:03:44 | 0:03:48 | |
Well, let's go inside. I can think better with a tall glass in my hand. | 0:03:48 | 0:03:53 | |
But I... | 0:03:54 | 0:03:55 | |
I hoped we could start for Bluecliff right away! It's really very serious. | 0:03:55 | 0:04:01 | |
Yes, a matter of life and death. | 0:04:01 | 0:04:03 | |
The police. I'll try to get rid of them. | 0:04:04 | 0:04:08 | |
-Good evening, Timothy. -Good evening, Lawrence. | 0:04:08 | 0:04:10 | |
-Anything we can do to help or are we intruding? -I'm doing very nicely, thank you. | 0:04:10 | 0:04:15 | |
-Couldn't be she's got some dope on a murder, could it? -That's our department. | 0:04:15 | 0:04:19 | |
That's just a joke. Schoolteachers are always being murdered. | 0:04:19 | 0:04:24 | |
Some of the most gruesome crimes. | 0:04:24 | 0:04:26 | |
I suppose that's another joke of hers, snatching your car. | 0:04:28 | 0:04:33 | |
-I never thought she'd do a thing like that. -Maybe now you'll tell us where that school is. | 0:04:33 | 0:04:39 | |
Of course. | 0:04:39 | 0:04:40 | |
Crownhill Convent, just off the drive. | 0:04:40 | 0:04:43 | |
-Ask for the Mother Superior. -Gotcha. | 0:04:47 | 0:04:50 | |
-Can I help you? -Well, I... | 0:05:22 | 0:05:25 | |
No, thanks. Not just yet. | 0:05:25 | 0:05:27 | |
Thanks all the same. | 0:05:29 | 0:05:31 | |
-Pick you up next trip. Don't keep me waiting. -We won't. | 0:05:33 | 0:05:38 | |
How d'you do? Is this the Bluecliff bus? | 0:05:38 | 0:05:41 | |
What the sign says, don't it? | 0:05:41 | 0:05:43 | |
-Oh, so it does. -This is for school people only. | 0:05:44 | 0:05:47 | |
Don't tell me those are college students. | 0:05:51 | 0:05:54 | |
They're the caretaker's daughters. Drive me crazy. | 0:05:54 | 0:05:57 | |
-I'm connected with the school too, in a way. -What way? | 0:05:57 | 0:06:01 | |
-I have a daughter myself. -What's her name? -Smith. Her name's Smith. | 0:06:01 | 0:06:06 | |
Beanie Smith? | 0:06:06 | 0:06:07 | |
The very one. Do you know her? | 0:06:07 | 0:06:09 | |
-Yes, of course. -Naturally. | 0:06:09 | 0:06:12 | |
Well, you might s well get in. | 0:06:14 | 0:06:17 | |
INAUDIBLE | 0:06:21 | 0:06:23 | |
-There's Marguerita. Pretend you don't see her. -Why? | 0:06:29 | 0:06:33 | |
-She's psychic! -She has second sight! -She can see into the future. | 0:06:33 | 0:06:36 | |
She gives me the willies. Don't look! | 0:06:36 | 0:06:38 | |
-Stop the car. -Stop the car?! | 0:06:42 | 0:06:44 | |
-Shouldn't you give her a ride to school? -All right, but you're asking for trouble. | 0:06:44 | 0:06:49 | |
She seems to have disappeared. | 0:06:57 | 0:06:59 | |
-She did not. -She went down the Devil's Ladder. -Of course. | 0:06:59 | 0:07:03 | |
Did you look into her eyes? | 0:07:10 | 0:07:12 | |
-Why, yes. -Uh-oh! She put the hex on you. -Now anything could happen. | 0:07:12 | 0:07:16 | |
-You could be struck by lightning. -Or kicked by a mule. -Or drowned in the bath. | 0:07:16 | 0:07:21 | |
They're plain bloodthirsty! Get back in the car. | 0:07:21 | 0:07:24 | |
Come on! | 0:07:24 | 0:07:26 | |
-Look what the three Ughs brought in. -Let's have a closer look. | 0:07:40 | 0:07:44 | |
-I think I'll get out here. -Go to the office. Miss Keyes will get your daughter. -Daughter? ..Oh, yes! | 0:07:53 | 0:07:59 | |
Oh! Pardon me! | 0:07:59 | 0:08:01 | |
-Oh, hello. -ALL: Hello! | 0:08:05 | 0:08:07 | |
-Do you know where I can find Jane Harris? -I know. | 0:08:07 | 0:08:10 | |
She's due at Psy, and so are we. | 0:08:10 | 0:08:12 | |
-Do you mind if I come along? -Visitors during class is forbidden. | 0:08:12 | 0:08:17 | |
BELLS RING | 0:08:18 | 0:08:19 | |
BELLS CONTINUE TO RING | 0:08:23 | 0:08:26 | |
Oh! There goes Elsie again! | 0:08:43 | 0:08:46 | |
..Thoroughly explored, nor fully understood. | 0:08:56 | 0:09:00 | |
What may appear to be the organic adaptation of a species to environmental change may in fact | 0:09:00 | 0:09:06 | |
have a much more simple answer. | 0:09:06 | 0:09:08 | |
Those individuals possessing characteristics of the new environment | 0:09:08 | 0:09:14 | |
are most likely to survive. | 0:09:14 | 0:09:16 | |
Having survived, they can then reproduce and intensify those characteristics | 0:09:18 | 0:09:23 | |
which permitted their survival. | 0:09:23 | 0:09:25 | |
-Yes, what is it? -Oh, don't let me interrupt you. -One moment. | 0:09:25 | 0:09:29 | |
I don't want to appear rude, but there is a strict rule here - no visitors. | 0:09:29 | 0:09:33 | |
I'm not a visitor. You see, the reason I came here.. | 0:09:33 | 0:09:37 | |
-Dr Graelich, this gentleman is a psychologist too! -You don't say! | 0:09:37 | 0:09:41 | |
-Yes, from Oxford. A famous one! -You flatter me. -Modesty in our profession! | 0:09:41 | 0:09:46 | |
We so seldom meet famous psychologists. | 0:09:46 | 0:09:49 | |
-We must take advantage of you, Dr... -Lawrence...Smith. | 0:09:49 | 0:09:54 | |
-Dr Lawrence-Smith. Hyphenated, of course? -Of course. | 0:09:54 | 0:09:57 | |
Dr Lawrence-Smith, the lecture is yours. | 0:09:57 | 0:10:00 | |
I'm completely unprepared. | 0:10:03 | 0:10:06 | |
You must be working on something, some theory or experiment. We should be most interested. | 0:10:06 | 0:10:13 | |
Well, er, yes, | 0:10:13 | 0:10:15 | |
but it's a recent development, you understand. Very recent. | 0:10:15 | 0:10:20 | |
It has to do with certain criminal impulses, | 0:10:20 | 0:10:24 | |
especially those induced by auto-suggestion. | 0:10:24 | 0:10:27 | |
The behaviour, for example, of any person who would take something which belonged to someone else. | 0:10:27 | 0:10:32 | |
You may use technical terms - these ladies will follow you very well. | 0:10:32 | 0:10:36 | |
I shall get down to cases, then. | 0:10:36 | 0:10:40 | |
Before a full understanding of my working hypothesis, | 0:10:40 | 0:10:45 | |
perhaps I had better explain that although many schools of thought differ, | 0:10:45 | 0:10:49 | |
especially certain liberals and radicals, | 0:10:49 | 0:10:52 | |
it is hardly necessary for me to point out that that only goes to verify this principle. | 0:10:52 | 0:10:57 | |
This can best be illustrated and in general it may be said... | 0:10:57 | 0:11:02 | |
Perhaps I'd better clarify that. | 0:11:02 | 0:11:05 | |
So, in explanation of this seeming paradox, it is necessary to consider all contributing factors. | 0:11:09 | 0:11:14 | |
Any questions up to this point? | 0:11:14 | 0:11:16 | |
To sum up, then, let me repeat, | 0:11:16 | 0:11:19 | |
that in the final analysis, | 0:11:19 | 0:11:21 | |
all this must be viewed in the light of recent developments. | 0:11:21 | 0:11:26 | |
-There he is. -That isn't my old man! -That isn't your father. -No! | 0:11:26 | 0:11:30 | |
-But he can pitch it for him any time he wants to. -Miss Smith! | 0:11:30 | 0:11:33 | |
-GIRLS LAUGH -Girls! | 0:11:33 | 0:11:34 | |
-There must be some confusion here. -It's simple. | 0:11:34 | 0:11:37 | |
-Surely, Miss Keyes, you know Dr Lawrence-Smith? -If I may explain... | 0:11:37 | 0:11:43 | |
-This is hardly the time, nor the place. We had better go to my office. -I shall be delighted. | 0:11:43 | 0:11:49 | |
-You'll come with us? -Certainly. -You may go. | 0:11:49 | 0:11:51 | |
You might read chapter ten in conjunction with the next chapter. | 0:11:54 | 0:11:58 | |
GIRLS ALL TALK AT ONCE | 0:11:58 | 0:12:01 | |
Now, if there is any possible explanation, Dr Lawrence-Smith. | 0:12:01 | 0:12:05 | |
-Er, Tom Lawrence. No hyphen, no doctor. -How disappointing! | 0:12:05 | 0:12:09 | |
It's, er, not really very complicated. | 0:12:11 | 0:12:13 | |
There's a rather large insurance policy on Professor Jameson. | 0:12:13 | 0:12:17 | |
I am a special investigator, sent to investigate his murder. | 0:12:17 | 0:12:21 | |
Murder? Where did you get that idea? | 0:12:21 | 0:12:23 | |
We received a tip. Anonymous, of course. They always are. | 0:12:23 | 0:12:27 | |
There was nothing unusual about Professor Jameson's death. | 0:12:27 | 0:12:30 | |
-Not in the slightest. -Wasn't there? | 0:12:30 | 0:12:33 | |
Our informer said something about a girl named Marguerita. | 0:12:33 | 0:12:37 | |
-Oh! -Is it true she prophesised a murder here at Bluecliff? -I believe she did. | 0:12:37 | 0:12:43 | |
Marguerita predicts many things - the weather, examination results... | 0:12:43 | 0:12:47 | |
-According... -Mr Lawrence, you don't understand these girls. They're secluded here. Not much happens. | 0:12:47 | 0:12:53 | |
The simplest things set their imaginations running wild, | 0:12:53 | 0:12:56 | |
until an ordinary death becomes a murder. | 0:12:56 | 0:12:58 | |
Unfortunately, Miss Serena has always been a problem. | 0:12:58 | 0:13:01 | |
She has these delusions like daydreams. | 0:13:01 | 0:13:05 | |
Half deliberate, half involuntary, but they have no practical interpretation. | 0:13:05 | 0:13:09 | |
Serena. I've heard that name. | 0:13:09 | 0:13:12 | |
-Yes. Her father was St George Serena, the composer. -I heard his last symphony a year ago. | 0:13:12 | 0:13:18 | |
Just before he died. | 0:13:18 | 0:13:20 | |
He drowned, didn't he? Wasn't there some talk, a rumour? | 0:13:20 | 0:13:23 | |
There is every reason to believe it was suicide. He was highly neurotic. | 0:13:23 | 0:13:28 | |
-In plain words, he was insane. -I'll put that in my report. | 0:13:28 | 0:13:33 | |
-If you'll excuse me, I have a class waiting. -Yes, of course. Thank you. | 0:13:33 | 0:13:38 | |
I don't suppose an investigation can be avoided. | 0:13:41 | 0:13:45 | |
-Oh, I shall be as discreet as possible. -I hope so. | 0:13:45 | 0:13:48 | |
You know how the newspapers are. We can't afford a scandal. We have a reputation to maintain. | 0:13:48 | 0:13:53 | |
The best families and the fattest pocket books. | 0:13:53 | 0:13:56 | |
-I never would have expected an insurance investigator to be so corny, Mr Lawrence. -Miss Keyes! | 0:13:56 | 0:14:01 | |
I get those expressions from the girls. Sometimes they're surprisingly apt. | 0:14:01 | 0:14:07 | |
-Miss Keyes! ..Oh, I didn't know! There's a call for Professor Jameson's room. -Who is it? | 0:14:07 | 0:14:12 | |
-I don't know. -Didn't you answer it? -Me? From a dead man's room?! | 0:14:12 | 0:14:16 | |
If anyone had answered, I'd have passed right out. Cold! | 0:14:16 | 0:14:19 | |
-You can see how your rumour started. -No-one's been there since he was murdered. -You mean since he died. | 0:14:19 | 0:14:25 | |
BUZZING | 0:14:25 | 0:14:27 | |
Hello. | 0:14:28 | 0:14:30 | |
Hello? Hello! | 0:14:30 | 0:14:32 | |
It's probably just a crossed wire. | 0:14:33 | 0:14:35 | |
-Don't you think we'd better find out? -If you wish, but it seems such a waste of time. | 0:14:35 | 0:14:41 | |
BUZZING | 0:14:46 | 0:14:48 | |
Attractive cottage, isn't it? | 0:14:55 | 0:14:58 | |
Apparently someone else thinks so, too. | 0:14:58 | 0:15:01 | |
Mary! What in the world? | 0:15:14 | 0:15:17 | |
Oh, I... | 0:15:17 | 0:15:19 | |
I didn't know who it was. | 0:15:19 | 0:15:21 | |
Mr Lawrence, this is Mary Phoebus, our music teacher. | 0:15:21 | 0:15:24 | |
-She's really not addicted to house-breaking. -How do you do? | 0:15:24 | 0:15:28 | |
-Tell me, where you trying to telephone from here? -No, I... | 0:15:28 | 0:15:31 | |
Oh... | 0:15:32 | 0:15:33 | |
It was so dark, I must have knocked it over. | 0:15:33 | 0:15:36 | |
That's a curious way to look for something, in the dark. You were looking for something, weren't you? | 0:15:36 | 0:15:41 | |
I... | 0:15:42 | 0:15:43 | |
They're Professor Jameson's poems. | 0:15:43 | 0:15:46 | |
The room was vacant. I was afraid someone might steal them. | 0:15:46 | 0:15:49 | |
In all my years in the insurance business, I never heard of anybody stealing poetry. | 0:15:49 | 0:15:54 | |
He was going to publish them and give the proceeds to the library fund. | 0:15:54 | 0:15:59 | |
They're very good poems. Beautiful, really. | 0:15:59 | 0:16:03 | |
May I? | 0:16:05 | 0:16:06 | |
A man puts a good deal of himself into poetry. | 0:16:09 | 0:16:12 | |
I'd like to check my impressions of Professor Jameson. | 0:16:12 | 0:16:16 | |
Sherlock Holmes, reconstructing the personality from moot evidence. | 0:16:16 | 0:16:19 | |
There's something to be said for his methods. | 0:16:19 | 0:16:22 | |
The man who lived in this room, for example. | 0:16:22 | 0:16:26 | |
A man who perhaps demanded too much from people | 0:16:26 | 0:16:29 | |
and had to live in books to get it. | 0:16:29 | 0:16:31 | |
A quiet man, who spent most of his time alone, | 0:16:31 | 0:16:35 | |
a shy man who didn't try to assert himself, | 0:16:35 | 0:16:37 | |
never thought of impressing people. | 0:16:37 | 0:16:39 | |
He probably took refuge in a world of his own imagination. | 0:16:39 | 0:16:43 | |
-How easily a man like that could have been dominated by others. -More psychology, Doctor? | 0:16:43 | 0:16:48 | |
Or just a little clairvoyance on the side? | 0:16:48 | 0:16:52 | |
-Mr Lawrence wanted to look over Professor Jameson's effects. -Naturally. | 0:16:52 | 0:16:56 | |
Well, I, er... If you'll excuse me, I think I'd better go. | 0:16:56 | 0:17:01 | |
I'll see you get these back. | 0:17:03 | 0:17:05 | |
Mary Phoebus! Do you know what she was doing, fussing around about Alec's poems! | 0:17:05 | 0:17:11 | |
It does seem everything is conspiring to endorse that rumour. | 0:17:11 | 0:17:14 | |
-But I'm sure you want to find out what actually happened. -Hm-mm. | 0:17:14 | 0:17:18 | |
I think I can give you the information you're looking for. | 0:17:18 | 0:17:21 | |
I shared this college with Professor Jameson. He was in very poor health. | 0:17:21 | 0:17:25 | |
-Anaemia was perhaps the most serious, but you know that from your records. -Records? | 0:17:25 | 0:17:30 | |
Oh, yes, of course. We have all that information. | 0:17:30 | 0:17:33 | |
As you observed, he lived such a narrow life it finally suffocated him. | 0:17:33 | 0:17:38 | |
-Officially, the reason I gave for his death was heart failure. -You signed the death certificate? -Yes. | 0:17:38 | 0:17:43 | |
Dr Graelich is a physician as well as a psychologist. | 0:17:43 | 0:17:47 | |
-Well, I'm sorry I gave you all this trouble. -Now of course you can give your company the facts of the case. | 0:17:47 | 0:17:54 | |
Yes, I will, when I know them myself. | 0:17:54 | 0:17:59 | |
Hi, Daddy! | 0:18:02 | 0:18:04 | |
Oh, hello, Beanie. | 0:18:04 | 0:18:05 | |
-Is anything wrong? -I was just thinking, you impersonating my old man! | 0:18:09 | 0:18:13 | |
-He runs the billiard hall... -Over in Brooklyn? -Yeah! How'd you know? | 0:18:13 | 0:18:18 | |
-Was it his idea, sending you here? -He thought I'd like, that society page stuff. | 0:18:18 | 0:18:23 | |
-Can you tell me where I can find Jane Harris? -Jane? | 0:18:23 | 0:18:26 | |
-What do you want her for? -Oh, no - this is strictly business. | 0:18:26 | 0:18:31 | |
You know... | 0:18:31 | 0:18:32 | |
I gotcha. She's over at the aud. Right down that walk. | 0:18:32 | 0:18:36 | |
Thank you, Beanie. | 0:18:36 | 0:18:38 | |
PIANO PLAYS > | 0:18:43 | 0:18:46 | |
# Oh, dear, what can the matter be? | 0:18:52 | 0:18:57 | |
# Dear, dear, what can the matter be? | 0:18:57 | 0:19:01 | |
# Oh, dear, what can the matter be? | 0:19:01 | 0:19:05 | |
# Johnny's so long at the fair | 0:19:05 | 0:19:09 | |
# He-he-he promised to buy me | 0:19:09 | 0:19:12 | |
# A trinket to please me | 0:19:12 | 0:19:15 | |
# And for a kiss, oh, he vowed he would tease me | 0:19:15 | 0:19:19 | |
# He promised to bring me | 0:19:19 | 0:19:21 | |
# A bunch of blue ribbons | 0:19:21 | 0:19:23 | |
# To tie up my bonnie brown hair | 0:19:23 | 0:19:27 | |
# Oh, dear, what can the matter be? | 0:19:27 | 0:19:32 | |
# Dear, dear What can the matter be? # | 0:19:32 | 0:19:35 | |
Oh, I'm sorry. | 0:19:37 | 0:19:38 | |
It's all right. | 0:19:38 | 0:19:40 | |
-Perhaps you could help me. -Yes? | 0:19:40 | 0:19:43 | |
-Just how good an actress are you? -An amateur, why? | 0:19:43 | 0:19:46 | |
I want to talk to one of the girls but I'm afraid there'll be a dragoness in charge. | 0:19:46 | 0:19:50 | |
-Oh, there is. -I thought you could distract the old dear for a moment. | 0:19:50 | 0:19:55 | |
-Who's the girl or shouldn't I ask? -Jane Harris. | 0:19:55 | 0:19:58 | |
See what I can do. | 0:19:58 | 0:19:59 | |
Good girl. | 0:19:59 | 0:20:01 | |
# ..Johnny's so lo-ong | 0:20:01 | 0:20:04 | |
# At the fa-air. # | 0:20:04 | 0:20:08 | |
And just what are you youngsters doing here? | 0:20:09 | 0:20:12 | |
-We want to be in your show! -Naturally! | 0:20:12 | 0:20:15 | |
Well, I'd love it. As soon as you're grown up, I'd be delighted. In the meantime, run along. | 0:20:15 | 0:20:22 | |
'Tis but thy name that is my enemy! | 0:20:26 | 0:20:28 | |
Thou art thouself not a Montague. | 0:20:28 | 0:20:31 | |
What's a Montague? | 0:20:31 | 0:20:32 | |
It is nor hand nor foot, nor arms nor face, | 0:20:32 | 0:20:35 | |
nor any other part belonging to a man. I'll be some other name. | 0:20:35 | 0:20:40 | |
What's in a name? | 0:20:40 | 0:20:41 | |
That which we call a rose, by any other name would smell as sweet. | 0:20:41 | 0:20:47 | |
-LAUGHTER -Jane. | 0:20:47 | 0:20:50 | |
-This is the final rehearsal and no time for clowning. -I was rehearsing my lines! | 0:20:50 | 0:20:55 | |
I told you this was your last chance. Buckle down or flunk drama. | 0:20:55 | 0:20:59 | |
-That's the one course I promised myself you would pass. -But, Miss... -All right. | 0:20:59 | 0:21:04 | |
Why haven't you been practising? | 0:21:07 | 0:21:09 | |
-Marguerita's my partner, and... -Marguerita? | 0:21:09 | 0:21:12 | |
Where is she? | 0:21:12 | 0:21:13 | |
I'm here, Miss Gaines. | 0:21:13 | 0:21:15 | |
I'm afraid it's my fault. I excused Marguerita from rehearsal. | 0:21:15 | 0:21:20 | |
She had a curious feeling about the fencing. A premonition. | 0:21:20 | 0:21:24 | |
I thought as much. | 0:21:24 | 0:21:25 | |
You may get away with this elsewhere but I won't put up with it. | 0:21:25 | 0:21:30 | |
-But you don't understand. -I understand very well. Mildred, give Marguerita her foil. | 0:21:30 | 0:21:35 | |
Take that foil. | 0:21:41 | 0:21:42 | |
-FOIL CLATTERS -I can't stand the touch of it! It's evil! | 0:21:53 | 0:21:58 | |
Psychic! A cheap, childish bid for attention, that's what it is. | 0:21:58 | 0:22:02 | |
Look out! Elsie's going to faint! | 0:22:02 | 0:22:04 | |
Get some water. | 0:22:04 | 0:22:06 | |
You shouldn't be in here. | 0:22:06 | 0:22:08 | |
I'm looking for a car, preferably my own. | 0:22:11 | 0:22:14 | |
-Oh, that. -Yes, that. | 0:22:14 | 0:22:17 | |
It's in the village at the garage. I just took it to get you up here. | 0:22:17 | 0:22:21 | |
A bad rehearsal means a good performance. | 0:22:21 | 0:22:23 | |
Do you still think it was murder? | 0:22:23 | 0:22:26 | |
Why? | 0:22:26 | 0:22:27 | |
We can't talk here. She'll hear us. | 0:22:27 | 0:22:29 | |
-You mean Miss Gaines? -She knew Professor Jameson better than anyone. | 0:22:31 | 0:22:35 | |
Your mother's very worried about you. She feels... | 0:22:35 | 0:22:39 | |
-Did I keep the dragoness at bay long enough? -It's your own fault. You have no right to be so young. | 0:22:39 | 0:22:45 | |
-I'm sorry, I didn't know... Oh, sorry! This is a friend of my mother's. He... -Tom Lawrence. | 0:22:45 | 0:22:51 | |
-I hope you'll forgive my mistake. -I'm afraid I was rather rude. | 0:22:51 | 0:22:55 | |
Take a very unusual woman to be rude and charming at the same time. | 0:22:55 | 0:22:58 | |
You use compliments strategically. Mary, take off for a while. | 0:22:58 | 0:23:03 | |
-You have to leave here as quickly as you can. -I don't see why. | 0:23:05 | 0:23:08 | |
-I'm serious. Marguerita says there's going to be another death. -Jane! -> | 0:23:08 | 0:23:12 | |
I don't want anything to happen. She said it would be some elderly person. | 0:23:12 | 0:23:17 | |
-You'll have to go. -Impossible! I have a class. | 0:23:24 | 0:23:27 | |
-What about the phone? -With half of the town listening in? | 0:23:27 | 0:23:31 | |
Well, all right. I'll manage somehow. | 0:23:31 | 0:23:33 | |
HORN HOOTS | 0:24:02 | 0:24:04 | |
Wooooah, Buttercup! | 0:24:07 | 0:24:10 | |
-Where are you going? -No place. -We can't go off the campus. -Naturally. | 0:24:10 | 0:24:14 | |
-Will it help if I join you charming ladies? -Really? -Will it! | 0:24:14 | 0:24:18 | |
Giddyup, Buttercup! | 0:24:18 | 0:24:21 | |
-You're shadowing Miss Gaines, aren't you? -What gave you that idea? | 0:24:21 | 0:24:25 | |
-Do you think she bumped off Professor Jameson? -Why should I? | 0:24:25 | 0:24:29 | |
-We've deducted it. -You aren't Beanie's pop. -You go around asking everyone where Jane Harris is. | 0:24:29 | 0:24:35 | |
-Why does that make me suspect Miss Gaines of murder? -We know who you are. -We made Jane tell us. | 0:24:35 | 0:24:40 | |
The Falcon! Holy cow! | 0:24:40 | 0:24:44 | |
THE GIRLS GIGGLE | 0:24:48 | 0:24:51 | |
-Some day we're gonna be detectives. -And baffle the police. -Like you! | 0:24:52 | 0:24:56 | |
I wouldn't like to have you on my trail. | 0:24:56 | 0:24:58 | |
I say, you could start being detectives now. | 0:25:01 | 0:25:04 | |
-You're not fooling? -Honestly? | 0:25:04 | 0:25:06 | |
Let's see if one of you can find where Miss Gaines went. | 0:25:06 | 0:25:10 | |
I guess the car's yours all right. | 0:25:18 | 0:25:21 | |
We found her. | 0:25:22 | 0:25:23 | |
At the undertaker's. | 0:25:23 | 0:25:25 | |
Of all places! | 0:25:25 | 0:25:27 | |
I'll get the car later. | 0:25:28 | 0:25:30 | |
If you just happened to be outside a drugstore, | 0:25:40 | 0:25:43 | |
and just happened to find half a dollar, what would you buy with it? | 0:25:43 | 0:25:47 | |
-Ice cream. -Sodas. -Naturally! | 0:25:47 | 0:25:49 | |
Hello! | 0:26:07 | 0:26:09 | |
-What are you doing here? -I wanted to ask Mr Harley a few questions. | 0:26:09 | 0:26:14 | |
-Routine report for the insurance company. -He's busy. | 0:26:14 | 0:26:17 | |
He told me to come back in half an hour. Would you like me to show you around our little town? | 0:26:17 | 0:26:22 | |
Well, now we're getting somewhere. | 0:26:22 | 0:26:25 | |
BANGING CONTINUES > | 0:26:37 | 0:26:40 | |
Can I help you? | 0:26:42 | 0:26:44 | |
Yes. You can get out of here. | 0:26:44 | 0:26:47 | |
-Miss Gaines said you'd be waiting for me. -I don't care! I don't allow anyone in this room. | 0:26:49 | 0:26:54 | |
Oh, I'm quite at home here. Don't forget the potassium iodide. | 0:26:54 | 0:27:00 | |
Just what do you want? | 0:27:02 | 0:27:04 | |
-Professor Jameson died last week. -I know that. I embalmed him. | 0:27:05 | 0:27:09 | |
-What did he die of? -The death certificate says heart failure. | 0:27:09 | 0:27:13 | |
Dr Graelich told me that much, but you could tell me a lot more. | 0:27:13 | 0:27:18 | |
I don't know what you're talking about. | 0:27:18 | 0:27:20 | |
I'm talking about that potassium iodide I just handed you. | 0:27:20 | 0:27:24 | |
Not to mention marquis solution, | 0:27:27 | 0:27:30 | |
Mayers reagent, | 0:27:30 | 0:27:32 | |
formalin. | 0:27:32 | 0:27:35 | |
With chemicals like these, you can make a post-mortem test for every drug in the book. | 0:27:35 | 0:27:39 | |
-What did you find? -Heart failure. | 0:27:39 | 0:27:42 | |
Oh, not that again, Mr Harley. That's so stubborn of you. | 0:27:42 | 0:27:45 | |
Now we'll have to exhume the body, make the same tests all over again. | 0:27:45 | 0:27:51 | |
I'd like to see that. | 0:27:51 | 0:27:53 | |
All right. | 0:27:54 | 0:27:55 | |
Now get out of here. | 0:27:55 | 0:27:57 | |
Codeine, huh? | 0:28:09 | 0:28:11 | |
Seven grains. | 0:28:11 | 0:28:13 | |
-That's plenty. -It was an accident! An overdose of sleeping tablets. | 0:28:13 | 0:28:17 | |
No-one ever took that big an overdose by mistake. | 0:28:17 | 0:28:20 | |
-What does it say on that death certificate? -Wait a minute! I didn't sign that. I'm protected. | 0:28:20 | 0:28:25 | |
-Dr Graelich wanted to cover this up, not me. -Why? | 0:28:25 | 0:28:28 | |
He didn't think suicide would sound good for a school like Bluecliff. | 0:28:28 | 0:28:32 | |
How do you think murder will sound? | 0:28:32 | 0:28:35 | |
Hop in. I'll drive you back to school. | 0:28:44 | 0:28:47 | |
-No, thank you. I'm looking for my bicycle. -You'll have a long look. | 0:28:47 | 0:28:51 | |
I sent it back with the Ughs some time ago. | 0:28:51 | 0:28:54 | |
You'll have to talk some time. | 0:29:09 | 0:29:11 | |
You really can't walk out on me. | 0:29:11 | 0:29:14 | |
By this time the Ughs will have told everyone I'm madly in love with you. | 0:29:14 | 0:29:18 | |
Imagine if you came limping in covered with dust and dishonour! | 0:29:18 | 0:29:22 | |
It's a lurid name, Devil's Ladder. | 0:29:33 | 0:29:35 | |
Isn't it? But the Buccaneers were low on people. | 0:29:35 | 0:29:39 | |
They cut this stairway in the side of the cliff to bring their loot up. | 0:29:39 | 0:29:42 | |
-And doubtless throw their captives down. -It's an ideal spot for it. | 0:29:42 | 0:29:46 | |
Must be a great temptation to you. | 0:29:46 | 0:29:48 | |
-You'll have one? -Thanks. | 0:30:02 | 0:30:04 | |
I've stood here many times, for hours. | 0:30:06 | 0:30:10 | |
I can't explain the sense of freedom it gives me. | 0:30:13 | 0:30:17 | |
I watch the waves beating to the shore. | 0:30:17 | 0:30:20 | |
I wonder if nature is putting on a show just for me. | 0:30:20 | 0:30:24 | |
To let me know how powerful she can be. | 0:30:24 | 0:30:28 | |
It seems lonely to me. | 0:30:30 | 0:30:32 | |
Wind and sea. | 0:30:32 | 0:30:34 | |
Sort of lost. | 0:30:34 | 0:30:37 | |
As though they were searching for something. | 0:30:37 | 0:30:39 | |
Who isn't? | 0:30:41 | 0:30:42 | |
Supposing you were searching for something, found it and then lost it, how much worse that would be. | 0:30:44 | 0:30:50 | |
He who wears loneliness wears armour. Stands unafraid beneath a lonely sky. | 0:30:50 | 0:30:55 | |
The heart that loves is left unguarded. | 0:30:55 | 0:30:58 | |
The heart that loses love must surely die. | 0:30:58 | 0:31:00 | |
Professor Jameson wrote those lines and dedicated them to VG. That could be Vicky Gaines. | 0:31:00 | 0:31:05 | |
Did you have to do that? | 0:31:05 | 0:31:07 | |
You think I don't know that poem? | 0:31:07 | 0:31:09 | |
That I didn't hear standing right here, with Alec so proud to tell me he'd written it just for me? | 0:31:09 | 0:31:14 | |
Do you know what it's like trying to remember every word I said? | 0:31:14 | 0:31:18 | |
Wondering over and over what I'd done to make him kill himself! | 0:31:18 | 0:31:22 | |
He must have been very much in love with you. Probably thought you loved him, too. | 0:31:23 | 0:31:28 | |
He was kind. | 0:31:28 | 0:31:29 | |
And so alone. | 0:31:29 | 0:31:31 | |
He must have found out that... I just felt sorry for him. | 0:31:32 | 0:31:36 | |
That's why he didn't want to live. | 0:31:37 | 0:31:39 | |
They said it was an accident, that he was tired, ill. | 0:31:39 | 0:31:45 | |
I know they were trying to comfort me. | 0:31:45 | 0:31:47 | |
Who said it was an accident? | 0:31:47 | 0:31:49 | |
Miss Keyes. Dr Graelich. | 0:31:51 | 0:31:54 | |
-I hope our Charlotte has a better part this year, Miss Keyes. -I'm sure... Sorry, if you'll excuse me. | 0:32:15 | 0:32:21 | |
-< -Good evening. -Good evening. | 0:32:24 | 0:32:26 | |
-Dr Graelich, can I see you a minute? -Certainly. | 0:32:27 | 0:32:30 | |
Just one question. | 0:32:32 | 0:32:33 | |
-I'd like to know why you falsified Professor Jameson's death certificate. -It was not falsified! | 0:32:33 | 0:32:39 | |
Heart failure induced by an overdose of sleeping tablets! | 0:32:39 | 0:32:43 | |
Seven grains. That's a pretty big accident. You didn't say anything about suicide. | 0:32:43 | 0:32:48 | |
-We try to keep anything sensational out of the newspapers. -What made you think there'd be a scandal? | 0:32:48 | 0:32:55 | |
Miss Keyes was deathly afraid it might lead to talk about the faculty. | 0:32:55 | 0:33:00 | |
-To be frank, it might have revealed that both the professor and I were interested in Vicky Gaines. -Really? | 0:33:00 | 0:33:06 | |
Well, knowing Miss Gaines, that's quite understandable. | 0:33:07 | 0:33:11 | |
That explains why you sent her to warn the coroner about me. | 0:33:11 | 0:33:14 | |
That was Miss Keyes' suggestion! I merely follow her direction. | 0:33:14 | 0:33:18 | |
-I'll have to find out from Miss Keyes. -It's the overture. -Thank you. | 0:33:18 | 0:33:23 | |
We can talk afterwards if you like. | 0:33:23 | 0:33:25 | |
-Two hours, just to get in and ask questions. -You never know when you might pick up some education. | 0:33:27 | 0:33:33 | |
Just ask for the Mother Superior! | 0:33:36 | 0:33:39 | |
-I oughta jail you for sending us on a runaround. You knew there was a murder here! -Murder? | 0:33:39 | 0:33:44 | |
-A guy named Jameson is dead and his insurance company is screaming for an investigation. -Insurance company? | 0:33:44 | 0:33:50 | |
-Yes. -We've a few questions to ask. Where's this dame Keyes? | 0:33:50 | 0:33:54 | |
I can save you all that trouble. | 0:33:54 | 0:33:57 | |
It was murder. I'll give you the killer if you wait. | 0:33:57 | 0:34:00 | |
-Who was it? -Why, er... | 0:34:00 | 0:34:03 | |
< INAUDIBLE | 0:34:03 | 0:34:05 | |
I'd rather not say. | 0:34:09 | 0:34:11 | |
-Was it that dame? -Oh, no, no, of course not. -Oh, no, of course not(!) | 0:34:11 | 0:34:15 | |
BELL RINGS | 0:34:16 | 0:34:18 | |
Hear ye, hear ye. | 0:34:21 | 0:34:23 | |
To the friends of fair Bluecliff, parents, trustees, | 0:34:23 | 0:34:27 | |
we bring you our festival and hope it will please. | 0:34:27 | 0:34:30 | |
A carnival of laughter, drama and song. | 0:34:30 | 0:34:33 | |
Up with the curtain - we'll take you along. | 0:34:33 | 0:34:36 | |
APPLAUSE | 0:34:36 | 0:34:38 | |
# Mmm-mm-mm-mm | 0:34:38 | 0:34:42 | |
# Mm-mm-mm-mm-mm | 0:34:42 | 0:34:48 | |
# Mm-mm-mm-mm-mm-mm | 0:34:48 | 0:34:54 | |
# Mm-mm-mm-mm-mm | 0:34:54 | 0:34:59 | |
SONG BEGINS | 0:34:59 | 0:35:04 | |
# ..Through thy hearts the echoes ring | 0:35:21 | 0:35:26 | |
# Lift our voices loud and sing... # | 0:35:26 | 0:35:34 | |
We want to talk to you, sister. | 0:35:39 | 0:35:42 | |
Ssh! | 0:35:42 | 0:35:43 | |
-Look, lady, we've got business... -No-one is allowed backstage. | 0:35:47 | 0:35:51 | |
-We're with the Homicide department. -We have some questions. -Ask them after the performance. | 0:35:51 | 0:35:56 | |
# I came all the way from Brooklyn | 0:35:58 | 0:36:00 | |
# To improve my education | 0:36:00 | 0:36:03 | |
# And they sent me here | 0:36:03 | 0:36:04 | |
# For that veneer of high sophistication | 0:36:04 | 0:36:09 | |
# At Bluecliff we are taught to be | 0:36:09 | 0:36:13 | |
# The essence of propriety | 0:36:13 | 0:36:16 | |
# We study French and history | 0:36:16 | 0:36:19 | |
# While learning to be ladies... | 0:36:19 | 0:36:24 | |
# But back in Brooklyn they say bees and beaus | 0:36:24 | 0:36:26 | |
# And they all wear them solid clothes | 0:36:26 | 0:36:29 | |
# On Fulton Street when they arrive to cut a rug and dig that jive | 0:36:29 | 0:36:33 | |
# The famous dates in history just keep me all upset | 0:36:33 | 0:36:37 | |
# But when the Dodgers won that pennant | 0:36:37 | 0:36:40 | |
# That's a date I can't forget | 0:36:40 | 0:36:42 | |
# At Bluecliff all the teaching staff | 0:36:42 | 0:36:45 | |
# Maintains one must control one's life | 0:36:45 | 0:36:49 | |
# And not act like the other half | 0:36:49 | 0:36:53 | |
# While learning to be ladies... | 0:36:54 | 0:36:58 | |
# But back in Brooklyn they all ride the El | 0:36:58 | 0:37:00 | |
# And they think that Coney Island's swell | 0:37:00 | 0:37:02 | |
# You can take me out of Brooklyn Yes | 0:37:02 | 0:37:05 | |
# But ain't it plain to see? | 0:37:05 | 0:37:07 | |
# That you can't take Brooklyn out of me... # | 0:37:07 | 0:37:12 | |
DRAMATIC MUSICAL INTRODUCTION | 0:37:18 | 0:37:20 | |
AUDIENCE MURMURS | 0:37:25 | 0:37:28 | |
Education(!) | 0:37:29 | 0:37:31 | |
Ladies and gentlemen, | 0:37:35 | 0:37:37 | |
due to unforeseen circumstances, | 0:37:37 | 0:37:40 | |
the fencing exhibition will not be presented. | 0:37:40 | 0:37:43 | |
The show will continue with the next number. | 0:37:43 | 0:37:45 | |
ORCHESTRA PLAYS JOLLY TUNE | 0:37:45 | 0:37:48 | |
AUDIENCE LAUGHS | 0:37:52 | 0:37:54 | |
What's the trouble? | 0:38:15 | 0:38:17 | |
-It's Marguerita again. -Is she still outside? | 0:38:17 | 0:38:20 | |
Might as well leave her alone. You can't do anything with her. | 0:38:20 | 0:38:24 | |
PIERCING SCREAM | 0:38:24 | 0:38:26 | |
Miss Keyes... | 0:38:36 | 0:38:37 | |
Marguerita was right again. > | 0:38:39 | 0:38:42 | |
-She said there'd be another murder. -> | 0:38:42 | 0:38:44 | |
That's right. > | 0:38:44 | 0:38:45 | |
-An elderly person, too. -> | 0:38:45 | 0:38:47 | |
Another one, heh? | 0:38:56 | 0:38:58 | |
Miss Keyes, the head of the school. | 0:38:59 | 0:39:01 | |
Murder seems to follow you around. | 0:39:01 | 0:39:04 | |
Get back inside, girls. | 0:39:04 | 0:39:06 | |
Come on! Keep the show going. | 0:39:06 | 0:39:09 | |
-I don't want that audience turned loose out here. -Come on, girls. | 0:39:09 | 0:39:13 | |
Gosh, Chief, just think of all the education that was snuffed out when she cashed in... | 0:39:13 | 0:39:19 | |
GIRLS GASP | 0:39:22 | 0:39:24 | |
Mr Lawrence! | 0:39:25 | 0:39:27 | |
It was lying right there. | 0:39:31 | 0:39:34 | |
Why didn't you leave it? Now you've got your fingerprints all over it. | 0:39:34 | 0:39:38 | |
-How do we know they weren't on it already? -The tip has been removed. | 0:39:38 | 0:39:42 | |
It'll check with the wound. | 0:39:42 | 0:39:44 | |
-A thin, sharp blade that probably pierced the heart. -Oh, there goes Nancy again! | 0:39:44 | 0:39:49 | |
GIRLS ALL TALK AT ONCE | 0:39:50 | 0:39:53 | |
Not everybody knows how to handle one of these. | 0:39:55 | 0:39:58 | |
All right, Bates, start making notes. I'll phone in a report. | 0:39:58 | 0:40:02 | |
OK, sister, what's your John Henry? | 0:40:02 | 0:40:04 | |
Vicky Gaines. | 0:40:04 | 0:40:06 | |
What do you do here? | 0:40:08 | 0:40:10 | |
I teach. | 0:40:10 | 0:40:11 | |
What do you teach? | 0:40:11 | 0:40:14 | |
Fencing and dramatics. | 0:40:14 | 0:40:15 | |
How long have you been here? | 0:40:20 | 0:40:22 | |
Seven years. | 0:40:22 | 0:40:24 | |
LOUD PIANO MUSIC | 0:40:24 | 0:40:27 | |
MUSIC CONTINUES | 0:40:36 | 0:40:38 | |
You shouldn't have run away, you know. | 0:41:17 | 0:41:20 | |
I won't go back there. They'll ask questions, and I couldn't stand it! | 0:41:20 | 0:41:24 | |
You'll have to answer them sooner or later. | 0:41:24 | 0:41:27 | |
That's your father's concerto, isn't it? | 0:41:29 | 0:41:33 | |
One of his old recordings. | 0:41:33 | 0:41:35 | |
You didn't know my father, did you? | 0:41:35 | 0:41:38 | |
Not personally. But I heard his concerts. | 0:41:38 | 0:41:41 | |
He played beautifully. | 0:41:41 | 0:41:42 | |
Beautifully? | 0:41:42 | 0:41:44 | |
Sometimes... | 0:41:44 | 0:41:46 | |
Other times, strangely...wildly... | 0:41:47 | 0:41:51 | |
You know what I mean, don't you? | 0:41:51 | 0:41:54 | |
I'm not sure that I do. | 0:41:54 | 0:41:56 | |
You're just like all the rest! Trying to keep the truth from me. | 0:41:56 | 0:42:00 | |
But I know. I've found out. | 0:42:00 | 0:42:02 | |
Nobody told me. They didn't have to. | 0:42:02 | 0:42:04 | |
I knew what they were thinking... | 0:42:07 | 0:42:09 | |
My father was insane, wasn't he? | 0:42:10 | 0:42:12 | |
That depends on what you mean by insane. | 0:42:12 | 0:42:16 | |
We all of us have a little of the Mad Hatter in us. | 0:42:16 | 0:42:20 | |
If you have enough of it, you're called a genius. | 0:42:20 | 0:42:23 | |
A gifted man like your father must have seemed strange, even abnormal, to ordinary people. | 0:42:23 | 0:42:28 | |
I've often wondered about my father... | 0:42:28 | 0:42:31 | |
About myself, I mean. | 0:42:31 | 0:42:33 | |
Whether I'd be...like him. | 0:42:33 | 0:42:37 | |
I get these strange moods. | 0:42:38 | 0:42:40 | |
I know I'm not normal, not like other people. | 0:42:40 | 0:42:43 | |
WIND BLOWS | 0:42:43 | 0:42:45 | |
-If you let yourself think like that, you'll finish up believing it. -Hear the wind? | 0:42:45 | 0:42:50 | |
Do you hear it? | 0:42:50 | 0:42:51 | |
Do you hear what it's saying? | 0:42:53 | 0:42:55 | |
Over and over... | 0:42:55 | 0:42:57 | |
It's just the wind in the trees. | 0:42:57 | 0:42:59 | |
Listen... | 0:42:59 | 0:43:01 | |
Listen! | 0:43:01 | 0:43:03 | |
WIND HOWLS | 0:43:03 | 0:43:06 | |
Follow... | 0:43:21 | 0:43:23 | |
Follow... | 0:43:24 | 0:43:26 | |
Stop it, Marguerita! | 0:43:26 | 0:43:28 | |
You're letting your imagination get the better of you. | 0:43:28 | 0:43:31 | |
I'm sorry... | 0:43:31 | 0:43:33 | |
VOICES, CAR ENGINES START | 0:43:33 | 0:43:35 | |
The show must be over. | 0:43:35 | 0:43:37 | |
You'll have to go. You're not supposed to be here this late! | 0:43:37 | 0:43:41 | |
DOOR OPENS | 0:44:31 | 0:44:33 | |
Are you looking for something? | 0:44:35 | 0:44:38 | |
I'd like some professional advice, Doctor. | 0:44:39 | 0:44:42 | |
Would you call this a coincidence? | 0:44:42 | 0:44:44 | |
Marguerita Serena made these figures. | 0:44:44 | 0:44:47 | |
These, of course, are yours. | 0:44:47 | 0:44:49 | |
Yes. What about it? | 0:44:49 | 0:44:51 | |
If I'm not mistaken, they're used to make tests in mental telepathy. | 0:44:51 | 0:44:55 | |
Yes. A psychic person would get a high average in naming them correctly. | 0:44:55 | 0:44:59 | |
What is it? | 0:44:59 | 0:45:01 | |
Clover leaf. | 0:45:01 | 0:45:03 | |
Hourglass. | 0:45:04 | 0:45:06 | |
Crescent. | 0:45:07 | 0:45:09 | |
None out of three. | 0:45:09 | 0:45:11 | |
You don't seem to be psychic, Mr Lawrence(!) | 0:45:11 | 0:45:14 | |
Marguerita is? | 0:45:14 | 0:45:15 | |
There are strong indications. | 0:45:15 | 0:45:18 | |
So you deliberately misled me when I asked you before? | 0:45:18 | 0:45:21 | |
You've been giving these tests to Marguerita? | 0:45:21 | 0:45:23 | |
After all, psychic phenomenon is an outpost of my profession. | 0:45:23 | 0:45:27 | |
I don't have to tell you that Bluecliff has always been ultra-conservative. | 0:45:27 | 0:45:32 | |
Of course, all that may be changed now. | 0:45:32 | 0:45:35 | |
You heard about Miss Keyes? | 0:45:35 | 0:45:38 | |
Yes. | 0:45:38 | 0:45:39 | |
Right after the performance. | 0:45:39 | 0:45:41 | |
Shocking thing. Horrible. | 0:45:41 | 0:45:44 | |
You realise this murder leaves you in a very awkward position. | 0:45:44 | 0:45:47 | |
How do you mean? | 0:45:47 | 0:45:48 | |
It tends to prove Professor Jameson's death wasn't suicide after all. | 0:45:48 | 0:45:52 | |
Since both you and the professor were interested in Vicky, it makes you the logical suspect. | 0:45:52 | 0:45:58 | |
Why should I want to kill Miss Keyes? | 0:46:00 | 0:46:03 | |
People have been killed to keep them from talking. | 0:46:03 | 0:46:06 | |
If Miss Keyes had known there was a murder, | 0:46:06 | 0:46:09 | |
she would have made every effort to cover up, not expose it. | 0:46:09 | 0:46:13 | |
People have been disposed of for other reasons - money, blackmail, fear, honour... | 0:46:13 | 0:46:18 | |
There's something you should understand. | 0:46:18 | 0:46:20 | |
If I'm not mistaken, that's a badge of honour you carry. | 0:46:20 | 0:46:23 | |
-Isn't that a sabre scar? -I am well aware of how Miss Keyes was killed. | 0:46:23 | 0:46:27 | |
Your insinuations are quite obvious. | 0:46:27 | 0:46:30 | |
-How long have you been in this country? -Five years. | 0:46:31 | 0:46:35 | |
That's very interesting. | 0:46:35 | 0:46:36 | |
-I noticed you received your doctor's degree four years ago, in Europe. -All right, four years! | 0:46:36 | 0:46:41 | |
What difference does all this make? | 0:46:41 | 0:46:44 | |
I seem to have hit on a sore spot, Doctor. What's wrong? | 0:46:46 | 0:46:49 | |
-Not in the country illegally, are you? -No! I married an American woman. | 0:46:49 | 0:46:54 | |
-You kept your marriage secret. Why? -Miss Keyes never allowed married teachers on her faculty. | 0:46:54 | 0:46:58 | |
Who was it you married? | 0:46:58 | 0:47:00 | |
That is my own business. | 0:47:00 | 0:47:02 | |
Anatole, there is something I must tell you... | 0:47:05 | 0:47:08 | |
Don't let me interfere. | 0:47:09 | 0:47:11 | |
I was about to leave, anyway. | 0:47:11 | 0:47:14 | |
Thanks. | 0:47:15 | 0:47:16 | |
PIERCING SCREAM | 0:47:28 | 0:47:31 | |
FURTHER SCREAM | 0:47:31 | 0:47:34 | |
Let go of me, you old fool! | 0:47:34 | 0:47:36 | |
What are you doing in here? What are you after? | 0:47:38 | 0:47:41 | |
-Nothing, I tell you. -Yeah, looks like it(!) | 0:47:41 | 0:47:44 | |
Here's something, Chief. A mythology exam. | 0:47:44 | 0:47:47 | |
All about fawns and nymphs, just like we've been studying at the academy. | 0:47:47 | 0:47:52 | |
You and your night school! | 0:47:52 | 0:47:53 | |
Hey! | 0:47:53 | 0:47:55 | |
Timothy, I'm surprised at you! | 0:47:59 | 0:48:00 | |
She broke in here after something. | 0:48:03 | 0:48:04 | |
Did she get it? | 0:48:04 | 0:48:06 | |
-Search me. -Searching her would be more to the point. -Oh, no, you don't! | 0:48:06 | 0:48:10 | |
All right. All right! | 0:48:12 | 0:48:14 | |
"My dear madam, to my deep regret, Jane has failed Professor Jameson's course in English literature. | 0:48:21 | 0:48:27 | |
"Remembering your fine record at Bluecliff, | 0:48:27 | 0:48:30 | |
"it is very painful for me to tell you that we must drop Jane at the end of the present semester." | 0:48:30 | 0:48:35 | |
-Etcetera, etcetera. -There's your answer, Chief. Jane murders the prof, | 0:48:35 | 0:48:40 | |
-then knocks off the old lady to keep from being kicked out of school. -Night school will be proud of you! | 0:48:40 | 0:48:45 | |
-The best thing you can do, young lady, is to go to your room and stay there. -Don't treat me like a child! | 0:48:45 | 0:48:51 | |
It might be an idea at that. There's an old saying about sparing the rod. | 0:48:51 | 0:48:56 | |
-SLAP! -Ow! Stop it! | 0:48:59 | 0:49:02 | |
Let me see that, will you? | 0:49:09 | 0:49:11 | |
Isn't that the girl that stole your car? | 0:49:11 | 0:49:14 | |
-Yes, but I'm satisfied she didn't have anything to do with the murder. -So that makes it official(!) | 0:49:14 | 0:49:20 | |
GUNSHOT | 0:49:20 | 0:49:22 | |
Weird, ain't it? | 0:49:28 | 0:49:31 | |
VOICES MURMUR | 0:49:56 | 0:50:00 | |
Ssh, ssh! | 0:50:01 | 0:50:03 | |
Really, this is the truth and that isn't all that happened. | 0:50:03 | 0:50:06 | |
Then I kicked the inspector and then I jumped ten feet out of the window. | 0:50:06 | 0:50:10 | |
It was nine-and-a-half. | 0:50:10 | 0:50:11 | |
ALL GASP | 0:50:11 | 0:50:12 | |
Nancy, don't you dare! | 0:50:12 | 0:50:15 | |
This is just a chance visit, I assure you. | 0:50:15 | 0:50:18 | |
You might say a shot in the dark. | 0:50:18 | 0:50:20 | |
Now don't you go apologising, Mr Lawrence, | 0:50:20 | 0:50:23 | |
we're just thrilled to have you. Cookie? | 0:50:23 | 0:50:25 | |
-Yes, won't you have some tea? -Dorothy! | 0:50:25 | 0:50:27 | |
-What'd you find out about Miss Keyes? -Who did it? | 0:50:27 | 0:50:29 | |
-Do you suspect any of the teachers? -I'll call the faculty! | 0:50:29 | 0:50:33 | |
He'll report us for having a midnight snack. | 0:50:33 | 0:50:36 | |
-If you'll keep quiet about me, I'll repay the compliment. -I hope so! | 0:50:36 | 0:50:39 | |
ALL: Don't go! You can't go out there! | 0:50:39 | 0:50:42 | |
Sensible, anyway. | 0:50:46 | 0:50:48 | |
GIRLS LAUGH | 0:50:48 | 0:50:50 | |
DOOR CLOSES I would have to have these on! | 0:50:50 | 0:50:53 | |
SHE SCREAMS | 0:51:09 | 0:51:12 | |
What is this? | 0:51:14 | 0:51:16 | |
Best two falls out of three? | 0:51:16 | 0:51:18 | |
Happens I have a phobia about being shot at. | 0:51:24 | 0:51:27 | |
Whoever did it came in here. | 0:51:27 | 0:51:29 | |
WOMAN WHIMPERS | 0:51:29 | 0:51:33 | |
SHE SOBS | 0:51:33 | 0:51:36 | |
Oh, come now, Mary, it isn't as bad as all that. | 0:51:37 | 0:51:40 | |
Miss Gaines, this picture... | 0:51:48 | 0:51:51 | |
SHE CONTINUES SOBBING | 0:51:51 | 0:51:55 | |
I hope I don't have to call the police. | 0:51:55 | 0:51:58 | |
No, I'll do it for you. | 0:51:59 | 0:52:02 | |
What shall I tell them? | 0:52:02 | 0:52:04 | |
Please. | 0:52:04 | 0:52:06 | |
That's better. | 0:52:07 | 0:52:09 | |
Now, this picture... | 0:52:11 | 0:52:13 | |
it was a cruise, wasn't it? | 0:52:13 | 0:52:15 | |
One of those summer tours for vacationing school teachers? | 0:52:15 | 0:52:18 | |
Those cruises aren't as dull as you think. We had a wonderful time. | 0:52:18 | 0:52:22 | |
And romance, no doubt. | 0:52:22 | 0:52:24 | |
If you must know, yes. | 0:52:24 | 0:52:26 | |
Most young teachers travel, Mr Lawrence. Their excuse is culture. | 0:52:26 | 0:52:29 | |
Privately, they're hoping something extraordinary will happen to them. Preferably a man. | 0:52:29 | 0:52:34 | |
It was in Europe, that was when you met Dr Graelich. | 0:52:34 | 0:52:37 | |
Why deny it? | 0:52:37 | 0:52:38 | |
Met him, fell in love, became engaged. | 0:52:38 | 0:52:41 | |
CHATTERING | 0:52:41 | 0:52:44 | |
..Frightening young girls! Aren't you ashamed of yourself? | 0:52:46 | 0:52:49 | |
We didn't do nothing, lady. We're police officers. | 0:52:49 | 0:52:52 | |
-Peeping Toms, you mean. -And policemen too! Hiding behind your badges! | 0:52:52 | 0:52:56 | |
Lady, if we knew any place to hide, we'd be there. | 0:52:56 | 0:52:59 | |
Get out and stay out! | 0:53:01 | 0:53:04 | |
Dames! | 0:53:04 | 0:53:06 | |
Why, Timothy. | 0:53:06 | 0:53:08 | |
If this story gets around headquarters, I'll know where it came from. | 0:53:08 | 0:53:12 | |
And that goes for you too. | 0:53:12 | 0:53:14 | |
-I didn't say nothing, Chief. -Well, you might! | 0:53:14 | 0:53:16 | |
You mean to tell me you teachers have been around this school | 0:53:22 | 0:53:25 | |
all these years and none of you know anything about this? | 0:53:25 | 0:53:28 | |
Quit flubbering around, you annoy me! | 0:53:28 | 0:53:30 | |
You don't exactly please me either. | 0:53:30 | 0:53:32 | |
Good! Miss Phoebus, | 0:53:32 | 0:53:35 | |
would you say this was Miss Keyes' signature? | 0:53:35 | 0:53:38 | |
Why, yes. That is, I think so. It certainly looks like it. | 0:53:38 | 0:53:43 | |
Thank you. | 0:53:43 | 0:53:44 | |
All right, the rest of you faculty mothers can go. | 0:53:44 | 0:53:48 | |
I always like to deal with the person in charge. | 0:53:48 | 0:53:51 | |
-Congratulations. -You're probably being very clever, Inspector. | 0:53:51 | 0:53:55 | |
I haven't the vaguest idea what you're talking about. | 0:53:55 | 0:53:58 | |
-Course, you don't know what I mean, either. -No, but I could venture to guess. | 0:53:58 | 0:54:01 | |
You don't have to guess, I'll tell you. | 0:54:01 | 0:54:04 | |
We found the old lady's will, | 0:54:04 | 0:54:05 | |
and everything in it goes to Vicky Gaines. | 0:54:05 | 0:54:08 | |
The grounds, the house, the school, everything. What do you make of that? | 0:54:08 | 0:54:11 | |
I don't make anything of it. | 0:54:11 | 0:54:13 | |
Except at your congratulations on very poor taste. | 0:54:13 | 0:54:16 | |
Look...I've got a very low-class mind, so I've doped it out like this. | 0:54:23 | 0:54:27 | |
It's the ordinary love triangle. The doctor eliminates his competition, Professor Jameson, | 0:54:27 | 0:54:32 | |
then he bumps the old lady so his sweetheart can inherit the premises and they live happy ever after. | 0:54:32 | 0:54:37 | |
I'm holding you two for murder. | 0:54:37 | 0:54:40 | |
Timothy... | 0:54:41 | 0:54:42 | |
-you've reasoned the whole thing out beautifully. -Thanks. | 0:54:42 | 0:54:45 | |
There's only one little thing wrong with it. | 0:54:45 | 0:54:47 | |
-What are you going to use for evidence? -What are you trying to do? | 0:54:47 | 0:54:51 | |
I'm thinking of you. | 0:54:51 | 0:54:53 | |
Wouldn't you be risking your reputation at headquarters bringing in prisoners and no proof? | 0:54:53 | 0:54:58 | |
PHONE RINGS | 0:54:59 | 0:55:02 | |
Hello. | 0:55:02 | 0:55:03 | |
Hello, is that you, Chief? I got that gal you wanted - | 0:55:03 | 0:55:06 | |
Marguerita Serena, the one that found the body. | 0:55:06 | 0:55:09 | |
-Good, where are you? -'We're in Miss Keyes' office. | 0:55:09 | 0:55:12 | |
'We've been waiting and waiting...' | 0:55:12 | 0:55:15 | |
We'd be very happy to come over to where you are. Where are you? | 0:55:18 | 0:55:22 | |
Hello. Hello, Chief... | 0:55:22 | 0:55:24 | |
Oh! | 0:55:24 | 0:55:26 | |
Now then, what happened to you last night? Nobody could find you. | 0:55:33 | 0:55:37 | |
You must have disappeared for some reason. | 0:55:37 | 0:55:40 | |
I... I was afraid. | 0:55:40 | 0:55:42 | |
Afraid, huh? Maybe that's why you stood over Miss Keyes' body for a full minute before screaming. | 0:55:42 | 0:55:47 | |
I didn't stand over the body. I called the minute I found it. | 0:55:47 | 0:55:50 | |
That's not the story we heard. | 0:55:50 | 0:55:51 | |
I'm sorry, dear, I didn't mean to tell them but they... | 0:55:54 | 0:55:58 | |
I looked out of the window and saw you. | 0:55:58 | 0:56:00 | |
Maybe you did see me. | 0:56:02 | 0:56:04 | |
Maybe I did kill Miss Keyes. | 0:56:04 | 0:56:07 | |
And Jameson, and how many others, I don't know! | 0:56:07 | 0:56:11 | |
Maybe I am insane! | 0:56:12 | 0:56:14 | |
Maybe I am! | 0:56:15 | 0:56:18 | |
SHE SOBS | 0:56:18 | 0:56:20 | |
Marguerita, stop it! | 0:56:20 | 0:56:22 | |
Stop it! | 0:56:22 | 0:56:25 | |
Marguerita... | 0:56:25 | 0:56:26 | |
stop it. | 0:56:26 | 0:56:28 | |
You can see it would be useless to question her now. | 0:56:44 | 0:56:47 | |
Oh, all right. | 0:56:47 | 0:56:48 | |
But I'm holding her. Take the girl into town and lock her up. | 0:56:48 | 0:56:51 | |
Tell the jailer unless some tongues start to loosen up, he'd better get ready for a full house. | 0:56:51 | 0:56:56 | |
BELLS CHIME | 0:56:56 | 0:56:59 | |
Hey, come back here! | 0:57:08 | 0:57:11 | |
WHISTLE BLOWS | 0:57:11 | 0:57:14 | |
-What's the matter? -What's going on? -What's happened? | 0:57:14 | 0:57:16 | |
-She escaped! -Who escaped? -That Marguerita dame. Lemme through! | 0:57:16 | 0:57:20 | |
-I just saw her walking towards the cliffs. -She'll jump off! -Just like her father did! | 0:57:20 | 0:57:24 | |
Oh, no, she won't. | 0:57:24 | 0:57:26 | |
Marguerita's running away. She'll kill herself! She's gone towards the cliffs, she'll kill herself! | 0:57:32 | 0:57:37 | |
You won't find Marguerita by following me. | 0:58:19 | 0:58:22 | |
-If you don't mind... -I certainly do mind! | 0:58:22 | 0:58:25 | |
Curious to know whether this was the gun fired at me last night. | 0:58:25 | 0:58:28 | |
Hasn't been used for years. | 0:58:28 | 0:58:30 | |
Apparently not. | 0:58:32 | 0:58:34 | |
Just what do you intend doing with all that armament? | 0:58:35 | 0:58:38 | |
After all, someone's going around murdering people. | 0:58:38 | 0:58:41 | |
Don't look so accusingly at me. | 0:58:41 | 0:58:43 | |
Just one thing puzzles me. | 0:58:45 | 0:58:46 | |
I can't imagine a girl like you being secretly married to anyone. | 0:58:46 | 0:58:50 | |
You're much too forthright and uncompromising. | 0:58:50 | 0:58:52 | |
-You'd want the whole world to know it. -If you mean Dr Graelich, | 0:58:52 | 0:58:55 | |
we were never married. I found out he was trying to get into the United States... | 0:58:55 | 0:59:00 | |
-And intended using you as a passport. -I broke the engagement. | 0:59:00 | 0:59:03 | |
Graelich admitted he had married someone. | 0:59:03 | 0:59:05 | |
Married? To whom? | 0:59:05 | 0:59:08 | |
Mary Phoebus was on that cruise with you, wasn't she? | 0:59:09 | 0:59:12 | |
Mary? It couldn't be. | 0:59:12 | 0:59:15 | |
Yes, it's true, Vicky. | 0:59:16 | 0:59:18 | |
I always meant to but I didn't know how to tell you. | 0:59:18 | 0:59:21 | |
But you hardly knew each other. | 0:59:21 | 0:59:22 | |
I told her I wasn't in love with her, that it was you, | 0:59:22 | 0:59:25 | |
and always would be, but she was willing to have it that way. | 0:59:25 | 0:59:28 | |
How could you marry on those terms? | 0:59:28 | 0:59:30 | |
You can't understand how much it meant to me to come to America. | 0:59:30 | 0:59:33 | |
We'd better find Mary before there's another tragedy. | 0:59:33 | 0:59:36 | |
Surely you don't believe Mary is guilty of these insane, disconnected murders? | 0:59:36 | 0:59:40 | |
The fact that they were disconnected is the key to the whole thing. | 0:59:40 | 0:59:44 | |
Professor Jameson was killed with deliberate calculation | 0:59:44 | 0:59:47 | |
to make the police believe exactly as they did, that you two murdered him. | 0:59:47 | 0:59:51 | |
-How could anyone be so vicious? -After all, she married the doctor, | 0:59:51 | 0:59:54 | |
was probably woman enough to hope she could win his affection. | 0:59:54 | 0:59:57 | |
Seeing you two together was too much for her. | 0:59:57 | 1:00:00 | |
She planned this whole thing as a way of getting even with you both. | 1:00:00 | 1:00:03 | |
I can understand her feelings towards us, but Miss Keyes... | 1:00:03 | 1:00:07 | |
Her whole plan depended on the police coming in to make the obvious accusations. | 1:00:07 | 1:00:11 | |
Miss Keyes knocked that for the sake of the school's reputation. So she had to be disposed of. | 1:00:11 | 1:00:16 | |
They found Marguerita. | 1:00:17 | 1:00:18 | |
-She wasn't going to kill herself. -Of course not! | 1:00:18 | 1:00:21 | |
-Where is she? -Back there. -At the Devil's Ladder. -With Miss Phoebus. | 1:00:21 | 1:00:25 | |
Why did you run away? | 1:00:33 | 1:00:35 | |
I... I was afraid. | 1:00:35 | 1:00:37 | |
Afraid? | 1:00:38 | 1:00:40 | |
Of whom? | 1:00:40 | 1:00:42 | |
I saw you standing over Miss Keyes' body last night. | 1:00:42 | 1:00:49 | |
At least, I thought I did. I still don't know. I... | 1:00:49 | 1:00:54 | |
But you didn't see me, Marguerita. You know you didn't. | 1:00:54 | 1:00:57 | |
-Please! -It was just another of your wild illusions. | 1:00:57 | 1:01:00 | |
Please let me think! Leave me alone! | 1:01:00 | 1:01:03 | |
There's no hope for you, Marguerita. | 1:01:11 | 1:01:13 | |
You're just like your father. | 1:01:13 | 1:01:15 | |
-Like my father? -Yes. | 1:01:15 | 1:01:17 | |
You should have known long ago. | 1:01:17 | 1:01:19 | |
They've all tried to shield you and this is the result. | 1:01:19 | 1:01:22 | |
Someone should have told you. | 1:01:22 | 1:01:24 | |
Your father was insane. | 1:01:25 | 1:01:27 | |
Violently insane and he started just the way you have. | 1:01:27 | 1:01:31 | |
Hallucinations, | 1:01:31 | 1:01:33 | |
lapse of memory, | 1:01:33 | 1:01:35 | |
premonitions, | 1:01:35 | 1:01:37 | |
-alternate rage and despair. -No! -You can't escape it. -No! | 1:01:37 | 1:01:41 | |
It was born in you. | 1:01:41 | 1:01:43 | |
Your father knew. | 1:01:52 | 1:01:54 | |
There was only one answer. | 1:01:54 | 1:01:56 | |
The sea... | 1:01:57 | 1:01:59 | |
Listen to it. | 1:01:59 | 1:02:01 | |
Listen to the sea. | 1:02:01 | 1:02:03 | |
-MALE VOICE WHISPERS: -'Insane! | 1:02:06 | 1:02:09 | |
'Your father! | 1:02:09 | 1:02:16 | |
'Insane! | 1:02:16 | 1:02:19 | |
'Only one... | 1:02:19 | 1:02:24 | |
'answer... | 1:02:24 | 1:02:28 | |
'The sea!' | 1:02:28 | 1:02:31 | |
Only one answer. | 1:02:38 | 1:02:41 | |
The sea! | 1:02:41 | 1:02:44 | |
'Insane! | 1:02:48 | 1:02:52 | |
'One answer! | 1:02:52 | 1:02:57 | |
'Sea!' | 1:02:57 | 1:03:00 | |
-Marguerita! -SHE SCREAMS | 1:03:14 | 1:03:15 | |
GIRLS CHATTER | 1:03:28 | 1:03:32 | |
-Bye, Doctor. -Bye, sir. -It's a shame you have to leave. -Yes, isn't it! | 1:03:32 | 1:03:37 | |
HORN BLARES | 1:03:37 | 1:03:38 | |
It's mother! | 1:03:38 | 1:03:40 | |
HORN CONTINUES | 1:03:40 | 1:03:41 | |
Hello, darling! | 1:03:41 | 1:03:43 | |
Hello, Tom, darling. | 1:03:43 | 1:03:46 | |
Always the actress. You couldn't possibly make a simple entrance. | 1:03:46 | 1:03:49 | |
The horn's been stuck that way for miles. Oh, Miss Gaines, how's your dramatic group? | 1:03:49 | 1:03:54 | |
-Well... -That's fine, dear, just fine! | 1:03:54 | 1:03:57 | |
-Who's that with you? -That's Ellen Lee, she's in my new play. | 1:03:57 | 1:04:01 | |
Oh and you must come to see it, dear, it's one of those parts... | 1:04:01 | 1:04:05 | |
HORN STOPS | 1:04:05 | 1:04:08 | |
You're the Falcon, aren't you? | 1:04:08 | 1:04:10 | |
-Yes. -Jane told me you were here | 1:04:10 | 1:04:11 | |
and I wangled this ride just to get hold of you. | 1:04:11 | 1:04:14 | |
-Yes? -We're having some very strange trouble at the theatre and you're the only one that can solve it. | 1:04:14 | 1:04:19 | |
That's very flattering. | 1:04:19 | 1:04:20 | |
Then you will come? | 1:04:20 | 1:04:23 | |
I shall be delighted. | 1:04:23 | 1:04:25 | |
ENGINE STARTS | 1:04:28 | 1:04:31 | |
Where's the Falcon? | 1:04:32 | 1:04:35 | |
-There he goes. -He fixed the horn! -He solved the murder! | 1:04:35 | 1:04:38 | |
ALL: He could do anything! | 1:04:38 | 1:04:40 | |
HORN BLARES | 1:04:41 | 1:04:44 | |
Subtitles by Red Bee Media Ltd - 2006 | 1:04:45 | 1:04:49 |