
Browse content similar to The Falcon in Danger. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
TANNOY: 'Attention, please. Flight 65 from Washington arriving. | 0:00:48 | 0:00:55 | |
'Attention, please. Flight 65 from Washington arriving.' | 0:00:55 | 0:00:59 | |
Why doesn't he switch on his landing lights? Look at that. | 0:01:11 | 0:01:14 | |
They're missing the field. They're crash-landing. | 0:01:15 | 0:01:20 | |
Start her up. | 0:01:22 | 0:01:24 | |
'Emergency, clear the field, emergency, clear the field.' | 0:01:24 | 0:01:30 | |
THEY ALL GASP | 0:01:30 | 0:01:33 | |
SIRENS WAIL | 0:01:36 | 0:01:39 | |
Let's get over there. | 0:01:39 | 0:01:40 | |
SIRENS WAIL | 0:01:40 | 0:01:42 | |
Oh, please take me with you! My father's on that plane. | 0:01:48 | 0:01:53 | |
I'm sorry, so are a lot of other people. | 0:01:53 | 0:01:56 | |
TYRES SCREECH | 0:02:10 | 0:02:12 | |
Nobody aboard. Well, how do you like that? | 0:02:22 | 0:02:25 | |
It ain't so, it couldn't happen. | 0:02:25 | 0:02:27 | |
Get outside, have this crate surrounded. Come with me. | 0:02:27 | 0:02:32 | |
Automatic control, that's how she came in on the beam. | 0:02:32 | 0:02:36 | |
How about the log? No entry since the last stop. Any signs of violence? | 0:02:36 | 0:02:40 | |
No. Maybe it was gremlins. I've been reading and... | 0:02:40 | 0:02:44 | |
Bates! Not a word about this to anybody until we get a line on it. We'll search this plane. | 0:02:44 | 0:02:51 | |
Seven, red. | 0:03:06 | 0:03:08 | |
What number shall I bet on now, honey? | 0:03:09 | 0:03:12 | |
I'd say 19, yes, definitely 19. | 0:03:12 | 0:03:16 | |
Place your bets. I'll take 22. No more bets. You wanted to know. | 0:03:16 | 0:03:22 | |
19, red, 19 the winner. You see? | 0:03:22 | 0:03:26 | |
Place your bets. Thanks, partner, I'm sorry you're not having better luck. Maybe the wheel's crooked. | 0:03:31 | 0:03:36 | |
Here, people don't just say what they think unless they don't mean it. | 0:03:36 | 0:03:42 | |
I'll change all that. I'm a missionary from Texas. | 0:03:42 | 0:03:46 | |
TANNOY: 'Ladies and gentlemen, sorry, folks - briefing.' | 0:03:46 | 0:03:50 | |
Put your chips out of sight, please. Game's closed. | 0:03:50 | 0:03:54 | |
EXCITED CHATTER | 0:03:55 | 0:04:00 | |
What's it all about? It's a raid. A police raid! | 0:04:06 | 0:04:10 | |
A police raid, my name in the papers, what'll I do? Leave. | 0:04:10 | 0:04:13 | |
Sorry, dear, I can't be caught here. But, Jimsy... | 0:04:13 | 0:04:17 | |
'Your attention, please.' | 0:04:17 | 0:04:19 | |
Just remain calm, it's a little visit from the police. Enjoy yourselves, drinks are on the house. | 0:04:19 | 0:04:25 | |
We're from headquarters. Sorry, sir, this is a private club. Members only. | 0:04:29 | 0:04:34 | |
We want to have a talk with the Falcon, Tom Lawrence. | 0:04:34 | 0:04:38 | |
The posse's on your trail, let's get out of here! Try this caviar. | 0:04:38 | 0:04:43 | |
Evening, Lawrence. Hello, Timothy. It's a mistake, he promised he'd keep out of jams. | 0:04:43 | 0:04:49 | |
Permit me. Inspector Donovan, Miss Bonnie Caldwell. | 0:04:49 | 0:04:52 | |
One of the first families in Texas. Glad to know you, Sheriff. | 0:04:52 | 0:04:56 | |
I'm a police inspector. I want to talk to you. | 0:04:56 | 0:05:00 | |
My future husband is not to have any secrets from me. Congratulations. | 0:05:00 | 0:05:06 | |
Who did the proposing? Well, I happened to save her father's life. | 0:05:06 | 0:05:10 | |
A Texan never forgets. The least I can do is marry the gentleman! Care for a drink? A beer, thanks. | 0:05:10 | 0:05:16 | |
Waiter? Two champagne cocktails and a beer. | 0:05:16 | 0:05:20 | |
Yes, sir. Look at this. | 0:05:20 | 0:05:23 | |
Plane lands without... Without pilot or passengers. | 0:05:25 | 0:05:29 | |
Stanley H Palmer is missing. A plane load of people missing? | 0:05:29 | 0:05:32 | |
Not quite. Most passengers were accounted for - they were left stranded at the last stopover. | 0:05:32 | 0:05:38 | |
Somebody rustled that plane? Yes. | 0:05:38 | 0:05:40 | |
While they're out stretching, the plane takes off, they don't know who's on it. So we come in. | 0:05:40 | 0:05:46 | |
They radio the airport, the airport... Sorry, chief. | 0:05:46 | 0:05:50 | |
Later, they count noses and three men are missing - the pilot, Palmer and his assistant, Fairchild. | 0:05:50 | 0:05:56 | |
So they figure they're on the plane. But when the plane lands, it's empty. | 0:05:56 | 0:06:03 | |
They're not on board. Weird, ain't it? | 0:06:03 | 0:06:07 | |
Extraordinary. Well, why come to me? | 0:06:07 | 0:06:11 | |
Read down further. "Are the police baffled by gremlins?" | 0:06:11 | 0:06:15 | |
You must have your usual ingenious theory? | 0:06:15 | 0:06:18 | |
Could be some armed men sneak on the plane, force the pilot to take off, | 0:06:18 | 0:06:23 | |
they rob Palmer and Fairchild, make them jump, set automatic control... | 0:06:23 | 0:06:27 | |
And the hold-up men have parachutes. I know it sounds cock-eyed. | 0:06:27 | 0:06:31 | |
Intriguing, though. But not for you. | 0:06:31 | 0:06:34 | |
You promised you'd give up crime and all other girls. You heard the lady. | 0:06:34 | 0:06:38 | |
OK, OK, I really can't blame you, I guess. | 0:06:38 | 0:06:41 | |
Just another one of those headaches. Goodbye, Sheriff. | 0:06:41 | 0:06:45 | |
Sorry to break up your little picnic. | 0:06:48 | 0:06:52 | |
Why should I, a settled responsible citizen, want to do his job for him? | 0:07:03 | 0:07:09 | |
We'll never make a go of it if you keep rushing off on adventures. | 0:07:09 | 0:07:13 | |
I should say not. Well, come pick some more numbers. | 0:07:13 | 0:07:17 | |
Will you excuse me for a minute? I have to get some cigarettes. | 0:07:17 | 0:07:22 | |
Excuse me, will you? | 0:07:27 | 0:07:29 | |
May I be of assistance? Yes. I'm looking for Mr Lawrence, the Falcon. | 0:07:37 | 0:07:41 | |
Oh. Do you know him? | 0:07:41 | 0:07:44 | |
Not really. I telephoned and was told he was here. Do you know him? | 0:07:44 | 0:07:49 | |
Oh, yes. We're inseparable. What did you want with him? | 0:07:49 | 0:07:53 | |
I'm sorry. I must see him alone. | 0:07:53 | 0:07:55 | |
If you know... I'd better introduce myself. | 0:07:55 | 0:07:59 | |
I'm Tom Lawrence. Mr Lawrence. You must help me. | 0:07:59 | 0:08:02 | |
I've read about all the cases you've solved and I... I'm sorry, I'm Nancy Palmer. | 0:08:02 | 0:08:09 | |
Won't you sit down? Thank you. | 0:08:09 | 0:08:12 | |
Perhaps you read of my father's disappearance. The mystery plane. | 0:08:12 | 0:08:17 | |
It isn't a mystery any longer. I received this. | 0:08:17 | 0:08:20 | |
Ransom note. | 0:08:24 | 0:08:26 | |
That's why I'm here, although I'm a stranger. No longer a stranger. | 0:08:28 | 0:08:34 | |
BONNIE: Good evening! | 0:08:34 | 0:08:37 | |
My, what a charming cigarette girl you make. | 0:08:37 | 0:08:41 | |
This is Miss Palmer, whose father disappeared on that plane. Plane? | 0:08:41 | 0:08:46 | |
Then it was your father who... Oh, I'm sorry. Why didn't you tell me? | 0:08:46 | 0:08:51 | |
She's trying to persuade me to take on the case. A frightful thing, losing anybody so close. | 0:08:51 | 0:08:58 | |
But I promised you... Tom, how could you be so selfish? | 0:08:58 | 0:09:02 | |
If you don't help her, I'll never speak to you again. You're very kind. | 0:09:02 | 0:09:08 | |
Let's get to the airport. I'll look at the plane. I'll get my wrap. | 0:09:08 | 0:09:12 | |
Here, this way. Shouldn't we wait? | 0:09:12 | 0:09:15 | |
No. Bonnie isn't the diplomatic type. Last time she offered to help, I landed up in jail. | 0:09:15 | 0:09:21 | |
Beg pardon, madam. Something I can do for you? Yes, I wish you'd... | 0:09:27 | 0:09:32 | |
Cash these in for me, please. With pleasure. | 0:09:32 | 0:09:35 | |
Beat it, I've got work to do. | 0:09:36 | 0:09:39 | |
And you'll do it without my fiance. He isn't here. Now scramoose! | 0:09:39 | 0:09:43 | |
Excuse me. Where I come from, it's ladies first. | 0:09:46 | 0:09:49 | |
So! | 0:09:52 | 0:09:53 | |
Hello, darling. | 0:09:53 | 0:09:56 | |
Oh, I can explain... Start by explaining to me. | 0:09:58 | 0:10:01 | |
Inspector, I'm responsible. I asked him to help. | 0:10:01 | 0:10:04 | |
Oh, yeah. You're Miss Palmer. | 0:10:04 | 0:10:08 | |
All right, what have we dumb cops overlooked? I'm not sure yet. | 0:10:08 | 0:10:12 | |
Was the cabin just like this? Yeah, except some stuff we picked up. | 0:10:12 | 0:10:18 | |
Excuse me. Don't mind me, I'm just from City Hall. Go ahead. | 0:10:18 | 0:10:24 | |
It's all we've got to go on. Don't touch - there might be fingerprints. | 0:10:24 | 0:10:29 | |
Oh, how silly of me. I'm sorry. | 0:10:35 | 0:10:38 | |
This stuff doesn't look like much. Butterfingers. | 0:10:46 | 0:10:49 | |
How about the luggage? Go to HQ if you want to look at that. | 0:10:52 | 0:10:57 | |
I'll take a look at the luggage compartment. | 0:10:57 | 0:11:01 | |
Thanks. I'll go with you. Oh, no, I shan't be a minute. | 0:11:01 | 0:11:05 | |
Oh, Mr Lawrence! Don't you worry, honey. You'll get your father back. He's very clever. I'm sure he is. | 0:11:05 | 0:11:12 | |
Mr Lawrence. | 0:11:12 | 0:11:14 | |
Well, can't be we've met. I most certainly would have remembered you. | 0:11:14 | 0:11:19 | |
I followed you here. I found this note. | 0:11:19 | 0:11:23 | |
Why is it every beautiful girl I meet is in distress and has a note? | 0:11:23 | 0:11:27 | |
Beautiful? You mean Nancy. I'm Iris Fairchild. | 0:11:27 | 0:11:32 | |
Oh, the other one. Fairchild... The big shot's aide. | 0:11:32 | 0:11:36 | |
I'm his niece. I see. | 0:11:36 | 0:11:39 | |
Suppose you tell me how you came by this. It was in Nancy's mailbox. | 0:11:56 | 0:12:00 | |
I wanted to spare her feelings. You must have known about the first note. | 0:12:00 | 0:12:06 | |
Explain why you brought this to me. My uncle's involved. | 0:12:06 | 0:12:10 | |
I have a right to see how things are handled. Perhaps so. Go on. | 0:12:10 | 0:12:15 | |
Uncle Wally was carrying almost $100,000 in securities for Mr Palmer. | 0:12:15 | 0:12:20 | |
The kidnappers were probably tipped off. What makes you think that? | 0:12:20 | 0:12:24 | |
Nancy's fiance works in her father's office. He knew all about it. | 0:12:24 | 0:12:29 | |
It isn't easy to court the boss's daughter on his salary. I see. | 0:12:29 | 0:12:33 | |
Exactly who is this suspicious fiance? The name is Bonnie. | 0:12:35 | 0:12:39 | |
I'm supposed to be somebody's fiancee. This is Miss Fairchild. | 0:12:39 | 0:12:44 | |
Another of Mr Palmer's daughters, no doubt. Darling... | 0:12:44 | 0:12:48 | |
Wait a minute. YOU asked me to help. | 0:12:48 | 0:12:51 | |
I'm just trying to please you. I'll do anything you say. | 0:12:51 | 0:12:56 | |
All right. You promised you'd come horseback riding with me in the park. | 0:12:56 | 0:13:01 | |
I'll expect you there tomorrow. | 0:13:01 | 0:13:03 | |
You know perfectly well I'm frightened to death of horses. | 0:13:03 | 0:13:07 | |
I don't know how to ride. You can learn, starting tomorrow morning. | 0:13:07 | 0:13:12 | |
Why, Iris, darling! Hello, Nancy. I wasn't going to show you this, but... | 0:13:13 | 0:13:20 | |
Why, I should be delighted to take you girls home. | 0:13:22 | 0:13:26 | |
Where'd he get that other dame? I think he takes them out of his hat. | 0:13:26 | 0:13:31 | |
DOORBELL CHIMES | 0:13:43 | 0:13:47 | |
DOOR OPENS | 0:13:49 | 0:13:51 | |
Good evening, Miss Iris, Nancy. Any more news of Mr Palmer? | 0:13:53 | 0:13:57 | |
Nothing yet, Thomas. Nancy, darling, what gives? Why the disappearing act? | 0:13:57 | 0:14:03 | |
Mr Lawrence, this is my fiance, Mr Gibson. How do you do? | 0:14:03 | 0:14:07 | |
He's consented to help. I appreciate it. Believe me. I believe you. | 0:14:07 | 0:14:12 | |
This is terrible. Have you heard anything new? | 0:14:12 | 0:14:15 | |
Well, I... Only this. Miss Palmer got these this evening. | 0:14:15 | 0:14:20 | |
Thomas told me. At least we know your father's all right. | 0:14:20 | 0:14:24 | |
They want $25,000 before noon tomorrow. | 0:14:24 | 0:14:28 | |
25,000?! You'll get that from the board. Do they say where to deliver? | 0:14:28 | 0:14:33 | |
I suggest we discuss it tomorrow. You two get a good night's sleep. | 0:14:33 | 0:14:38 | |
Are you going my way, Gibson? I'll share a cab. I'll get my hat. | 0:14:38 | 0:14:43 | |
I'm very grateful for all your trouble. It's a pleasure. | 0:14:43 | 0:14:47 | |
Good night, darling. Good night, dear. Iris. Night. Goodbye, Thomas. | 0:14:47 | 0:14:53 | |
A gambling club is an odd place to search for a girl like Nancy Palmer. | 0:14:58 | 0:15:02 | |
I promised her I wouldn't go there any more. | 0:15:02 | 0:15:04 | |
One should keep one's promises to one's fiancee. Definitely. | 0:15:04 | 0:15:09 | |
Courting your employer's daughter. It doesn't look well to be losing money. I know. | 0:15:11 | 0:15:17 | |
I gave up my job to go to Palmer's war plant. I mean, you're in the confidence of the firm. | 0:15:17 | 0:15:24 | |
You knew they were carrying a fortune in securities. Iris has been telling you things. | 0:15:24 | 0:15:30 | |
Nancy and I are getting married. She deserves the best. That's why I gamble. | 0:15:30 | 0:15:36 | |
If you think I'd put a finger on SH, you're crazy. We're pals. | 0:15:36 | 0:15:42 | |
Handy things, rich fathers. | 0:15:42 | 0:15:44 | |
All the best families have them. | 0:15:44 | 0:15:47 | |
Ha ha! Can't even run fast! Oh, no? Ha ha! | 0:15:49 | 0:15:54 | |
HORSE NEIGHS | 0:16:55 | 0:16:57 | |
Yah! | 0:17:04 | 0:17:05 | |
Don't think you can get away with this! I thought you were afraid of horses! Bonnie, please be quiet. | 0:17:08 | 0:17:15 | |
CHILDREN SQUABBLE | 0:17:15 | 0:17:18 | |
BONNIE: ..Every gal that comes along? | 0:17:18 | 0:17:21 | |
I don't know what'll happen after we get married! | 0:17:21 | 0:17:26 | |
I'm busy. What kind of a man are you, anyhow? | 0:17:26 | 0:17:29 | |
What makes you carry on like this? | 0:17:29 | 0:17:32 | |
Darling... What have you got to say for yourself? | 0:17:32 | 0:17:36 | |
Oh, out hunting clues on horseback? | 0:17:36 | 0:17:39 | |
What makes you carry on like this? | 0:17:39 | 0:17:41 | |
HORSE NEIGHS | 0:17:41 | 0:17:44 | |
Oh, help! Help! | 0:17:44 | 0:17:46 | |
TYRES SCREECH | 0:17:46 | 0:17:48 | |
Help! Her horse is running away. Do something. | 0:17:48 | 0:17:52 | |
Tom! | 0:17:58 | 0:18:00 | |
What happened, mister? What did they do? | 0:18:06 | 0:18:10 | |
272 N877. | 0:18:10 | 0:18:14 | |
Well, here's your antiques shop. 327. | 0:18:19 | 0:18:22 | |
Bonnie, darling, will you please go home? | 0:18:22 | 0:18:26 | |
No. I want to be sure you're telling me the truth. | 0:18:26 | 0:18:29 | |
You heard me check with the licence bureau. How do I know who it was? | 0:18:29 | 0:18:33 | |
I don't want you to go into danger. | 0:18:33 | 0:18:36 | |
You let my horse run away with me while you stood with that...Geranium. | 0:18:36 | 0:18:42 | |
Iris, and I've yet to see the horse you couldn't manage. Or the man, either. Come along. | 0:18:42 | 0:18:49 | |
Business certainly is booming. | 0:19:04 | 0:19:06 | |
Yoo-hoo! | 0:19:08 | 0:19:10 | |
Anybody here? | 0:19:10 | 0:19:12 | |
Reckon not. | 0:19:14 | 0:19:16 | |
Somebody was here. | 0:19:16 | 0:19:19 | |
Creepy old place, isn't it? | 0:19:23 | 0:19:25 | |
WATER COOLER BUBBLES | 0:19:26 | 0:19:28 | |
What was that? Had a frog in its throat. | 0:19:28 | 0:19:33 | |
DOOR CLOSES | 0:19:33 | 0:19:34 | |
Are you looking for anything in particular? We're just browsing. | 0:19:35 | 0:19:40 | |
Go right ahead. | 0:19:40 | 0:19:43 | |
Are you the proprietor? I can show you anything you want to see. | 0:19:44 | 0:19:49 | |
Do you run this place alone? Help is hard to get. | 0:19:49 | 0:19:53 | |
I'm extremely fond of Old Sheffield silver. Have you any? | 0:19:54 | 0:19:59 | |
Only a few pieces. It's very scarce right now. | 0:19:59 | 0:20:03 | |
Well, aren't you going to show them to us? | 0:20:06 | 0:20:09 | |
Sure, miss. It's in the storeroom. Pardon me. | 0:20:09 | 0:20:13 | |
SHE PLAYS THE GLOCKENSPIEL | 0:20:37 | 0:20:43 | |
Oh, look, dear, here's a lovely old relic. | 0:20:54 | 0:20:58 | |
It might look very well on a table just like this... Oh, perhaps you're right, dear. | 0:20:58 | 0:21:05 | |
Good evening. I wasn't expecting anyone this late. | 0:21:05 | 0:21:10 | |
We were passing and saw the shop was open. | 0:21:10 | 0:21:14 | |
We couldn't resist these lovely things. I'm proud of my collection. | 0:21:14 | 0:21:18 | |
Take this old duelling pistol. | 0:21:18 | 0:21:21 | |
There is quite a history connected with it. | 0:21:21 | 0:21:24 | |
Nice, isn't it? | 0:21:25 | 0:21:28 | |
It's nicer in the case. I forgot that appointment with Aunt Belinda! | 0:21:30 | 0:21:35 | |
She won't mind. She will! We came to get something. Don't let's rush it. | 0:21:35 | 0:21:40 | |
Quite right, sir. It is never fitting to mar the contemplation of beauty by hurrying. Nicely put. | 0:21:40 | 0:21:48 | |
The Palmers said it would be a pleasure to do business with you. He used to be a very good customer. | 0:21:48 | 0:21:55 | |
I understand you've had some correspondence with his family. I sent Nancy some notes. | 0:21:55 | 0:22:01 | |
They had to do with Kenneth Gibson. He has owed my son a considerable sum of money for some time now. | 0:22:01 | 0:22:08 | |
A little matter of some bets on horses. | 0:22:08 | 0:22:12 | |
This is all we have. | 0:22:14 | 0:22:16 | |
I'll take care of it, Evan. You'd better start closing up. | 0:22:16 | 0:22:20 | |
My son. | 0:22:20 | 0:22:22 | |
Notice the exquisite lines. You won't find anything to match it. | 0:22:24 | 0:22:30 | |
Very nice. But not quite what we're looking for. | 0:22:30 | 0:22:34 | |
Is there anything else you might be interested in? Yes. | 0:22:34 | 0:22:39 | |
A body or two. Perhaps even three. I see. | 0:22:39 | 0:22:43 | |
I have here a very fine Egyptian mummy. | 0:22:43 | 0:22:47 | |
It's an outstanding example of the fifth century BC. | 0:22:47 | 0:22:53 | |
I'm looking for something American, 20th century, approximately 64. | 0:22:53 | 0:22:58 | |
Let me see. I think I have your catalogue price. | 0:22:58 | 0:23:02 | |
$25,000, is that right? Correct, sir. | 0:23:03 | 0:23:06 | |
With such perishable goods, the price is rather high. Of course. | 0:23:06 | 0:23:12 | |
What guarantee of delivery can you give? | 0:23:14 | 0:23:18 | |
I'm afraid you'll have to stand on my reputation. I have yet to disappoint a customer. | 0:23:18 | 0:23:24 | |
You can always depend on getting the genuine article here. | 0:23:24 | 0:23:29 | |
I have been fooled only once. | 0:23:29 | 0:23:31 | |
It very nearly cost a man his life. | 0:23:31 | 0:23:35 | |
I see what you mean. | 0:23:35 | 0:23:37 | |
BANGING ON DOOR | 0:23:39 | 0:23:40 | |
Open up! Police! | 0:23:40 | 0:23:41 | |
BANGING ON DOOR | 0:23:41 | 0:23:43 | |
George, put that away. All right, Father. | 0:23:43 | 0:23:46 | |
I'm sure I can depend on your discretion. | 0:23:46 | 0:23:49 | |
Open this door! I'd do as he suggests. | 0:23:49 | 0:23:52 | |
Isn't this cosy? Glad to see you. | 0:24:04 | 0:24:07 | |
I've been expecting you, Timothy. What are you doing here? | 0:24:07 | 0:24:12 | |
There's no law against a couple furnishing their future home. | 0:24:12 | 0:24:16 | |
Have you anything else, Mr Morley? Yes, indeed. Pardon me. | 0:24:16 | 0:24:21 | |
Is it to do with the ransom payment? | 0:24:22 | 0:24:26 | |
A nursemaid saw the pay-off and a distinguished horseman who sounds like the Falcon. | 0:24:26 | 0:24:33 | |
She flatters me. Here is something that might interest you, Mr Falcon. | 0:24:33 | 0:24:38 | |
A very fine antique clock. | 0:24:38 | 0:24:41 | |
That's rather nice. It's lovely. How much is it? | 0:24:41 | 0:24:44 | |
$72. $72? If that's too expensive... I ought to arrest the lot of you. | 0:24:44 | 0:24:49 | |
Old man Palmer just got home - alive. | 0:24:53 | 0:24:57 | |
Alive? At his house? Headquarters want you to get right up there. | 0:24:57 | 0:25:02 | |
That merchandise wasn't as perishable as you thought. | 0:25:05 | 0:25:09 | |
This should have perished years ago. | 0:25:09 | 0:25:12 | |
I tell you I'm all right. This is a lot of silly nonsense. | 0:25:12 | 0:25:16 | |
You'd think I was on my deathbed. | 0:25:16 | 0:25:19 | |
Dad! You've had a shock, more than you realise. | 0:25:19 | 0:25:23 | |
More than I realise? I lost ten years of my life. | 0:25:23 | 0:25:27 | |
All the more reason to get things done. I've gotta call the plant. | 0:25:27 | 0:25:31 | |
Dad... Everything's all right, sir. | 0:25:31 | 0:25:34 | |
I built that business and not by trusting it to the likes of you. | 0:25:34 | 0:25:40 | |
DOG GROWLS | 0:25:40 | 0:25:41 | |
- The police, Mr Palmer. - About time. | 0:25:41 | 0:25:45 | |
Quiet, Prince. | 0:25:45 | 0:25:47 | |
Can't this wait? He's been through a great deal. | 0:25:48 | 0:25:51 | |
That's why they're here. This is my friend, Mr Lawrence. | 0:25:51 | 0:25:55 | |
He's helped us solve the kidnapping. It's not solved yet. | 0:25:55 | 0:25:59 | |
He's back. But we don't know who kidnapped him. | 0:25:59 | 0:26:02 | |
Quit talking across me! Would you mind telling us what happened? | 0:26:02 | 0:26:08 | |
There isn't much to it but it happened pretty fast. | 0:26:08 | 0:26:12 | |
Fairchild and I didn't bother to get off at the last stop and just before we were due to start, | 0:26:12 | 0:26:19 | |
it was late and Wally and I were up to our ears in paperwork, that darn red tape. | 0:26:19 | 0:26:25 | |
You'll send verification of contract back to Washington. First thing, SH. | 0:26:25 | 0:26:31 | |
Aren't you going to get out and stretch? Is there time? Sure. | 0:26:31 | 0:26:35 | |
What do you say? I'd like it fine. | 0:26:35 | 0:26:38 | |
Inside, quick. | 0:26:42 | 0:26:44 | |
What is this, some kind of a joke? Look, bub, | 0:26:47 | 0:26:50 | |
the government's got an interest in this, you know. | 0:26:50 | 0:26:54 | |
The Civil Aeronautics Board will hear about this. | 0:26:54 | 0:26:58 | |
Sure. You tell 'em, Mr Fairchild. | 0:26:58 | 0:27:01 | |
'They knew us all right, but I couldn't peg them. | 0:27:01 | 0:27:05 | |
'They forced the pilot to take off. We'd been flying ten minutes | 0:27:05 | 0:27:10 | |
'when they forced us to hand over our money and valuables.' | 0:27:10 | 0:27:16 | |
He tried to put us in a spin. I set the automatic control. | 0:27:21 | 0:27:25 | |
Briefcase... | 0:27:25 | 0:27:27 | |
Where's the key to this thing? | 0:27:29 | 0:27:33 | |
OK... | 0:27:33 | 0:27:34 | |
'I thought that was the end of it. | 0:27:37 | 0:27:40 | |
'But one of them threw a parachute in my lap, | 0:27:40 | 0:27:44 | |
'and says, "Pop, that's yours."' | 0:27:44 | 0:27:47 | |
What do I do? You oughta know. You make them for the government. | 0:27:47 | 0:27:51 | |
Wait a minute, boys. I'm not young. I don't know how to make a jump. | 0:27:56 | 0:28:00 | |
Would you rather crack up in a wild plane? | 0:28:00 | 0:28:04 | |
I think your daughter would pay to get you back. | 0:28:04 | 0:28:07 | |
Just count ten, Pop, and pull the ranger. | 0:28:07 | 0:28:12 | |
PLANE'S ENGINES ROAR | 0:28:12 | 0:28:15 | |
'You know, it wasn't bad. | 0:28:15 | 0:28:18 | |
'I went sailing down, all of 5,000 feet.' | 0:28:18 | 0:28:20 | |
Let me have a cigar, will you? | 0:28:20 | 0:28:23 | |
What about the kidnappers? They took me to some farmhouse. | 0:28:23 | 0:28:27 | |
They didn't watch me very close, and that's where they made their mistake. | 0:28:27 | 0:28:32 | |
I'm not as old and decrepit as I look. | 0:28:32 | 0:28:36 | |
Heaven knows what happened to poor Fairchild and that pilot. | 0:28:36 | 0:28:40 | |
They must have knocked them off. No... Don't you worry, child. | 0:28:40 | 0:28:44 | |
You'll be just the same to me as Nancy. I'll give you every... | 0:28:44 | 0:28:49 | |
You'll give me BACK everything. Wally told me. | 0:28:49 | 0:28:54 | |
Forcing him to the wall and offering him that miserable job. | 0:28:54 | 0:28:58 | |
I never want to see you again as long as I live! Iris, darling. | 0:28:58 | 0:29:03 | |
Golly! | 0:29:06 | 0:29:08 | |
I'd say 10,000 a year was high wages for that job. | 0:29:08 | 0:29:12 | |
That's enough. I'll have to ask you all to leave. | 0:29:12 | 0:29:16 | |
You too, Nancy. | 0:29:16 | 0:29:19 | |
What's with you and Morley? Timothy, you have such a suspicious nature! | 0:29:23 | 0:29:27 | |
Howdy, Sheriff! Did you see Mr Palmer? What did he say? | 0:29:27 | 0:29:31 | |
Did you hear about the ransom notes...? | 0:29:31 | 0:29:34 | |
Dear me, I've done it again. I get so mad at myself when I do that. | 0:29:34 | 0:29:39 | |
Just buying antiques(!) I knew that nursemaid's story was on the level. | 0:29:39 | 0:29:43 | |
Better have him picked up right away. Who, Sheriff? Morley, you dope! | 0:29:43 | 0:29:48 | |
Don't start that "Sheriff" stuff! Sorry, chief. | 0:29:48 | 0:29:51 | |
And it's against the law to withhold information from the police. | 0:29:51 | 0:29:56 | |
I'm so sorry, honey. It's all right. CAR ENGINE STARTS | 0:29:56 | 0:30:00 | |
Morley's bound to think I set the police on him. | 0:30:00 | 0:30:04 | |
Papa wants to see you. | 0:30:17 | 0:30:19 | |
I'll see you later, dear. | 0:30:19 | 0:30:22 | |
Both of you. | 0:30:22 | 0:30:25 | |
After you. | 0:30:27 | 0:30:30 | |
KNOCKING AT DOOR Who is it? | 0:30:31 | 0:30:35 | |
Falcon. | 0:30:35 | 0:30:37 | |
Come in, Falcon. I'm very glad to see you. | 0:30:42 | 0:30:45 | |
I appreciate your coming. Not at all. We couldn't resist your invitation. | 0:30:45 | 0:30:50 | |
Georgie, put down that gun, I told you to be nice to them. | 0:30:50 | 0:30:56 | |
You told me to bring them, Pop. Sit down here. | 0:30:56 | 0:31:00 | |
It's no doubt obvious to you that I did not kidnap Mr Palmer. | 0:31:00 | 0:31:05 | |
Of course, those notes are no longer of interest to you. | 0:31:05 | 0:31:09 | |
Unfortunately, they're extremely valuable to me. | 0:31:09 | 0:31:14 | |
And to the police. Frankly, yes. | 0:31:14 | 0:31:16 | |
I never dreamed Mr Palmer was kidnapped. I was shocked. | 0:31:16 | 0:31:20 | |
Young Gibson seemed shocked, too. No doubt. He's a fine lad. | 0:31:20 | 0:31:25 | |
But just like so many others, he's forced to search for some other means | 0:31:25 | 0:31:29 | |
of augmenting his income - I've been there myself. | 0:31:29 | 0:31:33 | |
Mr Morley, you can trust me to hold those notes | 0:31:33 | 0:31:37 | |
until I'm satisfied you have no connection with the case. | 0:31:37 | 0:31:40 | |
Shall we go, darling? My pleasure! | 0:31:40 | 0:31:42 | |
I'm sorry, but I can't let you leave, unless you have changed your mind | 0:31:47 | 0:31:52 | |
about those notes. Let me give it to 'im, Papa. Patience, Georgie. | 0:31:52 | 0:31:56 | |
I'll take them now. You surely don't imagine I'd carry them on me? | 0:31:56 | 0:32:01 | |
It's the combination of you AND the notes. | 0:32:01 | 0:32:05 | |
They mean nothing unless you are with them to testify. | 0:32:05 | 0:32:09 | |
It's up to you, which is, er, shall we say...liquidated. | 0:32:09 | 0:32:14 | |
I see. | 0:32:14 | 0:32:16 | |
Very well. You win. | 0:32:16 | 0:32:19 | |
They're in her handbag. Get them, Georgie. | 0:32:19 | 0:32:22 | |
One more step and I'll forget that I'm a lady. Give me that purse. | 0:32:22 | 0:32:26 | |
You leave me be! Take your hands off me! Leave me alone! | 0:32:26 | 0:32:31 | |
Well, how do you like that! Looks like the guy doesn't know there's a dim-out. | 0:32:34 | 0:32:37 | |
There must be some mistake. They are not here. | 0:32:47 | 0:32:51 | |
..walking along and everything's OK, then the lights... | 0:32:51 | 0:32:55 | |
HUBBUB FROM OUTSIDE | 0:32:55 | 0:32:57 | |
I'm afraid my patience is at an end. | 0:33:01 | 0:33:05 | |
KNOCKING AT DOOR Who is it? Open up, quick! | 0:33:07 | 0:33:11 | |
There's a crowd of people outside, looking up here. | 0:33:13 | 0:33:17 | |
Wonder what's the matter with them. Probably just a couple of drunks. | 0:33:21 | 0:33:27 | |
I didn't think you'd hide behind my apron strings like that! Sshh! | 0:33:27 | 0:33:31 | |
Nothing to be alarmed about. Stop making me nervous! | 0:33:31 | 0:33:35 | |
Wait a minute. Look at that! THEY ALL TALK EXCITEDLY | 0:33:35 | 0:33:40 | |
Warden, this light suddenly came on. | 0:33:40 | 0:33:43 | |
It's up to you. It's you or those notes. | 0:33:43 | 0:33:47 | |
I'm sorry. I must have left them in another suit. My tweeds, I think. | 0:33:47 | 0:33:52 | |
Papa, let me handle this. No shooting, with a crowd outside. | 0:33:52 | 0:33:56 | |
BANGING AT DOOR Open up. Police! | 0:33:56 | 0:33:59 | |
Watch it. Open up or we'll break it down! | 0:33:59 | 0:34:03 | |
Break it down anyway! BANGING CONTINUES | 0:34:03 | 0:34:07 | |
Put that sign out. Don't you know any better? What? Your neon sign! | 0:34:08 | 0:34:13 | |
How terribly stupid of us. | 0:34:19 | 0:34:22 | |
Of course, warden. We are more than anxious to co-operate. | 0:34:22 | 0:34:26 | |
That's the guy! There's an alarm out for you! | 0:34:26 | 0:34:29 | |
I wouldn't do that, sonny. | 0:34:32 | 0:34:35 | |
That wouldn't be smart. | 0:34:35 | 0:34:37 | |
You're in enough trouble... GUNSHOTS | 0:34:38 | 0:34:41 | |
Somebody get an ambulance, quick! | 0:34:46 | 0:34:49 | |
Now, if you two leave me... I can't be responsible, Mr Lawrence. | 0:34:49 | 0:34:54 | |
Please! Yes, you listen to him! I'll drop by this evening and change the dressing. | 0:34:54 | 0:34:58 | |
Thank you, Doctor. Bye. Bye. | 0:35:00 | 0:35:04 | |
Where do you think you're going? | 0:35:04 | 0:35:07 | |
I don't want a bridegroom shot full of holes. | 0:35:07 | 0:35:10 | |
I've got to find out who's behind this. Simple. Ken Gibson. | 0:35:10 | 0:35:15 | |
With Nancy's father out of the way, he could marry into all that money. | 0:35:15 | 0:35:20 | |
Darling, you could be a detective, in spite of yourself. It's all over. | 0:35:20 | 0:35:24 | |
Police have caught Morley. They can't hold him very long. | 0:35:24 | 0:35:28 | |
I've got to clear this up, or you will have a husband full of holes. | 0:35:28 | 0:35:33 | |
This is Mr Lawrence. Is Miss Palmer there? | 0:35:33 | 0:35:36 | |
She's dining out, sir... Yes... She's with Mr Gibson. | 0:35:36 | 0:35:40 | |
They're working at the salvage depot on 25th Street. Thank you. | 0:35:40 | 0:35:45 | |
Scram! Don't you talk to me like that! Nurse! | 0:35:45 | 0:35:49 | |
Now, Bonnie, will you please...? You'll catch your death of cold! | 0:35:49 | 0:35:53 | |
Did you want something? | 0:35:53 | 0:35:56 | |
Yes, will you please...? | 0:35:56 | 0:35:59 | |
Will you please call Mr Lawrence a taxi? Of course. | 0:36:04 | 0:36:08 | |
I've changed my mind. I think a little fresh air will do you good. | 0:36:08 | 0:36:12 | |
Lawrence, old boy! We heard you'd been shot. I phoned this morning. | 0:36:22 | 0:36:28 | |
You know Miss Caldwell. Yes. How are you? | 0:36:28 | 0:36:32 | |
You remember Mr Gibson? Hello. Howdy. How's your luck been lately? | 0:36:32 | 0:36:37 | |
Ooh, all right, I guess. | 0:36:37 | 0:36:40 | |
Let me give you a hand with that. Thanks... | 0:36:40 | 0:36:44 | |
So this is where you turn corkscrews into battleships? That's right. | 0:36:44 | 0:36:49 | |
Dad donates the premises. Well, if it keeps Ken out of mischief... | 0:36:49 | 0:36:52 | |
You admit you're in debt to Morley? Yes, a little. | 0:36:52 | 0:36:56 | |
Why would I want to harm Nancy's father? We went through that. | 0:36:56 | 0:37:00 | |
Sometimes it's what one's forced to do. | 0:37:00 | 0:37:04 | |
Hey, what's this? | 0:37:08 | 0:37:11 | |
Where did this come from? This junk was collected all over the city! | 0:37:18 | 0:37:22 | |
DOOR SLAMS Nice to see you all working! | 0:37:22 | 0:37:24 | |
Dad, what are you doing? The doctor said... Sneaked out on him. | 0:37:24 | 0:37:29 | |
Dad, this is Miss Caldwell. How do you do? | 0:37:29 | 0:37:32 | |
Evening, Mr Palmer. Hello, Ken. You remember Mr Lawrence? Sure. | 0:37:32 | 0:37:36 | |
Say, what are you doing out of bed? Trying to trace this at the moment. | 0:37:36 | 0:37:41 | |
A lock. What about it? This part was found on the plane. | 0:37:41 | 0:37:45 | |
This, right here in that bowl. | 0:37:45 | 0:37:48 | |
I believe Iris brought in that particular batch. Iris? | 0:37:48 | 0:37:53 | |
Good evening, everybody. Mr Palmer, could I see you a minute? Of course. | 0:37:53 | 0:37:59 | |
I thought you were in the morgue. No. Sorry, Timothy. | 0:37:59 | 0:38:02 | |
Mr Palmer, it's a long shot, but would you recognise these mugs? | 0:38:02 | 0:38:07 | |
Number one, Mr Morley. I couldn't tell much, Inspector, | 0:38:07 | 0:38:11 | |
but he's not one of them. This fella? He's got a record a mile long. | 0:38:11 | 0:38:16 | |
No, I don't recognise him either... | 0:38:16 | 0:38:20 | |
Why are you sneaking away from the police? | 0:38:20 | 0:38:24 | |
I want to talk to someone. | 0:38:24 | 0:38:26 | |
Donovan has a gift for stifling a conversation. | 0:38:26 | 0:38:31 | |
Tail those two. Don't let them out of your sight. | 0:38:46 | 0:38:51 | |
Come on! Get going! | 0:38:51 | 0:38:53 | |
Did that frighten you? Of course. I don't love Buck Thompson, | 0:38:55 | 0:38:59 | |
but at least he brings me wild flowers and not bullets. | 0:38:59 | 0:39:03 | |
Darling, I promise you, as soon as this is over... | 0:39:03 | 0:39:07 | |
Oh-oh. Don't tell me, we're being followed. Oh...! | 0:39:07 | 0:39:12 | |
I need your help... You take this Nasturtium out while I search her apartment. | 0:39:24 | 0:39:29 | |
Or why don't I take her out? Sshh. The name is Iris. | 0:39:29 | 0:39:33 | |
She's not who I'm interested in. It's her uncle, Wally Fairchild. | 0:39:33 | 0:39:38 | |
He was on that plane with Palmer. His body hasn't been found yet. | 0:39:38 | 0:39:42 | |
Now, you stay out of sight. | 0:39:42 | 0:39:45 | |
BUZZER | 0:39:50 | 0:39:51 | |
Miss Fairchild. Hello. I was hoping you'd be in. I was just leaving. | 0:39:55 | 0:40:00 | |
I shan't keep you long. | 0:40:02 | 0:40:04 | |
We're doing all we can to find your uncle. Do you want to help? Of course. | 0:40:27 | 0:40:33 | |
Well? | 0:40:37 | 0:40:38 | |
This turned up in a salvage depot. Really? | 0:40:38 | 0:40:41 | |
Am I supposed to guess what it is? No, I know it's part of a padlock. | 0:40:41 | 0:40:46 | |
You're supposed to tell me where it came from. | 0:40:46 | 0:40:49 | |
I'm late now. | 0:40:49 | 0:40:51 | |
What's all the hurry? I'm going roller-skating. Yes, roller-skating. | 0:40:51 | 0:40:57 | |
Didn't worry long about your uncle. | 0:40:58 | 0:41:01 | |
This is exercise, not recreation. | 0:41:01 | 0:41:03 | |
I could do with some exercise. Mind if I join you? It's a public rink. | 0:41:03 | 0:41:09 | |
Why are you suddenly so interested in me? | 0:42:03 | 0:42:07 | |
Beautiful and mysterious women always interest me. Mysterious? And unpredictable. | 0:42:07 | 0:42:13 | |
For instance, pitching into the Palmers. Anyone would do the same. | 0:42:13 | 0:42:18 | |
I thought Nancy was your best friend. | 0:42:18 | 0:42:21 | |
We were practically raised together. Nancy's had everything. I've always played second fiddle. | 0:42:21 | 0:42:28 | |
That goes for Ken Gibson too, doesn't it? Yes. | 0:42:28 | 0:42:33 | |
I met him three years ago. We were practically engaged. What was that? | 0:42:33 | 0:42:39 | |
I met him three years ago. We were practically engaged. | 0:42:39 | 0:42:43 | |
Then along comes Nancy with her furs... | 0:42:43 | 0:42:47 | |
You're better off without him. | 0:42:47 | 0:42:50 | |
A girl as lovely as you are is bound to meet someone more suited to her. | 0:42:50 | 0:42:55 | |
Like you, for instance. You could do worse! | 0:42:55 | 0:42:58 | |
TANNOY: 'Clear the floor, please, for Crack The Whip. | 0:42:58 | 0:43:02 | |
'Clear the floor, please.' | 0:43:02 | 0:43:05 | |
Game? Game? | 0:43:10 | 0:43:12 | |
That did it. | 0:43:15 | 0:43:17 | |
Why didn't you hang on? | 0:43:47 | 0:43:50 | |
Bates. Don't you think you're overdoing your shadowing a bit? | 0:43:51 | 0:43:57 | |
What happened to the Texas number? You went in with her, and came out with this one. | 0:43:57 | 0:44:03 | |
That's why you were so interested. | 0:44:03 | 0:44:06 | |
LAUGHTER | 0:44:15 | 0:44:17 | |
Sorry. | 0:44:19 | 0:44:21 | |
Bates, that's the Fairchild girl. | 0:44:27 | 0:44:31 | |
Dangerous character. She's carrying a gun. That's against the law. | 0:44:31 | 0:44:35 | |
Hey, you! | 0:44:36 | 0:44:39 | |
What are you doing? Let's see your purse. | 0:44:43 | 0:44:46 | |
For what? Don't give me that. You're under arrest. | 0:44:46 | 0:44:50 | |
Take your hands off me. That isn't mine. | 0:44:50 | 0:44:53 | |
I'll let you go when you explain why you're... | 0:44:53 | 0:44:57 | |
Hey! That's my gun. | 0:45:00 | 0:45:02 | |
LAUGHTER | 0:45:02 | 0:45:04 | |
Any luck? | 0:45:28 | 0:45:30 | |
Look, I've searched high, I've searched low. | 0:45:30 | 0:45:34 | |
There's no money, briefcase, or parachute. I think this is a trick. | 0:45:34 | 0:45:39 | |
You've got to get out of here. She's on her way. | 0:45:39 | 0:45:42 | |
If you want to make dates with your lady friends, just say so. I shan't be a minute. | 0:45:42 | 0:45:48 | |
Here. You sneak out as soon as I get in. Oh, all right. | 0:45:51 | 0:45:55 | |
I admire your nerve, coming back here. I could have you arrested. | 0:46:03 | 0:46:08 | |
But you wouldn't. Wouldn't I? | 0:46:08 | 0:46:10 | |
I told you I'd call the police and I mean it. | 0:46:15 | 0:46:18 | |
Now leave me alone and get out. | 0:46:18 | 0:46:21 | |
Now will you get out of here? | 0:46:27 | 0:46:30 | |
What are they? They seem to be the missing securities. | 0:46:39 | 0:46:43 | |
How did they get in here? You should be able to tell me. | 0:46:43 | 0:46:48 | |
I told you they'd be here, Chief. | 0:46:50 | 0:46:53 | |
Timothy! You've saved me a trip to headquarters. I was just going to bring these in to you. | 0:46:53 | 0:46:59 | |
No doubt. What have you got there? | 0:46:59 | 0:47:02 | |
Palmer's securities. | 0:47:02 | 0:47:04 | |
Where did you find them? In that vase. | 0:47:04 | 0:47:09 | |
We saw your sugar pie breezing out. Well? | 0:47:09 | 0:47:12 | |
I never saw them before. Aren't these the securities? I don't know. | 0:47:12 | 0:47:17 | |
Suppose you haven't seen your uncle, either? No. | 0:47:18 | 0:47:21 | |
Swell lay-out. It lives up to that 10,000 a year. There's a Romney here and a Bouche. | 0:47:21 | 0:47:28 | |
You and your night schools. So these just hid themselves, did they? | 0:47:28 | 0:47:33 | |
Got to hand it to you, Falcon, you had the right dope. Very generous of you. As it happens, I was wrong. | 0:47:33 | 0:47:39 | |
I've come to know this lady rather well and she's completely blameless. | 0:47:39 | 0:47:44 | |
Everyone knows her uncle was Palmer's stooge. | 0:47:44 | 0:47:47 | |
They hired these men to swipe the plane, snatch Palmer... | 0:47:47 | 0:47:52 | |
Grab her! Hold her, Bates! | 0:47:52 | 0:47:55 | |
I don't know anything about it! | 0:47:57 | 0:48:00 | |
You're a fine judge of character(!) | 0:48:00 | 0:48:03 | |
Now I've just got to identify these securities. | 0:48:03 | 0:48:07 | |
Bates, on your feet. | 0:48:07 | 0:48:09 | |
Hello, SH. Glad to see you back. Thanks. Glad to be back. | 0:48:11 | 0:48:16 | |
You got a cigarette? I think I... | 0:48:16 | 0:48:18 | |
Dad! Dr Bradley ordered you to stay home. | 0:48:18 | 0:48:22 | |
What he doesn't know won't hurt him. | 0:48:22 | 0:48:25 | |
I knew I shouldn't have let you work here. I marrying Ken, remember. | 0:48:25 | 0:48:29 | |
You don't exactly overpay him. I'm not so sure about that either. | 0:48:29 | 0:48:34 | |
Mr Palmer? This just came. | 0:48:35 | 0:48:39 | |
Looks like the government contract's going through. | 0:48:39 | 0:48:42 | |
That makes everything perfect. | 0:48:42 | 0:48:44 | |
What about Fairchild? He worked for it too. | 0:48:44 | 0:48:47 | |
I'm sure they'll find him. | 0:48:47 | 0:48:49 | |
Mr Palmer, there's some people to see you. | 0:48:49 | 0:48:52 | |
Bye. I'll be over tonight. | 0:48:52 | 0:48:55 | |
Hello, everybody! Hello, Mr Lawrence. | 0:48:55 | 0:48:58 | |
Mighty efficient, Mr Palmer. He wouldn't let US through. | 0:48:58 | 0:49:02 | |
Rules is rules. | 0:49:02 | 0:49:04 | |
Gus, I owe you 50c. Dad, when will you learn to carry money with you? | 0:49:04 | 0:49:09 | |
What's the good news? It isn't good. These turned up. | 0:49:09 | 0:49:13 | |
At Fairchild's apartment. | 0:49:13 | 0:49:15 | |
Those are my securities. Don't jump to conclusions. | 0:49:17 | 0:49:20 | |
The guy was a double-crosser. He wanted the whole works for himself. | 0:49:20 | 0:49:25 | |
That's not true. The case is closed. All except making the arrest. | 0:49:25 | 0:49:29 | |
Police headquarters, for Mr Palmer. They want me? | 0:49:29 | 0:49:34 | |
Palmer speaking. | 0:49:36 | 0:49:39 | |
Fairchild? | 0:49:40 | 0:49:42 | |
Oh... | 0:49:43 | 0:49:45 | |
Yes, of course. Dad, what's wrong? | 0:49:45 | 0:49:49 | |
What's happened to Wally? | 0:49:51 | 0:49:53 | |
State troopers found his body. Pilot's too. | 0:49:53 | 0:49:57 | |
Please, dear. I'm sorry, Iris. | 0:50:01 | 0:50:04 | |
SHE SOBS | 0:50:04 | 0:50:06 | |
I get suspect number one lined up and he turns up in a morgue. | 0:50:07 | 0:50:12 | |
I'd like an interview with Morley in his cell. You've just got to get him in his cell. His lawyer sprung him. | 0:50:12 | 0:50:19 | |
Insufficient evidence. | 0:50:19 | 0:50:22 | |
Can you recall the exact time you received the first ransom note? | 0:50:22 | 0:50:27 | |
It was about half an hour before I met you. Ten o'clock. Why, do you suppose Morley is guilty after all? | 0:50:27 | 0:50:33 | |
He knows more than he's told. He'd have kept the securities if he'd had them. | 0:50:33 | 0:50:40 | |
Now we have to count Fairchild out. | 0:50:40 | 0:50:42 | |
Hey, that Iris dame. Where is she? | 0:50:42 | 0:50:45 | |
She was over by the car. | 0:50:45 | 0:50:48 | |
She won't get far. Have a heart. Let her have a few minutes. | 0:50:48 | 0:50:53 | |
I've got my job to do. Your big Irish heart isn't going to let you torment that poor girl now. | 0:50:53 | 0:51:00 | |
Oh, she's probably just gone home anyway. That's where I'm going. | 0:51:00 | 0:51:05 | |
We'll let you know if anything develops. Going uptown? No, thanks. | 0:51:05 | 0:51:10 | |
SHE GASPS | 0:51:36 | 0:51:38 | |
Why are you here? Looking for you. How did you know? | 0:51:38 | 0:51:42 | |
I guessed what an unpredictable girl would do. | 0:51:42 | 0:51:46 | |
Find a briefcase? No. Then we may as well join forces. | 0:51:46 | 0:51:51 | |
You lied about that broken lock. I didn't know what Uncle Wally had done. I was trying to protect him. | 0:52:00 | 0:52:08 | |
Where did you find it? Right here. I was collecting scrap metal. | 0:52:08 | 0:52:13 | |
I recognised it when you showed it to me. I knew Morley was involved. | 0:52:13 | 0:52:18 | |
Unfortunately, people sometimes know too much. | 0:52:18 | 0:52:21 | |
I've been expecting you. I promised my boys I'd receive you properly. | 0:52:22 | 0:52:27 | |
I don't like to disappoint. | 0:52:27 | 0:52:30 | |
It's very gratifying to see such family devotion. I'm afraid you'll have to make an exception. | 0:52:32 | 0:52:38 | |
You should be more careful of the company you keep. | 0:52:38 | 0:52:43 | |
No need for that. Tell us what you know, you'll be in the clear. | 0:52:43 | 0:52:48 | |
I know what I read in the papers. You read it, then sent the notes? | 0:52:48 | 0:52:52 | |
Your first note was received at ten o'clock. | 0:52:52 | 0:52:55 | |
The papers came out after 11. You'll have to do better than that. | 0:52:55 | 0:53:00 | |
You don't realise the position you are in. | 0:53:00 | 0:53:02 | |
SHE SCREAMS | 0:53:02 | 0:53:03 | |
GUNSHOT | 0:53:03 | 0:53:05 | |
GUNSHOT | 0:53:12 | 0:53:13 | |
Did you see who it was? No. | 0:53:23 | 0:53:26 | |
Somebody's anxious to kill you. They weren't shooting at me. It's Morley they were after. | 0:53:26 | 0:53:33 | |
He's gone. | 0:53:55 | 0:53:57 | |
I think I know where. | 0:54:02 | 0:54:04 | |
Very well, sir. I'll tell him. | 0:54:11 | 0:54:13 | |
Dad, we're playing no trumps. | 0:54:19 | 0:54:22 | |
Oh, there ought to be a rule against bidding it. | 0:54:22 | 0:54:26 | |
There's a gentleman here to see Mr Gibson. Thank you, Thomas. | 0:54:26 | 0:54:30 | |
Ken? I wish he'd stay put. Are we going to play bridge or aren't we? | 0:54:30 | 0:54:36 | |
- Did you call me, Nancy? - Somebody's here to see you. | 0:54:36 | 0:54:40 | |
Kindly get rid of him. Who'd know I was here? | 0:54:40 | 0:54:44 | |
How do I know? Will you deal the next one for me? | 0:54:44 | 0:54:48 | |
Of course. Will you have coffee? | 0:54:48 | 0:54:50 | |
No, thank you. Yes, you will. You're not going to waste it! | 0:54:50 | 0:54:54 | |
Can't talk here. Come upstairs. | 0:55:14 | 0:55:17 | |
DOORBELL CHIMES | 0:55:19 | 0:55:23 | |
Good evening, Miss Iris. | 0:55:27 | 0:55:29 | |
Where is everybody? In the card room. | 0:55:32 | 0:55:35 | |
Shall I announce you? No, thank you. | 0:55:36 | 0:55:39 | |
I'll join you in a moment. | 0:56:04 | 0:56:06 | |
HE LAUGHS | 0:56:12 | 0:56:14 | |
Hello, Iris. Iris, darling! | 0:56:15 | 0:56:18 | |
I hope you don't mind. Not at all, my dear. Sit down. | 0:56:18 | 0:56:23 | |
Take Gibson's hand. Thank you, but I don't feel up to it. | 0:56:23 | 0:56:28 | |
There's someone on the stairs. It's Morley. | 0:56:49 | 0:56:52 | |
Inspector Donovan, please. | 0:56:52 | 0:56:55 | |
Timothy? This is Lawrence. I'm at the Palmer home. | 0:56:55 | 0:56:59 | |
There'll be another murder soon. | 0:56:59 | 0:57:02 | |
'Murder? How do you know?...' | 0:57:02 | 0:57:05 | |
The old boy's den? Yes. | 0:57:33 | 0:57:35 | |
DOG GROWLS | 0:57:42 | 0:57:44 | |
Hello, Prince. DOG GROWLS | 0:57:44 | 0:57:48 | |
Easy, boy. He won't make friends. | 0:57:48 | 0:57:50 | |
Nonsense, all dogs will. | 0:57:50 | 0:57:53 | |
DOG BARKS Except him. | 0:57:53 | 0:57:56 | |
Prince! What's the trouble? DOG KEEPS ON BARKING | 0:57:56 | 0:58:00 | |
Looking for something to read? Yes! | 0:58:07 | 0:58:10 | |
Help yourself. I wanted that one, but... | 0:58:10 | 0:58:14 | |
It's all right, Prince. | 0:58:15 | 0:58:17 | |
Thank you. Come on, Prince. | 0:58:22 | 0:58:25 | |
DOOR SHUTS | 0:58:30 | 0:58:31 | |
KNOCK ON DOOR | 0:58:38 | 0:58:39 | |
Nice going, Iris. Thank you. | 0:58:46 | 0:58:48 | |
Shakespeare never wrote this many plays. | 0:59:00 | 0:59:04 | |
Wally's briefcase! You knew it was here. I hoped it hadn't been destroyed. | 0:59:18 | 0:59:23 | |
Letters, specifications... | 0:59:29 | 0:59:32 | |
More specifications. Contract. | 0:59:32 | 0:59:35 | |
Government questionnaire of some sort. | 0:59:38 | 0:59:42 | |
That's odd. It's Mr Palmer's handwriting. | 0:59:42 | 0:59:46 | |
He seldom writes anything himself. They seem to be routine questions. | 0:59:46 | 0:59:50 | |
Johnson Gordon Company, owner - Stanley Harris Palmer! | 0:59:50 | 0:59:55 | |
Wally tried to prove that for years. What? | 0:59:55 | 1:00:03 | |
Johnson Gordon froze them out. My uncle never got over that. | 1:00:03 | 1:00:07 | |
He suspected always that Palmer had used this company to squeeze him out. | 1:00:07 | 1:00:13 | |
Iris, you've hit it. I see what must have happened on that plane. | 1:00:13 | 1:00:18 | |
Palmer remained on board, all right. But alone. | 1:00:18 | 1:00:22 | |
The pilot came back and stopped to speak to him. | 1:00:22 | 1:00:26 | |
Aren't you going to get out? No, thanks. Government questionnaire. | 1:00:26 | 1:00:31 | |
Back so soon, Wally? We'd better do that questionnaire. | 1:00:38 | 1:00:41 | |
No need for you to bother. Not having any secrets from me, are you, SH? | 1:00:41 | 1:00:47 | |
Course not. Just the usual red tape. | 1:00:47 | 1:00:51 | |
Before the government will award me that contract, they want everything. | 1:00:51 | 1:00:56 | |
Maybe I can help you with it. I told you I'd take care of it. I know. | 1:00:56 | 1:01:01 | |
Johnson Gordon Company. Owner, Stanley Harris Palmer. | 1:01:03 | 1:01:08 | |
You own it and used it to freeze me out. | 1:01:08 | 1:01:11 | |
I made it up to you! By giving me a job as a glorified office boy. | 1:01:11 | 1:01:16 | |
That's confidential for the government! The courts won't be interested where it came from. | 1:01:16 | 1:01:23 | |
I've been willing to take it from you for years. You won't stop me. | 1:01:28 | 1:01:33 | |
What's the matter with you? Have you lost your mind? | 1:01:37 | 1:01:41 | |
Wally! Stop it! | 1:01:41 | 1:01:43 | |
GUNSHOT | 1:01:43 | 1:01:44 | |
Wally? | 1:01:48 | 1:01:50 | |
Wally! | 1:01:50 | 1:01:52 | |
He forced the pilot to take off. | 1:01:56 | 1:01:58 | |
Some time later, Palmer quit the plane. | 1:01:58 | 1:02:02 | |
He had a demonstration parachute. He landed with that after he dumped the bodies. | 1:02:02 | 1:02:08 | |
Then he hid out with Morley, where he lost that lock. Yes. | 1:02:08 | 1:02:12 | |
He might have gotten away with it, were it not for Morley's greed. | 1:02:12 | 1:02:16 | |
He couldn't resist trying to get extra money. | 1:02:16 | 1:02:20 | |
Palmer tried to kill Morley tonight. Yes. | 1:02:20 | 1:02:23 | |
When a man like Palmer kills, he'll do almost anything to protect himself. | 1:02:23 | 1:02:28 | |
His first mistake was when he didn't get the key to this. | 1:02:28 | 1:02:33 | |
Wally wouldn't have broken open his own briefcase. | 1:02:33 | 1:02:36 | |
Or plant the securities in his own apartment. | 1:02:36 | 1:02:40 | |
You knew it was Palmer all along. It was just a guess. | 1:02:40 | 1:02:44 | |
I've wondered ever since he told us he'd been robbed on the plane. | 1:02:44 | 1:02:49 | |
He never carries any money with him. | 1:02:49 | 1:02:52 | |
Ken! Help me get him to that chair. | 1:03:03 | 1:03:05 | |
Morley? | 1:03:10 | 1:03:12 | |
Yeah. Came to put the bee on me for some money I owed his son. | 1:03:12 | 1:03:17 | |
That's what he said. I found out he was after Nancy's father. | 1:03:17 | 1:03:22 | |
We had a fight. I don't know what he hit me with, | 1:03:22 | 1:03:26 | |
but...from then on, I draw a blank. | 1:03:26 | 1:03:29 | |
Look after him. Lock that door after me. | 1:03:30 | 1:03:34 | |
PALMER: Get him, Prince. | 1:04:21 | 1:04:23 | |
MORLEY: Please help me! | 1:04:23 | 1:04:26 | |
PRINCE GROWLS Help, please! | 1:04:26 | 1:04:28 | |
Take him off. Help! Take him away. | 1:04:28 | 1:04:31 | |
Please help me! | 1:04:31 | 1:04:34 | |
SHE SCREAMS | 1:04:37 | 1:04:38 | |
Open up! Police! | 1:04:39 | 1:04:42 | |
Don't! | 1:04:50 | 1:04:51 | |
THEY ALL TALK AT ONCE | 1:04:51 | 1:04:54 | |
Stop it. Prince, come here. | 1:04:54 | 1:04:56 | |
Are you badly hurt? | 1:05:00 | 1:05:00 | |
Are you badly hurt? GUNSHOT | 1:05:00 | 1:05:02 | |
Stay with Morley. | 1:05:03 | 1:05:06 | |
Palmer. | 1:05:10 | 1:05:11 | |
I had to. He'd have killed us all. | 1:05:14 | 1:05:17 | |
Tom, I didn't want to tell you till now, but I'm leaving for good. | 1:05:25 | 1:05:30 | |
For good? | 1:05:30 | 1:05:33 | |
Oh. I thought it all over, and I'm sorry, darling, but I'd make a much better wife for Buck Thompson. | 1:05:33 | 1:05:39 | |
He sent for me. | 1:05:42 | 1:05:44 | |
Don't you see, this life isn't mine and no other kind is yours. | 1:05:46 | 1:05:52 | |
Well, I won't try to dissuade you. Your happiness is all that matters. | 1:05:52 | 1:05:59 | |
Goodbye, darling. Good luck, always. | 1:06:00 | 1:06:04 | |
Goodbye, sugar pie. | 1:06:08 | 1:06:10 | |
So a dame gave the great Falcon the air. | 1:06:14 | 1:06:18 | |
Remembering her will always help. He travels fastest who travels alone. | 1:06:18 | 1:06:23 | |
From now... Mr Falcon, you once said if I needed help, I could call you. | 1:06:23 | 1:06:29 | |
It all happened down at our school. A teacher was killed | 1:06:29 | 1:06:33 | |
and we girls are all under suspicion. It's worse for me - my family's away and I'm all alone. | 1:06:33 | 1:06:40 | |
If I don't find out what's happened, I don't know what I'll do. | 1:06:40 | 1:06:45 | |
Hey! There's a law against sending phoney telegrams. | 1:06:45 | 1:06:50 | |
"Sugar pie"! | 1:06:50 | 1:06:52 | |
TANNOY: 'Attention, please. Flight number 74 for Chicago now leaving at Gate 3.' | 1:06:52 | 1:06:58 |