
Browse content similar to The Falcon Out West. Check below for episodes and series from the same categories and more!
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BIG-BAND MUSIC | 0:00:55 | 0:00:58 | |
BALLOONS POP | 0:01:00 | 0:01:02 | |
-WOMEN: Oh! -Better get used to it. It isn't half as bad those six guns in Texas. | 0:01:02 | 0:01:07 | |
The worst part for you will be picking up a magazine and seeing US modelling all the new clothes! | 0:01:07 | 0:01:11 | |
From now on, all I wanna be is a model wife. | 0:01:11 | 0:01:15 | |
Where is this cattle king with a pastureful of steaks? I'm hungry. | 0:01:15 | 0:01:19 | |
From her that's a 64 question. | 0:01:19 | 0:01:22 | |
-YA-HOO! -Sounds like he's bringing the steaks in on the hoof. | 0:01:22 | 0:01:25 | |
# Texas spurs and cockle birds | 0:01:25 | 0:01:28 | |
# And bucking broncs and prairies | 0:01:28 | 0:01:32 | |
# A pied-faced roan | 0:01:32 | 0:01:35 | |
# A campfire home | 0:01:35 | 0:01:38 | |
# Where the owls sing like canaries! # | 0:01:38 | 0:01:43 | |
LOUD LAUGHTER | 0:01:43 | 0:01:47 | |
YAHOO! | 0:01:47 | 0:01:49 | |
Litter-bug! | 0:01:49 | 0:01:51 | |
Hello, darlin'! How are you? | 0:01:51 | 0:01:54 | |
Hi there, everybody! Well, hello, Eagle Feather. How's the ol' round-up coming? | 0:01:54 | 0:01:59 | |
It's not Eagle Feather and you're not at your ranch. | 0:01:59 | 0:02:01 | |
Eh? Oh, sorry, Eagle Feather. | 0:02:01 | 0:02:04 | |
Well, whaddya know? A party going on, huh? | 0:02:04 | 0:02:06 | |
Let's have some... C'mon! | 0:02:06 | 0:02:08 | |
-Cigarette? -No, thanks. | 0:02:09 | 0:02:11 | |
I was afraid you wouldn't come. I have a table over here. | 0:02:15 | 0:02:18 | |
Thank you. | 0:02:23 | 0:02:25 | |
Here you are, Tex, your tickets. | 0:02:25 | 0:02:28 | |
Tickets? Oh, railroad tickets. | 0:02:28 | 0:02:30 | |
Anybody like some nice, fresh railroad tickets? | 0:02:30 | 0:02:32 | |
Please, Tex. | 0:02:32 | 0:02:34 | |
All right! Come on, let's dance, huh? Come on, honey. | 0:02:34 | 0:02:37 | |
That's why I called you. He must be stopped from marrying that girl. | 0:02:37 | 0:02:42 | |
You know, YOU divorced HIM. | 0:02:42 | 0:02:44 | |
-If you're playing by old rules, you're not supposed to be jealous. -I'm not! | 0:02:44 | 0:02:48 | |
She's after his money and I won't let him make a fool of himself. | 0:02:48 | 0:02:52 | |
You've got to help me. | 0:02:52 | 0:02:53 | |
-Miss Drake, how about a picture? -Pictures? -Sorry, Four-eyes. No pictures. | 0:02:56 | 0:03:00 | |
It's a new one when SHE turns us down. | 0:03:00 | 0:03:03 | |
You overestimate me, Mrs Irwin. | 0:03:03 | 0:03:05 | |
I'd be glad to help if it were a simple matter, say, a murder maniac. | 0:03:05 | 0:03:09 | |
But marital troubles? Frankly, I haven't the courage. | 0:03:09 | 0:03:13 | |
Then I'll have to find someone who HAS. | 0:03:13 | 0:03:15 | |
You should know better than to drink so much. | 0:03:28 | 0:03:31 | |
It's not the liquor. My leg's been hurting. | 0:03:31 | 0:03:34 | |
It's like I've been hit by a rattlesnake! | 0:03:34 | 0:03:37 | |
Come on, a little fresh air will fix that. | 0:03:37 | 0:03:40 | |
Oh, I need a doctor. | 0:03:40 | 0:03:42 | |
Hey, what's the matter, Tex? | 0:03:44 | 0:03:46 | |
EVERYONE TALKS AT ONCE | 0:03:46 | 0:03:49 | |
-Sorry, pard. -That's all right. | 0:03:56 | 0:03:58 | |
Tex, pull yourself together! | 0:03:58 | 0:04:01 | |
I tell you, I've been hit by a rattler. | 0:04:01 | 0:04:03 | |
Hey! Look out for that rattler! | 0:04:03 | 0:04:05 | |
Someone get me a knife, will you? I'll take care of it myself. | 0:04:05 | 0:04:08 | |
Is he stiff? Whoopee! | 0:04:08 | 0:04:10 | |
LOUD LAUGHTER | 0:04:10 | 0:04:12 | |
All right, all right. Please. Don't get excited. | 0:04:12 | 0:04:15 | |
The Americans have got a couple of drinks too much. That's all. | 0:04:15 | 0:04:19 | |
Get him an ambulance! | 0:04:19 | 0:04:21 | |
He's not drunk. He's dead! Apparently, he WAS bitten by a rattlesnake! | 0:04:23 | 0:04:27 | |
GUESTS: A rattlesnake! | 0:04:27 | 0:04:29 | |
See...if it's a pink one about that long, | 0:04:29 | 0:04:33 | |
he's MY snake! | 0:04:33 | 0:04:35 | |
-BALLOON POPS -Oh! | 0:04:35 | 0:04:38 | |
Please give me Suicide... No, no, give me Homicide, please, please. | 0:04:44 | 0:04:48 | |
TELEPHONE RINGS | 0:04:48 | 0:04:52 | |
Bates. Homicide. | 0:04:54 | 0:04:57 | |
Yeah? You don't say?! | 0:04:58 | 0:05:01 | |
Oh, sure(!) | 0:05:01 | 0:05:03 | |
We'll be right over. | 0:05:03 | 0:05:06 | |
Rattlesnakes! | 0:05:06 | 0:05:07 | |
-Who does he think he's kidding? -What's that? | 0:05:07 | 0:05:10 | |
Some wise guy trying to kid the department. | 0:05:10 | 0:05:13 | |
Trying to tell me somebody just kicked off from a snake bite over at the Flamingo Club. | 0:05:13 | 0:05:17 | |
-We better check on it. -Oh, Chief! | 0:05:17 | 0:05:19 | |
-I said we'd check it. -OK, but you're gonna feel awful foolish! | 0:05:19 | 0:05:24 | |
Oh, Doc...what's all this talk about a rattlesnake? | 0:05:26 | 0:05:29 | |
It's true. I've seen 'em shot, strangled and stabbed, but a rattlesnake in a nightclub... | 0:05:29 | 0:05:35 | |
We searched the whole place. | 0:05:35 | 0:05:37 | |
-Every corner, but no snakes. -The actual snakebite might've happened any time in the last two hours. | 0:05:37 | 0:05:42 | |
He'd been drinking. Probably didn't notice when it hit him. | 0:05:42 | 0:05:45 | |
His lawyer said the victim was carrying more than 3,000 in 100 bills in his wallet. | 0:05:45 | 0:05:49 | |
-It was empty when it was picked up. -Who found it? | 0:05:49 | 0:05:51 | |
A friend of yours - the Falcon. | 0:05:51 | 0:05:53 | |
-The Falcon? Where is he? -Inside, interviewing the witnesses. | 0:05:53 | 0:05:57 | |
Come on. | 0:05:57 | 0:06:00 | |
-Get the name and address of everyone in the joint and make sure that nobody leaves. -OK, Chief. | 0:06:00 | 0:06:05 | |
-Good evening, Timothy. -Hello. -Let me bring you up to date. | 0:06:05 | 0:06:08 | |
This is Mrs Irwin. Formerly married to the murdered man. | 0:06:08 | 0:06:11 | |
And this is Vanessa Drake - Tex Irwin's fiancee. | 0:06:11 | 0:06:14 | |
She was dancing with him when he collapsed. | 0:06:14 | 0:06:16 | |
These are the dead man's effects. | 0:06:16 | 0:06:17 | |
Do you mind if I conduct my own investigation? | 0:06:17 | 0:06:20 | |
-Certainly not, we have the same interests at heart. -Thank you. | 0:06:20 | 0:06:23 | |
So you were dancing with him. Let's hear your story. | 0:06:23 | 0:06:26 | |
Well, I... I didn't think much at first. | 0:06:26 | 0:06:31 | |
You see, he... | 0:06:31 | 0:06:32 | |
he liked to drink. | 0:06:32 | 0:06:34 | |
-And... And... -Inspector, perhaps you could question Miss Drake later. | 0:06:34 | 0:06:39 | |
Oh yes, any time. Any time at all. | 0:06:39 | 0:06:41 | |
-Who are you? -See what happens when you won't let me introduce you? | 0:06:41 | 0:06:44 | |
-Stephen Hayden. -Mr Irwin's attorney. | 0:06:44 | 0:06:46 | |
Oh, Hayden. I'm sorry, I didn't recognise you. | 0:06:46 | 0:06:48 | |
It's perfectly all right, Mr Hayden, if you'll be responsible. | 0:06:48 | 0:06:51 | |
Thank you. I'll get your coat. | 0:06:51 | 0:06:53 | |
Mrs Irwin, how did you know your ex-husband was gonna be here tonight? | 0:06:54 | 0:06:59 | |
Becoming an ex-husband doesn't make a man change his habits. | 0:06:59 | 0:07:02 | |
He often came here when he was in town. | 0:07:02 | 0:07:04 | |
That doesn't answer my question. How did you happen to come here? | 0:07:04 | 0:07:07 | |
She had an appointment with me. | 0:07:07 | 0:07:09 | |
Is that so? That reminds me, what were YOU doing here? | 0:07:09 | 0:07:12 | |
I had an appointment with HER. | 0:07:12 | 0:07:13 | |
-I'll get to you later. Now then, did you see your ex-husband - talk with him? -No, I didn't. | 0:07:13 | 0:07:18 | |
-But that's why you came here tonight, isn't it? You knew he'd be here. You had some reason. -Certainly not. | 0:07:18 | 0:07:24 | |
-Donovan wants you right away. -Right. | 0:07:24 | 0:07:26 | |
He's already confessed. He admits the snake was his. | 0:07:28 | 0:07:31 | |
Oh, ask him, ask anybody. It's a free country. | 0:07:31 | 0:07:34 | |
A man is entitled to as many snakes as he can support. Hey, let go of me! | 0:07:34 | 0:07:38 | |
Yes, Inspector? | 0:07:38 | 0:07:40 | |
-Why aren't you on the door? -Mr Lawrence said you wanted to see me. -Oh, he did?! | 0:07:40 | 0:07:45 | |
Check his apartment, check his club, | 0:07:45 | 0:07:47 | |
-check all his girlfriends' apartments. -Check! | 0:07:47 | 0:07:50 | |
-Thank you. -Yes, ma'am and I wish both of you all the happiness there is. | 0:08:01 | 0:08:05 | |
-BOTH of us? -Good evening, darling. | 0:08:05 | 0:08:07 | |
I was afraid you might have been, er...detained. | 0:08:07 | 0:08:10 | |
Shall I make up your berths? | 0:08:10 | 0:08:12 | |
-I'll ring for you. -Yes, sir. | 0:08:12 | 0:08:14 | |
I think you'd better explain. | 0:08:18 | 0:08:19 | |
It's simple. I got my tickets at the same place and in the same way that you did. | 0:08:19 | 0:08:23 | |
It was my ticket. It was bought for me. | 0:08:23 | 0:08:26 | |
I had to get away and I didn't have the money. | 0:08:29 | 0:08:32 | |
Had to? Why? | 0:08:32 | 0:08:34 | |
I couldn't stand all those questions about...about Tex. | 0:08:34 | 0:08:38 | |
Donovan does get a bit rough sometimes. | 0:08:38 | 0:08:40 | |
He won't find out anything. He can't. | 0:08:40 | 0:08:42 | |
The real answer's at the ranch. I'm sure it is. | 0:08:42 | 0:08:45 | |
I agree. I had the same idea. That's why I took the other ticket. | 0:08:45 | 0:08:48 | |
You're working with Inspector Donovan, aren't you? | 0:08:48 | 0:08:51 | |
Don't ever let Donovan hear you say that. | 0:08:51 | 0:08:54 | |
We've been on opposite sides of the fence for years. | 0:08:54 | 0:08:57 | |
-Well, in that case, I've had such a trying day, if you don't mind... -But I DO mind! | 0:08:57 | 0:09:03 | |
I'm trying to help you... | 0:09:03 | 0:09:06 | |
and believe me, you need help whether you know it or not. | 0:09:06 | 0:09:09 | |
I suppose you're right. | 0:09:10 | 0:09:13 | |
They're all against me - Hayden, every one of them. | 0:09:13 | 0:09:16 | |
And they tried to stop your marriage. | 0:09:16 | 0:09:18 | |
They just didn't take a liking to me, that's all. | 0:09:18 | 0:09:21 | |
I'll admit I've kicked around a lot. | 0:09:21 | 0:09:23 | |
Showgirl, model, but that was an accident. | 0:09:23 | 0:09:26 | |
The agencies decided I was photogenic. | 0:09:26 | 0:09:29 | |
The answer to a photographer's prayer. | 0:09:29 | 0:09:31 | |
They say you changed your personality with each dress. | 0:09:31 | 0:09:34 | |
And I hated it. It was always someone else's dress, someone else's personality. | 0:09:34 | 0:09:40 | |
When I met Tex, I was out near his ranch on a vacation. | 0:09:40 | 0:09:44 | |
My clothes were a mess and I had a disposition to match. But they were my own. | 0:09:44 | 0:09:48 | |
-And he loved them. -And YOU loved HIM. | 0:09:48 | 0:09:51 | |
Yes, and I never want to go back East again. | 0:09:51 | 0:09:54 | |
It won't be the same on the ranch but...at least I won't feel so lost and alone. | 0:09:54 | 0:10:00 | |
I suppose you'll stay at the ranch. | 0:10:01 | 0:10:03 | |
-Mrs Irwin said Tex has put it in your name for a wedding present. -I don't know. | 0:10:03 | 0:10:07 | |
He said something about it but I don't remember just what it was. | 0:10:07 | 0:10:10 | |
-KNOCK ON DOOR -Come in. | 0:10:10 | 0:10:13 | |
Did you ring? | 0:10:14 | 0:10:16 | |
Yes, get me a lower, will you? | 0:10:16 | 0:10:18 | |
-Did you say a "lawyer", sir? -What's the matter? Haven't you got any? | 0:10:18 | 0:10:22 | |
Yes, sir. Only they don't usually bust up till we get to Mingo Junction. | 0:10:22 | 0:10:27 | |
Good night, darling. | 0:10:27 | 0:10:29 | |
Thank you. | 0:10:43 | 0:10:44 | |
I thank you, sir. | 0:10:46 | 0:10:47 | |
Is there something wrong with me? | 0:10:58 | 0:11:00 | |
Not a curve out of place. | 0:11:00 | 0:11:02 | |
Friends of the Greeter's Club. No matter where you go, they meet every train. | 0:11:02 | 0:11:07 | |
This is as far as I go without a compass. Where is this ranch? | 0:11:09 | 0:11:13 | |
Just five miles beyond civilisation. | 0:11:13 | 0:11:15 | |
Oh. | 0:11:15 | 0:11:17 | |
Even that isn't far enough. It seems they still have planes and landing fields and things. | 0:11:19 | 0:11:25 | |
Chalk one up for the amateur detective. You sure had me fooled. | 0:11:26 | 0:11:30 | |
-Believe me, -I -didn't send for them. | 0:11:30 | 0:11:33 | |
Congratulations, Timothy. | 0:11:33 | 0:11:34 | |
I see the department finally gave you a vacation. | 0:11:34 | 0:11:37 | |
-Just long enough to take Miss Drake back. -Sounds serious! | 0:11:37 | 0:11:41 | |
No, just her fiancee's been murdered. 3,000 is missing | 0:11:41 | 0:11:44 | |
and she skips the state on a stolen ticket. Not serious. But you know how the DA is. Just a whim. | 0:11:44 | 0:11:49 | |
Yeah, whim, wham, clink! HE WHISTLES | 0:11:49 | 0:11:54 | |
You made a lot of trouble. I told the Inspector I'd be responsible for you. | 0:11:54 | 0:11:57 | |
I don't like to bring up technicalities, but aren't extradition papers customary? | 0:11:57 | 0:12:02 | |
That's been taken care of. | 0:12:02 | 0:12:04 | |
If it isn't too much trouble, Miss Drake would like to see them. | 0:12:04 | 0:12:06 | |
She'll see them the minute they get here. | 0:12:06 | 0:12:08 | |
We're in no hurry. | 0:12:08 | 0:12:09 | |
CLATTER OF HOOVES | 0:12:09 | 0:12:11 | |
That's our taxi, isn't it? | 0:12:16 | 0:12:17 | |
Tex's idea. He always believed in greeting a guest in Western style. | 0:12:17 | 0:12:22 | |
Well, Timothy, don't feel that your meeting us isn't appreciated, but we'll be getting along now. | 0:12:22 | 0:12:28 | |
-Care to share the ride, Mr Hayden? -Oh, thank you. | 0:12:28 | 0:12:30 | |
You're forgetting something, aren't you? | 0:12:30 | 0:12:33 | |
-I don't think so. -I could be induced to forget about | 0:12:33 | 0:12:36 | |
that other stolen railroad ticket if you insisted on inviting us along. | 0:12:36 | 0:12:40 | |
Oh. ..By all means. | 0:12:40 | 0:12:42 | |
That's all potential evidence. | 0:12:44 | 0:12:46 | |
Well?! Get it aboard. | 0:12:48 | 0:12:49 | |
Hey, Shortie! Where do you want these? | 0:12:55 | 0:12:57 | |
-In the back. -Bates... | 0:12:57 | 0:12:59 | |
-Sorry, pard. -Bumping into you is getting to be a habit. | 0:13:03 | 0:13:06 | |
Yes, isn't it? | 0:13:06 | 0:13:08 | |
Me for upstairs. Just like riding atop a Fifth Avenue bus! | 0:13:10 | 0:13:14 | |
GUNFIRE | 0:13:17 | 0:13:20 | |
-Do they do this for all the tourists? -Only on payday. | 0:13:22 | 0:13:26 | |
GUNFIRE CONTINUES | 0:13:26 | 0:13:30 | |
Yippee! | 0:13:32 | 0:13:34 | |
What's the matter with that man? | 0:13:57 | 0:13:59 | |
Dusty's a very good driver. | 0:13:59 | 0:14:01 | |
From the Ben Hur School. | 0:14:01 | 0:14:03 | |
Oh-h-h-h... | 0:14:13 | 0:14:14 | |
What's got into you guys up there? | 0:14:19 | 0:14:21 | |
I'm the only "you guys" up there! | 0:14:21 | 0:14:23 | |
The cigars are on me, pardner. | 0:15:29 | 0:15:32 | |
Thanks, pardner. | 0:15:32 | 0:15:33 | |
-Mr Hayden! -Marion! | 0:15:33 | 0:15:36 | |
Frankly, I've never been so happy to see anyone in my life. | 0:15:38 | 0:15:40 | |
Miss Colby, Mr Donovan. Mr Lawrence. | 0:15:40 | 0:15:43 | |
-How do you do? -How do you do? -And you know Miss Drake. | 0:15:43 | 0:15:45 | |
Quite well. ..What happened to your driver? | 0:15:45 | 0:15:50 | |
That's what I'd like to know. He got left back at the station. | 0:15:50 | 0:15:53 | |
Some of the boys just staged a little reception for us. | 0:15:53 | 0:15:55 | |
And one of them was a 45-calibre comic. | 0:15:55 | 0:15:58 | |
-That might have hit any one of us. -Who'd have any reason to shoot at us? | 0:16:02 | 0:16:06 | |
I'll be able to answer that when I find out who killed Tex. | 0:16:06 | 0:16:10 | |
That may not be so easy to do. | 0:16:10 | 0:16:12 | |
What makes you say that? | 0:16:15 | 0:16:18 | |
-Things are different out here. -Yes, of course, | 0:16:18 | 0:16:20 | |
-the wild and woolly West! -How are you going to manage? Think you can handle them? | 0:16:20 | 0:16:25 | |
Well, they're the first horses I've seen in years, but I'll try. | 0:16:25 | 0:16:28 | |
Aren't you forgetting something? | 0:16:33 | 0:16:36 | |
There does seem to be something missing. ..Oh, thank you. | 0:16:36 | 0:16:40 | |
A lot of them, aren't there? | 0:16:47 | 0:16:49 | |
Here, let me show you! | 0:16:49 | 0:16:51 | |
First you take the reins and you... | 0:16:57 | 0:16:59 | |
Are you sure you don't know anything about horses? | 0:17:00 | 0:17:03 | |
There are three things one can never be sure about - horses, the weather and women. | 0:17:03 | 0:17:08 | |
Hmm! At least you might have put women first. ..Giddy up! | 0:17:08 | 0:17:12 | |
Come on, boys! | 0:17:12 | 0:17:13 | |
You're pretty young to have a town named after you. | 0:17:22 | 0:17:25 | |
Colby was named after Dad. It was Uncle Tex's idea. | 0:17:25 | 0:17:28 | |
-Uncle? -Courtesy uncle. | 0:17:28 | 0:17:30 | |
He was Dad's partner. ..Come on, boys! | 0:17:30 | 0:17:33 | |
-Do they own all this land? -Most of it. But to men like Tex and my father, | 0:17:33 | 0:17:38 | |
their real holdings are in their partnership. | 0:17:38 | 0:17:41 | |
I don't think they even know how much they own - | 0:17:41 | 0:17:43 | |
packing houses, franchises, contracts... | 0:17:43 | 0:17:46 | |
And Dad's always said they ran more cattle than they could ever stop to count. | 0:17:46 | 0:17:50 | |
Tell me, is the Irwin home ranch really so valuable? | 0:17:52 | 0:17:56 | |
That depends. To someone who's never owned a ranch, it might look like a fortune, | 0:17:56 | 0:18:00 | |
-but we'll let you judge for yourself when you get there. -I, er... | 0:18:00 | 0:18:04 | |
hope it's a long way. | 0:18:04 | 0:18:06 | |
It is. | 0:18:06 | 0:18:07 | |
Modest little shack, isn't it?! | 0:18:19 | 0:18:21 | |
Uncle Tex didn't go in for modesty, even in his women, | 0:18:21 | 0:18:24 | |
or hadn't you noticed? | 0:18:24 | 0:18:26 | |
Hello there! | 0:18:26 | 0:18:27 | |
Place looks deserted. | 0:18:31 | 0:18:33 | |
That's strange. There's usually half a dozen Indians around. | 0:18:33 | 0:18:37 | |
-Indians?! -House servants. Wonderful but unpredictable. | 0:18:37 | 0:18:41 | |
Off to the hills you never know when. | 0:18:41 | 0:18:43 | |
You mean we're stranded here without no cook? | 0:18:43 | 0:18:45 | |
-Why don't you take dinner with us? I'll send a station wagon over. -We'd be delighted. | 0:18:45 | 0:18:50 | |
It's been a long trip and we're all tired. Couldn't we make it some other time? | 0:18:50 | 0:18:54 | |
Yeah, make it half an hour! | 0:18:54 | 0:18:56 | |
-We'll be ready! -Good. | 0:18:56 | 0:18:57 | |
Well, go on. | 0:19:13 | 0:19:14 | |
I bet somebody cut the wires. | 0:19:25 | 0:19:27 | |
They have their own power plant. I'll turn it on. | 0:19:27 | 0:19:31 | |
-This place gives me the creeps. -RATTLING | 0:19:31 | 0:19:34 | |
Rattlesnake! | 0:19:34 | 0:19:35 | |
-Where is it? -Over there where I was standing. | 0:19:37 | 0:19:41 | |
RATTLING | 0:19:41 | 0:19:43 | |
-There's a lamp. -Fine. | 0:19:44 | 0:19:46 | |
It's following me around! | 0:19:49 | 0:19:51 | |
Oh, Chief! Chief! | 0:19:52 | 0:19:55 | |
-There. Right back there. -Must have been a hearty jump. | 0:19:56 | 0:20:00 | |
Yeah, I know. | 0:20:00 | 0:20:03 | |
-Here it is. -Where? | 0:20:05 | 0:20:07 | |
Right here. | 0:20:07 | 0:20:08 | |
BALL RATTLES | 0:20:08 | 0:20:10 | |
Put that thing away. | 0:20:16 | 0:20:18 | |
-Hayden's sure taking long enough with those lights. -Bates, find out what happened to him. | 0:20:20 | 0:20:27 | |
Hey, the coach and horses are gone! | 0:20:31 | 0:20:34 | |
I just drove them round to the side. | 0:20:36 | 0:20:38 | |
-Why didn't you turn on the lights? -We tried that, but it... | 0:20:43 | 0:20:47 | |
We're short-handed. The boys are branding. When the Indians heard about Tex, they lit out. | 0:20:47 | 0:20:52 | |
They think this place is bad medicine. | 0:20:52 | 0:20:54 | |
Them Indians are smart characters. | 0:20:54 | 0:20:56 | |
Inspector. | 0:20:56 | 0:20:58 | |
I thought you went to turn on the power. | 0:21:03 | 0:21:07 | |
I did. I came back through here and I found all this. | 0:21:07 | 0:21:10 | |
So, you just stopped to see if anything was missing. | 0:21:10 | 0:21:12 | |
You didn't come across a deed signed by Tex Irwin, giving the ranch to Vanessa? | 0:21:12 | 0:21:16 | |
It's not here now, if it ever was. | 0:21:16 | 0:21:18 | |
-Who has the combination? -Why, -I -have, and Mr Irwin's partner, Dave Colby. | 0:21:18 | 0:21:22 | |
It was locked when I went to town. | 0:21:22 | 0:21:24 | |
I found it exactly the way you see it. | 0:21:24 | 0:21:26 | |
Maybe the Indians picked it before they scrammed. | 0:21:26 | 0:21:29 | |
No, I doubt it. Although we have had some trouble with them. | 0:21:29 | 0:21:31 | |
-This was Indian land and they've never admitted that anyone else has any right to it. -By the way, | 0:21:31 | 0:21:37 | |
did you always go East with Mr Irwin? | 0:21:37 | 0:21:39 | |
Dusty was Tex's right-hand man. They often went on trips together. | 0:21:39 | 0:21:42 | |
He took me along to handle the cattle shipment. | 0:21:42 | 0:21:46 | |
-At the Flamingo Club? -I only stopped in there to pick up my return ticket from Mr Hayden. | 0:21:46 | 0:21:50 | |
I don't know about you, but I have an invitation to dinner. | 0:21:53 | 0:21:56 | |
Me, too. At the Colbys'. | 0:21:56 | 0:21:58 | |
I hope they have one of them barbecues. | 0:21:58 | 0:22:01 | |
COWBOYS: # But remember the Red River Valley | 0:22:01 | 0:22:07 | |
# And the cowboy that loved you so true | 0:22:07 | 0:22:13 | |
# Come and sit by my side if you love me... # | 0:22:15 | 0:22:20 | |
Coffee, Dad? | 0:22:20 | 0:22:22 | |
Yes, but not in one of those eye droppers! Bill? | 0:22:22 | 0:22:27 | |
I've got it, sir. | 0:22:27 | 0:22:29 | |
# But remember the Red River Valley | 0:22:29 | 0:22:37 | |
# And the cowboy that loved you so true... # | 0:22:37 | 0:22:42 | |
Thank you, dear. | 0:22:42 | 0:22:45 | |
You admit that you know how to open the safe? | 0:22:45 | 0:22:48 | |
Also how to close it. | 0:22:48 | 0:22:49 | |
I see Mr Hayden has brought you right up-to-date. | 0:22:49 | 0:22:52 | |
Taking a little too much for granted, aren't you? | 0:22:52 | 0:22:54 | |
I handle Mr Irwin's legal affairs, not Mr Colby's. | 0:22:54 | 0:22:57 | |
I'm going to check on everyone who knew Tex. Every move they made. | 0:23:02 | 0:23:06 | |
Go right ahead. I've nothing to hide. If you're trying to drag me into this, you'll have to get a new rope. | 0:23:06 | 0:23:11 | |
I'm just doing my job. | 0:23:11 | 0:23:13 | |
-Will you excuse me? -If I didn't, would it stop you? | 0:23:18 | 0:23:21 | |
Instantly. | 0:23:21 | 0:23:23 | |
Oh! | 0:23:40 | 0:23:42 | |
You startled me. | 0:23:42 | 0:23:44 | |
I'm sorry. | 0:23:44 | 0:23:46 | |
Your father is quite a collector. | 0:23:51 | 0:23:54 | |
When it comes to south-west Indians, there's no better. | 0:23:54 | 0:23:57 | |
I seem to have lost my touch. | 0:24:09 | 0:24:11 | |
Do you collect these, too? | 0:24:15 | 0:24:17 | |
Oh, sorry. | 0:24:20 | 0:24:22 | |
-I didn't mean to interrupt. -Not at all. | 0:24:22 | 0:24:24 | |
As an old student of palmistry, I was just reading Miss Colby's hand. | 0:24:24 | 0:24:28 | |
I hope he told you to beware of a tall dark stranger. | 0:24:28 | 0:24:31 | |
Baggage checks, dated the day of Tex Irwin's death. | 0:24:37 | 0:24:41 | |
Quite a coincidence, isn't it? | 0:24:41 | 0:24:43 | |
But just a coincidence. | 0:24:43 | 0:24:44 | |
Tex and my father both had some business to settle. | 0:24:44 | 0:24:47 | |
We left long before anything happened. | 0:24:47 | 0:24:49 | |
That can very easily be verified. | 0:24:49 | 0:24:51 | |
I think I'll have a talk with your father and Inspector Donovan. | 0:24:51 | 0:24:54 | |
Just a minute. I'd rather you wouldn't have the police in on this. | 0:24:54 | 0:24:59 | |
They might not understand. | 0:24:59 | 0:25:01 | |
We WERE with Tex in his hotel room, but he was all right when WE left him. | 0:25:01 | 0:25:05 | |
Then why not tell me the real reason for you going East? | 0:25:05 | 0:25:07 | |
Tex wired Dad he was getting married. Dad felt he ought to stop him. | 0:25:09 | 0:25:13 | |
He's hot-headed, and, well, they had an argument and we left. Immediately. | 0:25:13 | 0:25:17 | |
Did you?! | 0:25:17 | 0:25:19 | |
You believe me, don't you? | 0:25:19 | 0:25:21 | |
I'd like to. | 0:25:21 | 0:25:24 | |
Just, er, when did you leave his hotel? | 0:25:24 | 0:25:27 | |
In time to catch the 9 o'clock plane. | 0:25:27 | 0:25:29 | |
You should have left earlier. By 9 o'clock the poison had been in his system a full hour. | 0:25:29 | 0:25:34 | |
< SCREAM | 0:25:34 | 0:25:35 | |
Miss Drake, what's the matter? | 0:25:41 | 0:25:43 | |
-Vanessa, what's wrong? -Somebody take care of her. | 0:25:43 | 0:25:46 | |
Here, let me see. | 0:25:46 | 0:25:47 | |
-A knife cut, huh? -Dad, have you got a handkerchief? -Here. | 0:25:47 | 0:25:50 | |
Is it very bad? No, I don't think so. | 0:25:50 | 0:25:53 | |
It's right in the hairline, so it's hard to tell. | 0:25:53 | 0:25:56 | |
I'll take that. ..We'll check it for fingerprints. | 0:25:56 | 0:26:00 | |
-The handle seems a bit rough for fingerprints. -Maybe. | 0:26:00 | 0:26:04 | |
Did you see who did it? | 0:26:04 | 0:26:05 | |
No, I was just coming out. | 0:26:05 | 0:26:09 | |
All I s-saw was the flash... of the blade. | 0:26:09 | 0:26:12 | |
You'd better look after that cut. | 0:26:12 | 0:26:14 | |
Let's take you in the house. | 0:26:14 | 0:26:15 | |
Come out of there. | 0:26:30 | 0:26:33 | |
What, me, Chief? | 0:26:33 | 0:26:35 | |
-Get started. I want to know where everyone was. -When? | 0:26:36 | 0:26:40 | |
What's up, Chief? | 0:26:40 | 0:26:42 | |
Pretty smart. | 0:26:50 | 0:26:52 | |
Everybody with an alibi, all paired up in couples like it was a waltz. | 0:26:52 | 0:26:56 | |
Looks as though the old homestead has taken on new life. | 0:26:59 | 0:27:02 | |
Thank you. | 0:27:11 | 0:27:12 | |
-How! -Very well, thank you. | 0:27:15 | 0:27:17 | |
-How are you, Tony? -Fine, Mr Hayden. | 0:27:17 | 0:27:19 | |
Good. | 0:27:19 | 0:27:21 | |
How did the Indians happen to come back? | 0:27:23 | 0:27:26 | |
Nobody ever knows what an Indian does or thinks. | 0:27:26 | 0:27:29 | |
Where are you going? | 0:27:41 | 0:27:43 | |
Those are mine. | 0:27:45 | 0:27:46 | |
Just a minute. | 0:27:51 | 0:27:54 | |
Eagle Feather? | 0:27:54 | 0:27:56 | |
Eagle Feather! | 0:27:56 | 0:27:57 | |
-Put those back where you got them! -This has always been my room, Miss Drake, | 0:27:57 | 0:28:02 | |
-and I intend to keep it. -You gave up Tex and this house. -That can't be settled until the deed is found. | 0:28:02 | 0:28:08 | |
This house is part of the estate. Mrs Irwin has a perfect right to be here. | 0:28:08 | 0:28:12 | |
Mrs Irwin, | 0:28:13 | 0:28:15 | |
isn't that a blood stain? | 0:28:15 | 0:28:17 | |
You didn't happen to visit the Colbys tonight, did you? | 0:28:19 | 0:28:21 | |
I don't know what you're trying to imply. | 0:28:21 | 0:28:24 | |
I scratched myself opening my trunk. | 0:28:24 | 0:28:27 | |
End of round one. | 0:28:29 | 0:28:31 | |
Back to your corner. | 0:28:31 | 0:28:32 | |
Got a match? | 0:29:27 | 0:29:29 | |
Seven...six... | 0:29:46 | 0:29:50 | |
Good morning, gentlemen. | 0:29:53 | 0:29:55 | |
-How's the graveyard shift doing? -What do you mean, busting in here like this?! | 0:29:55 | 0:29:59 | |
I couldn't make out what you were saying out there. | 0:29:59 | 0:30:02 | |
This is a private affair between Mr Colby and myself. | 0:30:02 | 0:30:04 | |
A public affair. There's been a murder, remember? | 0:30:04 | 0:30:06 | |
I'm only interested in settling the Irwin estate. I asked Mr Colby to come over. | 0:30:06 | 0:30:11 | |
-And of course you had to have him here in the middle of the night. -Yes. Any objections? | 0:30:11 | 0:30:15 | |
-No. -Well, as long as he knows you're here, we might as well tell him the rest of it. | 0:30:15 | 0:30:20 | |
Colby was Tex's partner. There are business affairs to be straightened out. They owned a packing company. | 0:30:20 | 0:30:26 | |
-Control now goes to Colby. -That was the deal we made. | 0:30:26 | 0:30:28 | |
If either party died, the other was to buy out his share. | 0:30:28 | 0:30:31 | |
-You can't expect to keep that a secret. -For a while, yes. | 0:30:31 | 0:30:33 | |
The trouble is they fought all the time. Both tried to run the company. | 0:30:33 | 0:30:37 | |
-People all know that. -And they like to talk. Gossip travels like wildfire round here. | 0:30:37 | 0:30:42 | |
It'll look bad if it gets around that I'm taking over the company. | 0:30:42 | 0:30:46 | |
That's why we tried to get together, privately. | 0:30:46 | 0:30:49 | |
-Who is it? -Donovan. | 0:30:49 | 0:30:52 | |
-There's a man who has no respect for privacy. -I hope he doesn't hear about this. | 0:30:52 | 0:30:57 | |
-Not unless you men object to poker. -Poker?! | 0:30:57 | 0:31:01 | |
Come in. | 0:31:08 | 0:31:09 | |
Bet five. | 0:31:12 | 0:31:13 | |
Possible flush. King high. | 0:31:17 | 0:31:20 | |
And another ace. | 0:31:20 | 0:31:22 | |
Thank you, gentlemen. | 0:31:23 | 0:31:25 | |
Who are you kidding? Three-handed poker in the middle of the night! What are YOU doing here? | 0:31:25 | 0:31:30 | |
Mr Colby is getting an Eastern slant on an old Western game. | 0:31:30 | 0:31:33 | |
-Had enough, Colby? -Yes. Too much. | 0:31:33 | 0:31:36 | |
-Goodnight, Hayden. -Good night. | 0:31:36 | 0:31:38 | |
Inspector. | 0:31:38 | 0:31:40 | |
Hey, you had a full house. | 0:31:40 | 0:31:44 | |
-Ah, a pinochle deck! -We always use a pinochle deck. Makes a faster game. | 0:31:44 | 0:31:49 | |
Yeah? Huh-h-h! | 0:31:49 | 0:31:50 | |
You know, | 0:31:54 | 0:31:56 | |
things aren't shaping up any too well for you, Mr Colby. | 0:31:56 | 0:31:59 | |
If you don't tell me about your trip East, you may have to explain it to the police. | 0:31:59 | 0:32:04 | |
I'll take that gamble. | 0:32:04 | 0:32:05 | |
Hey, Falcon, come here - quick! | 0:32:14 | 0:32:17 | |
PEOPLE MURMUR > | 0:32:21 | 0:32:23 | |
There it is! On YOUR door. | 0:32:25 | 0:32:28 | |
-Do you know what that is? -Comanche scalp lock. | 0:32:32 | 0:32:35 | |
Grizzly little present, isn't it? | 0:32:35 | 0:32:38 | |
Whom have I to thank? | 0:32:38 | 0:32:39 | |
-You can joke, but I know these Indians. -That ain't no scalp lock. | 0:32:39 | 0:32:43 | |
That's hair off a human being. | 0:32:43 | 0:32:44 | |
Yeah, a death warning. | 0:32:44 | 0:32:46 | |
Ride him! | 0:32:54 | 0:32:56 | |
Get on with it, cowboy! | 0:32:56 | 0:32:58 | |
-I spent two hours interrogating them Indians. -What did they say? | 0:33:10 | 0:33:14 | |
Ug. | 0:33:14 | 0:33:16 | |
-Tom? -Good morning. | 0:33:22 | 0:33:24 | |
Tom, I've got to talk with you, but not here. | 0:33:24 | 0:33:27 | |
-Will you come for a ride with me? -In these?! | 0:33:27 | 0:33:29 | |
-It's important. -All right, but give me time to dig up some riding clothes. | 0:33:29 | 0:33:33 | |
I'll have Dusty saddle a horse for you. | 0:33:33 | 0:33:36 | |
An old one. | 0:33:36 | 0:33:37 | |
'I had to get away and I didn't have the money.' | 0:34:22 | 0:34:26 | |
I'm not so sure Mr Lawrence can ride. | 0:34:29 | 0:34:32 | |
That makes it even. Powder Keg hasn't been ridden much either. | 0:34:32 | 0:34:35 | |
Look out! Look out! | 0:34:35 | 0:34:38 | |
-Whoa! Here you are, Miss Drake. -Thank you, Dusty. | 0:34:40 | 0:34:44 | |
-Is this my horse? -All set. | 0:34:47 | 0:34:49 | |
-Hey, you're on the wrong side. -But on the right horse. | 0:34:51 | 0:34:54 | |
HORSE WHINNIES | 0:34:55 | 0:34:57 | |
You shouldn't have horses like that around. Somebody might get hurt. | 0:35:02 | 0:35:06 | |
This is the first time I've ever believed anyone's duplicity. | 0:35:20 | 0:35:23 | |
You really do change character with your clothes. | 0:35:23 | 0:35:26 | |
If I've changed, it isn't because of my clothes. I need help. | 0:35:26 | 0:35:29 | |
You've needed that for some time. | 0:35:29 | 0:35:31 | |
But in this outfit, you're frank enough to ask for it. | 0:35:31 | 0:35:34 | |
I thought I'd better tell you, when I unpacked my riding things, | 0:35:34 | 0:35:37 | |
I found a stack of 100 bills. | 0:35:37 | 0:35:39 | |
You should go riding more often. | 0:35:39 | 0:35:41 | |
Please, this is serious. I'm sure it's the same money that was taken from Tex's wallet. | 0:35:41 | 0:35:45 | |
-Any idea how it got in your luggage? -My things were moved last night. | 0:35:45 | 0:35:48 | |
There was plenty of opportunity. | 0:35:48 | 0:35:50 | |
-Yes, I thought of that, too, when -I -saw them. -You saw them? | 0:35:50 | 0:35:53 | |
I checked all the rooms this morning. I hope you don't mind. | 0:35:53 | 0:35:56 | |
Of course not. | 0:35:56 | 0:35:58 | |
As a matter of fact, that money turned up much sooner than I expected. | 0:35:58 | 0:36:01 | |
Confidentially, I think someone's getting worried. | 0:36:01 | 0:36:04 | |
-Any ideas? -A few. | 0:36:04 | 0:36:07 | |
Tell me, you could have talked to me easily back at the house. | 0:36:17 | 0:36:21 | |
-You didn't really want to go riding. -Didn't I? | 0:36:21 | 0:36:24 | |
-I thought you were being honest. -I am. | 0:36:24 | 0:36:27 | |
HORSE WHINNIES > | 0:36:27 | 0:36:29 | |
We seem to have company. | 0:36:29 | 0:36:32 | |
You wait here. I'll take care of the introductions. | 0:36:32 | 0:36:35 | |
Hello there. | 0:36:43 | 0:36:45 | |
Good Lawrence, Mr morning. I mean..! | 0:36:45 | 0:36:48 | |
Good snooping, Miss Colby. | 0:36:48 | 0:36:50 | |
I just stopped to fix my saddle. My horse broke the girth. | 0:36:50 | 0:36:53 | |
You fixed it very quickly. | 0:36:56 | 0:36:59 | |
And you're the man who hasn't seen a horse in years. | 0:36:59 | 0:37:02 | |
Maybe we'd better start over. | 0:37:02 | 0:37:04 | |
Did I frighten her? | 0:37:12 | 0:37:15 | |
Nothing's more frightening to a beautiful woman than another beautiful woman. | 0:37:15 | 0:37:18 | |
Well, you start over, Mr Lawrence, where most men stop. | 0:37:18 | 0:37:22 | |
You seem to go riding alone quite a bit. | 0:37:27 | 0:37:30 | |
Don't you get lonely? | 0:37:30 | 0:37:31 | |
Every now and then. Why? | 0:37:31 | 0:37:33 | |
Such desolate country. | 0:37:33 | 0:37:35 | |
Just miles and miles of nothing but miles and miles. | 0:37:35 | 0:37:39 | |
That's the trouble with you nightclub frontiersmen. If you don't see a floor show, you don't see anything. | 0:37:39 | 0:37:45 | |
-Oh, I don't know. -I'm speaking about the scenery. | 0:37:46 | 0:37:50 | |
See those rocks over there? | 0:37:50 | 0:37:52 | |
Depressing. They look like a graveyard. | 0:37:52 | 0:37:54 | |
It's the Comanche burial ground. It's been there since Coronado's time. | 0:37:54 | 0:37:59 | |
Every stone has its legend or superstition. | 0:37:59 | 0:38:02 | |
And the Indians still believe them, even today. | 0:38:02 | 0:38:05 | |
Did your father put you up to telling me this? | 0:38:05 | 0:38:08 | |
-What d'you mean? -I found one of his Comanche scalp locks hanging on my door as a death warning. | 0:38:08 | 0:38:13 | |
Do you think that he...?! | 0:38:13 | 0:38:15 | |
Perhaps you'd better tell him yourself! | 0:38:15 | 0:38:17 | |
Aren't you forgetting something? | 0:38:20 | 0:38:21 | |
RIFLESHOT | 0:38:34 | 0:38:37 | |
Somebody been riding through a stream? | 0:39:50 | 0:39:53 | |
Is Mr Colby here? | 0:39:57 | 0:39:59 | |
He's inside. | 0:40:01 | 0:40:04 | |
Someone to see you, Mr Colby. | 0:40:11 | 0:40:13 | |
-What's on your mind? -I don't know if Marion told you, but, er... | 0:40:13 | 0:40:17 | |
I was out riding and somebody took a shot at me. | 0:40:17 | 0:40:19 | |
It couldn't have been one of your men, could it? | 0:40:19 | 0:40:22 | |
Might have. I'll promise you this - when I find out who did it, I'll fire him for missing. | 0:40:22 | 0:40:27 | |
Oh, I wouldn't be too hard on him. | 0:40:27 | 0:40:28 | |
It was a good 100 yards and a moving target. | 0:40:28 | 0:40:31 | |
For your information, I just asked my father. | 0:40:31 | 0:40:33 | |
And he doesn't even own a Comanche scalp lock. | 0:40:33 | 0:40:35 | |
Then I'll sell him this one at a bargain. It's only been worn once. | 0:40:35 | 0:40:40 | |
Well, that is from my collection all right, but it's not Comanche. | 0:40:40 | 0:40:43 | |
Mr Lawrence is slightly misinformed. | 0:40:43 | 0:40:45 | |
He thinks Comanches use death warnings. | 0:40:45 | 0:40:47 | |
-Don't they? -Never. | 0:40:47 | 0:40:49 | |
The eastern tribes did, but not the south-west Indians. | 0:40:49 | 0:40:52 | |
They based their attacks on surprise. | 0:40:52 | 0:40:54 | |
The same approach someone's been using on me. | 0:40:54 | 0:40:56 | |
CAR APPROACHES | 0:40:56 | 0:41:00 | |
Uh-oh! I feel one of Donovan's meetings coming on. | 0:41:06 | 0:41:10 | |
-Hello, Bob. -Hello, Dave. -They got you or you got him? | 0:41:14 | 0:41:17 | |
I'm just keeping it legal. | 0:41:17 | 0:41:19 | |
The Inspector wants you and Marion to up over the Irwin ranch. | 0:41:19 | 0:41:22 | |
This afternoon at 3 o'clock. | 0:41:22 | 0:41:23 | |
-Sure, I'll be there to help you out. -Thanks for the invitation, Timothy. | 0:41:23 | 0:41:26 | |
-I'll be there. -I was afraid of that. | 0:41:26 | 0:41:28 | |
-Remember, 3 o'clock. -Yes, I heard you. | 0:41:28 | 0:41:31 | |
See you later, Dave. | 0:41:31 | 0:41:34 | |
Well, I guess I'd better get going. | 0:41:34 | 0:41:36 | |
Next time you come over here accusing one of my men, you'd better bring the man with you. | 0:41:36 | 0:41:40 | |
I'll remember that. | 0:41:40 | 0:41:42 | |
-If Hayden's not here in two minutes you're gonna find him. -How? | 0:41:51 | 0:41:55 | |
Very well, thanks. | 0:41:55 | 0:41:56 | |
-I was asked to be here at 3 o'clock. -We'd better get started, Inspector. | 0:42:08 | 0:42:12 | |
All right. | 0:42:12 | 0:42:14 | |
We're here to clear up an important point in the Irwin case. | 0:42:14 | 0:42:16 | |
Aren't you interested, Mrs Irwin? | 0:42:16 | 0:42:19 | |
Thank you. | 0:42:20 | 0:42:22 | |
These papers are from Mr Irwin's safe. | 0:42:22 | 0:42:24 | |
I want you to pick out everything in his handwriting. | 0:42:24 | 0:42:27 | |
I never saw his writing. | 0:42:29 | 0:42:31 | |
Mrs Irwin and Miss Colby! | 0:42:31 | 0:42:32 | |
Oh. | 0:42:32 | 0:42:34 | |
RHYTHMIC DRUMBEAT | 0:42:42 | 0:42:45 | |
What's that? | 0:42:47 | 0:42:49 | |
BIG-BAND MUSIC | 0:42:53 | 0:42:56 | |
# Texas spurs and cockle birds... # | 0:42:58 | 0:43:01 | |
Why, it's Tex! | 0:43:01 | 0:43:03 | |
# A pied-face roan, a campfire home | 0:43:03 | 0:43:07 | |
# And owls sing like canaries! | 0:43:07 | 0:43:10 | |
# Freezing lakes and rattlesnakes... # | 0:43:10 | 0:43:13 | |
Stop it! Somebody, please stop it! | 0:43:13 | 0:43:16 | |
Where is that coming from? | 0:43:17 | 0:43:19 | |
It's only the phonograph. One of Tex's home recordings. | 0:43:19 | 0:43:23 | |
If you'll be so kind, Mr Bates, you can turn it off at the remote-control box. | 0:43:23 | 0:43:27 | |
# A pied-face roan, a campfire home | 0:43:27 | 0:43:31 | |
# And owls sing like... # | 0:43:31 | 0:43:34 | |
What I'd like to know is who turned it on. | 0:43:38 | 0:43:40 | |
What difference does that make - let's get on with those papers. | 0:43:40 | 0:43:43 | |
That's enough, Mrs Irwin. | 0:44:10 | 0:44:12 | |
I'm sorry to have bothered the rest of you. | 0:44:12 | 0:44:14 | |
I noticed that a number of the papers had been dog-eared, exactly the way Mrs Irwin picked out these. | 0:44:16 | 0:44:21 | |
Very neat, Timothy. | 0:44:21 | 0:44:23 | |
I'm perfectly willing to admit that I went through those papers, but that does not prove anything. | 0:44:23 | 0:44:27 | |
You knew Tex had signed over the ranch to Vanessa. | 0:44:27 | 0:44:29 | |
And that very important paper is missing. | 0:44:29 | 0:44:31 | |
-Well, -I -didn't take it. -Mr Colby? | 0:44:31 | 0:44:33 | |
You saw Mrs Irwin yesterday. What time did she leave your ranch? | 0:44:33 | 0:44:37 | |
Sometime in the afternoon, about 4 o'clock I'd say. | 0:44:37 | 0:44:40 | |
4 o'clock? | 0:44:40 | 0:44:42 | |
You went to a lot of trouble to try to make us believe that you arrived a lot later in the evening. Why? | 0:44:42 | 0:44:46 | |
-Well, I... -Because you went back to Colby's. | 0:44:46 | 0:44:48 | |
You were there at the same time somebody tried to knife Miss Drake. | 0:44:48 | 0:44:50 | |
-No, I'd already left! -You admit you know about the knifing? | 0:44:50 | 0:44:53 | |
No, I didn't know. What I mean is... | 0:44:53 | 0:44:55 | |
-I-I had been there earlier. -I won't need the rest of you. | 0:44:55 | 0:44:58 | |
We'll be at the ranch. | 0:45:02 | 0:45:05 | |
Mrs Irwin, you've made a lot of moves. They're going to take a lot of explaining. | 0:45:05 | 0:45:08 | |
Mrs Irwin, Mrs Irwin, come quick! Mr Hayden, he hurt! | 0:45:10 | 0:45:13 | |
AGONISED GROANING | 0:45:20 | 0:45:23 | |
Take it easy, Mr Hayden. | 0:45:29 | 0:45:31 | |
If you have a first-aid kit for snake bites, you'd better get it! | 0:45:31 | 0:45:36 | |
Look at his arm! | 0:45:36 | 0:45:38 | |
-Yeah, two marks. The same way Tex Irwin got it. -Let me through. | 0:45:38 | 0:45:43 | |
Listen, listen. | 0:45:51 | 0:45:53 | |
Tell me what happened. | 0:45:53 | 0:45:56 | |
I-I should have told you. | 0:45:56 | 0:45:59 | |
Last night at the club... | 0:45:59 | 0:46:01 | |
he told me this before, before he... | 0:46:01 | 0:46:06 | |
Well, we won't need any extradition papers on this one. | 0:46:23 | 0:46:26 | |
-Don't look at me. -I -had nothing to do with it! | 0:46:26 | 0:46:29 | |
Lady, you're gonna do some tall talking to get out of this one. | 0:46:29 | 0:46:31 | |
You had the most to gain with Tex out of the way. | 0:46:31 | 0:46:34 | |
You knew the combination of the safe and for some reason, the Indians only came back when YOU showed up. | 0:46:34 | 0:46:39 | |
It all adds up. ..Sheriff, you'd better take over. | 0:46:39 | 0:46:43 | |
Let's go, sister. | 0:46:43 | 0:46:44 | |
Thanks for your help. We solved this a lot quicker than I thought we would. | 0:46:57 | 0:47:00 | |
-I don't think it's solved yet. -We've got the name... | 0:47:00 | 0:47:02 | |
-He got away. -Maybe that's because he never left here. | 0:47:57 | 0:48:00 | |
-I don't get you. -If I'm not mistaken, slapping a horse | 0:48:00 | 0:48:03 | |
-to lead the pursuit in the wrong direction is an old Western trick. -Search the place! | 0:48:03 | 0:48:07 | |
HENS SQUAWK | 0:48:22 | 0:48:25 | |
There he is! | 0:48:41 | 0:48:43 | |
Help, somebody! | 0:48:46 | 0:48:47 | |
Wait a minute. Let go of that. | 0:48:50 | 0:48:53 | |
One of Colby's men. | 0:48:53 | 0:48:55 | |
Hello, Red. How did YOU happen to miss? | 0:48:55 | 0:48:57 | |
You'd better have a talk with Colby. | 0:48:57 | 0:48:59 | |
-If he's been back East... -He was. | 0:48:59 | 0:49:01 | |
-What? -He was in Tex Irwin's hotel room the night before he died. | 0:49:01 | 0:49:04 | |
What's the idea, holding out on me? | 0:49:04 | 0:49:06 | |
-Well, you see, I... -Oh, I get it. His daughter. | 0:49:06 | 0:49:09 | |
Well, she's not going to stop me. ..Bates, bring him along. | 0:49:09 | 0:49:11 | |
What's the trouble, Red? | 0:49:32 | 0:49:34 | |
He's been playing Jesse James. | 0:49:34 | 0:49:36 | |
What are they after this time, sheriff? | 0:49:40 | 0:49:42 | |
-Red took a shot at Mr Lawrence. -I took your advice. | 0:49:42 | 0:49:45 | |
You told me to bring the man in next time. | 0:49:45 | 0:49:47 | |
Well, Red, what's behind all this? I just let him in close | 0:49:49 | 0:49:52 | |
trying to run him off. | 0:49:52 | 0:49:54 | |
I guess we all figure in this. We weren't trying to kill anybody. | 0:49:54 | 0:49:58 | |
You know how good Red is with a rifle. | 0:49:58 | 0:50:00 | |
We just thought we'd back you up on account of what happened with Tex. | 0:50:00 | 0:50:05 | |
-- You don't think -I -killed him? - We don't care if you did or not. | 0:50:05 | 0:50:08 | |
We just know you're the boss, and the boss needed help. | 0:50:08 | 0:50:10 | |
You all think I'm guilty? | 0:50:14 | 0:50:16 | |
-That's why you're here. -That's right. | 0:50:16 | 0:50:19 | |
Well, you're wrong! | 0:50:19 | 0:50:21 | |
I have a notion to run you out of here! | 0:50:21 | 0:50:24 | |
Easy, Dave. You're in a tight spot. | 0:50:24 | 0:50:26 | |
Hayden's dead, too. | 0:50:26 | 0:50:27 | |
I didn't kill either one of them. | 0:50:32 | 0:50:34 | |
Tex was my partner. | 0:50:34 | 0:50:35 | |
Partner? You've been trying to get rid of him for five years. | 0:50:35 | 0:50:38 | |
When Hayden found out you'd knocked off Tex, you murdered him, too. | 0:50:38 | 0:50:41 | |
Hope you don't mind. | 0:50:47 | 0:50:49 | |
There's something fascinating about this room. | 0:50:49 | 0:50:52 | |
Wouldn't be Miss Drake's deed, would it? | 0:50:54 | 0:50:56 | |
That's part of it. | 0:50:56 | 0:50:58 | |
Maybe I can help you. | 0:50:58 | 0:51:00 | |
Thanks. | 0:51:05 | 0:51:07 | |
You really believe Dad has it, don't you? | 0:51:10 | 0:51:13 | |
Yes. Don't you? | 0:51:13 | 0:51:16 | |
Why no, of course I don't. | 0:51:16 | 0:51:18 | |
Now I seem to have lost MY touch. Is there a key? | 0:51:29 | 0:51:32 | |
-Yes, but it's never... -It is now. | 0:51:32 | 0:51:35 | |
I'll see. Maybe it's in here. | 0:51:37 | 0:51:39 | |
Oh, I'm sorry. So clumsy of me! | 0:52:01 | 0:52:04 | |
I just keep on doing it! I don't know what's the matter today. | 0:52:05 | 0:52:08 | |
-What's going on in here? -That lance just fell down and broke the glass. | 0:52:11 | 0:52:15 | |
-Put that down! -Certainly. | 0:52:15 | 0:52:17 | |
Dad, it was an accident! | 0:52:17 | 0:52:19 | |
I don't think anything's been damaged. | 0:52:19 | 0:52:22 | |
-Indian medicine bag, huh? -Leave that alone! | 0:52:22 | 0:52:25 | |
-Do I have to stand for this? -You do, Mr Colby. -A man should have rights in his own home. | 0:52:28 | 0:52:33 | |
-What's that? -Should be the much-discussed deed. | 0:52:35 | 0:52:39 | |
That belongs to Miss Drake. | 0:52:39 | 0:52:41 | |
-It's yours all right. -Dad! | 0:52:41 | 0:52:44 | |
Yes, I put it there. | 0:52:44 | 0:52:45 | |
Tex didn't want her to have it. | 0:52:45 | 0:52:47 | |
He found out she was playing him along but she was in love with some other man. | 0:52:47 | 0:52:50 | |
-That's a lie! -Did he mention any names? | 0:52:50 | 0:52:52 | |
I only wish he had. | 0:52:52 | 0:52:54 | |
Well, here's a rarity in any collection. | 0:52:56 | 0:52:59 | |
A ring with a bite to it. | 0:53:02 | 0:53:04 | |
Evidently, it holds more venom than three live ones. | 0:53:04 | 0:53:07 | |
-So that's what happened to Tex! -And Hayden. | 0:53:07 | 0:53:09 | |
And we thought it was rattlesnakes! | 0:53:09 | 0:53:10 | |
Pretty clever. Who made that for you? | 0:53:10 | 0:53:13 | |
One of Coronado's men. | 0:53:13 | 0:53:15 | |
Sheriff, pick him up as an accessory. | 0:53:15 | 0:53:17 | |
He's been dead 400 years. | 0:53:17 | 0:53:19 | |
Dead, huh? ..400?! | 0:53:19 | 0:53:20 | |
Sure! Everybody knows that. | 0:53:20 | 0:53:23 | |
That explains your trip east. You used this on Tex. | 0:53:25 | 0:53:27 | |
That's where you're all wrong. | 0:53:27 | 0:53:28 | |
-I was afraid somebody might try to get that ring and I had a duplicate made. -Yeah? Where is it? | 0:53:28 | 0:53:33 | |
It was stolen from this room two months ago. | 0:53:33 | 0:53:34 | |
-Why would anybody want to steal it? -It's a very valuable ring, far more valuable than it looks. | 0:53:34 | 0:53:39 | |
That was made in the 16th century by one of Coronado's followers. | 0:53:39 | 0:53:42 | |
The Indians around here make plenty of this stuff! | 0:53:42 | 0:53:45 | |
Coronado brought the finest silversmiths to America with him. | 0:53:45 | 0:53:48 | |
That's how the Indians first learned to work silver. | 0:53:48 | 0:53:50 | |
Eagle Feather's ancestors got hold of that ring. | 0:53:50 | 0:53:53 | |
-Probably as a bribe for information concerning the seven golden cities, which were... -All right. | 0:53:53 | 0:53:58 | |
-How did YOU manage to get hold of it? -It took me 10 years, but I wanted it and I got it | 0:53:58 | 0:54:02 | |
and it's never been out of that bag since then. | 0:54:02 | 0:54:04 | |
Fast thinking, Colby, but I've been up against that duplicate alibi before. | 0:54:04 | 0:54:08 | |
Sheriff, you know what to do. | 0:54:08 | 0:54:11 | |
Come along, Dave. ..Marion, you'd better ride into town with us. | 0:54:11 | 0:54:14 | |
I know I shouldn't feel sorry for him, but I do. | 0:54:25 | 0:54:29 | |
Oh, they'll never convict him. | 0:54:29 | 0:54:30 | |
Colby was telling the truth. The real murderer has the other ring. | 0:54:30 | 0:54:34 | |
What makes you so sure there IS another ring? | 0:54:34 | 0:54:37 | |
Marion? | 0:54:37 | 0:54:39 | |
Oh, I might have known. | 0:54:39 | 0:54:41 | |
You're not going anywhere, sheriff. | 0:54:48 | 0:54:50 | |
Take their guns. | 0:54:53 | 0:54:56 | |
All the above and any future earnings to Vanessa Drake. | 0:54:58 | 0:55:01 | |
All properly signed and witnessed. | 0:55:01 | 0:55:03 | |
This must mean a great deal to you. | 0:55:03 | 0:55:05 | |
The least I can do is thank you for everything you've done for me. | 0:55:05 | 0:55:09 | |
You know, this is the first time I've seen you in a dress that really suits your personality. | 0:55:11 | 0:55:17 | |
Sophisticated, dangerous. | 0:55:17 | 0:55:20 | |
It isn't a dress. | 0:55:20 | 0:55:21 | |
Now why don't you tell me what you're really thinking? | 0:55:21 | 0:55:23 | |
There's only one conclusion that makes sense. | 0:55:23 | 0:55:27 | |
You killed Tex. | 0:55:27 | 0:55:29 | |
-What possible reason would -I -have for killing him? | 0:55:29 | 0:55:32 | |
We were going to be married. | 0:55:32 | 0:55:33 | |
That's what puzzled me at first. | 0:55:37 | 0:55:39 | |
But it's almost inescapable. | 0:55:39 | 0:55:41 | |
The attempt on your life with that Indian dagger, | 0:55:41 | 0:55:43 | |
those 100 bills you so conveniently found in your suitcase. | 0:55:43 | 0:55:46 | |
You think I put them there? | 0:55:46 | 0:55:48 | |
I'm sure of it. | 0:55:48 | 0:55:51 | |
Not only that, | 0:55:51 | 0:55:52 | |
you're the one who turned on that phonograph record. | 0:55:52 | 0:55:54 | |
It's the only logical explanation. | 0:55:54 | 0:55:56 | |
And the scalp lock you hung on my door, only an easterner could have been so wrong. | 0:55:58 | 0:56:04 | |
Hayden might have done it, | 0:56:04 | 0:56:06 | |
but Hayden was eliminated. | 0:56:06 | 0:56:08 | |
I should have known better than to try and fool you. | 0:56:08 | 0:56:11 | |
Everything I did was to call attention to Colby and Mrs Irwin. | 0:56:11 | 0:56:14 | |
I knew they were guilty. I knew you would go after them. | 0:56:14 | 0:56:17 | |
May I have another light, please? | 0:56:17 | 0:56:19 | |
I might believe that. | 0:56:23 | 0:56:25 | |
Thank you. | 0:56:25 | 0:56:28 | |
There's another mistake you made. | 0:56:28 | 0:56:31 | |
I thought it strange at the Flamingo Club when the most photographed girl in America | 0:56:31 | 0:56:35 | |
wouldn't allow her picture to be taken with her bridegroom-to-be. | 0:56:35 | 0:56:38 | |
You stopped them because you knew Tex was going to if you didn't. | 0:56:38 | 0:56:41 | |
Whatever gave you that idea? | 0:56:41 | 0:56:43 | |
Tex wasn't going to marry you. That's what Hayden tried to tell me before he died. | 0:56:45 | 0:56:49 | |
But before Tex found out what you were really like, he'd signed over his ranch to you. | 0:56:49 | 0:56:52 | |
You had to act quickly to keep him from changing that. | 0:56:52 | 0:56:55 | |
Part of what you say is true. | 0:56:55 | 0:56:57 | |
Tex was never really in love with me. | 0:57:00 | 0:57:03 | |
He still loved his former wife. | 0:57:03 | 0:57:05 | |
He was only going to marry me out of spite because she left him. | 0:57:05 | 0:57:09 | |
So you turned to someone else, too. | 0:57:09 | 0:57:13 | |
-Dusty, if I'm not mistaken. -How could I help it? | 0:57:13 | 0:57:16 | |
Dusty gave me attention. | 0:57:16 | 0:57:18 | |
He really cared for me. | 0:57:18 | 0:57:20 | |
There's no sense going into all that. | 0:57:20 | 0:57:23 | |
Listen, I know all about you. | 0:57:23 | 0:57:27 | |
But you don't really. | 0:57:27 | 0:57:29 | |
If I didn't I would never have got this. | 0:57:30 | 0:57:34 | |
Let go of her! | 0:57:36 | 0:57:37 | |
You'd better put that away, Dusty. You're in enough trouble already. | 0:57:37 | 0:57:40 | |
This lady friend of yours is a murderess. | 0:57:40 | 0:57:42 | |
You see, that's what I've been telling you. | 0:57:42 | 0:57:44 | |
They're all trying to turn things against me. | 0:57:44 | 0:57:46 | |
Don't let her get you mixed up in this, Dusty. | 0:57:46 | 0:57:48 | |
You were at that club, you saw what she did to Tex. | 0:57:48 | 0:57:50 | |
That's what you'd like me to believe, isn't it? | 0:57:50 | 0:57:52 | |
I've watched you all hound her. | 0:57:52 | 0:57:54 | |
Well, I'll see she gets an even break. ..We're getting out of here. | 0:57:54 | 0:57:58 | |
We can't leave him here. He'll send them after us. | 0:57:58 | 0:58:01 | |
I've got a car out front. | 0:58:01 | 0:58:03 | |
All right, Lawrence. | 0:58:03 | 0:58:04 | |
I'm not afraid to stand trial, boys. | 0:58:09 | 0:58:12 | |
You're only making matters worse for me. | 0:58:12 | 0:58:13 | |
We don't see it that way, boss. | 0:58:13 | 0:58:16 | |
Back inside. You heard me! | 0:58:21 | 0:58:24 | |
Look! | 0:58:35 | 0:58:36 | |
It's nothing. Just the ring they took as evidence. | 0:58:41 | 0:58:44 | |
You got that one in your pocket. | 0:58:44 | 0:58:45 | |
Now how do you suppose that got there?! | 0:58:49 | 0:58:51 | |
That's what we've gotta find out. OK, boys? | 0:58:51 | 0:58:54 | |
-Give 'em your guns. -Couple of you go round that way! | 0:58:54 | 0:58:57 | |
-Get in there! -Dusty! | 0:59:01 | 0:59:03 | |
Get in! | 0:59:12 | 0:59:13 | |
Sheriff, I think Vanessa is the one you want. | 0:59:23 | 0:59:26 | |
Better hurry! | 0:59:57 | 0:59:58 | |
-What kept you? -INDISTINCT RESPONSE | 0:59:58 | 1:00:02 | |
Be careful of that Lawrence guy - he'll double-cross you! | 1:00:08 | 1:00:11 | |
How? Very well, thanks(!) | 1:00:11 | 1:00:13 | |
-Well, take good care of the Falcon. -We'll make a Texan out of him! | 1:00:19 | 1:00:23 | |
So long, partner. | 1:00:23 | 1:00:24 | |
You are the Falcon? | 1:00:29 | 1:00:31 | |
-Yes. -Oh, Mr Falcon, you've got to help me! | 1:00:31 | 1:00:35 | |
He didn't do it. Please! | 1:00:35 | 1:00:38 | |
I love him! | 1:00:38 | 1:00:40 | |
Who is this "he"? | 1:00:40 | 1:00:42 | |
-Senor Carlos Rodriguez. -Your husband? | 1:00:42 | 1:00:44 | |
No, senor, my brother. I have no husband. | 1:00:44 | 1:00:47 | |
Oh-h! | 1:00:47 | 1:00:49 | |
-Muchas gracias, Senor Falcon! -SPEAKS IN RAPID SPANISH | 1:00:50 | 1:00:54 | |
Forward my mail to Havana! | 1:00:58 | 1:01:01 | |
Subtitles by Red Bee Media Ltd | 1:01:04 | 1:01:07 |