
Browse content similar to The Falcon Strikes Back. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
DRILLING, HAMMERS POUNDING | 0:00:58 | 0:01:01 | |
TICKING | 0:01:15 | 0:01:18 | |
SILENCE | 0:01:26 | 0:01:28 | |
What is it? Who is it? | 0:01:29 | 0:01:32 | |
-I'm sorry to disturb you, Mr Lawrence. It's time to change the ice. -You're much too efficient! | 0:01:32 | 0:01:39 | |
-PHONE RINGS -Go away and let me die in peace! | 0:01:39 | 0:01:43 | |
And Jerry... | 0:01:43 | 0:01:45 | |
-see what you can do about that fire alarm. -Yes, sir! | 0:01:45 | 0:01:50 | |
Look, whoever you are, please take what you want and go home! | 0:02:13 | 0:02:17 | |
You'll find my wallet in my coat and the safe is behind that picture. | 0:02:17 | 0:02:21 | |
Please don't blow it up! | 0:02:21 | 0:02:22 | |
I'm not a thief and I do not want money! I want you. | 0:02:22 | 0:02:26 | |
This is a very pleasant surprise. | 0:02:32 | 0:02:35 | |
I usually see dragons. | 0:02:35 | 0:02:37 | |
Please forgive me. I am Mia Bruger. | 0:02:37 | 0:02:39 | |
I tried to come through the front, but they stopped me. | 0:02:39 | 0:02:41 | |
There are times when they show an appalling lack of discrimination. | 0:02:41 | 0:02:46 | |
Do not joke! I am in trouble! You have to find my brother! | 0:02:46 | 0:02:49 | |
Must we discuss your brother? | 0:02:51 | 0:02:54 | |
-But you do not understand! Franzel is missing for two weeks! He is mixed up with some bad men. You see... -I know. | 0:02:54 | 0:03:00 | |
You're aliens. You love this country but people won't believe you. | 0:03:00 | 0:03:04 | |
Your brother couldn't get a job and drifted into bad company. | 0:03:04 | 0:03:07 | |
I only want to see him! To talk to him! | 0:03:07 | 0:03:10 | |
I have read in the paper how you solve mysteries when the police fail. | 0:03:10 | 0:03:14 | |
I know you can find him! | 0:03:14 | 0:03:15 | |
I know one thing I can do - take a Bromo and make you disappear. | 0:03:15 | 0:03:20 | |
I am desperate. You've got to help me! | 0:03:20 | 0:03:24 | |
Oh, now, look! | 0:03:27 | 0:03:29 | |
You are coming with me. | 0:03:29 | 0:03:32 | |
Do you mind if I wear my shoes? | 0:03:34 | 0:03:37 | |
-Mr Lawrence not in. -Don't give me that routine, Jerry. | 0:03:37 | 0:03:41 | |
-Where is he? -We ain't seen the Falcon for days. | 0:03:41 | 0:03:44 | |
He promised to give me an exclusive story on the Harrington murder case. | 0:03:44 | 0:03:48 | |
Just one thing would interfere - another woman. | 0:03:48 | 0:03:51 | |
-Not a chance. He gave up dames. -Like I gave up breathing(!) | 0:03:51 | 0:03:54 | |
Excuse me. Just, er... | 0:03:54 | 0:03:57 | |
Well! I hope I'm not intruding. | 0:04:00 | 0:04:02 | |
Not at all. I'm always happy to greet the press. | 0:04:02 | 0:04:05 | |
You're just in time for my murder. | 0:04:05 | 0:04:07 | |
Would you care to write the obituary? | 0:04:07 | 0:04:10 | |
It would be a pleasure. I'm ready. Shoot. | 0:04:10 | 0:04:14 | |
Marcia, this woman tried to abduct me. Sounds silly, doesn't it? | 0:04:14 | 0:04:20 | |
-Doesn't it? -Now, young lady, if you'll just... | 0:04:20 | 0:04:23 | |
GUNSHOT She got him! | 0:04:23 | 0:04:25 | |
I've seen better performances on amateur night. | 0:04:25 | 0:04:29 | |
Now, boss, you know what happens with dames?! | 0:04:36 | 0:04:39 | |
Yes, Goldie. Isn't it wonderful? | 0:04:39 | 0:04:41 | |
I'm beginning to think you're serious. | 0:04:45 | 0:04:49 | |
-Where did you last see this Franzel? -There is a place where... | 0:04:49 | 0:04:53 | |
Here we go again! | 0:04:54 | 0:04:57 | |
There is a place where Franzel used to go, a cocktail bar... | 0:04:59 | 0:05:02 | |
We'll go there first. If you can make it. | 0:05:02 | 0:05:05 | |
I see we can. | 0:05:06 | 0:05:08 | |
It is that place, the 333. I have been there many times but always they say my brother is not here. | 0:05:13 | 0:05:19 | |
Don't worry, beautiful, I'll bring him out. | 0:05:19 | 0:05:22 | |
-What's yours? -I'm looking for a friend of mine - Franzel Bruger. | 0:05:42 | 0:05:46 | |
-Never heard of him. -Oh. | 0:05:46 | 0:05:49 | |
Get me a straight, er, tomato juice. | 0:05:49 | 0:05:53 | |
DANCE MUSIC PLAYS | 0:06:26 | 0:06:29 | |
One of the idle rich. Stuck with an automobile. What a burden. | 0:06:53 | 0:06:58 | |
The poor unfortunate soul. | 0:06:58 | 0:07:01 | |
-Sleeping it off, chum? -You might call it that. | 0:07:08 | 0:07:12 | |
Do you mind telling me where I am? | 0:07:12 | 0:07:14 | |
You, sir, are about half a mile off Highway 64. | 0:07:14 | 0:07:18 | |
Oh. What's that near? | 0:07:18 | 0:07:21 | |
-Route 14. -Oh, well, never mind. | 0:07:21 | 0:07:24 | |
Can you tell me what the time is? And the day. | 0:07:24 | 0:07:27 | |
Well, it's about 12 o'clock. | 0:07:29 | 0:07:31 | |
-Correction...12.15. -And the day is Tuesday. | 0:07:33 | 0:07:38 | |
Noon Tuesday. Thank you, gentlemen. | 0:07:38 | 0:07:41 | |
Cecil, do you realise how fortunate we are. No tyres, no gasoline. | 0:07:45 | 0:07:51 | |
-No nothing. -No nothing. | 0:07:51 | 0:07:53 | |
SIREN WAILS | 0:08:08 | 0:08:11 | |
All right, get out with your hands up. | 0:08:23 | 0:08:26 | |
Officer, aren't you rather overdoing it? I was only doing 30... | 0:08:26 | 0:08:30 | |
You heard what I said. | 0:08:30 | 0:08:33 | |
Can't you just give me the ticket? I have to get back to town. | 0:08:35 | 0:08:38 | |
I'm a friend of Inspector Donovan's. | 0:08:38 | 0:08:40 | |
Yeah? Maybe that's why he put out a general alarm to have you picked up. | 0:08:40 | 0:08:43 | |
-What have I done? -Killed a bank messenger. -You've been misinformed. | 0:08:43 | 0:08:48 | |
Have I? What are these? Moth holes? | 0:08:48 | 0:08:51 | |
-For the last time, you'll tell me or you'll tell a jury. -Timothy, you're making noises like a detective. | 0:08:54 | 0:09:01 | |
I've been sleeping peacefully in a meadow about half a mile from Highway 64, near Route 14. | 0:09:01 | 0:09:07 | |
-Anybody see you there? -Possibly a cow or two. | 0:09:07 | 0:09:10 | |
Inspector, you can't arrest a man for wallowing in nature. | 0:09:10 | 0:09:14 | |
Sunrise in the open country, birds singing, bees, er, humming. | 0:09:14 | 0:09:18 | |
Try wallowing in this. | 0:09:18 | 0:09:21 | |
In war bonds, too! | 0:09:25 | 0:09:27 | |
Timothy, you don't really believe I'm guilty of all that? | 0:09:27 | 0:09:31 | |
I haven't said you were. Yet. | 0:09:31 | 0:09:34 | |
-But I've always wondered where your money came from. -Yeah, he steals a lot of war bonds(!) | 0:09:34 | 0:09:39 | |
-What's he gonna do with them? The numbers is all on record. He can't cash 'em in! -You sit down! | 0:09:39 | 0:09:46 | |
Mr Lawrence no doubt has cooked up another of his ingenious rackets and he's going to tell us all about it! | 0:09:46 | 0:09:52 | |
-Inspector, you try to pin everything on me. -Six witnesses saw your car leave the scene of the crime. | 0:09:52 | 0:09:58 | |
Two identified your picture. | 0:09:58 | 0:10:01 | |
-Of course you didn't help convince them. -I... -No, of course not! | 0:10:01 | 0:10:05 | |
Suppose I prove to you I couldn't possibly have driven the car? | 0:10:05 | 0:10:10 | |
I was with a young lady - Marcia Brooks. | 0:10:10 | 0:10:14 | |
Marcia Brooks. This time, the great Falcon walked right into it. | 0:10:14 | 0:10:19 | |
Bring her in. | 0:10:19 | 0:10:21 | |
Miss Brooks. | 0:10:25 | 0:10:27 | |
-Miss Brooks, Lawrence said he had a date with you the time the crime was committed. -Well, no, Inspector. | 0:10:29 | 0:10:37 | |
I'm sorry, Tom, but I can't lie for you. | 0:10:39 | 0:10:43 | |
What do you have to say to that? | 0:10:43 | 0:10:45 | |
-You've caught me. -You're ready to confess?! -Yes. | 0:10:45 | 0:10:48 | |
It wasn't Marcia Brooks. It was a Miss... | 0:10:48 | 0:10:50 | |
I'd rather not give you her name. It would violate a confidence. | 0:10:50 | 0:10:54 | |
-She hasn't got a name cos she doesn't exist! -Oh, but she does, Inspector. | 0:10:54 | 0:10:58 | |
I met her in his...office. | 0:10:58 | 0:11:01 | |
I didn't get her name but she's an exotic little tomato, if you like the acid type. | 0:11:01 | 0:11:05 | |
Thanks. That's all. You can go too. | 0:11:05 | 0:11:08 | |
-I should imagine that eliminates me. -Eliminates you?! | 0:11:14 | 0:11:17 | |
-What do you think I am? -If you must know... | 0:11:17 | 0:11:19 | |
OK, so you had a date with Miss Whatshername up in some meadow. | 0:11:19 | 0:11:22 | |
Correction, Inspector. The young lady took me to a cocktail bar on Second Avenue. | 0:11:22 | 0:11:26 | |
And you had one drink and everything went black. | 0:11:26 | 0:11:29 | |
You're positively psychic. | 0:11:29 | 0:11:31 | |
I took no drinks and everything went black and blue. | 0:11:31 | 0:11:35 | |
-Slugged. -That's a good one. | 0:11:35 | 0:11:37 | |
The mastermind gets conveniently conked over the head. He doesn't remember. | 0:11:37 | 0:11:41 | |
I remember the address. | 0:11:41 | 0:11:42 | |
How about it, Inspector? | 0:11:42 | 0:11:44 | |
In the interest of fair play, why don't we go to that bar and have a look? | 0:11:44 | 0:11:48 | |
A snipe hunt if I ever saw one. | 0:11:48 | 0:11:49 | |
-All right, get the squad car. -Why, chief? | 0:11:49 | 0:11:51 | |
There's too much tread on the tyres and I want to wear some of it off. Do you mind? | 0:11:51 | 0:11:56 | |
No. | 0:11:56 | 0:11:58 | |
-Wait a minute... -What is it? | 0:12:20 | 0:12:22 | |
How do you do? I'm Mrs Lipton. May I be of assistance? | 0:12:28 | 0:12:31 | |
Ask her if she can knit herself a cocktail. | 0:12:31 | 0:12:34 | |
-I beg your pardon? -You must excuse us. We were just looking for something. | 0:12:34 | 0:12:37 | |
-How long have you been using these premises? -Three months now, since the start of July. | 0:12:37 | 0:12:42 | |
-You mean there's NEVER been a cocktail bar here? -Good heavens, no! | 0:12:42 | 0:12:46 | |
The premises were standing empty and we were allowed to use them. | 0:12:46 | 0:12:50 | |
Thanks, lady. His mistake. | 0:12:50 | 0:12:52 | |
No, you can't use the dash lighter. | 0:12:52 | 0:12:54 | |
This is an official police car. Beat it! | 0:12:54 | 0:12:57 | |
OK, then I won't tell you about the nail you got in your left rear tire. | 0:12:57 | 0:13:00 | |
Nail?! | 0:13:00 | 0:13:02 | |
-Where's the nail? -Down further, down further! | 0:13:08 | 0:13:11 | |
I could swear this was the place, awning and everything. | 0:13:12 | 0:13:16 | |
I must have a touch of amnesia. | 0:13:16 | 0:13:18 | |
See, chief? He's trying to set up an insanity defence already. | 0:13:18 | 0:13:21 | |
-Hey, Grime! -Here I am, chief, looking for a nail. | 0:13:21 | 0:13:24 | |
A nail?! | 0:13:24 | 0:13:26 | |
-Look out! -Oh, excuse me. | 0:13:28 | 0:13:29 | |
It'll take three weeks to get a priority for a new boot! | 0:13:29 | 0:13:32 | |
Don't you think it's about time to scram? | 0:13:32 | 0:13:35 | |
It's just a spot of grease. | 0:13:35 | 0:13:37 | |
Let's go, honey. | 0:13:37 | 0:13:38 | |
Lawrence, come back here! | 0:13:41 | 0:13:43 | |
-Get going. -The keys are gone. | 0:13:44 | 0:13:45 | |
Find 'em quick or I'm putting you on a bicycle beat so far in the country, you'll get orders by air mail! | 0:13:45 | 0:13:51 | |
Of all the flat-footed, flat-headed... | 0:13:51 | 0:13:53 | |
Don't anybody say anything. | 0:13:55 | 0:13:57 | |
All I want from you is silence and mighty little of that. | 0:13:57 | 0:14:00 | |
Relax, children. This is the last place the police would think of looking for us. | 0:14:10 | 0:14:15 | |
A criminal always returns to the scene of the crime. Cops know that. | 0:14:15 | 0:14:19 | |
Goldie, I'm not a criminal. | 0:14:19 | 0:14:21 | |
Yeah! That's right! | 0:14:21 | 0:14:23 | |
Would you mind letting us in on what you're going to do next? | 0:14:23 | 0:14:27 | |
The only lead we have is the woman who runs this place, a Mrs Lipton. | 0:14:27 | 0:14:30 | |
She won't be suspicious if you go in and volunteer. | 0:14:30 | 0:14:33 | |
What I don't go through! | 0:14:33 | 0:14:36 | |
You're a darling. | 0:14:36 | 0:14:37 | |
Don't flatter yourself. I'm interested only in the journalistic aspects of the case. | 0:14:37 | 0:14:42 | |
Try and find out who she is and where she lives. | 0:14:42 | 0:14:44 | |
All we ask are two afternoons a week at your convenience. | 0:14:44 | 0:14:48 | |
Just fill out this questionnaire. Sit right here. | 0:14:48 | 0:14:50 | |
< Oh, Mrs Lipton! | 0:14:50 | 0:14:52 | |
Excuse me. | 0:14:52 | 0:14:54 | |
Oh, isn't that beautiful? Wherever did you get it? | 0:14:56 | 0:15:01 | |
Mrs Daniels had it flown in. Her husband knows a senator. | 0:15:01 | 0:15:04 | |
Well, lucky you! | 0:15:04 | 0:15:06 | |
Oh, that's beautiful! | 0:15:06 | 0:15:09 | |
BACKGROUND CHATTER | 0:15:09 | 0:15:12 | |
-Did you get it? -Yes, but... | 0:15:28 | 0:15:31 | |
I'd like you to meet some of the girls. | 0:15:31 | 0:15:33 | |
I wasn't really planning on starting today... | 0:15:33 | 0:15:36 | |
If you're thinking about the children at home, I'll take care of them. | 0:15:36 | 0:15:41 | |
I'm so proud of you. | 0:15:41 | 0:15:43 | |
She's the soldier in the family, on account I'm 4-F. | 0:15:43 | 0:15:46 | |
You stay here as long as you want to | 0:15:46 | 0:15:49 | |
and I'll do the fighting on the home front. | 0:15:49 | 0:15:51 | |
You're fortunate. Very few women have such considerate husbands. | 0:15:53 | 0:15:57 | |
And how I envy them. | 0:15:57 | 0:15:58 | |
You can bet I fixed her! | 0:15:58 | 0:16:00 | |
If there's anything I hate worse than a dame, it's a reporter... and she's both! | 0:16:00 | 0:16:04 | |
It seems the lady lives at the Pinecrest Hotel, Greenridge. | 0:16:04 | 0:16:08 | |
Greenridge? Why does she come way in here to do her war work? | 0:16:08 | 0:16:11 | |
If we can answer that, we're on the way to getting the police off our trail. | 0:16:11 | 0:16:15 | |
That reminds me, I gotta get some cigarettes. | 0:16:28 | 0:16:31 | |
Some cigarettes, please. | 0:16:32 | 0:16:34 | |
Will you take my luggage to my room? I'll be up later. | 0:16:34 | 0:16:37 | |
Mmm-hmm! | 0:16:37 | 0:16:38 | |
I hope you'll find everything satisfactory, Mr Hemingway. | 0:16:38 | 0:16:42 | |
Mmm-hmm! | 0:16:42 | 0:16:43 | |
-I've got Genevieve's head upstairs in a trunk. -Yeah? | 0:16:43 | 0:16:47 | |
What did you do with Mildred? | 0:16:47 | 0:16:49 | |
I gouged her eyes out. | 0:16:49 | 0:16:51 | |
Oh, that's too bad. She was such a pretty little thing. | 0:16:51 | 0:16:55 | |
I just couldn't stand her staring at me all the time. | 0:16:55 | 0:16:58 | |
WHISTLE | 0:17:00 | 0:17:02 | |
-What's the matter, Goldie? -Sshhh! | 0:17:09 | 0:17:11 | |
Looks like Dracula checked in ahead of us. | 0:17:11 | 0:17:13 | |
-My favourite was Pauline. -Oh, I got tired of her. | 0:17:13 | 0:17:16 | |
-Her legs didn't look right so I sawed them off. -You did? | 0:17:16 | 0:17:19 | |
-Would you mind putting this money in the safe for me? -Sure, Smiley. | 0:17:20 | 0:17:25 | |
Look! | 0:17:25 | 0:17:27 | |
Would you gentlemen like to see my puppets? | 0:17:32 | 0:17:34 | |
Who wants to see a little dog? Woof-woof-woof... | 0:17:34 | 0:17:37 | |
I still don't trust that guy. He looks the criminal type to me. | 0:17:40 | 0:17:43 | |
Goldie, you're much too suspicious. | 0:17:43 | 0:17:45 | |
-There's that girl. -What girl? | 0:17:50 | 0:17:52 | |
Mia Bruger, the one who took me to that cocktail bar. | 0:17:52 | 0:17:55 | |
Say, where have I seen you before? | 0:17:56 | 0:17:58 | |
-We'll discuss that later... -Oh no, you don't! | 0:17:58 | 0:18:01 | |
You wouldn't happen to be the house detective? | 0:18:01 | 0:18:05 | |
You wouldn't happen to be wanted by the police? | 0:18:05 | 0:18:07 | |
You want me to learn him some etiquette? I'll clip him in the kisser! | 0:18:07 | 0:18:11 | |
Goldie, the perfect guest reports any discourtesy to the management and HE loses his job. | 0:18:11 | 0:18:16 | |
OK. But just the same, I'm keeping my eyes open. | 0:18:16 | 0:18:20 | |
We ain't gonna get no place with him on our tail. | 0:18:21 | 0:18:24 | |
He's not gonna be there very long, Goldie. | 0:18:24 | 0:18:26 | |
I got some money to put in the safe. Smiley's box office r... | 0:18:27 | 0:18:31 | |
What's the matter, Brannigan? | 0:18:31 | 0:18:33 | |
I've been robbed. | 0:18:33 | 0:18:35 | |
-What do you want? -Got a hot tip for you. | 0:18:35 | 0:18:38 | |
-What? -You've been robbed. Take a gander at that over there. | 0:18:38 | 0:18:42 | |
I knew it! | 0:18:45 | 0:18:47 | |
Give me back that envelope, you crook! | 0:18:49 | 0:18:51 | |
I don't know what you're talking about. | 0:18:51 | 0:18:53 | |
I saw you pick my pocket. You're going to the manager's office. | 0:18:53 | 0:18:56 | |
-You're making a mistake. -Yeah? | 0:18:56 | 0:18:58 | |
-I'm sure you'll find your new suite much more pleasant, Mr Steffen. -Thank you. | 0:18:58 | 0:19:02 | |
The other one was so dark, it depressed me. | 0:19:02 | 0:19:05 | |
Forward, Albert. | 0:19:05 | 0:19:06 | |
-Didn't fool me with that phoney accent! -What is it? | 0:19:09 | 0:19:12 | |
This crook tried to rob me! | 0:19:12 | 0:19:14 | |
-That's libel and defamation of character. I'll report this to the police. -No, I will. | 0:19:14 | 0:19:19 | |
-Stole Mr Dugan's receipts. -Who are you? -A notorious pickpocket. | 0:19:19 | 0:19:22 | |
I knew it the minute he checked into the hotel. | 0:19:22 | 0:19:25 | |
Come on, let's have it. | 0:19:25 | 0:19:26 | |
-Well, what do you want? -Justice, that's all, justice. | 0:19:26 | 0:19:30 | |
Goldie Locke from headquarters here on vacation. What's the difficulty? | 0:19:30 | 0:19:34 | |
This man is a thief. Mr Brannigan caught him. | 0:19:34 | 0:19:36 | |
The situation is quite the opposite. | 0:19:36 | 0:19:39 | |
This man is pretending the money is stolen so he can make off with it himself. | 0:19:39 | 0:19:43 | |
I'll fix that. I'll frisk him. | 0:19:43 | 0:19:44 | |
-Hey, you're searching the wrong guy... -Quiet! | 0:19:44 | 0:19:47 | |
Here you are, lady, just as I thought. | 0:19:48 | 0:19:51 | |
You know who he is? Little Joe! | 0:19:51 | 0:19:52 | |
-ME?! -Yeah, been working the hotel racket coast to coast for years, | 0:19:52 | 0:19:56 | |
having the customers take the rap. | 0:19:56 | 0:19:58 | |
-Why, you little... -Mr Brannigan? | 0:19:58 | 0:20:00 | |
-I think I'll sue this hotel for damages. -Oh, it's all a mistake, I'm sure. | 0:20:00 | 0:20:04 | |
If this gets into the newspapers, I'll be discharged. | 0:20:04 | 0:20:07 | |
Please, won't you reconsider? | 0:20:07 | 0:20:09 | |
I never could refuse a beautiful lady in distress. | 0:20:10 | 0:20:13 | |
Oh, thank you! Brannigan, you're fired! | 0:20:13 | 0:20:16 | |
If it weren't for the bad publicity, I'd turn you over to the authorities. | 0:20:16 | 0:20:20 | |
I quit! This isn't a hotel, it's a madhouse! | 0:20:20 | 0:20:24 | |
-I'm terribly sorry about this, Mr... -Hemingway. | 0:20:27 | 0:20:31 | |
-That's quite all right, Miss... -Gregory. Gwynne Gregory. | 0:20:31 | 0:20:34 | |
What a pretty name! | 0:20:34 | 0:20:36 | |
This unfortunately leaves you without a detective. | 0:20:36 | 0:20:38 | |
I don't know where I can get another one. | 0:20:38 | 0:20:41 | |
What's the matter with Mr Locke? | 0:20:41 | 0:20:42 | |
Yeah? ME, a detective?! | 0:20:42 | 0:20:47 | |
I mean, I'm here on pleasure. | 0:20:47 | 0:20:49 | |
Can't you combine the two? The pay is good and you'll still enjoy yourself. | 0:20:49 | 0:20:53 | |
I don't wanna enjoy myself. | 0:20:53 | 0:20:55 | |
Good, then you're ready to start immediately. | 0:20:55 | 0:20:57 | |
I feel so much safer with Mr Locke protecting us. | 0:20:57 | 0:21:00 | |
-Some deal! -I hope there's some way I can make up for the trouble you've had. | 0:21:00 | 0:21:04 | |
That shouldn't be too difficult. | 0:21:04 | 0:21:06 | |
As soon as I've got my business affairs settled, we'll look into it. | 0:21:06 | 0:21:09 | |
Well, now... | 0:21:09 | 0:21:11 | |
Mr Locke, you can start right away. The pay's 35 a week and your room and board. | 0:21:11 | 0:21:15 | |
I've got a room and I'm not hungry. | 0:21:15 | 0:21:17 | |
-I can stand just so many... -There she is. | 0:21:21 | 0:21:24 | |
-Do you see what I see? -Fascinating type, isn't she? | 0:21:27 | 0:21:30 | |
Not her - HIM! That character in white. | 0:21:30 | 0:21:32 | |
It is not safe to talk here about the bonds. | 0:21:33 | 0:21:36 | |
-It appears we've walked into something. -You can say that again! | 0:21:37 | 0:21:41 | |
-I will call you if I need you. -Yes, sir. | 0:21:42 | 0:21:45 | |
What was it he said he was gonna do to you when you had him sent up the river? | 0:21:46 | 0:21:50 | |
Oh yeah - cut your ears off with a dull knife! | 0:21:50 | 0:21:52 | |
If I remember rightly, it was OUR ears. | 0:21:52 | 0:21:55 | |
Hello, Rickey Davis. | 0:21:59 | 0:22:01 | |
The names is Jones, Albert Jones. | 0:22:01 | 0:22:04 | |
When did they parole you, Mr Jones? | 0:22:04 | 0:22:07 | |
Very interesting - a male nurse with a two-time loser's degree. | 0:22:07 | 0:22:11 | |
I'm on the level. Why don't you lay off? | 0:22:11 | 0:22:13 | |
Oh, Rickey, you're labouring, pressing... | 0:22:13 | 0:22:15 | |
You're also wanted by the cops. | 0:22:15 | 0:22:17 | |
-You're hotter than a two dollar pistol. -Well informed. | 0:22:17 | 0:22:20 | |
It makes thing clearer for me now that you're in the picture. | 0:22:20 | 0:22:24 | |
I told you I was on the up. | 0:22:24 | 0:22:25 | |
No doubt, but it'd be much more convincing if you didn't pack this gun where it showed. | 0:22:25 | 0:22:30 | |
That's for Mr Steffen's protection. | 0:22:30 | 0:22:32 | |
-He's a rich refugee and... -You're looking out for his interests. -Sure. | 0:22:32 | 0:22:36 | |
Somebody's gotta steer 'em. | 0:22:36 | 0:22:38 | |
How democratic(!) | 0:22:38 | 0:22:39 | |
-You don't believe me? -No, but keep up the good work. | 0:22:39 | 0:22:42 | |
By the way, who's that young lady that just left? | 0:22:42 | 0:22:45 | |
How should I know? Just one of the guests. | 0:22:45 | 0:22:47 | |
Thank you. | 0:22:47 | 0:22:49 | |
Don't mention it. | 0:22:49 | 0:22:51 | |
Mia, my dear, imagine stumbling upon you and here of all places! | 0:22:54 | 0:22:57 | |
-I beg your pardon? -You do not know this gentleman? | 0:22:57 | 0:23:00 | |
Of course we know we know each other. We've been very close. | 0:23:00 | 0:23:03 | |
A little vixen - always up to some prank! | 0:23:03 | 0:23:06 | |
-Maybe I'm intruding? -Only in spots and the mountain air ought to fix that up. | 0:23:06 | 0:23:10 | |
-Excuse me. -Excuse me. | 0:23:10 | 0:23:13 | |
I dislike scenes, don't you? | 0:23:27 | 0:23:30 | |
Who are you? | 0:23:33 | 0:23:35 | |
Franzel's friend. Don't you recall my bedroom, | 0:23:35 | 0:23:39 | |
that extremely temporary 333 Club and the bond robbery? | 0:23:39 | 0:23:43 | |
As a rule, men use the same old approach. | 0:23:45 | 0:23:47 | |
-At least yours is unusual. -I'd say yours is even more unusual. Remember? | 0:23:47 | 0:23:52 | |
I don't know what you're talking about. | 0:23:52 | 0:23:54 | |
-You have me mixed up with someone else. -You're mixed up with a lot of not very nice people. | 0:23:54 | 0:24:00 | |
-If you don't stop, I'll call the police. -I hardly think you will. | 0:24:00 | 0:24:03 | |
-I'll keep on asking questions until I get an answer. -Are you? | 0:24:03 | 0:24:06 | |
Certainly. And don't imagine that you can swim out on me like that | 0:24:06 | 0:24:10 | |
because I shall get my water wings and come right after you. | 0:24:10 | 0:24:13 | |
Why are you and your friends trying to frame me? | 0:24:28 | 0:24:30 | |
Who drove my car away from that bank robbery? | 0:24:34 | 0:24:37 | |
Next question - | 0:24:41 | 0:24:43 | |
whatever led you to get mixed up with a rodent like Rickey Davis? | 0:24:43 | 0:24:46 | |
SHE SCREAMS | 0:25:13 | 0:25:15 | |
I'll take charge, I'm the house detective. | 0:25:37 | 0:25:40 | |
This girl's just been killed. | 0:25:40 | 0:25:42 | |
-What, drownded? -Yes, with a bullet. | 0:25:42 | 0:25:45 | |
I was standing right over there, I didn't hear any shots. | 0:25:45 | 0:25:48 | |
Goldie, they're still using silencers. | 0:25:49 | 0:25:52 | |
Hey, boss, let's take it on the lam. | 0:25:52 | 0:25:54 | |
Not you, Goldie, you're the house detective. | 0:25:54 | 0:25:56 | |
What did I ever do to deserve this? | 0:25:56 | 0:25:58 | |
The shot must have been fired from one of the rooms overlooking the pool. | 0:26:06 | 0:26:10 | |
Has anyone left here in the past 15 minutes? | 0:26:10 | 0:26:13 | |
No, sir, the show's still going on. | 0:26:13 | 0:26:15 | |
You search the rooms on this side, I'll start at the further end. | 0:26:21 | 0:26:25 | |
Ohhhhh! | 0:26:40 | 0:26:41 | |
And now, my precious Fatima, your dance is over! | 0:26:41 | 0:26:46 | |
I have already killed three wives. | 0:26:46 | 0:26:48 | |
YOU shall be the fourth! | 0:26:48 | 0:26:51 | |
Please, Ahmed, spare me, I beg of you! Spare me! | 0:26:51 | 0:26:56 | |
Your prayers will avail you nothing! | 0:26:56 | 0:26:59 | |
You leave her alone! | 0:26:59 | 0:27:01 | |
-Get out, you'll spoil everything. -You bloodthirsty murderer! | 0:27:01 | 0:27:04 | |
LAUGHTER | 0:27:06 | 0:27:09 | |
-CRASH! -Ohhhh! | 0:27:11 | 0:27:13 | |
APPLAUSE | 0:27:17 | 0:27:20 | |
Yuk-yuk-yuk! The show will now continue! Yuk-yuk-yuk! | 0:27:23 | 0:27:27 | |
-Rickey, I'm desperate. -Forget it. | 0:27:34 | 0:27:36 | |
-Somebody'll find out. -You're in no spot to beef, remember that. | 0:27:36 | 0:27:40 | |
I'm terribly sorry, I thought you were alone. | 0:27:40 | 0:27:43 | |
I was just paying some bills for Mr Steffen. | 0:27:43 | 0:27:45 | |
-I usually pay mine at the desk. -It was a misunderstanding over the book-keeping. | 0:27:45 | 0:27:49 | |
Mine was just a social call. I'll be back later. | 0:27:49 | 0:27:52 | |
-I'm leaving anyway. -In that case... | 0:27:52 | 0:27:54 | |
Thanks. I'll tell Mr Steffen what you told me. | 0:27:54 | 0:27:57 | |
What can I do for you? | 0:28:01 | 0:28:03 | |
I didn't find you quite so businesslike the last time I was here. | 0:28:03 | 0:28:06 | |
But then it's a manager's prerogative to change her mind. | 0:28:06 | 0:28:09 | |
I'm very busy, if you will forgive me. | 0:28:09 | 0:28:12 | |
Not too busy to learn something about one of your guests, the gentleman who was just here. | 0:28:12 | 0:28:16 | |
-He has a very interesting background. -I don't pry into my guests' private lives. | 0:28:16 | 0:28:21 | |
My mistake. | 0:28:21 | 0:28:22 | |
What an interesting view. | 0:28:22 | 0:28:25 | |
On a clear day, I imagine you could see the diving board from here. | 0:28:26 | 0:28:29 | |
You'll have to excuse me. I have an appointment with myself at the bar. | 0:28:38 | 0:28:42 | |
Oh, by the way, there's a bit of gossip running around the hotel. | 0:28:42 | 0:28:46 | |
It seems one of the guests has been murdered. | 0:28:46 | 0:28:49 | |
You'll forgive the intrusion. | 0:28:50 | 0:28:53 | |
No-one leaves here until after the coroner's inquest! RUSTLING | 0:28:53 | 0:28:57 | |
-Go see what that is. -Me? | 0:29:00 | 0:29:02 | |
You're the house detective, ain't ya? | 0:29:02 | 0:29:04 | |
Yeah, but that ain't in the house. | 0:29:04 | 0:29:06 | |
Go on. | 0:29:06 | 0:29:08 | |
Oh, so it's you. What are you pussyfooting around here for? | 0:29:17 | 0:29:20 | |
-Just looking for clues. -Yeah? Do you ever get a good look at yourself? | 0:29:20 | 0:29:24 | |
You're the suspiciousest character I ever seen. | 0:29:24 | 0:29:26 | |
I ought to arrest you for impersonating a human being. | 0:29:26 | 0:29:29 | |
What do you know about this murder? | 0:29:29 | 0:29:32 | |
-I can solve the whole thing for you. -You can? -Yes. | 0:29:32 | 0:29:35 | |
-He did it! -What?! | 0:29:35 | 0:29:38 | |
Look here, you get back to your puppets. | 0:29:38 | 0:29:40 | |
All of you get back to your rooms! | 0:29:40 | 0:29:42 | |
None of you leave the grounds. | 0:29:42 | 0:29:44 | |
Mind if I join the party? | 0:29:46 | 0:29:49 | |
-How did you get here? -I knitted myself a plane and flew in. | 0:29:49 | 0:29:52 | |
-Who are you? -Marcia Brooks, Chronicle. | 0:29:52 | 0:29:54 | |
-Would you care to make a statement? -Well, sure! | 0:29:54 | 0:29:57 | |
Tell your paper I'll make an arrest in 24 hours. | 0:29:57 | 0:29:59 | |
-The fiend that committed this murder will... -..pay for his crime with his life. | 0:29:59 | 0:30:03 | |
-Right. -I'll cable it right in. | 0:30:03 | 0:30:05 | |
Goldie, where's the Falcon? What's he got to do with this? | 0:30:05 | 0:30:08 | |
Couldn't you go on home and let us alone? | 0:30:08 | 0:30:11 | |
Where did you get this? In a box of popcorn? | 0:30:11 | 0:30:13 | |
-I'm the new house detective. -Crime takes a holiday! | 0:30:13 | 0:30:17 | |
I've got to see you. | 0:30:18 | 0:30:20 | |
No, that'll be too late. | 0:30:20 | 0:30:21 | |
I can't help it, it's important. | 0:30:21 | 0:30:24 | |
Where? | 0:30:24 | 0:30:25 | |
All right, I'll meet you there in ten minutes. | 0:30:25 | 0:30:27 | |
I didn't know you were the rugged outdoor type. | 0:30:43 | 0:30:45 | |
You don't mind if I have a little privacy, do you? | 0:30:45 | 0:30:48 | |
Not if I can share it with you. | 0:30:48 | 0:30:50 | |
You shouldn't lose your temper. It doesn't become a beautiful woman. | 0:30:50 | 0:30:54 | |
-Can I quote you on that? -Marcia, this is a pleasant surprise! | 0:30:54 | 0:30:57 | |
-You mean an invasion! -Forgive me, I don't believe you two have met. | 0:30:57 | 0:31:01 | |
Miss Gregory, may I present my niece from Wappinger Falls, Marcia Brooks? | 0:31:01 | 0:31:04 | |
-I'm delighted. -Then you're one up on me. | 0:31:04 | 0:31:07 | |
May I? | 0:31:07 | 0:31:08 | |
Oh, I'm sorry, I'm afraid I've broken the catch. | 0:31:12 | 0:31:16 | |
-I'll have it repaired. -You needn't bother... -Oh, I insist. | 0:31:16 | 0:31:20 | |
Miss Brooks is just leaving, she can take it to the jeweller's. | 0:31:20 | 0:31:23 | |
-Don't look now but your dream girl's pulling a sneak. -I know. So are you. | 0:31:23 | 0:31:27 | |
-What's she got that I haven't got? -Information about the case. | 0:31:27 | 0:31:31 | |
Take this and check the fingerprints. | 0:31:31 | 0:31:33 | |
-She's suspect number one. -How do I know you're not throwing me another curve? | 0:31:33 | 0:31:37 | |
-Would I even... -Yes, I don't know one good reason why I should trust you. | 0:31:37 | 0:31:41 | |
I do. | 0:31:41 | 0:31:42 | |
Now run along and let me know what you find out. | 0:31:45 | 0:31:48 | |
Action, darling! | 0:31:52 | 0:31:54 | |
Why are you following me? | 0:32:06 | 0:32:08 | |
You've picked a very lengthy subject. | 0:32:08 | 0:32:11 | |
Thousands of books have been written about the matter, | 0:32:11 | 0:32:14 | |
but I'll attempt to explain it briefly. | 0:32:14 | 0:32:17 | |
You have a strange and irresistible attraction for me. | 0:32:17 | 0:32:20 | |
You're a very charming liar, aren't you? | 0:32:20 | 0:32:23 | |
I'm no match for you, my dear. | 0:32:23 | 0:32:25 | |
Since you seem to know all about me, what about yourself? Who are you? | 0:32:25 | 0:32:29 | |
I'm a man who's done many things. | 0:32:31 | 0:32:33 | |
I've been a soldier, gambler, war correspondent. | 0:32:33 | 0:32:37 | |
I have no rheumatism, no patience and no money. | 0:32:37 | 0:32:39 | |
For further information, apply to the police. | 0:32:39 | 0:32:42 | |
Well, how do you earn a living? | 0:32:42 | 0:32:43 | |
By engaging in dangerous enterprises. | 0:32:43 | 0:32:46 | |
I'm not a dangerous enterprise. Why pick on me? | 0:32:46 | 0:32:49 | |
I, er... | 0:32:50 | 0:32:52 | |
..found this in your office. | 0:32:53 | 0:32:56 | |
Why did you conceal it from the police? | 0:32:56 | 0:32:58 | |
Because you're only the frightened minnow, beautiful. | 0:32:58 | 0:33:01 | |
I want to catch the shark. You gonna help me? | 0:33:01 | 0:33:03 | |
I can't. I can't tell you why, but you've got to believe in me. | 0:33:04 | 0:33:08 | |
I may believe in you, but I certainly won't trust you. | 0:33:09 | 0:33:12 | |
I have to be getting back. | 0:33:16 | 0:33:17 | |
Oh! | 0:33:44 | 0:33:46 | |
It's all my fault. | 0:33:46 | 0:33:49 | |
-I should have known they'd do something... -I'm all right. | 0:33:49 | 0:33:52 | |
Oh, thank goodness! | 0:33:52 | 0:33:53 | |
-What happened? -I've got to get you back to the hotel. | 0:33:53 | 0:33:57 | |
It's no use. I...I never thought I'd go like this. | 0:33:57 | 0:34:01 | |
You're going to be all right, you must. | 0:34:01 | 0:34:03 | |
Everything's so cloudy, I... | 0:34:03 | 0:34:06 | |
-Don't leave me. -No, I wont. | 0:34:06 | 0:34:08 | |
I think... | 0:34:08 | 0:34:10 | |
-Tell me one thing. -Yes. | 0:34:10 | 0:34:12 | |
Who killed Mia Bruger? | 0:34:12 | 0:34:14 | |
You faker! | 0:34:14 | 0:34:16 | |
Would you care to ride the handlebar? | 0:34:20 | 0:34:22 | |
-I'd rather walk. -Your wish is my command. | 0:34:22 | 0:34:25 | |
I've been looking all over for you. | 0:34:33 | 0:34:36 | |
-I think I've got an angle. -So have I. | 0:34:36 | 0:34:39 | |
Note - paint is scratched but the fender remains intact, | 0:34:47 | 0:34:50 | |
proving it did not come in contact with a heavy object. | 0:34:50 | 0:34:53 | |
Obviously it hit a bicycle. | 0:34:53 | 0:34:55 | |
How do you know, Sherlock? | 0:34:55 | 0:34:56 | |
Elementary, Watson. I was on the bicycle. | 0:34:56 | 0:34:59 | |
-Oh, I get it - a pure case of knock-off. -Yes. | 0:34:59 | 0:35:03 | |
Whoever killed Mia apparently wants me out of the way. | 0:35:03 | 0:35:06 | |
-Wonder who the owner is? -I can get in there, all right. | 0:35:06 | 0:35:09 | |
That won't be necessary. | 0:35:09 | 0:35:10 | |
I see you gentlemen are admiring my car. | 0:35:10 | 0:35:13 | |
Yes, I've always wanted one like these. | 0:35:13 | 0:35:16 | |
-Been out for a ride today? -Last night, but not today. | 0:35:18 | 0:35:21 | |
We do not use the car so much these days. | 0:35:21 | 0:35:23 | |
-Do you drive? -That is hardly possible. | 0:35:23 | 0:35:26 | |
-Mr Steffen, can I have the keys to the car, please? -Nobody can leave. | 0:35:26 | 0:35:29 | |
I have to go into town to get Mr Steffen's medicine. | 0:35:29 | 0:35:32 | |
He's right, we have to abide by the law. It will do tomorrow. | 0:35:32 | 0:35:36 | |
All right, Albert. | 0:35:36 | 0:35:38 | |
If I know my crime, that wheelchair is strictly a front. | 0:35:42 | 0:35:45 | |
Give him a hot foot and he'll outrun Rommel. | 0:35:45 | 0:35:48 | |
Maybe you're right. Rickey didn't have the keys. | 0:35:48 | 0:35:50 | |
I think Mr Steffen can stand some investigating. | 0:35:50 | 0:35:54 | |
If I'm not too personal, what are we looking for? | 0:36:16 | 0:36:19 | |
Bonds, Goldie. 250,000 worth of them. | 0:36:19 | 0:36:23 | |
If it was my pop, I'd look in the coffee pot. | 0:36:23 | 0:36:26 | |
CREAKING | 0:36:26 | 0:36:29 | |
-Is that us? -I don't think so. | 0:36:29 | 0:36:32 | |
Mr Dugan, I presume. | 0:36:50 | 0:36:52 | |
-What are you doing here? -Why, we were gonna... He said, er... | 0:36:56 | 0:37:00 | |
Say, I'm the house detective. I can go into any room I wanna. | 0:37:00 | 0:37:03 | |
This is highly irregular. I think explanations are in order. | 0:37:03 | 0:37:06 | |
Well, with everything that's going on, a man's bound to be suspicious. | 0:37:06 | 0:37:10 | |
-Of what? -You see, I heard voices in here. | 0:37:10 | 0:37:15 | |
I knew it wasn't Mr Steffen. He don't talk good English. | 0:37:15 | 0:37:18 | |
Well, I guess I made a mistake. I'll be seeing you, gentlemen. | 0:37:18 | 0:37:22 | |
Just a moment. You've been around this hotel quite some time, haven't you? | 0:37:22 | 0:37:26 | |
Most of the summer. You see, I'm retired. | 0:37:26 | 0:37:28 | |
I was on the stage with my puppets for 30 years. | 0:37:28 | 0:37:31 | |
Then perhaps you can help me. Who killed that girl? | 0:37:31 | 0:37:34 | |
-Why don't you ask him? -I got an airtight alibi. | 0:37:34 | 0:37:37 | |
Everybody has. | 0:37:37 | 0:37:38 | |
All I know is a lot of people around here are asking to be bumped off. | 0:37:38 | 0:37:42 | |
-Not me! -What are you suggesting, Mr Dugan? | 0:37:42 | 0:37:45 | |
When I look at Mr Steffen squandering that money he brought over here from Europe | 0:37:45 | 0:37:49 | |
and those women down in the lobby flashing those diamonds | 0:37:49 | 0:37:52 | |
and Miss Gregory managing a hotel in a bathing suit and riding bicycles... | 0:37:52 | 0:37:58 | |
And nearly getting killed by a station wagon. | 0:37:58 | 0:38:00 | |
Waste and extravagance, high life and loose living... | 0:38:00 | 0:38:03 | |
Thrift, that's what they need! | 0:38:03 | 0:38:05 | |
Hard work and saving money. | 0:38:05 | 0:38:08 | |
Why, my puppets have got more sense in their head than that whole crowd. | 0:38:08 | 0:38:12 | |
HE LAUGHS NERVOUSLY | 0:38:18 | 0:38:20 | |
A pin...they're getting tougher and tougher to get. | 0:38:28 | 0:38:33 | |
Well, if you don't mind, I'll be leaving. | 0:38:33 | 0:38:37 | |
We don't mind. | 0:38:37 | 0:38:38 | |
-We've got to work fast and get out of here. -Let's get out and THEN work fast! | 0:38:40 | 0:38:44 | |
-PAPERS RUSTLE -Emergency passport... | 0:38:48 | 0:38:51 | |
..press clippings... | 0:38:54 | 0:38:56 | |
..guide to New York City... | 0:38:57 | 0:38:59 | |
..How To Learn English. That ought to interest you, Goldie. | 0:39:01 | 0:39:04 | |
I don't get it. | 0:39:04 | 0:39:07 | |
-Nothing here yet. -Maybe he's got a secret bottom in his wheelchair. | 0:39:08 | 0:39:11 | |
Excuse me. | 0:39:11 | 0:39:13 | |
Have you gentlemen found what you were looking for? | 0:39:15 | 0:39:18 | |
Frankly, no. | 0:39:18 | 0:39:20 | |
Stay where you are! | 0:39:20 | 0:39:22 | |
-You call the police. -Something happen? | 0:39:22 | 0:39:25 | |
See if you can find the house detective. Try down in the saloon. | 0:39:26 | 0:39:30 | |
Who do you think's calling? I'm the house detective. | 0:39:30 | 0:39:33 | |
Oh, I see. Even in America the Gestapo works! | 0:39:39 | 0:39:43 | |
It's nothing quite so crude, Mr Steffen. | 0:39:43 | 0:39:45 | |
-I'm always hounded, persecuted... -By whom? | 0:39:45 | 0:39:48 | |
People want my money. Everywhere I go, I'm followed. | 0:39:48 | 0:39:52 | |
I don't know where to turn, who to trust. | 0:39:52 | 0:39:54 | |
Then I suggest you investigate that nurse of yours. | 0:39:54 | 0:39:57 | |
Albert? He's my very good friend. | 0:39:57 | 0:39:59 | |
-He has fine references. -He ought to. He writes them himself. | 0:39:59 | 0:40:02 | |
What are you two doing in my room? | 0:40:04 | 0:40:05 | |
We figured you was mixed up in this murder. | 0:40:05 | 0:40:08 | |
Me? You say I'm a murderer? | 0:40:08 | 0:40:10 | |
Not exactly. In this country, a man is innocent until proven guilty. | 0:40:10 | 0:40:13 | |
Then...I do not understand. | 0:40:13 | 0:40:16 | |
Neither do I, but I'm beginning to. | 0:40:16 | 0:40:18 | |
Pardon the intrusion. | 0:40:20 | 0:40:21 | |
Good evening, gentlemen. | 0:40:31 | 0:40:33 | |
It will be if we find the man we're looking for. | 0:40:33 | 0:40:35 | |
Tom Lawrence, is he here? | 0:40:35 | 0:40:37 | |
Sorry, there's no such person registered. | 0:40:37 | 0:40:39 | |
He's probably using a "nom de plum". | 0:40:39 | 0:40:41 | |
Look, he's tall and he's dark... | 0:40:41 | 0:40:43 | |
He's upstairs. | 0:40:43 | 0:40:45 | |
-Who are you? -A friend. | 0:40:45 | 0:40:48 | |
SHOES SQUEAK | 0:40:48 | 0:40:50 | |
From the back, he looks like he might be The Falcon. | 0:40:57 | 0:41:00 | |
Why not turn him around and find out, chief? | 0:41:00 | 0:41:03 | |
Inspector Donovan, of all people! | 0:41:04 | 0:41:07 | |
-How did you pick up our trail? -It was simple. The phone rang, I picked up the receiver and there it was. | 0:41:07 | 0:41:12 | |
-A mysterious call. -We tried to trace it. -But I hung up. | 0:41:12 | 0:41:16 | |
Why, you broken-down stool pigeon! He's a quisling. | 0:41:16 | 0:41:19 | |
I saw this picture in the paper and knew he was the Falcon. | 0:41:19 | 0:41:22 | |
Lawrence, you're under arrest on suspicion of armed robbery AND resisting an officer. | 0:41:22 | 0:41:26 | |
And murder. | 0:41:26 | 0:41:28 | |
Yeah, I heard there was a killing up here. | 0:41:28 | 0:41:31 | |
I knew you'd be mixed up in it. | 0:41:31 | 0:41:32 | |
On the contrary, the girl killed was Mia Bruger, | 0:41:32 | 0:41:35 | |
-the one who framed me. -Isn't that a coincidence? | 0:41:35 | 0:41:38 | |
You use her for an alibi and she gets conveniently bumped off. | 0:41:38 | 0:41:41 | |
We'll straighten that out at headquarters. Cuff him. | 0:41:41 | 0:41:44 | |
I'll be glad to oblige, Inspector, but you've overlooked a slight technicality. | 0:41:44 | 0:41:48 | |
This hotel is out of your jurisdiction. | 0:41:48 | 0:41:51 | |
-Say it ain't true, chief. -We'll settle this right now. | 0:41:51 | 0:41:54 | |
Hey, clerk, is this hotel outside the city limits? | 0:41:56 | 0:41:59 | |
Oh yes, sir, you're in Greenridge now. | 0:41:59 | 0:42:01 | |
"Just over the line from the city's mad clamour, | 0:42:01 | 0:42:04 | |
"come to Pinecrest and restore youthful glamour." | 0:42:04 | 0:42:07 | |
In his case, we can't guarantee results. | 0:42:07 | 0:42:10 | |
Goldie, throw these men out. | 0:42:10 | 0:42:14 | |
Not me! | 0:42:14 | 0:42:15 | |
Where's the sheriff? | 0:42:16 | 0:42:18 | |
-He's probably moose hunting. It's open season. -Come on! | 0:42:18 | 0:42:21 | |
Inspector, I'd wear a red coat if I were you. | 0:42:21 | 0:42:25 | |
Ha ha ha ha! | 0:42:25 | 0:42:28 | |
Marcia, darling! I've missed you. Where have you been? | 0:42:29 | 0:42:32 | |
Oh, Bermuda, Biarritz, the Riviera... | 0:42:32 | 0:42:35 | |
-AND the fingerprint department. -Fingerprint department? | 0:42:35 | 0:42:38 | |
-Yes, we... -Sshhh! | 0:42:38 | 0:42:40 | |
-You mean you actually found something? -Surprise, surprise! | 0:42:43 | 0:42:47 | |
The police almost gave up... | 0:42:47 | 0:42:48 | |
But you had the persistence of a jealous woman. | 0:42:48 | 0:42:51 | |
We discovered that your dream girl's left thumbprint belongs to a lady called The Duchess. | 0:42:51 | 0:42:56 | |
-And not royalty? -Underworld royalty. | 0:42:56 | 0:42:58 | |
Three years in Tehachapi - that's for stolen goods - | 0:42:58 | 0:43:02 | |
a summer in the Joliet Women's Prison - that's for obtaining money under false pretences - | 0:43:02 | 0:43:07 | |
the fall season on Welfare Island for erasing numbers from bonds. | 0:43:07 | 0:43:10 | |
Bonds... | 0:43:10 | 0:43:12 | |
If I walked in just in time to save you, believe me, I'm sorry! | 0:43:12 | 0:43:15 | |
Aren't you jumping to conclusions? | 0:43:15 | 0:43:18 | |
Miss Gregory seems too young and attractive to have a police record. | 0:43:18 | 0:43:21 | |
-They do wonders with facelifts these days. -Don't look now, Marcia, but your claws are showing. | 0:43:21 | 0:43:26 | |
What conceit! I'm a news reporter, remember? | 0:43:26 | 0:43:29 | |
You'll soon have your story. I'm gonna phone Jerry. | 0:43:29 | 0:43:31 | |
Your houseboy? I'll bite. Why? | 0:43:31 | 0:43:34 | |
Not too big a bite. I want to use him for bait. | 0:43:34 | 0:43:36 | |
Sure, boss, I can skip classes tomorrow. | 0:43:37 | 0:43:40 | |
OK, I got it. | 0:43:40 | 0:43:43 | |
All the trimmings, eh? | 0:43:43 | 0:43:44 | |
Boss man want me talkee all the time like thisee? | 0:43:44 | 0:43:47 | |
Oh, OK. The pidgin English is out. | 0:43:47 | 0:43:52 | |
You'd better take this, Miss Gregory. It's the Chinese Trade Commission in New York. | 0:43:52 | 0:43:56 | |
Hello? | 0:43:58 | 0:43:59 | |
Oh, yes, sir. | 0:44:01 | 0:44:02 | |
He's here for a rest, travelling incognito. We will call him Mr Wong. | 0:44:02 | 0:44:07 | |
Nothing too pretentious, just fill the suite with flowers | 0:44:07 | 0:44:10 | |
and remember, no fuss, everything very quiet. | 0:44:10 | 0:44:12 | |
I'm sure you'll find everything just as it was ordered. | 0:44:19 | 0:44:22 | |
Rather! | 0:44:22 | 0:44:23 | |
-If there's anything else you'd like, Your Excellency... -Please, just Mr Wong. | 0:44:23 | 0:44:27 | |
-I'm sorry, Mr Wong. -Not at all. | 0:44:27 | 0:44:30 | |
Jerry certainly knows how to pour it on. | 0:44:31 | 0:44:34 | |
I think I know where he learned the technique. | 0:44:34 | 0:44:37 | |
-I do hope you'll be comfortable here. -I'm sure I will. | 0:44:37 | 0:44:39 | |
Please take one. | 0:44:43 | 0:44:44 | |
Thank you, sir. | 0:44:45 | 0:44:47 | |
Thank you, sir. | 0:44:48 | 0:44:51 | |
Oh, thank you, sir. | 0:44:52 | 0:44:54 | |
Will there be anything else you'd want, Your Excellenc... | 0:44:55 | 0:44:58 | |
I mean Mr Wong. | 0:44:58 | 0:45:00 | |
You might send up a magnum of Krug, vintage '28 and a spot of caviar. | 0:45:00 | 0:45:05 | |
Certainly, Mr Wong, and thank you, Mr Wong. | 0:45:05 | 0:45:07 | |
-WHISPERS: -How am I doing? | 0:45:18 | 0:45:19 | |
Dynamite. Keep it up. | 0:45:19 | 0:45:21 | |
Where is he? | 0:45:23 | 0:45:24 | |
He's over there playing chess. | 0:45:24 | 0:45:26 | |
White to play and mate in two moves. | 0:45:34 | 0:45:36 | |
I can't see it. | 0:45:36 | 0:45:37 | |
If you move the bishop. | 0:45:37 | 0:45:40 | |
Of course! How stupid of me! | 0:45:40 | 0:45:42 | |
Permit me to introduce myself. I'm Mr Wong. | 0:45:42 | 0:45:45 | |
Yes, I've heard about your arrival. I'm Bruno Steffen. | 0:45:45 | 0:45:48 | |
I see that you too are a student of the game. | 0:45:48 | 0:45:50 | |
In a way. I have competed in a few international tournaments. | 0:45:50 | 0:45:54 | |
Wonderful! Would you do me the honour? | 0:45:54 | 0:45:56 | |
It's a privilege, sir. | 0:45:56 | 0:45:58 | |
You are right, Mr Steffen. This is a magnificent country, | 0:46:01 | 0:46:04 | |
but we foreigners must use great caution, especially in making investments. | 0:46:04 | 0:46:08 | |
Now you're saying something! They try to sell you Brooklyn Bridge. | 0:46:08 | 0:46:12 | |
Yes? How much are they asking? | 0:46:12 | 0:46:14 | |
Check. | 0:46:14 | 0:46:15 | |
-Will you be needing me, Mr Steffen? -Not now. You may leave us, Albert. | 0:46:15 | 0:46:19 | |
I'm always afraid I don't know how to safeguard my money, | 0:46:21 | 0:46:25 | |
but today I made a decision. | 0:46:25 | 0:46:27 | |
The only wise thing to buy is bonds, good, solid bonds. | 0:46:27 | 0:46:31 | |
-You mean war bonds? -Yes. -Guard your queen. | 0:46:31 | 0:46:33 | |
They are definitely the best and it's our duty. | 0:46:33 | 0:46:36 | |
If more men had your spirit, the war would soon be over. | 0:46:36 | 0:46:39 | |
-When I go back to New York... -Why wait? | 0:46:39 | 0:46:42 | |
-You can buy them right here. -Really? -Yes. | 0:46:42 | 0:46:44 | |
Only this morning, I was speaking to the manager. | 0:46:44 | 0:46:47 | |
She gave me the idea and I'm going to invest a large sum. | 0:46:47 | 0:46:50 | |
Hmm, I'll talk to her. | 0:46:50 | 0:46:52 | |
You're helping a great cause, Mr Wong. | 0:46:52 | 0:46:54 | |
Your people and mine are fighting a common enemy. | 0:46:54 | 0:46:57 | |
In my little way, I am happy to do what I can for the effort. | 0:46:57 | 0:47:00 | |
100,000 is a lot of money, Mr Wong. | 0:47:00 | 0:47:03 | |
-It might not be much to you... -It's a mere drop in the proverbial bucket. | 0:47:03 | 0:47:06 | |
But it's a good start. | 0:47:06 | 0:47:09 | |
-Shall it be cash or cheque? -It really doesn't make much difference. | 0:47:09 | 0:47:13 | |
It makes a lot of difference to the police. | 0:47:13 | 0:47:16 | |
DOOR OPENS | 0:47:16 | 0:47:17 | |
What do you mean, breaking in on me like this? | 0:47:18 | 0:47:20 | |
Take it easy, Duchess, we got you. | 0:47:20 | 0:47:22 | |
There's been a mistake, Mr Wong, I'll straighten it out in a moment. | 0:47:22 | 0:47:26 | |
From where I'm sitting, it'll take years. | 0:47:26 | 0:47:28 | |
If you're nice to the press, I can soften the blow. | 0:47:28 | 0:47:31 | |
-Sing, it's the easy way out. -Mind showing us those bonds? | 0:47:31 | 0:47:33 | |
Bonds? There's no bonds here, they haven't arrived yet. | 0:47:33 | 0:47:37 | |
Will you please explain yourself? | 0:47:37 | 0:47:40 | |
It's simple. This cigarette case revealed an interesting history. | 0:47:40 | 0:47:44 | |
It gave away all your exploits. | 0:47:44 | 0:47:46 | |
You can't get out of it. Fingerprints don't lie. | 0:47:46 | 0:47:48 | |
This isn't my cigarette case. | 0:47:48 | 0:47:51 | |
Ringing for help won't do you any good. | 0:47:51 | 0:47:53 | |
It's hard to believe anyone so charming could be involved in anything so unpatriotic. | 0:47:53 | 0:47:58 | |
Pity. I had plans for us. | 0:47:58 | 0:48:00 | |
Never mind. I'll take care of the romantic angle. | 0:48:00 | 0:48:02 | |
You rang for me, miss? | 0:48:02 | 0:48:04 | |
Have you ever seen this case before? | 0:48:04 | 0:48:06 | |
-On numerous occasions. -Where? | 0:48:09 | 0:48:11 | |
The lost and found, of course. Is it yours? | 0:48:11 | 0:48:13 | |
-Is it hers? -No, but sometimes when we admire a mislaid article, | 0:48:13 | 0:48:18 | |
we use it until the owner comes along. | 0:48:18 | 0:48:20 | |
But we don't make a habit of it. | 0:48:20 | 0:48:23 | |
Well, looks like apologies are in order. | 0:48:23 | 0:48:26 | |
Leave the door open, Mr Argyle. | 0:48:26 | 0:48:28 | |
Our guests are checking out. | 0:48:28 | 0:48:30 | |
Between the two of us, beautiful, I still don't trust you. | 0:48:35 | 0:48:38 | |
Just be sure you don't get burnt when the fireworks start. | 0:48:38 | 0:48:41 | |
Sorry, boss, I ran up a tough bill. | 0:48:46 | 0:48:49 | |
-It was a good try, Jerry. -You didn't have to eat caviar! | 0:48:49 | 0:48:51 | |
I wonder what I would do if I were the great Falcon now. | 0:48:51 | 0:48:55 | |
Nothing. You'd stand here and look at the lovely surprise that just walked in. | 0:48:57 | 0:49:02 | |
-Welcome back, Mrs Lipton. -Thank you, Argyle. | 0:49:05 | 0:49:08 | |
-Has there been any mail? -One moment, I'll see. | 0:49:08 | 0:49:11 | |
Good evening. | 0:49:11 | 0:49:13 | |
-I don't believe we've met... -Oh, but we have. | 0:49:13 | 0:49:16 | |
Don't you remember that cocktail bar? | 0:49:16 | 0:49:18 | |
I beg your pardon, the volunteer knitters. | 0:49:18 | 0:49:21 | |
Oh yes, you're the young man who came in... | 0:49:21 | 0:49:23 | |
Who blundered into the wrong place, if it WAS the wrong place. | 0:49:23 | 0:49:26 | |
-Not a thing, Mrs Lipton. -Oh well, never mind. | 0:49:26 | 0:49:29 | |
-May I have my key, please? -Oh, of course. | 0:49:29 | 0:49:32 | |
Why, that's my case! | 0:49:34 | 0:49:36 | |
And that settles my case. Very neat job, Duchess. | 0:49:36 | 0:49:39 | |
-Mr Locke? -Yeah? -Would you mind taking this lady into custody? | 0:49:39 | 0:49:42 | |
I'd be glad to help you. | 0:49:42 | 0:49:45 | |
Eggersjayalkinfaykeesappers! | 0:49:45 | 0:49:47 | |
This time we brought our technicalities with us. | 0:49:49 | 0:49:52 | |
You won't need them. The whole case is solved. | 0:49:52 | 0:49:54 | |
This woman is The Duchess, alias Mrs Geraldine Lipton. | 0:49:54 | 0:49:57 | |
-Alias etc, etc. -You'll find the stolen bonds in that briefcase. | 0:49:57 | 0:50:01 | |
-The man's out of his mind. -That's putting it mildly. Come on. | 0:50:01 | 0:50:04 | |
Look, Inspector, I'll do anything you ask me to. | 0:50:04 | 0:50:07 | |
I'll even hang The Falcon myself to save the state money. | 0:50:07 | 0:50:10 | |
But do me a favour, will you? Look in that briefcase. | 0:50:10 | 0:50:13 | |
Well, it's against my better judgement... | 0:50:13 | 0:50:16 | |
Ohhh! | 0:50:17 | 0:50:18 | |
I'll get permission to throw the switch when you're condemned. | 0:50:20 | 0:50:24 | |
Inspector, you must remember this woman. She was in... | 0:50:24 | 0:50:27 | |
It's no use, Marcia, I'm afraid they've got me this time. | 0:50:27 | 0:50:30 | |
My apologies, madam. | 0:50:30 | 0:50:31 | |
-I'm quite ready to sign a full confession. -You got some trick up your sleeve? | 0:50:31 | 0:50:35 | |
-Don't worry, chief, I'll watch him. -Come on. | 0:50:35 | 0:50:38 | |
Have you people bought tickets for my show tonight? | 0:50:38 | 0:50:41 | |
-The proceeds go to charity. -No, we're gonna have a show of our own. | 0:50:41 | 0:50:44 | |
You'll be sorry! | 0:50:44 | 0:50:46 | |
I will, will I? Bring them along in your car. | 0:50:46 | 0:50:49 | |
We're watching The Falcon exclusive. | 0:50:49 | 0:50:51 | |
I beg your pardon, I'm Mr Wong. | 0:50:51 | 0:50:53 | |
Give Mr Wong a bong and bring him along. | 0:50:53 | 0:50:55 | |
Well, maybe I can put on my show in peace. | 0:50:58 | 0:51:01 | |
Timothy, you couldn't possibly have stumbled in at a worse time. | 0:51:05 | 0:51:08 | |
Catching Mrs Lipton with the bonds is the only way to clear myself. | 0:51:08 | 0:51:11 | |
-What's all the build-up? -Just give me 15 minutes... | 0:51:11 | 0:51:14 | |
He ain't THAT crazy! | 0:51:14 | 0:51:16 | |
Timothy, you don't actually believe I'm guilty. | 0:51:16 | 0:51:19 | |
Maybe not, but you know more about this than you've told | 0:51:19 | 0:51:22 | |
and that's called aiding and abetting a criminal. | 0:51:22 | 0:51:25 | |
I can't explain now, there's no time. | 0:51:25 | 0:51:27 | |
For a guy headed for the lock-up, you certainly are in a hurry. | 0:51:27 | 0:51:31 | |
We must be out of gas. | 0:51:39 | 0:51:41 | |
I'm surprised at you. The Falcon, resorting to such a petty larceny trick, | 0:51:41 | 0:51:45 | |
you can't get away with that key routine again. Give 'em here! | 0:51:45 | 0:51:49 | |
Stop the car! | 0:51:49 | 0:51:50 | |
Keep your eye on him. | 0:51:54 | 0:51:55 | |
He'll never find them alone. Why not go and help him? | 0:51:58 | 0:52:01 | |
-And have pull a getaway? -How can I drive the car without keys? | 0:52:01 | 0:52:04 | |
How you doing, chief? | 0:52:10 | 0:52:12 | |
-I thought I told you to watch The Falcon. -How can he get away without any keys? | 0:52:12 | 0:52:16 | |
ENGINE STARTS | 0:52:16 | 0:52:18 | |
I still say it can't be done. | 0:52:25 | 0:52:27 | |
I'd advise you to be reasonable, Miss Gregory. | 0:52:28 | 0:52:31 | |
We can't afford to have enemies in our business. | 0:52:31 | 0:52:33 | |
I had a feeling you weren't a real bond representative. | 0:52:33 | 0:52:36 | |
War bonds? Rickey, I won't stand for this. | 0:52:36 | 0:52:39 | |
-You'll stand for it and like it. -When they find out who you are, you'll be blamed anyway. | 0:52:39 | 0:52:43 | |
-You might just as well cut yourself in. -She won't be any trouble. | 0:52:43 | 0:52:46 | |
You've got a lot to learn about me. | 0:52:46 | 0:52:48 | |
I know you well enough to be sure you won't get in our way. | 0:52:48 | 0:52:51 | |
The old man might think it was funny if you didn't show up | 0:52:51 | 0:52:53 | |
so we're going through with the deal and you're gonna be there. | 0:52:53 | 0:52:57 | |
I'll be watching outside. | 0:52:57 | 0:52:59 | |
All right, Miss Gregory. | 0:53:00 | 0:53:02 | |
We're proud of you, Mr Steffen. | 0:53:03 | 0:53:05 | |
Proud? You have no idea what a relief this is. | 0:53:05 | 0:53:09 | |
Idle money is such a curse. | 0:53:09 | 0:53:12 | |
I hope you'll forgive me for rushing you, | 0:53:12 | 0:53:14 | |
but I must return to New York. | 0:53:14 | 0:53:15 | |
I will go down to the hotel safe and get my money now. | 0:53:15 | 0:53:18 | |
-I'll go with you. -I wish you'd stay here. | 0:53:18 | 0:53:21 | |
I have lots of things I'd like us to discuss. | 0:53:21 | 0:53:23 | |
Albert is never here when I need him. | 0:53:23 | 0:53:25 | |
Would you open the door, Miss Gregory? | 0:53:25 | 0:53:27 | |
You see how simple it is? | 0:53:36 | 0:53:39 | |
When we get the money, you can quit your job and take a nice, long vacation. | 0:53:39 | 0:53:44 | |
How did you get away from the police? | 0:53:44 | 0:53:46 | |
I'm sure they'll explain that to you when you get to headquarters. | 0:53:46 | 0:53:49 | |
You've got to get out of here. | 0:53:49 | 0:53:51 | |
You're not a very gracious hostess. | 0:53:51 | 0:53:54 | |
-You don't understand... -And I wouldn't tell him if I were you. | 0:53:54 | 0:53:58 | |
There's really no reason why we should fight each other. | 0:54:04 | 0:54:08 | |
The profits involved are enough for all of us. | 0:54:08 | 0:54:10 | |
I'd like to know why you framed me, knocked me out, | 0:54:10 | 0:54:12 | |
used my car for the getaway in the bond robbery. There must be a reason. | 0:54:12 | 0:54:16 | |
An excellent reason - you helped send Rickey to prison. | 0:54:16 | 0:54:20 | |
And you know Rickey, the revengeful sort. | 0:54:20 | 0:54:22 | |
-Which also explains who drove that station wagon. -We should have come to terms earlier. | 0:54:22 | 0:54:27 | |
My services come rather high. | 0:54:27 | 0:54:29 | |
Shall we say 5,000? | 0:54:29 | 0:54:32 | |
That's a lot of money. | 0:54:32 | 0:54:35 | |
I think I'm entitled to it for keeping the police on my trail and off yours. | 0:54:35 | 0:54:39 | |
Now I see what you mean about earning a living. | 0:54:39 | 0:54:41 | |
I assure you, I never take more than a fair percentage. | 0:54:41 | 0:54:44 | |
I must admit that I admire your nerve. | 0:54:44 | 0:54:48 | |
And I must congratulate you, Duchess, on thinking up this bond racket. | 0:54:48 | 0:54:51 | |
Very clever of you to choose a foreigner like Mr Steffen as the victim. | 0:54:51 | 0:54:55 | |
Wasn't it? It'll be years before he realises his mistake. | 0:54:55 | 0:54:58 | |
We were talking about 5,000. | 0:54:58 | 0:55:00 | |
You'll get the rest when Mr Steffen pays off. | 0:55:00 | 0:55:04 | |
I'm afraid he won't be paying off. | 0:55:04 | 0:55:06 | |
I suppose I shall have to be satisfied with this. | 0:55:06 | 0:55:09 | |
I was going to call the police anyway. | 0:55:09 | 0:55:11 | |
Rickey! | 0:55:11 | 0:55:13 | |
GUNSHOT | 0:55:14 | 0:55:16 | |
Get down! | 0:55:16 | 0:55:17 | |
You were close to Rickey. You'd better talk and talk fast. | 0:55:30 | 0:55:33 | |
Perhaps I'd better tell you. | 0:55:33 | 0:55:35 | |
Rickey and I were married. | 0:55:35 | 0:55:36 | |
He was an escaped convict and I didn't know it. | 0:55:36 | 0:55:39 | |
-The police caught him and sent him back. -I can imagine the rest. He blackmailed you. | 0:55:39 | 0:55:43 | |
If the hotel find out I was married to a convict, they'd let me go. | 0:55:43 | 0:55:46 | |
That explains all but one thing. | 0:55:46 | 0:55:48 | |
Why did Rickey kill Mia Bruger? | 0:55:48 | 0:55:51 | |
Rickey didn't kill her. He told me you did. | 0:55:51 | 0:55:53 | |
Sorry, Duchess, murder isn't one of my specialties. | 0:55:53 | 0:55:56 | |
-Then who did? -A third party's trying to end your syndicate. | 0:55:56 | 0:55:59 | |
Whoever killed Rickey and Mia... | 0:55:59 | 0:56:01 | |
-You've got to save me! -Think. It must be one of your old enemies. | 0:56:01 | 0:56:05 | |
I've made plenty of enemies. | 0:56:05 | 0:56:06 | |
I don't know anybody here at the hotel. | 0:56:06 | 0:56:09 | |
-I know someone we'd better investigate. -Who is it? You've got to stop them. | 0:56:09 | 0:56:13 | |
Get back to your room. Lock yourself in, we don't want you to be the next victim. | 0:56:13 | 0:56:17 | |
Tell me, you seem to know who it is. | 0:56:36 | 0:56:39 | |
-Well... -SHE GASPS | 0:56:39 | 0:56:40 | |
Oh, we must be caught between floors. | 0:56:44 | 0:56:46 | |
-Does this elevator operate on the main power line? -No, it's on a separate switch. | 0:56:46 | 0:56:51 | |
Then I'm positive who the killer is. | 0:56:51 | 0:56:53 | |
I suspected him ever since he sent for the police. | 0:56:53 | 0:56:55 | |
-You mean Mr Steffen? -No. | 0:56:55 | 0:56:56 | |
It has to be someone who knows the hotel inside out. | 0:56:56 | 0:57:00 | |
And that leaves only Smiley Dugan. | 0:57:03 | 0:57:04 | |
The puppeteer? Why, he can't be. He's downstairs putting on his show now. | 0:57:04 | 0:57:09 | |
That's exactly it. It's a charity show with not one cent of profit going to Smiley. | 0:57:09 | 0:57:13 | |
There's nothing philanthropic about him. | 0:57:13 | 0:57:15 | |
He's a miser, picking up bits of string and saving pins. | 0:57:15 | 0:57:19 | |
It's a contradiction of character. | 0:57:19 | 0:57:20 | |
Wasn't he putting on his show the day Mia was killed? | 0:57:20 | 0:57:23 | |
Lesson number one in how to catch a murderer - | 0:57:23 | 0:57:26 | |
never accept the obvious. | 0:57:26 | 0:57:27 | |
Give me your hands. | 0:57:34 | 0:57:36 | |
Fatima, light of my eyes, morning star... | 0:57:56 | 0:58:01 | |
You see? You were wrong. | 0:58:01 | 0:58:03 | |
Seems so. | 0:58:03 | 0:58:04 | |
WHIRRING | 0:58:13 | 0:58:17 | |
Fatima, my love, favourite of favourites... | 0:58:24 | 0:58:27 | |
-He's not here! -Dance! DANCE! | 0:58:27 | 0:58:30 | |
Perfect alibi exploded. | 0:58:33 | 0:58:35 | |
Fatima dances and he has plenty of time to murder anyone he dislikes. | 0:58:35 | 0:58:38 | |
He must be a maniac! | 0:58:38 | 0:58:40 | |
-He'll be coming back. -He's more likely looking for another victim. | 0:58:40 | 0:58:43 | |
Mrs Lipton! | 0:58:43 | 0:58:45 | |
BANGING | 0:58:55 | 0:58:57 | |
THUDS | 0:58:59 | 0:59:02 | |
TELEPHONE HANDSET LIFTED Operator? Operator? | 0:59:26 | 0:59:29 | |
MURDER! | 0:59:30 | 0:59:34 | |
Now I know The Falcon's here. Keep your eye on them. | 0:59:34 | 0:59:38 | |
RATTLING | 0:59:42 | 0:59:44 | |
You shouldn't try to run away from me, Duchess. | 1:00:05 | 1:00:08 | |
-What do you want? -You don't remember me, do you? | 1:00:10 | 1:00:13 | |
The Great Dugan? San Francisco? | 1:00:13 | 1:00:18 | |
Five years ago? | 1:00:18 | 1:00:20 | |
I had nothing to do with that. It was Rickey and Mia. | 1:00:20 | 1:00:24 | |
They've paid for it, haven't they? | 1:00:24 | 1:00:27 | |
But you were the clever one, | 1:00:27 | 1:00:29 | |
pulling the strings like I pull them on my puppets. | 1:00:29 | 1:00:32 | |
No! No! | 1:00:32 | 1:00:33 | |
I worked hard for that money that you stole from me. | 1:00:33 | 1:00:37 | |
I didn't take it! | 1:00:37 | 1:00:38 | |
A whole lifetime in the show business, | 1:00:41 | 1:00:43 | |
-one-night stands, five shows a day... -I swear I didn't take it! | 1:00:43 | 1:00:48 | |
SCREAM | 1:00:48 | 1:00:49 | |
GUNSHOT | 1:00:51 | 1:00:53 | |
Sorry, Duchess. | 1:01:12 | 1:01:13 | |
Falcon, come back here! | 1:01:15 | 1:01:16 | |
Aaaaaah! | 1:01:45 | 1:01:47 | |
-These are the bonds, the numbers check. -I knew I'd catch up with this dame. | 1:01:49 | 1:01:52 | |
Inspector, how did you do it? | 1:01:52 | 1:01:54 | |
Well, I...just followed you and the rest came easy. | 1:01:54 | 1:01:58 | |
-Step lively, Duchess. -I'll be seeing you. | 1:01:58 | 1:02:01 | |
Well, where do we go from here? | 1:02:01 | 1:02:02 | |
Back to the city for a little rest and quiet. | 1:02:02 | 1:02:05 | |
Well...that's not a very good recommendation for Pinecrest. | 1:02:05 | 1:02:09 | |
I'd say Pinecrest has all the recommendation it needs. | 1:02:09 | 1:02:13 | |
You said we were leaving, "darling". | 1:02:13 | 1:02:15 | |
-Oh yes. -SCREAM | 1:02:15 | 1:02:19 | |
SHE SPEAKS SPANISH | 1:02:21 | 1:02:25 | |
..Falcon. | 1:02:31 | 1:02:32 | |
I don't think I'm going to like this. | 1:02:32 | 1:02:34 | |
-Marcia, what's happened to your good neighbour policy? -It lapsed. | 1:02:34 | 1:02:37 | |
Continue, dear lady. | 1:02:37 | 1:02:39 | |
SPANISH CONTINUES | 1:02:39 | 1:02:41 | |
-Not really. -What did she say? | 1:02:43 | 1:02:46 | |
I don't know, but a strange instinct tells me that she needs help. | 1:02:46 | 1:02:50 | |
Vamos, senorita. | 1:02:50 | 1:02:52 | |
Gracias, senor. | 1:02:52 | 1:02:54 | |
There he goes again! | 1:02:55 | 1:02:56 |