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-Never mind, bud, I'm just waiting for someone. -Yes, sir. Would you mind pulling ahead a little? -OK. | 0:01:21 | 0:01:27 | |
-Hey, d'you know anything about that dive in there? -No. | 0:01:58 | 0:02:01 | |
I just saw you talking to the doorman. | 0:02:01 | 0:02:04 | |
I'm talking to you but I don't know you. | 0:02:04 | 0:02:07 | |
What I mean is, I only went into the place once...buddy. | 0:02:07 | 0:02:11 | |
-Did you ever know of a girl named Velma in there? -Brother, if she's your girl, I don't want to know her. | 0:02:12 | 0:02:18 | |
I just asked you a civil question. | 0:02:21 | 0:02:23 | |
All right. So I never met a girl by that name. | 0:02:23 | 0:02:27 | |
She worked in the place that used to be here five years ago. I ain't seen her for five years. | 0:02:29 | 0:02:34 | |
Five years is a long time. | 0:02:34 | 0:02:36 | |
Yeah, it is. | 0:02:36 | 0:02:38 | |
She promised to wait for me, and she is, someplace. | 0:02:38 | 0:02:42 | |
You don't know Velma. | 0:02:42 | 0:02:44 | |
No. No, I don't know Velma. | 0:02:44 | 0:02:46 | |
And it'll be healthier for the both of us if we never meet. | 0:02:52 | 0:02:56 | |
Just a moment, sir. Club rules - evening clothes only... Sorry, sir, you can't go in there. | 0:02:59 | 0:03:05 | |
< WOMAN SINGS: # The first time I saw you | 0:03:08 | 0:03:12 | |
# I knew at a glance | 0:03:12 | 0:03:15 | |
# I was meant to be yours | 0:03:15 | 0:03:18 | |
# Yours alone | 0:03:18 | 0:03:21 | |
# As I stood before you | 0:03:22 | 0:03:25 | |
# My heart seemed to dance... # | 0:03:25 | 0:03:28 | |
-Looking for somebody? -Yeah. Velma, does she work here? | 0:03:28 | 0:03:32 | |
Velma? There's no Velma around here. | 0:03:32 | 0:03:34 | |
< # ..As I look in your eyes I am thrilled... # | 0:03:34 | 0:03:38 | |
-I'm sorry, but we d... -Where's the boss's office? Maybe he can tell me. | 0:03:38 | 0:03:42 | |
-Sorry, the doorman should've explained. We don't admit... -Where's the boss's office? -Back there. | 0:03:42 | 0:03:47 | |
But you won't be able see Mr Montgomery. | 0:03:47 | 0:03:50 | |
WOMEN SCREAM | 0:03:50 | 0:03:52 | |
TWO GUNSHOTS | 0:04:07 | 0:04:09 | |
-No, you don't...! -Get going, pal! | 0:04:20 | 0:04:23 | |
Yes, sir. | 0:04:23 | 0:04:24 | |
-I want to get out alive, but did you eliminate some competition back there? -What makes you think so? | 0:04:29 | 0:04:35 | |
Skip it. I ain't curious. | 0:04:35 | 0:04:37 | |
-You'll live longer. -I guess I'd better drop you now. I got a date. | 0:04:38 | 0:04:42 | |
-You wouldn't want it with an angel, would you? -No, sir. | 0:04:44 | 0:04:48 | |
-Then keep on driving. -Yes, sir. | 0:04:48 | 0:04:51 | |
All right, break it up, break it up! Come on. | 0:04:56 | 0:04:59 | |
-Allow me. -Oh, thanks. | 0:04:59 | 0:05:01 | |
The great Falcon! Haven't seen you in half a dozen murders. What're you doing here? | 0:05:02 | 0:05:07 | |
-Just what I was going to ask you. -I ain't nightclubbing. -Mind if I join you? -I certainly would! -Thanks. | 0:05:07 | 0:05:13 | |
-Reg, check everybody in the place. -Why, chief? | 0:05:15 | 0:05:18 | |
There's been a murder committed. I'd like to find out something about it. Do you mind(?) | 0:05:18 | 0:05:23 | |
-Not at all, chief. -Thought you gave up amateur detecting and dames since you got engaged. | 0:05:23 | 0:05:28 | |
-My fiancee's out of town. I have time. -Why, Homer Bilkie! I didn't think you'd show! | 0:05:28 | 0:05:32 | |
-You don't know Homer(!) -Madam, I think you must be mistaken. My name is, er, Dittenfriss. | 0:05:32 | 0:05:37 | |
-Fingerprints? -They're checking on it downtown. -What d'you say, Doc? | 0:05:42 | 0:05:46 | |
-Broken neck. -What? -He's right. | 0:05:46 | 0:05:48 | |
-You mean he wasn't shot? -I'd say he was held by the shoulders and shaken so hard his neck was broken. | 0:05:48 | 0:05:54 | |
-You can't do that! -You can argue that with the corpse. Good day, gentlemen. -Cheerio. | 0:05:54 | 0:05:59 | |
-I got all the dope, boss. -OK, give. -I get it from the bartender. | 0:06:01 | 0:06:04 | |
-A palooka comes in, asks for a dame, Velma. They ask him to go - he ain't dressed proper. Know what? -What? | 0:06:04 | 0:06:10 | |
-He throws the head waiter across the room. -Starts back here... -Dames scream... -Manager hears it. | 0:06:10 | 0:06:16 | |
-Goes to the door, sees the guy... -Runs back to the desk... -For a Rosco. Takes aim. -Fires. -Twice. | 0:06:16 | 0:06:21 | |
-Like you can see, he missed. -Too bad. | 0:06:21 | 0:06:24 | |
"Will the police apprehend the killer? Tune in tomorrow at 6.50"(!) | 0:06:24 | 0:06:28 | |
-Go on, gimme the rest of it! -The killer goes to work, lams in double time, hops in a car and powders. | 0:06:28 | 0:06:33 | |
-He must've had an accomplice waiting in that car. -Oh, that's a great deduction...(!) | 0:06:33 | 0:06:38 | |
PHONE RINGS Get that. | 0:06:38 | 0:06:40 | |
-..I might even say brilliant. -..Grimes talkin'... OK. | 0:06:40 | 0:06:43 | |
Fingerprint bureau for you. | 0:06:43 | 0:06:46 | |
O'Hara. | 0:06:46 | 0:06:48 | |
Yeah. | 0:06:49 | 0:06:50 | |
OK, put out a general radio alarm for him. | 0:06:52 | 0:06:55 | |
Fingerprints check with a Moose Malloy. Doing a 20-year stretch for manslaughter. | 0:06:55 | 0:06:59 | |
-Broke out last week still owing the state 15 years. -How ungracious of him. | 0:06:59 | 0:07:04 | |
Ex-wrestler, 6'5", 265lb without his necktie. Just a cute little fella(!) | 0:07:04 | 0:07:09 | |
Go on, boys, turn that crowd loose. We'll pick this mug up in an hour. | 0:07:09 | 0:07:13 | |
I'll have your badge for this, flatfoot! I'll tell O'Hara! | 0:07:13 | 0:07:17 | |
Break it up! Break it up! | 0:07:17 | 0:07:19 | |
Well, if it isn't Jonathan G Locke, the mastermind stooge. | 0:07:19 | 0:07:23 | |
-Oh, you, I should've known you'd be behind this miscarriage of injustice. I'll sue you! -Shut up. | 0:07:23 | 0:07:28 | |
-What is it? -This mug drove the getaway car. -Yeah? -He's off his beat! -It's him. The doorman saw him. | 0:07:28 | 0:07:33 | |
-"Moose Malloy must've had an accomplice"(?) -Will you guys quit clowning? | 0:07:33 | 0:07:37 | |
If I was an accomplice, would I drive back into your arms? | 0:07:37 | 0:07:40 | |
I was out front waiting for the Falcon. | 0:07:40 | 0:07:42 | |
This man mountain comes over and says something about a dame. | 0:07:42 | 0:07:45 | |
I don't know him from nothing. So he goes... Oh. He did it, huh? | 0:07:45 | 0:07:50 | |
-No, this guy got tired, so we told him to take a nap(!) Go ahead. -The mountain runs out, jumps in the car. | 0:07:50 | 0:07:56 | |
-He grabs me - I'm in a bear trap - and he says, "Get going!" -Did he have a rod? -He didn't flash one. | 0:07:56 | 0:08:01 | |
-So you obeyed an unarmed stranger? -I obeyed what had me by the neck. | 0:08:01 | 0:08:05 | |
A gun ain't the only way of killing people. How did HE get it? | 0:08:05 | 0:08:08 | |
Broken neck. | 0:08:08 | 0:08:10 | |
Didn't I tell you? | 0:08:10 | 0:08:12 | |
Yeah. Now tell me where you took him. | 0:08:12 | 0:08:15 | |
Why, I... | 0:08:15 | 0:08:17 | |
-I-I just drove him around till he said he'd get out. -Where? -About 10 blocks over. The subway. | 0:08:17 | 0:08:23 | |
Oh, you just let him out, did you? Just like that? Did he give you a tip? | 0:08:23 | 0:08:28 | |
-He told me to keep my trap shut so he wouldn't have to shut it. -So you were going to meet Goldy, here - | 0:08:28 | 0:08:33 | |
-nobody else, Mr...Dittenfriss? -It seems pretty routine, O'Hara. I'd do better at a movie. C'mon, Goldy. | 0:08:33 | 0:08:39 | |
-Huh? -Sure, go ahead. With your puss, the boys can pick you up any time I want you. -Wise guy! | 0:08:39 | 0:08:44 | |
-Camera-shy, Goldy? -Yeah, me and my neck want to be in-mag-neto. | 0:08:49 | 0:08:53 | |
-Are you Gay Lawrence, "the Falcon"? -Guilty. -You're interested in this? | 0:08:53 | 0:08:57 | |
-It's coincidence that I was here. -Didn't you say that before you broke the Gordon murder ring? | 0:08:57 | 0:09:02 | |
-This time it's true, boys. O'Hara's on his own. -What a break for crime! | 0:09:02 | 0:09:06 | |
Why did you lie to O'Hara? | 0:09:08 | 0:09:10 | |
-Well, I didn't, I tell you. -Goldy...! Where did you really take the killer? | 0:09:10 | 0:09:16 | |
17 Washington Avenue, over in Brooklyn. | 0:09:16 | 0:09:19 | |
-Near a graveyard so he wouldn't have to carry the bodies too far. -You even wanted to keep it from me. | 0:09:19 | 0:09:24 | |
-Why? -The Moose said he'd mangle me. And he's strictly the mangling type. | 0:09:24 | 0:09:28 | |
-This could get you into trouble with O'Hara. -Not the kinda trouble I'd get in with the Moose. | 0:09:28 | 0:09:33 | |
Anyways, we're in the brokerage business, remember? You swore off dames and crimes. | 0:09:33 | 0:09:38 | |
This case seems especially interesting. | 0:09:38 | 0:09:40 | |
I should know better. | 0:09:40 | 0:09:43 | |
-Where are we going? -17 Washington Avenue, Brooklyn. | 0:09:43 | 0:09:47 | |
OK. | 0:09:47 | 0:09:49 | |
-Wait a minute! That's where I took... -Exactly. -But you can't do this! -We can if we're quick enough. | 0:09:49 | 0:09:54 | |
-The guy ain't human! He's a mountain. -So, like Mohammed, we go to the mountain. | 0:09:54 | 0:09:59 | |
Is that the house? | 0:10:02 | 0:10:04 | |
-That's where I took him. -Stay here and keep the engine running. | 0:10:04 | 0:10:08 | |
-And be prepared for a quick start. -I don't even have to prepare! | 0:10:08 | 0:10:12 | |
Better take this with you. | 0:10:16 | 0:10:18 | |
DOOR CLICKS | 0:10:45 | 0:10:47 | |
DOOR THUDS | 0:10:47 | 0:10:48 | |
Hiya, Herman! | 0:11:07 | 0:11:09 | |
# For he's a jolly good fellow For he's a jolly good fellow | 0:11:09 | 0:11:15 | |
# For he's a jolly good fe-ellow... | 0:11:15 | 0:11:19 | |
# And so say all of us! # | 0:11:19 | 0:11:22 | |
Happy birthday, Herman. | 0:11:22 | 0:11:24 | |
This ain't my birthday. | 0:11:25 | 0:11:27 | |
How are you, Herman, anyway? | 0:11:27 | 0:11:29 | |
-My name ain't Herman. -You can't fool me. You mean to say you're not Herman K Dittenfriss, | 0:11:29 | 0:11:35 | |
who is giving a party in this very establishment, | 0:11:35 | 0:11:40 | |
71 Washington Avenue? | 0:11:40 | 0:11:43 | |
You got your numbers twisted, buddy. This is 17 Washington Avenue. | 0:11:44 | 0:11:48 | |
You're in the wrong place, Herman. Come on! | 0:11:50 | 0:11:52 | |
# For he's a jolly good fellow For he's a jolly good fellow | 0:11:52 | 0:11:58 | |
# For he's a jolly good fe-ellow | 0:11:58 | 0:12:02 | |
# And so say all of us! | 0:12:02 | 0:12:05 | |
# And so say all of us! | 0:12:05 | 0:12:07 | |
# For he's a jolly good fellow For he's a jolly good fellow | 0:12:07 | 0:12:13 | |
# For he's a jolly good fellow and so say all of us... # | 0:12:13 | 0:12:20 | |
No, no, stop! | 0:12:29 | 0:12:31 | |
-I didn't do nothing, Moose! -It's me! -Let's get outta here, quick! | 0:12:31 | 0:12:35 | |
-He's gone. -Maybe he forgot his hat. -Wait here. I'm going in to investigate. | 0:12:35 | 0:12:40 | |
I should've become a fireman like my old lady wanted me to. | 0:12:42 | 0:12:46 | |
..He'll kill me! You gotta protect me, do something. | 0:12:57 | 0:13:00 | |
I've always taken care of you. You've had your money every week, as I promised. | 0:13:00 | 0:13:05 | |
I didn't know Moose would bust outta stir! He'll kill me if he finds out. | 0:13:05 | 0:13:09 | |
-Tell me what the Moose said. -He wants to know what happened to Velma. | 0:13:09 | 0:13:13 | |
-He's coming back for information. And he says he'll strangle me if he don't get it. -We'll take care of him. | 0:13:13 | 0:13:19 | |
When he comes back, tell him he can get the information he wants about her if he goes to... | 0:13:19 | 0:13:24 | |
Yeah. | 0:13:24 | 0:13:26 | |
Yeah... | 0:13:27 | 0:13:29 | |
DOOR BUZZER | 0:13:43 | 0:13:45 | |
-Mrs Jessie Florian? -What d'you want? | 0:13:53 | 0:13:56 | |
I want to ask you some questions. I'm an investigator. | 0:13:56 | 0:14:00 | |
-Just a moment. -Cops, huh? | 0:14:00 | 0:14:03 | |
Well, you ain't got nothing on me, so come on in. | 0:14:03 | 0:14:06 | |
Well? What do you want? | 0:14:18 | 0:14:21 | |
-A girl named Velma. -Velma? | 0:14:21 | 0:14:24 | |
Yes, I... | 0:14:24 | 0:14:26 | |
I thought I'd try and trace her for her folks. Here. | 0:14:26 | 0:14:30 | |
You ain't no copper. No copper flashes a ten-spot. What's the gag, mister? | 0:14:30 | 0:14:34 | |
-I only said I was an investigator. -Private creep, huh? | 0:14:34 | 0:14:38 | |
Where's her folks at? | 0:14:40 | 0:14:43 | |
What difference does that make? | 0:14:43 | 0:14:45 | |
Huh! | 0:14:45 | 0:14:47 | |
OK, all cops is the same. | 0:14:47 | 0:14:49 | |
OK, handsome, when I like a guy the ceiling's the limit. | 0:14:49 | 0:14:53 | |
Here. You'll find a picture of all the girls that worked at the club. | 0:15:29 | 0:15:33 | |
-Pick her out. -What club? | 0:15:33 | 0:15:36 | |
Mike's. Didn't you know my husband Mike Florian ran a club? | 0:15:37 | 0:15:42 | |
-Where the Club 13 is now. -Which one of these is Velma? | 0:15:42 | 0:15:46 | |
Didn't her folks give you a picture of her so's you'd know her? | 0:15:46 | 0:15:51 | |
No, they didn't. | 0:15:51 | 0:15:53 | |
Try to put something over on me, you dirty snoop! | 0:15:53 | 0:15:56 | |
Get out of here before I bust your skull! | 0:15:56 | 0:15:59 | |
Sit down. | 0:16:04 | 0:16:06 | |
You're not dealing with a simple-minded lug like Moose Malloy. | 0:16:08 | 0:16:11 | |
BOTTLE THUDS ON FLOOR What do you know about him? | 0:16:11 | 0:16:15 | |
He killed a man tonight. | 0:16:15 | 0:16:17 | |
Then the cops are after him? They'll get him, maybe? | 0:16:17 | 0:16:20 | |
Maybe. Right now, what about Velma? | 0:16:21 | 0:16:24 | |
I don't know. | 0:16:24 | 0:16:26 | |
-She's dead, I think. -When did she die? -I don't know. Ain't telling you anything more. | 0:16:26 | 0:16:33 | |
Now get out of here. Get outta here, you dirty snoop! | 0:16:33 | 0:16:36 | |
Very well, but I'll be back. | 0:16:36 | 0:16:38 | |
Get out! I'll kill you if you come back! | 0:16:38 | 0:16:40 | |
-You'd better think it over. -GET OUT! | 0:16:43 | 0:16:45 | |
Now you won't get your deposit back. | 0:16:49 | 0:16:52 | |
I ain't curious about anything appertaining to the case, but what kept you back there? | 0:16:56 | 0:17:01 | |
Charming old lady named Jessie Florian. | 0:17:01 | 0:17:04 | |
-Is she alive? -Very much. | 0:17:04 | 0:17:06 | |
Pull over to the kerb, driver, I want to buy a newspaper. | 0:17:07 | 0:17:11 | |
Paper! Paper! | 0:17:11 | 0:17:13 | |
Thank you. | 0:17:13 | 0:17:14 | |
"Gay Lawrence, sometimes known as the Falcon, amateur sleuth, | 0:17:19 | 0:17:22 | |
"seen leaving Club 13 with his associate Jonathan "Goldy" Locke." | 0:17:22 | 0:17:26 | |
That does it! Now I only have to find my pallbearers. Or maybe the Moose'll carry my coffin by himself. | 0:17:26 | 0:17:31 | |
-Don't worry, Malloy's not looking for you. -He didn't look for Club 13's manager, and where's HE? | 0:17:31 | 0:17:36 | |
-Where are we going? -Home. | 0:17:36 | 0:17:39 | |
They ain't got our address in there, have they? | 0:17:39 | 0:17:42 | |
-But we are listed in the phone book. -I'm going to take an ocean voyage! | 0:17:44 | 0:17:48 | |
Goldy... | 0:17:48 | 0:17:50 | |
-Good evening, gentlemen. -Hello. -Good evening, Jerry. -Sir. | 0:17:51 | 0:17:55 | |
-Any messages? -Yes, a very pretty young lady called here twice to see you, sir. | 0:17:55 | 0:17:59 | |
-I suppose you asked her to stay? -No, sir, I told her to go away. -What? | 0:17:59 | 0:18:03 | |
-And that your fiancee was a female bullfighter from Mexico City... named Lupe. -Really? | 0:18:03 | 0:18:08 | |
-And who told you to say that? -Your fiancee. -Oh. | 0:18:08 | 0:18:11 | |
-That's fine. -Thank you, sir. | 0:18:11 | 0:18:13 | |
-You don't think a pane of glass is going to stop him, do you? -No, but it will give me a running start. | 0:18:17 | 0:18:23 | |
PHONE RINGS | 0:18:23 | 0:18:25 | |
-That must be the young lady. Answer it, Goldy. -That's all we need, is some cookie to complicate things. | 0:18:25 | 0:18:30 | |
Listen, lady...! | 0:18:30 | 0:18:33 | |
What? Who? | 0:18:33 | 0:18:35 | |
-Guy named Marius. -Who's he? -How should I know? | 0:18:35 | 0:18:39 | |
Hello? | 0:18:39 | 0:18:40 | |
Yes. | 0:18:40 | 0:18:42 | |
Yes, I'm available. | 0:18:42 | 0:18:45 | |
All right, I'll be right over. Goodbye. | 0:18:45 | 0:18:49 | |
-What gives? Who was that guy? -Lindsey W Marriot. -Never heard of him. -Nor have I. | 0:18:49 | 0:18:54 | |
-What does he want? What are you going to use that gun for? -He wants a private detective. | 0:18:54 | 0:18:59 | |
-All private detectives carry guns. -You ain't no private dick! -I am tonight. -Now where are you going? | 0:18:59 | 0:19:05 | |
-To see Mr Marriot. -Are you crazy? What's this about? -I don't know, but I have a vague feeling | 0:19:05 | 0:19:11 | |
it ties in with Moose Malloy. Take it easy Goldy. Sit down and relax. | 0:19:11 | 0:19:15 | |
People who have the ability to relax live longer. | 0:19:15 | 0:19:19 | |
-Well, there he goes. -I don't get it. Why don't we put the pinch on him now, chief? | 0:19:37 | 0:19:42 | |
-In my dumb way, I've got kind of a cute idea. You don't mind, do you? -No, course not. -Thanks. | 0:19:42 | 0:19:48 | |
Ow! Take it easy will you? Those cords are so tight, you could play a harp solo on 'em. | 0:19:51 | 0:19:56 | |
Yes, a lovely instrument. | 0:19:56 | 0:19:58 | |
-DOOR BUZZER -Excuse me, sir. | 0:20:00 | 0:20:03 | |
Oh. | 0:20:09 | 0:20:11 | |
-This is the first time in my life I was ever glad to see a copper. -We-ell, it's just a living. | 0:20:11 | 0:20:16 | |
-Take a powder, you. -A what? -Beat it! | 0:20:16 | 0:20:19 | |
-Of course. -..Can I do something for you fellas? -Yeah. Why don't you tell us where your car is? | 0:20:19 | 0:20:25 | |
The last time I seen it, it was parked out in front of the villa. | 0:20:25 | 0:20:29 | |
You're a nice guy, Goldy. | 0:20:30 | 0:20:32 | |
-Getting to like me? -You're a nice guy, but you're in trouble. -Look, O'Hara, | 0:20:32 | 0:20:36 | |
-you ain't accusing me of being in cahoots with that murderer?! -Certainly not, nothing like that. | 0:20:36 | 0:20:42 | |
All we want to know is how come we find Moose Malloy's fingerprints all over a car abandoned in Canossi? | 0:20:42 | 0:20:49 | |
-How could I know that? -Maybe because it was your car. | 0:20:49 | 0:20:52 | |
-We've got enough on you to send you up for a hundred years. -Might even make it life. -Unless you play ball. | 0:20:52 | 0:20:58 | |
-State your proposition. -Now we're getting somewhere. We happen to know | 0:20:58 | 0:21:02 | |
your boss is getting mixed up in this murder. We want to know where he goes and what he does. | 0:21:02 | 0:21:07 | |
-You're on the wrong floor, mister! The rats is in the basement. -Oh, no, Goldy! I know you better than that. | 0:21:07 | 0:21:14 | |
Look, this case ain't as simple as it seems. If it ain't handled right, | 0:21:15 | 0:21:20 | |
it's liable to land you and me and your boss right in the middle of the East River in a concrete nightgown. | 0:21:20 | 0:21:26 | |
-So? -So all I want you to do is to accept this little token of my esteem | 0:21:26 | 0:21:31 | |
-and consider yourself my special confidential deputy. -It's still a stoolpigeon where I come from. | 0:21:31 | 0:21:37 | |
OK, take a choice - sing or Sing Sing. | 0:21:37 | 0:21:40 | |
Listen, O'Hara, you can't scare me, see? I know the law. You can't pin nothing on me | 0:21:40 | 0:21:44 | |
-till you prove corpus delicious. -You got 24 hours to choose. -You'd let him get away with it like that?! -Yeah. | 0:21:44 | 0:21:50 | |
-You don't mind, do you(?) -No, of course not, chief. | 0:21:50 | 0:21:53 | |
I'm not at liberty to divulge too many details about this case. | 0:21:57 | 0:22:01 | |
Sufficient for you to know that the job is simple, I'll pay you well, and the risk is small. | 0:22:01 | 0:22:06 | |
-You'd better let me be the judge of that. -Very well. I'm meeting some men tonight to pay them some money. | 0:22:06 | 0:22:11 | |
-I'd like to have someone with me. Do you carry a gun? -Yes, but I seldom shoot anybody. Is it blackmail? | 0:22:11 | 0:22:18 | |
-I'm not in the habit of giving grounds for blackmail. -It happens to the nicest people. | 0:22:18 | 0:22:23 | |
I'm meeting these men in a lonely place. I'm not much of a hero. | 0:22:23 | 0:22:27 | |
-Do they know you? -I'm not sure. I'm acting for a friend. It's a large amount of money. | 0:22:27 | 0:22:32 | |
-What for? -I told you I wasn't at liberty to go into that! | 0:22:32 | 0:22:36 | |
I think you'd better get someone else. | 0:22:36 | 0:22:40 | |
-I don't like your manner. -I can't say that I'm particularly intrigued by yours either. Good night. | 0:22:40 | 0:22:47 | |
Just a moment. I'll tell you all you need to know. | 0:22:47 | 0:22:50 | |
A lady friend and I were held up on our way home from a nightclub. | 0:22:50 | 0:22:54 | |
My loss was negligible but my friend's jewels were taken. | 0:22:54 | 0:22:57 | |
-Have you ever heard of the Fue Tsui Jade? -Vaguely, yes. Practically priceless. | 0:22:57 | 0:23:02 | |
The stolen necklace is worth perhaps 90,000 but it'd be hard to dispose of, | 0:23:02 | 0:23:06 | |
so the thieves are selling it back to her through me. I'm warned not to call the police or the deal is off. | 0:23:06 | 0:23:12 | |
-But I don't want to run the risk of a double-cross. -How did you know about me? | 0:23:12 | 0:23:16 | |
-Your exploits have been rather well publicised. -Thank you. | 0:23:16 | 0:23:20 | |
-You ready? -Yes, ready. | 0:23:20 | 0:23:22 | |
-Rather a deserted bit of country, isn't it? -We're almost there. | 0:23:29 | 0:23:33 | |
-You seem to know your way pretty well. -Their instructions were very explicit. | 0:23:33 | 0:23:38 | |
Restful spot(!) | 0:23:50 | 0:23:52 | |
They're waiting for this over in that churchyard. | 0:23:55 | 0:23:58 | |
-Coming? -You'd better go alone, I think. | 0:24:02 | 0:24:05 | |
I think so too. | 0:24:07 | 0:24:09 | |
Just a moment. Better leave your gun here. They said to be unarmed. | 0:24:11 | 0:24:14 | |
GUNSHOT | 0:24:37 | 0:24:39 | |
GUNSHOT > | 0:24:54 | 0:24:56 | |
Oh! | 0:25:35 | 0:25:37 | |
I'm holding a ten-shot automatic and I can shoot! | 0:25:39 | 0:25:42 | |
Eight-shot. | 0:25:42 | 0:25:44 | |
Stay where you are! R-Reach for the sky or I'll let you have it. | 0:25:44 | 0:25:48 | |
You'd better use both hands. | 0:25:48 | 0:25:51 | |
You all right? | 0:25:53 | 0:25:55 | |
Nobody ever got killed by a blank cartridge. | 0:25:55 | 0:25:59 | |
-You mean it's full of blanks? -I should know - I loaded it. | 0:25:59 | 0:26:02 | |
You ARE a good shot. | 0:26:05 | 0:26:08 | |
-And lovely, too. -I didn't shoot him! I never shot anybody in my life. | 0:26:08 | 0:26:12 | |
-I don't even have a gun. -You could've thrown the gun away. | 0:26:12 | 0:26:15 | |
-But you didn't. -Oh, no, Mr Lawrence. -Who are you? -I guess I'd better tell you. -Yes, I think you'd better. | 0:26:15 | 0:26:21 | |
-Well, you see, I'm a... I'm a newspaper reporter. -What paper? | 0:26:21 | 0:26:26 | |
Well, none at the moment. But if I can crack this Malloy case, I could get a job on any paper in town. | 0:26:27 | 0:26:32 | |
You see, I come from, well, Morgan, Minnesota, but I got a degree in journalism. | 0:26:32 | 0:26:37 | |
What are you doing here? | 0:26:37 | 0:26:40 | |
-Following you. -How do you know me? -I've heard about you, and your picture was in tonight's paper. | 0:26:40 | 0:26:46 | |
-I tried to see you at your apartment but your boy wouldn't let me... -So you're the very pretty girl? -What? | 0:26:46 | 0:26:51 | |
Oh, I'm sorry, just go on with your story. | 0:26:51 | 0:26:54 | |
I decided the best way to crack this case was to follow the smartest man involved in it. So I did. | 0:26:54 | 0:27:00 | |
-You believe me, don't you? -I like you, which is much more important. | 0:27:00 | 0:27:04 | |
What did you put in your pocket? | 0:27:48 | 0:27:51 | |
-Just a business card. -Look, I'm in this too. -I'll take care of you. Have you got a car? -Sort of one. | 0:27:51 | 0:27:56 | |
-All right, let's go downtown and confess. Come on. -Confess? -Yup. | 0:27:56 | 0:28:00 | |
-So you just happened to be driving by and heard the shots? -That's right. | 0:28:00 | 0:28:04 | |
-Which gives you a pretty nice witness. -Never had a nicer. | 0:28:04 | 0:28:07 | |
-Thank you, Mr Lawrence. -Am I in the way(?) Since when were you bodyguard for a playboy? -I just had a hunch. | 0:28:07 | 0:28:13 | |
-Mind if I have one? -Help yourself. | 0:28:13 | 0:28:15 | |
I'll tell you my hunch. There's something fishy about the whole story. Jade necklaces, bodyguards, | 0:28:15 | 0:28:21 | |
-pretty dames who just happen to drive by cemeteries as murder takes place. -Michael! | 0:28:21 | 0:28:26 | |
Yeah, and I got another hunch! | 0:28:26 | 0:28:28 | |
You two can find better ways to stay out of trouble than poking your noses in police affairs. Now get out | 0:28:28 | 0:28:34 | |
-and stay out of my hair. -Which...? -Which hair, OK, I know, I know! | 0:28:34 | 0:28:39 | |
-Well, that's that. -This isn't the brush-off, is it? -Not socially, I hope. Just professionally. | 0:28:39 | 0:28:44 | |
-Don't tell me you're quitting cos that snide old copper... -Why should I go on? -I thought we might... | 0:28:44 | 0:28:50 | |
-Well, anyway, you have helped. I've got something to go on. -What? | 0:28:50 | 0:28:54 | |
-The jade necklace. I'll go to every jeweller in town till I trace it. -Oh, forget it. I can get you a job. | 0:28:54 | 0:28:59 | |
I get my own jobs. Goodbye. | 0:28:59 | 0:29:01 | |
I tell you what, I'll make a bargain with you. | 0:29:01 | 0:29:04 | |
-If you get any dope on that necklace, I'll follow through on the case. -You will? -It's a promise. | 0:29:04 | 0:29:09 | |
-Don't wait to track it down before you call me. -I won't! It's wonderful of you to do this for me. | 0:29:09 | 0:29:16 | |
ENGINE BACKFIRES | 0:29:16 | 0:29:18 | |
It's just practising to be a tank! | 0:29:18 | 0:29:21 | |
-I might've known you'd run into a dame. Dames and trouble - they go together with you. -I'm lucky. | 0:29:27 | 0:29:32 | |
-Lucky? Suppose she tracks down that necklace! -She won't. There isn't a necklace. Just relax, Goldy, | 0:29:32 | 0:29:38 | |
-and tell Jerry to get me a cup of coffee. -I'm relaxed so long as you keep us away from Moose Malloy. | 0:29:38 | 0:29:45 | |
-Mr Lawrence will be very angry to hear about this. -I warn you, madam, | 0:29:45 | 0:29:48 | |
female bullfighters are a particularly dangerous species of femininity. | 0:29:48 | 0:29:52 | |
-Will you please tell Mr Lawrence I'm here? -I'll handle this, Jerry. Take a powder. -You mean "beat it"? -Yeah. | 0:29:52 | 0:29:58 | |
-Yes, lady? -Is Mr Lawrence in? -He's on a round-the-world trip. He'll be back tomorr... I mean, next August. | 0:29:58 | 0:30:04 | |
-I'm Anne Riordan. -Oh, OK. | 0:30:04 | 0:30:06 | |
-Sit down. -Thank you. | 0:30:06 | 0:30:09 | |
Look, sister, I don't know what your racket is, but his racket is the bond business | 0:30:09 | 0:30:14 | |
and my racket is trying to keep him in it. Now, the boss is a pushover for a pretty face. | 0:30:14 | 0:30:18 | |
He'll string you along and drop you like an old shoe. Why don't you...? | 0:30:18 | 0:30:22 | |
-Good morning, Anne. -Hello. -Thanks for the build-up, Goldy. -I've got good news. -Fine, tell me about it. | 0:30:22 | 0:30:29 | |
Well, I found out the jade necklace belongs to Diana Kenyon. | 0:30:29 | 0:30:32 | |
-You mean to say there really is a jade necklace? -Of course there's a jade necklace! You... Oh, I see. | 0:30:32 | 0:30:38 | |
-You thought it was a wild goose chase. -And who's the goose? -You can't back out. You promised. -I admit it. | 0:30:38 | 0:30:43 | |
-Which is no surprise to me. -..What about this Diana Kenyon? | 0:30:43 | 0:30:47 | |
-Well, she's a big shot in cafe society, one of the most famous beauties, and... -A beauty, you say? | 0:30:47 | 0:30:52 | |
-He's wondering why he don't know her. -And it IS worth 90,000 and... -Take this slower. -Well, | 0:30:52 | 0:30:57 | |
-she runs around with this Marriot, but plays the field, if you get what I mean. -Oh, that's interesting. | 0:30:57 | 0:31:03 | |
-It would be, to you. -I wonder how we can meet her. | 0:31:03 | 0:31:07 | |
I arranged it. I'm to interview her about her necklace - for an article, she thinks. In half an hour, in fact. | 0:31:07 | 0:31:12 | |
That's quick work. Let's go. | 0:31:12 | 0:31:14 | |
Oh, Goldy, what are you doing this afternoon? | 0:31:15 | 0:31:19 | |
-Nothin'. And I don't like the way you're asking me. -Here, this may give you some laughs. | 0:31:19 | 0:31:24 | |
-It don't read funny to me. -I want you to call on Mr Amthor. | 0:31:24 | 0:31:28 | |
-At four o'clock sharp. -What for? -Get your fortune told. Let me know how you come out. -What? | 0:31:28 | 0:31:34 | |
DOOR BUZZER | 0:31:35 | 0:31:38 | |
-I'm Anne Riordan. -Will you come in, please? -Thank you. | 0:31:42 | 0:31:45 | |
I'll tell Miss Kenyon you're here. | 0:31:46 | 0:31:48 | |
Oh...! | 0:31:53 | 0:31:54 | |
Oh, good morning, Miss Kenyon. | 0:31:54 | 0:31:57 | |
I really wasn't expecting... | 0:31:57 | 0:31:59 | |
-I hope you don't mind my having brought a friend. -Not at all. | 0:31:59 | 0:32:03 | |
As a matter of fact, I've always had a secret ambition to meet Mr Gay Lawrence. | 0:32:03 | 0:32:08 | |
-Oh, you know the Falcon? -Only from hearsay, but it was very intriguing gossip. Have you become a reporter? | 0:32:08 | 0:32:15 | |
I must confess I used this innocent little girl to get an interview. | 0:32:15 | 0:32:18 | |
-You're interested in the necklace too? -Much more interested in its owner. | 0:32:18 | 0:32:23 | |
-Strange we haven't met before. -It'd be stranger still if we don't meet again. -It can probably be arranged. | 0:32:23 | 0:32:29 | |
-AHEM! I don't want to change the subject, but... -Oh, yes, of course. -You're not leaving?! | 0:32:30 | 0:32:36 | |
..Oh, I really must. | 0:32:36 | 0:32:38 | |
You see, I almost forgot my cue. | 0:32:38 | 0:32:40 | |
..It was lovely meeting you. | 0:32:40 | 0:32:41 | |
-Charming girl. -She was alone in the city, and I befriended her. | 0:32:46 | 0:32:51 | |
I suppose you know about Mr Marriot? | 0:32:52 | 0:32:55 | |
-Yes, what really happened? -He just drew a blank. | 0:32:55 | 0:32:58 | |
-Poor fellow. -Know much about him? | 0:32:58 | 0:33:00 | |
-I think he had some pretty shady connections. -Didn't that bother you? | 0:33:00 | 0:33:05 | |
I'm not in a habit of checking on people's past... | 0:33:05 | 0:33:08 | |
..particularly when they rumba well. | 0:33:09 | 0:33:11 | |
-Evidently, he was double-crossed. Do you think he had any connection with the hold-up gang? -Possibly. | 0:33:11 | 0:33:17 | |
-Could you give me a description of the men? -No, it all happened too fast. | 0:33:17 | 0:33:23 | |
-Why you so interested in Marriot? -I'm not, really. | 0:33:23 | 0:33:26 | |
But I have a suspicion he was connected with a gentleman named Moose Malloy. | 0:33:26 | 0:33:31 | |
-I'm anxious to find out what that connection was. -Moose Malloy? | 0:33:31 | 0:33:35 | |
Sounds grotesque. Do we have to talk about it any more? | 0:33:35 | 0:33:39 | |
No. | 0:33:40 | 0:33:41 | |
-It's beginning to bore me too. -You aren't really a detective, are you? | 0:33:41 | 0:33:46 | |
-I just took this job, and I ought to finish it. -If it's the necklace, you're really working for me. | 0:33:46 | 0:33:52 | |
-Only if you want me. -I think I do. | 0:33:52 | 0:33:55 | |
Oh, may I offer you a drink? | 0:33:55 | 0:33:58 | |
-Never before sundown. -And after that? | 0:33:58 | 0:34:01 | |
After that, the deluge. | 0:34:01 | 0:34:03 | |
-What about tonight? -Fine. Shall we make it the Swan Club at ten? | 0:34:03 | 0:34:07 | |
That's an excellent idea. | 0:34:07 | 0:34:09 | |
Well... | 0:34:11 | 0:34:13 | |
-Sorry I kept you waiting, dear. -I like the way I was eased out(!) -You should've stayed to protect me. | 0:34:22 | 0:34:27 | |
-I didn't hear you yell for help. -Don't jump at conclusions. -Before you argue the point, | 0:34:27 | 0:34:32 | |
-you'd better remove the lipstick. -Oh. | 0:34:32 | 0:34:34 | |
It's purely circumstantial evidence. It doesn't prove a thing. | 0:34:35 | 0:34:39 | |
If your life depended on it, you'd be a dead duck. | 0:34:39 | 0:34:42 | |
Well? What did you find out? | 0:34:42 | 0:34:45 | |
-I mean about the case. -About the case? Practically nothing...yet. | 0:34:45 | 0:34:50 | |
-By the way, are you jealous? -You're positively psychic(!) | 0:34:51 | 0:34:54 | |
Psychic? That reminds me - I wonder what's happening to Goldy. | 0:34:54 | 0:34:58 | |
-Go ahead, follow him. -Why, chief? | 0:35:23 | 0:35:25 | |
Cos I've got a gold badge, you've got a silver badge and I want to follow him. You don't mind, do you? | 0:35:25 | 0:35:31 | |
No, of course not, chief. | 0:35:31 | 0:35:33 | |
-Do you have an appointment with The Great Amthor? -You mean the swami? | 0:35:49 | 0:35:53 | |
-He is not a swami, my friend. The Great Amthor is... -Yeah, I know. | 0:35:53 | 0:35:57 | |
The Great Amthor is great. | 0:35:57 | 0:35:59 | |
You were to be here at four? | 0:35:59 | 0:36:01 | |
-Yeah, how did you know? -The Great Amthor knows all. He's expecting you. | 0:36:01 | 0:36:06 | |
You will come with me. | 0:36:08 | 0:36:10 | |
-Go ahead, I'll follow you. -You are to go in alone. | 0:36:21 | 0:36:25 | |
Hey, Mahatma! | 0:36:31 | 0:36:33 | |
CURTAIN THUDS ON WOOD | 0:36:35 | 0:36:37 | |
Come in, please. | 0:36:37 | 0:36:39 | |
Sit down, please. | 0:36:59 | 0:37:01 | |
Why are you here in place of your friend? | 0:37:05 | 0:37:08 | |
What friend? | 0:37:08 | 0:37:10 | |
My appointment was with Mr Moose Malloy personally. | 0:37:10 | 0:37:14 | |
I cannot deliver the message he seeks to anyone else. | 0:37:14 | 0:37:18 | |
Wait here. | 0:37:18 | 0:37:20 | |
(Idiot! You let in the wrong man! Show him out quickly!) | 0:37:34 | 0:37:37 | |
Gotta get out of here! | 0:37:41 | 0:37:43 | |
Excuse me. | 0:37:43 | 0:37:45 | |
Moose! | 0:37:45 | 0:37:47 | |
-It's you again, huh? -I didn't do nothing, Moose. I wasn't trying to follow you, honest. | 0:37:49 | 0:37:54 | |
-I was only getting my fortune told. -Sure, sure(!) | 0:37:54 | 0:37:56 | |
THUDS AND SCUFFLES | 0:38:01 | 0:38:03 | |
GUNSHOTS | 0:38:03 | 0:38:05 | |
Open up! Open in the name of the law! Open up that door! | 0:38:07 | 0:38:11 | |
-GUNSHOTS Quiet, everybody, in the name of the law! -Stay where you are! | 0:38:14 | 0:38:18 | |
-So we ain't got nothing on you, huh? -Yeah, we gotta prove corpus delicious. | 0:38:42 | 0:38:46 | |
-I'm sitting in the chair to get my fortune told, the Moose walks in... -Take him to headquarters. -Pleasure! | 0:38:46 | 0:38:53 | |
Wait, you can't pin this on me! | 0:38:53 | 0:38:56 | |
All right, Goldy, for the last time, why'd you knock off them swamis? | 0:38:56 | 0:38:59 | |
I'm sitting in the chair to get my fortune told, the Moose comes... | 0:38:59 | 0:39:05 | |
-How'd you know he would be there? -You arranged the meeting, right? | 0:39:05 | 0:39:09 | |
-Think I'd be within a mile of the joint if I thought the Moose would be there? -Then why go? | 0:39:09 | 0:39:13 | |
-The Falcon gave me a card! "Get your fortune told." -He must've had a clue the Moose was coming. -What was it? | 0:39:13 | 0:39:19 | |
-Why don't you ask the Falcon? -We're asking you. -I'm sitting in the chair to... | 0:39:19 | 0:39:25 | |
"Have my fortune told!" Yeah, I know. | 0:39:25 | 0:39:28 | |
All right, Dan. | 0:39:28 | 0:39:30 | |
Take him down to the DA, boys. Book him as being an accessory before the fact, after the fact, | 0:39:30 | 0:39:35 | |
-aiding and abetting homicide and compounding a felony. Get him out of here. -Wait a minute, you gorillas! | 0:39:35 | 0:39:41 | |
Just a minute, boys. | 0:39:41 | 0:39:43 | |
Maybe we've been misjudging Goldy. | 0:39:46 | 0:39:49 | |
I think he wants to co-operate with us. Don't you, Goldy? | 0:39:49 | 0:39:53 | |
Sure, Mike. | 0:39:53 | 0:39:55 | |
Meet my new special, confidential deputy. | 0:39:55 | 0:39:59 | |
Welcome to the force, chum. | 0:39:59 | 0:40:02 | |
Hey! Take it easy, will you? My neck ain't never going to be the same. | 0:40:04 | 0:40:09 | |
-It appears that your vertebrae is at least an inch longer today, sir. -Yeah, it's stretched to the limit. | 0:40:09 | 0:40:14 | |
-One more twist from the Moose and it'll bust. -Might be wiser to return to the hoosegow, sir. -So! | 0:40:14 | 0:40:20 | |
-Spying again? How much d'you know? -I saw the badge in your pocket. Need more be said, sir? -Listen, | 0:40:20 | 0:40:25 | |
-one crack to the boss, and I'll show you how the Moose...! -Not interested, sir. | 0:40:25 | 0:40:30 | |
-DOOR SHUTS > -It's wiser to be, shall we say, uninformed. -You ain't kidding. | 0:40:30 | 0:40:34 | |
-Hello, Goldy. Back already? -Yeah. D'you know any more swamis? -Not offhand. What happened? | 0:40:34 | 0:40:39 | |
-I ran into the Moose, and grew another inch. -Malloy was there?! | 0:40:39 | 0:40:43 | |
He just dropped in to strangle the swami and his assistant. Then he had to leave. Had a date with a giraffe. | 0:40:43 | 0:40:48 | |
-How did he miss you? -He was working on me when O'Hara showed. -O'Hara? How did he get wise? -I dunno, | 0:40:48 | 0:40:54 | |
-but I wasn't mad at him for butting in. -Put your coat on. We're going for a ride, Goldy. -More trouble? | 0:40:54 | 0:40:59 | |
-No, thanks. I'll sit this one out. -I just thought you'd be safer with us. | 0:40:59 | 0:41:03 | |
-Malloy might find out where you live. -..My things! | 0:41:03 | 0:41:06 | |
-May I go along? -Yes, I'll drop you off at police headquarters. | 0:41:06 | 0:41:10 | |
See if you can get a look at the records of the Malloy case. Note down anything important. ..Goldy! | 0:41:10 | 0:41:16 | |
Something tells me this ain't going to be no joyride. | 0:41:16 | 0:41:19 | |
Pump what information you can out of Bates. Don't let O'Hara see you. | 0:41:25 | 0:41:29 | |
-Right. -Meet at my apartment tonight. -AFTER you leave Miss Kenyon? | 0:41:29 | 0:41:33 | |
-No, this is strictly business. -Liar! | 0:41:33 | 0:41:36 | |
A lovely woman is even lovelier when she's angry. | 0:41:38 | 0:41:41 | |
-An ugly man gets uglier. Where to? That dame's apartment? -No, Jessie Florian's. -So long, boss! | 0:41:41 | 0:41:46 | |
-The end of a beautiful friendship. -Goldy, we've no time to lose! -You said it! I've got 30 years to go. | 0:41:46 | 0:41:52 | |
-I don't want to lose 'em all at once. -Come on, don't argue. -I gotta get cigarettes... | 0:41:52 | 0:41:56 | |
Inspector O'Hara's office. | 0:41:57 | 0:41:59 | |
-Bates speaking. -Hey, Bates, this is Goldy Locke. | 0:42:00 | 0:42:04 | |
But don't mention my name. The boss just sent a dame up there to get some dope on Moose Malloy. | 0:42:04 | 0:42:09 | |
-Yeah? That's very interesting. -Look, Bates, me and the Falcon are going down to old lady Florian's. | 0:42:09 | 0:42:15 | |
17 Washington Avenue in Brooklyn. Bates, you've gotta get O'Hara down there in a hurry. | 0:42:15 | 0:42:20 | |
-If I run into Moose, he'll turn me inside out like a two-bit umbrella in a cyclone. -I'll call him now, | 0:42:20 | 0:42:25 | |
give him all the dope. | 0:42:25 | 0:42:27 | |
-Dirt on Malloy? -What's your slant on the case, lady? | 0:42:27 | 0:42:31 | |
-I want a feature story for my paper. -Well, here's the Moose's record. | 0:42:31 | 0:42:35 | |
He was in for manslaughter when he escaped. I and my colleague O'Hara figured that the Moose took the rap | 0:42:35 | 0:42:40 | |
-for a big-timer named Burnett. -Who's Burnett? -Laird Burnett, the nightclub owner. Smooth guy. Been around ages. | 0:42:40 | 0:42:46 | |
-Nobody can pin nothing on him. -You questioned him? -Sure. He had all the right answers. -Thank you, Mr Bates! | 0:42:46 | 0:42:52 | |
-I'm sure I'll be able to get a story out of that. -That's OK, lady. Always glad to help a good-looking babe. | 0:42:52 | 0:42:58 | |
-Aren't you cute? -Cuter than you think, sister. | 0:42:58 | 0:43:01 | |
-Want to see my baby pictures? -Not at night - I scare too easy. | 0:43:01 | 0:43:05 | |
GRIMES! | 0:43:07 | 0:43:09 | |
I heard you. I'LL look at your baby pictures. | 0:43:10 | 0:43:14 | |
That dame that just left - get on the trail and don't lose her. Chief, I got a new angle on the Falcon. | 0:43:14 | 0:43:19 | |
-Wait here. If the Moose comes, just whistle. -Hey, boss... | 0:43:27 | 0:43:31 | |
-I wouldn't be able to whistle. -Then come along. | 0:43:33 | 0:43:37 | |
-Looks like she's retired for the night. -Good. Let's go! | 0:43:50 | 0:43:54 | |
-No, tomorrow might be too late. -Not for me! -Come on! | 0:43:54 | 0:43:58 | |
Careless old girl, leaving her door open. | 0:44:14 | 0:44:16 | |
Maybe she's expecting somebody. | 0:44:16 | 0:44:18 | |
-Someone she wasn't expecting has been here and gone. -I don't care if he's been here, | 0:44:18 | 0:44:23 | |
-I just hope he's gone! -Sh! | 0:44:23 | 0:44:26 | |
-THUD -(Careful, Goldy!) | 0:44:43 | 0:44:46 | |
-(I kicked a bottle of something. -Well, move it out of the way. -OK.) | 0:44:46 | 0:44:50 | |
Give me some light. | 0:44:54 | 0:44:56 | |
Bloody heavy. | 0:44:56 | 0:44:58 | |
-I wonder what she's got wrapped up in here. -Take a look. | 0:44:58 | 0:45:01 | |
Easy, Goldy. | 0:45:06 | 0:45:08 | |
Like I told you, there goes two of them 30 years. | 0:45:10 | 0:45:14 | |
Broken neck, just like Montgomery's. | 0:45:16 | 0:45:18 | |
-Why should he want to knock off an old dame like that? -She wouldn't give him information she had. | 0:45:18 | 0:45:23 | |
-Why wouldn't she spill it? -She was obviously protecting somebody. -Oh. | 0:45:23 | 0:45:27 | |
-When we find that out, Goldy, we'll crack this case wide open. -Also maybe our necks. | 0:45:27 | 0:45:33 | |
Whoever she was covering for instructed her to send Malloy to Amthor's. | 0:45:33 | 0:45:38 | |
-They didn't think he'd leave Amthor's alive but he did. -And how! | 0:45:38 | 0:45:42 | |
I still can't seem to fit Marriot into this case, though. | 0:45:42 | 0:45:45 | |
-Would you mind trying to fit him in at home? -You stay where you are. I'm just going to nose around a bit. | 0:45:45 | 0:45:52 | |
-And leave me alone? -You're perfectly safe. Malloy won't come back. Just sit tight. | 0:45:52 | 0:45:57 | |
SOFT WOLF-WHISTLE | 0:46:14 | 0:46:17 | |
LOUD CLICK > | 0:46:34 | 0:46:36 | |
SLOW FOOTSTEPS | 0:46:42 | 0:46:44 | |
HINGE CREAKS | 0:46:52 | 0:46:54 | |
DOOR CREAKS QUIETLY | 0:46:54 | 0:46:56 | |
TREAD AUDIBLE | 0:47:00 | 0:47:02 | |
(Goldy, is that you?) | 0:47:11 | 0:47:13 | |
(It's me, O'Hara.) | 0:47:13 | 0:47:15 | |
(I got your message.) | 0:47:15 | 0:47:17 | |
What goes on here? | 0:47:19 | 0:47:21 | |
What, again?! | 0:47:27 | 0:47:29 | |
Hey, look, can't I have just one murder | 0:47:29 | 0:47:33 | |
without finding you laying around with the body? Can't I? Can't I? | 0:47:33 | 0:47:37 | |
-Moose! I didn't know, Moose! I wasn't following you...! -Snap out of it, will you?! It's me, O'Hara! | 0:47:37 | 0:47:42 | |
-You got a nerve, sneaking up on a guy! -How did I know what I was going to find here? Where's the Falcon? | 0:47:42 | 0:47:48 | |
-He ain't around? -He ain't never around when I get on the scene! | 0:47:48 | 0:47:51 | |
CAR STARTS > | 0:47:51 | 0:47:53 | |
-Where's he going? -I don't know. -Start talking, and talk fast or I'll tell you where you're going! | 0:47:55 | 0:48:01 | |
Go ahead! Put cuffs on me! A stretch in the clink will be like the Ritz after what I've been through! | 0:48:01 | 0:48:06 | |
I accept your resignation. Come on. | 0:48:06 | 0:48:08 | |
-Come, Jerry, I'll need you. ..Hello. -Hello. What's the hurry? -I've a lot to do. I'll explain later. | 0:48:09 | 0:48:15 | |
Here's something to look at while you're waiting. | 0:48:15 | 0:48:19 | |
RADIO: Special bulletin. Police in five boroughs are on the lookout for a Gay Lawrence, alias the Falcon, | 0:48:19 | 0:48:25 | |
wanted by the Homicide Bureau for questioning in connection with the murder of Mrs Jessie Florian... | 0:48:25 | 0:48:31 | |
-How long do you think it'll take O'Hara to find you? -He'll think I'm much too smart to come home. | 0:48:31 | 0:48:37 | |
-So this is Velma! -Gorgeous, isn't she? -In a vulgar sort of way. | 0:48:38 | 0:48:43 | |
-I'm talking about her beautiful figure. -Did you study the face? -I haven't got around to that yet. | 0:48:43 | 0:48:49 | |
Mmm! | 0:48:49 | 0:48:51 | |
LONG WHISTLE | 0:48:53 | 0:48:55 | |
What'd you find out at police HQ? | 0:48:55 | 0:48:57 | |
-Oh, nothing much, except they think Malloy took the rap for a man he worked for, Laird Burnett. -Burnett? | 0:48:57 | 0:49:03 | |
-Are you sure? -Of course. Runs the Swan Club. -I've got an idea. | 0:49:03 | 0:49:07 | |
KNOCK AT DOOR Open up. Police! | 0:49:07 | 0:49:10 | |
Wow! | 0:49:13 | 0:49:15 | |
-Hello. -A real champion - he keeps the challenger waiting. -I'm sorry, darling, I couldn't get away. | 0:49:27 | 0:49:32 | |
-Did you try very hard? -Does it show? -A little. -Well, that makes matters even. She'd be glad to hear that. | 0:49:32 | 0:49:38 | |
-Let's talk about you. -Why, Mr Lawrence! -It think it's only fair to warn you I'm sought by the police. | 0:49:38 | 0:49:44 | |
-How exciting. -And you can help me clear myself. -I'd love to. Now I've found you, I'd hate to lose you. | 0:49:44 | 0:49:49 | |
Naturally. By the way, do you know Burnett, the owner of this club? | 0:49:49 | 0:49:53 | |
-I'm their star customer. -I'd like to meet him. Can you introduce me? -Why? | 0:49:53 | 0:49:57 | |
I think he can tell me something about Moose Malloy. | 0:49:57 | 0:50:00 | |
-Burnett? I don't understand how... -Just don't try to solve it, darling. Leave it to me. Now, let's meet him. | 0:50:00 | 0:50:06 | |
All right. | 0:50:06 | 0:50:08 | |
-Check your hat, sir? -Er, no, thanks, sister. | 0:50:14 | 0:50:17 | |
Come in. | 0:50:22 | 0:50:24 | |
-Hello, Laird. -Hello, Miss Kenyon. | 0:50:24 | 0:50:26 | |
-Glad you dropped back. How's everything? -No complaints. | 0:50:26 | 0:50:30 | |
-I just wanted you to meet a friend of mine. Mr Lawrence - Mr Burnett. -How do you do? -Ah, the Falcon. | 0:50:30 | 0:50:36 | |
-Any friend of Miss Kenyon's is always welcome. -Thanks very much. What a delightful place. -Has to be - | 0:50:36 | 0:50:41 | |
-I entertain delightful people. -I must admit I had a purpose in meeting you, Mr Burnett. -Yes? | 0:50:41 | 0:50:47 | |
I wondered if you had a means of getting in touch with Moose Malloy. | 0:50:47 | 0:50:51 | |
Malloy? Why should I? | 0:50:53 | 0:50:55 | |
He worked for you once, didn't he? | 0:50:55 | 0:50:58 | |
-Lots of people have, Mr Lawrence, but I'm not responsible for their actions. -You misunderstand me. | 0:50:58 | 0:51:04 | |
I didn't mean to infer that you are in any way involved with Malloy. | 0:51:04 | 0:51:09 | |
I just thought he might seek your protection. | 0:51:09 | 0:51:12 | |
-If he were foolish enough to do that, naturally, I'd have to inform the police. -Naturally. | 0:51:12 | 0:51:18 | |
Malloy seems to be very anxious to find this young lady. | 0:51:18 | 0:51:22 | |
If he thought we knew anything about her, we could probably trap him. | 0:51:22 | 0:51:27 | |
Just what is your interest in this case, Mr Lawrence? | 0:51:31 | 0:51:34 | |
-I'm trying to track down a valuable necklace for Miss Kenyon. -That's right. -Sorry, | 0:51:34 | 0:51:40 | |
-I'm afraid I can't help you. -Let me see that. | 0:51:40 | 0:51:43 | |
-You know, I've seen this girl somewhere before. -You have? -I'm sure of it. The Green Mill. | 0:51:45 | 0:51:50 | |
-The what? -A little roadhouse on the Old Post Road. She's dancing in the floorshow there. -Are you positive? | 0:51:50 | 0:51:56 | |
-Quite. I wondered why such a beautiful girl could waste herself in that isolated spot. -Hiding out. | 0:51:56 | 0:52:02 | |
Of course! | 0:52:02 | 0:52:04 | |
-Let's take a drive there. My car's out front. -That's an excellent idea. | 0:52:04 | 0:52:10 | |
-Oh, Goodbye, Mr Burnett. -Goodbye, Mr Lawrence. | 0:52:10 | 0:52:13 | |
-So long, Laird. Don't let the Moose get you. -Be careful yourself. | 0:52:13 | 0:52:17 | |
DANCE NUMBER ENDS | 0:52:23 | 0:52:25 | |
-(Quick, it's one of O'Hara's men.) -What'll we do? -Get someone to start a fight. -What? -Go on, don't argue. | 0:52:26 | 0:52:32 | |
Get someone to start a fight. | 0:52:32 | 0:52:34 | |
-Sock somebody, Louis. -What? -Start a fight. -You want to get me fired? -No - it'll get you a raise. | 0:52:43 | 0:52:48 | |
OK, Miss Kenyon. | 0:52:58 | 0:53:00 | |
Hurry up. | 0:53:00 | 0:53:02 | |
Hey you! What's the big idea, molesting this lady? | 0:53:05 | 0:53:08 | |
-What? -I beg your pardon? This lady happens to be my wife. -Oh, yeah? That's what they all say. -You...! | 0:53:08 | 0:53:15 | |
WOMEN SCREAM | 0:53:15 | 0:53:17 | |
Come on, break it up! | 0:53:21 | 0:53:24 | |
-Get the car ready. I'll be right with you. -OK. | 0:53:33 | 0:53:37 | |
-Can I get this quick? -Yes, sir. -Hold on. Give me paper and a pencil. | 0:53:37 | 0:53:40 | |
There's a Mr Grimes from police headquarters here. Give him this note when he disentangles himself. | 0:53:43 | 0:53:48 | |
Yes, sir. | 0:53:48 | 0:53:50 | |
-Did you get rid of him all right? -Yes, let's get going quickly. -..Drive out to the Old Post Road. | 0:53:54 | 0:53:59 | |
-Mr Grimes, here's a message for you. -Better read it to me, sister. | 0:53:59 | 0:54:03 | |
-"You can catch up with me if you take the Old Post Road," signed "the Falcon". -The Falcon?! | 0:54:03 | 0:54:09 | |
-Lonely highway, isn't it? -It isn't used much any more. | 0:54:23 | 0:54:27 | |
It's a nice place to go for a ride. | 0:54:27 | 0:54:29 | |
-That's what I thought. -Oh, so it IS a ride. -You've guessed it. | 0:54:30 | 0:54:35 | |
You guessed too many things, Mr Falcon. | 0:54:35 | 0:54:37 | |
Check me if I guess wrong. You're Velma. You were in the swami racket with Burnett, Marriot and Amthor. | 0:54:37 | 0:54:42 | |
-A good living, till you looked into a crystal ball. -Burnett would point wealthy Swan Club patrons to Amthor. | 0:54:42 | 0:54:49 | |
You'd be surprised how society saps fall for swami drivel. | 0:54:49 | 0:54:53 | |
-They bared their souls. -And you promptly blackmailed them. -You're amazing. And so amusing. | 0:54:53 | 0:54:58 | |
Shame you're too dangerous to have around. | 0:54:58 | 0:55:01 | |
You planned my murder once before, didn't you? | 0:55:01 | 0:55:04 | |
-That was Laird Burnett's idea, getting rid of you and Marriot at one time. -Why Marriot? | 0:55:04 | 0:55:09 | |
He was getting weak. It'd only be a matter of time until he'd talk under pressure. | 0:55:09 | 0:55:14 | |
-You and Burnett are rather close, aren't you? -Rather. | 0:55:14 | 0:55:18 | |
Jessie Florian knew about your past and present romance, didn't she? | 0:55:20 | 0:55:24 | |
And she was also being paid to forget some information she knew | 0:55:24 | 0:55:28 | |
about a manslaughter rap Malloy took for Burnett. | 0:55:28 | 0:55:31 | |
We were a little worried when you tracked Moose to her. | 0:55:31 | 0:55:34 | |
I don't see any cars, chief. | 0:55:38 | 0:55:41 | |
-Could it creep under that thick skull of yours that maybe he deliberately gave you a bum steer?. -No, sir. | 0:55:41 | 0:55:46 | |
-Did it creep in yours? -No... | 0:55:46 | 0:55:49 | |
-Shut up! -You know, if we could find a road with traffic on it, maybe we could pinch somebody for speeding. | 0:55:49 | 0:55:55 | |
How did you know the picture was fake? | 0:56:00 | 0:56:03 | |
The handwriting on it matched a little note Jessie left around - unfinished. | 0:56:03 | 0:56:08 | |
I can't understand how such brilliance could get you into a spot like this. | 0:56:08 | 0:56:12 | |
-I'm always a sucker for a beautiful woman. -You and MANkind. | 0:56:12 | 0:56:16 | |
Nobody will disturb us. We left the old road quite some time ago. | 0:56:16 | 0:56:20 | |
All right, Girdja, take the Falcon for a walk. | 0:56:24 | 0:56:27 | |
And come back alone. | 0:56:27 | 0:56:29 | |
Hello, baby. | 0:56:45 | 0:56:47 | |
Girdja couldn't come. | 0:56:47 | 0:56:49 | |
Moose! | 0:56:49 | 0:56:50 | |
Yeah. | 0:56:50 | 0:56:51 | |
So it's you and Burnett, huh? | 0:56:51 | 0:56:54 | |
That's my payoff for taking his rap? | 0:56:55 | 0:56:58 | |
Moose, listen. I wanted to come back to you but he wouldn't let me. Honest, Moose! | 0:56:58 | 0:57:03 | |
I saw Burnett last night, baby. | 0:57:03 | 0:57:05 | |
He said he didn't know where you was. | 0:57:06 | 0:57:09 | |
He lied! He said he'd kill me if I went back to you. | 0:57:09 | 0:57:12 | |
Velma. | 0:57:14 | 0:57:15 | |
Why did you do it, baby? | 0:57:15 | 0:57:18 | |
Why did you do it? | 0:57:28 | 0:57:31 | |
Why did you do it...? | 0:57:33 | 0:57:35 | |
That leaves only you to take care of now. | 0:57:38 | 0:57:41 | |
MOTOR > | 0:57:41 | 0:57:42 | |
LOUD BANG | 0:57:44 | 0:57:46 | |
Don't tell me you had to struggle with her, now(?) In such a romantic spot, too! | 0:57:51 | 0:57:55 | |
-This time they weren't blanks. -Holy cats! -It's a very lucky thing for me that you're a jealous woman. | 0:57:59 | 0:58:04 | |
I followed only out of interest in the journalistic aspects of this case, Mr Lawrence. | 0:58:04 | 0:58:09 | |
Hmm. Well, there's your story. You can pick any newspaper in town for your job. | 0:58:09 | 0:58:15 | |
I think Inspector O'Hara would like to see you. | 0:58:15 | 0:58:18 | |
Jeepers! | 0:58:20 | 0:58:22 | |
-Goodbye, Miss Kenyon. A good lawyer and your charm should get you off with 30 years. -Yeah. | 0:58:23 | 0:58:28 | |
-I'll give you and your stooge a break. I'll drop the charges against you. -Oh, thank you. | 0:58:28 | 0:58:33 | |
-It's OK. ..Come on, Bates, I'm going to pick up Burnett. -Why, chief? Who said so? -I... | 0:58:33 | 0:58:37 | |
I happen to head the homicide squad | 0:58:37 | 0:58:39 | |
-and I'd like to pinch him, if you don't mind. -Not at all, chief. -Thanks. | 0:58:39 | 0:58:44 | |
-OK, Goldy, spill it. -I'm sitting in the chair, | 0:58:48 | 0:58:51 | |
going to have my fortune told, when the Moose comes... | 0:58:51 | 0:58:55 | |
-What's the idea?! -OK, bring him out. -No, you don't! I'm staying in here till the season for Moose is on! | 0:58:55 | 0:59:01 | |
Miss Kenyon opened it officially a few hours ago and without a licence. | 0:59:01 | 0:59:06 | |
-You got a call from the airport, Mr Lawrence. Your fiancee's waiting there for you. -Oh, thanks. | 0:59:07 | 0:59:12 | |
Oh, Gay! Darling! | 0:59:12 | 0:59:14 | |
Look! | 0:59:14 | 0:59:16 | |
Well, that's fine! | 0:59:18 | 0:59:20 | |
-Now you don't need me any more. -Oh, but I thought we might... | 0:59:21 | 0:59:25 | |
My dear, there are moments when one must face reality with courage and steadfast bearing - | 0:59:25 | 0:59:30 | |
my fiancee is waiting. I have pledged my life to her alone. You understand, my dear. | 0:59:30 | 0:59:36 | |
-Take your hands off me! -Come on! | 0:59:36 | 0:59:38 | |
Just cos that ham Featherbush gets himself bumped off in the dressing room, | 0:59:38 | 0:59:42 | |
-why should hard-working girls be deprived of their livelihood?! -Tell it to the chief. | 0:59:42 | 0:59:47 | |
Oh, Mr Falcon! I recognise you from your picture in the newspaper! Please help! We'll be so grateful! | 0:59:48 | 0:59:54 | |
-C'mon, sister! -Are you standing by to let poor, innocent girls suffer injustice? -Come on! | 0:59:54 | 0:59:59 | |
Are you? | 0:59:59 | 1:00:01 | |
I should say not! | 1:00:02 | 1:00:04 | |
-Back to his old game. -Yeah. | 1:00:06 | 1:00:08 | |
Only, this time, he hit the jackpot. | 1:00:08 | 1:00:11 | |
Subtitles by BBC Broadcast - 2004 | 1:00:12 | 1:00:15 |