The Falcon's Adventure


The Falcon's Adventure

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Transcript


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"And then the lodge itself, set deep in the forest primeval.

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"Here the guest may contemplate the beauties of azure-blue Lake Sunome,

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"where finny denizens abound, a veritable paradise for the pisc..."

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Piscatorialist?

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-What is it, a disease?

-That, Goldie, is a fisherman.

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No kidding? I've been one all the time and never knew it.

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Gee, boss, as long as we're going to be pisca...torialists,

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couldn't we be in the Adirondacks?

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You've never seen azure water until you've cast a line off Bermuda.

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So clear, you could drink it.

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Ah, who's thirsty? We never go where I wanna go.

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Do I really seem so selfish? All right, we'll go to the Adirondacks.

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You might think of where I wanna go once in a... Boss!

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Did you say...? Ow!

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I did not say "Ow!" I said "Adirondacks".

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Boss, I'll never forget this. It'll be wonderful - just the two of us.

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It'll be a blow to the fair sex but we'll keep strictly to ourselves.

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-No dames.

-No dames.

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-Shake on it? No women?

-Shake on it. No women.

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BUZZER That's the bellboy.

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Just on time, son. I'll give you a hand with the stuff.

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You know, Goldie,

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I believe you're right.

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I guess this is a man's world.

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The less you have to do with women, the less trouble you get into.

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Sure is hard to believe that you're going to turn over a new leaf, boss.

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-Horrible thought, isn't it? Let me give you a hand.

-Oh, I can handle it.

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Put that under my arm, will you?

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Oh, I beg your pardon.

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I'm so terribly sorry.

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That's all right. The pleasure's all mine.

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Boss, if I may be so bold as to mention it, remember - no dames.

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I was just window-shopping.

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Would you call a cab for me, please?

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-I want to go to the National Travel Agency.

-Yes, miss.

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We'd be delighted to give you a lift.

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No, thank you. A cab will be fine.

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That's the dame now.

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-Sounds like the lady's going to travel.

-We won't wait to find out.

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Boy, oh, boy!

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What a day to be starting a vacation!

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The birds is flying, the flowers is smelling, the bees is...is...

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What would the bees be doing?

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Picking up some honey, I guess.

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"Picking up some honey"! Can't you ever get dames off your mind?

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-Oh, driver?

-Yeah?

-Shouldn't we be at the travel agency by now?

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Take it easy, lady. You'll get there.

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But don't they have an office right in town?

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Look, lady, keep your mouth shut and you won't get hurt.

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"Get hurt"?

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Where are you taking me?

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Let me out of here! Stop this cab!

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Shut up!

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Say, boss, I meant to ask you before - what is a "finny denizen"?

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-A finny denizen, Goldie, is an ordinary fish.

-A fish?!

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Well, you live and learn!

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Help!

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-Isn't that the girl from the hotel?

-What difference does it make?

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She's in a jam.

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No, she's ain't. She's in a cab. We're on a vacation, remember?

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I'm gonna catch that cab.

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Hey, Inspector, look. That cab is certainly travelling.

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Step on it, Joe. Let's see what this is all about.

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-Holy smoke! A police car!

-Can't stop now.

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Blow-out.

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-Hey, Inspector, look.

-Come on!

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-Please help me!

-I'm going to get that driver!

-Let the cops handle it.

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-Police?!

-It's Inspector Cavanaugh.

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-I don't want to talk to the police.

-Why?

-I'll explain later. Get me out of here, please!

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All right. We'll get you to your hotel, but we'll have to hurry.

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-They've got the girl.

-Looks like a kidnapping.

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Hey, Inspector, here's something. The dame must have left it.

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-Rent receipt - Bradshaw Hotel.

-That's East 68th Street.

-Room 414.

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OK, boys, we've got a little call to make.

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Oh, Louisa, my dear.

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I was beginning to worry about you.

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-Come in, please.

-Thank you.

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-Mr Lawrence, this is my uncle, Enrico Braganza.

-How do you do?

-Glad to know you.

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-Please forgive me for keeping you standing. Won't you sit down?

->

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-Thank you.

-Mr Lawrence is quite famous, Uncle.

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You might know him as The Falcon.

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-Goldie's been talking too much.

-The Falcon?

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Indeed, your reputation is not unknown to us, even in Brazil, but we are doubly honoured.

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-Thank you again.

-Excuse me - I'll freshen up a bit.

-Of course.

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-Cigarette?

-Thanks, no.

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-Do you mind?

-Not at all.

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-Nice case you have there.

-Yes.

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Your niece tells me you're leaving for Miami tomorrow.

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Yes, on business.

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I'm sorry that such a pleasant friendship is likely to be so brief.

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I share your disappointment, Mr Lawrence.

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-But many reasons compel us to leave.

-Might one of them have caused Miss Braganza to be kidnapped?

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Kidnapped?!

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I thought you should know. It'll keep you on your guard.

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This is most alarming. I don't know what to say.

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Just what did happen?

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Your niece was being kidnapped by a cab driver.

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I gave chase and ran him down. Unfortunately he escaped.

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Then word has leaked out.

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-They're after my formula.

-Your formula?

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Yes, I have perfected a formula for the manufacture of industrial diamonds. Extremely valuable.

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Those diamonds are used for the most delicate precision tooling - glass cutting and so many things.

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-Who do you think would be interested in getting hold of your formula?

-Several syndicates.

-I see.

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May I ask what business is taking you to Miami?

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I am to meet Professor Denison, an old colleague of mine.

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He has come up from Brazil with information about financial backing.

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DOOR OPENS

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I must go down to the desk to see about our plane reservations.

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-Will you excuse me?

-I'll go with you. Goodbye, Mr Braganza.

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-Goodbye, Mr Lawrence. We're very grateful to you.

-Not at all.

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I hope my reservations are ready.

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-Did you lose something?

-I've left my cigarette case behind.

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Do you want me to send up for it?

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Oh, no, I'll get it. I'll only be a minute. Excuse me.

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-All right. I'll wait for you in the lobby.

-Fine.

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Mr Braganza?

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And the mountain lodge itself, surrounded by azure-blue policemen,

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and on a clear day, you can see Sing Sing(!)

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It's The Falcon all right.

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-Dead?

-No, but he's in bad shape.

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Call the doctor.

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-What did you do with it?

-Do with what?

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-A blunt instrument will fill the bill or a gun butt.

-You're insane!

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Uggh.

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I'm Inspector Cavanaugh.

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The formula.

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He was after it...

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The Falcon.

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The Falcon, yes, what...?

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Denison...buy me...without delay.

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I know, but The Falcon, what about him?

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Louisa...

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The Falcon.

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Put a call into the coroner and the rest of the boys.

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-Now listen, you two...

-You've been skating on thin ice for a long time.

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I knew it would break under you someday.

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But look, I found him like that.

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I forgot my cigarette case and came back...

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-So, you were here before?

-Sure! I brought his niece home.

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What was the formula he was mumbling about?

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-He told me he had a substitute for industrial diamonds.

-Diamonds?

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I could see how that would appeal.

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Nice dreaming, but if you talk to the man's niece...

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-We're going downtown.

-The force will be laughing at you.

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Too bad you won't be able to join in. Come on.

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Stay here. Don't let anyone touch anything.

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-Why, Tom, I...

-Are you Miss Braganza?

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-Why, yes?

-Louisa, something's happened to your uncle.

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-My uncle!

-Where are you going?

-Aren't you going to question her?

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Yes, when I'm ready. Come on.

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-Get in.

-After you, Inspector.

-Get in and stop your clowning.

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There's nothing funny in your situation.

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After him!

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-Nice work, Goldie.

-It's always up to me to get us out of trouble.

-Well, now get us out of here.

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-Where to, boss?

-Hotel Bradshaw.

-OK.

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..Hotel Bradshaw?! We just came from there.

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-That's why we're going back. It's the last place that bloodhound will look for us.

-Say, that's smart of us!

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-So we're back. Now what?

-Louisa's uncle's been murdered.

-Murdered?!

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-The police think we did it.

-Where do you get that "we" stuff?

-I'll be right back.

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On the coldest day, you can always enjoy the warmth of a nice, cosy electric chair(!)

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Who are you?

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None of your business!

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Are you an employee of this hotel?

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I'm the police.

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-Police? What's happened?

-I'm asking the questions. Who are you?

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I'm Helen Rae, Miss Braganza's maid.

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-Tom!

-Hello.

-Oh, I'm so glad to see you, but why the window?

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Sshh! Duncan.

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-The police think I did it.

-You?!

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Mm-hm.

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Well, I don't know what to do.

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I ought to go to Miami, but now I'll have to stay here, at least until...

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Oh, it meant so much to my uncle to have his plans go through.

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-How can I help?

-That formula has to be in Mr Denison's hands by Wednesday night.

-In Miami?

-Yes.

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-KNOCK AT DOOR

-Just a minute.

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-Oh, Helen!

-Miss Braganza, I'm so sorry about what's happened.

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Who could have done such a thing?

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I don't know.

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I'm sure the police will find out.

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Could I get something for you? Some coffee, perhaps?

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No, thank you, nothing.

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Very well.

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DOOR CLOSES

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KNOCK AT DOOR

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-Miss Braganza?

-Yes.

-We'd like you to come out and answer a few questions.

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I'm not dressed.

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-I'm changing my clothes. I'll be out as soon as I put something on.

-OK.

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-This is the formula.

-What should I do with it?

-Take it to Mr Denison.

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His address is on the outside.

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You'll know him when you see him. He's old and gentle-looking and rather sickly.

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We're waiting for you.

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-I'll be right out.

-Is there any other way I can recognise him?

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-Just that he doesn't smoke. He has a very bad heart.

-Good enough.

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Miss Braganza, you're keeping the law waiting.

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Just a moment.

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-I wish I could tell you how grateful I am, and how...

-Save it for Miami.

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-I thought you were changing your clothes.

-Oh, er...

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I changed my mind. It would have taken too long.

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That's a dame for you. Comes in to change her clothes and changes her mind. Hm!

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-Yes, sir?

-Bourbon and water, please.

-Make mine a double double.

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-Yeah, they're both for me.

-Yes, sir.

-This is a fine state of affairs.

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I want to go to the Adirondacks, you want to go to Bermuda, we get Miami.

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But Miami's a wonderful place, Goldie. Listen.

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"See beautiful Biscayne Bay, thrill to the horse races at Tropical Park,

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sit entranced beneath tropic skies while listening to concerts

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at the Municipal Amphitheater in breeze-swept Bayfront Park."

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-I ain't going to no breeze-swept concert.

-Will you stop pestering me?

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That isn't what you said when I paid your dinner cheque.

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I didn't ask you to, you insisted.

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-If you'll allow me...

-Forget it.

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-How about a drink?

-No, thanks. I don't care for you.

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Look, sister, you're not brushing me off this way. Why don't you be nice?

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-You're helping one dame. Ain't that enough trouble?

-Let me go!

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Boss, take it easy.

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-If the guy wants to buy her a drink, let him.

-Perhaps you're right.

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-Your berth's ready now.

-Thank you.

-Yes, sir.

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If you'd said this morning we'd be off to Florida, I'd have laughed.

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-It's the unexpected things in life that give it spice.

-Yeah?

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This upper berth thing ain't gonna give me no spice. See what I mean?

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How dare you come in here?!

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-We're all alone here, baby.

-Leave this compartment at once!

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-Have a little drink. I've brought a bottle.

-Swell train, ain't it?

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Got any idea how many revolutions those wheels revolve in a minute?

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-If you don't go, I'm calling the conductor.

-Ain't I classy enough?

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-Baby, I'm staying right here.

-Oh, boss, please, on my bended knees.

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-I'm standing because the joints are stiff.

-She may be in trouble.

-If she's in trouble, she'll scream.

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SHE SCREAMS Goldie, you're a genius.

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-What do you want?

-Your departure and quickly.

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He forced his way in. I asked him to leave.

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-You heard the lady.

-What business is it of yours?

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-You're disturbing our sleep.

-Nobody's talking to you, baldy.

-Baldy?!

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-You do want him to leave, don't you?

-Please.

-The lady said "please".

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..Er, Goldie...

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Hey, lay off!

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..OK, OK, I'll go.

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Wise guys, huh?

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Stuff's hard to get these days.

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Thank you. He was rather insistent.

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-Oh, that's all right.

-Come on, let's hit the hay.

-Goodnight, Miss...?

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-Blanding. Doris Blanding.

-I'm Tom Lawrence and my friend's Goldie Lock.

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-You've been very kind.

-It's a habit with him, a good-looking dame...

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-Bedtime, Goldie.

-Oh, please, I wondered...

-Yes?

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-Would it be imposing too much to ask you to stay?

-Emphatically not.

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-Me too?

-Yes.

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-Wouldn't that be a bit crowded?

-No, I'll sleep in your compartment.

-Oh.

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-That's the wackiest thing I ever heard.

-You're afraid he'll return?

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I am a little frightened. Perhaps that's silly.

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By all means use our compartment.

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-Get the pyjamas.

-Anything for some sleep.

-I'll see you to the room.

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-I'm sure you won't have any trouble.

-Thank you so much. Goodnight.

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-Goodnight, Miss Blanding.

-Thank you, Mr Lock.

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The pleasure's mutual.

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-Did you get it?

-No, it wasn't in their luggage, I searched.

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-That means they've got it with them.

-They did take one bag.

-You know what to do.

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This stuff will keep them dead to the world for at least an hour.

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-And, baby, we won't need half that much time.

-Good luck.

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-I wonder if you could help me, I've locked myself out.

-Surely.

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You're in Compartment C, aren't you?

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That's right.

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Thank you very much.

0:22:080:22:10

First call for breakfast!

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Boy, I never slept better in my life.

0:23:190:23:24

Boss, you up? Huh?

0:23:240:23:26

-Boss! Boss!

-What's all the shouting for?

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-I didn't see you.

-If you don't get dressed quickly, you're gonna miss breakfast.

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Not me, brother. I'm starved. I'm going to have orange juice, eggs and hot cakes. And aspirin.

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Aren't you in the wrong compartment?

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-Oh, we exchanged compartments with Miss Blanding last night.

-You did?

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Funny, I opened this door when she locked herself out.

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-When she locked herself out?

-Yes.

-Where is she?

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She got off at Savanna. We pulled in there at 5.15am.

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-Now we've lost her, you can give me that envelope I gave you last night.

-Yes, sir.

-Thanks a lot.

0:24:030:24:09

-Thank you, sir.

-Say, what is this? I don't get it.

0:24:090:24:13

It's perfectly simple, Goldie.

0:24:130:24:15

-Miss Blanding wanted to exchange compartments, didn't she?

-She did.

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I had to ask myself why. She could just as easily have locked the door.

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-Obviously she had something else in mind.

-The formula?

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Exactly. I thought I'd better take some precautions.

0:24:260:24:29

-The envelope under your pillow was a fake?

-Mm-hm, and it's disappeared.

0:24:290:24:34

-Well, then we must have had a visitor.

-Yes, the girl.

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Ah, dames in trouble!

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-How come we didn't hear?

-You slept well, didn't you?

0:24:400:24:42

-Just like I was drugged.

-It's my guess you were.

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Whaddya know?

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Murders, notorious dames, formulas, crooks.

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If it keeps up like this, I'll wind up in a padded cell.

0:24:500:24:54

Beautiful Miami. We start off looking for fish and end up with oranges.

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-We'll get plenty of fishing once we deliver that formula safely.

-Can't we deliver it now?

-No.

0:25:170:25:22

Mr Denison doesn't expect me till tonight.

0:25:220:25:24

Where are we going? Might be better if I know since I'm driving.

0:25:240:25:27

We're going to Denison's place, 24 Palm Drive. Won't hurt to look before we leap.

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I wish you'd looked before you leapt at that Louisa dame.

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We wouldn't be worrying about where we're gonna leap now.

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There it is - 24. Keep going! Pull around the corner and stop.

0:25:420:25:46

-That's the idea.

-See that woman? That's Louisa Braganza's maid.

0:25:460:25:50

-How did she get down here so quick?

-Plane, I guess.

0:25:500:25:53

-Hey, boss, she's leaving.

-Follow her. I want to look around a bit.

0:26:000:26:04

-Meet me for dinner at the Patio Club.

-Patio Club, OK.

0:26:040:26:08

CROWD SHOUT

0:26:440:26:47

Go on, go on, go on, go on! Go on!

0:26:590:27:02

Oh, lost again!

0:27:060:27:08

# I can see a secret rendezvous

0:27:180:27:25

# A table set for two

0:27:250:27:30

# With candlelight and wine

0:27:300:27:35

# There we'll share an old Familiar tune

0:27:360:27:44

# A strain of Clair de Lune

0:27:440:27:49

# With candlelight and wine... #

0:27:490:27:53

-Good evening, sir. Table?

-Looking for Mr... There he is.

0:27:530:27:57

-Hello, boss.

-It's 7.35. Where have you been?

0:27:590:28:02

What a day, what a day, I'm starved!

0:28:020:28:05

Lobster thermidor, rack of lamb,

0:28:050:28:08

Boeuf Stroganoff. I'll have one of each. Waiter!

0:28:080:28:11

Goldie, what about Louisa's maid?

0:28:110:28:13

Oh, that dame, she led me a dog's life today.

0:28:130:28:16

I followed her like you told me. She goes out to that flea circus they call the dog races.

0:28:160:28:20

-What happened?

-What could happen? I lost 20 bucks. Boss, what's Boeuf Stroganoff?

0:28:200:28:25

Goldie, please, what about Helen?

0:28:250:28:27

She met some guy out there that owned one of the racing dogs. The pup lost. They talked about it.

0:28:270:28:32

I got close enough to hear. Then they went to a parked trailer. It was getting late so I came here.

0:28:320:28:38

Racing dogs and industrial diamonds.

0:28:380:28:41

A strange combination. What could they have to do with each other?

0:28:410:28:44

I dunno, but I know what I'm gonna do with that lobster thermidor...

0:28:440:28:48

-Goldie, I'm sorry, but you'll have to wait for dinner.

-Oh, boss!

0:28:480:28:52

-It's time we were at Denison's. Come on. Let's go.

-Oh-h!

0:28:520:28:56

Lobster thermidor!

0:29:050:29:06

-Now, remember, if I'm not out in 15 minutes, break in. I'll be needing help.

-OK, boss.

0:29:150:29:21

DOORBELL RINGS

0:29:330:29:35

-Mr Denison?

-Yes.

0:29:390:29:41

-I'm Tom Lawrence.

-Oh, yes, of course.

0:29:410:29:44

Come in, please. I've been expecting you.

0:29:440:29:48

Louisa wired me.

0:29:480:29:50

You...you have it?

0:29:500:29:54

-Yes.

-Mmm. Enrico's death,

0:29:540:29:57

-it was dreadful news to me.

-I understand you were able to interest capital in marketing this formula.

0:29:570:30:02

Yes, yes, it was my friend Enrico's dream to exploit his discovery.

0:30:020:30:09

I did all I could to further it.

0:30:090:30:12

You...you'll excuse me if I seat myself. I...

0:30:120:30:17

-I'm not a well man, Mr Lawrence.

-I understand, and I'm sure we'll be able to finish this very quickly.

0:30:170:30:23

But I... Yes, of course.

0:30:230:30:26

Do...?

0:30:270:30:29

Do you have a cigarette, Mr Lawrence?

0:30:290:30:32

Cer...

0:30:320:30:34

Certainly.

0:30:340:30:36

-I hope you like the brand.

-I'm sure I shall. Thank you.

0:30:380:30:42

You're most understanding of an old man's idiosyncrasies, Mr Lawrence.

0:30:420:30:45

Some people might dismiss the vagaries of age as hypochondria, but you can see deeper.

0:30:450:30:51

Light?

0:30:510:30:54

Excellent, excellent, Mr Lawrence.

0:30:570:30:59

They're quite soothing to a nervous man.

0:30:590:31:02

I'd better be going. I'm stopping at the Miami Palms Hotel.

0:31:020:31:05

-If you drop by, I'll give you the formula.

-It was my impression that you'd brought it with you.

0:31:050:31:10

I couldn't take that chance. I had to be sure you were the right man.

0:31:100:31:14

Commendable caution, Mr Lawrence, but inconvenient.

0:31:140:31:18

However, you leave me no recourse, but to do as you request.

0:31:180:31:21

I'll be expecting you.

0:31:230:31:24

Me too?

0:31:240:31:27

-Something new has been added.

-Mr Lawrence, these men have been threatening me all evening.

0:31:270:31:32

Take it easy. He likes to use that rod.

0:31:320:31:34

-Slugging helpless men seems to be your specialty.

-He had it coming!

0:31:340:31:38

-I knew he'd tipped you off with that cigarette gag. I knew he didn't smoke.

-Brilliant.

0:31:380:31:43

-Give me the formula.

-You're off the beam, my friend.

-You'd better hand it over.

0:31:430:31:47

You heard me tell Denison I had it back at the hotel.

0:31:470:31:50

Sure we heard you tell him that AFTER you gave him the tip-off.

0:31:500:31:54

Frisk him, Benny.

0:31:540:31:56

Get 'em up!

0:31:560:31:57

Don't shoot. Don't shoot, Mike.

0:31:570:32:00

-Stay where you are!

-No further, Mr Lawrence.

0:32:000:32:02

Keep him covered, Benny. This mug has got to be taught a lesson he won't forget in a hurry.

0:32:040:32:08

That's enough.

0:32:100:32:13

He wasn't kidding.

0:32:170:32:18

-The formula's not on him.

-Mike!

-What?

-The old guy's dead.

0:32:180:32:23

You're crazy! That little slap I gave him...

0:32:240:32:27

-He had a bad heart.

-I'm getting out of here.

0:32:270:32:29

-Wait.

-What are you doing?

-Putting in a call to the police.

-Have you gone daffy?

0:32:290:32:34

Let 'em find these two together. Lawrence will need plenty of time to explain the set-up.

0:32:340:32:39

He'll be too busy to bother with us. He'll keep the cops busy too, which will be right for us.

0:32:390:32:44

Well, he won't need this where he's going.

0:32:440:32:48

Police headquarters? Let me talk to the homicide bureau. I want to report a murder.

0:32:480:32:52

Boss! Maybe 15 minutes was too long.

0:33:170:33:21

Looks like it.

0:33:210:33:22

Is this the guy you came to see?

0:33:250:33:27

Was.

0:33:270:33:29

-SIRENS BLARE

-Cops. Are they coming here?

-We can't afford to take the chance.

0:33:290:33:33

Let's get out of here.

0:33:330:33:35

-What's it look like to you, boss?

-Looks like we've moved.

-Guess you're right.

0:34:090:34:14

INTERCOM BUZZES

0:34:290:34:31

-Yes?

-'Inspector Cavanaugh and Lieutenant Duncan of the New York

0:34:310:34:35

-Police Department here to see you.'

-Cavanaugh and Duncan? Send them in.

0:34:350:34:39

-Glad to see you boys.

-How are you, Evans?

-Hi. Sit down.

0:34:400:34:43

Thanks.

0:34:430:34:45

So The Falcon and his sidekick are down here? They sure get around.

0:34:450:34:48

What's this about their being involved in another murder?

0:34:480:34:50

Lawrence's wallet was found beside the victim's body.

0:34:500:34:54

-Still no trace of him, eh?

-No, he slipped through our fingers.

0:34:540:34:56

-He's smart.

-He may be too smart for his own good. He'll trip himself up sometime.

0:34:560:35:01

-I wish I knew how.

-He has two soft spots - pretty women and nightclubs.

0:35:010:35:05

Is that so? Well, you can count on us.

0:35:050:35:07

-Where do we start?

-Nightclubs are no good without pretty women, so we'll start with the women.

0:35:070:35:11

One in particular. She came down on the same plane with us.

0:35:110:35:15

Her name is Louisa Braganza.

0:35:150:35:17

TELEPHONE RINGS

0:35:220:35:24

Hello. Yes...

0:35:260:35:29

Who?

0:35:290:35:31

Mr Lawrence. Where are you?

0:35:310:35:34

Still in Miami and the police are giving me a warm welcome.

0:35:340:35:37

Yes, I read about Mr Denison's death.

0:35:370:35:41

I'm so sorry you were involved,

0:35:410:35:43

-but the formula?

-I've still got it.

0:35:430:35:46

You'd better meet me in the Patio Club tonight at eight.

0:35:460:35:50

No, I'll be careful. I've had some dealings with the police before.

0:35:500:35:55

Yeah. All right.

0:35:550:35:58

Bye.

0:35:580:35:59

-What's next?

-You wait at the hotel room. I'm going to the dog track.

0:36:050:36:10

Dog track? Boss, don't bet on them beetles, they ain't got no respect for a guy's bankroll.

0:36:100:36:15

The only lead we've got it Helen and that man she talked to.

0:36:150:36:19

I might be able to find out a few things. Where was that trailer?

0:36:190:36:22

-It's the green one parked right by the track entrance. You can't miss it.

-Good. See you back at the hotel.

0:36:220:36:27

DOOR BUZZES

0:36:290:36:31

Miss Braganza?

0:36:380:36:40

-Yes.

-I'm Kenneth Sutton.

0:36:400:36:43

Oh, yes, Mr Denison's friend.

0:36:430:36:45

Please come in.

0:36:450:36:47

Sit down, won't you?

0:36:490:36:51

I read of your arrival, Miss Braganza, and I was hoping to meet your uncle.

0:36:510:36:56

His death must have been a great shock to you.

0:36:560:36:59

-You have my deepest sympathy.

-You didn't know my uncle?

0:36:590:37:02

Only through Mr Denison who interested me in the idea of financing your uncle's formula.

0:37:020:37:07

Are you interested in the formula in spite of what's happened?

0:37:070:37:11

Certainly. I've been delaying my trip to Brazil because of it.

0:37:110:37:15

I called today to pay my respects. We can talk business in a few days.

0:37:150:37:19

How long do you propose to stay?

0:37:190:37:22

-I wish to return home to Brazil as soon as possible.

-Why not make the trip with me in my yacht?

0:37:220:37:27

-There's plenty of room.

-That would be wonderful.

-I'll be delighted to have you aboard.

0:37:270:37:32

I'm terribly curious about that formula. May I see it?

0:37:320:37:38

I'm sorry. I... I don't have it just now.

0:37:380:37:43

-I won't have until this evening.

-Oh.

0:37:430:37:46

I understand.

0:37:460:37:48

Your caution is very commendable.

0:37:480:37:51

Here's my telephone number. Will you call me?

0:37:510:37:54

-Yes. Tomorrow probably.

-Thank you.

0:37:540:37:57

-Goodbye, Miss Braganza.

-Goodbye, Mr Sutton.

0:37:570:38:00

# ..Blonde hair

0:38:050:38:07

# I dream of Jeanie with the light blonde hair... #

0:38:070:38:11

-Light brown hair, senor.

-You sing it your way. I'll sing it mine.

0:38:110:38:15

-Where did you come from?

-Behind the door.

0:38:190:38:22

It's amazing what you find behind doors.

0:38:230:38:26

-Where's the formula?

-We haven't got all day.

0:38:260:38:30

Ain't you Louisa Braganza's maid?

0:38:300:38:32

Look, I'm not going to waste time. Give me the formula or I call the police.

0:38:320:38:37

Police? You ain't got all your marbles. You're holding me up.

0:38:370:38:41

-The police might be interested in knowing where you and The Falcon are hiding.

-Call them.

-Wait.

0:38:410:38:46

-I ain't got it.

-Then Senor The Falcon has.

0:38:460:38:51

-The dame's got it - Miss Braganza.

-You're lying.

0:38:510:38:54

Look, I've got an honest face, ain't I?

0:38:540:38:57

The best that can be said for it is it's a face.

0:38:570:39:00

-I know it must be here.

-< Don't let me spoil your party.

0:39:000:39:04

-Boy, am I glad to see you.

-That's The Falcon.

0:39:040:39:07

You better give that to Goldie. I think you're right.

0:39:070:39:13

-They're after the formula, boss.

-You picked the wrong place.

0:39:130:39:16

-What are you going to do with us?

-I'd like an explanation. Who is this man?

0:39:160:39:21

-This is Paolo, my husband.

-The guy she met at the dog track.

0:39:210:39:25

Very pleased to meet you, senor. Pleased to meet you.

0:39:250:39:28

-Should we tell him?

-Tell him nothing!

0:39:280:39:31

Perhaps you'll talk to the police.

0:39:310:39:33

You're not kidding me. You won't go near the police.

0:39:340:39:38

Not while they want me for murder. After I've turned you two in, they won't want me.

0:39:380:39:44

-What are you saying?

-Are you accusing me of murder?

0:39:440:39:47

Why not?

0:39:470:39:50

You were in a better spot than anyone else -

0:39:500:39:54

working for Braganza, knowing about the formula.

0:39:540:39:57

-I even saw you hanging around the Denison place.

-I didn't kill anyone.

0:39:570:40:01

You must tell him about the trouble.

0:40:010:40:04

All right.

0:40:040:40:06

I did know about the formula.

0:40:060:40:09

-My husband lost our money at the dog track.

-So you got to Denison before anyone else?

0:40:090:40:14

-One good way to get a lot of money.

-One good way to get a bullet in the head.

0:40:140:40:19

You're against murderous competition. You might have got killed.

0:40:190:40:23

Killed? That is not very healthy.

0:40:230:40:26

I agree. > I told you we shouldn't do this!

0:40:260:40:29

If you take my advice, you'll get as far away from here as possible.

0:40:290:40:33

I still don't know what we're going to do.

0:40:330:40:37

We still need money.

0:40:370:40:39

Lots of people need money.

0:40:390:40:42

The dog racing starts in Havana next week.

0:40:420:40:45

If I stake you, will you pull out of Miami?

0:40:450:40:49

Si, si. Anything Senor Falcon.

0:40:490:40:52

You are most gracious. I thank you. My wife thanks you and my dog.

0:40:520:40:56

How can a dog thank you?!

0:40:560:40:59

RELAXED MUSIC PLAYS

0:41:000:41:03

She makes the right kind of bait to catch a Falcon with.

0:41:110:41:16

Gentlemen, I have a table for you.

0:41:170:41:20

Hey, boss, look!

0:41:290:41:31

Inspector Cavanaugh.

0:41:310:41:34

-How'd they get here?

-Trailed us.

0:41:340:41:36

-I doubt it. They probably trailed Louisa.

-We'd better scram.

0:41:360:41:40

You wait outside, I'll take care of it.

0:41:400:41:43

Cavanaugh, telephone for you.

0:41:480:41:50

-Cavanaugh speaking.

-Hello, Inspector, this is homicide.

0:41:530:41:58

We picked up The Falcon. He's over here now.

0:41:580:42:01

Good. Be right over.

0:42:010:42:04

Yeah.

0:42:040:42:05

We got The Falcon at HQ. Come on.

0:42:050:42:08

-The cheque, sir.

-Oh, yeah. Keep the change.

0:42:110:42:16

Taxi!

0:42:210:42:23

Police headquarters.

0:42:260:42:28

I can't help wondering how they caught The Falcon.

0:42:350:42:38

-Did they say whether they'd nabbed that fat-headed ape that trails along with him.

-No.

0:42:380:42:43

That Goldie character slays me. I've seen monkeys with more brains.

0:42:430:42:48

'Calling cars 27, 36 and 41.

0:42:500:42:54

'Calling cars 27, 36 and 41.

0:42:540:42:57

'Pick up stolen taxi cab.'

0:42:570:42:59

-Driver, what's the matter?

-Can you drive, Bud?

-No.

-It's about time you learned.

0:43:020:43:07

Look, Tom Lawrence with Louisa.

0:43:190:43:21

Wait in the car. He mustn't see you.

0:43:220:43:25

Perhaps all this trouble will end when I've disposed of the formula.

0:43:250:43:30

May I have it now?

0:43:300:43:32

I really shouldn't give it to you, it'd be dangerous.

0:43:320:43:36

Perhaps, but I must have it.

0:43:360:43:38

But you'd be inviting more violence. Your uncle was killed. Denison's dead.

0:43:380:43:44

-Do you need any more proof?

-Your concern's flattering, but I insist.

0:43:440:43:48

All right. It's your formula, but we're both making a mistake.

0:43:480:43:54

-Friend of yours?

-Yes, Mr Sutton.

0:43:580:44:01

The man Mr Denison was negotiating with

0:44:010:44:05

about financing the formula.

0:44:050:44:07

Oh.

0:44:070:44:09

Goodbye, Mr Lawrence. Thanks again for everything you've done.

0:44:090:44:13

Goodbye. Good luck.

0:44:130:44:16

Miss Braganza, this is fortunate. I've been trying to reach you.

0:44:280:44:32

Some urgent business matters have come up and I have to leave early.

0:44:320:44:36

-Could you be ready to sail tonight?

-Tonight?

-Yes.

0:44:360:44:39

I think so. I'm anxious to get home as soon as possible.

0:44:390:44:43

Good, my car will call for you in about an hour.

0:44:430:44:47

-Miss Blanding, this is Miss Braganza.

-How do you do?

0:44:550:44:59

Doris Blanding.

0:45:120:45:14

Good night. Thanks for a pleasant evening.

0:45:320:45:35

-<

-Going somewhere?

0:45:380:45:41

Well, if it isn't my strong-arm friend.

0:45:420:45:45

Never mind the cracks.

0:45:450:45:48

Let's go.

0:45:520:45:54

-Where to?

-You'll find out.

0:45:560:45:59

Get out.

0:46:190:46:21

Tell me, who's in the back of this? Who hired you?

0:46:210:46:24

Wouldn't do you any good if I told you. Come on, get out.

0:46:240:46:29

CAR ENGINE STARTS

0:47:100:47:13

JAZZ MUSIC PLAYS

0:47:330:47:36

-Could I have my hat, please?

-Your cheque, please.

-I haven't got it. It's that grey one.

0:47:410:47:46

All right.

0:47:460:47:48

Hey, boss!

0:48:010:48:02

-Where you been? You look like you had a brush with the cops.

-I'll explain later.

0:48:060:48:10

Louisa's in danger. You wait here.

0:48:100:48:13

-How.

-Hello.

0:48:220:48:24

-You talk like an American. What are you digging for?

-Turtle eggs.

0:48:240:48:28

Turtles come in shells.

0:48:280:48:31

The turtle that laid this should have been told not to sit so heavy.

0:48:330:48:39

-Do you sell these?

-No, I work at the Indian village. I'm Jimmy.

0:48:390:48:43

-What do you do?

-Wrestle alligators.

0:48:430:48:45

An alligator don't know a half-nelson from a toe hold!

0:48:450:48:50

Are you sure she checked out?

0:48:500:48:52

Did she leave a forwarding address?

0:48:540:48:56

Oh, I see. Thank you.

0:48:580:49:00

I've seen lady stevedores, boxing kangaroos and dancing bears,

0:49:050:49:09

but I've never seen a wrestling alligator.

0:49:090:49:12

-We're in a fine fix now.

-Worse than what it was?

-Louisa checked out and didn't leave a forwarding address.

0:49:120:49:18

-And left us holding the bag for two murder wraps.

-We've got to find out where Sutton's taking her.

-How?

0:49:180:49:23

-I don't know.

-Hey! Here's my business card.

0:49:230:49:27

Come watch me work some time.

0:49:270:49:29

Watch him work! Fine work wrestling alligators.

0:49:290:49:32

-Wrestling...

-Yeah, guess he ain't got all his marbles.

0:49:320:49:36

Let me see that card.

0:49:360:49:39

-I can't understand Sutton wanting to meet us here.

-That's what the telegram says. Come on.

0:49:480:49:53

-Ooh, alligators. I can't stand the slimy things.

-Me neither.

0:49:530:49:58

-Are you Miss Blanding?

-Who are you?

-Mr Sutton says you're to follow me.

0:49:580:50:02

Get ready, Goldie.

0:50:020:50:05

Now I know how Jonah felt, only he had a bigger apartment.

0:50:120:50:16

Hurry up, Goldie.

0:50:160:50:17

One more thing. What am I? A boy alligator or girl alligator.

0:50:170:50:22

-Goldie!

-It makes a difference, even to an alligator.

0:50:220:50:26

Mr Sutton?

0:50:370:50:40

Mr Sutton?

0:50:400:50:41

Won't I do?

0:50:410:50:43

Tom Lawrence.

0:50:430:50:46

I thought you might like to see me again. Last time, you left so suddenly, I didn't say goodbye.

0:50:460:50:51

What do you want with us? Some information.

0:50:510:50:54

Let's go.

0:50:540:50:56

Uh-uh. Not so fast.

0:50:560:50:59

-ROARING

-What's that?

0:51:000:51:04

Alligators. They spend the night in there.

0:51:040:51:07

Nice playmates if you don't get too close. Take a look.

0:51:070:51:11

I get sick looking at them.

0:51:110:51:13

They'd love to see you. Come on. Get in there.

0:51:130:51:17

ROARING Aagh!

0:51:250:51:28

< I wouldn't do that, Benny.

0:51:280:51:31

-You've got no right to hold us.

-Then start talking.

0:51:310:51:34

Just keep that away from me and Doris.

0:51:340:51:37

All right, what's your connection with Sutton and who is he?

0:51:370:51:41

He's head of a diamond organisation.

0:51:410:51:43

He was afraid Braganza's formula would put him out of business.

0:51:430:51:47

-So he tried to get rid of the formula and everybody connected with it.

-Yeah.

0:51:470:51:51

-What's he done with Miss Braganza?

-She's on his yacht, the Sea Star, at the city dock. It sails tonight.

0:51:510:51:58

Oh, I get it. After you sail, a dark night, a convenient accident and Louisa's out of the way.

0:51:580:52:04

Yeah, but...

0:52:040:52:06

Boss, this head is leaking, help me!

0:52:060:52:09

It's a frame-up. That's a phoney cre...

0:52:090:52:13

Nice work. You nearly spoilt the act.

0:52:150:52:18

-Get in there and tie up Doris while I take care of Benny.

-If you tell my friends, I'll...

0:52:180:52:24

If we don't save Louisa, you won't have any.

0:52:240:52:26

-Jimmy, call the police, tell them The Falcon will be on the Sea Star, city dock.

-Yes, sir.

-Come on.

0:52:280:52:34

Let's take Benny's car, it's faster.

0:52:340:52:37

-Geary.

->

0:52:540:52:56

-Did you locate them?

-They left Doris's apartment a few hours ago.

0:52:580:53:02

They should have been here. I want to clear up this Braganza business.

0:53:020:53:07

I hope Jimmy makes that call.

0:53:240:53:26

What if he don't? If I get to be an old man, it'll be a miracle.

0:53:260:53:31

KNOCK ON DOOR

0:53:320:53:35

-Yes?

-Just came by to see that you were comfortable.

0:53:350:53:39

I am, thank you. It's a beautiful cabin.

0:53:410:53:44

-I'm looking forward to the trip.

-You've been under a great strain. You'll find the sea air relaxing.

0:53:440:53:50

I'm sure of it.

0:53:500:53:53

I think you should put all your worries out of your mind for a few days.

0:53:530:53:58

-You're very considerate.

-Thank you. I'll see you on deck shortly.

0:53:580:54:02

Oh, dear, I knew I'd forget something.

0:54:020:54:05

Would it inconvenience you if I went back on shore?

0:54:050:54:10

-On shore?

-Yes, it'll only take about 15 minutes.

0:54:100:54:15

It's very important.

0:54:150:54:17

I'm sorry, Miss Braganza, I can't permit you to leave.

0:54:170:54:22

You can't permit me?

0:54:220:54:25

I'm restricting you to your cabin.

0:54:250:54:28

Mr Sutton, I don't understand.

0:54:280:54:32

I didn't intend to bring this up yet, but your anxiety to go to shore is a little too obvious.

0:54:320:54:38

I want that formula and I want it now.

0:54:380:54:42

I haven't got it.

0:54:440:54:46

Oh... I see.

0:54:470:54:50

Geary?

0:54:530:54:54

If you haven't got it, I'm sure you won't mind my looking through your cabin.

0:54:560:55:00

-Call me, Mr Sutton?

-Yes. Watch Miss Braganza.

0:55:000:55:03

I wish we could get some more speed out of this.

0:55:090:55:13

Do you want me to get out and push?

0:55:130:55:15

I think we can persuade Miss Braganza to tell us where the formula is once we're at sea.

0:55:200:55:25

-What about Benny and Doris?

-We've waited long enough.

0:55:250:55:29

-If the formula's not in the cabin, it must be on you.

-No.

0:55:330:55:37

You've one minute to give it to me, otherwise I shall be forced to take it from you.

0:55:370:55:41

By the same method you used on my uncle and Mr Denison?

0:55:410:55:45

If necessary.

0:55:450:55:47

TYRES SCREECH

0:55:520:55:55

Batten down the hatch! Take in the lines!

0:56:030:56:08

Make fast everything on deck.

0:56:100:56:13

-They're shoving off.

-We've got to stop them.

-Let's wait for the cops.

0:56:130:56:18

We haven't got time. Let's go.

0:56:180:56:20

Watch your rudder!

0:56:240:56:27

-It's The Falcon, he's coming aboard.

-Falcon?

0:56:390:56:42

I think you'll want this man.

0:58:030:58:05

Louisa, where are you?

0:58:080:58:10

-Oh, Tom.

-We had a little excitement up there.

0:58:150:58:18

I am sorry, I did make a mistake.

0:58:180:58:21

Is um...this a mistake?

0:58:210:58:24

-You've got a lot of explaining to do.

-Sutton's going to do most of the talking.

0:58:240:58:29

-Boss...

-Goldie, you're all wet.

-You'd be too if you got knocked into the ocean.

0:58:290:58:34

Hey, boss, look a finny denizen!

0:58:380:58:41

You should have seen the one that got away!

0:58:420:58:45

Subtitles by BBC Broadcast - 2005

0:58:520:58:56

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0:58:560:58:59

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