
Browse content similar to The Falcon's Adventure. Check below for episodes and series from the same categories and more!
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"And then the lodge itself, set deep in the forest primeval. | 0:01:03 | 0:01:07 | |
"Here the guest may contemplate the beauties of azure-blue Lake Sunome, | 0:01:07 | 0:01:12 | |
"where finny denizens abound, a veritable paradise for the pisc..." | 0:01:12 | 0:01:18 | |
Piscatorialist? | 0:01:18 | 0:01:19 | |
-What is it, a disease? -That, Goldie, is a fisherman. | 0:01:19 | 0:01:23 | |
No kidding? I've been one all the time and never knew it. | 0:01:23 | 0:01:27 | |
Gee, boss, as long as we're going to be pisca...torialists, | 0:01:27 | 0:01:31 | |
couldn't we be in the Adirondacks? | 0:01:31 | 0:01:34 | |
You've never seen azure water until you've cast a line off Bermuda. | 0:01:34 | 0:01:38 | |
So clear, you could drink it. | 0:01:38 | 0:01:40 | |
Ah, who's thirsty? We never go where I wanna go. | 0:01:40 | 0:01:43 | |
Do I really seem so selfish? All right, we'll go to the Adirondacks. | 0:01:43 | 0:01:47 | |
You might think of where I wanna go once in a... Boss! | 0:01:47 | 0:01:50 | |
Did you say...? Ow! | 0:01:50 | 0:01:52 | |
I did not say "Ow!" I said "Adirondacks". | 0:01:52 | 0:01:55 | |
Boss, I'll never forget this. It'll be wonderful - just the two of us. | 0:01:55 | 0:01:59 | |
It'll be a blow to the fair sex but we'll keep strictly to ourselves. | 0:01:59 | 0:02:02 | |
-No dames. -No dames. | 0:02:02 | 0:02:04 | |
-Shake on it? No women? -Shake on it. No women. | 0:02:04 | 0:02:07 | |
BUZZER That's the bellboy. | 0:02:07 | 0:02:09 | |
Just on time, son. I'll give you a hand with the stuff. | 0:02:10 | 0:02:13 | |
You know, Goldie, | 0:02:13 | 0:02:15 | |
I believe you're right. | 0:02:15 | 0:02:17 | |
I guess this is a man's world. | 0:02:17 | 0:02:19 | |
The less you have to do with women, the less trouble you get into. | 0:02:19 | 0:02:23 | |
Sure is hard to believe that you're going to turn over a new leaf, boss. | 0:02:23 | 0:02:27 | |
-Horrible thought, isn't it? Let me give you a hand. -Oh, I can handle it. | 0:02:27 | 0:02:31 | |
Put that under my arm, will you? | 0:02:31 | 0:02:33 | |
Oh, I beg your pardon. | 0:02:41 | 0:02:43 | |
I'm so terribly sorry. | 0:02:43 | 0:02:45 | |
That's all right. The pleasure's all mine. | 0:02:45 | 0:02:48 | |
Boss, if I may be so bold as to mention it, remember - no dames. | 0:02:51 | 0:02:56 | |
I was just window-shopping. | 0:02:56 | 0:02:59 | |
Would you call a cab for me, please? | 0:03:02 | 0:03:04 | |
-I want to go to the National Travel Agency. -Yes, miss. | 0:03:04 | 0:03:08 | |
We'd be delighted to give you a lift. | 0:03:08 | 0:03:11 | |
No, thank you. A cab will be fine. | 0:03:11 | 0:03:13 | |
That's the dame now. | 0:03:13 | 0:03:16 | |
-Sounds like the lady's going to travel. -We won't wait to find out. | 0:03:20 | 0:03:24 | |
Boy, oh, boy! | 0:03:39 | 0:03:41 | |
What a day to be starting a vacation! | 0:03:41 | 0:03:44 | |
The birds is flying, the flowers is smelling, the bees is...is... | 0:03:44 | 0:03:48 | |
What would the bees be doing? | 0:03:48 | 0:03:50 | |
Picking up some honey, I guess. | 0:03:50 | 0:03:52 | |
"Picking up some honey"! Can't you ever get dames off your mind? | 0:03:52 | 0:03:55 | |
-Oh, driver? -Yeah? -Shouldn't we be at the travel agency by now? | 0:03:59 | 0:04:05 | |
Take it easy, lady. You'll get there. | 0:04:05 | 0:04:07 | |
But don't they have an office right in town? | 0:04:07 | 0:04:10 | |
Look, lady, keep your mouth shut and you won't get hurt. | 0:04:10 | 0:04:13 | |
"Get hurt"? | 0:04:13 | 0:04:15 | |
Where are you taking me? | 0:04:15 | 0:04:17 | |
Let me out of here! Stop this cab! | 0:04:17 | 0:04:19 | |
Shut up! | 0:04:19 | 0:04:21 | |
Say, boss, I meant to ask you before - what is a "finny denizen"? | 0:04:21 | 0:04:24 | |
-A finny denizen, Goldie, is an ordinary fish. -A fish?! | 0:04:24 | 0:04:28 | |
Well, you live and learn! | 0:04:28 | 0:04:29 | |
Help! | 0:04:34 | 0:04:36 | |
-Isn't that the girl from the hotel? -What difference does it make? | 0:04:37 | 0:04:42 | |
She's in a jam. | 0:04:42 | 0:04:43 | |
No, she's ain't. She's in a cab. We're on a vacation, remember? | 0:04:43 | 0:04:47 | |
I'm gonna catch that cab. | 0:04:47 | 0:04:49 | |
Hey, Inspector, look. That cab is certainly travelling. | 0:05:02 | 0:05:06 | |
Step on it, Joe. Let's see what this is all about. | 0:05:06 | 0:05:08 | |
-Holy smoke! A police car! -Can't stop now. | 0:05:13 | 0:05:16 | |
Blow-out. | 0:05:18 | 0:05:20 | |
-Hey, Inspector, look. -Come on! | 0:05:26 | 0:05:28 | |
-Please help me! -I'm going to get that driver! -Let the cops handle it. | 0:05:30 | 0:05:35 | |
-Police?! -It's Inspector Cavanaugh. | 0:05:35 | 0:05:37 | |
-I don't want to talk to the police. -Why? -I'll explain later. Get me out of here, please! | 0:05:37 | 0:05:43 | |
All right. We'll get you to your hotel, but we'll have to hurry. | 0:05:43 | 0:05:46 | |
-They've got the girl. -Looks like a kidnapping. | 0:05:46 | 0:05:49 | |
Hey, Inspector, here's something. The dame must have left it. | 0:05:58 | 0:06:01 | |
-Rent receipt - Bradshaw Hotel. -That's East 68th Street. -Room 414. | 0:06:07 | 0:06:11 | |
OK, boys, we've got a little call to make. | 0:06:11 | 0:06:15 | |
Oh, Louisa, my dear. | 0:06:22 | 0:06:23 | |
I was beginning to worry about you. | 0:06:23 | 0:06:25 | |
-Come in, please. -Thank you. | 0:06:25 | 0:06:27 | |
-Mr Lawrence, this is my uncle, Enrico Braganza. -How do you do? -Glad to know you. | 0:06:27 | 0:06:32 | |
-Please forgive me for keeping you standing. Won't you sit down? -> | 0:06:40 | 0:06:44 | |
-Thank you. -Mr Lawrence is quite famous, Uncle. | 0:06:44 | 0:06:48 | |
You might know him as The Falcon. | 0:06:48 | 0:06:49 | |
-Goldie's been talking too much. -The Falcon? | 0:06:49 | 0:06:52 | |
Indeed, your reputation is not unknown to us, even in Brazil, but we are doubly honoured. | 0:06:52 | 0:06:59 | |
-Thank you again. -Excuse me - I'll freshen up a bit. -Of course. | 0:06:59 | 0:07:03 | |
-Cigarette? -Thanks, no. | 0:07:04 | 0:07:06 | |
-Do you mind? -Not at all. | 0:07:06 | 0:07:08 | |
-Nice case you have there. -Yes. | 0:07:08 | 0:07:11 | |
Your niece tells me you're leaving for Miami tomorrow. | 0:07:11 | 0:07:14 | |
Yes, on business. | 0:07:14 | 0:07:15 | |
I'm sorry that such a pleasant friendship is likely to be so brief. | 0:07:15 | 0:07:19 | |
I share your disappointment, Mr Lawrence. | 0:07:19 | 0:07:22 | |
-But many reasons compel us to leave. -Might one of them have caused Miss Braganza to be kidnapped? | 0:07:22 | 0:07:27 | |
Kidnapped?! | 0:07:27 | 0:07:29 | |
I thought you should know. It'll keep you on your guard. | 0:07:29 | 0:07:33 | |
This is most alarming. I don't know what to say. | 0:07:33 | 0:07:37 | |
Just what did happen? | 0:07:37 | 0:07:39 | |
Your niece was being kidnapped by a cab driver. | 0:07:39 | 0:07:41 | |
I gave chase and ran him down. Unfortunately he escaped. | 0:07:41 | 0:07:45 | |
Then word has leaked out. | 0:07:45 | 0:07:49 | |
-They're after my formula. -Your formula? | 0:07:49 | 0:07:52 | |
Yes, I have perfected a formula for the manufacture of industrial diamonds. Extremely valuable. | 0:07:52 | 0:07:59 | |
Those diamonds are used for the most delicate precision tooling - glass cutting and so many things. | 0:07:59 | 0:08:06 | |
-Who do you think would be interested in getting hold of your formula? -Several syndicates. -I see. | 0:08:06 | 0:08:12 | |
May I ask what business is taking you to Miami? | 0:08:12 | 0:08:15 | |
I am to meet Professor Denison, an old colleague of mine. | 0:08:15 | 0:08:19 | |
He has come up from Brazil with information about financial backing. | 0:08:19 | 0:08:23 | |
DOOR OPENS | 0:08:23 | 0:08:25 | |
I must go down to the desk to see about our plane reservations. | 0:08:25 | 0:08:29 | |
-Will you excuse me? -I'll go with you. Goodbye, Mr Braganza. | 0:08:29 | 0:08:34 | |
-Goodbye, Mr Lawrence. We're very grateful to you. -Not at all. | 0:08:34 | 0:08:37 | |
I hope my reservations are ready. | 0:09:27 | 0:09:29 | |
-Did you lose something? -I've left my cigarette case behind. | 0:09:29 | 0:09:33 | |
Do you want me to send up for it? | 0:09:33 | 0:09:35 | |
Oh, no, I'll get it. I'll only be a minute. Excuse me. | 0:09:35 | 0:09:38 | |
-All right. I'll wait for you in the lobby. -Fine. | 0:09:38 | 0:09:41 | |
Mr Braganza? | 0:10:08 | 0:10:10 | |
And the mountain lodge itself, surrounded by azure-blue policemen, | 0:10:36 | 0:10:41 | |
and on a clear day, you can see Sing Sing(!) | 0:10:41 | 0:10:45 | |
It's The Falcon all right. | 0:10:57 | 0:10:59 | |
-Dead? -No, but he's in bad shape. | 0:11:05 | 0:11:08 | |
Call the doctor. | 0:11:08 | 0:11:09 | |
-What did you do with it? -Do with what? | 0:11:10 | 0:11:13 | |
-A blunt instrument will fill the bill or a gun butt. -You're insane! | 0:11:13 | 0:11:18 | |
Uggh. | 0:11:18 | 0:11:20 | |
I'm Inspector Cavanaugh. | 0:11:20 | 0:11:23 | |
The formula. | 0:11:23 | 0:11:24 | |
He was after it... | 0:11:24 | 0:11:28 | |
The Falcon. | 0:11:28 | 0:11:30 | |
The Falcon, yes, what...? | 0:11:30 | 0:11:32 | |
Denison...buy me...without delay. | 0:11:32 | 0:11:37 | |
I know, but The Falcon, what about him? | 0:11:37 | 0:11:40 | |
Louisa... | 0:11:40 | 0:11:41 | |
The Falcon. | 0:11:43 | 0:11:45 | |
Put a call into the coroner and the rest of the boys. | 0:11:49 | 0:11:52 | |
-Now listen, you two... -You've been skating on thin ice for a long time. | 0:11:52 | 0:11:56 | |
I knew it would break under you someday. | 0:11:56 | 0:11:59 | |
But look, I found him like that. | 0:11:59 | 0:12:01 | |
I forgot my cigarette case and came back... | 0:12:01 | 0:12:04 | |
-So, you were here before? -Sure! I brought his niece home. | 0:12:04 | 0:12:07 | |
What was the formula he was mumbling about? | 0:12:07 | 0:12:10 | |
-He told me he had a substitute for industrial diamonds. -Diamonds? | 0:12:10 | 0:12:14 | |
I could see how that would appeal. | 0:12:14 | 0:12:16 | |
Nice dreaming, but if you talk to the man's niece... | 0:12:16 | 0:12:20 | |
-We're going downtown. -The force will be laughing at you. | 0:12:20 | 0:12:23 | |
Too bad you won't be able to join in. Come on. | 0:12:23 | 0:12:26 | |
Stay here. Don't let anyone touch anything. | 0:12:26 | 0:12:29 | |
-Why, Tom, I... -Are you Miss Braganza? | 0:12:36 | 0:12:38 | |
-Why, yes? -Louisa, something's happened to your uncle. | 0:12:38 | 0:12:42 | |
-My uncle! -Where are you going? -Aren't you going to question her? | 0:12:42 | 0:12:47 | |
Yes, when I'm ready. Come on. | 0:12:47 | 0:12:49 | |
-Get in. -After you, Inspector. -Get in and stop your clowning. | 0:13:02 | 0:13:06 | |
There's nothing funny in your situation. | 0:13:06 | 0:13:09 | |
After him! | 0:13:13 | 0:13:15 | |
-Nice work, Goldie. -It's always up to me to get us out of trouble. -Well, now get us out of here. | 0:13:28 | 0:13:34 | |
-Where to, boss? -Hotel Bradshaw. -OK. | 0:13:41 | 0:13:45 | |
..Hotel Bradshaw?! We just came from there. | 0:13:45 | 0:13:47 | |
-That's why we're going back. It's the last place that bloodhound will look for us. -Say, that's smart of us! | 0:13:47 | 0:13:53 | |
-So we're back. Now what? -Louisa's uncle's been murdered. -Murdered?! | 0:13:59 | 0:14:03 | |
-The police think we did it. -Where do you get that "we" stuff? -I'll be right back. | 0:14:03 | 0:14:07 | |
On the coldest day, you can always enjoy the warmth of a nice, cosy electric chair(!) | 0:14:10 | 0:14:16 | |
Who are you? | 0:14:26 | 0:14:28 | |
None of your business! | 0:14:28 | 0:14:29 | |
Are you an employee of this hotel? | 0:14:29 | 0:14:31 | |
I'm the police. | 0:14:31 | 0:14:34 | |
-Police? What's happened? -I'm asking the questions. Who are you? | 0:14:34 | 0:14:38 | |
I'm Helen Rae, Miss Braganza's maid. | 0:14:38 | 0:14:41 | |
-Tom! -Hello. -Oh, I'm so glad to see you, but why the window? | 0:14:57 | 0:15:02 | |
Sshh! Duncan. | 0:15:02 | 0:15:03 | |
-The police think I did it. -You?! | 0:15:03 | 0:15:05 | |
Mm-hm. | 0:15:05 | 0:15:07 | |
Well, I don't know what to do. | 0:15:08 | 0:15:11 | |
I ought to go to Miami, but now I'll have to stay here, at least until... | 0:15:11 | 0:15:15 | |
Oh, it meant so much to my uncle to have his plans go through. | 0:15:15 | 0:15:19 | |
-How can I help? -That formula has to be in Mr Denison's hands by Wednesday night. -In Miami? -Yes. | 0:15:19 | 0:15:25 | |
-KNOCK AT DOOR -Just a minute. | 0:15:25 | 0:15:28 | |
-Oh, Helen! -Miss Braganza, I'm so sorry about what's happened. | 0:15:38 | 0:15:43 | |
Who could have done such a thing? | 0:15:43 | 0:15:45 | |
I don't know. | 0:15:45 | 0:15:47 | |
I'm sure the police will find out. | 0:15:47 | 0:15:49 | |
Could I get something for you? Some coffee, perhaps? | 0:15:51 | 0:15:55 | |
No, thank you, nothing. | 0:15:55 | 0:15:57 | |
Very well. | 0:15:57 | 0:15:59 | |
DOOR CLOSES | 0:16:01 | 0:16:03 | |
KNOCK AT DOOR | 0:16:07 | 0:16:09 | |
-Miss Braganza? -Yes. -We'd like you to come out and answer a few questions. | 0:16:09 | 0:16:13 | |
I'm not dressed. | 0:16:13 | 0:16:16 | |
-I'm changing my clothes. I'll be out as soon as I put something on. -OK. | 0:16:16 | 0:16:20 | |
-This is the formula. -What should I do with it? -Take it to Mr Denison. | 0:16:30 | 0:16:35 | |
His address is on the outside. | 0:16:35 | 0:16:37 | |
You'll know him when you see him. He's old and gentle-looking and rather sickly. | 0:16:37 | 0:16:42 | |
We're waiting for you. | 0:16:42 | 0:16:44 | |
-I'll be right out. -Is there any other way I can recognise him? | 0:16:44 | 0:16:48 | |
-Just that he doesn't smoke. He has a very bad heart. -Good enough. | 0:16:48 | 0:16:54 | |
Miss Braganza, you're keeping the law waiting. | 0:16:54 | 0:16:56 | |
Just a moment. | 0:16:56 | 0:16:58 | |
-I wish I could tell you how grateful I am, and how... -Save it for Miami. | 0:17:00 | 0:17:04 | |
-I thought you were changing your clothes. -Oh, er... | 0:17:14 | 0:17:17 | |
I changed my mind. It would have taken too long. | 0:17:17 | 0:17:20 | |
That's a dame for you. Comes in to change her clothes and changes her mind. Hm! | 0:17:20 | 0:17:25 | |
-Yes, sir? -Bourbon and water, please. -Make mine a double double. | 0:17:29 | 0:17:33 | |
-Yeah, they're both for me. -Yes, sir. -This is a fine state of affairs. | 0:17:33 | 0:17:37 | |
I want to go to the Adirondacks, you want to go to Bermuda, we get Miami. | 0:17:37 | 0:17:41 | |
But Miami's a wonderful place, Goldie. Listen. | 0:17:41 | 0:17:43 | |
"See beautiful Biscayne Bay, thrill to the horse races at Tropical Park, | 0:17:43 | 0:17:47 | |
sit entranced beneath tropic skies while listening to concerts | 0:17:47 | 0:17:51 | |
at the Municipal Amphitheater in breeze-swept Bayfront Park." | 0:17:51 | 0:17:55 | |
-I ain't going to no breeze-swept concert. -Will you stop pestering me? | 0:17:55 | 0:17:59 | |
That isn't what you said when I paid your dinner cheque. | 0:17:59 | 0:18:03 | |
I didn't ask you to, you insisted. | 0:18:03 | 0:18:05 | |
-If you'll allow me... -Forget it. | 0:18:05 | 0:18:07 | |
-How about a drink? -No, thanks. I don't care for you. | 0:18:07 | 0:18:11 | |
Look, sister, you're not brushing me off this way. Why don't you be nice? | 0:18:11 | 0:18:15 | |
-You're helping one dame. Ain't that enough trouble? -Let me go! | 0:18:15 | 0:18:19 | |
Boss, take it easy. | 0:18:19 | 0:18:21 | |
-If the guy wants to buy her a drink, let him. -Perhaps you're right. | 0:18:21 | 0:18:26 | |
-Your berth's ready now. -Thank you. -Yes, sir. | 0:18:32 | 0:18:35 | |
If you'd said this morning we'd be off to Florida, I'd have laughed. | 0:18:35 | 0:18:39 | |
-It's the unexpected things in life that give it spice. -Yeah? | 0:18:39 | 0:18:43 | |
This upper berth thing ain't gonna give me no spice. See what I mean? | 0:18:43 | 0:18:48 | |
How dare you come in here?! | 0:18:48 | 0:18:49 | |
-We're all alone here, baby. -Leave this compartment at once! | 0:18:49 | 0:18:53 | |
-Have a little drink. I've brought a bottle. -Swell train, ain't it? | 0:18:53 | 0:18:57 | |
Got any idea how many revolutions those wheels revolve in a minute? | 0:18:57 | 0:19:01 | |
-If you don't go, I'm calling the conductor. -Ain't I classy enough? | 0:19:01 | 0:19:05 | |
-Baby, I'm staying right here. -Oh, boss, please, on my bended knees. | 0:19:05 | 0:19:09 | |
-I'm standing because the joints are stiff. -She may be in trouble. -If she's in trouble, she'll scream. | 0:19:09 | 0:19:14 | |
SHE SCREAMS Goldie, you're a genius. | 0:19:14 | 0:19:18 | |
-What do you want? -Your departure and quickly. | 0:19:23 | 0:19:25 | |
He forced his way in. I asked him to leave. | 0:19:25 | 0:19:28 | |
-You heard the lady. -What business is it of yours? | 0:19:28 | 0:19:30 | |
-You're disturbing our sleep. -Nobody's talking to you, baldy. -Baldy?! | 0:19:30 | 0:19:35 | |
-You do want him to leave, don't you? -Please. -The lady said "please". | 0:19:37 | 0:19:41 | |
..Er, Goldie... | 0:19:41 | 0:19:44 | |
Hey, lay off! | 0:19:44 | 0:19:46 | |
..OK, OK, I'll go. | 0:19:46 | 0:19:48 | |
Wise guys, huh? | 0:19:48 | 0:19:51 | |
Stuff's hard to get these days. | 0:19:51 | 0:19:54 | |
Thank you. He was rather insistent. | 0:19:54 | 0:19:56 | |
-Oh, that's all right. -Come on, let's hit the hay. -Goodnight, Miss...? | 0:19:56 | 0:20:00 | |
-Blanding. Doris Blanding. -I'm Tom Lawrence and my friend's Goldie Lock. | 0:20:00 | 0:20:04 | |
-You've been very kind. -It's a habit with him, a good-looking dame... | 0:20:04 | 0:20:08 | |
-Bedtime, Goldie. -Oh, please, I wondered... -Yes? | 0:20:08 | 0:20:12 | |
-Would it be imposing too much to ask you to stay? -Emphatically not. | 0:20:12 | 0:20:16 | |
-Me too? -Yes. | 0:20:16 | 0:20:17 | |
-Wouldn't that be a bit crowded? -No, I'll sleep in your compartment. -Oh. | 0:20:17 | 0:20:21 | |
-That's the wackiest thing I ever heard. -You're afraid he'll return? | 0:20:21 | 0:20:26 | |
I am a little frightened. Perhaps that's silly. | 0:20:26 | 0:20:28 | |
By all means use our compartment. | 0:20:28 | 0:20:30 | |
-Get the pyjamas. -Anything for some sleep. -I'll see you to the room. | 0:20:30 | 0:20:34 | |
-I'm sure you won't have any trouble. -Thank you so much. Goodnight. | 0:20:38 | 0:20:42 | |
-Goodnight, Miss Blanding. -Thank you, Mr Lock. | 0:20:42 | 0:20:45 | |
The pleasure's mutual. | 0:20:45 | 0:20:47 | |
-Did you get it? -No, it wasn't in their luggage, I searched. | 0:21:05 | 0:21:09 | |
-That means they've got it with them. -They did take one bag. -You know what to do. | 0:21:09 | 0:21:13 | |
This stuff will keep them dead to the world for at least an hour. | 0:21:13 | 0:21:17 | |
-And, baby, we won't need half that much time. -Good luck. | 0:21:17 | 0:21:22 | |
-I wonder if you could help me, I've locked myself out. -Surely. | 0:21:56 | 0:22:00 | |
You're in Compartment C, aren't you? | 0:22:00 | 0:22:02 | |
That's right. | 0:22:02 | 0:22:04 | |
Thank you very much. | 0:22:08 | 0:22:10 | |
First call for breakfast! | 0:23:17 | 0:23:19 | |
Boy, I never slept better in my life. | 0:23:19 | 0:23:24 | |
Boss, you up? Huh? | 0:23:24 | 0:23:26 | |
-Boss! Boss! -What's all the shouting for? | 0:23:30 | 0:23:34 | |
-I didn't see you. -If you don't get dressed quickly, you're gonna miss breakfast. | 0:23:34 | 0:23:38 | |
Not me, brother. I'm starved. I'm going to have orange juice, eggs and hot cakes. And aspirin. | 0:23:38 | 0:23:44 | |
Aren't you in the wrong compartment? | 0:23:47 | 0:23:49 | |
-Oh, we exchanged compartments with Miss Blanding last night. -You did? | 0:23:49 | 0:23:54 | |
Funny, I opened this door when she locked herself out. | 0:23:54 | 0:23:57 | |
-When she locked herself out? -Yes. -Where is she? | 0:23:57 | 0:24:00 | |
She got off at Savanna. We pulled in there at 5.15am. | 0:24:00 | 0:24:03 | |
-Now we've lost her, you can give me that envelope I gave you last night. -Yes, sir. -Thanks a lot. | 0:24:03 | 0:24:09 | |
-Thank you, sir. -Say, what is this? I don't get it. | 0:24:09 | 0:24:13 | |
It's perfectly simple, Goldie. | 0:24:13 | 0:24:15 | |
-Miss Blanding wanted to exchange compartments, didn't she? -She did. | 0:24:15 | 0:24:19 | |
I had to ask myself why. She could just as easily have locked the door. | 0:24:19 | 0:24:23 | |
-Obviously she had something else in mind. -The formula? | 0:24:23 | 0:24:26 | |
Exactly. I thought I'd better take some precautions. | 0:24:26 | 0:24:29 | |
-The envelope under your pillow was a fake? -Mm-hm, and it's disappeared. | 0:24:29 | 0:24:34 | |
-Well, then we must have had a visitor. -Yes, the girl. | 0:24:34 | 0:24:37 | |
Ah, dames in trouble! | 0:24:37 | 0:24:40 | |
-How come we didn't hear? -You slept well, didn't you? | 0:24:40 | 0:24:42 | |
-Just like I was drugged. -It's my guess you were. | 0:24:42 | 0:24:45 | |
Whaddya know? | 0:24:45 | 0:24:47 | |
Murders, notorious dames, formulas, crooks. | 0:24:47 | 0:24:50 | |
If it keeps up like this, I'll wind up in a padded cell. | 0:24:50 | 0:24:54 | |
Beautiful Miami. We start off looking for fish and end up with oranges. | 0:25:12 | 0:25:17 | |
-We'll get plenty of fishing once we deliver that formula safely. -Can't we deliver it now? -No. | 0:25:17 | 0:25:22 | |
Mr Denison doesn't expect me till tonight. | 0:25:22 | 0:25:24 | |
Where are we going? Might be better if I know since I'm driving. | 0:25:24 | 0:25:27 | |
We're going to Denison's place, 24 Palm Drive. Won't hurt to look before we leap. | 0:25:27 | 0:25:32 | |
I wish you'd looked before you leapt at that Louisa dame. | 0:25:32 | 0:25:36 | |
We wouldn't be worrying about where we're gonna leap now. | 0:25:36 | 0:25:39 | |
There it is - 24. Keep going! Pull around the corner and stop. | 0:25:42 | 0:25:46 | |
-That's the idea. -See that woman? That's Louisa Braganza's maid. | 0:25:46 | 0:25:50 | |
-How did she get down here so quick? -Plane, I guess. | 0:25:50 | 0:25:53 | |
-Hey, boss, she's leaving. -Follow her. I want to look around a bit. | 0:26:00 | 0:26:04 | |
-Meet me for dinner at the Patio Club. -Patio Club, OK. | 0:26:04 | 0:26:08 | |
CROWD SHOUT | 0:26:44 | 0:26:47 | |
Go on, go on, go on, go on! Go on! | 0:26:59 | 0:27:02 | |
Oh, lost again! | 0:27:06 | 0:27:08 | |
# I can see a secret rendezvous | 0:27:18 | 0:27:25 | |
# A table set for two | 0:27:25 | 0:27:30 | |
# With candlelight and wine | 0:27:30 | 0:27:35 | |
# There we'll share an old Familiar tune | 0:27:36 | 0:27:44 | |
# A strain of Clair de Lune | 0:27:44 | 0:27:49 | |
# With candlelight and wine... # | 0:27:49 | 0:27:53 | |
-Good evening, sir. Table? -Looking for Mr... There he is. | 0:27:53 | 0:27:57 | |
-Hello, boss. -It's 7.35. Where have you been? | 0:27:59 | 0:28:02 | |
What a day, what a day, I'm starved! | 0:28:02 | 0:28:05 | |
Lobster thermidor, rack of lamb, | 0:28:05 | 0:28:08 | |
Boeuf Stroganoff. I'll have one of each. Waiter! | 0:28:08 | 0:28:11 | |
Goldie, what about Louisa's maid? | 0:28:11 | 0:28:13 | |
Oh, that dame, she led me a dog's life today. | 0:28:13 | 0:28:16 | |
I followed her like you told me. She goes out to that flea circus they call the dog races. | 0:28:16 | 0:28:20 | |
-What happened? -What could happen? I lost 20 bucks. Boss, what's Boeuf Stroganoff? | 0:28:20 | 0:28:25 | |
Goldie, please, what about Helen? | 0:28:25 | 0:28:27 | |
She met some guy out there that owned one of the racing dogs. The pup lost. They talked about it. | 0:28:27 | 0:28:32 | |
I got close enough to hear. Then they went to a parked trailer. It was getting late so I came here. | 0:28:32 | 0:28:38 | |
Racing dogs and industrial diamonds. | 0:28:38 | 0:28:41 | |
A strange combination. What could they have to do with each other? | 0:28:41 | 0:28:44 | |
I dunno, but I know what I'm gonna do with that lobster thermidor... | 0:28:44 | 0:28:48 | |
-Goldie, I'm sorry, but you'll have to wait for dinner. -Oh, boss! | 0:28:48 | 0:28:52 | |
-It's time we were at Denison's. Come on. Let's go. -Oh-h! | 0:28:52 | 0:28:56 | |
Lobster thermidor! | 0:29:05 | 0:29:06 | |
-Now, remember, if I'm not out in 15 minutes, break in. I'll be needing help. -OK, boss. | 0:29:15 | 0:29:21 | |
DOORBELL RINGS | 0:29:33 | 0:29:35 | |
-Mr Denison? -Yes. | 0:29:39 | 0:29:41 | |
-I'm Tom Lawrence. -Oh, yes, of course. | 0:29:41 | 0:29:44 | |
Come in, please. I've been expecting you. | 0:29:44 | 0:29:48 | |
Louisa wired me. | 0:29:48 | 0:29:50 | |
You...you have it? | 0:29:50 | 0:29:54 | |
-Yes. -Mmm. Enrico's death, | 0:29:54 | 0:29:57 | |
-it was dreadful news to me. -I understand you were able to interest capital in marketing this formula. | 0:29:57 | 0:30:02 | |
Yes, yes, it was my friend Enrico's dream to exploit his discovery. | 0:30:02 | 0:30:09 | |
I did all I could to further it. | 0:30:09 | 0:30:12 | |
You...you'll excuse me if I seat myself. I... | 0:30:12 | 0:30:17 | |
-I'm not a well man, Mr Lawrence. -I understand, and I'm sure we'll be able to finish this very quickly. | 0:30:17 | 0:30:23 | |
But I... Yes, of course. | 0:30:23 | 0:30:26 | |
Do...? | 0:30:27 | 0:30:29 | |
Do you have a cigarette, Mr Lawrence? | 0:30:29 | 0:30:32 | |
Cer... | 0:30:32 | 0:30:34 | |
Certainly. | 0:30:34 | 0:30:36 | |
-I hope you like the brand. -I'm sure I shall. Thank you. | 0:30:38 | 0:30:42 | |
You're most understanding of an old man's idiosyncrasies, Mr Lawrence. | 0:30:42 | 0:30:45 | |
Some people might dismiss the vagaries of age as hypochondria, but you can see deeper. | 0:30:45 | 0:30:51 | |
Light? | 0:30:51 | 0:30:54 | |
Excellent, excellent, Mr Lawrence. | 0:30:57 | 0:30:59 | |
They're quite soothing to a nervous man. | 0:30:59 | 0:31:02 | |
I'd better be going. I'm stopping at the Miami Palms Hotel. | 0:31:02 | 0:31:05 | |
-If you drop by, I'll give you the formula. -It was my impression that you'd brought it with you. | 0:31:05 | 0:31:10 | |
I couldn't take that chance. I had to be sure you were the right man. | 0:31:10 | 0:31:14 | |
Commendable caution, Mr Lawrence, but inconvenient. | 0:31:14 | 0:31:18 | |
However, you leave me no recourse, but to do as you request. | 0:31:18 | 0:31:21 | |
I'll be expecting you. | 0:31:23 | 0:31:24 | |
Me too? | 0:31:24 | 0:31:27 | |
-Something new has been added. -Mr Lawrence, these men have been threatening me all evening. | 0:31:27 | 0:31:32 | |
Take it easy. He likes to use that rod. | 0:31:32 | 0:31:34 | |
-Slugging helpless men seems to be your specialty. -He had it coming! | 0:31:34 | 0:31:38 | |
-I knew he'd tipped you off with that cigarette gag. I knew he didn't smoke. -Brilliant. | 0:31:38 | 0:31:43 | |
-Give me the formula. -You're off the beam, my friend. -You'd better hand it over. | 0:31:43 | 0:31:47 | |
You heard me tell Denison I had it back at the hotel. | 0:31:47 | 0:31:50 | |
Sure we heard you tell him that AFTER you gave him the tip-off. | 0:31:50 | 0:31:54 | |
Frisk him, Benny. | 0:31:54 | 0:31:56 | |
Get 'em up! | 0:31:56 | 0:31:57 | |
Don't shoot. Don't shoot, Mike. | 0:31:57 | 0:32:00 | |
-Stay where you are! -No further, Mr Lawrence. | 0:32:00 | 0:32:02 | |
Keep him covered, Benny. This mug has got to be taught a lesson he won't forget in a hurry. | 0:32:04 | 0:32:08 | |
That's enough. | 0:32:10 | 0:32:13 | |
He wasn't kidding. | 0:32:17 | 0:32:18 | |
-The formula's not on him. -Mike! -What? -The old guy's dead. | 0:32:18 | 0:32:23 | |
You're crazy! That little slap I gave him... | 0:32:24 | 0:32:27 | |
-He had a bad heart. -I'm getting out of here. | 0:32:27 | 0:32:29 | |
-Wait. -What are you doing? -Putting in a call to the police. -Have you gone daffy? | 0:32:29 | 0:32:34 | |
Let 'em find these two together. Lawrence will need plenty of time to explain the set-up. | 0:32:34 | 0:32:39 | |
He'll be too busy to bother with us. He'll keep the cops busy too, which will be right for us. | 0:32:39 | 0:32:44 | |
Well, he won't need this where he's going. | 0:32:44 | 0:32:48 | |
Police headquarters? Let me talk to the homicide bureau. I want to report a murder. | 0:32:48 | 0:32:52 | |
Boss! Maybe 15 minutes was too long. | 0:33:17 | 0:33:21 | |
Looks like it. | 0:33:21 | 0:33:22 | |
Is this the guy you came to see? | 0:33:25 | 0:33:27 | |
Was. | 0:33:27 | 0:33:29 | |
-SIRENS BLARE -Cops. Are they coming here? -We can't afford to take the chance. | 0:33:29 | 0:33:33 | |
Let's get out of here. | 0:33:33 | 0:33:35 | |
-What's it look like to you, boss? -Looks like we've moved. -Guess you're right. | 0:34:09 | 0:34:14 | |
INTERCOM BUZZES | 0:34:29 | 0:34:31 | |
-Yes? -'Inspector Cavanaugh and Lieutenant Duncan of the New York | 0:34:31 | 0:34:35 | |
-Police Department here to see you.' -Cavanaugh and Duncan? Send them in. | 0:34:35 | 0:34:39 | |
-Glad to see you boys. -How are you, Evans? -Hi. Sit down. | 0:34:40 | 0:34:43 | |
Thanks. | 0:34:43 | 0:34:45 | |
So The Falcon and his sidekick are down here? They sure get around. | 0:34:45 | 0:34:48 | |
What's this about their being involved in another murder? | 0:34:48 | 0:34:50 | |
Lawrence's wallet was found beside the victim's body. | 0:34:50 | 0:34:54 | |
-Still no trace of him, eh? -No, he slipped through our fingers. | 0:34:54 | 0:34:56 | |
-He's smart. -He may be too smart for his own good. He'll trip himself up sometime. | 0:34:56 | 0:35:01 | |
-I wish I knew how. -He has two soft spots - pretty women and nightclubs. | 0:35:01 | 0:35:05 | |
Is that so? Well, you can count on us. | 0:35:05 | 0:35:07 | |
-Where do we start? -Nightclubs are no good without pretty women, so we'll start with the women. | 0:35:07 | 0:35:11 | |
One in particular. She came down on the same plane with us. | 0:35:11 | 0:35:15 | |
Her name is Louisa Braganza. | 0:35:15 | 0:35:17 | |
TELEPHONE RINGS | 0:35:22 | 0:35:24 | |
Hello. Yes... | 0:35:26 | 0:35:29 | |
Who? | 0:35:29 | 0:35:31 | |
Mr Lawrence. Where are you? | 0:35:31 | 0:35:34 | |
Still in Miami and the police are giving me a warm welcome. | 0:35:34 | 0:35:37 | |
Yes, I read about Mr Denison's death. | 0:35:37 | 0:35:41 | |
I'm so sorry you were involved, | 0:35:41 | 0:35:43 | |
-but the formula? -I've still got it. | 0:35:43 | 0:35:46 | |
You'd better meet me in the Patio Club tonight at eight. | 0:35:46 | 0:35:50 | |
No, I'll be careful. I've had some dealings with the police before. | 0:35:50 | 0:35:55 | |
Yeah. All right. | 0:35:55 | 0:35:58 | |
Bye. | 0:35:58 | 0:35:59 | |
-What's next? -You wait at the hotel room. I'm going to the dog track. | 0:36:05 | 0:36:10 | |
Dog track? Boss, don't bet on them beetles, they ain't got no respect for a guy's bankroll. | 0:36:10 | 0:36:15 | |
The only lead we've got it Helen and that man she talked to. | 0:36:15 | 0:36:19 | |
I might be able to find out a few things. Where was that trailer? | 0:36:19 | 0:36:22 | |
-It's the green one parked right by the track entrance. You can't miss it. -Good. See you back at the hotel. | 0:36:22 | 0:36:27 | |
DOOR BUZZES | 0:36:29 | 0:36:31 | |
Miss Braganza? | 0:36:38 | 0:36:40 | |
-Yes. -I'm Kenneth Sutton. | 0:36:40 | 0:36:43 | |
Oh, yes, Mr Denison's friend. | 0:36:43 | 0:36:45 | |
Please come in. | 0:36:45 | 0:36:47 | |
Sit down, won't you? | 0:36:49 | 0:36:51 | |
I read of your arrival, Miss Braganza, and I was hoping to meet your uncle. | 0:36:51 | 0:36:56 | |
His death must have been a great shock to you. | 0:36:56 | 0:36:59 | |
-You have my deepest sympathy. -You didn't know my uncle? | 0:36:59 | 0:37:02 | |
Only through Mr Denison who interested me in the idea of financing your uncle's formula. | 0:37:02 | 0:37:07 | |
Are you interested in the formula in spite of what's happened? | 0:37:07 | 0:37:11 | |
Certainly. I've been delaying my trip to Brazil because of it. | 0:37:11 | 0:37:15 | |
I called today to pay my respects. We can talk business in a few days. | 0:37:15 | 0:37:19 | |
How long do you propose to stay? | 0:37:19 | 0:37:22 | |
-I wish to return home to Brazil as soon as possible. -Why not make the trip with me in my yacht? | 0:37:22 | 0:37:27 | |
-There's plenty of room. -That would be wonderful. -I'll be delighted to have you aboard. | 0:37:27 | 0:37:32 | |
I'm terribly curious about that formula. May I see it? | 0:37:32 | 0:37:38 | |
I'm sorry. I... I don't have it just now. | 0:37:38 | 0:37:43 | |
-I won't have until this evening. -Oh. | 0:37:43 | 0:37:46 | |
I understand. | 0:37:46 | 0:37:48 | |
Your caution is very commendable. | 0:37:48 | 0:37:51 | |
Here's my telephone number. Will you call me? | 0:37:51 | 0:37:54 | |
-Yes. Tomorrow probably. -Thank you. | 0:37:54 | 0:37:57 | |
-Goodbye, Miss Braganza. -Goodbye, Mr Sutton. | 0:37:57 | 0:38:00 | |
# ..Blonde hair | 0:38:05 | 0:38:07 | |
# I dream of Jeanie with the light blonde hair... # | 0:38:07 | 0:38:11 | |
-Light brown hair, senor. -You sing it your way. I'll sing it mine. | 0:38:11 | 0:38:15 | |
-Where did you come from? -Behind the door. | 0:38:19 | 0:38:22 | |
It's amazing what you find behind doors. | 0:38:23 | 0:38:26 | |
-Where's the formula? -We haven't got all day. | 0:38:26 | 0:38:30 | |
Ain't you Louisa Braganza's maid? | 0:38:30 | 0:38:32 | |
Look, I'm not going to waste time. Give me the formula or I call the police. | 0:38:32 | 0:38:37 | |
Police? You ain't got all your marbles. You're holding me up. | 0:38:37 | 0:38:41 | |
-The police might be interested in knowing where you and The Falcon are hiding. -Call them. -Wait. | 0:38:41 | 0:38:46 | |
-I ain't got it. -Then Senor The Falcon has. | 0:38:46 | 0:38:51 | |
-The dame's got it - Miss Braganza. -You're lying. | 0:38:51 | 0:38:54 | |
Look, I've got an honest face, ain't I? | 0:38:54 | 0:38:57 | |
The best that can be said for it is it's a face. | 0:38:57 | 0:39:00 | |
-I know it must be here. -< Don't let me spoil your party. | 0:39:00 | 0:39:04 | |
-Boy, am I glad to see you. -That's The Falcon. | 0:39:04 | 0:39:07 | |
You better give that to Goldie. I think you're right. | 0:39:07 | 0:39:13 | |
-They're after the formula, boss. -You picked the wrong place. | 0:39:13 | 0:39:16 | |
-What are you going to do with us? -I'd like an explanation. Who is this man? | 0:39:16 | 0:39:21 | |
-This is Paolo, my husband. -The guy she met at the dog track. | 0:39:21 | 0:39:25 | |
Very pleased to meet you, senor. Pleased to meet you. | 0:39:25 | 0:39:28 | |
-Should we tell him? -Tell him nothing! | 0:39:28 | 0:39:31 | |
Perhaps you'll talk to the police. | 0:39:31 | 0:39:33 | |
You're not kidding me. You won't go near the police. | 0:39:34 | 0:39:38 | |
Not while they want me for murder. After I've turned you two in, they won't want me. | 0:39:38 | 0:39:44 | |
-What are you saying? -Are you accusing me of murder? | 0:39:44 | 0:39:47 | |
Why not? | 0:39:47 | 0:39:50 | |
You were in a better spot than anyone else - | 0:39:50 | 0:39:54 | |
working for Braganza, knowing about the formula. | 0:39:54 | 0:39:57 | |
-I even saw you hanging around the Denison place. -I didn't kill anyone. | 0:39:57 | 0:40:01 | |
You must tell him about the trouble. | 0:40:01 | 0:40:04 | |
All right. | 0:40:04 | 0:40:06 | |
I did know about the formula. | 0:40:06 | 0:40:09 | |
-My husband lost our money at the dog track. -So you got to Denison before anyone else? | 0:40:09 | 0:40:14 | |
-One good way to get a lot of money. -One good way to get a bullet in the head. | 0:40:14 | 0:40:19 | |
You're against murderous competition. You might have got killed. | 0:40:19 | 0:40:23 | |
Killed? That is not very healthy. | 0:40:23 | 0:40:26 | |
I agree. > I told you we shouldn't do this! | 0:40:26 | 0:40:29 | |
If you take my advice, you'll get as far away from here as possible. | 0:40:29 | 0:40:33 | |
I still don't know what we're going to do. | 0:40:33 | 0:40:37 | |
We still need money. | 0:40:37 | 0:40:39 | |
Lots of people need money. | 0:40:39 | 0:40:42 | |
The dog racing starts in Havana next week. | 0:40:42 | 0:40:45 | |
If I stake you, will you pull out of Miami? | 0:40:45 | 0:40:49 | |
Si, si. Anything Senor Falcon. | 0:40:49 | 0:40:52 | |
You are most gracious. I thank you. My wife thanks you and my dog. | 0:40:52 | 0:40:56 | |
How can a dog thank you?! | 0:40:56 | 0:40:59 | |
RELAXED MUSIC PLAYS | 0:41:00 | 0:41:03 | |
She makes the right kind of bait to catch a Falcon with. | 0:41:11 | 0:41:16 | |
Gentlemen, I have a table for you. | 0:41:17 | 0:41:20 | |
Hey, boss, look! | 0:41:29 | 0:41:31 | |
Inspector Cavanaugh. | 0:41:31 | 0:41:34 | |
-How'd they get here? -Trailed us. | 0:41:34 | 0:41:36 | |
-I doubt it. They probably trailed Louisa. -We'd better scram. | 0:41:36 | 0:41:40 | |
You wait outside, I'll take care of it. | 0:41:40 | 0:41:43 | |
Cavanaugh, telephone for you. | 0:41:48 | 0:41:50 | |
-Cavanaugh speaking. -Hello, Inspector, this is homicide. | 0:41:53 | 0:41:58 | |
We picked up The Falcon. He's over here now. | 0:41:58 | 0:42:01 | |
Good. Be right over. | 0:42:01 | 0:42:04 | |
Yeah. | 0:42:04 | 0:42:05 | |
We got The Falcon at HQ. Come on. | 0:42:05 | 0:42:08 | |
-The cheque, sir. -Oh, yeah. Keep the change. | 0:42:11 | 0:42:16 | |
Taxi! | 0:42:21 | 0:42:23 | |
Police headquarters. | 0:42:26 | 0:42:28 | |
I can't help wondering how they caught The Falcon. | 0:42:35 | 0:42:38 | |
-Did they say whether they'd nabbed that fat-headed ape that trails along with him. -No. | 0:42:38 | 0:42:43 | |
That Goldie character slays me. I've seen monkeys with more brains. | 0:42:43 | 0:42:48 | |
'Calling cars 27, 36 and 41. | 0:42:50 | 0:42:54 | |
'Calling cars 27, 36 and 41. | 0:42:54 | 0:42:57 | |
'Pick up stolen taxi cab.' | 0:42:57 | 0:42:59 | |
-Driver, what's the matter? -Can you drive, Bud? -No. -It's about time you learned. | 0:43:02 | 0:43:07 | |
Look, Tom Lawrence with Louisa. | 0:43:19 | 0:43:21 | |
Wait in the car. He mustn't see you. | 0:43:22 | 0:43:25 | |
Perhaps all this trouble will end when I've disposed of the formula. | 0:43:25 | 0:43:30 | |
May I have it now? | 0:43:30 | 0:43:32 | |
I really shouldn't give it to you, it'd be dangerous. | 0:43:32 | 0:43:36 | |
Perhaps, but I must have it. | 0:43:36 | 0:43:38 | |
But you'd be inviting more violence. Your uncle was killed. Denison's dead. | 0:43:38 | 0:43:44 | |
-Do you need any more proof? -Your concern's flattering, but I insist. | 0:43:44 | 0:43:48 | |
All right. It's your formula, but we're both making a mistake. | 0:43:48 | 0:43:54 | |
-Friend of yours? -Yes, Mr Sutton. | 0:43:58 | 0:44:01 | |
The man Mr Denison was negotiating with | 0:44:01 | 0:44:05 | |
about financing the formula. | 0:44:05 | 0:44:07 | |
Oh. | 0:44:07 | 0:44:09 | |
Goodbye, Mr Lawrence. Thanks again for everything you've done. | 0:44:09 | 0:44:13 | |
Goodbye. Good luck. | 0:44:13 | 0:44:16 | |
Miss Braganza, this is fortunate. I've been trying to reach you. | 0:44:28 | 0:44:32 | |
Some urgent business matters have come up and I have to leave early. | 0:44:32 | 0:44:36 | |
-Could you be ready to sail tonight? -Tonight? -Yes. | 0:44:36 | 0:44:39 | |
I think so. I'm anxious to get home as soon as possible. | 0:44:39 | 0:44:43 | |
Good, my car will call for you in about an hour. | 0:44:43 | 0:44:47 | |
-Miss Blanding, this is Miss Braganza. -How do you do? | 0:44:55 | 0:44:59 | |
Doris Blanding. | 0:45:12 | 0:45:14 | |
Good night. Thanks for a pleasant evening. | 0:45:32 | 0:45:35 | |
-< -Going somewhere? | 0:45:38 | 0:45:41 | |
Well, if it isn't my strong-arm friend. | 0:45:42 | 0:45:45 | |
Never mind the cracks. | 0:45:45 | 0:45:48 | |
Let's go. | 0:45:52 | 0:45:54 | |
-Where to? -You'll find out. | 0:45:56 | 0:45:59 | |
Get out. | 0:46:19 | 0:46:21 | |
Tell me, who's in the back of this? Who hired you? | 0:46:21 | 0:46:24 | |
Wouldn't do you any good if I told you. Come on, get out. | 0:46:24 | 0:46:29 | |
CAR ENGINE STARTS | 0:47:10 | 0:47:13 | |
JAZZ MUSIC PLAYS | 0:47:33 | 0:47:36 | |
-Could I have my hat, please? -Your cheque, please. -I haven't got it. It's that grey one. | 0:47:41 | 0:47:46 | |
All right. | 0:47:46 | 0:47:48 | |
Hey, boss! | 0:48:01 | 0:48:02 | |
-Where you been? You look like you had a brush with the cops. -I'll explain later. | 0:48:06 | 0:48:10 | |
Louisa's in danger. You wait here. | 0:48:10 | 0:48:13 | |
-How. -Hello. | 0:48:22 | 0:48:24 | |
-You talk like an American. What are you digging for? -Turtle eggs. | 0:48:24 | 0:48:28 | |
Turtles come in shells. | 0:48:28 | 0:48:31 | |
The turtle that laid this should have been told not to sit so heavy. | 0:48:33 | 0:48:39 | |
-Do you sell these? -No, I work at the Indian village. I'm Jimmy. | 0:48:39 | 0:48:43 | |
-What do you do? -Wrestle alligators. | 0:48:43 | 0:48:45 | |
An alligator don't know a half-nelson from a toe hold! | 0:48:45 | 0:48:50 | |
Are you sure she checked out? | 0:48:50 | 0:48:52 | |
Did she leave a forwarding address? | 0:48:54 | 0:48:56 | |
Oh, I see. Thank you. | 0:48:58 | 0:49:00 | |
I've seen lady stevedores, boxing kangaroos and dancing bears, | 0:49:05 | 0:49:09 | |
but I've never seen a wrestling alligator. | 0:49:09 | 0:49:12 | |
-We're in a fine fix now. -Worse than what it was? -Louisa checked out and didn't leave a forwarding address. | 0:49:12 | 0:49:18 | |
-And left us holding the bag for two murder wraps. -We've got to find out where Sutton's taking her. -How? | 0:49:18 | 0:49:23 | |
-I don't know. -Hey! Here's my business card. | 0:49:23 | 0:49:27 | |
Come watch me work some time. | 0:49:27 | 0:49:29 | |
Watch him work! Fine work wrestling alligators. | 0:49:29 | 0:49:32 | |
-Wrestling... -Yeah, guess he ain't got all his marbles. | 0:49:32 | 0:49:36 | |
Let me see that card. | 0:49:36 | 0:49:39 | |
-I can't understand Sutton wanting to meet us here. -That's what the telegram says. Come on. | 0:49:48 | 0:49:53 | |
-Ooh, alligators. I can't stand the slimy things. -Me neither. | 0:49:53 | 0:49:58 | |
-Are you Miss Blanding? -Who are you? -Mr Sutton says you're to follow me. | 0:49:58 | 0:50:02 | |
Get ready, Goldie. | 0:50:02 | 0:50:05 | |
Now I know how Jonah felt, only he had a bigger apartment. | 0:50:12 | 0:50:16 | |
Hurry up, Goldie. | 0:50:16 | 0:50:17 | |
One more thing. What am I? A boy alligator or girl alligator. | 0:50:17 | 0:50:22 | |
-Goldie! -It makes a difference, even to an alligator. | 0:50:22 | 0:50:26 | |
Mr Sutton? | 0:50:37 | 0:50:40 | |
Mr Sutton? | 0:50:40 | 0:50:41 | |
Won't I do? | 0:50:41 | 0:50:43 | |
Tom Lawrence. | 0:50:43 | 0:50:46 | |
I thought you might like to see me again. Last time, you left so suddenly, I didn't say goodbye. | 0:50:46 | 0:50:51 | |
What do you want with us? Some information. | 0:50:51 | 0:50:54 | |
Let's go. | 0:50:54 | 0:50:56 | |
Uh-uh. Not so fast. | 0:50:56 | 0:50:59 | |
-ROARING -What's that? | 0:51:00 | 0:51:04 | |
Alligators. They spend the night in there. | 0:51:04 | 0:51:07 | |
Nice playmates if you don't get too close. Take a look. | 0:51:07 | 0:51:11 | |
I get sick looking at them. | 0:51:11 | 0:51:13 | |
They'd love to see you. Come on. Get in there. | 0:51:13 | 0:51:17 | |
ROARING Aagh! | 0:51:25 | 0:51:28 | |
< I wouldn't do that, Benny. | 0:51:28 | 0:51:31 | |
-You've got no right to hold us. -Then start talking. | 0:51:31 | 0:51:34 | |
Just keep that away from me and Doris. | 0:51:34 | 0:51:37 | |
All right, what's your connection with Sutton and who is he? | 0:51:37 | 0:51:41 | |
He's head of a diamond organisation. | 0:51:41 | 0:51:43 | |
He was afraid Braganza's formula would put him out of business. | 0:51:43 | 0:51:47 | |
-So he tried to get rid of the formula and everybody connected with it. -Yeah. | 0:51:47 | 0:51:51 | |
-What's he done with Miss Braganza? -She's on his yacht, the Sea Star, at the city dock. It sails tonight. | 0:51:51 | 0:51:58 | |
Oh, I get it. After you sail, a dark night, a convenient accident and Louisa's out of the way. | 0:51:58 | 0:52:04 | |
Yeah, but... | 0:52:04 | 0:52:06 | |
Boss, this head is leaking, help me! | 0:52:06 | 0:52:09 | |
It's a frame-up. That's a phoney cre... | 0:52:09 | 0:52:13 | |
Nice work. You nearly spoilt the act. | 0:52:15 | 0:52:18 | |
-Get in there and tie up Doris while I take care of Benny. -If you tell my friends, I'll... | 0:52:18 | 0:52:24 | |
If we don't save Louisa, you won't have any. | 0:52:24 | 0:52:26 | |
-Jimmy, call the police, tell them The Falcon will be on the Sea Star, city dock. -Yes, sir. -Come on. | 0:52:28 | 0:52:34 | |
Let's take Benny's car, it's faster. | 0:52:34 | 0:52:37 | |
-Geary. -> | 0:52:54 | 0:52:56 | |
-Did you locate them? -They left Doris's apartment a few hours ago. | 0:52:58 | 0:53:02 | |
They should have been here. I want to clear up this Braganza business. | 0:53:02 | 0:53:07 | |
I hope Jimmy makes that call. | 0:53:24 | 0:53:26 | |
What if he don't? If I get to be an old man, it'll be a miracle. | 0:53:26 | 0:53:31 | |
KNOCK ON DOOR | 0:53:32 | 0:53:35 | |
-Yes? -Just came by to see that you were comfortable. | 0:53:35 | 0:53:39 | |
I am, thank you. It's a beautiful cabin. | 0:53:41 | 0:53:44 | |
-I'm looking forward to the trip. -You've been under a great strain. You'll find the sea air relaxing. | 0:53:44 | 0:53:50 | |
I'm sure of it. | 0:53:50 | 0:53:53 | |
I think you should put all your worries out of your mind for a few days. | 0:53:53 | 0:53:58 | |
-You're very considerate. -Thank you. I'll see you on deck shortly. | 0:53:58 | 0:54:02 | |
Oh, dear, I knew I'd forget something. | 0:54:02 | 0:54:05 | |
Would it inconvenience you if I went back on shore? | 0:54:05 | 0:54:10 | |
-On shore? -Yes, it'll only take about 15 minutes. | 0:54:10 | 0:54:15 | |
It's very important. | 0:54:15 | 0:54:17 | |
I'm sorry, Miss Braganza, I can't permit you to leave. | 0:54:17 | 0:54:22 | |
You can't permit me? | 0:54:22 | 0:54:25 | |
I'm restricting you to your cabin. | 0:54:25 | 0:54:28 | |
Mr Sutton, I don't understand. | 0:54:28 | 0:54:32 | |
I didn't intend to bring this up yet, but your anxiety to go to shore is a little too obvious. | 0:54:32 | 0:54:38 | |
I want that formula and I want it now. | 0:54:38 | 0:54:42 | |
I haven't got it. | 0:54:44 | 0:54:46 | |
Oh... I see. | 0:54:47 | 0:54:50 | |
Geary? | 0:54:53 | 0:54:54 | |
If you haven't got it, I'm sure you won't mind my looking through your cabin. | 0:54:56 | 0:55:00 | |
-Call me, Mr Sutton? -Yes. Watch Miss Braganza. | 0:55:00 | 0:55:03 | |
I wish we could get some more speed out of this. | 0:55:09 | 0:55:13 | |
Do you want me to get out and push? | 0:55:13 | 0:55:15 | |
I think we can persuade Miss Braganza to tell us where the formula is once we're at sea. | 0:55:20 | 0:55:25 | |
-What about Benny and Doris? -We've waited long enough. | 0:55:25 | 0:55:29 | |
-If the formula's not in the cabin, it must be on you. -No. | 0:55:33 | 0:55:37 | |
You've one minute to give it to me, otherwise I shall be forced to take it from you. | 0:55:37 | 0:55:41 | |
By the same method you used on my uncle and Mr Denison? | 0:55:41 | 0:55:45 | |
If necessary. | 0:55:45 | 0:55:47 | |
TYRES SCREECH | 0:55:52 | 0:55:55 | |
Batten down the hatch! Take in the lines! | 0:56:03 | 0:56:08 | |
Make fast everything on deck. | 0:56:10 | 0:56:13 | |
-They're shoving off. -We've got to stop them. -Let's wait for the cops. | 0:56:13 | 0:56:18 | |
We haven't got time. Let's go. | 0:56:18 | 0:56:20 | |
Watch your rudder! | 0:56:24 | 0:56:27 | |
-It's The Falcon, he's coming aboard. -Falcon? | 0:56:39 | 0:56:42 | |
I think you'll want this man. | 0:58:03 | 0:58:05 | |
Louisa, where are you? | 0:58:08 | 0:58:10 | |
-Oh, Tom. -We had a little excitement up there. | 0:58:15 | 0:58:18 | |
I am sorry, I did make a mistake. | 0:58:18 | 0:58:21 | |
Is um...this a mistake? | 0:58:21 | 0:58:24 | |
-You've got a lot of explaining to do. -Sutton's going to do most of the talking. | 0:58:24 | 0:58:29 | |
-Boss... -Goldie, you're all wet. -You'd be too if you got knocked into the ocean. | 0:58:29 | 0:58:34 | |
Hey, boss, look a finny denizen! | 0:58:38 | 0:58:41 | |
You should have seen the one that got away! | 0:58:42 | 0:58:45 | |
Subtitles by BBC Broadcast - 2005 | 0:58:52 | 0:58:56 | |
E-mail us at [email protected] | 0:58:56 | 0:58:59 |