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| Line | From | To | |
|---|---|---|---|
FANFARE PLAYS | 0:01:08 | 0:01:11 | |
Tom, you've had success tracking down criminals. How about tracking down a winner for me? | 0:01:17 | 0:01:22 | |
I wish I could help you, but criminals are more predictable. | 0:01:22 | 0:01:26 | |
Nah, Tom, gimme just one peek. | 0:01:26 | 0:01:29 | |
-You wouldn't be interested. -You're wrong. Horses are my first love. | 0:01:29 | 0:01:33 | |
What have you got there? | 0:01:33 | 0:01:35 | |
-Lady's Profile. -Lady's Profile? | 0:01:35 | 0:01:38 | |
Lady's Profile? Have you got the right track? | 0:01:40 | 0:01:43 | |
Oooh! Yes, yes! | 0:01:44 | 0:01:47 | |
I have Serene Gale to win, Pleasant Surprise to win, | 0:01:47 | 0:01:50 | |
and Proud Nancy - it'll win too - and Lady Beautiful. | 0:01:50 | 0:01:54 | |
Look at the lovely animals! | 0:01:54 | 0:01:56 | |
And the jockeys - I just adore THAT one! | 0:01:56 | 0:02:00 | |
You can't bet every horse in every race! | 0:02:00 | 0:02:04 | |
-Why? One of them's bound to win! -But you're betting more than you can win! | 0:02:04 | 0:02:08 | |
OK, I'll forget Lady Beautiful. | 0:02:08 | 0:02:10 | |
-You mustn't forget Lady Beautiful. -Have you information on this race? | 0:02:10 | 0:02:14 | |
I wouldn't overlook Lady Beautiful. | 0:02:14 | 0:02:17 | |
I can see that you know something! | 0:02:17 | 0:02:19 | |
-I'll cut out Proud Nancy instead. -The horses are nearing the gate. | 0:02:19 | 0:02:23 | |
Run down and make these bets for me. | 0:02:23 | 0:02:25 | |
10 each on numbers 2, 3, 5 and 7 to win. | 0:02:25 | 0:02:29 | |
4 on number 8... | 0:02:29 | 0:02:31 | |
-You have the money, haven't you? -Yes, Mrs Peabody. | 0:02:31 | 0:02:34 | |
-Who do you think you're fooling? -Joan! What a coincidence! | 0:02:42 | 0:02:46 | |
-It wasn't a coincidence in New York OR Havana! -Maybe I like to follow the ponies. | 0:02:46 | 0:02:51 | |
And maybe you don't. If you don't stop following me, I'm going to... | 0:02:51 | 0:02:56 | |
Tell the law? I don't think you would. | 0:02:56 | 0:02:59 | |
It's funny - out of 35,000 people here, you're the only one that's annoyed by my presence. | 0:02:59 | 0:03:05 | |
That's where you're wrong, Metcalf - you annoy me too. | 0:03:05 | 0:03:09 | |
In fact, you always have. | 0:03:09 | 0:03:12 | |
ANNOUNCER: 'And there they go! | 0:03:12 | 0:03:14 | |
'Baby Boy is in front, ahead of Proud Nancy. | 0:03:17 | 0:03:21 | |
'Choo-Choo Rodgers is coming up fast.' | 0:03:21 | 0:03:24 | |
-Now, look here... -No, no, no - the race! | 0:03:24 | 0:03:27 | |
-I'm sorry if I butted in. -That's your long suit - butting in. | 0:03:28 | 0:03:32 | |
I don't believe I've had the pleasure. My name is Tom Lawrence. | 0:03:32 | 0:03:36 | |
Some people feel that Metcalf here isn't the best company in the world. | 0:03:36 | 0:03:40 | |
-Can I be of any assistance? -No, thank you. | 0:03:40 | 0:03:42 | |
Oh. | 0:03:42 | 0:03:44 | |
Well, I'm sorry. | 0:03:44 | 0:03:47 | |
So, now you've got the Falcon trailing you... | 0:03:49 | 0:03:52 | |
-What?! Who did you say?! -Tom Lawrence - the Falcon. | 0:03:52 | 0:03:56 | |
'Lady Beautiful and Baby Boy. | 0:04:00 | 0:04:02 | |
'Here they come to the finish. Baby Boy and Beautiful... | 0:04:02 | 0:04:05 | |
'Lady Beautiful wins!' | 0:04:05 | 0:04:07 | |
I didn't want to bet today. | 0:04:07 | 0:04:09 | |
-Yoo-hoo, young man! -Me? -Yes, you wonderful man, you. | 0:04:09 | 0:04:13 | |
You know, Lady Beautiful - I won so much money on her. How did you know she would win? | 0:04:13 | 0:04:18 | |
-She looked like a winner to me. -Remarkable! | 0:04:18 | 0:04:21 | |
-I'm Gloria Peabody. -How do you do? I'm Tom Lawrence. | 0:04:21 | 0:04:25 | |
-This is Harvey and Alex. -How do you do? -Glad to know you. | 0:04:25 | 0:04:29 | |
I'm going to place a bet. I'll go with you. | 0:04:29 | 0:04:32 | |
-Won't you join me? -Thank you. | 0:04:32 | 0:04:34 | |
Joan, this is Mr Lawrence. He's the man that gave me Lady Beautiful. | 0:04:34 | 0:04:38 | |
-Miss Meredith - my secretary. -It's a pleasure. -Thank you. I'm happy to know you. | 0:04:38 | 0:04:44 | |
How can I ever repay you for giving me a winner? | 0:04:44 | 0:04:47 | |
I know! You must come to my birthday party tonight! | 0:04:47 | 0:04:51 | |
Sorry, but I'm flying to Miami tonight. | 0:04:51 | 0:04:53 | |
Oh, you big businessman! You could postpone it, just this once. | 0:04:53 | 0:04:57 | |
I'm afraid I've made my reservations. | 0:04:57 | 0:05:00 | |
We're going to have such a good time, and it's not every day a girl celebrates her 37th birthday. | 0:05:00 | 0:05:05 | |
May I be the first to congratulate you. And may I add that you don't look your age. | 0:05:05 | 0:05:10 | |
-Aren't you a dear! -Oh, Mr Lawrence, you dropped this. -Oh, thank you! | 0:05:10 | 0:05:15 | |
You know, you've been so nice, I'm tempted to accept your offer. | 0:05:20 | 0:05:24 | |
How charming! | 0:05:24 | 0:05:26 | |
Tonight at eight, the Barbary Bowl. | 0:05:26 | 0:05:28 | |
Hey, boss, we nearly didn't make it, but you know me! | 0:05:29 | 0:05:33 | |
I ran into Lefty Lewis. You know Lef... You wouldn't know Lefty Lewis. | 0:05:33 | 0:05:37 | |
Says he's on the legit. Anyway, we leave tonight at 8.14. | 0:05:37 | 0:05:41 | |
Sorry, but we'll have to cancel them. | 0:05:41 | 0:05:44 | |
OK, I'll call... Cancel them?! What do you mean?! You give me one iota why we should c... | 0:05:44 | 0:05:50 | |
Never mind. I get it. | 0:05:51 | 0:05:53 | |
# How do you fall in love? | 0:06:08 | 0:06:11 | |
# You meet a boy, and then you say, "Hey!" | 0:06:11 | 0:06:14 | |
# And then he, um... | 0:06:14 | 0:06:16 | |
# You just fall It just happens to happen | 0:06:16 | 0:06:20 | |
# That's all | 0:06:20 | 0:06:22 | |
# How do you meet a boy? | 0:06:23 | 0:06:26 | |
# You walk outside, and... | 0:06:26 | 0:06:28 | |
# And then he, um... | 0:06:28 | 0:06:30 | |
# You just fall It just happens to happen | 0:06:30 | 0:06:34 | |
# That's all | 0:06:34 | 0:06:37 | |
# Throw in some stars and moonlight | 0:06:37 | 0:06:40 | |
# They might enhance the scene | 0:06:40 | 0:06:43 | |
# There's really not an answer | 0:06:43 | 0:06:45 | |
# I can't say what I mean | 0:06:45 | 0:06:47 | |
# How do you fall in love? | 0:06:47 | 0:06:50 | |
# Steal a kiss, and you, um... | 0:06:50 | 0:06:53 | |
# And then he... | 0:06:53 | 0:06:55 | |
# You just fall It just happens to happen | 0:06:55 | 0:07:00 | |
# That's all. # | 0:07:00 | 0:07:02 | |
APPLAUSE | 0:07:02 | 0:07:04 | |
Mrs Peabody mustn't know that you came because I asked you to. | 0:07:07 | 0:07:11 | |
This sounds serious. | 0:07:11 | 0:07:13 | |
And I thought you invited me because of my irresistible charm! | 0:07:13 | 0:07:18 | |
-Joan and Mr Lawrence seem to be enjoying themselves. -They're doing well for strangers. | 0:07:18 | 0:07:23 | |
It don't take the Falcon long to get acquainted with a gorgeous bir... um, pretty girl. | 0:07:23 | 0:07:29 | |
Did you say...the Falcon? | 0:07:29 | 0:07:31 | |
Yes, in the flesh. | 0:07:31 | 0:07:33 | |
Last year, after I started working for Mrs Peabody, | 0:07:37 | 0:07:40 | |
-a valuable bracelet disappeared. -And she collected the insurance money from Metcalf's company. | 0:07:40 | 0:07:46 | |
Yes. He's been trailing me ever since. Sometimes I think I'll... | 0:07:46 | 0:07:49 | |
-That's just his way of doing his job. -But that isn't all. | 0:07:49 | 0:07:53 | |
A few days ago, I took her pearls to the jeweller's to have them copied. | 0:07:53 | 0:07:56 | |
-Without consulting her? -Yes. I know it was stupid of me, | 0:07:56 | 0:08:01 | |
but I was helpless and had to protect myself. | 0:08:01 | 0:08:04 | |
Just how much are these pearls worth? | 0:08:04 | 0:08:07 | |
They're insured for 100,000. | 0:08:07 | 0:08:10 | |
-But...when I took them to the... -I think I know the rest. | 0:08:10 | 0:08:14 | |
The jeweller told you they were fakes. | 0:08:14 | 0:08:17 | |
-Yes! -And to protect yourself, you've got to find the real ones. | 0:08:17 | 0:08:21 | |
-You must help me. -Anyone in their right mind would say that you took them yourself. | 0:08:21 | 0:08:28 | |
But... who said I was in my right mind? | 0:08:28 | 0:08:32 | |
Come on, let's join the others. | 0:08:32 | 0:08:34 | |
Don't forget the chopped egg and onions, just like... | 0:08:34 | 0:08:38 | |
-How did you like that last number? -Very nice. Will you join us? -Later. I'm going to speak to Lola. | 0:08:38 | 0:08:43 | |
-Bring her along. Lola was the girl who sang. -I'll see you all later. | 0:08:43 | 0:08:47 | |
There you two are! | 0:08:49 | 0:08:51 | |
-Look who arrived - the Baron and Baroness. Mr Lawrence. -How do you do? | 0:08:51 | 0:08:55 | |
Nina, this gentleman is the Falcon. | 0:08:55 | 0:08:59 | |
You're very young to be so famous. | 0:08:59 | 0:09:02 | |
You're very kind. Thank you for a delightful evening. If you'll excuse me, I... | 0:09:02 | 0:09:07 | |
You can't go yet! The party isn't over. | 0:09:07 | 0:09:11 | |
I'm having Louis serve a snack in my room. First, we'll visit Nick the Night Owl. | 0:09:11 | 0:09:16 | |
Night owl...? Who wants to go to a zoo at this time of night? | 0:09:16 | 0:09:19 | |
It's a radio station, upstairs on the roof. | 0:09:19 | 0:09:22 | |
Nick plays records for people who call in. It's loads of fun! | 0:09:22 | 0:09:26 | |
-Louis, where were we? -Where were we...? Caviar with chopped egg and onions... | 0:09:26 | 0:09:31 | |
-That's fine! Don't fail me! -Parfait, Madame! | 0:09:31 | 0:09:35 | |
That's French! | 0:09:35 | 0:09:37 | |
'This is your nocturnal playmate - Nick the Night Owl, | 0:09:39 | 0:09:43 | |
'broadcasting from the top of the Barbary Towers. | 0:09:43 | 0:09:47 | |
'Station KGR. | 0:09:47 | 0:09:49 | |
'Now, for Terry and Ruth, we give you Gene Krupa, an old tom-tom man, | 0:09:49 | 0:09:53 | |
'playing I Wake Up In The Morning.' | 0:09:53 | 0:09:56 | |
DRUM INTRO | 0:09:56 | 0:09:59 | |
MUSIC STOPS | 0:10:01 | 0:10:03 | |
SMASH! | 0:10:03 | 0:10:05 | |
You! | 0:10:23 | 0:10:24 | |
What are you doing in here?! No! | 0:10:24 | 0:10:27 | |
Put down that knife! | 0:10:27 | 0:10:29 | |
-What took you so long, honey? -Alex called another rehearsal. | 0:10:41 | 0:10:45 | |
-He's calling a lot of rehearsals. -Please don't start that again. He's my boss, I've got to... | 0:10:45 | 0:10:50 | |
I'm your husband. | 0:10:50 | 0:10:52 | |
Please be patient. We won't have to keep our marriage a secret much longer. | 0:10:52 | 0:10:56 | |
Not after you become a star...? | 0:10:56 | 0:10:58 | |
Well, I don't want you to be a star. | 0:10:58 | 0:11:01 | |
Not if it means I'm gonna lose you. | 0:11:01 | 0:11:04 | |
Lose me? You haven't a chance. | 0:11:04 | 0:11:07 | |
So, THIS is what goes on in all-night radio stations! Nick, you rascal! | 0:11:09 | 0:11:14 | |
-Perhaps we'd better knock before coming in! -Gloria and Joan! This is a pleasant surprise. | 0:11:14 | 0:11:19 | |
Nick, this is Tom Lawrence and his friend Goldie. | 0:11:19 | 0:11:22 | |
Miss Carpenter, Mr Lawrence. | 0:11:22 | 0:11:24 | |
-What are you celebrating tonight? -It's my birthday, darling! | 0:11:24 | 0:11:28 | |
Hold everything! This is an occasion! | 0:11:28 | 0:11:30 | |
Boys and girls, this is Nick again! We interrupt this programme to give you a special flash. | 0:11:30 | 0:11:36 | |
It's birthday time in the Owl's Nest. | 0:11:36 | 0:11:38 | |
One of my favourite people is celebrating her 21st birthday tonight! | 0:11:38 | 0:11:42 | |
-Nick, I'm 37! -37...?! Believe me, folks, she looks 19! | 0:11:42 | 0:11:47 | |
SHE GIGGLES And that is the girlish laughter of Gloria Peabody! | 0:11:47 | 0:11:50 | |
-Say hello to your public. -What shall I...? -That's fine! What would you like me to play for you? | 0:11:50 | 0:11:56 | |
-Tell them. -Well... -And for Gloria, who grows younger each birthday, what could be more appropriate | 0:11:56 | 0:12:01 | |
than the King Cole Trio, singing their own arrangement of Heavenly? | 0:12:01 | 0:12:05 | |
-Mr Lawrence, how do you like our setup? -Very interesting. | 0:12:08 | 0:12:11 | |
I think it's crazy! | 0:12:11 | 0:12:13 | |
-You've got to be crazy to do this! -We're going to my apartment. Too bad you can't join us. | 0:12:13 | 0:12:19 | |
The Baron and Baroness were meant to meet us here. | 0:12:19 | 0:12:22 | |
Joan, see if they stopped off at our apartments. And check if Louis is ready for us. | 0:12:22 | 0:12:27 | |
I'll go with you. ..Goldie, you'd better keep Mrs Peabody company. | 0:12:27 | 0:12:32 | |
Thanks(!) Mighty white of you. | 0:12:32 | 0:12:34 | |
Well, anybody want to rumba? | 0:12:34 | 0:12:37 | |
There's never a dull moment with Mrs Peabody. | 0:12:40 | 0:12:43 | |
-You should see us when things are REALLY booming! -My sympathy! | 0:12:43 | 0:12:47 | |
-If you want me to help you, I'll have to know some things. -About Mrs Peabody? | 0:12:47 | 0:12:52 | |
That would help too, but I'd like to know more about Mr Beaumont | 0:12:52 | 0:12:56 | |
-and the mysterious Baron and Baroness. -You don't suspect Mr Beaumont - he's an old friend. | 0:12:56 | 0:13:02 | |
-And the Baron and Baroness? -Mrs Peabody met them in Europe. | 0:13:02 | 0:13:06 | |
They seem to be all right. | 0:13:06 | 0:13:08 | |
It's open. | 0:13:12 | 0:13:14 | |
-Louis must be ready. -Looks like it. | 0:13:14 | 0:13:17 | |
-Everything seems to be here. You'd better call Mrs Peabody. -Right. | 0:13:17 | 0:13:21 | |
SHE SCREAMS | 0:13:26 | 0:13:28 | |
Mr Lawrence! Come quickly! | 0:13:28 | 0:13:30 | |
It's Louis. | 0:13:37 | 0:13:39 | |
Is he...dead? | 0:13:41 | 0:13:43 | |
Yeah. | 0:13:44 | 0:13:46 | |
Murdered, evidently. | 0:13:46 | 0:13:48 | |
Knifed. | 0:13:48 | 0:13:50 | |
Mr Lawrence... the pearls have been stolen. | 0:13:58 | 0:14:01 | |
Relax, Miss Meredith, you've just told me they are worthless. | 0:14:01 | 0:14:06 | |
Give me the police department, please. | 0:14:08 | 0:14:10 | |
-He was dead when you came into the room...? -Yes. -Hold it, for a picture. | 0:14:10 | 0:14:15 | |
It's frightful. Five robberies in six months in this hotel. | 0:14:15 | 0:14:18 | |
-And now this! -Did Mrs Peabody look to see if anything else was missing? | 0:14:18 | 0:14:23 | |
-I didn't think to ask her. -I'll check the files. Probably committed by the same person. | 0:14:23 | 0:14:27 | |
-An employee of this hotel? -Possibly. | 0:14:27 | 0:14:30 | |
I want a list of those on duty and off. | 0:14:30 | 0:14:32 | |
This one went through his heart. Death was instantaneous. | 0:14:32 | 0:14:36 | |
-He used this to open the dresser. An amateur, probably. -What makes you think so? | 0:14:36 | 0:14:40 | |
A professional would have his own tools. | 0:14:40 | 0:14:43 | |
You may go now. Do not move from the hotel without notifying the police. | 0:14:44 | 0:14:48 | |
And in no event has anyone to leave the city. | 0:14:48 | 0:14:51 | |
What a catastrophe! You poor darling. The shock you must have had. | 0:14:51 | 0:14:55 | |
-I'd like to ask you more questions. -I was with Miss Meredith when she found the body. | 0:14:55 | 0:15:01 | |
-I've been with her all evening. -Look, we want to give you every consideration possible, | 0:15:01 | 0:15:06 | |
-but I have to demand co-operation and no interference. -He's a nosy amateur, if you ask me. | 0:15:06 | 0:15:11 | |
Nobody asked you. | 0:15:11 | 0:15:13 | |
-I forgot to mention, Mrs Peabody has retained me to help recover her pearls. -What?! -I did?! | 0:15:13 | 0:15:18 | |
-I didn't have a chance to mention it, but I did hire him. -OK, the fact some jewels are missing is secondary. | 0:15:18 | 0:15:25 | |
-The important thing here is a murder's been committed. -Naturally. | 0:15:25 | 0:15:28 | |
-However, we all agree the crimes were committed by the same man. -Who said it was committed by a man?! | 0:15:28 | 0:15:35 | |
I'll handle this, Metcalf. | 0:15:35 | 0:15:37 | |
I'd like to talk to you, Miss Meredith - alone. | 0:15:37 | 0:15:41 | |
This is great. Stuck here, and me with a date in Miami with a gorgeous tomay-to! | 0:15:44 | 0:15:49 | |
-Tomato! -Tomay-to, tomato - she's a dame, ain't she? | 0:15:49 | 0:15:53 | |
You've no sense of adventure. | 0:15:53 | 0:15:56 | |
A beautiful girl in trouble, missing pearls, murder... | 0:15:56 | 0:16:00 | |
-Ow! Not so hard! -Sorry, boss. | 0:16:00 | 0:16:02 | |
-You know... -I know what you're gonna say. "There's more to this than meets the eye." | 0:16:02 | 0:16:08 | |
-You're right! -There's enough trouble in this world without looking for it. | 0:16:08 | 0:16:12 | |
If you leave a window open, it's liable to climb right in your lap. | 0:16:12 | 0:16:16 | |
-I've got a few hunches already. -Tell me. | 0:16:16 | 0:16:20 | |
-There are two unrelated factors. -Come on, boss, speak English! | 0:16:20 | 0:16:25 | |
-Boss! Boss, where are you? -Over here. | 0:16:32 | 0:16:35 | |
It must have been fired from a helicopter. | 0:16:52 | 0:16:55 | |
Hey, do you want them to do it again?! | 0:17:02 | 0:17:04 | |
-Pull down the shades. -Them shades ain't bullet-proof. | 0:17:04 | 0:17:08 | |
We ought to change rooms. | 0:17:08 | 0:17:10 | |
Maybe even cities. | 0:17:11 | 0:17:13 | |
'Now for Bill White and his friends, Tommy and Ralph, we're gonna play Jimmy Dorsey's recording | 0:17:15 | 0:17:21 | |
'of Beat Me Daddy, Six To The Bar. It should be EIGHT to the bar, | 0:17:21 | 0:17:25 | |
'but Jimmy's agent probably got the other two bars!' | 0:17:25 | 0:17:28 | |
-This is like lining up a target - I feel like a bull's-eye. -He wasn't trying to hit the bull's-eye. | 0:17:28 | 0:17:33 | |
He was celebrating the 4th of July...?! | 0:17:33 | 0:17:36 | |
Anyone could hit us at 15 feet. Somebody's trying to frighten us. | 0:17:36 | 0:17:40 | |
He did a good job on me. Who do you think it was? | 0:17:40 | 0:17:43 | |
I don't know, but I have an idea it was someone who is familiar with the layout of the hotel. | 0:17:43 | 0:17:49 | |
-Otherwise, he wouldn't have disappeared so quickly. -Someone who lives or works here? | 0:17:49 | 0:17:54 | |
-You're covering a lot of people. -This is as good as a fingerprint - it will only fit one gun. | 0:17:54 | 0:17:59 | |
I'm for getting out of here. | 0:17:59 | 0:18:01 | |
-After receiving an invitation like this? -If this is an invitation, it's an invitation to a funeral! | 0:18:01 | 0:18:07 | |
Let's stay and see whose funeral. | 0:18:07 | 0:18:10 | |
That's a cute trinket. I'd like it for a paperweight. | 0:18:29 | 0:18:32 | |
Hold it for me, will you? | 0:18:32 | 0:18:34 | |
This is heavy enough to sink a battleship. | 0:18:37 | 0:18:40 | |
-I'd say...um, 12 carats? -Um, 11. | 0:18:40 | 0:18:43 | |
-All pure, unadulterated glass. -You don't say! -Stage jewellery. | 0:18:43 | 0:18:48 | |
-So this is the way to great detective work?! -Good morning! | 0:18:53 | 0:18:57 | |
I can assure you, my interest was entirely professional. | 0:18:57 | 0:19:00 | |
-I hoped you'd find time to help me. -I am! A good criminologist never overlooks anything. | 0:19:00 | 0:19:06 | |
-So I see! -That's very unfair, and I'll prove it! | 0:19:06 | 0:19:10 | |
Miss Carpenter probably makes 75 to 100 a week. | 0:19:10 | 0:19:14 | |
What's that got to do with me? | 0:19:14 | 0:19:16 | |
She is either a good actress or poor judge of precious stones. | 0:19:16 | 0:19:20 | |
She told me this was cheap costume jewellery. | 0:19:20 | 0:19:24 | |
-Isn't it? -Certainly not. | 0:19:24 | 0:19:26 | |
This diamond is probably worth several thousand dollars. | 0:19:26 | 0:19:30 | |
But if someone gave Lola expensive jewellery, | 0:19:30 | 0:19:33 | |
-they'd want her to know its real value. -I'm sure they would. | 0:19:33 | 0:19:37 | |
-You see, I HAVE been working. Shall we have breakfast? -Hadn't you better return that? | 0:19:37 | 0:19:42 | |
I'll join you in a second. | 0:19:42 | 0:19:44 | |
This much is clear - whoever stole the real pearls substituted the duplicates. | 0:19:48 | 0:19:53 | |
-That seems obvious. -And to do so, that person must have been close to Mrs Peabody. | 0:19:53 | 0:19:58 | |
-That puts the spotlight on me. -And on the Baron and Baroness and on Mr Beaumont. | 0:19:58 | 0:20:03 | |
-You mean, you suspect them?! -All good detectives, including Metcalf... | 0:20:03 | 0:20:09 | |
start by suspecting everyone. Now I've caught up with my correspondence. | 0:20:09 | 0:20:13 | |
Speak of the devil... | 0:20:13 | 0:20:15 | |
-How do you feel this morning? -Just frightful! | 0:20:16 | 0:20:20 | |
-I didn't sleep a wink. -Sorry to hear that. -It was a shock for us all. | 0:20:20 | 0:20:23 | |
Yes. ..Oh, waiter! Waiter! | 0:20:23 | 0:20:26 | |
-I've been looking all over for you. -I've been looking for you. | 0:20:26 | 0:20:29 | |
-Mail this to my Aunt Cleora, will you? -Sure, boss, sure. | 0:20:29 | 0:20:33 | |
Airmail, special delivery. | 0:20:33 | 0:20:35 | |
Cleora... He ain't got no Aunt Cleora. | 0:20:38 | 0:20:40 | |
"Goldie, sealed orders." | 0:20:40 | 0:20:43 | |
"1. Be sure no-one follows you... | 0:20:50 | 0:20:53 | |
"..then go to Harvey Beaumont's room. | 0:20:57 | 0:21:01 | |
"2. Pick lock, and enter. | 0:21:01 | 0:21:04 | |
"3. Open window facing terrace." | 0:21:27 | 0:21:30 | |
It IS open. | 0:21:34 | 0:21:36 | |
"4. Place wastebasket before window. | 0:21:38 | 0:21:41 | |
"Start fire in it." | 0:21:41 | 0:21:44 | |
Hope he knows what I'm doing. | 0:21:49 | 0:21:52 | |
"5. Hide in the closet and observe everything that happens." | 0:22:07 | 0:22:11 | |
Hide in the...? | 0:22:11 | 0:22:14 | |
"PS Swallow this note." | 0:22:20 | 0:22:23 | |
This is going too far. I refuse to... | 0:22:23 | 0:22:26 | |
I ref... Oh... | 0:22:26 | 0:22:28 | |
-I don't feel like eating a thing. -Don't starve yourself because of last night. It wasn't your fault. | 0:22:35 | 0:22:41 | |
-My 37th birthday - I'll never forget it. -That's strange. | 0:22:41 | 0:22:45 | |
Isn't that smoke coming out of that window? | 0:22:45 | 0:22:47 | |
Must be a fire. | 0:22:47 | 0:22:50 | |
That's the fifth floor. | 0:22:50 | 0:22:52 | |
Looks like MY room! | 0:22:52 | 0:22:54 | |
-Nice work, Goldie. -Thanks. -How did it taste? | 0:23:58 | 0:24:02 | |
For your information, I'm in what is commonly known as a dilemma. | 0:24:02 | 0:24:06 | |
-Let me know what I'm meant to be doing. -First, tell me what Beaumont did when he came in. | 0:24:06 | 0:24:11 | |
Well... | 0:24:11 | 0:24:12 | |
He flings open the door... | 0:24:12 | 0:24:15 | |
he closes it - bang! | 0:24:15 | 0:24:17 | |
His eyes is wild, his face a symphony of mixed commotions. | 0:24:17 | 0:24:21 | |
He's breathing hard... | 0:24:21 | 0:24:24 | |
-The next thing... -Please, stop hamming it up! | 0:24:24 | 0:24:27 | |
-You want it as it was, don't you? -We're in a hurry! Where did he go? | 0:24:27 | 0:24:32 | |
He shoots around the bed, | 0:24:32 | 0:24:34 | |
and he stops right there. | 0:24:34 | 0:24:36 | |
-Then? -I thought he was crazy. With a fire burning, he got interested in literature! | 0:24:36 | 0:24:41 | |
-Get to the point. -He picked up one of those books. | 0:24:41 | 0:24:45 | |
-Imagine a guy so dumb he's got to look up instructions on how to put out a fire. -Which book? | 0:24:45 | 0:24:50 | |
-Pluto's Lives. -Plutarch's Lives. -Pluto, Plutarch...who cares?! | 0:24:50 | 0:24:53 | |
Then he grabs the water, | 0:24:53 | 0:24:55 | |
and the fire is out. | 0:24:55 | 0:24:57 | |
Hey, here I am(!) | 0:25:00 | 0:25:01 | |
-And here are the pearls. -The pearls! -Yeah, the REAL pearls! | 0:25:04 | 0:25:08 | |
What do ya know?! | 0:25:08 | 0:25:10 | |
Pardon the interruption... | 0:25:10 | 0:25:13 | |
-What is it? -We found the pearls, right? -Right. | 0:25:13 | 0:25:17 | |
That's what we call "mission accomplished". | 0:25:17 | 0:25:19 | |
-Give them back to the owner, and we go on our merry way. -Not quite. | 0:25:19 | 0:25:24 | |
There's something you've overlooked. | 0:25:24 | 0:25:26 | |
You've forgotten that Inspector Blake has requested that we stay here | 0:25:26 | 0:25:31 | |
-until a certain murder's been cleared up. -Yeah, I did. | 0:25:31 | 0:25:34 | |
The murderer was after these | 0:25:34 | 0:25:37 | |
and it's possible he'd arranged for a way to dispose of them. | 0:25:37 | 0:25:40 | |
Where's the most logical place to dispose of something of this value? | 0:25:40 | 0:25:44 | |
Well, it would be my opinion, based upon a reasonable amount of experience - | 0:25:45 | 0:25:50 | |
in the past, of course - that stuff of this kind would be handled by the biggest fence in town. | 0:25:50 | 0:25:55 | |
From your experience - in the past, of course - | 0:25:55 | 0:25:58 | |
-wouldn't you say that a fence is aware of a robbery before it's committed? -Sometimes. | 0:25:58 | 0:26:03 | |
What are you getting at? | 0:26:03 | 0:26:06 | |
If we can find out who is the biggest fence in town, and dangle these in front of him, | 0:26:06 | 0:26:11 | |
-he may make the next move. -You know something, boss? | 0:26:11 | 0:26:15 | |
I thought of a way to get that information for you. | 0:26:15 | 0:26:19 | |
From your friend, Lefty? | 0:26:19 | 0:26:21 | |
Yeah! How'd you guess?! | 0:26:22 | 0:26:24 | |
-One wouldn't expect to have a meeting with a fence in a place like this. -Lefty said to be here at 11. | 0:26:31 | 0:26:36 | |
It's almost 11 now. | 0:26:36 | 0:26:38 | |
Think you could play bodyguard to these? | 0:26:38 | 0:26:41 | |
Sure, but you shouldn't have brought them along. | 0:26:41 | 0:26:45 | |
-They're safer with us. -Safer than in the vault at the hotel? | 0:26:45 | 0:26:48 | |
And have the clerk broadcast our little secret of Beaumont?! | 0:26:48 | 0:26:52 | |
-Pardon, are you awfully busy? -Speaking of tomatoes... | 0:26:52 | 0:26:55 | |
-Only with our thoughts. Would you care to join us? -Oh, no, thank you. | 0:26:55 | 0:26:59 | |
I thought there was a lot of wonderful music going to waste. | 0:26:59 | 0:27:03 | |
-By all means. -Boss, the... -Goldie! Beauty has been known to stop 1,000 clocks! | 0:27:03 | 0:27:08 | |
Looks like Lefty made a mistake. | 0:27:10 | 0:27:12 | |
-We haven't introduced ourselves. -Is that necessary? | 0:27:12 | 0:27:16 | |
-I guess not. -Then let's leave it that way - it's more exciting. | 0:27:16 | 0:27:20 | |
-You like mystery and excitement? -What makes you think you're mysterious, Mr Lawrence? | 0:27:20 | 0:27:25 | |
Thanks for the dance, Mr Lawrence. | 0:27:28 | 0:27:31 | |
Thanks for the 40-cent tour(!) | 0:27:31 | 0:27:33 | |
A smooth organisation you have here. | 0:27:36 | 0:27:38 | |
Coming from you, that's a compliment! | 0:27:38 | 0:27:40 | |
-Sit down. -Thanks. | 0:27:40 | 0:27:42 | |
What can I do for you? | 0:27:42 | 0:27:45 | |
-You're misinterpreting my visit. I was just... -Oh, come on! | 0:27:45 | 0:27:49 | |
Let's play like we're both grown up. | 0:27:49 | 0:27:52 | |
Oh! Perhaps you're under the impression I might know something about a pearl necklace... | 0:27:52 | 0:27:58 | |
It doesn't take a detective to see that I'm in the restaurant business. | 0:27:58 | 0:28:02 | |
-Why would I be interested in a necklace? -I thought we were acting grown up. | 0:28:02 | 0:28:06 | |
You stick to that, and we'll get no place. | 0:28:06 | 0:28:09 | |
Cigarette? | 0:28:10 | 0:28:12 | |
Thanks. | 0:28:12 | 0:28:14 | |
-Thank you. -Just for the sake of argument, | 0:28:18 | 0:28:21 | |
let's say I AM interested in a certain necklace. | 0:28:21 | 0:28:24 | |
I could tell you that the necklace, which was expected to fall into your hands, isn't going to. | 0:28:24 | 0:28:31 | |
Why? | 0:28:31 | 0:28:33 | |
-Cos it fell into my hands first. -If I were a fence, you'd expect that news to shock me. | 0:28:33 | 0:28:38 | |
But it wouldn't, cos I wouldn't believe it. | 0:28:38 | 0:28:41 | |
Ah, one of the classics. | 0:28:43 | 0:28:45 | |
Are you familiar with some of the others? | 0:28:45 | 0:28:49 | |
Nightclub operators aren't illiterate. | 0:28:49 | 0:28:51 | |
Have you read Plutarch's Lives? | 0:28:51 | 0:28:54 | |
If you'll permit a pun, I'd say there's a few gems in it. | 0:28:57 | 0:29:00 | |
I must admit, you've read the right book. | 0:29:00 | 0:29:03 | |
Of course, a smart man like you would never carry so valuable a trinket in his pocket. | 0:29:05 | 0:29:10 | |
Hardly. | 0:29:10 | 0:29:12 | |
Well, now that you know my taste in literature, it would be nice to hear from you sometime. | 0:29:12 | 0:29:17 | |
Goodnight. | 0:29:17 | 0:29:19 | |
Goodnight. | 0:29:19 | 0:29:20 | |
-We're in for trouble. -Dame trouble? -No! | 0:29:29 | 0:29:32 | |
-The necklace? -Yeah. -I told you we shouldn't have brought it! | 0:29:32 | 0:29:35 | |
Let's go. | 0:29:35 | 0:29:37 | |
You go ahead and get a cab. | 0:29:38 | 0:29:41 | |
Give me that box, please. | 0:29:41 | 0:29:43 | |
-Thanks. -You've got 10 coming. | 0:29:46 | 0:29:48 | |
-Oh. Is this for sale? -That's my supper. -You're supper? -I don't eat here - you think I'm crazy?! | 0:29:48 | 0:29:54 | |
I'll keep this, you keep the change. | 0:29:54 | 0:29:56 | |
Uptown. | 0:30:01 | 0:30:02 | |
Cab! | 0:30:11 | 0:30:12 | |
-Where were they going? -He said, "Uptown." | 0:30:14 | 0:30:16 | |
Tail that cab! | 0:30:20 | 0:30:22 | |
Unwrap that for me. | 0:30:32 | 0:30:33 | |
I don't wanna smoke, and I ain't hungry. Let's concentrate on them. | 0:30:33 | 0:30:37 | |
-That's what I'm doing. -Gee, boss, I'm sorry. | 0:30:37 | 0:30:41 | |
All the time I thought you were falling for that twist in the check room. | 0:30:41 | 0:30:45 | |
Poor kid. Works in a nightclub, and has to bring her own sandwiches! | 0:30:45 | 0:30:50 | |
Cruel system, I call it. | 0:30:50 | 0:30:52 | |
Hey, boss! | 0:30:52 | 0:30:54 | |
Caviar! | 0:30:54 | 0:30:56 | |
We ain't lost them yet. | 0:31:01 | 0:31:03 | |
Come on! Give it some gas! | 0:31:04 | 0:31:06 | |
-Driver, stop the car! Quick! -Yes, sir. | 0:31:23 | 0:31:25 | |
-Can you take care of this for us? -Certainly. | 0:31:30 | 0:31:33 | |
Here's something for your trouble. | 0:31:33 | 0:31:36 | |
Thanks! | 0:31:36 | 0:31:37 | |
You can always depend on Uncle Sam. | 0:31:37 | 0:31:40 | |
Something you boys wanted? | 0:31:54 | 0:31:56 | |
-Nothing at all. -No, not a thing. | 0:31:56 | 0:31:59 | |
Well, goodnight. | 0:31:59 | 0:32:02 | |
Well, sorry, Nick - bad news. | 0:32:09 | 0:32:12 | |
-Bad news? What do you mean? -They're phonies. No good. | 0:32:13 | 0:32:18 | |
No good? | 0:32:18 | 0:32:20 | |
-You're kidding. Now, look... -You don't kid in this business. | 0:32:20 | 0:32:24 | |
They can't be... They've got to be real! I know where I got them. | 0:32:26 | 0:32:31 | |
Nick, they're cheap paste. | 0:32:31 | 0:32:33 | |
Phonies. Now, take them someplace else. | 0:32:33 | 0:32:36 | |
-But I got 'em from... -I know where you got 'em! | 0:32:36 | 0:32:39 | |
From Mrs Peabody. But Beaumont had the real ones all the time. | 0:32:39 | 0:32:43 | |
-Beaumont?! -Yes. I wouldn't even touch the real ones now. | 0:32:43 | 0:32:48 | |
There's blood on them. | 0:32:48 | 0:32:50 | |
That's all, Nick. | 0:32:51 | 0:32:52 | |
Goldie, be a good boy and bring me my robe. | 0:33:03 | 0:33:06 | |
Oh. | 0:33:08 | 0:33:09 | |
-It's you, is it? -Yeah. | 0:33:09 | 0:33:12 | |
You know, you're a little bit late. | 0:33:12 | 0:33:15 | |
-Late? -Yeah. -For what? | 0:33:15 | 0:33:19 | |
Two minutes sooner, and you could have scrubbed my back. | 0:33:19 | 0:33:22 | |
-Can I help you? -I'm looking for a match, if you don't mind. | 0:33:24 | 0:33:28 | |
I don't think you'll find any in there. | 0:33:28 | 0:33:31 | |
As long as you're so interested, Williams... | 0:33:32 | 0:33:35 | |
Let's see now... Here I have handkerchiefs. | 0:33:35 | 0:33:39 | |
Very good linen, too. | 0:33:39 | 0:33:41 | |
What's your game? Why did you say you were retained by Mrs Peabody? | 0:33:41 | 0:33:46 | |
Oh! Oh, that! | 0:33:46 | 0:33:48 | |
It was just conversation. | 0:33:48 | 0:33:51 | |
-I am trying to find her pearls for her. -You're not making things easier for the department. | 0:33:51 | 0:33:56 | |
We'll arrange for a pair of seats for you and your stooge on the Florida plain. | 0:33:56 | 0:34:01 | |
That's very gracious of you. | 0:34:01 | 0:34:03 | |
-We wouldn't do this for everyone. -I'm certain of that. | 0:34:03 | 0:34:06 | |
-Williams will bring your tickets later. -Package for Mr Lawrence. -Thanks. | 0:34:06 | 0:34:11 | |
Um, lend me half a dollar, will you? | 0:34:13 | 0:34:16 | |
-Dime help you? -Take a tip from the police - a small one. | 0:34:19 | 0:34:22 | |
You afraid this will put me in an upper bracket? | 0:34:22 | 0:34:26 | |
It's from my Aunt Cleora. | 0:34:26 | 0:34:29 | |
Aren't you gonna open it? | 0:34:29 | 0:34:32 | |
Of course! Why not? | 0:34:32 | 0:34:34 | |
Aunt Cleora is always sending me things. | 0:34:34 | 0:34:37 | |
Jams, cookies... | 0:34:37 | 0:34:39 | |
I wonder what this can be. | 0:34:39 | 0:34:42 | |
Oh, cigars! | 0:34:43 | 0:34:45 | |
-Will you have one? -Never use them. | 0:34:45 | 0:34:48 | |
I won't offer you one - you haven't got a match. | 0:34:49 | 0:34:52 | |
Hey, have I got news? Go ahead - I'm listening. | 0:34:52 | 0:34:56 | |
For what? | 0:34:56 | 0:34:58 | |
I just asked myself a question. I said, "Have I got news?" | 0:34:58 | 0:35:02 | |
No. | 0:35:03 | 0:35:05 | |
Let's get outta here. | 0:35:05 | 0:35:07 | |
What's with them?! | 0:35:11 | 0:35:12 | |
Oh, boy! The pearls came! | 0:35:12 | 0:35:15 | |
-Ssssh! -I changed my mind. I will have a cigar after all. | 0:35:15 | 0:35:19 | |
It's an expensive brand. | 0:35:22 | 0:35:24 | |
Yes. VERY expensive. | 0:35:27 | 0:35:30 | |
Might cost you as much as 20 years to life. | 0:35:30 | 0:35:33 | |
-That's a long time. -Very. Get some clothes on. | 0:35:33 | 0:35:37 | |
Boss, tell him the truth. | 0:35:37 | 0:35:39 | |
-The truth is, no-one ever believes it. -Let me be the judge of that. | 0:35:39 | 0:35:43 | |
All right. | 0:35:46 | 0:35:48 | |
I trapped Beaumont into revealing that he'd hidden the real pearls in his room. | 0:35:48 | 0:35:53 | |
I was using them to smoke out the murderer. | 0:35:53 | 0:35:56 | |
As you said, Inspector, | 0:35:56 | 0:35:58 | |
the jewels are of secondary importance. There's still a murderer at large. | 0:35:58 | 0:36:02 | |
Your alibi is easy to check, if ever you get some clothes on. | 0:36:02 | 0:36:06 | |
Where are we going? | 0:36:06 | 0:36:08 | |
Mr Beaumont's room, of course. | 0:36:08 | 0:36:10 | |
Hey! It's Beaumont! | 0:36:14 | 0:36:16 | |
Well? Looks like your alibi won't stand up. | 0:36:25 | 0:36:28 | |
An untimely death, I calls it. Take over, Williams. | 0:36:30 | 0:36:34 | |
Come on, Lawrence. | 0:36:34 | 0:36:36 | |
Ain't you overdoing it? We're in here for the night. | 0:36:38 | 0:36:42 | |
At a time like this, the best policy is to maintain an attitude of complete... | 0:36:42 | 0:36:47 | |
-insouciance. -Does that mean putting on your tie before hitting the hay? | 0:36:47 | 0:36:52 | |
-Look who's here! -Come on. The inspector wants you. | 0:36:53 | 0:36:57 | |
Miss Meredith, what reason did you have to want the false pearls copied? | 0:37:01 | 0:37:05 | |
I didn't know they were false. I wanted to protect myself in case they were stolen. | 0:37:05 | 0:37:10 | |
That's a stall! She took the real ones, and wanted to cover up. | 0:37:10 | 0:37:14 | |
Your case against her is as cut and dried as all that?! Swear out a complaint against her. | 0:37:14 | 0:37:19 | |
I resent being cross-examined by a man who is under suspicion as an accessory. | 0:37:19 | 0:37:24 | |
-Relax! Mr Burke is a jeweller... -I can identify them at a glance. | 0:37:24 | 0:37:29 | |
-Excuse me. -Oh, sorry. | 0:37:29 | 0:37:31 | |
Are these the pearls that Miss Meredith brought to you? | 0:37:31 | 0:37:35 | |
What did I do with my glasses? | 0:37:36 | 0:37:38 | |
Yes, I'd recognise them anywhere. | 0:37:43 | 0:37:46 | |
-Even to this small, unmatched pearl at the side of the clasp. -Those are not the real pearls? | 0:37:46 | 0:37:51 | |
Exactly. That is the necklace Miss Meredith brought to my office. | 0:37:51 | 0:37:55 | |
You've been helpful. Thank you. | 0:37:55 | 0:37:57 | |
Glad to be of service. Goodnight. | 0:37:57 | 0:37:59 | |
You can clear up some things for me, if you will. | 0:37:59 | 0:38:03 | |
-What becomes of those? -I think you should have those. They're just as phoney as you are. | 0:38:03 | 0:38:09 | |
-Lock 'em up! -You know what they say about acting in haste. | 0:38:09 | 0:38:13 | |
I've got a proposition for you. | 0:38:13 | 0:38:16 | |
Give me 24 hours' freedom, and I'll give you the real pearls. | 0:38:16 | 0:38:19 | |
I told you, I'm not interested in pearls. | 0:38:19 | 0:38:22 | |
That's part of the deal. The pearls can be produced in five seconds, but for the murderer, I need 24 hours. | 0:38:22 | 0:38:27 | |
The real pearls in five seconds? What are you talking about? | 0:38:27 | 0:38:31 | |
Here you are. I've fulfilled the first part of my bargain. | 0:38:33 | 0:38:36 | |
These? The jeweller said they were paste. | 0:38:36 | 0:38:39 | |
Experts, even like yourself, have been known to make mistakes under pressure. | 0:38:39 | 0:38:44 | |
-The gentleman was handicapped without his glasses. -Wait a minute. | 0:38:44 | 0:38:48 | |
I read that real pearls have a sandy feeling when you rub them across your teeth. | 0:38:48 | 0:38:52 | |
Phonies are smooth as satin. | 0:38:52 | 0:38:54 | |
These are genuine. Say, I ought to read more. | 0:38:58 | 0:39:01 | |
-OK, you three can have your 24 hours on one condition. -What's that? | 0:39:01 | 0:39:06 | |
I wanna be there to see Metcalf's face when he finds out they're real. | 0:39:06 | 0:39:10 | |
-You won't be sorry. -I have to put my trust in someone. -Thanks. | 0:39:10 | 0:39:14 | |
-How do you know he won't cross you? -Cos you're going to follow him. | 0:39:20 | 0:39:24 | |
-Barbary Towers. -Yes, sir. | 0:39:35 | 0:39:37 | |
I don't know what to say. If it weren't for me, you wouldn't be involved in a theft and a murder... | 0:39:48 | 0:39:53 | |
-Perhaps it was worth it! -Start thinking - we've only got 24 hours. -What's there to think about? | 0:39:53 | 0:39:58 | |
You two wait at the hotel while I pick up the real pearls at the hatchery. | 0:39:58 | 0:40:02 | |
-Hatchery? -Chicken hatchery. -But I thought... | 0:40:02 | 0:40:06 | |
You don't think I'd leave them where Metcalf could lay his hands on them? | 0:40:06 | 0:40:10 | |
-Met...! -Certainly not. That was very wise. | 0:40:10 | 0:40:13 | |
On second thought, you go and pick them up. | 0:40:13 | 0:40:16 | |
Sure! Where are they? | 0:40:16 | 0:40:18 | |
Go to the chicken hatchery, Second and River. | 0:40:18 | 0:40:21 | |
-I'll find it. -The watchman is a friend of mine, and he's left the door of the third pen open. | 0:40:21 | 0:40:27 | |
(It's full of setting hens.) | 0:40:27 | 0:40:29 | |
The floor is covered with straw. They're under the straw. You can't miss them. | 0:40:29 | 0:40:33 | |
Gee, that was clever! Nobody would think of looking in a henhouse for jewellery. | 0:40:33 | 0:40:39 | |
You go there now. We'll be waiting for you. | 0:40:39 | 0:40:41 | |
I may as well keep this cab. No, I'm through for the day. | 0:40:45 | 0:40:49 | |
Is he in a hurry! He didn't even wait to get paid! | 0:40:58 | 0:41:02 | |
# Come out, come out Wherever you are | 0:41:04 | 0:41:09 | |
# I know, I know You're not very far | 0:41:10 | 0:41:14 | |
# How I wish you'd hurry | 0:41:14 | 0:41:17 | |
# Cos I'm inclined worry | 0:41:17 | 0:41:20 | |
# These arms of mine are open | 0:41:20 | 0:41:22 | |
# Hopin' you'll appear, my dear... # | 0:41:22 | 0:41:26 | |
-Thank you. -You're welcome. | 0:41:26 | 0:41:28 | |
We got just 24 hours, and you've got to practise your rumba. | 0:41:30 | 0:41:34 | |
-Not at all - I'm hungry. Besides, I think we've earned a nice supper. -I ain't hungry. | 0:41:34 | 0:41:39 | |
Maybe a good dinner is what we all need. | 0:41:39 | 0:41:42 | |
We ought to plan to follow up a suspect or a clue or something. | 0:41:42 | 0:41:45 | |
-This is as good a place as you can find to do that very thing. -You mean you're working on something? | 0:41:45 | 0:41:50 | |
-We didn't just come here to eat? -On a clear day, you can see two beautiful suspects from here. | 0:41:50 | 0:41:57 | |
# So come out, come out, come out | 0:41:57 | 0:41:59 | |
# Wherever you are... # | 0:42:00 | 0:42:02 | |
Order for me. I'll be right back. | 0:42:02 | 0:42:04 | |
Oh... | 0:42:04 | 0:42:06 | |
This'll probably be our last meal in a long time. | 0:42:06 | 0:42:10 | |
..Hey, waiter, bring me the first half. | 0:42:10 | 0:42:14 | |
FOOTSTEPS APPROACH | 0:43:03 | 0:43:05 | |
-You really put that number over, darling. -It was because of your help. You've taught me so much. | 0:43:11 | 0:43:17 | |
-This situation's driving me crazy. -Please, Alex... | 0:43:17 | 0:43:20 | |
Look, honey, when are you gonna tell Nick? | 0:43:20 | 0:43:23 | |
-I want to, you know I do. I just don't know how. -We can't go on like this - we love each other. | 0:43:23 | 0:43:30 | |
-You've got to hurt him sooner or later. -He's been so good to me. | 0:43:30 | 0:43:33 | |
We can go places together. I can do so much for you. | 0:43:33 | 0:43:37 | |
Believe me, I want to, Alex. I don't know, it's... PHONE RINGS | 0:43:37 | 0:43:41 | |
Hello? | 0:43:44 | 0:43:45 | |
Hello, Nick. | 0:43:45 | 0:43:47 | |
Right away? Can't it wait? | 0:43:47 | 0:43:50 | |
I see. I'll be right up. | 0:43:51 | 0:43:54 | |
He says it's important. | 0:43:55 | 0:43:57 | |
-Maybe this is as good a time as any. -If I get a chance, I'll try. | 0:43:57 | 0:44:02 | |
Promise? | 0:44:02 | 0:44:03 | |
What's wrong, Nick? | 0:44:36 | 0:44:39 | |
I'm due on the air in a few minutes, so I've got to talk fast. | 0:44:39 | 0:44:42 | |
-What's wrong? -Plenty. My contract with the sponsor's up in a few days. I told them I won't renew it. | 0:44:42 | 0:44:47 | |
-Are you crazy?! -We're going out of town, both of us. -Both of us? But... | 0:44:47 | 0:44:52 | |
If we don't, there's no telling what'll happen. | 0:44:52 | 0:44:54 | |
I can't leave now, Nick. I'm just getting somewhere. | 0:44:54 | 0:44:58 | |
Alex promised to feature me in a show in New York. I've worked so hard. I've got a career to think about. | 0:44:58 | 0:45:03 | |
I have more than a career to think about. | 0:45:03 | 0:45:07 | |
-What have you done? -What I've done I did for you. | 0:45:07 | 0:45:11 | |
You can't treat me this way. | 0:45:11 | 0:45:13 | |
-You're in this too. -In what?! | 0:45:13 | 0:45:16 | |
Why, every ring... | 0:45:18 | 0:45:20 | |
every piece of jewellery, everything you've got, I paid for. | 0:45:20 | 0:45:24 | |
Not with that measly salary I earn upstairs. | 0:45:24 | 0:45:27 | |
-You know that... -I don't know what you're talking about. | 0:45:27 | 0:45:30 | |
Lola... | 0:45:35 | 0:45:37 | |
Everything that's been missing around this hotel during the past year... | 0:45:38 | 0:45:44 | |
Well... | 0:45:45 | 0:45:47 | |
-the things... -You stole them?! | 0:45:47 | 0:45:49 | |
That's right, Lola. | 0:45:49 | 0:45:52 | |
I stole them so I could buy things to make you look pretty. | 0:45:52 | 0:45:57 | |
You are pretty, Lola. | 0:45:58 | 0:46:00 | |
Awfully pretty. | 0:46:00 | 0:46:03 | |
I'm sorry we have to leave, but somebody's closing in on me. | 0:46:03 | 0:46:07 | |
I don't want any part of this! No-one asked you to do this! | 0:46:07 | 0:46:11 | |
-You can't involve me! You won't ruin my life! -You're awfully pretty, Lola, | 0:46:11 | 0:46:16 | |
-but that won't help you when you're facing a jury. -You wouldn't dare! | 0:46:16 | 0:46:20 | |
I'd dare anything where you're concerned. | 0:46:23 | 0:46:26 | |
Gee, I didn't realise you were in such a jam. | 0:46:29 | 0:46:33 | |
You know now. | 0:46:33 | 0:46:35 | |
What are you gonna do about it? | 0:46:35 | 0:46:37 | |
Well...of course, I'll go if you want me to, Nick. | 0:46:37 | 0:46:42 | |
That's more like it. | 0:46:42 | 0:46:44 | |
I haven't been a very good wife, have I? | 0:46:47 | 0:46:50 | |
I've been so... | 0:46:50 | 0:46:53 | |
so neglectful. I've been so selfish. | 0:46:53 | 0:46:55 | |
But, honest, way down deep, I do love you. | 0:46:55 | 0:46:59 | |
Lola, without you, nothing makes any sense. | 0:47:00 | 0:47:04 | |
Darling, | 0:47:04 | 0:47:06 | |
we've got to be smart. | 0:47:06 | 0:47:08 | |
We can't just disappear - it would look too suspicious. | 0:47:08 | 0:47:12 | |
I'll tell Alex that I have to go home, that Mother sent for me. | 0:47:12 | 0:47:16 | |
I knew I could depend on you. | 0:47:17 | 0:47:20 | |
-You'd better leave - you're on the air in a minute. -Give Alex your notice, and we'll leave. | 0:48:10 | 0:48:16 | |
You have to hurry! | 0:48:16 | 0:48:17 | |
Hello! Get me the Barbary Bowl. | 0:48:24 | 0:48:27 | |
-CHIMING -And again, as the clock strikes midnight, | 0:49:19 | 0:49:23 | |
the Night Owl comes to you from KGR | 0:49:23 | 0:49:26 | |
for another session of music as requested by all you sun-dodgers | 0:49:26 | 0:49:30 | |
in the high Sierras to the Mexican border, the Mojave to the Pacific. | 0:49:30 | 0:49:34 | |
Sponsored by the Hysterical Scotchman, who rather give you an automobile than sell you one. | 0:49:34 | 0:49:39 | |
At the request of Shirley, Bruce and Nancy at the White Bowl, | 0:49:39 | 0:49:43 | |
and the three boys at Clark's mortuary, here's I Couldn't Sleep A Wink Last Night. | 0:49:43 | 0:49:49 | |
We sure have been busy here. I almost missed being on the air tonight by a slip. | 0:49:49 | 0:49:55 | |
A slip of a girl, of course, you foolish people! | 0:49:55 | 0:49:59 | |
MUSIC BEGINS | 0:49:59 | 0:50:01 | |
Here's a demand note from the Radio Clock & Watch Company | 0:51:02 | 0:51:06 | |
for a recording of 7 O'clock In The Morning. | 0:51:06 | 0:51:09 | |
What's the matter? | 0:51:23 | 0:51:25 | |
-Tell me. What's wrong? -Everything's wrong. | 0:51:25 | 0:51:28 | |
-Nick was desperate. Something serious is going to happen. -And you won't be here when it does. | 0:51:28 | 0:51:33 | |
What are we going to do? | 0:51:33 | 0:51:35 | |
-Where is he now? -'And now, folks, light up a cigarette, and listen to this. | 0:51:35 | 0:51:40 | |
'This is for Gary Turner and his grandad in Inglewood.' | 0:51:40 | 0:51:44 | |
You're starting to pack right now. You're leaving here right away. | 0:51:44 | 0:51:48 | |
You can't let me go alone. What about us? | 0:51:48 | 0:51:51 | |
There's no time to waste. Go to another hotel, and call me. I'll figure out something. | 0:51:51 | 0:51:56 | |
-Can't you go with me? -We haven't time to argue. | 0:51:56 | 0:51:59 | |
I can't leave with you, but I can cover up for you. | 0:51:59 | 0:52:02 | |
You've got to go before Nick gets any ideas. | 0:52:02 | 0:52:05 | |
Alex, I'm scared. | 0:52:05 | 0:52:07 | |
-Pull yourself together, dear. -Suppose he finds out and follows me. He's mad. | 0:52:10 | 0:52:15 | |
He'll be on air till 5am. You'll be on your way by then. | 0:52:15 | 0:52:18 | |
The police will find him before he knows where to look for you. | 0:52:18 | 0:52:21 | |
I'd better go, or he'll wonder where I am. | 0:52:21 | 0:52:24 | |
-I'll send a boy up for your things in 20 minutes. -All right. | 0:52:24 | 0:52:28 | |
You weren't planning to pack tonight, were you? | 0:52:42 | 0:52:46 | |
What's the matter, Lola? | 0:52:48 | 0:52:50 | |
Did I frighten you? | 0:52:50 | 0:52:52 | |
'It's a privilege to present a recording by that favourite of favourites, Francis Langford, | 0:52:52 | 0:52:57 | |
'singing Dreaming Out Loud, from her new picture.' | 0:52:57 | 0:53:01 | |
Yeah, that's what everyone thinks. | 0:53:01 | 0:53:04 | |
Clever, isn't it? | 0:53:04 | 0:53:06 | |
Yes, Nick, it's... | 0:53:06 | 0:53:08 | |
it's very clever. | 0:53:08 | 0:53:10 | |
So are you, Lola. | 0:53:12 | 0:53:14 | |
Very clever. | 0:53:14 | 0:53:16 | |
You were getting ready so we could go away together, weren't you? | 0:53:16 | 0:53:20 | |
I wanted to get started as soon as possible. | 0:53:20 | 0:53:23 | |
No, Nick... | 0:53:25 | 0:53:27 | |
No! | 0:53:27 | 0:53:28 | |
What's the matter? | 0:53:28 | 0:53:31 | |
Don't be afraid. | 0:53:31 | 0:53:33 | |
Nick, please! Please! | 0:53:33 | 0:53:36 | |
Kiss me, Lola. | 0:53:36 | 0:53:39 | |
GUNSHOT | 0:53:39 | 0:53:41 | |
Shouldn't waste good food. | 0:53:45 | 0:53:47 | |
Uh-oh. | 0:53:49 | 0:53:51 | |
-That ain't good. Maybe we ought to tip off the boss. -Where do you think he went? | 0:53:51 | 0:53:55 | |
I got a notion he's having a few words with a suspect who should be up there, singing, | 0:53:56 | 0:54:01 | |
but who ain't been around for 20 minutes. | 0:54:01 | 0:54:05 | |
She could have gone to her room. | 0:54:06 | 0:54:09 | |
But then again... | 0:54:09 | 0:54:11 | |
she might be on the roof at the radio station with the Night Owl. | 0:54:11 | 0:54:15 | |
We ought to warn Mr Lawrence. He doesn't know that man is trailing us. | 0:54:15 | 0:54:19 | |
You take KGR and I'll go to Lola's. | 0:54:19 | 0:54:22 | |
I'll try her dressing room first. | 0:54:22 | 0:54:24 | |
Come on! | 0:54:24 | 0:54:26 | |
'How do you like this? I got a letter from a couple of boys in jail | 0:54:29 | 0:54:32 | |
'with a special request. Don't go away, boys, here it is. | 0:54:32 | 0:54:36 | |
'Charlie Barnett and his gang, with You Slay Me.' | 0:54:36 | 0:54:41 | |
-Don't touch that gun! Keep your hands up! -You're wasting time! The murderer must have gone out that door. | 0:55:10 | 0:55:16 | |
Stop! Save that talk for the inspector. | 0:55:16 | 0:55:19 | |
I've been looking everywhere for you! What goes on here?! | 0:55:24 | 0:55:28 | |
Oh! | 0:55:28 | 0:55:29 | |
I didn't do it! Just the man I want to see... | 0:55:30 | 0:55:33 | |
-Where's Joan? -I sent her up to KGR. -You have to take us to the radio station. | 0:55:33 | 0:55:38 | |
-No. -The girl's in trouble. -He won't help you now. Get into these. -You've got to listen. | 0:55:38 | 0:55:44 | |
-I'm sorry. -So am I! | 0:55:44 | 0:55:46 | |
'A great number from the '20s! | 0:56:09 | 0:56:12 | |
'And now, what have we here? The phone's been ringing all night. | 0:56:12 | 0:56:16 | |
'We may be slow, but we plan to get round to every request at KGR. Yes, sir! | 0:56:16 | 0:56:22 | |
'OK, Twilight Time with Les Brown and his orchestra.' | 0:56:22 | 0:56:26 | |
I wish you hadn't come up here, Joan. | 0:56:41 | 0:56:44 | |
I, um, was looking for Mr Lawrence. I thought he was up here. | 0:56:44 | 0:56:49 | |
You're such a nice girl, Joan. | 0:56:50 | 0:56:53 | |
I wish you hadn't done it. | 0:56:53 | 0:56:55 | |
I haven't done anything, Nick. | 0:56:55 | 0:56:58 | |
I'm awfully sorry, Joan. | 0:57:01 | 0:57:03 | |
About what? | 0:57:03 | 0:57:05 | |
I don't like to have to do this. | 0:57:05 | 0:57:08 | |
I haven't anything against you, Joan. | 0:57:10 | 0:57:13 | |
No, Nick, no! | 0:57:13 | 0:57:15 | |
If you hadn't come up here, you wouldn't have known my little secret. | 0:57:15 | 0:57:20 | |
You might as well know everything now. | 0:57:20 | 0:57:23 | |
I just killed Lola. | 0:57:24 | 0:57:26 | |
She was my wife. | 0:57:27 | 0:57:29 | |
She was pretty. | 0:57:30 | 0:57:33 | |
Awful pretty. | 0:57:33 | 0:57:35 | |
I killed her, I tell you. | 0:57:37 | 0:57:39 | |
And you won't tell. | 0:57:43 | 0:57:45 | |
No. | 0:57:45 | 0:57:46 | |
You won't tell anybody. | 0:57:46 | 0:57:49 | |
Please, Nick, NO! | 0:57:51 | 0:57:53 | |
SCREAMING | 0:57:53 | 0:57:55 | |
-What are you doing?! -Don't ask me questions! Just do as I say, Joan! | 0:57:56 | 0:58:01 | |
Stay where you are! | 0:58:05 | 0:58:07 | |
All right. Come on up. | 0:58:23 | 0:58:25 | |
There's no doubt - the fingerprints on this will check with those on the knife that killed the waiter. | 0:58:25 | 0:58:31 | |
Goldie, just a minute. | 0:58:31 | 0:58:32 | |
I think this souvenir which was fired at us through the window | 0:58:32 | 0:58:37 | |
will fit Nick's gun perfectly. | 0:58:37 | 0:58:39 | |
-And match the bullets that killed Beaumont and Lola. -I guess I had you a little wrong at first, but... | 0:58:39 | 0:58:45 | |
Let me go! Let me go! > | 0:58:45 | 0:58:47 | |
Leave me alone! Keep your hands off me! | 0:58:47 | 0:58:50 | |
You...! This is outrageous! | 0:58:50 | 0:58:53 | |
-Look here... -I know all about it. Take it easy. We'll talk to you later. | 0:58:53 | 0:58:58 | |
Just a minute, Inspector! Hold that man. Chicken hatchery, huh?! | 0:58:58 | 0:59:02 | |
I want a warrant for his arrest, and the girl too. | 0:59:02 | 0:59:05 | |
-I have the pearls at headquarters. -But he's the man that... -Calm yourself. | 0:59:05 | 0:59:10 | |
If you had a brain, you'd have sworn out a warrant long ago... | 0:59:10 | 0:59:14 | |
-for THIS lady and her clique of crooks. -Clique of crooks? | 0:59:14 | 0:59:18 | |
This isn't the first time she and Beaumont have swindled your insurance company. | 0:59:18 | 0:59:23 | |
-Mrs Peabody?! -Yeah, you stupid fat-brain! We made a sucker out of you for years. | 0:59:23 | 0:59:30 | |
I don't understand. I thought we were friends. | 0:59:30 | 0:59:34 | |
Fine fellows don't always make fine friends. | 0:59:34 | 0:59:38 | |
Oh, I can't believe it. | 0:59:38 | 0:59:40 | |
Ha! Look - he's moulting! | 0:59:40 | 0:59:43 |