The Falcon's Alibi


The Falcon's Alibi

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FANFARE PLAYS

0:01:080:01:11

Tom, you've had success tracking down criminals. How about tracking down a winner for me?

0:01:170:01:22

I wish I could help you, but criminals are more predictable.

0:01:220:01:26

Nah, Tom, gimme just one peek.

0:01:260:01:29

-You wouldn't be interested.

-You're wrong. Horses are my first love.

0:01:290:01:33

What have you got there?

0:01:330:01:35

-Lady's Profile.

-Lady's Profile?

0:01:350:01:38

Lady's Profile? Have you got the right track?

0:01:400:01:43

Oooh! Yes, yes!

0:01:440:01:47

I have Serene Gale to win, Pleasant Surprise to win,

0:01:470:01:50

and Proud Nancy - it'll win too - and Lady Beautiful.

0:01:500:01:54

Look at the lovely animals!

0:01:540:01:56

And the jockeys - I just adore THAT one!

0:01:560:02:00

You can't bet every horse in every race!

0:02:000:02:04

-Why? One of them's bound to win!

-But you're betting more than you can win!

0:02:040:02:08

OK, I'll forget Lady Beautiful.

0:02:080:02:10

-You mustn't forget Lady Beautiful.

-Have you information on this race?

0:02:100:02:14

I wouldn't overlook Lady Beautiful.

0:02:140:02:17

I can see that you know something!

0:02:170:02:19

-I'll cut out Proud Nancy instead.

-The horses are nearing the gate.

0:02:190:02:23

Run down and make these bets for me.

0:02:230:02:25

10 each on numbers 2, 3, 5 and 7 to win.

0:02:250:02:29

4 on number 8...

0:02:290:02:31

-You have the money, haven't you?

-Yes, Mrs Peabody.

0:02:310:02:34

-Who do you think you're fooling?

-Joan! What a coincidence!

0:02:420:02:46

-It wasn't a coincidence in New York OR Havana!

-Maybe I like to follow the ponies.

0:02:460:02:51

And maybe you don't. If you don't stop following me, I'm going to...

0:02:510:02:56

Tell the law? I don't think you would.

0:02:560:02:59

It's funny - out of 35,000 people here, you're the only one that's annoyed by my presence.

0:02:590:03:05

That's where you're wrong, Metcalf - you annoy me too.

0:03:050:03:09

In fact, you always have.

0:03:090:03:12

ANNOUNCER: 'And there they go!

0:03:120:03:14

'Baby Boy is in front, ahead of Proud Nancy.

0:03:170:03:21

'Choo-Choo Rodgers is coming up fast.'

0:03:210:03:24

-Now, look here...

-No, no, no - the race!

0:03:240:03:27

-I'm sorry if I butted in.

-That's your long suit - butting in.

0:03:280:03:32

I don't believe I've had the pleasure. My name is Tom Lawrence.

0:03:320:03:36

Some people feel that Metcalf here isn't the best company in the world.

0:03:360:03:40

-Can I be of any assistance?

-No, thank you.

0:03:400:03:42

Oh.

0:03:420:03:44

Well, I'm sorry.

0:03:440:03:47

So, now you've got the Falcon trailing you...

0:03:490:03:52

-What?! Who did you say?!

-Tom Lawrence - the Falcon.

0:03:520:03:56

'Lady Beautiful and Baby Boy.

0:04:000:04:02

'Here they come to the finish. Baby Boy and Beautiful...

0:04:020:04:05

'Lady Beautiful wins!'

0:04:050:04:07

I didn't want to bet today.

0:04:070:04:09

-Yoo-hoo, young man!

-Me?

-Yes, you wonderful man, you.

0:04:090:04:13

You know, Lady Beautiful - I won so much money on her. How did you know she would win?

0:04:130:04:18

-She looked like a winner to me.

-Remarkable!

0:04:180:04:21

-I'm Gloria Peabody.

-How do you do? I'm Tom Lawrence.

0:04:210:04:25

-This is Harvey and Alex.

-How do you do?

-Glad to know you.

0:04:250:04:29

I'm going to place a bet. I'll go with you.

0:04:290:04:32

-Won't you join me?

-Thank you.

0:04:320:04:34

Joan, this is Mr Lawrence. He's the man that gave me Lady Beautiful.

0:04:340:04:38

-Miss Meredith - my secretary.

-It's a pleasure.

-Thank you. I'm happy to know you.

0:04:380:04:44

How can I ever repay you for giving me a winner?

0:04:440:04:47

I know! You must come to my birthday party tonight!

0:04:470:04:51

Sorry, but I'm flying to Miami tonight.

0:04:510:04:53

Oh, you big businessman! You could postpone it, just this once.

0:04:530:04:57

I'm afraid I've made my reservations.

0:04:570:05:00

We're going to have such a good time, and it's not every day a girl celebrates her 37th birthday.

0:05:000:05:05

May I be the first to congratulate you. And may I add that you don't look your age.

0:05:050:05:10

-Aren't you a dear!

-Oh, Mr Lawrence, you dropped this.

-Oh, thank you!

0:05:100:05:15

You know, you've been so nice, I'm tempted to accept your offer.

0:05:200:05:24

How charming!

0:05:240:05:26

Tonight at eight, the Barbary Bowl.

0:05:260:05:28

Hey, boss, we nearly didn't make it, but you know me!

0:05:290:05:33

I ran into Lefty Lewis. You know Lef... You wouldn't know Lefty Lewis.

0:05:330:05:37

Says he's on the legit. Anyway, we leave tonight at 8.14.

0:05:370:05:41

Sorry, but we'll have to cancel them.

0:05:410:05:44

OK, I'll call... Cancel them?! What do you mean?! You give me one iota why we should c...

0:05:440:05:50

Never mind. I get it.

0:05:510:05:53

# How do you fall in love?

0:06:080:06:11

# You meet a boy, and then you say, "Hey!"

0:06:110:06:14

# And then he, um...

0:06:140:06:16

# You just fall It just happens to happen

0:06:160:06:20

# That's all

0:06:200:06:22

# How do you meet a boy?

0:06:230:06:26

# You walk outside, and...

0:06:260:06:28

# And then he, um...

0:06:280:06:30

# You just fall It just happens to happen

0:06:300:06:34

# That's all

0:06:340:06:37

# Throw in some stars and moonlight

0:06:370:06:40

# They might enhance the scene

0:06:400:06:43

# There's really not an answer

0:06:430:06:45

# I can't say what I mean

0:06:450:06:47

# How do you fall in love?

0:06:470:06:50

# Steal a kiss, and you, um...

0:06:500:06:53

# And then he...

0:06:530:06:55

# You just fall It just happens to happen

0:06:550:07:00

# That's all. #

0:07:000:07:02

APPLAUSE

0:07:020:07:04

Mrs Peabody mustn't know that you came because I asked you to.

0:07:070:07:11

This sounds serious.

0:07:110:07:13

And I thought you invited me because of my irresistible charm!

0:07:130:07:18

-Joan and Mr Lawrence seem to be enjoying themselves.

-They're doing well for strangers.

0:07:180:07:23

It don't take the Falcon long to get acquainted with a gorgeous bir... um, pretty girl.

0:07:230:07:29

Did you say...the Falcon?

0:07:290:07:31

Yes, in the flesh.

0:07:310:07:33

Last year, after I started working for Mrs Peabody,

0:07:370:07:40

-a valuable bracelet disappeared.

-And she collected the insurance money from Metcalf's company.

0:07:400:07:46

Yes. He's been trailing me ever since. Sometimes I think I'll...

0:07:460:07:49

-That's just his way of doing his job.

-But that isn't all.

0:07:490:07:53

A few days ago, I took her pearls to the jeweller's to have them copied.

0:07:530:07:56

-Without consulting her?

-Yes. I know it was stupid of me,

0:07:560:08:01

but I was helpless and had to protect myself.

0:08:010:08:04

Just how much are these pearls worth?

0:08:040:08:07

They're insured for 100,000.

0:08:070:08:10

-But...when I took them to the...

-I think I know the rest.

0:08:100:08:14

The jeweller told you they were fakes.

0:08:140:08:17

-Yes!

-And to protect yourself, you've got to find the real ones.

0:08:170:08:21

-You must help me.

-Anyone in their right mind would say that you took them yourself.

0:08:210:08:28

But... who said I was in my right mind?

0:08:280:08:32

Come on, let's join the others.

0:08:320:08:34

Don't forget the chopped egg and onions, just like...

0:08:340:08:38

-How did you like that last number?

-Very nice. Will you join us?

-Later. I'm going to speak to Lola.

0:08:380:08:43

-Bring her along. Lola was the girl who sang.

-I'll see you all later.

0:08:430:08:47

There you two are!

0:08:490:08:51

-Look who arrived - the Baron and Baroness. Mr Lawrence.

-How do you do?

0:08:510:08:55

Nina, this gentleman is the Falcon.

0:08:550:08:59

You're very young to be so famous.

0:08:590:09:02

You're very kind. Thank you for a delightful evening. If you'll excuse me, I...

0:09:020:09:07

You can't go yet! The party isn't over.

0:09:070:09:11

I'm having Louis serve a snack in my room. First, we'll visit Nick the Night Owl.

0:09:110:09:16

Night owl...? Who wants to go to a zoo at this time of night?

0:09:160:09:19

It's a radio station, upstairs on the roof.

0:09:190:09:22

Nick plays records for people who call in. It's loads of fun!

0:09:220:09:26

-Louis, where were we?

-Where were we...? Caviar with chopped egg and onions...

0:09:260:09:31

-That's fine! Don't fail me!

-Parfait, Madame!

0:09:310:09:35

That's French!

0:09:350:09:37

'This is your nocturnal playmate - Nick the Night Owl,

0:09:390:09:43

'broadcasting from the top of the Barbary Towers.

0:09:430:09:47

'Station KGR.

0:09:470:09:49

'Now, for Terry and Ruth, we give you Gene Krupa, an old tom-tom man,

0:09:490:09:53

'playing I Wake Up In The Morning.'

0:09:530:09:56

DRUM INTRO

0:09:560:09:59

MUSIC STOPS

0:10:010:10:03

SMASH!

0:10:030:10:05

You!

0:10:230:10:24

What are you doing in here?! No!

0:10:240:10:27

Put down that knife!

0:10:270:10:29

-What took you so long, honey?

-Alex called another rehearsal.

0:10:410:10:45

-He's calling a lot of rehearsals.

-Please don't start that again. He's my boss, I've got to...

0:10:450:10:50

I'm your husband.

0:10:500:10:52

Please be patient. We won't have to keep our marriage a secret much longer.

0:10:520:10:56

Not after you become a star...?

0:10:560:10:58

Well, I don't want you to be a star.

0:10:580:11:01

Not if it means I'm gonna lose you.

0:11:010:11:04

Lose me? You haven't a chance.

0:11:040:11:07

So, THIS is what goes on in all-night radio stations! Nick, you rascal!

0:11:090:11:14

-Perhaps we'd better knock before coming in!

-Gloria and Joan! This is a pleasant surprise.

0:11:140:11:19

Nick, this is Tom Lawrence and his friend Goldie.

0:11:190:11:22

Miss Carpenter, Mr Lawrence.

0:11:220:11:24

-What are you celebrating tonight?

-It's my birthday, darling!

0:11:240:11:28

Hold everything! This is an occasion!

0:11:280:11:30

Boys and girls, this is Nick again! We interrupt this programme to give you a special flash.

0:11:300:11:36

It's birthday time in the Owl's Nest.

0:11:360:11:38

One of my favourite people is celebrating her 21st birthday tonight!

0:11:380:11:42

-Nick, I'm 37!

-37...?! Believe me, folks, she looks 19!

0:11:420:11:47

SHE GIGGLES And that is the girlish laughter of Gloria Peabody!

0:11:470:11:50

-Say hello to your public.

-What shall I...?

-That's fine! What would you like me to play for you?

0:11:500:11:56

-Tell them.

-Well...

-And for Gloria, who grows younger each birthday, what could be more appropriate

0:11:560:12:01

than the King Cole Trio, singing their own arrangement of Heavenly?

0:12:010:12:05

-Mr Lawrence, how do you like our setup?

-Very interesting.

0:12:080:12:11

I think it's crazy!

0:12:110:12:13

-You've got to be crazy to do this!

-We're going to my apartment. Too bad you can't join us.

0:12:130:12:19

The Baron and Baroness were meant to meet us here.

0:12:190:12:22

Joan, see if they stopped off at our apartments. And check if Louis is ready for us.

0:12:220:12:27

I'll go with you. ..Goldie, you'd better keep Mrs Peabody company.

0:12:270:12:32

Thanks(!) Mighty white of you.

0:12:320:12:34

Well, anybody want to rumba?

0:12:340:12:37

There's never a dull moment with Mrs Peabody.

0:12:400:12:43

-You should see us when things are REALLY booming!

-My sympathy!

0:12:430:12:47

-If you want me to help you, I'll have to know some things.

-About Mrs Peabody?

0:12:470:12:52

That would help too, but I'd like to know more about Mr Beaumont

0:12:520:12:56

-and the mysterious Baron and Baroness.

-You don't suspect Mr Beaumont - he's an old friend.

0:12:560:13:02

-And the Baron and Baroness?

-Mrs Peabody met them in Europe.

0:13:020:13:06

They seem to be all right.

0:13:060:13:08

It's open.

0:13:120:13:14

-Louis must be ready.

-Looks like it.

0:13:140:13:17

-Everything seems to be here. You'd better call Mrs Peabody.

-Right.

0:13:170:13:21

SHE SCREAMS

0:13:260:13:28

Mr Lawrence! Come quickly!

0:13:280:13:30

It's Louis.

0:13:370:13:39

Is he...dead?

0:13:410:13:43

Yeah.

0:13:440:13:46

Murdered, evidently.

0:13:460:13:48

Knifed.

0:13:480:13:50

Mr Lawrence... the pearls have been stolen.

0:13:580:14:01

Relax, Miss Meredith, you've just told me they are worthless.

0:14:010:14:06

Give me the police department, please.

0:14:080:14:10

-He was dead when you came into the room...?

-Yes.

-Hold it, for a picture.

0:14:100:14:15

It's frightful. Five robberies in six months in this hotel.

0:14:150:14:18

-And now this!

-Did Mrs Peabody look to see if anything else was missing?

0:14:180:14:23

-I didn't think to ask her.

-I'll check the files. Probably committed by the same person.

0:14:230:14:27

-An employee of this hotel?

-Possibly.

0:14:270:14:30

I want a list of those on duty and off.

0:14:300:14:32

This one went through his heart. Death was instantaneous.

0:14:320:14:36

-He used this to open the dresser. An amateur, probably.

-What makes you think so?

0:14:360:14:40

A professional would have his own tools.

0:14:400:14:43

You may go now. Do not move from the hotel without notifying the police.

0:14:440:14:48

And in no event has anyone to leave the city.

0:14:480:14:51

What a catastrophe! You poor darling. The shock you must have had.

0:14:510:14:55

-I'd like to ask you more questions.

-I was with Miss Meredith when she found the body.

0:14:550:15:01

-I've been with her all evening.

-Look, we want to give you every consideration possible,

0:15:010:15:06

-but I have to demand co-operation and no interference.

-He's a nosy amateur, if you ask me.

0:15:060:15:11

Nobody asked you.

0:15:110:15:13

-I forgot to mention, Mrs Peabody has retained me to help recover her pearls.

-What?!

-I did?!

0:15:130:15:18

-I didn't have a chance to mention it, but I did hire him.

-OK, the fact some jewels are missing is secondary.

0:15:180:15:25

-The important thing here is a murder's been committed.

-Naturally.

0:15:250:15:28

-However, we all agree the crimes were committed by the same man.

-Who said it was committed by a man?!

0:15:280:15:35

I'll handle this, Metcalf.

0:15:350:15:37

I'd like to talk to you, Miss Meredith - alone.

0:15:370:15:41

This is great. Stuck here, and me with a date in Miami with a gorgeous tomay-to!

0:15:440:15:49

-Tomato!

-Tomay-to, tomato - she's a dame, ain't she?

0:15:490:15:53

You've no sense of adventure.

0:15:530:15:56

A beautiful girl in trouble, missing pearls, murder...

0:15:560:16:00

-Ow! Not so hard!

-Sorry, boss.

0:16:000:16:02

-You know...

-I know what you're gonna say. "There's more to this than meets the eye."

0:16:020:16:08

-You're right!

-There's enough trouble in this world without looking for it.

0:16:080:16:12

If you leave a window open, it's liable to climb right in your lap.

0:16:120:16:16

-I've got a few hunches already.

-Tell me.

0:16:160:16:20

-There are two unrelated factors.

-Come on, boss, speak English!

0:16:200:16:25

-Boss! Boss, where are you?

-Over here.

0:16:320:16:35

It must have been fired from a helicopter.

0:16:520:16:55

Hey, do you want them to do it again?!

0:17:020:17:04

-Pull down the shades.

-Them shades ain't bullet-proof.

0:17:040:17:08

We ought to change rooms.

0:17:080:17:10

Maybe even cities.

0:17:110:17:13

'Now for Bill White and his friends, Tommy and Ralph, we're gonna play Jimmy Dorsey's recording

0:17:150:17:21

'of Beat Me Daddy, Six To The Bar. It should be EIGHT to the bar,

0:17:210:17:25

'but Jimmy's agent probably got the other two bars!'

0:17:250:17:28

-This is like lining up a target - I feel like a bull's-eye.

-He wasn't trying to hit the bull's-eye.

0:17:280:17:33

He was celebrating the 4th of July...?!

0:17:330:17:36

Anyone could hit us at 15 feet. Somebody's trying to frighten us.

0:17:360:17:40

He did a good job on me. Who do you think it was?

0:17:400:17:43

I don't know, but I have an idea it was someone who is familiar with the layout of the hotel.

0:17:430:17:49

-Otherwise, he wouldn't have disappeared so quickly.

-Someone who lives or works here?

0:17:490:17:54

-You're covering a lot of people.

-This is as good as a fingerprint - it will only fit one gun.

0:17:540:17:59

I'm for getting out of here.

0:17:590:18:01

-After receiving an invitation like this?

-If this is an invitation, it's an invitation to a funeral!

0:18:010:18:07

Let's stay and see whose funeral.

0:18:070:18:10

That's a cute trinket. I'd like it for a paperweight.

0:18:290:18:32

Hold it for me, will you?

0:18:320:18:34

This is heavy enough to sink a battleship.

0:18:370:18:40

-I'd say...um, 12 carats?

-Um, 11.

0:18:400:18:43

-All pure, unadulterated glass.

-You don't say!

-Stage jewellery.

0:18:430:18:48

-So this is the way to great detective work?!

-Good morning!

0:18:530:18:57

I can assure you, my interest was entirely professional.

0:18:570:19:00

-I hoped you'd find time to help me.

-I am! A good criminologist never overlooks anything.

0:19:000:19:06

-So I see!

-That's very unfair, and I'll prove it!

0:19:060:19:10

Miss Carpenter probably makes 75 to 100 a week.

0:19:100:19:14

What's that got to do with me?

0:19:140:19:16

She is either a good actress or poor judge of precious stones.

0:19:160:19:20

She told me this was cheap costume jewellery.

0:19:200:19:24

-Isn't it?

-Certainly not.

0:19:240:19:26

This diamond is probably worth several thousand dollars.

0:19:260:19:30

But if someone gave Lola expensive jewellery,

0:19:300:19:33

-they'd want her to know its real value.

-I'm sure they would.

0:19:330:19:37

-You see, I HAVE been working. Shall we have breakfast?

-Hadn't you better return that?

0:19:370:19:42

I'll join you in a second.

0:19:420:19:44

This much is clear - whoever stole the real pearls substituted the duplicates.

0:19:480:19:53

-That seems obvious.

-And to do so, that person must have been close to Mrs Peabody.

0:19:530:19:58

-That puts the spotlight on me.

-And on the Baron and Baroness and on Mr Beaumont.

0:19:580:20:03

-You mean, you suspect them?!

-All good detectives, including Metcalf...

0:20:030:20:09

start by suspecting everyone. Now I've caught up with my correspondence.

0:20:090:20:13

Speak of the devil...

0:20:130:20:15

-How do you feel this morning?

-Just frightful!

0:20:160:20:20

-I didn't sleep a wink.

-Sorry to hear that.

-It was a shock for us all.

0:20:200:20:23

Yes. ..Oh, waiter! Waiter!

0:20:230:20:26

-I've been looking all over for you.

-I've been looking for you.

0:20:260:20:29

-Mail this to my Aunt Cleora, will you?

-Sure, boss, sure.

0:20:290:20:33

Airmail, special delivery.

0:20:330:20:35

Cleora... He ain't got no Aunt Cleora.

0:20:380:20:40

"Goldie, sealed orders."

0:20:400:20:43

"1. Be sure no-one follows you...

0:20:500:20:53

"..then go to Harvey Beaumont's room.

0:20:570:21:01

"2. Pick lock, and enter.

0:21:010:21:04

"3. Open window facing terrace."

0:21:270:21:30

It IS open.

0:21:340:21:36

"4. Place wastebasket before window.

0:21:380:21:41

"Start fire in it."

0:21:410:21:44

Hope he knows what I'm doing.

0:21:490:21:52

"5. Hide in the closet and observe everything that happens."

0:22:070:22:11

Hide in the...?

0:22:110:22:14

"PS Swallow this note."

0:22:200:22:23

This is going too far. I refuse to...

0:22:230:22:26

I ref... Oh...

0:22:260:22:28

-I don't feel like eating a thing.

-Don't starve yourself because of last night. It wasn't your fault.

0:22:350:22:41

-My 37th birthday - I'll never forget it.

-That's strange.

0:22:410:22:45

Isn't that smoke coming out of that window?

0:22:450:22:47

Must be a fire.

0:22:470:22:50

That's the fifth floor.

0:22:500:22:52

Looks like MY room!

0:22:520:22:54

-Nice work, Goldie.

-Thanks.

-How did it taste?

0:23:580:24:02

For your information, I'm in what is commonly known as a dilemma.

0:24:020:24:06

-Let me know what I'm meant to be doing.

-First, tell me what Beaumont did when he came in.

0:24:060:24:11

Well...

0:24:110:24:12

He flings open the door...

0:24:120:24:15

he closes it - bang!

0:24:150:24:17

His eyes is wild, his face a symphony of mixed commotions.

0:24:170:24:21

He's breathing hard...

0:24:210:24:24

-The next thing...

-Please, stop hamming it up!

0:24:240:24:27

-You want it as it was, don't you?

-We're in a hurry! Where did he go?

0:24:270:24:32

He shoots around the bed,

0:24:320:24:34

and he stops right there.

0:24:340:24:36

-Then?

-I thought he was crazy. With a fire burning, he got interested in literature!

0:24:360:24:41

-Get to the point.

-He picked up one of those books.

0:24:410:24:45

-Imagine a guy so dumb he's got to look up instructions on how to put out a fire.

-Which book?

0:24:450:24:50

-Pluto's Lives.

-Plutarch's Lives.

-Pluto, Plutarch...who cares?!

0:24:500:24:53

Then he grabs the water,

0:24:530:24:55

and the fire is out.

0:24:550:24:57

Hey, here I am(!)

0:25:000:25:01

-And here are the pearls.

-The pearls!

-Yeah, the REAL pearls!

0:25:040:25:08

What do ya know?!

0:25:080:25:10

Pardon the interruption...

0:25:100:25:13

-What is it?

-We found the pearls, right?

-Right.

0:25:130:25:17

That's what we call "mission accomplished".

0:25:170:25:19

-Give them back to the owner, and we go on our merry way.

-Not quite.

0:25:190:25:24

There's something you've overlooked.

0:25:240:25:26

You've forgotten that Inspector Blake has requested that we stay here

0:25:260:25:31

-until a certain murder's been cleared up.

-Yeah, I did.

0:25:310:25:34

The murderer was after these

0:25:340:25:37

and it's possible he'd arranged for a way to dispose of them.

0:25:370:25:40

Where's the most logical place to dispose of something of this value?

0:25:400:25:44

Well, it would be my opinion, based upon a reasonable amount of experience -

0:25:450:25:50

in the past, of course - that stuff of this kind would be handled by the biggest fence in town.

0:25:500:25:55

From your experience - in the past, of course -

0:25:550:25:58

-wouldn't you say that a fence is aware of a robbery before it's committed?

-Sometimes.

0:25:580:26:03

What are you getting at?

0:26:030:26:06

If we can find out who is the biggest fence in town, and dangle these in front of him,

0:26:060:26:11

-he may make the next move.

-You know something, boss?

0:26:110:26:15

I thought of a way to get that information for you.

0:26:150:26:19

From your friend, Lefty?

0:26:190:26:21

Yeah! How'd you guess?!

0:26:220:26:24

-One wouldn't expect to have a meeting with a fence in a place like this.

-Lefty said to be here at 11.

0:26:310:26:36

It's almost 11 now.

0:26:360:26:38

Think you could play bodyguard to these?

0:26:380:26:41

Sure, but you shouldn't have brought them along.

0:26:410:26:45

-They're safer with us.

-Safer than in the vault at the hotel?

0:26:450:26:48

And have the clerk broadcast our little secret of Beaumont?!

0:26:480:26:52

-Pardon, are you awfully busy?

-Speaking of tomatoes...

0:26:520:26:55

-Only with our thoughts. Would you care to join us?

-Oh, no, thank you.

0:26:550:26:59

I thought there was a lot of wonderful music going to waste.

0:26:590:27:03

-By all means.

-Boss, the...

-Goldie! Beauty has been known to stop 1,000 clocks!

0:27:030:27:08

Looks like Lefty made a mistake.

0:27:100:27:12

-We haven't introduced ourselves.

-Is that necessary?

0:27:120:27:16

-I guess not.

-Then let's leave it that way - it's more exciting.

0:27:160:27:20

-You like mystery and excitement?

-What makes you think you're mysterious, Mr Lawrence?

0:27:200:27:25

Thanks for the dance, Mr Lawrence.

0:27:280:27:31

Thanks for the 40-cent tour(!)

0:27:310:27:33

A smooth organisation you have here.

0:27:360:27:38

Coming from you, that's a compliment!

0:27:380:27:40

-Sit down.

-Thanks.

0:27:400:27:42

What can I do for you?

0:27:420:27:45

-You're misinterpreting my visit. I was just...

-Oh, come on!

0:27:450:27:49

Let's play like we're both grown up.

0:27:490:27:52

Oh! Perhaps you're under the impression I might know something about a pearl necklace...

0:27:520:27:58

It doesn't take a detective to see that I'm in the restaurant business.

0:27:580:28:02

-Why would I be interested in a necklace?

-I thought we were acting grown up.

0:28:020:28:06

You stick to that, and we'll get no place.

0:28:060:28:09

Cigarette?

0:28:100:28:12

Thanks.

0:28:120:28:14

-Thank you.

-Just for the sake of argument,

0:28:180:28:21

let's say I AM interested in a certain necklace.

0:28:210:28:24

I could tell you that the necklace, which was expected to fall into your hands, isn't going to.

0:28:240:28:31

Why?

0:28:310:28:33

-Cos it fell into my hands first.

-If I were a fence, you'd expect that news to shock me.

0:28:330:28:38

But it wouldn't, cos I wouldn't believe it.

0:28:380:28:41

Ah, one of the classics.

0:28:430:28:45

Are you familiar with some of the others?

0:28:450:28:49

Nightclub operators aren't illiterate.

0:28:490:28:51

Have you read Plutarch's Lives?

0:28:510:28:54

If you'll permit a pun, I'd say there's a few gems in it.

0:28:570:29:00

I must admit, you've read the right book.

0:29:000:29:03

Of course, a smart man like you would never carry so valuable a trinket in his pocket.

0:29:050:29:10

Hardly.

0:29:100:29:12

Well, now that you know my taste in literature, it would be nice to hear from you sometime.

0:29:120:29:17

Goodnight.

0:29:170:29:19

Goodnight.

0:29:190:29:20

-We're in for trouble.

-Dame trouble?

-No!

0:29:290:29:32

-The necklace?

-Yeah.

-I told you we shouldn't have brought it!

0:29:320:29:35

Let's go.

0:29:350:29:37

You go ahead and get a cab.

0:29:380:29:41

Give me that box, please.

0:29:410:29:43

-Thanks.

-You've got 10 coming.

0:29:460:29:48

-Oh. Is this for sale?

-That's my supper.

-You're supper?

-I don't eat here - you think I'm crazy?!

0:29:480:29:54

I'll keep this, you keep the change.

0:29:540:29:56

Uptown.

0:30:010:30:02

Cab!

0:30:110:30:12

-Where were they going?

-He said, "Uptown."

0:30:140:30:16

Tail that cab!

0:30:200:30:22

Unwrap that for me.

0:30:320:30:33

I don't wanna smoke, and I ain't hungry. Let's concentrate on them.

0:30:330:30:37

-That's what I'm doing.

-Gee, boss, I'm sorry.

0:30:370:30:41

All the time I thought you were falling for that twist in the check room.

0:30:410:30:45

Poor kid. Works in a nightclub, and has to bring her own sandwiches!

0:30:450:30:50

Cruel system, I call it.

0:30:500:30:52

Hey, boss!

0:30:520:30:54

Caviar!

0:30:540:30:56

We ain't lost them yet.

0:31:010:31:03

Come on! Give it some gas!

0:31:040:31:06

-Driver, stop the car! Quick!

-Yes, sir.

0:31:230:31:25

-Can you take care of this for us?

-Certainly.

0:31:300:31:33

Here's something for your trouble.

0:31:330:31:36

Thanks!

0:31:360:31:37

You can always depend on Uncle Sam.

0:31:370:31:40

Something you boys wanted?

0:31:540:31:56

-Nothing at all.

-No, not a thing.

0:31:560:31:59

Well, goodnight.

0:31:590:32:02

Well, sorry, Nick - bad news.

0:32:090:32:12

-Bad news? What do you mean?

-They're phonies. No good.

0:32:130:32:18

No good?

0:32:180:32:20

-You're kidding. Now, look...

-You don't kid in this business.

0:32:200:32:24

They can't be... They've got to be real! I know where I got them.

0:32:260:32:31

Nick, they're cheap paste.

0:32:310:32:33

Phonies. Now, take them someplace else.

0:32:330:32:36

-But I got 'em from...

-I know where you got 'em!

0:32:360:32:39

From Mrs Peabody. But Beaumont had the real ones all the time.

0:32:390:32:43

-Beaumont?!

-Yes. I wouldn't even touch the real ones now.

0:32:430:32:48

There's blood on them.

0:32:480:32:50

That's all, Nick.

0:32:510:32:52

Goldie, be a good boy and bring me my robe.

0:33:030:33:06

Oh.

0:33:080:33:09

-It's you, is it?

-Yeah.

0:33:090:33:12

You know, you're a little bit late.

0:33:120:33:15

-Late?

-Yeah.

-For what?

0:33:150:33:19

Two minutes sooner, and you could have scrubbed my back.

0:33:190:33:22

-Can I help you?

-I'm looking for a match, if you don't mind.

0:33:240:33:28

I don't think you'll find any in there.

0:33:280:33:31

As long as you're so interested, Williams...

0:33:320:33:35

Let's see now... Here I have handkerchiefs.

0:33:350:33:39

Very good linen, too.

0:33:390:33:41

What's your game? Why did you say you were retained by Mrs Peabody?

0:33:410:33:46

Oh! Oh, that!

0:33:460:33:48

It was just conversation.

0:33:480:33:51

-I am trying to find her pearls for her.

-You're not making things easier for the department.

0:33:510:33:56

We'll arrange for a pair of seats for you and your stooge on the Florida plain.

0:33:560:34:01

That's very gracious of you.

0:34:010:34:03

-We wouldn't do this for everyone.

-I'm certain of that.

0:34:030:34:06

-Williams will bring your tickets later.

-Package for Mr Lawrence.

-Thanks.

0:34:060:34:11

Um, lend me half a dollar, will you?

0:34:130:34:16

-Dime help you?

-Take a tip from the police - a small one.

0:34:190:34:22

You afraid this will put me in an upper bracket?

0:34:220:34:26

It's from my Aunt Cleora.

0:34:260:34:29

Aren't you gonna open it?

0:34:290:34:32

Of course! Why not?

0:34:320:34:34

Aunt Cleora is always sending me things.

0:34:340:34:37

Jams, cookies...

0:34:370:34:39

I wonder what this can be.

0:34:390:34:42

Oh, cigars!

0:34:430:34:45

-Will you have one?

-Never use them.

0:34:450:34:48

I won't offer you one - you haven't got a match.

0:34:490:34:52

Hey, have I got news? Go ahead - I'm listening.

0:34:520:34:56

For what?

0:34:560:34:58

I just asked myself a question. I said, "Have I got news?"

0:34:580:35:02

No.

0:35:030:35:05

Let's get outta here.

0:35:050:35:07

What's with them?!

0:35:110:35:12

Oh, boy! The pearls came!

0:35:120:35:15

-Ssssh!

-I changed my mind. I will have a cigar after all.

0:35:150:35:19

It's an expensive brand.

0:35:220:35:24

Yes. VERY expensive.

0:35:270:35:30

Might cost you as much as 20 years to life.

0:35:300:35:33

-That's a long time.

-Very. Get some clothes on.

0:35:330:35:37

Boss, tell him the truth.

0:35:370:35:39

-The truth is, no-one ever believes it.

-Let me be the judge of that.

0:35:390:35:43

All right.

0:35:460:35:48

I trapped Beaumont into revealing that he'd hidden the real pearls in his room.

0:35:480:35:53

I was using them to smoke out the murderer.

0:35:530:35:56

As you said, Inspector,

0:35:560:35:58

the jewels are of secondary importance. There's still a murderer at large.

0:35:580:36:02

Your alibi is easy to check, if ever you get some clothes on.

0:36:020:36:06

Where are we going?

0:36:060:36:08

Mr Beaumont's room, of course.

0:36:080:36:10

Hey! It's Beaumont!

0:36:140:36:16

Well? Looks like your alibi won't stand up.

0:36:250:36:28

An untimely death, I calls it. Take over, Williams.

0:36:300:36:34

Come on, Lawrence.

0:36:340:36:36

Ain't you overdoing it? We're in here for the night.

0:36:380:36:42

At a time like this, the best policy is to maintain an attitude of complete...

0:36:420:36:47

-insouciance.

-Does that mean putting on your tie before hitting the hay?

0:36:470:36:52

-Look who's here!

-Come on. The inspector wants you.

0:36:530:36:57

Miss Meredith, what reason did you have to want the false pearls copied?

0:37:010:37:05

I didn't know they were false. I wanted to protect myself in case they were stolen.

0:37:050:37:10

That's a stall! She took the real ones, and wanted to cover up.

0:37:100:37:14

Your case against her is as cut and dried as all that?! Swear out a complaint against her.

0:37:140:37:19

I resent being cross-examined by a man who is under suspicion as an accessory.

0:37:190:37:24

-Relax! Mr Burke is a jeweller...

-I can identify them at a glance.

0:37:240:37:29

-Excuse me.

-Oh, sorry.

0:37:290:37:31

Are these the pearls that Miss Meredith brought to you?

0:37:310:37:35

What did I do with my glasses?

0:37:360:37:38

Yes, I'd recognise them anywhere.

0:37:430:37:46

-Even to this small, unmatched pearl at the side of the clasp.

-Those are not the real pearls?

0:37:460:37:51

Exactly. That is the necklace Miss Meredith brought to my office.

0:37:510:37:55

You've been helpful. Thank you.

0:37:550:37:57

Glad to be of service. Goodnight.

0:37:570:37:59

You can clear up some things for me, if you will.

0:37:590:38:03

-What becomes of those?

-I think you should have those. They're just as phoney as you are.

0:38:030:38:09

-Lock 'em up!

-You know what they say about acting in haste.

0:38:090:38:13

I've got a proposition for you.

0:38:130:38:16

Give me 24 hours' freedom, and I'll give you the real pearls.

0:38:160:38:19

I told you, I'm not interested in pearls.

0:38:190:38:22

That's part of the deal. The pearls can be produced in five seconds, but for the murderer, I need 24 hours.

0:38:220:38:27

The real pearls in five seconds? What are you talking about?

0:38:270:38:31

Here you are. I've fulfilled the first part of my bargain.

0:38:330:38:36

These? The jeweller said they were paste.

0:38:360:38:39

Experts, even like yourself, have been known to make mistakes under pressure.

0:38:390:38:44

-The gentleman was handicapped without his glasses.

-Wait a minute.

0:38:440:38:48

I read that real pearls have a sandy feeling when you rub them across your teeth.

0:38:480:38:52

Phonies are smooth as satin.

0:38:520:38:54

These are genuine. Say, I ought to read more.

0:38:580:39:01

-OK, you three can have your 24 hours on one condition.

-What's that?

0:39:010:39:06

I wanna be there to see Metcalf's face when he finds out they're real.

0:39:060:39:10

-You won't be sorry.

-I have to put my trust in someone.

-Thanks.

0:39:100:39:14

-How do you know he won't cross you?

-Cos you're going to follow him.

0:39:200:39:24

-Barbary Towers.

-Yes, sir.

0:39:350:39:37

I don't know what to say. If it weren't for me, you wouldn't be involved in a theft and a murder...

0:39:480:39:53

-Perhaps it was worth it!

-Start thinking - we've only got 24 hours.

-What's there to think about?

0:39:530:39:58

You two wait at the hotel while I pick up the real pearls at the hatchery.

0:39:580:40:02

-Hatchery?

-Chicken hatchery.

-But I thought...

0:40:020:40:06

You don't think I'd leave them where Metcalf could lay his hands on them?

0:40:060:40:10

-Met...!

-Certainly not. That was very wise.

0:40:100:40:13

On second thought, you go and pick them up.

0:40:130:40:16

Sure! Where are they?

0:40:160:40:18

Go to the chicken hatchery, Second and River.

0:40:180:40:21

-I'll find it.

-The watchman is a friend of mine, and he's left the door of the third pen open.

0:40:210:40:27

(It's full of setting hens.)

0:40:270:40:29

The floor is covered with straw. They're under the straw. You can't miss them.

0:40:290:40:33

Gee, that was clever! Nobody would think of looking in a henhouse for jewellery.

0:40:330:40:39

You go there now. We'll be waiting for you.

0:40:390:40:41

I may as well keep this cab. No, I'm through for the day.

0:40:450:40:49

Is he in a hurry! He didn't even wait to get paid!

0:40:580:41:02

# Come out, come out Wherever you are

0:41:040:41:09

# I know, I know You're not very far

0:41:100:41:14

# How I wish you'd hurry

0:41:140:41:17

# Cos I'm inclined worry

0:41:170:41:20

# These arms of mine are open

0:41:200:41:22

# Hopin' you'll appear, my dear... #

0:41:220:41:26

-Thank you.

-You're welcome.

0:41:260:41:28

We got just 24 hours, and you've got to practise your rumba.

0:41:300:41:34

-Not at all - I'm hungry. Besides, I think we've earned a nice supper.

-I ain't hungry.

0:41:340:41:39

Maybe a good dinner is what we all need.

0:41:390:41:42

We ought to plan to follow up a suspect or a clue or something.

0:41:420:41:45

-This is as good a place as you can find to do that very thing.

-You mean you're working on something?

0:41:450:41:50

-We didn't just come here to eat?

-On a clear day, you can see two beautiful suspects from here.

0:41:500:41:57

# So come out, come out, come out

0:41:570:41:59

# Wherever you are... #

0:42:000:42:02

Order for me. I'll be right back.

0:42:020:42:04

Oh...

0:42:040:42:06

This'll probably be our last meal in a long time.

0:42:060:42:10

..Hey, waiter, bring me the first half.

0:42:100:42:14

FOOTSTEPS APPROACH

0:43:030:43:05

-You really put that number over, darling.

-It was because of your help. You've taught me so much.

0:43:110:43:17

-This situation's driving me crazy.

-Please, Alex...

0:43:170:43:20

Look, honey, when are you gonna tell Nick?

0:43:200:43:23

-I want to, you know I do. I just don't know how.

-We can't go on like this - we love each other.

0:43:230:43:30

-You've got to hurt him sooner or later.

-He's been so good to me.

0:43:300:43:33

We can go places together. I can do so much for you.

0:43:330:43:37

Believe me, I want to, Alex. I don't know, it's... PHONE RINGS

0:43:370:43:41

Hello?

0:43:440:43:45

Hello, Nick.

0:43:450:43:47

Right away? Can't it wait?

0:43:470:43:50

I see. I'll be right up.

0:43:510:43:54

He says it's important.

0:43:550:43:57

-Maybe this is as good a time as any.

-If I get a chance, I'll try.

0:43:570:44:02

Promise?

0:44:020:44:03

What's wrong, Nick?

0:44:360:44:39

I'm due on the air in a few minutes, so I've got to talk fast.

0:44:390:44:42

-What's wrong?

-Plenty. My contract with the sponsor's up in a few days. I told them I won't renew it.

0:44:420:44:47

-Are you crazy?!

-We're going out of town, both of us.

-Both of us? But...

0:44:470:44:52

If we don't, there's no telling what'll happen.

0:44:520:44:54

I can't leave now, Nick. I'm just getting somewhere.

0:44:540:44:58

Alex promised to feature me in a show in New York. I've worked so hard. I've got a career to think about.

0:44:580:45:03

I have more than a career to think about.

0:45:030:45:07

-What have you done?

-What I've done I did for you.

0:45:070:45:11

You can't treat me this way.

0:45:110:45:13

-You're in this too.

-In what?!

0:45:130:45:16

Why, every ring...

0:45:180:45:20

every piece of jewellery, everything you've got, I paid for.

0:45:200:45:24

Not with that measly salary I earn upstairs.

0:45:240:45:27

-You know that...

-I don't know what you're talking about.

0:45:270:45:30

Lola...

0:45:350:45:37

Everything that's been missing around this hotel during the past year...

0:45:380:45:44

Well...

0:45:450:45:47

-the things...

-You stole them?!

0:45:470:45:49

That's right, Lola.

0:45:490:45:52

I stole them so I could buy things to make you look pretty.

0:45:520:45:57

You are pretty, Lola.

0:45:580:46:00

Awfully pretty.

0:46:000:46:03

I'm sorry we have to leave, but somebody's closing in on me.

0:46:030:46:07

I don't want any part of this! No-one asked you to do this!

0:46:070:46:11

-You can't involve me! You won't ruin my life!

-You're awfully pretty, Lola,

0:46:110:46:16

-but that won't help you when you're facing a jury.

-You wouldn't dare!

0:46:160:46:20

I'd dare anything where you're concerned.

0:46:230:46:26

Gee, I didn't realise you were in such a jam.

0:46:290:46:33

You know now.

0:46:330:46:35

What are you gonna do about it?

0:46:350:46:37

Well...of course, I'll go if you want me to, Nick.

0:46:370:46:42

That's more like it.

0:46:420:46:44

I haven't been a very good wife, have I?

0:46:470:46:50

I've been so...

0:46:500:46:53

so neglectful. I've been so selfish.

0:46:530:46:55

But, honest, way down deep, I do love you.

0:46:550:46:59

Lola, without you, nothing makes any sense.

0:47:000:47:04

Darling,

0:47:040:47:06

we've got to be smart.

0:47:060:47:08

We can't just disappear - it would look too suspicious.

0:47:080:47:12

I'll tell Alex that I have to go home, that Mother sent for me.

0:47:120:47:16

I knew I could depend on you.

0:47:170:47:20

-You'd better leave - you're on the air in a minute.

-Give Alex your notice, and we'll leave.

0:48:100:48:16

You have to hurry!

0:48:160:48:17

Hello! Get me the Barbary Bowl.

0:48:240:48:27

-CHIMING

-And again, as the clock strikes midnight,

0:49:190:49:23

the Night Owl comes to you from KGR

0:49:230:49:26

for another session of music as requested by all you sun-dodgers

0:49:260:49:30

in the high Sierras to the Mexican border, the Mojave to the Pacific.

0:49:300:49:34

Sponsored by the Hysterical Scotchman, who rather give you an automobile than sell you one.

0:49:340:49:39

At the request of Shirley, Bruce and Nancy at the White Bowl,

0:49:390:49:43

and the three boys at Clark's mortuary, here's I Couldn't Sleep A Wink Last Night.

0:49:430:49:49

We sure have been busy here. I almost missed being on the air tonight by a slip.

0:49:490:49:55

A slip of a girl, of course, you foolish people!

0:49:550:49:59

MUSIC BEGINS

0:49:590:50:01

Here's a demand note from the Radio Clock & Watch Company

0:51:020:51:06

for a recording of 7 O'clock In The Morning.

0:51:060:51:09

What's the matter?

0:51:230:51:25

-Tell me. What's wrong?

-Everything's wrong.

0:51:250:51:28

-Nick was desperate. Something serious is going to happen.

-And you won't be here when it does.

0:51:280:51:33

What are we going to do?

0:51:330:51:35

-Where is he now?

-'And now, folks, light up a cigarette, and listen to this.

0:51:350:51:40

'This is for Gary Turner and his grandad in Inglewood.'

0:51:400:51:44

You're starting to pack right now. You're leaving here right away.

0:51:440:51:48

You can't let me go alone. What about us?

0:51:480:51:51

There's no time to waste. Go to another hotel, and call me. I'll figure out something.

0:51:510:51:56

-Can't you go with me?

-We haven't time to argue.

0:51:560:51:59

I can't leave with you, but I can cover up for you.

0:51:590:52:02

You've got to go before Nick gets any ideas.

0:52:020:52:05

Alex, I'm scared.

0:52:050:52:07

-Pull yourself together, dear.

-Suppose he finds out and follows me. He's mad.

0:52:100:52:15

He'll be on air till 5am. You'll be on your way by then.

0:52:150:52:18

The police will find him before he knows where to look for you.

0:52:180:52:21

I'd better go, or he'll wonder where I am.

0:52:210:52:24

-I'll send a boy up for your things in 20 minutes.

-All right.

0:52:240:52:28

You weren't planning to pack tonight, were you?

0:52:420:52:46

What's the matter, Lola?

0:52:480:52:50

Did I frighten you?

0:52:500:52:52

'It's a privilege to present a recording by that favourite of favourites, Francis Langford,

0:52:520:52:57

'singing Dreaming Out Loud, from her new picture.'

0:52:570:53:01

Yeah, that's what everyone thinks.

0:53:010:53:04

Clever, isn't it?

0:53:040:53:06

Yes, Nick, it's...

0:53:060:53:08

it's very clever.

0:53:080:53:10

So are you, Lola.

0:53:120:53:14

Very clever.

0:53:140:53:16

You were getting ready so we could go away together, weren't you?

0:53:160:53:20

I wanted to get started as soon as possible.

0:53:200:53:23

No, Nick...

0:53:250:53:27

No!

0:53:270:53:28

What's the matter?

0:53:280:53:31

Don't be afraid.

0:53:310:53:33

Nick, please! Please!

0:53:330:53:36

Kiss me, Lola.

0:53:360:53:39

GUNSHOT

0:53:390:53:41

Shouldn't waste good food.

0:53:450:53:47

Uh-oh.

0:53:490:53:51

-That ain't good. Maybe we ought to tip off the boss.

-Where do you think he went?

0:53:510:53:55

I got a notion he's having a few words with a suspect who should be up there, singing,

0:53:560:54:01

but who ain't been around for 20 minutes.

0:54:010:54:05

She could have gone to her room.

0:54:060:54:09

But then again...

0:54:090:54:11

she might be on the roof at the radio station with the Night Owl.

0:54:110:54:15

We ought to warn Mr Lawrence. He doesn't know that man is trailing us.

0:54:150:54:19

You take KGR and I'll go to Lola's.

0:54:190:54:22

I'll try her dressing room first.

0:54:220:54:24

Come on!

0:54:240:54:26

'How do you like this? I got a letter from a couple of boys in jail

0:54:290:54:32

'with a special request. Don't go away, boys, here it is.

0:54:320:54:36

'Charlie Barnett and his gang, with You Slay Me.'

0:54:360:54:41

-Don't touch that gun! Keep your hands up!

-You're wasting time! The murderer must have gone out that door.

0:55:100:55:16

Stop! Save that talk for the inspector.

0:55:160:55:19

I've been looking everywhere for you! What goes on here?!

0:55:240:55:28

Oh!

0:55:280:55:29

I didn't do it! Just the man I want to see...

0:55:300:55:33

-Where's Joan?

-I sent her up to KGR.

-You have to take us to the radio station.

0:55:330:55:38

-No.

-The girl's in trouble.

-He won't help you now. Get into these.

-You've got to listen.

0:55:380:55:44

-I'm sorry.

-So am I!

0:55:440:55:46

'A great number from the '20s!

0:56:090:56:12

'And now, what have we here? The phone's been ringing all night.

0:56:120:56:16

'We may be slow, but we plan to get round to every request at KGR. Yes, sir!

0:56:160:56:22

'OK, Twilight Time with Les Brown and his orchestra.'

0:56:220:56:26

I wish you hadn't come up here, Joan.

0:56:410:56:44

I, um, was looking for Mr Lawrence. I thought he was up here.

0:56:440:56:49

You're such a nice girl, Joan.

0:56:500:56:53

I wish you hadn't done it.

0:56:530:56:55

I haven't done anything, Nick.

0:56:550:56:58

I'm awfully sorry, Joan.

0:57:010:57:03

About what?

0:57:030:57:05

I don't like to have to do this.

0:57:050:57:08

I haven't anything against you, Joan.

0:57:100:57:13

No, Nick, no!

0:57:130:57:15

If you hadn't come up here, you wouldn't have known my little secret.

0:57:150:57:20

You might as well know everything now.

0:57:200:57:23

I just killed Lola.

0:57:240:57:26

She was my wife.

0:57:270:57:29

She was pretty.

0:57:300:57:33

Awful pretty.

0:57:330:57:35

I killed her, I tell you.

0:57:370:57:39

And you won't tell.

0:57:430:57:45

No.

0:57:450:57:46

You won't tell anybody.

0:57:460:57:49

Please, Nick, NO!

0:57:510:57:53

SCREAMING

0:57:530:57:55

-What are you doing?!

-Don't ask me questions! Just do as I say, Joan!

0:57:560:58:01

Stay where you are!

0:58:050:58:07

All right. Come on up.

0:58:230:58:25

There's no doubt - the fingerprints on this will check with those on the knife that killed the waiter.

0:58:250:58:31

Goldie, just a minute.

0:58:310:58:32

I think this souvenir which was fired at us through the window

0:58:320:58:37

will fit Nick's gun perfectly.

0:58:370:58:39

-And match the bullets that killed Beaumont and Lola.

-I guess I had you a little wrong at first, but...

0:58:390:58:45

Let me go! Let me go! >

0:58:450:58:47

Leave me alone! Keep your hands off me!

0:58:470:58:50

You...! This is outrageous!

0:58:500:58:53

-Look here...

-I know all about it. Take it easy. We'll talk to you later.

0:58:530:58:58

Just a minute, Inspector! Hold that man. Chicken hatchery, huh?!

0:58:580:59:02

I want a warrant for his arrest, and the girl too.

0:59:020:59:05

-I have the pearls at headquarters.

-But he's the man that...

-Calm yourself.

0:59:050:59:10

If you had a brain, you'd have sworn out a warrant long ago...

0:59:100:59:14

-for THIS lady and her clique of crooks.

-Clique of crooks?

0:59:140:59:18

This isn't the first time she and Beaumont have swindled your insurance company.

0:59:180:59:23

-Mrs Peabody?!

-Yeah, you stupid fat-brain! We made a sucker out of you for years.

0:59:230:59:30

I don't understand. I thought we were friends.

0:59:300:59:34

Fine fellows don't always make fine friends.

0:59:340:59:38

Oh, I can't believe it.

0:59:380:59:40

Ha! Look - he's moulting!

0:59:400:59:43

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