The Falcon's Brother


The Falcon's Brother

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Transcript


LineFromTo

We dock in ten minutes.

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Bravo!

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-For you.

-A toast to the United States and our safe arrival.

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-To the finest dance team in America. Your continued success.

-It will be a pleasure to be in your country again.

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And your friend - I thought he was going to join us.

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Well, yes. Well, you know how men are -

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probably having trouble packing. I'll go and look for him.

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-Parece muy nerviosa.

-Ella sabe?

-No se.

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-We dock in ten minutes, sir.

-Never mind - I'll tell him.

-Yes, ma'am.

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-What's the matter?!

-Look!

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Go and find the harbour officials at once! Yes, sir!

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Here it is - pier 7.

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Why can't I wait here? You haven't seen your brother for five years.

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Get over your antisocial notions, Lefty.

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Remember, you're a respectable citizen now.

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Besides, we're going to celebrate.

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-All right, but I still feel inconvenienced.

-Don't go into that again.

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Where I go, YOU go.

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There are exceptions, of course.

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..Hello!

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I know - like dames, for instance.

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Didn't we meet at the Duchess of Poole's party in London?

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-Must have been some other girl. I ain't been to London.

-What a pity...for the Londoners.

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-You do as I say!

-I will not!

-No-one allowed on board. Police orders.

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-Take it easy!

-Chief, you told me to hurry!

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-Inspector Donovan...

-Good evening, Inspector.

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-The great Falcon. What are you doing here?

-Minding our own business.

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-What are YOU doing here?

-Don't give me that! How did you find out about this?

-About what?!

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The body! If there wasn't a body, we wouldn't be here! ..Ignore them.

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-Consider yourself ignored.

-That doesn't hurt my feelings.

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-What's all this about a body?!

-I haven't the faintest idea.

-I'll be glad if we never find out.

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You're slipping, Lefty.

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It's fate. Destiny brought us together.

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-Pardon, senor.

-How do you do?

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-Fascinating type.

-We're here to meet your brother, remember.

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-Oh, yes!

-I hope he hasn't got dames for a hobby, like you have.

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You're in for a disappointment!

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-Mr Lawrence's cabin.

-Right there, sir.

-Thanks.

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Excuse me.

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-I thought you were minding your own business.

-I must be in the wrong cabin. I'm looking for my brother,

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-Tom Lawrence.

-Wait a minute. Isn't that guy's name Lawrence?

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Are you his brother?

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I'm Gay Lawrence.

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I'm sorry, but it looks like a clear case of suicide.

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-Poison.

-He left this note.

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Is that him?

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If there's anything I can do - anything at all...

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-Nothing, thanks.

-I don't know what to say.

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I want to tell you how sorry I am. I only met him on the boat, but he was a good friend.

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-This is Miss Diane Medford. She found him.

-I see.

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It's suicide, so you can turn the passengers loose.

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-Do you mind if I leave the arrangements to you?

-No. You get off home, I'll take care of everything.

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We've been battling for years,

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-but underneath... Well, you know what I mean.

-Thanks, Timothy.

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I don't know what to say. I just don't know what to say.

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Don't say anything. Follow that taxi.

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-You must be historical!

-Oh, come on!

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Tail that cab! Don't argue!

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Come on, Lefty! I don't want to lose sight of that girl!

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I don't get it. You leave your brother as cold as a herring, and start chasing a dame.

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It happens that WASN'T my brother.

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Oh, right.

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-WHAT?!

-I've never seen him before in my life.

-Oh, that's good.

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What a relief.

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Where IS your brother?

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-That's what we're going to find out.

-Why didn't you tell Donovan?

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-I thought Tom might have his reasons for disappearing. You see, Lefty, that wasn't a suicide.

-No?

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-Since when have you been swiping cigar butts?

-In the cabin.

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That's how it was done. The cigar reeks of poison.

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Poison? La Prima Donna? Ooh, to think I used to go for that brand.

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-The department will have to send flowers. Lawrence is taking it pretty hard.

-Taking what hard?

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-His brother's death. A tragedy.

-What?! He just left here, chasing a dame.

-What?!

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-Follow him!

-Why?

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-Because they told me I'm the boss, and the boss gives the orders. You don't mind, do you(?)

-Not at all.

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-Good evening.

-Good evening, Charles.

-Happy to see you back.

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-Just in time for the fashion show.

-Thank you.

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There ain't enough dames in the open market - you've got to come here.

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I saw a familiar pair of headlights...

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-Drive around in case Donovan is following us.

-Sure.

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-Have you seen Mr Harrington?

-He's over there.

-Check that. Thank you.

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Look for yourself in Modern Modes or perhaps Savitsky can make a print for you.

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Certainly, Mr Harrington.

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-Paul!

-Diane, darling!

-Nice to see you again, Miss Medford.

-Thank you.

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-You might have met me at the boat.

-I couldn't afford to miss this. These are the government-approved styles.

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-I don't believe that. I know about you and Arlette.

-Ridiculous!

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-I want to talk to her.

-She's busy.

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This gown is typical... The use of two-colour material and the embroidered sequin motif

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give interest to this gown.

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Tell her I'll be in her office.

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-Aren't you Gay Lawrence, the one they call the Falcon?

-Yes. And you?

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-Oh, you couldn't be a reporter.

-Why not?

-You've got a notebook!

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-I'm a fashion reporter, but I'll get a police beat one day.

-I don't doubt it.

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Wherever you are, exciting things seem to happen.

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-Meeting you is all of that, Miss...

-Brooks. Marcia Brooks.

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Do you expect anything to happen here tonight?

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Sorry, I didn't bring my crystal ball.

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OK, but I'm keeping an eye on you - don't think I'm not!

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-Sorry, these are the private offices. The showing is in there.

-Oh, yes, of course. How silly of me.

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-May I see your invitation?

-Oh, I'm with this lady.

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-You're looking lovely tonight, my dear.

-Well...!

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I'm so sorry.

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And now, the Victory Dress...

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APPLAUSE

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I'm happy that you share my enthusiasm.

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It doesn't only express the spirit of the day, but it shows that we can have lovely gowns and dresses

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and comply with government regulations.

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I'm also happy to tell you that this dress has been chosen by Paul Harrington, editor of Modern Modes,

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to be featured on the cover of the next issue. APPLAUSE

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Ain't this a lovely creation?

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One of nature's loveliest.

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Take a gander at what I saw coming in here.

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-Interesting.

-I'm only interested in one thing - getting out of here.

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-Carmela and Valdez!

-How are you?

-It is a pleasure to see you!

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I hoped you'd get here in time. We need to ask you a favour. Yes?

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-We are leaving soon for Chicago to open at the casino...

-Carmela wants you to create something special.

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-Yes.

-Your gowns were always lucky for us. We'll do our best.

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Excuse me. I'll be right back.

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I suppose that you came back here and parked your car right out front.

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-Of course.

-We can't let Donovan find us here.

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-Suits me - let's scram.

-I want to talk to the girl from the boat - Diane Medford.

-I was afraid of that.

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-It's the only way to find out what happened to my brother. Hold off Donovan if he comes.

-What'll I do?!

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SIREN BLARES

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-Can't you hear the sirens?! Put out those lights!

-I'll have them close the blackout curtains.

-No time!

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They're here - that's his car. Stay with it.

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-What's going on?!

-It's a blackout!

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-Oh, OK. ..Put that out!

-We'll have everything under control soon.

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-What's wrong?

-Blackout.

-What do you mean?! Every light in town is blazing!

-What?!

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-What do you want?

-We both know that wasn't my brother on the boat.

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I'm afraid you have to do a little explaining.

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That's an unusual ring you have.

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Where did that shot come from?!

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Hurry up with those lights!

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-Find the light switch.

-I'm looking for it.

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What's the matter with the lights?!

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-She's dead.

-Diane!

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-Who are you?

-They were to marry.

-And who are YOU?

-I own this shop. Miss Medford worked for me.

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She had just returned from South America on business. That's who the Falcon followed.

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-I know! Search the place! Find the Falcon!

-OK.

-Lock the doors - nobody leaves the building.

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-Who are you?

-I'm a reporter...

-Not now, sister.

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-Get in there!

-You can't do this to me!

-This guy called the blackout.

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So, you're an air-raid warden.

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-Who did this?

-That's what you're gonna tell us.

-How should I know?!

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-You turned out the lights so the Falcon could sneak in here. Where is he?!

-He went home after the boat.

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Yeah? Then why are YOU here?

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Um...buying a dress for my aunt.

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Isn't that just too lovely(!) Think of a better one than that!

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Hold it!

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-Gay!

-Tom! What happened to you on the boat?

-I was never on it. I came by clipper from the Bahamas.

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-What intrigue are you mixed up in now?!

-I have unfinished business with a lady called Diane Medford.

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-You'll never finish it now.

-Why not?

-Just a touch of homicide.

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Too bad.

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Only yesterday, we were having cocktails.

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-The next thing you know, the boat had gone, with your belongings.

-Yes.

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She was beautiful, wasn't she?

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-I told you all I know.

-You'll talk when we get you downtown.

-The Falcon ain't here.

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Neither is the gun, so we have to prove he WAS here. Did anyone here see him?

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-Um...

-What were you going to say?

-Nothing - I've heard of him, that's all.

-That's a big help(!)

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He must have made a clean getaway. He never was here!

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-Let these people go, but get their names and addresses.

-The models too?

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-They're accounted for, and the customers.

-Let's go.

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I'm playing ball with you. I didn't tell them I'd seen the Falcon. Now, you tell me where he's gone.

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You've made a mistake. He was never here.

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-Furthermore, he don't like dames following him.

-I've heard otherwise.

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Hey, where are you going?!

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You've got nothing on me. My being here is coincidental.

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-Does that mean we can't make a pitch?

-No. ..You're under arrest.

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-What for?

-Impersonating an air-raid warden.

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-How did you get into the country without a passport?

-Remember Stinker Jones at school?

-Yes.

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-He's in Government House at Nassau.

-Good old Stinker! I don't think this is just another murder.

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Seems to be a pattern of some kind.

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People are leaving.

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Keep your eyes open.

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Whatever you do, don't let the police know I was here.

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CAR ENGINE STARTS

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Hey! Taxi!

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-What's wrong?

-My friend's had one too many. Help me get him into the cab.

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Sure.

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-Well, Doctor?

-Traumatic shock and concussion. May stay like this for a couple of days.

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But he'll come out of it OK.

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Mr Lawrence has remarkable powers of recuperation.

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-You should sleep too.

-I must find out who did this.

-You should call the police.

-Perhaps. Good night.

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Good night.

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PHONE RINGS

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You take it. My brother's not here - no information to anyone.

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I understand. He receives many calls from young ladies. We give them the pidgin English treatment.

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Hello.

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Mr Lawrence residence, please.

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-I wanna talk to Mr Lawrence.

-Oh, so sorry, but she not home.

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You call again some time, maybe.

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Thank you. Goodbye, please.

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Very effective. Who was it?

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PHONE RINGS

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Hello! Mr Lawrence residence, please.

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Slow down, you. This is Inspector Donovan. I wanna talk to Lawrence.

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If you lie to me, I'll lock you up and throw the key away.

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It's Inspector Donovan calling.

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He seems positive that your brother is here.

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Very well, Donovan. What is it?

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Oh, Falcon. That's more like it.

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I'm coming over to ask you about that homicide, and you better be there.

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I have no idea what you're talking about. I'm already in bed,

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and under the circumstances... Hello?

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-He hung up?

-He's on his way over here.

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..Miss Ross!

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-Miss Ross!

-Here I am.

-Yes, that's the point.

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-Could you be somewhere else for ten minutes?

-Leave my patient?

-It's the patient I'm thinking of.

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-Could you wait in the kitchen?

-Why?

-No time to explain, but it's important.

-Oh, is it?

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Did I tell you you're a very lovely girl?

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If I may say so, Mr Tom, you have the same technique as your brother.

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He learned it from me, years ago! DOOR BUZZER

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-The police?

-Couldn't be, this soon.

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Answer it.

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-Is Mr Lawrence in?

-Oh, he not home. You come back much later, please?

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-No. I'll wait.

-Please! He not here!

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Come back later! Please!

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How delightful. How are you? And WHO are you?

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-Marcia Brooks, Morning Gazette.

-Oh, a reporter... So charming, too!

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I think the buildings in New York are beautiful and the women are tall.

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There you are - you've had your interview. Now, excuse me.

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-I don't understand. Are you a friend of Gay Lawrence?

-Definitely.

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-If YOU are, you'll come back later.

-I know the Falcon was at that shop tonight when Diane was murdered.

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-If you don't let me in on this, the police will be here in five minutes.

-You'll be four minutes too late -

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they're already on the way. If you play along, I'll tell you all about it.

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-So sorry...

-All right, all right. Where is he?

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He in bed. He broken up because his brother is dead.

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-He in clinical condition.

-We've got a remedy for that.

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Very artistic.

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I'd be sympathetic if I didn't know you'd just bumped off a dame.

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You knew she killed your brother, so you took the law into your own hands. But I've got a job to do!

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Come on! It won't do any good to dummy up - I've got a case against you.

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Haven't you got anything to say for yourself?

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-What's the matter with him?!

-You're bluffing, Donovan.

-Huh?!

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You'll find out when we get to the headquarters. Get dressed, unless you want booked in your pyjamas!

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-Where's his clothes?

-Clothes - they all gone. Washy-washy.

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-He means his suits.

-Over there.

-Come on!

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I've got an alibi, Donovan. Arrest me and I'll get you off the force.

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Take it easy! I'm only doing a job.

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I've got two bodies and no suspects but you. If you didn't do it, who did? Give me a hint!

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OK, but I ain't gonna quit till I prove that you were at the scene of the crime, and committed it!

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Good night, Timothy.

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-Did it work?

-It went well!

-This is most exciting thing that's ever happened to fashion reporter!

0:23:220:23:28

What do we do next?

0:23:280:23:30

I'll tell you. We adjourn...

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until tomorrow morning.

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-I'll be here, bright and early.

-Not too early and not too bright!

0:23:360:23:40

-Good morning.

-He not wakey up yet.

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Sleep, sleep. Just like a baby.

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Come back later, please.

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Hello!

0:23:590:24:01

-Bright AND early!

-I regret that I was unable to convince the young lady.

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-IMITATES JERRY:

-Bossy man try to give pretty lady run-around?!

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Young lady hungry. Like cup of coffee.

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DOOR BUZZER

0:24:140:24:15

Why, Mr Lefty! The newspaper said you were incarcerated.

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You know I never drink. I was pinched but I beat them. Suspended sentence.

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Hello, Lefty. > Hello. Who are you?! How did you tag me?

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You're practically one of the family. I'm Tom Lawrence. The Falcon's brother!

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The fella that wasn't killed on the boat! What a relief to get you pinned down!

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-Mr Lawrence?

-Yes, Miss Ross?

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-His temperature is normal this morning. Isn't that fine?

-What's she doing here?

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My brother had some bad luck last night. Someone tried to eliminate him with a 12-cylinder sedan.

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Was he hurt bad? No. He'll be fine.

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-You can see him later.

-Thank you.

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I'll say one thing for the Falcon - he never chased dames till after breakfast.

0:24:590:25:04

-What'll we do about the murders?

-Murders? Include me out. Dames are bad enough.

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-The police have probably solved it. Donovan must have traced the gun's owner by now.

-What gun?

0:25:090:25:15

Gay said he saw one beside the body.

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But we were all in that room behind the police. There wasn't any gun.

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No gun?!

0:25:210:25:23

-How would you like to visit the dress shop with me?

-What woman wouldn't?!

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-Does that mean you suspect Arlette?

-Arlette and you and everyone who was in the room.

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Harrington and the photographers and the dance team...

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-Why do you suspect me?!

-Oh, run along!

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He's almost as bad as his brother,

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only worse.

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This ensemble is of rayon and wool.

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-It would look lovely on you...

-Madam Arlette?

0:25:490:25:52

-Pardon me.

-Surely.

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Madam Arlette? My name is Lawrence.

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-And this is Miss...

-We've met. Miss Brooks of the Gazette. May I help you?

-We'd like to talk to you.

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-Yes?

-About the incident last night.

0:26:030:26:05

I've given a statement to the press.

0:26:050:26:07

We understand, but if you could give us a few moments of your time...

0:26:070:26:11

Of course. Come over here and sit down.

0:26:110:26:15

-Surely you're not a policeman?

-You might call me an investigator.

0:26:190:26:23

You're very young and lovely to be the presiding genius of this business.

0:26:230:26:29

-We were going to ask some questions.

-Yes. Tell us about Diane Medford.

0:26:290:26:33

-She was clever at gathering style ideas.

-That's not what I meant.

0:26:330:26:38

-What do you know about her private life?

-Nothing. Other people's private lives don't interest me.

0:26:380:26:45

Nor does my own, usually.

0:26:450:26:48

Something should be done about that.

0:26:480:26:51

I know you'll never forgive me, but I must break away.

0:26:510:26:55

I just remembered an appointment I forgot to mention.

0:26:550:26:59

The impulsive type, you know.

0:26:590:27:02

-What were you going to say?

-Madam Arlette?

0:27:020:27:05

I am delighted with my fitting! The gown will be magnificent!

0:27:050:27:09

-Stupendo. Only you could have created it so quickly.

-Thank you.

0:27:090:27:13

-Mr Lawrence, Carmela and Valdez.

-I've seen your dancing in Buenos Aires.

-It has been delightful meeting you,

0:27:130:27:20

-but we have much to do.

-Si.

0:27:200:27:23

..Adios.

0:27:230:27:25

Madam, you are wanted in the sitting room.

0:27:250:27:29

-This is my busy morning.

-Are you busy this evening?

0:27:290:27:33

-Nothing that can't be rearranged.

-I'll call for you at 8.30.

0:27:330:27:38

-Well! Small world, isn't it?

-Yes, and there's some small people in it.

0:27:450:27:49

Get me the police headquarters.

0:27:580:28:00

Could I speak to Inspector Donovan, please?

0:28:030:28:06

I'll take that one. ..Thank you.

0:28:110:28:14

What on earth do you want that for?!

0:28:140:28:17

-Gave me an idea for a dress.

-You can never get away from your work!

0:28:170:28:21

Or vice versa!

0:28:210:28:23

-This publicity ought to be good for your business.

-Not with the people who buy Arlette gowns.

0:28:230:28:28

It'll soon be over. The police found the gun that killed Diane Medford.

0:28:280:28:32

Really?

0:28:340:28:35

-Where did they find it?

-I don't know.

0:28:360:28:39

But it'll be a matter of hours before they trace the serial number to the owner.

0:28:390:28:45

-Who do they think did it?

-Don't let's worry about that now!

0:28:460:28:50

-Sorry, but have you an escort?

-I left him under a table last night - I want to see if he's still there.

0:28:530:28:59

-Ladies without escorts are not permitted.

-Who said I was a lady?

0:28:590:29:03

Tom, darling! Am I late?

0:29:050:29:08

-I'm glad you found some company while you were waiting for me.

-Oh, yes. Quite.

0:29:080:29:13

I hope I've proved amusing. Now you're here, please excuse me.

0:29:130:29:18

Good night.

0:29:180:29:20

I guess that makes us even.

0:29:200:29:22

-Thank you for coming in. You gave her an excuse to leave.

-You wanted her to go?!

0:29:220:29:27

-I suppose you're going to follow her.

-Naturally. Or am I?

0:29:270:29:32

-I was lurking in the lobby...

-Yes?

0:29:330:29:36

Donovan came in. I heard him say he was tipped off that a guy was coming here tonight

0:29:360:29:41

-impersonating an officer. Someone's framed you.

-Arlette, no doubt.

0:29:410:29:45

Let's get outta here. ..Uh-oh.

0:29:450:29:47

Yours, I believe.

0:29:590:30:01

-What are you doing here?

-Me? I'm here to reserve a table for tomorrow night.

0:30:040:30:09

I know - for your aunt(!) Have you seen Arlette?

0:30:090:30:13

She was over there a moment ago.

0:30:130:30:16

I'll be glad to get back home again.

0:30:220:30:24

So will I, but we're not going there yet.

0:30:240:30:27

We have to see a lady about a gun.

0:30:270:30:30

Oh... Dames!

0:30:300:30:32

Let me handle this. It's as easy as taking candy from a baby.

0:30:420:30:47

Have you tried taking candy from a baby?

0:30:470:30:50

Takes a bit of doing.

0:30:500:30:53

Must be in there somewhere.

0:31:300:31:33

We're right out here in public.

0:31:510:31:54

-There can't be anything hidden here.

-There's got to be.

0:31:550:31:59

Don't look like that Arlette dame came back here. That's the Falcon's car. Something's going on here.

0:32:000:32:05

-I'm going to search the place.

-Why?

-Cos we're officers of the law looking for someone!

0:32:050:32:10

-You don't mind, do you?!

-Not at all.

0:32:100:32:13

You know, she reminds me of a dame I used to know in Canarsie.

0:32:190:32:24

It's only a wax dummy.

0:32:240:32:26

Lefty?

0:32:290:32:31

Lefty!

0:32:310:32:32

Here I am. KNOCKING >

0:32:340:32:37

- They must have went in the back. - Cops!

0:32:370:32:41

Them was the days...

0:32:430:32:46

Wait a minute. There's something about that window...

0:32:470:32:51

-Hey!

-What happened to her?!

-Well, she didn't go back to Canarsie!

0:32:510:32:56

-THUMPING

-Get down, out of sight!

0:33:070:33:11

You're covered.

0:33:210:33:23

Found a new friend? ..Who are you?

0:33:230:33:26

I should explain. I'm Tom Lawrence, Gay's brother.

0:33:260:33:29

Nice meeting you. Looking better than when I saw you on a slab in the morgue.

0:33:290:33:34

-You picked the wrong man. His brother is dead and officially identified.

-And you're under arrest.

0:33:340:33:40

-For impersonating a corpse(?)

-Compounding a felony, conspiracy, breaking and entering,

0:33:400:33:46

-and resisting an officer.

-Come on.

0:33:460:33:48

-What are you pinching ME for?

-Impersonating a window dummy. Come on.

0:33:480:33:53

This is the way it stacks up - the dame on the boat gets sore at the Falcon's brother and bumps him off.

0:33:590:34:04

The Falcon follows her to the dress shop and gives her the works.

0:34:040:34:08

It's open...and shut.

0:34:080:34:10

Open and shut. Have you arrested him?

0:34:100:34:12

In due time. The guy we arrested was a phoney the Falcon dug up.

0:34:120:34:16

If he makes us think his brother is still alive, the Falcon's got no motive for killing the dame.

0:34:160:34:22

-How clever of you!

-Oh, it's just routine.

0:34:220:34:25

The phoney brother gave us a long, sad story.

0:34:250:34:28

He says he got a boat from the Bahamas,

0:34:280:34:32

and they stole his passport!

0:34:320:34:34

-But you checked, and the story isn't true?

-We're checking.

0:34:340:34:39

I can spot a phoney line when I hear it.

0:34:390:34:42

-Good morning, Marcia.

-Good morning.

0:34:420:34:45

-Goodbye. My stay has been most enjoyable.

-What's the game?!

0:34:450:34:49

-We've got to let him go.

-Why?!

0:34:490:34:52

We checked - his story's on the level.

0:34:520:34:55

I thought I had it figured out! She's got it in her notebook.

0:34:550:34:59

-Put this in YOUR notebook. If one of those cops of yours...

-You didn't say why YOU were in the dress shop!

0:34:590:35:05

-You wanna find out who plugged Diane?

-Sure.

-Well, so does he.

0:35:050:35:09

One Falcon round here is enough. I don't want another one in my hair!

0:35:090:35:13

Next time you stick your nose in, your stay here won't be enjoyable.

0:35:130:35:18

-If you don't mind, I'll handle this.

-Huh! What a break for crime(!)

0:35:180:35:22

-What's the next step?

-You know, we've neglected one suspect.

0:35:290:35:33

You have access to the newspaper files. See what you can find out about Harrington's photographer.

0:35:330:35:38

-Savitsky looks like the criminal type.

-He may be the key to the mystery.

0:35:380:35:43

I'll let you know if I find anything.

0:35:430:35:46

We sure gave her the brush-off. Where to now?

0:35:460:35:49

-We'd better go and see how Gay is.

-That works for me.

0:35:490:35:53

-Then we have checking up to do at Madam Arlette's.

-Dames again...

0:35:530:35:58

This is one of the most popular ones.

0:36:000:36:03

It has the latest defence equipment. Thank you.

0:36:030:36:07

-Have I kept you waiting?

-Waiting?

0:36:170:36:20

-You didn't expect me, after what happened here last night?

-Oh... It was you.

0:36:200:36:25

And, um, I found this.

0:36:250:36:28

When I told you the police had it, you led me straight to it.

0:36:280:36:32

Why didn't you give it to the police?

0:36:340:36:36

I don't want you taking the blame for someone else. I know how you feel about Harrington.

0:36:360:36:42

It is him you're protecting, isn't it?

0:36:420:36:45

Yes. But I don't believe he did it. Someone is trying to involve him.

0:36:450:36:49

-Will you come with me and talk to him?

-All right.

-I'll get my things.

0:36:490:36:53

Mr Harrington, do you want me sophisticated, or sweet and simple?

0:37:060:37:11

Just plain glamour will do.

0:37:110:37:13

Come on! The pose! The pose!

0:37:150:37:17

Could you take this, please?

0:37:200:37:22

There's a shadow... Lean forward, Miss, um...

0:37:240:37:27

-Ready?

-Yes.

-Hold it!

0:37:280:37:31

Shoot.

0:37:320:37:34

-Mr Harrington?

-Yes?

-Miss Arlette wants to see you. It's important.

-Tell her I'll be right in.

0:37:340:37:39

Use the last pose. Print it up.

0:37:390:37:42

Paul. This is Mr Lawrence, who's investigating the murder.

0:37:480:37:52

-I asked him to talk to you before going to the police.

-Is this yours?

0:37:520:37:57

-Yes. You don't think I committed the murder?

-I didn't know what to think.

0:37:570:38:01

I knew you and Diane quarrelled. When I heard the shot, I rushed in, and stumbled over the gun.

0:38:010:38:07

-Naturally, I hid it.

-Naturally?

-When a woman's in love...

-Don't make a romantic triangle out of this.

0:38:070:38:13

You knew I was in love with Diane. Anything else was all in your mind.

0:38:130:38:18

-That's not true!

-Very interesting, but the fact remains this is your gun.

0:38:180:38:23

-Yes, but it couldn't have been used in the murder.

-Why not?

0:38:230:38:27

It was in my pocket when I heard the shot. The gun must have been taken and planted by the body.

0:38:270:38:32

-I don't see why I have to explain this to you.

-Perhaps you'd prefer to explain to Inspector Donovan?

0:38:320:38:38

Yes. As a matter of fact, I would.

0:38:380:38:41

Sign that, will you?

0:38:500:38:52

I have a permit for that gun.

0:38:540:38:57

Does that allow you to bump off a pretty dame?

0:38:570:39:00

-Evening.

-Good evening.

-This is Mr Moffat.

0:39:000:39:04

He's one of the ballistics experts. He knows guns inside and out.

0:39:040:39:09

-I know one thing about this gun - it didn't fire the bullet that killed the Medford girl.

-What?!

0:39:090:39:15

No similarity in the photos of the rifling marks.

0:39:150:39:18

Good evening.

0:39:190:39:21

-Will that be all?

-Yes. You can go. ..Not so fast, sister! YOU ain't in the clear yet.

0:39:230:39:28

-You're a material witness.

-Paul, can't you do something?!

0:39:280:39:32

-All anyone can do is find the murderer.

-Leave that to me, IF you don't mind!

0:39:340:39:39

Not at all, Inspector.

0:39:390:39:41

-How's the patient?

-He ain't come to yet, but he was mumbling about a blonde, so he'll be fine.

0:39:470:39:53

Mr Lawrence, you were right!

0:39:530:39:55

-Was I?!

-Don't you remember? Savitsky - you told me he was the key to the mystery.

-Of course...

0:39:550:40:01

He's an alien, but he isn't registered. He's here illegally.

0:40:010:40:05

That IS interesting! ..We'd better pay Mr Savitsky a visit.

0:40:050:40:09

-We can take my car.

-I'm sorry. Something might happen that's out of the fashion reporter's line.

0:40:090:40:14

-You understand.

-I want OUT of the fashion reporter's line! All I get out of this is the run-around.

0:40:140:40:20

Wow!

0:40:240:40:26

-Why don't he throw it?

-He never does.

0:41:010:41:04

I'm sorry, gentlemen...

0:41:250:41:28

-the place is closed. What do you want?

-We won't keep you. Just a few questions.

0:41:280:41:34

Questions? Why do you want to ask me questions? I've done nothing.

0:41:380:41:42

What is your status with the immigration authorities? We know you're a non-legal alien.

0:41:420:41:48

I knew it would come some day...

0:41:540:41:57

You're going to deport me.

0:41:570:41:59

I didn't say that. I have information that you were mixed up in a murder.

0:41:590:42:04

If you killed Diane Medford, there's nothing we can do for you.

0:42:040:42:08

-But if you know anything...

-I killed no-one! I know nothing!

0:42:080:42:12

Cuff him and take him down to the bureau.

0:42:120:42:15

-Wait! I'll tell you.

-About the murder?

0:42:150:42:18

Murder, yes. Mass murder - thousands of murders!

0:42:180:42:23

You think I'm crazy!

0:42:250:42:27

-It all started with Pearl Harbour.

-What didn't?

0:42:290:42:32

Go on, go on.

0:42:340:42:36

Wait. It would be quicker to show you.

0:42:360:42:39

You don't think he'll take a powder, do you?

0:42:580:43:01

Croaked, eh?

0:43:160:43:18

-Don't touch the cigar!

-I bet that's what...

-Of course!

0:43:210:43:25

-They killed the man on the boat the same way.

-Why was he gonna show us these dames?

0:43:250:43:30

Just a piece of glass. But what's that?

0:43:340:43:37

It's new subscribers to the magazine.

0:43:430:43:47

Most seem to be in Latin America.

0:43:470:43:49

-Must have been important...

-DOOR RATTLES

0:43:490:43:53

Do you believe the murderer always returns to the scene of the crime?

0:43:570:44:02

Possibly, to see if he succeeded.

0:44:020:44:04

-Are you willing to take a chance?

-What kind?

-Good boy. Come on!

0:44:040:44:08

Get those on. Quick!

0:44:090:44:12

-They'll think I'm Savitsky!

-That's what I want them to think! Sit down! I'll cover you.

0:44:130:44:19

You cover me, but who'll cover him?!

0:44:190:44:21

Keep your hands on the table.

0:44:270:44:30

You're going to answer some questions.

0:44:300:44:34

You'd better talk while there's still time.

0:44:340:44:37

We followed one of your agents from Buenos Aires. He was about to make a deal, but he decided too late.

0:44:370:44:43

Diane Medford killed him to keep him silent.

0:44:430:44:46

She was killed because she knew too much. Senor, YOU know too much.

0:44:460:44:51

I am an accredited agent of the Republic of Mexico, working with the authorities here.

0:44:510:44:57

I can offer you protection if you talk.

0:44:570:45:00

If you do not...

0:45:000:45:02

Wait! It's me - Lefty!

0:45:020:45:05

-What are you doing here?

-Minding my own business...

0:45:050:45:09

..What AM I doing here?!

0:45:090:45:11

-You're doing well. Nice to meet you again.

-Senor Lawrence.

-I've been doing you an injustice.

0:45:110:45:17

We're working towards the same end.

0:45:170:45:18

Counter espionage isn't for amateurs. This is a dangerous business.

0:45:180:45:22

Dangerous for Savitsky. He's in there - dead.

0:45:220:45:25

We're too late. He could have told us everything.

0:45:300:45:34

-You found him like this?

-Not quite. Excuse me.

0:45:340:45:36

What are you doing?

0:45:360:45:38

It's customary to... Hello? Homicide Bureau, please. Inspector Donovan.

0:45:380:45:42

..You have no objection to this phone call if you are what you say you are.

0:45:420:45:47

Inspector? I thought you'd like to know there's a dead body here

0:45:470:45:51

in the studio of Modern Modes Magazine on East 56th Street.

0:45:510:45:54

-Hey!

-This affair is nearing its climax.

0:45:540:45:57

Our mission is too important. We can't waste time on a routine police investigation. Adios.

0:45:570:46:03

'You can't do this to me! I'll have you picked up!'

0:46:030:46:07

Hello! Hello!

0:46:070:46:09

'What's this about a dead body at Modes Magazine? Hello?

0:46:100:46:14

-'If I find out who you are...'

-He's in fine voice.

0:46:140:46:18

-Take that off.

-Pleasure.

0:46:180:46:19

The inspector will have an awful lot to say about us being here with a dead body.

0:46:210:46:25

-We'd better follow the example of our Latin American friends and scram.

-Now you're cooking with gas.

0:46:250:46:30

Inspector Donovan's going to be mad. He has to find a new murderer.

0:46:300:46:34

No - same one. Paul Harrington.

0:46:340:46:37

What?! Even the ballistics expert said it wasn't his gun.

0:46:370:46:42

He's guilty. Process of elimination.

0:46:420:46:45

You'll be next if you smoke that.

0:46:450:46:48

La Prima Donna!

0:46:500:46:52

The clue's in these magazines somewhere. It's got to be!

0:47:010:47:05

What makes you so sure? Maybe he was trying to sell us a subscription.

0:47:050:47:10

-Good morning!

-Hello, Marcia.

0:47:100:47:12

-Any luck?

-Harrington's moved out. Nobody knows where.

0:47:130:47:17

-Coffee?

-Mm-hm.

-Did you get anything yet?

-No, not yet.

0:47:170:47:21

At least we know it was Harrington.

0:47:210:47:23

But we've got to prove it. Donovan won't listen to our hunches.

0:47:230:47:27

Imagine bumping a dame off cos you're jealous...

0:47:270:47:29

No. He couldn't run the risk of her knowing he was mixed up in espionage.

0:47:290:47:33

-He was mixed up in his seasons - a bathing-suit cover on his December issue.

-That's not bad, as dames go,

0:47:330:47:40

-which ain't good.

-Wait a minute.

0:47:400:47:42

That might be it.

0:47:430:47:46

That's got to be it.

0:47:460:47:49

Dice...and a clock.

0:47:490:47:52

Look!

0:47:520:47:53

Miss Honolulu. That's the place.

0:47:550:47:58

12 - that's December, the 12th month.

0:47:580:48:01

7 is the day. December 7th at 7.55, when Pearl Harbour was attacked.

0:48:010:48:06

-It's been in front of us the whole time.

-Of course!

-Yes!

0:48:060:48:09

-But what's it for?!

-To warn their agents in the United States.

0:48:090:48:13

-Look.

-April 1st.

0:48:130:48:16

They scuttled German and Italian ships interned in South America.

0:48:160:48:19

Right! Now, Savitsky was trying to tell us something else was about to happen.

0:48:190:48:23

If we could read the key to this...

0:48:230:48:25

I've got an idea! There's numbers, and there's a turkey. Maybe it's the new date for Thanksgiving this year!

0:48:250:48:31

That's a pheasant. The clock says 2.30,

0:48:310:48:35

and the numbers are 6 and 3 - that's June the 3rd.

0:48:350:48:38

-Something will happen at 2.30 on June 3rd.

-That's practically now!

0:48:380:48:42

-That's today's date!

-I know. We've got to find out where.

0:48:420:48:45

Wait a minute! Pheasant couldn't be a town...

0:48:450:48:49

It must be a hotel or inn. Get the phone book.

0:48:490:48:52

-No "pheasant" here.

-Are you sure?

0:48:570:48:59

How do you spell pheasant?

0:48:590:49:02

-F-E-Z-A-N-T. How else?

-Give it to me!

0:49:020:49:06

Is it there?

0:49:090:49:12

-Here it is! Pheasant Inn at Bayport!

-My car's out in front.

0:49:120:49:16

-Can we make it by 2.30?

-Well, you've gotta!

0:49:160:49:19

Wait! I can't find my coat!

0:49:190:49:21

WOMAN SCREAMS

0:49:220:49:25

He's awake! I was taking his pulse and he kissed me.

0:49:250:49:29

-Who wouldn't?!

-Gee! Boss!

0:49:290:49:32

-Who is she, and what's happened?

-What hasn't?

0:49:320:49:36

-Just a minute, you.

-Ah! Nice to see you, Inspector. We're in a hurry.

0:49:390:49:43

Too bad. So am I.

0:49:430:49:46

I can't wait to find out why you made that phone call from Savitsky's.

0:49:460:49:52

-There isn't time...

-There'll be plenty of time - about ten years. ..Cuff him.

-With pleasure.

0:49:520:49:58

Come back here, you!

0:49:580:50:00

Get the key, you idiot! ..Come back here, you!

0:50:000:50:05

-I've got the key.

-God help me, tomorrow you'll be walking a beat the farthest end of Canarsie.

0:50:050:50:10

-The key!

-Canarsie...

0:50:100:50:12

Thanks. Very neat, as far as it goes.

0:50:140:50:18

AN important event will take place at Bayport today.

0:50:180:50:21

There's nothing there but a hotel and fishing boats.

0:50:210:50:25

If only we could find that ring...

0:50:250:50:28

We did. It's here someplace.

0:50:280:50:30

It's just a piece of glass.

0:50:300:50:33

-Whoever killed Diane took this ring.

-What for?

0:50:330:50:37

That's ten cents a dozen.

0:50:370:50:39

Oh! It does tricks, huh?

0:50:390:50:42

-Anything inside?

-Not now. Where did you find it?

-Harrington's,

0:50:420:50:46

-with the stuff Savitsky got for us.

-Let's go.

-I don't know what the doctor will say.

0:50:460:50:51

Go and find out. Be sure to leave your phone number with Jerry.

0:50:510:50:55

Come on, let's go.

0:50:550:50:57

-I've searched the place. That's the last batch.

-Doesn't look very encouraging.

0:51:040:51:09

Needle in a haystack...

0:51:130:51:16

Here's something.

0:51:160:51:18

Hey! Does it fit?

0:51:200:51:23

Yes, it seems to.

0:51:230:51:25

-How did you know there was a picture in it?

-Cos it was found here, and Savitsky's a photographer.

0:51:260:51:31

-Who is it?

-A very distinguished Latin American.

0:51:310:51:35

Maybe it's Diane's boyfriend.

0:51:350:51:38

If I'm not mistaken, he's the key to this whole thing.

0:51:380:51:42

Switch the light off, Lefty.

0:51:420:51:44

What are you gonna do?

0:51:470:51:49

Make an enlargement of it.

0:51:490:51:52

-Can you direct us to the Pheasant Inn?

-First turn on the right.

0:52:010:52:05

SPEAKS GERMAN

0:52:090:52:12

-Good afternoon.

-Afternoon.

0:52:250:52:28

-It's quiet here, for this time of year.

-It's early in the season.

0:52:280:52:32

-I have nice accommodation.

-No, we're just driving through.

0:52:320:52:36

Have a look inside. It's a famous landmark.

0:52:360:52:38

We'll be back.

0:52:380:52:41

It's quiet as a tomb. We must have picked the wrong place.

0:52:530:52:57

Too quiet. Let's take a look around.

0:52:570:53:00

-Just a minute.

-What is it?

0:53:150:53:18

-I've seen him before somewhere.

-Yes?

0:53:190:53:21

Headquarters! That's Moffat, the ballistics man!

0:53:210:53:24

LOUD WHISTLE

0:53:430:53:45

-Where are we now?

-This must lead to the belfry. Come on.

0:54:050:54:10

DOOR SLAMS

0:54:140:54:17

-Was that the wind?

-The wind couldn't have locked it.

0:54:170:54:21

Oh!

0:54:250:54:27

Miss Brooks, have you met Mr Harrington?

0:54:270:54:30

Since you found your way here, you must have found out other things - too many things.

0:54:300:54:36

Put that away. Everybody knows we're here, and why.

0:54:360:54:40

I know a lie when I hear it. Back down!

0:54:400:54:43

Moffat! Come here! Schnell!

0:54:520:54:55

SHOUTS IN GERMAN

0:54:550:54:58

THEY TALK GERMAN

0:55:200:55:23

Would it do any good to scream?

0:55:350:55:37

I don't think so - these walls must be two-feet thick.

0:55:370:55:41

-I wish I knew what it was all about.

-My German's rusty but I got the gist of it.

0:55:410:55:45

The plane is bringing in a secret emissary representing the Inter-American Alliance.

0:55:450:55:49

They're going to kill him?

0:55:490:55:52

That'll be the signal for their agents to start wrecking the whole Pan-American set-up.

0:55:520:55:58

Can't we get loose?

0:55:580:56:00

I'm afraid we're tied with typical German efficiency.

0:56:000:56:04

-A machine gun would have been more certain.

-Not at this range.

0:56:130:56:17

Trust me - I know my business.

0:56:170:56:19

-You saw the photo. There must be no mistake.

-I'll get him with one shot.

0:56:190:56:23

There will be rejoicing at Berchtesgaden.

0:56:230:56:26

Senor DeSola...

0:56:410:56:43

SPEAKS SPANISH

0:56:430:56:45

Sorry, the inn is full. All rooms are taken.

0:56:530:56:56

Not to be impolite, but who says so?

0:56:560:56:59

-On your way.

-You are the gentleman I want to see. Does this mean anything to you?

0:56:590:57:04

It means I've got to hold you till you explain where you got it. Come on.

0:57:060:57:11

THEY SPEAK SPANISH

0:57:130:57:16

They're coming!

0:57:200:57:23

BELL CHIMES

0:57:340:57:36

-GUNSHOT

-Dismount the gun!

0:57:510:57:55

GUNSHOT

0:58:050:58:07

SPEAKS SPANISH

0:58:290:58:31

Mr Tom, Miss Arlette called while you were out. She wants you to call her at her shop.

0:59:050:59:10

I don't want to talk to her.

0:59:100:59:12

-I don't want to talk to anyone.

-Maybe you should take me to South America with you.

0:59:120:59:17

-PHONE RINGS

-You wouldn't like it. Too many beautiful...dames.

0:59:170:59:23

Well, Tom, it's been nice knowing you.

0:59:230:59:25

Some gentleman. He insists on speaking to you personally.

0:59:260:59:30

-Hello?

-Lawrence, get this straight.

0:59:330:59:37

You saw what happened to your brother. Go back where you came from if you don't want the same medicine.

0:59:370:59:44

Hello? Hello!

0:59:440:59:46

-All right, if that's the way they want it.

-Who was it? What happened?

0:59:490:59:53

Never mind. Start unpacking. I'm staying.

0:59:530:59:56

Here we go again!

0:59:560:59:59

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