
Browse content similar to The Falcon's Brother. Check below for episodes and series from the same categories and more!
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We dock in ten minutes. | 0:01:03 | 0:01:05 | |
Bravo! | 0:01:05 | 0:01:08 | |
-For you. -A toast to the United States and our safe arrival. | 0:01:08 | 0:01:12 | |
-To the finest dance team in America. Your continued success. -It will be a pleasure to be in your country again. | 0:01:12 | 0:01:18 | |
And your friend - I thought he was going to join us. | 0:01:18 | 0:01:22 | |
Well, yes. Well, you know how men are - | 0:01:24 | 0:01:27 | |
probably having trouble packing. I'll go and look for him. | 0:01:27 | 0:01:32 | |
-Parece muy nerviosa. -Ella sabe? -No se. | 0:01:37 | 0:01:42 | |
-We dock in ten minutes, sir. -Never mind - I'll tell him. -Yes, ma'am. | 0:01:43 | 0:01:48 | |
-What's the matter?! -Look! | 0:01:52 | 0:01:54 | |
Go and find the harbour officials at once! Yes, sir! | 0:01:59 | 0:02:03 | |
Here it is - pier 7. | 0:02:12 | 0:02:14 | |
Why can't I wait here? You haven't seen your brother for five years. | 0:02:15 | 0:02:20 | |
Get over your antisocial notions, Lefty. | 0:02:20 | 0:02:22 | |
Remember, you're a respectable citizen now. | 0:02:22 | 0:02:24 | |
Besides, we're going to celebrate. | 0:02:24 | 0:02:26 | |
-All right, but I still feel inconvenienced. -Don't go into that again. | 0:02:26 | 0:02:32 | |
Where I go, YOU go. | 0:02:32 | 0:02:35 | |
There are exceptions, of course. | 0:02:36 | 0:02:38 | |
..Hello! | 0:02:38 | 0:02:40 | |
I know - like dames, for instance. | 0:02:40 | 0:02:43 | |
Didn't we meet at the Duchess of Poole's party in London? | 0:02:43 | 0:02:46 | |
-Must have been some other girl. I ain't been to London. -What a pity...for the Londoners. | 0:02:46 | 0:02:52 | |
-You do as I say! -I will not! -No-one allowed on board. Police orders. | 0:02:52 | 0:02:57 | |
-Take it easy! -Chief, you told me to hurry! | 0:03:03 | 0:03:07 | |
-Inspector Donovan... -Good evening, Inspector. | 0:03:07 | 0:03:10 | |
-The great Falcon. What are you doing here? -Minding our own business. | 0:03:10 | 0:03:15 | |
-What are YOU doing here? -Don't give me that! How did you find out about this? -About what?! | 0:03:15 | 0:03:20 | |
The body! If there wasn't a body, we wouldn't be here! ..Ignore them. | 0:03:20 | 0:03:24 | |
-Consider yourself ignored. -That doesn't hurt my feelings. | 0:03:25 | 0:03:29 | |
-What's all this about a body?! -I haven't the faintest idea. -I'll be glad if we never find out. | 0:03:29 | 0:03:35 | |
You're slipping, Lefty. | 0:03:35 | 0:03:38 | |
It's fate. Destiny brought us together. | 0:03:43 | 0:03:46 | |
-Pardon, senor. -How do you do? | 0:03:46 | 0:03:48 | |
-Fascinating type. -We're here to meet your brother, remember. | 0:03:49 | 0:03:53 | |
-Oh, yes! -I hope he hasn't got dames for a hobby, like you have. | 0:03:53 | 0:03:58 | |
You're in for a disappointment! | 0:03:58 | 0:04:00 | |
-Mr Lawrence's cabin. -Right there, sir. -Thanks. | 0:04:00 | 0:04:04 | |
Excuse me. | 0:04:04 | 0:04:06 | |
-I thought you were minding your own business. -I must be in the wrong cabin. I'm looking for my brother, | 0:04:10 | 0:04:15 | |
-Tom Lawrence. -Wait a minute. Isn't that guy's name Lawrence? | 0:04:15 | 0:04:19 | |
Are you his brother? | 0:04:20 | 0:04:23 | |
I'm Gay Lawrence. | 0:04:23 | 0:04:25 | |
I'm sorry, but it looks like a clear case of suicide. | 0:04:25 | 0:04:29 | |
-Poison. -He left this note. | 0:04:29 | 0:04:32 | |
Is that him? | 0:04:36 | 0:04:38 | |
If there's anything I can do - anything at all... | 0:04:43 | 0:04:47 | |
-Nothing, thanks. -I don't know what to say. | 0:04:47 | 0:04:51 | |
I want to tell you how sorry I am. I only met him on the boat, but he was a good friend. | 0:04:51 | 0:04:56 | |
-This is Miss Diane Medford. She found him. -I see. | 0:04:56 | 0:05:00 | |
It's suicide, so you can turn the passengers loose. | 0:05:02 | 0:05:05 | |
-Do you mind if I leave the arrangements to you? -No. You get off home, I'll take care of everything. | 0:05:05 | 0:05:11 | |
We've been battling for years, | 0:05:11 | 0:05:14 | |
-but underneath... Well, you know what I mean. -Thanks, Timothy. | 0:05:14 | 0:05:19 | |
I don't know what to say. I just don't know what to say. | 0:05:27 | 0:05:31 | |
Don't say anything. Follow that taxi. | 0:05:31 | 0:05:33 | |
-You must be historical! -Oh, come on! | 0:05:36 | 0:05:39 | |
Tail that cab! Don't argue! | 0:05:39 | 0:05:41 | |
Come on, Lefty! I don't want to lose sight of that girl! | 0:05:43 | 0:05:47 | |
I don't get it. You leave your brother as cold as a herring, and start chasing a dame. | 0:05:49 | 0:05:54 | |
It happens that WASN'T my brother. | 0:05:54 | 0:05:57 | |
Oh, right. | 0:05:57 | 0:05:58 | |
-WHAT?! -I've never seen him before in my life. -Oh, that's good. | 0:05:58 | 0:06:03 | |
What a relief. | 0:06:03 | 0:06:05 | |
Where IS your brother? | 0:06:05 | 0:06:07 | |
-That's what we're going to find out. -Why didn't you tell Donovan? | 0:06:07 | 0:06:11 | |
-I thought Tom might have his reasons for disappearing. You see, Lefty, that wasn't a suicide. -No? | 0:06:11 | 0:06:18 | |
-Since when have you been swiping cigar butts? -In the cabin. | 0:06:20 | 0:06:24 | |
That's how it was done. The cigar reeks of poison. | 0:06:24 | 0:06:28 | |
Poison? La Prima Donna? Ooh, to think I used to go for that brand. | 0:06:28 | 0:06:34 | |
-The department will have to send flowers. Lawrence is taking it pretty hard. -Taking what hard? | 0:06:37 | 0:06:42 | |
-His brother's death. A tragedy. -What?! He just left here, chasing a dame. -What?! | 0:06:42 | 0:06:47 | |
-Follow him! -Why? | 0:06:47 | 0:06:49 | |
-Because they told me I'm the boss, and the boss gives the orders. You don't mind, do you(?) -Not at all. | 0:06:49 | 0:06:55 | |
-Good evening. -Good evening, Charles. -Happy to see you back. | 0:07:17 | 0:07:21 | |
-Just in time for the fashion show. -Thank you. | 0:07:21 | 0:07:24 | |
There ain't enough dames in the open market - you've got to come here. | 0:07:31 | 0:07:35 | |
I saw a familiar pair of headlights... | 0:07:35 | 0:07:37 | |
-Drive around in case Donovan is following us. -Sure. | 0:07:37 | 0:07:41 | |
-Have you seen Mr Harrington? -He's over there. -Check that. Thank you. | 0:07:59 | 0:08:03 | |
Look for yourself in Modern Modes or perhaps Savitsky can make a print for you. | 0:08:03 | 0:08:07 | |
Certainly, Mr Harrington. | 0:08:07 | 0:08:08 | |
-Paul! -Diane, darling! -Nice to see you again, Miss Medford. -Thank you. | 0:08:10 | 0:08:15 | |
-You might have met me at the boat. -I couldn't afford to miss this. These are the government-approved styles. | 0:08:15 | 0:08:22 | |
-I don't believe that. I know about you and Arlette. -Ridiculous! | 0:08:22 | 0:08:25 | |
-I want to talk to her. -She's busy. | 0:08:25 | 0:08:28 | |
This gown is typical... The use of two-colour material and the embroidered sequin motif | 0:08:28 | 0:08:34 | |
give interest to this gown. | 0:08:34 | 0:08:37 | |
Tell her I'll be in her office. | 0:08:37 | 0:08:40 | |
-Aren't you Gay Lawrence, the one they call the Falcon? -Yes. And you? | 0:08:43 | 0:08:47 | |
-Oh, you couldn't be a reporter. -Why not? -You've got a notebook! | 0:08:47 | 0:08:51 | |
-I'm a fashion reporter, but I'll get a police beat one day. -I don't doubt it. | 0:08:51 | 0:08:55 | |
Wherever you are, exciting things seem to happen. | 0:08:55 | 0:08:59 | |
-Meeting you is all of that, Miss... -Brooks. Marcia Brooks. | 0:08:59 | 0:09:02 | |
Do you expect anything to happen here tonight? | 0:09:02 | 0:09:05 | |
Sorry, I didn't bring my crystal ball. | 0:09:05 | 0:09:07 | |
OK, but I'm keeping an eye on you - don't think I'm not! | 0:09:07 | 0:09:11 | |
-Sorry, these are the private offices. The showing is in there. -Oh, yes, of course. How silly of me. | 0:09:11 | 0:09:17 | |
-May I see your invitation? -Oh, I'm with this lady. | 0:09:19 | 0:09:24 | |
-You're looking lovely tonight, my dear. -Well...! | 0:09:24 | 0:09:29 | |
I'm so sorry. | 0:09:35 | 0:09:38 | |
And now, the Victory Dress... | 0:09:56 | 0:09:58 | |
APPLAUSE | 0:10:01 | 0:10:04 | |
I'm happy that you share my enthusiasm. | 0:10:04 | 0:10:07 | |
It doesn't only express the spirit of the day, but it shows that we can have lovely gowns and dresses | 0:10:07 | 0:10:13 | |
and comply with government regulations. | 0:10:13 | 0:10:15 | |
I'm also happy to tell you that this dress has been chosen by Paul Harrington, editor of Modern Modes, | 0:10:15 | 0:10:22 | |
to be featured on the cover of the next issue. APPLAUSE | 0:10:22 | 0:10:26 | |
Ain't this a lovely creation? | 0:10:35 | 0:10:38 | |
One of nature's loveliest. | 0:10:39 | 0:10:42 | |
Take a gander at what I saw coming in here. | 0:10:52 | 0:10:56 | |
-Interesting. -I'm only interested in one thing - getting out of here. | 0:10:59 | 0:11:03 | |
-Carmela and Valdez! -How are you? -It is a pleasure to see you! | 0:11:03 | 0:11:09 | |
I hoped you'd get here in time. We need to ask you a favour. Yes? | 0:11:09 | 0:11:13 | |
-We are leaving soon for Chicago to open at the casino... -Carmela wants you to create something special. | 0:11:13 | 0:11:20 | |
-Yes. -Your gowns were always lucky for us. We'll do our best. | 0:11:20 | 0:11:25 | |
Excuse me. I'll be right back. | 0:11:25 | 0:11:27 | |
I suppose that you came back here and parked your car right out front. | 0:11:33 | 0:11:37 | |
-Of course. -We can't let Donovan find us here. | 0:11:37 | 0:11:40 | |
-Suits me - let's scram. -I want to talk to the girl from the boat - Diane Medford. -I was afraid of that. | 0:11:40 | 0:11:47 | |
-It's the only way to find out what happened to my brother. Hold off Donovan if he comes. -What'll I do?! | 0:11:47 | 0:11:53 | |
SIREN BLARES | 0:12:03 | 0:12:06 | |
-Can't you hear the sirens?! Put out those lights! -I'll have them close the blackout curtains. -No time! | 0:12:13 | 0:12:20 | |
They're here - that's his car. Stay with it. | 0:12:20 | 0:12:23 | |
-What's going on?! -It's a blackout! | 0:12:26 | 0:12:29 | |
-Oh, OK. ..Put that out! -We'll have everything under control soon. | 0:12:29 | 0:12:34 | |
-What's wrong? -Blackout. -What do you mean?! Every light in town is blazing! -What?! | 0:12:35 | 0:12:40 | |
-What do you want? -We both know that wasn't my brother on the boat. | 0:13:15 | 0:13:20 | |
I'm afraid you have to do a little explaining. | 0:13:20 | 0:13:24 | |
That's an unusual ring you have. | 0:13:26 | 0:13:28 | |
Where did that shot come from?! | 0:13:32 | 0:13:34 | |
Hurry up with those lights! | 0:13:36 | 0:13:38 | |
-Find the light switch. -I'm looking for it. | 0:14:05 | 0:14:09 | |
What's the matter with the lights?! | 0:14:12 | 0:14:15 | |
-She's dead. -Diane! | 0:14:29 | 0:14:32 | |
-Who are you? -They were to marry. -And who are YOU? -I own this shop. Miss Medford worked for me. | 0:14:32 | 0:14:37 | |
She had just returned from South America on business. That's who the Falcon followed. | 0:14:37 | 0:14:42 | |
-I know! Search the place! Find the Falcon! -OK. -Lock the doors - nobody leaves the building. | 0:14:42 | 0:14:47 | |
-Who are you? -I'm a reporter... -Not now, sister. | 0:14:47 | 0:14:51 | |
-Get in there! -You can't do this to me! -This guy called the blackout. | 0:14:51 | 0:14:56 | |
So, you're an air-raid warden. | 0:14:56 | 0:14:58 | |
-Who did this? -That's what you're gonna tell us. -How should I know?! | 0:14:58 | 0:15:02 | |
-You turned out the lights so the Falcon could sneak in here. Where is he?! -He went home after the boat. | 0:15:02 | 0:15:08 | |
Yeah? Then why are YOU here? | 0:15:08 | 0:15:11 | |
Um...buying a dress for my aunt. | 0:15:11 | 0:15:14 | |
Isn't that just too lovely(!) Think of a better one than that! | 0:15:14 | 0:15:18 | |
Hold it! | 0:15:39 | 0:15:41 | |
-Gay! -Tom! What happened to you on the boat? -I was never on it. I came by clipper from the Bahamas. | 0:15:41 | 0:15:48 | |
-What intrigue are you mixed up in now?! -I have unfinished business with a lady called Diane Medford. | 0:15:48 | 0:15:56 | |
-You'll never finish it now. -Why not? -Just a touch of homicide. | 0:15:56 | 0:16:00 | |
Too bad. | 0:16:00 | 0:16:02 | |
Only yesterday, we were having cocktails. | 0:16:04 | 0:16:07 | |
-The next thing you know, the boat had gone, with your belongings. -Yes. | 0:16:07 | 0:16:12 | |
She was beautiful, wasn't she? | 0:16:12 | 0:16:15 | |
-I told you all I know. -You'll talk when we get you downtown. -The Falcon ain't here. | 0:16:15 | 0:16:20 | |
Neither is the gun, so we have to prove he WAS here. Did anyone here see him? | 0:16:20 | 0:16:25 | |
-Um... -What were you going to say? -Nothing - I've heard of him, that's all. -That's a big help(!) | 0:16:26 | 0:16:32 | |
He must have made a clean getaway. He never was here! | 0:16:32 | 0:16:35 | |
-Let these people go, but get their names and addresses. -The models too? | 0:16:35 | 0:16:39 | |
-They're accounted for, and the customers. -Let's go. | 0:16:39 | 0:16:43 | |
I'm playing ball with you. I didn't tell them I'd seen the Falcon. Now, you tell me where he's gone. | 0:16:53 | 0:16:58 | |
You've made a mistake. He was never here. | 0:16:58 | 0:17:02 | |
-Furthermore, he don't like dames following him. -I've heard otherwise. | 0:17:02 | 0:17:06 | |
Hey, where are you going?! | 0:17:09 | 0:17:12 | |
You've got nothing on me. My being here is coincidental. | 0:17:12 | 0:17:16 | |
-Does that mean we can't make a pitch? -No. ..You're under arrest. | 0:17:16 | 0:17:19 | |
-What for? -Impersonating an air-raid warden. | 0:17:19 | 0:17:23 | |
-How did you get into the country without a passport? -Remember Stinker Jones at school? -Yes. | 0:17:25 | 0:17:31 | |
-He's in Government House at Nassau. -Good old Stinker! I don't think this is just another murder. | 0:17:31 | 0:17:36 | |
Seems to be a pattern of some kind. | 0:17:36 | 0:17:38 | |
People are leaving. | 0:17:38 | 0:17:40 | |
Keep your eyes open. | 0:17:42 | 0:17:45 | |
Whatever you do, don't let the police know I was here. | 0:17:46 | 0:17:50 | |
CAR ENGINE STARTS | 0:17:54 | 0:17:57 | |
Hey! Taxi! | 0:18:15 | 0:18:17 | |
-What's wrong? -My friend's had one too many. Help me get him into the cab. | 0:18:19 | 0:18:24 | |
Sure. | 0:18:24 | 0:18:26 | |
-Well, Doctor? -Traumatic shock and concussion. May stay like this for a couple of days. | 0:18:35 | 0:18:40 | |
But he'll come out of it OK. | 0:18:40 | 0:18:43 | |
Mr Lawrence has remarkable powers of recuperation. | 0:18:43 | 0:18:47 | |
-You should sleep too. -I must find out who did this. -You should call the police. -Perhaps. Good night. | 0:18:49 | 0:18:55 | |
Good night. | 0:18:55 | 0:18:56 | |
PHONE RINGS | 0:18:57 | 0:19:00 | |
You take it. My brother's not here - no information to anyone. | 0:19:00 | 0:19:04 | |
I understand. He receives many calls from young ladies. We give them the pidgin English treatment. | 0:19:04 | 0:19:09 | |
Hello. | 0:19:11 | 0:19:13 | |
Mr Lawrence residence, please. | 0:19:13 | 0:19:15 | |
-I wanna talk to Mr Lawrence. -Oh, so sorry, but she not home. | 0:19:15 | 0:19:20 | |
You call again some time, maybe. | 0:19:20 | 0:19:23 | |
Thank you. Goodbye, please. | 0:19:23 | 0:19:26 | |
Very effective. Who was it? | 0:19:26 | 0:19:29 | |
PHONE RINGS | 0:19:29 | 0:19:31 | |
Hello! Mr Lawrence residence, please. | 0:19:32 | 0:19:35 | |
Slow down, you. This is Inspector Donovan. I wanna talk to Lawrence. | 0:19:35 | 0:19:40 | |
If you lie to me, I'll lock you up and throw the key away. | 0:19:40 | 0:19:43 | |
It's Inspector Donovan calling. | 0:19:43 | 0:19:46 | |
He seems positive that your brother is here. | 0:19:46 | 0:19:49 | |
Very well, Donovan. What is it? | 0:19:51 | 0:19:54 | |
Oh, Falcon. That's more like it. | 0:19:54 | 0:19:56 | |
I'm coming over to ask you about that homicide, and you better be there. | 0:19:58 | 0:20:03 | |
I have no idea what you're talking about. I'm already in bed, | 0:20:03 | 0:20:07 | |
and under the circumstances... Hello? | 0:20:07 | 0:20:11 | |
-He hung up? -He's on his way over here. | 0:20:11 | 0:20:14 | |
..Miss Ross! | 0:20:14 | 0:20:16 | |
-Miss Ross! -Here I am. -Yes, that's the point. | 0:20:16 | 0:20:20 | |
-Could you be somewhere else for ten minutes? -Leave my patient? -It's the patient I'm thinking of. | 0:20:20 | 0:20:26 | |
-Could you wait in the kitchen? -Why? -No time to explain, but it's important. -Oh, is it? | 0:20:26 | 0:20:31 | |
Did I tell you you're a very lovely girl? | 0:20:31 | 0:20:34 | |
If I may say so, Mr Tom, you have the same technique as your brother. | 0:20:35 | 0:20:40 | |
He learned it from me, years ago! DOOR BUZZER | 0:20:40 | 0:20:43 | |
-The police? -Couldn't be, this soon. | 0:20:43 | 0:20:47 | |
Answer it. | 0:20:47 | 0:20:49 | |
-Is Mr Lawrence in? -Oh, he not home. You come back much later, please? | 0:20:52 | 0:20:57 | |
-No. I'll wait. -Please! He not here! | 0:20:57 | 0:21:01 | |
Come back later! Please! | 0:21:01 | 0:21:03 | |
How delightful. How are you? And WHO are you? | 0:21:11 | 0:21:15 | |
-Marcia Brooks, Morning Gazette. -Oh, a reporter... So charming, too! | 0:21:15 | 0:21:19 | |
I think the buildings in New York are beautiful and the women are tall. | 0:21:19 | 0:21:24 | |
There you are - you've had your interview. Now, excuse me. | 0:21:24 | 0:21:27 | |
-I don't understand. Are you a friend of Gay Lawrence? -Definitely. | 0:21:27 | 0:21:31 | |
-If YOU are, you'll come back later. -I know the Falcon was at that shop tonight when Diane was murdered. | 0:21:31 | 0:21:37 | |
-If you don't let me in on this, the police will be here in five minutes. -You'll be four minutes too late - | 0:21:37 | 0:21:43 | |
they're already on the way. If you play along, I'll tell you all about it. | 0:21:43 | 0:21:48 | |
-So sorry... -All right, all right. Where is he? | 0:21:50 | 0:21:53 | |
He in bed. He broken up because his brother is dead. | 0:21:53 | 0:21:57 | |
-He in clinical condition. -We've got a remedy for that. | 0:21:57 | 0:22:02 | |
Very artistic. | 0:22:07 | 0:22:09 | |
I'd be sympathetic if I didn't know you'd just bumped off a dame. | 0:22:11 | 0:22:14 | |
You knew she killed your brother, so you took the law into your own hands. But I've got a job to do! | 0:22:14 | 0:22:19 | |
Come on! It won't do any good to dummy up - I've got a case against you. | 0:22:21 | 0:22:26 | |
Haven't you got anything to say for yourself? | 0:22:26 | 0:22:29 | |
-What's the matter with him?! -You're bluffing, Donovan. -Huh?! | 0:22:30 | 0:22:35 | |
You'll find out when we get to the headquarters. Get dressed, unless you want booked in your pyjamas! | 0:22:35 | 0:22:40 | |
-Where's his clothes? -Clothes - they all gone. Washy-washy. | 0:22:40 | 0:22:44 | |
-He means his suits. -Over there. -Come on! | 0:22:44 | 0:22:48 | |
I've got an alibi, Donovan. Arrest me and I'll get you off the force. | 0:22:49 | 0:22:53 | |
Take it easy! I'm only doing a job. | 0:22:53 | 0:22:56 | |
I've got two bodies and no suspects but you. If you didn't do it, who did? Give me a hint! | 0:22:56 | 0:23:01 | |
OK, but I ain't gonna quit till I prove that you were at the scene of the crime, and committed it! | 0:23:03 | 0:23:09 | |
Good night, Timothy. | 0:23:09 | 0:23:12 | |
-Did it work? -It went well! -This is most exciting thing that's ever happened to fashion reporter! | 0:23:22 | 0:23:28 | |
What do we do next? | 0:23:28 | 0:23:30 | |
I'll tell you. We adjourn... | 0:23:30 | 0:23:33 | |
until tomorrow morning. | 0:23:33 | 0:23:36 | |
-I'll be here, bright and early. -Not too early and not too bright! | 0:23:36 | 0:23:40 | |
-Good morning. -He not wakey up yet. | 0:23:51 | 0:23:54 | |
Sleep, sleep. Just like a baby. | 0:23:54 | 0:23:57 | |
Come back later, please. | 0:23:57 | 0:23:59 | |
Hello! | 0:23:59 | 0:24:01 | |
-Bright AND early! -I regret that I was unable to convince the young lady. | 0:24:01 | 0:24:06 | |
-IMITATES JERRY: -Bossy man try to give pretty lady run-around?! | 0:24:06 | 0:24:10 | |
Young lady hungry. Like cup of coffee. | 0:24:10 | 0:24:14 | |
DOOR BUZZER | 0:24:14 | 0:24:15 | |
Why, Mr Lefty! The newspaper said you were incarcerated. | 0:24:15 | 0:24:19 | |
You know I never drink. I was pinched but I beat them. Suspended sentence. | 0:24:19 | 0:24:24 | |
Hello, Lefty. > Hello. Who are you?! How did you tag me? | 0:24:24 | 0:24:28 | |
You're practically one of the family. I'm Tom Lawrence. The Falcon's brother! | 0:24:28 | 0:24:33 | |
The fella that wasn't killed on the boat! What a relief to get you pinned down! | 0:24:33 | 0:24:38 | |
-Mr Lawrence? -Yes, Miss Ross? | 0:24:38 | 0:24:40 | |
-His temperature is normal this morning. Isn't that fine? -What's she doing here? | 0:24:40 | 0:24:46 | |
My brother had some bad luck last night. Someone tried to eliminate him with a 12-cylinder sedan. | 0:24:46 | 0:24:51 | |
Was he hurt bad? No. He'll be fine. | 0:24:51 | 0:24:54 | |
-You can see him later. -Thank you. | 0:24:54 | 0:24:57 | |
I'll say one thing for the Falcon - he never chased dames till after breakfast. | 0:24:59 | 0:25:04 | |
-What'll we do about the murders? -Murders? Include me out. Dames are bad enough. | 0:25:04 | 0:25:09 | |
-The police have probably solved it. Donovan must have traced the gun's owner by now. -What gun? | 0:25:09 | 0:25:15 | |
Gay said he saw one beside the body. | 0:25:15 | 0:25:17 | |
But we were all in that room behind the police. There wasn't any gun. | 0:25:17 | 0:25:21 | |
No gun?! | 0:25:21 | 0:25:23 | |
-How would you like to visit the dress shop with me? -What woman wouldn't?! | 0:25:23 | 0:25:28 | |
-Does that mean you suspect Arlette? -Arlette and you and everyone who was in the room. | 0:25:28 | 0:25:33 | |
Harrington and the photographers and the dance team... | 0:25:33 | 0:25:36 | |
-Why do you suspect me?! -Oh, run along! | 0:25:36 | 0:25:40 | |
He's almost as bad as his brother, | 0:25:41 | 0:25:43 | |
only worse. | 0:25:43 | 0:25:45 | |
This ensemble is of rayon and wool. | 0:25:46 | 0:25:49 | |
-It would look lovely on you... -Madam Arlette? | 0:25:49 | 0:25:52 | |
-Pardon me. -Surely. | 0:25:52 | 0:25:55 | |
Madam Arlette? My name is Lawrence. | 0:25:55 | 0:25:57 | |
-And this is Miss... -We've met. Miss Brooks of the Gazette. May I help you? -We'd like to talk to you. | 0:25:57 | 0:26:03 | |
-Yes? -About the incident last night. | 0:26:03 | 0:26:05 | |
I've given a statement to the press. | 0:26:05 | 0:26:07 | |
We understand, but if you could give us a few moments of your time... | 0:26:07 | 0:26:11 | |
Of course. Come over here and sit down. | 0:26:11 | 0:26:15 | |
-Surely you're not a policeman? -You might call me an investigator. | 0:26:19 | 0:26:23 | |
You're very young and lovely to be the presiding genius of this business. | 0:26:23 | 0:26:29 | |
-We were going to ask some questions. -Yes. Tell us about Diane Medford. | 0:26:29 | 0:26:33 | |
-She was clever at gathering style ideas. -That's not what I meant. | 0:26:33 | 0:26:38 | |
-What do you know about her private life? -Nothing. Other people's private lives don't interest me. | 0:26:38 | 0:26:45 | |
Nor does my own, usually. | 0:26:45 | 0:26:48 | |
Something should be done about that. | 0:26:48 | 0:26:51 | |
I know you'll never forgive me, but I must break away. | 0:26:51 | 0:26:55 | |
I just remembered an appointment I forgot to mention. | 0:26:55 | 0:26:59 | |
The impulsive type, you know. | 0:26:59 | 0:27:02 | |
-What were you going to say? -Madam Arlette? | 0:27:02 | 0:27:05 | |
I am delighted with my fitting! The gown will be magnificent! | 0:27:05 | 0:27:09 | |
-Stupendo. Only you could have created it so quickly. -Thank you. | 0:27:09 | 0:27:13 | |
-Mr Lawrence, Carmela and Valdez. -I've seen your dancing in Buenos Aires. -It has been delightful meeting you, | 0:27:13 | 0:27:20 | |
-but we have much to do. -Si. | 0:27:20 | 0:27:23 | |
..Adios. | 0:27:23 | 0:27:25 | |
Madam, you are wanted in the sitting room. | 0:27:25 | 0:27:29 | |
-This is my busy morning. -Are you busy this evening? | 0:27:29 | 0:27:33 | |
-Nothing that can't be rearranged. -I'll call for you at 8.30. | 0:27:33 | 0:27:38 | |
-Well! Small world, isn't it? -Yes, and there's some small people in it. | 0:27:45 | 0:27:49 | |
Get me the police headquarters. | 0:27:58 | 0:28:00 | |
Could I speak to Inspector Donovan, please? | 0:28:03 | 0:28:06 | |
I'll take that one. ..Thank you. | 0:28:11 | 0:28:14 | |
What on earth do you want that for?! | 0:28:14 | 0:28:17 | |
-Gave me an idea for a dress. -You can never get away from your work! | 0:28:17 | 0:28:21 | |
Or vice versa! | 0:28:21 | 0:28:23 | |
-This publicity ought to be good for your business. -Not with the people who buy Arlette gowns. | 0:28:23 | 0:28:28 | |
It'll soon be over. The police found the gun that killed Diane Medford. | 0:28:28 | 0:28:32 | |
Really? | 0:28:34 | 0:28:35 | |
-Where did they find it? -I don't know. | 0:28:36 | 0:28:39 | |
But it'll be a matter of hours before they trace the serial number to the owner. | 0:28:39 | 0:28:45 | |
-Who do they think did it? -Don't let's worry about that now! | 0:28:46 | 0:28:50 | |
-Sorry, but have you an escort? -I left him under a table last night - I want to see if he's still there. | 0:28:53 | 0:28:59 | |
-Ladies without escorts are not permitted. -Who said I was a lady? | 0:28:59 | 0:29:03 | |
Tom, darling! Am I late? | 0:29:05 | 0:29:08 | |
-I'm glad you found some company while you were waiting for me. -Oh, yes. Quite. | 0:29:08 | 0:29:13 | |
I hope I've proved amusing. Now you're here, please excuse me. | 0:29:13 | 0:29:18 | |
Good night. | 0:29:18 | 0:29:20 | |
I guess that makes us even. | 0:29:20 | 0:29:22 | |
-Thank you for coming in. You gave her an excuse to leave. -You wanted her to go?! | 0:29:22 | 0:29:27 | |
-I suppose you're going to follow her. -Naturally. Or am I? | 0:29:27 | 0:29:32 | |
-I was lurking in the lobby... -Yes? | 0:29:33 | 0:29:36 | |
Donovan came in. I heard him say he was tipped off that a guy was coming here tonight | 0:29:36 | 0:29:41 | |
-impersonating an officer. Someone's framed you. -Arlette, no doubt. | 0:29:41 | 0:29:45 | |
Let's get outta here. ..Uh-oh. | 0:29:45 | 0:29:47 | |
Yours, I believe. | 0:29:59 | 0:30:01 | |
-What are you doing here? -Me? I'm here to reserve a table for tomorrow night. | 0:30:04 | 0:30:09 | |
I know - for your aunt(!) Have you seen Arlette? | 0:30:09 | 0:30:13 | |
She was over there a moment ago. | 0:30:13 | 0:30:16 | |
I'll be glad to get back home again. | 0:30:22 | 0:30:24 | |
So will I, but we're not going there yet. | 0:30:24 | 0:30:27 | |
We have to see a lady about a gun. | 0:30:27 | 0:30:30 | |
Oh... Dames! | 0:30:30 | 0:30:32 | |
Let me handle this. It's as easy as taking candy from a baby. | 0:30:42 | 0:30:47 | |
Have you tried taking candy from a baby? | 0:30:47 | 0:30:50 | |
Takes a bit of doing. | 0:30:50 | 0:30:53 | |
Must be in there somewhere. | 0:31:30 | 0:31:33 | |
We're right out here in public. | 0:31:51 | 0:31:54 | |
-There can't be anything hidden here. -There's got to be. | 0:31:55 | 0:31:59 | |
Don't look like that Arlette dame came back here. That's the Falcon's car. Something's going on here. | 0:32:00 | 0:32:05 | |
-I'm going to search the place. -Why? -Cos we're officers of the law looking for someone! | 0:32:05 | 0:32:10 | |
-You don't mind, do you?! -Not at all. | 0:32:10 | 0:32:13 | |
You know, she reminds me of a dame I used to know in Canarsie. | 0:32:19 | 0:32:24 | |
It's only a wax dummy. | 0:32:24 | 0:32:26 | |
Lefty? | 0:32:29 | 0:32:31 | |
Lefty! | 0:32:31 | 0:32:32 | |
Here I am. KNOCKING > | 0:32:34 | 0:32:37 | |
- They must have went in the back. - Cops! | 0:32:37 | 0:32:41 | |
Them was the days... | 0:32:43 | 0:32:46 | |
Wait a minute. There's something about that window... | 0:32:47 | 0:32:51 | |
-Hey! -What happened to her?! -Well, she didn't go back to Canarsie! | 0:32:51 | 0:32:56 | |
-THUMPING -Get down, out of sight! | 0:33:07 | 0:33:11 | |
You're covered. | 0:33:21 | 0:33:23 | |
Found a new friend? ..Who are you? | 0:33:23 | 0:33:26 | |
I should explain. I'm Tom Lawrence, Gay's brother. | 0:33:26 | 0:33:29 | |
Nice meeting you. Looking better than when I saw you on a slab in the morgue. | 0:33:29 | 0:33:34 | |
-You picked the wrong man. His brother is dead and officially identified. -And you're under arrest. | 0:33:34 | 0:33:40 | |
-For impersonating a corpse(?) -Compounding a felony, conspiracy, breaking and entering, | 0:33:40 | 0:33:46 | |
-and resisting an officer. -Come on. | 0:33:46 | 0:33:48 | |
-What are you pinching ME for? -Impersonating a window dummy. Come on. | 0:33:48 | 0:33:53 | |
This is the way it stacks up - the dame on the boat gets sore at the Falcon's brother and bumps him off. | 0:33:59 | 0:34:04 | |
The Falcon follows her to the dress shop and gives her the works. | 0:34:04 | 0:34:08 | |
It's open...and shut. | 0:34:08 | 0:34:10 | |
Open and shut. Have you arrested him? | 0:34:10 | 0:34:12 | |
In due time. The guy we arrested was a phoney the Falcon dug up. | 0:34:12 | 0:34:16 | |
If he makes us think his brother is still alive, the Falcon's got no motive for killing the dame. | 0:34:16 | 0:34:22 | |
-How clever of you! -Oh, it's just routine. | 0:34:22 | 0:34:25 | |
The phoney brother gave us a long, sad story. | 0:34:25 | 0:34:28 | |
He says he got a boat from the Bahamas, | 0:34:28 | 0:34:32 | |
and they stole his passport! | 0:34:32 | 0:34:34 | |
-But you checked, and the story isn't true? -We're checking. | 0:34:34 | 0:34:39 | |
I can spot a phoney line when I hear it. | 0:34:39 | 0:34:42 | |
-Good morning, Marcia. -Good morning. | 0:34:42 | 0:34:45 | |
-Goodbye. My stay has been most enjoyable. -What's the game?! | 0:34:45 | 0:34:49 | |
-We've got to let him go. -Why?! | 0:34:49 | 0:34:52 | |
We checked - his story's on the level. | 0:34:52 | 0:34:55 | |
I thought I had it figured out! She's got it in her notebook. | 0:34:55 | 0:34:59 | |
-Put this in YOUR notebook. If one of those cops of yours... -You didn't say why YOU were in the dress shop! | 0:34:59 | 0:35:05 | |
-You wanna find out who plugged Diane? -Sure. -Well, so does he. | 0:35:05 | 0:35:09 | |
One Falcon round here is enough. I don't want another one in my hair! | 0:35:09 | 0:35:13 | |
Next time you stick your nose in, your stay here won't be enjoyable. | 0:35:13 | 0:35:18 | |
-If you don't mind, I'll handle this. -Huh! What a break for crime(!) | 0:35:18 | 0:35:22 | |
-What's the next step? -You know, we've neglected one suspect. | 0:35:29 | 0:35:33 | |
You have access to the newspaper files. See what you can find out about Harrington's photographer. | 0:35:33 | 0:35:38 | |
-Savitsky looks like the criminal type. -He may be the key to the mystery. | 0:35:38 | 0:35:43 | |
I'll let you know if I find anything. | 0:35:43 | 0:35:46 | |
We sure gave her the brush-off. Where to now? | 0:35:46 | 0:35:49 | |
-We'd better go and see how Gay is. -That works for me. | 0:35:49 | 0:35:53 | |
-Then we have checking up to do at Madam Arlette's. -Dames again... | 0:35:53 | 0:35:58 | |
This is one of the most popular ones. | 0:36:00 | 0:36:03 | |
It has the latest defence equipment. Thank you. | 0:36:03 | 0:36:07 | |
-Have I kept you waiting? -Waiting? | 0:36:17 | 0:36:20 | |
-You didn't expect me, after what happened here last night? -Oh... It was you. | 0:36:20 | 0:36:25 | |
And, um, I found this. | 0:36:25 | 0:36:28 | |
When I told you the police had it, you led me straight to it. | 0:36:28 | 0:36:32 | |
Why didn't you give it to the police? | 0:36:34 | 0:36:36 | |
I don't want you taking the blame for someone else. I know how you feel about Harrington. | 0:36:36 | 0:36:42 | |
It is him you're protecting, isn't it? | 0:36:42 | 0:36:45 | |
Yes. But I don't believe he did it. Someone is trying to involve him. | 0:36:45 | 0:36:49 | |
-Will you come with me and talk to him? -All right. -I'll get my things. | 0:36:49 | 0:36:53 | |
Mr Harrington, do you want me sophisticated, or sweet and simple? | 0:37:06 | 0:37:11 | |
Just plain glamour will do. | 0:37:11 | 0:37:13 | |
Come on! The pose! The pose! | 0:37:15 | 0:37:17 | |
Could you take this, please? | 0:37:20 | 0:37:22 | |
There's a shadow... Lean forward, Miss, um... | 0:37:24 | 0:37:27 | |
-Ready? -Yes. -Hold it! | 0:37:28 | 0:37:31 | |
Shoot. | 0:37:32 | 0:37:34 | |
-Mr Harrington? -Yes? -Miss Arlette wants to see you. It's important. -Tell her I'll be right in. | 0:37:34 | 0:37:39 | |
Use the last pose. Print it up. | 0:37:39 | 0:37:42 | |
Paul. This is Mr Lawrence, who's investigating the murder. | 0:37:48 | 0:37:52 | |
-I asked him to talk to you before going to the police. -Is this yours? | 0:37:52 | 0:37:57 | |
-Yes. You don't think I committed the murder? -I didn't know what to think. | 0:37:57 | 0:38:01 | |
I knew you and Diane quarrelled. When I heard the shot, I rushed in, and stumbled over the gun. | 0:38:01 | 0:38:07 | |
-Naturally, I hid it. -Naturally? -When a woman's in love... -Don't make a romantic triangle out of this. | 0:38:07 | 0:38:13 | |
You knew I was in love with Diane. Anything else was all in your mind. | 0:38:13 | 0:38:18 | |
-That's not true! -Very interesting, but the fact remains this is your gun. | 0:38:18 | 0:38:23 | |
-Yes, but it couldn't have been used in the murder. -Why not? | 0:38:23 | 0:38:27 | |
It was in my pocket when I heard the shot. The gun must have been taken and planted by the body. | 0:38:27 | 0:38:32 | |
-I don't see why I have to explain this to you. -Perhaps you'd prefer to explain to Inspector Donovan? | 0:38:32 | 0:38:38 | |
Yes. As a matter of fact, I would. | 0:38:38 | 0:38:41 | |
Sign that, will you? | 0:38:50 | 0:38:52 | |
I have a permit for that gun. | 0:38:54 | 0:38:57 | |
Does that allow you to bump off a pretty dame? | 0:38:57 | 0:39:00 | |
-Evening. -Good evening. -This is Mr Moffat. | 0:39:00 | 0:39:04 | |
He's one of the ballistics experts. He knows guns inside and out. | 0:39:04 | 0:39:09 | |
-I know one thing about this gun - it didn't fire the bullet that killed the Medford girl. -What?! | 0:39:09 | 0:39:15 | |
No similarity in the photos of the rifling marks. | 0:39:15 | 0:39:18 | |
Good evening. | 0:39:19 | 0:39:21 | |
-Will that be all? -Yes. You can go. ..Not so fast, sister! YOU ain't in the clear yet. | 0:39:23 | 0:39:28 | |
-You're a material witness. -Paul, can't you do something?! | 0:39:28 | 0:39:32 | |
-All anyone can do is find the murderer. -Leave that to me, IF you don't mind! | 0:39:34 | 0:39:39 | |
Not at all, Inspector. | 0:39:39 | 0:39:41 | |
-How's the patient? -He ain't come to yet, but he was mumbling about a blonde, so he'll be fine. | 0:39:47 | 0:39:53 | |
Mr Lawrence, you were right! | 0:39:53 | 0:39:55 | |
-Was I?! -Don't you remember? Savitsky - you told me he was the key to the mystery. -Of course... | 0:39:55 | 0:40:01 | |
He's an alien, but he isn't registered. He's here illegally. | 0:40:01 | 0:40:05 | |
That IS interesting! ..We'd better pay Mr Savitsky a visit. | 0:40:05 | 0:40:09 | |
-We can take my car. -I'm sorry. Something might happen that's out of the fashion reporter's line. | 0:40:09 | 0:40:14 | |
-You understand. -I want OUT of the fashion reporter's line! All I get out of this is the run-around. | 0:40:14 | 0:40:20 | |
Wow! | 0:40:24 | 0:40:26 | |
-Why don't he throw it? -He never does. | 0:41:01 | 0:41:04 | |
I'm sorry, gentlemen... | 0:41:25 | 0:41:28 | |
-the place is closed. What do you want? -We won't keep you. Just a few questions. | 0:41:28 | 0:41:34 | |
Questions? Why do you want to ask me questions? I've done nothing. | 0:41:38 | 0:41:42 | |
What is your status with the immigration authorities? We know you're a non-legal alien. | 0:41:42 | 0:41:48 | |
I knew it would come some day... | 0:41:54 | 0:41:57 | |
You're going to deport me. | 0:41:57 | 0:41:59 | |
I didn't say that. I have information that you were mixed up in a murder. | 0:41:59 | 0:42:04 | |
If you killed Diane Medford, there's nothing we can do for you. | 0:42:04 | 0:42:08 | |
-But if you know anything... -I killed no-one! I know nothing! | 0:42:08 | 0:42:12 | |
Cuff him and take him down to the bureau. | 0:42:12 | 0:42:15 | |
-Wait! I'll tell you. -About the murder? | 0:42:15 | 0:42:18 | |
Murder, yes. Mass murder - thousands of murders! | 0:42:18 | 0:42:23 | |
You think I'm crazy! | 0:42:25 | 0:42:27 | |
-It all started with Pearl Harbour. -What didn't? | 0:42:29 | 0:42:32 | |
Go on, go on. | 0:42:34 | 0:42:36 | |
Wait. It would be quicker to show you. | 0:42:36 | 0:42:39 | |
You don't think he'll take a powder, do you? | 0:42:58 | 0:43:01 | |
Croaked, eh? | 0:43:16 | 0:43:18 | |
-Don't touch the cigar! -I bet that's what... -Of course! | 0:43:21 | 0:43:25 | |
-They killed the man on the boat the same way. -Why was he gonna show us these dames? | 0:43:25 | 0:43:30 | |
Just a piece of glass. But what's that? | 0:43:34 | 0:43:37 | |
It's new subscribers to the magazine. | 0:43:43 | 0:43:47 | |
Most seem to be in Latin America. | 0:43:47 | 0:43:49 | |
-Must have been important... -DOOR RATTLES | 0:43:49 | 0:43:53 | |
Do you believe the murderer always returns to the scene of the crime? | 0:43:57 | 0:44:02 | |
Possibly, to see if he succeeded. | 0:44:02 | 0:44:04 | |
-Are you willing to take a chance? -What kind? -Good boy. Come on! | 0:44:04 | 0:44:08 | |
Get those on. Quick! | 0:44:09 | 0:44:12 | |
-They'll think I'm Savitsky! -That's what I want them to think! Sit down! I'll cover you. | 0:44:13 | 0:44:19 | |
You cover me, but who'll cover him?! | 0:44:19 | 0:44:21 | |
Keep your hands on the table. | 0:44:27 | 0:44:30 | |
You're going to answer some questions. | 0:44:30 | 0:44:34 | |
You'd better talk while there's still time. | 0:44:34 | 0:44:37 | |
We followed one of your agents from Buenos Aires. He was about to make a deal, but he decided too late. | 0:44:37 | 0:44:43 | |
Diane Medford killed him to keep him silent. | 0:44:43 | 0:44:46 | |
She was killed because she knew too much. Senor, YOU know too much. | 0:44:46 | 0:44:51 | |
I am an accredited agent of the Republic of Mexico, working with the authorities here. | 0:44:51 | 0:44:57 | |
I can offer you protection if you talk. | 0:44:57 | 0:45:00 | |
If you do not... | 0:45:00 | 0:45:02 | |
Wait! It's me - Lefty! | 0:45:02 | 0:45:05 | |
-What are you doing here? -Minding my own business... | 0:45:05 | 0:45:09 | |
..What AM I doing here?! | 0:45:09 | 0:45:11 | |
-You're doing well. Nice to meet you again. -Senor Lawrence. -I've been doing you an injustice. | 0:45:11 | 0:45:17 | |
We're working towards the same end. | 0:45:17 | 0:45:18 | |
Counter espionage isn't for amateurs. This is a dangerous business. | 0:45:18 | 0:45:22 | |
Dangerous for Savitsky. He's in there - dead. | 0:45:22 | 0:45:25 | |
We're too late. He could have told us everything. | 0:45:30 | 0:45:34 | |
-You found him like this? -Not quite. Excuse me. | 0:45:34 | 0:45:36 | |
What are you doing? | 0:45:36 | 0:45:38 | |
It's customary to... Hello? Homicide Bureau, please. Inspector Donovan. | 0:45:38 | 0:45:42 | |
..You have no objection to this phone call if you are what you say you are. | 0:45:42 | 0:45:47 | |
Inspector? I thought you'd like to know there's a dead body here | 0:45:47 | 0:45:51 | |
in the studio of Modern Modes Magazine on East 56th Street. | 0:45:51 | 0:45:54 | |
-Hey! -This affair is nearing its climax. | 0:45:54 | 0:45:57 | |
Our mission is too important. We can't waste time on a routine police investigation. Adios. | 0:45:57 | 0:46:03 | |
'You can't do this to me! I'll have you picked up!' | 0:46:03 | 0:46:07 | |
Hello! Hello! | 0:46:07 | 0:46:09 | |
'What's this about a dead body at Modes Magazine? Hello? | 0:46:10 | 0:46:14 | |
-'If I find out who you are...' -He's in fine voice. | 0:46:14 | 0:46:18 | |
-Take that off. -Pleasure. | 0:46:18 | 0:46:19 | |
The inspector will have an awful lot to say about us being here with a dead body. | 0:46:21 | 0:46:25 | |
-We'd better follow the example of our Latin American friends and scram. -Now you're cooking with gas. | 0:46:25 | 0:46:30 | |
Inspector Donovan's going to be mad. He has to find a new murderer. | 0:46:30 | 0:46:34 | |
No - same one. Paul Harrington. | 0:46:34 | 0:46:37 | |
What?! Even the ballistics expert said it wasn't his gun. | 0:46:37 | 0:46:42 | |
He's guilty. Process of elimination. | 0:46:42 | 0:46:45 | |
You'll be next if you smoke that. | 0:46:45 | 0:46:48 | |
La Prima Donna! | 0:46:50 | 0:46:52 | |
The clue's in these magazines somewhere. It's got to be! | 0:47:01 | 0:47:05 | |
What makes you so sure? Maybe he was trying to sell us a subscription. | 0:47:05 | 0:47:10 | |
-Good morning! -Hello, Marcia. | 0:47:10 | 0:47:12 | |
-Any luck? -Harrington's moved out. Nobody knows where. | 0:47:13 | 0:47:17 | |
-Coffee? -Mm-hm. -Did you get anything yet? -No, not yet. | 0:47:17 | 0:47:21 | |
At least we know it was Harrington. | 0:47:21 | 0:47:23 | |
But we've got to prove it. Donovan won't listen to our hunches. | 0:47:23 | 0:47:27 | |
Imagine bumping a dame off cos you're jealous... | 0:47:27 | 0:47:29 | |
No. He couldn't run the risk of her knowing he was mixed up in espionage. | 0:47:29 | 0:47:33 | |
-He was mixed up in his seasons - a bathing-suit cover on his December issue. -That's not bad, as dames go, | 0:47:33 | 0:47:40 | |
-which ain't good. -Wait a minute. | 0:47:40 | 0:47:42 | |
That might be it. | 0:47:43 | 0:47:46 | |
That's got to be it. | 0:47:46 | 0:47:49 | |
Dice...and a clock. | 0:47:49 | 0:47:52 | |
Look! | 0:47:52 | 0:47:53 | |
Miss Honolulu. That's the place. | 0:47:55 | 0:47:58 | |
12 - that's December, the 12th month. | 0:47:58 | 0:48:01 | |
7 is the day. December 7th at 7.55, when Pearl Harbour was attacked. | 0:48:01 | 0:48:06 | |
-It's been in front of us the whole time. -Of course! -Yes! | 0:48:06 | 0:48:09 | |
-But what's it for?! -To warn their agents in the United States. | 0:48:09 | 0:48:13 | |
-Look. -April 1st. | 0:48:13 | 0:48:16 | |
They scuttled German and Italian ships interned in South America. | 0:48:16 | 0:48:19 | |
Right! Now, Savitsky was trying to tell us something else was about to happen. | 0:48:19 | 0:48:23 | |
If we could read the key to this... | 0:48:23 | 0:48:25 | |
I've got an idea! There's numbers, and there's a turkey. Maybe it's the new date for Thanksgiving this year! | 0:48:25 | 0:48:31 | |
That's a pheasant. The clock says 2.30, | 0:48:31 | 0:48:35 | |
and the numbers are 6 and 3 - that's June the 3rd. | 0:48:35 | 0:48:38 | |
-Something will happen at 2.30 on June 3rd. -That's practically now! | 0:48:38 | 0:48:42 | |
-That's today's date! -I know. We've got to find out where. | 0:48:42 | 0:48:45 | |
Wait a minute! Pheasant couldn't be a town... | 0:48:45 | 0:48:49 | |
It must be a hotel or inn. Get the phone book. | 0:48:49 | 0:48:52 | |
-No "pheasant" here. -Are you sure? | 0:48:57 | 0:48:59 | |
How do you spell pheasant? | 0:48:59 | 0:49:02 | |
-F-E-Z-A-N-T. How else? -Give it to me! | 0:49:02 | 0:49:06 | |
Is it there? | 0:49:09 | 0:49:12 | |
-Here it is! Pheasant Inn at Bayport! -My car's out in front. | 0:49:12 | 0:49:16 | |
-Can we make it by 2.30? -Well, you've gotta! | 0:49:16 | 0:49:19 | |
Wait! I can't find my coat! | 0:49:19 | 0:49:21 | |
WOMAN SCREAMS | 0:49:22 | 0:49:25 | |
He's awake! I was taking his pulse and he kissed me. | 0:49:25 | 0:49:29 | |
-Who wouldn't?! -Gee! Boss! | 0:49:29 | 0:49:32 | |
-Who is she, and what's happened? -What hasn't? | 0:49:32 | 0:49:36 | |
-Just a minute, you. -Ah! Nice to see you, Inspector. We're in a hurry. | 0:49:39 | 0:49:43 | |
Too bad. So am I. | 0:49:43 | 0:49:46 | |
I can't wait to find out why you made that phone call from Savitsky's. | 0:49:46 | 0:49:52 | |
-There isn't time... -There'll be plenty of time - about ten years. ..Cuff him. -With pleasure. | 0:49:52 | 0:49:58 | |
Come back here, you! | 0:49:58 | 0:50:00 | |
Get the key, you idiot! ..Come back here, you! | 0:50:00 | 0:50:05 | |
-I've got the key. -God help me, tomorrow you'll be walking a beat the farthest end of Canarsie. | 0:50:05 | 0:50:10 | |
-The key! -Canarsie... | 0:50:10 | 0:50:12 | |
Thanks. Very neat, as far as it goes. | 0:50:14 | 0:50:18 | |
AN important event will take place at Bayport today. | 0:50:18 | 0:50:21 | |
There's nothing there but a hotel and fishing boats. | 0:50:21 | 0:50:25 | |
If only we could find that ring... | 0:50:25 | 0:50:28 | |
We did. It's here someplace. | 0:50:28 | 0:50:30 | |
It's just a piece of glass. | 0:50:30 | 0:50:33 | |
-Whoever killed Diane took this ring. -What for? | 0:50:33 | 0:50:37 | |
That's ten cents a dozen. | 0:50:37 | 0:50:39 | |
Oh! It does tricks, huh? | 0:50:39 | 0:50:42 | |
-Anything inside? -Not now. Where did you find it? -Harrington's, | 0:50:42 | 0:50:46 | |
-with the stuff Savitsky got for us. -Let's go. -I don't know what the doctor will say. | 0:50:46 | 0:50:51 | |
Go and find out. Be sure to leave your phone number with Jerry. | 0:50:51 | 0:50:55 | |
Come on, let's go. | 0:50:55 | 0:50:57 | |
-I've searched the place. That's the last batch. -Doesn't look very encouraging. | 0:51:04 | 0:51:09 | |
Needle in a haystack... | 0:51:13 | 0:51:16 | |
Here's something. | 0:51:16 | 0:51:18 | |
Hey! Does it fit? | 0:51:20 | 0:51:23 | |
Yes, it seems to. | 0:51:23 | 0:51:25 | |
-How did you know there was a picture in it? -Cos it was found here, and Savitsky's a photographer. | 0:51:26 | 0:51:31 | |
-Who is it? -A very distinguished Latin American. | 0:51:31 | 0:51:35 | |
Maybe it's Diane's boyfriend. | 0:51:35 | 0:51:38 | |
If I'm not mistaken, he's the key to this whole thing. | 0:51:38 | 0:51:42 | |
Switch the light off, Lefty. | 0:51:42 | 0:51:44 | |
What are you gonna do? | 0:51:47 | 0:51:49 | |
Make an enlargement of it. | 0:51:49 | 0:51:52 | |
-Can you direct us to the Pheasant Inn? -First turn on the right. | 0:52:01 | 0:52:05 | |
SPEAKS GERMAN | 0:52:09 | 0:52:12 | |
-Good afternoon. -Afternoon. | 0:52:25 | 0:52:28 | |
-It's quiet here, for this time of year. -It's early in the season. | 0:52:28 | 0:52:32 | |
-I have nice accommodation. -No, we're just driving through. | 0:52:32 | 0:52:36 | |
Have a look inside. It's a famous landmark. | 0:52:36 | 0:52:38 | |
We'll be back. | 0:52:38 | 0:52:41 | |
It's quiet as a tomb. We must have picked the wrong place. | 0:52:53 | 0:52:57 | |
Too quiet. Let's take a look around. | 0:52:57 | 0:53:00 | |
-Just a minute. -What is it? | 0:53:15 | 0:53:18 | |
-I've seen him before somewhere. -Yes? | 0:53:19 | 0:53:21 | |
Headquarters! That's Moffat, the ballistics man! | 0:53:21 | 0:53:24 | |
LOUD WHISTLE | 0:53:43 | 0:53:45 | |
-Where are we now? -This must lead to the belfry. Come on. | 0:54:05 | 0:54:10 | |
DOOR SLAMS | 0:54:14 | 0:54:17 | |
-Was that the wind? -The wind couldn't have locked it. | 0:54:17 | 0:54:21 | |
Oh! | 0:54:25 | 0:54:27 | |
Miss Brooks, have you met Mr Harrington? | 0:54:27 | 0:54:30 | |
Since you found your way here, you must have found out other things - too many things. | 0:54:30 | 0:54:36 | |
Put that away. Everybody knows we're here, and why. | 0:54:36 | 0:54:40 | |
I know a lie when I hear it. Back down! | 0:54:40 | 0:54:43 | |
Moffat! Come here! Schnell! | 0:54:52 | 0:54:55 | |
SHOUTS IN GERMAN | 0:54:55 | 0:54:58 | |
THEY TALK GERMAN | 0:55:20 | 0:55:23 | |
Would it do any good to scream? | 0:55:35 | 0:55:37 | |
I don't think so - these walls must be two-feet thick. | 0:55:37 | 0:55:41 | |
-I wish I knew what it was all about. -My German's rusty but I got the gist of it. | 0:55:41 | 0:55:45 | |
The plane is bringing in a secret emissary representing the Inter-American Alliance. | 0:55:45 | 0:55:49 | |
They're going to kill him? | 0:55:49 | 0:55:52 | |
That'll be the signal for their agents to start wrecking the whole Pan-American set-up. | 0:55:52 | 0:55:58 | |
Can't we get loose? | 0:55:58 | 0:56:00 | |
I'm afraid we're tied with typical German efficiency. | 0:56:00 | 0:56:04 | |
-A machine gun would have been more certain. -Not at this range. | 0:56:13 | 0:56:17 | |
Trust me - I know my business. | 0:56:17 | 0:56:19 | |
-You saw the photo. There must be no mistake. -I'll get him with one shot. | 0:56:19 | 0:56:23 | |
There will be rejoicing at Berchtesgaden. | 0:56:23 | 0:56:26 | |
Senor DeSola... | 0:56:41 | 0:56:43 | |
SPEAKS SPANISH | 0:56:43 | 0:56:45 | |
Sorry, the inn is full. All rooms are taken. | 0:56:53 | 0:56:56 | |
Not to be impolite, but who says so? | 0:56:56 | 0:56:59 | |
-On your way. -You are the gentleman I want to see. Does this mean anything to you? | 0:56:59 | 0:57:04 | |
It means I've got to hold you till you explain where you got it. Come on. | 0:57:06 | 0:57:11 | |
THEY SPEAK SPANISH | 0:57:13 | 0:57:16 | |
They're coming! | 0:57:20 | 0:57:23 | |
BELL CHIMES | 0:57:34 | 0:57:36 | |
-GUNSHOT -Dismount the gun! | 0:57:51 | 0:57:55 | |
GUNSHOT | 0:58:05 | 0:58:07 | |
SPEAKS SPANISH | 0:58:29 | 0:58:31 | |
Mr Tom, Miss Arlette called while you were out. She wants you to call her at her shop. | 0:59:05 | 0:59:10 | |
I don't want to talk to her. | 0:59:10 | 0:59:12 | |
-I don't want to talk to anyone. -Maybe you should take me to South America with you. | 0:59:12 | 0:59:17 | |
-PHONE RINGS -You wouldn't like it. Too many beautiful...dames. | 0:59:17 | 0:59:23 | |
Well, Tom, it's been nice knowing you. | 0:59:23 | 0:59:25 | |
Some gentleman. He insists on speaking to you personally. | 0:59:26 | 0:59:30 | |
-Hello? -Lawrence, get this straight. | 0:59:33 | 0:59:37 | |
You saw what happened to your brother. Go back where you came from if you don't want the same medicine. | 0:59:37 | 0:59:44 | |
Hello? Hello! | 0:59:44 | 0:59:46 | |
-All right, if that's the way they want it. -Who was it? What happened? | 0:59:49 | 0:59:53 | |
Never mind. Start unpacking. I'm staying. | 0:59:53 | 0:59:56 | |
Here we go again! | 0:59:56 | 0:59:59 |