The Gay Falcon


The Gay Falcon

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Transcript


LineFromTo

Right out, please.

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Step lively, please.

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Going up?

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SNORING

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HE WOLF-WHISTLES

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Well, you said to get an office with a view.

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So this is the way you spend your first day in the brokerage business.

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Darling, I'm just getting acclimated.

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You can't become a successful broker in five minutes, you know.

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Whee-ee!

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Shh.

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You'll wake Mr Locke, your associate.

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Oh, really, you're hopeless. Why don't you admit

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that you're bored already, that you haven't the least inclination

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to settle down to a respectable business? Here, I've spent

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the whole day dashing about, trying to get nice, rich clients for you,

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and I come here, and what do I find?

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Me...

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..and my spinach juice.

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Have some?

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Thanks. I tried it once.

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After all, Gay, you've spent your whole life thus far

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chasing adventure around the world,

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and you've been clever enough to keep a whole skin.

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Surely you're clever enough to sell a few stocks and bonds.

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Darling, that's what I love about you - your supreme confidence in me.

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It gives me the courage to go on.

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And you want me to marry you. Why?

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I'm crazy about you.

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You're not crazy enough to settle down to a little honest work

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-for the first time in your life.

-Darling, I'm even that crazy.

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When shall we get married?

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I'll give you until September to get two things out of your system -

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other women, and crime solutions.

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What month is this?

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June, but don't evade the issue.

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I'm not. Crime solutions - I've lost all interest,

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and as to other women, I've already thrown away my address book.

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Darling, in three months, I'll have a seat on the Stock Exchange.

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You wait and see.

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Oh, you're impossible...

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..but I'll sign one more armistice.

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Oh, about tonight. We're going to Maxine Wood's charity ball.

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Vera Gardiner's sponsoring it.

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Who's Maxine Wood?

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Darling, she's only the most famous party-giver in the world.

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Oh, her. I know a little French restaurant downtown

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where the wine is divine.

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So you don't want to go?

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I want to go down there and drink the same wine

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that I drank when I first saw you.

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Darling, you might let me win just one round.

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Well, I thought it would be nice - just the two of us.

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Of course, if you prefer to have a crowd around

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while I am telling you how much I love you...

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All right, Gay. You win, as usual.

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See you at eight.

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Eight.

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SNORING

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Huh?

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Good afternoon, Miss Benford. Come right in.

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Oh, you're all much too busy(!)

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Some other time. Thank you very much(!)

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DOOR CLOSES

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Your number one girlfriend just stuck her head in the door

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and made a nasty crack. She ducked before I got clear awake.

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We can hardly expect her to wait that long.

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Huh?

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It's five o'clock.

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It's 4.43.

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All right. We'll stay 17 minutes over time tomorrow.

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I've been in that office since ten this morning.

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Well, what about me?

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I ain't even got a window to look out of.

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Well, you can have my chair tomorrow at lunch hour.

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Come on. Let's call it a day.

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OK, boss.

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You know, for me, this is like being born twice.

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When I walked up here this morning, who was I?

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Just a guy the cops called Goldy Locke.

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When I go out of here this afternoon, I'm in Wall Street.

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Jonathan G Locke, just like I was christened.

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If my old lady could see me now,

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would her eyes bulge!

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Yes, well, talking about bulges, I'm afraid your tailor...

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Uh-oh.

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We're in the brokerage business, Goldy.

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Tough day at the office, Jerry. You can fix me a large spinach juice.

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Someone waiting to see you, boss.

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-Oh, well, see who it is, Goldy.

-Very pretty girl, boss.

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Never mind.

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That guy ought to live in a harem.

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He do!

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What are we looking for?

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Shh.

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SHE GASPS: Oh!

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-Anything in particular?

-Why, yes.

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The...the button that opens a secret passage.

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Ah.

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You're Mr Laurence, aren't you? I've heard so much about you,

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it's like meeting your favourite author, only the things

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-really happen to you.

-Look, sister. He's took the pledge.

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No more crimes. No more dames.

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That must be your Dr Watson, your faithful and loyal colleague.

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All characters like you

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have a kind of a... a stooge, don't they?

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May I present Dr Jonathon Locke, my associate?

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How do you do, Doctor?

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I'm very pleased, indeed, to meet you, I'm sure.

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He's cute. Well...

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I'm Helen Reed, secretary to Maxine Woods.

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-You've heard of her, of course.

-Yes. The lady who gives all the parties.

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Yes. Well, for several weeks now, every time she gives a party,

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-some valuable jewellery is stolen. It just vanishes.

-How distressing.

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Yes. Well, she's giving a war relief ball for Mrs Vera Gardiner,

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and Mrs Gardiner insists on wearing her monsoon diamond.

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It cost 100,000.

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If it's stolen, Maxine will be ruined.

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Then why doesn't she go to the police?

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But she HAS been to the police.

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They've been there before.

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You're the only one that can really help.

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Look, lady. We quit all that business.

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We're in Wall Street now. We ain't interested.

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Try Ellery Queen.

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I...

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Spinach juice. Very good for boss.

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-For once, you wasn't a sucker.

-Charming little character there.

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Well, that's what you said about Mabel Dover, too,

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right before she bumped off her uncle

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for the insurance policy. Then there was...

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Helen? Uh, I mean, Elinor.

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Listen, darling, I've been thinking things over.

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I've been very selfish.

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I want to please you.

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We're going to Maxine Wood's party.

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Sure, but I changed my mind.

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What you want comes first, dear.

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Goodbye.

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Here we go again.

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SWING MUSIC

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The joint's dripping with jewels, ain't it, Grimes?

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Yeah. Let's split up and start circulating.

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Cheer up, Maxine. You've got nothing to worry about this time.

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If anything disappears tonight, I'm afraid my career has ended.

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We're safe. The Falcon's coming - the most utterly exciting man

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-you ever laid eyes on.

-The who?

-The Falcon. That's his nom de guerre.

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His real name is Laurence, and he's...

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Oh, there he is now. I'll bring him over.

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-Maybe so, but how long will it last?

-Darling, it's over already.

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Next time, you can hit me on the head with something.

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That's a promise.

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Oh, Mr Laurence! I was so afraid you weren't coming.

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-Oh, hello.

-You must think I'm a little silly

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after you found me in your apartment, but I had to see you.

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It's not nearly as lurid as it sounds. May I present Miss Reed?

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Miss Reed, Miss, er...

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Benford.

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An aunt of mine from Indiana.

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Oh, I suppose Mr Laurence told you why he's here.

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No, but I'm extremely good at guessing.

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We must keep it a secret. I want you to meet Maxine. She's very worried,

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and will be relieved you're on the alert. You don't mind?

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Oh, not at all. By all means, Gay, get on the alert.

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Let's dance. Make it look casual.

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Better not. You may get 12 women on your jury.

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-Oh, hello, Manuel.

-Will you teach me how to dance?

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Teach you, Manuel?

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Isn't it exciting, not knowing what's going to happen next?

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-I have a vague idea.

-Oh, really? See anything significant?

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-Did anyone make a false move?

-No-one but me.

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I should be like you, Manuel -

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play the field, and let the suckers pick the favourites.

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You're as clever as you're beautiful.

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Good evening, sir.

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Pleased to meet you. Give me a ticket, sister,

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and keep the change for charity.

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A dollar doesn't quite cover it, sir.

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-No? How much?

-100 a ticket.

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100?! Gimme back the buck, sister.

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I can't finance the war personally.

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Hey, hold it.

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I think we better keep this on a strictly business basis.

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Where's our hostess?

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-You mean Mrs Gardiner?

-Yes.

-She's dancing right behind you.

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-Look out. Here she comes.

-Oh, I'm so sorry.

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Oh, oh! Oh, isn't this marvellous?

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You know, I'm charging 50 a dance for the ambulance fund.

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-Here's 100. Let's call it quits, madame.

-Aren't you sweet?

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I've made 200 this dance. The men are all marvellously generous.

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-Mrs Gardiner, Mr Laurence.

-How do you do, young man?

-Quite well.

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Oh, do you mind if I steal your partner for this dance?

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Sort of lend-lease, for democracy, you know.

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-Mr Laurence, I am so nervous.

-So am I.

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-I suppose you want it now.

-I beg your pardon.

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It slips off very easily, but we mustn't let anyone see us.

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Oh, no, of course not.

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You take my hand firmly and hold the ring,

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and I'll draw my hand away, and you put it in your pocket.

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Well, just as you say.

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Oh, my, what a relief. Do you think anyone saw us?

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No, I don't think so.

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I'll wait five minutes, and then I'll discover it's gone.

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That's fine.

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Now I must go and greet my other guests.

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Do be careful. The place is full of detectives.

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Yes, I'll be careful.

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CROWD CHATTERS

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-Let's hear something loud and hot, professor.

-Here it comes.

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14, boys.

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LIVELY MUSIC

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-MANUEL:

-The boarding house...

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Do you mind if I cut in? I think this is our dance.

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Oh, of course. Mr...

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-..Laurence.

-Yes. Mr Retana.

-How do you do?

-Excuse me, Manuel.

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Oh, Mr Laurence. Pardon me. This is Miss Wood.

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I thought you might like a few words with her.

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-You don't mind, do you?

-Oh, not at all.

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That's my cousin from Nebraska. She's having a wonderful time.

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Oh, how nice.

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Dance?

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As I remember it, you're always involved in mysteries

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-and with beautiful women.

-Oh, that's purely a coincidence.

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As a matter of fact, I'm giving up that hobby.

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What, women or mystery?

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-Eh?

-WOMEN OR MYSTERY?

-Oh, both.

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You evidently found my secretary a very persistent young woman.

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That's putting it mildly.

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-What?

-Oh, let's do something about this.

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-Hey, maestro.

-Yes, sir?

-Do you mind playing something soft and smooth?

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Sure. Thank you. Hold it, boys.

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-I'm getting old.

-Oh, don't say that.

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GUNSHOT

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What was that?

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Stop, or I'll let you have it!

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-FOOTSTEPS

-Stop, or I'll shoot!

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OK. I'm stopped.

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Come on up here.

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All right. Outside, please.

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I'm from headquarters. I'll take charge here.

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Suicide?

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Yeah. Shot herself right through the heart, walked over there,

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dropped the gun, but came back again because she liked it better here.

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Poor Mrs Gardiner. Who in the world would want to kill her?

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Elemental, ma'am. The diamond, ain't got it on her.

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Oh, would you mind?

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-Sorry. Not my brand.

-Think nothing of it.

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-Come around when I'm police commissioner.

-Right, get in there.

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-Why, it's Dr Locke!

-You know this man?

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Well, I know...

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I know him. He works for me.

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-Yeah, then what's he doing out on that ledge?

-He's a fresh-air fiend.

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He's not the only fresh thing around here.

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I'm coming up the fire escape, all of a sudden, I hear a shot.

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-I got to warn you, anything you say'll be used against you.

-So what?

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I figure to save 100 bucks by crashing the party,

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so I come up the fire escape...

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Some other time. Take him down headquarters.

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-Get going.

-Hey, wait a minute! You bulls can't pin this on me!

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-All we can do is to try.

-Go on, Goldy. Humour him.

-What's the...?

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-This is murder!

-You said it.

-Get out.

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-Darling, I've got to go down...

-Have we met before?

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Oh, listen. This is serious. I have to go down to police headquarters.

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-Some spinach juice.

-Police headquarters? Why?

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-What kind of juice?

-Spinach.

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They found Goldy out on the fire escape.

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-Spinach?

-Listen, haven't you got any spinach?

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-I guess they do in the kitchen.

-Well, just get some and squeeze it.

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Yes, er, squeeze it.

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They found Goldy on the fire escape when Mrs Gardiner was shot.

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Gay, if you're mixed up in this, and I suspect... How could I be?

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What was that Locke person doing on the fire escape?

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-That's what I'm going to find out. I've got to do that.

-Well...

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That's a good girl. Now, you take a cab. I'll see you in about an hour.

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Why do I put up with this? Why?

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CRACKLING

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Well, it seems pretty obvious

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the murderer got away with the diamond. You found nothing on Goldy,

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-so why hold him?

-I'm not holding him for murder.

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Nobody could invent an alibi that screwy.

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Then what's the charge against him?

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I'm holding him as a material witness.

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He's the only one who can identify the murderer.

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-May I offer a suggestion?

-Why not? You've been offering them for years.

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Inasmuch as Goldy is the only living witness,

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wouldn't it be very much to the murderer's advantage

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to try to dispose of him if it were made possible?

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I got an idea. I'm going to release Goldy and have him tailed.

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There's just a chance that the murderer may try to get to him.

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You never miss a trick, Mike.

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Yeah. What were you going to suggest?

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-Oh, I... I forget.

-Bring him in.

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I think I'll go along with you, Bates.

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Stick around, Herman. We want a sketch of the murderer.

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Very well.

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I've changed my mind, Bates.

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-I think I'll try one of these.

-Oh, slumming, huh?

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Everything fixed, chief?

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All fixed, Goldy. You're as free as a bird.

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Yeah, stool pigeon. Spring him, Elmer.

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-We'll be seeing you, Goldy.

-You should live so long.

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So should you.

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Didn't you tell this flatfoot off?

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-Yeah, they believe your story.

-Oh, getting smart, huh?

-Come on, Goldy.

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-They want a description of the murderer.

-Well, not from me.

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-I ain't gonna leave myself open for a slug in the back.

-That's the point letting you out.

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-Hey, Elmer. Don't close that gate.

-Come on, Goldy. Don't you trust me?

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-Yeah, like your girlfriend - with limits.

-Oh, go on.

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All right, Locke. I'm releasing you, but first I want a description

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-of the man you saw that night.

-Oh, no. No.

-Goldy...

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-All right. You'll get it.

-Take it, Herman.

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What was the contour of the face?

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The contour?

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White.

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-Not the colour, the contour!

-Break it down, buddy.

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The shape of the face - thin, full, square, oval?

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Kind of flat and full.

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Go on. Just give the description. I'll follow you.

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Well, he was about 45, maybe. Full head of hair,

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parted on the right side. His eyes were too close together,

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with glasses. He had a bent nose, small chin.

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-Smooth-shaven?

-I don't know. I didn't kiss him.

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No, he means, er, did he have a beard or a moustache?

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Oh, no. No muff.

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Go on. I'll try to contain myself.

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Well, he had a broad forehead,

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narrow shoulders, thick neck,

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and lines in his cheeks.

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He was about six foot tall, and weighed around 150.

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Oh, yeah. He had a stogy in his mouth.

0:19:400:19:42

There's the dope. See what you can do with it.

0:19:420:19:45

-OK, Goldy. Thanks.

-Well, we're on our way, Goldy.

0:19:450:19:49

I hope the killer didn't get a good look at me.

0:19:490:19:51

You seemed to have got a pretty good look at him.

0:19:510:19:54

Oh, you know me.

0:19:540:19:55

Never remember a name, always forget a face.

0:19:550:19:57

Put a tail on him, boys.

0:19:590:20:01

Right.

0:20:010:20:02

Let's have a look at the murderer, Herman.

0:20:030:20:05

Now, tell me what the murderer really looked like.

0:20:200:20:22

Let's get away from here.

0:20:220:20:24

MAN: Extra! Broker held for questioning!

0:20:240:20:26

-Looks like somebody else is mixed up in this.

-You're a broker, remember?

0:20:260:20:31

I'm cooked!

0:20:380:20:40

Never say die, Goldy.

0:20:420:20:45

CAR HORN HONKS

0:20:450:20:47

Well, hello again.

0:20:470:20:48

Hello. Did they release you, Doctor?

0:20:480:20:51

-I just got the death penalty is all.

-Says the cutest things, doesn't he?

0:20:510:20:55

Oh, he's a bit unstrung.

0:20:550:20:57

-Maybe you better drive.

-I'd love to.

0:20:570:21:00

Maxine sent me down to ask you to call on her tonight.

0:21:050:21:08

We better circle around a bit first.

0:21:080:21:09

Hey, I got a hunch we're being tagged.

0:21:090:21:11

-Naturally.

-Step on it, sister.

0:21:110:21:14

A couple of Mike's men.

0:21:140:21:15

Oh, in that case, I don't mind a couple of dicks around.

0:21:150:21:18

What's he talking about?

0:21:180:21:20

Mike's using him as bait to trap the killer.

0:21:200:21:22

Wouldn't the murderer be too smart to contact the doctor

0:21:220:21:24

-if he knew detectives were trailing him?

-"Contact", she calls it!

0:21:240:21:27

You're learning fast, Miss Reed.

0:21:270:21:29

You want to see if you can lose those men?

0:21:290:21:31

Do I? Hang on.

0:21:310:21:33

TYRES SQUEAL

0:21:330:21:34

Now up the next street, Miss Reed,

0:21:350:21:37

then turn around as fast as you can in the first alley.

0:21:370:21:41

Here we go!

0:21:410:21:42

Switch your lights, Miss Reed.

0:21:500:21:51

-Call me Helen. It saves time.

-OK, Helen. Get set.

0:21:510:21:54

Let's go.

0:21:570:21:59

-Nice work, Helen.

-Yeah, beautiful!

0:22:120:22:15

-You stay here, Goldy.

-You're gonna leave me alone?

0:22:160:22:19

You're safe. How can the murderer know you're here?

0:22:190:22:22

Yeah, he couldn't know that, could he?

0:22:220:22:24

-We'll give him a shot at us later.

-"Us"? What do you mean "us"?

0:22:240:22:28

I'm in this too, Goldy.

0:22:280:22:30

Mrs Gardiner's ring.

0:22:320:22:34

-But how did you get it?

-She gave it to me.

0:22:360:22:39

-Oh, but I don't understand.

-I think I'm just beginning to.

0:22:390:22:43

Gee, this is certainly baffling, Mr Laurence.

0:22:430:22:46

Call me Gay. It saves time.

0:22:460:22:49

Something for you, sir?

0:23:180:23:19

-Nope. I'm waiting for a guy.

-Just killing time, eh?

0:23:190:23:22

Yeah, or vice versa.

0:23:220:23:25

DINGING

0:23:310:23:33

DINGING

0:23:490:23:51

Not bad, huh?

0:23:570:23:58

Very good.

0:23:580:24:00

Looks like I'm gonna get the payoff.

0:24:000:24:02

You're a cinch.

0:24:020:24:04

CHIMING

0:24:080:24:10

Right on the button!

0:24:140:24:16

Keep your trap shut and start walking.

0:24:180:24:20

How well did you know Mrs Gardiner?

0:24:270:24:30

Oh, I'd arranged several parties for her.

0:24:300:24:32

What about her financial status? >

0:24:320:24:33

-BOTH: She was very wealthy.

-She had gobs of money.

0:24:330:24:36

Oh, there's no sugar. Fetch it like a dear.

0:24:370:24:41

On the contrary. I think we shall find out

0:24:410:24:43

that she was having money troubles, probably badly in debt.

0:24:430:24:47

Oh, that's impossible, Mr Laurence.

0:24:470:24:49

Impoverished women don't hang on to 100,000 diamonds.

0:24:490:24:52

That's true, not for long.

0:24:520:24:55

She must have been cooperating with a gang of jewel thieves.

0:24:550:24:59

Jewel thieves?

0:25:000:25:02

Yes. Well, put yourself in her place.

0:25:020:25:04

You need cash. You have a diamond.

0:25:040:25:07

Then one day, you get a telephone call. "Hello, Miss Wood,"

0:25:070:25:10

a voice says. "Don't worry about your debts.

0:25:100:25:12

"All you do is to claim the insurance on that ring you lost."

0:25:120:25:15

"I didn't lose my ring," you say.

0:25:150:25:17

"Oh, yes, you did," says the voice.

0:25:170:25:18

"You lost your ring tomorrow night."

0:25:180:25:20

-Sugar?

-Uh, no, thanks.

0:25:200:25:22

But if the ring was insured, she wouldn't want to deal with thieves.

0:25:220:25:25

-She would throw it in a river, or...

-Or collect both ways,

0:25:250:25:29

from the insurance company and the bonus from the jewel thieves.

0:25:290:25:32

-Then why did she give the ring to you?

-Mistaken identity.

0:25:320:25:36

You remember Miss Benford tossing me this?

0:25:370:25:39

HELEN: Well, yes. The silver carnation.

0:25:390:25:42

She might have unwittingly removed the mark of identification

0:25:420:25:44

from the intended jewel thief and pinned it on me.

0:25:440:25:47

But Miss Benford was dancing with Manuel Retana.

0:25:470:25:49

Yes. What about this Retana? Was he ever present at other party,

0:25:490:25:53

-when jewellery was stolen?

-I suppose he was.

0:25:530:25:55

-He's very much in the social swing.

-But he is rich and respectable.

0:25:550:25:58

-He owns diamond mines in South Africa.

-Interesting, if true.

0:25:580:26:01

Oh, but this is incredible. Even if Mr Retana was an accomplice,

0:26:010:26:03

he was dancing with Miss Benford when the murder was committed.

0:26:030:26:06

Yes. We've got nothing on him.

0:26:060:26:09

I just think that Retana and whoever it was killed Mrs Gardiner

0:26:090:26:13

must have been working with somebody higher up,

0:26:130:26:15

somebody with a pretty good brain for this kind of thing.

0:26:150:26:18

But why murder the poor woman if the diamond was taken by arrangement?

0:26:180:26:22

I can't answer that, not yet.

0:26:220:26:25

-Are you going on with the case, Mr Laurence?

-Should I?

0:26:250:26:28

I wish you would.

0:26:300:26:31

All this is hardly helpful to my reputation as a party-giver.

0:26:310:26:35

Well, then, perhaps I better see you tomorrow. Should we say for lunch?

0:26:350:26:38

< Of course.

0:26:380:26:40

You know, I have a great deal more confidence in you

0:26:400:26:42

than in the police.

0:26:420:26:43

Would you mind dropping me at my apartment?

0:26:430:26:45

I shall be delighted.

0:26:450:26:47

Good night, Miss Wood.

0:26:470:26:49

Maxine to my friends.

0:26:490:26:52

Gay to mine.

0:26:520:26:54

Anytime you're ready, Mr Laurence.

0:26:550:26:58

Does every woman want you to call her by her first name

0:27:070:27:10

-five minutes after you've met her?

-Why should anybody have two names?

0:27:100:27:13

-Well, you certainly don't encourage it.

-It's a theory I have.

-I'll be different.

0:27:130:27:16

You go back to calling me Miss Reed, and I'll call you Mr Laurence.

0:27:160:27:20

Where's the doctor?

0:27:200:27:22

Get in quick.

0:27:230:27:25

Maybe he got tired of waiting and... and went home or something.

0:27:250:27:28

-Or something.

-I live on Mordon Street in the village.

0:27:280:27:30

-I haven't got time to take you there.

-Where are we going?

0:27:300:27:33

-My apartment.

-Oh, Gay! Ha!

0:27:330:27:36

Right. Down the steps, through the hall to the apartment,

0:27:460:27:48

and I don't want to kill you for making a mistake.

0:27:480:27:50

-Look, pal, I don't know from nothing...

-Sit down.

0:28:070:28:10

-Thanks.

-Over there.

0:28:100:28:12

Now get on that phone and call your boss.

0:28:170:28:19

What'll I say?

0:28:190:28:20

Tell him to wrap up that diamond,

0:28:200:28:22

put it in an envelope, and mail it to you, general delivery. You'll pick it up tomorrow.

0:28:220:28:25

-That ain't smart.

-Guess you don't understand.

0:28:250:28:28

Maybe I ought to tell you I can handle this

0:28:280:28:30

whether you're alive or not. Get on that phone.

0:28:300:28:32

OK, pal.

0:28:320:28:34

GUNSHOT

0:28:430:28:45

WOMAN SCREAMS

0:28:490:28:50

There he is!

0:28:500:28:52

Robbers!

0:28:520:28:53

Murderers! Gangsters!

0:28:530:28:55

Help! Come on! Gangsters!

0:28:550:28:58

-He has a gun.

-Open up! Get back!

0:28:580:29:00

I run a respectable...

0:29:000:29:02

Get 'em up.

0:29:040:29:07

Well, if it ain't little Goldy Locke.

0:29:070:29:09

Word was out to keep our eyes peeled for you.

0:29:090:29:11

I'm sitting by the desk, gonna phone The Falcon, when I hear a shot.

0:29:110:29:14

Ah, save it, Goldy. Keep it for Waldeck.

0:29:140:29:17

Maybe he has a date with his girl.

0:29:200:29:22

-He doesn't have a girl.

-You should give him a few lessons.

0:29:220:29:24

We figured you'd get here eventually.

0:29:300:29:32

Don't bother taking off your coat and hat.

0:29:320:29:34

-What's wrong now, Bates?

-They got Goldy down at headquarters.

0:29:350:29:38

-That's a relief. What for?

-They found him beside a dead body.

0:29:380:29:41

Now look. We've gone all over that situation once, remember?

0:29:410:29:44

-This is another situation and another body.

-Again?

0:29:440:29:47

-This time, he said he was making a phone call.

-Who's the dead man?

0:29:470:29:50

-How did you know it was a man?

-Law of averages.

-Waldeck kind of wonders

0:29:500:29:53

if maybe you didn't knock this guy off to save Goldy's neck.

0:29:530:29:55

-He also wonders where you got the diamond.

-What diamond?

0:29:550:29:58

Oh, don't be coy, Laurence.

0:29:580:29:59

Goldy ain't good at keeping secrets.

0:29:590:30:01

I think I should go down and see Waldeck.

0:30:010:30:03

Ain't that a coincidence?

0:30:030:30:05

-He sent us here to personally invite you down.

-Oh, Gay...

0:30:050:30:07

Now, be brave, darling. Don't get hysterical.

0:30:070:30:09

(Can you faint?)

0:30:090:30:12

Goodbye.

0:30:120:30:14

She's fainted, Bates.

0:30:150:30:17

Hold her while I get some smelling salts.

0:30:170:30:19

Boy, oh, boy. She sure stayed kissed.

0:30:260:30:28

What a guy. He ought to be in moving pictures.

0:30:280:30:30

He'll be too old when he gets out. Go in there and keep an eye on him.

0:30:300:30:34

Bates, he got away.

0:30:390:30:42

This is gonna cost us.

0:30:420:30:43

Ouch!

0:30:450:30:47

Did I do all right, Jerry?

0:30:470:30:49

Very good. Hot stuff.

0:30:490:30:50

Looked like the real McCoy.

0:30:500:30:52

SHE SIGHS

0:30:520:30:54

It was...almost.

0:30:540:30:56

Could be. Happen all the time with my boss.

0:30:560:30:59

GENTLE BANGING

0:31:060:31:08

Hello, darling.

0:31:180:31:19

-I didn't hear the front doorbell.

-I didn't ring it.

0:31:190:31:22

-Well, now what?

-Now I'm going to tell you how much I love you.

0:31:220:31:24

-Don't you dare come near me!

-what's the matter?

0:31:240:31:26

Matter? You take me to a party

0:31:260:31:29

and then dance with every female in the place but me.

0:31:290:31:31

I sit around like Miss Muffet on my tuffet,

0:31:310:31:33

while you prance off to solve a murder

0:31:330:31:34

that doesn't concern you in the least,

0:31:340:31:36

and then you hop through my bedroom window

0:31:360:31:38

at 1 o'clock in the morning and ask me, what's the matter.

0:31:380:31:40

Ask me, what's the matter!

0:31:400:31:42

-Not so loud.

-I'll scream my head off!

0:31:420:31:45

Why don't you go back to your life of crime

0:31:450:31:47

and leave me alone?

0:31:470:31:49

Very well.

0:31:490:31:51

I'll give myself up.

0:31:510:31:53

Give yourself up?

0:31:530:31:54

I'm wanted for murder.

0:31:540:31:57

Oh, Gay! Not really?

0:31:570:31:59

I just gave two detectives the slip.

0:31:590:32:01

Oh, but, darling, that's stupid. They can't possibly blame you.

0:32:010:32:04

-Why, you were in the room dancing.

-This is another murder.

0:32:040:32:07

PHONE RINGS

0:32:070:32:09

Uh, I think that's for me. Hello.

0:32:090:32:13

-Hello. Is Miss Benford in?

-Uh, yes, this is The Falcon.

0:32:130:32:16

Oh, hello, Gay. Are you all right? Did you throw them off your trail?

0:32:160:32:19

Yes, Jerry. I'm OK. I managed to get away all right.

0:32:190:32:23

Oh, I get it. Coward.

0:32:230:32:25

Yes, Jerry. No, Jerry. I'm not coming home tonight.

0:32:250:32:29

I'm gonna pick myself out a nice bench in Central Park.

0:32:290:32:32

You can bring me my spinach juice in the morning.

0:32:320:32:34

It's Jerry.

0:32:340:32:36

Uh, where are you now?

0:32:360:32:39

I'm still at your apartment.

0:32:390:32:40

Oh, darling, next time you kiss me like that and I faint,

0:32:400:32:44

please let me down gently. I'm still sore where that flatfoot dropped me.

0:32:440:32:47

Lady, could you spare me a dollar-and-a-half for steak and mushrooms?

0:33:010:33:04

Well, the escaped convict. Going to a masquerade?

0:33:040:33:07

I just traded clothes with a tramp.

0:33:070:33:09

For two cents, I'd call a cop and turn you in.

0:33:090:33:11

-Oh, darling, I thought you'd stand by me.

-I'm tired of standing by.

0:33:110:33:14

The line is too long.

0:33:140:33:15

Oh, that girl in my apartment...

0:33:150:33:17

Oh, do spare me the details.

0:33:170:33:19

I heard enough on the telephone. Now, go away.

0:33:190:33:22

Listen. Meet me in Central Park tonight, I'll explain everything.

0:33:220:33:25

-I have a date tonight.

-With whom?

0:33:250:33:26

If it's any of your business, which it definitely isn't,

0:33:260:33:29

I'm going to the Swan Club with Manuel Retana.

0:33:290:33:31

-Retana?

-He was good enough to take me home last night.

0:33:310:33:34

Now, you keep away from Retana. He's dynamite.

0:33:340:33:36

Oh, don't worry, darling.

0:33:360:33:38

I won't swoon in his arms.

0:33:380:33:40

-He's a crook, Elinor.

-I thought I made it clear to you last night

0:33:400:33:43

that we're through. Now, follow me one more step,

0:33:430:33:45

I'll call a policeman, have you arrested.

0:33:450:33:47

-Is this mug bothering you, lady?

-Why, er...

-Move on, fella.

0:33:470:33:50

-Thank you, officer.

-OK, lady.

0:33:500:33:53

Get going, buddy, and don't let me catch you panhandling

0:33:530:33:55

around here again.

0:33:550:33:57

No, officer.

0:33:570:33:58

Now, buy yourself a cigar.

0:33:580:34:00

Hello.

0:34:200:34:21

Oh, you again.

0:34:210:34:23

Haven't you got a home?

0:34:230:34:25

I'm waiting for further instructions.

0:34:250:34:27

Now Dr Locke is no longer with us, you'll need an assistant.

0:34:270:34:29

I've got as many brains as he has,

0:34:290:34:31

and I don't get caught for every murder in town.

0:34:310:34:34

Meet me at Tony's cafe on 42nd Street just off 9th Avenue.

0:34:340:34:39

I'll be there in a rear booth at seven tonight.

0:34:390:34:42

And be sure you're not followed.

0:34:420:34:44

OK, boss.

0:34:440:34:46

What a girl.

0:34:480:34:50

I hardly recognised you in that outfit.

0:35:020:35:05

Well, that's the general idea.

0:35:050:35:07

I borrowed Jerry's car.

0:35:070:35:09

-I was afraid they might be on the lookout for yours.

-Smart girl.

0:35:090:35:12

You know, all other pretty girls are just pretty.

0:35:120:35:14

Why did you hang up on me last night?

0:35:140:35:16

-Someone after you?

-I barely escaped with my life.

0:35:160:35:19

-Honest?

-Elinor took over just as I asked where you were.

0:35:190:35:22

-Oh, goodness.

-Whatever did you say to her, anyway?

0:35:220:35:25

Plenty. Well, I guess that sort of fixes you with her.

0:35:250:35:28

-We'll settle that later.

-Oh, that's all settled, Gay.

0:35:280:35:31

-You take my word for it.

-We'll see.

0:35:310:35:33

Tell me, where does Manuel Retana live?

0:35:330:35:36

-Greenwich village, but he's never there. Practically lives in nightclubs.

-I know,

0:35:360:35:40

but we're just going to visit his rooms.

0:35:400:35:43

Break in?

0:35:450:35:46

In a manner of speaking.

0:35:460:35:48

Tonight's my night for back doors,

0:35:480:35:50

so you go out and drive the car down the alley. I'll be there.

0:35:500:35:53

-OK.

-And, er, don't attract any more attention

0:35:530:35:56

than your loveliness normally invites.

0:35:560:35:59

Oh! Shh!

0:36:090:36:11

I can feel my heart beating in my knees.

0:36:430:36:46

CRASH

0:36:520:36:53

Are you scared?

0:37:000:37:01

No.

0:37:010:37:03

(Be quiet, dear.)

0:37:120:37:14

What are we looking for?

0:37:370:37:39

Oh, rags and old iron.

0:37:390:37:41

Maybe a shooting iron.

0:37:410:37:43

"You ran with him.

0:38:140:38:16

"Noel. Santa Cruz, California, 1932."

0:38:160:38:20

I wonder who Noel is.

0:38:210:38:23

Why?

0:38:230:38:24

-Are you reasoning something out, or something?

-Yes.

0:38:310:38:35

I'm wondering if I lived here

0:38:350:38:37

where I'd hide something if I were clever and had something to hide.

0:38:370:38:41

Elementary, Miss Watson.

0:38:450:38:47

(No.)

0:38:520:38:54

DOOR OPENS

0:38:540:38:56

-We could climb up to the roof.

-Quiet.

0:39:040:39:07

It's what we've been waiting for.

0:39:070:39:09

Who do you suppose he's calling?

0:39:460:39:49

I have an idea.

0:39:490:39:50

I suspect Noel, the man by the fish.

0:39:500:39:52

-Do you?

-No.

0:39:520:39:54

Will you shut up?

0:39:540:39:55

Suppose he should come out here.

0:39:550:39:57

-He won't. He's got a date.

-Oh. Why can't we go?

0:39:570:40:00

You wait here.

0:40:120:40:14

You're not gonna leave me?

0:40:140:40:15

Yes. I'm going to take a peek behind that panel.

0:40:150:40:17

Oh, but you can't.

0:40:170:40:19

All right. Then you go.

0:40:190:40:20

Oh, no.

0:40:200:40:22

Here. Hold this.

0:40:220:40:24

All right. Up you go.

0:40:560:40:58

What did you find there?

0:41:000:41:02

A lethal weapon.

0:41:020:41:04

Then he did kill Mrs Gardiner!

0:41:040:41:06

No man could kill a woman in another room

0:41:060:41:08

while he was dancing the rumba with my fiancee.

0:41:080:41:11

You mean, your ex-fiancee.

0:41:110:41:13

Oh. Why do you keep reminding me?

0:41:130:41:16

Serves you right. You should settle down to one woman.

0:41:160:41:18

Whom do you suggest?

0:41:200:41:21

Oh, there are a lot of nice girls, if you could be really faithful.

0:41:210:41:25

Where to now?

0:41:250:41:26

The city morgue.

0:41:260:41:29

< MAN CHUCKLES

0:41:290:41:30

This is the morgue, isn't it?

0:41:390:41:41

Oh, yeah. Sure.

0:41:410:41:42

There was a man brought in here tonight. I think he was murdered

0:41:420:41:45

in an apartment on 23rd Street.

0:41:450:41:46

Oh, oh, him. Yeah. He's around.

0:41:460:41:49

My uncle's been missing for years.

0:41:490:41:51

-Do you mind if I take a look at the body?

-Oh, no, no. That's all right.

0:41:510:41:54

We've got lots of bodies around heres.

0:41:540:41:57

Waiting for somebody, miss?

0:42:140:42:16

Yes.

0:42:160:42:17

My sister.

0:42:190:42:20

She's been missing for several days.

0:42:200:42:22

They just brought a girl in.

0:42:220:42:24

Drowned in the East River.

0:42:240:42:25

We - my brother and I - thought that it might be she.

0:42:250:42:29

Oh, now, that's too bad.

0:42:290:42:31

Did you know the poor stiff?

0:42:310:42:33

No. That wasn't my uncle. I hoped perhaps it might be.

0:42:330:42:36

Thank you.

0:42:360:42:37

She was just a kid, a chorus girl,

0:42:560:43:00

but a good girl,

0:43:000:43:02

and then she met Manuel.

0:43:020:43:04

-You know the kind.

-Yeah. Them rats.

0:43:060:43:08

Well, when he left her stranded,

0:43:090:43:12

there was just nothing left in life for her.

0:43:120:43:15

She kept saying how empty

0:43:150:43:17

and meaningless it was.

0:43:170:43:19

I told her she had to go on

0:43:190:43:22

for the sake of the one to come,

0:43:220:43:25

the little one.

0:43:250:43:26

You mean...?

0:43:260:43:27

Oh, was it her, Bruce?

0:43:310:43:33

Uh, no.

0:43:330:43:35

-Oh, thank goodness!

-Oh. Well, then maybe she's OK.

0:43:350:43:37

Oh, I hope so, officer. Good night.

0:43:370:43:39

Good night.

0:43:390:43:40

You're certainly a wonderful liar.

0:43:480:43:50

I almost began to believe it myself.

0:43:500:43:52

Who did you see in there?

0:43:520:43:54

Noel.

0:43:540:43:55

The man by the fish?

0:43:550:43:56

-Then he's the man they found with Dr Locke?

-Yes.

0:43:560:44:00

What are we gonna do now?

0:44:000:44:01

We're gonna drive to police headquarters.

0:44:010:44:03

Police headquarters? Are you gonna give yourself up?

0:44:030:44:06

-No. You are.

-Me?

-Well, I...

0:44:060:44:09

I have some fingerprints to check up on,

0:44:090:44:11

but you're going into headquarters with this gun and confess.

0:44:110:44:14

-Are you crazy?

-Now, be quiet. Be quiet.

0:44:140:44:16

I have got to think up a nice story for Waldeck.

0:44:160:44:19

I wonder how Goldy's getting on?

0:44:200:44:23

I'm sitting by the desk.

0:44:230:44:25

I'm gonna telephone The Falcon

0:44:250:44:27

when all of a sudden I hear a shot.

0:44:270:44:28

-Why didn't you call him?

-He was right outside the window, wasn't he?

0:44:280:44:31

Look, Goldy. You know me. I got a heart.

0:44:310:44:33

Yeah, Michael. I know you have,

0:44:330:44:35

and I only wish you had a brain to go with it.

0:44:350:44:37

You saw Weber kill Mrs Gardiner!

0:44:370:44:39

You found out where he lived and went in to make a deal!

0:44:390:44:41

Falcon waited outside. Weber wouldn't play ball. Falcon shot him!

0:44:410:44:44

You grabbed the diamond and tossed it out the window to The Falcon.

0:44:440:44:47

That's the story, isn't it?

0:44:470:44:48

I'm sitting by the desk...

0:44:480:44:50

Yeah, yeah, and you heard a shot.

0:44:500:44:52

GUNSHOT

0:44:520:44:53

Now, take it easy, miss. You got nothing to worry about.

0:44:540:44:57

-Release that man in there. He's innocent of murder.

-Which murder?

0:44:570:45:01

The Weber murder. He didn't do it because I did.

0:45:010:45:05

-Oh, you did, did you?

-I shot him with this gun.

0:45:050:45:07

He came back from South Africa and tried to blackmail me.

0:45:070:45:10

We were married 15 years ago.

0:45:100:45:12

-Yeah?

-I shot him right through the window.

0:45:120:45:14

I am giving myself up because I cannot stand by

0:45:140:45:16

and see an innocent man pay the penalty for a crime I committed

0:45:160:45:19

and have no regrets.

0:45:190:45:20

There is the gun. It's the weapon that killed Weber.

0:45:200:45:22

Do with me as you will.

0:45:220:45:24

-Check on it.

-Right.

0:45:240:45:26

Well, young lady, what's your name?

0:45:260:45:28

-Helen Drumaine.

-Oh, it is, is it, huh?

0:45:280:45:31

-Have a seat, Miss Reed.

-Well, anyway, it's my middle name.

0:45:310:45:34

Tell us where you found this gun, and left Mr Laurence.

0:45:340:45:37

When I left him he was...

0:45:370:45:39

-To whom do you refer?

-All right!

0:45:390:45:42

When did you first meet this Weber before you married him

0:45:420:45:44

when you were 11 years old?

0:45:440:45:46

-Well, you see, it was sort of a...

-Ah, forget it. Forget it.

0:45:460:45:48

Hey, Goldy. Come in here.

0:45:480:45:50

-Goldy, you ever seen this young lady before?

-No.

-She knows you.

0:45:570:46:00

-Must have been some other guy.

-Saw his picture in the paper,

0:46:000:46:02

-remembered his face. How could anyone forget it?

-That ain't funny.

0:46:020:46:05

-Will you two quit clowning and give me the story?

-Checks perfect, Mike.

0:46:050:46:08

-Then it is the gun!

-Yeah. Want to use the phone and tell The Falcon?

0:46:080:46:11

Don't worry about Mr Laurence. The owner of the gun's at the Swan Club.

0:46:110:46:14

-His name is Manuel Retana, and he's there with a woman.

-Pick up Retana.

0:46:140:46:18

-Right.

-Goldy. If there's anything to this, it puts you in the clear.

0:46:180:46:21

It don't put me nowhere while this guy Retana's loose.

0:46:210:46:23

I'm staying on me constitutional rights, see?

0:46:230:46:25

So if you don't mind, I'll just sit here and talk shop

0:46:250:46:28

till you bring Retana in.

0:46:280:46:29

-Go tell The Falcon I want to see him.

-You're planning to have me followed.

0:46:290:46:33

Not unless you insist. Now, go on.

0:46:330:46:35

We'll meet in spite of you.

0:46:350:46:38

-That dame is twisted in the head.

-But you're all right, eh?

0:46:380:46:41

You ain't hung nothing on me yet.

0:46:410:46:44

Swan Club? Miss Benford, please.

0:46:520:46:55

Angelo, I think I'm losing a beautiful woman.

0:46:550:46:59

Ah, that's just like a peacock

0:46:590:47:00

losing one tail feather. Plenty more, no?

0:47:000:47:03

Thanks, Angelo.

0:47:030:47:04

Then we found out she didn't have that at all.

0:47:070:47:10

-Call for you, Miss Benford.

-Thank you.

0:47:100:47:12

Excuse me. Hello.

0:47:140:47:15

Hello, darling. Now, don't hang up,

0:47:150:47:18

and above all, don't get excited.

0:47:180:47:21

I think the police will be in there to pick up Retana.

0:47:210:47:24

Excuse yourself from the table and go home. I'll see you there.

0:47:240:47:27

Tell Retana that this is your chauffeur.

0:47:270:47:30

Yes, Oscar.

0:47:300:47:32

Oh, she is?

0:47:330:47:35

Well, in that case, I better come straight home.

0:47:360:47:38

All right, Oscar.

0:47:400:47:42

Is something wrong?

0:47:450:47:47

Yes. My aunt is very ill.

0:47:470:47:48

-Is that funny?

-Oh, very funny. You see, I haven't got an aunt.

0:47:480:47:52

I don't get it.

0:47:520:47:54

That was Mr Laurence,

0:47:540:47:56

and I think it only fair to warn you that he's trying to frame you.

0:47:560:47:58

Frame me? Why?

0:47:580:48:02

Well, you see, you're encroaching on what he thinks is his territory.

0:48:020:48:05

He refused to believe that our engagement is broken.

0:48:050:48:07

So?

0:48:080:48:10

I think we better leave.

0:48:100:48:11

There's no telling what lengths he'll go to.

0:48:110:48:13

He even tried to scare me by saying the police are after you.

0:48:130:48:17

-A bit of a screwball, isn't he?

-Oh, quite a bit.

0:48:210:48:23

Uh, where is he now?

0:48:230:48:25

He's going home to change clothes,

0:48:250:48:27

and then he plans on meeting me.

0:48:270:48:29

Wait here. I'll get our coats.

0:48:290:48:31

-Everything check?

-It was the gun that killed Noel all right.

0:48:370:48:40

-The police are on their way over to pick up Retana.

-That's fine.

0:48:400:48:43

I was grilled, and I broke down,

0:48:430:48:45

-and they know that I was with you.

-Oh, that's OK,

0:48:450:48:47

-just so the gun checks.

-Oh.

0:48:470:48:49

Well, the case is breaking, all right.

0:48:490:48:51

Darling, you've been absolutely marvellous.

0:48:510:48:53

-I don't know what I'd have done without you.

-Am I getting a brush-off?

-No.

0:48:530:48:56

-I just have to change clothes and see someone.

-Oh. A woman, naturally.

0:48:560:49:00

Naturally.

0:49:000:49:01

Do they all fall for you?

0:49:010:49:03

All but the clever ones like you.

0:49:030:49:06

Now, you buy yourself a soda and take in a movie. I'll see you later.

0:49:060:49:11

I hate men!

0:49:140:49:17

Now, look, Jerry. This is reaching a bit too far for a gag.

0:49:230:49:27

Get your hands up, Laurence.

0:49:270:49:29

Ah, Retana.

0:49:290:49:32

I thought my fiancee was a better actress.

0:49:320:49:35

She was kind enough to inform me

0:49:350:49:37

-that the police were coming.

-That was nice of her(!)

0:49:370:49:39

I'll take the diamond.

0:49:390:49:41

Oh, you surely don't imagine that I carry it on me, do you?

0:49:410:49:44

You wouldn't want to be found dead with it on you.

0:49:440:49:47

Come on, Laurence. This is it.

0:49:470:49:49

OK.

0:49:490:49:50

Hold it. Just take off the coat

0:49:500:49:54

and toss it over.

0:49:540:49:56

Tell me. Why did you kill Weber? You were friends, weren't you?

0:49:580:50:01

Yes.

0:50:010:50:02

But he had ideas about getting the diamond, too.

0:50:040:50:07

That should have been a warning to you.

0:50:100:50:13

Now, can you think of one good reason why I shouldn't kill you?

0:50:150:50:18

I shall most assuredly try.

0:50:180:50:20

For instance, wouldn't it be very much to your advantage

0:50:200:50:23

to have the police chase me while you're making your escape?

0:50:230:50:26

It's too late for that.

0:50:260:50:28

You have already switched the hunt to me.

0:50:280:50:30

I was careful to notice there were no detectives

0:50:300:50:32

when I entered the building.

0:50:320:50:34

Come out, Mike!

0:50:350:50:36

GUNSHOT

0:50:370:50:39

Am I shot?

0:50:590:51:01

No. You weren't hit.

0:51:010:51:03

You're a crazy little fool, but you saved my life, darling.

0:51:030:51:06

Take care of her, Jerry.

0:51:140:51:16

I have to hurry and change my clothes.

0:51:160:51:18

I change, too. Very much in sweat sitting here.

0:51:180:51:22

GOLDY SNORES

0:51:220:51:24

-Get your grimy paws off me, you baboon!

-Don't say that, lady.

0:51:240:51:28

Are you this moron's superior officer?

0:51:280:51:29

-Don't say that, lady!

-Shut up, both of you.

0:51:290:51:32

Goldy. Goldy, tell this germ who I am.

0:51:320:51:35

Hey, Michael, this dame...

0:51:350:51:37

I said shut up! Where's Retana?

0:51:370:51:39

Well, chief, it's like this. I crash the club. They tell me Retana

0:51:390:51:42

has took it on the lam, but he leaves this dame...

0:51:420:51:44

Fine talk. Listen. A detective is a servant of the people.

0:51:440:51:47

Well, I ankles up to her table, I tells her she's under arrest,

0:51:470:51:50

she says, "Don't be ridiculous." I insist, she brings a plate down,

0:51:500:51:53

-which staggers me...

-It was the heaviest thing I could find.

0:51:530:51:56

Well, I'm groggy, but I got the dame here before she could duck.

0:51:560:51:58

After I sat down in a chair, he overtook me.

0:51:580:52:01

So I bring her in. Oh, she's in cahoots, all right.

0:52:010:52:03

Very exciting.

0:52:030:52:05

-You hit Bates on the head with a plate. Why? >

-Why not?

0:52:050:52:08

What's your name? > Elinor Benford, as this man

0:52:080:52:10

-can verify, and furthermore...

-What were you doing with Retana?

0:52:100:52:13

I was simply sitting there, waiting for Manuel

0:52:130:52:15

-when this... this creature...

-Don't say that, lady!

0:52:150:52:18

This creature came crashing in. How was I to know he was a detective?

0:52:180:52:22

-What made you think he wasn't one?

-A certain man told me that he was.

0:52:220:52:25

-You mean, told you he wasn't.

-No. Was.

0:52:250:52:28

-I guess I'm just dumb. I don't get it.

-Yeah.

0:52:280:52:31

I think I do. That person, no doubt, thinks this is a very funny gag.

0:52:310:52:34

-Michael, this dame was the number...

-Will you quit calling me a dame?

0:52:340:52:38

All right, all right. Now, let's take it easy.

0:52:380:52:41

-How well do you know Retana?

-May I use your phone?

0:52:410:52:43

-Who do you want to call?

-A Mr Laurence, if you must know.

0:52:430:52:46

The Falcon, huh? Go ahead.

0:52:460:52:49

PHONE RINGS

0:53:010:53:03

-Hello?

-Again, or yet?

0:53:050:53:09

Oh, Miss Benford.

0:53:090:53:11

Oh. Give me that. Now, wait, darling.

0:53:110:53:14

It's just a very strange coincidence.

0:53:140:53:16

ELINOR YELLS INDISTINCTLY

0:53:160:53:19

Now, Elinor, please.

0:53:240:53:25

Ladies don't talk like that.

0:53:250:53:27

ELINOR CONTINUES YELLING

0:53:270:53:28

But I...

0:53:320:53:33

'You'll never get away with it! I'm fed up with your stupid pranks!'

0:53:330:53:36

Well, where are you?

0:53:360:53:38

As if you didn't know, you top-hatted termite!

0:53:380:53:40

Maybe this is your idea of comedy, I'm not laughing.

0:53:400:53:42

But, darling, I tried to warn you.

0:53:420:53:45

All right. Put Mike on the wire.

0:53:450:53:47

You're developing into a major catastrophe.

0:53:470:53:50

-Oh, hello, Mike.

-Listen, Falcon.

0:53:520:53:54

It's a serious offence to obstruct justice.

0:53:540:53:57

I'll have you jugged on sight.

0:53:570:53:58

Now, Mike. Just as I was about to solve the whole complication...

0:53:580:54:01

Nothing complicated to solve!

0:54:010:54:03

Weber killed Mrs Gardiner. Retana knocked off Weber.

0:54:030:54:07

We've a dragnet out for him now. He'll be picked up any minute.

0:54:070:54:09

It's an open-and-shut case.

0:54:090:54:11

Very well, Mike. I'll pick up the leader of this gang alone.

0:54:110:54:15

What newspaper shall I turn the culprit over to,

0:54:150:54:17

The Examiner, or The Record?

0:54:170:54:19

All right, Mike.

0:54:190:54:22

Meet me at 72nd and Central Park West as soon as you can get there.

0:54:220:54:25

Oh, and Mike?

0:54:250:54:27

Miss Benford's OK, and I love her,

0:54:270:54:28

but will you do me a favour and lock her up until we get back?

0:54:280:54:32

OK. Swell.

0:54:320:54:33

Now are you satisfied?

0:54:330:54:36

Lock her up, Bates.

0:54:360:54:38

Why, that skunk! What did he say to you? I demand to know what he said.

0:54:380:54:41

Come on, lady! You ran your bluff.

0:54:410:54:43

Goldy, get me a lawyer! Get me a habeas corpus! Get me a judge!

0:54:430:54:47

Some dame, huh? Highbrow. The Falcon's nuts about her.

0:54:470:54:51

-Yeah. That's what he said.

-Then why did you send her to the cooler?

0:54:510:54:54

He wants her on ice till we pick up the brains of this job.

0:54:540:54:57

-Want to come along?

-Nope. I'll sit this one out.

0:54:570:55:01

Thanks a million.

0:55:010:55:02

-You better keep out of sight until I call you.

-Now, look here, Falcon.

0:55:080:55:12

I already served my apprenticeship as a stooge

0:55:120:55:14

-to get where I am today.

-You want to take it from here, Mike?

0:55:140:55:16

Take what from here? Ain't I got a right to know what's going on?

0:55:160:55:19

You will get your credit, all right.

0:55:190:55:21

Just wait here in the hallway.

0:55:210:55:23

-MAXINE:

-Who is it?

0:55:320:55:34

Gay.

0:55:340:55:35

Oh.

0:55:350:55:36

I'm afraid I'm a little late for our luncheon appointment.

0:55:410:55:43

I understand. I've read the papers.

0:55:430:55:47

-Come in, won't you?

-Thank you.

0:55:470:55:49

Come and sit down.

0:55:540:55:55

Cigarette?

0:55:580:55:59

Thanks.

0:55:590:56:00

What's wrong?

0:56:110:56:13

I'm frightened, Gay, desperately frightened.

0:56:130:56:15

Why?

0:56:150:56:17

-My life has been threatened.

-By whom?

0:56:170:56:20

I don't know. I got a mysterious phone call last night after you left

0:56:200:56:23

and another tonight.

0:56:230:56:26

-Did you recognise the voice?

-No. Whoever it was

0:56:260:56:28

knows that I asked you to handle the case. They threatened to kill me

0:56:280:56:31

unless I got you to drop it.

0:56:310:56:32

I suspect that when we find the man behind the voice,

0:56:340:56:36

we'll find the brain behind this ring.

0:56:360:56:39

They're vicious, Gay. He'll kill me before you get him!

0:56:390:56:42

Why didn't you ask for police protection?

0:56:420:56:44

How could I? I knew you'd try and come here,

0:56:440:56:47

and if the police were around, they'd arrest you.

0:56:470:56:50

Well, I'm in the clear now.

0:56:500:56:51

I'd feel so much safer if you were around.

0:56:530:56:56

Look. Mike Waldeck is outside. Do you mind if I bring him in?

0:56:560:56:59

Of course not.

0:56:590:57:01

Then we shall both be here in case anything happens.

0:57:010:57:05

I think I'll go to bed now. Good night.

0:57:050:57:08

Good night, and don't worry.

0:57:080:57:10

I just wondered if you were going to spend the rest of the night here.

0:57:220:57:25

-Well, so I am. Won't you come in?

-She got a friend?

0:57:250:57:28

-No, but she needs a couple.

-Who?

-Maxine Wood.

0:57:280:57:31

We were gonna pick up the brains of this gang, remember?

0:57:310:57:34

I'm expecting Miss Wood to have a visitor. Come on.

0:57:340:57:38

-Now, listen, Falcon...

-Not a word. Just sit down and wait.

0:57:400:57:43

-If this is one of your tricks...

-Shh!

0:57:430:57:45

THUD

0:58:240:58:25

MAN: Well, Maxine. >

0:58:290:58:30

I told you I'd take care of you. >

0:58:310:58:34

I'm keeping my word. >

0:58:340:58:35

-MAXINE:

-You wouldn't dare. >

0:58:350:58:37

Wouldn't I? >

0:58:370:58:38

That's what someone else thought. >

0:58:380:58:41

You won't get away with it this time.

0:58:410:58:44

Don't worry. They won't get me alive. >

0:58:440:58:47

Wait, wait.

0:58:470:58:48

Too bad you didn't string along with me.

0:58:480:58:51

We could have accomplished things together,

0:58:510:58:55

-but now...

-You murdering devil!

0:58:550:58:57

MAXINE SCREAMS

0:58:570:58:59

Back away from that bed! Don't try anything, you!

0:58:590:59:02

Retana.

0:59:040:59:06

So you were looking for the brain.

0:59:060:59:07

I told you when we picked this bird up the case'd be shut.

0:59:070:59:10

Stupid of me.

0:59:100:59:11

Looks like he's kept his word.

0:59:200:59:22

I don't think we're taking him alive.

0:59:220:59:25

A hypo needle.

0:59:250:59:26

He jabbed himself with a quick-acting poison when he knew he was cornered.

0:59:260:59:30

Just relax, Maxine.

0:59:340:59:35

I'm all right. Thank you.

0:59:350:59:37

Look out for that glass.

0:59:390:59:40

-Mike pick up that tube with your handkerchief. There's fingerprints on it.

-Fingerprints?

0:59:420:59:46

Yes, and they're not Retana's.

0:59:460:59:48

I've been wondering how you'd accomplish it, Miss Wood.

0:59:480:59:50

Very bright idea.

0:59:500:59:52

When he lunged at you, you were ready for him with a hypo needle.

0:59:520:59:55

Mike, I'm afraid you'll ave to arrest Miss Wood for murder.

0:59:550:59:57

You'll pardon me if I seem to butt into my own affairs,

0:59:571:00:00

-but I'd like to know why!

-Miss Wood had to eliminate Retana

1:00:001:00:02

-or be exposed.

-What do you mean, exposed?

1:00:021:00:05

If you checked the prints of the late Noel Weber, you'd discover

1:00:051:00:08

-he recently emerged from San Quentin.

-So what?

1:00:081:00:11

Where he served eight years for operating

1:00:111:00:13

with a jewel ring headed by his wife, who escaped.

1:00:131:00:16

She's Mrs Weber!

1:00:161:00:17

Brilliant, isn't he?

1:00:171:00:19

Right, Mike.

1:00:191:00:21

When Weber was detained by the authorities, his wife came east

1:00:211:00:25

and built up a fancy reputation for herself as a party giver

1:00:251:00:27

-with jewellery disappearances on the side.

-Yeah? Yeah?

1:00:271:00:31

Then Weber's released, comes back to wifey, and together, they decide

1:00:311:00:34

to double-cross Retana on this monsoon diamond deal,

1:00:341:00:37

and live happily ever after on the proceeds.

1:00:371:00:40

-Which Retana found out!

-Right again, Mike.

1:00:401:00:42

So he killed one and was about to complete the job...

1:00:421:00:45

-..when I apprehended him!

-Exactly.

1:00:451:00:47

Get your coat.

1:00:471:00:48

In fact, if it hadn't been for one small slip made by Miss Wood,

1:00:501:00:54

you wouldn't have solved this thing so easily.

1:00:541:00:56

Just out of morbid curiosity,

1:00:561:00:58

-do you mind telling me where?

-Not at all.

1:00:581:01:00

When you sent Miss Reed to bring me over to this apartment,

1:01:001:01:03

we very carefully threw everyone off our trail,

1:01:031:01:06

and I left Goldy outside for about 15 minutes

1:01:061:01:09

during which time Weber picked him up.

1:01:091:01:10

Now, you know, Weber didn't just happen to be there.

1:01:101:01:13

Who cares? Where's the diamond?

1:01:131:01:14

-In his pocket.

-You are shrewd.

-Thank you.

1:01:141:01:17

If you'd mind your own business, Mr Laurence,

1:01:171:01:20

-my profession would be quite a good one.

-I'm going to take your tip.

1:01:201:01:23

-From now on, Mike is on his own.

-Poor fella.

1:01:231:01:26

All right, all right. Let's go.

1:01:261:01:28

Turn this dame over to Elmer and have him release Miss Benford.

1:01:291:01:32

Yes, sir. This way, lady.

1:01:321:01:34

-Did you bring him in?

-No.

1:01:391:01:41

Oh. So you bungle a job, huh?

1:01:411:01:42

I'm gonna stay right here till I see Retana walk in.

1:01:421:01:45

OK. Go out and tell the cop to lock you up until Retana walks in.

1:01:451:01:49

-Where's The Falcon?

-Outside.

1:01:491:01:52

Right here!

1:01:521:01:53

Well, good luck, Miss Wood.

1:01:571:02:00

I'd advise you to plead guilty

1:02:001:02:02

and, er, just keep smiling at the jury.

1:02:021:02:05

Hello, darling. Nice of you to wait up for me.

1:02:061:02:09

I hope they keep you in here forever.

1:02:091:02:11

I hope they throw the key away!

1:02:111:02:12

-I hope they...

-Wishful thinking, my dear.

1:02:121:02:14

I'm in the clear. How about you?

1:02:141:02:17

I'll gladly spend the rest of my days here

1:02:171:02:19

if I can just get my fingernails into you for one minute!

1:02:191:02:21

Very jealous woman.

1:02:211:02:23

I think I can get you off, if you promise to marry me.

1:02:231:02:26

Get out of here. I know when I'm well off!

1:02:261:02:29

Spring her, Elmer.

1:02:291:02:31

Now, listen to me.

1:02:361:02:38

I tried to warn you against hobnobbing with a murderer.

1:02:381:02:41

I had you locked up here for your own protection,

1:02:411:02:44

and this is the thanks I get for it.

1:02:441:02:46

Gay! Retana almost shot me,

1:02:471:02:50

and it wasn't your fault that he didn't. I owe a considerable

1:02:501:02:53

debt of gratitude to a very nice young lady for saving my life.

1:02:531:02:56

I think I shall marry her. Goodbye.

1:02:561:02:59

Gay, darling, I didn't know.

1:03:011:03:04

Oh, forgive me. I've been such an awful fool.

1:03:041:03:08

Oh, darling.

1:03:081:03:09

Darling, we can be married immediately.

1:03:101:03:12

I promise to give up crime and other women.

1:03:121:03:15

MAN: Hello, Mr Falcon.

1:03:151:03:16

-Are you The Falcon?

-Yes.

1:03:181:03:20

You must help me. He's innocent, I tell you. My brother's innocent!

1:03:201:03:23

He didn't do it! Don't let them take him away!

1:03:231:03:26

Oh, excuse me, darling. I'll be right back.

1:03:281:03:30

If you're not doing anything tonight, how about a game of gin rummy?

1:03:331:03:37

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