
Browse content similar to The Gay Falcon. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
Right out, please. | 0:01:11 | 0:01:14 | |
Step lively, please. | 0:01:14 | 0:01:16 | |
Going up? | 0:01:18 | 0:01:19 | |
SNORING | 0:01:29 | 0:01:30 | |
HE WOLF-WHISTLES | 0:02:07 | 0:02:08 | |
Well, you said to get an office with a view. | 0:02:16 | 0:02:19 | |
So this is the way you spend your first day in the brokerage business. | 0:02:19 | 0:02:22 | |
Darling, I'm just getting acclimated. | 0:02:22 | 0:02:24 | |
You can't become a successful broker in five minutes, you know. | 0:02:24 | 0:02:27 | |
Whee-ee! | 0:02:27 | 0:02:29 | |
Shh. | 0:02:29 | 0:02:30 | |
You'll wake Mr Locke, your associate. | 0:02:30 | 0:02:34 | |
Oh, really, you're hopeless. Why don't you admit | 0:02:37 | 0:02:39 | |
that you're bored already, that you haven't the least inclination | 0:02:39 | 0:02:42 | |
to settle down to a respectable business? Here, I've spent | 0:02:42 | 0:02:45 | |
the whole day dashing about, trying to get nice, rich clients for you, | 0:02:45 | 0:02:48 | |
and I come here, and what do I find? | 0:02:48 | 0:02:50 | |
Me... | 0:02:50 | 0:02:52 | |
..and my spinach juice. | 0:02:52 | 0:02:54 | |
Have some? | 0:02:54 | 0:02:55 | |
Thanks. I tried it once. | 0:02:55 | 0:02:57 | |
After all, Gay, you've spent your whole life thus far | 0:02:58 | 0:03:00 | |
chasing adventure around the world, | 0:03:00 | 0:03:02 | |
and you've been clever enough to keep a whole skin. | 0:03:02 | 0:03:05 | |
Surely you're clever enough to sell a few stocks and bonds. | 0:03:05 | 0:03:08 | |
Darling, that's what I love about you - your supreme confidence in me. | 0:03:08 | 0:03:12 | |
It gives me the courage to go on. | 0:03:12 | 0:03:14 | |
And you want me to marry you. Why? | 0:03:14 | 0:03:17 | |
I'm crazy about you. | 0:03:17 | 0:03:18 | |
You're not crazy enough to settle down to a little honest work | 0:03:18 | 0:03:21 | |
-for the first time in your life. -Darling, I'm even that crazy. | 0:03:21 | 0:03:24 | |
When shall we get married? | 0:03:24 | 0:03:25 | |
I'll give you until September to get two things out of your system - | 0:03:25 | 0:03:28 | |
other women, and crime solutions. | 0:03:28 | 0:03:30 | |
What month is this? | 0:03:30 | 0:03:32 | |
June, but don't evade the issue. | 0:03:32 | 0:03:34 | |
I'm not. Crime solutions - I've lost all interest, | 0:03:34 | 0:03:38 | |
and as to other women, I've already thrown away my address book. | 0:03:38 | 0:03:42 | |
Darling, in three months, I'll have a seat on the Stock Exchange. | 0:03:42 | 0:03:45 | |
You wait and see. | 0:03:45 | 0:03:46 | |
Oh, you're impossible... | 0:03:52 | 0:03:54 | |
..but I'll sign one more armistice. | 0:03:55 | 0:03:57 | |
Oh, about tonight. We're going to Maxine Wood's charity ball. | 0:03:57 | 0:04:00 | |
Vera Gardiner's sponsoring it. | 0:04:00 | 0:04:02 | |
Who's Maxine Wood? | 0:04:02 | 0:04:04 | |
Darling, she's only the most famous party-giver in the world. | 0:04:04 | 0:04:08 | |
Oh, her. I know a little French restaurant downtown | 0:04:08 | 0:04:10 | |
where the wine is divine. | 0:04:10 | 0:04:13 | |
So you don't want to go? | 0:04:13 | 0:04:15 | |
I want to go down there and drink the same wine | 0:04:15 | 0:04:17 | |
that I drank when I first saw you. | 0:04:17 | 0:04:19 | |
Darling, you might let me win just one round. | 0:04:19 | 0:04:22 | |
Well, I thought it would be nice - just the two of us. | 0:04:22 | 0:04:24 | |
Of course, if you prefer to have a crowd around | 0:04:24 | 0:04:27 | |
while I am telling you how much I love you... | 0:04:27 | 0:04:29 | |
All right, Gay. You win, as usual. | 0:04:31 | 0:04:34 | |
See you at eight. | 0:04:36 | 0:04:38 | |
Eight. | 0:04:40 | 0:04:41 | |
SNORING | 0:04:42 | 0:04:44 | |
Huh? | 0:04:52 | 0:04:54 | |
Good afternoon, Miss Benford. Come right in. | 0:04:54 | 0:04:56 | |
Oh, you're all much too busy(!) | 0:04:56 | 0:04:58 | |
Some other time. Thank you very much(!) | 0:04:58 | 0:05:02 | |
DOOR CLOSES | 0:05:02 | 0:05:04 | |
Your number one girlfriend just stuck her head in the door | 0:05:07 | 0:05:09 | |
and made a nasty crack. She ducked before I got clear awake. | 0:05:09 | 0:05:12 | |
We can hardly expect her to wait that long. | 0:05:12 | 0:05:14 | |
Huh? | 0:05:14 | 0:05:16 | |
It's five o'clock. | 0:05:16 | 0:05:18 | |
It's 4.43. | 0:05:18 | 0:05:20 | |
All right. We'll stay 17 minutes over time tomorrow. | 0:05:20 | 0:05:23 | |
I've been in that office since ten this morning. | 0:05:23 | 0:05:26 | |
Well, what about me? | 0:05:26 | 0:05:27 | |
I ain't even got a window to look out of. | 0:05:27 | 0:05:30 | |
Well, you can have my chair tomorrow at lunch hour. | 0:05:30 | 0:05:32 | |
Come on. Let's call it a day. | 0:05:32 | 0:05:34 | |
OK, boss. | 0:05:34 | 0:05:35 | |
You know, for me, this is like being born twice. | 0:05:37 | 0:05:41 | |
When I walked up here this morning, who was I? | 0:05:43 | 0:05:45 | |
Just a guy the cops called Goldy Locke. | 0:05:45 | 0:05:48 | |
When I go out of here this afternoon, I'm in Wall Street. | 0:05:48 | 0:05:51 | |
Jonathan G Locke, just like I was christened. | 0:05:51 | 0:05:54 | |
If my old lady could see me now, | 0:05:54 | 0:05:57 | |
would her eyes bulge! | 0:05:57 | 0:05:59 | |
Yes, well, talking about bulges, I'm afraid your tailor... | 0:05:59 | 0:06:02 | |
Uh-oh. | 0:06:04 | 0:06:05 | |
We're in the brokerage business, Goldy. | 0:06:08 | 0:06:12 | |
Tough day at the office, Jerry. You can fix me a large spinach juice. | 0:06:13 | 0:06:16 | |
Someone waiting to see you, boss. | 0:06:16 | 0:06:18 | |
-Oh, well, see who it is, Goldy. -Very pretty girl, boss. | 0:06:18 | 0:06:21 | |
Never mind. | 0:06:21 | 0:06:23 | |
That guy ought to live in a harem. | 0:06:24 | 0:06:26 | |
He do! | 0:06:26 | 0:06:27 | |
What are we looking for? | 0:06:42 | 0:06:44 | |
Shh. | 0:06:44 | 0:06:45 | |
SHE GASPS: Oh! | 0:06:45 | 0:06:47 | |
-Anything in particular? -Why, yes. | 0:06:47 | 0:06:49 | |
The...the button that opens a secret passage. | 0:06:49 | 0:06:52 | |
Ah. | 0:06:52 | 0:06:53 | |
You're Mr Laurence, aren't you? I've heard so much about you, | 0:06:53 | 0:06:56 | |
it's like meeting your favourite author, only the things | 0:06:56 | 0:06:59 | |
-really happen to you. -Look, sister. He's took the pledge. | 0:06:59 | 0:07:01 | |
No more crimes. No more dames. | 0:07:01 | 0:07:03 | |
That must be your Dr Watson, your faithful and loyal colleague. | 0:07:03 | 0:07:06 | |
All characters like you | 0:07:06 | 0:07:08 | |
have a kind of a... a stooge, don't they? | 0:07:08 | 0:07:11 | |
May I present Dr Jonathon Locke, my associate? | 0:07:11 | 0:07:15 | |
How do you do, Doctor? | 0:07:17 | 0:07:18 | |
I'm very pleased, indeed, to meet you, I'm sure. | 0:07:18 | 0:07:21 | |
He's cute. Well... | 0:07:21 | 0:07:23 | |
I'm Helen Reed, secretary to Maxine Woods. | 0:07:23 | 0:07:25 | |
-You've heard of her, of course. -Yes. The lady who gives all the parties. | 0:07:25 | 0:07:28 | |
Yes. Well, for several weeks now, every time she gives a party, | 0:07:28 | 0:07:31 | |
-some valuable jewellery is stolen. It just vanishes. -How distressing. | 0:07:31 | 0:07:34 | |
Yes. Well, she's giving a war relief ball for Mrs Vera Gardiner, | 0:07:34 | 0:07:38 | |
and Mrs Gardiner insists on wearing her monsoon diamond. | 0:07:38 | 0:07:40 | |
It cost 100,000. | 0:07:40 | 0:07:42 | |
If it's stolen, Maxine will be ruined. | 0:07:42 | 0:07:44 | |
Then why doesn't she go to the police? | 0:07:44 | 0:07:46 | |
But she HAS been to the police. | 0:07:46 | 0:07:47 | |
They've been there before. | 0:07:47 | 0:07:48 | |
You're the only one that can really help. | 0:07:48 | 0:07:50 | |
Look, lady. We quit all that business. | 0:07:50 | 0:07:52 | |
We're in Wall Street now. We ain't interested. | 0:07:52 | 0:07:54 | |
Try Ellery Queen. | 0:07:54 | 0:07:57 | |
I... | 0:07:57 | 0:07:58 | |
Spinach juice. Very good for boss. | 0:08:07 | 0:08:09 | |
-For once, you wasn't a sucker. -Charming little character there. | 0:08:20 | 0:08:23 | |
Well, that's what you said about Mabel Dover, too, | 0:08:23 | 0:08:26 | |
right before she bumped off her uncle | 0:08:26 | 0:08:27 | |
for the insurance policy. Then there was... | 0:08:27 | 0:08:29 | |
Helen? Uh, I mean, Elinor. | 0:08:29 | 0:08:32 | |
Listen, darling, I've been thinking things over. | 0:08:32 | 0:08:34 | |
I've been very selfish. | 0:08:34 | 0:08:36 | |
I want to please you. | 0:08:36 | 0:08:37 | |
We're going to Maxine Wood's party. | 0:08:37 | 0:08:39 | |
Sure, but I changed my mind. | 0:08:42 | 0:08:45 | |
What you want comes first, dear. | 0:08:45 | 0:08:47 | |
Goodbye. | 0:08:47 | 0:08:50 | |
Here we go again. | 0:08:50 | 0:08:51 | |
SWING MUSIC | 0:08:56 | 0:08:59 | |
The joint's dripping with jewels, ain't it, Grimes? | 0:09:24 | 0:09:26 | |
Yeah. Let's split up and start circulating. | 0:09:26 | 0:09:29 | |
Cheer up, Maxine. You've got nothing to worry about this time. | 0:09:39 | 0:09:42 | |
If anything disappears tonight, I'm afraid my career has ended. | 0:09:42 | 0:09:45 | |
We're safe. The Falcon's coming - the most utterly exciting man | 0:09:45 | 0:09:48 | |
-you ever laid eyes on. -The who? -The Falcon. That's his nom de guerre. | 0:09:48 | 0:09:51 | |
His real name is Laurence, and he's... | 0:09:51 | 0:09:53 | |
Oh, there he is now. I'll bring him over. | 0:09:53 | 0:09:56 | |
-Maybe so, but how long will it last? -Darling, it's over already. | 0:09:58 | 0:10:02 | |
Next time, you can hit me on the head with something. | 0:10:02 | 0:10:04 | |
That's a promise. | 0:10:04 | 0:10:06 | |
Oh, Mr Laurence! I was so afraid you weren't coming. | 0:10:06 | 0:10:09 | |
-Oh, hello. -You must think I'm a little silly | 0:10:09 | 0:10:11 | |
after you found me in your apartment, but I had to see you. | 0:10:11 | 0:10:14 | |
It's not nearly as lurid as it sounds. May I present Miss Reed? | 0:10:14 | 0:10:17 | |
Miss Reed, Miss, er... | 0:10:17 | 0:10:19 | |
Benford. | 0:10:19 | 0:10:20 | |
An aunt of mine from Indiana. | 0:10:20 | 0:10:22 | |
Oh, I suppose Mr Laurence told you why he's here. | 0:10:22 | 0:10:24 | |
No, but I'm extremely good at guessing. | 0:10:24 | 0:10:26 | |
We must keep it a secret. I want you to meet Maxine. She's very worried, | 0:10:26 | 0:10:29 | |
and will be relieved you're on the alert. You don't mind? | 0:10:29 | 0:10:32 | |
Oh, not at all. By all means, Gay, get on the alert. | 0:10:32 | 0:10:35 | |
Let's dance. Make it look casual. | 0:10:35 | 0:10:37 | |
Better not. You may get 12 women on your jury. | 0:10:40 | 0:10:44 | |
-Oh, hello, Manuel. -Will you teach me how to dance? | 0:10:44 | 0:10:46 | |
Teach you, Manuel? | 0:10:46 | 0:10:49 | |
Isn't it exciting, not knowing what's going to happen next? | 0:10:49 | 0:10:52 | |
-I have a vague idea. -Oh, really? See anything significant? | 0:10:52 | 0:10:56 | |
-Did anyone make a false move? -No-one but me. | 0:10:56 | 0:10:58 | |
I should be like you, Manuel - | 0:11:02 | 0:11:04 | |
play the field, and let the suckers pick the favourites. | 0:11:04 | 0:11:07 | |
You're as clever as you're beautiful. | 0:11:07 | 0:11:10 | |
Good evening, sir. | 0:11:38 | 0:11:39 | |
Pleased to meet you. Give me a ticket, sister, | 0:11:39 | 0:11:42 | |
and keep the change for charity. | 0:11:42 | 0:11:44 | |
A dollar doesn't quite cover it, sir. | 0:11:44 | 0:11:45 | |
-No? How much? -100 a ticket. | 0:11:45 | 0:11:49 | |
100?! Gimme back the buck, sister. | 0:11:49 | 0:11:52 | |
I can't finance the war personally. | 0:11:52 | 0:11:55 | |
Hey, hold it. | 0:11:55 | 0:11:57 | |
I think we better keep this on a strictly business basis. | 0:11:58 | 0:12:02 | |
Where's our hostess? | 0:12:02 | 0:12:03 | |
-You mean Mrs Gardiner? -Yes. -She's dancing right behind you. | 0:12:03 | 0:12:07 | |
-Look out. Here she comes. -Oh, I'm so sorry. | 0:12:07 | 0:12:09 | |
Oh, oh! Oh, isn't this marvellous? | 0:12:09 | 0:12:12 | |
You know, I'm charging 50 a dance for the ambulance fund. | 0:12:12 | 0:12:15 | |
-Here's 100. Let's call it quits, madame. -Aren't you sweet? | 0:12:15 | 0:12:19 | |
I've made 200 this dance. The men are all marvellously generous. | 0:12:19 | 0:12:24 | |
-Mrs Gardiner, Mr Laurence. -How do you do, young man? -Quite well. | 0:12:24 | 0:12:27 | |
Oh, do you mind if I steal your partner for this dance? | 0:12:27 | 0:12:31 | |
Sort of lend-lease, for democracy, you know. | 0:12:31 | 0:12:36 | |
-Mr Laurence, I am so nervous. -So am I. | 0:12:38 | 0:12:42 | |
-I suppose you want it now. -I beg your pardon. | 0:12:42 | 0:12:45 | |
It slips off very easily, but we mustn't let anyone see us. | 0:12:45 | 0:12:48 | |
Oh, no, of course not. | 0:12:48 | 0:12:49 | |
You take my hand firmly and hold the ring, | 0:12:49 | 0:12:52 | |
and I'll draw my hand away, and you put it in your pocket. | 0:12:52 | 0:12:55 | |
Well, just as you say. | 0:12:55 | 0:12:57 | |
Oh, my, what a relief. Do you think anyone saw us? | 0:12:59 | 0:13:02 | |
No, I don't think so. | 0:13:02 | 0:13:03 | |
I'll wait five minutes, and then I'll discover it's gone. | 0:13:03 | 0:13:06 | |
That's fine. | 0:13:06 | 0:13:08 | |
Now I must go and greet my other guests. | 0:13:09 | 0:13:11 | |
Do be careful. The place is full of detectives. | 0:13:11 | 0:13:14 | |
Yes, I'll be careful. | 0:13:14 | 0:13:16 | |
CROWD CHATTERS | 0:13:16 | 0:13:20 | |
-Let's hear something loud and hot, professor. -Here it comes. | 0:13:24 | 0:13:27 | |
14, boys. | 0:13:27 | 0:13:29 | |
LIVELY MUSIC | 0:13:30 | 0:13:32 | |
-MANUEL: -The boarding house... | 0:13:36 | 0:13:38 | |
Do you mind if I cut in? I think this is our dance. | 0:13:38 | 0:13:40 | |
Oh, of course. Mr... | 0:13:40 | 0:13:42 | |
-..Laurence. -Yes. Mr Retana. -How do you do? -Excuse me, Manuel. | 0:13:42 | 0:13:47 | |
Oh, Mr Laurence. Pardon me. This is Miss Wood. | 0:13:47 | 0:13:49 | |
I thought you might like a few words with her. | 0:13:49 | 0:13:51 | |
-You don't mind, do you? -Oh, not at all. | 0:13:51 | 0:13:53 | |
That's my cousin from Nebraska. She's having a wonderful time. | 0:13:54 | 0:13:57 | |
Oh, how nice. | 0:13:57 | 0:13:59 | |
Dance? | 0:13:59 | 0:14:00 | |
As I remember it, you're always involved in mysteries | 0:14:13 | 0:14:15 | |
-and with beautiful women. -Oh, that's purely a coincidence. | 0:14:15 | 0:14:18 | |
As a matter of fact, I'm giving up that hobby. | 0:14:18 | 0:14:20 | |
What, women or mystery? | 0:14:20 | 0:14:21 | |
-Eh? -WOMEN OR MYSTERY? -Oh, both. | 0:14:21 | 0:14:26 | |
You evidently found my secretary a very persistent young woman. | 0:14:26 | 0:14:29 | |
That's putting it mildly. | 0:14:29 | 0:14:31 | |
-What? -Oh, let's do something about this. | 0:14:31 | 0:14:34 | |
-Hey, maestro. -Yes, sir? -Do you mind playing something soft and smooth? | 0:14:34 | 0:14:38 | |
Sure. Thank you. Hold it, boys. | 0:14:38 | 0:14:40 | |
-I'm getting old. -Oh, don't say that. | 0:14:40 | 0:14:42 | |
GUNSHOT | 0:14:42 | 0:14:44 | |
What was that? | 0:14:45 | 0:14:47 | |
Stop, or I'll let you have it! | 0:15:01 | 0:15:02 | |
-FOOTSTEPS -Stop, or I'll shoot! | 0:15:02 | 0:15:05 | |
OK. I'm stopped. | 0:15:07 | 0:15:08 | |
Come on up here. | 0:15:08 | 0:15:09 | |
All right. Outside, please. | 0:15:09 | 0:15:11 | |
I'm from headquarters. I'll take charge here. | 0:15:11 | 0:15:14 | |
Suicide? | 0:15:15 | 0:15:16 | |
Yeah. Shot herself right through the heart, walked over there, | 0:15:16 | 0:15:19 | |
dropped the gun, but came back again because she liked it better here. | 0:15:19 | 0:15:22 | |
Poor Mrs Gardiner. Who in the world would want to kill her? | 0:15:22 | 0:15:26 | |
Elemental, ma'am. The diamond, ain't got it on her. | 0:15:26 | 0:15:28 | |
Oh, would you mind? | 0:15:28 | 0:15:29 | |
-Sorry. Not my brand. -Think nothing of it. | 0:15:33 | 0:15:36 | |
-Come around when I'm police commissioner. -Right, get in there. | 0:15:36 | 0:15:39 | |
-Why, it's Dr Locke! -You know this man? | 0:15:42 | 0:15:45 | |
Well, I know... | 0:15:45 | 0:15:47 | |
I know him. He works for me. | 0:15:47 | 0:15:49 | |
-Yeah, then what's he doing out on that ledge? -He's a fresh-air fiend. | 0:15:49 | 0:15:52 | |
He's not the only fresh thing around here. | 0:15:52 | 0:15:54 | |
I'm coming up the fire escape, all of a sudden, I hear a shot. | 0:15:54 | 0:15:57 | |
-I got to warn you, anything you say'll be used against you. -So what? | 0:15:57 | 0:15:59 | |
I figure to save 100 bucks by crashing the party, | 0:15:59 | 0:16:02 | |
so I come up the fire escape... | 0:16:02 | 0:16:03 | |
Some other time. Take him down headquarters. | 0:16:03 | 0:16:05 | |
-Get going. -Hey, wait a minute! You bulls can't pin this on me! | 0:16:05 | 0:16:08 | |
-All we can do is to try. -Go on, Goldy. Humour him. -What's the...? | 0:16:08 | 0:16:11 | |
-This is murder! -You said it. -Get out. | 0:16:11 | 0:16:14 | |
-Darling, I've got to go down... -Have we met before? | 0:16:16 | 0:16:18 | |
Oh, listen. This is serious. I have to go down to police headquarters. | 0:16:18 | 0:16:21 | |
-Some spinach juice. -Police headquarters? Why? | 0:16:21 | 0:16:23 | |
-What kind of juice? -Spinach. | 0:16:23 | 0:16:25 | |
They found Goldy out on the fire escape. | 0:16:25 | 0:16:27 | |
-Spinach? -Listen, haven't you got any spinach? | 0:16:27 | 0:16:29 | |
-I guess they do in the kitchen. -Well, just get some and squeeze it. | 0:16:29 | 0:16:33 | |
Yes, er, squeeze it. | 0:16:33 | 0:16:35 | |
They found Goldy on the fire escape when Mrs Gardiner was shot. | 0:16:36 | 0:16:39 | |
Gay, if you're mixed up in this, and I suspect... How could I be? | 0:16:39 | 0:16:42 | |
What was that Locke person doing on the fire escape? | 0:16:42 | 0:16:44 | |
-That's what I'm going to find out. I've got to do that. -Well... | 0:16:44 | 0:16:47 | |
That's a good girl. Now, you take a cab. I'll see you in about an hour. | 0:16:47 | 0:16:51 | |
Why do I put up with this? Why? | 0:16:51 | 0:16:54 | |
CRACKLING | 0:16:54 | 0:16:56 | |
Well, it seems pretty obvious | 0:16:58 | 0:17:00 | |
the murderer got away with the diamond. You found nothing on Goldy, | 0:17:00 | 0:17:02 | |
-so why hold him? -I'm not holding him for murder. | 0:17:02 | 0:17:06 | |
Nobody could invent an alibi that screwy. | 0:17:06 | 0:17:08 | |
Then what's the charge against him? | 0:17:08 | 0:17:09 | |
I'm holding him as a material witness. | 0:17:09 | 0:17:12 | |
He's the only one who can identify the murderer. | 0:17:12 | 0:17:14 | |
-May I offer a suggestion? -Why not? You've been offering them for years. | 0:17:16 | 0:17:20 | |
Inasmuch as Goldy is the only living witness, | 0:17:21 | 0:17:24 | |
wouldn't it be very much to the murderer's advantage | 0:17:24 | 0:17:26 | |
to try to dispose of him if it were made possible? | 0:17:26 | 0:17:30 | |
I got an idea. I'm going to release Goldy and have him tailed. | 0:17:30 | 0:17:34 | |
There's just a chance that the murderer may try to get to him. | 0:17:34 | 0:17:37 | |
You never miss a trick, Mike. | 0:17:37 | 0:17:39 | |
Yeah. What were you going to suggest? | 0:17:39 | 0:17:41 | |
-Oh, I... I forget. -Bring him in. | 0:17:41 | 0:17:44 | |
I think I'll go along with you, Bates. | 0:17:45 | 0:17:47 | |
Stick around, Herman. We want a sketch of the murderer. | 0:17:49 | 0:17:51 | |
Very well. | 0:17:51 | 0:17:53 | |
I've changed my mind, Bates. | 0:17:56 | 0:17:58 | |
-I think I'll try one of these. -Oh, slumming, huh? | 0:17:58 | 0:18:00 | |
Everything fixed, chief? | 0:18:05 | 0:18:07 | |
All fixed, Goldy. You're as free as a bird. | 0:18:07 | 0:18:09 | |
Yeah, stool pigeon. Spring him, Elmer. | 0:18:09 | 0:18:12 | |
-We'll be seeing you, Goldy. -You should live so long. | 0:18:15 | 0:18:17 | |
So should you. | 0:18:17 | 0:18:19 | |
Didn't you tell this flatfoot off? | 0:18:19 | 0:18:21 | |
-Yeah, they believe your story. -Oh, getting smart, huh? -Come on, Goldy. | 0:18:21 | 0:18:24 | |
-They want a description of the murderer. -Well, not from me. | 0:18:24 | 0:18:27 | |
-I ain't gonna leave myself open for a slug in the back. -That's the point letting you out. | 0:18:27 | 0:18:31 | |
-Hey, Elmer. Don't close that gate. -Come on, Goldy. Don't you trust me? | 0:18:31 | 0:18:34 | |
-Yeah, like your girlfriend - with limits. -Oh, go on. | 0:18:34 | 0:18:37 | |
All right, Locke. I'm releasing you, but first I want a description | 0:18:40 | 0:18:43 | |
-of the man you saw that night. -Oh, no. No. -Goldy... | 0:18:43 | 0:18:46 | |
-All right. You'll get it. -Take it, Herman. | 0:18:48 | 0:18:51 | |
What was the contour of the face? | 0:18:51 | 0:18:53 | |
The contour? | 0:18:57 | 0:18:58 | |
White. | 0:18:58 | 0:18:59 | |
-Not the colour, the contour! -Break it down, buddy. | 0:18:59 | 0:19:02 | |
The shape of the face - thin, full, square, oval? | 0:19:02 | 0:19:05 | |
Kind of flat and full. | 0:19:05 | 0:19:06 | |
Go on. Just give the description. I'll follow you. | 0:19:06 | 0:19:09 | |
Well, he was about 45, maybe. Full head of hair, | 0:19:09 | 0:19:12 | |
parted on the right side. His eyes were too close together, | 0:19:12 | 0:19:15 | |
with glasses. He had a bent nose, small chin. | 0:19:15 | 0:19:18 | |
-Smooth-shaven? -I don't know. I didn't kiss him. | 0:19:18 | 0:19:20 | |
No, he means, er, did he have a beard or a moustache? | 0:19:22 | 0:19:25 | |
Oh, no. No muff. | 0:19:25 | 0:19:27 | |
Go on. I'll try to contain myself. | 0:19:27 | 0:19:31 | |
Well, he had a broad forehead, | 0:19:31 | 0:19:33 | |
narrow shoulders, thick neck, | 0:19:33 | 0:19:35 | |
and lines in his cheeks. | 0:19:35 | 0:19:37 | |
He was about six foot tall, and weighed around 150. | 0:19:37 | 0:19:40 | |
Oh, yeah. He had a stogy in his mouth. | 0:19:40 | 0:19:42 | |
There's the dope. See what you can do with it. | 0:19:42 | 0:19:45 | |
-OK, Goldy. Thanks. -Well, we're on our way, Goldy. | 0:19:45 | 0:19:49 | |
I hope the killer didn't get a good look at me. | 0:19:49 | 0:19:51 | |
You seemed to have got a pretty good look at him. | 0:19:51 | 0:19:54 | |
Oh, you know me. | 0:19:54 | 0:19:55 | |
Never remember a name, always forget a face. | 0:19:55 | 0:19:57 | |
Put a tail on him, boys. | 0:19:59 | 0:20:01 | |
Right. | 0:20:01 | 0:20:02 | |
Let's have a look at the murderer, Herman. | 0:20:03 | 0:20:05 | |
Now, tell me what the murderer really looked like. | 0:20:20 | 0:20:22 | |
Let's get away from here. | 0:20:22 | 0:20:24 | |
MAN: Extra! Broker held for questioning! | 0:20:24 | 0:20:26 | |
-Looks like somebody else is mixed up in this. -You're a broker, remember? | 0:20:26 | 0:20:31 | |
I'm cooked! | 0:20:38 | 0:20:40 | |
Never say die, Goldy. | 0:20:42 | 0:20:45 | |
CAR HORN HONKS | 0:20:45 | 0:20:47 | |
Well, hello again. | 0:20:47 | 0:20:48 | |
Hello. Did they release you, Doctor? | 0:20:48 | 0:20:51 | |
-I just got the death penalty is all. -Says the cutest things, doesn't he? | 0:20:51 | 0:20:55 | |
Oh, he's a bit unstrung. | 0:20:55 | 0:20:57 | |
-Maybe you better drive. -I'd love to. | 0:20:57 | 0:21:00 | |
Maxine sent me down to ask you to call on her tonight. | 0:21:05 | 0:21:08 | |
We better circle around a bit first. | 0:21:08 | 0:21:09 | |
Hey, I got a hunch we're being tagged. | 0:21:09 | 0:21:11 | |
-Naturally. -Step on it, sister. | 0:21:11 | 0:21:14 | |
A couple of Mike's men. | 0:21:14 | 0:21:15 | |
Oh, in that case, I don't mind a couple of dicks around. | 0:21:15 | 0:21:18 | |
What's he talking about? | 0:21:18 | 0:21:20 | |
Mike's using him as bait to trap the killer. | 0:21:20 | 0:21:22 | |
Wouldn't the murderer be too smart to contact the doctor | 0:21:22 | 0:21:24 | |
-if he knew detectives were trailing him? -"Contact", she calls it! | 0:21:24 | 0:21:27 | |
You're learning fast, Miss Reed. | 0:21:27 | 0:21:29 | |
You want to see if you can lose those men? | 0:21:29 | 0:21:31 | |
Do I? Hang on. | 0:21:31 | 0:21:33 | |
TYRES SQUEAL | 0:21:33 | 0:21:34 | |
Now up the next street, Miss Reed, | 0:21:35 | 0:21:37 | |
then turn around as fast as you can in the first alley. | 0:21:37 | 0:21:41 | |
Here we go! | 0:21:41 | 0:21:42 | |
Switch your lights, Miss Reed. | 0:21:50 | 0:21:51 | |
-Call me Helen. It saves time. -OK, Helen. Get set. | 0:21:51 | 0:21:54 | |
Let's go. | 0:21:57 | 0:21:59 | |
-Nice work, Helen. -Yeah, beautiful! | 0:22:12 | 0:22:15 | |
-You stay here, Goldy. -You're gonna leave me alone? | 0:22:16 | 0:22:19 | |
You're safe. How can the murderer know you're here? | 0:22:19 | 0:22:22 | |
Yeah, he couldn't know that, could he? | 0:22:22 | 0:22:24 | |
-We'll give him a shot at us later. -"Us"? What do you mean "us"? | 0:22:24 | 0:22:28 | |
I'm in this too, Goldy. | 0:22:28 | 0:22:30 | |
Mrs Gardiner's ring. | 0:22:32 | 0:22:34 | |
-But how did you get it? -She gave it to me. | 0:22:36 | 0:22:39 | |
-Oh, but I don't understand. -I think I'm just beginning to. | 0:22:39 | 0:22:43 | |
Gee, this is certainly baffling, Mr Laurence. | 0:22:43 | 0:22:46 | |
Call me Gay. It saves time. | 0:22:46 | 0:22:49 | |
Something for you, sir? | 0:23:18 | 0:23:19 | |
-Nope. I'm waiting for a guy. -Just killing time, eh? | 0:23:19 | 0:23:22 | |
Yeah, or vice versa. | 0:23:22 | 0:23:25 | |
DINGING | 0:23:31 | 0:23:33 | |
DINGING | 0:23:49 | 0:23:51 | |
Not bad, huh? | 0:23:57 | 0:23:58 | |
Very good. | 0:23:58 | 0:24:00 | |
Looks like I'm gonna get the payoff. | 0:24:00 | 0:24:02 | |
You're a cinch. | 0:24:02 | 0:24:04 | |
CHIMING | 0:24:08 | 0:24:10 | |
Right on the button! | 0:24:14 | 0:24:16 | |
Keep your trap shut and start walking. | 0:24:18 | 0:24:20 | |
How well did you know Mrs Gardiner? | 0:24:27 | 0:24:30 | |
Oh, I'd arranged several parties for her. | 0:24:30 | 0:24:32 | |
What about her financial status? > | 0:24:32 | 0:24:33 | |
-BOTH: She was very wealthy. -She had gobs of money. | 0:24:33 | 0:24:36 | |
Oh, there's no sugar. Fetch it like a dear. | 0:24:37 | 0:24:41 | |
On the contrary. I think we shall find out | 0:24:41 | 0:24:43 | |
that she was having money troubles, probably badly in debt. | 0:24:43 | 0:24:47 | |
Oh, that's impossible, Mr Laurence. | 0:24:47 | 0:24:49 | |
Impoverished women don't hang on to 100,000 diamonds. | 0:24:49 | 0:24:52 | |
That's true, not for long. | 0:24:52 | 0:24:55 | |
She must have been cooperating with a gang of jewel thieves. | 0:24:55 | 0:24:59 | |
Jewel thieves? | 0:25:00 | 0:25:02 | |
Yes. Well, put yourself in her place. | 0:25:02 | 0:25:04 | |
You need cash. You have a diamond. | 0:25:04 | 0:25:07 | |
Then one day, you get a telephone call. "Hello, Miss Wood," | 0:25:07 | 0:25:10 | |
a voice says. "Don't worry about your debts. | 0:25:10 | 0:25:12 | |
"All you do is to claim the insurance on that ring you lost." | 0:25:12 | 0:25:15 | |
"I didn't lose my ring," you say. | 0:25:15 | 0:25:17 | |
"Oh, yes, you did," says the voice. | 0:25:17 | 0:25:18 | |
"You lost your ring tomorrow night." | 0:25:18 | 0:25:20 | |
-Sugar? -Uh, no, thanks. | 0:25:20 | 0:25:22 | |
But if the ring was insured, she wouldn't want to deal with thieves. | 0:25:22 | 0:25:25 | |
-She would throw it in a river, or... -Or collect both ways, | 0:25:25 | 0:25:29 | |
from the insurance company and the bonus from the jewel thieves. | 0:25:29 | 0:25:32 | |
-Then why did she give the ring to you? -Mistaken identity. | 0:25:32 | 0:25:36 | |
You remember Miss Benford tossing me this? | 0:25:37 | 0:25:39 | |
HELEN: Well, yes. The silver carnation. | 0:25:39 | 0:25:42 | |
She might have unwittingly removed the mark of identification | 0:25:42 | 0:25:44 | |
from the intended jewel thief and pinned it on me. | 0:25:44 | 0:25:47 | |
But Miss Benford was dancing with Manuel Retana. | 0:25:47 | 0:25:49 | |
Yes. What about this Retana? Was he ever present at other party, | 0:25:49 | 0:25:53 | |
-when jewellery was stolen? -I suppose he was. | 0:25:53 | 0:25:55 | |
-He's very much in the social swing. -But he is rich and respectable. | 0:25:55 | 0:25:58 | |
-He owns diamond mines in South Africa. -Interesting, if true. | 0:25:58 | 0:26:01 | |
Oh, but this is incredible. Even if Mr Retana was an accomplice, | 0:26:01 | 0:26:03 | |
he was dancing with Miss Benford when the murder was committed. | 0:26:03 | 0:26:06 | |
Yes. We've got nothing on him. | 0:26:06 | 0:26:09 | |
I just think that Retana and whoever it was killed Mrs Gardiner | 0:26:09 | 0:26:13 | |
must have been working with somebody higher up, | 0:26:13 | 0:26:15 | |
somebody with a pretty good brain for this kind of thing. | 0:26:15 | 0:26:18 | |
But why murder the poor woman if the diamond was taken by arrangement? | 0:26:18 | 0:26:22 | |
I can't answer that, not yet. | 0:26:22 | 0:26:25 | |
-Are you going on with the case, Mr Laurence? -Should I? | 0:26:25 | 0:26:28 | |
I wish you would. | 0:26:30 | 0:26:31 | |
All this is hardly helpful to my reputation as a party-giver. | 0:26:31 | 0:26:35 | |
Well, then, perhaps I better see you tomorrow. Should we say for lunch? | 0:26:35 | 0:26:38 | |
< Of course. | 0:26:38 | 0:26:40 | |
You know, I have a great deal more confidence in you | 0:26:40 | 0:26:42 | |
than in the police. | 0:26:42 | 0:26:43 | |
Would you mind dropping me at my apartment? | 0:26:43 | 0:26:45 | |
I shall be delighted. | 0:26:45 | 0:26:47 | |
Good night, Miss Wood. | 0:26:47 | 0:26:49 | |
Maxine to my friends. | 0:26:49 | 0:26:52 | |
Gay to mine. | 0:26:52 | 0:26:54 | |
Anytime you're ready, Mr Laurence. | 0:26:55 | 0:26:58 | |
Does every woman want you to call her by her first name | 0:27:07 | 0:27:10 | |
-five minutes after you've met her? -Why should anybody have two names? | 0:27:10 | 0:27:13 | |
-Well, you certainly don't encourage it. -It's a theory I have. -I'll be different. | 0:27:13 | 0:27:16 | |
You go back to calling me Miss Reed, and I'll call you Mr Laurence. | 0:27:16 | 0:27:20 | |
Where's the doctor? | 0:27:20 | 0:27:22 | |
Get in quick. | 0:27:23 | 0:27:25 | |
Maybe he got tired of waiting and... and went home or something. | 0:27:25 | 0:27:28 | |
-Or something. -I live on Mordon Street in the village. | 0:27:28 | 0:27:30 | |
-I haven't got time to take you there. -Where are we going? | 0:27:30 | 0:27:33 | |
-My apartment. -Oh, Gay! Ha! | 0:27:33 | 0:27:36 | |
Right. Down the steps, through the hall to the apartment, | 0:27:46 | 0:27:48 | |
and I don't want to kill you for making a mistake. | 0:27:48 | 0:27:50 | |
-Look, pal, I don't know from nothing... -Sit down. | 0:28:07 | 0:28:10 | |
-Thanks. -Over there. | 0:28:10 | 0:28:12 | |
Now get on that phone and call your boss. | 0:28:17 | 0:28:19 | |
What'll I say? | 0:28:19 | 0:28:20 | |
Tell him to wrap up that diamond, | 0:28:20 | 0:28:22 | |
put it in an envelope, and mail it to you, general delivery. You'll pick it up tomorrow. | 0:28:22 | 0:28:25 | |
-That ain't smart. -Guess you don't understand. | 0:28:25 | 0:28:28 | |
Maybe I ought to tell you I can handle this | 0:28:28 | 0:28:30 | |
whether you're alive or not. Get on that phone. | 0:28:30 | 0:28:32 | |
OK, pal. | 0:28:32 | 0:28:34 | |
GUNSHOT | 0:28:43 | 0:28:45 | |
WOMAN SCREAMS | 0:28:49 | 0:28:50 | |
There he is! | 0:28:50 | 0:28:52 | |
Robbers! | 0:28:52 | 0:28:53 | |
Murderers! Gangsters! | 0:28:53 | 0:28:55 | |
Help! Come on! Gangsters! | 0:28:55 | 0:28:58 | |
-He has a gun. -Open up! Get back! | 0:28:58 | 0:29:00 | |
I run a respectable... | 0:29:00 | 0:29:02 | |
Get 'em up. | 0:29:04 | 0:29:07 | |
Well, if it ain't little Goldy Locke. | 0:29:07 | 0:29:09 | |
Word was out to keep our eyes peeled for you. | 0:29:09 | 0:29:11 | |
I'm sitting by the desk, gonna phone The Falcon, when I hear a shot. | 0:29:11 | 0:29:14 | |
Ah, save it, Goldy. Keep it for Waldeck. | 0:29:14 | 0:29:17 | |
Maybe he has a date with his girl. | 0:29:20 | 0:29:22 | |
-He doesn't have a girl. -You should give him a few lessons. | 0:29:22 | 0:29:24 | |
We figured you'd get here eventually. | 0:29:30 | 0:29:32 | |
Don't bother taking off your coat and hat. | 0:29:32 | 0:29:34 | |
-What's wrong now, Bates? -They got Goldy down at headquarters. | 0:29:35 | 0:29:38 | |
-That's a relief. What for? -They found him beside a dead body. | 0:29:38 | 0:29:41 | |
Now look. We've gone all over that situation once, remember? | 0:29:41 | 0:29:44 | |
-This is another situation and another body. -Again? | 0:29:44 | 0:29:47 | |
-This time, he said he was making a phone call. -Who's the dead man? | 0:29:47 | 0:29:50 | |
-How did you know it was a man? -Law of averages. -Waldeck kind of wonders | 0:29:50 | 0:29:53 | |
if maybe you didn't knock this guy off to save Goldy's neck. | 0:29:53 | 0:29:55 | |
-He also wonders where you got the diamond. -What diamond? | 0:29:55 | 0:29:58 | |
Oh, don't be coy, Laurence. | 0:29:58 | 0:29:59 | |
Goldy ain't good at keeping secrets. | 0:29:59 | 0:30:01 | |
I think I should go down and see Waldeck. | 0:30:01 | 0:30:03 | |
Ain't that a coincidence? | 0:30:03 | 0:30:05 | |
-He sent us here to personally invite you down. -Oh, Gay... | 0:30:05 | 0:30:07 | |
Now, be brave, darling. Don't get hysterical. | 0:30:07 | 0:30:09 | |
(Can you faint?) | 0:30:09 | 0:30:12 | |
Goodbye. | 0:30:12 | 0:30:14 | |
She's fainted, Bates. | 0:30:15 | 0:30:17 | |
Hold her while I get some smelling salts. | 0:30:17 | 0:30:19 | |
Boy, oh, boy. She sure stayed kissed. | 0:30:26 | 0:30:28 | |
What a guy. He ought to be in moving pictures. | 0:30:28 | 0:30:30 | |
He'll be too old when he gets out. Go in there and keep an eye on him. | 0:30:30 | 0:30:34 | |
Bates, he got away. | 0:30:39 | 0:30:42 | |
This is gonna cost us. | 0:30:42 | 0:30:43 | |
Ouch! | 0:30:45 | 0:30:47 | |
Did I do all right, Jerry? | 0:30:47 | 0:30:49 | |
Very good. Hot stuff. | 0:30:49 | 0:30:50 | |
Looked like the real McCoy. | 0:30:50 | 0:30:52 | |
SHE SIGHS | 0:30:52 | 0:30:54 | |
It was...almost. | 0:30:54 | 0:30:56 | |
Could be. Happen all the time with my boss. | 0:30:56 | 0:30:59 | |
GENTLE BANGING | 0:31:06 | 0:31:08 | |
Hello, darling. | 0:31:18 | 0:31:19 | |
-I didn't hear the front doorbell. -I didn't ring it. | 0:31:19 | 0:31:22 | |
-Well, now what? -Now I'm going to tell you how much I love you. | 0:31:22 | 0:31:24 | |
-Don't you dare come near me! -what's the matter? | 0:31:24 | 0:31:26 | |
Matter? You take me to a party | 0:31:26 | 0:31:29 | |
and then dance with every female in the place but me. | 0:31:29 | 0:31:31 | |
I sit around like Miss Muffet on my tuffet, | 0:31:31 | 0:31:33 | |
while you prance off to solve a murder | 0:31:33 | 0:31:34 | |
that doesn't concern you in the least, | 0:31:34 | 0:31:36 | |
and then you hop through my bedroom window | 0:31:36 | 0:31:38 | |
at 1 o'clock in the morning and ask me, what's the matter. | 0:31:38 | 0:31:40 | |
Ask me, what's the matter! | 0:31:40 | 0:31:42 | |
-Not so loud. -I'll scream my head off! | 0:31:42 | 0:31:45 | |
Why don't you go back to your life of crime | 0:31:45 | 0:31:47 | |
and leave me alone? | 0:31:47 | 0:31:49 | |
Very well. | 0:31:49 | 0:31:51 | |
I'll give myself up. | 0:31:51 | 0:31:53 | |
Give yourself up? | 0:31:53 | 0:31:54 | |
I'm wanted for murder. | 0:31:54 | 0:31:57 | |
Oh, Gay! Not really? | 0:31:57 | 0:31:59 | |
I just gave two detectives the slip. | 0:31:59 | 0:32:01 | |
Oh, but, darling, that's stupid. They can't possibly blame you. | 0:32:01 | 0:32:04 | |
-Why, you were in the room dancing. -This is another murder. | 0:32:04 | 0:32:07 | |
PHONE RINGS | 0:32:07 | 0:32:09 | |
Uh, I think that's for me. Hello. | 0:32:09 | 0:32:13 | |
-Hello. Is Miss Benford in? -Uh, yes, this is The Falcon. | 0:32:13 | 0:32:16 | |
Oh, hello, Gay. Are you all right? Did you throw them off your trail? | 0:32:16 | 0:32:19 | |
Yes, Jerry. I'm OK. I managed to get away all right. | 0:32:19 | 0:32:23 | |
Oh, I get it. Coward. | 0:32:23 | 0:32:25 | |
Yes, Jerry. No, Jerry. I'm not coming home tonight. | 0:32:25 | 0:32:29 | |
I'm gonna pick myself out a nice bench in Central Park. | 0:32:29 | 0:32:32 | |
You can bring me my spinach juice in the morning. | 0:32:32 | 0:32:34 | |
It's Jerry. | 0:32:34 | 0:32:36 | |
Uh, where are you now? | 0:32:36 | 0:32:39 | |
I'm still at your apartment. | 0:32:39 | 0:32:40 | |
Oh, darling, next time you kiss me like that and I faint, | 0:32:40 | 0:32:44 | |
please let me down gently. I'm still sore where that flatfoot dropped me. | 0:32:44 | 0:32:47 | |
Lady, could you spare me a dollar-and-a-half for steak and mushrooms? | 0:33:01 | 0:33:04 | |
Well, the escaped convict. Going to a masquerade? | 0:33:04 | 0:33:07 | |
I just traded clothes with a tramp. | 0:33:07 | 0:33:09 | |
For two cents, I'd call a cop and turn you in. | 0:33:09 | 0:33:11 | |
-Oh, darling, I thought you'd stand by me. -I'm tired of standing by. | 0:33:11 | 0:33:14 | |
The line is too long. | 0:33:14 | 0:33:15 | |
Oh, that girl in my apartment... | 0:33:15 | 0:33:17 | |
Oh, do spare me the details. | 0:33:17 | 0:33:19 | |
I heard enough on the telephone. Now, go away. | 0:33:19 | 0:33:22 | |
Listen. Meet me in Central Park tonight, I'll explain everything. | 0:33:22 | 0:33:25 | |
-I have a date tonight. -With whom? | 0:33:25 | 0:33:26 | |
If it's any of your business, which it definitely isn't, | 0:33:26 | 0:33:29 | |
I'm going to the Swan Club with Manuel Retana. | 0:33:29 | 0:33:31 | |
-Retana? -He was good enough to take me home last night. | 0:33:31 | 0:33:34 | |
Now, you keep away from Retana. He's dynamite. | 0:33:34 | 0:33:36 | |
Oh, don't worry, darling. | 0:33:36 | 0:33:38 | |
I won't swoon in his arms. | 0:33:38 | 0:33:40 | |
-He's a crook, Elinor. -I thought I made it clear to you last night | 0:33:40 | 0:33:43 | |
that we're through. Now, follow me one more step, | 0:33:43 | 0:33:45 | |
I'll call a policeman, have you arrested. | 0:33:45 | 0:33:47 | |
-Is this mug bothering you, lady? -Why, er... -Move on, fella. | 0:33:47 | 0:33:50 | |
-Thank you, officer. -OK, lady. | 0:33:50 | 0:33:53 | |
Get going, buddy, and don't let me catch you panhandling | 0:33:53 | 0:33:55 | |
around here again. | 0:33:55 | 0:33:57 | |
No, officer. | 0:33:57 | 0:33:58 | |
Now, buy yourself a cigar. | 0:33:58 | 0:34:00 | |
Hello. | 0:34:20 | 0:34:21 | |
Oh, you again. | 0:34:21 | 0:34:23 | |
Haven't you got a home? | 0:34:23 | 0:34:25 | |
I'm waiting for further instructions. | 0:34:25 | 0:34:27 | |
Now Dr Locke is no longer with us, you'll need an assistant. | 0:34:27 | 0:34:29 | |
I've got as many brains as he has, | 0:34:29 | 0:34:31 | |
and I don't get caught for every murder in town. | 0:34:31 | 0:34:34 | |
Meet me at Tony's cafe on 42nd Street just off 9th Avenue. | 0:34:34 | 0:34:39 | |
I'll be there in a rear booth at seven tonight. | 0:34:39 | 0:34:42 | |
And be sure you're not followed. | 0:34:42 | 0:34:44 | |
OK, boss. | 0:34:44 | 0:34:46 | |
What a girl. | 0:34:48 | 0:34:50 | |
I hardly recognised you in that outfit. | 0:35:02 | 0:35:05 | |
Well, that's the general idea. | 0:35:05 | 0:35:07 | |
I borrowed Jerry's car. | 0:35:07 | 0:35:09 | |
-I was afraid they might be on the lookout for yours. -Smart girl. | 0:35:09 | 0:35:12 | |
You know, all other pretty girls are just pretty. | 0:35:12 | 0:35:14 | |
Why did you hang up on me last night? | 0:35:14 | 0:35:16 | |
-Someone after you? -I barely escaped with my life. | 0:35:16 | 0:35:19 | |
-Honest? -Elinor took over just as I asked where you were. | 0:35:19 | 0:35:22 | |
-Oh, goodness. -Whatever did you say to her, anyway? | 0:35:22 | 0:35:25 | |
Plenty. Well, I guess that sort of fixes you with her. | 0:35:25 | 0:35:28 | |
-We'll settle that later. -Oh, that's all settled, Gay. | 0:35:28 | 0:35:31 | |
-You take my word for it. -We'll see. | 0:35:31 | 0:35:33 | |
Tell me, where does Manuel Retana live? | 0:35:33 | 0:35:36 | |
-Greenwich village, but he's never there. Practically lives in nightclubs. -I know, | 0:35:36 | 0:35:40 | |
but we're just going to visit his rooms. | 0:35:40 | 0:35:43 | |
Break in? | 0:35:45 | 0:35:46 | |
In a manner of speaking. | 0:35:46 | 0:35:48 | |
Tonight's my night for back doors, | 0:35:48 | 0:35:50 | |
so you go out and drive the car down the alley. I'll be there. | 0:35:50 | 0:35:53 | |
-OK. -And, er, don't attract any more attention | 0:35:53 | 0:35:56 | |
than your loveliness normally invites. | 0:35:56 | 0:35:59 | |
Oh! Shh! | 0:36:09 | 0:36:11 | |
I can feel my heart beating in my knees. | 0:36:43 | 0:36:46 | |
CRASH | 0:36:52 | 0:36:53 | |
Are you scared? | 0:37:00 | 0:37:01 | |
No. | 0:37:01 | 0:37:03 | |
(Be quiet, dear.) | 0:37:12 | 0:37:14 | |
What are we looking for? | 0:37:37 | 0:37:39 | |
Oh, rags and old iron. | 0:37:39 | 0:37:41 | |
Maybe a shooting iron. | 0:37:41 | 0:37:43 | |
"You ran with him. | 0:38:14 | 0:38:16 | |
"Noel. Santa Cruz, California, 1932." | 0:38:16 | 0:38:20 | |
I wonder who Noel is. | 0:38:21 | 0:38:23 | |
Why? | 0:38:23 | 0:38:24 | |
-Are you reasoning something out, or something? -Yes. | 0:38:31 | 0:38:35 | |
I'm wondering if I lived here | 0:38:35 | 0:38:37 | |
where I'd hide something if I were clever and had something to hide. | 0:38:37 | 0:38:41 | |
Elementary, Miss Watson. | 0:38:45 | 0:38:47 | |
(No.) | 0:38:52 | 0:38:54 | |
DOOR OPENS | 0:38:54 | 0:38:56 | |
-We could climb up to the roof. -Quiet. | 0:39:04 | 0:39:07 | |
It's what we've been waiting for. | 0:39:07 | 0:39:09 | |
Who do you suppose he's calling? | 0:39:46 | 0:39:49 | |
I have an idea. | 0:39:49 | 0:39:50 | |
I suspect Noel, the man by the fish. | 0:39:50 | 0:39:52 | |
-Do you? -No. | 0:39:52 | 0:39:54 | |
Will you shut up? | 0:39:54 | 0:39:55 | |
Suppose he should come out here. | 0:39:55 | 0:39:57 | |
-He won't. He's got a date. -Oh. Why can't we go? | 0:39:57 | 0:40:00 | |
You wait here. | 0:40:12 | 0:40:14 | |
You're not gonna leave me? | 0:40:14 | 0:40:15 | |
Yes. I'm going to take a peek behind that panel. | 0:40:15 | 0:40:17 | |
Oh, but you can't. | 0:40:17 | 0:40:19 | |
All right. Then you go. | 0:40:19 | 0:40:20 | |
Oh, no. | 0:40:20 | 0:40:22 | |
Here. Hold this. | 0:40:22 | 0:40:24 | |
All right. Up you go. | 0:40:56 | 0:40:58 | |
What did you find there? | 0:41:00 | 0:41:02 | |
A lethal weapon. | 0:41:02 | 0:41:04 | |
Then he did kill Mrs Gardiner! | 0:41:04 | 0:41:06 | |
No man could kill a woman in another room | 0:41:06 | 0:41:08 | |
while he was dancing the rumba with my fiancee. | 0:41:08 | 0:41:11 | |
You mean, your ex-fiancee. | 0:41:11 | 0:41:13 | |
Oh. Why do you keep reminding me? | 0:41:13 | 0:41:16 | |
Serves you right. You should settle down to one woman. | 0:41:16 | 0:41:18 | |
Whom do you suggest? | 0:41:20 | 0:41:21 | |
Oh, there are a lot of nice girls, if you could be really faithful. | 0:41:21 | 0:41:25 | |
Where to now? | 0:41:25 | 0:41:26 | |
The city morgue. | 0:41:26 | 0:41:29 | |
< MAN CHUCKLES | 0:41:29 | 0:41:30 | |
This is the morgue, isn't it? | 0:41:39 | 0:41:41 | |
Oh, yeah. Sure. | 0:41:41 | 0:41:42 | |
There was a man brought in here tonight. I think he was murdered | 0:41:42 | 0:41:45 | |
in an apartment on 23rd Street. | 0:41:45 | 0:41:46 | |
Oh, oh, him. Yeah. He's around. | 0:41:46 | 0:41:49 | |
My uncle's been missing for years. | 0:41:49 | 0:41:51 | |
-Do you mind if I take a look at the body? -Oh, no, no. That's all right. | 0:41:51 | 0:41:54 | |
We've got lots of bodies around heres. | 0:41:54 | 0:41:57 | |
Waiting for somebody, miss? | 0:42:14 | 0:42:16 | |
Yes. | 0:42:16 | 0:42:17 | |
My sister. | 0:42:19 | 0:42:20 | |
She's been missing for several days. | 0:42:20 | 0:42:22 | |
They just brought a girl in. | 0:42:22 | 0:42:24 | |
Drowned in the East River. | 0:42:24 | 0:42:25 | |
We - my brother and I - thought that it might be she. | 0:42:25 | 0:42:29 | |
Oh, now, that's too bad. | 0:42:29 | 0:42:31 | |
Did you know the poor stiff? | 0:42:31 | 0:42:33 | |
No. That wasn't my uncle. I hoped perhaps it might be. | 0:42:33 | 0:42:36 | |
Thank you. | 0:42:36 | 0:42:37 | |
She was just a kid, a chorus girl, | 0:42:56 | 0:43:00 | |
but a good girl, | 0:43:00 | 0:43:02 | |
and then she met Manuel. | 0:43:02 | 0:43:04 | |
-You know the kind. -Yeah. Them rats. | 0:43:06 | 0:43:08 | |
Well, when he left her stranded, | 0:43:09 | 0:43:12 | |
there was just nothing left in life for her. | 0:43:12 | 0:43:15 | |
She kept saying how empty | 0:43:15 | 0:43:17 | |
and meaningless it was. | 0:43:17 | 0:43:19 | |
I told her she had to go on | 0:43:19 | 0:43:22 | |
for the sake of the one to come, | 0:43:22 | 0:43:25 | |
the little one. | 0:43:25 | 0:43:26 | |
You mean...? | 0:43:26 | 0:43:27 | |
Oh, was it her, Bruce? | 0:43:31 | 0:43:33 | |
Uh, no. | 0:43:33 | 0:43:35 | |
-Oh, thank goodness! -Oh. Well, then maybe she's OK. | 0:43:35 | 0:43:37 | |
Oh, I hope so, officer. Good night. | 0:43:37 | 0:43:39 | |
Good night. | 0:43:39 | 0:43:40 | |
You're certainly a wonderful liar. | 0:43:48 | 0:43:50 | |
I almost began to believe it myself. | 0:43:50 | 0:43:52 | |
Who did you see in there? | 0:43:52 | 0:43:54 | |
Noel. | 0:43:54 | 0:43:55 | |
The man by the fish? | 0:43:55 | 0:43:56 | |
-Then he's the man they found with Dr Locke? -Yes. | 0:43:56 | 0:44:00 | |
What are we gonna do now? | 0:44:00 | 0:44:01 | |
We're gonna drive to police headquarters. | 0:44:01 | 0:44:03 | |
Police headquarters? Are you gonna give yourself up? | 0:44:03 | 0:44:06 | |
-No. You are. -Me? -Well, I... | 0:44:06 | 0:44:09 | |
I have some fingerprints to check up on, | 0:44:09 | 0:44:11 | |
but you're going into headquarters with this gun and confess. | 0:44:11 | 0:44:14 | |
-Are you crazy? -Now, be quiet. Be quiet. | 0:44:14 | 0:44:16 | |
I have got to think up a nice story for Waldeck. | 0:44:16 | 0:44:19 | |
I wonder how Goldy's getting on? | 0:44:20 | 0:44:23 | |
I'm sitting by the desk. | 0:44:23 | 0:44:25 | |
I'm gonna telephone The Falcon | 0:44:25 | 0:44:27 | |
when all of a sudden I hear a shot. | 0:44:27 | 0:44:28 | |
-Why didn't you call him? -He was right outside the window, wasn't he? | 0:44:28 | 0:44:31 | |
Look, Goldy. You know me. I got a heart. | 0:44:31 | 0:44:33 | |
Yeah, Michael. I know you have, | 0:44:33 | 0:44:35 | |
and I only wish you had a brain to go with it. | 0:44:35 | 0:44:37 | |
You saw Weber kill Mrs Gardiner! | 0:44:37 | 0:44:39 | |
You found out where he lived and went in to make a deal! | 0:44:39 | 0:44:41 | |
Falcon waited outside. Weber wouldn't play ball. Falcon shot him! | 0:44:41 | 0:44:44 | |
You grabbed the diamond and tossed it out the window to The Falcon. | 0:44:44 | 0:44:47 | |
That's the story, isn't it? | 0:44:47 | 0:44:48 | |
I'm sitting by the desk... | 0:44:48 | 0:44:50 | |
Yeah, yeah, and you heard a shot. | 0:44:50 | 0:44:52 | |
GUNSHOT | 0:44:52 | 0:44:53 | |
Now, take it easy, miss. You got nothing to worry about. | 0:44:54 | 0:44:57 | |
-Release that man in there. He's innocent of murder. -Which murder? | 0:44:57 | 0:45:01 | |
The Weber murder. He didn't do it because I did. | 0:45:01 | 0:45:05 | |
-Oh, you did, did you? -I shot him with this gun. | 0:45:05 | 0:45:07 | |
He came back from South Africa and tried to blackmail me. | 0:45:07 | 0:45:10 | |
We were married 15 years ago. | 0:45:10 | 0:45:12 | |
-Yeah? -I shot him right through the window. | 0:45:12 | 0:45:14 | |
I am giving myself up because I cannot stand by | 0:45:14 | 0:45:16 | |
and see an innocent man pay the penalty for a crime I committed | 0:45:16 | 0:45:19 | |
and have no regrets. | 0:45:19 | 0:45:20 | |
There is the gun. It's the weapon that killed Weber. | 0:45:20 | 0:45:22 | |
Do with me as you will. | 0:45:22 | 0:45:24 | |
-Check on it. -Right. | 0:45:24 | 0:45:26 | |
Well, young lady, what's your name? | 0:45:26 | 0:45:28 | |
-Helen Drumaine. -Oh, it is, is it, huh? | 0:45:28 | 0:45:31 | |
-Have a seat, Miss Reed. -Well, anyway, it's my middle name. | 0:45:31 | 0:45:34 | |
Tell us where you found this gun, and left Mr Laurence. | 0:45:34 | 0:45:37 | |
When I left him he was... | 0:45:37 | 0:45:39 | |
-To whom do you refer? -All right! | 0:45:39 | 0:45:42 | |
When did you first meet this Weber before you married him | 0:45:42 | 0:45:44 | |
when you were 11 years old? | 0:45:44 | 0:45:46 | |
-Well, you see, it was sort of a... -Ah, forget it. Forget it. | 0:45:46 | 0:45:48 | |
Hey, Goldy. Come in here. | 0:45:48 | 0:45:50 | |
-Goldy, you ever seen this young lady before? -No. -She knows you. | 0:45:57 | 0:46:00 | |
-Must have been some other guy. -Saw his picture in the paper, | 0:46:00 | 0:46:02 | |
-remembered his face. How could anyone forget it? -That ain't funny. | 0:46:02 | 0:46:05 | |
-Will you two quit clowning and give me the story? -Checks perfect, Mike. | 0:46:05 | 0:46:08 | |
-Then it is the gun! -Yeah. Want to use the phone and tell The Falcon? | 0:46:08 | 0:46:11 | |
Don't worry about Mr Laurence. The owner of the gun's at the Swan Club. | 0:46:11 | 0:46:14 | |
-His name is Manuel Retana, and he's there with a woman. -Pick up Retana. | 0:46:14 | 0:46:18 | |
-Right. -Goldy. If there's anything to this, it puts you in the clear. | 0:46:18 | 0:46:21 | |
It don't put me nowhere while this guy Retana's loose. | 0:46:21 | 0:46:23 | |
I'm staying on me constitutional rights, see? | 0:46:23 | 0:46:25 | |
So if you don't mind, I'll just sit here and talk shop | 0:46:25 | 0:46:28 | |
till you bring Retana in. | 0:46:28 | 0:46:29 | |
-Go tell The Falcon I want to see him. -You're planning to have me followed. | 0:46:29 | 0:46:33 | |
Not unless you insist. Now, go on. | 0:46:33 | 0:46:35 | |
We'll meet in spite of you. | 0:46:35 | 0:46:38 | |
-That dame is twisted in the head. -But you're all right, eh? | 0:46:38 | 0:46:41 | |
You ain't hung nothing on me yet. | 0:46:41 | 0:46:44 | |
Swan Club? Miss Benford, please. | 0:46:52 | 0:46:55 | |
Angelo, I think I'm losing a beautiful woman. | 0:46:55 | 0:46:59 | |
Ah, that's just like a peacock | 0:46:59 | 0:47:00 | |
losing one tail feather. Plenty more, no? | 0:47:00 | 0:47:03 | |
Thanks, Angelo. | 0:47:03 | 0:47:04 | |
Then we found out she didn't have that at all. | 0:47:07 | 0:47:10 | |
-Call for you, Miss Benford. -Thank you. | 0:47:10 | 0:47:12 | |
Excuse me. Hello. | 0:47:14 | 0:47:15 | |
Hello, darling. Now, don't hang up, | 0:47:15 | 0:47:18 | |
and above all, don't get excited. | 0:47:18 | 0:47:21 | |
I think the police will be in there to pick up Retana. | 0:47:21 | 0:47:24 | |
Excuse yourself from the table and go home. I'll see you there. | 0:47:24 | 0:47:27 | |
Tell Retana that this is your chauffeur. | 0:47:27 | 0:47:30 | |
Yes, Oscar. | 0:47:30 | 0:47:32 | |
Oh, she is? | 0:47:33 | 0:47:35 | |
Well, in that case, I better come straight home. | 0:47:36 | 0:47:38 | |
All right, Oscar. | 0:47:40 | 0:47:42 | |
Is something wrong? | 0:47:45 | 0:47:47 | |
Yes. My aunt is very ill. | 0:47:47 | 0:47:48 | |
-Is that funny? -Oh, very funny. You see, I haven't got an aunt. | 0:47:48 | 0:47:52 | |
I don't get it. | 0:47:52 | 0:47:54 | |
That was Mr Laurence, | 0:47:54 | 0:47:56 | |
and I think it only fair to warn you that he's trying to frame you. | 0:47:56 | 0:47:58 | |
Frame me? Why? | 0:47:58 | 0:48:02 | |
Well, you see, you're encroaching on what he thinks is his territory. | 0:48:02 | 0:48:05 | |
He refused to believe that our engagement is broken. | 0:48:05 | 0:48:07 | |
So? | 0:48:08 | 0:48:10 | |
I think we better leave. | 0:48:10 | 0:48:11 | |
There's no telling what lengths he'll go to. | 0:48:11 | 0:48:13 | |
He even tried to scare me by saying the police are after you. | 0:48:13 | 0:48:17 | |
-A bit of a screwball, isn't he? -Oh, quite a bit. | 0:48:21 | 0:48:23 | |
Uh, where is he now? | 0:48:23 | 0:48:25 | |
He's going home to change clothes, | 0:48:25 | 0:48:27 | |
and then he plans on meeting me. | 0:48:27 | 0:48:29 | |
Wait here. I'll get our coats. | 0:48:29 | 0:48:31 | |
-Everything check? -It was the gun that killed Noel all right. | 0:48:37 | 0:48:40 | |
-The police are on their way over to pick up Retana. -That's fine. | 0:48:40 | 0:48:43 | |
I was grilled, and I broke down, | 0:48:43 | 0:48:45 | |
-and they know that I was with you. -Oh, that's OK, | 0:48:45 | 0:48:47 | |
-just so the gun checks. -Oh. | 0:48:47 | 0:48:49 | |
Well, the case is breaking, all right. | 0:48:49 | 0:48:51 | |
Darling, you've been absolutely marvellous. | 0:48:51 | 0:48:53 | |
-I don't know what I'd have done without you. -Am I getting a brush-off? -No. | 0:48:53 | 0:48:56 | |
-I just have to change clothes and see someone. -Oh. A woman, naturally. | 0:48:56 | 0:49:00 | |
Naturally. | 0:49:00 | 0:49:01 | |
Do they all fall for you? | 0:49:01 | 0:49:03 | |
All but the clever ones like you. | 0:49:03 | 0:49:06 | |
Now, you buy yourself a soda and take in a movie. I'll see you later. | 0:49:06 | 0:49:11 | |
I hate men! | 0:49:14 | 0:49:17 | |
Now, look, Jerry. This is reaching a bit too far for a gag. | 0:49:23 | 0:49:27 | |
Get your hands up, Laurence. | 0:49:27 | 0:49:29 | |
Ah, Retana. | 0:49:29 | 0:49:32 | |
I thought my fiancee was a better actress. | 0:49:32 | 0:49:35 | |
She was kind enough to inform me | 0:49:35 | 0:49:37 | |
-that the police were coming. -That was nice of her(!) | 0:49:37 | 0:49:39 | |
I'll take the diamond. | 0:49:39 | 0:49:41 | |
Oh, you surely don't imagine that I carry it on me, do you? | 0:49:41 | 0:49:44 | |
You wouldn't want to be found dead with it on you. | 0:49:44 | 0:49:47 | |
Come on, Laurence. This is it. | 0:49:47 | 0:49:49 | |
OK. | 0:49:49 | 0:49:50 | |
Hold it. Just take off the coat | 0:49:50 | 0:49:54 | |
and toss it over. | 0:49:54 | 0:49:56 | |
Tell me. Why did you kill Weber? You were friends, weren't you? | 0:49:58 | 0:50:01 | |
Yes. | 0:50:01 | 0:50:02 | |
But he had ideas about getting the diamond, too. | 0:50:04 | 0:50:07 | |
That should have been a warning to you. | 0:50:10 | 0:50:13 | |
Now, can you think of one good reason why I shouldn't kill you? | 0:50:15 | 0:50:18 | |
I shall most assuredly try. | 0:50:18 | 0:50:20 | |
For instance, wouldn't it be very much to your advantage | 0:50:20 | 0:50:23 | |
to have the police chase me while you're making your escape? | 0:50:23 | 0:50:26 | |
It's too late for that. | 0:50:26 | 0:50:28 | |
You have already switched the hunt to me. | 0:50:28 | 0:50:30 | |
I was careful to notice there were no detectives | 0:50:30 | 0:50:32 | |
when I entered the building. | 0:50:32 | 0:50:34 | |
Come out, Mike! | 0:50:35 | 0:50:36 | |
GUNSHOT | 0:50:37 | 0:50:39 | |
Am I shot? | 0:50:59 | 0:51:01 | |
No. You weren't hit. | 0:51:01 | 0:51:03 | |
You're a crazy little fool, but you saved my life, darling. | 0:51:03 | 0:51:06 | |
Take care of her, Jerry. | 0:51:14 | 0:51:16 | |
I have to hurry and change my clothes. | 0:51:16 | 0:51:18 | |
I change, too. Very much in sweat sitting here. | 0:51:18 | 0:51:22 | |
GOLDY SNORES | 0:51:22 | 0:51:24 | |
-Get your grimy paws off me, you baboon! -Don't say that, lady. | 0:51:24 | 0:51:28 | |
Are you this moron's superior officer? | 0:51:28 | 0:51:29 | |
-Don't say that, lady! -Shut up, both of you. | 0:51:29 | 0:51:32 | |
Goldy. Goldy, tell this germ who I am. | 0:51:32 | 0:51:35 | |
Hey, Michael, this dame... | 0:51:35 | 0:51:37 | |
I said shut up! Where's Retana? | 0:51:37 | 0:51:39 | |
Well, chief, it's like this. I crash the club. They tell me Retana | 0:51:39 | 0:51:42 | |
has took it on the lam, but he leaves this dame... | 0:51:42 | 0:51:44 | |
Fine talk. Listen. A detective is a servant of the people. | 0:51:44 | 0:51:47 | |
Well, I ankles up to her table, I tells her she's under arrest, | 0:51:47 | 0:51:50 | |
she says, "Don't be ridiculous." I insist, she brings a plate down, | 0:51:50 | 0:51:53 | |
-which staggers me... -It was the heaviest thing I could find. | 0:51:53 | 0:51:56 | |
Well, I'm groggy, but I got the dame here before she could duck. | 0:51:56 | 0:51:58 | |
After I sat down in a chair, he overtook me. | 0:51:58 | 0:52:01 | |
So I bring her in. Oh, she's in cahoots, all right. | 0:52:01 | 0:52:03 | |
Very exciting. | 0:52:03 | 0:52:05 | |
-You hit Bates on the head with a plate. Why? > -Why not? | 0:52:05 | 0:52:08 | |
What's your name? > Elinor Benford, as this man | 0:52:08 | 0:52:10 | |
-can verify, and furthermore... -What were you doing with Retana? | 0:52:10 | 0:52:13 | |
I was simply sitting there, waiting for Manuel | 0:52:13 | 0:52:15 | |
-when this... this creature... -Don't say that, lady! | 0:52:15 | 0:52:18 | |
This creature came crashing in. How was I to know he was a detective? | 0:52:18 | 0:52:22 | |
-What made you think he wasn't one? -A certain man told me that he was. | 0:52:22 | 0:52:25 | |
-You mean, told you he wasn't. -No. Was. | 0:52:25 | 0:52:28 | |
-I guess I'm just dumb. I don't get it. -Yeah. | 0:52:28 | 0:52:31 | |
I think I do. That person, no doubt, thinks this is a very funny gag. | 0:52:31 | 0:52:34 | |
-Michael, this dame was the number... -Will you quit calling me a dame? | 0:52:34 | 0:52:38 | |
All right, all right. Now, let's take it easy. | 0:52:38 | 0:52:41 | |
-How well do you know Retana? -May I use your phone? | 0:52:41 | 0:52:43 | |
-Who do you want to call? -A Mr Laurence, if you must know. | 0:52:43 | 0:52:46 | |
The Falcon, huh? Go ahead. | 0:52:46 | 0:52:49 | |
PHONE RINGS | 0:53:01 | 0:53:03 | |
-Hello? -Again, or yet? | 0:53:05 | 0:53:09 | |
Oh, Miss Benford. | 0:53:09 | 0:53:11 | |
Oh. Give me that. Now, wait, darling. | 0:53:11 | 0:53:14 | |
It's just a very strange coincidence. | 0:53:14 | 0:53:16 | |
ELINOR YELLS INDISTINCTLY | 0:53:16 | 0:53:19 | |
Now, Elinor, please. | 0:53:24 | 0:53:25 | |
Ladies don't talk like that. | 0:53:25 | 0:53:27 | |
ELINOR CONTINUES YELLING | 0:53:27 | 0:53:28 | |
But I... | 0:53:32 | 0:53:33 | |
'You'll never get away with it! I'm fed up with your stupid pranks!' | 0:53:33 | 0:53:36 | |
Well, where are you? | 0:53:36 | 0:53:38 | |
As if you didn't know, you top-hatted termite! | 0:53:38 | 0:53:40 | |
Maybe this is your idea of comedy, I'm not laughing. | 0:53:40 | 0:53:42 | |
But, darling, I tried to warn you. | 0:53:42 | 0:53:45 | |
All right. Put Mike on the wire. | 0:53:45 | 0:53:47 | |
You're developing into a major catastrophe. | 0:53:47 | 0:53:50 | |
-Oh, hello, Mike. -Listen, Falcon. | 0:53:52 | 0:53:54 | |
It's a serious offence to obstruct justice. | 0:53:54 | 0:53:57 | |
I'll have you jugged on sight. | 0:53:57 | 0:53:58 | |
Now, Mike. Just as I was about to solve the whole complication... | 0:53:58 | 0:54:01 | |
Nothing complicated to solve! | 0:54:01 | 0:54:03 | |
Weber killed Mrs Gardiner. Retana knocked off Weber. | 0:54:03 | 0:54:07 | |
We've a dragnet out for him now. He'll be picked up any minute. | 0:54:07 | 0:54:09 | |
It's an open-and-shut case. | 0:54:09 | 0:54:11 | |
Very well, Mike. I'll pick up the leader of this gang alone. | 0:54:11 | 0:54:15 | |
What newspaper shall I turn the culprit over to, | 0:54:15 | 0:54:17 | |
The Examiner, or The Record? | 0:54:17 | 0:54:19 | |
All right, Mike. | 0:54:19 | 0:54:22 | |
Meet me at 72nd and Central Park West as soon as you can get there. | 0:54:22 | 0:54:25 | |
Oh, and Mike? | 0:54:25 | 0:54:27 | |
Miss Benford's OK, and I love her, | 0:54:27 | 0:54:28 | |
but will you do me a favour and lock her up until we get back? | 0:54:28 | 0:54:32 | |
OK. Swell. | 0:54:32 | 0:54:33 | |
Now are you satisfied? | 0:54:33 | 0:54:36 | |
Lock her up, Bates. | 0:54:36 | 0:54:38 | |
Why, that skunk! What did he say to you? I demand to know what he said. | 0:54:38 | 0:54:41 | |
Come on, lady! You ran your bluff. | 0:54:41 | 0:54:43 | |
Goldy, get me a lawyer! Get me a habeas corpus! Get me a judge! | 0:54:43 | 0:54:47 | |
Some dame, huh? Highbrow. The Falcon's nuts about her. | 0:54:47 | 0:54:51 | |
-Yeah. That's what he said. -Then why did you send her to the cooler? | 0:54:51 | 0:54:54 | |
He wants her on ice till we pick up the brains of this job. | 0:54:54 | 0:54:57 | |
-Want to come along? -Nope. I'll sit this one out. | 0:54:57 | 0:55:01 | |
Thanks a million. | 0:55:01 | 0:55:02 | |
-You better keep out of sight until I call you. -Now, look here, Falcon. | 0:55:08 | 0:55:12 | |
I already served my apprenticeship as a stooge | 0:55:12 | 0:55:14 | |
-to get where I am today. -You want to take it from here, Mike? | 0:55:14 | 0:55:16 | |
Take what from here? Ain't I got a right to know what's going on? | 0:55:16 | 0:55:19 | |
You will get your credit, all right. | 0:55:19 | 0:55:21 | |
Just wait here in the hallway. | 0:55:21 | 0:55:23 | |
-MAXINE: -Who is it? | 0:55:32 | 0:55:34 | |
Gay. | 0:55:34 | 0:55:35 | |
Oh. | 0:55:35 | 0:55:36 | |
I'm afraid I'm a little late for our luncheon appointment. | 0:55:41 | 0:55:43 | |
I understand. I've read the papers. | 0:55:43 | 0:55:47 | |
-Come in, won't you? -Thank you. | 0:55:47 | 0:55:49 | |
Come and sit down. | 0:55:54 | 0:55:55 | |
Cigarette? | 0:55:58 | 0:55:59 | |
Thanks. | 0:55:59 | 0:56:00 | |
What's wrong? | 0:56:11 | 0:56:13 | |
I'm frightened, Gay, desperately frightened. | 0:56:13 | 0:56:15 | |
Why? | 0:56:15 | 0:56:17 | |
-My life has been threatened. -By whom? | 0:56:17 | 0:56:20 | |
I don't know. I got a mysterious phone call last night after you left | 0:56:20 | 0:56:23 | |
and another tonight. | 0:56:23 | 0:56:26 | |
-Did you recognise the voice? -No. Whoever it was | 0:56:26 | 0:56:28 | |
knows that I asked you to handle the case. They threatened to kill me | 0:56:28 | 0:56:31 | |
unless I got you to drop it. | 0:56:31 | 0:56:32 | |
I suspect that when we find the man behind the voice, | 0:56:34 | 0:56:36 | |
we'll find the brain behind this ring. | 0:56:36 | 0:56:39 | |
They're vicious, Gay. He'll kill me before you get him! | 0:56:39 | 0:56:42 | |
Why didn't you ask for police protection? | 0:56:42 | 0:56:44 | |
How could I? I knew you'd try and come here, | 0:56:44 | 0:56:47 | |
and if the police were around, they'd arrest you. | 0:56:47 | 0:56:50 | |
Well, I'm in the clear now. | 0:56:50 | 0:56:51 | |
I'd feel so much safer if you were around. | 0:56:53 | 0:56:56 | |
Look. Mike Waldeck is outside. Do you mind if I bring him in? | 0:56:56 | 0:56:59 | |
Of course not. | 0:56:59 | 0:57:01 | |
Then we shall both be here in case anything happens. | 0:57:01 | 0:57:05 | |
I think I'll go to bed now. Good night. | 0:57:05 | 0:57:08 | |
Good night, and don't worry. | 0:57:08 | 0:57:10 | |
I just wondered if you were going to spend the rest of the night here. | 0:57:22 | 0:57:25 | |
-Well, so I am. Won't you come in? -She got a friend? | 0:57:25 | 0:57:28 | |
-No, but she needs a couple. -Who? -Maxine Wood. | 0:57:28 | 0:57:31 | |
We were gonna pick up the brains of this gang, remember? | 0:57:31 | 0:57:34 | |
I'm expecting Miss Wood to have a visitor. Come on. | 0:57:34 | 0:57:38 | |
-Now, listen, Falcon... -Not a word. Just sit down and wait. | 0:57:40 | 0:57:43 | |
-If this is one of your tricks... -Shh! | 0:57:43 | 0:57:45 | |
THUD | 0:58:24 | 0:58:25 | |
MAN: Well, Maxine. > | 0:58:29 | 0:58:30 | |
I told you I'd take care of you. > | 0:58:31 | 0:58:34 | |
I'm keeping my word. > | 0:58:34 | 0:58:35 | |
-MAXINE: -You wouldn't dare. > | 0:58:35 | 0:58:37 | |
Wouldn't I? > | 0:58:37 | 0:58:38 | |
That's what someone else thought. > | 0:58:38 | 0:58:41 | |
You won't get away with it this time. | 0:58:41 | 0:58:44 | |
Don't worry. They won't get me alive. > | 0:58:44 | 0:58:47 | |
Wait, wait. | 0:58:47 | 0:58:48 | |
Too bad you didn't string along with me. | 0:58:48 | 0:58:51 | |
We could have accomplished things together, | 0:58:51 | 0:58:55 | |
-but now... -You murdering devil! | 0:58:55 | 0:58:57 | |
MAXINE SCREAMS | 0:58:57 | 0:58:59 | |
Back away from that bed! Don't try anything, you! | 0:58:59 | 0:59:02 | |
Retana. | 0:59:04 | 0:59:06 | |
So you were looking for the brain. | 0:59:06 | 0:59:07 | |
I told you when we picked this bird up the case'd be shut. | 0:59:07 | 0:59:10 | |
Stupid of me. | 0:59:10 | 0:59:11 | |
Looks like he's kept his word. | 0:59:20 | 0:59:22 | |
I don't think we're taking him alive. | 0:59:22 | 0:59:25 | |
A hypo needle. | 0:59:25 | 0:59:26 | |
He jabbed himself with a quick-acting poison when he knew he was cornered. | 0:59:26 | 0:59:30 | |
Just relax, Maxine. | 0:59:34 | 0:59:35 | |
I'm all right. Thank you. | 0:59:35 | 0:59:37 | |
Look out for that glass. | 0:59:39 | 0:59:40 | |
-Mike pick up that tube with your handkerchief. There's fingerprints on it. -Fingerprints? | 0:59:42 | 0:59:46 | |
Yes, and they're not Retana's. | 0:59:46 | 0:59:48 | |
I've been wondering how you'd accomplish it, Miss Wood. | 0:59:48 | 0:59:50 | |
Very bright idea. | 0:59:50 | 0:59:52 | |
When he lunged at you, you were ready for him with a hypo needle. | 0:59:52 | 0:59:55 | |
Mike, I'm afraid you'll ave to arrest Miss Wood for murder. | 0:59:55 | 0:59:57 | |
You'll pardon me if I seem to butt into my own affairs, | 0:59:57 | 1:00:00 | |
-but I'd like to know why! -Miss Wood had to eliminate Retana | 1:00:00 | 1:00:02 | |
-or be exposed. -What do you mean, exposed? | 1:00:02 | 1:00:05 | |
If you checked the prints of the late Noel Weber, you'd discover | 1:00:05 | 1:00:08 | |
-he recently emerged from San Quentin. -So what? | 1:00:08 | 1:00:11 | |
Where he served eight years for operating | 1:00:11 | 1:00:13 | |
with a jewel ring headed by his wife, who escaped. | 1:00:13 | 1:00:16 | |
She's Mrs Weber! | 1:00:16 | 1:00:17 | |
Brilliant, isn't he? | 1:00:17 | 1:00:19 | |
Right, Mike. | 1:00:19 | 1:00:21 | |
When Weber was detained by the authorities, his wife came east | 1:00:21 | 1:00:25 | |
and built up a fancy reputation for herself as a party giver | 1:00:25 | 1:00:27 | |
-with jewellery disappearances on the side. -Yeah? Yeah? | 1:00:27 | 1:00:31 | |
Then Weber's released, comes back to wifey, and together, they decide | 1:00:31 | 1:00:34 | |
to double-cross Retana on this monsoon diamond deal, | 1:00:34 | 1:00:37 | |
and live happily ever after on the proceeds. | 1:00:37 | 1:00:40 | |
-Which Retana found out! -Right again, Mike. | 1:00:40 | 1:00:42 | |
So he killed one and was about to complete the job... | 1:00:42 | 1:00:45 | |
-..when I apprehended him! -Exactly. | 1:00:45 | 1:00:47 | |
Get your coat. | 1:00:47 | 1:00:48 | |
In fact, if it hadn't been for one small slip made by Miss Wood, | 1:00:50 | 1:00:54 | |
you wouldn't have solved this thing so easily. | 1:00:54 | 1:00:56 | |
Just out of morbid curiosity, | 1:00:56 | 1:00:58 | |
-do you mind telling me where? -Not at all. | 1:00:58 | 1:01:00 | |
When you sent Miss Reed to bring me over to this apartment, | 1:01:00 | 1:01:03 | |
we very carefully threw everyone off our trail, | 1:01:03 | 1:01:06 | |
and I left Goldy outside for about 15 minutes | 1:01:06 | 1:01:09 | |
during which time Weber picked him up. | 1:01:09 | 1:01:10 | |
Now, you know, Weber didn't just happen to be there. | 1:01:10 | 1:01:13 | |
Who cares? Where's the diamond? | 1:01:13 | 1:01:14 | |
-In his pocket. -You are shrewd. -Thank you. | 1:01:14 | 1:01:17 | |
If you'd mind your own business, Mr Laurence, | 1:01:17 | 1:01:20 | |
-my profession would be quite a good one. -I'm going to take your tip. | 1:01:20 | 1:01:23 | |
-From now on, Mike is on his own. -Poor fella. | 1:01:23 | 1:01:26 | |
All right, all right. Let's go. | 1:01:26 | 1:01:28 | |
Turn this dame over to Elmer and have him release Miss Benford. | 1:01:29 | 1:01:32 | |
Yes, sir. This way, lady. | 1:01:32 | 1:01:34 | |
-Did you bring him in? -No. | 1:01:39 | 1:01:41 | |
Oh. So you bungle a job, huh? | 1:01:41 | 1:01:42 | |
I'm gonna stay right here till I see Retana walk in. | 1:01:42 | 1:01:45 | |
OK. Go out and tell the cop to lock you up until Retana walks in. | 1:01:45 | 1:01:49 | |
-Where's The Falcon? -Outside. | 1:01:49 | 1:01:52 | |
Right here! | 1:01:52 | 1:01:53 | |
Well, good luck, Miss Wood. | 1:01:57 | 1:02:00 | |
I'd advise you to plead guilty | 1:02:00 | 1:02:02 | |
and, er, just keep smiling at the jury. | 1:02:02 | 1:02:05 | |
Hello, darling. Nice of you to wait up for me. | 1:02:06 | 1:02:09 | |
I hope they keep you in here forever. | 1:02:09 | 1:02:11 | |
I hope they throw the key away! | 1:02:11 | 1:02:12 | |
-I hope they... -Wishful thinking, my dear. | 1:02:12 | 1:02:14 | |
I'm in the clear. How about you? | 1:02:14 | 1:02:17 | |
I'll gladly spend the rest of my days here | 1:02:17 | 1:02:19 | |
if I can just get my fingernails into you for one minute! | 1:02:19 | 1:02:21 | |
Very jealous woman. | 1:02:21 | 1:02:23 | |
I think I can get you off, if you promise to marry me. | 1:02:23 | 1:02:26 | |
Get out of here. I know when I'm well off! | 1:02:26 | 1:02:29 | |
Spring her, Elmer. | 1:02:29 | 1:02:31 | |
Now, listen to me. | 1:02:36 | 1:02:38 | |
I tried to warn you against hobnobbing with a murderer. | 1:02:38 | 1:02:41 | |
I had you locked up here for your own protection, | 1:02:41 | 1:02:44 | |
and this is the thanks I get for it. | 1:02:44 | 1:02:46 | |
Gay! Retana almost shot me, | 1:02:47 | 1:02:50 | |
and it wasn't your fault that he didn't. I owe a considerable | 1:02:50 | 1:02:53 | |
debt of gratitude to a very nice young lady for saving my life. | 1:02:53 | 1:02:56 | |
I think I shall marry her. Goodbye. | 1:02:56 | 1:02:59 | |
Gay, darling, I didn't know. | 1:03:01 | 1:03:04 | |
Oh, forgive me. I've been such an awful fool. | 1:03:04 | 1:03:08 | |
Oh, darling. | 1:03:08 | 1:03:09 | |
Darling, we can be married immediately. | 1:03:10 | 1:03:12 | |
I promise to give up crime and other women. | 1:03:12 | 1:03:15 | |
MAN: Hello, Mr Falcon. | 1:03:15 | 1:03:16 | |
-Are you The Falcon? -Yes. | 1:03:18 | 1:03:20 | |
You must help me. He's innocent, I tell you. My brother's innocent! | 1:03:20 | 1:03:23 | |
He didn't do it! Don't let them take him away! | 1:03:23 | 1:03:26 | |
Oh, excuse me, darling. I'll be right back. | 1:03:28 | 1:03:30 | |
If you're not doing anything tonight, how about a game of gin rummy? | 1:03:33 | 1:03:37 | |
Subtitles by Red Bee Media Ltd | 1:03:37 | 1:03:39 |