Browse content similar to The Night of the Generals. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
< WOMAN WAILS | 0:03:06 | 0:03:07 | |
DOOR CLOSES | 0:03:16 | 0:03:18 | |
FOOTSTEPS APPROACHING | 0:03:20 | 0:03:25 | |
FOOTSTEPS FADE INTO THE DISTANCE | 0:03:42 | 0:03:44 | |
DOOR OPENS AND CLOSES | 0:03:48 | 0:03:50 | |
WOMAN SCREAMS | 0:04:04 | 0:04:06 | |
SHOUTING | 0:04:34 | 0:04:37 | |
There's some more, over there! | 0:04:53 | 0:04:55 | |
Back up, around the other way. | 0:05:09 | 0:05:12 | |
SPEAKS POLISH | 0:05:53 | 0:05:55 | |
What's the odd smell in this house, inspector? | 0:05:59 | 0:06:01 | |
The smell of war, Major Grau. | 0:06:01 | 0:06:03 | |
-Good morning, inspector. -Major. | 0:06:04 | 0:06:07 | |
I'm sorry to call you at such an ungodly hour. | 0:06:07 | 0:06:09 | |
Not very nice, I'm afraid. | 0:06:19 | 0:06:21 | |
The work of an amateur butcher, I should say. | 0:06:21 | 0:06:24 | |
Why have you called me? | 0:06:24 | 0:06:25 | |
The dead woman's Polish, isn't she? | 0:06:25 | 0:06:27 | |
This is not a case for the German authorities. | 0:06:27 | 0:06:30 | |
Her name was Kupiecka. Maria Kupiecka. | 0:06:30 | 0:06:33 | |
Kupiecka? | 0:06:33 | 0:06:35 | |
Oh, yes, she was a prostitute and a good friend to us. | 0:06:35 | 0:06:38 | |
She was also a German agent. | 0:06:38 | 0:06:40 | |
Killed by a Polish patriot? | 0:06:40 | 0:06:42 | |
Providing the Polish patriot was also a sexual degenerate. | 0:06:42 | 0:06:45 | |
Patriotism has been known to have its vicious side. | 0:06:45 | 0:06:48 | |
100 knife wounds goes beyond normal patriotic zeal. | 0:06:48 | 0:06:52 | |
-100? -That's just my guess, sir. | 0:06:52 | 0:06:54 | |
It would be impossible to count. | 0:06:54 | 0:06:57 | |
As you can see, the focus of the murderer's attack | 0:06:57 | 0:06:59 | |
was on the woman's sexual organs, | 0:06:59 | 0:07:01 | |
using what appears to have been a large clasp knife... | 0:07:01 | 0:07:04 | |
Thank you, doctor, there's no need to be vivid. | 0:07:04 | 0:07:07 | |
SPEAKING IN POLISH | 0:07:16 | 0:07:18 | |
-Find anything? -No, not yet. | 0:07:18 | 0:07:20 | |
-Who reported the murder? -A voice on the telephone. | 0:07:20 | 0:07:23 | |
A man. He heard screams at about 11.10. | 0:07:23 | 0:07:27 | |
-Identify himself? -No. | 0:07:27 | 0:07:29 | |
Who lives in this house? | 0:07:29 | 0:07:31 | |
One of you... | 0:07:41 | 0:07:42 | |
One of you heard a scream and telephoned the police. | 0:07:42 | 0:07:46 | |
One of you knows something about the way in which this woman died. | 0:07:46 | 0:07:50 | |
If that person does not tell us everything he knows, | 0:07:50 | 0:07:53 | |
we shall assume that her death was political. | 0:07:53 | 0:07:56 | |
That she was killed by a member of the Polish underground | 0:07:56 | 0:07:59 | |
and that you are all accomplices. | 0:07:59 | 0:08:02 | |
In which case, it will be my sad duty | 0:08:03 | 0:08:07 | |
to turn the whole lot of you over to the Gestapo. | 0:08:07 | 0:08:10 | |
The man who telephoned the police | 0:08:13 | 0:08:15 | |
has one minute in which to make himself known. | 0:08:15 | 0:08:17 | |
I heard the scream. | 0:08:17 | 0:08:20 | |
This one terrible scream. | 0:08:20 | 0:08:22 | |
And then, well, I... I hid in the lavatory. | 0:08:22 | 0:08:26 | |
Then later, perhaps 10 minutes later, | 0:08:26 | 0:08:29 | |
I telephoned the police. That's all. | 0:08:29 | 0:08:32 | |
You did not give the police your name. | 0:08:32 | 0:08:35 | |
That means that there was something you didn't want them to know. | 0:08:35 | 0:08:38 | |
-What could that something be? -Well, there's a... | 0:08:39 | 0:08:42 | |
There's this crack in the door to the lavatory. | 0:08:42 | 0:08:44 | |
And naturally, you put your eye to the crack and you saw...? | 0:08:44 | 0:08:48 | |
I saw a man coming down the stairs. | 0:08:48 | 0:08:51 | |
-Describe him, please. -Well, it... It was dark. | 0:08:51 | 0:08:56 | |
-Describe him, please. -I couldn't see all of him. | 0:08:56 | 0:09:00 | |
Just the lower part, the trousers. | 0:09:00 | 0:09:02 | |
Why are you so frightened by what you saw? | 0:09:05 | 0:09:08 | |
Because it was a uniform, sir. | 0:09:08 | 0:09:11 | |
-Like yours. -Like mine? | 0:09:11 | 0:09:13 | |
A German officer? The man's a liar. | 0:09:13 | 0:09:16 | |
German officers can commit murders like anyone else. | 0:09:16 | 0:09:19 | |
Is that all you noticed? | 0:09:19 | 0:09:21 | |
That the trousers were like mine? | 0:09:21 | 0:09:24 | |
-Exactly like mine? -No. | 0:09:25 | 0:09:28 | |
Not exactly, sir. No. | 0:09:28 | 0:09:32 | |
There was a... | 0:09:32 | 0:09:33 | |
There was a red stripe running down the leg. | 0:09:33 | 0:09:36 | |
He's lying. | 0:09:36 | 0:09:39 | |
Are you aware that only German generals wear the red stripe? | 0:09:39 | 0:09:43 | |
Yes, sir. That's why I was afraid. | 0:09:43 | 0:09:47 | |
I see. | 0:09:47 | 0:09:49 | |
-It's impossible. -Nothing is impossible. | 0:09:49 | 0:09:53 | |
A German general. Well, well. | 0:09:53 | 0:09:56 | |
I don't think we need to take this testimony too seriously. | 0:09:56 | 0:09:59 | |
-After all, it was dark on the stairs. -Sir, I swear... | 0:09:59 | 0:10:02 | |
I swear, I'm telling the truth. | 0:10:02 | 0:10:05 | |
And I believe you, until there's evidence to the contrary. | 0:10:05 | 0:10:08 | |
Why would he tell a dangerous lie? I want a complete investigation. | 0:10:08 | 0:10:12 | |
But what happens if the murderer really is a general? | 0:10:12 | 0:10:16 | |
What happens? Well, justice is blind, my dear inspector. | 0:10:16 | 0:10:20 | |
Justice cannot see the red stripe or the gold braid, | 0:10:20 | 0:10:23 | |
but justice can sometimes hear the cry of a murdered woman. | 0:10:23 | 0:10:27 | |
If a general is responsible, why, we shall have to hang him. | 0:10:27 | 0:10:31 | |
Don't worry, Liesowski, the responsibility is mine. | 0:10:34 | 0:10:37 | |
Good night. | 0:10:37 | 0:10:39 | |
LIESOWSKI: 'Well, Inspector Morand, you can't blame me | 0:10:41 | 0:10:43 | |
'for not quite remembering a case that occurred almost a generation ago.' | 0:10:43 | 0:10:47 | |
But as they say, it's the long arm of the law. | 0:10:47 | 0:10:50 | |
It's... It's 23 years ago. | 0:10:50 | 0:10:53 | |
My God, how time passes. | 0:10:53 | 0:10:56 | |
When I left the police, right after the war | 0:10:56 | 0:10:59 | |
I managed to keep some of my files. | 0:10:59 | 0:11:02 | |
Always glad to help a colleague. | 0:11:02 | 0:11:04 | |
Ah, here we are, inspector. | 0:11:04 | 0:11:07 | |
"Kupiecka, Maria. Murdered. Unsolved. " | 0:11:07 | 0:11:12 | |
The suspects were... | 0:11:12 | 0:11:14 | |
Oh, yes. Yes, now I remember. | 0:11:14 | 0:11:18 | |
A German general was seen allegedly leaving her room. | 0:11:18 | 0:11:21 | |
And of all the generals in Warsaw, | 0:11:21 | 0:11:23 | |
only three had no alibis for the night in question. | 0:11:23 | 0:11:26 | |
'Here, this is the Lichnowsky Palace. | 0:11:28 | 0:11:30 | |
'It used to belong to the Polish kings. | 0:11:30 | 0:11:32 | |
'Then later it became a museum. | 0:11:32 | 0:11:35 | |
'As you can see, today it's still a museum. | 0:11:35 | 0:11:38 | |
'During the war, | 0:11:38 | 0:11:39 | |
'the German headquarters in Warsaw was located here. | 0:11:39 | 0:11:42 | |
'As I was saying, we were quite thorough, I thought, | 0:11:42 | 0:11:45 | |
'in the way we eliminated suspects. | 0:11:45 | 0:11:47 | |
'Had to proceed tactfully, of course. | 0:11:47 | 0:11:49 | |
'They were generals, after all, and it was war. | 0:11:49 | 0:11:52 | |
'And Poland was occupied.' | 0:11:52 | 0:11:53 | |
-SOLDIER: -Ready for inspection, sir. | 0:11:53 | 0:11:56 | |
'One of them was General von Seidlitz-Gabler,' | 0:11:56 | 0:11:58 | |
'7th Corps commander. | 0:11:58 | 0:12:00 | |
'He was a Junker of the old school. | 0:12:00 | 0:12:03 | |
'He lived like royalty in the palace, with his wife and daughter. | 0:12:03 | 0:12:07 | |
'The night of the murder, he was not in his quarters. | 0:12:07 | 0:12:10 | |
'His chief of staff, Major General Klaus Kahlenberge | 0:12:10 | 0:12:14 | |
'also had no alibi that night. | 0:12:14 | 0:12:16 | |
'Of all the generals, he was the least disagreeable. | 0:12:16 | 0:12:19 | |
'An interesting man. No wife, no children. | 0:12:19 | 0:12:22 | |
-General Gabler, a message. -Yes? | 0:12:23 | 0:12:25 | |
A message from General Tanz, sir. | 0:12:25 | 0:12:28 | |
Thank you, Fraulein Neumaier. | 0:12:28 | 0:12:30 | |
It seems we have failed to keep proper order in the city. | 0:12:33 | 0:12:36 | |
-You have read it? -Oh, yes. | 0:12:36 | 0:12:37 | |
And because of our notorious incompetence... | 0:12:37 | 0:12:39 | |
Incompetence? | 0:12:39 | 0:12:41 | |
They don't realize that this is a garrison post, | 0:12:41 | 0:12:44 | |
that I am given only the dregs of the army, the misfits. | 0:12:44 | 0:12:47 | |
Well, that was General Tanz's word. "Incompetence." | 0:12:47 | 0:12:50 | |
Not to mention subordinates who shirk responsibility. | 0:12:50 | 0:12:53 | |
And because of our failure, the Fuehrer has ordered General Tanz to solve the problem of Warsaw. | 0:12:53 | 0:12:57 | |
-How? -Meticulously. | 0:12:57 | 0:12:59 | |
In three phases. | 0:12:59 | 0:13:01 | |
Using the most drastic means, I suppose. | 0:13:01 | 0:13:04 | |
Drastic? | 0:13:04 | 0:13:07 | |
Monstrous. | 0:13:07 | 0:13:08 | |
LIESOWSKI: 'Lieutenant General Tanz commanded the Nibelungen Division. | 0:13:11 | 0:13:15 | |
'He was the youngest Wehrmacht general. | 0:13:15 | 0:13:18 | |
'A hero at Leningrad, a pet of Hitler, a remarkable officer. | 0:13:18 | 0:13:22 | |
'We Poles detested him. | 0:13:22 | 0:13:24 | |
'He arrived in Warsaw on the day the woman was killed. | 0:13:24 | 0:13:27 | |
'He, too, was unaccounted for that night.' | 0:13:27 | 0:13:31 | |
-First roadblock, set up there. -Yes, sir. | 0:13:31 | 0:13:34 | |
The sniping last night came from a street two blocks away. | 0:13:34 | 0:13:37 | |
The entire quarter is to be sealed off. | 0:13:37 | 0:13:39 | |
We shall take a leaf from the fisherman's book. | 0:13:39 | 0:13:42 | |
First, we'll mark out a wide perimeter, then we'll start combing the outlying streets. | 0:13:42 | 0:13:46 | |
That should set the fish in motion. | 0:13:46 | 0:13:48 | |
Of course, they'll try to make off in the opposite direction, | 0:13:48 | 0:13:51 | |
but we'll have roadblocks there to cut them off. | 0:13:51 | 0:13:53 | |
By the time we've closed the net, | 0:13:53 | 0:13:56 | |
we'll have them exactly where we want them. | 0:13:56 | 0:13:58 | |
With their backs to the ghetto wall. | 0:13:58 | 0:14:01 | |
Excuse me, general, what about the civilian population? | 0:14:05 | 0:14:08 | |
The latest estimate, this section of the city contains about 80,000 inhabitants. | 0:14:08 | 0:14:12 | |
One can hardly talk of a normal civilian population in this place. | 0:14:12 | 0:14:16 | |
I regard the experience to be gained from this operation | 0:14:16 | 0:14:19 | |
as absolutely indispensable. Hold it at 20. | 0:14:19 | 0:14:22 | |
Now, about those flamethrowers, sir, | 0:14:22 | 0:14:24 | |
to be on the safe side, I've requested three times as many as needed. | 0:14:24 | 0:14:28 | |
What are you scared of, children? | 0:14:48 | 0:14:50 | |
I think they're hungry. | 0:14:55 | 0:14:56 | |
-What food do we have? -Some sandwiches, sir. | 0:14:56 | 0:14:58 | |
-Bring them to me. -Yes, sir. | 0:14:58 | 0:15:00 | |
Yes, you're quite right, they do look hungry. | 0:15:02 | 0:15:05 | |
Poor little devils. | 0:15:05 | 0:15:06 | |
Your lunch, sir. | 0:15:07 | 0:15:09 | |
-Open. -Yes, sir. | 0:15:09 | 0:15:11 | |
Filth. | 0:15:14 | 0:15:16 | |
CHILDREN YELLING | 0:15:16 | 0:15:17 | |
Your hands. | 0:15:17 | 0:15:20 | |
Look at those nails. | 0:15:20 | 0:15:21 | |
Not even Polish children should be given such muck. | 0:15:21 | 0:15:25 | |
Make a note. | 0:15:25 | 0:15:26 | |
Food and sweets to be carried at all times for the children. | 0:15:26 | 0:15:29 | |
It does no harm to win their confidence. | 0:15:29 | 0:15:32 | |
As for him, he's relieved as my orderly. Home leave cancelled. | 0:15:32 | 0:15:36 | |
Filthy pig. Last week he offered me an unwashed glass. | 0:15:36 | 0:15:40 | |
Now he enters my sight looking as though he just exhumed his grandmother with his bare hands. | 0:15:40 | 0:15:43 | |
Absolute cleanliness, that's what I demand from the people around me. | 0:15:43 | 0:15:46 | |
-Do I make myself clear? -Yes, sir. | 0:15:46 | 0:15:48 | |
As for our immediate requirements, see they're fully met. | 0:15:48 | 0:15:51 | |
Once they are, I shall seal off the district | 0:15:51 | 0:15:54 | |
and put the inhabitants through a sieve. | 0:15:54 | 0:15:56 | |
All 80,000? | 0:15:56 | 0:15:58 | |
General Tanz, forgive me, | 0:15:59 | 0:16:02 | |
but just as a matter of curiosity, | 0:16:02 | 0:16:05 | |
what do you feel is the exact purpose of this exercise? | 0:16:05 | 0:16:08 | |
-You've read the memorandum. -Oh, yes. Yes, I have... | 0:16:08 | 0:16:11 | |
And what does the memorandum say? | 0:16:11 | 0:16:13 | |
That phase one is intended to intimidate the population | 0:16:13 | 0:16:16 | |
to search houses, to find and arrest resistance. | 0:16:16 | 0:16:18 | |
Then that is the exact purpose of the exercise. | 0:16:18 | 0:16:20 | |
An excellent plan, by the way. Much like my own when I first came here, | 0:16:20 | 0:16:23 | |
only I was never given the ultimate authority to implement it. | 0:16:23 | 0:16:26 | |
But am I to understand that if there is resistance during phase one, | 0:16:26 | 0:16:31 | |
you would then go to phase two and even to phase three, | 0:16:31 | 0:16:35 | |
which would mean the destruction of the entire city? | 0:16:35 | 0:16:37 | |
You are to understand exactly that. | 0:16:37 | 0:16:40 | |
Well, uh, isn't that somewhat excessive? | 0:16:40 | 0:16:45 | |
Excessive. | 0:16:45 | 0:16:47 | |
You will be aware that we are 30 miles from Moscow. | 0:16:48 | 0:16:52 | |
We are moving ahead on a 5,000-mile front. | 0:16:52 | 0:16:54 | |
Every available soldier is needed if we are to conquer Russia. | 0:16:54 | 0:16:56 | |
Yet here in Warsaw, three divisions are rotting, | 0:16:56 | 0:17:00 | |
because of a few thousand criminal Poles and Jews hiding in slums. | 0:17:00 | 0:17:04 | |
It is excessive to permit this state of affairs. | 0:17:04 | 0:17:07 | |
KNOCKING | 0:17:07 | 0:17:09 | |
-Who is it? -You have my full list of requirements. | 0:17:09 | 0:17:12 | |
-Eleanore, come in. Come in, my dear. -I hope I'm not disturbing. | 0:17:12 | 0:17:15 | |
My wife arrived early this morning from Berlin. | 0:17:15 | 0:17:17 | |
How was Berlin? | 0:17:17 | 0:17:19 | |
Eager to hear the good news | 0:17:19 | 0:17:20 | |
that always follows in the wake of a good soldier. | 0:17:20 | 0:17:23 | |
When I heard you were with my husband, I came straight here. | 0:17:23 | 0:17:26 | |
I wanted to tell you myself what an inspiration you've been to us all at home. | 0:17:26 | 0:17:30 | |
-I am flattered, ma'am. -Oh, no, I'm not flattering you. | 0:17:30 | 0:17:33 | |
I'm honouring you as you deserve. | 0:17:33 | 0:17:35 | |
If you're not too busy, I shall need your help | 0:17:35 | 0:17:37 | |
with the arrangements for the soiree tonight. | 0:17:37 | 0:17:40 | |
-In your honour, General Tanz. -I'll look forward to it, ma'am. | 0:17:40 | 0:17:45 | |
Oh, incidentally, our daughter, Ulrike, is here in Warsaw. | 0:17:45 | 0:17:48 | |
-She'll be at the soiree too. -Yes? | 0:17:48 | 0:17:52 | |
Well, you remember her, don't you? | 0:17:52 | 0:17:54 | |
In Berlin, at the garden party at General Jodl's house. | 0:17:54 | 0:17:58 | |
Oh, yes, I do remember her. My compliments, ma'am. | 0:17:58 | 0:18:01 | |
Sorry. I suppose that was obvious. | 0:18:03 | 0:18:08 | |
But you know how mothers are. | 0:18:08 | 0:18:09 | |
Anxious to become mothers-in-law, I should think. | 0:18:09 | 0:18:12 | |
A splendid officer, no doubt of that. | 0:18:12 | 0:18:14 | |
Any mother would be proud to see her daughter... | 0:18:14 | 0:18:16 | |
Married to a war memorial? | 0:18:16 | 0:18:18 | |
Excuse me, ma'am. | 0:18:18 | 0:18:21 | |
I shall continue to study General Tanz's plan. | 0:18:21 | 0:18:25 | |
With sinking heart. | 0:18:25 | 0:18:27 | |
I detest that man. | 0:18:30 | 0:18:34 | |
What does he mean, "with sinking heart"? | 0:18:34 | 0:18:37 | |
Oh, the black book. | 0:18:40 | 0:18:42 | |
What were you saying, my dear? | 0:18:42 | 0:18:44 | |
I don't dare say anything when you've got your book out. | 0:18:44 | 0:18:47 | |
One must protect one's reputation. | 0:18:47 | 0:18:49 | |
Another mess like the one you've made here in Warsaw | 0:18:49 | 0:18:51 | |
and you won't have a reputation to protect. | 0:18:51 | 0:18:53 | |
10.42. | 0:18:53 | 0:18:55 | |
-What's the date? -The 13th. | 0:18:55 | 0:18:59 | |
Fortunately, I still have some influence at Supreme Headquarters. | 0:18:59 | 0:19:02 | |
Indeed you have, for which I am grateful. | 0:19:02 | 0:19:05 | |
-How nice that you are here at last. -I want to talk to you about Ulrike. | 0:19:08 | 0:19:12 | |
And I want to talk to you about the soiree tonight. | 0:19:12 | 0:19:16 | |
I think you should know that this morning Ulrike was extremely rude to me. | 0:19:16 | 0:19:20 | |
Considering where you are sending her, I'm not surprised. | 0:19:20 | 0:19:22 | |
KNOCKING | 0:19:22 | 0:19:24 | |
Excuse me, general, but there is a Major Grau from Intelligence. | 0:19:24 | 0:19:27 | |
He would like to see you. | 0:19:27 | 0:19:29 | |
What does he want? | 0:19:29 | 0:19:32 | |
He said it was personal. | 0:19:32 | 0:19:34 | |
He's most persistent. | 0:19:34 | 0:19:36 | |
Tell him, some other time. | 0:19:37 | 0:19:40 | |
Yes, sir. | 0:19:40 | 0:19:42 | |
By the way, what did you do to your uniform last night? | 0:19:43 | 0:19:46 | |
Do? To my uniform? | 0:19:46 | 0:19:48 | |
Yes, there was a stain on the jacket. A red stain. | 0:19:48 | 0:19:52 | |
But since you obviously didn't cut yourself shaving, | 0:19:52 | 0:19:54 | |
it could only have been lipstick. | 0:19:54 | 0:19:56 | |
Shall I match the colour with the seductive shade Fraulein Neumaier wears? | 0:19:56 | 0:19:59 | |
Don't be absurd. | 0:19:59 | 0:20:01 | |
Anyway, the evidence is destroyed. I've sent everything to be cleaned. | 0:20:01 | 0:20:04 | |
Aren't you glad that I am here now to look after you? | 0:20:04 | 0:20:07 | |
Of course I am, dear Eleanore. | 0:20:07 | 0:20:11 | |
We are well-suited, aren't we? | 0:20:11 | 0:20:14 | |
DOOR SLAMS | 0:20:23 | 0:20:25 | |
-I wish you'd remember to knock. -Sorry, sir. | 0:20:27 | 0:20:29 | |
Major Grau of Intelligence just rang from downstairs, sir. He asked to see you. | 0:20:29 | 0:20:33 | |
-What about? -He wouldn't say, sir. | 0:20:35 | 0:20:37 | |
-Tell him I'm busy. -I already told him, sir. | 0:20:38 | 0:20:41 | |
I took the liberty. | 0:20:41 | 0:20:43 | |
Good. | 0:20:43 | 0:20:44 | |
Well? | 0:20:48 | 0:20:49 | |
Apparently, he rang the motor pool this morning. | 0:20:49 | 0:20:51 | |
Wanted to see the log for last night to see if anyone had used the car. | 0:20:51 | 0:20:54 | |
I told the officer in charge that no information could be released | 0:20:54 | 0:20:56 | |
without clearing it first with us. | 0:20:56 | 0:20:58 | |
Good. Yes, that's very good. | 0:20:58 | 0:21:02 | |
Thank you, sergeant. | 0:21:02 | 0:21:04 | |
HE CLEARS HIS THROAT | 0:21:05 | 0:21:08 | |
Yes? | 0:21:08 | 0:21:10 | |
Sir, um, about my cousin Hartmann. | 0:21:10 | 0:21:14 | |
-Your cousin Hartmann? -Yes, sir. | 0:21:15 | 0:21:18 | |
You have his record, sir. On your desk, sir. | 0:21:18 | 0:21:21 | |
Oh, yes. | 0:21:23 | 0:21:24 | |
He's just out of hospital, sir. He was wounded at Voronezh. | 0:21:24 | 0:21:27 | |
He's on temporary duty in Warsaw. | 0:21:27 | 0:21:29 | |
I had hoped that we could make his duty with us permanent. | 0:21:29 | 0:21:32 | |
And by some extraordinary coincidence, | 0:21:32 | 0:21:34 | |
he's waiting in your office to see me. | 0:21:34 | 0:21:36 | |
Yes, sir. | 0:21:36 | 0:21:38 | |
-Show him in. -Thank you, sir. | 0:21:39 | 0:21:42 | |
KNOCKING | 0:21:54 | 0:21:55 | |
Come in. | 0:21:55 | 0:21:57 | |
Hartmann, Kurt, lance corporal. Reporting as ordered, sir. | 0:22:02 | 0:22:05 | |
At ease. | 0:22:05 | 0:22:08 | |
Well, it's a distinguished record, corporal. | 0:22:08 | 0:22:10 | |
I see from your press clippings, | 0:22:10 | 0:22:12 | |
Otto is obviously keeping a scrapbook for you. | 0:22:12 | 0:22:15 | |
I see that you are "the reincarnation of Siegfried, | 0:22:15 | 0:22:18 | |
a German hero from the golden age." | 0:22:18 | 0:22:21 | |
Do you feel like Siegfried? | 0:22:21 | 0:22:24 | |
Well, I'm not at all certain, sir, how Siegfried felt. | 0:22:24 | 0:22:27 | |
Well, that's a sensible answer. I see they've given you the Iron Cross. | 0:22:27 | 0:22:30 | |
He killed 40 Russians single-handed, sir. | 0:22:30 | 0:22:32 | |
Splendid. Well, now, as to your future, | 0:22:32 | 0:22:35 | |
I imagine that, as a university man, you'd want to become an officer. | 0:22:35 | 0:22:40 | |
Therefore, I shall be happy to send you to... | 0:22:40 | 0:22:42 | |
Erm... | 0:22:42 | 0:22:44 | |
You don't want to go to officers school? | 0:22:45 | 0:22:48 | |
I should prefer to remain a corporal, sir. | 0:22:48 | 0:22:50 | |
Actually, general, he doesn't mean that. | 0:22:50 | 0:22:52 | |
-What he means is... -What do you mean? | 0:22:52 | 0:22:54 | |
I mean, I don't want to become an officer. That's all, sir. | 0:22:54 | 0:22:57 | |
I'm shattered. | 0:22:57 | 0:23:00 | |
My world is toppling. | 0:23:00 | 0:23:02 | |
What is the point of being a general when corporals prefer to be corporals? | 0:23:02 | 0:23:05 | |
He's still a bit shaky, after the hospital. | 0:23:05 | 0:23:08 | |
Yes, apparently. | 0:23:08 | 0:23:10 | |
Now, your cousin suggested that you join us here at headquarters, | 0:23:10 | 0:23:13 | |
but I should think you'd be anxious to get back to the fighting. | 0:23:13 | 0:23:16 | |
-No? -No, sir. | 0:23:18 | 0:23:20 | |
-General, what he really means is... -Leave us, sergeant. | 0:23:20 | 0:23:23 | |
I, um... | 0:23:30 | 0:23:32 | |
I don't seem to understand you, corporal. | 0:23:32 | 0:23:34 | |
I want to survive, sir. I want to live through the war. | 0:23:34 | 0:23:37 | |
Well, naturally. We all do. | 0:23:37 | 0:23:40 | |
-But we are soldiers, we must fight. -Yes, sir. And I have. | 0:23:40 | 0:23:44 | |
And you don't want to go back. | 0:23:44 | 0:23:45 | |
Is this the "reincarnation of Siegfried"? | 0:23:45 | 0:23:50 | |
I'm sorry, sir, but I have a horror of death. | 0:23:50 | 0:23:52 | |
Even in a good cause? | 0:23:52 | 0:23:54 | |
Let me see now... | 0:24:02 | 0:24:03 | |
According to your papers, in civilian life you were | 0:24:03 | 0:24:08 | |
a student at Dresden? | 0:24:08 | 0:24:10 | |
Music conservatory, yes, sir. I studied piano. | 0:24:10 | 0:24:13 | |
Music, piano, yes. Yes. | 0:24:13 | 0:24:18 | |
Yes. I think I have an assignment for you. | 0:24:18 | 0:24:22 | |
But one which requires great courage. | 0:24:22 | 0:24:24 | |
Only a man who has killed... | 0:24:24 | 0:24:26 | |
How many was it? Let me see. | 0:24:26 | 0:24:28 | |
Yes, 40 Russians single-handed, would be equal to the task. | 0:24:28 | 0:24:32 | |
Now, what about Chopin, wasn't he Polish? | 0:24:32 | 0:24:34 | |
Didn't he write the Polonaises? | 0:24:34 | 0:24:36 | |
-Can you play them? -Yes, madam. | 0:24:36 | 0:24:39 | |
You don't sound very enthusiastic. | 0:24:39 | 0:24:41 | |
Well, madam, they were patriotic pieces, | 0:24:41 | 0:24:43 | |
celebrating the glory of Poland. | 0:24:43 | 0:24:45 | |
Well, the glory of Poland isn't precisely what we're here to celebrate. | 0:24:45 | 0:24:48 | |
No, madam. So I thought that perhaps we might play... | 0:24:48 | 0:24:50 | |
Wagner. | 0:24:50 | 0:24:51 | |
I remember the Fuehrer saying to me after a performance of Parsifal, | 0:24:51 | 0:24:54 | |
"There's no such thing as too much Wagner." | 0:24:54 | 0:24:57 | |
After Parsifal? | 0:24:57 | 0:24:58 | |
I must say, it's unusual to find a fighting man | 0:24:58 | 0:25:01 | |
-who also knows about music. -Thank you, madam. | 0:25:01 | 0:25:04 | |
Oh, no, don't thank me, wait until I've thanked you. | 0:25:04 | 0:25:06 | |
And I won't until after the soiree. | 0:25:06 | 0:25:09 | |
-I dislike being a bore, major. -You never bore me, Engel. | 0:25:18 | 0:25:21 | |
But I can't help wondering what you're trying to prove. | 0:25:21 | 0:25:25 | |
-Just what do you think you're doing? -My job. | 0:25:25 | 0:25:28 | |
But if you say anything to any of them, he'll know... | 0:25:28 | 0:25:30 | |
The murderer will know that you're after him. | 0:25:30 | 0:25:32 | |
That's the point of the exercise. | 0:25:32 | 0:25:34 | |
-Good evening, sergeant. -Sir. | 0:25:34 | 0:25:36 | |
But look, sir, why do you care who killed that bitch? | 0:25:41 | 0:25:44 | |
She's better off dead anyway. | 0:25:44 | 0:25:46 | |
Have you ever heard of the Eumenides? | 0:25:46 | 0:25:49 | |
-The what? -Greek mythology. | 0:25:49 | 0:25:51 | |
A number of disagreeable ladies, sometimes known as the Furies. | 0:25:51 | 0:25:55 | |
They believe that spilled blood calls out for vengeance. | 0:25:55 | 0:25:58 | |
That's how justice began. | 0:25:58 | 0:26:00 | |
Well, we don't want it to end, do we, just because there's a war on? | 0:26:00 | 0:26:04 | |
Wait for me here. I'm afraid I won't be long. | 0:26:05 | 0:26:08 | |
Mad. | 0:26:16 | 0:26:17 | |
-MAN: -Grau. | 0:26:28 | 0:26:30 | |
-Colonel Mannheim. -What on Earth are you doing here? | 0:26:30 | 0:26:32 | |
You must be out of your mind. | 0:26:32 | 0:26:34 | |
If the generals won't see me, I must come here to see them. | 0:26:34 | 0:26:37 | |
Well, God help you, Grau. I won't. | 0:26:37 | 0:26:40 | |
Better have some champagne. You'll need it. | 0:26:40 | 0:26:43 | |
You may be right, sir. | 0:26:43 | 0:26:46 | |
General Tanz, to my mind you're a model man in every respect. | 0:26:54 | 0:26:58 | |
Except one. You've not married. | 0:26:58 | 0:27:00 | |
-May I ask why not? -No opportunity. Greatly regret it. | 0:27:00 | 0:27:04 | |
Well, perhaps you've allowed opportunities to slip by. | 0:27:04 | 0:27:06 | |
My dear, General Tanz is a young man whose life has been spent as a soldier. | 0:27:06 | 0:27:10 | |
His generation has been denied the pleasures of domesticity. | 0:27:10 | 0:27:13 | |
We live in a period which makes great demands upon us. | 0:27:13 | 0:27:16 | |
Consequently, there is little time for what is commonly known as private life. | 0:27:16 | 0:27:19 | |
-Quite right. Champagne, general? -Water. | 0:27:19 | 0:27:22 | |
-Water? -A glass of water for General Tanz. | 0:27:22 | 0:27:25 | |
Ah. Here comes Ulrike. | 0:27:25 | 0:27:27 | |
-You remember her from Berlin. -Good evening, general. | 0:27:27 | 0:27:29 | |
She's been with me over a year now, as a soldier. | 0:27:29 | 0:27:32 | |
-An excellent soldier. -Thank you, Father. | 0:27:32 | 0:27:34 | |
I must say, I still find it hard to get used to the idea of young girls in the army. | 0:27:34 | 0:27:38 | |
We're building a new world order, and women should not be exempt from playing their part. | 0:27:38 | 0:27:42 | |
I knew you would understand, general. | 0:27:42 | 0:27:44 | |
Ulrike has now decided to become a nurse | 0:27:44 | 0:27:46 | |
in a military hospital run by an order of nuns in Bavaria. | 0:27:46 | 0:27:50 | |
We're very proud of our girl. | 0:27:50 | 0:27:52 | |
Tell me, general, is it true that in the battle of Leningrad | 0:27:52 | 0:27:54 | |
you used frozen bodies instead of sandbags for your artillery? | 0:27:54 | 0:27:57 | |
The story is exaggerated. | 0:27:57 | 0:28:00 | |
Oh, I am sorry. | 0:28:00 | 0:28:02 | |
Some soldiers lie and rot in the battlefield. | 0:28:02 | 0:28:06 | |
I thought it most imaginative, putting the dead to work, you might say. | 0:28:06 | 0:28:09 | |
Nobody rots with me. | 0:28:09 | 0:28:11 | |
Your water, general. | 0:28:12 | 0:28:14 | |
Thank you. | 0:28:14 | 0:28:15 | |
My compliments. I liked the bit about the frozen bodies. | 0:28:19 | 0:28:22 | |
-Oh, thank you, general. -Be careful. | 0:28:22 | 0:28:24 | |
Ulrike has a most original way of expressing herself. | 0:28:24 | 0:28:27 | |
Needless to say, I shall miss not having her with me. | 0:28:27 | 0:28:30 | |
Then why let her go? | 0:28:30 | 0:28:32 | |
Come along, general, let's have some supper. | 0:28:32 | 0:28:35 | |
You'll join us, too, Kahlenberge? | 0:28:36 | 0:28:38 | |
-Courage. -Is not enough. | 0:28:38 | 0:28:41 | |
How dare you speak like that to General Tanz? | 0:28:44 | 0:28:47 | |
It serves you right, Mother, for what you're doing to me. | 0:28:47 | 0:28:49 | |
Whatever I do is for your own good. I think only of you. | 0:28:49 | 0:28:52 | |
Only of me? You have changed. | 0:28:52 | 0:28:55 | |
When did I begin to interest you so much? | 0:28:55 | 0:28:57 | |
Good evening. | 0:28:57 | 0:28:59 | |
-You've become vicious. -Yes, it's the war, Mother. | 0:28:59 | 0:29:02 | |
Well, the nuns will soon improve your manners. | 0:29:02 | 0:29:05 | |
Suppose I refuse to go? | 0:29:05 | 0:29:06 | |
You will be ordered to go. I have seen to that already. You have no choice. | 0:29:06 | 0:29:10 | |
You really are a terrible woman, Mother. | 0:29:10 | 0:29:13 | |
I suppose we deserve each other. | 0:29:13 | 0:29:16 | |
Colonel Mannheim! | 0:29:16 | 0:29:17 | |
Good evening. Yes, I'd love to dance with you. | 0:29:17 | 0:29:20 | |
In my memoirs, I keep a record of everything. | 0:29:22 | 0:29:25 | |
Yours will be the place of honour in the Warsaw chapter. | 0:29:25 | 0:29:28 | |
-GRAU: -General von Seidlitz-Gabler? | 0:29:28 | 0:29:31 | |
Sir. Oh, yes, you are Major...? | 0:29:31 | 0:29:34 | |
Grau, Intelligence. Under Colonel Mannheim. | 0:29:34 | 0:29:37 | |
I tried to see you today. | 0:29:37 | 0:29:39 | |
In fact, I tried to see each of you, without much success, I'm afraid. | 0:29:39 | 0:29:42 | |
I'm sorry, major, but general officers are sometimes busy, you know? | 0:29:42 | 0:29:44 | |
Of course. | 0:29:44 | 0:29:46 | |
What was it you wanted to see us about? | 0:29:46 | 0:29:47 | |
Last night, a prostitute was murdered. | 0:29:47 | 0:29:50 | |
A prostitute? That's an occupational hazard, isn't it? | 0:29:50 | 0:29:53 | |
When you hear the details, I'm sure you'll agree it's a unique case. | 0:29:54 | 0:29:57 | |
Unique? You can't be serious. | 0:29:57 | 0:30:00 | |
We live in an age in which bodies lie around streets like cobblestones. | 0:30:00 | 0:30:03 | |
What's so unique about this case? | 0:30:03 | 0:30:05 | |
All right, all right, come to the point, major. | 0:30:05 | 0:30:07 | |
Last night, a woman was murdered. | 0:30:07 | 0:30:09 | |
Yes, general, in Bulkowa Street, number 27, fourth-floor apartment, | 0:30:09 | 0:30:12 | |
Maria Kupiecka, a prostitute, also one of our agents. | 0:30:12 | 0:30:17 | |
She was stabbed to death most brutally. Cut to pieces, in fact. | 0:30:17 | 0:30:20 | |
A charming story. But what has that to do with us? | 0:30:20 | 0:30:24 | |
Preliminary investigation has established that each of you was... | 0:30:24 | 0:30:28 | |
well, unaccounted for last night. | 0:30:28 | 0:30:31 | |
To whom should we be accountable, major? | 0:30:31 | 0:30:34 | |
I fail to see what my... | 0:30:34 | 0:30:36 | |
What our movements should have to do with you or with this woman's death. | 0:30:36 | 0:30:40 | |
Well, the murderer was seen leaving the woman's room. | 0:30:40 | 0:30:43 | |
In that case, you must know who he is. | 0:30:43 | 0:30:46 | |
Not exactly. The face was not visible, but the uniform was. | 0:30:46 | 0:30:51 | |
It was the uniform of a German officer. | 0:30:51 | 0:30:54 | |
In fact, a German general. | 0:30:54 | 0:30:57 | |
This is a serious charge. I hope you know what you're doing. | 0:31:02 | 0:31:04 | |
Oh, yes, sir, my duty. | 0:31:04 | 0:31:06 | |
Then consider your duty done, major. Good night. | 0:31:06 | 0:31:08 | |
Are you, by any chance, using perfume? | 0:31:08 | 0:31:11 | |
I occasionally use a strong eau de cologne after shaving. | 0:31:11 | 0:31:14 | |
Good night, sir. | 0:31:14 | 0:31:16 | |
I will, of course, want to see each of you tomorrow, if I may, in line of duty. | 0:31:16 | 0:31:20 | |
It is quite possible we've been misled, | 0:31:20 | 0:31:22 | |
but we don't want to leave any loose ends dangling, do we? | 0:31:22 | 0:31:26 | |
Until tomorrow. Good night, generals. | 0:31:26 | 0:31:29 | |
Astonishing behaviour! | 0:31:30 | 0:31:33 | |
-Who invited him? -Not I. | 0:31:33 | 0:31:35 | |
Socially, Major Grau has not been a success. | 0:31:35 | 0:31:38 | |
I'm sorry, general. I should have had him arrested. | 0:31:38 | 0:31:40 | |
Why? He was merely doing his duty. | 0:31:40 | 0:31:44 | |
Yes. | 0:31:44 | 0:31:46 | |
Well... | 0:31:46 | 0:31:48 | |
Now, there are some officers I should like to present to you. | 0:31:48 | 0:31:51 | |
Some sauerbraten, general? | 0:31:53 | 0:31:55 | |
Make yourself comfortable, inspector. | 0:32:01 | 0:32:04 | |
This is my third restaurant in Berlin. | 0:32:04 | 0:32:06 | |
That's if you count the sausage shop I had down by the station right after the war. | 0:32:06 | 0:32:10 | |
We were really on our arse then. | 0:32:10 | 0:32:12 | |
Now look, Germany is booming. We made it. | 0:32:12 | 0:32:16 | |
Well, come along, inspector, do sit down. | 0:32:16 | 0:32:19 | |
One large Munchen, please. | 0:32:19 | 0:32:21 | |
Now, then, you asked me about General Kahlenberge. | 0:32:21 | 0:32:26 | |
Well, I don't suppose there was anyone who knew him better than me. | 0:32:26 | 0:32:30 | |
Hartmann's doing a good job, isn't he, sir? | 0:32:31 | 0:32:33 | |
Yes. What? | 0:32:33 | 0:32:36 | |
Oh, yes! Apparently. | 0:32:36 | 0:32:39 | |
-OTTO: -'Of course, inspector, as I said before, | 0:32:39 | 0:32:42 | |
'I haven't seen Hartmann since the war. | 0:32:42 | 0:32:44 | |
'Don't want to see him, after what he did.' | 0:32:44 | 0:32:47 | |
'But I'll say one thing, he had the most extraordinary effect on women. | 0:32:47 | 0:32:52 | |
'I don't know why. | 0:32:52 | 0:32:53 | |
'Well, he wasn't what you'd call really handsome. | 0:32:53 | 0:32:57 | |
'Too skinny.' | 0:32:57 | 0:32:58 | |
'But whatever it was he had, it worked out all right with women. | 0:32:58 | 0:33:02 | |
'I think they must have got together almost from the first moment they met. | 0:33:02 | 0:33:05 | |
'Well, things were like that in the war. | 0:33:05 | 0:33:07 | |
'I remember once in Paris, meeting this girl in the Metro. | 0:33:07 | 0:33:12 | |
'Well, anyway, you didn't waste time, not with knowing maybe tomorrow | 0:33:12 | 0:33:15 | |
'you'd be sent to the fronts or the damned Allies would drop a bomb on you. | 0:33:15 | 0:33:18 | |
'Oh, worry, I didn't mean that about the Allies. | 0:33:18 | 0:33:21 | |
'After all, where would we be now without Americans?' | 0:33:21 | 0:33:24 | |
-Nice. -I'd forgotten how nice. | 0:33:24 | 0:33:27 | |
Would you say there were no girls in Russia? | 0:33:27 | 0:33:29 | |
Girls? I was too scared. | 0:33:29 | 0:33:33 | |
I'm hopeless when I'm scared. | 0:33:33 | 0:33:35 | |
Well, it's a good thing I don't scare you, isn't it? | 0:33:35 | 0:33:37 | |
Yes, it's just that this room makes me nervous. | 0:33:37 | 0:33:42 | |
-Nervous? -Mm. | 0:33:42 | 0:33:43 | |
Oh, you have no sense of history. | 0:33:43 | 0:33:45 | |
Do you realize this used to be the bed of the king of Poland. | 0:33:45 | 0:33:48 | |
-Did it really? -Mm-hm. | 0:33:48 | 0:33:49 | |
It's like sleeping on the floor. | 0:33:49 | 0:33:51 | |
It's freezing in here. | 0:33:51 | 0:33:53 | |
Ah, but the king and the queen never slept. They just made love. | 0:33:53 | 0:33:56 | |
They were never cold. | 0:33:56 | 0:33:58 | |
Do you like the war? | 0:34:01 | 0:34:03 | |
Do I like the war? | 0:34:04 | 0:34:06 | |
Good God, no. Do you? | 0:34:06 | 0:34:08 | |
If it weren't for the war, I'd be on the marriage circuit now, living on some army post, | 0:34:09 | 0:34:14 | |
making conversation with dreary young officers. | 0:34:14 | 0:34:16 | |
Instead of making love with dreary young corporals. | 0:34:16 | 0:34:19 | |
Oh, not dreary. Not at all. | 0:34:19 | 0:34:23 | |
-In fact, the best so far. -Oh? | 0:34:23 | 0:34:26 | |
-Do you specialize in corporals? -No. | 0:34:26 | 0:34:29 | |
Only heroes like you. | 0:34:29 | 0:34:31 | |
Just think, all this bravery in my arms. | 0:34:31 | 0:34:35 | |
It must be very inspiring. | 0:34:35 | 0:34:37 | |
What's the matter? | 0:34:41 | 0:34:43 | |
You know, we mustn't like each other too much. | 0:34:43 | 0:34:45 | |
Why? Because I'm a corporal and you're a general's daughter? | 0:34:45 | 0:34:48 | |
No. It's because... | 0:34:48 | 0:34:52 | |
It's a man, a girl, a war. | 0:34:53 | 0:34:56 | |
Two boys I knew are already dead in Russia. | 0:34:58 | 0:35:01 | |
It's funny. | 0:35:01 | 0:35:03 | |
In the dark, you feel just like them to me. | 0:35:03 | 0:35:05 | |
And you like this war? | 0:35:05 | 0:35:07 | |
No. I like this. | 0:35:07 | 0:35:11 | |
CLOCK CHIMES | 0:35:15 | 0:35:17 | |
ENGINE BACKFIRES | 0:35:37 | 0:35:39 | |
No, no! | 0:35:39 | 0:35:41 | |
What's wrong? | 0:35:41 | 0:35:42 | |
Nothing. I thought they were firing at me. | 0:35:44 | 0:35:47 | |
You're shaking like a leaf. | 0:35:47 | 0:35:50 | |
I'm all right now. | 0:35:50 | 0:35:51 | |
What's it like having people try to kill you? | 0:35:59 | 0:36:01 | |
Noisy bastards. | 0:36:01 | 0:36:04 | |
Good morning. | 0:36:08 | 0:36:10 | |
Good morning, king of Poland. | 0:36:10 | 0:36:13 | |
What's it like having people try to kill you? | 0:36:13 | 0:36:15 | |
-Well, what do you think it's like? -Terrible. | 0:36:15 | 0:36:18 | |
Yes. | 0:36:18 | 0:36:20 | |
I'm glad... | 0:36:20 | 0:36:22 | |
-Well, I'm glad that you're here. -So am I. | 0:36:22 | 0:36:25 | |
But you'll be going back soon, I suppose? | 0:36:25 | 0:36:27 | |
Not if I can help it, I won't. | 0:36:27 | 0:36:30 | |
Can you bear the truth? | 0:36:30 | 0:36:32 | |
Probably not. | 0:36:32 | 0:36:33 | |
-I'm a fraud. -Impossible. | 0:36:33 | 0:36:37 | |
When they opened fire on us at Voronezh, I ran away. | 0:36:37 | 0:36:41 | |
It's as simple as that. | 0:36:41 | 0:36:43 | |
Then, I've no idea how, I was hit. | 0:36:43 | 0:36:47 | |
It was like a door slamming in my head, and I thought I was dead. | 0:36:47 | 0:36:51 | |
Next thing I remember waking up in the hospital | 0:36:51 | 0:36:53 | |
and there was this general congratulating me | 0:36:53 | 0:36:56 | |
on having killed 40 Russians single-handed. | 0:36:56 | 0:36:59 | |
You see, they were all killed that day, the whole company. | 0:36:59 | 0:37:03 | |
Everyone was killed except me, and I suppose | 0:37:03 | 0:37:06 | |
it didn't look too good in dispatches, a whole company being wiped out, | 0:37:06 | 0:37:09 | |
so they decided to make a hero of the survivor. | 0:37:09 | 0:37:12 | |
The one who ran away. | 0:37:12 | 0:37:14 | |
So now what do you think of all that bravery? | 0:37:14 | 0:37:18 | |
Well, that's a lovely story. I think it's marvellous. | 0:37:21 | 0:37:24 | |
-Marvellous? -Yes. | 0:37:24 | 0:37:26 | |
For once, the joke's on them. | 0:37:26 | 0:37:29 | |
Come, make love to the queen of Poland. | 0:37:29 | 0:37:33 | |
I must say you are, well, unexpected. | 0:37:33 | 0:37:36 | |
It's lucky we met. | 0:37:36 | 0:37:39 | |
What's lucky is right now. | 0:37:39 | 0:37:42 | |
You know, when this war is over... | 0:37:42 | 0:37:44 | |
Mm-mm. It will never end. | 0:37:44 | 0:37:46 | |
Well, what happened? | 0:37:50 | 0:37:53 | |
Did you see them? | 0:37:53 | 0:37:55 | |
Generals Gabler and Kahlenberge are in conference and cannot be disturbed. | 0:37:55 | 0:37:59 | |
I told you they wouldn't see you. | 0:37:59 | 0:38:01 | |
Where's General Tanz? | 0:38:01 | 0:38:02 | |
Look, why don't we forget about this? It's not as if we don't have other things to do. | 0:38:02 | 0:38:06 | |
Where's General Tanz? | 0:38:06 | 0:38:08 | |
In the old city, conducting a tactical exercise. | 0:38:08 | 0:38:11 | |
I don't trust him. | 0:38:38 | 0:38:39 | |
Naturally, in the field, he must use his discretion. | 0:38:39 | 0:38:41 | |
He has no discretion. He is ruthless. | 0:38:41 | 0:38:43 | |
Now, now, you exaggerate. He will only go to phase two if phase one should prove to be a failure. | 0:38:43 | 0:38:48 | |
What is a failure? | 0:38:48 | 0:38:49 | |
Well, if the Poles, the Jews try to retaliate. | 0:38:49 | 0:38:51 | |
What constitutes retaliation, a rock thrown at his golden head? | 0:38:51 | 0:38:54 | |
Is that sufficient warrant for the demolition of the city? | 0:38:54 | 0:38:57 | |
You always overstate things, Kahlenberge. | 0:38:57 | 0:38:59 | |
General Tanz is a responsible officer... | 0:38:59 | 0:39:01 | |
KNOCKING | 0:39:01 | 0:39:02 | |
Come in. | 0:39:02 | 0:39:04 | |
Sorry, sir. Colonel Mannheim to see General Kahlenberge, sir. | 0:39:05 | 0:39:10 | |
We'll discuss this later. | 0:39:10 | 0:39:12 | |
And don't worry about Tanz. I'll take care of him. | 0:39:12 | 0:39:17 | |
Colonel Mannheim, sir. | 0:39:19 | 0:39:21 | |
-You wanted to see me, general. -Yes, yes. | 0:39:23 | 0:39:26 | |
Yes, I did, colonel. I wanted to see you about... | 0:39:26 | 0:39:29 | |
Damn it, what was it about? | 0:39:31 | 0:39:34 | |
Yes. | 0:39:34 | 0:39:35 | |
Yes, I remember now. | 0:39:35 | 0:39:37 | |
You have an officer on your staff, a Major Grau. | 0:39:37 | 0:39:41 | |
Halt! Halt! | 0:39:41 | 0:39:44 | |
Major Grau to see General Tanz. | 0:39:50 | 0:39:53 | |
Major Grau? | 0:39:53 | 0:39:54 | |
Just a minute, sir. | 0:39:54 | 0:39:56 | |
Get me CP, Colonel Sandauer, urgent. | 0:39:58 | 0:40:02 | |
Roadblock 4 calling CP. Roadblock 4 calling CP. | 0:40:02 | 0:40:07 | |
Can you hear me? Over. | 0:40:07 | 0:40:09 | |
Get your hands up. | 0:40:20 | 0:40:22 | |
Hands up. | 0:40:22 | 0:40:24 | |
-SOLDIER 1: -Colonel Sandauer on the line, sergeant. | 0:40:28 | 0:40:31 | |
Colonel Sandauer, there's a Major Grau here. | 0:40:31 | 0:40:33 | |
Wants to see the general. My orders were... | 0:40:33 | 0:40:37 | |
What? Yes, sir. Yes, sir. | 0:40:37 | 0:40:42 | |
You may pass, major. | 0:40:42 | 0:40:44 | |
Stop! | 0:40:44 | 0:40:46 | |
Go ahead. | 0:40:46 | 0:40:47 | |
-Well, at least you have one friend. -So it would seem. | 0:40:47 | 0:40:51 | |
Hands up! | 0:40:57 | 0:40:58 | |
Keep moving. Keep moving. | 0:40:58 | 0:41:01 | |
-Have them over here. -Over here. Over here. | 0:41:02 | 0:41:06 | |
Get back! | 0:41:07 | 0:41:09 | |
Name? | 0:41:10 | 0:41:12 | |
First name? | 0:41:12 | 0:41:14 | |
-Profession? -Halt! | 0:41:14 | 0:41:17 | |
-Major Grau. -Go ahead, sir. | 0:41:17 | 0:41:19 | |
Wait for me here. | 0:41:29 | 0:41:31 | |
'This is Wehrmacht's radio unit | 0:41:31 | 0:41:32 | |
'assigned to the Reich's general government of Poland.' | 0:41:32 | 0:41:34 | |
This broadcast is coming to you directly from Warsaw. | 0:41:34 | 0:41:37 | |
A few yards from where I am, I see General Tanz, the hero of Leningrad. | 0:41:37 | 0:41:41 | |
'He is conducting manoeuvres in the streets of the city. | 0:41:41 | 0:41:44 | |
'An entire area is being temporarily evacuated in the interest of public order and safety.' | 0:41:44 | 0:41:49 | |
Sector one reports phase one successful. | 0:41:49 | 0:41:51 | |
Sector three, no resistance encountered. | 0:41:51 | 0:41:54 | |
Thank you, Sandauer. | 0:41:54 | 0:41:56 | |
-ANNOUNCER: -The soldiers, of course, are dedicated to their commander. | 0:41:56 | 0:41:58 | |
He is a superb craftsman of war | 0:41:58 | 0:42:00 | |
and his presence alone inspires men to extraordinary valour. | 0:42:00 | 0:42:05 | |
The exercise is being carried out with meticulous precision according to plan. | 0:42:05 | 0:42:08 | |
The population is extremely cooperative and friendly. | 0:42:08 | 0:42:11 | |
-SANDAUER: -Sector four reports phase one operative. | 0:42:11 | 0:42:13 | |
Sector two, flamethrowers ready to action. | 0:42:13 | 0:42:15 | |
Phase one to continue until further orders. | 0:42:15 | 0:42:17 | |
Yes, sir. | 0:42:17 | 0:42:19 | |
All sectors, from commanding general, phase one to continue until further orders. | 0:42:20 | 0:42:24 | |
-Main sector, flamethrowers ready, sir. -Go ahead. | 0:42:24 | 0:42:27 | |
Forward march. | 0:42:27 | 0:42:29 | |
General Tanz? | 0:42:34 | 0:42:37 | |
A few more minutes. | 0:42:37 | 0:42:39 | |
-SOLDIER 2: -Halt! -SOLDIER 3: -Stop! | 0:42:59 | 0:43:01 | |
Get him! | 0:43:02 | 0:43:03 | |
Stop! Fire! | 0:43:11 | 0:43:13 | |
GUNSHOTS | 0:43:13 | 0:43:14 | |
-Sandauer! -SANDAUER: -Sir? | 0:43:32 | 0:43:34 | |
-Stand by for phase two. -Phase two, sir? | 0:43:35 | 0:43:38 | |
Stand by for phase two. | 0:43:38 | 0:43:41 | |
Yes, sir. | 0:43:41 | 0:43:43 | |
Notify all units. Phase one completed. | 0:43:43 | 0:43:45 | |
-Stand by for phase two. -Yes, sir. | 0:43:45 | 0:43:48 | |
CP to all sectors, stand by for phase two. | 0:43:48 | 0:43:51 | |
Phase two! | 0:43:52 | 0:43:53 | |
Phase two. | 0:43:55 | 0:43:57 | |
Yes, sir. Phase two. | 0:43:57 | 0:43:58 | |
Phase two. | 0:43:59 | 0:44:01 | |
Fire! | 0:44:01 | 0:44:03 | |
Fire! | 0:44:07 | 0:44:09 | |
Now the major may put his questions. | 0:44:21 | 0:44:23 | |
He's gone, sir. | 0:44:23 | 0:44:25 | |
That maniac is blowing up half the city. | 0:44:29 | 0:44:31 | |
Let's go. | 0:44:32 | 0:44:34 | |
Did you say there was no real resistance? | 0:44:43 | 0:44:46 | |
No, I was there. | 0:44:46 | 0:44:47 | |
One shot from one sniper, that was all, and he blows up the city! | 0:44:47 | 0:44:50 | |
Now, now, we're not the generals. | 0:44:50 | 0:44:53 | |
It is their business, you know, not ours. | 0:44:53 | 0:44:56 | |
We're here just to keep the papers moving. | 0:44:56 | 0:44:59 | |
And yours have arrived. | 0:44:59 | 0:45:01 | |
Congratulations. | 0:45:01 | 0:45:03 | |
For what? | 0:45:03 | 0:45:04 | |
You've been promoted to lieutenant colonel. | 0:45:04 | 0:45:07 | |
Promoted? | 0:45:07 | 0:45:09 | |
And transferred to Paris as of this date. | 0:45:09 | 0:45:11 | |
-Lucky fellow. -Transferred, but why? | 0:45:11 | 0:45:15 | |
Who signed the transfer? | 0:45:15 | 0:45:17 | |
General Gabler, naturally. | 0:45:17 | 0:45:19 | |
What are you doing? | 0:45:23 | 0:45:25 | |
I'm going to find out where the order originated. | 0:45:25 | 0:45:27 | |
-On whose recommendation here. -Calm down. I've already checked. | 0:45:27 | 0:45:31 | |
General Kahlenberge. He recommended your transfer. | 0:45:32 | 0:45:36 | |
Did he indeed? | 0:45:36 | 0:45:37 | |
You must have made quite an impression last night. | 0:45:37 | 0:45:40 | |
It would seem so. Thank you, colonel. | 0:45:40 | 0:45:42 | |
It's just as well, you know. | 0:45:43 | 0:45:45 | |
That's a matter of opinion. | 0:45:45 | 0:45:47 | |
Above all, Major Grau, not too much zeal. | 0:45:47 | 0:45:51 | |
I have a zealous nature, sir. I can't help it. | 0:45:51 | 0:45:55 | |
Yes, inspector, I was in Warsaw with General Tanz. | 0:46:01 | 0:46:05 | |
And I resent those cheap journalists | 0:46:05 | 0:46:07 | |
who try to make him out to be some sort of inhuman monster. He was not. | 0:46:07 | 0:46:12 | |
SPEAKS SPANISH | 0:46:12 | 0:46:14 | |
Forgive me, inspector. We hire a lot of foreigners nowadays. | 0:46:14 | 0:46:17 | |
We can't get Germans any more, not for real work. | 0:46:17 | 0:46:20 | |
I've seen General Tanz in the field, with the wounded, the dying. | 0:46:20 | 0:46:25 | |
He was extraordinary. | 0:46:25 | 0:46:28 | |
Compassionate, gentle. | 0:46:28 | 0:46:31 | |
Do you know that, after Leningrad, | 0:46:31 | 0:46:33 | |
Hitler ordered the general not to expose himself to enemy fire. | 0:46:33 | 0:46:36 | |
Of course, he found this a great hardship. | 0:46:36 | 0:46:39 | |
He was only happy in battle. | 0:46:39 | 0:46:40 | |
-KNOCKING -Yes? | 0:46:40 | 0:46:42 | |
SPEAKS SPANISH | 0:46:42 | 0:46:45 | |
Ah, gracias. Gracias. | 0:46:45 | 0:46:47 | |
I'm also learning Spanish. | 0:46:47 | 0:46:49 | |
Well, soon everything will be automated. | 0:46:49 | 0:46:51 | |
Except the manager, of course. | 0:46:51 | 0:46:54 | |
And then, in July 1944, we were transferred to Paris. | 0:46:54 | 0:46:58 | |
The Allies were in Normandy by then | 0:46:58 | 0:47:01 | |
and Hitler ordered us to stop them in front of Paris. | 0:47:01 | 0:47:04 | |
We nearly did too, except that the army was betrayed, as usual. | 0:47:04 | 0:47:08 | |
But we mustn't talk politics. It's bad for business, isn't it? | 0:47:08 | 0:47:11 | |
You asked me about Paris. | 0:47:11 | 0:47:13 | |
'It was a paradise to us, particularly after Russia. | 0:47:14 | 0:47:18 | |
'I remember that summer as though it were yesterday. | 0:47:18 | 0:47:21 | |
'The empty streets, the heat, the quiet. | 0:47:21 | 0:47:23 | |
'Everything cheap. | 0:47:23 | 0:47:25 | |
'By the way, I was in Paris last summer, and my God, the prices. | 0:47:25 | 0:47:28 | |
'When they gave me my hotel bill, I couldn't believe it. | 0:47:28 | 0:47:32 | |
'But in July '44, Paris was still our city. | 0:47:32 | 0:47:35 | |
'I suppose that's a tactless thing to say, but we did love Paris. | 0:47:35 | 0:47:39 | |
'In any case, General Tanz and I were due to arrive on July 20th. | 0:47:39 | 0:47:44 | |
'But at the last moment, the general decided to come a few days early. | 0:47:44 | 0:47:48 | |
'So I sent a messenger to 7th Corps headquarters at Versailles | 0:47:48 | 0:47:52 | |
'to say that we would be in Paris on the 17th. | 0:47:52 | 0:47:55 | |
'I think you know why I'm giving you the exact dates. | 0:47:55 | 0:47:59 | |
'As it turned out, it was a good thing we arrived when we did. | 0:47:59 | 0:48:03 | |
'However, there were those who were not at all pleased | 0:48:03 | 0:48:06 | |
'to learn of our early arrival.' | 0:48:06 | 0:48:09 | |
Thank you, that will be all. | 0:48:09 | 0:48:10 | |
-Heil Hitler. -Heil Hitler. | 0:48:10 | 0:48:13 | |
-Oh, I shall be with General Gabler in the War Room. -Yes, sir. | 0:48:18 | 0:48:22 | |
What about my pass? Is it all right? | 0:48:25 | 0:48:28 | |
For God's sake, relax! | 0:48:28 | 0:48:31 | |
Operation Hartmann, phase one, will begin tomorrow, 18 July, at 0915 | 0:48:31 | 0:48:35 | |
-when the lance corporal reports to the railway station. -With a car. | 0:48:35 | 0:48:38 | |
With a car duly requisitioned from the motor pool. Phase two, | 0:48:38 | 0:48:41 | |
the lance corporal will then meet the secret consignment from Berlin. | 0:48:41 | 0:48:44 | |
-Then? -Then phase three. | 0:48:44 | 0:48:46 | |
A 24-hour pass for the lance corporal will begin tomorrow at noon. | 0:48:46 | 0:48:50 | |
-You've got it? -Here. | 0:48:50 | 0:48:51 | |
A corporal and a general's daughter. | 0:48:51 | 0:48:54 | |
You know, you really are asking for trouble. | 0:48:54 | 0:48:57 | |
But it's your funeral, not mine! | 0:48:57 | 0:49:00 | |
OFFICER: The British second army has been advancing towards the left, | 0:49:04 | 0:49:07 | |
trying to cut off two of our panzer divisions from our main supply route. | 0:49:07 | 0:49:12 | |
During the last 48 hours, the enemy has succeeded | 0:49:12 | 0:49:15 | |
in crossing the Ohm River, here and here. | 0:49:15 | 0:49:18 | |
However, we were able to stop them here, | 0:49:18 | 0:49:21 | |
with help from the 12th SS Panzer Division, | 0:49:21 | 0:49:23 | |
-which is counterattacking at the moment. -Well? | 0:49:23 | 0:49:26 | |
-Now what do we do? -To be precise, what do YOU do? | 0:49:26 | 0:49:29 | |
-We. You're in this too. -General Gabler? | 0:49:29 | 0:49:32 | |
-The field marshal will see you at 4:00. -Thank you, major. | 0:49:32 | 0:49:36 | |
I admit that it's inconvenient for you. | 0:49:37 | 0:49:40 | |
It's a good deal more than that. Why? | 0:49:40 | 0:49:42 | |
Just why is General Tanz arriving three days earlier than was planned? | 0:49:42 | 0:49:47 | |
-You suspect something odd? -He comes straight from Hitler. | 0:49:47 | 0:49:50 | |
-Isn't that odd enough? -I want to hear this. | 0:49:50 | 0:49:54 | |
The American 1st Army occupied the town of Saint-Claude. | 0:49:54 | 0:49:57 | |
Our troops are withdrawing to new positions south and southeast. | 0:49:57 | 0:50:02 | |
GRAU: General Gabler, General Kahlenberge. | 0:50:02 | 0:50:05 | |
I never had the opportunity to thank you for my promotion. | 0:50:05 | 0:50:10 | |
I'm sorry. Grau, Intelligence, Warsaw 1942. | 0:50:10 | 0:50:14 | |
Oh, yes, yes. Good to see you again, colonel. | 0:50:14 | 0:50:17 | |
You once had the vision to transfer me to Paris. | 0:50:17 | 0:50:21 | |
We do our best to give pleasure, colonel. Good day. | 0:50:21 | 0:50:23 | |
I understand we're soon to be joined by General Tanz. | 0:50:23 | 0:50:26 | |
Quite like old times. | 0:50:26 | 0:50:29 | |
Excuse me. I just wanted to greet you. | 0:50:29 | 0:50:32 | |
General. | 0:50:34 | 0:50:35 | |
-Tiresome fellow. -Strange, isn't it? | 0:50:40 | 0:50:43 | |
Everybody seems to be aware that Tanz is coming here. | 0:50:43 | 0:50:47 | |
I don't like it. | 0:50:47 | 0:50:48 | |
-I don't like it at all. -Obviously not. | 0:50:48 | 0:50:51 | |
It's always disagreeable when the cat gets back | 0:50:51 | 0:50:53 | |
to find the mice have been playing. | 0:50:53 | 0:50:56 | |
We could, of course, distract the cat | 0:50:56 | 0:50:58 | |
by suggesting that he take a few days off to play a little too. | 0:50:58 | 0:51:01 | |
Particularly after all... | 0:51:01 | 0:51:03 | |
'After all that you've been through, my dear general, | 0:51:03 | 0:51:06 | |
'these past few months in Russia, | 0:51:06 | 0:51:07 | |
'I know it must have been perfect hell for you.' | 0:51:07 | 0:51:09 | |
I want 4,000 men by the end of the week. | 0:51:09 | 0:51:11 | |
And you shall have them. Your Colonel Sandauer | 0:51:11 | 0:51:13 | |
has been working closely with General Kahlenberge. | 0:51:13 | 0:51:15 | |
We are scraping the sides of the barrel, but you'll have 4,000. | 0:51:15 | 0:51:18 | |
Meanwhile, why don't you take a few days off? | 0:51:18 | 0:51:21 | |
Rest a bit, see the sights of Paris. It's your first visit. | 0:51:21 | 0:51:24 | |
I want only combat troops, no decaying old men or children. | 0:51:24 | 0:51:27 | |
Yes, sir. We are making good progress, General Kahlenberge and I. | 0:51:27 | 0:51:30 | |
After all, it may be your last chance to see Paris. | 0:51:30 | 0:51:33 | |
It may be anyone's last chance. Such a pity. | 0:51:33 | 0:51:36 | |
A necessity. | 0:51:36 | 0:51:37 | |
But of course. Of course it's necessary. | 0:51:37 | 0:51:40 | |
Stern measures, the only thing people respect. | 0:51:40 | 0:51:42 | |
All I'm suggesting is that you leave everything to us. | 0:51:42 | 0:51:44 | |
-A commander does not... -And your excellent Colonel Sandauer. | 0:51:44 | 0:51:47 | |
We've arranged a suite for you at the... Kahlenberge? | 0:51:47 | 0:51:50 | |
-At your hotel. -At the Excelsior. | 0:51:50 | 0:51:52 | |
You'll have a car, a driver and whatever else strikes your fancy. | 0:51:52 | 0:51:56 | |
-One must relax occasionally, general. -I can't afford to. | 0:51:56 | 0:52:00 | |
You give me no alternative but to compel you to enjoy yourself. | 0:52:00 | 0:52:04 | |
Must I order you? | 0:52:04 | 0:52:06 | |
Because if I must, I'm afraid I shall have to. | 0:52:06 | 0:52:10 | |
Yes, sir. | 0:52:10 | 0:52:11 | |
Evidently, you are not ready for me. | 0:52:11 | 0:52:14 | |
Very well. | 0:52:14 | 0:52:16 | |
I shall devote one day to seeing the city. | 0:52:16 | 0:52:19 | |
I shall return to headquarters at 0800 hours | 0:52:19 | 0:52:21 | |
on the morning of the 19th. | 0:52:21 | 0:52:23 | |
Heil, Hitler. | 0:52:23 | 0:52:26 | |
-GABLER: -Heil Hitler. | 0:52:26 | 0:52:28 | |
Well, that wasn't so bad. You now have one day's grace. | 0:52:28 | 0:52:31 | |
We need two, until the 20th. | 0:52:31 | 0:52:33 | |
Come and have dinner with me and Eleanore tomorrow. | 0:52:33 | 0:52:35 | |
-Ulrike's arriving. -This is bad luck. | 0:52:35 | 0:52:37 | |
-Naturally, she forgot to say which train she'd be on. -I assume... | 0:52:37 | 0:52:41 | |
-I assume you're with us now. -In spirit, of course, but... | 0:52:41 | 0:52:44 | |
You'll have to make up your mind. Soon. | 0:52:44 | 0:52:47 | |
Making up one's mind is one thing, speaking it is another. | 0:52:47 | 0:52:52 | |
You worry too much. | 0:52:52 | 0:52:54 | |
Patience is one of the few virtues that I possess. | 0:52:56 | 0:53:00 | |
At ease. | 0:53:01 | 0:53:02 | |
Sergeant, get me the military governor's office on the telephone. | 0:53:02 | 0:53:06 | |
-Corporal? -Sir. | 0:53:14 | 0:53:16 | |
I have an assignment for you. | 0:53:16 | 0:53:18 | |
Come in. | 0:53:18 | 0:53:20 | |
Get me the military governor's office. | 0:53:26 | 0:53:29 | |
For General Kahlenberge. | 0:53:29 | 0:53:31 | |
You're to stay with him every minute of the day. | 0:53:31 | 0:53:33 | |
-24-hour call, do you understand? -Yes, sir. | 0:53:33 | 0:53:35 | |
He may want to go out at night. | 0:53:35 | 0:53:38 | |
Do you know anything which might interest General Tanz? | 0:53:38 | 0:53:41 | |
Nightclubs or girls, that sort of thing. | 0:53:41 | 0:53:44 | |
A few, sir. | 0:53:44 | 0:53:45 | |
But I don't really know what the general's taste is, sir. | 0:53:45 | 0:53:48 | |
Let us hope that, whatever it is, it is not you, corporal. | 0:53:48 | 0:53:51 | |
However, if it should be, remember that you're serving the fatherland. | 0:53:51 | 0:53:56 | |
-I'll try to remember, sir. -Should he ask you | 0:53:56 | 0:53:58 | |
to take him to his headquarters, you're to telephone me. | 0:53:58 | 0:54:01 | |
-Either here or at my hotel. -Yes, sir. | 0:54:01 | 0:54:03 | |
You'll report to Colonel Sandauer for specific instructions. | 0:54:03 | 0:54:06 | |
Sir? | 0:54:08 | 0:54:09 | |
What is it, corporal? | 0:54:09 | 0:54:11 | |
I'm sorry, sir, but I was supposed to have | 0:54:11 | 0:54:14 | |
-a 24-hour leave starting tomorrow. -That's impossible. | 0:54:14 | 0:54:17 | |
-Could I have one hour free in the morning, sir? -No. | 0:54:19 | 0:54:23 | |
Sir. | 0:54:23 | 0:54:24 | |
-Hartmann? -Sir? | 0:54:27 | 0:54:28 | |
This is important. | 0:54:30 | 0:54:32 | |
All right. Now, where were we? | 0:54:34 | 0:54:36 | |
Oh, yes. Childhood diseases? | 0:54:36 | 0:54:39 | |
Measles. | 0:54:39 | 0:54:41 | |
I can't remember. Nothing serious, I think. | 0:54:41 | 0:54:44 | |
Chickenpox. | 0:54:44 | 0:54:45 | |
Bed-wetting? | 0:54:45 | 0:54:47 | |
-No, sir. -Fear of the dark? | 0:54:48 | 0:54:51 | |
No, not particularly. | 0:54:51 | 0:54:53 | |
Venereal disease? | 0:54:53 | 0:54:55 | |
-No, sir. -Good. | 0:54:56 | 0:54:59 | |
-Now, what about books? -Books? | 0:54:59 | 0:55:02 | |
-Do you read books? -Yes, sir, I read books. | 0:55:02 | 0:55:04 | |
What? | 0:55:04 | 0:55:06 | |
War and Peace. | 0:55:06 | 0:55:08 | |
Nietzsche, The Decline of the West. | 0:55:08 | 0:55:10 | |
Books on psychology, pathology? | 0:55:10 | 0:55:14 | |
No, not much. | 0:55:14 | 0:55:16 | |
Show me your hands. | 0:55:16 | 0:55:18 | |
All right. | 0:55:25 | 0:55:26 | |
Now, you'll have a room assigned to you in the general's hotel. | 0:55:26 | 0:55:28 | |
He'll want to see the principal sights of Paris. | 0:55:28 | 0:55:31 | |
You will prepare an itinerary and submit it to me. | 0:55:31 | 0:55:34 | |
When not in the field, the general goes to bed at 11:45. | 0:55:34 | 0:55:39 | |
He seldom drinks or smokes, | 0:55:39 | 0:55:41 | |
so you will probably have an early evening. | 0:55:41 | 0:55:44 | |
Now, this is my private number, in case you should need me. | 0:55:44 | 0:55:50 | |
Need you, sir? | 0:55:50 | 0:55:51 | |
If anything out of the ordinary should happen, ring me immediately. | 0:55:51 | 0:55:55 | |
-Is that understood? -Yes, sir. | 0:55:55 | 0:55:58 | |
Good luck. | 0:55:58 | 0:55:59 | |
Thank you, sir. | 0:56:02 | 0:56:04 | |
Incidentally, avoid all cemeteries, tombs, any mention of death. | 0:56:05 | 0:56:11 | |
Yes, sir. | 0:56:13 | 0:56:14 | |
Sir? | 0:56:22 | 0:56:24 | |
-Inspector Morand, please. -Third floor, room 158. | 0:56:24 | 0:56:27 | |
-Who shall I say is here? -Thank you. I can find my own way. | 0:56:27 | 0:56:30 | |
SPEAKS FRENCH | 0:56:34 | 0:56:38 | |
Welcome, Colonel Grau, to the spider's web. | 0:56:42 | 0:56:45 | |
How did you know it was me? | 0:56:45 | 0:56:47 | |
What other German colonel would enter unannounced? | 0:56:47 | 0:56:49 | |
Almost any SS colonel would. | 0:56:49 | 0:56:52 | |
Actually, I saw you reflected in the window. | 0:56:52 | 0:56:54 | |
Impossible, it's too dirty. | 0:56:54 | 0:56:57 | |
-I hope you're not allergic to dust. -Old crimes, colonel. | 0:56:57 | 0:57:01 | |
They generate a good deal of dust. | 0:57:01 | 0:57:04 | |
Unsolved crimes. | 0:57:05 | 0:57:07 | |
The dust has settled. | 0:57:08 | 0:57:10 | |
We can always unsettle it. | 0:57:10 | 0:57:14 | |
Is that why you came? Do sit down, colonel. | 0:57:14 | 0:57:17 | |
I must apologise for the heat, but it's nearly August, | 0:57:17 | 0:57:20 | |
when most Parisians leave Paris. | 0:57:20 | 0:57:22 | |
Let's hope Germans have the good sense to do the same. | 0:57:22 | 0:57:25 | |
Saint-Lo fell to the Allies this morning. | 0:57:25 | 0:57:28 | |
BBC? | 0:57:28 | 0:57:30 | |
-Coffee? -No, thank you. | 0:57:30 | 0:57:32 | |
You have dossiers on everyone, don't you? | 0:57:33 | 0:57:37 | |
-On everyone interesting. -German as well as French? | 0:57:37 | 0:57:40 | |
At the specific request of German Intelligence, | 0:57:40 | 0:57:43 | |
we keep an occasional eye on interesting Germans. | 0:57:43 | 0:57:48 | |
Like me? | 0:57:48 | 0:57:50 | |
-I have always found you interesting. -Thank you. | 0:57:50 | 0:57:54 | |
What about German generals? | 0:57:54 | 0:57:56 | |
Well, what about them? | 0:57:57 | 0:58:00 | |
Generals are interesting? | 0:58:00 | 0:58:02 | |
Then, to the degree that they are interesting, | 0:58:02 | 0:58:05 | |
-we keep an eye on them too. -Good. | 0:58:05 | 0:58:07 | |
Here are the names of three generals. I want to know everything about them. | 0:58:07 | 0:58:11 | |
Everything may be too much. | 0:58:11 | 0:58:13 | |
What specifically are you looking for? | 0:58:13 | 0:58:15 | |
One of them is a murderer. | 0:58:15 | 0:58:19 | |
Only one? | 0:58:19 | 0:58:21 | |
But murder is the occupation of generals. | 0:58:21 | 0:58:24 | |
Let's say what is admirable on the large scale | 0:58:24 | 0:58:27 | |
is monstrous on the small. | 0:58:27 | 0:58:29 | |
Since we must give medals to mass murderers, | 0:58:30 | 0:58:34 | |
let us try to give justice to the small entrepreneur. | 0:58:34 | 0:58:38 | |
Nicely put. I shall be glad to help you if I can. | 0:58:38 | 0:58:42 | |
I realise that nothing is free in this world, even between colleagues. | 0:58:42 | 0:58:46 | |
Especially between colleagues. | 0:58:46 | 0:58:48 | |
In exchange for your information, | 0:58:48 | 0:58:50 | |
I shall arrange for the release from prison of three French resistance. | 0:58:50 | 0:58:55 | |
Thank you. | 0:58:55 | 0:58:57 | |
-Have you a favourite suspect? -Not really, no. | 0:58:57 | 0:59:01 | |
You see, on the night of the murder, | 0:59:01 | 0:59:03 | |
each general had something to conceal. | 0:59:03 | 0:59:05 | |
The night of the murder was...? | 0:59:05 | 0:59:08 | |
December the 12th, 1942, Warsaw. And just as I started my investigation, | 0:59:08 | 0:59:14 | |
I was transferred to Paris. | 0:59:14 | 0:59:16 | |
-By the murderer? -Possibly. | 0:59:16 | 0:59:18 | |
For two years, I've wanted to reopen the case. | 0:59:18 | 0:59:21 | |
Now I can. As of today, all three are in Paris. | 0:59:21 | 0:59:25 | |
General Gabler. | 0:59:25 | 0:59:26 | |
He's partial to the sort of girl who was killed. | 0:59:26 | 0:59:29 | |
-Oh, a girl. A crime of passion, as we say. -Passion, yes, | 0:59:29 | 0:59:34 | |
but only in the sense of your distinguished Marquis de Sade. | 0:59:34 | 0:59:37 | |
Oh, a sex crime, I see. Is that why this case excites you? | 0:59:37 | 0:59:41 | |
The girl was also a German agent. | 0:59:42 | 0:59:45 | |
She may have been killed because of something she knew. | 0:59:45 | 0:59:48 | |
That's why Kahlenberge intrigues me the most. | 0:59:48 | 0:59:51 | |
He seems to have no private life | 0:59:51 | 0:59:54 | |
and yet he disappears from time to time. | 0:59:54 | 0:59:56 | |
No one knows where or why. | 0:59:56 | 0:59:59 | |
And General Tanz? | 0:59:59 | 1:00:00 | |
A perfect maniac. | 1:00:00 | 1:00:02 | |
'I saw him destroy an entire quarter of Warsaw | 1:00:02 | 1:00:05 | |
'for the sheer pleasure of it. | 1:00:05 | 1:00:07 | |
'On the Eastern front, he was known as The Butcher. | 1:00:07 | 1:00:11 | |
'He lost most of his division in Russia. | 1:00:11 | 1:00:13 | |
'He revels in death. Which is why, in a curious way, | 1:00:13 | 1:00:17 | |
'I don't think he's the man I'm looking for. | 1:00:17 | 1:00:20 | |
'Anyone who has the power to destroy a city whenever he chooses | 1:00:20 | 1:00:23 | |
'does not need such minor sport as killing a girl. | 1:00:23 | 1:00:27 | |
'I could be wrong, of course.' | 1:00:27 | 1:00:28 | |
-Hartmann? -Yes. | 1:00:32 | 1:00:34 | |
I'm Sergeant Kopatski, the general's orderly. | 1:00:34 | 1:00:37 | |
For the time being, that is. | 1:00:37 | 1:00:39 | |
I forgot to take his laces out before cleaning his shoes this morning. | 1:00:39 | 1:00:42 | |
For God's sake, where are your gloves? | 1:00:42 | 1:00:45 | |
-You'll get finger marks on it. -I haven't got gloves. | 1:00:45 | 1:00:47 | |
-They never told me. -Take mine. | 1:00:47 | 1:00:49 | |
These are the general's holiday rations. | 1:00:51 | 1:00:54 | |
One bottle of cognac, one Thermos of coffee at 40 degrees centigrade, | 1:00:54 | 1:00:58 | |
-200 cigarettes. -Does the general drink? | 1:00:58 | 1:01:01 | |
Like a sponge, only he never shows it. | 1:01:01 | 1:01:05 | |
Put the briefcase on the back seat. | 1:01:05 | 1:01:07 | |
On the right side. | 1:01:07 | 1:01:08 | |
Whenever he leaves the car, clean out the ashtrays. | 1:01:08 | 1:01:11 | |
He smokes like a chimney. Clean everything in sight. | 1:01:11 | 1:01:15 | |
Clean everything out of sight, including the engine. | 1:01:15 | 1:01:18 | |
If you don't, he'll tear your head off. | 1:01:18 | 1:01:22 | |
It's now one second to 9:00. | 1:01:22 | 1:01:24 | |
Here he comes. | 1:01:24 | 1:01:26 | |
I've given him full instructions, sir. | 1:01:31 | 1:01:33 | |
-Name? -Hartmann, Kurt, lance corporal, sir. | 1:01:33 | 1:01:36 | |
Show the general your hands. | 1:01:36 | 1:01:38 | |
Well, don't stand there like a fool. Put your gloves on. | 1:01:45 | 1:01:48 | |
He seems to know Paris. He's prepared an itinerary | 1:01:48 | 1:01:50 | |
of the sights of the city. I have endorsed it. | 1:01:50 | 1:01:52 | |
-I shall see you tomorrow morning at headquarters. -Yes, general. | 1:01:52 | 1:01:55 | |
Sergeant Kopatski is relieved as my orderly. | 1:01:55 | 1:01:57 | |
This morning, he smeared polish on my shoelaces. | 1:01:57 | 1:02:00 | |
-14 days confined to barracks. -Yes, general. | 1:02:00 | 1:02:02 | |
We've just passed the Place Vendome, sir. | 1:02:24 | 1:02:28 | |
The column is 142 feet high and was erected in 1810. | 1:02:28 | 1:02:32 | |
It's made of bronze from 1200 cannon captured at Austerlitz. | 1:02:32 | 1:02:37 | |
There's a statue of Napoleon on the top. | 1:02:37 | 1:02:41 | |
In front of us, sir, the Tuileries Gardens. | 1:02:42 | 1:02:45 | |
The Tuileries Palace used to be in the middle of the gardens. | 1:02:45 | 1:02:49 | |
In 1792, at the time of the French Revolution, | 1:03:05 | 1:03:08 | |
the Paris mob attacked the palace, | 1:03:08 | 1:03:11 | |
forcing the king and queen to escape. | 1:03:11 | 1:03:14 | |
It was burnt down in... | 1:03:19 | 1:03:22 | |
in 1871. | 1:03:22 | 1:03:24 | |
We are now coming into Place de la Concorde. | 1:03:51 | 1:03:53 | |
One of the most beautiful squares in Paris. | 1:03:53 | 1:03:56 | |
It was here, in the middle of the square | 1:03:59 | 1:04:01 | |
that Louis XVI and Marie Antoinette... | 1:04:01 | 1:04:05 | |
..were beheaded during the revolution. | 1:04:06 | 1:04:08 | |
The guillotine was there, in the centre, where the obelisk is now. | 1:04:10 | 1:04:14 | |
-Keep your eye on the road, corporal. -Yes, sir. | 1:04:15 | 1:04:18 | |
TRAIN WHISTLE BLOWS | 1:04:22 | 1:04:24 | |
-Fraulein Gabler? -Yes. | 1:04:29 | 1:04:30 | |
I'm Sergeant Kopke from your father's headquarters. | 1:04:30 | 1:04:34 | |
How did they know which train I was on? | 1:04:34 | 1:04:36 | |
They didn't. | 1:04:36 | 1:04:37 | |
May I? | 1:04:37 | 1:04:40 | |
You see, I'm Hartmann's cousin. | 1:04:40 | 1:04:41 | |
We got no secrets, Hartmann and me. More like brothers, really. | 1:04:41 | 1:04:45 | |
-He's all right, isn't he? -All right? Never better. | 1:04:45 | 1:04:48 | |
No, it's just at the last moment he was assigned to drive General Tanz. | 1:04:48 | 1:04:52 | |
Only for today. That's why he couldn't meet you. | 1:04:52 | 1:04:55 | |
Well, how are things in the fatherland? | 1:04:55 | 1:04:57 | |
Any cities left after all the bombing? | 1:04:57 | 1:05:00 | |
A few, yes, here and there. | 1:05:00 | 1:05:02 | |
There's one good thing about Paris. It's an open city, no bombs. | 1:05:02 | 1:05:06 | |
I hate bombs. | 1:05:06 | 1:05:08 | |
This way, Fraulein Gabler. I have a car for you just outside. | 1:05:08 | 1:05:12 | |
I'll take you to your father's hotel. | 1:05:12 | 1:05:14 | |
Hartmann's staying there too. | 1:05:14 | 1:05:16 | |
With General Tanz, just for tonight. | 1:05:16 | 1:05:19 | |
So I suppose you'll run into him sooner or later, | 1:05:19 | 1:05:21 | |
in the lobby or something. | 1:05:21 | 1:05:23 | |
The gallery is shut to the public, sir. But special permission | 1:05:29 | 1:05:33 | |
has been granted for you to see the paintings. | 1:05:33 | 1:05:36 | |
Most of them have been confiscated and assembled here | 1:05:36 | 1:05:38 | |
before being sent to Germany. | 1:05:38 | 1:05:40 | |
General Tanz. You've been notified. | 1:05:48 | 1:05:50 | |
Yes, corporal. Here's all the information. | 1:05:50 | 1:05:52 | |
On your right, sir, paintings by Boucher, | 1:06:02 | 1:06:04 | |
the 18th-century French master. | 1:06:04 | 1:06:07 | |
All these paintings have been selected | 1:06:07 | 1:06:09 | |
for Reichsmarschall Goering. | 1:06:09 | 1:06:12 | |
What's in there? | 1:06:18 | 1:06:20 | |
Paintings requisitioned from private collections | 1:06:21 | 1:06:24 | |
-by the Reichsmarschall. -What kind of paintings? | 1:06:24 | 1:06:26 | |
Modern, sir, and some impressionists. | 1:06:26 | 1:06:30 | |
Decadent? | 1:06:30 | 1:06:31 | |
I suppose so, sir. | 1:06:31 | 1:06:33 | |
Light. | 1:06:38 | 1:06:40 | |
Toulouse-Lautrec, Le Divan. | 1:06:48 | 1:06:50 | |
Renoir, Nude, painted in 1910. | 1:06:53 | 1:06:57 | |
Gauguin, On the Beach, from his Tahitian period. | 1:06:57 | 1:07:01 | |
Another Nude by Renoir. | 1:07:02 | 1:07:04 | |
Soutine, Le Garcon d'etage. | 1:07:04 | 1:07:07 | |
Degas, The Tub, painted in 1886. | 1:07:09 | 1:07:13 | |
Van Gogh, Vincent, Self-Portrait. | 1:07:14 | 1:07:18 | |
Sometimes called Vincent in Flames, | 1:07:18 | 1:07:20 | |
painted while in an insane asylum during the last years of his life. | 1:07:20 | 1:07:25 | |
Here, sir, a painting by Cezanne. | 1:07:27 | 1:07:31 | |
How dare you touch me? | 1:07:59 | 1:08:02 | |
Excuse me, sir, but... | 1:08:02 | 1:08:04 | |
Never do that again! | 1:08:04 | 1:08:07 | |
I thought that General Gabler was going to join us for lunch. | 1:08:48 | 1:08:51 | |
Nowadays, General Gabler does not eat lunch. | 1:08:51 | 1:08:54 | |
Really? That could prove injurious to his health. | 1:08:54 | 1:08:57 | |
Yes. Yes, I've told him. | 1:08:57 | 1:08:59 | |
However, once... | 1:08:59 | 1:09:02 | |
Once the exercise is completed, he will join us at every meal. | 1:09:02 | 1:09:07 | |
He may not be invited then. | 1:09:07 | 1:09:09 | |
Shall we go to the garden? | 1:09:10 | 1:09:13 | |
We've had particularly good luck with the roses this season. | 1:09:13 | 1:09:17 | |
It's a very beautiful place you have here. | 1:09:18 | 1:09:21 | |
Thank you, general. We have spent two delightful summers here. | 1:09:21 | 1:09:24 | |
I shall regret leaving it. | 1:09:24 | 1:09:26 | |
Hitler is now at his headquarters in Rastenburg. | 1:09:28 | 1:09:32 | |
If all goes well, the day after tomorrow | 1:09:32 | 1:09:34 | |
at approximately 1:30 in the afternoon, | 1:09:34 | 1:09:37 | |
he will be dead. | 1:09:37 | 1:09:39 | |
If I may say so, we HOPE he will be dead. | 1:09:39 | 1:09:42 | |
Look at that! These damn beetles. They're everywhere. | 1:09:42 | 1:09:46 | |
Sir, how do we know Hitler won't change his plans at the last minute? | 1:09:46 | 1:09:50 | |
Twice this month we were ready for him, but he was not ready for us. | 1:09:50 | 1:09:54 | |
-What if something goes wrong, sir? -You'll all be executed, colonel. | 1:09:54 | 1:09:58 | |
I imagine the Gestapo have most of our names already. | 1:09:58 | 1:10:01 | |
-This is our last chance. -This is also our last chance militarily. | 1:10:01 | 1:10:05 | |
The Allies will be across the Rhine before winter. It is now or never. | 1:10:05 | 1:10:09 | |
Fortunately, we are not as alone as we once were. | 1:10:09 | 1:10:12 | |
We have the support of the greatest soldier in Germany. | 1:10:12 | 1:10:15 | |
-Field Marshal Rommel. -Rommel? | 1:10:15 | 1:10:18 | |
This will make all the difference to the army. | 1:10:18 | 1:10:20 | |
-Rommel is getting even more popular than Hitler. -Rommel is even... | 1:10:20 | 1:10:24 | |
almost a better general. | 1:10:24 | 1:10:26 | |
It is our plan to make him president of the German Republic. | 1:10:26 | 1:10:29 | |
'At the moment, Field Marshal Rommel is touring the Western front, | 1:10:29 | 1:10:33 | |
-'but when we need him, he will join us here. -' | 1:10:33 | 1:10:36 | |
Try to hold this position one more day. | 1:10:36 | 1:10:39 | |
-That is, assuming the reinforcements arrive in time. -Excuse me, sir. | 1:10:39 | 1:10:43 | |
An urgent dispatch for you. | 1:10:43 | 1:10:45 | |
The enemy has broken the line in the vicinity of Coutance. | 1:10:45 | 1:10:49 | |
Do what you can. | 1:10:49 | 1:10:51 | |
Be careful on the roads, field marshal. | 1:10:51 | 1:10:53 | |
The enemy has complete command of the air. | 1:10:53 | 1:10:56 | |
General von Eisenbeck is on his way to Rastenburg | 1:10:56 | 1:10:58 | |
to report to the Fuehrer. | 1:10:58 | 1:11:00 | |
Tell the Fuehrer the SS would rather die than fail him. | 1:11:00 | 1:11:03 | |
I shall tell him, general. | 1:11:03 | 1:11:04 | |
I'll stop overnight in Livarot. Tomorrow I'll be at headquarters. | 1:11:04 | 1:11:08 | |
And after that, sir? Where can you be reached? | 1:11:08 | 1:11:12 | |
Who knows? | 1:11:12 | 1:11:14 | |
On the 20th, I may be in Paris. | 1:11:14 | 1:11:17 | |
You shouldn't have mentioned the date. | 1:11:32 | 1:11:35 | |
The date means nothing. Yet. | 1:11:35 | 1:11:37 | |
I still think you should wait before you commit yourself. | 1:11:37 | 1:11:40 | |
I am committed. | 1:11:40 | 1:11:42 | |
You realise that, if they fail, you'll be shot as a traitor. | 1:11:42 | 1:11:45 | |
But I am a traitor, | 1:11:45 | 1:11:47 | |
a traitor to a madman. | 1:11:47 | 1:11:49 | |
Who is still the supreme commander you once obeyed and admired. | 1:11:49 | 1:11:54 | |
When a commander goes mad, he forfeits his right to supremacy. | 1:11:54 | 1:11:58 | |
We have little choice. If we don't remove him now, | 1:11:58 | 1:12:00 | |
we shall be thought of as traitors to the fatherland. | 1:12:00 | 1:12:03 | |
If we do remove him now, history may one day call us patriots, heroes. | 1:12:03 | 1:12:09 | |
No matter what happens, I'm afraid we shall be misjudged. | 1:12:09 | 1:12:12 | |
You're probably right. But at least I hope you'll be cautious. | 1:12:12 | 1:12:16 | |
It's too late for caution. The war's lost. We must surrender. | 1:12:16 | 1:12:19 | |
-But if he survives? -He'll never surrender. | 1:12:19 | 1:12:22 | |
His kind of madman never does. | 1:12:22 | 1:12:24 | |
He wants the bodies of every German man, woman and child | 1:12:24 | 1:12:27 | |
to feed on the funeral pyre on which he himself will eventually die | 1:12:27 | 1:12:32 | |
in Wagnerian glory. | 1:12:32 | 1:12:34 | |
I intend to deny him that glory. | 1:12:34 | 1:12:37 | |
I intend... PLANES APPROACHING | 1:12:37 | 1:12:39 | |
Enemy planes on our left, field marshal. They've seen us. | 1:12:39 | 1:12:42 | |
GUNSHOTS | 1:12:42 | 1:12:44 | |
Take cover! Drive off the road, quick! | 1:12:47 | 1:12:50 | |
-I'm sorry, madam, I was delayed. -What's happened? | 1:13:18 | 1:13:20 | |
Field Marshal Rommel has been wounded. | 1:13:20 | 1:13:22 | |
-Oh, no! -How serious is it? | 1:13:22 | 1:13:24 | |
He's in coma. They don't think he'll live through the night. | 1:13:24 | 1:13:26 | |
-This is terrible. -How did it happen? | 1:13:26 | 1:13:28 | |
Normally. That is to say, his car was strafed by Allied aircraft. | 1:13:28 | 1:13:31 | |
-In that case, this is the end. -I don't agree. -Are you mad? | 1:13:31 | 1:13:35 | |
There are other generals. | 1:13:35 | 1:13:36 | |
Yes, of course. It isn't the end, not by any means. | 1:13:36 | 1:13:39 | |
But a definite setback, you must admit that. | 1:13:39 | 1:13:41 | |
Madam, I can't stay. Forgive me. Ulrike, welcome to Paris. | 1:13:41 | 1:13:44 | |
-It's always good to see the good general. -Good night, general. | 1:13:44 | 1:13:47 | |
This thing can't work. You don't have Rommel. | 1:13:52 | 1:13:54 | |
You do have Tanz returning to duty tomorrow. | 1:13:54 | 1:13:57 | |
-Only a miracle can help you now. -Then help with the miracle. | 1:13:57 | 1:14:00 | |
Keep Tanz away from headquarters tomorrow. | 1:14:00 | 1:14:02 | |
I shall do my best, of course. | 1:14:02 | 1:14:04 | |
But remember, if things do go wrong, you will all need a friend. | 1:14:04 | 1:14:09 | |
Someone who is uncontaminated. | 1:14:09 | 1:14:12 | |
That's why I think it best for everybody | 1:14:12 | 1:14:15 | |
if I appear neutral and bide my time. | 1:14:15 | 1:14:17 | |
Don't force me to break my neck by jumping the fence, | 1:14:17 | 1:14:20 | |
when I can stay usefully alive by sitting on it. | 1:14:20 | 1:14:23 | |
You see what I mean? | 1:14:23 | 1:14:25 | |
Yes, I see what you mean. | 1:14:25 | 1:14:28 | |
An adequate restaurant. | 1:14:35 | 1:14:37 | |
Very clean. | 1:14:37 | 1:14:39 | |
Shall I drive you back to your hotel, sir? | 1:14:46 | 1:14:50 | |
Why? | 1:14:50 | 1:14:52 | |
I thought you might be tired. | 1:14:52 | 1:14:54 | |
Yes. | 1:14:57 | 1:14:58 | |
Tell me, corporal, are the sights of Paris confined | 1:15:12 | 1:15:16 | |
to those which stimulate the intellect and stomach? | 1:15:16 | 1:15:19 | |
-By no means, sir. -Then we must be thorough. | 1:15:19 | 1:15:22 | |
You will report to me here in precisely 30 minutes. | 1:15:22 | 1:15:25 | |
-Oh, and, corporal? -Yes, sir? | 1:15:25 | 1:15:27 | |
You will wear civilian clothes. | 1:15:27 | 1:15:29 | |
You will get them from the hall porter. | 1:15:29 | 1:15:32 | |
MUSIC PLAYING | 1:15:43 | 1:15:45 | |
Quoi? | 1:16:09 | 1:16:11 | |
SPEAKS FRENCH | 1:17:01 | 1:17:04 | |
I am thirsty. | 1:17:07 | 1:17:09 | |
When a man is silent, | 1:17:12 | 1:17:14 | |
it's because he's shy or because he has suffered. | 1:17:14 | 1:17:17 | |
You are too good-looking to need to be shy. | 1:17:20 | 1:17:24 | |
If you have suffered... | 1:17:24 | 1:17:27 | |
SPEAKS FRENCH | 1:17:27 | 1:17:30 | |
I can help you forget your suffering. | 1:17:30 | 1:17:32 | |
Evidently, you have not suffered enough. | 1:17:46 | 1:17:48 | |
At 7:30, you are to wake me. | 1:17:58 | 1:18:02 | |
Bath water, 31 degrees. | 1:18:02 | 1:18:04 | |
Breakfast to consist of four raw eggs, two slices of toast, | 1:18:04 | 1:18:07 | |
coffee, one ounce of brandy. | 1:18:07 | 1:18:10 | |
-Yes, sir. -Good night, corporal. | 1:18:10 | 1:18:13 | |
Voila. | 1:18:38 | 1:18:39 | |
-Hello, could I speak to Fraulein...? -Kurt. | 1:19:16 | 1:19:19 | |
-Remember me? -Yes, the queen of Poland. | 1:19:23 | 1:19:26 | |
Mm-hm. Back from exile. | 1:19:26 | 1:19:29 | |
I thought of this so often. | 1:19:33 | 1:19:35 | |
Is it how you thought it would be? | 1:19:35 | 1:19:37 | |
PHONE BUZZES | 1:19:40 | 1:19:42 | |
Hello? | 1:19:45 | 1:19:47 | |
But, sir, I... | 1:19:47 | 1:19:49 | |
Yes, sir. Right away, sir. | 1:19:51 | 1:19:53 | |
-Damn! -General Tanz? | 1:19:53 | 1:19:55 | |
Colonel Sandauer. He wants me to sleep downstairs in Tanz's suite. | 1:19:55 | 1:19:58 | |
Don't. | 1:19:58 | 1:20:00 | |
No, I won't. | 1:20:00 | 1:20:02 | |
-You're the same. -Am I? | 1:20:05 | 1:20:08 | |
Mm. | 1:20:08 | 1:20:09 | |
Except I'm not really the same. | 1:20:09 | 1:20:11 | |
Why? What's different? | 1:20:11 | 1:20:13 | |
I don't know exactly. | 1:20:13 | 1:20:15 | |
You tell me, all right? I think you're the only one who can. | 1:20:16 | 1:20:20 | |
Yes, I'll tell you. | 1:20:20 | 1:20:22 | |
You have to go? | 1:20:30 | 1:20:32 | |
Mm. Or be shot. | 1:20:32 | 1:20:35 | |
Don't be shot, ever. | 1:20:35 | 1:20:37 | |
You mustn't worry. I'll see you tomorrow. | 1:20:37 | 1:20:40 | |
Who knows where we'll be tomorrow. | 1:20:40 | 1:20:43 | |
I'm sorry. Where do we meet? | 1:20:43 | 1:20:46 | |
Look, go to this place at 7:00. | 1:20:48 | 1:20:52 | |
If I'm not there, ask for Raymonde. It's quite safe. | 1:20:52 | 1:20:56 | |
Can you wait until 7:00? | 1:20:58 | 1:21:00 | |
No. | 1:21:00 | 1:21:02 | |
Neither can I. | 1:21:02 | 1:21:04 | |
Go quickly. | 1:21:04 | 1:21:06 | |
Kurt. | 1:21:12 | 1:21:13 | |
We don't have very good luck, do we? | 1:21:15 | 1:21:17 | |
That's why it's got to get better. | 1:21:20 | 1:21:23 | |
Good night. | 1:21:23 | 1:21:24 | |
Good night. | 1:21:27 | 1:21:29 | |
-KNOCKING TANZ: -Who is it? | 1:21:35 | 1:21:37 | |
-Corporal Hartmann, sir. -What? | 1:21:48 | 1:21:51 | |
Colonel Sandauer phoned, sir. He said I was to sleep here. | 1:21:51 | 1:21:55 | |
Yes. | 1:21:57 | 1:21:58 | |
-Who is it? -It's me, sir. -Yes? | 1:22:46 | 1:22:49 | |
With your breakfast, sir. | 1:22:49 | 1:22:51 | |
-The coffee black, two thirds of a cup, no sugar. -Yes, sir. | 1:22:51 | 1:22:55 | |
The bath water was 32 degrees, one degree too hot. | 1:22:55 | 1:22:59 | |
I'm sorry, sir. | 1:22:59 | 1:23:01 | |
I've put out your uniform, sir. | 1:23:08 | 1:23:10 | |
Corporal. | 1:23:15 | 1:23:16 | |
Yes, sir? | 1:23:18 | 1:23:20 | |
Anything to tell me? | 1:23:20 | 1:23:22 | |
No, sir. Nothing, sir. | 1:23:22 | 1:23:25 | |
-All is well, then? -Yes, sir. | 1:23:26 | 1:23:29 | |
-I insist on absolute frankness, corporal. -Yes, sir. | 1:23:29 | 1:23:34 | |
-Well? -Well, I hope the general had a good time last night. | 1:23:34 | 1:23:38 | |
After all, we're in Paris, and the general is on leave. | 1:23:38 | 1:23:41 | |
-That has nothing to do with you! -No, sir. | 1:23:41 | 1:23:43 | |
-Your job is to carry out orders, nothing else matters. -Yes, sir. | 1:23:43 | 1:23:46 | |
What was your profession? | 1:23:47 | 1:23:50 | |
Music. I studied piano, sir. | 1:23:50 | 1:23:53 | |
There are some booklets over there. I don't know how they came here. | 1:23:53 | 1:23:58 | |
Probably the hall porter brought them up for me. | 1:23:58 | 1:24:00 | |
I should like to see those paintings today. | 1:24:00 | 1:24:03 | |
I want you to arrange it for me, Hartmann. | 1:24:03 | 1:24:06 | |
-But, sir, I... -Yes? | 1:24:06 | 1:24:08 | |
Forgive me, sir, but you did say you were returning to duty this morning. | 1:24:09 | 1:24:13 | |
-I shall take another day of rest. -Yes, sir. | 1:24:13 | 1:24:16 | |
The whole business disgusts me, | 1:24:16 | 1:24:17 | |
but even I must relax once in a while. | 1:24:17 | 1:24:19 | |
It's like the natural functions. | 1:24:19 | 1:24:22 | |
Revolting but inevitable. | 1:24:22 | 1:24:24 | |
Whatever you say, sir. | 1:24:25 | 1:24:28 | |
You'll be happy to know General Tanz | 1:24:31 | 1:24:33 | |
-is not returning to duty until tomorrow. -Oh, really? | 1:24:33 | 1:24:36 | |
Miracles do happen from time to time. KNOCKING | 1:24:36 | 1:24:38 | |
-Come in. -Excuse me, general, sir. -Yes. | 1:24:38 | 1:24:41 | |
The office of the military governor just rang, sir. | 1:24:41 | 1:24:43 | |
-They want you to report to headquarters immediately. -Thank you. | 1:24:43 | 1:24:46 | |
What is that about? | 1:24:47 | 1:24:49 | |
Can't you guess? | 1:24:49 | 1:24:51 | |
What's in there? | 1:25:04 | 1:25:06 | |
The modern paintings. | 1:25:06 | 1:25:08 | |
You remember, sir. The ones you wanted to see. | 1:25:08 | 1:25:11 | |
Decadent art? | 1:25:11 | 1:25:13 | |
Well, yes, sir. | 1:25:13 | 1:25:15 | |
Toulouse-Lautrec, Le Divan. | 1:25:29 | 1:25:32 | |
Renoir, Nude, painted in 1910. | 1:25:32 | 1:25:35 | |
Gauguin... | 1:25:35 | 1:25:37 | |
-Colonel Grau? -Yes. | 1:26:35 | 1:26:37 | |
SPEAKS FRENCH | 1:26:37 | 1:26:38 | |
Colonel Grau. | 1:26:50 | 1:26:52 | |
A private room? It's been a long time | 1:26:53 | 1:26:56 | |
since I've seen indecent luxury in the middle of the day. | 1:26:56 | 1:26:59 | |
Nothing is too good for us, colonel. | 1:26:59 | 1:27:01 | |
SPEAKS FRENCH | 1:27:01 | 1:27:05 | |
We must give the red wine a chance to breathe. | 1:27:05 | 1:27:08 | |
SPEAKS FRENCH | 1:27:08 | 1:27:11 | |
Don't worry about the maitre d'hotel. He's one of my men. | 1:27:15 | 1:27:18 | |
I think the wine waiter's one of ours. | 1:27:18 | 1:27:21 | |
Let's hope the cook's neutral. | 1:27:21 | 1:27:23 | |
-A little white wine? -Thank you. | 1:27:23 | 1:27:25 | |
All we need is two ballet girls to complete the decor. | 1:27:25 | 1:27:29 | |
Sex and great cuisine do not mix. Either one or the other. | 1:27:29 | 1:27:33 | |
Today, it is the other. Tomorrow... | 1:27:33 | 1:27:36 | |
I'll find you the girls. | 1:27:36 | 1:27:38 | |
Now, what have you found for me? | 1:27:38 | 1:27:41 | |
-Something extraordinary. -What? | 1:27:41 | 1:27:45 | |
There will be another murder, and it involves one of your generals. | 1:27:45 | 1:27:50 | |
-Which one? -Kahlenberge. | 1:27:51 | 1:27:53 | |
Go on. | 1:27:53 | 1:27:55 | |
I shouldn't tell you this. | 1:27:55 | 1:27:57 | |
Why not? | 1:27:57 | 1:27:58 | |
Because as a Frenchman, I approve, in a way, of what he's doing. | 1:27:58 | 1:28:03 | |
You approve? | 1:28:03 | 1:28:05 | |
Of murder? | 1:28:05 | 1:28:07 | |
Of this murder. | 1:28:07 | 1:28:09 | |
He is part of a plot to kill Hitler. | 1:28:09 | 1:28:12 | |
My dear friend, there have been a dozen plots | 1:28:12 | 1:28:15 | |
-to kill Hitler since the war began. -Not on this scale. | 1:28:15 | 1:28:18 | |
Half the generals in Paris are involved. | 1:28:18 | 1:28:20 | |
-I know. -You know? How? | 1:28:20 | 1:28:24 | |
The same way that I know your code name | 1:28:24 | 1:28:26 | |
in the French Resistance is "Abelard." | 1:28:26 | 1:28:28 | |
-More wine? -Please. | 1:28:29 | 1:28:31 | |
SPEAKS FRENCH | 1:28:35 | 1:28:37 | |
Mm, admirable. If the plot succeeds, I should be able to confess | 1:28:40 | 1:28:44 | |
that I've always preferred Burgundy to Rhine wine. | 1:28:44 | 1:28:47 | |
SPEAKS FRENCH | 1:28:47 | 1:28:49 | |
Did you find anything else, you know, of a private nature? | 1:28:49 | 1:28:53 | |
Amazing. | 1:28:53 | 1:28:55 | |
I tell you about a plot to... | 1:28:55 | 1:28:57 | |
SPEAKS FRENCH | 1:28:57 | 1:29:00 | |
I tell you about a plot, and you show no interest. | 1:29:01 | 1:29:04 | |
But if I can help you solve the murder of a whore, | 1:29:04 | 1:29:07 | |
you are delighted. | 1:29:07 | 1:29:09 | |
I've no sense of proportion. It's been pointed out to me before. | 1:29:09 | 1:29:12 | |
Colonel Grau, if... | 1:29:12 | 1:29:15 | |
Excuse me. | 1:29:15 | 1:29:18 | |
If the generals kill Hitler, the war will end. | 1:29:18 | 1:29:21 | |
You have more faith in them than I do. | 1:29:21 | 1:29:24 | |
When things were going well, | 1:29:24 | 1:29:26 | |
the generals enjoyed the war quite as much as Hitler. | 1:29:26 | 1:29:28 | |
Now that we're losing, they want to save their own skins. | 1:29:28 | 1:29:32 | |
That's natural, but... | 1:29:32 | 1:29:33 | |
Inspector, I'm interested in just one general who killed a girl | 1:29:33 | 1:29:37 | |
and thought, because he was a general, | 1:29:37 | 1:29:39 | |
he could play God in bed as well as in battle. | 1:29:39 | 1:29:41 | |
Well, I'm going to demonstrate to him that he is not God. | 1:29:41 | 1:29:45 | |
And...that you are? | 1:29:46 | 1:29:49 | |
My madness is on a smaller, more secular scale. | 1:29:52 | 1:29:55 | |
I simply want to see justice done. | 1:29:55 | 1:29:57 | |
Now, what have you found for me about the other generals? | 1:29:57 | 1:30:01 | |
You are astonishing. | 1:30:01 | 1:30:03 | |
Do you really think so? I always thought we were rather alike. | 1:30:03 | 1:30:06 | |
Yes, only I am cautious. There is not much to go on. | 1:30:06 | 1:30:11 | |
Tanz seems to have no human interests. | 1:30:11 | 1:30:14 | |
Takes to the bottle from time to time. Bit of a voyeur, I should say. | 1:30:14 | 1:30:19 | |
Gabler is something of a sexual athlete. | 1:30:19 | 1:30:22 | |
He picks up girls in the Bois de Boulogne, | 1:30:22 | 1:30:25 | |
but as far as we know, he hasn't tried to kill one. | 1:30:25 | 1:30:27 | |
Kahlenberge has been too busy with the plot, as I said. | 1:30:27 | 1:30:31 | |
All relevant details are here. | 1:30:31 | 1:30:35 | |
Not much to go on. | 1:30:35 | 1:30:37 | |
But here, the release of your three Frenchmen. | 1:30:37 | 1:30:40 | |
Thank you. | 1:30:43 | 1:30:45 | |
Colonel, if I can ever help you in any way... | 1:30:45 | 1:30:51 | |
-Information? -Of course, but I meant... | 1:30:51 | 1:30:54 | |
Well, the Allies will be here soon. | 1:30:54 | 1:30:58 | |
Paris will be French again. You may need help. | 1:30:58 | 1:31:01 | |
Thank you. | 1:31:03 | 1:31:06 | |
I appreciate that. | 1:31:06 | 1:31:08 | |
Oh, come in, general. | 1:31:14 | 1:31:16 | |
General. | 1:31:20 | 1:31:23 | |
-Is there any news? -Nothing yet. | 1:31:23 | 1:31:25 | |
We are expecting some at any moment. | 1:31:25 | 1:31:28 | |
DOOR OPENS | 1:31:28 | 1:31:29 | |
The military governor of France. | 1:31:29 | 1:31:32 | |
I am sorry to call you here at such short notice. | 1:31:35 | 1:31:38 | |
Some of you are strangers to one another. | 1:31:38 | 1:31:41 | |
However, consider yourselves introduced. | 1:31:41 | 1:31:43 | |
We are all in this together, and we must proceed quickly. | 1:31:43 | 1:31:47 | |
First, then. | 1:31:47 | 1:31:49 | |
Tomorrow, at approximately 1300 hours, if all goes well, | 1:31:50 | 1:31:54 | |
we shall receive from Berlin the code word "Valkyrie." | 1:31:54 | 1:31:58 | |
That one word, Valkyrie, will mean | 1:31:58 | 1:32:00 | |
that Hitler is dead and that there is a new government. | 1:32:00 | 1:32:03 | |
We shall then proceed to the arrest | 1:32:03 | 1:32:05 | |
of every SS and Gestapo officer in the greater Paris area. | 1:32:05 | 1:32:08 | |
-You, general, will be responsible for the arrest of all SS officers. -Yes, sir. | 1:32:10 | 1:32:15 | |
What are the orders, sir, in case of resistance? | 1:32:15 | 1:32:18 | |
In case of resistance, shoot to kill. | 1:32:18 | 1:32:21 | |
You will also see to the Gestapo. | 1:32:22 | 1:32:24 | |
-Colonel. -Sir? | 1:32:25 | 1:32:26 | |
You will take charge of all telephone communications. | 1:32:28 | 1:32:31 | |
Major. | 1:32:31 | 1:32:33 | |
You will see to the military radio. | 1:32:33 | 1:32:35 | |
All news programs will be monitored by us. | 1:32:35 | 1:32:37 | |
General Kahlenberge, | 1:32:38 | 1:32:40 | |
you will arrange for the disarming of the Nibelungen Division at Cormet | 1:32:40 | 1:32:43 | |
and for the arrest of General Tanz. | 1:32:43 | 1:32:45 | |
Corporal! | 1:32:49 | 1:32:50 | |
-Yes, sir? -Would you care for a cognac? | 1:32:59 | 1:33:02 | |
-But I'm on duty, sir. -You may still sit. | 1:33:02 | 1:33:05 | |
Thank you, sir. | 1:33:05 | 1:33:07 | |
My bill. Anything you want? | 1:33:07 | 1:33:09 | |
-I'll take a Vichy water, sir. -Vichy! | 1:33:09 | 1:33:11 | |
You've been a satisfactory orderly and companion. | 1:33:11 | 1:33:15 | |
-Thank you, sir. -Except for the bath water this morning. | 1:33:15 | 1:33:17 | |
I'm sorry, sir. | 1:33:17 | 1:33:20 | |
Have you telephoned Colonel Sandauer yet? | 1:33:20 | 1:33:22 | |
No, sir, I haven't. | 1:33:22 | 1:33:25 | |
Any conclusions you may have drawn from my behavior are false and dangerous. | 1:33:26 | 1:33:31 | |
Define the term "decadent art." | 1:33:36 | 1:33:39 | |
Well, sir, it's a matter of interpretation. | 1:33:41 | 1:33:45 | |
Technically speaking, to be decadent is to be | 1:33:45 | 1:33:48 | |
weak, diminished in energy, sterile. | 1:33:48 | 1:33:51 | |
I don't personally think the paintings we saw are decadent. | 1:33:51 | 1:33:55 | |
But then, I don't really know what decadence is, not officially anyway. | 1:33:55 | 1:34:00 | |
I do think that, as art, those paintings go deep. | 1:34:00 | 1:34:04 | |
They tell us things we don't know about ourselves. | 1:34:04 | 1:34:07 | |
They act as a mirror, I suppose, | 1:34:07 | 1:34:11 | |
to things we don't normally see reflected. | 1:34:11 | 1:34:13 | |
Do you have a girl? | 1:34:13 | 1:34:15 | |
-Yes, sir. -Sit down. | 1:34:16 | 1:34:19 | |
Do you have a picture of her? | 1:34:19 | 1:34:22 | |
No, sir. | 1:34:22 | 1:34:25 | |
This is my first leave for years, Hartmann. | 1:34:25 | 1:34:28 | |
And I was ordered to take it. Ordered. What do you think of that? | 1:34:28 | 1:34:33 | |
It must have been an agreeable order, sir. | 1:34:33 | 1:34:35 | |
Not altogether, Hartmann, but orders are to be obeyed. | 1:34:35 | 1:34:39 | |
That goes for generals as well as lance corporals. | 1:34:39 | 1:34:42 | |
Yes, sir. | 1:34:42 | 1:34:43 | |
Tell me, | 1:34:43 | 1:34:45 | |
when it comes to the final choice, who is more important, | 1:34:45 | 1:34:49 | |
you or I? | 1:34:49 | 1:34:51 | |
A general is more important than a corporal, sir. | 1:34:51 | 1:34:55 | |
Of course. Never forget that, no matter what happens. | 1:34:55 | 1:35:01 | |
Give me your wallet, corporal. | 1:35:01 | 1:35:03 | |
I shall take a short walk. | 1:35:09 | 1:35:11 | |
You have good taste. | 1:35:19 | 1:35:22 | |
Pay the bill and leave an adequate tip. | 1:35:22 | 1:35:24 | |
When I return, I may wish to study further details of Parisian nightlife. | 1:35:24 | 1:35:29 | |
Yes, sir. | 1:35:29 | 1:35:31 | |
SPEAKS FRENCH | 1:35:36 | 1:35:40 | |
-And a large cognac. -SPEAKS FRENCH? | 1:35:40 | 1:35:43 | |
MUSIC PLAYING | 1:35:45 | 1:35:48 | |
-Madmoiselle? -Is Raymonde...? | 1:36:04 | 1:36:06 | |
SPEAKING IN FRENCH | 1:36:06 | 1:36:10 | |
Excuse me, I'm looking for Monsieur Raymonde. | 1:36:20 | 1:36:23 | |
Raymonde is a girl's name. To be precise, it's mine. | 1:36:23 | 1:36:27 | |
I'm sorry, Corporal Hartmann didn't have time to explain. | 1:36:27 | 1:36:31 | |
-Oh, you must be Ulrike. -Yes. | 1:36:31 | 1:36:33 | |
He told me about you. Come. | 1:36:33 | 1:36:36 | |
Sit down. | 1:36:36 | 1:36:38 | |
Here, that's his table in the corner. | 1:36:38 | 1:36:41 | |
SPEAKS FRENCH | 1:36:41 | 1:36:43 | |
I think I should warn you, Germans don't come here very often. | 1:36:46 | 1:36:50 | |
-Not welcome? -What do you think? | 1:36:50 | 1:36:53 | |
Yes, not welcome. I'm sorry. | 1:36:53 | 1:36:55 | |
But Hartmann comes. He's different. | 1:36:55 | 1:36:58 | |
One day, I shall probably be shot by the Resistance for liking him. | 1:36:58 | 1:37:02 | |
But people are people. | 1:37:02 | 1:37:04 | |
Well, you must know him quite well. | 1:37:04 | 1:37:06 | |
I would have known him well if he hadn't met you first. | 1:37:06 | 1:37:09 | |
Don't worry, I don't anymore. | 1:37:09 | 1:37:12 | |
Bonsoir. Well, you've come back, huh? | 1:37:43 | 1:37:49 | |
Changed your mind, probably? | 1:37:50 | 1:37:53 | |
Anything you say. | 1:38:02 | 1:38:03 | |
SINGS IN FRENCH | 1:38:18 | 1:38:21 | |
MEN SPEAK IN FRENCH IN ALARM | 1:38:43 | 1:38:46 | |
Papers, please. Quick! Come on! | 1:38:52 | 1:38:56 | |
That's all we need. | 1:38:56 | 1:38:58 | |
GUNSHOT | 1:38:58 | 1:39:01 | |
Stay where you are! All of you! Quick! Over there! Get them! | 1:39:01 | 1:39:05 | |
All exits to be blocked! | 1:39:05 | 1:39:08 | |
SOLDIER 1: Halt! Halt! | 1:39:08 | 1:39:11 | |
Everybody is under arrest. Get them all out of here. | 1:39:11 | 1:39:14 | |
This place is to be closed until further order. | 1:39:14 | 1:39:16 | |
SOLDIER 2: Yes, sir. | 1:39:16 | 1:39:18 | |
Come on. | 1:39:18 | 1:39:20 | |
Come on, let's go. | 1:39:20 | 1:39:22 | |
Corporal. | 1:39:27 | 1:39:29 | |
Yes, sir. Sorry, sir. | 1:39:31 | 1:39:32 | |
There is a girl inside at the bar, a blond, | 1:39:32 | 1:39:36 | |
speaking to the barman. | 1:39:36 | 1:39:38 | |
You will ask her to come with you. | 1:39:38 | 1:39:42 | |
Yes, sir. | 1:39:42 | 1:39:43 | |
-Excuse me. -Yes? | 1:39:58 | 1:40:00 | |
MUSIC OBSCURES SPEECH | 1:40:00 | 1:40:03 | |
It's been a long time since I've met someone with a chauffeur. | 1:40:22 | 1:40:28 | |
Well, finally. | 1:40:28 | 1:40:30 | |
Tell him where you live. | 1:40:33 | 1:40:35 | |
Rue Leandre, near Sacre Coeur. You know where it is? | 1:40:35 | 1:40:38 | |
Yes. | 1:40:38 | 1:40:39 | |
Later. | 1:40:53 | 1:40:55 | |
Take your time. Whenever you want. | 1:40:55 | 1:40:58 | |
Over there, the house on the corner, on your left. | 1:41:07 | 1:41:10 | |
Park on the other side of the street. | 1:41:10 | 1:41:12 | |
-On which floor do you live? -Second, in the front. | 1:41:27 | 1:41:31 | |
You know, he's awfully sweet. Can't he come too? | 1:41:32 | 1:41:35 | |
Three's company, as they say. | 1:41:35 | 1:41:38 | |
No, I suppose not. Well, I'll go ahead. | 1:41:38 | 1:41:42 | |
Keep your eye on the window. I may need you. | 1:41:42 | 1:41:45 | |
Yes, sir. | 1:41:45 | 1:41:46 | |
All right, Fraulein Gabler, go ahead. | 1:42:21 | 1:42:24 | |
DOG BARKING | 1:42:32 | 1:42:34 | |
-TANZ: -Corporal. | 1:42:45 | 1:42:47 | |
Come up here. | 1:42:50 | 1:42:52 | |
Yes, sir? | 1:43:27 | 1:43:29 | |
Come in. | 1:43:30 | 1:43:31 | |
Look in there. | 1:43:41 | 1:43:42 | |
Here. | 1:44:04 | 1:44:06 | |
Drink. | 1:44:06 | 1:44:07 | |
You are a sensitive young man. | 1:44:09 | 1:44:12 | |
You're mad. | 1:44:13 | 1:44:15 | |
On the contrary, I'm in full command of my reason. | 1:44:15 | 1:44:18 | |
Relaxed, alert, ready for duty. | 1:44:18 | 1:44:20 | |
Ready to be arrested for murder! | 1:44:20 | 1:44:22 | |
Are you going to kill me too? | 1:44:25 | 1:44:27 | |
I hope I shan't have to. | 1:44:27 | 1:44:29 | |
Today, I asked you who was more important, a general or a corporal, | 1:44:31 | 1:44:35 | |
and you answered, "general." Of course, I agreed with you. | 1:44:35 | 1:44:38 | |
But when the general should be hanged for a filthy, bloody murder... | 1:44:38 | 1:44:41 | |
Then the corporal must hang in his place. | 1:44:41 | 1:44:45 | |
-But I can prove... -What? | 1:44:47 | 1:44:49 | |
What can you prove, corporal? | 1:44:49 | 1:44:52 | |
That you picked her up in a nightclub? Because I didn't. | 1:44:52 | 1:44:55 | |
Why should anyone think I did it? | 1:44:58 | 1:45:00 | |
That your fingerprints are on a brandy glass. | 1:45:00 | 1:45:03 | |
Because mine aren't. | 1:45:03 | 1:45:05 | |
That your identity disk was found in her room. | 1:45:14 | 1:45:17 | |
Because mine won't be. | 1:45:17 | 1:45:19 | |
You must have planned all this from the beginning. | 1:45:21 | 1:45:23 | |
You're not going to prove anything, corporal. | 1:45:23 | 1:45:26 | |
You're going to disappear. | 1:45:26 | 1:45:28 | |
I shall say nothing till tomorrow morning, | 1:45:28 | 1:45:30 | |
when you fail to report for duty, | 1:45:30 | 1:45:32 | |
-and are listed as a deserter. -What if I refuse? | 1:45:32 | 1:45:35 | |
I shall kill you. | 1:45:35 | 1:45:37 | |
Then I shall tell the police that you stole the car, | 1:45:37 | 1:45:40 | |
that I followed you, you came here and killed the girl. | 1:45:40 | 1:45:43 | |
Do you think anyone's gonna believe you? | 1:45:44 | 1:45:46 | |
Naturally. I'm a general. | 1:45:46 | 1:45:49 | |
I'm assuming, of course, a dead body like this will attract a certain amount of attention, | 1:45:49 | 1:45:54 | |
quite unjustifiably, in my view. After all, who was she? | 1:45:54 | 1:45:59 | |
A whore. | 1:45:59 | 1:46:01 | |
At the end of her life, she did serve a certain purpose. | 1:46:01 | 1:46:05 | |
We've spent two interesting and enjoyable days together. | 1:46:09 | 1:46:12 | |
I don't want to blow your handsome head to pieces. | 1:46:12 | 1:46:16 | |
Get away from here, Hartmann, as far as possible. | 1:46:16 | 1:46:19 | |
Go to ground somewhere. | 1:46:19 | 1:46:21 | |
Here's money, and you can take the car. | 1:46:21 | 1:46:24 | |
You're in civilian clothes. And you have nearly the whole night ahead of you. | 1:46:24 | 1:46:28 | |
Now go quickly. Leave Paris. | 1:46:28 | 1:46:30 | |
Survive. | 1:46:30 | 1:46:32 | |
Why? | 1:46:34 | 1:46:36 | |
Why? | 1:46:36 | 1:46:38 | |
Must you have an explanation? | 1:46:38 | 1:46:40 | |
It happened, that's all. | 1:46:40 | 1:46:44 | |
I've no doubt | 1:46:44 | 1:46:45 | |
there are many reasons, but it was the war that... | 1:46:45 | 1:46:50 | |
Is your experience of death really so limited? | 1:46:52 | 1:46:56 | |
Our age has witnessed millions of deaths more terrible than hers. | 1:46:56 | 1:47:01 | |
They're natural phenomena beyond our control. | 1:47:01 | 1:47:04 | |
Now, either you make a run for it, or I kill you. | 1:47:10 | 1:47:13 | |
Are you mad enough to think you'll get away with this? | 1:47:14 | 1:47:18 | |
I already have. | 1:47:18 | 1:47:19 | |
You're the one whose life is in jeopardy. | 1:47:20 | 1:47:24 | |
Go! | 1:47:24 | 1:47:26 | |
Go! | 1:47:26 | 1:47:27 | |
PHONE BUZZES | 1:47:39 | 1:47:42 | |
ELEANORE: Yes? Yes. | 1:47:42 | 1:47:45 | |
-Who wants to speak to her? -Give me the telephone, Mother. | 1:47:45 | 1:47:48 | |
I'm sorry. If you won't give me your name, you cannot speak to my daughter. | 1:47:48 | 1:47:52 | |
You shouldn't have done that, Mother. | 1:47:52 | 1:47:54 | |
Obviously one of your nightclub acquaintances. | 1:47:54 | 1:47:56 | |
You should've let me speak to him! | 1:47:56 | 1:47:58 | |
He'll call back in the morning if he's a gentleman. | 1:47:58 | 1:48:00 | |
Which I doubt, knowing your habits. | 1:48:00 | 1:48:03 | |
You've become a savage! | 1:48:03 | 1:48:05 | |
What else? I'm your daughter. | 1:48:05 | 1:48:08 | |
So much the worse for me. | 1:48:08 | 1:48:10 | |
At least I'm alive again. | 1:48:12 | 1:48:14 | |
TRAIN WHISTLE BLOWS | 1:48:26 | 1:48:29 | |
-Oh, Kahlenberge. -Yes. | 1:48:37 | 1:48:39 | |
-I shall be gone all day. -Gone where? | 1:48:39 | 1:48:42 | |
To the country. Barbizon. I promised Eleanore. A lovely place. | 1:48:42 | 1:48:46 | |
There's a splendid restaurant there. You should try it sometime. | 1:48:46 | 1:48:50 | |
-I won't be back until evening. -By which time, it will all be over. | 1:48:50 | 1:48:53 | |
One way or another, yes. | 1:48:53 | 1:48:56 | |
Don't look so glum. | 1:48:56 | 1:48:58 | |
Anyway, the, um... | 1:48:58 | 1:49:01 | |
The exercise has already begun, hasn't it? | 1:49:01 | 1:49:03 | |
Yes. | 1:49:03 | 1:49:05 | |
About this time, our man should be approaching the third checkpoint | 1:49:05 | 1:49:08 | |
at Rastenburg. He's carrying a briefcase containing four pounds | 1:49:08 | 1:49:12 | |
of dynamite and an automatic triggering device. | 1:49:12 | 1:49:15 | |
Around one o'clock, Hitler will meet with the generals | 1:49:15 | 1:49:18 | |
and with our man. | 1:49:18 | 1:49:20 | |
The cement walls of the bunker will intensify the explosion. | 1:49:20 | 1:49:24 | |
Nobody in that room will survive. | 1:49:24 | 1:49:27 | |
Ah, Von Stauffenberg. | 1:49:27 | 1:49:29 | |
-You here for the one o'clock meeting? -Yes, sir. Just arrived from Berlin. | 1:49:29 | 1:49:33 | |
I was about to report, but... | 1:49:33 | 1:49:35 | |
Slight change in plan. We're meeting in the hut, at 12.30. | 1:49:35 | 1:49:40 | |
-Oh, good. -This way. | 1:49:40 | 1:49:42 | |
Berlin, you lucky devil. This place is like a monastery at Lent. | 1:49:42 | 1:49:46 | |
It's perfect hell. | 1:49:46 | 1:49:48 | |
Over there. | 1:49:59 | 1:50:01 | |
Here. | 1:50:07 | 1:50:09 | |
It was found in the bedroom. | 1:50:09 | 1:50:11 | |
"Hartmann, Kurt. Corporal." | 1:50:11 | 1:50:15 | |
I don't believe it. I mean, it's too obvious, too convenient. | 1:50:15 | 1:50:20 | |
-What else? -We have found fingerprints... | 1:50:20 | 1:50:23 | |
on a piece of brandy glass, as well as on the doorknob. | 1:50:23 | 1:50:26 | |
-We are checking on them. -Who was the woman? | 1:50:26 | 1:50:28 | |
Monique Demours, professional prostitute. | 1:50:28 | 1:50:31 | |
Left a bar called Le Paradis at about 11.30 | 1:50:31 | 1:50:34 | |
with a young German in civilian clothes. | 1:50:34 | 1:50:37 | |
She's been dead since midnight at least... | 1:50:37 | 1:50:39 | |
Company B. | 1:50:39 | 1:50:41 | |
Seventh Corps headquarters. | 1:50:41 | 1:50:44 | |
That's General Gabler's command. I'll phone you later, inspector. | 1:50:44 | 1:50:49 | |
-Colonel. -Yes? | 1:50:49 | 1:50:50 | |
Don't go there. Not today, of all days. | 1:50:52 | 1:50:55 | |
Any day's a good day to catch a murderer. | 1:50:55 | 1:50:58 | |
-Even doomsday? -Particularly doomsday. | 1:50:58 | 1:51:02 | |
Our strategic withdrawal from Saint-Lo has made it possible, my Fuehrer, | 1:51:02 | 1:51:06 | |
for us to drive a wedge into the enemy front right here, | 1:51:06 | 1:51:09 | |
in the vicinity of Mortain. | 1:51:09 | 1:51:11 | |
-If we succeed... -It's all right, thank you. | 1:51:11 | 1:51:14 | |
..We shall be in a position to break through here, to Avranches, | 1:51:14 | 1:51:17 | |
and to cut off the American 3rd Army from their 1st Army | 1:51:17 | 1:51:21 | |
and from the British. | 1:51:21 | 1:51:22 | |
Two of our panzer elite divisions, | 1:51:22 | 1:51:25 | |
TICKING | 1:51:25 | 1:51:26 | |
The 12th SS Panzer Divisions, | 1:51:26 | 1:51:27 | |
and the 21st Panzer Division, | 1:51:27 | 1:51:30 | |
as well as the 346th Infantry Division are moving west | 1:51:30 | 1:51:35 | |
to reinforce our positions here. | 1:51:35 | 1:51:38 | |
As per your orders, my Fuehrer, the 5th Parachute Division... | 1:51:38 | 1:51:41 | |
I'm expecting a telephone call from Berlin, urgent. Be right back. | 1:51:41 | 1:51:46 | |
Now, according to dispatches just received from the Eastern front | 1:51:47 | 1:51:51 | |
our troops had to retreat from their positions. | 1:51:51 | 1:51:55 | |
The enemy is attacking on the whole front here | 1:51:55 | 1:51:57 | |
between Lublin and Brest-Litovsk. | 1:51:57 | 1:51:59 | |
Further south, the Romanian 3rd Army | 1:51:59 | 1:52:04 | |
is facing 90 enemy infantry divisions. | 1:52:04 | 1:52:06 | |
As soon as I know anything, I'll call you. | 1:52:06 | 1:52:10 | |
Yes, of course I will. | 1:52:10 | 1:52:12 | |
What? It's... | 1:52:12 | 1:52:15 | |
12.42. | 1:52:15 | 1:52:18 | |
It's a bit early. | 1:52:18 | 1:52:20 | |
Right. | 1:52:20 | 1:52:22 | |
General, last night, there was another murder. | 1:52:22 | 1:52:24 | |
You and your damn murders. | 1:52:24 | 1:52:26 | |
Can't you understand there are more important things | 1:52:26 | 1:52:27 | |
-in the world than murdered whores? -Yes, of course, sir, | 1:52:27 | 1:52:30 | |
but one of your men, Lance Corporal Hartmann, is missing. | 1:52:30 | 1:52:32 | |
Do you know anything about him? | 1:52:32 | 1:52:34 | |
PHONE RINGS | 1:52:34 | 1:52:36 | |
Yes? Oh, yes, sir. | 1:52:36 | 1:52:39 | |
No, I've heard nothing, sir. | 1:52:39 | 1:52:41 | |
Of course. As soon as I hear, I'll call you. | 1:52:41 | 1:52:45 | |
Thank you, sir. | 1:52:45 | 1:52:47 | |
I shall be brief, sir, Lance Corporal Hartmann... | 1:52:47 | 1:52:49 | |
Is missing. Yes, I know. | 1:52:49 | 1:52:50 | |
He wasn't a wholehearted soldier. I imagine he has deserted. | 1:52:50 | 1:52:53 | |
What time is it? | 1:52:53 | 1:52:54 | |
-12.42, sir. -12.42. | 1:52:56 | 1:52:59 | |
Yes. | 1:53:00 | 1:53:01 | |
Yes. | 1:53:03 | 1:53:05 | |
-OFFICER: -Here, the enemy is driving With strong forces west of... | 1:53:05 | 1:53:08 | |
Colonel von Stauffenberg is next. He'll be back in a minute. | 1:53:08 | 1:53:13 | |
Nobody could live through that. Back to Berlin. | 1:53:19 | 1:53:23 | |
Quick! | 1:53:23 | 1:53:25 | |
Rastenburg calling Berlin. Rastenburg calling Berlin. | 1:53:27 | 1:53:32 | |
I haven't seen Hartmann since I assigned him as driver to General Tanz two days ago. | 1:53:34 | 1:53:38 | |
-Was he with General Tanz last night? -Yes, of course he was. | 1:53:38 | 1:53:41 | |
And in fact, it was Tanz who reported his desertion. | 1:53:41 | 1:53:43 | |
General Tanz. | 1:53:43 | 1:53:45 | |
PHONE RINGS | 1:53:45 | 1:53:47 | |
-Kahlenberge! MAN: -'Valkyrie. Repeat, Valkyrie.' | 1:53:47 | 1:53:51 | |
I have just received a message. | 1:54:00 | 1:54:03 | |
Valkyrie. OFFICER: My God. | 1:54:03 | 1:54:05 | |
It is official, Hitler is dead. There is a new government in Berlin. | 1:54:05 | 1:54:09 | |
We shall now proceed according to plan. | 1:54:09 | 1:54:12 | |
You, colonel, will begin the disarming of the Nibelungen Division. | 1:54:12 | 1:54:14 | |
-Yes, sir. -There may be resistance. | 1:54:14 | 1:54:16 | |
We're ready. | 1:54:16 | 1:54:17 | |
-The divisional barracks must be sealed off by 1400 hours. -Yes, sir. | 1:54:17 | 1:54:20 | |
You, major, will now break communication between divisional headquarters | 1:54:20 | 1:54:23 | |
-and the outside. -Yes, sir. | 1:54:23 | 1:54:24 | |
At precisely 14.30 hours, you will arrest General Tanz. | 1:54:24 | 1:54:29 | |
Here's a warrant for his arrest, signed by the military governor. | 1:54:29 | 1:54:33 | |
-The charge is treason. -Yes, general. | 1:54:33 | 1:54:35 | |
-Proceed carefully, General Tanz is... -I know what he is, general. | 1:54:35 | 1:54:40 | |
Good luck. | 1:54:40 | 1:54:41 | |
Good luck. | 1:54:43 | 1:54:45 | |
Headquarters of the Nibelungen Division at Cormet. | 1:54:47 | 1:54:50 | |
-Yes, sir. -Make it fast. | 1:54:50 | 1:54:52 | |
Yes, sir. | 1:54:52 | 1:54:53 | |
Mueller, get Colonel Hinkel on the radio. | 1:55:00 | 1:55:02 | |
Third and 4th Battalions are to be moved to Cormet. | 1:55:02 | 1:55:05 | |
-Rendezvous at 13.45 hours. -Yes, sir. | 1:55:05 | 1:55:08 | |
Come with me. | 1:55:08 | 1:55:09 | |
-MAN OVER RADIO: -'Urgent message to all members of the Wehrmacht. | 1:55:14 | 1:55:17 | |
'The military governor of France has confirmed the death of the Fuehrer at Rastenburg. | 1:55:17 | 1:55:20 | |
'Officers of the SS are now being detained in the interest of national security.' | 1:55:20 | 1:55:25 | |
Halt! | 1:55:41 | 1:55:42 | |
Colonel Grau to see General Tanz. Urgent. | 1:55:46 | 1:55:49 | |
Your papers, sir. | 1:55:49 | 1:55:51 | |
Thank you, colonel. Heil Hitler. | 1:55:56 | 1:55:58 | |
Halt! | 1:56:26 | 1:56:28 | |
-Your papers, please. -Here. | 1:56:28 | 1:56:31 | |
Thank you, sir. Go ahead. | 1:56:31 | 1:56:32 | |
-MAN OVER SPEAKERS: -'We repeat the message from the office of the military governor of France. | 1:56:42 | 1:56:45 | |
'Adolf Hitler is dead. Members of his staff are under arrest. | 1:56:45 | 1:56:49 | |
'The new government at Berlin will shortly make an announcement. | 1:56:49 | 1:56:52 | |
'Meanwhile, those of us in sector three will carry out our appointed tasks.' | 1:56:52 | 1:56:57 | |
SANDAUER: Hello. Hello, operator? | 1:56:57 | 1:57:00 | |
Operator! | 1:57:00 | 1:57:02 | |
Sergeant, what's happened to the direct line? | 1:57:04 | 1:57:06 | |
The line's been cut. | 1:57:06 | 1:57:08 | |
-What? TANZ: -Sandauer! | 1:57:08 | 1:57:09 | |
-Sir? -Where's my call to Berlin? | 1:57:09 | 1:57:12 | |
The line has been cut, sir, according to the colonel. | 1:57:12 | 1:57:14 | |
Then use the radio. Put it through to my office. | 1:57:14 | 1:57:16 | |
Yes, sir. Sergeant, get me Berlin on the radio and put it through to the general's office. | 1:57:16 | 1:57:20 | |
-General Tanz. -Yes. | 1:57:23 | 1:57:25 | |
In Warsaw, two years ago, | 1:57:25 | 1:57:27 | |
I wanted to question you about the murder of Maria Kupiecka, remember? | 1:57:27 | 1:57:31 | |
Who cut the telephone wires? | 1:57:31 | 1:57:34 | |
There's a new government in Berlin, and you're to be arrested | 1:57:34 | 1:57:38 | |
in exactly 15 minutes for treason. | 1:57:38 | 1:57:41 | |
But I'm here to arrest you for murder. | 1:57:45 | 1:57:48 | |
-Sandauer! -Sir? | 1:57:51 | 1:57:52 | |
-Are we through to Berlin? -Not yet, sir. | 1:57:52 | 1:57:55 | |
Last night... | 1:57:57 | 1:57:58 | |
MILITARY MUSIC PLAYS | 1:57:58 | 1:58:01 | |
Last night, as you know, there was another murder. | 1:58:06 | 1:58:10 | |
In the Rue Leandre. It was identical to the Warsaw murder. | 1:58:10 | 1:58:14 | |
Corporal Hartmann, your driver... | 1:58:14 | 1:58:17 | |
-ANNOUNCER ON RADIO: -'This is Berlin. We are transmitting the following most important message | 1:58:17 | 1:58:20 | |
'from the Fuehrer's headquarters at Rastenburg. | 1:58:20 | 1:58:22 | |
'Today at 12.40 hours, an attempt to assassinate the Fuehrer was made | 1:58:22 | 1:58:26 | |
'by a group of vicious traitors! The Fuehrer is alive! | 1:58:26 | 1:58:30 | |
'The assassin's bomb hardly touched him. | 1:58:30 | 1:58:33 | |
'It wounded, however, a number of members of the Fuehrer's staff. | 1:58:33 | 1:58:36 | |
-'The circle of conspirators is...' -Sandauer! | 1:58:36 | 1:58:38 | |
-Sir? -Switch the broadcast | 1:58:38 | 1:58:40 | |
-to loudspeakers in the courtyard. -Yes, sir! | 1:58:40 | 1:58:43 | |
-ANNOUNCER: -'..and above all, nothing in common with Germans.' | 1:58:43 | 1:58:46 | |
Now, colonel, | 1:58:46 | 1:58:47 | |
which of us has committed treason? | 1:58:47 | 1:58:51 | |
I'm not interested in treason, general. | 1:58:51 | 1:58:53 | |
I'm interested in murder. | 1:58:53 | 1:58:55 | |
Today, someone attempted to murder the Fuehrer. | 1:58:56 | 1:58:59 | |
That should be your sole concern at this moment. | 1:58:59 | 1:59:02 | |
Where were you last night, general, between 11 and two am? | 1:59:02 | 1:59:08 | |
SOLDIERS CHANTING: Seig Heil! Seig Heil! Seig Heil! | 1:59:18 | 1:59:21 | |
He came here to arrest me for treason. | 1:59:38 | 1:59:41 | |
Sergeant! | 1:59:42 | 1:59:44 | |
-Yes, sir? -Take him away. | 1:59:45 | 1:59:48 | |
All combat units to proceed immediately to headquarters | 1:59:51 | 1:59:54 | |
-of the military governor of France. -Yes, sir. | 1:59:54 | 1:59:57 | |
You are to arrest the entire headquarters staff. | 1:59:59 | 2:00:02 | |
Yes, general. | 2:00:02 | 2:00:04 | |
I myself will arrest the governor. | 2:00:04 | 2:00:07 | |
For treason. | 2:00:08 | 2:00:10 | |
WOMAN: Good morning. This way, please. This way. | 2:01:17 | 2:01:22 | |
General Kahlenberge? | 2:01:23 | 2:01:25 | |
-Yes? -I'm Inspector Morand | 2:01:27 | 2:01:30 | |
with Interpol. | 2:01:30 | 2:01:32 | |
-How do you do? -May I come with you, please? | 2:01:32 | 2:01:35 | |
WOMAN 1 OVER PA: Arriving from Dusseldorf, Lufthansa flight 761, gate number 8. | 2:01:39 | 2:01:45 | |
I left Paris on July the 20th, | 2:01:45 | 2:01:49 | |
somewhat hurriedly, as you might imagine, | 2:01:49 | 2:01:51 | |
and surrendered to the Americans. Porter. | 2:01:51 | 2:01:54 | |
And General Gabler? | 2:01:54 | 2:01:55 | |
General Gabler survived, as always. Two cases, both grey. | 2:01:55 | 2:01:59 | |
-Pan American? -In about five minutes, sir. | 2:01:59 | 2:02:02 | |
I seem to spend more time waiting for baggage than travelling. | 2:02:02 | 2:02:05 | |
-I've been on the move a lot this year. -Since May the 12th, to be exact. | 2:02:05 | 2:02:10 | |
-Yes. -General, the morning of... | 2:02:10 | 2:02:12 | |
If you don't mind, nowadays I prefer my civilian title. | 2:02:12 | 2:02:15 | |
The morning of July the 20th, 1944, a Colonel Grau came to see you. | 2:02:15 | 2:02:22 | |
Colonel Grau? | 2:02:22 | 2:02:23 | |
Oh, yes! I remember! | 2:02:23 | 2:02:25 | |
Amazing. It's those murders, isn't it? | 2:02:25 | 2:02:28 | |
I'll never forget, when the whole world was tumbling about our ears, | 2:02:28 | 2:02:32 | |
there was Colonel Grau, mad as a hatter, trying to solve his little murders. | 2:02:32 | 2:02:35 | |
Colonel Grau was my friend. When I was in the French Resistance, | 2:02:35 | 2:02:40 | |
he was helpful. | 2:02:40 | 2:02:42 | |
And now you want to solve the murders for him. | 2:02:42 | 2:02:45 | |
-You are perceptive. -Isn't it a little late in the day? | 2:02:45 | 2:02:48 | |
Colonel Grau always felt that any day is a good day to catch a murderer. | 2:02:48 | 2:02:52 | |
The last time I saw him, he was on his way to your headquarters. | 2:02:52 | 2:02:56 | |
Yes, that's right. He wanted to know about one of my men. | 2:02:56 | 2:02:59 | |
-A Corporal Hartmann. -Then you do recall the case? | 2:02:59 | 2:03:02 | |
Yes, vividly. Corporal Hartmann disappeared on the 20th. | 2:03:02 | 2:03:06 | |
He'd been assigned as General Tanz's driver for two days, and during that... | 2:03:06 | 2:03:10 | |
-General Tanz's driver? -Yes. | 2:03:10 | 2:03:14 | |
Your baggage is here. Thank you, general. | 2:03:15 | 2:03:18 | |
Sorry, Herr Kahlenberge. Thank you very much. | 2:03:18 | 2:03:22 | |
"Schussnigg, Willi, 48, plasterer, born in Hamburg. | 2:03:24 | 2:03:28 | |
"Convicted of four separate sexual misdemeanours involving prostitutes. | 2:03:28 | 2:03:32 | |
"On parole since January 1965." | 2:03:32 | 2:03:36 | |
On the night of May the 12th, where were you? | 2:03:37 | 2:03:41 | |
Here, sir, in Hamburg. | 2:03:41 | 2:03:44 | |
Picture! | 2:03:44 | 2:03:46 | |
Picture. | 2:03:48 | 2:03:49 | |
Did you know this girl? | 2:03:54 | 2:03:56 | |
I say, did you know this girl? | 2:03:57 | 2:03:59 | |
Yes, sir. That's Erika Mueller. | 2:03:59 | 2:04:02 | |
Do you know where she is now? | 2:04:02 | 2:04:05 | |
She's dead, sir. | 2:04:05 | 2:04:07 | |
I read it in the papers. Last week. | 2:04:07 | 2:04:11 | |
How did she die? | 2:04:11 | 2:04:12 | |
Well, they said... The papers said she was found in a hotel room... | 2:04:12 | 2:04:17 | |
-cut to pieces. -She was killed. | 2:04:17 | 2:04:20 | |
By a man who picked her up in the Blue Harbour Bar. | 2:04:20 | 2:04:23 | |
Were you in the Blue Harbour Bar that night? | 2:04:23 | 2:04:26 | |
-No, sir. I wasn't, sir. -Yes, he was! I saw you! | 2:04:26 | 2:04:30 | |
You talked to her. You talked to Erika at the bar! | 2:04:30 | 2:04:33 | |
-Didn't he? -Yes, I saw him too! | 2:04:33 | 2:04:36 | |
That's a lie! | 2:04:36 | 2:04:37 | |
-I never spoke to her! -Did you speak to her, yes or no? | 2:04:37 | 2:04:42 | |
Well, maybe, sir. | 2:04:43 | 2:04:47 | |
I offered her a drink, but that's all. | 2:04:47 | 2:04:50 | |
You see, I talk to everybody. | 2:04:50 | 2:04:53 | |
He's the one who left with her! He killed her! He's the one! | 2:04:53 | 2:04:56 | |
I didn't go with her! I didn't kill her! | 2:04:56 | 2:04:59 | |
I didn't! I didn't! I didn't! | 2:04:59 | 2:05:02 | |
All right. At what time did you...? | 2:05:02 | 2:05:05 | |
I'm sorry, Inspector Hauser, but I must see you at once. It's urgent. | 2:05:05 | 2:05:11 | |
-Continue the interrogation. -Yes, sir. | 2:05:12 | 2:05:14 | |
At what time did you leave the bar? | 2:05:16 | 2:05:18 | |
I don't know. Between 10, 11. | 2:05:18 | 2:05:21 | |
The girl's positive that he's the one who left with Erika Mueller. | 2:05:21 | 2:05:26 | |
He may have left with her, but he didn't kill her. | 2:05:26 | 2:05:31 | |
You still believe that the man who killed Erika is the same one | 2:05:31 | 2:05:34 | |
who killed that girl in Paris over 20 years ago? | 2:05:34 | 2:05:37 | |
And the one in Warsaw too. | 2:05:37 | 2:05:39 | |
The murderer's signature is unmistakable. | 2:05:39 | 2:05:41 | |
The state of the bodies, the absence of clues. | 2:05:41 | 2:05:44 | |
But who was in Hamburg a few days ago, | 2:05:44 | 2:05:46 | |
who was also in Paris 22 years ago | 2:05:46 | 2:05:50 | |
and in Warsaw in 1942? | 2:05:50 | 2:05:53 | |
Maybe... | 2:05:53 | 2:05:55 | |
-Maybe Corporal Hartmann? -Who no longer exists. | 2:05:55 | 2:05:58 | |
Or...General Tanz, who does? | 2:05:58 | 2:06:02 | |
General Tanz? He's in prison, isn't he? A war criminal. | 2:06:02 | 2:06:06 | |
According to my information, he was in prison until last March, | 2:06:06 | 2:06:10 | |
when he was released. Could you check on that? | 2:06:10 | 2:06:13 | |
And if it's true, on his recent movements? | 2:06:13 | 2:06:15 | |
You understand this is most confidential. | 2:06:15 | 2:06:18 | |
-Of course. -Now... | 2:06:18 | 2:06:20 | |
Now we must find Corporal Hartmann. | 2:06:20 | 2:06:23 | |
That is, if he's still alive. He is the key to what happened. | 2:06:23 | 2:06:27 | |
But how are you going to find him? You know we've tried everything. | 2:06:27 | 2:06:31 | |
His parents are dead. | 2:06:31 | 2:06:33 | |
You saw his cousin Otto, who won't talk about him. | 2:06:33 | 2:06:36 | |
So who else is there? Who else would know where he is? | 2:06:36 | 2:06:41 | |
ELEANORE: Inspector Morand? | 2:06:57 | 2:07:00 | |
What can I do for you? | 2:07:01 | 2:07:03 | |
Excuse me, madam. I would like to see your daughter. | 2:07:03 | 2:07:06 | |
My daughter? But why do you want to see my daughter? | 2:07:06 | 2:07:09 | |
To ask her some questions about someone | 2:07:09 | 2:07:12 | |
I believe she knew in Paris, during the war. | 2:07:12 | 2:07:14 | |
-GABLER: -Eleanore. | 2:07:14 | 2:07:18 | |
-Excuse me. -Chief Inspector Morand from Paris. | 2:07:20 | 2:07:24 | |
My husband. | 2:07:24 | 2:07:26 | |
Always happy to meet one of our French allies. | 2:07:26 | 2:07:28 | |
-Thank you. -He wants to talk to Ulrike. | 2:07:28 | 2:07:31 | |
You see me at my labours. I'm writing my memoirs. | 2:07:31 | 2:07:35 | |
They should be most rewarding. General, if... | 2:07:35 | 2:07:37 | |
You are kind. | 2:07:37 | 2:07:39 | |
But then, I've always felt that even in war, gentlemen, | 2:07:39 | 2:07:43 | |
though they may be on opposing sides, still have much in common. | 2:07:43 | 2:07:47 | |
It was everyone's misfortune that Hitler was not a gentleman. | 2:07:47 | 2:07:51 | |
Yes. | 2:07:51 | 2:07:52 | |
Yes, I suppose not. And now... And now, General, I... | 2:07:52 | 2:07:57 | |
-He wants to talk to Ulrike. -Yes. | 2:07:57 | 2:08:00 | |
My daughter lives in the country. | 2:08:00 | 2:08:03 | |
-She never comes here. -No, thank you. | 2:08:03 | 2:08:05 | |
Young people are so different nowadays, aren't they? | 2:08:05 | 2:08:08 | |
-Yes. But where does she...? -Not like us. | 2:08:08 | 2:08:11 | |
Our generation believed in being happy, didn't we? | 2:08:11 | 2:08:14 | |
Oh, yes, yes. Happy. | 2:08:14 | 2:08:16 | |
I do wish we could help you, but...well, how can we? | 2:08:16 | 2:08:21 | |
She's not here. | 2:08:21 | 2:08:23 | |
So nice to have met you. | 2:08:24 | 2:08:27 | |
Good day, inspector. | 2:08:27 | 2:08:29 | |
I'll show you out. | 2:08:30 | 2:08:31 | |
At present, I'm describing the July plot to kill Hitler. | 2:08:32 | 2:08:36 | |
So difficult to tell what really happened. | 2:08:36 | 2:08:39 | |
ELEANORE: Hilda! | 2:08:39 | 2:08:41 | |
Lately there's been a tendency to make excuses for Hitler, | 2:08:41 | 2:08:44 | |
which means I shall have to be somewhat cautious. | 2:08:44 | 2:08:48 | |
We don't want to open old wounds, do we? | 2:08:48 | 2:08:50 | |
Of course not. | 2:08:50 | 2:08:52 | |
Particularly now that so many of the war criminals are at liberty. | 2:08:52 | 2:08:56 | |
Like General Tanz? | 2:08:56 | 2:08:58 | |
Exactly. | 2:08:58 | 2:09:00 | |
A 20-year sentence is a bit much for a soldier who simply obeyed orders, | 2:09:00 | 2:09:03 | |
like the rest of us, but politically, he was inclined to be rather extreme. | 2:09:03 | 2:09:08 | |
-If you know what I mean. -Yes, I do. | 2:09:08 | 2:09:10 | |
Fortunately, he seems to be leading a quiet life. | 2:09:10 | 2:09:14 | |
Oh, quite the contrary. Next week will be the 25th anniversary of the Nibelungen Division. | 2:09:14 | 2:09:19 | |
Tanz is coming out of retirement to be their guest of honour and spokesman. | 2:09:19 | 2:09:23 | |
Like our government, I take a most dim view of that. | 2:09:23 | 2:09:27 | |
This way, please. | 2:09:27 | 2:09:28 | |
You must have noticed, my daughter and my wife are not on good terms. | 2:09:33 | 2:09:38 | |
In fact, they haven't spoken to one another since the war. | 2:09:38 | 2:09:41 | |
That's sad. | 2:09:41 | 2:09:43 | |
I myself only see my daughter once or twice a year. | 2:09:43 | 2:09:46 | |
And very briefly at that. She lives on a farm near Munich. | 2:09:46 | 2:09:50 | |
We meet in a railway station, with her child. | 2:09:50 | 2:09:54 | |
It's the only way I can get to see my grandson. | 2:09:54 | 2:09:57 | |
-Your daughter is married? -Yes. | 2:09:57 | 2:09:59 | |
To a farmer named Luckner. | 2:09:59 | 2:10:01 | |
She was never the same after the war, poor girl. | 2:10:01 | 2:10:04 | |
Something happened to her, I don't know what. | 2:10:04 | 2:10:07 | |
It's hard to help children, isn't it? | 2:10:07 | 2:10:10 | |
Particularly if one's wife... | 2:10:10 | 2:10:12 | |
Well, it was impossible after Paris. | 2:10:12 | 2:10:16 | |
Anyway, that's all I see of her. But why do you wish to see her? | 2:10:16 | 2:10:20 | |
-MORAND: -In Paris, many years ago, she knew a young man. | 2:10:20 | 2:10:23 | |
I told you, I haven't seen Hartmann since the war. | 2:10:23 | 2:10:26 | |
Mrs Luckner, you are the only person who can tell us. | 2:10:26 | 2:10:29 | |
I don't know if Hartmann is still alive, but if he is, | 2:10:29 | 2:10:32 | |
for his sake, for everyone's sake, I implore you, help me. | 2:10:32 | 2:10:38 | |
I'm sorry, I don't know where he is. | 2:10:38 | 2:10:41 | |
Too bad. Particularly for Hartmann. | 2:10:41 | 2:10:44 | |
Goodbye, madam. | 2:10:44 | 2:10:46 | |
Monsieur Morand! Wait a moment. | 2:10:50 | 2:10:53 | |
HORN HONKS | 2:10:53 | 2:10:57 | |
MARCHING BAND PLAYING | 2:10:58 | 2:11:01 | |
It's good to see you here, general. This way, please. | 2:11:18 | 2:11:21 | |
Officers! Ladies. Quiet, please, quiet. | 2:12:03 | 2:12:07 | |
Of course, it's only natural for all of us to be happy to see General Tanz. | 2:12:07 | 2:12:12 | |
Free again! | 2:12:12 | 2:12:14 | |
And to know that our leader in war | 2:12:21 | 2:12:24 | |
is with us again on this... on this wonderful occasion! | 2:12:24 | 2:12:29 | |
Now, let me welcome you all to this reunion. | 2:12:35 | 2:12:38 | |
An occasion for us all to think back to those extraordinary years, | 2:12:38 | 2:12:42 | |
when we were young and had a cause to live for! | 2:12:42 | 2:12:46 | |
And if necessary, to die for! | 2:12:46 | 2:12:50 | |
APPLAUSE | 2:12:50 | 2:12:52 | |
Now, before continuing, | 2:12:59 | 2:13:01 | |
I'm sure you all remember our old marching song. | 2:13:01 | 2:13:05 | |
MUSIC PLAYS IN DISTANCE | 2:13:06 | 2:13:09 | |
Excuse me, sir. | 2:13:21 | 2:13:22 | |
On the night of May the 12th, someone left the Blue Harbour Bar | 2:13:23 | 2:13:27 | |
in Hamburg with Erika Mueller, a prostitute. | 2:13:27 | 2:13:31 | |
At 11.45, he took her to the St Pauli Hotel, where he murdered her. | 2:13:31 | 2:13:36 | |
Identification. | 2:13:36 | 2:13:38 | |
Inspector Hauser, Hamburg Police. | 2:13:41 | 2:13:44 | |
While Chief Inspector Morand is with Interpol. | 2:13:44 | 2:13:47 | |
On the night of December the 12th, 1942, in Warsaw, | 2:13:47 | 2:13:52 | |
the same man murdered another prostitute, Maria Kupiecka. | 2:13:52 | 2:13:56 | |
Evidence of his guilt was first assembled by Colonel Grau. | 2:13:56 | 2:14:01 | |
Does the name ring a bell? | 2:14:01 | 2:14:03 | |
A remarkable man. | 2:14:07 | 2:14:09 | |
He was obsessed with a strange craving for absolute justice. | 2:14:09 | 2:14:14 | |
I am unable to share your enthusiasm. | 2:14:14 | 2:14:17 | |
-He was a traitor. -Is that why you shot him? | 2:14:17 | 2:14:20 | |
-You are wasting my time. -On the night of July 19, 1944 in Paris, | 2:14:20 | 2:14:25 | |
I was involved in the investigation of the murder of a prostitute. | 2:14:25 | 2:14:29 | |
-In the Rue Leandre. -What has any of this to do with me? | 2:14:29 | 2:14:32 | |
Warsaw, Paris, Hamburg. | 2:14:32 | 2:14:36 | |
You were in all three places. Need I say more? | 2:14:36 | 2:14:39 | |
No, you've said quite enough. | 2:14:39 | 2:14:41 | |
These are theories, and theories are not evidence. | 2:14:41 | 2:14:44 | |
I agree with you there. | 2:14:44 | 2:14:45 | |
Nothing I have said so far is capable of proof. | 2:14:45 | 2:14:48 | |
-Precisely. -Except that in Paris, | 2:14:48 | 2:14:52 | |
there was a witness. Bring in Luckner! | 2:14:52 | 2:14:56 | |
MAN 1: Bring in Luckner! MAN 2: Luckner! | 2:14:56 | 2:14:59 | |
You should have killed me, general. | 2:15:17 | 2:15:19 | |
This man will testify at your trial. A public trial. | 2:15:31 | 2:15:36 | |
I'm sure you know what that means, Tanz. | 2:15:37 | 2:15:41 | |
I should think that even your most devoted admirers | 2:15:41 | 2:15:44 | |
will be quite shocked. | 2:15:44 | 2:15:46 | |
Give me your gun. | 2:16:02 | 2:16:04 | |
25 years ago, our division was created | 2:16:43 | 2:16:46 | |
as Thor's hammer, to strike the enemies of the Reich | 2:16:46 | 2:16:50 | |
and the youngest of Germany's generals was chosen to lead us. | 2:16:50 | 2:16:54 | |
GUNSHOT | 2:16:54 | 2:16:56 | |
Subtitles by Red Bee Media Ltd | 2:17:51 | 2:17:55 |