
Browse content similar to The Saint in London. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
WHISTLING | 0:01:14 | 0:01:16 | |
HORN HONKS | 0:01:23 | 0:01:24 | |
Hey, mister, spare a cigarette? | 0:01:30 | 0:01:32 | |
All right. | 0:01:32 | 0:01:35 | |
Light? | 0:01:37 | 0:01:38 | |
Thanks. | 0:01:38 | 0:01:40 | |
All right, my man. | 0:01:42 | 0:01:44 | |
Something wrong? | 0:01:44 | 0:01:45 | |
This man just stole your watch, sir. | 0:01:45 | 0:01:47 | |
Come on, out with it. | 0:01:47 | 0:01:49 | |
You must be mistaken, Constable. | 0:01:49 | 0:01:51 | |
Thanks anyway. Good night. | 0:01:51 | 0:01:53 | |
My apologies, sir. I'm terribly sorry, | 0:01:56 | 0:01:59 | |
but I could have sworn that I... | 0:01:59 | 0:02:01 | |
Good night, sir. | 0:02:01 | 0:02:03 | |
Good evening, Mr Templar. Two, wasn't it? | 0:02:03 | 0:02:05 | |
That's right. | 0:02:05 | 0:02:06 | |
Your usual table. | 0:02:06 | 0:02:08 | |
Dry martini? | 0:02:11 | 0:02:12 | |
Yes, please. Thank you. | 0:02:12 | 0:02:14 | |
Here, you! | 0:02:17 | 0:02:18 | |
Not YOU, madam. | 0:02:18 | 0:02:20 | |
Oh, hello. Have we met before somewhere? | 0:02:22 | 0:02:25 | |
I'll swap you this gold ticker | 0:02:25 | 0:02:27 | |
for that old Ingersoll you got. | 0:02:27 | 0:02:28 | |
You mean you'll trade that beautiful watch for this? | 0:02:28 | 0:02:31 | |
It's got my old lady's picture in it. | 0:02:31 | 0:02:33 | |
Looks like you out-fumbled me, pal. | 0:02:33 | 0:02:35 | |
Let that be a lesson to you. | 0:02:35 | 0:02:36 | |
How come that bobby didn't catch you lifting MY turnip, buddy? | 0:02:36 | 0:02:39 | |
It's a gift. | 0:02:39 | 0:02:40 | |
Tell me, what part of the States do you come from? | 0:02:40 | 0:02:42 | |
Sing-Sing? | 0:02:42 | 0:02:43 | |
Nah, San Quentin. | 0:02:43 | 0:02:45 | |
It's more exclusive, they tell me. | 0:02:45 | 0:02:47 | |
So you're a pickpocket, eh? | 0:02:47 | 0:02:49 | |
Not by trade, I ain't. | 0:02:49 | 0:02:50 | |
I'm practising to go straight. | 0:02:50 | 0:02:52 | |
But I get too hungry. | 0:02:52 | 0:02:54 | |
Bring this gentleman a filet mignon. | 0:02:54 | 0:02:56 | |
And how will you have it? | 0:02:56 | 0:02:58 | |
Any way I get it, pal. | 0:02:58 | 0:03:00 | |
Underdone. And a half of Chamboustin '23. | 0:03:00 | 0:03:02 | |
I'll take a half, too. | 0:03:02 | 0:03:04 | |
You're an all-right guy, buddy. | 0:03:04 | 0:03:06 | |
Are you a thief? | 0:03:06 | 0:03:08 | |
Not by trade. | 0:03:08 | 0:03:08 | |
My name is Templar. Simon Templar. | 0:03:08 | 0:03:12 | |
I'm Dugan. | 0:03:12 | 0:03:14 | |
How did you make your living, Dugan? | 0:03:14 | 0:03:17 | |
Well, I wasn't no... saint. | 0:03:17 | 0:03:21 | |
Where? | 0:03:22 | 0:03:23 | |
'Frisco. I couldn't quite tab your mug until you just said your name. | 0:03:23 | 0:03:26 | |
You seem to have a good memory. | 0:03:26 | 0:03:28 | |
I can be just as good at forgetting. | 0:03:28 | 0:03:30 | |
You say you want to go straight. Do you want a job? | 0:03:30 | 0:03:32 | |
You just hired yourself somethin', mister. | 0:03:32 | 0:03:35 | |
But no confidence games, now, | 0:03:35 | 0:03:36 | |
because I've read them all in a book. | 0:03:36 | 0:03:38 | |
Don't worry, boss. | 0:03:38 | 0:03:39 | |
I know when I'm outsmarted. | 0:03:39 | 0:03:41 | |
Besides, I can't read. | 0:03:41 | 0:03:43 | |
Hello, Simon. | 0:03:43 | 0:03:44 | |
Amigo! How are you? Good to see you. | 0:03:44 | 0:03:47 | |
Oh, he's all right. | 0:03:47 | 0:03:48 | |
He's just started working for me. | 0:03:48 | 0:03:49 | |
This is Mr Dugan. Mr Blake. | 0:03:49 | 0:03:52 | |
How are ya? | 0:03:52 | 0:03:53 | |
Sorry I'm not on time, Simon, | 0:03:53 | 0:03:55 | |
but I live rather an uncertain life in these days. | 0:03:55 | 0:03:57 | |
Life's only interesting when it's uncertain. | 0:03:57 | 0:03:59 | |
And how do YOU find life since your return? | 0:03:59 | 0:04:01 | |
Dull, frankly. | 0:04:01 | 0:04:02 | |
Then you haven't had your ear to the ground. | 0:04:02 | 0:04:05 | |
Interesting? | 0:04:05 | 0:04:07 | |
Very. | 0:04:07 | 0:04:08 | |
But a bit too tricky for me alone. | 0:04:08 | 0:04:10 | |
That's where YOU come in. | 0:04:10 | 0:04:12 | |
Tell me. | 0:04:12 | 0:04:14 | |
Ever hear of a man called Bruno Lang? | 0:04:14 | 0:04:17 | |
Lang? No. | 0:04:17 | 0:04:19 | |
You're lucky. | 0:04:19 | 0:04:20 | |
However, I rather want you to meet him. | 0:04:20 | 0:04:22 | |
Yes? | 0:04:22 | 0:04:23 | |
I think it starts with him. | 0:04:23 | 0:04:25 | |
We'll find him at the Morgans' this weekend. | 0:04:25 | 0:04:28 | |
DANCE BAND IS PLAYING | 0:04:31 | 0:04:33 | |
And how are the cards treating you, Mr Lang? | 0:04:36 | 0:04:38 | |
I can usually deal with them. | 0:04:38 | 0:04:41 | |
Yours, Blake. | 0:04:44 | 0:04:45 | |
Oh, I'm sorry. It must be the music. | 0:04:45 | 0:04:48 | |
Hello, darling. Are you winning? | 0:04:48 | 0:04:51 | |
Now, don't be a backseat driver, Penny. | 0:04:51 | 0:04:54 | |
Be an angel, Mr Templar, and take her away, will you? | 0:04:54 | 0:04:56 | |
If you'll risk being trampled underfoot, Miss Parker. | 0:04:56 | 0:04:59 | |
I'll take a chance. | 0:04:59 | 0:05:00 | |
Penny, you promised ME! | 0:05:05 | 0:05:06 | |
Oh, so I did. | 0:05:06 | 0:05:07 | |
Well, you have the next one. | 0:05:07 | 0:05:09 | |
Confidentially, this is my birthday. | 0:05:09 | 0:05:11 | |
Oh, I see. | 0:05:11 | 0:05:12 | |
You don't mind, do you? Thank you. | 0:05:12 | 0:05:14 | |
Why wasn't I told before that you were here? | 0:05:14 | 0:05:16 | |
I've only been back two days. | 0:05:16 | 0:05:18 | |
I've been to New York on a holiday trip. | 0:05:18 | 0:05:19 | |
Your first visit to the States? | 0:05:19 | 0:05:20 | |
Yes, I loved it. Have you been there? | 0:05:20 | 0:05:22 | |
Quite some time ago. | 0:05:22 | 0:05:23 | |
My niece and Mr Templar seem to be enjoying themselves. | 0:05:23 | 0:05:26 | |
You know, that Mr Templar's the most amazing man. | 0:05:26 | 0:05:28 | |
He's always off on some wild-goose chase | 0:05:28 | 0:05:30 | |
before any woman has a chance to shackle him. | 0:05:30 | 0:05:33 | |
Oh, well. Lost again. | 0:05:33 | 0:05:34 | |
I think the law of averages is absolute nonsense. | 0:05:34 | 0:05:37 | |
It's getting on. I really must be going. | 0:05:37 | 0:05:40 | |
You're really a very deceptive person, Mr Lang. | 0:05:40 | 0:05:42 | |
You're an excellent bridge player. | 0:05:42 | 0:05:43 | |
Merely luck, that's all. | 0:05:43 | 0:05:44 | |
Good night, and thank you. | 0:05:44 | 0:05:46 | |
Good night. Good night. | 0:05:46 | 0:05:47 | |
You know, Mr Blake, | 0:05:47 | 0:05:49 | |
he's almost too lucky, if you know what I mean. | 0:05:49 | 0:05:51 | |
You know him well? | 0:05:51 | 0:05:52 | |
Not as well as I'd like to. | 0:05:52 | 0:05:54 | |
No, quite. | 0:05:54 | 0:05:55 | |
Breaking up the party already? | 0:05:56 | 0:05:58 | |
I'm afraid I must be going. | 0:05:58 | 0:05:59 | |
So you can't take it. | 0:05:59 | 0:06:01 | |
You know, Mr Templar, | 0:06:01 | 0:06:02 | |
two weeks in New York and Penny's absolutely unintelligible. | 0:06:02 | 0:06:04 | |
I'll see you to your car, Mr Templar. | 0:06:04 | 0:06:07 | |
Now, Penny... It's all right. | 0:06:07 | 0:06:08 | |
Mr Templar knows I'm trying to lure him. | 0:06:08 | 0:06:10 | |
Good night. | 0:06:10 | 0:06:12 | |
Good night. | 0:06:12 | 0:06:13 | |
Goodbye, John. Goodbye, Bruno. Drop over again. | 0:06:13 | 0:06:16 | |
Yes. ..Hello. | 0:06:16 | 0:06:20 | |
I've had a visitor. What is it? | 0:06:20 | 0:06:24 | |
The Saint? | 0:06:25 | 0:06:27 | |
I seem to have heard of a chap who calls himself the Saint. | 0:06:27 | 0:06:28 | |
The Saint? Here in London? | 0:06:28 | 0:06:30 | |
Let me see. | 0:06:30 | 0:06:31 | |
That's his card, all right. | 0:06:31 | 0:06:32 | |
All New York was buzzing about him. | 0:06:32 | 0:06:34 | |
He cleaned up the toughest gang ever seen around Manhattan. | 0:06:34 | 0:06:36 | |
Single-handed, too, so they tell me. | 0:06:36 | 0:06:38 | |
Cigarette? | 0:06:38 | 0:06:39 | |
BRUNO: Who is he? What's his name? | 0:06:39 | 0:06:41 | |
I don't know. | 0:06:41 | 0:06:43 | |
Have you ever heard of this Saint, Mr Templar? | 0:06:43 | 0:06:45 | |
I'm afraid I haven't attended Sunday School for many years. | 0:06:45 | 0:06:48 | |
LANG: Has anybody ever seen him? What's he like? | 0:06:48 | 0:06:50 | |
It's anybody's guess. | 0:06:50 | 0:06:52 | |
He's supposed to be tall and handsome, | 0:06:52 | 0:06:53 | |
and he's supposed to have a cross-shaped scar... | 0:06:53 | 0:06:56 | |
Go on. | 0:06:57 | 0:06:59 | |
A cross-shaped scar on his right wrist. | 0:07:00 | 0:07:02 | |
MR MORGAN: I don't know why a man who tracks down criminals | 0:07:02 | 0:07:04 | |
should want to threaten YOU, Bruno. | 0:07:04 | 0:07:05 | |
Probably some fanatic. | 0:07:05 | 0:07:06 | |
Won't we tell the police? | 0:07:06 | 0:07:08 | |
I don't think that'll be necessary. | 0:07:08 | 0:07:09 | |
I've managed to take good care of myself for a long time... | 0:07:09 | 0:07:12 | |
with saints AND sinners. | 0:07:12 | 0:07:14 | |
Goodbye. Perhaps we shall meet again, Mr Templar. | 0:07:14 | 0:07:17 | |
Perhaps. | 0:07:17 | 0:07:19 | |
All right. | 0:07:19 | 0:07:20 | |
Strange about that card business. | 0:07:28 | 0:07:31 | |
Very strange. | 0:07:31 | 0:07:33 | |
I could almost hear you thinking. | 0:07:37 | 0:07:39 | |
How long did you say it was since you were in New York? | 0:07:39 | 0:07:42 | |
I didn't say, did I? | 0:07:42 | 0:07:43 | |
I believe you put it as quite some time. | 0:07:43 | 0:07:45 | |
Well, five minutes can be quite some time. | 0:07:45 | 0:07:47 | |
Such as when a person's staring in the wrong end | 0:07:47 | 0:07:49 | |
of a pistol. | 0:07:49 | 0:07:51 | |
That's rather a good example. | 0:07:52 | 0:07:53 | |
Of course you wouldn't know. | 0:07:53 | 0:07:55 | |
You see, I try to avoid looking into muzzles of guns. | 0:07:55 | 0:07:58 | |
Well, you can confess everything at our lunch in London. | 0:07:58 | 0:08:00 | |
All right. Good night, Miss Parker. | 0:08:00 | 0:08:02 | |
Good night. | 0:08:02 | 0:08:04 | |
Don't forget to call me. | 0:08:07 | 0:08:09 | |
No, I won't. | 0:08:09 | 0:08:10 | |
And don't lie awake reading detective stories. | 0:08:10 | 0:08:12 | |
I find books on saints far more interesting. | 0:08:12 | 0:08:16 | |
GATE OPENS | 0:08:59 | 0:09:01 | |
GATE SQUEAKS | 0:10:16 | 0:10:18 | |
GATE SQUEAKS | 0:11:34 | 0:11:36 | |
GUNSHOT | 0:12:11 | 0:12:13 | |
That's the first time I ever heard a bullet. | 0:12:13 | 0:12:15 | |
The one you DON'T hear is the bad one. | 0:12:15 | 0:12:17 | |
All right, you can slow down to 60 or 70 now. | 0:12:17 | 0:12:20 | |
Now I know you're the Saint. | 0:12:20 | 0:12:22 | |
I was almost a saint two minutes ago. | 0:12:22 | 0:12:24 | |
Tell me, how did you get here and why? | 0:12:24 | 0:12:26 | |
I followed you in my car. | 0:12:26 | 0:12:28 | |
I was never so thrilled or so scared in all my life. | 0:12:28 | 0:12:31 | |
You might have roused the whole countryside shooting like that! | 0:12:31 | 0:12:33 | |
Fool! | 0:12:33 | 0:12:34 | |
Well, did you get away with it? | 0:12:35 | 0:12:37 | |
Get away with what? | 0:12:37 | 0:12:39 | |
What were you after? | 0:12:39 | 0:12:40 | |
Scotch and soda. | 0:12:40 | 0:12:42 | |
That's what I get for rescuing you. | 0:12:42 | 0:12:44 | |
Not at all. I'm very grateful to you. | 0:12:44 | 0:12:46 | |
If it hadn't been for you, I'd have had a ten-mile walk | 0:12:46 | 0:12:48 | |
to the nearest railroad station. | 0:12:48 | 0:12:49 | |
At the rate you were going, you'd have made it in about ten minutes. | 0:12:49 | 0:12:52 | |
You turn left at that next road. | 0:12:52 | 0:12:54 | |
We're not going to London? | 0:12:54 | 0:12:55 | |
No. | 0:12:55 | 0:12:56 | |
Where are we heading for, Saint? | 0:13:00 | 0:13:02 | |
If you're talking to me, I'm taking you back to your car. | 0:13:02 | 0:13:05 | |
That's not fair. It's not even sporting. | 0:13:05 | 0:13:08 | |
It's plain good sense. | 0:13:08 | 0:13:10 | |
What if I should expose you? | 0:13:10 | 0:13:12 | |
They don't hang people for stealing a scotch and soda. | 0:13:12 | 0:13:15 | |
No, and they don't shoot at them for it, either. | 0:13:15 | 0:13:18 | |
Someday over lunch I'll tell you all about it. | 0:13:18 | 0:13:22 | |
TYRES SCREECH | 0:13:23 | 0:13:25 | |
I'm hungry now. | 0:13:25 | 0:13:27 | |
Hey, what goes on here? | 0:13:28 | 0:13:30 | |
Either I go along or you still walk to London. | 0:13:30 | 0:13:35 | |
I wonder if you realise how beautiful you look in the moonlight. | 0:13:35 | 0:13:38 | |
Yes, and don't try to change the subject. | 0:13:38 | 0:13:42 | |
All right. If I walk back to London, | 0:13:42 | 0:13:45 | |
will you promise to drive straight back to your aunt's? | 0:13:45 | 0:13:47 | |
Certainly not! | 0:13:47 | 0:13:49 | |
I shall follow you and jeer at you all the way. | 0:13:49 | 0:13:51 | |
You're as cruel as you're lovely, | 0:13:51 | 0:13:53 | |
but if you want it that way, it's all right with me. | 0:13:53 | 0:13:55 | |
If you think... | 0:13:57 | 0:13:58 | |
AGONISING SCREAM | 0:13:58 | 0:14:02 | |
What was that? | 0:14:02 | 0:14:03 | |
Listen. | 0:14:03 | 0:14:05 | |
SCREAMING | 0:14:05 | 0:14:06 | |
FOOTSTEPS | 0:14:08 | 0:14:10 | |
You're not going to leave me?! | 0:14:16 | 0:14:17 | |
FOOTSTEPS | 0:14:17 | 0:14:20 | |
FOREIGN ACCENT: Don't-don't let them get me! | 0:14:39 | 0:14:42 | |
Please! | 0:14:42 | 0:14:43 | |
Who is he? Is he hurt? | 0:14:48 | 0:14:50 | |
Yes. | 0:14:50 | 0:14:51 | |
Now, keep... | 0:14:53 | 0:14:54 | |
FOOTSTEPS > | 0:14:54 | 0:14:55 | |
Uh-h! | 0:15:01 | 0:15:03 | |
Look out, Simon! | 0:15:08 | 0:15:09 | |
Bend him over! | 0:15:11 | 0:15:12 | |
How am I doing? | 0:15:16 | 0:15:17 | |
Nice work, Penny. | 0:15:17 | 0:15:18 | |
Confidentially, I taught Dempsey all he knew. | 0:15:18 | 0:15:21 | |
You know, this is getting monotonous. | 0:15:21 | 0:15:22 | |
What? You saving my life. | 0:15:22 | 0:15:24 | |
Yes, isn't it?! | 0:15:24 | 0:15:25 | |
How do you feel? | 0:15:25 | 0:15:26 | |
Fine, I'm getting used to it. | 0:15:26 | 0:15:27 | |
POLICEMAN'S WHISTLE | 0:15:27 | 0:15:29 | |
Let's get away from here. | 0:15:29 | 0:15:31 | |
WHISTLE | 0:15:32 | 0:15:33 | |
MG 5996... | 0:15:40 | 0:15:44 | |
Is he still out? | 0:15:53 | 0:15:55 | |
Cold. | 0:15:55 | 0:15:57 | |
How are you? | 0:15:57 | 0:15:58 | |
Cold. | 0:15:58 | 0:16:00 | |
Well, move over. | 0:16:00 | 0:16:02 | |
Of course, Sergeant. | 0:16:05 | 0:16:06 | |
If it's your duty to report the incident, do so by all means. | 0:16:06 | 0:16:08 | |
Afraid it is, sir. Very well. | 0:16:08 | 0:16:10 | |
But there doesn't appear to be any need for any further investigation. | 0:16:10 | 0:16:13 | |
Max here apparently blundered into a roadside romance. | 0:16:13 | 0:16:15 | |
Perhaps, sir. Have a cigar, Sergeant. | 0:16:15 | 0:16:18 | |
Thank you, sir. | 0:16:18 | 0:16:19 | |
- Good night, sir. - Good night, Sergeant. | 0:16:21 | 0:16:24 | |
You fools! | 0:16:38 | 0:16:40 | |
I can understand anything except stupidity. | 0:16:40 | 0:16:43 | |
A cheap romancer rifles my safe. | 0:16:43 | 0:16:46 | |
A mere girl gives you the slip. | 0:16:46 | 0:16:48 | |
Even a broken old man gets the better of you. | 0:16:48 | 0:16:51 | |
Get out. | 0:16:51 | 0:16:53 | |
Get out! | 0:16:58 | 0:16:59 | |
Elmsworth 8496. | 0:17:02 | 0:17:04 | |
RINGING | 0:17:08 | 0:17:10 | |
FOREIGN ACCENT: Hello? | 0:17:12 | 0:17:13 | |
Kussella? This is Lang. | 0:17:13 | 0:17:16 | |
Duni's escaped. | 0:17:16 | 0:17:18 | |
Escaped?! | 0:17:18 | 0:17:19 | |
Yes. He's on his way to London. | 0:17:19 | 0:17:23 | |
How did he manage that? | 0:17:23 | 0:17:25 | |
I think it was engineered by a fellow | 0:17:25 | 0:17:27 | |
who calls himself the Saint. | 0:17:27 | 0:17:29 | |
He also goes by the name of Simon Templar. | 0:17:29 | 0:17:32 | |
This is about the first time I've seen dawn breaking | 0:17:53 | 0:17:55 | |
without a hangover. | 0:17:55 | 0:17:56 | |
I can't help wishing that man I knocked out has one. | 0:17:56 | 0:17:58 | |
If the milkman comes back, just say he's drunk. | 0:18:18 | 0:18:20 | |
I'll send Dugan down to relieve you. | 0:18:20 | 0:18:21 | |
Don't worry about Dugan. Just hurry. | 0:18:21 | 0:18:25 | |
Dugan! | 0:18:29 | 0:18:31 | |
Dugan? | 0:18:36 | 0:18:38 | |
OK, boss, OK. | 0:18:41 | 0:18:44 | |
Stayin' out all night, tsk-tsk! | 0:18:44 | 0:18:46 | |
Morning, Dugan. How are you getting on? | 0:18:46 | 0:18:49 | |
OK, boss, but I don't exactly like your pyjamas. | 0:18:49 | 0:18:51 | |
I'm sorry about that. | 0:18:51 | 0:18:53 | |
I'll get you a nightgown. | 0:18:53 | 0:18:55 | |
Dugan, go down to the car, take out my bag, | 0:18:55 | 0:18:58 | |
and ask the young lady to come inside. | 0:18:58 | 0:19:01 | |
Young lady(!) | 0:19:02 | 0:19:03 | |
The boss wants you to go in... | 0:19:08 | 0:19:11 | |
inside. | 0:19:11 | 0:19:12 | |
Thanks. | 0:19:12 | 0:19:14 | |
MAN: Don't let them get me. | 0:19:14 | 0:19:15 | |
Holy smoke! > | 0:19:15 | 0:19:17 | |
What goes on?! | 0:19:17 | 0:19:18 | |
Where to now, Saint? | 0:19:25 | 0:19:27 | |
I'll take him to a hospital. | 0:19:27 | 0:19:28 | |
Dugan, this is Miss Parker. | 0:19:28 | 0:19:30 | |
How do you do? How are ya? | 0:19:30 | 0:19:31 | |
Take care of her while I'm away. | 0:19:31 | 0:19:32 | |
Oh, no, you don't! You can't leave me out of this now! | 0:19:32 | 0:19:34 | |
I'm sorry. | 0:19:34 | 0:19:35 | |
Let me go with you! | 0:19:35 | 0:19:37 | |
You can't do this to me. I insist on coming with you! | 0:19:37 | 0:19:39 | |
What goes on, boss? | 0:19:39 | 0:19:41 | |
It's a long, uninteresting story, Dugan. | 0:19:41 | 0:19:43 | |
It don't look so uninteresting to me. | 0:19:43 | 0:19:44 | |
Now listen, if anybody calls, | 0:19:44 | 0:19:45 | |
just tell them I'm in bed and not to be disturbed. | 0:19:45 | 0:19:48 | |
Meaning some dick from Scotland Yard? | 0:19:48 | 0:19:50 | |
Very possibly Inspector Teal himself... | 0:19:50 | 0:19:52 | |
about a little adventure on the Surrey road. | 0:19:52 | 0:19:55 | |
I always miss out on the fun. | 0:19:55 | 0:19:56 | |
I think we're in for a bit of excitement yet, Dugan, | 0:19:56 | 0:19:59 | |
so don't feel too badly about it. | 0:19:59 | 0:20:00 | |
What about that in there? | 0:20:00 | 0:20:01 | |
Keep it out of sight. | 0:20:01 | 0:20:02 | |
She always says the wrong thing. | 0:20:02 | 0:20:03 | |
PENNY: Oh, no, I don't! | 0:20:03 | 0:20:04 | |
She mentions she's in the thick of a deep, dark plot. | 0:20:04 | 0:20:07 | |
Is she? | 0:20:07 | 0:20:08 | |
I'll tell you all about it when I see you. | 0:20:08 | 0:20:11 | |
OK, boss. No hurry. | 0:20:11 | 0:20:13 | |
MUTTERING: I can't sign it. | 0:20:24 | 0:20:27 | |
Don't let them get me! | 0:20:27 | 0:20:29 | |
This chap looks as though he'd been through a concrete mixer, Simon. | 0:20:29 | 0:20:32 | |
How bad is it, Jim? | 0:20:32 | 0:20:33 | |
Nervous shock and bruises. | 0:20:33 | 0:20:35 | |
Ought to stay in bed for a time. | 0:20:35 | 0:20:36 | |
Then I won't have a death on my hands, eh? | 0:20:36 | 0:20:39 | |
I think not. | 0:20:39 | 0:20:40 | |
You'll need a nurse, though. | 0:20:40 | 0:20:42 | |
By the way, who is he? | 0:20:43 | 0:20:44 | |
I don't know. He fell out of the sky right into my lap. | 0:20:44 | 0:20:48 | |
You know, Simon, | 0:20:48 | 0:20:49 | |
one of these days your curiosity | 0:20:49 | 0:20:50 | |
will bring me to YOUR bedside. | 0:20:50 | 0:20:51 | |
Then I'll be in good hands. | 0:20:51 | 0:20:53 | |
Good night. | 0:20:53 | 0:20:54 | |
Goodbye, Jim. | 0:20:54 | 0:20:56 | |
Easy, old fellow. | 0:21:02 | 0:21:04 | |
No, I can't stand it anymore. I can't! | 0:21:04 | 0:21:06 | |
I'm your friend. You're all right now. | 0:21:06 | 0:21:09 | |
Where am I? | 0:21:09 | 0:21:11 | |
How did I get here? | 0:21:11 | 0:21:14 | |
You were running a losing race out on a country road | 0:21:14 | 0:21:16 | |
when I found you. | 0:21:16 | 0:21:18 | |
I remember now. | 0:21:18 | 0:21:20 | |
Who are you? | 0:21:20 | 0:21:22 | |
Templar is my name. Simon Templar. | 0:21:22 | 0:21:26 | |
You know my mission here? | 0:21:26 | 0:21:28 | |
Only that it has to do with a lot of money, | 0:21:28 | 0:21:30 | |
and that you were tortured into signing an order of some kind. | 0:21:30 | 0:21:33 | |
How did you know this? | 0:21:33 | 0:21:34 | |
You were delirious. | 0:21:34 | 0:21:36 | |
I must get in touch with my Embassy. | 0:21:36 | 0:21:38 | |
Not yet, old man. Doctor's orders. | 0:21:38 | 0:21:41 | |
Now, if you'll only trust me, | 0:21:41 | 0:21:42 | |
I'll do what I can to help you. | 0:21:42 | 0:21:44 | |
You saved my life. | 0:21:44 | 0:21:47 | |
Well, you can put it that way. | 0:21:47 | 0:21:49 | |
Perhaps you can save my honour. | 0:21:49 | 0:21:51 | |
I'll try. | 0:21:51 | 0:21:53 | |
I am Count Duni. | 0:21:53 | 0:21:56 | |
My country sent me here to supervise the printing of new currency. | 0:21:56 | 0:21:59 | |
A very large amount. | 0:21:59 | 0:22:01 | |
A week ago, I was forced into a limousine | 0:22:01 | 0:22:03 | |
and knocked unconscious. | 0:22:03 | 0:22:05 | |
And then I found myself a prisoner. | 0:22:05 | 0:22:07 | |
Where? | 0:22:07 | 0:22:08 | |
I don't know, but... | 0:22:08 | 0:22:10 | |
here in London, I think. | 0:22:10 | 0:22:12 | |
A man named Kussella. | 0:22:12 | 0:22:15 | |
Kussella? | 0:22:15 | 0:22:17 | |
I was forced to sign an order for | 0:22:17 | 0:22:19 | |
the printing and delivery of an additional amount. | 0:22:19 | 0:22:21 | |
It was over a million pounds. | 0:22:21 | 0:22:23 | |
They plan to put the money in circulation quickly | 0:22:23 | 0:22:25 | |
while the original order went through as planned. | 0:22:25 | 0:22:28 | |
I see. | 0:22:28 | 0:22:29 | |
But it still isn't too late, perhaps. | 0:22:29 | 0:22:31 | |
If you can get to my Embassy... | 0:22:31 | 0:22:33 | |
but why hasn't your Embassy been trying to get to you? | 0:22:33 | 0:22:35 | |
I expect they have. | 0:22:35 | 0:22:36 | |
And another thing, how did you get | 0:22:36 | 0:22:37 | |
to where I found you in the country? | 0:22:37 | 0:22:39 | |
I can't remember. | 0:22:39 | 0:22:41 | |
It was a nightmare. They tortured me. | 0:22:41 | 0:22:44 | |
I... | 0:22:44 | 0:22:47 | |
You tell them at my Embassy. | 0:22:47 | 0:22:50 | |
Yes, all right. I will. | 0:22:50 | 0:22:52 | |
I'll get somebody to look after you. | 0:22:54 | 0:22:56 | |
Thank you. | 0:22:56 | 0:22:57 | |
FOOTSTEPS | 0:23:07 | 0:23:09 | |
How's your friend? | 0:23:14 | 0:23:15 | |
He's doing as well as can be expected. | 0:23:15 | 0:23:17 | |
But will you drop in on him occasionally? | 0:23:17 | 0:23:19 | |
I will. | 0:23:19 | 0:23:20 | |
Thanks, Mother Buckley. | 0:23:20 | 0:23:22 | |
You know, someday you're going to be the patron saint | 0:23:22 | 0:23:24 | |
of all questionable characters. | 0:23:24 | 0:23:26 | |
You'll go down in history as Saint Lizzie. | 0:23:26 | 0:23:29 | |
May you be forgiven your blasphemies. | 0:23:29 | 0:23:32 | |
I shall have to put him in the register. | 0:23:32 | 0:23:34 | |
What's his name? | 0:23:34 | 0:23:35 | |
Name? | 0:23:35 | 0:23:36 | |
Just for the register. | 0:23:36 | 0:23:38 | |
Well, let's call him Claud Teal. | 0:23:38 | 0:23:41 | |
What? | 0:23:46 | 0:23:48 | |
Well, yes, it is a woman, dear, | 0:23:48 | 0:23:50 | |
but it's business. | 0:23:50 | 0:23:51 | |
Hardly that, dear. | 0:23:51 | 0:23:54 | |
She's in the morgue. | 0:23:54 | 0:23:56 | |
All right, dear. All right. | 0:23:58 | 0:24:00 | |
Aye, immediately after. | 0:24:00 | 0:24:01 | |
All right, my dear. | 0:24:01 | 0:24:03 | |
Yes, my dear. | 0:24:03 | 0:24:05 | |
That was your wife. | 0:24:06 | 0:24:07 | |
Congratulations, Wilkins. | 0:24:07 | 0:24:09 | |
Keep it up. | 0:24:09 | 0:24:11 | |
Someday you may be clever enough to become a detective. | 0:24:11 | 0:24:13 | |
Yes, sir. | 0:24:13 | 0:24:14 | |
Of course I was clever enough not to get married. | 0:24:14 | 0:24:16 | |
That's a shame, Wilkins. | 0:24:16 | 0:24:18 | |
You LOOK married. | 0:24:18 | 0:24:19 | |
Now, may I ask what a constable's report | 0:24:21 | 0:24:23 | |
of a fight on a country road has got to do with me? | 0:24:23 | 0:24:26 | |
The car got away. | 0:24:26 | 0:24:27 | |
So I observe. | 0:24:27 | 0:24:28 | |
We checked on the licence, and the car belongs to Simon Templar. | 0:24:28 | 0:24:31 | |
Simon Templar? | 0:24:31 | 0:24:34 | |
So he's back with us again. | 0:24:34 | 0:24:37 | |
What do you think of it, Wilkins? | 0:24:37 | 0:24:39 | |
As you said, just a fight. | 0:24:39 | 0:24:41 | |
Probably there's nothing to it. | 0:24:41 | 0:24:43 | |
What do you mean, nothing to it? | 0:24:43 | 0:24:44 | |
There's always something to it | 0:24:44 | 0:24:46 | |
when Templar has his finger in it. | 0:24:46 | 0:24:47 | |
Come on, let's go to the morgue. | 0:24:47 | 0:24:49 | |
And we'll pay our friend the Saint a little social call. | 0:24:49 | 0:24:52 | |
PENNY: Hello, darling. | 0:24:53 | 0:24:54 | |
No, Aunt Edith. | 0:24:56 | 0:24:57 | |
No, dear. | 0:24:57 | 0:24:59 | |
I'm perfectly all right. | 0:24:59 | 0:25:01 | |
No, darling, you don't have to ransom me. | 0:25:03 | 0:25:06 | |
Well, my dear, what's happened? Where have you been? | 0:25:06 | 0:25:08 | |
Look, darling, I'll be home this evening. | 0:25:08 | 0:25:10 | |
I'm having a lovely time. | 0:25:10 | 0:25:12 | |
Are you sure you're all right? | 0:25:12 | 0:25:14 | |
Yes. | 0:25:14 | 0:25:15 | |
All right. | 0:25:15 | 0:25:17 | |
All right, darling. | 0:25:17 | 0:25:19 | |
Goodbye. | 0:25:19 | 0:25:21 | |
What's the beef? | 0:25:22 | 0:25:24 | |
She says I'm to go straight home, | 0:25:24 | 0:25:26 | |
and what do I mean by running off like that? | 0:25:26 | 0:25:28 | |
My old woman was like that. | 0:25:28 | 0:25:30 | |
I didn't come home one week, | 0:25:30 | 0:25:31 | |
so she calls the law and has a dragnet out for me. | 0:25:31 | 0:25:34 | |
Where were you? | 0:25:34 | 0:25:36 | |
I was hiding from the bulls. | 0:25:36 | 0:25:39 | |
Dugan? | 0:25:46 | 0:25:47 | |
Are we hiding from the bulls now? | 0:25:47 | 0:25:49 | |
What, you didn't leave no dead bodies layin' around last night, did ya? | 0:25:49 | 0:25:53 | |
Good heavens, no. | 0:25:53 | 0:25:55 | |
But I'm afraid he stole something. | 0:25:55 | 0:25:57 | |
In fact, I'm sure of it. | 0:25:57 | 0:25:58 | |
He ain't no thief. | 0:25:58 | 0:26:00 | |
I know. | 0:26:00 | 0:26:02 | |
He's more like a sort of Robin Hood. | 0:26:02 | 0:26:05 | |
Yeah? Who's this guy Hood? | 0:26:05 | 0:26:07 | |
Robin Hood? | 0:26:07 | 0:26:10 | |
Well, he was a sort of legend, | 0:26:10 | 0:26:11 | |
a sort of English Jesse James. | 0:26:11 | 0:26:13 | |
Well, Jesse done all right. | 0:26:13 | 0:26:16 | |
Dugan? What's the Saint after? | 0:26:16 | 0:26:20 | |
Didn't he tell ya? | 0:26:20 | 0:26:21 | |
He started to, but everything happened so fast... | 0:26:21 | 0:26:24 | |
Aw, come on, Dugan. What's it all about? | 0:26:24 | 0:26:27 | |
Well, he didn't tell me, neither. | 0:26:27 | 0:26:30 | |
You're a great help. | 0:26:31 | 0:26:33 | |
Me? I figure to do just like I'm told, | 0:26:33 | 0:26:35 | |
and then maybe muscle in on the fireworks later on. | 0:26:35 | 0:26:38 | |
DOOR BUZZER | 0:26:38 | 0:26:39 | |
Maybe here's some fireworks now. | 0:26:39 | 0:26:41 | |
Let's go and see! | 0:26:41 | 0:26:42 | |
Hey, I can see you ain't much experienced. | 0:26:42 | 0:26:44 | |
Any frill that knows her stuff would lay low and cover the door | 0:26:44 | 0:26:47 | |
while I answered it, see? | 0:26:47 | 0:26:49 | |
But I haven't got a gun, Dugan. | 0:26:49 | 0:26:51 | |
Here. | 0:26:51 | 0:26:52 | |
BUZZER | 0:26:52 | 0:26:53 | |
Is it loaded? | 0:26:53 | 0:26:54 | |
Yeah, and it ain't no water pistol, | 0:26:54 | 0:26:56 | |
so watch out where you squirt that lead. | 0:26:56 | 0:26:59 | |
OK, Dugan. | 0:26:59 | 0:27:00 | |
Don't shoot unless the party covers me, | 0:27:00 | 0:27:01 | |
then shoot in the air, see? | 0:27:01 | 0:27:05 | |
OK, Dugan. | 0:27:05 | 0:27:06 | |
I'm gonna be in the same room, | 0:27:06 | 0:27:07 | |
and I don't want you aiming at nobody in it. | 0:27:07 | 0:27:09 | |
BUZZER | 0:27:09 | 0:27:10 | |
OK, Dugan. | 0:27:12 | 0:27:13 | |
Yeah? | 0:27:18 | 0:27:19 | |
Mr Templar in? | 0:27:19 | 0:27:21 | |
You wouldn't be a dick from Scotland Yard, would ya? | 0:27:21 | 0:27:23 | |
Were you expecting a visitor from the Yard? | 0:27:23 | 0:27:25 | |
Who, me? Nah. | 0:27:25 | 0:27:28 | |
I think Mr Templar will see me. | 0:27:28 | 0:27:30 | |
What's the name, buddy? | 0:27:30 | 0:27:31 | |
Just tell him it's about a lot of new money. | 0:27:31 | 0:27:34 | |
I can't tell him right now, buddy, | 0:27:34 | 0:27:35 | |
cos he ain't here. | 0:27:35 | 0:27:37 | |
Are you sure of that? | 0:27:37 | 0:27:39 | |
See, not knowing your name kinda clouds up my memory, | 0:27:39 | 0:27:41 | |
if you get what I mean. | 0:27:41 | 0:27:43 | |
Never mind about that now. | 0:27:43 | 0:27:44 | |
When Mr Templar gets back, | 0:27:44 | 0:27:46 | |
tell him I'll phone him at 2 o'clock. | 0:27:46 | 0:27:48 | |
Who'll phone him? | 0:27:48 | 0:27:50 | |
Just try to remember that message. | 0:27:50 | 0:27:53 | |
OK, sister, we're in the clear. | 0:28:05 | 0:28:07 | |
Miss Parker? | 0:28:09 | 0:28:10 | |
What about our own private party? | 0:28:18 | 0:28:20 | |
Well, here's something you really will appreciate. | 0:28:20 | 0:28:23 | |
Simon, you're a genius. | 0:28:29 | 0:28:31 | |
No, that's your hunch. | 0:28:31 | 0:28:33 | |
Bruno Lang's property? | 0:28:33 | 0:28:34 | |
Yes, in a safe. | 0:28:34 | 0:28:35 | |
And, as you know, I simply can't resist safes. | 0:28:35 | 0:28:38 | |
They're a weakness of mine. | 0:28:38 | 0:28:40 | |
But, of course, it's only a beginning. | 0:28:40 | 0:28:42 | |
Yes, but it may lead to what we're after. | 0:28:42 | 0:28:45 | |
Exactly. Well, I must be off. | 0:28:45 | 0:28:47 | |
Oh, Simon. Just one other thing. | 0:28:48 | 0:28:50 | |
Don't underestimate an inspector named Teal of Scotland Yard. | 0:28:50 | 0:28:54 | |
I don't. He's writing my official biography. | 0:28:54 | 0:28:59 | |
TEAL: How long will it take Mr Templar to finish his bath? | 0:29:25 | 0:29:27 | |
DUGAN: I don't know how bad he needed it, | 0:29:27 | 0:29:28 | |
so I can't tell you, buddy. | 0:29:28 | 0:29:30 | |
Very well. | 0:29:30 | 0:29:31 | |
Perhaps you can tell me this... | 0:29:31 | 0:29:33 | |
what time did Templar come home last night? | 0:29:33 | 0:29:35 | |
It was my night off. | 0:29:35 | 0:29:37 | |
How long have you been Templar's valet? | 0:29:37 | 0:29:40 | |
Oh, right up to now. | 0:29:40 | 0:29:42 | |
How do I know he's in the bathroom? | 0:29:49 | 0:29:51 | |
Because he's taking a bath. | 0:29:51 | 0:29:53 | |
That's where the bathtub is at, see? | 0:29:53 | 0:29:55 | |
Well, if it isn't my old friend Teal! Glad to see you. | 0:29:59 | 0:30:02 | |
Are you? | 0:30:02 | 0:30:03 | |
Certainly, why shouldn't I be? | 0:30:03 | 0:30:04 | |
Good morning, Dugan. Bring my coffee in here, will you, | 0:30:04 | 0:30:05 | |
and get a cup for the Inspector. | 0:30:05 | 0:30:07 | |
No, thanks, I've had my breakfast. | 0:30:07 | 0:30:09 | |
I wasn't up late last night. | 0:30:09 | 0:30:11 | |
Looking for a chair, Teal? | 0:30:15 | 0:30:17 | |
No, thanks. I prefer to stand. | 0:30:17 | 0:30:20 | |
Can he cook, too? | 0:30:25 | 0:30:26 | |
Look, flatfoot, I cooked for 1,200 men | 0:30:28 | 0:30:30 | |
three times a day for five years. | 0:30:30 | 0:30:32 | |
Oh, that must have been Sing-Sing. | 0:30:32 | 0:30:35 | |
San Quentin, and there was no complaints. | 0:30:35 | 0:30:38 | |
Well, Inspector... Ah! | 0:30:42 | 0:30:45 | |
looks like a glorious morning outside. | 0:30:45 | 0:30:47 | |
What was it like on the Surrey road at 2.26 o'clock? | 0:30:47 | 0:30:52 | |
Ooh, very lovely, just like a Whistler canvas. | 0:30:52 | 0:30:55 | |
I never knew that Whistler painted a picture of | 0:30:55 | 0:30:58 | |
an unconscious man on a country road. | 0:30:58 | 0:31:01 | |
Oh, yes, thanks. | 0:31:01 | 0:31:02 | |
You know, Teal, I think you better have that coffee. | 0:31:02 | 0:31:05 | |
You're dreaming. | 0:31:05 | 0:31:07 | |
Who was the woman with you? | 0:31:07 | 0:31:08 | |
The lady? Oh, she was delightful. | 0:31:10 | 0:31:11 | |
I wish I could remember her name. | 0:31:11 | 0:31:13 | |
Perhaps I can jog your memory. | 0:31:13 | 0:31:16 | |
It couldn't have been Miss Penelope Parker? | 0:31:16 | 0:31:20 | |
Penelope who? | 0:31:20 | 0:31:21 | |
Parker, I said. | 0:31:21 | 0:31:23 | |
Parker? Sounds familiar. | 0:31:23 | 0:31:27 | |
Keep trying. | 0:31:27 | 0:31:29 | |
Parker... | 0:31:29 | 0:31:31 | |
Oh, of course, John Morgan's niece. | 0:31:31 | 0:31:34 | |
Sugar? | 0:31:34 | 0:31:35 | |
Two lumps. | 0:31:35 | 0:31:36 | |
Teal, you're not implying that... | 0:31:38 | 0:31:40 | |
No! You were at the Morgans'. | 0:31:40 | 0:31:42 | |
You left there. The girl left there. | 0:31:42 | 0:31:45 | |
They found her car. | 0:31:45 | 0:31:47 | |
A constable found a man lying unconscious in the road. | 0:31:47 | 0:31:49 | |
He took the number of your car as you left. | 0:31:49 | 0:31:52 | |
There was a woman with you. | 0:31:52 | 0:31:53 | |
That's all. | 0:31:53 | 0:31:55 | |
Sounds rather intriguing. | 0:31:56 | 0:31:57 | |
What happened then? | 0:31:57 | 0:32:00 | |
Suppose you carry on from there. | 0:32:00 | 0:32:02 | |
All right. | 0:32:02 | 0:32:03 | |
I murdered the girl. | 0:32:03 | 0:32:05 | |
How does that fit in? | 0:32:05 | 0:32:07 | |
I don't know. | 0:32:07 | 0:32:09 | |
You mind if I have a look around? | 0:32:11 | 0:32:14 | |
No, go ahead. | 0:32:14 | 0:32:15 | |
Where's the flatfoot? | 0:32:20 | 0:32:22 | |
We're in a jam, Dugan. Teal's in there. | 0:32:22 | 0:32:24 | |
Now, listen, here's the story. | 0:32:24 | 0:32:25 | |
Shoot. > | 0:32:25 | 0:32:26 | |
I wasn't here at all last night. | 0:32:26 | 0:32:27 | |
You're telling me. | 0:32:27 | 0:32:29 | |
No, but Miss Parker... | 0:32:29 | 0:32:30 | |
But, boss, I want... | 0:32:30 | 0:32:32 | |
Well, Teal? | 0:32:35 | 0:32:37 | |
No hard feelings, I hope. | 0:32:37 | 0:32:39 | |
Of course not, drop in anytime you like, old boy. | 0:32:39 | 0:32:42 | |
This is open house. | 0:32:42 | 0:32:43 | |
TELEPHONE RINGS | 0:32:43 | 0:32:45 | |
I'll answer that, if you don't mind. | 0:32:47 | 0:32:50 | |
Hello. | 0:32:54 | 0:32:56 | |
Oh, hello. | 0:32:56 | 0:32:58 | |
Hello, dear. | 0:32:58 | 0:33:01 | |
Oh, I'm sorry, dear. I told Wilkins to tell you. | 0:33:01 | 0:33:06 | |
Oh, all right, dear. | 0:33:06 | 0:33:07 | |
Yes, dear. | 0:33:07 | 0:33:09 | |
Yes, of course. | 0:33:09 | 0:33:11 | |
All right, dear. | 0:33:11 | 0:33:12 | |
All right, dear. | 0:33:12 | 0:33:14 | |
The missus. | 0:33:16 | 0:33:17 | |
Well, as I said before, | 0:33:17 | 0:33:19 | |
no hard feelings, Templar? | 0:33:19 | 0:33:20 | |
Not at all. Not at all. | 0:33:20 | 0:33:21 | |
My dear fellow, it was a pleasure. | 0:33:21 | 0:33:23 | |
Yes, I'll bet it was. | 0:33:23 | 0:33:26 | |
Have you heard of a prison called Dartmoor? | 0:33:33 | 0:33:35 | |
So what? | 0:33:35 | 0:33:36 | |
They need a cook. | 0:33:36 | 0:33:38 | |
Nice work, Dugan. Where is she? | 0:33:47 | 0:33:49 | |
That dame? She ain't here. | 0:33:49 | 0:33:50 | |
That's what I tried to tell you. | 0:33:50 | 0:33:51 | |
Well, where did she go? | 0:33:51 | 0:33:53 | |
I don't know. She left right after a guy came here. | 0:33:53 | 0:33:55 | |
A guy? What was his name? | 0:33:55 | 0:33:57 | |
He didn't say. He's going to phone you at 2 o'clock. | 0:33:57 | 0:33:59 | |
Something about a pile of dough. | 0:33:59 | 0:34:00 | |
I get out here. | 0:34:16 | 0:34:17 | |
Stay here a minute. | 0:34:17 | 0:34:18 | |
We seem to have someone on our tail. | 0:34:18 | 0:34:21 | |
Right. | 0:34:21 | 0:34:22 | |
Fare, Miss, please. | 0:34:25 | 0:34:26 | |
Oh. | 0:34:26 | 0:34:28 | |
Yes, sir? | 0:34:28 | 0:34:29 | |
Tin of Longdon Cut, please. | 0:34:29 | 0:34:31 | |
And when you get it, take a look at that girl walking by. | 0:34:31 | 0:34:35 | |
Who is she? | 0:34:35 | 0:34:36 | |
She followed me from Templar's place. | 0:34:36 | 0:34:38 | |
There she is. | 0:34:41 | 0:34:42 | |
There you are, sir. | 0:34:49 | 0:34:50 | |
Thank you. | 0:34:50 | 0:34:51 | |
Very amateurish. | 0:34:51 | 0:34:53 | |
I'm rather disappointed in our friend Templar. | 0:34:53 | 0:34:57 | |
Perhaps she might be of use to us. | 0:34:57 | 0:34:59 | |
Here she comes again. | 0:34:59 | 0:35:00 | |
Looks as if she's picketing the place. | 0:35:00 | 0:35:03 | |
I'll walk through the hotel next door | 0:35:03 | 0:35:05 | |
and come in the back entrance. | 0:35:05 | 0:35:06 | |
Keep your eye on her and see what happens. | 0:35:06 | 0:35:08 | |
Yes, Miss? | 0:35:20 | 0:35:21 | |
Oh, 20 Speedway, please. | 0:35:21 | 0:35:23 | |
Have you a telephone around here I could use? | 0:35:23 | 0:35:26 | |
Why, yes, it's really a private one, | 0:35:26 | 0:35:28 | |
but that's all right. | 0:35:28 | 0:35:29 | |
It's around here through this door | 0:35:29 | 0:35:31 | |
into the little storeroom. | 0:35:31 | 0:35:33 | |
Thanks so much. | 0:35:33 | 0:35:34 | |
That will be another tuppence, please. | 0:35:34 | 0:35:36 | |
Park View 4251. | 0:35:53 | 0:35:56 | |
TELEPHONE RINGING | 0:35:56 | 0:35:57 | |
Hello? | 0:35:58 | 0:35:59 | |
Oh, the Saint. When did you get back? | 0:35:59 | 0:36:02 | |
Now, look here, Aladdin, | 0:36:02 | 0:36:03 | |
is it a phobia of some kind that prompts you | 0:36:03 | 0:36:06 | |
to pull disappearing acts on people? | 0:36:06 | 0:36:08 | |
Where are you? | 0:36:08 | 0:36:10 | |
22 Vandemeer Street. I shadowed a man. | 0:36:10 | 0:36:13 | |
He's in the hotel next door. | 0:36:13 | 0:36:14 | |
She's tracked somebody down, Dugan. | 0:36:14 | 0:36:16 | |
Some doll, huh?! | 0:36:16 | 0:36:18 | |
Yes, darling, it's wonderful. | 0:36:18 | 0:36:19 | |
I'm proud of you, but be careful, though. | 0:36:19 | 0:36:21 | |
He's very sinister-looking, | 0:36:21 | 0:36:24 | |
but rather intriguing. | 0:36:24 | 0:36:27 | |
Kussella is the name, Mr Templar. | 0:36:30 | 0:36:33 | |
I'll be expecting you. | 0:36:33 | 0:36:34 | |
I believe the lady gave you the address, | 0:36:34 | 0:36:37 | |
and come alone. | 0:36:37 | 0:36:39 | |
Hello? | 0:36:39 | 0:36:40 | |
They've got her, Dugan. | 0:36:41 | 0:36:43 | |
Well, what are we waiting for? | 0:36:43 | 0:36:44 | |
You're waiting for me. I'll be back. | 0:36:44 | 0:36:46 | |
I never get to go nowhere! | 0:36:46 | 0:36:47 | |
All right, you can come, too, | 0:36:47 | 0:36:49 | |
but stay out of sight. | 0:36:49 | 0:36:51 | |
Oh, boy. Oh, boy. | 0:36:51 | 0:36:52 | |
Will you sit down? | 0:36:53 | 0:36:55 | |
Cigarette? | 0:36:58 | 0:36:59 | |
No, thank you. | 0:36:59 | 0:37:01 | |
TYRES SCREECH | 0:37:04 | 0:37:06 | |
Yes, sir, what can I do for you? | 0:37:12 | 0:37:14 | |
I'm Simon Templar. | 0:37:14 | 0:37:15 | |
Oh, yes, this way, sir. | 0:37:15 | 0:37:17 | |
All right, I'll send him right over. | 0:37:20 | 0:37:22 | |
The money is ready for delivery. | 0:37:22 | 0:37:24 | |
On your way, Tim. | 0:37:24 | 0:37:25 | |
How about that dame in there? | 0:37:25 | 0:37:27 | |
I'll take care of her the very best | 0:37:27 | 0:37:29 | |
after I talk to Templar. | 0:37:29 | 0:37:31 | |
Now, off you go. You know what to do. | 0:37:31 | 0:37:32 | |
See you later. | 0:37:32 | 0:37:34 | |
He ain't got a halo! | 0:37:38 | 0:37:41 | |
I didn't think that was very funny. | 0:37:41 | 0:37:43 | |
You're Kussella, I take it. | 0:37:43 | 0:37:45 | |
I presume the Count spoke of me often. | 0:37:46 | 0:37:50 | |
Yes, he wasn't very complimentary, I'm afraid. | 0:37:50 | 0:37:52 | |
Oh, he was so obstinate, | 0:37:52 | 0:37:54 | |
all courage, no brains. | 0:37:54 | 0:37:57 | |
Now, I have heard that you are a man of imagination. | 0:37:57 | 0:38:00 | |
Well? | 0:38:00 | 0:38:02 | |
I hope we shall not be forced to deal with Miss Parker | 0:38:02 | 0:38:05 | |
as it became necessary to deal with the Count. | 0:38:05 | 0:38:07 | |
No, you won't have to. | 0:38:07 | 0:38:08 | |
I thought not. | 0:38:08 | 0:38:10 | |
I was going to suggest an exchange of prisoners. | 0:38:10 | 0:38:15 | |
Have I any choice in the matter? | 0:38:15 | 0:38:17 | |
I'm afraid not. | 0:38:17 | 0:38:19 | |
Then I agree. | 0:38:19 | 0:38:20 | |
So, we understand each other. | 0:38:20 | 0:38:24 | |
Now where is Count Duni? | 0:38:24 | 0:38:27 | |
How will you guarantee your end of the bargain? | 0:38:27 | 0:38:30 | |
Not that I don't trust you. | 0:38:30 | 0:38:32 | |
Just a routine question. | 0:38:32 | 0:38:33 | |
I have no interest in the girl. | 0:38:33 | 0:38:36 | |
I'll take you to Count Duni on this condition... | 0:38:36 | 0:38:38 | |
that Miss Parker goes with us. | 0:38:38 | 0:38:40 | |
That is asking a great deal. | 0:38:40 | 0:38:42 | |
Not as long as you have the bad taste | 0:38:42 | 0:38:44 | |
to prefer Count Duni to Miss Parker. | 0:38:44 | 0:38:46 | |
All right, fair enough. | 0:38:46 | 0:38:47 | |
But first, let me give you a little warning... | 0:38:47 | 0:38:51 | |
not that I don't trust you. | 0:38:51 | 0:38:53 | |
I have no scruples about shooting men | 0:38:53 | 0:38:56 | |
or women, | 0:38:56 | 0:38:57 | |
or, er...saints. | 0:38:57 | 0:39:01 | |
That's one thing I WILL take your word for, Kussella. | 0:39:01 | 0:39:03 | |
Wait here. | 0:39:03 | 0:39:05 | |
WHISTLING | 0:39:19 | 0:39:21 | |
All in good time. | 0:39:29 | 0:39:31 | |
Beautiful day, isn't it? | 0:39:35 | 0:39:37 | |
Yeah, ain't it? Give me a can of that tobacco up there. | 0:39:37 | 0:39:39 | |
Uh, yes. | 0:39:39 | 0:39:41 | |
Now you can look, buddy. | 0:39:42 | 0:39:44 | |
Is this a hold-up? | 0:39:46 | 0:39:48 | |
Come on, don't give me no eyewash. | 0:39:48 | 0:39:50 | |
But I haven't much money. | 0:39:50 | 0:39:51 | |
Who has? I just want you to show me the way upstairs. | 0:39:51 | 0:39:54 | |
There must be some mistake. | 0:39:54 | 0:39:55 | |
You want to make another mistake, just keep on talking back to me. | 0:39:55 | 0:39:57 | |
Oh, very well, then. This way. | 0:39:57 | 0:39:59 | |
Now let's go real quiet, huh? | 0:39:59 | 0:40:01 | |
Like a couple of little mice. | 0:40:01 | 0:40:04 | |
Up there. | 0:40:13 | 0:40:14 | |
OK. | 0:40:14 | 0:40:15 | |
Ah, Boy Scout. | 0:40:15 | 0:40:16 | |
Thanks, pal, I didn't have no gat. | 0:40:16 | 0:40:19 | |
The dame borrowed mine. | 0:40:19 | 0:40:21 | |
Come on, now, move over there. | 0:40:21 | 0:40:23 | |
Get over there. | 0:40:23 | 0:40:25 | |
HE KNOCKS HIM OUT > | 0:40:25 | 0:40:26 | |
A lady to see you. | 0:40:27 | 0:40:30 | |
Simon! | 0:40:30 | 0:40:31 | |
How do you feel, Penny? | 0:40:31 | 0:40:32 | |
Terrible. I botched the whole works. | 0:40:32 | 0:40:34 | |
Oh, that's all right. | 0:40:34 | 0:40:36 | |
You'll learn with experience. | 0:40:36 | 0:40:37 | |
I ransomed you. | 0:40:37 | 0:40:39 | |
How much am I worth? | 0:40:39 | 0:40:40 | |
Oh, about a million pounds. | 0:40:40 | 0:40:42 | |
I want you to remember that what I warned you about | 0:40:42 | 0:40:45 | |
will apply to anything remotely resembling a double-cross. | 0:40:45 | 0:40:47 | |
The girl will get it first. | 0:40:47 | 0:40:49 | |
You hear that, Penny? | 0:40:49 | 0:40:51 | |
If I appear to be at all docile and unheroic, | 0:40:51 | 0:40:54 | |
remember, it's for your sake. | 0:40:54 | 0:40:55 | |
I wish I could kick myself. | 0:40:55 | 0:40:58 | |
Perhaps I can oblige later. | 0:40:58 | 0:40:59 | |
< If you please... | 0:40:59 | 0:41:01 | |
Go first, Mr Templar. | 0:41:04 | 0:41:05 | |
We'll keep Miss Parker between us. | 0:41:05 | 0:41:08 | |
You think of everything, Kussella. | 0:41:09 | 0:41:12 | |
Which way, Kussella? | 0:41:19 | 0:41:20 | |
To your left. | 0:41:20 | 0:41:22 | |
Through the back door, to my car. | 0:41:22 | 0:41:24 | |
DUGAN KNOCKS HIM OUT | 0:41:26 | 0:41:28 | |
It's locked. | 0:41:28 | 0:41:29 | |
Well, kick it down. | 0:41:29 | 0:41:30 | |
Dugan, how in the world? | 0:41:32 | 0:41:34 | |
Aw, just something the boss cooked up. | 0:41:34 | 0:41:36 | |
Nice timing, Dugan. Remind me to give you a raise. | 0:41:36 | 0:41:38 | |
My own mother wouldn't be as welcome as you are right this minute. | 0:41:38 | 0:41:40 | |
I don't think your old woman could have swung. | 0:41:40 | 0:41:41 | |
Let's get out of here. | 0:41:41 | 0:41:43 | |
I haven't got any more valets. | 0:41:43 | 0:41:44 | |
GRUNTS | 0:41:52 | 0:41:55 | |
Am I glad to get out in the air again?! | 0:42:08 | 0:42:11 | |
I'm sorry, Simon, I thought I was being awfully clever. | 0:42:11 | 0:42:14 | |
Oh, that's all right. | 0:42:14 | 0:42:15 | |
We don't have to be clever with a valet like Dugan. | 0:42:15 | 0:42:17 | |
Aw, it ain't nothin'. | 0:42:17 | 0:42:18 | |
And, besides, we've learned a great deal that we didn't know before, | 0:42:18 | 0:42:20 | |
so you have helped the cause after all. | 0:42:20 | 0:42:22 | |
I was still pretty bad in there. | 0:42:22 | 0:42:23 | |
Forget it. | 0:42:23 | 0:42:25 | |
We're glad to have you back, aren't we, Dugan? | 0:42:25 | 0:42:26 | |
Anything to break up the monopoly is what I say. | 0:42:26 | 0:42:29 | |
What do we tackle next? | 0:42:29 | 0:42:30 | |
You, Dugan... Yeah? | 0:42:30 | 0:42:31 | |
Go back home and hang on the telephone and wait for orders. | 0:42:31 | 0:42:34 | |
I'd rather hang from the end of a rope! | 0:42:34 | 0:42:36 | |
And me? | 0:42:36 | 0:42:37 | |
You're detailed to look after Count Duni. | 0:42:37 | 0:42:39 | |
Murder or suicide? | 0:42:45 | 0:42:46 | |
Don't be in such a hurry, Wilkins, | 0:42:46 | 0:42:48 | |
you're like a newspaper reporter. | 0:42:48 | 0:42:50 | |
That man was in no physical condition | 0:42:50 | 0:42:52 | |
to drive a knife into his own heart. | 0:42:52 | 0:42:54 | |
Then it's murder. | 0:42:54 | 0:42:55 | |
You'll be an inspector yet. | 0:42:55 | 0:42:58 | |
What for? | 0:42:58 | 0:42:59 | |
Mrs Buckley to see you, sir. | 0:42:59 | 0:43:01 | |
Oh. ..Carry on. | 0:43:01 | 0:43:02 | |
Are you the proprietress of this hotel? | 0:43:06 | 0:43:08 | |
Yes, I am, sir. | 0:43:08 | 0:43:10 | |
Who's that in the bedroom there? | 0:43:10 | 0:43:11 | |
A Mr Claud Teal, sir. | 0:43:11 | 0:43:13 | |
But THIS is Mr Teal! | 0:43:13 | 0:43:14 | |
Did he sign the register himself? | 0:43:17 | 0:43:19 | |
Oh, no, another gentleman brought him in. | 0:43:19 | 0:43:21 | |
< Who? Well, a friend of poor Mr Teal's. | 0:43:21 | 0:43:25 | |
Mrs Buckley, I want you to try and answer very clearly. | 0:43:26 | 0:43:29 | |
Well, I'm a little upset and excited. | 0:43:29 | 0:43:32 | |
Oh, so sorry. | 0:43:32 | 0:43:34 | |
Now, calm yourself, Mrs Buckley. | 0:43:34 | 0:43:35 | |
Murder's no place for hysterics. | 0:43:35 | 0:43:37 | |
Murder? Murder? Oh, no! | 0:43:37 | 0:43:40 | |
Sit down, sit down, sit down. | 0:43:40 | 0:43:42 | |
I just want you to try and help me, Mrs Buckley. | 0:43:42 | 0:43:44 | |
I wonder if... What? | 0:43:44 | 0:43:46 | |
If you've got an aspirin. | 0:43:46 | 0:43:49 | |
Mrs Buckley, I just want you to answer one simple question. | 0:43:50 | 0:43:55 | |
Oh, my poor hotel! | 0:43:55 | 0:43:56 | |
What was the name of the man who brought him here? | 0:43:56 | 0:44:00 | |
Poor Mr Teal! | 0:44:00 | 0:44:02 | |
Madam, I am Mr Teal, | 0:44:02 | 0:44:03 | |
and that man in there was Count Stephan Duni. | 0:44:03 | 0:44:06 | |
And not only that... | 0:44:06 | 0:44:07 | |
But how can you and he both be..? | 0:44:07 | 0:44:10 | |
It's so confusing. | 0:44:10 | 0:44:11 | |
Please, Mrs Buckley, will you describe the gentleman | 0:44:11 | 0:44:14 | |
who brought Mr Teal... HIM into the hotel, and when was it? | 0:44:14 | 0:44:20 | |
Well, he was a fine-looking man with a nice smile, | 0:44:20 | 0:44:22 | |
rather medium or tall. | 0:44:22 | 0:44:24 | |
Very like my brother Ted who went to Australia. | 0:44:24 | 0:44:27 | |
Light or dark, Mrs Buckley? | 0:44:27 | 0:44:28 | |
Ted took after his father, | 0:44:28 | 0:44:30 | |
as fine a looking man as ever walked into a public house. | 0:44:30 | 0:44:32 | |
When, Mrs Buckley? | 0:44:32 | 0:44:33 | |
When and at what hour did this gentleman bring in Mr Teal? | 0:44:33 | 0:44:37 | |
But I thought you said YOU were Mr Teal! | 0:44:37 | 0:44:39 | |
Well, I mean... | 0:44:39 | 0:44:41 | |
What time did the two gentlemen arrive? | 0:44:41 | 0:44:43 | |
Well, I'd done my kitchen. | 0:44:43 | 0:44:44 | |
It must have been a bit after 6.00. | 0:44:44 | 0:44:46 | |
Thank you, Mrs Buckley. Thank you very much. | 0:44:46 | 0:44:49 | |
And now you can go downstairs and get your aspirin. | 0:44:49 | 0:44:52 | |
Send up some for me, too. | 0:44:53 | 0:44:55 | |
Poor Mr Teal! | 0:44:55 | 0:44:56 | |
Teal? What are YOU doing here? | 0:45:02 | 0:45:04 | |
I'm investigating my own murder. | 0:45:04 | 0:45:05 | |
Murder? Why...! | 0:45:05 | 0:45:08 | |
Well, what's up, Teal? | 0:45:08 | 0:45:09 | |
That's just what I'm trying to find out. | 0:45:09 | 0:45:12 | |
Mrs Buckley, have you ever seen this gentleman before? | 0:45:12 | 0:45:15 | |
Oh, he's rather like a cinema actor I've seen. | 0:45:20 | 0:45:23 | |
Thank you, madame. | 0:45:23 | 0:45:24 | |
And that's a sweet girl you've got with you. | 0:45:24 | 0:45:26 | |
Ah, that'll do. That'll do. | 0:45:26 | 0:45:28 | |
This is not a tea party. | 0:45:28 | 0:45:30 | |
It's a murder. | 0:45:30 | 0:45:32 | |
Uh...Count Duni? | 0:45:32 | 0:45:34 | |
Ah, so you know the man! | 0:45:34 | 0:45:37 | |
I brought him here. | 0:45:37 | 0:45:39 | |
Ah, now we are getting somewhere. | 0:45:39 | 0:45:41 | |
Oh, excuse me. Miss Parker, Inspector Teal. | 0:45:41 | 0:45:45 | |
I thought you said you weren't with Miss Parker last night. | 0:45:45 | 0:45:48 | |
You only thought I said that. Actually, I didn't. | 0:45:48 | 0:45:50 | |
Were you with Mr Templar last night? | 0:45:50 | 0:45:51 | |
All right, I was with him, so what? | 0:45:51 | 0:45:55 | |
This morning, too? | 0:45:55 | 0:45:56 | |
Well, part of the time, I, er... | 0:45:56 | 0:45:59 | |
Teal, if you're wondering whether I had time | 0:45:59 | 0:46:01 | |
to get away from Miss Parker and commit a murder, I did. | 0:46:01 | 0:46:05 | |
Did have time, or did commit a murder? | 0:46:05 | 0:46:07 | |
He certainly did nothing of the sort! | 0:46:07 | 0:46:09 | |
Sh-h! Teal is full of very clever questions. We must give him a chance. | 0:46:09 | 0:46:12 | |
Now, I want a direct answer this time, Templar. | 0:46:12 | 0:46:14 | |
Did you kill that man? | 0:46:14 | 0:46:16 | |
No. | 0:46:17 | 0:46:18 | |
Why did you bring him here? | 0:46:22 | 0:46:25 | |
Because he was being chased by some cut-throat. | 0:46:25 | 0:46:28 | |
Why shouldn't we bring him here? | 0:46:28 | 0:46:29 | |
I'll come to you in a minute if you'll be patient. | 0:46:29 | 0:46:32 | |
Why didn't you take him to the hospital? | 0:46:32 | 0:46:34 | |
Well, I wanted to protect him until I could talk to him. | 0:46:34 | 0:46:37 | |
Who is he? | 0:46:37 | 0:46:38 | |
What's he involved in? | 0:46:38 | 0:46:40 | |
I can't say. | 0:46:40 | 0:46:41 | |
Better for you if you could. | 0:46:41 | 0:46:44 | |
I'm sorry, Teal, but I'll have to run that risk. | 0:46:44 | 0:46:47 | |
Well, I'll have to take you to the Yard. | 0:46:47 | 0:46:50 | |
It's a murder, and you're mixed up in it. | 0:46:50 | 0:46:52 | |
That's all I have to go on, isn't it? | 0:46:52 | 0:46:54 | |
How did you find out about this? | 0:46:54 | 0:46:56 | |
Phone call. Anonymous. | 0:46:56 | 0:46:59 | |
That's something. | 0:46:59 | 0:47:00 | |
Not enough to let YOU out. | 0:47:00 | 0:47:03 | |
Hadn't I better identify him? | 0:47:03 | 0:47:06 | |
Yeah, certainly. | 0:47:06 | 0:47:08 | |
All right, Brown. | 0:47:09 | 0:47:11 | |
This business is bigger than I am, Teal. | 0:47:17 | 0:47:19 | |
If you take me in, you'll be giving | 0:47:19 | 0:47:22 | |
the murderers a chance to get away. | 0:47:22 | 0:47:24 | |
Not exactly. | 0:47:24 | 0:47:26 | |
If you're under arrest, it will put them off their guard. | 0:47:26 | 0:47:31 | |
Oh, I see. How did you know? | 0:47:31 | 0:47:33 | |
The plant was a little too obvious. | 0:47:33 | 0:47:36 | |
I think I shall have to take you in, Templar. | 0:47:36 | 0:47:40 | |
It looks like my best move. | 0:47:40 | 0:47:43 | |
Unless we could both trail the same fox. | 0:47:43 | 0:47:46 | |
Could it be arranged? | 0:47:48 | 0:47:49 | |
Well, there's always a chance of escaping. | 0:47:49 | 0:47:52 | |
Of course, I'd be looking for you, officially. | 0:47:52 | 0:47:55 | |
How about your job? | 0:47:57 | 0:47:59 | |
The wife's always talking about a farm. | 0:47:59 | 0:48:02 | |
You won't shoot me? | 0:48:02 | 0:48:03 | |
I didn't sign for a gun. | 0:48:03 | 0:48:06 | |
Thanks, Teal. | 0:48:06 | 0:48:08 | |
Just give me 12 hours. | 0:48:08 | 0:48:10 | |
You can go now. | 0:48:13 | 0:48:15 | |
What about him? | 0:48:15 | 0:48:16 | |
Well, he's coming to the Yard with us. | 0:48:16 | 0:48:18 | |
The car. | 0:48:20 | 0:48:21 | |
You stay here. I'll be back. | 0:48:28 | 0:48:31 | |
Come on. | 0:48:31 | 0:48:32 | |
GLASS BREAKING | 0:48:46 | 0:48:47 | |
Now look what you've done! | 0:48:50 | 0:48:51 | |
But the prisoner! | 0:48:51 | 0:48:53 | |
Look, I'm too young and you're too beautiful to be killed. | 0:49:05 | 0:49:08 | |
And besides, I'm not being followed. | 0:49:08 | 0:49:10 | |
Really? Yes. | 0:49:10 | 0:49:11 | |
Well, how do you like that? | 0:49:11 | 0:49:13 | |
I like it fine. | 0:49:13 | 0:49:14 | |
They let you go? | 0:49:14 | 0:49:15 | |
Teal is a truly great detective. | 0:49:15 | 0:49:17 | |
Don't try and build up your escape. | 0:49:17 | 0:49:19 | |
I know you're good. | 0:49:19 | 0:49:20 | |
How do you feel? | 0:49:20 | 0:49:21 | |
Well, I could use a drink, I think. | 0:49:21 | 0:49:23 | |
Before or after? | 0:49:23 | 0:49:24 | |
Before or after what? | 0:49:24 | 0:49:26 | |
After our return to the tobacco shop. | 0:49:26 | 0:49:29 | |
Well, let's make it before. | 0:49:29 | 0:49:30 | |
There may not be an after. | 0:49:30 | 0:49:31 | |
Well, here we are. | 0:49:33 | 0:49:34 | |
A jug of wine, a loaf of bread, | 0:49:34 | 0:49:37 | |
and thou beside me in the wilderness. | 0:49:37 | 0:49:41 | |
Um...how does it go on? | 0:49:41 | 0:49:43 | |
Nobody ever knows. | 0:49:43 | 0:49:45 | |
However, here's the jug of wine. | 0:49:45 | 0:49:49 | |
The number you asked for is on the line, Mr Templar. | 0:49:49 | 0:49:52 | |
Oh, thanks, Joe. | 0:49:52 | 0:49:53 | |
Put it through right away, will you? | 0:49:53 | 0:49:55 | |
You know, adventure makes you look even more beautiful. | 0:49:55 | 0:49:58 | |
That's pretty good. You'll do even better after the drink. | 0:49:59 | 0:50:03 | |
Who did it? Kussella? | 0:50:03 | 0:50:06 | |
No, Kussella wouldn't bargain for a dead man. | 0:50:06 | 0:50:10 | |
Bargain? | 0:50:10 | 0:50:11 | |
Oh, I forgot to tell you. | 0:50:11 | 0:50:13 | |
Well, not now, but some night in front of a fireplace. | 0:50:13 | 0:50:16 | |
Hello, Mother Buckley? | 0:50:16 | 0:50:17 | |
This is Simon. | 0:50:17 | 0:50:19 | |
Listen, you were perfect. | 0:50:19 | 0:50:20 | |
Now I want you to tell me the story you didn't tell Mr Teal. | 0:50:20 | 0:50:26 | |
Well, I kept popping in to see if the poor fellow was all right. | 0:50:26 | 0:50:30 | |
Eh? ..No. | 0:50:30 | 0:50:32 | |
Yes, he did make one telephone call. | 0:50:32 | 0:50:35 | |
He rang up some embassy, | 0:50:35 | 0:50:37 | |
and talked to someone called Stengler. | 0:50:37 | 0:50:39 | |
Stengler. | 0:50:39 | 0:50:41 | |
Well, how should I know how to spell it? | 0:50:41 | 0:50:44 | |
I only heard it. | 0:50:44 | 0:50:45 | |
All right. | 0:50:45 | 0:50:47 | |
Goodbye. | 0:50:47 | 0:50:48 | |
Stengler, eh? | 0:50:51 | 0:50:53 | |
Is it the drink, or did you get a clue? | 0:50:54 | 0:50:57 | |
We're shifting our attack. | 0:50:57 | 0:50:58 | |
Where to? | 0:50:58 | 0:51:00 | |
All in good time, Watson. Come on. | 0:51:00 | 0:51:02 | |
Oh, hey, wait for me! | 0:51:02 | 0:51:03 | |
Hello, Kussella, Stengler speaking. | 0:51:09 | 0:51:11 | |
Where have you been? | 0:51:11 | 0:51:12 | |
Duni called me. | 0:51:13 | 0:51:15 | |
I couldn't reach you, and I had to act quickly. | 0:51:15 | 0:51:18 | |
It's all taken care of. | 0:51:18 | 0:51:20 | |
I sent Tim over to the hotel. | 0:51:20 | 0:51:23 | |
All the evidence points to our friend Templar. | 0:51:23 | 0:51:26 | |
It may interest you to know that the Saint has been here and left. | 0:51:26 | 0:51:30 | |
He has also been to the hotel and left. | 0:51:30 | 0:51:32 | |
He escaped the police? | 0:51:32 | 0:51:34 | |
Yes. | 0:51:34 | 0:51:36 | |
Yes, of course. | 0:51:36 | 0:51:38 | |
We will meet as planned. | 0:51:38 | 0:51:40 | |
I shall act at once. | 0:51:40 | 0:51:42 | |
BUZZER | 0:51:42 | 0:51:43 | |
Yes. | 0:51:43 | 0:51:44 | |
A Mr Teal from Scotland Yard, sir. | 0:51:44 | 0:51:46 | |
'I'll see him.' | 0:51:46 | 0:51:48 | |
Come in, Mr Teal. | 0:51:52 | 0:51:55 | |
Mr Stengler? < Yes? | 0:51:56 | 0:51:59 | |
Please, sit down. | 0:52:00 | 0:52:02 | |
Thank you. | 0:52:02 | 0:52:03 | |
I'm afraid we had a bit of bad luck. | 0:52:03 | 0:52:05 | |
Our prisoner escaped. | 0:52:05 | 0:52:06 | |
I'm sorry to hear that. | 0:52:06 | 0:52:08 | |
Well, he won't get far. | 0:52:08 | 0:52:10 | |
I understand that you're in charge here | 0:52:10 | 0:52:12 | |
during the Ambassador's absence. | 0:52:12 | 0:52:14 | |
Yes. The Ambassador is on an important mission in Paris. | 0:52:14 | 0:52:17 | |
It's most unfortunate, Count Duni's tragic death at this particular time. | 0:52:17 | 0:52:21 | |
Yes, I know how you must feel. | 0:52:22 | 0:52:24 | |
Tell me, did Count Duni get in touch with you at all recently? | 0:52:24 | 0:52:28 | |
He called me shortly before I was notified of his death. | 0:52:28 | 0:52:31 | |
Did he say anything that might cause you | 0:52:32 | 0:52:35 | |
to think that something was wrong? | 0:52:35 | 0:52:37 | |
No, I believe not. | 0:52:37 | 0:52:39 | |
He seemed quite himself at the time, as I remember. | 0:52:39 | 0:52:42 | |
Oh. ..Do you think it possible that Count Duni | 0:52:44 | 0:52:47 | |
could have been involved in some underhanded scheme | 0:52:47 | 0:52:50 | |
with this man Templar? | 0:52:50 | 0:52:52 | |
Well, I hesitate to express an opinion, sir, | 0:52:52 | 0:52:56 | |
but I suppose that phase of it must be considered. | 0:52:56 | 0:53:01 | |
Yes. | 0:53:01 | 0:53:03 | |
Has anything occurred here at the Embassy | 0:53:03 | 0:53:05 | |
that would cast suspicion on Count Duni's actions | 0:53:05 | 0:53:08 | |
during this past week? | 0:53:08 | 0:53:09 | |
No, nothing that I know of, Mr Teal. | 0:53:09 | 0:53:12 | |
However, I would suggest that you get in touch | 0:53:12 | 0:53:15 | |
with the Ambassador when he returns. | 0:53:15 | 0:53:17 | |
Thank you, Mr Stengler. | 0:53:17 | 0:53:18 | |
I won't take up any more of your time. | 0:53:18 | 0:53:22 | |
I'm sorry that I can't be of more assistance to you, Mr Teal. | 0:53:24 | 0:53:27 | |
I think I'm on the right track. | 0:53:27 | 0:53:28 | |
All I've got to do now is to find Templar. | 0:53:28 | 0:53:30 | |
He must be as clever as he is ruthless. | 0:53:30 | 0:53:32 | |
He's far more clever than you think, Mr Stengler. | 0:53:32 | 0:53:35 | |
BUZZER | 0:53:40 | 0:53:42 | |
Yes? | 0:53:42 | 0:53:43 | |
A gentleman on the telephone, sir. | 0:53:43 | 0:53:45 | |
He says HE is Mr Teal from Scotland Yard. | 0:53:45 | 0:53:46 | |
'What?!' | 0:53:46 | 0:53:48 | |
I told him Mr Teal had just left, | 0:53:48 | 0:53:49 | |
and he said I was crazy, sir. | 0:53:49 | 0:53:51 | |
Tell him I'm out. | 0:53:51 | 0:53:53 | |
The Saint! | 0:53:59 | 0:54:01 | |
Get here at once, and stay with him all the time. | 0:54:03 | 0:54:05 | |
Yeah. Yeah. I'm practically there, boss. | 0:54:05 | 0:54:10 | |
Well, here we are again. | 0:54:17 | 0:54:20 | |
Now remember... | 0:54:20 | 0:54:22 | |
just sit tight, keep the engine running, | 0:54:22 | 0:54:24 | |
and be ready to make a quick getaway. | 0:54:24 | 0:54:25 | |
Are you nervous? | 0:54:25 | 0:54:27 | |
About you, that's all. | 0:54:27 | 0:54:28 | |
I'm much too lucky to be worried about. | 0:54:28 | 0:54:31 | |
Simon... | 0:54:33 | 0:54:34 | |
Yes? | 0:54:36 | 0:54:37 | |
Stay lucky. | 0:54:37 | 0:54:38 | |
CREAKING | 0:55:21 | 0:55:23 | |
CREAKING | 0:55:47 | 0:55:49 | |
Darling, are you hurt? | 0:56:10 | 0:56:12 | |
Well, I don't know. | 0:56:12 | 0:56:14 | |
I think I'm unconscious. | 0:56:14 | 0:56:15 | |
I didn't know it was you! | 0:56:15 | 0:56:17 | |
Well, I hope you didn't. | 0:56:17 | 0:56:18 | |
Boy, what a wallop. | 0:56:18 | 0:56:19 | |
You missed your vocation. | 0:56:19 | 0:56:20 | |
You certainly can take it. | 0:56:20 | 0:56:22 | |
Let's look at you. Can you get up? | 0:56:22 | 0:56:24 | |
Well, I'll try. | 0:56:24 | 0:56:26 | |
There you are. | 0:56:28 | 0:56:29 | |
I never do anything right. | 0:56:29 | 0:56:31 | |
I get worse and worse. | 0:56:31 | 0:56:33 | |
Oh, that's all right. | 0:56:33 | 0:56:34 | |
I'll soon fix you up. | 0:56:34 | 0:56:36 | |
Looks as if the birds have flown. | 0:56:36 | 0:56:39 | |
Does your jaw still hurt? | 0:56:39 | 0:56:41 | |
Not as much as my pride. | 0:56:41 | 0:56:43 | |
Well, drink this and you'll feel better. | 0:56:43 | 0:56:45 | |
Thank you. | 0:56:45 | 0:56:46 | |
Any ideas? | 0:56:46 | 0:56:48 | |
We'll see if Dugan has one. | 0:56:48 | 0:56:50 | |
Where is he? | 0:56:50 | 0:56:52 | |
On Stengler's trail, I hope. | 0:56:52 | 0:56:53 | |
Hello, Joe? This is Templar. Any message? | 0:56:56 | 0:57:00 | |
A Mr Dugan left you this number to call him at once. | 0:57:00 | 0:57:02 | |
Abbotsford 56. Thanks, Joe. | 0:57:05 | 0:57:10 | |
What's the news? | 0:57:10 | 0:57:11 | |
I think Dugan's on to something. | 0:57:11 | 0:57:13 | |
Abbotsford 56, please. | 0:57:14 | 0:57:18 | |
Hello, Dugan? | 0:57:18 | 0:57:20 | |
I followed your Mr Stengler. | 0:57:20 | 0:57:22 | |
I got him and your pal Lang. | 0:57:22 | 0:57:24 | |
I'm out here in the long grass. | 0:57:24 | 0:57:27 | |
Yeah, at Lang's house. | 0:57:27 | 0:57:28 | |
I got a piece of change here big enough to buy South America. | 0:57:28 | 0:57:32 | |
So come on out while I'm on the up and up. | 0:57:32 | 0:57:34 | |
Nice work, Dugan. We're on our way. | 0:57:34 | 0:57:36 | |
Where to? | 0:57:36 | 0:57:37 | |
Bruno Lang's. | 0:57:37 | 0:57:39 | |
I can't say that I blame you guys. | 0:57:41 | 0:57:43 | |
That kind of dough is what you could call a temptation. | 0:57:43 | 0:57:46 | |
With a stack of chips that high, | 0:57:46 | 0:57:49 | |
I wouldn't worry about nothing from here on. | 0:57:49 | 0:57:51 | |
You won't. | 0:57:52 | 0:57:54 | |
I thought you'd be here first, Kussella. | 0:57:58 | 0:57:59 | |
First? | 0:57:59 | 0:58:00 | |
Mr Templar, the Saint, is on his way here. | 0:58:00 | 0:58:02 | |
Really? | 0:58:02 | 0:58:03 | |
We've got to get out of here in a hurry! | 0:58:03 | 0:58:05 | |
Why? Don't be a fool. | 0:58:05 | 0:58:06 | |
You calling ME a fool? | 0:58:06 | 0:58:08 | |
Your stupidity cost us almost a cool million. | 0:58:08 | 0:58:11 | |
You make me sick, all of you. | 0:58:11 | 0:58:13 | |
This Saint amuses himself with you. | 0:58:13 | 0:58:14 | |
Now he's no longer dealing with dolts, | 0:58:14 | 0:58:16 | |
he's dealing with me. | 0:58:16 | 0:58:17 | |
Are we going to sit here and just wait for him? | 0:58:17 | 0:58:19 | |
Exactly. But why? | 0:58:19 | 0:58:21 | |
He has a little document that I want him to return to me. | 0:58:21 | 0:58:24 | |
But I... Kussella, you...! | 0:58:24 | 0:58:26 | |
Pour yourself a drink. | 0:58:26 | 0:58:28 | |
We're crowding a lot of life into one spin of the clock. | 0:58:31 | 0:58:33 | |
And one death. | 0:58:33 | 0:58:35 | |
You couldn't help that, Simon. | 0:58:35 | 0:58:36 | |
I can square it now. | 0:58:36 | 0:58:38 | |
Is life always so exciting with you? | 0:58:38 | 0:58:40 | |
Unfortunately, it isn't. | 0:58:40 | 0:58:41 | |
Don't you ever fall in love? | 0:58:41 | 0:58:43 | |
Oh, always. | 0:58:43 | 0:58:44 | |
Well, you needn't be so callous. | 0:58:44 | 0:58:46 | |
What about? | 0:58:46 | 0:58:47 | |
Well, females you've loved. | 0:58:47 | 0:58:48 | |
I haven't really loved them. | 0:58:48 | 0:58:50 | |
You're a bit of an enigma, Simon. | 0:58:50 | 0:58:53 | |
So they say. | 0:58:53 | 0:58:55 | |
Confounded road hogs. | 0:58:58 | 0:58:59 | |
There goes the younger generation. | 0:58:59 | 0:59:02 | |
They make me glad I'm not a father. | 0:59:02 | 0:59:05 | |
Sometimes I think you ought to get married, Wilkins. | 0:59:05 | 0:59:07 | |
Why, while I've got a career? | 0:59:07 | 0:59:09 | |
It might soften you. | 0:59:09 | 0:59:10 | |
Looks like you're getting soft about this Saint. | 0:59:10 | 0:59:12 | |
That's just instinct. | 0:59:12 | 0:59:14 | |
If he's making fools of us... | 0:59:14 | 0:59:16 | |
I mean YOU... what do you do then? | 0:59:16 | 0:59:18 | |
We take him in. | 0:59:18 | 0:59:19 | |
He might be hard to find. | 0:59:19 | 0:59:21 | |
Ah, we'll find him in the end. | 0:59:21 | 0:59:23 | |
Would it be asking too much if I enquired where we're going? | 0:59:23 | 0:59:26 | |
Not at all, Wilkins. | 0:59:26 | 0:59:28 | |
You remember a report you handed me | 0:59:28 | 0:59:30 | |
about an incident on a country road? | 0:59:30 | 0:59:32 | |
Well, then we ARE after the Saint! | 0:59:32 | 0:59:34 | |
We're just doing a little investigating on our own. | 0:59:34 | 0:59:36 | |
You stay where you are, young lady, | 0:59:42 | 0:59:43 | |
and no arguments this time. | 0:59:43 | 0:59:44 | |
There's a gun in the back. Do you mind handing it to me? | 0:59:44 | 0:59:46 | |
Can't I even go in with you? | 0:59:46 | 0:59:47 | |
By all means, come in, Miss Parker. | 0:59:47 | 0:59:50 | |
This is my party, I should like to have you with us. | 0:59:50 | 0:59:53 | |
Do you mind, Templar? | 0:59:53 | 0:59:54 | |
If you insist. | 0:59:54 | 0:59:55 | |
Shall we go in, then? | 0:59:55 | 0:59:56 | |
Never mind the gun. | 0:59:56 | 0:59:58 | |
I take it that my man Dugan is no longer playing host at this party. | 0:59:58 | 1:00:02 | |
That's right. | 1:00:02 | 1:00:03 | |
Dugan dozed off shortly after he called you. | 1:00:03 | 1:00:06 | |
Come along. | 1:00:06 | 1:00:08 | |
Your nerves are all shot, Stengler. | 1:00:18 | 1:00:21 | |
Cool down. | 1:00:21 | 1:00:22 | |
We are getting in over our heads, Kussella. | 1:00:22 | 1:00:24 | |
Everything has backfired on us since that Saint stepped into the picture. | 1:00:24 | 1:00:28 | |
I have an idea that he will be | 1:00:28 | 1:00:29 | |
stepping OUT of the picture at any moment now. | 1:00:29 | 1:00:31 | |
And for good. | 1:00:31 | 1:00:33 | |
DOOR OPENING | 1:00:33 | 1:00:34 | |
Good evening, gentlemen. | 1:00:35 | 1:00:37 | |
Now that we're finally together, | 1:00:37 | 1:00:38 | |
perhaps we come to an understanding. | 1:00:38 | 1:00:40 | |
Sit down, Templar. | 1:00:40 | 1:00:42 | |
Take that chair, Miss Parker. Thank you. | 1:00:42 | 1:00:44 | |
Now, then, let's begin with this understanding. | 1:00:44 | 1:00:46 | |
Well, it's quite simple, I just want a fair cut of that money. | 1:00:46 | 1:00:49 | |
I have to live, too, you know. | 1:00:49 | 1:00:51 | |
Do you? | 1:00:51 | 1:00:52 | |
Yes, I think so. | 1:00:52 | 1:00:53 | |
I took out a sort of life insurance policy | 1:00:53 | 1:00:57 | |
in the form of a certain little document. | 1:00:57 | 1:01:00 | |
Now you wouldn't want me to die, would you, Mr Lang? | 1:01:00 | 1:01:02 | |
Not yet. | 1:01:02 | 1:01:03 | |
I trust you weren't foolish enough | 1:01:03 | 1:01:05 | |
to turn that document over to your friend Blake? | 1:01:05 | 1:01:08 | |
Congratulations. | 1:01:08 | 1:01:09 | |
I see that I've finally met the brains of the organisation. | 1:01:09 | 1:01:13 | |
You know, Templar, if a man lives long enough, | 1:01:13 | 1:01:16 | |
he's sure to run up against someone smarter than himself. | 1:01:16 | 1:01:19 | |
In some professions, he doesn't live much longer than that. | 1:01:19 | 1:01:22 | |
Your modesty overwhelms me, Mr Lang. | 1:01:22 | 1:01:25 | |
I know you're after me. | 1:01:25 | 1:01:27 | |
I know you're after this money. | 1:01:27 | 1:01:29 | |
But I also know you wouldn't be stupid enough | 1:01:29 | 1:01:31 | |
to have that document on you. | 1:01:31 | 1:01:33 | |
I give you one hour in which to return it. | 1:01:33 | 1:01:35 | |
And if I don't? | 1:01:35 | 1:01:37 | |
We're fortunate in having Miss Parker with us. | 1:01:37 | 1:01:41 | |
Max, take the girl out of here. | 1:01:41 | 1:01:42 | |
Get your hands off of me! | 1:01:42 | 1:01:44 | |
Don't try it, Saint! | 1:01:44 | 1:01:45 | |
Get her out. | 1:01:45 | 1:01:47 | |
I'll be back, Lang. | 1:01:48 | 1:01:49 | |
Good, I'll see you to your car. | 1:01:49 | 1:01:51 | |
I'd better come with you. | 1:01:51 | 1:01:52 | |
Oh, no, you stay here and protect Stengler from his shadow. | 1:01:52 | 1:01:55 | |
He is a fool to let a man like Templar go free. | 1:01:57 | 1:02:01 | |
About as crazy as a fox. | 1:02:01 | 1:02:02 | |
The Saint is as free as a canary, and he knows it. | 1:02:02 | 1:02:06 | |
Just a minute, Templar. | 1:02:08 | 1:02:10 | |
You think of everything, don't you? | 1:02:17 | 1:02:19 | |
In this business, you think of everything, | 1:02:19 | 1:02:20 | |
or you don't think at all. | 1:02:20 | 1:02:22 | |
I'm asking only one thing, Lang. | 1:02:22 | 1:02:24 | |
No rough stuff with the girl and Dugan. | 1:02:24 | 1:02:27 | |
That will depend on you, | 1:02:27 | 1:02:28 | |
so be careful, and don't let any of the boys | 1:02:28 | 1:02:31 | |
from Scotland Yard pick you up. | 1:02:31 | 1:02:33 | |
Now you can get in. | 1:02:33 | 1:02:34 | |
I'll see you in half an hour or less. | 1:02:38 | 1:02:41 | |
< And don't think up anything clever. | 1:02:41 | 1:02:42 | |
< It's only fair to tell you the girl won't get away | 1:02:42 | 1:02:44 | |
< until we're safely out of the country. | 1:02:44 | 1:02:46 | |
Ugh! | 1:02:51 | 1:02:52 | |
You're hurting my wrists, you big gorilla! | 1:03:08 | 1:03:11 | |
Is that the way to treat a lady? | 1:03:11 | 1:03:13 | |
How would YOU know? | 1:03:18 | 1:03:21 | |
I dare you to untie me, | 1:03:21 | 1:03:23 | |
so's I can turn the other cheek. | 1:03:23 | 1:03:25 | |
A-a-h! | 1:03:26 | 1:03:27 | |
Here's that man again. | 1:03:28 | 1:03:29 | |
We'll have to work fast. Release her. | 1:03:29 | 1:03:31 | |
How do you keep doing it, Saint? | 1:03:31 | 1:03:33 | |
Just luck. I hope it holds. | 1:03:33 | 1:03:34 | |
All right, Dugan, you take care of the big fellow, | 1:03:34 | 1:03:37 | |
then lock them both up in here. | 1:03:37 | 1:03:39 | |
It'll be a pleasure, boss. | 1:03:39 | 1:03:40 | |
I tell you, Lang is a fool. | 1:03:41 | 1:03:44 | |
Try telling him that when he comes back. | 1:03:44 | 1:03:45 | |
I'm sick of this whole business. | 1:03:45 | 1:03:47 | |
I'm getting out of this while there's still a chance. | 1:03:47 | 1:03:50 | |
I'm through taking orders from a madman. | 1:03:50 | 1:03:52 | |
Over there, Stengler. | 1:03:52 | 1:03:54 | |
I'm afraid you made your decision a little too late. | 1:03:54 | 1:03:57 | |
Where is our brains, Templar? | 1:03:57 | 1:03:59 | |
He met with an accident. | 1:03:59 | 1:04:01 | |
All right, boss, the Marines are here. | 1:04:01 | 1:04:04 | |
Dugan, put those valises in my car, | 1:04:04 | 1:04:06 | |
and then bring it around here. | 1:04:06 | 1:04:07 | |
I'm going to start a trophy room with all these gats. | 1:04:07 | 1:04:09 | |
Penny, you go with Dugan. | 1:04:09 | 1:04:11 | |
And if you see a man in the back of the car, don't faint. | 1:04:11 | 1:04:14 | |
I won't. I'm getting used to it. | 1:04:14 | 1:04:17 | |
Hey, women and children first. | 1:04:17 | 1:04:19 | |
Come on. | 1:04:21 | 1:04:22 | |
And you're going with us, gentlemen. Come on. | 1:04:23 | 1:04:25 | |
GUNSHOT | 1:04:28 | 1:04:30 | |
Here he comes. | 1:04:41 | 1:04:42 | |
What went wrong, Simon? | 1:04:49 | 1:04:51 | |
I don't know. Did you fix up Max? | 1:04:51 | 1:04:53 | |
Plenty. You must have pulled your punch on that chauffeur fellow. | 1:04:53 | 1:04:55 | |
I must be slipping. | 1:04:55 | 1:04:56 | |
Anyway, it's been a lovely night's work. | 1:04:56 | 1:04:58 | |
It will be if we can get away with it. | 1:04:58 | 1:05:00 | |
Tim! | 1:05:02 | 1:05:03 | |
Get some brandy quick! | 1:05:03 | 1:05:05 | |
I've...got... the halo, Tim. | 1:05:11 | 1:05:15 | |
I couldn't see, boss. | 1:05:15 | 1:05:17 | |
I know. | 1:05:17 | 1:05:18 | |
You...keep it, Stengler, | 1:05:20 | 1:05:23 | |
because now... you'll have to hang | 1:05:23 | 1:05:27 | |
all by yourself. | 1:05:27 | 1:05:30 | |
DOOR OPENS > | 1:05:33 | 1:05:35 | |
I am a police officer, and I must warn you... | 1:05:39 | 1:05:41 | |
You're the police? | 1:05:41 | 1:05:42 | |
Teal of Scotland Yard. | 1:05:42 | 1:05:43 | |
I'm Paul Stengler of Count Duni's Embassy. | 1:05:43 | 1:05:45 | |
I know. | 1:05:45 | 1:05:46 | |
It was Templar. He must have followed me. | 1:05:46 | 1:05:48 | |
I came here on official business. | 1:05:48 | 1:05:50 | |
Keep calm, sir. Keep calm. | 1:05:50 | 1:05:51 | |
He stole a million pounds of my government's money. | 1:05:51 | 1:05:52 | |
And shot that man. | 1:05:52 | 1:05:54 | |
Where's Mr Lang? | 1:05:54 | 1:05:55 | |
Kidnapped by Templar. Possibly dead. | 1:05:55 | 1:05:57 | |
He'd have killed me, too, but... | 1:05:57 | 1:05:58 | |
but he didn't. | 1:05:58 | 1:05:59 | |
Who's this? | 1:05:59 | 1:06:00 | |
A servant of Mr Lang's. You must do something. | 1:06:00 | 1:06:02 | |
Who's the body? | 1:06:02 | 1:06:03 | |
A friend of Bruno Lang's. | 1:06:03 | 1:06:05 | |
He tried to stop Templar, and Templar... | 1:06:05 | 1:06:06 | |
Yeah, I can see. | 1:06:06 | 1:06:07 | |
Well, we'll go to the Yard, | 1:06:07 | 1:06:08 | |
and see if we can round up Mr Templar. | 1:06:08 | 1:06:10 | |
You better come along, too. | 1:06:10 | 1:06:11 | |
But, Mr Teal...! | 1:06:11 | 1:06:12 | |
Oh, we'll talk on the way. It'll save time. | 1:06:12 | 1:06:13 | |
We may land him yet. | 1:06:13 | 1:06:14 | |
But I must report to my Embassy at once, Mr Teal. | 1:06:14 | 1:06:16 | |
Well, you can telephone from my office, sir. | 1:06:16 | 1:06:19 | |
I may need some more information on this case. | 1:06:19 | 1:06:21 | |
Sergeant, stay here. | 1:06:21 | 1:06:22 | |
Put in a call to the nearest police doctor, | 1:06:22 | 1:06:24 | |
and keep this chap here with you. | 1:06:24 | 1:06:26 | |
Come on. | 1:06:26 | 1:06:27 | |
Well, what does this make you? | 1:06:31 | 1:06:32 | |
A farmer. | 1:06:32 | 1:06:33 | |
Looks like you got yourself into something. | 1:06:33 | 1:06:34 | |
And so has Mr Templar. | 1:06:34 | 1:06:36 | |
Hello. | 1:06:45 | 1:06:46 | |
Put the cuffs on him. | 1:06:47 | 1:06:49 | |
I missed you. | 1:06:49 | 1:06:51 | |
You also missed one of the gang. | 1:06:51 | 1:06:53 | |
Well, I left Lang's house rather hurriedly. | 1:06:53 | 1:06:56 | |
Oh, Teal, you've met Sir Richard Blake of the Intelligence. | 1:06:56 | 1:07:00 | |
Yes, how do you do, sir? | 1:07:00 | 1:07:01 | |
How do you do? | 1:07:01 | 1:07:03 | |
Now supposing we get this straight. | 1:07:03 | 1:07:04 | |
It was my doing, Teal. | 1:07:04 | 1:07:06 | |
Just a hunch about Lang, | 1:07:06 | 1:07:07 | |
and Templar here made it come true. | 1:07:07 | 1:07:09 | |
I didn't drag you into it for fear | 1:07:09 | 1:07:10 | |
that it might explode in our faces. | 1:07:10 | 1:07:12 | |
What are the charges against Lang? | 1:07:12 | 1:07:14 | |
Just about everything in the book. | 1:07:14 | 1:07:15 | |
We wanted him for espionage, | 1:07:15 | 1:07:17 | |
and you can have him for murder, along with Stengler here. | 1:07:17 | 1:07:19 | |
And this stolen money goes back to Count Duni's government. | 1:07:19 | 1:07:22 | |
Blake, you can put it on your records | 1:07:22 | 1:07:24 | |
that the credit goes to Mr Teal. | 1:07:24 | 1:07:26 | |
Teal and I have been working hand in glove. | 1:07:26 | 1:07:28 | |
Yes, and a couple of times I almost lost my glove. | 1:07:28 | 1:07:31 | |
Now don't be modest. | 1:07:31 | 1:07:32 | |
What about Lang? | 1:07:32 | 1:07:34 | |
Flatfoot or no flatfoot, | 1:07:34 | 1:07:35 | |
you're an all right guy. | 1:07:35 | 1:07:37 | |
Coming from you, Dugan, I consider that a great compliment. | 1:07:37 | 1:07:40 | |
DOOR OPENS | 1:07:40 | 1:07:41 | |
Teal, this is Mr Lang. | 1:07:45 | 1:07:47 | |
Take good care of him. | 1:07:47 | 1:07:49 | |
How do you do? | 1:07:49 | 1:07:50 | |
I owe you an apology. | 1:07:50 | 1:07:52 | |
I underestimated your... | 1:07:52 | 1:07:53 | |
Luck. | 1:07:53 | 1:07:55 | |
No, I seem to have met the man I told you about, | 1:07:55 | 1:07:57 | |
the one that's smarter than myself. | 1:07:57 | 1:07:58 | |
Then you've led a full life, Lang. | 1:07:58 | 1:08:00 | |
Not quite. | 1:08:00 | 1:08:01 | |
But I shall be interested to see how Stengler takes it. | 1:08:01 | 1:08:05 | |
PHONE RINGS | 1:08:05 | 1:08:07 | |
Hello? | 1:08:08 | 1:08:10 | |
Oh, it's for you, Teal. | 1:08:10 | 1:08:12 | |
Hello. | 1:08:12 | 1:08:13 | |
H-Hello. | 1:08:13 | 1:08:14 | |
Oh, it's my wife. | 1:08:14 | 1:08:15 | |
Wilkins, take care of Lang and Stengler. | 1:08:15 | 1:08:18 | |
Very good, sir. > | 1:08:18 | 1:08:19 | |
Y-yes, m'dear? | 1:08:19 | 1:08:21 | |
Yes. | 1:08:21 | 1:08:23 | |
Oh, I'll be back soon. | 1:08:23 | 1:08:25 | |
Yes, m'dear. | 1:08:25 | 1:08:26 | |
A very understanding fellow, Teal. | 1:08:26 | 1:08:28 | |
I doubt if his wife appreciates him. | 1:08:28 | 1:08:31 | |
Where do we go from here, Saint? | 1:08:31 | 1:08:34 | |
Back to your Aunt Edith... | 1:08:34 | 1:08:36 | |
before I find myself in Mr Teal's predicament. | 1:08:36 | 1:08:39 | |
TEAL: Yes, dear. | 1:08:39 | 1:08:40 | |
Yes, dear. | 1:08:40 | 1:08:42 | |
I thought she had him. | 1:08:43 | 1:08:45 | |
Smart guy, ain't he? | 1:08:45 | 1:08:47 | |
Yes, dear. | 1:08:47 | 1:08:48 | |
Subtitles by the National Captioning Institute inc. | 1:08:51 | 1:08:53 | |
E-mail: [email protected] | 1:08:53 | 1:08:55 |