
Browse content similar to The Saint in New York. Check below for episodes and series from the same categories and more!
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Police lieutenant killed investigating rackets! Read all about it! | 0:01:09 | 0:01:14 | |
Police lieutenant killed investigating rackets! | 0:01:14 | 0:01:17 | |
Police lieutenant killed investigating rackets! Here you are. | 0:01:17 | 0:01:22 | |
Read all about it! All about the bombing! | 0:01:22 | 0:01:25 | |
Police lieutenant killed investigating rackets! | 0:01:25 | 0:01:28 | |
Wholesale rackets - gambling, organised vice overrunning the city. | 0:01:35 | 0:01:40 | |
And now, this man that you appointed to investigate, ruthlessly murdered. | 0:01:40 | 0:01:44 | |
We've come to you, Commissioner, because the people demand that something be done. | 0:01:44 | 0:01:48 | |
I agree, gentlemen. The situation is the worst I have ever known. | 0:01:48 | 0:01:53 | |
Send Inspector Fernack in, please. | 0:01:53 | 0:01:57 | |
I want you to meet a man who can explain exactly what I mean. | 0:01:59 | 0:02:02 | |
Inspector Fernack is no theorist. He knows what our problem is. | 0:02:02 | 0:02:06 | |
Come in, Inspector. | 0:02:07 | 0:02:09 | |
You know these gentlemen, I presume? | 0:02:11 | 0:02:14 | |
I ought to. Seen their pictures in the paper often enough. The Citizens' Committee for Crime Prevention. | 0:02:14 | 0:02:19 | |
I resent your attitude. This committee is trying to accomplish results where the police failed. | 0:02:19 | 0:02:25 | |
Professor Stevens, I've been a police officer nearly 20 years, | 0:02:25 | 0:02:28 | |
seen a lot of your committees come into existence. They don't last. The Police Department does. | 0:02:28 | 0:02:33 | |
Of course, Inspector, but the evils go right on. | 0:02:33 | 0:02:36 | |
Extortions, hold-ups, one of your own men murdered! What's to be done? | 0:02:36 | 0:02:40 | |
-All the police could do has been done. -What? | 0:02:40 | 0:02:43 | |
-We've arrested the murderer, Jake Irbell. -What? | 0:02:43 | 0:02:45 | |
-I was waiting to tell you, Commissioner. He's downstairs. -Good. | 0:02:45 | 0:02:49 | |
Two hours after Geoff Martin was killed I had Jake Irbell under lock and key. | 0:02:49 | 0:02:53 | |
I bet you that within 30 days he'll be walking the streets again, a free man. | 0:02:53 | 0:02:57 | |
Don't worry about the police - it's what happens AFTER their arrests. | 0:02:57 | 0:03:01 | |
-Yes, but if you... -All our trouble comes from a handful of Mob leaders who run things. | 0:03:01 | 0:03:06 | |
Put Jake Irbell, Maury Yule, Hutch Rellin, Boots Papinoff and their crowd where they belong, | 0:03:06 | 0:03:11 | |
-the crime wave would be over. -But they have all been arrested. -Sure, some of them two or three times. | 0:03:11 | 0:03:16 | |
-Yet every one of them is walking the streets today. -But why? | 0:03:16 | 0:03:19 | |
-Surely if the police...? -Why? Why do crooked lawyers exist? | 0:03:19 | 0:03:23 | |
Why do witnesses fail to show up at trials? | 0:03:23 | 0:03:25 | |
Why is a case postponed a dozen times? | 0:03:25 | 0:03:28 | |
Oh...what's the use? | 0:03:28 | 0:03:30 | |
Good afternoon, gentlemen. | 0:03:31 | 0:03:34 | |
There's your answer. Arresting a criminal is only half the battle. | 0:03:35 | 0:03:39 | |
Gentlemen, what we need is a Robin Hood. | 0:03:39 | 0:03:43 | |
-OTHERS: -Robin Hood? | 0:03:43 | 0:03:45 | |
-Mr Commissioner, you must have heard of Simon Templar, The Saint? -The Saint? What police official hasn't! | 0:03:45 | 0:03:51 | |
I just had word from Scotland Yard yesterday that he's, uh... | 0:03:51 | 0:03:56 | |
"left England, destination unknown." | 0:03:56 | 0:03:59 | |
But, surely, you're not suggesting that we...? | 0:03:59 | 0:04:02 | |
-The man's a dangerous criminal. -I doubt that. | 0:04:02 | 0:04:05 | |
I've studied every case in which The Saint has figured | 0:04:05 | 0:04:08 | |
and, widely different as each one is, his victims are always criminals. | 0:04:08 | 0:04:13 | |
A few men brought to justice and our crime wave would cease. | 0:04:13 | 0:04:17 | |
It's an idea...a daring idea. | 0:04:18 | 0:04:21 | |
Even assuming the Commissioner agrees, how could we find this...this Saint? | 0:04:21 | 0:04:26 | |
That's an assignment I'd gladly undertake, | 0:04:27 | 0:04:29 | |
if the Commissioner will grant me the authority. | 0:04:29 | 0:04:32 | |
Sorry, Monsieur Valcross, he stayed only long enough to smash the chief of the opium trade here, | 0:04:54 | 0:05:00 | |
and then - pfft - he disappeared. | 0:05:00 | 0:05:02 | |
-And he left no clue as to where he might go next? -Nothing but this. | 0:05:02 | 0:05:07 | |
Personally, I confess, I admire The Saint. | 0:05:12 | 0:05:15 | |
He actually fought with our officers. | 0:05:21 | 0:05:23 | |
-And you arrested him? -Herr Valcross, what else could we do? He broke the law. | 0:05:23 | 0:05:29 | |
Of course, he also broke the largest band of diamond smugglers in the country. | 0:05:29 | 0:05:33 | |
Then I can see him in jail? | 0:05:33 | 0:05:36 | |
Sorry. He broke the jail too! | 0:05:36 | 0:05:39 | |
He left us this card. | 0:05:39 | 0:05:41 | |
Senor Valcross, I have reason to believe that our friend The Saint | 0:05:59 | 0:06:03 | |
-may be in Costa Grande. -But you say he was involved in your recent revolution. | 0:06:03 | 0:06:07 | |
Involved? No, senor. | 0:06:07 | 0:06:10 | |
-He merely started it! -Oh! | 0:06:10 | 0:06:12 | |
You've been a hard man to find, Mr Templar. I've been trailing you for nearly two months. | 0:06:26 | 0:06:30 | |
Have a drink, then, you must be thirsty. Tricky things, these punches. They have to be just so. | 0:06:30 | 0:06:36 | |
Jose, let's call an intermission. | 0:06:36 | 0:06:39 | |
How do you like Costa Grande, Mr Valcross? | 0:06:45 | 0:06:48 | |
I didn't come to see the city. I came to see YOU. | 0:06:48 | 0:06:52 | |
-Costa Grande's a beautiful city. There may be a revolution at any moment. -Really? | 0:06:52 | 0:06:58 | |
-There you are. -Thank you. | 0:07:04 | 0:07:06 | |
Mr Templar, what is it about revolution that you find so... so appealing? | 0:07:08 | 0:07:13 | |
I don't know. | 0:07:14 | 0:07:16 | |
Maybe it's because I like to see justice for the underdog. | 0:07:16 | 0:07:19 | |
Maybe it's simply my love of anything that smells of danger or trouble. | 0:07:19 | 0:07:23 | |
Well, if it's danger you want, I have a commission for you. | 0:07:23 | 0:07:26 | |
My city suffers from a plague that threatens to ruin it. | 0:07:29 | 0:07:34 | |
I've been sent to ask your help. | 0:07:34 | 0:07:36 | |
Well, I've been called many things but never a scientist! | 0:07:37 | 0:07:41 | |
I might admit in my own particular field, I have a certain scientific approach. | 0:07:41 | 0:07:45 | |
You'd need it. | 0:07:45 | 0:07:47 | |
This plague I speak of is gangdom, | 0:07:47 | 0:07:50 | |
cruel, merciless gangdom of the most dangerous kind. | 0:07:50 | 0:07:54 | |
You tempt me, Mr Valcross. | 0:07:54 | 0:07:57 | |
And yet a revolution would be very nice. | 0:07:57 | 0:08:00 | |
But far less hazardous. | 0:08:00 | 0:08:03 | |
Mr Templar, you'd be alone, pitting your wits against the most dangerous men alive. | 0:08:04 | 0:08:09 | |
You'd be solely responsible for ending their criminal careers. | 0:08:09 | 0:08:13 | |
Sounds as though it might be fun. ..My reward? | 0:08:13 | 0:08:16 | |
The gratitude of the city. | 0:08:16 | 0:08:18 | |
I usually play for more tangible stakes. | 0:08:18 | 0:08:22 | |
But there's a certain fascination in making one completely altruistic gesture. | 0:08:22 | 0:08:26 | |
These men you want, er, eliminated, do you know who they are? | 0:08:26 | 0:08:29 | |
Here's a list of six names. | 0:08:29 | 0:08:32 | |
We feel that if they're... brought to justice, | 0:08:32 | 0:08:36 | |
the plague is ended. | 0:08:36 | 0:08:38 | |
I could play a free hand? The police wouldn't interfere with my own, er, peculiar techniques? | 0:08:41 | 0:08:46 | |
You would be sworn in by the Commissioner in person. | 0:08:47 | 0:08:51 | |
He would keep your mission a secret. | 0:08:51 | 0:08:53 | |
He'd report only through me. | 0:08:53 | 0:08:56 | |
-When does the next plane leave? -In two hours. -Good. | 0:09:00 | 0:09:04 | |
Amigo! This calls for music. GUITAR PLAYS, WOMAN SINGS | 0:09:04 | 0:09:07 | |
My friend, history has been made today. | 0:09:07 | 0:09:10 | |
The Saint is on the side of law and order. | 0:09:10 | 0:09:13 | |
Beautiful, isn't it? | 0:09:23 | 0:09:25 | |
Bought from the Indians 300 years ago for a handful of beans. | 0:09:26 | 0:09:30 | |
Now being sold again to half a dozen savages. | 0:09:30 | 0:09:32 | |
When do we land? | 0:09:34 | 0:09:35 | |
In time for you to be at the trial of Jake Irbell, | 0:09:37 | 0:09:41 | |
the first savage on your list. | 0:09:41 | 0:09:43 | |
..And therefore, your honour, I object to any more postponements of this trial of Jacob Irbell. | 0:09:47 | 0:09:52 | |
If it please the court, I must insist that this case either go to trial | 0:09:52 | 0:09:56 | |
or that the charge against my client be dismissed. | 0:09:56 | 0:10:00 | |
Here we go again! | 0:10:00 | 0:10:02 | |
Mr Prosecuting Attorney, | 0:10:02 | 0:10:05 | |
can you offer this court any assurance that you'll be ready to go to trial two weeks from today? | 0:10:05 | 0:10:10 | |
Your honour, I cannot. Witness after witness has disappeared. Affidavits have been repudiated. | 0:10:10 | 0:10:16 | |
All we can do is seek new evidence. | 0:10:16 | 0:10:18 | |
Your honour, I ask that Mr Irbell be released. | 0:10:18 | 0:10:21 | |
In view of the lack of evidence, this court has no alternative | 0:10:22 | 0:10:26 | |
but to dismiss the charges against John S Irbell. | 0:10:26 | 0:10:29 | |
Case dismissed. Court is adjourned until 10 o'clock tomorrow morning. | 0:10:29 | 0:10:34 | |
-Good work, Jake! -Nice going, kid! | 0:10:36 | 0:10:38 | |
Congratulations. | 0:10:38 | 0:10:40 | |
He had to do it. I'm as innocent as a baby. | 0:10:40 | 0:10:43 | |
-How about a party tonight to celebrate? -Thanks, Hutch, it will be a pleasure. -Come on. | 0:10:43 | 0:10:48 | |
Now he can go out and play clay pigeons with some more policemen. | 0:10:48 | 0:10:53 | |
Yeah, they should post a notice up, "Open season for cops." | 0:10:53 | 0:10:57 | |
Hi, Fernack. | 0:10:57 | 0:10:59 | |
Oh, say... | 0:10:59 | 0:11:01 | |
send me a couple of tickets to the Policemen's Ball. I got a girl who wants to meet a cop. | 0:11:01 | 0:11:06 | |
All right, Irbell, it's your turn now but I'll get you if it's the last thing I do. | 0:11:06 | 0:11:11 | |
You wouldn't bet I won't get you first, would you? | 0:11:11 | 0:11:15 | |
So long, fella. | 0:11:15 | 0:11:17 | |
Thanks. Come over for me at six. | 0:11:22 | 0:11:25 | |
GUNSHOT | 0:11:34 | 0:11:36 | |
Is he hurt bad, Sister? | 0:11:53 | 0:11:54 | |
Back up, now. | 0:11:54 | 0:11:56 | |
Call an ambulance. | 0:11:58 | 0:12:00 | |
And I hope it comes too late. | 0:12:00 | 0:12:03 | |
Who got you? | 0:12:03 | 0:12:05 | |
I don't know. But I don't want to die. | 0:12:05 | 0:12:09 | |
He's finished, Sister. | 0:12:12 | 0:12:14 | |
Come on, break it up, break it up! | 0:12:14 | 0:12:17 | |
-Come on, back up! -On your way! | 0:12:17 | 0:12:19 | |
Wait a minute. What's this? | 0:12:20 | 0:12:23 | |
This is one indictment you couldn't dodge, Jake. | 0:12:25 | 0:12:28 | |
-Huh? -We've got trouble. | 0:12:28 | 0:12:31 | |
-This is Simon Templar's work. -Templar? | 0:12:31 | 0:12:34 | |
What's next on the programme? | 0:12:39 | 0:12:41 | |
Dinner, consisting of the most succulent lobster, dry white wine and salad. | 0:12:41 | 0:12:46 | |
-Then to bed? -Eventually. First, a little stroll through the streets of your lovely city. | 0:12:46 | 0:12:51 | |
There's something beautiful yet sad about the streets of New York on an evening like this. | 0:12:52 | 0:12:56 | |
The beautiful side streets where the most charming people make their homes. | 0:12:57 | 0:13:03 | |
The king was in his counting house... I forget the rest. It's a nursery rhyme. | 0:14:14 | 0:14:19 | |
All right. | 0:14:26 | 0:14:28 | |
You're nervous. Sit down and relax. | 0:14:28 | 0:14:31 | |
We'll make believe we're old friends. | 0:14:33 | 0:14:36 | |
What do you want? | 0:14:38 | 0:14:40 | |
I can always tell the best people by a library - full of unread books. | 0:14:40 | 0:14:44 | |
Even your law books are a bit dusty, Mr Nather. | 0:14:45 | 0:14:49 | |
Hmm. | 0:14:49 | 0:14:51 | |
Pretty! | 0:14:51 | 0:14:52 | |
-So it's plain robbery, eh? -You're too optimistic. | 0:14:52 | 0:14:56 | |
-If it's not robbery, then what? -I didn't say it WASN'T robbery. | 0:14:56 | 0:15:00 | |
-You can't get away with this! -A boy can try. | 0:15:00 | 0:15:02 | |
-There's 20,000 there! -Thank you. Now, let's forget about it, shall we? | 0:15:02 | 0:15:07 | |
I really came here for a nice quiet chat. | 0:15:07 | 0:15:09 | |
I'm a lonesome soul in a big city, | 0:15:09 | 0:15:11 | |
so I can't be TOO particular about the people I talk to. | 0:15:11 | 0:15:14 | |
-Who ARE you? -My name's Simon Templar, sometimes referred to as The Saint. | 0:15:14 | 0:15:19 | |
Ask Jake Irbell. | 0:15:20 | 0:15:22 | |
I didn't do anything! | 0:15:22 | 0:15:24 | |
Of course not. All you did was to intimidate a few witnesses... | 0:15:24 | 0:15:27 | |
take care of those who refused to be intimidated, | 0:15:27 | 0:15:30 | |
and plead like a loving mother for a man you knew was a guilty rat. | 0:15:30 | 0:15:33 | |
-I don't know what you're talking about! -Oh, but you do. | 0:15:33 | 0:15:36 | |
That piece of paper that you tossed into the basket, give it to me. | 0:15:36 | 0:15:40 | |
Get it yourself. | 0:15:42 | 0:15:44 | |
-No, no, no! You wouldn't! -What an unfortunate guess on your part. | 0:15:44 | 0:15:49 | |
PHONE RINGS | 0:15:49 | 0:15:50 | |
Answer it. | 0:15:53 | 0:15:55 | |
Yes? | 0:15:57 | 0:15:58 | |
This is Fay. The Big Fella wants you to stay home tonight. | 0:15:58 | 0:16:03 | |
I'll be home. | 0:16:03 | 0:16:06 | |
Nice voice. | 0:16:09 | 0:16:11 | |
She's probably dark with cold, clear eyes. | 0:16:11 | 0:16:14 | |
I'd like to meet her. Who is she? | 0:16:14 | 0:16:17 | |
A client of mine. | 0:16:17 | 0:16:19 | |
-The Big Fella a client of yours too? -I've done all the talking I'm going to. | 0:16:19 | 0:16:23 | |
That may be truer than you think. Answer my question. Who is the Big Fella? | 0:16:23 | 0:16:28 | |
I don't know anything. | 0:16:28 | 0:16:30 | |
My, you're an unpleasant man, Nather. Are you married? | 0:16:30 | 0:16:33 | |
No. | 0:16:33 | 0:16:35 | |
Then there won't even be a widow to thank me... KNOCK AT DOOR | 0:16:35 | 0:16:38 | |
Yes? | 0:16:40 | 0:16:43 | |
-< -Inspector Fernack is here, sir. | 0:16:43 | 0:16:46 | |
(Tell him to come in.) | 0:16:46 | 0:16:47 | |
-I'll see him. -Yes, sir. -Ah-ah! | 0:16:48 | 0:16:52 | |
"Here's yours. Thanks. Papinoff." | 0:16:55 | 0:16:58 | |
Huh! | 0:16:58 | 0:17:00 | |
Now let the Inspector in, cordially. | 0:17:00 | 0:17:03 | |
And remember, at this range I can pop the buttons off your vest. | 0:17:03 | 0:17:07 | |
-That would be a shame, cos they're nice buttons. -Mr Fernack, sir. | 0:17:07 | 0:17:11 | |
Lockin' out your sins, Nather? | 0:17:19 | 0:17:21 | |
I did it, Fernack. It's a complex of mine. Lock it again, Nather. | 0:17:21 | 0:17:25 | |
-Who's that? -Oh, just some crazy fool. | 0:17:25 | 0:17:27 | |
Inspector, I'm disappointed in you. You touch me at my most vulnerable point - | 0:17:27 | 0:17:32 | |
my vanity. You should recognise me. We've met before. | 0:17:32 | 0:17:36 | |
-Met before? Were you ever in Duluth? -No, I hear it's a nice place. | 0:17:36 | 0:17:40 | |
-Nashville? -Not even warm. | 0:17:40 | 0:17:43 | |
-We met as late as this afternoon. -Where? | 0:17:43 | 0:17:46 | |
Together we ushered Mr Irbell, with fitting ceremony, into a next and, I trust, a better world. | 0:17:47 | 0:17:53 | |
-The Saint?! -Sorry, I have an Englishman's aversion to arrest. | 0:17:53 | 0:17:57 | |
Forgive me. | 0:17:57 | 0:17:59 | |
What are you doing here, Templar? | 0:18:01 | 0:18:03 | |
I'm curious. Mr Nather, it seems, is a dear friend of Mr Irbell. | 0:18:03 | 0:18:07 | |
Now, having met Mr Nather, I'm no longer curious. | 0:18:07 | 0:18:10 | |
Fernack, don't stand there and let me be insulted! Do something! | 0:18:10 | 0:18:14 | |
Sure, take his gun away and I'll do something. | 0:18:14 | 0:18:17 | |
Inspector, you're a realist! You and I have much in common. | 0:18:17 | 0:18:21 | |
I aim to see justice done. Can't say as much for everyone around here. | 0:18:21 | 0:18:25 | |
Exactly. Supposing I were to tell you that Mr Nather had a telephone message a few minutes ago, | 0:18:25 | 0:18:30 | |
saying, "The Big Fella wants you to stay home tonight," | 0:18:30 | 0:18:33 | |
what would you say? | 0:18:33 | 0:18:35 | |
So...! | 0:18:35 | 0:18:37 | |
That's all, gentlemen. Now I'll leave you to your own private grievances. | 0:18:37 | 0:18:41 | |
And if you're as smart as I think you are, you won't come to the window after I've gone | 0:18:41 | 0:18:46 | |
and start blowing whistles or anything silly like that. | 0:18:46 | 0:18:50 | |
See you sometime, Inspector! | 0:18:50 | 0:18:52 | |
Well? Get after him! | 0:18:52 | 0:18:54 | |
Now there's a guy I could like! | 0:18:56 | 0:18:58 | |
He knows a thing or two. | 0:18:58 | 0:19:01 | |
Fine cop, you are, letting him get away with this! | 0:19:01 | 0:19:04 | |
YOU beef?! Taking orders from the Big Fella and defending rats like Jake Irbell! | 0:19:04 | 0:19:09 | |
Listen, you lying crook, I just dropped in to tell you that Irbell got what he deserved. | 0:19:09 | 0:19:13 | |
So will you before you're through. I'm on to you now, so don't make me call on you again. Understand? | 0:19:13 | 0:19:19 | |
Going my way, Inspector? | 0:19:46 | 0:19:49 | |
Drive straight on through the park. It's a lovely night. | 0:19:49 | 0:19:52 | |
All right, Templar, now what? | 0:19:53 | 0:19:56 | |
Well, first, what would you do if I put this gun on the seat between us? | 0:19:56 | 0:20:01 | |
I'd make out I wasn't supposed to grab you and drag you in, dead or alive, to the nearest station. | 0:20:01 | 0:20:06 | |
Fernack, be honest, don't you think the law in its zeal sometimes loses all sight of right and wrong? | 0:20:11 | 0:20:17 | |
Templar, it is my job to catch men who break the law. | 0:20:17 | 0:20:21 | |
Why, if an archangel came down to cure a leper and parked on the wrong side of the street, | 0:20:21 | 0:20:26 | |
I'd have to give him a ticket. | 0:20:26 | 0:20:28 | |
Yeah, but a saint ought to get his ticket fixed! | 0:20:28 | 0:20:31 | |
What's on your mind? | 0:20:31 | 0:20:33 | |
Will you work with me? | 0:20:34 | 0:20:36 | |
I'll talk with you. | 0:20:37 | 0:20:40 | |
Who's the Big Fella? | 0:20:46 | 0:20:48 | |
He's the biggest of a long line of racketeers who call themselves Big Boy, Big Shot and so on. | 0:20:48 | 0:20:54 | |
-He's behind every racket in the city and makes a fortune out of it. -Who is it? | 0:20:55 | 0:21:00 | |
Nobody knows. | 0:21:00 | 0:21:02 | |
But he sent Nather orders to stay at home tonight. | 0:21:02 | 0:21:06 | |
Sure. | 0:21:07 | 0:21:08 | |
The boys are probably going to pull something and they need a shrewd shyster to spring 'em. | 0:21:12 | 0:21:17 | |
Who's Papinoff? | 0:21:18 | 0:21:20 | |
You HAVE been getting around! | 0:21:20 | 0:21:22 | |
He's pay-off man for Maury Yule. | 0:21:22 | 0:21:24 | |
Hmm. Maury. What's his contribution to society? | 0:21:25 | 0:21:30 | |
Yule runs a travelling poker game. | 0:21:30 | 0:21:33 | |
Biggest in the business. | 0:21:33 | 0:21:35 | |
Cruises around in an armoured limousine with a couple of trigger men for nursemaids. | 0:21:35 | 0:21:40 | |
Suppose I wanted to meet Mr Yule? | 0:21:40 | 0:21:42 | |
There's a joint called the Silver Club, down on 49th, near 8th. | 0:21:45 | 0:21:49 | |
There's a girl named Fay Edwards. If you mention her name... | 0:21:49 | 0:21:52 | |
-ON RADIO: -'Calling all cars. The kidnappers of Viola Throckmorton are reported to be moving east | 0:21:52 | 0:21:58 | |
'along 59th Street in an armoured sedan, licence plates bearing the numbers 5I3 or 5I8. | 0:21:58 | 0:22:04 | |
'Inspector Fernack, call dispatcher. Inspector Fernack, call dispatcher.' | 0:22:04 | 0:22:08 | |
Your party, Inspector. | 0:22:08 | 0:22:10 | |
Hey! Wait... | 0:22:12 | 0:22:14 | |
Fernack, you may not be a scholar, | 0:22:17 | 0:22:19 | |
but a gentleman? Yes! | 0:22:19 | 0:22:22 | |
TYRES SCREECH | 0:22:34 | 0:22:36 | |
-I smell burning rubber. -Best brakes in town, boss. Where to? | 0:22:36 | 0:22:39 | |
49th, near 8th. | 0:22:39 | 0:22:41 | |
Just forget about those red lights, Sebastian. | 0:22:52 | 0:22:55 | |
Say, I know you! | 0:23:00 | 0:23:02 | |
Why shouldn't you? My life's an open book. | 0:23:02 | 0:23:05 | |
Why, you're The Saint! | 0:23:08 | 0:23:10 | |
I seen your picture in tonight's paper. | 0:23:10 | 0:23:11 | |
Terrible picture. Made me look like Tarzan. | 0:23:11 | 0:23:15 | |
I'm certainly glad to meet you in person. | 0:23:15 | 0:23:17 | |
Any guy that knocked off Jake Irbell is my pal and no kidding! | 0:23:17 | 0:23:21 | |
You, eh, knew the deceased? | 0:23:21 | 0:23:23 | |
Knew him?! That dirty double-crosser! | 0:23:23 | 0:23:26 | |
I had to pay him three bucks a week protection on this cab for a year. | 0:23:26 | 0:23:30 | |
Mister, you done a good deed. | 0:23:30 | 0:23:33 | |
Thank you, Sebastian, thank you. | 0:23:33 | 0:23:35 | |
You don't need a chauffeur, do you? | 0:23:35 | 0:23:38 | |
I can keep my trap shut and I can handle a wheel better than any guy in this town. | 0:23:38 | 0:23:42 | |
-See what I mean? -Yes, I see what you mean! | 0:23:44 | 0:23:48 | |
You're my kind, all right! | 0:23:48 | 0:23:50 | |
There you are. ..It's all right. | 0:24:00 | 0:24:03 | |
Gee, thanks! Oh, say, call me, Columbus 51098, any time you want me. | 0:24:03 | 0:24:09 | |
Columbus 51098. | 0:24:09 | 0:24:12 | |
I'll remember. | 0:24:14 | 0:24:16 | |
-Yeah? -My name's Simon. Fay sent me. | 0:24:28 | 0:24:31 | |
-Fay ain't come in yet. -I'll wait. | 0:24:31 | 0:24:34 | |
-All right, then, wait. -Don't get high-hat. I mean on the inside. | 0:24:34 | 0:24:38 | |
I'll take a drink until she comes. | 0:24:38 | 0:24:41 | |
All right. | 0:24:41 | 0:24:43 | |
Straight Scotch. | 0:25:01 | 0:25:04 | |
-Kinda quiet tonight. -Kinda. | 0:25:07 | 0:25:09 | |
My name's Simon. Aces Simon, they call me. | 0:25:19 | 0:25:23 | |
I just cleaned out Detroit. | 0:25:23 | 0:25:25 | |
Yeah? | 0:25:25 | 0:25:27 | |
I hear they put on some nice games here. | 0:25:33 | 0:25:36 | |
I wouldn't know. I work long hours. | 0:25:36 | 0:25:40 | |
..Right. | 0:25:40 | 0:25:41 | |
I'd like to play with Maury Yule. | 0:25:41 | 0:25:44 | |
I don't know anything. I'll have to find out. | 0:25:45 | 0:25:49 | |
Maury Yule don't play tonight. | 0:26:16 | 0:26:18 | |
Too bad. I thought he played every night. | 0:26:18 | 0:26:21 | |
Yeah. But not tonight. | 0:26:21 | 0:26:23 | |
Hmm. Every night but not tonight? | 0:26:23 | 0:26:26 | |
Papinoff will be playing here, if you want a little game. | 0:26:26 | 0:26:30 | |
Well, I hate playing for buttons | 0:26:32 | 0:26:34 | |
but at least it will keep me off street corners. | 0:26:34 | 0:26:37 | |
Simon. | 0:26:47 | 0:26:49 | |
Pull up a chair, Simon. | 0:27:08 | 0:27:11 | |
Hiya. | 0:27:18 | 0:27:20 | |
I hope I'm not gonna be bored. | 0:27:21 | 0:27:23 | |
The whites are 100, the reds are 5 and the blues are a grand. | 0:27:23 | 0:27:27 | |
Of course, this ain't Detroit but we'll try our best to entertain you. | 0:27:27 | 0:27:32 | |
-You're Papinoff, aren't you? -Mm-hm. | 0:27:32 | 0:27:35 | |
-What will it be? -Make it 20 grand. | 0:27:35 | 0:27:37 | |
Keep it in the blues. I'm colour-blind anyway. | 0:27:37 | 0:27:40 | |
Where I come from, they pay for chips. | 0:27:43 | 0:27:46 | |
We must come from the same place. Remember the old swimming hole? | 0:27:46 | 0:27:50 | |
Wait a minute. Nothing personal I hope! | 0:27:55 | 0:27:59 | |
Get up. I want to talk to you. | 0:28:04 | 0:28:07 | |
Come on, get up. | 0:28:07 | 0:28:09 | |
That's all for tonight, boys. | 0:28:14 | 0:28:17 | |
You might give me a receipt for it. | 0:28:36 | 0:28:38 | |
-Where d'you get this dough? -That question shows a lack of good taste. | 0:28:38 | 0:28:43 | |
If we asked all our acquaintances where they got their money, | 0:28:43 | 0:28:48 | |
all our best people would have to hide in caves. | 0:28:48 | 0:28:51 | |
-Don't he talk beautiful! -Shuddup, Hymie. | 0:28:51 | 0:28:53 | |
-Where d'you get this? -They've been giving it away on street corners. | 0:28:53 | 0:28:57 | |
This is a rich country. People don't know what to do with their money. | 0:28:57 | 0:29:00 | |
My friends usually wash their hands before they hit me. | 0:29:02 | 0:29:05 | |
-Maybe you're not a friend of mine, Papinoff. -Where did it come from? | 0:29:05 | 0:29:09 | |
It's good money. You paid it out this evening. | 0:29:09 | 0:29:12 | |
-Why, you're getting so crooked, you don't even trust yourself! -Why, you...! | 0:29:12 | 0:29:17 | |
Never seen such a guy. He ain't even scared. | 0:29:24 | 0:29:28 | |
For once in you're life, Hymie, you're grandly, beautifully right. | 0:29:28 | 0:29:31 | |
Cherish this moment. I doubt if you'll have another like it. | 0:29:31 | 0:29:34 | |
Just like out of a book. I never heard such talk. | 0:29:34 | 0:29:38 | |
It does something to me. | 0:29:38 | 0:29:40 | |
Nather? ..Papinoff. | 0:29:40 | 0:29:42 | |
Guy's just shown up flashing twenty grand and a certain piece of paper. | 0:29:42 | 0:29:46 | |
..Oh. | 0:29:49 | 0:29:51 | |
So you're the Saint. | 0:29:58 | 0:29:59 | |
Each of us in our own way has something of a saint within him. | 0:29:59 | 0:30:03 | |
Something tender and beautiful. Even you, Hymie. | 0:30:03 | 0:30:07 | |
-You killed Jake Irbell. -He who lives by the sword... Finish it, Hymie. | 0:30:07 | 0:30:12 | |
Dies by the sword. | 0:30:12 | 0:30:14 | |
Maybe you'll do some dying by the sword yourself. | 0:30:15 | 0:30:18 | |
Take him up to Maury's. It's a health resort just outside town. | 0:30:18 | 0:30:23 | |
Health resort? Oh, well. | 0:30:23 | 0:30:26 | |
-After all, money isn't everything. -Come on. | 0:30:26 | 0:30:30 | |
-Where's Maury? -Upstairs. | 0:30:55 | 0:30:57 | |
Cheerful little place. I suppose it's haunted. | 0:31:00 | 0:31:04 | |
-Clanking chains, and all that. Do you believe in ghosts, Hymie? -Quiet. | 0:31:04 | 0:31:09 | |
I was quite intimate with phantoms when I was a youngster. Only they never bothered me. | 0:31:10 | 0:31:15 | |
I was extraordinarily courageous for my age. CHILD CRIES | 0:31:16 | 0:31:20 | |
-And I never cried when I was a child. -We ain't interested. | 0:31:20 | 0:31:24 | |
HE KNOCKS SLOWLY ON DOOR | 0:31:27 | 0:31:31 | |
-I've been invited. -I wanted to see what you looked like. | 0:31:50 | 0:31:54 | |
I wanted to see what you looked like, Yule. Frankly, you're not pretty. | 0:31:54 | 0:31:58 | |
Yeah. | 0:31:58 | 0:32:01 | |
But you're a pretty boy, Saint. | 0:32:01 | 0:32:04 | |
Your black nine, Maury. | 0:32:06 | 0:32:08 | |
How would you like to be put in a hot box, Templar? | 0:32:08 | 0:32:11 | |
-I thought you were keeping that for Viola Throckmorton? -You know about that too? | 0:32:11 | 0:32:15 | |
I know you kidnapped the child and she's in a room here. | 0:32:15 | 0:32:18 | |
You're real smart, aren't you? | 0:32:18 | 0:32:22 | |
May sound like boasting but since you asked me... I am. | 0:32:23 | 0:32:27 | |
Your friend's a terrible conversationalist. I'd rather talk to you. | 0:32:30 | 0:32:34 | |
I like to listen. It's my business. | 0:32:34 | 0:32:38 | |
Mine too. Sometime let's you and I go somewhere and listen together. | 0:32:38 | 0:32:42 | |
Maybe the zoo at feeding time some nice afternoon? | 0:32:42 | 0:32:46 | |
We could have a lot of fun. | 0:32:46 | 0:32:48 | |
Now he's making dates. Did you ever see such a guy? | 0:32:48 | 0:32:52 | |
I wouldn't make any plans for the future if I were you, Templar. | 0:32:56 | 0:33:00 | |
But you're not me. You're just a cheap thug. | 0:33:00 | 0:33:04 | |
Don't you think a girl with a name like Viola Throckmorton | 0:33:04 | 0:33:07 | |
has enough trouble without being kidnapped? | 0:33:07 | 0:33:09 | |
SHE LAUGHS | 0:33:09 | 0:33:11 | |
Thank you. It's not a good joke, but it's not as bad as they seem to make it. | 0:33:11 | 0:33:16 | |
You didn't come here to entertain us. That's enough! | 0:33:16 | 0:33:19 | |
Aaagh! Get him! | 0:33:20 | 0:33:22 | |
GUNSHOTS, FURNITURE CLATTERS | 0:33:23 | 0:33:25 | |
He must've jumped. | 0:33:42 | 0:33:44 | |
Hey, Mike, they got him yet? | 0:34:03 | 0:34:05 | |
They're looking down the road, come on. | 0:34:05 | 0:34:09 | |
CHILD WHIMPERS | 0:34:25 | 0:34:27 | |
Don't be afraid, Viola. I've come to take you home. | 0:34:27 | 0:34:31 | |
CAR HORN SOUNDS | 0:35:05 | 0:35:06 | |
CAR HORN PLAYS JAUNTY RHYTHM | 0:35:06 | 0:35:09 | |
-It's him! -The guy's a genius. A genius! | 0:35:11 | 0:35:17 | |
Uh? | 0:35:17 | 0:35:19 | |
Pretty passable night's work, what? | 0:35:25 | 0:35:27 | |
You've been a godsend for the newspapers. | 0:35:27 | 0:35:30 | |
The reviews are good. I'm such a hero, I hardly recognise myself. | 0:35:30 | 0:35:34 | |
It's a pity there has to be such violence. | 0:35:34 | 0:35:37 | |
Oh, but I suppose with men like these, there's no alternative. | 0:35:37 | 0:35:40 | |
Three out of six isn't a bad batting average, is it? | 0:35:40 | 0:35:43 | |
-Oh, I admit I had luck. -You're over-modest. -Pure luck. | 0:35:43 | 0:35:47 | |
Sader was a bad shot but a beautiful target. | 0:35:47 | 0:35:50 | |
I didn't even know who he was until I read about it. | 0:35:50 | 0:35:53 | |
The Big Fella? He wasn't on our list. | 0:35:53 | 0:35:56 | |
He is now. | 0:35:57 | 0:35:58 | |
Perhaps a lady named Fay Edwards too. | 0:36:01 | 0:36:03 | |
-Is there a woman mixed up in this? -Strange girl. | 0:36:03 | 0:36:08 | |
She has funny ears. Cold, clear eyes. Nice. | 0:36:08 | 0:36:13 | |
Careful, my boy. Ladies are hard luck for men of action. | 0:36:13 | 0:36:17 | |
That's a superstition. And you're just an old, embittered cynic. | 0:36:17 | 0:36:21 | |
I wanna see what makes her tick. | 0:36:21 | 0:36:23 | |
Promise me you'll take care of yourself. | 0:36:23 | 0:36:26 | |
-You're too valuable for us to lose now. -Don't worry. | 0:36:26 | 0:36:29 | |
I'm spending the afternoon among the Earth's lesser and happier creatures. | 0:36:29 | 0:36:33 | |
If anyone calls, I'm at the zoo. | 0:36:33 | 0:36:36 | |
< MAN CLEARS THROAT | 0:36:52 | 0:36:54 | |
Sorry, old boy. The law's the law. | 0:37:01 | 0:37:04 | |
-Hello. -Hello. | 0:37:14 | 0:37:16 | |
Interesting, aren't they? | 0:37:16 | 0:37:19 | |
I've long been an earnest admirer and student of monkeys. | 0:37:19 | 0:37:22 | |
They remind me of my uncle. On my father's side. | 0:37:22 | 0:37:25 | |
I like the zoo. The tigers, especially. | 0:37:25 | 0:37:30 | |
There's something about tigers. | 0:37:30 | 0:37:32 | |
Let's go and look at them. | 0:37:35 | 0:37:38 | |
I've hunted tigers. | 0:37:44 | 0:37:46 | |
Is it fun? | 0:37:48 | 0:37:49 | |
It's more fun hunting men. | 0:37:51 | 0:37:53 | |
-He's beautiful, isn't he? -Mm-hm. | 0:38:01 | 0:38:04 | |
-You're a queer girl. -Mm-hm. | 0:38:06 | 0:38:09 | |
Thanks for slipping me the gun last night. Came in handy. | 0:38:09 | 0:38:12 | |
-That's all right. -Why did you do it? -I have no notions of loyalty. | 0:38:12 | 0:38:17 | |
I help those persons who win my admiration for the moment. | 0:38:17 | 0:38:20 | |
You and I feel the same about things. I suppose that's why I like you. | 0:38:20 | 0:38:23 | |
I like you. Maybe someday I'll be really useful to you. | 0:38:23 | 0:38:28 | |
Maybe someday I'll fall in love with you. I could. | 0:38:28 | 0:38:32 | |
I'd like to know you. | 0:38:32 | 0:38:35 | |
-I don't think I want you to know me just yet. -When? -We'll meet again. | 0:38:35 | 0:38:40 | |
-Goodbye. Don't follow me. -You're lovely. | 0:38:42 | 0:38:46 | |
By the way, who's next? | 0:38:48 | 0:38:51 | |
Hutch Rellin is next. | 0:38:55 | 0:38:57 | |
"Hutch Rellin is next". So I'm next, eh? | 0:38:57 | 0:39:03 | |
-That's fine. Where did you get this? -The bell rang. When I opened the door, it was stuck in a handle. | 0:39:03 | 0:39:09 | |
He even leaves a calling card. The guy's a wonder. | 0:39:09 | 0:39:13 | |
-Don't worry, Hutch. We won't let him get to you. -That's fine. | 0:39:13 | 0:39:16 | |
I feel much better now. | 0:39:16 | 0:39:18 | |
-You didn't let him get to Maury or Eddie Sader either. -These things happen, Hutch. | 0:39:18 | 0:39:23 | |
Maury was a nice boy. Great shame about Maury. | 0:39:23 | 0:39:27 | |
So Maury's gone, it's all a mistake. | 0:39:27 | 0:39:31 | |
Come here, Farrell. | 0:39:31 | 0:39:33 | |
-You let this Saint in last night, eh? -It was like this... | 0:39:35 | 0:39:38 | |
You don't remember we told you not to let anyone in you don't know? | 0:39:38 | 0:39:42 | |
-But he told... -He pays you good, this Saint? -You can't say that. | 0:39:42 | 0:39:46 | |
I didn't get anything. I never seen him before. You gotta believe me... | 0:39:46 | 0:39:49 | |
You was a good boy, Phil. Go on, wait outside till I send for you. | 0:39:53 | 0:39:59 | |
Don't be too hard on him, Hutch. Everybody makes mistakes. | 0:40:05 | 0:40:08 | |
Pappy, you're right. Everyone makes mistakes, even you. | 0:40:08 | 0:40:14 | |
-I wasn't thinking of myself. -I wasn't either until you talked up. | 0:40:14 | 0:40:19 | |
-Forget it. -Yes, Pappy, you made a mistake too. | 0:40:19 | 0:40:23 | |
And sent this Saint up to Maury with a knife and a gun in his pocket. | 0:40:23 | 0:40:27 | |
Don't kid about things like that! We frisked him, I swear. Ask Hymie! | 0:40:27 | 0:40:31 | |
Sure! All you left was a knife and a gun. | 0:40:31 | 0:40:34 | |
At least you didn't leave no hand grenades in his pockets! | 0:40:34 | 0:40:37 | |
I say that much for you! | 0:40:37 | 0:40:40 | |
It's kind of funny, ain't it, boys? | 0:40:41 | 0:40:44 | |
-Yeah, it's a scream. -Why don't you laugh, Pappy? | 0:40:44 | 0:40:48 | |
-NERVOUSLY: -I'm laughing, see? | 0:40:48 | 0:40:51 | |
You've got a broken tooth. Too bad you don't have time to get it fixed. | 0:40:51 | 0:40:55 | |
-Oh, I got t... -I think maybe not. | 0:40:55 | 0:40:59 | |
How much did the Saint pay you for that arsenal? | 0:40:59 | 0:41:02 | |
-Why did you send him up to kill Maury? -Me, Hutch? Don't be foolish. | 0:41:02 | 0:41:06 | |
-Maury was my pal! -That's right. And you was my pal. | 0:41:06 | 0:41:12 | |
You was a good boy, Pappy. Go on, wait outside. We'll see you later. | 0:41:12 | 0:41:17 | |
Sure. Sure, Hutch. | 0:41:19 | 0:41:22 | |
Whatever you say. I'll go outside and play the slot machines. | 0:41:22 | 0:41:28 | |
I got a feeling tonight's my lucky night! | 0:41:28 | 0:41:31 | |
HUTCH SIGHS | 0:41:34 | 0:41:37 | |
-All my best friends, they go like...like... -Like water? | 0:41:37 | 0:41:43 | |
Like beer, my best friends go... | 0:41:43 | 0:41:46 | |
HE SOBS | 0:41:49 | 0:41:51 | |
Shuddup, will ya? Shut up! | 0:41:51 | 0:41:54 | |
If he'd only said who he was. If he'd only told me he was the Saint! | 0:41:54 | 0:41:58 | |
HE CONTINUES TO SOB | 0:41:58 | 0:42:02 | |
The Saint? | 0:42:02 | 0:42:04 | |
-Hi, Pappy. -The Saint! I was looking for you. | 0:42:25 | 0:42:28 | |
And I was looking for Hutch Rellin. Go on, keep driving. | 0:42:28 | 0:42:31 | |
Listen, you gotta listen to me. I wanna be on your side. | 0:42:31 | 0:42:34 | |
My side's very exclusive. You have to be born on my side. | 0:42:34 | 0:42:37 | |
Don't, I'm on a spot. Rellin thinks you paid me off, he's out to get me. | 0:42:37 | 0:42:41 | |
-Rellin shows rare judgement. -I wanna make a deal. | 0:42:41 | 0:42:43 | |
-Sure, after that smack you gave me, I'm dying to make a deal. -Smack me back all you want. | 0:42:43 | 0:42:48 | |
-You gotta listen. -Talk fast. Better be eloquent as the devil. | 0:42:48 | 0:42:51 | |
I don't know your racket or who you work for, | 0:42:51 | 0:42:53 | |
but you're out to get Hutch and I can help. | 0:42:53 | 0:42:55 | |
I'll give you any dope you want and 25 grand besides. | 0:42:55 | 0:42:59 | |
Honest Papinoff. Loyal to his leader. | 0:42:59 | 0:43:02 | |
-I'll tell you anything, I swear. -Who's the Big Fella? | 0:43:02 | 0:43:06 | |
-Big Fella? I can't tell you that... -Check off question one and skip the rest. | 0:43:06 | 0:43:10 | |
Honest, if I knew I'd tell ya. | 0:43:10 | 0:43:12 | |
Nobody knows. Not Hutch or Maury or anybody. | 0:43:12 | 0:43:15 | |
-And there's only one person's got his number. -Who? -I'll tell you. | 0:43:15 | 0:43:19 | |
I wanna come clean and play square. It's... | 0:43:19 | 0:43:22 | |
GUNSHOTS | 0:43:23 | 0:43:25 | |
Pappy, you were a reckless driver. | 0:43:40 | 0:43:43 | |
Come on, let's get going. | 0:43:48 | 0:43:52 | |
Tiger, tiger burning bright, in the forests of the night... | 0:44:01 | 0:44:05 | |
Poetry. Very interesting character. | 0:44:05 | 0:44:10 | |
-I'm Rellin. Hutch Rellin. -Delighted. | 0:44:10 | 0:44:14 | |
-I was looking for you. -Sit down. | 0:44:14 | 0:44:18 | |
We should get acquainted. Two big men like you and me. | 0:44:18 | 0:44:24 | |
-Oh yeah, thanks for the nice note you sent me. -That was nothing. | 0:44:24 | 0:44:28 | |
-I just dashed it off. -You're such a smart boy. Young, good looking. | 0:44:28 | 0:44:34 | |
-You must have a lot of friends. -I have. | 0:44:34 | 0:44:38 | |
I used to have good friends too. Jake Irbell, Eddie Sader... | 0:44:38 | 0:44:42 | |
Maury Yule, Boots Papinoff. Where are the snows of yesteryear? | 0:44:42 | 0:44:49 | |
-Gone. -Yeah. All gone. | 0:44:49 | 0:44:53 | |
Who put you up to this? Who's behind you? | 0:44:56 | 0:44:58 | |
The Snowden boys, huh? The Florida crowd? | 0:44:58 | 0:45:02 | |
-Talk, by Jove, or I'll... -Or you'll ruin the best suit ever created by a London tailor. | 0:45:02 | 0:45:07 | |
For an executive, you have the undignified manners of a chimpanzee. | 0:45:07 | 0:45:11 | |
Especially in front of a lady. | 0:45:11 | 0:45:12 | |
What's a chimp-pansy? | 0:45:12 | 0:45:16 | |
Listen. First, I never heard of the Florida crowd, nor the Snowden boys. Upstarts, probably. | 0:45:18 | 0:45:23 | |
Second, I'm a lone wolf. A lone eagle, a solo flyer, whatever the romantics call it. | 0:45:23 | 0:45:28 | |
Third, I'm a positive genius for getting what I go after. | 0:45:28 | 0:45:32 | |
Yeah? What did you think you was going to get out of this? | 0:45:32 | 0:45:37 | |
Hutch, there are ideals far above your earthy vision. | 0:45:37 | 0:45:41 | |
A woman might understand. Talking to you would be futile. | 0:45:41 | 0:45:44 | |
Nobody talks to me no more. I got tired of listening anyway. | 0:45:44 | 0:45:50 | |
You was a good boy, Saint. You and me, we could have done big things. | 0:45:50 | 0:45:57 | |
I think you'd better wait outside. Red, Hymie - nice and quiet, see? | 0:45:57 | 0:46:03 | |
Very private. I wait for you here, come back quick. | 0:46:03 | 0:46:07 | |
Goodnight, Mr Saint. Sleep good. | 0:46:07 | 0:46:11 | |
Hutch, in your next life you'll be an ape. A fat, melancholy creature. | 0:46:15 | 0:46:19 | |
And lovers will stroll through the zoo and say "Remember Hutch Rellin? | 0:46:19 | 0:46:24 | |
"He died soon after his partners." | 0:46:24 | 0:46:29 | |
I think one of the lights is out. | 0:46:53 | 0:46:55 | |
-Take a good look. -Pretty girl, isn't she? | 0:47:04 | 0:47:08 | |
There's something about watching a woman walk. Ever noticed it, Red? | 0:47:10 | 0:47:14 | |
Ever since I was 14. | 0:47:14 | 0:47:17 | |
Left headlight's loose. You gotta hit it to get it to light. | 0:47:21 | 0:47:25 | |
-Where's the party tonight? -Jersey. We thought you might like a change. | 0:47:36 | 0:47:41 | |
That's nice. I don't care where I am as long as I'm in good company. | 0:47:41 | 0:47:48 | |
Last stop. | 0:47:53 | 0:47:55 | |
-This is the place? -This is the place. | 0:48:02 | 0:48:05 | |
I'm disappointed. In the old days, there'd have been quite a crowd watching. | 0:48:13 | 0:48:17 | |
-Of the better people. -Yeah, times have changed. Ain't much to it now. | 0:48:17 | 0:48:22 | |
I guess this will be all right. Stand over there against that tree. | 0:48:22 | 0:48:26 | |
Come on, Hymie, it's your turn. | 0:48:29 | 0:48:31 | |
-The heart's on this side. -I know. | 0:48:39 | 0:48:41 | |
Some guys started wearing bulletproof vests. | 0:48:41 | 0:48:44 | |
-Would that I were invulnerable too. -Invulnerable? What's that? | 0:48:44 | 0:48:49 | |
Look it up some time, Hymie. | 0:48:49 | 0:48:51 | |
GUNSHOT | 0:48:56 | 0:48:57 | |
Where you get off. Drop him. | 0:49:07 | 0:49:12 | |
-< Hold it, Red. The Big Fella says "wait a minute." -What? | 0:49:12 | 0:49:15 | |
You heard what I said. Put your gun down. | 0:49:15 | 0:49:18 | |
You can tell the Big Fella you came too late. He killed Hymie. | 0:49:18 | 0:49:21 | |
-Red, listen to me. -I ain't listening to nobody, I'm doing for this guy right now! | 0:49:21 | 0:49:25 | |
GUNSHOT | 0:49:25 | 0:49:27 | |
-Why did you come here? -Because you asked me. | 0:49:31 | 0:49:34 | |
I don't mean here, to my place. I mean to New York. | 0:49:34 | 0:49:37 | |
Oh, I... I had a commission. | 0:49:37 | 0:49:41 | |
You can cross out Jenks. That was Red. | 0:49:48 | 0:49:51 | |
Vintore was in Pittsburgh, last I heard of him. | 0:49:51 | 0:49:55 | |
That leaves Rellin, the Big Fella, and me. | 0:49:55 | 0:49:58 | |
Should be a question mark after your name. I don't understand you, how did you meet the Big Fella? | 0:49:58 | 0:50:04 | |
Three years ago, I was down. This town had me beaten. | 0:50:04 | 0:50:09 | |
I met him, he was kind to me. He was a failure with a great idea. | 0:50:09 | 0:50:14 | |
HE GASPS IN PAIN Go on. | 0:50:17 | 0:50:20 | |
He had a talent for crime, like the talent of a musician. | 0:50:20 | 0:50:24 | |
-Needed instruments to give it form. -Yule, Irbell, Rellin, Jenks. | 0:50:24 | 0:50:30 | |
He had brains and imagination, but he just couldn't read men. | 0:50:30 | 0:50:33 | |
-He needed a voice. -You? | 0:50:33 | 0:50:37 | |
I was his voice. He created blueprints of crimes, | 0:50:37 | 0:50:40 | |
the way an architect designs houses. Through me he assigned them to... | 0:50:40 | 0:50:44 | |
-Yule, Irbell, Rellin and company. -Seven of them in all. | 0:50:44 | 0:50:48 | |
They organised to work together for three years. I handled it for the Big Fella. | 0:50:48 | 0:50:53 | |
All money to be deposited in one account. At the end of three years, | 0:50:53 | 0:50:56 | |
-the proceeds to be divided evenly. -When are the three years up? | 0:50:56 | 0:51:00 | |
Tomorrow morning. Or rather, this morning now. | 0:51:00 | 0:51:04 | |
There are only three men left to divide the money. | 0:51:04 | 0:51:07 | |
-Why do you tell me these things? -You want to know them. Is there anything else? | 0:51:07 | 0:51:12 | |
Could you tell me who the Big Fella is? | 0:51:19 | 0:51:21 | |
I promised him I'd never tell anyone his name. | 0:51:21 | 0:51:24 | |
But I could point him out to you. | 0:51:24 | 0:51:27 | |
-You have a barbarian's code of ethics. -He never said anything about pointing him out. | 0:51:27 | 0:51:32 | |
-I'm glad you're on my side. -I have no sides. | 0:51:32 | 0:51:37 | |
It's very simple. | 0:51:37 | 0:51:38 | |
-Please don't go away from me. -No. | 0:51:45 | 0:51:48 | |
-But now I must go away from you. -Why? | 0:51:48 | 0:51:51 | |
Just for a little while. Perhaps no longer than till morning. | 0:51:51 | 0:51:56 | |
I have to get a message for the Big Fella. He's meeting me at nine. | 0:51:56 | 0:52:01 | |
I don't know where. | 0:52:01 | 0:52:03 | |
There's a good place I know in Vermont. | 0:52:05 | 0:52:09 | |
In spring, Vermont is very beautiful. Quiet, green hills. | 0:52:09 | 0:52:14 | |
-We could lie in the sun. -I'd like to go to Vermont. | 0:52:14 | 0:52:18 | |
I'll call back here during the night to tell you what I'm doing. | 0:52:18 | 0:52:22 | |
And to tell you I love you. | 0:52:22 | 0:52:23 | |
I must go to my hotel first. I'll be back in an hour. | 0:52:25 | 0:52:29 | |
I want to look for messages, and I have to change. | 0:52:29 | 0:52:31 | |
Don't change, darling. Don't ever change. | 0:52:31 | 0:52:35 | |
Closing up, and Hymie and Red ain't back. Thought I'd tell ya. | 0:52:51 | 0:52:54 | |
-Mm? Not so good. Where's Fay? -She went home right after the boys left. | 0:52:54 | 0:52:59 | |
That's funny. You stay here till I come back. | 0:52:59 | 0:53:03 | |
I'm going to Fay's apartment. | 0:53:03 | 0:53:06 | |
Well! This is a surprise. What can I do for you? | 0:53:29 | 0:53:33 | |
-Or has the hotel gone bankrupt, and are you bailiffs, Mr...? -Kestry, from headquarters. | 0:53:33 | 0:53:38 | |
We got a little message that we'd find you here. | 0:53:38 | 0:53:40 | |
Oh, yes. That was from me. | 0:53:40 | 0:53:44 | |
I wanted to tell you I could find the Big Fella for you. | 0:53:44 | 0:53:48 | |
Guess again. The message we got came from the Big Fella. | 0:53:48 | 0:53:51 | |
I'm really becoming quite important! I knew some day I'd make good. | 0:53:51 | 0:53:55 | |
Never mind the cracks. You've been mixed up in some interesting killings. | 0:53:55 | 0:53:59 | |
-What do you know about that mob? -Only what I read in the papers. | 0:53:59 | 0:54:03 | |
Are you gonna talk, or are we gonna make you? | 0:54:04 | 0:54:07 | |
Physical force, my friend, is the resort of the stupid. | 0:54:07 | 0:54:10 | |
If you just ask like gentlemen... | 0:54:10 | 0:54:13 | |
-SOUND OF FIGHTING > -Quit it, Bonacci. | 0:54:13 | 0:54:18 | |
-Thanks, Fernack. -I questioned him, he wouldn't talk. | 0:54:19 | 0:54:22 | |
-You go, I'll talk to him. -He's tough, Inspector... -I can handle him. | 0:54:22 | 0:54:26 | |
All right by me, boss, but I'm warning you. ..Come on. | 0:54:26 | 0:54:29 | |
-Look as if you've had a pretty tough night. -I have. | 0:54:39 | 0:54:42 | |
-Mind if I clean up a bit? -No, go ahead. -Thanks. | 0:54:42 | 0:54:47 | |
There's a malt scotch on the table. Soda's on the cupboard if you want. | 0:54:47 | 0:54:51 | |
-Here's to our departed friends. -Amen. > | 0:55:22 | 0:55:25 | |
-Say, you know that 20,000 that... -That I stole from the good lawyer Nather? | 0:55:29 | 0:55:34 | |
I gave that to Jeff Martin's widow. She was mighty grateful. | 0:55:34 | 0:55:38 | |
Small compensation for what she lost. > | 0:55:38 | 0:55:40 | |
Templar... I'm not a kid any more. | 0:55:45 | 0:55:49 | |
All my life I've had to deal with men who make laws, | 0:55:49 | 0:55:52 | |
men who break them, and men who try and keep them. | 0:55:52 | 0:55:54 | |
Every man I've ever met, I can look in the eye | 0:55:54 | 0:55:57 | |
and tell what side he's on and why. | 0:55:57 | 0:55:59 | |
Every man. Just like that. Except you. | 0:55:59 | 0:56:03 | |
You're the first one who's ever had me bamboozled. It hurts my pride. | 0:56:04 | 0:56:09 | |
Some day, Fernack, you'll be able to look me in the eye, | 0:56:09 | 0:56:12 | |
and tell just like that where I belong. But why may stick you. | 0:56:12 | 0:56:15 | |
I don't know why myself. | 0:56:15 | 0:56:17 | |
-I can't tie this. -One turn or two? -One. | 0:56:18 | 0:56:22 | |
This is easy. Comes to bowties, I have to call my wife. I can't get the ends together. | 0:56:24 | 0:56:29 | |
You ought to learn this one though, kid. Might be useful. | 0:56:29 | 0:56:33 | |
After all, it's not very different from a hangman's knot. | 0:56:33 | 0:56:36 | |
-There you are, perfect. -Thanks. Do you mind? | 0:56:36 | 0:56:39 | |
Thanks. Sit down. | 0:56:45 | 0:56:48 | |
-How was the scotch? -First-rate. | 0:56:50 | 0:56:52 | |
-So was your little job of spring-cleaning the last few days. -My pleasure. | 0:56:52 | 0:56:56 | |
-Course, I still ought to run you in. -Ought is a terrible word. | 0:56:56 | 0:57:00 | |
-What's next? -The Big Fella. | 0:57:00 | 0:57:04 | |
-Yeah? -I expect to have him by morning. | 0:57:04 | 0:57:06 | |
What time in the morning? | 0:57:06 | 0:57:08 | |
I should say about 9:15. Somebody's finding him for me now. | 0:57:08 | 0:57:12 | |
There may be a call waiting for me at this minute. | 0:57:12 | 0:57:15 | |
Course, the Big Fella's worth 20 of you. | 0:57:17 | 0:57:20 | |
If you were to grab this gun, march out of here, | 0:57:26 | 0:57:29 | |
-there wouldn't be anything I could do, would there? -No. | 0:57:29 | 0:57:32 | |
Saint's a slippery guy, everyone knows that. | 0:57:32 | 0:57:35 | |
I'm just a dumb cop, maybe ought to be pounding the beat in Staten Island anyway. | 0:57:35 | 0:57:39 | |
You're not so dumb. | 0:57:39 | 0:57:41 | |
I live at 58 Washington Square South. | 0:57:43 | 0:57:46 | |
9:15 tomorrow, I'll be out in front smoking a cigar. | 0:57:46 | 0:57:49 | |
I'll be there. You'll be able to take either the Big Fella or me to HQ. | 0:57:49 | 0:57:54 | |
-Good enough. -Coming with me? | 0:57:54 | 0:57:57 | |
No, if you don't mind, I'll just stay here and finish my cigar. | 0:57:57 | 0:58:01 | |
Maybe I'll even have another drink. | 0:58:01 | 0:58:03 | |
-So long. -Have a good time. | 0:58:06 | 0:58:10 | |
-DOOR CLOSES -Don't get yourself hurt again. | 0:58:10 | 0:58:13 | |
Pretty late for you to be coming in, Fay. | 0:58:49 | 0:58:52 | |
Specially tonight, when it looks like something is wrong. | 0:58:52 | 0:58:56 | |
I don't like it. | 0:58:56 | 0:58:58 | |
Where's Red? Where's Hymie? | 0:59:00 | 0:59:05 | |
Where was you when the boys... | 0:59:05 | 0:59:08 | |
-Greetings, Hutch. -Saint... No. | 0:59:08 | 0:59:14 | |
-No! -Yes, Hutch. Yes. | 0:59:14 | 0:59:16 | |
-Red! Hymie! -No, Hutch. You're all alone now. | 0:59:16 | 0:59:20 | |
They've gone to join their fathers, if they had any. | 0:59:20 | 0:59:22 | |
-Raise your hands a bit higher, please. -Please, no, no... | 0:59:22 | 0:59:26 | |
-I've waited, I...I want to talk to you. -I know, you wanna be on my side. | 0:59:26 | 0:59:30 | |
Listen, you and me, we could be doing big things. | 0:59:30 | 0:59:34 | |
We could work together. If I tell you, you'll be surprised. | 0:59:34 | 0:59:38 | |
I can do you plenty of good. | 0:59:38 | 0:59:41 | |
If you would... If you would only listen to me! | 0:59:41 | 0:59:44 | |
PHONE RINGS | 0:59:54 | 0:59:57 | |
PHONE CONTINUES RINGING | 1:00:04 | 1:00:07 | |
Yeah? Oh, good morning. | 1:00:16 | 1:00:18 | |
Did you sleep well? ..That's good. It's 8:30 now. | 1:00:18 | 1:00:24 | |
Can you be at the Vandrick National Bank at nine? | 1:00:24 | 1:00:26 | |
In front of the 54th Street entrance, nine o'clock. I'll be there. | 1:00:26 | 1:00:30 | |
Be lucky, darling. Goodbye. | 1:00:30 | 1:00:32 | |
Goodbye. | 1:00:32 | 1:00:34 | |
Columbus, 51098. | 1:00:34 | 1:00:38 | |
I'd like to speak to Sebastian Lipke. | 1:00:46 | 1:00:48 | |
Telephone, Sebastian! | 1:00:48 | 1:00:50 | |
-Hello? -Sebastian? This is the Saint. | 1:00:54 | 1:00:57 | |
-I've got a job for you. -Boy, that's great. | 1:00:57 | 1:01:00 | |
..Right. Vandrick National. | 1:01:04 | 1:01:06 | |
Hey, do you think we can take it, just the two of us? | 1:01:06 | 1:01:09 | |
My grandfather took Sevastopol with his bare hands. Hurry over. | 1:01:09 | 1:01:14 | |
It's almost time. Keep the motor running, we'll have a passenger. | 1:01:21 | 1:01:24 | |
-We may have to move fast. -We'll move fast. You think I'll make the headlines too? | 1:01:24 | 1:01:28 | |
-If you do what I say. -OK, boss. | 1:01:28 | 1:01:31 | |
-Valcross! -Why, hello. Glad to see you. What are you doing up so early? | 1:01:35 | 1:01:38 | |
-Long story. I wanted to see you last night. -Didn't you get the note? | 1:01:38 | 1:01:42 | |
Things have been happening so fast, I didn't have time to look for notes. Let's get inside. | 1:01:42 | 1:01:47 | |
Not yet, Sebastian. I'll tell you when. | 1:01:50 | 1:01:53 | |
-Where have you been? -Out of town on Chamber of Commerce business. | 1:01:55 | 1:01:58 | |
-Flew both ways, just got back. -I've had a lovely time. | 1:01:58 | 1:02:02 | |
I've been taken for a ride, done for Hutch Rellin, arrested, | 1:02:02 | 1:02:05 | |
fallen in love with the queerest girl you've ever seen, and I'm getting the Big Fella in just... | 1:02:05 | 1:02:10 | |
-three minutes. -Well, tell me the whole story. | 1:02:10 | 1:02:13 | |
The Big Fella found out about me and tipped off the police. The girl's named Fay Edwards. | 1:02:13 | 1:02:18 | |
-Do you think you can believe her? -I'm sure I can. | 1:02:23 | 1:02:26 | |
She's going to point the Big Fella out to me. | 1:02:26 | 1:02:29 | |
Imagine. That amazing criminal organisation, | 1:02:29 | 1:02:33 | |
and a young girl who falls in love with an adventurer can tear it all to pieces. | 1:02:33 | 1:02:38 | |
-She hasn't done it yet. -Templar, you've done a great job so far. | 1:02:38 | 1:02:43 | |
-Please be careful now. -I will. You better go. | 1:02:43 | 1:02:47 | |
-I'll see you at the hotel. -Good luck, m'boy. -Thanks. | 1:02:47 | 1:02:51 | |
Hey! | 1:02:52 | 1:02:54 | |
The Big Fella! | 1:02:55 | 1:02:58 | |
PEOPLE SCREAM | 1:02:59 | 1:03:01 | |
Are you hurt, lady? | 1:03:04 | 1:03:06 | |
Get him inside, quick. | 1:03:06 | 1:03:09 | |
Fay! | 1:03:09 | 1:03:10 | |
POLICE WHISTLES SOUND | 1:03:12 | 1:03:15 | |
POLICEMEN SHOUT | 1:03:18 | 1:03:21 | |
Oh... | 1:03:23 | 1:03:25 | |
-WEAKLY: -Hello. -I'm sorry. | 1:03:28 | 1:03:33 | |
Don't be sorry, dear. It doesn't suit you. | 1:03:33 | 1:03:38 | |
Be light-hearted. | 1:03:38 | 1:03:40 | |
You'll be all right... on a train for Vermont. | 1:03:43 | 1:03:47 | |
-There are no trains for Vermont. -You mustn't talk like that. | 1:03:47 | 1:03:53 | |
Simon...don't be sad. | 1:03:56 | 1:04:00 | |
I'm a queer girl, anyway. | 1:04:04 | 1:04:07 | |
Do something! Templar, help me! | 1:04:11 | 1:04:14 | |
-Take me to a doctor! -Be quiet! | 1:04:14 | 1:04:16 | |
You'll find the Big Fella in there. And a witness. | 1:04:29 | 1:04:33 | |
I knew you'd do it. | 1:04:33 | 1:04:35 | |
Valcross! The Big Fella! | 1:04:38 | 1:04:42 | |
Who's this? | 1:04:42 | 1:04:43 | |
-I don't know, boss. -Stay here, I'll want you. Templar! | 1:04:43 | 1:04:48 | |
HE READS OUT NOTE | 1:05:00 | 1:05:02 | |
Tell the Commissioner that HE was fooled? | 1:05:03 | 1:05:07 | |
I don't know why I'm seeing you off after you and the Commissioner made a chump out of me. | 1:05:10 | 1:05:15 | |
-Don't hold it against us. -I won't. Boy, you certainly taught me. | 1:05:15 | 1:05:19 | |
-You trusted me. -Ohh. | 1:05:19 | 1:05:21 | |
Say, when will I be seeing you again? | 1:05:21 | 1:05:25 | |
Oh, I don't know. I'll be back. | 1:05:25 | 1:05:28 | |
-Maybe in the spring. -Yeah? | 1:05:28 | 1:05:31 | |
-You know, Fernack? It's lovely in Vermont...in the spring. -Uh-huh. | 1:05:31 | 1:05:37 | |
Simon Templar. Washington, Dulles, Brownsville, into Rio de Janeiro. Thank you, sir. | 1:05:44 | 1:05:49 | |
Tell me, what's taking you to Rio? | 1:05:49 | 1:05:52 | |
Fernack, there's a man down there I don't like. | 1:05:52 | 1:05:55 | |
AEROPLANE ENGINE STARTS | 1:06:02 | 1:06:05 | |
I'm glad I'm not the man in Rio. | 1:06:05 | 1:06:07 | |
Good luck, Saint. | 1:06:15 | 1:06:18 |