
Browse content similar to The Saint in Palm Springs. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
SHIP'S HORN | 0:01:36 | 0:01:38 | |
What's your hurry, Chief? | 0:01:42 | 0:01:43 | |
Going someplace, Mr Templar? | 0:01:43 | 0:01:45 | |
I beg your pardon? | 0:01:45 | 0:01:46 | |
Oh, now don't be giving us that. | 0:01:46 | 0:01:48 | |
And don't try and say you ain't Simon Templar. | 0:01:48 | 0:01:50 | |
Well, suppose I content myself with saying nothing. | 0:01:50 | 0:01:53 | |
After all, you gentlemen began the conversation. | 0:01:53 | 0:01:56 | |
Yeah, and we're gonna finish it, too. | 0:01:56 | 0:01:57 | |
At headquarters. | 0:01:57 | 0:01:58 | |
And this is one time you ain't gonna be pulling | 0:01:58 | 0:02:00 | |
any fancy didos. | 0:02:00 | 0:02:01 | |
Fernack's got you dead to rights for murder. | 0:02:01 | 0:02:03 | |
Oh, Fernack. | 0:02:03 | 0:02:05 | |
All right. Well, what about my luggage? | 0:02:05 | 0:02:07 | |
Customs inspection. | 0:02:07 | 0:02:08 | |
Oh, it'll be taken care of. | 0:02:08 | 0:02:10 | |
That's very kind of you. | 0:02:10 | 0:02:11 | |
OK, you won't go quiet. | 0:02:17 | 0:02:19 | |
Fernack said to be gentle, | 0:02:19 | 0:02:20 | |
but you asked for it. | 0:02:20 | 0:02:21 | |
Hey, police! | 0:02:25 | 0:02:26 | |
-Stop that man! -Stop that man! | 0:02:26 | 0:02:28 | |
Lady-lady, please! | 0:02:29 | 0:02:31 | |
She's all ready, Doc? What time? | 0:02:33 | 0:02:36 | |
I see. Thank you. | 0:02:36 | 0:02:37 | |
-Haven't you heard from Brady yet? -No, sir. | 0:02:50 | 0:02:52 | |
But that boat docked an hour ago! | 0:02:52 | 0:02:54 | |
Maybe it was late. | 0:02:54 | 0:02:55 | |
No, it wasn't! | 0:02:55 | 0:02:57 | |
You know, I wouldn't be surprised if the Saint pulled | 0:02:57 | 0:02:59 | |
one of his shenanigans and gave those boys the slip. | 0:02:59 | 0:03:02 | |
Hello, Inspector. | 0:03:02 | 0:03:03 | |
DISTANT WHISTLING | 0:03:18 | 0:03:20 | |
Simon! | 0:03:23 | 0:03:24 | |
Hello, Henry. | 0:03:24 | 0:03:25 | |
How did you get here? | 0:03:25 | 0:03:26 | |
Through the window. | 0:03:26 | 0:03:27 | |
And what happened to those two men I sent after you? | 0:03:27 | 0:03:30 | |
They're probably looking for a good locksmith. | 0:03:30 | 0:03:32 | |
Henry, you're slipping - | 0:03:32 | 0:03:34 | |
accusing me of murder so that you can fake an arrest | 0:03:34 | 0:03:36 | |
is hardly worthy of the Fernack I once knew. | 0:03:36 | 0:03:38 | |
Now, see here - | 0:03:38 | 0:03:39 | |
I can remember you when you were subtle. | 0:03:39 | 0:03:40 | |
I suppose the advancing years take their toll on the best of us. | 0:03:40 | 0:03:42 | |
Tie that for me like a good chap, will you? | 0:03:42 | 0:03:44 | |
Now then. What's on your mind? | 0:03:46 | 0:03:49 | |
Well, Simon, I... I'm in a jam. | 0:03:49 | 0:03:52 | |
That's getting to be rather a chronic condition with you, isn't it? | 0:03:52 | 0:03:56 | |
Why are you losing your job this time? | 0:03:56 | 0:03:58 | |
I am not losing my job. | 0:03:58 | 0:04:00 | |
I find myself faced with the necessity | 0:04:00 | 0:04:02 | |
of refusing to do a favour for a man | 0:04:02 | 0:04:05 | |
who once practically saved my life. | 0:04:05 | 0:04:06 | |
So you want my help, eh? All right, Henry. | 0:04:06 | 0:04:09 | |
Which section of the penal code do you want me to violate? | 0:04:09 | 0:04:11 | |
Aw, I wouldn't ask you to do anything illegal. | 0:04:11 | 0:04:14 | |
You know better than that. | 0:04:14 | 0:04:15 | |
It's just that I can't accommodate my friend | 0:04:15 | 0:04:17 | |
with the official services of the department. | 0:04:17 | 0:04:19 | |
Now look here, there's his picture. | 0:04:19 | 0:04:21 | |
Chris and I were in the same outfit | 0:04:21 | 0:04:23 | |
in the First World War. | 0:04:23 | 0:04:24 | |
Neither here nor there how he saved my life, but he did. | 0:04:24 | 0:04:27 | |
Now he's in trouble. | 0:04:27 | 0:04:28 | |
Well, that's a perfectly natural consequence of rescuing you. | 0:04:28 | 0:04:31 | |
Oh, stop joking. | 0:04:31 | 0:04:32 | |
After the war, Chris went back to the old country | 0:04:32 | 0:04:35 | |
and went into the printing business, | 0:04:35 | 0:04:36 | |
and he built up a good-sized fortune. | 0:04:36 | 0:04:38 | |
Now the Second World War comes along and knocks him back on his heels. Too bad. | 0:04:38 | 0:04:41 | |
Not at all! He managed to save almost 200,000. | 0:04:41 | 0:04:45 | |
But the trouble is, he had difficulty getting it out of the country. | 0:04:45 | 0:04:48 | |
There are plenty of ways of doing that. | 0:04:48 | 0:04:50 | |
Oh, he did it all right. He's here, and that's where you come in. | 0:04:50 | 0:04:54 | |
Chris' brother is stopping at the Belden house. | 0:04:54 | 0:04:56 | |
His name is Peter Johnson. | 0:04:56 | 0:04:58 | |
Now, I want you to accompany him to Palm Springs - | 0:04:58 | 0:05:00 | |
as bodyguard. | 0:05:00 | 0:05:02 | |
He's leaving on the train tonight | 0:05:02 | 0:05:03 | |
to meet Chris' daughter. | 0:05:03 | 0:05:04 | |
But my dear Henry, if your Mr Peter Johnson | 0:05:04 | 0:05:06 | |
is carrying 200,000 in cash, | 0:05:06 | 0:05:08 | |
you better send him in an armoured truck. | 0:05:08 | 0:05:10 | |
Oh, it isn't in cash. It's in postage stamps. | 0:05:10 | 0:05:12 | |
Well, then you'll need two armoured trucks. | 0:05:12 | 0:05:15 | |
No, no. There are only three stamps. | 0:05:15 | 0:05:17 | |
Newly discovered Guiana penny stamps of 1856. | 0:05:17 | 0:05:21 | |
Chris paid 65,000 apiece for them. | 0:05:21 | 0:05:25 | |
Peter smuggled them out of the country in a locket. | 0:05:25 | 0:05:28 | |
Were they smuggled into America? | 0:05:28 | 0:05:29 | |
Oh, no, no, they were declared. | 0:05:29 | 0:05:31 | |
But they were smuggled out of the old country, | 0:05:31 | 0:05:33 | |
which gives the transaction a sort of international aspect | 0:05:33 | 0:05:36 | |
that just puts it out of bounds for a city police department. | 0:05:36 | 0:05:38 | |
Simon, you've just got to help me. | 0:05:38 | 0:05:41 | |
I don't know. | 0:05:41 | 0:05:42 | |
Of course... it would be dangerous. | 0:05:43 | 0:05:46 | |
Peter was safe enough until he reached New York yesterday, | 0:05:48 | 0:05:51 | |
but...in 24 hours, | 0:05:51 | 0:05:53 | |
two attempts were made on his life. | 0:05:53 | 0:05:57 | |
They say it's very lovely in Palm Springs this time of year. | 0:05:57 | 0:06:00 | |
Good boy! | 0:06:00 | 0:06:01 | |
Get me Peter Johnson at the Belden house. | 0:06:01 | 0:06:04 | |
The Saint had his gang with him. | 0:06:04 | 0:06:06 | |
We were slugged, and then - | 0:06:06 | 0:06:07 | |
Chief, we know just where to find him. | 0:06:07 | 0:06:08 | |
So do I. | 0:06:08 | 0:06:11 | |
-Where? -Where? | 0:06:11 | 0:06:12 | |
Hey, you're under arrest! | 0:06:13 | 0:06:15 | |
Give them the key, Simon. | 0:06:15 | 0:06:17 | |
Oh, I'm so sorry. I seem to have lost it. | 0:06:17 | 0:06:20 | |
Good-bye, Henry. | 0:06:20 | 0:06:22 | |
Good-bye, gentlemen. | 0:06:22 | 0:06:23 | |
Well, you better go down to the police garage and borrow a file. | 0:06:26 | 0:06:29 | |
When you get those things off, use it to sharpen your wits. | 0:06:29 | 0:06:31 | |
-Yes, sir. -Yes, sir. | 0:06:31 | 0:06:32 | |
SOUNDS OF UNLOCKING | 0:06:59 | 0:07:00 | |
Mr Templar? | 0:07:02 | 0:07:03 | |
Yes. Inspector Fernack said you'd be expecting me. | 0:07:03 | 0:07:06 | |
Please come in. | 0:07:06 | 0:07:07 | |
Thank you. | 0:07:07 | 0:07:08 | |
I believe there's a little matter with some postage stamps. | 0:07:11 | 0:07:13 | |
A little matter? Ah, yes. | 0:07:13 | 0:07:16 | |
Three stamps, each more valuable than diamonds or rubies. | 0:07:16 | 0:07:21 | |
-You have them here? -Yes. | 0:07:21 | 0:07:23 | |
Ah, Mr Templar, what kind of a country is this? | 0:07:23 | 0:07:26 | |
In one day, I might have been killed twice. | 0:07:26 | 0:07:29 | |
It's a very nice country, really. | 0:07:29 | 0:07:31 | |
Of course, there are some citizens who carry their cupidity | 0:07:31 | 0:07:33 | |
to unpleasant extremes, | 0:07:33 | 0:07:35 | |
but I think your opinion of America would improve | 0:07:35 | 0:07:37 | |
if you allowed me to undertake all further risks. | 0:07:37 | 0:07:40 | |
You mean, give YOU the stamps? | 0:07:40 | 0:07:42 | |
Place them in my care until we reach Palm Springs. | 0:07:42 | 0:07:45 | |
Perhaps it might be better. | 0:07:45 | 0:07:47 | |
Not to protect my life, you understand, | 0:07:47 | 0:07:49 | |
but so you can deliver the stamps to Elna | 0:07:49 | 0:07:52 | |
if anything happens to me. | 0:07:52 | 0:07:54 | |
Elna, your niece? | 0:07:54 | 0:07:55 | |
Yes. She is in Palm Springs. | 0:07:55 | 0:07:58 | |
Wait. I'll get the stamps. | 0:07:58 | 0:08:00 | |
Just a moment, please. | 0:08:00 | 0:08:01 | |
GUNSHOT | 0:08:36 | 0:08:37 | |
GUNSHOT | 0:08:55 | 0:08:57 | |
Get me Inspector Fernack at police headquarters. | 0:09:26 | 0:09:29 | |
Hello, Henry? | 0:09:35 | 0:09:36 | |
You better come over to your friend's hotel right away. | 0:09:36 | 0:09:39 | |
You may have to arrest me for murder after all. | 0:09:39 | 0:09:42 | |
No, I won't have to arrest you this time. | 0:09:45 | 0:09:47 | |
It's pretty clear just what happened. | 0:09:47 | 0:09:50 | |
I wish you'd got a good look at that fella. | 0:09:50 | 0:09:51 | |
I think I can recognise him if I see him again. | 0:09:51 | 0:09:54 | |
You see, my ring came into rather violent contact with his face, | 0:09:54 | 0:09:57 | |
so he'll have a bit of a scar over his left eye. | 0:09:57 | 0:10:00 | |
I can't go around town arresting every man with a scar over his left eye. | 0:10:00 | 0:10:03 | |
No, we each have a job now: | 0:10:03 | 0:10:06 | |
you catch the murderer, | 0:10:06 | 0:10:07 | |
and I'll deliver the stamps to Elna Johnson in Palm Springs. | 0:10:07 | 0:10:10 | |
You mustn't do that! If you leave town, the murderer may follow you. | 0:10:10 | 0:10:13 | |
That'll take him right out of my jurisdiction. | 0:10:13 | 0:10:15 | |
That would seem to be a bit of a problem for you, Henry. | 0:10:15 | 0:10:17 | |
I'm leaving for Palm Springs in the morning. | 0:10:17 | 0:10:20 | |
And if the murderer follows, | 0:10:20 | 0:10:21 | |
I'll try to see that he runs afoul of the law. | 0:10:21 | 0:10:24 | |
If you want to get in touch with me, | 0:10:24 | 0:10:25 | |
I'll be at the Twin Palms. So long, Henry. | 0:10:25 | 0:10:27 | |
Ah! My inseparable friends. | 0:10:31 | 0:10:34 | |
That guy just ain't human. | 0:10:42 | 0:10:43 | |
Did you ever see a Saint that was? | 0:10:43 | 0:10:44 | |
I've never seen a Saint. | 0:10:44 | 0:10:47 | |
Or...have I? | 0:10:47 | 0:10:48 | |
I beg your pardon. | 0:11:26 | 0:11:28 | |
Those things seldom work. Try this. | 0:11:28 | 0:11:31 | |
Thank you. | 0:11:32 | 0:11:33 | |
-Here's your pen. -Eh? | 0:11:59 | 0:12:01 | |
Oh, I'm so sorry. | 0:12:01 | 0:12:03 | |
I was engrossed in an article. | 0:12:03 | 0:12:04 | |
-Yes, it, uh... looks very interesting. -Yes. | 0:12:04 | 0:12:07 | |
Well, uh... | 0:12:11 | 0:12:12 | |
won't you sit down and have a drink? | 0:12:12 | 0:12:13 | |
I'd love it, if you'll excuse me for a moment. | 0:12:13 | 0:12:16 | |
Oh, of course. | 0:12:16 | 0:12:17 | |
Did I keep you waiting? | 0:13:35 | 0:13:36 | |
I was afraid you'd changed your mind. | 0:13:36 | 0:13:38 | |
No, I never do that. | 0:13:38 | 0:13:39 | |
That confirms my first opinion of you. | 0:13:39 | 0:13:41 | |
Yes? | 0:13:41 | 0:13:43 | |
Now then. Don't you think we should introduce ourselves? | 0:13:43 | 0:13:45 | |
I'm Margaret Forbes. | 0:13:45 | 0:13:47 | |
Miss or missus? | 0:13:47 | 0:13:48 | |
Miss Forbes. And don't laugh - Yaphank, New York. | 0:13:48 | 0:13:51 | |
-I'm as solemn as an owl. -My name is - | 0:13:51 | 0:13:53 | |
Simon Templar, sometimes known as the Saint. | 0:13:53 | 0:13:57 | |
Well, I do read the newspapers, you know, | 0:13:57 | 0:13:59 | |
and that ring isn't exactly inconspicuous. | 0:13:59 | 0:14:03 | |
I must remember to throw it away. It has a habit of becoming inconvenient. | 0:14:03 | 0:14:07 | |
Scotch and soda. | 0:14:07 | 0:14:07 | |
And mine with plain water. | 0:14:07 | 0:14:09 | |
I've heard you're a very dangerous man, Mr Templar. | 0:14:09 | 0:14:12 | |
That depends upon the point of view. | 0:14:12 | 0:14:14 | |
Now, in your case - | 0:14:14 | 0:14:15 | |
I'll form my own point of view, | 0:14:15 | 0:14:17 | |
after I've known you a little longer. | 0:14:17 | 0:14:18 | |
Oh, I see. | 0:14:18 | 0:14:19 | |
Tell me...are you really a criminal, | 0:14:19 | 0:14:23 | |
or are you the impossibly gallant character | 0:14:23 | 0:14:25 | |
the newspapers describe: | 0:14:25 | 0:14:27 | |
sort of a modern Robin Hood, always fighting for the underdog, | 0:14:27 | 0:14:30 | |
even opposing the law to do it when it becomes necessary? | 0:14:30 | 0:14:32 | |
Let us say that there are two schools of thought upon the subject. | 0:14:32 | 0:14:36 | |
But for the moment, whatever my profession, | 0:14:36 | 0:14:37 | |
I'm on my way to Palm Springs for what I hope will be a pleasant couple of weeks. | 0:14:37 | 0:14:41 | |
Palm Springs? Don't tell me. | 0:14:41 | 0:14:43 | |
You don't mean - | 0:14:43 | 0:14:45 | |
I've wired for accommodations at the Twin Palms. | 0:14:45 | 0:14:47 | |
I could think of an excellent quotation about star-crossed lovers. | 0:14:47 | 0:14:50 | |
By a strange coincidence, I shall be at the Twin Palms, too. | 0:14:50 | 0:14:53 | |
Oh, that's marvellous. Business or pleasure? | 0:14:53 | 0:14:55 | |
Until I met you... business. | 0:14:55 | 0:14:58 | |
How sweet of you. | 0:14:58 | 0:15:00 | |
Good evening. | 0:15:22 | 0:15:23 | |
Good evening. Miss Margaret Forbes. | 0:15:23 | 0:15:25 | |
Oh, yes, Miss Forbes. | 0:15:25 | 0:15:26 | |
We have a very nice bungalow for you. | 0:15:26 | 0:15:28 | |
We'll meet at breakfast, then? | 0:15:33 | 0:15:34 | |
Yes, at 10:00. | 0:15:34 | 0:15:35 | |
-Good night. -Good night. | 0:15:35 | 0:15:37 | |
Oh, how do you do, Mr Templar? | 0:15:40 | 0:15:42 | |
We have been expecting you. | 0:15:42 | 0:15:44 | |
So you're the man they call the Saint, | 0:15:44 | 0:15:46 | |
the modern Robin Hood. | 0:15:46 | 0:15:47 | |
Really, I'm a remarkably bad shot with a bow and arrow | 0:15:47 | 0:15:50 | |
and I've never tasted venison in my life. | 0:15:50 | 0:15:52 | |
Uh, yes, sir. | 0:15:52 | 0:15:54 | |
I hope you'll find everything satisfactory, sir. | 0:15:54 | 0:15:56 | |
I'm sure I will. | 0:15:56 | 0:15:58 | |
Pearly? | 0:16:12 | 0:16:13 | |
Hi. | 0:16:13 | 0:16:15 | |
Hello! | 0:16:15 | 0:16:18 | |
Well, upon my soul, if it isn't Pearly Gates. | 0:16:18 | 0:16:20 | |
Hey, look, Saint, | 0:16:21 | 0:16:23 | |
not Pearly anymore. | 0:16:23 | 0:16:24 | |
Clarence Gates, house detective, | 0:16:24 | 0:16:27 | |
so don't try no rough stuff. | 0:16:27 | 0:16:28 | |
My dear Pearly, with you enforcing the law, | 0:16:28 | 0:16:31 | |
I shall exercise the greatest circumspection. | 0:16:31 | 0:16:34 | |
Does that mean you'll be good? | 0:16:34 | 0:16:35 | |
It means, I wouldn't even be guilty | 0:16:35 | 0:16:36 | |
of parking near a fireplug. | 0:16:36 | 0:16:38 | |
OK, OK. | 0:16:38 | 0:16:39 | |
Hey, what are you doing down here? | 0:16:39 | 0:16:40 | |
Come along to my bungalow and I'll explain it. | 0:16:40 | 0:16:42 | |
Oh, I-I can't now, I, uh - | 0:16:42 | 0:16:44 | |
I got to make a report to the chief of police. | 0:16:44 | 0:16:46 | |
I'll see you in a half an hour, though. | 0:16:46 | 0:16:48 | |
-That's a date. -Hey! | 0:16:48 | 0:16:49 | |
In the meantime, no criminology. | 0:16:49 | 0:16:52 | |
Oh, come in, Clarence. Come in. | 0:17:16 | 0:17:19 | |
Well, let's have it. | 0:17:20 | 0:17:22 | |
What have you been up to? | 0:17:22 | 0:17:24 | |
Chief, I've been so good it's been monogamous. | 0:17:24 | 0:17:26 | |
In bed every night at 10:00? | 0:17:26 | 0:17:28 | |
All except once. | 0:17:28 | 0:17:30 | |
I had a little headache one night | 0:17:30 | 0:17:31 | |
and I went to bed at half past 9:00. | 0:17:31 | 0:17:33 | |
Anything to drink? | 0:17:34 | 0:17:35 | |
Couple of malted milks, | 0:17:35 | 0:17:37 | |
without eggs. | 0:17:37 | 0:17:39 | |
Only three more months, Clarence, any you'll be off probation. | 0:17:39 | 0:17:42 | |
Keep up the good work. | 0:17:42 | 0:17:43 | |
Sure will. | 0:17:43 | 0:17:44 | |
Every time I think of the 10 years | 0:17:44 | 0:17:46 | |
they could have given me, I get the creeps. | 0:17:46 | 0:17:47 | |
Well, I'm glad to see you appreciate | 0:17:47 | 0:17:49 | |
the opportunity to go straight. | 0:17:49 | 0:17:51 | |
Now tell me, anything going on over at the Twin Palms? | 0:17:51 | 0:17:54 | |
It's as quiet as a tombstone. | 0:17:54 | 0:17:56 | |
-Any suspicious characters? -Not a one. | 0:17:56 | 0:17:58 | |
Oh, no? Well, what about a certain man named Simon Templar, the man they call "The Saint?" | 0:17:58 | 0:18:01 | |
Oh, him. Well-- | 0:18:01 | 0:18:03 | |
Hey, how'd you know about him? | 0:18:03 | 0:18:04 | |
Things like that are my job, | 0:18:04 | 0:18:06 | |
and you better make them yours. | 0:18:06 | 0:18:07 | |
Sure, I will, I -- | 0:18:07 | 0:18:09 | |
I met him when he came into the place | 0:18:09 | 0:18:11 | |
and told him he'd have to behave himself. | 0:18:11 | 0:18:12 | |
As a matter of fact, I'm going over to his bungalow right now | 0:18:12 | 0:18:15 | |
and find out what he's doing down here. | 0:18:15 | 0:18:16 | |
All right. | 0:18:16 | 0:18:17 | |
Keep your eye on him. | 0:18:17 | 0:18:19 | |
I'll mail your probation report to the judge | 0:18:19 | 0:18:20 | |
the first thing in the morning. | 0:18:20 | 0:18:21 | |
Gee, thanks, Chief. | 0:18:21 | 0:18:22 | |
But remember, one slip and you know what happens. | 0:18:22 | 0:18:25 | |
Yeah, yeah, yeah. | 0:18:25 | 0:18:26 | |
Hello, Pearly. What happened? | 0:19:13 | 0:19:16 | |
Suppose you tell me. | 0:19:16 | 0:19:17 | |
Give me a minute to think. | 0:19:18 | 0:19:20 | |
Now look, Saint, | 0:19:20 | 0:19:21 | |
you give me your promise you won't even | 0:19:21 | 0:19:22 | |
park by a fireplug, and what gives? | 0:19:22 | 0:19:25 | |
You ain't in the joint half an hour | 0:19:25 | 0:19:26 | |
before I find you half-murdered | 0:19:26 | 0:19:27 | |
and your bungalow burgled. | 0:19:27 | 0:19:28 | |
I assure you I didn't burgle the bungalow, | 0:19:28 | 0:19:30 | |
nor half-murder myself. | 0:19:30 | 0:19:33 | |
But how did you know there were burglars? | 0:19:33 | 0:19:35 | |
Rudimental, Saint. | 0:19:35 | 0:19:36 | |
I just figured it out. | 0:19:36 | 0:19:37 | |
Somebody pried a screen off the bedroom window. | 0:19:37 | 0:19:40 | |
I see. | 0:19:40 | 0:19:41 | |
Now look, Saint, | 0:19:41 | 0:19:43 | |
I'm on probation, see? | 0:19:43 | 0:19:44 | |
If I get in any jams, they can slap me in the pen for 10 years. | 0:19:44 | 0:19:46 | |
I got to clear this case up. | 0:19:46 | 0:19:48 | |
Now the first thing I gotta do is get | 0:19:48 | 0:19:50 | |
a list of the missing property. | 0:19:50 | 0:19:51 | |
-There isn't any. -There ain't? | 0:19:51 | 0:19:53 | |
In the language of the newspapers, | 0:19:53 | 0:19:55 | |
"the criminals fled without accomplishing their foul purpose." | 0:19:55 | 0:19:58 | |
Amateurs, huh? | 0:19:58 | 0:20:00 | |
Boy, I bet I could have showed 'em. | 0:20:00 | 0:20:02 | |
Hey, what'd they look like? | 0:20:02 | 0:20:03 | |
I'm sorry, Pearly, I can't help you. | 0:20:03 | 0:20:04 | |
They very thoughtfully extinguished the lights | 0:20:04 | 0:20:06 | |
before bopping me on the bean. | 0:20:06 | 0:20:09 | |
Ain't that just my luck? | 0:20:09 | 0:20:10 | |
I spend all my time loOKing for lost kids | 0:20:10 | 0:20:12 | |
and old ladies' glasses, | 0:20:12 | 0:20:14 | |
and the first time there's a real crime, | 0:20:14 | 0:20:15 | |
there ain't no "corpus delicious." | 0:20:15 | 0:20:17 | |
I wouldn't lose hope, Pearly. | 0:20:17 | 0:20:19 | |
In my opinion, this little episode is just | 0:20:19 | 0:20:21 | |
the first dash of spray in what may turn out | 0:20:21 | 0:20:23 | |
to be a full-fledged crime wave. | 0:20:23 | 0:20:25 | |
Everything happens to me. | 0:20:26 | 0:20:28 | |
I can see them jail doors now. | 0:20:28 | 0:20:30 | |
Tell me, do you happen to know anybody | 0:20:30 | 0:20:31 | |
in Palm Springs by the name of Elna Johnson? | 0:20:31 | 0:20:34 | |
Sure, she works here, | 0:20:34 | 0:20:35 | |
gives tennis lessons. | 0:20:35 | 0:20:36 | |
I thought her family was wealthy. | 0:20:36 | 0:20:38 | |
Well, it was, but they got blitzkrieged or something. | 0:20:38 | 0:20:40 | |
She was stranded in america without a dime, | 0:20:40 | 0:20:42 | |
so she took a job down here. | 0:20:42 | 0:20:44 | |
Hey, what do you want to know for? | 0:20:44 | 0:20:45 | |
I have a message for her from her father. | 0:20:45 | 0:20:49 | |
Perhaps you can introduce me to her in the morning? | 0:20:49 | 0:20:51 | |
Sure, she starts giving lessons at 10:00. | 0:20:51 | 0:20:53 | |
Hey, now look, Saint, | 0:20:53 | 0:20:54 | |
about this here crime wave-- | 0:20:54 | 0:20:56 | |
Don't worry, | 0:20:56 | 0:20:57 | |
it's on its way. | 0:20:57 | 0:20:59 | |
-WOMAN: -Hello, Clarence. -Hi. | 0:21:08 | 0:21:09 | |
-WOMAN: -Hello, Clarence. -Hello. | 0:21:14 | 0:21:16 | |
-SECOND WOMAN: -Good morning, Mr Gates. -Hi. | 0:21:16 | 0:21:18 | |
-THIRD WOMAN: -Good morning, Clarence. -Hi. | 0:21:19 | 0:21:21 | |
Hello! | 0:21:22 | 0:21:23 | |
Hello. | 0:21:23 | 0:21:24 | |
Hello. | 0:21:24 | 0:21:25 | |
I'll go quiet, but I ain't done nothing. | 0:21:52 | 0:21:54 | |
What's the idea of going around scaring people? | 0:21:56 | 0:21:58 | |
I keep forgetting that I'm the law around here. | 0:21:58 | 0:22:01 | |
Hey, where you been at? | 0:22:01 | 0:22:02 | |
I'll give you three guesses. | 0:22:02 | 0:22:04 | |
Swimming? | 0:22:05 | 0:22:06 | |
As you yourself might put it, | 0:22:06 | 0:22:07 | |
my dear Pearly, rudimental. | 0:22:07 | 0:22:09 | |
Miss Forbes, may I present the Twin Palms | 0:22:09 | 0:22:11 | |
custodian of law and order | 0:22:11 | 0:22:13 | |
my old friend, detective Pearly Gates. | 0:22:13 | 0:22:14 | |
-MISS Forbes: -How do you do? | 0:22:14 | 0:22:16 | |
Hello. | 0:22:16 | 0:22:17 | |
But the name's really Clarence. | 0:22:17 | 0:22:19 | |
Oh, I think Pearly's much cuter. | 0:22:19 | 0:22:21 | |
Simon, I'll go change so we can | 0:22:21 | 0:22:22 | |
have some breakfast, I'm starved. | 0:22:22 | 0:22:23 | |
Do you mind waiting half an hour? | 0:22:23 | 0:22:25 | |
I have some very important business to attend to. | 0:22:25 | 0:22:26 | |
Yeah, I promised Elna I'd bring you over to the tennis courts. | 0:22:26 | 0:22:28 | |
She's giving a lesson. | 0:22:28 | 0:22:30 | |
No, I shan't mind at all. | 0:22:30 | 0:22:32 | |
All right, see you in 30 minutes then. | 0:22:32 | 0:22:34 | |
Come on, Pearly. | 0:22:34 | 0:22:35 | |
Clarence! | 0:22:35 | 0:22:36 | |
You know, the way I figure it, | 0:22:36 | 0:22:37 | |
them guys that jumped you must be some outside mob, | 0:22:37 | 0:22:40 | |
maybe from Detroit or Chicago. | 0:22:40 | 0:22:42 | |
It's too bad you weren't there, | 0:22:42 | 0:22:43 | |
you might have recognised some old friends. | 0:22:43 | 0:22:45 | |
Yep, maybe. | 0:22:45 | 0:22:46 | |
However, there's logic in your reasoning. | 0:22:46 | 0:22:48 | |
I was followed here from New York. | 0:22:48 | 0:22:49 | |
You was? By who? | 0:22:49 | 0:22:51 | |
I don't know. | 0:22:51 | 0:22:52 | |
But whoever it was rifled my compartment in the train. | 0:22:52 | 0:22:55 | |
Frankly, I'll be glad to deliver the stamps to Elna Johnson. | 0:22:55 | 0:22:58 | |
Stamps? | 0:22:58 | 0:22:59 | |
Yes, postage stamps. Three of them. | 0:22:59 | 0:23:01 | |
Do you mean, you came all the way-- | 0:23:01 | 0:23:03 | |
Look, Saint, they sell 'em right here | 0:23:03 | 0:23:04 | |
in a machine in the hotel. | 0:23:04 | 0:23:06 | |
My dear Pearly, these stamps | 0:23:06 | 0:23:07 | |
happen to be worth 65,000 apiece. | 0:23:07 | 0:23:10 | |
Are you kidding? | 0:23:10 | 0:23:11 | |
No, and neither are the people | 0:23:11 | 0:23:12 | |
-who are trying to collect those stamps from me. -Jeez! | 0:23:12 | 0:23:15 | |
Tell me, does Miss Johnson live here at the Twin Palms? | 0:23:15 | 0:23:17 | |
Yeah. | 0:23:17 | 0:23:18 | |
Yeah, that's her, over there. | 0:23:18 | 0:23:21 | |
Well... | 0:23:21 | 0:23:22 | |
she's charming. | 0:23:22 | 0:23:24 | |
Keep your racket back and follow through. | 0:23:27 | 0:23:29 | |
SHE LAUGHS | 0:23:40 | 0:23:41 | |
That's all for now, Mr Evans. | 0:23:42 | 0:23:44 | |
-You're doing splendidly. -Thanks. | 0:23:46 | 0:23:48 | |
Shall we try again after lunch? | 0:23:48 | 0:23:50 | |
All right, Miss Johnson. | 0:23:50 | 0:23:51 | |
I'll see you then. | 0:23:51 | 0:23:52 | |
MISS jOHNSON: Hello. | 0:23:55 | 0:23:56 | |
Elna, this is the Saint. | 0:23:56 | 0:23:57 | |
How do you do? | 0:23:57 | 0:23:58 | |
I presume that means you're Mr Templar? | 0:23:58 | 0:24:00 | |
Yes, but don't mind Pearly, | 0:24:00 | 0:24:01 | |
he seldom concerns himself | 0:24:01 | 0:24:03 | |
with non-essentials like names. | 0:24:03 | 0:24:04 | |
I understand you have a message for me from my father. | 0:24:04 | 0:24:07 | |
More specifically, | 0:24:07 | 0:24:08 | |
it concerns your Uncle Peter. | 0:24:08 | 0:24:10 | |
My uncle? | 0:24:10 | 0:24:11 | |
Well... | 0:24:11 | 0:24:12 | |
what about Uncle Peter? | 0:24:12 | 0:24:14 | |
First of all, did you know that he was an American? | 0:24:14 | 0:24:16 | |
No, I didn't. | 0:24:16 | 0:24:18 | |
Then the news that I have for you is both good and bad. | 0:24:18 | 0:24:21 | |
Poor Uncle Peter. | 0:24:41 | 0:24:44 | |
And father taking those desperate chances | 0:24:44 | 0:24:45 | |
trying to send the money over here to me. | 0:24:45 | 0:24:47 | |
Well, at least you'll have that. | 0:24:47 | 0:24:49 | |
But I expect it's poor consolation. | 0:24:49 | 0:24:51 | |
Say, perhaps one day you can get your father over here with you. | 0:24:53 | 0:24:55 | |
You're very kind. | 0:24:55 | 0:24:58 | |
Doing so much for a complete stranger. | 0:24:58 | 0:25:01 | |
Shall we say that I was merely intrigued | 0:25:01 | 0:25:03 | |
by the adventurous aspects of the situation, | 0:25:03 | 0:25:05 | |
and that I'm awfully glad I was. | 0:25:05 | 0:25:08 | |
I suppose there's a safe in the hotel, Pearly. | 0:25:08 | 0:25:11 | |
The best. | 0:25:11 | 0:25:12 | |
Then that's the place for the stamps | 0:25:12 | 0:25:13 | |
until we can arrange for their transportation to Los Angeles. | 0:25:13 | 0:25:17 | |
All right. | 0:25:17 | 0:25:18 | |
Hello, Miss Johnson. | 0:25:23 | 0:25:24 | |
Hello, Charlie. | 0:25:24 | 0:25:25 | |
Charlie, this is Mr Templar. | 0:25:25 | 0:25:27 | |
Yes, I know. He's the man-- | 0:25:27 | 0:25:28 | |
I have a very valuable object | 0:25:28 | 0:25:29 | |
belonging to Miss Johnson | 0:25:29 | 0:25:31 | |
which she wishes to place in the safe. | 0:25:31 | 0:25:33 | |
Yes, sir. | 0:25:33 | 0:25:34 | |
Is that the valuable object, sir? | 0:25:34 | 0:25:35 | |
Don't let appearances deceive you, | 0:25:35 | 0:25:37 | |
that locket contains stamps to the value of 200,000. | 0:25:37 | 0:25:39 | |
Well, I'll have to see them before I can give you a receipt. | 0:25:39 | 0:25:43 | |
Of course. | 0:25:43 | 0:25:44 | |
Pearly, I think our crime wave has arrived. | 0:25:52 | 0:25:55 | |
Why do you want to keep blaming him for? | 0:25:55 | 0:25:57 | |
The guy was only trying to do you a favour. | 0:25:57 | 0:25:59 | |
That's just what I can't figure out. | 0:25:59 | 0:26:00 | |
Why should he want to do ME a favour? | 0:26:00 | 0:26:02 | |
My dear Miss Johnson... | 0:26:02 | 0:26:03 | |
Maybe you wanted to do yourself one. | 0:26:03 | 0:26:05 | |
After all, a man with your reputation... | 0:26:05 | 0:26:07 | |
That's the obvious conclusion to jump to, | 0:26:07 | 0:26:10 | |
if one's suspicions are morbidly athletic. | 0:26:10 | 0:26:13 | |
But doesn't it occur to you | 0:26:13 | 0:26:15 | |
that if I had pinched your postage stamps, | 0:26:15 | 0:26:16 | |
Palm Springs would be about the last place | 0:26:16 | 0:26:18 | |
in the world I'd be apt to show up. | 0:26:18 | 0:26:19 | |
I'm sure I don't know. | 0:26:19 | 0:26:21 | |
I do know one thing. | 0:26:21 | 0:26:23 | |
My uncle's been murdered, and I've been robbed | 0:26:23 | 0:26:25 | |
of every cent that my father has left in this world. | 0:26:25 | 0:26:28 | |
I'm going to take this thing to the police. | 0:26:28 | 0:26:29 | |
Uh-oh, the cops. | 0:26:29 | 0:26:31 | |
Hey, wait a minute. You got me all mixed up. | 0:26:31 | 0:26:33 | |
What am I? | 0:26:33 | 0:26:34 | |
I'm afraid we're all a bit confused. | 0:26:34 | 0:26:36 | |
Miss Johnson, will you do one thing for me? | 0:26:36 | 0:26:38 | |
What? | 0:26:38 | 0:26:39 | |
Give Pearly and me 24 hours | 0:26:39 | 0:26:41 | |
to recover your stamps. | 0:26:41 | 0:26:42 | |
If we fail, you can turn me over to the police | 0:26:42 | 0:26:44 | |
and charge me with the theft. | 0:26:44 | 0:26:46 | |
How do I know this isn't some sort of a trick | 0:26:46 | 0:26:47 | |
to give you time to leave town? | 0:26:47 | 0:26:49 | |
Not with me watching him, he won't. | 0:26:49 | 0:26:50 | |
I assure you Pearly is a most tenacious watchdog. | 0:26:50 | 0:26:52 | |
All right. 24 hours. | 0:26:53 | 0:26:56 | |
Now do you see what you done? | 0:26:58 | 0:27:00 | |
What have I done? | 0:27:00 | 0:27:01 | |
Well, you promised to get the stamps back | 0:27:01 | 0:27:03 | |
in 24 hours, but you can't, | 0:27:03 | 0:27:05 | |
so that means we both go to the hoosegow. | 0:27:05 | 0:27:07 | |
I didn't say that I'd get them back. | 0:27:07 | 0:27:08 | |
I said that we would. | 0:27:08 | 0:27:10 | |
Now, to be precise, you're going to get them back. | 0:27:10 | 0:27:12 | |
Oh, you mean you know who's got them? | 0:27:12 | 0:27:13 | |
I haven't the faintest notion. | 0:27:13 | 0:27:15 | |
Oh, now look, Saint. Quit playing games, will you? | 0:27:15 | 0:27:17 | |
Games? That's it, Pearly. | 0:27:17 | 0:27:19 | |
We're going to play games. | 0:27:19 | 0:27:21 | |
Now, then, I have my wallet in my hip pocket, | 0:27:21 | 0:27:23 | |
I'm going to close my eyes, and you see if you can get it out. | 0:27:23 | 0:27:26 | |
Now, look, Saint, I think you ought to wear a hat | 0:27:26 | 0:27:28 | |
when you go out in the sun. | 0:27:28 | 0:27:30 | |
I am very much in earnest about this. Go on, get it. | 0:27:30 | 0:27:32 | |
I already got it. | 0:27:32 | 0:27:33 | |
That's magnificent. | 0:27:33 | 0:27:34 | |
I didn't feel a thing. | 0:27:34 | 0:27:36 | |
What did you expect? A brisk rubdown? So now what do I do? | 0:27:36 | 0:27:39 | |
How many people checked in here yesterday? | 0:27:39 | 0:27:40 | |
The clerk said about 25. | 0:27:40 | 0:27:42 | |
Well, get a list of all of them, | 0:27:42 | 0:27:44 | |
men and women alike. | 0:27:44 | 0:27:45 | |
We're going to have our own personal crime wave, Pearly, | 0:27:45 | 0:27:47 | |
and you are going to be it. | 0:27:47 | 0:27:49 | |
I am? | 0:27:49 | 0:27:50 | |
You are. | 0:27:50 | 0:27:52 | |
You used to be the smoothest pickpocket in the country, | 0:27:52 | 0:27:54 | |
and I'm going to see you haven't lost your touch. | 0:27:54 | 0:27:56 | |
Oh, now, look, Saint, I can't go around committing larceny. | 0:27:56 | 0:27:59 | |
Gosh, I wish I'd been a piano tuner | 0:28:00 | 0:28:02 | |
like my Uncle Bernard. | 0:28:02 | 0:28:04 | |
Oh? | 0:28:13 | 0:28:15 | |
That's marvellous. | 0:28:15 | 0:28:16 | |
Yeah, but suppose I get caught at it? | 0:28:16 | 0:28:18 | |
Pearly, I have the utmost confidence in your ability | 0:28:18 | 0:28:19 | |
to avoid getting caught. | 0:28:19 | 0:28:21 | |
But supposing I do? | 0:28:21 | 0:28:22 | |
It's going to get me 10 years. | 0:28:22 | 0:28:24 | |
And besides, what's it going to look like? | 0:28:24 | 0:28:25 | |
A house detective turned dip. | 0:28:25 | 0:28:27 | |
If anything happens, I'll explain everything. | 0:28:27 | 0:28:29 | |
As a minion of the law, | 0:28:29 | 0:28:31 | |
it's your duty to recover stolen property. | 0:28:31 | 0:28:32 | |
Of course, I shall add that your methods of recovering it | 0:28:32 | 0:28:35 | |
might appear to be a bit peculiar. | 0:28:35 | 0:28:37 | |
Yeah, it's peculiar, all right. | 0:28:37 | 0:28:40 | |
Look, Saint, | 0:28:40 | 0:28:41 | |
I want to clear this thing up just as much as you do, | 0:28:41 | 0:28:44 | |
but why do I got to go around picking people's pockets? | 0:28:44 | 0:28:46 | |
Because the culprit won't dare leave | 0:28:46 | 0:28:48 | |
the stamps in the hotel safe | 0:28:48 | 0:28:50 | |
he won't dare leave them in his room unguarded. | 0:28:50 | 0:28:53 | |
Ergo, which means therefore, | 0:28:53 | 0:28:55 | |
he'll carry them on his person. | 0:28:55 | 0:28:58 | |
All right, all right, all right. | 0:28:58 | 0:29:01 | |
Let's see now. | 0:29:01 | 0:29:02 | |
There's Mr And Mrs James Hogan, | 0:29:02 | 0:29:04 | |
Mr And Mrs William Ellis, Mr Thomas Flannery. | 0:29:04 | 0:29:07 | |
Hey, that's him right over there. | 0:29:07 | 0:29:09 | |
Well, what are you waiting for? | 0:29:09 | 0:29:10 | |
I don't know. | 0:29:10 | 0:29:12 | |
Well? | 0:29:12 | 0:29:13 | |
Unh! | 0:29:19 | 0:29:20 | |
Oh, I'm sorry, Mr Flannery. | 0:29:20 | 0:29:22 | |
Well, that's all right. | 0:29:22 | 0:29:23 | |
Oh, you're going to play croquet, I see. | 0:29:23 | 0:29:26 | |
Yes. | 0:29:26 | 0:29:27 | |
Well, have a good time. | 0:29:27 | 0:29:29 | |
Thank you. | 0:29:29 | 0:29:30 | |
That's all right. | 0:29:30 | 0:29:32 | |
Huh. | 0:29:32 | 0:29:33 | |
Ain't nothing here. | 0:29:40 | 0:29:42 | |
Well, we better make sure. | 0:29:42 | 0:29:43 | |
"Terre Haute Bowling Club, | 0:29:45 | 0:29:47 | |
"Terre Haute Country Club, | 0:29:47 | 0:29:49 | |
"Terre Haute Elks Club, | 0:29:49 | 0:29:51 | |
"Terre Haute Kiwanis Club, | 0:29:51 | 0:29:53 | |
"Terre Haute Chamber of Commerce." | 0:29:53 | 0:29:55 | |
He must be from Terre Haute. | 0:29:55 | 0:29:57 | |
I'm afraid so. | 0:29:57 | 0:29:59 | |
Well, carry on. | 0:29:59 | 0:30:01 | |
Huh? | 0:30:01 | 0:30:03 | |
Get on with your work. | 0:30:03 | 0:30:04 | |
What do you mean? You ain't coming with me? | 0:30:04 | 0:30:06 | |
No, I think it's better for you to play a lone hand. | 0:30:06 | 0:30:08 | |
Together, we might arouse suspicion. | 0:30:08 | 0:30:10 | |
Yeah, yeah, yeah. | 0:30:10 | 0:30:12 | |
Where'd you get that? | 0:31:37 | 0:31:38 | |
Off a kid. | 0:31:38 | 0:31:39 | |
Well, you told me to search everybody. | 0:31:39 | 0:31:42 | |
There's a perfectly obvious remark | 0:31:42 | 0:31:44 | |
about candy and babies, | 0:31:44 | 0:31:46 | |
which I shall refrain from making. | 0:31:46 | 0:31:47 | |
Are you sure you robbed everybody? | 0:31:47 | 0:31:49 | |
Yep, all the new guests. | 0:31:49 | 0:31:50 | |
All except Mr And Mrs John Harper. | 0:31:50 | 0:31:53 | |
Who are they? | 0:31:53 | 0:31:55 | |
How did you skip them? | 0:31:55 | 0:31:56 | |
I didn't skip them. | 0:31:56 | 0:31:57 | |
They checked out an hour after they got here. | 0:31:57 | 0:31:58 | |
He got a telegram that he was going | 0:31:58 | 0:31:59 | |
-to be a grandfather or something. -Are you positive? | 0:31:59 | 0:32:01 | |
Sure, you see I figured | 0:32:01 | 0:32:03 | |
anybody that checked out might be the guilty party, | 0:32:03 | 0:32:05 | |
so I checked up on who checked out. | 0:32:05 | 0:32:07 | |
They was the only ones. | 0:32:07 | 0:32:08 | |
You think of everything | 0:32:08 | 0:32:10 | |
when you think. | 0:32:10 | 0:32:12 | |
Now, let's get on with it. | 0:32:12 | 0:32:13 | |
Boy, I never seen so much aspirin in my life. | 0:32:13 | 0:32:15 | |
You know, half the people down here must have headaches. | 0:32:15 | 0:32:18 | |
I have a very excellent cure for headaches. | 0:32:18 | 0:32:20 | |
Yeah, what's that? | 0:32:20 | 0:32:21 | |
Stay sober the night before the morning after. | 0:32:21 | 0:32:23 | |
Oh. | 0:32:23 | 0:32:24 | |
Boy, what won't they think of next? | 0:32:27 | 0:32:29 | |
Hello. | 0:32:30 | 0:32:31 | |
Hello? | 0:32:31 | 0:32:32 | |
Look at that. | 0:32:32 | 0:32:34 | |
READING LATIN: Hey, what's that? | 0:32:34 | 0:32:37 | |
It is Latin for Michael Aloysius Finn, | 0:32:37 | 0:32:41 | |
commonly known as Mickey, | 0:32:41 | 0:32:42 | |
or in other words, a particularly vicious form of knockout drops. | 0:32:42 | 0:32:46 | |
One of those, and you go out like a light. | 0:32:46 | 0:32:47 | |
Here, let's have a look at it. | 0:32:47 | 0:32:48 | |
Mickeys, huh? | 0:32:48 | 0:32:50 | |
Hey, they can't do that. | 0:32:50 | 0:32:52 | |
I'll slap them in the clink. | 0:32:52 | 0:32:53 | |
Excelsior. | 0:32:54 | 0:32:56 | |
Excelsior? | 0:32:56 | 0:32:57 | |
The missing stamps. | 0:32:57 | 0:32:59 | |
Hey, where'd you get this? | 0:32:59 | 0:33:00 | |
Huh? Oh, now wait a minute. | 0:33:00 | 0:33:02 | |
Well, go on, hurry up. | 0:33:02 | 0:33:04 | |
Gee, you asked me so fast, | 0:33:04 | 0:33:05 | |
I can't think. | 0:33:05 | 0:33:07 | |
Well, don't realise what this means? | 0:33:07 | 0:33:09 | |
If you can remember where you got this pillbox, | 0:33:09 | 0:33:10 | |
we've got the man who murdered Miss Johnson's uncle. | 0:33:10 | 0:33:12 | |
Yeah, yeah, yeah, I know, | 0:33:12 | 0:33:13 | |
but I... oh, gosh, Saint, | 0:33:13 | 0:33:16 | |
I didn't get a chance to look at the people's faces. | 0:33:16 | 0:33:18 | |
-I just snitched the stuff and scrammed. -Oh, all right. | 0:33:18 | 0:33:20 | |
Well, there's only one thing to do now. | 0:33:20 | 0:33:22 | |
Give me the manager. | 0:33:24 | 0:33:26 | |
Aw, gee, Saint, don't tell him what I've been doing. | 0:33:26 | 0:33:27 | |
Will you please? | 0:33:27 | 0:33:29 | |
Hello, is this the manager? | 0:33:29 | 0:33:31 | |
Simon Templar speaking. | 0:33:31 | 0:33:33 | |
I appreciate that you're trying | 0:33:42 | 0:33:44 | |
to lure the criminal into the open, Mr Templar, | 0:33:44 | 0:33:46 | |
but I'm just wondering if this is the right way to go about it. | 0:33:46 | 0:33:49 | |
Well, can you suggest a better? | 0:33:49 | 0:33:50 | |
I can't. | 0:33:50 | 0:33:52 | |
If you had consulted me before, | 0:33:52 | 0:33:53 | |
I might have thought of a better plan. | 0:33:53 | 0:33:54 | |
Oh, gosh, Chief, we just wanted you to be in on the pinch. | 0:33:54 | 0:33:57 | |
Most thoughtful of you. | 0:33:57 | 0:33:59 | |
But all you've done so far | 0:33:59 | 0:34:00 | |
is throw the hotel into an uproar | 0:34:00 | 0:34:01 | |
and place Clarence in danger of going | 0:34:01 | 0:34:03 | |
to the penitentiary. | 0:34:03 | 0:34:05 | |
I assume full responsibility for that. | 0:34:05 | 0:34:08 | |
And we're returning all the property. | 0:34:08 | 0:34:10 | |
Well, all right. | 0:34:13 | 0:34:16 | |
I'll be there with two of my men. | 0:34:16 | 0:34:17 | |
Thanks very much. | 0:34:17 | 0:34:19 | |
I guess that's everything. | 0:34:27 | 0:34:28 | |
All right. | 0:34:28 | 0:34:29 | |
Parker, tell Callahan to let them in. | 0:34:29 | 0:34:32 | |
Yes, sir. | 0:34:32 | 0:34:33 | |
And after the people are in, | 0:34:33 | 0:34:34 | |
I don't want anybody to enter or leave. | 0:34:34 | 0:34:35 | |
You stay in here | 0:34:35 | 0:34:36 | |
and keep Callahan in the hall. | 0:34:36 | 0:34:38 | |
All right, Callahan, let them in. | 0:34:38 | 0:34:41 | |
MAN: I hope my wallet's there. | 0:34:41 | 0:34:43 | |
EVERYONE TALKING AT ONCE | 0:34:42 | 0:34:43 | |
All right, folks, take it easy. | 0:34:43 | 0:34:45 | |
Don't push, please. | 0:34:45 | 0:34:47 | |
-GRAVES: -Just a minute. Just a minute! | 0:34:58 | 0:35:00 | |
Please! | 0:35:00 | 0:35:01 | |
I am sure all of your lost belongings have been recovered, | 0:35:01 | 0:35:04 | |
due to the extreme diligence | 0:35:04 | 0:35:06 | |
of the hotel's house detective, Mr Gates. | 0:35:06 | 0:35:10 | |
So if you'll pass around the table in single file | 0:35:10 | 0:35:13 | |
and identify the objects which belong to you, | 0:35:13 | 0:35:15 | |
you'll be allowed to reclaim them. | 0:35:15 | 0:35:17 | |
Let's start from this end, please. | 0:35:17 | 0:35:19 | |
WOMAN: This was a gift, | 0:35:19 | 0:35:21 | |
I wouldn't have lost it for anything. | 0:35:21 | 0:35:22 | |
-SECOND WOMAN: -Isn't Mr Gates a wonderful detective? | 0:35:22 | 0:35:24 | |
Yes, and just think, he solved a crime wave all by himself. | 0:35:24 | 0:35:26 | |
Oh, here's my watch. | 0:35:26 | 0:35:28 | |
-GRAVES: -Step right over there, please. | 0:35:28 | 0:35:30 | |
All right, fine. It's all there? Step over there. | 0:35:30 | 0:35:32 | |
All right, over there, please. | 0:35:32 | 0:35:34 | |
It's yours? All right, step right over there, please. | 0:35:34 | 0:35:37 | |
All right, fine. | 0:35:37 | 0:35:38 | |
Ain't nothing happened yet. | 0:35:38 | 0:35:40 | |
Are all the people here? | 0:35:40 | 0:35:41 | |
Everybody I robbed. | 0:35:41 | 0:35:42 | |
We just have to be patient, that's all. | 0:35:42 | 0:35:44 | |
All right, over there, please. | 0:35:44 | 0:35:47 | |
KNOCKING ON DOOR | 0:35:47 | 0:35:49 | |
See what Callahan wants. | 0:35:49 | 0:35:50 | |
What do you want, Callahan? | 0:35:52 | 0:35:54 | |
Well, what do you want? | 0:35:54 | 0:35:56 | |
He's dead, Chief. | 0:36:05 | 0:36:06 | |
See who's in the hall. | 0:36:06 | 0:36:09 | |
Take it easy, folks. | 0:36:14 | 0:36:15 | |
Everybody, just step back, please. | 0:36:15 | 0:36:17 | |
MAN: But, Inspector... | 0:36:17 | 0:36:18 | |
Take it easy, it's all right now. | 0:36:18 | 0:36:20 | |
Simon, who could have done such a thing? | 0:36:20 | 0:36:22 | |
I don't know. | 0:36:22 | 0:36:23 | |
-GRAVES: -Everything will be all right. | 0:36:23 | 0:36:26 | |
No one in the hall. | 0:36:26 | 0:36:27 | |
This is all your fault, Templar. | 0:36:27 | 0:36:29 | |
If I hadn't listened to you-- | 0:36:29 | 0:36:30 | |
If you try looking outside that window, | 0:36:30 | 0:36:31 | |
you might find a certain object, | 0:36:31 | 0:36:32 | |
which until a moment ago, was on this table. | 0:36:32 | 0:36:34 | |
Or you might find the footprints of the murderer. | 0:36:34 | 0:36:37 | |
Take a look, Parker. | 0:36:37 | 0:36:38 | |
And send for the coroner. | 0:36:38 | 0:36:40 | |
Nobody leaves this room. | 0:36:40 | 0:36:41 | |
Am I to understand we're all under arrest? | 0:36:41 | 0:36:43 | |
Now, keep your shirt on. Nobody's under arrest. | 0:36:43 | 0:36:46 | |
But you're all under suspicion | 0:36:46 | 0:36:47 | |
until we find out who killed that officer. | 0:36:47 | 0:36:49 | |
-MISS Forbes: -But that's absurd. | 0:36:49 | 0:36:50 | |
How could any of us have done it | 0:36:50 | 0:36:52 | |
when we were all in here? | 0:36:52 | 0:36:53 | |
The point is that the officer was killed | 0:36:53 | 0:36:54 | |
merely to create a diversion, | 0:36:54 | 0:36:56 | |
and during the excitement, | 0:36:56 | 0:36:57 | |
the murderer's accomplice, who was in this room, | 0:36:57 | 0:36:59 | |
was able to take a certain object off that table | 0:36:59 | 0:37:01 | |
and toss it out of the window. | 0:37:01 | 0:37:02 | |
So the guy could get it, huh? | 0:37:02 | 0:37:03 | |
Exactly. | 0:37:03 | 0:37:04 | |
It all sounds very mysterious. | 0:37:04 | 0:37:07 | |
What object? | 0:37:07 | 0:37:08 | |
A little box of pills. | 0:37:08 | 0:37:09 | |
Gee, Saint, that means that maybe there's a murderer | 0:37:09 | 0:37:12 | |
right here in this room. | 0:37:12 | 0:37:14 | |
There unquestionably is, | 0:37:14 | 0:37:15 | |
but not the murderer of our unfortunate policeman. | 0:37:15 | 0:37:19 | |
There wasn't anything outside the window, Chief. | 0:37:21 | 0:37:22 | |
But there must have been. | 0:37:22 | 0:37:24 | |
Maybe there must have been, but there wasn't. | 0:37:24 | 0:37:26 | |
The ground's soft dirt, | 0:37:26 | 0:37:27 | |
a flower bed's just been spaded. | 0:37:27 | 0:37:28 | |
There's not a sign of a footprint. | 0:37:28 | 0:37:31 | |
Well, Mr Templar, what do you make of that? | 0:37:31 | 0:37:33 | |
The answer's pretty obvious. | 0:37:33 | 0:37:34 | |
The missing object is still in this room | 0:37:34 | 0:37:36 | |
and undoubtedly in the possession | 0:37:36 | 0:37:38 | |
of one of these ladies or gentlemen. | 0:37:38 | 0:37:40 | |
All right. Line up against the wall, everybody. | 0:37:40 | 0:37:43 | |
Men over there, women over here. | 0:37:43 | 0:37:45 | |
Just a minute! | 0:37:45 | 0:37:46 | |
Nobody's going to search my wife. | 0:37:46 | 0:37:48 | |
Parker, phone the clerk | 0:37:48 | 0:37:50 | |
to send down one of the maids. | 0:37:50 | 0:37:51 | |
She can search the women. | 0:37:51 | 0:37:52 | |
Now line up against the wall, please. | 0:37:52 | 0:37:54 | |
None of them has the pillbox, sir. | 0:37:57 | 0:37:59 | |
All right, thank you. | 0:37:59 | 0:38:01 | |
Well, now what? | 0:38:01 | 0:38:03 | |
I suppose we may as well release these people | 0:38:03 | 0:38:05 | |
and spend the night in meditation. | 0:38:05 | 0:38:07 | |
Yes, and a little good, old-fashioned work with fingerprints. | 0:38:07 | 0:38:10 | |
You may go to your rooms now, | 0:38:10 | 0:38:12 | |
but I'll arrest the first person | 0:38:12 | 0:38:13 | |
who tries to leave Palm Springs without permission from me. | 0:38:13 | 0:38:16 | |
WOMAN: It's an outrage, that's what it is. | 0:38:16 | 0:38:17 | |
-SECOND WOMAN: -Accusing us of murder. | 0:38:17 | 0:38:19 | |
MAN: Personally, I think the Saint did it. | 0:38:19 | 0:38:21 | |
Simon. | 0:38:21 | 0:38:23 | |
I don't know what this is all about, | 0:38:23 | 0:38:25 | |
but you're in a lot of trouble, aren't you? | 0:38:25 | 0:38:27 | |
Well, shall we say that my vocation | 0:38:27 | 0:38:28 | |
is not without it's excitement. | 0:38:28 | 0:38:30 | |
If I can help you, let me know. | 0:38:30 | 0:38:33 | |
Thank you. | 0:38:33 | 0:38:34 | |
I'm not blaming you for what happened tonight, Templar. | 0:38:37 | 0:38:40 | |
But from now on, I'll have to handle things my own way. | 0:38:40 | 0:38:43 | |
I suppose you've no objection | 0:38:43 | 0:38:45 | |
to my carrying on my own investigation | 0:38:45 | 0:38:47 | |
as a sort of lone desert wolf. | 0:38:47 | 0:38:50 | |
Not as long as you don't violate any laws. | 0:38:50 | 0:38:52 | |
And Clarence, if you pull any more monkeyshines, | 0:38:52 | 0:38:55 | |
I'll arrest you for violation of probation. | 0:38:55 | 0:38:58 | |
Good night. | 0:38:58 | 0:38:59 | |
Good night. | 0:38:59 | 0:39:00 | |
Well, see you tomorrow, Pearly. | 0:39:04 | 0:39:06 | |
Good night. | 0:39:06 | 0:39:07 | |
Hey! | 0:39:07 | 0:39:08 | |
Hey, where are you going? | 0:39:08 | 0:39:10 | |
To bed and to sleep. | 0:39:10 | 0:39:11 | |
Sleep? Gosh, I'd be afraid to close my eyes. | 0:39:11 | 0:39:14 | |
I'd be dreaming about the penitentiary. | 0:39:14 | 0:39:16 | |
Hey, look, Saint, couldn't we both sit up | 0:39:16 | 0:39:18 | |
and play pinochle or something? | 0:39:18 | 0:39:19 | |
It's too bad they got | 0:39:19 | 0:39:20 | |
that box of knockout drops, Pearly, | 0:39:20 | 0:39:22 | |
you could have used one. | 0:39:22 | 0:39:23 | |
Good night. | 0:39:23 | 0:39:25 | |
Good night. | 0:39:25 | 0:39:27 | |
Don't look around. | 0:39:31 | 0:39:32 | |
When I say walk, walk fast. | 0:39:34 | 0:39:37 | |
Too bad I didn't search myself along with the others. | 0:39:37 | 0:39:41 | |
Clever of you to plant it on me. | 0:39:41 | 0:39:42 | |
Your pickpocket device was clever, too, | 0:39:42 | 0:39:44 | |
so I decided to use it myself in reverse. | 0:39:44 | 0:39:48 | |
Now start walking. | 0:39:48 | 0:39:49 | |
HE WHISTLES | 0:39:51 | 0:39:53 | |
Well, hello there. Lovely evening. | 0:40:13 | 0:40:15 | |
It's all right. | 0:40:15 | 0:40:16 | |
I wanted to talk to you. | 0:40:16 | 0:40:18 | |
Would you care to take a stroll with me? | 0:40:18 | 0:40:19 | |
Did you get the stamps? | 0:40:19 | 0:40:21 | |
That's what I wanted to talk about. | 0:40:21 | 0:40:23 | |
All right. | 0:40:23 | 0:40:24 | |
Well? | 0:40:25 | 0:40:26 | |
The desert by night is so fascinating and sinister. | 0:40:26 | 0:40:29 | |
Now don't tell me that I'm the same. | 0:40:29 | 0:40:31 | |
What about the stamps? | 0:40:31 | 0:40:32 | |
Yes, I wanted to discuss them. | 0:40:32 | 0:40:34 | |
Did you get them? | 0:40:34 | 0:40:35 | |
Yes, I managed to locate them | 0:40:35 | 0:40:36 | |
in a certain box of pills. | 0:40:36 | 0:40:38 | |
You're not joking? | 0:40:38 | 0:40:39 | |
No, not at all. | 0:40:39 | 0:40:40 | |
You really found them? | 0:40:40 | 0:40:41 | |
Mm-hmm. Of course, on my way | 0:40:41 | 0:40:43 | |
to my bungalow just now, I was held up and robbed. | 0:40:43 | 0:40:46 | |
However, you'll be glad to hear | 0:40:47 | 0:40:49 | |
that I foresaw the possibility | 0:40:49 | 0:40:51 | |
that something might go wrong. | 0:40:51 | 0:40:53 | |
Then you've still got them? | 0:40:53 | 0:40:55 | |
Your stamps, by special messenger. | 0:40:58 | 0:41:03 | |
And here is the rest of your property. | 0:41:03 | 0:41:05 | |
Mr Templar, all I can say is that I'm horribly ashamed. | 0:41:05 | 0:41:09 | |
There's nothing to be ashamed about, really. | 0:41:09 | 0:41:11 | |
After all, you didn't know me, | 0:41:11 | 0:41:12 | |
and you were perfectly justified in your suspicions. | 0:41:12 | 0:41:14 | |
And, of course, you can always make amends | 0:41:14 | 0:41:16 | |
for the cruel way in which you've treated me. | 0:41:16 | 0:41:19 | |
You know, you are fascinating, | 0:41:19 | 0:41:21 | |
and sinister. | 0:41:21 | 0:41:23 | |
Well, am I too Machiavellian | 0:41:23 | 0:41:25 | |
to hope that we might be friends now? | 0:41:25 | 0:41:26 | |
No, I think that could be arranged. | 0:41:26 | 0:41:29 | |
Good, then that's settled. | 0:41:29 | 0:41:30 | |
Now, then, about my tennis. | 0:41:30 | 0:41:32 | |
I'm having a certain amount of difficulty with my close game. | 0:41:32 | 0:41:38 | |
You do all right. | 0:41:38 | 0:41:39 | |
You know, my forehand isn't all that it might be either. | 0:41:39 | 0:41:43 | |
Perhaps because your timing's bad. | 0:41:43 | 0:41:45 | |
Maybe there's something in what you're saying. | 0:41:45 | 0:41:48 | |
Perhaps I move too slowly. | 0:41:48 | 0:41:49 | |
Hardly that. | 0:41:49 | 0:41:51 | |
And you know that when a game goes to love, | 0:41:51 | 0:41:53 | |
I almost invariably lose. | 0:41:53 | 0:41:56 | |
It's possible that you've never had the right partner. | 0:41:56 | 0:41:58 | |
That might be because I've never cared very much for doubles. | 0:41:58 | 0:42:02 | |
Singles is my game. | 0:42:02 | 0:42:04 | |
Miss Johnson, would you care to give me a few lessons? | 0:42:04 | 0:42:08 | |
In tennis? | 0:42:08 | 0:42:10 | |
I think that would be delightful. | 0:42:10 | 0:42:11 | |
Don't you think we ought to get these into the hotel safe? | 0:42:11 | 0:42:14 | |
Now, that's an excellent idea. | 0:42:14 | 0:42:16 | |
We don't want those postage stamps | 0:42:16 | 0:42:18 | |
cluttering up our lives any more. | 0:42:18 | 0:42:19 | |
I have a lesson at 10:00 in the morning. | 0:42:19 | 0:42:20 | |
I can cut it short and give you a couple of hours. | 0:42:20 | 0:42:23 | |
Oh, fine. Let's discuss it over a good night drink. | 0:42:23 | 0:42:26 | |
We should celebrate, shouldn't we? | 0:42:26 | 0:42:28 | |
Well, hello, Simon. | 0:42:35 | 0:42:36 | |
Good evening. | 0:42:36 | 0:42:37 | |
Miss Forbes, Miss Johnson. | 0:42:37 | 0:42:38 | |
How do you do? | 0:42:38 | 0:42:39 | |
How do you do? | 0:42:39 | 0:42:40 | |
We were just going to have a little drink. | 0:42:40 | 0:42:41 | |
Let's all have one together, shall we? | 0:42:41 | 0:42:43 | |
That's fine. | 0:42:43 | 0:42:45 | |
Ah, Miss Johnson? | 0:42:46 | 0:42:47 | |
Scotch and soda. | 0:42:47 | 0:42:48 | |
The same. | 0:42:48 | 0:42:49 | |
And mine with plain water. | 0:42:49 | 0:42:51 | |
Oh! Ha ha ha! | 0:43:01 | 0:43:04 | |
Oh, that's game. | 0:43:04 | 0:43:05 | |
What is this business of lessons? | 0:43:05 | 0:43:08 | |
You ought to give me a couple. | 0:43:08 | 0:43:09 | |
Maybe we could teach each other a few things. | 0:43:09 | 0:43:12 | |
Telegram, Mr Templar. | 0:43:12 | 0:43:13 | |
Oh, thanks. Excuse me. | 0:43:13 | 0:43:15 | |
Surely. | 0:43:15 | 0:43:17 | |
Thank you. | 0:43:17 | 0:43:18 | |
Have you seen Mr Templar? | 0:43:28 | 0:43:30 | |
Yes, ma'am, over in the far court. | 0:43:30 | 0:43:31 | |
Thank you. | 0:43:31 | 0:43:32 | |
Well, how was the game? | 0:43:37 | 0:43:38 | |
Perfect! | 0:43:38 | 0:43:39 | |
She ran me all over the court. | 0:43:39 | 0:43:40 | |
Oh, I hope you're not completely exhausted, | 0:43:40 | 0:43:41 | |
I thought you might like to go riding. | 0:43:41 | 0:43:43 | |
Fine, I've been wanting to. | 0:43:43 | 0:43:45 | |
Too bad that you can't get away. | 0:43:45 | 0:43:47 | |
Oh, but I can! I'm through for the day. | 0:43:47 | 0:43:49 | |
Oh. | 0:43:49 | 0:43:50 | |
Don't you love the desert? | 0:43:54 | 0:43:56 | |
Yes. Fascinating. | 0:43:56 | 0:43:58 | |
And sinister. | 0:43:58 | 0:44:00 | |
Do you come down here every season? | 0:44:00 | 0:44:02 | |
Yes, but I don't remember seeing you before. | 0:44:02 | 0:44:04 | |
This is my first trip and I love it. | 0:44:04 | 0:44:07 | |
At a place like this, one meets so many charming men. | 0:44:07 | 0:44:10 | |
Yes. Some of the women aren't so nice, though. | 0:44:10 | 0:44:14 | |
Ahem. I suppose you'll be staying on | 0:44:14 | 0:44:16 | |
-at the hotel as a guest now, Miss Johnson? -Oh, perhaps. | 0:44:16 | 0:44:18 | |
As a guest? Are you losing your position? | 0:44:18 | 0:44:21 | |
Oh, no. I'm just resigning it. | 0:44:21 | 0:44:24 | |
Oh. | 0:44:24 | 0:44:26 | |
You know, Miss Johnson, I've been thinking about something. | 0:44:26 | 0:44:28 | |
With all this crime wave, do you think the hotel safe | 0:44:28 | 0:44:30 | |
is the proper place to keep the stamps? | 0:44:30 | 0:44:32 | |
I don't know. | 0:44:32 | 0:44:34 | |
It's apparent that we're dealing with an organised gang, | 0:44:34 | 0:44:36 | |
and looting the hotel safe is probably not beyond their power. | 0:44:36 | 0:44:39 | |
No, maybe not. | 0:44:39 | 0:44:41 | |
What had I better do? | 0:44:41 | 0:44:42 | |
Well, I'd suggest that you remove the stamps | 0:44:42 | 0:44:44 | |
and keep them on your person | 0:44:44 | 0:44:45 | |
until we can arrange for their disposal. | 0:44:45 | 0:44:47 | |
It might be a good idea. | 0:44:47 | 0:44:49 | |
Come on, let's have a race. Yahoo! | 0:44:49 | 0:44:53 | |
So we spread the word around | 0:45:01 | 0:45:03 | |
that the stamps are at Elna's bungalow, huh? | 0:45:03 | 0:45:05 | |
And our mouse falls right into the trap. | 0:45:05 | 0:45:07 | |
Boy, I think we're taking an awful chance. | 0:45:07 | 0:45:09 | |
Neither you nor Miss Johnson | 0:45:09 | 0:45:10 | |
will be in any danger whatsoever. | 0:45:10 | 0:45:12 | |
Yeah, that's what you said last night. | 0:45:12 | 0:45:14 | |
All that happened was a murder, | 0:45:14 | 0:45:15 | |
and the chief was talking about sending me to the pen. | 0:45:15 | 0:45:17 | |
Pearly, I wish you'd stop being so self-centered. | 0:45:17 | 0:45:19 | |
Take the big, broad, flexible outlook. | 0:45:19 | 0:45:22 | |
Those confounded postage stamps | 0:45:22 | 0:45:23 | |
have caused two murders already, | 0:45:23 | 0:45:25 | |
and we've got to catch the assassin | 0:45:25 | 0:45:27 | |
before somebody else gets killed. | 0:45:27 | 0:45:28 | |
Look, Saint, the next time you take a vacation, | 0:45:28 | 0:45:31 | |
go to Florida, will you? | 0:45:31 | 0:45:32 | |
If I hang around with you much longer, | 0:45:32 | 0:45:34 | |
I'm headed for an awful fall. | 0:45:34 | 0:45:37 | |
See you later, Pearly. | 0:45:41 | 0:45:42 | |
Thank you, sir. | 0:45:50 | 0:45:52 | |
Are you sure everything's going to be all right? | 0:45:52 | 0:45:54 | |
Positive. | 0:45:54 | 0:45:55 | |
Pearly will be covering the back door, | 0:45:55 | 0:45:56 | |
I the front. What could happen? | 0:45:56 | 0:45:58 | |
I don't know. I wish I did. | 0:45:58 | 0:46:01 | |
You'll receive a visit from the murderer, | 0:46:01 | 0:46:03 | |
but before anything can happen, Pearly and I | 0:46:03 | 0:46:05 | |
will close in, and that'll be the end of it. | 0:46:05 | 0:46:07 | |
I hope you're right. | 0:46:07 | 0:46:09 | |
Amen. | 0:46:09 | 0:46:10 | |
Call me at half past 6:00 in the morning, please? | 0:46:11 | 0:46:13 | |
Yes, Mr Evans. | 0:46:13 | 0:46:14 | |
Thanks. Miss Johnson. | 0:46:14 | 0:46:16 | |
Hello. | 0:46:16 | 0:46:17 | |
Charlie, I want to take those stamps | 0:46:17 | 0:46:18 | |
out of the safe. | 0:46:18 | 0:46:19 | |
Oh, do you really think it best? | 0:46:19 | 0:46:20 | |
Quite. | 0:46:20 | 0:46:21 | |
Yes, sir. | 0:46:21 | 0:46:23 | |
Would you mind inspecting the locket | 0:46:25 | 0:46:27 | |
to be sure the stamps are inside? | 0:46:27 | 0:46:29 | |
Yes, they're quite safe. | 0:46:33 | 0:46:34 | |
Would you sign the receipt, please? | 0:46:34 | 0:46:37 | |
I'd suggest that you keep the stamps in the bungalow tonight, | 0:46:37 | 0:46:40 | |
and then tomorrow we can make other arrangements. | 0:46:40 | 0:46:42 | |
All right. | 0:46:42 | 0:46:43 | |
Frightened? | 0:46:50 | 0:46:51 | |
A little. | 0:46:51 | 0:46:52 | |
After all, two people have been murdered. | 0:46:52 | 0:46:54 | |
You'll be quite safe. | 0:46:54 | 0:46:56 | |
The way you say it, I almost believe I will be. | 0:46:56 | 0:46:58 | |
Pearly's around back already and I'll be close by. | 0:46:58 | 0:47:00 | |
As soon as our visitor arrives, we'll close in. | 0:47:00 | 0:47:03 | |
He won't have time to do anything. | 0:47:03 | 0:47:04 | |
I'll take your word for it. | 0:47:04 | 0:47:07 | |
Good girl. | 0:47:07 | 0:47:09 | |
And good luck. | 0:47:09 | 0:47:10 | |
Thanks. | 0:47:10 | 0:47:11 | |
Put up your hands! | 0:47:28 | 0:47:30 | |
So you're the one. | 0:47:33 | 0:47:35 | |
Does it surprise you? | 0:47:35 | 0:47:37 | |
Frankly, yes. | 0:47:37 | 0:47:40 | |
You killed my uncle and the policeman. | 0:47:40 | 0:47:42 | |
Perhaps Simon didn't tell you. | 0:47:42 | 0:47:43 | |
I was in the room | 0:47:43 | 0:47:44 | |
when the policeman was murdered in the hall. | 0:47:44 | 0:47:47 | |
Give me the stamps, please. | 0:47:47 | 0:47:49 | |
I haven't got them. | 0:47:49 | 0:47:51 | |
You've just 10 seconds to remember that you have. | 0:47:51 | 0:47:53 | |
You can't get away. | 0:47:53 | 0:47:55 | |
I'll take my chances. | 0:47:55 | 0:47:57 | |
You have five seconds left. | 0:47:57 | 0:47:59 | |
I'll have to lower my hands. | 0:47:59 | 0:48:02 | |
One hand. | 0:48:02 | 0:48:03 | |
Throw it. | 0:48:07 | 0:48:09 | |
Don't try to follow me. | 0:48:17 | 0:48:18 | |
GUNSHOT, WOMAN SCREAMS | 0:48:29 | 0:48:31 | |
Are you all right? | 0:48:34 | 0:48:35 | |
Yes. | 0:48:35 | 0:48:36 | |
No use. | 0:48:44 | 0:48:45 | |
Oh... | 0:48:47 | 0:48:48 | |
Oh, how awful. | 0:49:01 | 0:49:03 | |
It's what comes of doing your duty. | 0:49:03 | 0:49:06 | |
I knew about her since before we went riding. | 0:49:07 | 0:49:10 | |
Is that why you mentioned the stamps in front of her? | 0:49:19 | 0:49:22 | |
Yes, I thought she alone was after them. | 0:49:22 | 0:49:24 | |
But it appears that I'm wrong. We're up against an organised gang. | 0:49:24 | 0:49:27 | |
A gang that killed her, your Uncle Peter, and the policeman, | 0:49:27 | 0:49:30 | |
and very nearly killed poor Pearly. | 0:49:30 | 0:49:32 | |
I must confess that for the first time in my life, | 0:49:32 | 0:49:34 | |
I'm a bit mystified. | 0:49:34 | 0:49:35 | |
Look, you send for the police, | 0:49:35 | 0:49:37 | |
and I'll get Pearly over to my bungalow. | 0:49:37 | 0:49:39 | |
Ooh. | 0:49:45 | 0:49:46 | |
So I was just standing there, | 0:50:00 | 0:50:02 | |
keeping one eye peeled, like you said. | 0:50:02 | 0:50:05 | |
When all of a sudden, I see fireworks, | 0:50:05 | 0:50:07 | |
just like the fourth of July. | 0:50:07 | 0:50:10 | |
Then I don't see nothing. | 0:50:10 | 0:50:12 | |
But didn't you even get a glance at the man who struck you? | 0:50:12 | 0:50:14 | |
Not a peep. | 0:50:14 | 0:50:16 | |
Simon, I've got just about as much nerve as the next one, | 0:50:16 | 0:50:19 | |
but this thing is getting beyond me. | 0:50:19 | 0:50:20 | |
Yes, it is getting a bit out of hand. | 0:50:20 | 0:50:22 | |
Let's drive to Los Angeles in the morning | 0:50:22 | 0:50:24 | |
and get the stamps out of our possession | 0:50:24 | 0:50:25 | |
before something else happens. | 0:50:25 | 0:50:26 | |
One more thing must happen. | 0:50:26 | 0:50:28 | |
You sleep late in the morning, and I'll send you a little note | 0:50:28 | 0:50:31 | |
explaining just exactly what I mean. | 0:50:31 | 0:50:33 | |
All right. Good night, Clarence. | 0:50:33 | 0:50:35 | |
Hmm. | 0:50:35 | 0:50:36 | |
Look, Saint, the first time you set a trap, | 0:50:44 | 0:50:46 | |
they killed that policeman. | 0:50:46 | 0:50:47 | |
The next time, they knocked off Margaret Forbes. | 0:50:47 | 0:50:50 | |
This time there ain't anybody for them to get except Elna... | 0:50:50 | 0:50:53 | |
or maybe me! | 0:50:53 | 0:50:55 | |
This time, there won't be any danger at all. | 0:50:55 | 0:50:57 | |
Oh, I don't know, I might as well give up. | 0:50:57 | 0:50:59 | |
If I don't get killed, I get scared to death. | 0:50:59 | 0:51:02 | |
And either way, I violate my probation. | 0:51:02 | 0:51:04 | |
Then you'll be a martyr, Pearly, | 0:51:04 | 0:51:05 | |
sacrificing life and liberty in a great cause. | 0:51:05 | 0:51:08 | |
Yeah, but I still get them 10 years. | 0:51:08 | 0:51:11 | |
KNOCKING | 0:51:11 | 0:51:13 | |
You ring for a boy, sir? | 0:51:16 | 0:51:17 | |
Yes, I want you to deliver this to note to Miss Elna Johnson at once. | 0:51:17 | 0:51:20 | |
Yes, sir. | 0:51:20 | 0:51:22 | |
And it's extremely important that no one finds out she has received | 0:51:22 | 0:51:24 | |
this communication from me, do you understand? | 0:51:24 | 0:51:26 | |
I got you, sir. | 0:51:26 | 0:51:27 | |
Thank you. | 0:51:27 | 0:51:28 | |
Hey, look, Saint, if you're being watched, | 0:51:28 | 0:51:32 | |
somebody else may read that letter. | 0:51:32 | 0:51:34 | |
That is the general idea. | 0:51:34 | 0:51:37 | |
Oh! | 0:51:37 | 0:51:38 | |
BUZZER RINGS | 0:51:44 | 0:51:45 | |
You said to let you know | 0:51:47 | 0:51:48 | |
if Mr Templar communicated with Miss Johnson. | 0:51:48 | 0:51:51 | |
He just sent her this note. | 0:51:51 | 0:51:53 | |
I won't let anybody know about this. | 0:51:56 | 0:51:58 | |
It could cost me my job. | 0:51:58 | 0:51:59 | |
MAN: Don't worry, my boy. | 0:51:59 | 0:52:00 | |
Just playing a joke on Mr Templar. | 0:52:00 | 0:52:03 | |
OK. | 0:52:03 | 0:52:04 | |
From Mr Templar. | 0:52:13 | 0:52:14 | |
Thank you. | 0:52:14 | 0:52:15 | |
You're welcome. | 0:52:15 | 0:52:16 | |
I know we failed twice, | 0:52:40 | 0:52:42 | |
but maybe the third time will be a charm. | 0:52:42 | 0:52:44 | |
Yeah, that's what they say, ain't it? | 0:52:44 | 0:52:46 | |
There have been three murders already. | 0:52:46 | 0:52:48 | |
Gosh, I forgot about your uncle. | 0:52:48 | 0:52:51 | |
Hey, couldn't we do this some other way? | 0:52:51 | 0:52:53 | |
Suppose we all met at the police station? | 0:52:53 | 0:52:55 | |
That would save me an awful lot of trouble about my probation. | 0:52:55 | 0:52:57 | |
Do you think our culprit would walk into a trap baited with police? | 0:52:57 | 0:53:00 | |
No, Pearly, you've got to trust me | 0:53:00 | 0:53:02 | |
just one more time. And if I fail, | 0:53:02 | 0:53:04 | |
I promise I'll never risk your life again. | 0:53:04 | 0:53:07 | |
OK, that's a promise. | 0:53:07 | 0:53:08 | |
Hey! | 0:53:08 | 0:53:09 | |
It's 11:30. | 0:53:09 | 0:53:11 | |
You've just got time to ride up there. | 0:53:11 | 0:53:13 | |
I'll be along in about 20 minutes. | 0:53:13 | 0:53:15 | |
Don't be late, I doubt if my nerves could stand it. | 0:53:15 | 0:53:17 | |
Don't worry, I won't. | 0:53:17 | 0:53:19 | |
Come on, get up there, Pearly. | 0:53:19 | 0:53:21 | |
Oomph! There you are. | 0:53:21 | 0:53:24 | |
See you at midnight. | 0:53:24 | 0:53:25 | |
There's Tommy. | 0:53:42 | 0:53:44 | |
Bottle of beer. | 0:53:44 | 0:53:45 | |
The girl and Gates just left. | 0:53:46 | 0:53:49 | |
Where is the Saint? | 0:53:49 | 0:53:50 | |
He came back here. | 0:53:50 | 0:53:52 | |
Good. | 0:53:52 | 0:53:53 | |
Right. | 0:53:53 | 0:53:54 | |
Is that the best you got? | 0:53:56 | 0:53:57 | |
We have several kinds. | 0:53:57 | 0:53:59 | |
Let me see. | 0:53:59 | 0:54:00 | |
All right, you, get out of that coat. | 0:54:03 | 0:54:05 | |
Come on, hurry up! | 0:54:05 | 0:54:06 | |
Come on. | 0:54:06 | 0:54:07 | |
All right, go get Templar. | 0:54:10 | 0:54:12 | |
Oh, good evening, Mr Templar. | 0:54:21 | 0:54:23 | |
Good evening. | 0:54:23 | 0:54:24 | |
I was about to have a nightcap. Won't you join me? | 0:54:24 | 0:54:26 | |
-Well, I don't mind if I do. -Good. | 0:54:26 | 0:54:28 | |
Hello, Fletcher. Good evening, Mr Templar. | 0:54:34 | 0:54:36 | |
Good evening. | 0:54:36 | 0:54:37 | |
Won't you join us? | 0:54:37 | 0:54:38 | |
Well, that's very nice of you. Brandy. | 0:54:38 | 0:54:39 | |
Tom Collins. | 0:54:39 | 0:54:41 | |
I'll match you for it. | 0:54:41 | 0:54:43 | |
-EVANS: -All right. | 0:54:43 | 0:54:44 | |
-TEMPLAR: -Odd man pays, eh? Suits me. | 0:54:44 | 0:54:46 | |
Fine. | 0:54:46 | 0:54:48 | |
Looks like you're stuck. | 0:54:48 | 0:54:49 | |
Usually am. | 0:54:49 | 0:54:50 | |
Sorry, old man. | 0:54:50 | 0:54:51 | |
Well, better luck next time. | 0:54:51 | 0:54:53 | |
Well, cheerio. | 0:54:54 | 0:54:56 | |
Here's to you. | 0:54:56 | 0:54:57 | |
Regards. | 0:54:57 | 0:54:58 | |
Have a smoke? | 0:55:01 | 0:55:02 | |
No, thank you. | 0:55:02 | 0:55:05 | |
A bit stuffy in here, isn't it? | 0:55:05 | 0:55:08 | |
Give me a glass of water, please. | 0:55:08 | 0:55:10 | |
That's funny. I feel a bit faint. | 0:55:22 | 0:55:27 | |
I think I'll be going. | 0:55:27 | 0:55:29 | |
-SLURRING: -Excuse me. | 0:55:29 | 0:55:31 | |
That did it. | 0:55:37 | 0:55:38 | |
Let's get him out of here. | 0:55:38 | 0:55:40 | |
It's no use, he hasn't got them. | 0:55:44 | 0:55:46 | |
And they weren't in his bungalow. | 0:55:46 | 0:55:47 | |
Then the girl must have them. | 0:55:47 | 0:55:49 | |
So what? Jimmy and Ray will take care of her | 0:55:49 | 0:55:52 | |
and that dumb house dick. | 0:55:52 | 0:55:53 | |
Maybe, but we'll make sure. | 0:55:53 | 0:55:55 | |
Better see if he's still out. | 0:55:55 | 0:55:56 | |
It's a pleasure. | 0:55:56 | 0:55:58 | |
Still asleep, sweetheart? | 0:56:00 | 0:56:01 | |
Out like a light. | 0:56:01 | 0:56:02 | |
Stay here and keep an eye on him. | 0:56:02 | 0:56:04 | |
You come with me. | 0:56:04 | 0:56:05 | |
Boy, it's awful dark out here. | 0:56:13 | 0:56:15 | |
The moon will be up soon. | 0:56:15 | 0:56:17 | |
Will that be good or bad? | 0:56:17 | 0:56:19 | |
There's the giant joshua. Come on! | 0:56:19 | 0:56:21 | |
Hey, you want to know something? | 0:56:38 | 0:56:40 | |
I don't like this place. | 0:56:40 | 0:56:42 | |
I don't like it either. | 0:56:42 | 0:56:44 | |
It's awfully lonesome. | 0:56:44 | 0:56:45 | |
-MAN: -Well, maybe we can take care of that. | 0:56:45 | 0:56:47 | |
OK, stick them up, sister. | 0:56:47 | 0:56:49 | |
You too, buddy. | 0:56:49 | 0:56:50 | |
Here comes a car. | 0:57:13 | 0:57:14 | |
It's the Saint! | 0:57:14 | 0:57:16 | |
I'll take care of him. Come on, get them out of here. | 0:57:17 | 0:57:19 | |
All right, you. | 0:57:19 | 0:57:20 | |
All right, you guys in the car. | 0:57:31 | 0:57:34 | |
Get out and come out reaching. | 0:57:34 | 0:57:36 | |
It's all right, Ray. | 0:57:36 | 0:57:38 | |
I thought you was the Saint. | 0:57:38 | 0:57:40 | |
Don't worry about him, he's taken care of. | 0:57:40 | 0:57:41 | |
Where's the girl and Jimmy? | 0:57:41 | 0:57:42 | |
Over there with that mastermind of a house detective. | 0:57:42 | 0:57:45 | |
All right, Jimmy, bring them out. | 0:57:45 | 0:57:47 | |
Mr Evans! | 0:57:51 | 0:57:52 | |
Sorry to trouble you, Miss Johnson, | 0:57:52 | 0:57:54 | |
but I'm afraid it's necessary. | 0:57:54 | 0:57:55 | |
Hey, now, look, Mr Evans, this thing has gone far enough. | 0:57:55 | 0:57:58 | |
If you would just let us go, I won't arrest you. | 0:57:58 | 0:58:00 | |
Quiet. | 0:58:00 | 0:58:01 | |
What do you want with us? | 0:58:01 | 0:58:02 | |
I think you know, so if you just hand them over, | 0:58:02 | 0:58:03 | |
I'll turn you loose, and you've nothing further to worry about. | 0:58:03 | 0:58:05 | |
If you mean the stamps, we haven't got them. | 0:58:05 | 0:58:07 | |
Sure, that's right. | 0:58:07 | 0:58:08 | |
The Saint was supposed to bring them. | 0:58:08 | 0:58:10 | |
Templar doesn't have the stamps and you know it. | 0:58:10 | 0:58:12 | |
Where are they? | 0:58:12 | 0:58:13 | |
Well, if Mr Templar doesn't have them, | 0:58:13 | 0:58:15 | |
I don't know where they are. | 0:58:15 | 0:58:17 | |
Search them. | 0:58:17 | 0:58:18 | |
Ha! | 0:58:18 | 0:58:19 | |
What's so funny? | 0:58:19 | 0:58:20 | |
Well, you guys, | 0:58:20 | 0:58:21 | |
searching me and Elna. | 0:58:21 | 0:58:22 | |
We ain't got no more idea | 0:58:22 | 0:58:24 | |
where the stamps are than you-- | 0:58:24 | 0:58:26 | |
What have you got there? | 0:58:33 | 0:58:34 | |
Oh, it's nothing. | 0:58:34 | 0:58:36 | |
-EVANS: -Let's have a loOK at it. | 0:58:36 | 0:58:37 | |
It's just a picture of my old mother. | 0:58:37 | 0:58:40 | |
It's a locket, all right. | 0:58:40 | 0:58:41 | |
Oh, now, look, you fellas, | 0:58:41 | 0:58:42 | |
ain't you got no respect for a guy's mother? | 0:58:42 | 0:58:46 | |
All right, where are they? | 0:58:47 | 0:58:48 | |
Aren't they in the locket? | 0:58:48 | 0:58:50 | |
You know they're not. | 0:58:50 | 0:58:51 | |
PEARLY: They ain't? | 0:58:51 | 0:58:52 | |
Come on, we've stalled long enough. | 0:58:52 | 0:58:53 | |
Where are those stamps? | 0:58:53 | 0:58:55 | |
I don't know. | 0:58:55 | 0:58:56 | |
I think we can refresh your memory. | 0:58:56 | 0:58:59 | |
All right, Fletcher. | 0:58:59 | 0:59:01 | |
Wait a minute! | 0:59:01 | 0:59:02 | |
Here comes somebody. | 0:59:02 | 0:59:04 | |
Pearly! | 0:59:06 | 0:59:07 | |
Hey, that's the Saint! | 0:59:07 | 0:59:08 | |
It can't be. | 0:59:08 | 0:59:10 | |
He got a Mickey Finn that will keep him quiet for two days. | 0:59:10 | 0:59:13 | |
-TEMPLAR: -Elna! | 0:59:13 | 0:59:14 | |
It is Simon. | 0:59:14 | 0:59:16 | |
So much the better. | 0:59:16 | 0:59:18 | |
Keep him covered. | 0:59:18 | 0:59:20 | |
Elna, where are you? | 0:59:20 | 0:59:21 | |
Hello, Saint. | 0:59:29 | 0:59:30 | |
Well, Mr Evans, I thought you'd be | 0:59:30 | 0:59:32 | |
peacefully in bed after your nightcap. | 0:59:32 | 0:59:35 | |
Hello. Couldn't any of you sleep? | 0:59:35 | 0:59:38 | |
FLETCHER: How did you get here? | 0:59:38 | 0:59:39 | |
You'd better ask my horse. | 0:59:39 | 0:59:41 | |
I might have known better | 0:59:41 | 0:59:43 | |
than to leave you guarded by one man. | 0:59:43 | 0:59:44 | |
But now that you're here, | 0:59:44 | 0:59:45 | |
you can save me and yourself a lot of trouble. | 0:59:45 | 0:59:47 | |
Let's have them. | 0:59:47 | 0:59:48 | |
If you're talking about the stamps, | 0:59:48 | 0:59:50 | |
I'm sorry, I can't oblige. | 0:59:50 | 0:59:52 | |
All right. | 0:59:52 | 0:59:53 | |
Boys, work him over. | 0:59:53 | 0:59:55 | |
Hey, wait a minute! | 0:59:56 | 0:59:57 | |
If this is going to be a third degree, | 0:59:57 | 0:59:59 | |
let's leave Miss Johnson out of it. | 0:59:59 | 1:00:00 | |
We'll take care of her later if it's necessary. | 1:00:00 | 1:00:03 | |
It won't do you any good. | 1:00:03 | 1:00:04 | |
Pearly and I are the only ones | 1:00:04 | 1:00:05 | |
who know where the stamps are. | 1:00:05 | 1:00:07 | |
-EVANS: -We've got some plans for him, too. | 1:00:07 | 1:00:09 | |
Hey, now, wait a minute, | 1:00:09 | 1:00:10 | |
I don't know nothing about nothing, honest. | 1:00:10 | 1:00:12 | |
Simon, you've risked enough for me. | 1:00:12 | 1:00:14 | |
If the stamps will save your life, let them have them. | 1:00:14 | 1:00:16 | |
Thanks for the generous thought. | 1:00:16 | 1:00:17 | |
But in the first place, | 1:00:17 | 1:00:18 | |
I haven't got the stamps. | 1:00:18 | 1:00:20 | |
And secondly, my life is not in any particular danger. | 1:00:20 | 1:00:23 | |
You think not? | 1:00:23 | 1:00:24 | |
I'm quite sure of it. | 1:00:24 | 1:00:25 | |
Murder requires courage, | 1:00:25 | 1:00:27 | |
which quite obviously none of you possesses. | 1:00:27 | 1:00:29 | |
Is that so? | 1:00:29 | 1:00:30 | |
-How about Peter Johnson in New York? -Oh, you didn't kill him. | 1:00:30 | 1:00:31 | |
Oh, yes, we did, | 1:00:31 | 1:00:32 | |
and that policeman outside the gymnasium. | 1:00:32 | 1:00:34 | |
And then I suppose you courageously slew poor Margaret Forbes. | 1:00:34 | 1:00:37 | |
Exactly. And if you think we'd stop at taking care of you, | 1:00:37 | 1:00:40 | |
you've got another guess coming. | 1:00:40 | 1:00:41 | |
Well, perhaps I have misjudged you. | 1:00:41 | 1:00:44 | |
On sober second thought, | 1:00:44 | 1:00:45 | |
you probably are capable of murder. | 1:00:45 | 1:00:48 | |
However, we'll allow a jury to decide that. | 1:00:48 | 1:00:51 | |
I don't get you. | 1:00:51 | 1:00:52 | |
No, but I've got you. | 1:00:52 | 1:00:53 | |
Lights! | 1:00:53 | 1:00:54 | |
Isn't that rather a waste of effort? | 1:01:03 | 1:01:06 | |
I'm afraid your confession to the three murders | 1:01:07 | 1:01:10 | |
fell upon unsympathetic ears. | 1:01:10 | 1:01:12 | |
You see, Mr Evans, | 1:01:15 | 1:01:17 | |
when Pearly first stole your box of knockout drops, | 1:01:17 | 1:01:18 | |
I took the precaution to replace the pills | 1:01:18 | 1:01:20 | |
with harmless aspirin, | 1:01:20 | 1:01:22 | |
so that instead of giving me a headache, | 1:01:22 | 1:01:24 | |
you actually relieved a slight one I was getting. | 1:01:24 | 1:01:26 | |
It was no trick at all | 1:01:26 | 1:01:28 | |
to pretend that I was knocked out, | 1:01:28 | 1:01:30 | |
and overpower your stooge here at my convenience. | 1:01:30 | 1:01:33 | |
I'm awake now, sweetheart. | 1:01:33 | 1:01:36 | |
Chief, you may as well | 1:01:36 | 1:01:37 | |
take the rest of these gentlemen into custody. | 1:01:37 | 1:01:40 | |
Wait a minute. | 1:01:40 | 1:01:41 | |
Although we all heard the confession, | 1:01:41 | 1:01:42 | |
it may not hold in court. | 1:01:42 | 1:01:44 | |
You told me on the way out here | 1:01:44 | 1:01:45 | |
that you'd recognised the murderer | 1:01:45 | 1:01:47 | |
by a scar you put over his left eyebrow | 1:01:47 | 1:01:49 | |
back in New York. | 1:01:49 | 1:01:50 | |
Now then, can you show me the scar? | 1:01:50 | 1:01:53 | |
I'd forgotten about that. | 1:01:53 | 1:01:55 | |
Ah, yes. I thought so. | 1:02:01 | 1:02:05 | |
Where would you prefer to be executed, | 1:02:07 | 1:02:09 | |
Sing Sing or San Quentin? | 1:02:09 | 1:02:11 | |
OK, that's good enough for me. | 1:02:11 | 1:02:13 | |
All right, boys, let's take them back to town. | 1:02:13 | 1:02:16 | |
Well, Templar, I'll be seeing you. | 1:02:19 | 1:02:21 | |
Thanks. | 1:02:21 | 1:02:22 | |
Anytime, Chief. | 1:02:22 | 1:02:23 | |
Simon, I won't try to thank you. | 1:02:24 | 1:02:27 | |
Oh, please, don't. | 1:02:27 | 1:02:28 | |
The stamps are in the hotel safe. | 1:02:28 | 1:02:29 | |
They've been there ever since last night. | 1:02:29 | 1:02:31 | |
Hey, look, if I was you, | 1:02:31 | 1:02:33 | |
I'd make a date to give him | 1:02:33 | 1:02:34 | |
some more tennis lessons. | 1:02:34 | 1:02:35 | |
I'd like that very much. | 1:02:35 | 1:02:37 | |
So would I. | 1:02:37 | 1:02:39 | |
But a few more lessons and I'm liable to forget | 1:02:39 | 1:02:41 | |
that singles has always been my game. | 1:02:41 | 1:02:44 | |
So long, Pearly. | 1:02:44 | 1:02:46 | |
Gee, Saint. | 1:02:54 | 1:02:55 | |
HE WHISTLES | 1:02:56 | 1:02:58 |