
Browse content similar to The Saint Meets the Tiger. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
WOMAN SCREAMS | 0:00:51 | 0:00:53 | |
-Don't. Don't come in here. -You can't stop me. -Stay where you are. | 0:00:53 | 0:00:58 | |
One more step and I'll shoot. | 0:00:58 | 0:01:00 | |
'Ha-ha-ha-ha! You haven't the nerve. Where is he? | 0:01:02 | 0:01:08 | |
-'I won't tell you, you can't make me.' -Stick 'em up! | 0:01:08 | 0:01:11 | |
Ah! | 0:01:12 | 0:01:13 | |
HE LAUGHS | 0:01:13 | 0:01:16 | |
Oh, oh, it's you, sir. | 0:01:16 | 0:01:18 | |
I take it you've given up answering bells, Horace. | 0:01:18 | 0:01:20 | |
-I'm very sorry, sir, I didn't hear it. -'Oh.' -I beg your pardon. | 0:01:20 | 0:01:23 | |
You get quite a thrill out of this thing, don't you? | 0:01:23 | 0:01:26 | |
Yes, but the real thing would be better. | 0:01:26 | 0:01:28 | |
That's why I came to you, sir, | 0:01:28 | 0:01:29 | |
instead of with that American gangster chap to Chicago. | 0:01:29 | 0:01:32 | |
I'm afraid I must have been a bitter disappointment to you, Horace. | 0:01:32 | 0:01:35 | |
Yes, if you'll pardon my saying it, you have, sir. | 0:01:35 | 0:01:38 | |
I might just as well have stayed with his lordship. | 0:01:38 | 0:01:40 | |
Poor Horace, forced into a life of respectability. | 0:01:40 | 0:01:43 | |
PHONE RINGS | 0:01:43 | 0:01:44 | |
Never mind, I'll take it. | 0:01:44 | 0:01:46 | |
Hello? | 0:01:49 | 0:01:51 | |
Yes, this is Simon Templar. | 0:01:51 | 0:01:52 | |
You don't know me, but would you be interested in a million pounds? | 0:01:52 | 0:01:56 | |
Ha! Well, who wouldn't? | 0:01:56 | 0:01:57 | |
Uh-huh. | 0:01:58 | 0:02:00 | |
All right, then, come over now. | 0:02:00 | 0:02:02 | |
HORN HOOTS | 0:03:01 | 0:03:03 | |
Now, Horace, who do you think could have a million pounds? | 0:03:07 | 0:03:10 | |
The Bank of England, sir. | 0:03:12 | 0:03:13 | |
BELL RINGS | 0:03:13 | 0:03:15 | |
There he is. | 0:03:15 | 0:03:17 | |
-Now, you get the drinks. -Very good, sir. | 0:03:17 | 0:03:19 | |
Oh! | 0:03:20 | 0:03:22 | |
Eh... | 0:03:30 | 0:03:32 | |
Oh... | 0:03:45 | 0:03:46 | |
-Horace? -Yes, sir. -Get me Whitehall 7662. | 0:03:48 | 0:03:52 | |
Yes. | 0:03:52 | 0:03:54 | |
Tiger. | 0:03:56 | 0:03:57 | |
Baycombe. | 0:03:59 | 0:04:00 | |
The coast. | 0:04:01 | 0:04:02 | |
-Come on, give it to me. -Is he dead? -Yes, murdered. -Oh, dear. | 0:04:14 | 0:04:19 | |
Then don't tell me again you wished you'd gone to Chicago | 0:04:19 | 0:04:21 | |
-with that gangster gentleman. -No, I won't, sir. | 0:04:21 | 0:04:24 | |
Inspector Teal. | 0:04:24 | 0:04:26 | |
Hello, Teal, sorry to get you out of bed, this is Simon Templar. | 0:04:26 | 0:04:30 | |
Oh, no, this is no joke. It's murder. | 0:04:30 | 0:04:33 | |
Right on my own doorstep this time. | 0:04:33 | 0:04:34 | |
Well, there it is, Baycombe. | 0:04:36 | 0:04:38 | |
-That's where we're going, Horace. Get the car out. -Very good, sir. | 0:04:40 | 0:04:44 | |
BELL RINGS | 0:04:44 | 0:04:46 | |
-That must be Scotland Yard. -Probably. | 0:04:46 | 0:04:48 | |
-Don't let the inspector pump you. -I don't know anything. | 0:04:48 | 0:04:50 | |
I know and you know, but the point is, | 0:04:50 | 0:04:52 | |
-will the inspector believe it? -Surely, sir. | 0:04:52 | 0:04:54 | |
-I don't know about Teal, he's a very inquisitive man. -Oh. | 0:04:54 | 0:04:56 | |
-And, Horace? -Sir? -Don't look so guilty. | 0:05:00 | 0:05:02 | |
Oh. | 0:05:02 | 0:05:04 | |
-Simon Templar in? -Yes, sir, he's expecting you. -Right. | 0:05:12 | 0:05:16 | |
-I hear you had a murder here, yeah? -Yes, sir, but I don't know anything. | 0:05:16 | 0:05:19 | |
Ah, we'll see about that later. | 0:05:19 | 0:05:21 | |
-Well, here we are again, Teal. -Where's the body? | 0:05:26 | 0:05:28 | |
-Perkins. -Cigarette? -No, thank you. | 0:05:30 | 0:05:32 | |
-That'll be all, Horace. -Very good, sir. | 0:05:32 | 0:05:34 | |
Hey! Just a minute, you. | 0:05:34 | 0:05:36 | |
Don't you leave the house, I want to talk to you. | 0:05:38 | 0:05:40 | |
But I don't know anything. | 0:05:40 | 0:05:42 | |
Inspector? | 0:05:45 | 0:05:46 | |
-You know I never drink when I'm on duty. -Too bad. | 0:05:46 | 0:05:48 | |
-Now, what's the answer? -Well, what's the question? | 0:05:48 | 0:05:51 | |
Ah, quit stalling, how did he come here? | 0:05:51 | 0:05:53 | |
-Haven't the foggiest idea, never seen him before. -Inspector? | 0:05:53 | 0:05:56 | |
(It's Joe Gallo the bookie.) | 0:05:56 | 0:05:59 | |
THE INSPECTOR WHISPERS | 0:06:00 | 0:06:02 | |
Right, sir. | 0:06:02 | 0:06:03 | |
So you didn't know Joe Gallo the bookie, eh? | 0:06:03 | 0:06:06 | |
-I'm not a betting man. -Only we've been looking for him for weeks. | 0:06:06 | 0:06:09 | |
But you look for so many people. | 0:06:09 | 0:06:10 | |
Ah, but he was one of the gang who pulled the Bristol job. | 0:06:10 | 0:06:13 | |
I've never been to Bristol. | 0:06:13 | 0:06:14 | |
I'm not saying you had anything to do with the robbery. | 0:06:14 | 0:06:17 | |
-Banks aren't exactly in your line. -Hm, except for overdrafts. | 0:06:17 | 0:06:20 | |
I don't know, though. | 0:06:20 | 0:06:22 | |
You might think yourself clever enough to get away | 0:06:22 | 0:06:24 | |
with a million pounds in gold. | 0:06:24 | 0:06:26 | |
-Well, frankly, I could use it. -Oh, stop trying to be funny. | 0:06:26 | 0:06:29 | |
We counted on Joe leading us to the gang. | 0:06:29 | 0:06:31 | |
Instead of which, he leads you to me. | 0:06:31 | 0:06:33 | |
-Inspector? -I never drink when I'm on duty. | 0:06:33 | 0:06:36 | |
-Ha. -You're holding out on me, Saint. | 0:06:36 | 0:06:38 | |
-I don't know any more about it than you do, Teal. -Did Joe talk? | 0:06:38 | 0:06:41 | |
Well, he wasn't in a talking mood, he was dying. | 0:06:41 | 0:06:43 | |
You're in on this somehow, Saint. | 0:06:43 | 0:06:44 | |
And this time, I'm going to pin it on you. | 0:06:44 | 0:06:46 | |
-Horace? -Perkins? | 0:06:48 | 0:06:49 | |
-Sir? -The inspector is leaving. -Oh, ha-ha. | 0:06:55 | 0:06:58 | |
I've not finished with you yet. | 0:07:02 | 0:07:04 | |
But I don't know anything. | 0:07:04 | 0:07:05 | |
If you say that again, I'll arrest you on suspicion. | 0:07:05 | 0:07:08 | |
CAR HOOTS | 0:07:12 | 0:07:15 | |
-Hey, son. -Yes, sir. -How do we get to the inn? | 0:07:22 | 0:07:25 | |
You walk. Up that there street, mister. | 0:07:25 | 0:07:27 | |
Car be all right here? | 0:07:27 | 0:07:28 | |
-Sure, there's no smugglers round Baycombe any more. -What a pity. | 0:07:28 | 0:07:33 | |
-Here. -Thank you, sir. | 0:07:33 | 0:07:35 | |
All right, Horace, we walk. | 0:07:35 | 0:07:37 | |
Delightful spot. Quaint, charming, well worth the trip. | 0:07:54 | 0:07:59 | |
I hope. | 0:07:59 | 0:08:00 | |
Hmm, how long will you be wanting it for, sir? | 0:08:02 | 0:08:05 | |
-Oh, just for a few days until we find a cottage. -Want a bath? | 0:08:05 | 0:08:09 | |
-Well, occasionally, if it's not too inconvenient. -It'll cost you extra. | 0:08:10 | 0:08:14 | |
-That's all right. -Suit yourself, but the ocean's free. | 0:08:14 | 0:08:17 | |
-Oh, London papers. -Just come. | 0:08:19 | 0:08:21 | |
Well, there it is, Horace. | 0:08:23 | 0:08:25 | |
This is terrible. | 0:08:37 | 0:08:38 | |
-What can we do? -I don't know. | 0:08:38 | 0:08:41 | |
-Well, we've got to do something. -Well, it's too late now. | 0:08:41 | 0:08:44 | |
Much too late. | 0:08:44 | 0:08:45 | |
PHONE RINGS | 0:08:48 | 0:08:50 | |
Hello? Yes? | 0:08:51 | 0:08:53 | |
Yeah, I just read it. | 0:08:54 | 0:08:55 | |
DOOR OPENS | 0:08:55 | 0:08:57 | |
All right, sure. Yeah, Bittle just came in. | 0:08:57 | 0:08:59 | |
What? He is? | 0:09:00 | 0:09:01 | |
Well... Right, I'll stand by. | 0:09:03 | 0:09:05 | |
-The Tiger seen it? -He's not pleased. | 0:09:09 | 0:09:11 | |
-He's got worse news. -What? -The Saint's just arrived. | 0:09:11 | 0:09:14 | |
-What? Here in Baycombe? -Hmm-mmm. -I wonder how much he knows. | 0:09:14 | 0:09:17 | |
That's just what the Tiger's going to find out. Right now. | 0:09:17 | 0:09:19 | |
Listen. | 0:09:22 | 0:09:24 | |
-I don't hear anything. -Neither do I. Not a sound. | 0:09:24 | 0:09:27 | |
-I'm afraid it's going to be terribly quiet down here, sir. -Ha-ha. | 0:09:27 | 0:09:30 | |
Put 'em up. | 0:09:32 | 0:09:34 | |
-Hey, hey, for the love of Mike. -Put it away, Horace. | 0:09:37 | 0:09:41 | |
You must forgive my friend. | 0:09:42 | 0:09:43 | |
He sees the world through crime-coloured glasses. | 0:09:43 | 0:09:45 | |
It's all right, but you shouldn't let him shoot up newspaper men. | 0:09:45 | 0:09:48 | |
-Newspaper man? -Tidemarsh, the name. | 0:09:48 | 0:09:50 | |
Baycombe correspondent of the Cornwall Gazette. | 0:09:50 | 0:09:52 | |
-You're the Saint, aren't you? -Yes. | 0:09:52 | 0:09:55 | |
Say, how about an exclusive on this doorstep murder? | 0:09:55 | 0:09:57 | |
Ah, I wish I could. | 0:09:57 | 0:09:58 | |
You deserve something for spotting my arrival almost before I got here. | 0:09:58 | 0:10:02 | |
-But I can't. -Ah, there must be a story in it somewhere. | 0:10:02 | 0:10:05 | |
-And what did he want? -I haven't the faintest idea. | 0:10:06 | 0:10:08 | |
No dying man's confession? | 0:10:08 | 0:10:10 | |
Are you sure he didn't say anything? | 0:10:10 | 0:10:12 | |
I wish he had. | 0:10:12 | 0:10:14 | |
So do I. | 0:10:14 | 0:10:16 | |
Would have made a good story. | 0:10:16 | 0:10:18 | |
Look, you're not holding out on me, are you? | 0:10:18 | 0:10:21 | |
Why should I? | 0:10:21 | 0:10:23 | |
Well, if you can't, you can't. | 0:10:23 | 0:10:24 | |
-See you again, I hope. -I shouldn't be a bit surprised. | 0:10:25 | 0:10:29 | |
-So long. -So long. | 0:10:29 | 0:10:30 | |
I wonder how he knew we were in Baycombe. | 0:10:33 | 0:10:35 | |
There he is now. | 0:10:38 | 0:10:39 | |
-Have you seen him? -I saw him. -And? -Well, that baby's smart. | 0:10:46 | 0:10:49 | |
Maybe he knows something, maybe he doesn't, | 0:10:49 | 0:10:51 | |
-but he knows to keep his mouth shut. -Well... -Shut up. | 0:10:51 | 0:10:53 | |
He said Joe didn't talk, but if Joe didn't talk, | 0:10:55 | 0:10:57 | |
why is Templar in Baycombe? | 0:10:57 | 0:10:59 | |
Bentley, how soon can we get that boat here? | 0:11:00 | 0:11:02 | |
-Two or three weeks, I think. -Get it here in one week. | 0:11:02 | 0:11:05 | |
We start moving, see everything's ready. | 0:11:05 | 0:11:08 | |
Try and act smart. Both of you. | 0:11:08 | 0:11:10 | |
Watch your step. | 0:11:12 | 0:11:13 | |
I get you, Miss Holm. Now, won't you come and sit down? | 0:11:37 | 0:11:39 | |
I'll bring your stock certificates right away, | 0:11:41 | 0:11:43 | |
as soon as I can lay my hands on them. | 0:11:43 | 0:11:44 | |
-Thank you, Mr Jones. -I'll be right back. | 0:11:44 | 0:11:47 | |
HE CLEARS THROAT | 0:12:04 | 0:12:05 | |
HE CLEARS THROAT AGAIN | 0:12:07 | 0:12:08 | |
I'm not annoying you, am I? | 0:12:13 | 0:12:14 | |
Not in the least. But don't give up trying. | 0:12:15 | 0:12:18 | |
-I know you're terribly busy, but if you could spare me a moment. -Sorry. | 0:12:18 | 0:12:22 | |
Well, in that case, I should like to see your employer. | 0:12:22 | 0:12:25 | |
-What? -I'm looking for a cottage. | 0:12:25 | 0:12:28 | |
-Oh, I see. -Of course you do, so do I. | 0:12:29 | 0:12:33 | |
-And I couldn't like it more. -You couldn't like what more? | 0:12:33 | 0:12:38 | |
Well, what I see. | 0:12:39 | 0:12:40 | |
Ahem! Well, what sort of cottage would you be requiring, sir? | 0:12:42 | 0:12:45 | |
Ooh, the very best sort, of course. | 0:12:45 | 0:12:47 | |
You know, plenty of oak beams to bang your head on, | 0:12:47 | 0:12:49 | |
earwigs and spiders in the thatch. | 0:12:49 | 0:12:51 | |
In fact, all the usual offices. | 0:12:51 | 0:12:53 | |
I'll tell you what, if you were to come out to lunch with me, | 0:12:53 | 0:12:56 | |
I could explain exactly what that means. | 0:12:56 | 0:12:59 | |
-You have to fill in forms, you know. -What? To take you out to lunch? | 0:12:59 | 0:13:02 | |
-No, to rent a cottage. -Hmm. | 0:13:02 | 0:13:05 | |
Dog licence, fishing permit. | 0:13:05 | 0:13:08 | |
Ah. Hmm. | 0:13:08 | 0:13:10 | |
-Miss Holm, I found your certificates, here they are. -Thanks. | 0:13:10 | 0:13:14 | |
I'm so sorry to have kept you waiting. | 0:13:14 | 0:13:16 | |
-Not a bit. I've such an amusing talk with this fresh client of yours. -Oh? | 0:13:16 | 0:13:20 | |
He wants a cottage with a thatched roof and some earwigs. Good morning. | 0:13:20 | 0:13:23 | |
Good morning, Miss Holm. | 0:13:23 | 0:13:24 | |
Cottages, cottages. Now, where did I put my list? | 0:13:24 | 0:13:27 | |
Don't be too long in finding it, will you? | 0:13:27 | 0:13:28 | |
-I'll probably be back in an hour or two. -Oh, very good. | 0:13:28 | 0:13:31 | |
Hey, Miss Holm. | 0:13:33 | 0:13:34 | |
Listen, I'll forgive you on one condition. | 0:13:35 | 0:13:37 | |
You'll forgive me?! I like that. | 0:13:37 | 0:13:39 | |
There's lots more about me you'll like when you know me better. | 0:13:39 | 0:13:42 | |
Now, the condition is that you don't cancel our lunch date. | 0:13:42 | 0:13:45 | |
-We have no lunch date. -Hey, Pat! -Oh, hello, Tiddy. -Hello. | 0:13:45 | 0:13:49 | |
So you've met Simon Templar? | 0:13:49 | 0:13:51 | |
-Only just. -Well, aren't you thrilled? | 0:13:51 | 0:13:53 | |
-Should I be? -I should have thought so. Didn't you know he was the Saint? | 0:13:53 | 0:13:57 | |
Of course, how silly of me. | 0:13:57 | 0:13:59 | |
I didn't recognise you without your halo. | 0:13:59 | 0:14:01 | |
HOOT | 0:14:01 | 0:14:03 | |
-Hello, Auntie. -Morning, Aunt Aggie. -Hello. | 0:14:03 | 0:14:05 | |
-This is Mr Templar. My aunt, Miss Gurten. -How do you do. | 0:14:05 | 0:14:08 | |
-How do you do. -He's getting a cottage here. -Hmm. | 0:14:08 | 0:14:10 | |
-I suspect we shall be seeing quite a lot of you. -Well, I hope so. | 0:14:10 | 0:14:13 | |
Hop in, Pat, we're late for lunch. | 0:14:13 | 0:14:15 | |
You must come to tea one day. | 0:14:15 | 0:14:17 | |
-Tiddy, bring him along soon. -I most certainly will. | 0:14:17 | 0:14:20 | |
-Yes, you must come as soon as you're settled. -I'd like to. | 0:14:20 | 0:14:22 | |
-Thank you, Miss Gurten, you're very kind. -Ha. | 0:14:22 | 0:14:24 | |
-Goodbye. -Bye. -Bye. | 0:14:26 | 0:14:27 | |
Nice girl. | 0:14:30 | 0:14:32 | |
That's a darling. | 0:14:33 | 0:14:35 | |
-He seems quite a pleasant, young man. -Uh-huh. | 0:14:38 | 0:14:40 | |
-What does he do? -He's the Saint. -The Saint? | 0:14:40 | 0:14:44 | |
Good gracious, and I've invited him for tea. | 0:14:44 | 0:14:47 | |
-Auntie, look out, be careful. -You bet I will. | 0:14:47 | 0:14:49 | |
-How do you do. -And now I want you to meet our friend, Lionel Bentley. | 0:14:56 | 0:14:59 | |
-It's a pleasure, Mr Templar. -Haven't we met before somewhere? | 0:14:59 | 0:15:02 | |
-I don't think so. -Lionel Bentley, that name sounds familiar. | 0:15:02 | 0:15:06 | |
-Well, perhaps it'll come back to me. -Mr Templar, | 0:15:06 | 0:15:08 | |
-now you've met everyone, do have some tea. -Thank you, Miss Gurten. | 0:15:08 | 0:15:11 | |
Agatha, I'd love another cup, and one of those delicious cakes. | 0:15:11 | 0:15:15 | |
-Oh, mother, darling. Your diet. -Sugar? | 0:15:15 | 0:15:18 | |
Yes. One, please, if Miss Jones doesn't mind. | 0:15:18 | 0:15:22 | |
You don't have to watch your figure. | 0:15:22 | 0:15:24 | |
I understand you've taken a cottage here, Mr Templar. | 0:15:24 | 0:15:27 | |
Yes. I've been in it almost a week. | 0:15:27 | 0:15:29 | |
-I'm afraid you'll find Baycombe dreadfully dull. -No chance of that. | 0:15:29 | 0:15:33 | |
By the way, Mr Biddle, when did you leave South Africa? | 0:15:33 | 0:15:36 | |
About eight years ago. | 0:15:36 | 0:15:38 | |
Remember that fellow Kent? He was a mining man, too. Made a fortune | 0:15:38 | 0:15:41 | |
-sorting goldmines and, um, disappeared. -How exciting. | 0:15:41 | 0:15:45 | |
-What happened to him? -The police could never find out. | 0:15:45 | 0:15:48 | |
I thought you might've run across him, | 0:15:48 | 0:15:50 | |
being in the same line of business, more or less. | 0:15:50 | 0:15:52 | |
Never heard of him. The world's a big place, you know. | 0:15:52 | 0:15:55 | |
Yes, and amazingly small, too, sometimes. | 0:15:55 | 0:15:58 | |
I suppose you meet some extraordinary people, Mr Templar. | 0:15:58 | 0:16:02 | |
We all do, Miss Gurten. | 0:16:02 | 0:16:03 | |
You see, crooks move in the most select circles these days. | 0:16:03 | 0:16:07 | |
-Isn't that so, Mr Bentley? -I beg your pardon? | 0:16:07 | 0:16:09 | |
Ooh, you must have met plenty in the city. | 0:16:09 | 0:16:11 | |
Financial gangsters, high-class criminals. | 0:16:11 | 0:16:14 | |
-I know the type. -I thought you would. | 0:16:14 | 0:16:15 | |
I recollect one firm especially. | 0:16:15 | 0:16:18 | |
A rotten, unscrupulous lot they were, too. | 0:16:18 | 0:16:21 | |
Now, their company was called... | 0:16:21 | 0:16:23 | |
Sorry, it's gone. I have such a vile memory for names. | 0:16:26 | 0:16:30 | |
DOORBELL RINGS | 0:16:30 | 0:16:31 | |
Now who can that be? | 0:16:32 | 0:16:34 | |
-Pat, who else was coming? -I don't think anybody else. | 0:16:34 | 0:16:38 | |
-Mother! -Just for the day. | 0:16:42 | 0:16:45 | |
-Well, of all things! -Who is it? -You'll never guess. | 0:16:48 | 0:16:52 | |
Ask him to come in, Mary. | 0:16:52 | 0:16:55 | |
-It's Professor Karn. -But how nice. | 0:16:55 | 0:16:57 | |
He's a geolo... | 0:16:57 | 0:16:59 | |
You know, rocks and things. | 0:16:59 | 0:17:01 | |
Professor Karn, welcome back to Baycombe. | 0:17:01 | 0:17:04 | |
-Miss Gurten, the pleasure's mine, -You remember my niece? | 0:17:04 | 0:17:07 | |
-How do you do, Miss Patricia. -Hello, Professor. -And Mr Bittle. | 0:17:07 | 0:17:10 | |
-How are you, sir? -How do you do. -Ah, Mr Bentley. How are you? -Hello, sir. | 0:17:10 | 0:17:13 | |
Now, here is someone you haven't met before. | 0:17:13 | 0:17:16 | |
May I present a celebrity of another sort? | 0:17:16 | 0:17:18 | |
Mr Simon Templar. | 0:17:18 | 0:17:20 | |
An honour, Professor. | 0:17:20 | 0:17:22 | |
Mr Templar. | 0:17:22 | 0:17:24 | |
You've no idea how much I've always admired your work. | 0:17:24 | 0:17:27 | |
-You're interested in geology? -Well, only as an amateur, of course. | 0:17:27 | 0:17:31 | |
But tell me, what brings you to Baycombe, Professor? | 0:17:31 | 0:17:34 | |
I hope to complete an investigation I started some time ago, Mr Templar. | 0:17:34 | 0:17:38 | |
And may I ask what you're doing in Cornwall? | 0:17:39 | 0:17:42 | |
You know, that's what I've been dying to ask, Mr Templar. | 0:17:42 | 0:17:45 | |
Haven't we all. | 0:17:45 | 0:17:47 | |
As a matter of fact, I'm here for some big game hunting. | 0:17:47 | 0:17:49 | |
Big game? | 0:17:51 | 0:17:52 | |
In Cornwall?! | 0:17:52 | 0:17:54 | |
LAUGHTER | 0:17:54 | 0:17:56 | |
What exactly do you hope to bag in Baycombe? | 0:17:56 | 0:17:58 | |
As a matter of fact...a tiger. | 0:17:58 | 0:18:01 | |
LAUGHTER | 0:18:02 | 0:18:04 | |
And incidentally, about £1 million. | 0:18:04 | 0:18:07 | |
You've come to the wrong place. No-one in Baycombe has any money. | 0:18:07 | 0:18:10 | |
Are you sure? I was told it was quite a little goldmine. | 0:18:10 | 0:18:14 | |
You're joking! Come along, Professor. Do have some tea. | 0:18:14 | 0:18:18 | |
Young man, you've been listening to fortune tellers. | 0:18:18 | 0:18:21 | |
To a most unfortunate fortune teller. | 0:18:21 | 0:18:23 | |
He died just afterwards. | 0:18:23 | 0:18:25 | |
Might I have some more tea just to keep the Professor company? | 0:18:25 | 0:18:28 | |
What's all this about pots of gold and hunting tigers? | 0:18:28 | 0:18:31 | |
-Well, what do you think, Professor? -I don't think any more, I know. | 0:18:31 | 0:18:35 | |
-I know that you've been holding out on me! -Not really. | 0:18:35 | 0:18:37 | |
You said you didn't know Joe Gallo, or anything about the tiger or the Bristol bank robbery. | 0:18:37 | 0:18:42 | |
-Well, I didn't. -Well how did you get your information? -From you. -Huh?! | 0:18:42 | 0:18:46 | |
You told me when you were questioning me. | 0:18:46 | 0:18:48 | |
CLEARS HIS THROAT | 0:18:49 | 0:18:51 | |
Dinner is ready, sir. | 0:18:53 | 0:18:55 | |
All right, Horace. | 0:18:56 | 0:18:58 | |
Oh, forgive me. Will you take a chance on Horace? | 0:18:59 | 0:19:02 | |
-No, thanks. I've had my dinner. -You are an early bird. | 0:19:02 | 0:19:05 | |
It isn't even eight yet. | 0:19:05 | 0:19:07 | |
PHONE RINGS | 0:19:34 | 0:19:36 | |
Oh, excuse me. | 0:19:36 | 0:19:37 | |
Hello. Hello? | 0:19:39 | 0:19:41 | |
HELLO? | 0:19:44 | 0:19:46 | |
GUNSHOT | 0:19:46 | 0:19:48 | |
-See anything? -No, not even a mouse. | 0:19:56 | 0:19:59 | |
I didn't think it was mice. | 0:19:59 | 0:20:01 | |
-You all right, Horace? -Yes, but look. | 0:20:01 | 0:20:04 | |
What price Chicago gangsters now? | 0:20:04 | 0:20:06 | |
That's right. I might have been murdered. | 0:20:06 | 0:20:09 | |
I never thought of that. | 0:20:09 | 0:20:11 | |
Oh, my goodness! | 0:20:11 | 0:20:12 | |
TEMPLAR LAUGHS | 0:20:12 | 0:20:15 | |
That was a come on. | 0:20:19 | 0:20:21 | |
That's what you get for showing your hand this afternoon. | 0:20:21 | 0:20:25 | |
-You made a bad mistake there. -Oh, no. It proves I'm on the right track. | 0:20:25 | 0:20:28 | |
Besides, it keeps them worrying. | 0:20:28 | 0:20:30 | |
Makes the Tiger think I've got a flock of aces up my sleeve. | 0:20:30 | 0:20:33 | |
-Sir. -Hm? | 0:20:33 | 0:20:35 | |
I'll fix you up a little snack. | 0:20:35 | 0:20:37 | |
Thanks, Horace. | 0:20:37 | 0:20:39 | |
See here, Saint. | 0:20:41 | 0:20:43 | |
Cards on the table. | 0:20:43 | 0:20:45 | |
I'm after the gold and the Tiger and I'm going to get 'em. | 0:20:45 | 0:20:48 | |
Let's work together. What about a deal? | 0:20:48 | 0:20:51 | |
Thanks. I think I'll stick to my solitaire. | 0:20:51 | 0:20:53 | |
-So you won't work with me, eh? -No. | 0:20:53 | 0:20:55 | |
All right then. I'm going to arrest you on suspicion of murder. | 0:20:55 | 0:20:59 | |
I don't think so, Professor Karn. | 0:21:00 | 0:21:03 | |
Besides, it might spoil your game if everyone, including the Tiger, | 0:21:03 | 0:21:07 | |
were to find out you were really Scotland Yard. | 0:21:07 | 0:21:09 | |
-Or would it? -Clever, aren't you(?) | 0:21:09 | 0:21:12 | |
Well, it looks that way. Now here's my deal. | 0:21:12 | 0:21:15 | |
Leave me alone, let me have my fun | 0:21:15 | 0:21:17 | |
and you go on with your geology, and I'll turn the Tiger over to you. | 0:21:17 | 0:21:21 | |
-You will? -Hm. -When? -After I got the gold. | 0:21:21 | 0:21:24 | |
-You'll not get away with it! -Want to bet? -I'll give odds you won't. | 0:21:24 | 0:21:27 | |
-All right, what odds? -Ah, you're crazy! | 0:21:27 | 0:21:29 | |
TEMPLAR LAUGHS | 0:21:29 | 0:21:31 | |
Oh! | 0:21:34 | 0:21:36 | |
Signed... | 0:21:41 | 0:21:43 | |
sealed...and delivered. | 0:21:43 | 0:21:46 | |
I still don't know why you're buying these shares. | 0:21:46 | 0:21:49 | |
I hope you're not being just kind. | 0:21:49 | 0:21:52 | |
My dear Patricia, in business, | 0:21:52 | 0:21:54 | |
I've found that sentiment is bad business. | 0:21:54 | 0:21:57 | |
-And here's the transfer for you to sign. -Transfer? -Hm-hm. | 0:21:58 | 0:22:02 | |
Of course. How stupid of me. | 0:22:03 | 0:22:05 | |
Not so very stupid. | 0:22:05 | 0:22:07 | |
I shouldn't sign, Pat. Not just yet. | 0:22:07 | 0:22:09 | |
-Why, Mr Templar! -In person. | 0:22:09 | 0:22:10 | |
No, you're not seeing a ghost. Surprised, eh? | 0:22:10 | 0:22:13 | |
-Do you mind? I'm abnormally curious. -Abnormally lucky, I say. | 0:22:13 | 0:22:17 | |
Always, Bentley. Remember that. | 0:22:17 | 0:22:19 | |
Hm. Shares in a mine that hasn't produced an ounce of gold for years. | 0:22:20 | 0:22:24 | |
It's not worth the paper it's printed on. | 0:22:24 | 0:22:26 | |
And Mr Lionel Bentley's buying them for a whale of a lot of money. | 0:22:26 | 0:22:29 | |
Is that any business of yours? | 0:22:29 | 0:22:31 | |
It doesn't sound like your kind of business. You're no boy scout. | 0:22:31 | 0:22:34 | |
-Isn't it all right? -I'd hate to guarantee this cheque. | 0:22:34 | 0:22:36 | |
I don't have to stand for your insults, Templar. | 0:22:36 | 0:22:39 | |
By the way, I discovered the name of that disreputable banking firm. | 0:22:39 | 0:22:43 | |
-It was...Black, Trent and Black. -Well? | 0:22:43 | 0:22:46 | |
-What was the name of your firm? -I suppose you'll find out. | 0:22:46 | 0:22:50 | |
I did. It was Black, Trent and Black. | 0:22:50 | 0:22:53 | |
Now isn't that a coincidence(?) | 0:22:53 | 0:22:55 | |
I'm afraid, Bentley, that you're a dirty crook. | 0:22:55 | 0:22:58 | |
Oh! | 0:22:58 | 0:22:59 | |
I'll have you thrown out! | 0:22:59 | 0:23:02 | |
Well, if you insist, but you'll have to send for the army. | 0:23:02 | 0:23:05 | |
-And the cheque? -Cash it. Quick. And then sign this. | 0:23:05 | 0:23:08 | |
And don't think he's doing you any favour. | 0:23:08 | 0:23:11 | |
You wanted me? | 0:23:14 | 0:23:16 | |
Show Mr Templar the door. | 0:23:16 | 0:23:18 | |
Yes, sir. | 0:23:19 | 0:23:21 | |
Are you coming? | 0:23:24 | 0:23:26 | |
Well, um... | 0:23:26 | 0:23:27 | |
Yeah, perhaps I should. | 0:23:27 | 0:23:30 | |
Just a big bluff. | 0:23:37 | 0:23:39 | |
SCUFFLING AND SLAPPING | 0:23:39 | 0:23:41 | |
-Ooh! -He asked for it. | 0:23:41 | 0:23:43 | |
Oh, Saint. | 0:23:50 | 0:23:51 | |
Well, he showed me the door. | 0:23:51 | 0:23:53 | |
It's a perfectly ordinary door. Hardly worth looking at. | 0:23:53 | 0:23:56 | |
-Do you want some more? -Let me at him! | 0:23:57 | 0:24:00 | |
I don't need you here. | 0:24:00 | 0:24:02 | |
You know, your boys lack brains, Bentley. | 0:24:04 | 0:24:07 | |
They're going to run your head into a noose one day. | 0:24:07 | 0:24:09 | |
-You ready, Pat? -Yes. | 0:24:09 | 0:24:11 | |
By the window, I think. You're less likely to run into crowds. | 0:24:11 | 0:24:14 | |
One moment. | 0:24:14 | 0:24:15 | |
I strongly advise against it, Templar. | 0:24:16 | 0:24:19 | |
Much better, stay awhile. Both of you. | 0:24:19 | 0:24:22 | |
Your hospitality's very touching, Bentley, | 0:24:22 | 0:24:25 | |
but we must be getting along. So sorry. Oh, your bag, Pat. | 0:24:25 | 0:24:29 | |
Well, that's that. Let's go. | 0:24:33 | 0:24:35 | |
-What's going on here? -Oh, you want some more, eh? | 0:24:36 | 0:24:39 | |
GUNSHOT | 0:24:42 | 0:24:44 | |
-Get him. -No! -Come on! | 0:24:44 | 0:24:46 | |
-Go on, in you go! -But...! But...! | 0:25:08 | 0:25:10 | |
-Oh! -Shh! -I'm being torn to pieces. | 0:25:10 | 0:25:12 | |
-Shut up or you'll be shot to pieces. -But what about...? -Shh. | 0:25:12 | 0:25:16 | |
Well, seen them? They came this way. | 0:25:20 | 0:25:23 | |
-They're making for the gate! -Come on! Quick! | 0:25:36 | 0:25:39 | |
-I'm afraid I got you into something. -I'm in it to stay. | 0:25:51 | 0:25:54 | |
OK, we're in it together. | 0:25:54 | 0:25:56 | |
Now, listen, Pat, my car's in the lane. | 0:26:05 | 0:26:08 | |
Drive to my cottage, Professor Karn will be there and I'll join you. | 0:26:08 | 0:26:10 | |
-But you're not coming with me? -No, but if I'm not home before 11, | 0:26:10 | 0:26:13 | |
-tell Karn exactly where I am and what's happened to me. -Right. | 0:26:13 | 0:26:16 | |
-Remember, not a word to him before 11. -All right. | 0:26:16 | 0:26:18 | |
I hate leaving you, Saint. | 0:26:25 | 0:26:26 | |
Well, save that for some time when I can do something about it. | 0:26:26 | 0:26:29 | |
I will. | 0:26:29 | 0:26:30 | |
Good luck. | 0:26:30 | 0:26:32 | |
ENGINE REVVING | 0:26:49 | 0:26:51 | |
Got clean away! | 0:26:51 | 0:26:52 | |
Well, where is he? | 0:27:34 | 0:27:35 | |
Got away over the wall. | 0:27:35 | 0:27:37 | |
You blithering idiots! | 0:27:37 | 0:27:40 | |
WHIRRING | 0:28:39 | 0:28:42 | |
WHIRRING | 0:28:47 | 0:28:49 | |
I'll get the stuff ready. | 0:29:13 | 0:29:14 | |
You can start loading it as soon as the boat comes tomorrow. | 0:29:14 | 0:29:17 | |
-Won't be a long job! -No. | 0:29:17 | 0:29:19 | |
Not now that Templar's out of the way! | 0:29:19 | 0:29:21 | |
That'll be Bittle. | 0:29:28 | 0:29:30 | |
STICK 'EM UP! | 0:30:42 | 0:30:43 | |
Don't make a move, Saint. | 0:30:43 | 0:30:46 | |
Search him! | 0:30:49 | 0:30:50 | |
Good evening, Inspec... Professor. | 0:30:59 | 0:31:02 | |
-Templar in? -He's not back yet, sir. -Ah! He always keeps me waiting. | 0:31:02 | 0:31:06 | |
HORN BEEPING | 0:31:06 | 0:31:07 | |
Ah, there he is now. | 0:31:07 | 0:31:09 | |
Good evening, Horace. | 0:31:12 | 0:31:14 | |
Mr Templar's not in, Miss. | 0:31:14 | 0:31:15 | |
Don't I know it! | 0:31:15 | 0:31:17 | |
Oh, Professor Karn! | 0:31:17 | 0:31:18 | |
-I've got something to tell you. -About Templar? -Yes. | 0:31:18 | 0:31:21 | |
-What time is it? -10.30. | 0:31:21 | 0:31:24 | |
Oh, dear, I can't tell you yet. | 0:31:24 | 0:31:26 | |
-Miss Pat, is there anything wrong? -Plenty. | 0:31:26 | 0:31:29 | |
-Horace, could you give me a cup of tea? -But, Miss Pat...! | 0:31:29 | 0:31:31 | |
And I'm simply dying for a cigarette, Professor! | 0:31:31 | 0:31:35 | |
-Why did you come back, Templar? -To find the gold. | 0:31:43 | 0:31:46 | |
-The gold? -Yes. | 0:31:47 | 0:31:49 | |
You might as well tell me where it is. I know everything else. | 0:31:49 | 0:31:52 | |
-Just how much do you know? -Facts, Bentley, plenty of them. | 0:31:52 | 0:31:57 | |
And the rest of you might as well get an earful too! | 0:31:57 | 0:32:00 | |
Your scheme was smart... | 0:32:00 | 0:32:02 | |
get hold of a worthless mine and plant your stolen gold in it. | 0:32:02 | 0:32:06 | |
Make a sensational discovery | 0:32:06 | 0:32:08 | |
and then sell your loot on the open market and no questions asked. | 0:32:08 | 0:32:11 | |
It might have worked but you've made one bad mistake... | 0:32:11 | 0:32:16 | |
You murdered Joe Gallo on my doorstep. | 0:32:16 | 0:32:19 | |
That, as you might say, cuts me in. | 0:32:19 | 0:32:22 | |
-What do you mean? -Simply this, that I get the gold and you get... | 0:32:22 | 0:32:27 | |
well, what's coming to you. | 0:32:27 | 0:32:29 | |
And that goes for you all. | 0:32:29 | 0:32:31 | |
-I know enough to hang the lot of you. -You know too much, Templar! | 0:32:31 | 0:32:35 | |
-Oh! -GUN FIRES | 0:32:36 | 0:32:39 | |
-All right, boys! -That would have been another bad mistake. | 0:32:39 | 0:32:42 | |
If I'm not home merry and bright in 20 minutes, | 0:32:42 | 0:32:45 | |
the police start looking for me here. | 0:32:45 | 0:32:47 | |
-So, if you don't mind, I'll be on my way. -No, you won't. -No? -No. | 0:32:47 | 0:32:50 | |
Bittle was right, you know too much! | 0:32:50 | 0:32:53 | |
If the police arrive I can handle them | 0:32:53 | 0:32:55 | |
and you won't be here to make trouble. | 0:32:55 | 0:32:57 | |
You will have disappeared, Templar, suddenly as you arrived. | 0:32:57 | 0:33:00 | |
And no-one will ever discover your body. | 0:33:00 | 0:33:03 | |
Take him downstairs. | 0:33:03 | 0:33:05 | |
-Murder seems to be getting one of your bad habits, Bentley. -Hurry it up. | 0:33:05 | 0:33:08 | |
We're wasting time. | 0:33:08 | 0:33:10 | |
PHONE RINGS | 0:33:11 | 0:33:13 | |
Hello. | 0:33:13 | 0:33:15 | |
Keep it quiet, boys. | 0:33:15 | 0:33:16 | |
This is Bentley speaking. | 0:33:17 | 0:33:18 | |
Yeah, I know. | 0:33:21 | 0:33:22 | |
He's here now. | 0:33:23 | 0:33:25 | |
You can't do that. Use your head, Bentley. | 0:33:27 | 0:33:30 | |
If he disappears, the police will crack down on us. | 0:33:30 | 0:33:33 | |
I only want him out of the way for a day or so. Now, listen. | 0:33:33 | 0:33:35 | |
All right, all right, if you say so. | 0:33:38 | 0:33:40 | |
I get it. | 0:33:41 | 0:33:42 | |
-Come on, you. -Wait! | 0:33:42 | 0:33:44 | |
Let him go. | 0:33:46 | 0:33:48 | |
-I've changed my mind. -You mean you've got your orders. | 0:33:48 | 0:33:52 | |
-So what? -At least I know you're not the Tiger. | 0:33:52 | 0:33:55 | |
Burton! Now, get out. | 0:33:55 | 0:33:58 | |
Burton, do show me that door again, will you? | 0:34:04 | 0:34:07 | |
-What's the idea? -The Tiger is on his way over. | 0:34:10 | 0:34:15 | |
Miss Pat, it's nearly 11 o'clock. | 0:34:15 | 0:34:18 | |
What if the Saint's in trouble? | 0:34:18 | 0:34:20 | |
I'm afraid he is. | 0:34:20 | 0:34:22 | |
Young woman, you've got to tell me what's wrong so I can do something. | 0:34:22 | 0:34:25 | |
-But what can you do? -You've got to tell me. | 0:34:25 | 0:34:28 | |
Why, Professor Karn! | 0:34:28 | 0:34:30 | |
Oh! Now, look here. My name is not Karn and I'm not a professor. | 0:34:30 | 0:34:35 | |
I'm Inspector Teal of Scotland Yard and you can tell me everything. | 0:34:35 | 0:34:39 | |
-Of course I will. The Saint is... -Well, here I am. | 0:34:39 | 0:34:42 | |
Somewhat the worse for wear. | 0:34:42 | 0:34:44 | |
-Oh, Saint, you're all right! -Right as rain. | 0:34:44 | 0:34:46 | |
-I am glad, Sir. -How nice of you, Horace. | 0:34:46 | 0:34:50 | |
-But you don't seem too overjoyed, Professor. -Another five minutes | 0:34:50 | 0:34:54 | |
and I'd have had the whole story. | 0:34:54 | 0:34:56 | |
I didn't tell him anything though, did I, Inspector? | 0:34:56 | 0:34:59 | |
-So you're not the professor any more? -No, I told her the truth. | 0:34:59 | 0:35:02 | |
-Would you like me to tell you the truth? -That'll be a change. | 0:35:02 | 0:35:05 | |
-Remember our deal? -Uh-huh. | 0:35:05 | 0:35:07 | |
Before this time tomorrow, I'm going to hand over to you the Tiger. | 0:35:07 | 0:35:10 | |
-I'll believe it when I see it. -You'll see plenty. | 0:35:10 | 0:35:14 | |
Come on, Pat. I think it's time you were in bed. | 0:35:14 | 0:35:16 | |
I'm going to drive you home. | 0:35:16 | 0:35:18 | |
Look here, Templar. | 0:35:19 | 0:35:20 | |
I want to hear what's been going on tonight. | 0:35:21 | 0:35:24 | |
Of course you do. Do you think we ought to tell him? | 0:35:24 | 0:35:26 | |
You mean...everything? | 0:35:26 | 0:35:28 | |
-Would you mind? -Oh, come on. -Patience, little man. | 0:35:28 | 0:35:32 | |
You see, it was like this. | 0:35:32 | 0:35:35 | |
We were walking along a cliff... | 0:35:36 | 0:35:38 | |
In the beautiful moonlight. | 0:35:38 | 0:35:40 | |
Oh, for pete's sake. Are you crazy, or am I? | 0:35:40 | 0:35:42 | |
That's a leading question. I refuse to commit myself. | 0:35:42 | 0:35:46 | |
KNOCKING | 0:35:46 | 0:35:47 | |
-KNOCKING CONTINUES -Who is it? | 0:35:51 | 0:35:53 | |
It's the police. | 0:35:53 | 0:35:54 | |
What have you been up to now, Templar? | 0:35:56 | 0:35:58 | |
Good evening. | 0:36:01 | 0:36:02 | |
Why, Mr Bittle. | 0:36:02 | 0:36:04 | |
I'm very sorry about this. | 0:36:04 | 0:36:06 | |
-Are you in on this, sir? -I'm not involved. In any way. | 0:36:07 | 0:36:11 | |
I understand, sir. | 0:36:13 | 0:36:15 | |
That's your man, Constable. | 0:36:15 | 0:36:16 | |
Simon Templar, I'm arresting you for attempted robbery and assault. | 0:36:18 | 0:36:22 | |
-But I don't understand. -It's too ridiculous. | 0:36:22 | 0:36:25 | |
Am I supposed to have done all that? | 0:36:25 | 0:36:27 | |
You struck him, shot at him | 0:36:27 | 0:36:30 | |
and stabbed him with a knife. | 0:36:30 | 0:36:31 | |
Dear, I must be slipping. I seem to have forgotten poison. | 0:36:31 | 0:36:35 | |
-What's your story, Bittle? -I'd been having a nap. | 0:36:35 | 0:36:40 | |
I woke and found a man at my desk, rifling it. | 0:36:40 | 0:36:42 | |
He turned and fired. I grappled with him, | 0:36:43 | 0:36:47 | |
he struck me and I fell, stunned. | 0:36:47 | 0:36:49 | |
The next thing I remember, | 0:36:49 | 0:36:51 | |
he was slipping out the window. | 0:36:51 | 0:36:54 | |
I managed to follow him and saw him set off in this direction. | 0:36:54 | 0:36:57 | |
Then I went for the police. | 0:36:57 | 0:36:59 | |
-And here we are. -So that's your story? | 0:36:59 | 0:37:02 | |
Poppycock, of course, Mr Bittle. Circumstantial and all that. | 0:37:02 | 0:37:06 | |
Very neat and almost credible piece of fiction. | 0:37:06 | 0:37:09 | |
-I'll have to ask you to come along with me, Mr Templar. -I think not. | 0:37:09 | 0:37:12 | |
You see, fortunately, my good friend, Professor Karn, | 0:37:12 | 0:37:15 | |
can clear me. I'm sure he'll testify that he never saw me | 0:37:15 | 0:37:18 | |
-leave the house all evening. -Is that so, Sir? | 0:37:18 | 0:37:22 | |
-Aye, that's true. -Thank you, Professor. | 0:37:22 | 0:37:25 | |
You mean Templar didn't leave here all evening? | 0:37:25 | 0:37:28 | |
-You heard what I said. -You can't tell me... | 0:37:28 | 0:37:31 | |
Your word's enough for me, sir. I'm sorry about this, Mr Templar. | 0:37:31 | 0:37:35 | |
It looks like a case of mistaken identity. | 0:37:35 | 0:37:39 | |
Eh, Mr Bittle? | 0:37:39 | 0:37:40 | |
Yeah, it must be. | 0:37:40 | 0:37:43 | |
Yeah, mistaken identity. | 0:37:45 | 0:37:48 | |
-I apologise. Good night. -Hey, wait a minute. | 0:37:49 | 0:37:52 | |
-I want a word with you. Good night, sir. -Good night. | 0:37:52 | 0:37:54 | |
Thanks to you for the alibi. Well, Pat. | 0:37:54 | 0:37:58 | |
It's true. I didn't see you leave. But where did you go? | 0:37:58 | 0:38:01 | |
-Yes, what did happen? -What's been going on here? | 0:38:01 | 0:38:03 | |
That was a little trick of the Tiger's. A frame-up to get me out of the way. | 0:38:03 | 0:38:07 | |
I know, I know. But before that? | 0:38:07 | 0:38:09 | |
That's all I'm going to tell you tonight. Remember, | 0:38:09 | 0:38:11 | |
tomorrow you get the Tiger on a golden platter. | 0:38:11 | 0:38:14 | |
-You'll know all about everything then. -All right. | 0:38:14 | 0:38:17 | |
-Tomorrow looks like a busy day. -Yes, so we'd better get some sleep. | 0:38:17 | 0:38:21 | |
Come on, Pat. We drop you at the inn, Professor? | 0:38:21 | 0:38:23 | |
Thanks, it's been a bonny evening, but I prefer to walk. Good night. | 0:38:23 | 0:38:27 | |
-Thanks, Horace. You were swell. -Thank you, Miss Pat. | 0:38:33 | 0:38:36 | |
Well, there it is, Pat. The whole, cock-eyed story. | 0:38:45 | 0:38:48 | |
It's the most exciting story I've ever heard and I'm in on it. | 0:38:48 | 0:38:51 | |
No, you're not, not any longer. It's far too serious. | 0:38:51 | 0:38:54 | |
But I'm serious, you promised me. You said we were in this together. | 0:38:54 | 0:38:57 | |
-Oh, I know I did. -But you didn't mean it. Well, I did. | 0:38:57 | 0:39:00 | |
I'm in it and I'm going to stay in it. So there. | 0:39:00 | 0:39:02 | |
I'll provide you with invaluable female intuition. | 0:39:02 | 0:39:06 | |
-All right. -What's our programme for tomorrow? -Simple enough. | 0:39:08 | 0:39:12 | |
We've got to find £1 million in gold. | 0:39:12 | 0:39:15 | |
Easy. Where is it? | 0:39:15 | 0:39:16 | |
What does your female intuition say? | 0:39:16 | 0:39:19 | |
Around Baycombe? | 0:39:19 | 0:39:21 | |
Smugglers' caves! | 0:39:21 | 0:39:23 | |
You're wonderful. | 0:39:23 | 0:39:25 | |
But how do we get to them, you clever little thing? | 0:39:26 | 0:39:28 | |
They're supposed to be connected with Baycombe House. | 0:39:28 | 0:39:31 | |
-It used to be a monastery. -Was it? | 0:39:31 | 0:39:33 | |
Trust those wise old monks | 0:39:33 | 0:39:35 | |
to find a back entrance for the brandy, somewhere. | 0:39:35 | 0:39:37 | |
-But who lives there now? -Nobody. | 0:39:37 | 0:39:40 | |
It was turned into a local museum. | 0:39:40 | 0:39:42 | |
-Baycombe Museum? Where your friend, Merrydew, is the curator? -Yes. | 0:39:42 | 0:39:45 | |
-He must know something about it. -Then all roads lead to Merrydew. | 0:39:45 | 0:39:49 | |
First thing tomorrow morning, we'll beard him in his lair. | 0:39:49 | 0:39:52 | |
Well, there's the office and... | 0:40:15 | 0:40:18 | |
Attagirl. | 0:40:18 | 0:40:19 | |
We need all the luck we can get. | 0:40:19 | 0:40:22 | |
Now don't forget... | 0:40:22 | 0:40:24 | |
Mr Bentley, how you do get around! | 0:40:24 | 0:40:26 | |
Mr Bentley's our most generous benefactor. | 0:40:26 | 0:40:28 | |
One of my hobbies. | 0:40:28 | 0:40:30 | |
You must let Merrydew show you around the museum. | 0:40:30 | 0:40:33 | |
-It would be a pleasure. -You'll find it well worthwhile. | 0:40:33 | 0:40:36 | |
I'm sure we shall. | 0:40:36 | 0:40:37 | |
Good morning. | 0:40:38 | 0:40:40 | |
-Where would you like to start? -In your office, if you don't mind. | 0:40:40 | 0:40:43 | |
But of course, yes. | 0:40:46 | 0:40:47 | |
-If you didn't come to see the museum... -Then why are we here? | 0:40:53 | 0:40:56 | |
Two words. Smugglers' cave. | 0:40:56 | 0:40:58 | |
All that talk was just talk. | 0:40:58 | 0:41:01 | |
You know, local gossip and that sort of thing. | 0:41:01 | 0:41:04 | |
I'm sorry I can't help you. | 0:41:04 | 0:41:05 | |
I think you'd better sit down, Pat. | 0:41:10 | 0:41:12 | |
-But I tell you... -You're wasting your breath. Unless you start telling the truth. | 0:41:13 | 0:41:16 | |
-I'm afraid you'd better tell Mr Templar. -Where's that entrance? | 0:41:16 | 0:41:19 | |
This is an outrage. I won't put up with this! | 0:41:19 | 0:41:21 | |
Sit down and don't be a fool. | 0:41:21 | 0:41:23 | |
You're running with crooks and murderers. They're using you. | 0:41:23 | 0:41:27 | |
They'll kill you to cover their tracks. You don't stand a chance. | 0:41:27 | 0:41:30 | |
But I'm giving you one, if you'll help me. | 0:41:30 | 0:41:32 | |
If you don't, your life isn't worth that. | 0:41:32 | 0:41:35 | |
But I... | 0:41:35 | 0:41:37 | |
-They can't! -Oh yes, they can. | 0:41:38 | 0:41:41 | |
This is your only chance, Merrydew. Take it or leave it. Now... | 0:41:41 | 0:41:45 | |
Look here, honestly, I'm not one of their gang. | 0:41:45 | 0:41:48 | |
Bentley's been paying me, | 0:41:48 | 0:41:49 | |
but I didn't know a thing about the robbery. | 0:41:49 | 0:41:51 | |
Not till afterwards. Please help me to get out of this. | 0:41:51 | 0:41:54 | |
Where's that entrance? | 0:41:54 | 0:41:56 | |
I'll tell you. | 0:41:57 | 0:41:58 | |
It's here, in the museum. | 0:41:59 | 0:42:01 | |
It's right... | 0:42:03 | 0:42:04 | |
No! No! | 0:42:06 | 0:42:07 | |
HE SPLUTTERS | 0:42:09 | 0:42:10 | |
-Miss Gerten! -Drat it. | 0:42:25 | 0:42:27 | |
I can't stop and chat, young man. | 0:42:27 | 0:42:30 | |
-What do you know about Merrydew? -Worst bridge player in Cornwall | 0:42:30 | 0:42:33 | |
and you can tell him I said so. | 0:42:33 | 0:42:34 | |
I'm afraid I can't. He's just been murdered. | 0:42:34 | 0:42:36 | |
I've felt like doing it myself, often for overbidding his hand. | 0:42:36 | 0:42:39 | |
Sorry, I'm in a hurry. | 0:42:39 | 0:42:41 | |
-Why did the Saint do it? -The Saint? Surely you don't... | 0:42:48 | 0:42:51 | |
-This is his knife, isn't it? -But he didn't... -Then who did? | 0:42:51 | 0:42:54 | |
-I don't know. -Miss Holm, you've got yourself mixed up in a nasty mess. | 0:42:54 | 0:42:58 | |
I was just outside and no-one came near this room | 0:42:58 | 0:43:00 | |
and no-one came out of it, except Simon Templar. | 0:43:00 | 0:43:03 | |
-And what exactly does that prove to you? -It pins it on you! | 0:43:03 | 0:43:06 | |
-It proves something else to me. -What? -Come now, Inspector. | 0:43:06 | 0:43:08 | |
You can't expect me to tell you everything! Scotland Yard pays you to do SOME thinking for yourself. | 0:43:08 | 0:43:14 | |
I've been thinking, Templar. And I'm arresting you for murder. | 0:43:14 | 0:43:17 | |
-But that's ridiculous! -I'm blowed! Professor Karn, a detective! | 0:43:17 | 0:43:21 | |
What a story! A scoop of scoops! | 0:43:21 | 0:43:25 | |
Saint nabbed red-handed in museum murder. I can see the headlines. | 0:43:25 | 0:43:29 | |
I can't and you won't. | 0:43:29 | 0:43:31 | |
Not a word of this gets printed until I give it up myself. | 0:43:31 | 0:43:33 | |
-D'you understand? -OK. | 0:43:33 | 0:43:36 | |
You're not under arrest, Miss Holm. But stay around Baycombe. | 0:43:36 | 0:43:40 | |
-We shall want to question you. -I'll want to do a lot of answering! | 0:43:40 | 0:43:43 | |
I'm taking you to London, Templar. | 0:43:43 | 0:43:44 | |
-What? -You're too big for local jails. -Don't be a fool, Teal! | 0:43:44 | 0:43:48 | |
Too many people try to teach me my business. I know what I'm doing. | 0:43:48 | 0:43:51 | |
Don't worry, Pat. Someday, he may wake up. | 0:43:52 | 0:43:55 | |
-We can travel to London in your car, Templar. -You're too kind. | 0:43:55 | 0:43:58 | |
It'll save you unkind publicity. | 0:43:58 | 0:44:00 | |
It'll save you the train fare! | 0:44:00 | 0:44:01 | |
I'll have the local priest take over here. | 0:44:01 | 0:44:03 | |
Look after Miss Holm, Tidemarsh, and remember. | 0:44:03 | 0:44:05 | |
No scoop! | 0:44:05 | 0:44:07 | |
-Teal, the human monkey wrench. -Come on, Pat, I'll take you home. | 0:44:07 | 0:44:10 | |
Hello, yeah. This is Inspector Teal of Scotland Yard speaking. | 0:44:10 | 0:44:14 | |
Oh, cheer up, Pat! The Saint'll talk himself out of it. | 0:44:19 | 0:44:22 | |
Anyway, Teal or no Teal, the Gazette gets the scoop. | 0:44:22 | 0:44:25 | |
-Do you mind if I phone? -If you know where it is? -Thanks. | 0:44:25 | 0:44:28 | |
Oh, Miss Pat! Where's Mr Templar? | 0:44:32 | 0:44:34 | |
-I've some important news for him. -He's on his way to London. | 0:44:34 | 0:44:38 | |
-To London? What happened? -Inspector Teal arrested him for murder! | 0:44:38 | 0:44:42 | |
-Not Merrydew? -Uh-huh. Somebody killed him! | 0:44:42 | 0:44:45 | |
-Dash it! I missed it again. -Then, he wasn't joking? -No. | 0:44:45 | 0:44:50 | |
-Oh! -Auntie! -Oh! -Auntie! | 0:44:50 | 0:44:54 | |
It's just what we wanted. | 0:44:54 | 0:44:55 | |
Gives us time to turn around, | 0:44:55 | 0:44:57 | |
then we're both out of the way for at least 24 hours. | 0:44:57 | 0:45:00 | |
All right, I know. The boat's anchored in shore. | 0:45:03 | 0:45:08 | |
Everything's set, I tell you! | 0:45:10 | 0:45:11 | |
That's what you think. | 0:45:11 | 0:45:13 | |
What about the girl? | 0:45:15 | 0:45:17 | |
She knows enough to gum up the whole show. | 0:45:17 | 0:45:20 | |
Sure, you're always forgetting. | 0:45:22 | 0:45:24 | |
Now, shut up! Wait a minute! Let me think. | 0:45:24 | 0:45:29 | |
I should lie down, Auntie, you'll feel better. | 0:45:30 | 0:45:33 | |
Hope so, I've got such a lot to do. | 0:45:33 | 0:45:37 | |
Miss Pat? What'll we do now? | 0:45:41 | 0:45:42 | |
-The boat's here. I saw it anchored. -What boat? -Bentley's yacht. | 0:45:42 | 0:45:46 | |
Mr Templar was wondering when it might get here. | 0:45:46 | 0:45:49 | |
So, that's it! They're taking the gold away on that yacht! | 0:45:49 | 0:45:52 | |
-Yes. And he's not here to stop them. -No, but we are. | 0:45:52 | 0:45:56 | |
-Miss Pat! -We can try, can't we? -Yes! | 0:45:58 | 0:46:01 | |
Hi, Horace. | 0:46:01 | 0:46:04 | |
-Well, Pat, that settles everything. -Not quite everything. | 0:46:04 | 0:46:08 | |
-Tiddy, you've got to help me. -Sure, Pat, anything. | 0:46:08 | 0:46:10 | |
Even a spot of piracy? | 0:46:10 | 0:46:12 | |
-Pat, are you kidding me? -No, I'm not. Now listen to me. | 0:46:12 | 0:46:15 | |
The way he yaps at us, you'd think the Tiger was the whole show! | 0:46:15 | 0:46:19 | |
-But we do all the dirty work! -And take all the chances! | 0:46:19 | 0:46:22 | |
I wonder what he'd feel like if somebody were to upset his applecart? | 0:46:23 | 0:46:27 | |
Well, why not? | 0:46:29 | 0:46:31 | |
So, we're going to do what Simon would have done | 0:46:31 | 0:46:34 | |
if it hadn't been for that fool inspector. | 0:46:34 | 0:46:37 | |
But Pat, the whole thing's crazy! | 0:46:37 | 0:46:39 | |
-Bentley and Bittle are respectable citizens. -No, it isn't crazy. | 0:46:39 | 0:46:42 | |
Besides, think of the new headlines! | 0:46:42 | 0:46:45 | |
Yes, it would make a jolly good story. Hijacking a yacht. | 0:46:45 | 0:46:48 | |
-It'll be a sensation if we get away with it! -Tiddy, you're an angel! | 0:46:50 | 0:46:53 | |
-All right, we'll meet, the three of us, at 10 o'clock. -Yes, Miss Pat. | 0:46:53 | 0:46:59 | |
Of all your stupid blunders, this beats the lot! | 0:46:59 | 0:47:01 | |
You've been telling me for the past hour! | 0:47:01 | 0:47:04 | |
-Arresting you, Saint, even by mistake, is a pleasure. -Shut up! | 0:47:04 | 0:47:07 | |
Pull in here. | 0:47:08 | 0:47:10 | |
HE LAUGHS | 0:47:12 | 0:47:17 | |
-What's the big idea? -I'm stupid, am I? | 0:47:17 | 0:47:20 | |
-Then you knew all the time that I hadn't done it? -Certainly! | 0:47:20 | 0:47:24 | |
Aye, you were priceless! It did my heart good to watch you burn! | 0:47:24 | 0:47:28 | |
-You'll never let me hear the last of this! -Not if I can help it! | 0:47:28 | 0:47:31 | |
And remember, from now on, I'M in charge! | 0:47:31 | 0:47:35 | |
You know, we ought to have police help. | 0:47:46 | 0:47:48 | |
If you wanted a brass band and a reception committee. | 0:47:48 | 0:47:51 | |
Here, you can't break in! I'm an officer of the law! | 0:47:56 | 0:47:59 | |
A little honest burglary will do you good. | 0:47:59 | 0:48:01 | |
You oughtn't do this. | 0:48:05 | 0:48:07 | |
-If the Yard ever heard of this... -Come on. | 0:48:10 | 0:48:13 | |
If we only had wings. | 0:48:20 | 0:48:23 | |
Even if your guess was right, it'd take us hours to find it. | 0:48:23 | 0:48:26 | |
-Well, don't worry, I know where to find it. -Who told you? -You did. | 0:48:26 | 0:48:28 | |
-Huh? -When you said, "nobody came out of the office but me." | 0:48:28 | 0:48:32 | |
-Well... -Are you pulling my leg again? | 0:48:45 | 0:48:47 | |
Mm-mm. | 0:48:47 | 0:48:49 | |
WHIRRING | 0:48:52 | 0:48:54 | |
-Well, I... -All right, later, there isn't time now. Ready to go? | 0:48:54 | 0:48:57 | |
Aye, I'm right behind you. | 0:48:57 | 0:48:58 | |
HE CRIES OUT | 0:49:06 | 0:49:08 | |
Be careful, steps. Watch yours, Pavlova. | 0:49:08 | 0:49:11 | |
-What's this? -The missing link, the smugglers' caves. | 0:49:19 | 0:49:22 | |
-Aye, then we've found the gold. -Nice work, Inspector. | 0:49:22 | 0:49:24 | |
-He's let us down. -Then we'll have to go without him. | 0:49:36 | 0:49:40 | |
FAINT VOICES | 0:50:09 | 0:50:10 | |
Well, I guess that's enough. Come on, boys. | 0:50:16 | 0:50:18 | |
WORKMEN SHOUT | 0:50:31 | 0:50:33 | |
-The gold. -At least some of it. | 0:50:46 | 0:50:49 | |
-We've caught them red-handed. -Yes, we have. -I'll arrest them. | 0:51:04 | 0:51:08 | |
What, and lose the Tiger, eh? | 0:51:08 | 0:51:10 | |
They're loading the gold onto that yacht, that's where we'll find the boys who count. | 0:51:10 | 0:51:14 | |
-Bittle and Bentley, and the Tiger. -You're right. | 0:51:14 | 0:51:16 | |
One of us will have to go back and warn the Coast Guard. | 0:51:16 | 0:51:19 | |
-Good idea, you go. -And leave you here? Not on your Nelly. | 0:51:19 | 0:51:22 | |
One more carload, Paddy, and that will be the finish of them. | 0:51:44 | 0:51:46 | |
It will be the finish of me and my boat, so it will. | 0:51:46 | 0:51:50 | |
What do you think this is? The Queen Mary?! | 0:51:50 | 0:51:53 | |
THEY LAUGH | 0:51:53 | 0:51:54 | |
What's next? | 0:51:59 | 0:52:01 | |
-We wait for another load. -And then? | 0:52:01 | 0:52:03 | |
You'll have another hunch. | 0:52:03 | 0:52:06 | |
You'd better let me go first. | 0:52:22 | 0:52:24 | |
-What? -OK. | 0:53:00 | 0:53:03 | |
Here, tell Paddy to hurry with that last load of stuff, will you? | 0:53:04 | 0:53:08 | |
-The boss is burning, he wants to get underway. -All right. | 0:53:08 | 0:53:11 | |
-We'll separate here. -And slug anyone we meet. -Without sneezing. -Yes, sir. | 0:53:41 | 0:53:47 | |
-And don't leave any dead bodies lying around. -No. Of course not. | 0:53:47 | 0:53:50 | |
-Well, that's the lot. -Fine, I'm really glad to hear it. | 0:53:57 | 0:54:02 | |
-Enjoy your trip, Paddy. -I will. -Come on, fellas. -Goodbye. | 0:54:02 | 0:54:06 | |
Aye, that settles you, Paddy. | 0:54:14 | 0:54:16 | |
He's double-crossed me! | 0:54:29 | 0:54:30 | |
-Aye-aye. -OK, Paddy? -Sure, let it come. -Aye-aye. | 0:54:38 | 0:54:42 | |
Woah. | 0:54:50 | 0:54:52 | |
DOOR OPENS | 0:54:57 | 0:54:59 | |
BANGING AND SCUFFLING | 0:55:15 | 0:55:18 | |
Got her filled, Paddy? | 0:55:33 | 0:55:35 | |
-Sure, and be careful, it's an extra valuable load you get this time. -OK. | 0:55:35 | 0:55:41 | |
Bring her up, Jim. | 0:55:41 | 0:55:43 | |
Hey, you, this message just came aboard, get it to the boss, quick. | 0:56:01 | 0:56:04 | |
Aye-aye, sir. | 0:56:04 | 0:56:06 | |
MUFFLED CRY | 0:56:23 | 0:56:25 | |
MUFFLED CRY | 0:57:15 | 0:57:17 | |
You dea... HE GROANS | 0:57:22 | 0:57:24 | |
Well, I don't know who started all of this, | 0:57:26 | 0:57:28 | |
but it's certainly a good idea. | 0:57:28 | 0:57:30 | |
Well, Burton... | 0:57:45 | 0:57:46 | |
Never mind, I'll see your boss gets his supper. | 0:57:49 | 0:57:52 | |
Well, I'll be... | 0:57:54 | 0:57:57 | |
Mr Templar. | 0:57:57 | 0:57:59 | |
Do you mind telling me why you're on this boat? | 0:58:02 | 0:58:06 | |
I expect, young man, for the same reason that you are. Roulette. | 0:58:06 | 0:58:10 | |
-Roulette? -Yes, of course for quick action I prefer Shimmy, | 0:58:10 | 0:58:13 | |
but this looked like my chance to recoup, | 0:58:13 | 0:58:15 | |
so I accepted Mr Bentley's invitation. | 0:58:15 | 0:58:18 | |
I didn't get one. | 0:58:18 | 0:58:19 | |
-Horace, what's that? -You shouldn't leave them lying about! | 0:58:27 | 0:58:29 | |
He's not mine. Must be one of yours. | 0:58:29 | 0:58:32 | |
Do you think I don't know my own bodies? | 0:58:32 | 0:58:35 | |
Either we're very forgetful, or we have rivals onboard. | 0:58:35 | 0:58:38 | |
MAN GROANS | 0:58:38 | 0:58:40 | |
Hi, it's Bertie. How nice. Where do I find the Tiger? | 0:58:40 | 0:58:44 | |
-What? -The Tiger. Where's his cabin? | 0:58:44 | 0:58:47 | |
I don't know. Oh, not again, not again! | 0:58:47 | 0:58:49 | |
-Come on now. -He's in the cabin on the upper deck. | 0:58:49 | 0:58:52 | |
Take him out of sight somewhere. I'll be on the upper deck. | 0:58:54 | 0:58:58 | |
Come on. Inside, Lug. Come on. Make it snappy. | 0:58:58 | 0:59:01 | |
Drop that gun. | 0:59:33 | 0:59:35 | |
-Wise girl, Pat. -Quite the little heroine, eh. | 0:59:39 | 0:59:42 | |
-I came here to meet the Tiger. -Well, you won't find him here. | 0:59:44 | 0:59:48 | |
No, we persuaded him a sea trip would be bad for his health. | 0:59:48 | 0:59:51 | |
Foolish of you to join us, but very charming of you, my dear. | 0:59:51 | 0:59:57 | |
We really had rotten luck. We couldn't seem to pick a winner. | 0:59:57 | 1:00:01 | |
But you kept playing the races? | 1:00:01 | 1:00:03 | |
Only the ponies. Merrydew suspected that the dogs are a racket. | 1:00:03 | 1:00:06 | |
-And the late lamented Joe Gallo was your London bookie? -Yes. | 1:00:06 | 1:00:11 | |
Then we won a lot of money on a terrific long shot. | 1:00:11 | 1:00:15 | |
-Then Joe let us down. -You mean he let himself get murdered? | 1:00:16 | 1:00:19 | |
Well, it wasn't quite honest of him. We never got our money. | 1:00:19 | 1:00:23 | |
Joe was nearly frantic, we didn't know what to do. | 1:00:23 | 1:00:26 | |
-And so you decided to take a chance on Bentley's roulette? -Yes. | 1:00:26 | 1:00:30 | |
-I do wish he'd get started. -Well, I'll see what I can do about it. | 1:00:30 | 1:00:34 | |
Hey, mister? | 1:00:58 | 1:00:59 | |
-Oh, Horace! -What, Mr Templar! But you're in London? | 1:00:59 | 1:01:03 | |
Just another rumour, Horace. | 1:01:03 | 1:01:05 | |
-Well, we came aboard... -"We?" Who's "we". | 1:01:05 | 1:01:06 | |
-And tell Captain Max to come here right away. -I'll get him. | 1:01:06 | 1:01:11 | |
So now we start our little cruise. | 1:01:12 | 1:01:14 | |
I hope that before we reach Cape Town, we shall be real friends. | 1:01:15 | 1:01:19 | |
Who the blazes? | 1:01:24 | 1:01:25 | |
-Where did this come from? -One of the crew brought it in for you. | 1:01:25 | 1:01:28 | |
Did you do this? | 1:01:30 | 1:01:31 | |
-TEMPLAR: -No, I did. | 1:01:31 | 1:01:33 | |
I'm sorry to arrive uninvited, but this is not a social call. | 1:01:34 | 1:01:37 | |
-I'm so glad, Simon. -Thank you, Pat. | 1:01:37 | 1:01:40 | |
But I don't think our friends here quite share your enthusiasm. | 1:01:40 | 1:01:44 | |
Drop it, Saint. SHE GASPS | 1:01:45 | 1:01:47 | |
Smart work, Eddie. Get under way at once, Max. | 1:01:51 | 1:01:53 | |
Aye-aye, sir. | 1:01:53 | 1:01:55 | |
All I seem to do is pick up artillery. | 1:01:56 | 1:02:00 | |
Deserting Baycombe, eh? Inspector Teal won't like that, you know. | 1:02:00 | 1:02:03 | |
Where is he? | 1:02:03 | 1:02:05 | |
Gathering bunches of big, bad policeman. He should be along any minute now. | 1:02:05 | 1:02:08 | |
-He'll be too late. We're sailing. -Hmm, maybe. | 1:02:10 | 1:02:13 | |
We'll sail all right, Templar, | 1:02:13 | 1:02:16 | |
but I'm afraid you won't be with us for long. | 1:02:16 | 1:02:18 | |
-Counting your chickens again, eh, Bentley? -MECHANICAL GRINDING | 1:02:18 | 1:02:21 | |
Uh-uh. Sailing indefinitely postponed. | 1:02:21 | 1:02:24 | |
Maybe the engineer couldn't cope with his engine, without his Pat. | 1:02:24 | 1:02:28 | |
On account of engine trouble. | 1:02:28 | 1:02:29 | |
It's no good, sir. The oil pump's jammed. | 1:02:29 | 1:02:32 | |
Maggie, is that what I did with my little monkey wrench? | 1:02:32 | 1:02:36 | |
-Why, you...! -Now, don't lose your temper. | 1:02:36 | 1:02:38 | |
Max, get on with the repairs. | 1:02:38 | 1:02:40 | |
We can't find the engineer, sir. | 1:02:40 | 1:02:41 | |
HORACE LAUGHS | 1:02:41 | 1:02:43 | |
Try Cabin Number Ten. | 1:02:43 | 1:02:44 | |
He's sleeping like a baby...only his face is redder. | 1:02:44 | 1:02:47 | |
-Get to work. See to it, Eddie. -Right. | 1:02:47 | 1:02:51 | |
Well, I bet I miss that dip in the ocean you promised me. | 1:02:54 | 1:02:57 | |
You'd lose, Templar. | 1:02:57 | 1:02:59 | |
Not another murder, Bentley. | 1:03:01 | 1:03:03 | |
This...is the finish. | 1:03:05 | 1:03:08 | |
GUNSHOT, GROANING | 1:03:09 | 1:03:12 | |
-TIDEMARSH: Drop that gun, Bittle. -Hooray, Old Stop-Press Tidemarsh! | 1:03:12 | 1:03:16 | |
-My Tiddy! -Don't move, any of you. | 1:03:16 | 1:03:19 | |
So YOU'RE The Tiger. | 1:03:19 | 1:03:22 | |
-Yes. -But you're licked. | 1:03:22 | 1:03:25 | |
Not yet. I've got the gold on the yacht. | 1:03:25 | 1:03:29 | |
And I'm going to finish this little job alone. | 1:03:30 | 1:03:33 | |
-How about your friends here? -They're through, they're all washed up. | 1:03:33 | 1:03:38 | |
They tried to double-cross me, the rats. | 1:03:39 | 1:03:43 | |
Well, now it's your turn to look in the small end of a gun. | 1:03:43 | 1:03:48 | |
I've no grudge against you, Saint. You play hard but you play fair. | 1:03:49 | 1:03:52 | |
So get ashore with your friends - while I settle with mine. | 1:03:52 | 1:03:56 | |
Thanks, Tidemarsh, I almost wish you could get away with it. | 1:03:56 | 1:04:00 | |
We'd have made a great team, Saint. You and I. | 1:04:02 | 1:04:06 | |
GUNSHOT | 1:04:06 | 1:04:08 | |
AGONISED GROAN | 1:04:10 | 1:04:12 | |
Please make a move, just a small one. I'm dying to plug two skunks. | 1:04:15 | 1:04:19 | |
Poor, mad Tiddy. | 1:04:20 | 1:04:22 | |
Now that'll be Teal. He's missed the bus again. Watch them, Horace. | 1:04:31 | 1:04:34 | |
-If they move a hand, they'd lose a head. -Come on. | 1:04:34 | 1:04:38 | |
Uh-uh! | 1:04:44 | 1:04:45 | |
Search the ship. Hey, Templar. You've tricked me again. | 1:04:49 | 1:04:53 | |
-No, I kept my promise. -The Tiger? -Yes, he's dead. | 1:04:53 | 1:04:56 | |
But there's a couple of live murderers you can have. | 1:04:56 | 1:04:58 | |
-What about the gold? -That's for me. -Hey, but you can't do that! | 1:04:58 | 1:05:02 | |
-Oh, don't be childish. I made a deal with the insurance company. -What? | 1:05:02 | 1:05:05 | |
20% commission for finding their gold. | 1:05:05 | 1:05:07 | |
They're sending for it tomorrow. Now, will you take over, Teal? | 1:05:07 | 1:05:10 | |
-I want to send Horace ashore with Pat. -All right. | 1:05:10 | 1:05:13 | |
You're not coming ashore? | 1:05:15 | 1:05:17 | |
Well, I'm going to finish the job - and annoy Teal. | 1:05:17 | 1:05:19 | |
-Pat, you've been swell. -I'll see you again, won't I? -Tomorrow for lunch? | 1:05:19 | 1:05:24 | |
Lovely, and after that? | 1:05:24 | 1:05:26 | |
Well, halfway around the world there's a big, fat crook | 1:05:26 | 1:05:28 | |
with far too much money and I'm going to have lots of fun with him. | 1:05:28 | 1:05:33 | |
Well, if ever you want a cottage with a thatched roof, | 1:05:33 | 1:05:36 | |
-furnished with earwigs and spiders... -I'll know where to come. | 1:05:36 | 1:05:39 | |
-Thanks, Pat...for everything. -How about me, sir? | 1:05:41 | 1:05:45 | |
Of course, you're wonderful but you don't get kissed. | 1:05:45 | 1:05:48 | |
Oh, yes, he does! | 1:05:48 | 1:05:50 | |
GUNSHOT | 1:05:50 | 1:05:52 | |
THEY LAUGH | 1:05:52 | 1:05:53 | |
Subtitles by Red Bee Media Ltd | 1:05:55 | 1:05:57 |