
Browse content similar to The Saint's Double Trouble. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
My dear sir, you should have telephoned. | 0:01:25 | 0:01:27 | |
We would have sent for your package. | 0:01:27 | 0:01:28 | |
That's quite all right. I was in a hurry. | 0:01:28 | 0:01:30 | |
I want to get this off on the 6:00 express. | 0:01:30 | 0:01:32 | |
Yes, sir. You wish to prepay the charges? | 0:01:32 | 0:01:34 | |
How much? | 0:01:34 | 0:01:35 | |
£4.06, sir. | 0:01:35 | 0:01:37 | |
Excuse me, may I have one of those pyramid tour folders, please? | 0:01:56 | 0:01:59 | |
Certainly, sir. | 0:01:59 | 0:02:02 | |
Thank you. | 0:02:07 | 0:02:09 | |
Package for Professor Bitts. | 0:02:30 | 0:02:32 | |
All right, bring it in. | 0:02:32 | 0:02:35 | |
Package for you, Professor. | 0:02:44 | 0:02:48 | |
It's all paid for. Sign right here. | 0:02:48 | 0:02:52 | |
From S Templar. | 0:03:08 | 0:03:10 | |
Cairo, Egypt. Well! | 0:03:10 | 0:03:13 | |
Anne! | 0:03:13 | 0:03:16 | |
Anne, bring me a pair of scissors | 0:03:16 | 0:03:18 | |
and a knife, quick. | 0:03:18 | 0:03:19 | |
Anne! | 0:03:19 | 0:03:21 | |
Here are the scissors, father. | 0:03:21 | 0:03:24 | |
Look, Anne, look. It's from Simon Templar. The scamp's in Egypt. | 0:03:24 | 0:03:27 | |
Nice of him to remember you. | 0:03:27 | 0:03:28 | |
I think I know what it is. | 0:03:28 | 0:03:30 | |
Years ago, he promised me one, | 0:03:30 | 0:03:32 | |
and I wager this is it. | 0:03:32 | 0:03:34 | |
Perhaps you're being a little optimistic | 0:03:34 | 0:03:35 | |
depending on Simon's promises. | 0:03:35 | 0:03:38 | |
How can you say that, my dear? | 0:03:38 | 0:03:39 | |
He's a very dependable chap. | 0:03:39 | 0:03:41 | |
Give me the poker. I ought to know, | 0:03:41 | 0:03:43 | |
-didn't I tutor him in England for 3 years? -Yes, I know, father. | 0:03:43 | 0:03:47 | |
Didn't I graduate him at Weldon Hall with the highest honour? | 0:03:47 | 0:03:49 | |
Of course. But his career since | 0:03:49 | 0:03:51 | |
hasn't been one you can be so proud of, has it? | 0:03:51 | 0:03:54 | |
-A crook, a criminal? -He's not a crook nor a criminal. | 0:03:54 | 0:03:57 | |
He's never been convicted of a crime. | 0:03:57 | 0:03:59 | |
-Has he? -More's the pity. | 0:03:59 | 0:04:02 | |
"Dear old Bitts, this is the mummy of King Amenok III. | 0:04:05 | 0:04:10 | |
"He died 4,000 years ago. | 0:04:10 | 0:04:14 | |
Someday I'll tell you how I got it. ST". | 0:04:14 | 0:04:17 | |
Look at this, Anne. | 0:04:17 | 0:04:20 | |
You see? A mummy I'll be proud to present to the National Museum. | 0:04:20 | 0:04:24 | |
It's after 9:00, father, you'd better hurry. | 0:04:24 | 0:04:27 | |
-You'll be late for your class. -It's true. True. | 0:04:27 | 0:04:29 | |
I'll put it away until I can find time | 0:04:29 | 0:04:32 | |
to give it the proper study. | 0:04:32 | 0:04:34 | |
There, now it's safe. | 0:04:44 | 0:04:46 | |
And I won't send it to the museum | 0:04:46 | 0:04:48 | |
until I've gotten the complete history from Simon. | 0:04:48 | 0:04:50 | |
No doubt, some day when you least expect it, | 0:04:50 | 0:04:53 | |
the Saint will drop in and tell you the story | 0:04:53 | 0:04:55 | |
of how he stole the mummy. | 0:04:55 | 0:04:57 | |
But the Saint didn't steal the mummy, Anne. | 0:04:57 | 0:05:00 | |
Or did he? | 0:05:02 | 0:05:03 | |
A gentleman to see you, inspector. | 0:05:07 | 0:05:09 | |
Henry Fernack, you old rascal. | 0:05:09 | 0:05:11 | |
Nice seeing you, John. | 0:05:11 | 0:05:13 | |
Say, you're a sight for sore eyes. | 0:05:13 | 0:05:15 | |
What particular piece of business | 0:05:15 | 0:05:16 | |
brings you to Philadelphia? | 0:05:16 | 0:05:18 | |
No business at all, I'm on vacation. | 0:05:18 | 0:05:20 | |
Oh, I see. | 0:05:20 | 0:05:22 | |
A streetcar conductor's holiday. | 0:05:22 | 0:05:24 | |
You come over here for a vacation, | 0:05:24 | 0:05:25 | |
the first place you head for is the police department. | 0:05:25 | 0:05:27 | |
I just thought I'd like to see some of the old gang, | 0:05:27 | 0:05:29 | |
you know, it's been more years than I like to remember | 0:05:29 | 0:05:31 | |
since I worked on the force over here. | 0:05:31 | 0:05:33 | |
Say, tell you what I'll do. | 0:05:33 | 0:05:35 | |
I'll arrange for a dinner | 0:05:35 | 0:05:37 | |
over at Clancy's Chophouse tonight. | 0:05:37 | 0:05:38 | |
-We'll have all the old gang there. -Fine! | 0:05:38 | 0:05:41 | |
-INTERCOM BUZZING -Yes? | 0:05:41 | 0:05:43 | |
MAN: Sergeant Ryan is here, Inspector. | 0:05:43 | 0:05:44 | |
I'll see him in a minute. | 0:05:44 | 0:05:46 | |
Well, you heard who that was. | 0:05:46 | 0:05:48 | |
-Dubby. -Your old sidekick. | 0:05:48 | 0:05:50 | |
He's on the desk at the city jail now. | 0:05:50 | 0:05:52 | |
I don't want him to see you | 0:05:52 | 0:05:54 | |
and tip off the gang. | 0:05:54 | 0:05:55 | |
I want to surprise them tonight. | 0:05:55 | 0:05:56 | |
Come on, get out of here. | 0:05:56 | 0:05:58 | |
-Meet me here at 8:00. -I'll be here. | 0:05:58 | 0:06:00 | |
KNOCKING ON WINDOW | 0:06:22 | 0:06:26 | |
Who did that? Who's there?! | 0:06:29 | 0:06:32 | |
Hello, Professor. | 0:06:33 | 0:06:36 | |
Simon! You young scallywag! | 0:06:36 | 0:06:38 | |
-How dare you frighten me so! -Oh, I'm so sorry, | 0:06:38 | 0:06:41 | |
should I go around to the front door? | 0:06:41 | 0:06:42 | |
-Nothing of the sort. Come right in here. -All right. | 0:06:42 | 0:06:45 | |
Well, sir, where have you been? | 0:06:45 | 0:06:47 | |
When did you leave Cairo? Why haven't you written me? | 0:06:47 | 0:06:49 | |
Just a minute, which question shall I answer first? | 0:06:49 | 0:06:51 | |
Well, what I would like to know is... TELEPHONE RINGS | 0:06:51 | 0:06:54 | |
Hello? Yes. | 0:06:54 | 0:06:56 | |
Oh, yes. That is, no, no. | 0:06:56 | 0:06:58 | |
I haven't forgotten. | 0:06:58 | 0:06:59 | |
I'll be over right away. Good-bye. | 0:06:59 | 0:07:01 | |
To tell the truth, I had forgotten. | 0:07:01 | 0:07:03 | |
It's a faculty meeting that I must attend. | 0:07:03 | 0:07:05 | |
-Oh, I see. -You make yourself comfortable | 0:07:05 | 0:07:08 | |
and wait for me right here. | 0:07:08 | 0:07:09 | |
Thanks. Oh, by the way, Professor, | 0:07:09 | 0:07:10 | |
did you receive that little present I sent you? | 0:07:10 | 0:07:12 | |
You mean King Amenok? | 0:07:12 | 0:07:14 | |
Yes. | 0:07:14 | 0:07:15 | |
-He arrived this morning in good condition. -Good. | 0:07:15 | 0:07:17 | |
I knew you wouldn't forget your promise, Simon, | 0:07:17 | 0:07:19 | |
-even if Anne did say that I couldn't depend on you. -Anne? | 0:07:19 | 0:07:24 | |
Yes, and I might tell you that even though you were her idol | 0:07:24 | 0:07:27 | |
in the old days at Weldon Hall, | 0:07:27 | 0:07:29 | |
-she doesn't quite approve of you now. -No, I presume not. | 0:07:29 | 0:07:32 | |
Suppose that you don't tell her that I'm here. | 0:07:32 | 0:07:34 | |
-I won't. -And by the way, Professor, do you mind | 0:07:34 | 0:07:36 | |
if I have a look at old Amenok while you're gone? | 0:07:36 | 0:07:38 | |
Not at all. Here, this is the key. | 0:07:38 | 0:07:40 | |
He's in the vault there. And when I get back, | 0:07:40 | 0:07:42 | |
-you've got to tell me the whole story about him. -Don't worry, I will. | 0:07:42 | 0:07:46 | |
Thank you, dear. Don't wait up for me, | 0:08:11 | 0:08:14 | |
-I'll probably be very late. -All right, father. | 0:08:14 | 0:08:17 | |
-Good night. -Good night. | 0:08:17 | 0:08:19 | |
Simon! | 0:08:53 | 0:08:54 | |
Hello. | 0:08:54 | 0:08:56 | |
What are you doing in the vault? | 0:08:56 | 0:08:58 | |
Oh, just looking around. | 0:08:58 | 0:09:00 | |
How did you get in there? | 0:09:00 | 0:09:01 | |
Your father gave me the key. | 0:09:01 | 0:09:03 | |
And as you can see, I haven't stolen anything. | 0:09:03 | 0:09:06 | |
I wouldn't believe it unless I searched you. | 0:09:06 | 0:09:08 | |
All right, go ahead and search me. | 0:09:08 | 0:09:09 | |
You're not very glad to see me again, are you, Anne? | 0:09:12 | 0:09:14 | |
You haven't exactly developed into my ideal. | 0:09:14 | 0:09:17 | |
But I am rather glad to see you again. | 0:09:19 | 0:09:22 | |
I have something I've long wanted to return to you. | 0:09:22 | 0:09:26 | |
Here. | 0:09:26 | 0:09:27 | |
Do you remember when you gave it to me? | 0:09:30 | 0:09:32 | |
The day you graduated at Weldon Hall, | 0:09:32 | 0:09:35 | |
when I was a lovesick child of 16. | 0:09:35 | 0:09:37 | |
You told me it was a lucky token. | 0:09:37 | 0:09:41 | |
For a long time after you were gone I treasured it. | 0:09:41 | 0:09:44 | |
And then one day, I read about the Saint. | 0:09:44 | 0:09:47 | |
-And you were disillusioned. -Exactly. | 0:09:47 | 0:09:51 | |
So thank you very much for calling this evening | 0:09:51 | 0:09:53 | |
and giving me this opportunity to return it to you and... | 0:09:53 | 0:09:56 | |
And tell me what a perfect 14-karat bounder | 0:09:56 | 0:09:58 | |
-you think I am, I know. -Hungry? | 0:09:58 | 0:10:02 | |
Famished. I didn't have any dinner, I've been so busy. | 0:10:02 | 0:10:04 | |
There are some sandwiches in the pantry. | 0:10:04 | 0:10:06 | |
I'll bring you some. | 0:10:06 | 0:10:08 | |
Oh, hello, Henry. Are you all ready? | 0:11:06 | 0:11:08 | |
You bet. I'm as hungry as a wolf. | 0:11:08 | 0:11:09 | |
Been saving my appetite. | 0:11:09 | 0:11:10 | |
Good. I've invited six of the boys to have dinner with us, | 0:11:10 | 0:11:14 | |
but I didn't tell them I was bringing you along. | 0:11:14 | 0:11:16 | |
We'll have a grand time. | 0:11:16 | 0:11:17 | |
INTERCOM BUZZING | 0:11:17 | 0:11:20 | |
Yes? | 0:11:23 | 0:11:25 | |
MAN: Miller speaking, Inspector Bohlen. | 0:11:25 | 0:11:26 | |
A man found dead in the garden | 0:11:26 | 0:11:28 | |
of Professor Bitts' home at the university. | 0:11:28 | 0:11:29 | |
-The chief wants you to go right over. -All right. | 0:11:29 | 0:11:32 | |
I might have known it. | 0:11:32 | 0:11:34 | |
Oh, come on, Henry, we'll just run over, look into this, | 0:11:34 | 0:11:36 | |
and still be in plenty of time to meet the boys. | 0:11:36 | 0:11:39 | |
Something tells me I should have brought a lunch basket along. | 0:11:39 | 0:11:42 | |
Well, thank you, Professor. | 0:11:42 | 0:11:43 | |
-We won't need you anymore. -Of course, very well. | 0:11:43 | 0:11:46 | |
Well, it's evident that Bitts and his daughter | 0:11:48 | 0:11:50 | |
don't know anything about it. | 0:11:50 | 0:11:51 | |
-Satisfied you can depend on them? -Sure. | 0:11:51 | 0:11:54 | |
Here you are, Chief. | 0:11:55 | 0:11:58 | |
Dead when you got here, Sadler? | 0:11:58 | 0:12:00 | |
Yes, sir, but still warm. | 0:12:00 | 0:12:01 | |
He was knifed in the back. | 0:12:01 | 0:12:03 | |
Any identification? | 0:12:04 | 0:12:05 | |
His pockets were as clean as a whistle. | 0:12:05 | 0:12:08 | |
Maybe he's travelling incognito. | 0:12:08 | 0:12:10 | |
Well, let's take a look around the yard. | 0:12:10 | 0:12:14 | |
Hey, John. | 0:12:21 | 0:12:22 | |
What have you got there? | 0:12:24 | 0:12:26 | |
It's not what I've got, you've got trouble on your hands. | 0:12:26 | 0:12:28 | |
The Saint is in Philadelphia. | 0:12:28 | 0:12:30 | |
-But we've had no word he was even in America. -Neither have I, | 0:12:30 | 0:12:33 | |
but that is mighty conclusive proof. | 0:12:33 | 0:12:36 | |
Fernack, you know the Saint. | 0:12:36 | 0:12:37 | |
None of the officers in Philadelphia do. | 0:12:37 | 0:12:39 | |
Oh, now, John, no, wait just a minute. | 0:12:39 | 0:12:41 | |
-You've got to help me. -Oh, fine vacation. | 0:12:41 | 0:12:44 | |
Come on. | 0:12:44 | 0:12:46 | |
Oh, he's right over there, Coroner. | 0:12:46 | 0:12:47 | |
-Give me the report at my office. -Yes, sir. | 0:12:47 | 0:12:50 | |
-Say, John, there's one important thing you've forgotten. -What? | 0:12:50 | 0:12:53 | |
I'm hungry. | 0:12:53 | 0:12:54 | |
Oh, I'm sorry about that, Henry, | 0:12:54 | 0:12:55 | |
but I'm afraid it's too late to meet the boys tonight. | 0:12:55 | 0:12:58 | |
I guess you'll have to have dinner at the hotel. | 0:12:58 | 0:13:00 | |
I tell you what I'll do, | 0:13:00 | 0:13:02 | |
I'll drop you off there on my way to headquarters. | 0:13:02 | 0:13:03 | |
No, thanks, I'll walk. | 0:13:03 | 0:13:05 | |
I'll eat a bite on the way and see if I get any ideas. | 0:13:05 | 0:13:08 | |
See you in the morning. Call me if you get a lead. | 0:13:08 | 0:13:10 | |
I will. | 0:13:10 | 0:13:11 | |
Say, Henry, if we can get the Saint this time, | 0:13:11 | 0:13:14 | |
-we'll send him away for good. -Sure. Good night. | 0:13:14 | 0:13:17 | |
Good night. | 0:13:17 | 0:13:18 | |
IF we get the Saint. | 0:13:19 | 0:13:22 | |
SIMON WHISTLING | 0:13:35 | 0:13:38 | |
The Saint! | 0:13:41 | 0:13:42 | |
I'll take that, Henry, if you don't mind. | 0:13:42 | 0:13:45 | |
Really, you know, you shouldn't be so inhospitable. | 0:13:45 | 0:13:48 | |
Thank you so much. | 0:13:48 | 0:13:50 | |
Now won't you sit down? | 0:13:50 | 0:13:53 | |
What are you doing here, Templar? | 0:13:53 | 0:13:55 | |
I just dropped in to renew our acquaintanceship. | 0:13:55 | 0:13:57 | |
You see, I like you, Henry. | 0:13:57 | 0:14:00 | |
I don't suppose it matters, | 0:14:00 | 0:14:01 | |
but how did you find out I was at this hotel? | 0:14:01 | 0:14:03 | |
I called your office the moment I got off the boat. | 0:14:03 | 0:14:05 | |
They told me you were on holiday in Philadelphia. | 0:14:05 | 0:14:08 | |
It wasn't very difficult to trace you here. | 0:14:08 | 0:14:09 | |
I see. Have a drink. | 0:14:09 | 0:14:11 | |
Thanks. Now you're becoming the perfect host. | 0:14:11 | 0:14:15 | |
You say you just got off a boat? | 0:14:17 | 0:14:19 | |
Mm-hmm. Left Cairo about a month ago, bound for Manila. | 0:14:19 | 0:14:23 | |
I only intended to stop off in Philadelphia | 0:14:23 | 0:14:25 | |
to visit my old friend Professor Bitts. | 0:14:25 | 0:14:28 | |
-Professor Bitts, yeah, I know him. -Dear old chap, isn't he? | 0:14:28 | 0:14:31 | |
I was over at his house less than an hour ago. | 0:14:31 | 0:14:33 | |
There's been a murder over there. | 0:14:33 | 0:14:35 | |
Henry, Henry. | 0:14:36 | 0:14:39 | |
I found this on the body. | 0:14:40 | 0:14:43 | |
-Silly of me, wasn't it? -Templar, up to now | 0:14:51 | 0:14:54 | |
I've had kind of a suppressed admiration for you. | 0:14:54 | 0:14:57 | |
I don't know why, maybe it's because | 0:14:57 | 0:14:59 | |
I always thought you were on the side of the underdog. | 0:14:59 | 0:15:01 | |
I've even helped you when I knew I shouldn't. | 0:15:01 | 0:15:03 | |
But this time, I'm going to put you away for a cold-blooded murder. | 0:15:03 | 0:15:06 | |
-Now, please, Henry. -And why shouldn't I? | 0:15:06 | 0:15:08 | |
Surely you don't think I'm capable | 0:15:08 | 0:15:10 | |
of a cold-blooded murder, do you? | 0:15:10 | 0:15:13 | |
Well, no. | 0:15:13 | 0:15:16 | |
But if it wasn't you, | 0:15:16 | 0:15:18 | |
who the devil put that Saint card on the corpse? | 0:15:18 | 0:15:20 | |
I haven't the faintest idea. | 0:15:20 | 0:15:21 | |
If for one minute you expect me to believe you weren't there, | 0:15:21 | 0:15:23 | |
you've got another guess coming. As to whether you killed the man, | 0:15:23 | 0:15:26 | |
that's a horse of another colour. | 0:15:26 | 0:15:27 | |
Templar, for once, don't go around | 0:15:27 | 0:15:29 | |
masquerading as what you're not. | 0:15:29 | 0:15:31 | |
You might fool these local police, but me, never. | 0:15:31 | 0:15:33 | |
-Are you sure, Henry? -Positive! Have you forgotten I know about | 0:15:33 | 0:15:36 | |
that cross-shaped scar on your right wrist? | 0:15:36 | 0:15:39 | |
Yes, I had forgotten. Well, let's go. | 0:15:39 | 0:15:43 | |
Go? Where? I'll not be seen in public with you. | 0:15:43 | 0:15:46 | |
I assure you that this will be very private. | 0:15:46 | 0:15:48 | |
First I want to know where we're going. | 0:15:48 | 0:15:50 | |
We're going to pay a visit on my old friend, | 0:15:50 | 0:15:52 | |
Professor Bitts. Come along, Henry. | 0:15:52 | 0:15:55 | |
Were you ever interested in astronomy, Simon? | 0:16:06 | 0:16:09 | |
Oh, yes, very much so. | 0:16:09 | 0:16:11 | |
It's a pity the sky is overcast tonight, | 0:16:11 | 0:16:13 | |
we might be seeing a few stars, eh? | 0:16:13 | 0:16:16 | |
Templar, you'll be seeing plenty of stars one of these nights. | 0:16:16 | 0:16:19 | |
Oh, come in, Mr Fernack, and uh... | 0:16:21 | 0:16:25 | |
Well, don't you recognise him, Professor? | 0:16:30 | 0:16:32 | |
Why, no, I don't. | 0:16:32 | 0:16:35 | |
-That's Simon Templar, the Saint! -The Saint? | 0:16:35 | 0:16:38 | |
Thanks for your efforts, Professor, | 0:16:38 | 0:16:39 | |
but it's no use trying to fool inspector Fernack. | 0:16:39 | 0:16:41 | |
-Oh, no? -No. | 0:16:41 | 0:16:43 | |
Oh, yes, of course. | 0:16:43 | 0:16:44 | |
Won't you come into the study? | 0:16:44 | 0:16:46 | |
Look, Anne, look who's here. | 0:16:50 | 0:16:53 | |
-Who is he? -It's no use, my dear. | 0:16:53 | 0:16:55 | |
Mr Fernack knows he's Simon Templar. | 0:16:55 | 0:16:57 | |
Oh, really? | 0:16:57 | 0:16:59 | |
Nice seeing you again after so many years. Won't you sit down? | 0:16:59 | 0:17:03 | |
Oh, thank you. You sit down here, won't you? | 0:17:03 | 0:17:06 | |
Mr Fernack, you sit here, | 0:17:06 | 0:17:07 | |
and Professor, suppose you sit at your desk, | 0:17:07 | 0:17:10 | |
and I'll sort of squat down here. | 0:17:10 | 0:17:14 | |
There, that's fine. | 0:17:14 | 0:17:16 | |
Now, Inspector Fernack tells me that you've had | 0:17:16 | 0:17:18 | |
an unpleasant incident here tonight. | 0:17:18 | 0:17:20 | |
And he insists that I was here earlier in the evening. | 0:17:20 | 0:17:23 | |
Professor, I want you to tell inspector Fernack the truth, | 0:17:23 | 0:17:26 | |
and nothing but the truth, mind you. Was I here or wasn't I here? | 0:17:26 | 0:17:29 | |
And if I was here, why did I come? | 0:17:29 | 0:17:32 | |
-Well, Simon, if you wish it, I'll tell the truth. -By all means. | 0:17:32 | 0:17:35 | |
You see, Simon had promised, years ago, | 0:17:35 | 0:17:37 | |
to send me the best specimen of a mummy he could obtain. | 0:17:37 | 0:17:40 | |
This morning the mummy arrived. | 0:17:40 | 0:17:42 | |
Simon had sent it to me from Cairo. | 0:17:42 | 0:17:45 | |
From Cairo? I see. | 0:17:45 | 0:17:47 | |
Tonight, just as I was about to leave for a faculty meeting, | 0:17:47 | 0:17:50 | |
Simon came to see me. | 0:17:50 | 0:17:52 | |
But father, you didn't tell me. | 0:17:52 | 0:17:54 | |
He asked me not to. | 0:17:54 | 0:17:56 | |
He wanted to examine the mummy, | 0:17:56 | 0:17:58 | |
so I gave him the key to the vault, | 0:17:58 | 0:18:00 | |
then I left. When I got home, he was gone. | 0:18:00 | 0:18:02 | |
That's all I know. | 0:18:02 | 0:18:04 | |
Why, you know we found a dead man in your garden! | 0:18:04 | 0:18:06 | |
We haven't got to that yet, Henry. | 0:18:06 | 0:18:08 | |
Let's proceed in the natural sequence of events. | 0:18:08 | 0:18:10 | |
A mummy! | 0:18:10 | 0:18:12 | |
Professor, do you mind if I have the key to the vault | 0:18:12 | 0:18:14 | |
so that I can convince Mr Fernack? | 0:18:14 | 0:18:16 | |
Why, certainly. | 0:18:16 | 0:18:17 | |
Oh, thanks. | 0:18:22 | 0:18:24 | |
Oh, Professor, | 0:18:37 | 0:18:39 | |
-do you mind bringing that lamp from the table? -I'll take it, father. | 0:18:39 | 0:18:42 | |
And Henry, don't move out of your chair, will you? | 0:18:42 | 0:18:44 | |
-You killed that man. -No, I did not. | 0:18:57 | 0:18:59 | |
-Don't lie, I know you did it. -How do you know? | 0:18:59 | 0:19:01 | |
-I saw the ring you slipped on his finger. -Ring, eh? | 0:19:01 | 0:19:04 | |
Yes, the lucky token that I returned to you | 0:19:04 | 0:19:07 | |
in the study a few hours ago. That's how I know. | 0:19:07 | 0:19:10 | |
Did you tell the police that? | 0:19:10 | 0:19:12 | |
-No. I wanted to protect you. -Where is it? | 0:19:12 | 0:19:17 | |
It'll never bring you any luck now. | 0:19:17 | 0:19:20 | |
We'll see. | 0:19:20 | 0:19:22 | |
I cut it, Henry. And will you please return to your seat? | 0:19:42 | 0:19:47 | |
Go and stand there by the door | 0:19:52 | 0:19:54 | |
and keep an eye on Mr Fernack, will you? | 0:19:54 | 0:19:56 | |
Thanks very much, old boy. | 0:20:08 | 0:20:10 | |
Sorry to have troubled you. | 0:20:10 | 0:20:12 | |
It's a lovely specimen, Professor, | 0:20:14 | 0:20:16 | |
I really like it better now than when I first saw it. | 0:20:16 | 0:20:18 | |
-It is a beauty, isn't it? -Well, Henry, we might as well be going | 0:20:18 | 0:20:21 | |
now that you've found out the truth. | 0:20:21 | 0:20:22 | |
But I haven't found out anything yet. | 0:20:22 | 0:20:24 | |
-What I want to know is... -Oh, yes, you have. | 0:20:24 | 0:20:26 | |
You know everything that Professor Bitts | 0:20:26 | 0:20:28 | |
and his daughter know. Come along, Henry. | 0:20:28 | 0:20:30 | |
We shall probably be calling on you again, Professor. | 0:20:32 | 0:20:34 | |
-Good night. -Good night. | 0:20:34 | 0:20:36 | |
-Did he say anything? -No. | 0:20:41 | 0:20:43 | |
I still don't believe he did it, | 0:20:43 | 0:20:44 | |
even if the police have got him. | 0:20:44 | 0:20:46 | |
From what I saw, | 0:20:46 | 0:20:47 | |
I'd say he's got the police. | 0:20:47 | 0:20:49 | |
I didn't kill that man, Henry. | 0:20:49 | 0:20:52 | |
I know you didn't. But you're involved in it | 0:20:52 | 0:20:53 | |
and I'd like to put the cuffs on you. | 0:20:53 | 0:20:55 | |
Give me 48 hours, and I'll clear up the whole matter for you. | 0:20:55 | 0:20:57 | |
I wouldn't trust you 48 minutes, | 0:20:57 | 0:20:59 | |
and if I had my gun for 48 seconds, I'd turn you in. | 0:20:59 | 0:21:01 | |
-You would? -Yes! | 0:21:01 | 0:21:03 | |
All right, we'll see if you mean that. | 0:21:03 | 0:21:06 | |
-There you are. -Put them up, Templar, | 0:21:06 | 0:21:08 | |
you're under arrest. | 0:21:08 | 0:21:10 | |
Good night, inspector. | 0:21:10 | 0:21:12 | |
-Stop, Templar, or I'll shoot. -I don't believe it. | 0:21:12 | 0:21:15 | |
HE WHISTLES | 0:21:20 | 0:21:22 | |
To think I used to be a crack shot with a pistol. | 0:21:22 | 0:21:26 | |
Hello, Limpy. | 0:21:41 | 0:21:43 | |
Hi. | 0:21:43 | 0:21:44 | |
What you got? | 0:21:44 | 0:21:47 | |
Rocks. | 0:21:47 | 0:21:48 | |
-Whose are they? -Boss's. | 0:22:00 | 0:22:03 | |
Where did he get them? | 0:22:05 | 0:22:08 | |
No, wouldn't touch them unless they were re-cut. | 0:22:12 | 0:22:14 | |
Re-cut them. | 0:22:14 | 0:22:16 | |
Not me, get somebody else. | 0:22:16 | 0:22:18 | |
-Who? -The Dutchman. | 0:22:18 | 0:22:20 | |
He's the finest diamond cutter in the business. | 0:22:20 | 0:22:22 | |
Wisecracker. | 0:22:22 | 0:22:24 | |
You know the Dutchman's been in stir in Cairo for two years. | 0:22:24 | 0:22:27 | |
You're wrong, the Dutchman's right here in town, | 0:22:27 | 0:22:29 | |
he was in my shop a couple of days ago. | 0:22:29 | 0:22:31 | |
-Said he might have some work for me. -He was in here? | 0:22:31 | 0:22:34 | |
-Yes. Tell the boss he ought to look him up. -Thanks. | 0:22:34 | 0:22:40 | |
I will. | 0:22:41 | 0:22:43 | |
Call him. | 0:24:12 | 0:24:13 | |
Hey, boss. | 0:24:16 | 0:24:18 | |
-Well? -No dice, only trouble. | 0:24:25 | 0:24:27 | |
Byrd won't touch them until they're re-cut. | 0:24:27 | 0:24:29 | |
Why didn't you have him cut them? | 0:24:29 | 0:24:30 | |
I tried, he wouldn't. That's the trouble. | 0:24:30 | 0:24:32 | |
All right. Spill it. | 0:24:32 | 0:24:34 | |
Byrd knows the Dutchman's in town. | 0:24:34 | 0:24:37 | |
-He was in his place a couple of days ago. -Yeah? | 0:24:37 | 0:24:40 | |
Say, boss, if Byrd finds out that the Dutchman | 0:24:40 | 0:24:43 | |
has crossed the great dividend, | 0:24:43 | 0:24:44 | |
he's sure to figure that you was mixed up in it. | 0:24:44 | 0:24:46 | |
-I don't trust that guy. -Neither do I. | 0:24:46 | 0:24:50 | |
Say, Limpy, why didn't you fix him? | 0:24:50 | 0:24:53 | |
I ought to go and see Byrd. | 0:24:53 | 0:24:55 | |
You know, boss, as they say in Latin, sic semper tyranium. | 0:24:55 | 0:24:59 | |
Oh, shut up. I'll take care of Byrd. | 0:24:59 | 0:25:01 | |
You and Monk stay here. | 0:25:01 | 0:25:03 | |
The partner's due in today, | 0:25:03 | 0:25:05 | |
and if he shows up while I'm gone, just tell him to wait. | 0:25:05 | 0:25:07 | |
We'll be glad to do it, | 0:25:08 | 0:25:10 | |
but it'll take perhaps two weeks | 0:25:10 | 0:25:11 | |
to have the stone re-cut. It has to be sent to New York. | 0:25:11 | 0:25:13 | |
Why? Haven't you any diamond cutters here in town? | 0:25:13 | 0:25:16 | |
Only one or two, and they're not exactly, | 0:25:16 | 0:25:18 | |
-shall we say, reliable, sir. -I see. | 0:25:18 | 0:25:22 | |
Do you mind giving me the address of one? | 0:25:22 | 0:25:25 | |
You might try Ephraim Byrd. | 0:25:25 | 0:25:26 | |
He's in the Stonewall Building on Lower Market. | 0:25:26 | 0:25:28 | |
Thanks very much. | 0:25:28 | 0:25:29 | |
You're quite welcome, sir. | 0:25:29 | 0:25:31 | |
Anyone about? | 0:25:48 | 0:25:51 | |
Cable just came for you, Inspector. | 0:26:40 | 0:26:42 | |
Fernack. | 0:27:02 | 0:27:04 | |
-Hello, boss. -Give me a drink. | 0:27:29 | 0:27:31 | |
Well? | 0:27:37 | 0:27:38 | |
Monk and Limpy are waiting for you downstairs. | 0:27:38 | 0:27:41 | |
Oh. All right. | 0:27:41 | 0:27:45 | |
HARMONICA PLAYING | 0:27:50 | 0:27:52 | |
Hello, boss. | 0:28:08 | 0:28:09 | |
That's lovely. Chopin, isn't it? | 0:28:17 | 0:28:19 | |
Sorry, boss, I didn't hear you come in. | 0:28:19 | 0:28:21 | |
That's all right. Go right ahead, I like it. | 0:28:21 | 0:28:23 | |
He's scared to, ever since you told him you'd break his other leg | 0:28:23 | 0:28:26 | |
if you ever caught him playing that thing again. | 0:28:26 | 0:28:27 | |
You boys shouldn't take me so literally. | 0:28:27 | 0:28:29 | |
Oh, boss, there was a wire came for you. | 0:28:29 | 0:28:32 | |
Well, since you read it already, | 0:28:32 | 0:28:34 | |
you might as well tell me what it says. | 0:28:34 | 0:28:36 | |
"Just arrived New York. Leaving for Philadelphia. | 0:28:41 | 0:28:45 | |
-" Arrive 4:15 plane. Partner." -He's due pretty soon. | 0:28:45 | 0:28:49 | |
-I'll check up on the plane if you so... -That's all right. | 0:28:49 | 0:28:52 | |
I'll go and meet him myself. You boys can go now. | 0:28:52 | 0:28:54 | |
-But boss I told you... -I said you could go. | 0:28:54 | 0:28:56 | |
-Looking for somebody, boss? -Oh, hello, partner. | 0:29:42 | 0:29:44 | |
I could have ducked past you | 0:29:44 | 0:29:46 | |
-and you never would have missed me. -Have any trouble? | 0:29:46 | 0:29:48 | |
-Not a bit. You? -No. Everything went according to plan. | 0:29:48 | 0:29:52 | |
-The Dutchman show up? -Oh, I wanted to talk to you about that. | 0:29:52 | 0:29:56 | |
Let's take a cab and drive over to my hotel. We can discuss it there. | 0:29:56 | 0:30:00 | |
Where have you two been? | 0:30:03 | 0:30:05 | |
I nicked him for 7 bucks playing Kelly Pool. | 0:30:05 | 0:30:07 | |
Pool? What's the idea? | 0:30:07 | 0:30:09 | |
I told you to wait here for me. | 0:30:09 | 0:30:11 | |
-Yeah, but then you said... -I know what I said. | 0:30:11 | 0:30:14 | |
And I don't like people who can't obey orders. | 0:30:14 | 0:30:16 | |
-But you told us we could go out. -Now don't give me that, Monk. | 0:30:16 | 0:30:19 | |
Did the partner arrive? | 0:30:19 | 0:30:21 | |
-Didn't you meet him? -Meet him? | 0:30:21 | 0:30:23 | |
-Where would I meet him? -At the airport. | 0:30:23 | 0:30:26 | |
Listen, you fellas had better lay off that rotten booze. | 0:30:26 | 0:30:28 | |
It'd affect your brains if you had any. | 0:30:28 | 0:30:30 | |
Go on outside and get some fresh air. | 0:30:30 | 0:30:33 | |
-But, boss! -Go on. Take a walk. | 0:30:33 | 0:30:36 | |
Hello, Monk. Limpy. | 0:30:52 | 0:30:55 | |
-How are you, boys? -Swell. | 0:30:55 | 0:30:57 | |
Did the boss come back? | 0:30:57 | 0:30:59 | |
-He told me to meet him here. -You seen him? | 0:30:59 | 0:31:01 | |
-Sure. He met me at the airport. -You ain't kidding us? | 0:31:01 | 0:31:05 | |
-No. Why? -He said he didn't go to the airport. | 0:31:05 | 0:31:07 | |
That he hadn't seen you. | 0:31:07 | 0:31:09 | |
Well, of course, if that's what he said, | 0:31:11 | 0:31:14 | |
then he had a reason. No, he didn't meet me. | 0:31:14 | 0:31:18 | |
He's inside. | 0:31:19 | 0:31:21 | |
But don't tell him we told you. | 0:31:21 | 0:31:23 | |
You know, Limpy, I think the boss is suffering | 0:31:25 | 0:31:27 | |
from hallelujah fascinations. | 0:31:27 | 0:31:30 | |
Come on. Shoot you a game of pool. | 0:31:30 | 0:31:33 | |
Nothing doing. But I'll antagonise with you | 0:31:33 | 0:31:35 | |
-at the bowling alley for 7 bucks. -OK. | 0:31:35 | 0:31:37 | |
-Hello, partner. -Did I keep you waiting? | 0:31:38 | 0:31:41 | |
What do you mean did you keep me waiting? | 0:31:41 | 0:31:43 | |
Why didn't you're wire me | 0:31:43 | 0:31:44 | |
to let me know when you were getting in? | 0:31:44 | 0:31:46 | |
-What? -I'd have met you at the airport. | 0:31:46 | 0:31:49 | |
I don't get you. | 0:31:49 | 0:31:51 | |
I figured maybe you didn't want Monk and Limp to know, | 0:31:54 | 0:31:57 | |
but we are alone, aren't we? | 0:31:57 | 0:31:59 | |
Didn't want them to know what? | 0:31:59 | 0:32:00 | |
-That you had met me at the plane. -I met you at the plane? | 0:32:00 | 0:32:03 | |
-Are you crazy? -Now wait a minute. | 0:32:03 | 0:32:07 | |
Didn't you meet me at the airport, | 0:32:07 | 0:32:09 | |
drive me to your hotel, | 0:32:09 | 0:32:11 | |
take me up to your room, and tell me... | 0:32:11 | 0:32:13 | |
-Is that what happened? -Sure. | 0:32:13 | 0:32:16 | |
I get it. The Saint's in town. | 0:32:20 | 0:32:25 | |
-It wasn't you? -Of course not. | 0:32:25 | 0:32:27 | |
That's what Monk and Limpy meant. They saw him, too. | 0:32:27 | 0:32:29 | |
The Saint's been here at the 4 bells. | 0:32:29 | 0:32:31 | |
-Now take it easy. If you're right... -I know I am. | 0:32:31 | 0:32:33 | |
-He's got something up his sleeve. -Sure he has, | 0:32:33 | 0:32:36 | |
and I'm gonna pull it out | 0:32:36 | 0:32:38 | |
before he has time to spring it. | 0:32:38 | 0:32:39 | |
We'll pick up Monk and Limpy at the pool room | 0:32:39 | 0:32:42 | |
and then call on Simon Templar. | 0:32:42 | 0:32:44 | |
WHISTLING | 0:32:47 | 0:32:50 | |
From what you say it sounds like a reply to some message. | 0:33:30 | 0:33:32 | |
I know, but I didn't send any message | 0:33:32 | 0:33:34 | |
to this Mustafa Pasaha guy, whoever he is. | 0:33:34 | 0:33:36 | |
Well, that's funny. | 0:33:40 | 0:33:42 | |
I know I put it here this afternoon. | 0:33:42 | 0:33:44 | |
What's this? | 0:33:46 | 0:33:47 | |
Hmm. | 0:33:50 | 0:33:52 | |
"First find out why the Dutchman was killed. ST." | 0:33:53 | 0:33:58 | |
The Saint got your cable. | 0:33:58 | 0:34:00 | |
That's the way he got in. Come on. | 0:34:01 | 0:34:05 | |
Hey, wait a minute. I forgot my hat. | 0:34:19 | 0:34:22 | |
I know I left it here. | 0:34:34 | 0:34:35 | |
"Thanks for the hat, Fernack. | 0:34:40 | 0:34:42 | |
" I forgot mine. ST." | 0:34:42 | 0:34:45 | |
First it's my gun, and now it's my hat. | 0:34:47 | 0:34:50 | |
Well, that's 14 fish you owe me now. | 0:34:50 | 0:34:53 | |
Do you indulge in any other indoor sports | 0:34:53 | 0:34:55 | |
beside bowling and pooling? | 0:34:55 | 0:34:57 | |
Partner and the boss must be out. | 0:34:57 | 0:34:59 | |
-Play you a game of 7-up. -KNOCK ON DOOR | 0:34:59 | 0:35:01 | |
Oh, hello, boss. | 0:35:03 | 0:35:05 | |
You gonna wear out your clothes changing them so often. | 0:35:10 | 0:35:13 | |
Oh, well, we have to look our best, you know. Where's the partner? | 0:35:13 | 0:35:16 | |
Well, we thought he was with you. Didn't you meet him? | 0:35:16 | 0:35:19 | |
Oh, yes, that's right. He was going to meet me here. | 0:35:19 | 0:35:21 | |
Get 'em up. Don't be suckered. | 0:35:24 | 0:35:27 | |
I'd never have believed you two guys could look so much alike. | 0:35:29 | 0:35:32 | |
-I ain't sure yet. -Oh, no? Frisk him. | 0:35:32 | 0:35:37 | |
So you're the Saint, huh? | 0:35:37 | 0:35:39 | |
Yes. I'm no angel. They call me Saint. | 0:35:39 | 0:35:42 | |
Where you from? St Louis? | 0:35:42 | 0:35:45 | |
-Where'd you get this, Templar? -A young lady gave it to me. | 0:35:45 | 0:35:48 | |
-Ever see it before? -Yeah. | 0:35:48 | 0:35:50 | |
-She gave it to me, too. By mistake. -Yes, I know. | 0:35:50 | 0:35:54 | |
Someday you'll have to explain that to her. | 0:35:54 | 0:35:55 | |
I don't think that will be necessary. | 0:35:55 | 0:35:58 | |
Why'd you come to the 4 bells, Templar? | 0:35:58 | 0:36:00 | |
I'm looking for the other part of this knife. | 0:36:00 | 0:36:03 | |
You may find it sooner than you expect. | 0:36:05 | 0:36:07 | |
KNOCK ON DOOR | 0:36:07 | 0:36:09 | |
It's the partner. | 0:36:14 | 0:36:16 | |
Let him in. | 0:36:16 | 0:36:17 | |
So he fooled you, too, eh? | 0:36:30 | 0:36:31 | |
-Can you blame me? -No, I guess I can't. | 0:36:31 | 0:36:34 | |
And I've decided he looks a little bit too much like me | 0:36:34 | 0:36:37 | |
-to have us both around at the same time. -Hold it, Monk. | 0:36:37 | 0:36:41 | |
He may be worth more to us alive than dead. | 0:36:41 | 0:36:44 | |
-Got a safe place to keep him? -Sure. | 0:36:44 | 0:36:48 | |
-Put him in the box. -Come on, angel. | 0:36:48 | 0:36:51 | |
Sit down. | 0:36:55 | 0:36:57 | |
Here. Thank you. | 0:36:57 | 0:36:59 | |
Cigarette? | 0:36:59 | 0:37:00 | |
Oh, thanks. | 0:37:00 | 0:37:01 | |
Where's your switch boy? | 0:37:03 | 0:37:04 | |
Oh, this ain't no hot seat. | 0:37:04 | 0:37:06 | |
Oh, no? | 0:37:06 | 0:37:07 | |
Shower bath, we calls it. | 0:37:07 | 0:37:10 | |
-And where's your water? -Below. | 0:37:10 | 0:37:12 | |
That's why I had to do it. | 0:37:12 | 0:37:14 | |
I was getting away through the garden | 0:37:14 | 0:37:16 | |
when the Dutchmen steps from behind a bush | 0:37:16 | 0:37:18 | |
-and he tries to hijack me. -The little brat. | 0:37:18 | 0:37:20 | |
After me springing him in Cairo and sending him here to you | 0:37:20 | 0:37:24 | |
to re-cut the stuff. | 0:37:24 | 0:37:25 | |
There's only one thing to do. | 0:37:25 | 0:37:28 | |
I'll get the stones cut in New York. Let me have them. | 0:37:28 | 0:37:31 | |
-Where's the other one? -What other one? | 0:37:32 | 0:37:35 | |
There were two packages, 50 stones in each. | 0:37:35 | 0:37:38 | |
Well, why didn't you let me know? | 0:37:38 | 0:37:39 | |
-Naturally, I thought that you'd... -You thought. | 0:37:39 | 0:37:42 | |
-Boss, if you want my assistance... -shut up. | 0:37:42 | 0:37:45 | |
I'm going back to get that other package. | 0:37:45 | 0:37:48 | |
Get the car. | 0:37:48 | 0:37:50 | |
Now wait a minute. You and Limpy wait here. | 0:37:50 | 0:37:53 | |
If anything happens, you know what to do. | 0:37:53 | 0:37:56 | |
WOMAN: Father! | 0:38:30 | 0:38:32 | |
Father! | 0:38:32 | 0:38:33 | |
Father! What's happened? What's the matter? | 0:38:35 | 0:38:39 | |
Father! | 0:38:39 | 0:38:41 | |
Hattie! | 0:38:46 | 0:38:48 | |
HARMONICA PLAYING | 0:38:48 | 0:38:50 | |
Can you play home, sweet home? | 0:40:45 | 0:40:47 | |
Sure. | 0:40:47 | 0:40:49 | |
Hey, extra! Read all about it! | 0:41:05 | 0:41:08 | |
Saint wanted for murder! Hey, extra! Read all about it! | 0:41:08 | 0:41:11 | |
Paper! Paper, mister? | 0:41:11 | 0:41:14 | |
Hey, extra! Read all about it. Famous scientist murdered! | 0:41:14 | 0:41:17 | |
Hey, extra! Read all about it! | 0:41:17 | 0:41:20 | |
Paper! | 0:41:20 | 0:41:21 | |
Hey, extra! Saint wanted for murder! | 0:41:21 | 0:41:24 | |
Read all about it! Hey, extra! Read all about it! | 0:41:24 | 0:41:27 | |
Hey, extra! Read all about it! | 0:41:28 | 0:41:30 | |
Famous scientist murdered! | 0:41:30 | 0:41:32 | |
Hey, extra! Read all about it! | 0:41:32 | 0:41:34 | |
-Saint wanted for murder! -Hey, son? | 0:41:34 | 0:41:37 | |
-Want to make yourself a dollar? -You bet. | 0:41:39 | 0:41:41 | |
Dash over to detective headquarters | 0:41:41 | 0:41:43 | |
and give this note to inspector Fernack in Bohlen's office. | 0:41:43 | 0:41:46 | |
-The cops? -Mm-hmm. Can I depend on you? | 0:41:46 | 0:41:50 | |
Sure, mister. Inspector Fernack in Bohlen's office. | 0:41:50 | 0:41:53 | |
-That's right. -Right. | 0:41:53 | 0:41:55 | |
Oh! | 0:42:02 | 0:42:03 | |
I'm so sorry, officer. | 0:42:03 | 0:42:05 | |
Gotta watch these high curbs, buddy. | 0:42:05 | 0:42:07 | |
-Yes, I'm afraid I'm unaccustomed to them. -All right. | 0:42:07 | 0:42:10 | |
WHISTLING | 0:42:14 | 0:42:16 | |
We don't want to press you, miss Bitts, | 0:42:16 | 0:42:19 | |
but it's important you tell us all you know | 0:42:19 | 0:42:21 | |
while it's still fresh in your memory. | 0:42:21 | 0:42:23 | |
-But I've told you everything. -Come on, Fernack. | 0:42:23 | 0:42:26 | |
We'll have another talk with Miss Bitts tomorrow. | 0:42:26 | 0:42:30 | |
TELEPHONE RINGING | 0:42:32 | 0:42:35 | |
Yes? | 0:42:40 | 0:42:43 | |
Where are you? | 0:42:43 | 0:42:44 | |
Don't ask me, but trust me. | 0:42:44 | 0:42:46 | |
You must know that I didn't do it. | 0:42:46 | 0:42:48 | |
I don't know anything except...father's dead. | 0:42:48 | 0:42:52 | |
I know. | 0:42:52 | 0:42:53 | |
But if you'll meet me in your car | 0:42:53 | 0:42:54 | |
opposite 326 South Water Street, | 0:42:54 | 0:42:56 | |
I'll show you his murderer. | 0:42:56 | 0:42:58 | |
Simon? | 0:43:20 | 0:43:22 | |
I came as soon as I got your call, | 0:43:26 | 0:43:28 | |
but I had a hard time finding this place. | 0:43:28 | 0:43:31 | |
Oh. Oh, that's too bad. | 0:43:31 | 0:43:32 | |
-I'm afraid I shouldn't have called you. -Why? | 0:43:32 | 0:43:35 | |
I've decided this is a bit too dangerous for you here. | 0:43:35 | 0:43:38 | |
I'll have Warren drive you over to my hotel. | 0:43:38 | 0:43:40 | |
-I'll meet you there later and explain everything. -But, Simon, you said... | 0:43:40 | 0:43:43 | |
Anne, please do as I ask. It's for the best. | 0:43:43 | 0:43:45 | |
Very well, Simon. | 0:43:48 | 0:43:50 | |
Just wait here for a moment. | 0:43:50 | 0:43:52 | |
-This is warren, Anne. -Charming to meet you. | 0:44:00 | 0:44:03 | |
He'll drive you to my hotel. | 0:44:03 | 0:44:04 | |
You wait for me on the mezzanine. | 0:44:04 | 0:44:06 | |
I'll get there as quickly as possible. | 0:44:06 | 0:44:09 | |
You dopes. | 0:44:24 | 0:44:26 | |
All right, which one of you untied him? | 0:44:30 | 0:44:33 | |
-Or were you both in on it? -Honest, boss. | 0:44:33 | 0:44:36 | |
Don't lose your nut. Get some sense. | 0:44:36 | 0:44:38 | |
Oh, so that's how he got out, eh? | 0:44:38 | 0:44:42 | |
Well, I have a hunch he'll come back the same way. | 0:44:42 | 0:44:45 | |
-What do you mean? -He'll find out that the girl is missing | 0:44:45 | 0:44:48 | |
and when he does he'll come back | 0:44:48 | 0:44:50 | |
expecting to find her here. | 0:44:50 | 0:44:52 | |
But he'll come alone. He can't go to the police. | 0:44:52 | 0:44:56 | |
Why are we going in this direction? | 0:45:02 | 0:45:05 | |
It's just a shortcut, miss, you see? | 0:45:05 | 0:45:07 | |
Gee, look at that. | 0:45:07 | 0:45:09 | |
Fine company you keep. | 0:45:43 | 0:45:45 | |
But I thought he was your friend. | 0:45:45 | 0:45:46 | |
-He tried to... -Yes, I know. | 0:45:46 | 0:45:48 | |
I'm gonna find him and some others. | 0:45:48 | 0:45:50 | |
-There's no time to lose. You all right now? -Yes, quite. | 0:45:50 | 0:45:54 | |
I'll put you in a cab. Go home and don't leave the house | 0:45:54 | 0:45:56 | |
under any circumstances. | 0:45:56 | 0:45:58 | |
Not even if I telephone you. | 0:45:58 | 0:46:00 | |
Where's your ring? | 0:46:00 | 0:46:01 | |
I can't tell you now, but next time you see it | 0:46:01 | 0:46:03 | |
you'll understand everything. I'll get you a taxi. | 0:46:03 | 0:46:06 | |
Oh, Monk. | 0:46:13 | 0:46:16 | |
Just seen a bad accident on the street, boss. | 0:46:17 | 0:46:21 | |
-Oh, yeah? -A girl went over a dock into the river in her car. | 0:46:21 | 0:46:24 | |
-Oh. Suicide I suppose. -Yeah. So I anticipate, you see... | 0:46:24 | 0:46:28 | |
wait a minute. | 0:46:30 | 0:46:32 | |
Wait a minute. You ain't the boss. | 0:46:32 | 0:46:34 | |
-You're St Augustine. -Are you sure? | 0:46:34 | 0:46:37 | |
Yeah. Yeah. | 0:46:37 | 0:46:39 | |
You and him was wearing different clothes. | 0:46:39 | 0:46:41 | |
Turn around and start walking. | 0:46:41 | 0:46:43 | |
-What for? Where are we going? -You'll find out. | 0:46:43 | 0:46:47 | |
Go on. Down that coal chute. | 0:47:07 | 0:47:10 | |
There he is. | 0:47:34 | 0:47:35 | |
-So what do we do now? -Nothing much. Just open that door. | 0:47:39 | 0:47:44 | |
What for? | 0:47:47 | 0:47:49 | |
Your friends rather expect me to return the same way I left. | 0:47:49 | 0:47:51 | |
They'll probably shoot the moment that door is opened. | 0:47:51 | 0:47:54 | |
-So you, my friend are going to open it. -Oh, no... -Shh. | 0:47:54 | 0:47:56 | |
Oh, no. No, not me. | 0:47:56 | 0:47:59 | |
Not if they're gonna shoot. | 0:47:59 | 0:48:01 | |
If you don't open it, I'll shoot. So come on. | 0:48:01 | 0:48:03 | |
-Oh... -Please. | 0:48:03 | 0:48:05 | |
Boss! Boss! Don't shoot! | 0:48:20 | 0:48:22 | |
It's me, it's Monk! | 0:48:22 | 0:48:24 | |
Oh, the fool. | 0:48:24 | 0:48:25 | |
TEMPLAR: All right, get 'em up. | 0:48:29 | 0:48:31 | |
Good evening, gentlemen. So we meet again. | 0:48:38 | 0:48:41 | |
-Gee, boss... -Shut up. | 0:48:41 | 0:48:43 | |
Won't you all sit down? | 0:48:43 | 0:48:45 | |
-Now, where is she? -Where is she? | 0:48:52 | 0:48:56 | |
May I ask, WHO is she? | 0:48:56 | 0:48:57 | |
Oh, now please, don't let's beat about the bush. | 0:48:57 | 0:48:59 | |
Oh, very well... | 0:48:59 | 0:49:02 | |
Let's get down to business, eh? | 0:49:02 | 0:49:04 | |
Too bad for you you came back, Templar. | 0:49:04 | 0:49:05 | |
-Maybe you were after the girl. -Maybe. | 0:49:05 | 0:49:09 | |
I must apologise for this little formality. | 0:49:11 | 0:49:14 | |
You're probably getting used to it by now. | 0:49:14 | 0:49:16 | |
I don't suppose anybody will hear you, but I don't like yelling. | 0:49:16 | 0:49:19 | |
-All right, boys? -All right. | 0:49:19 | 0:49:22 | |
-Put him in the boat. -Come on. | 0:49:22 | 0:49:25 | |
Come on, put him in. | 0:49:44 | 0:49:46 | |
Put him in. | 0:49:46 | 0:49:47 | |
Tie his feet. | 0:49:49 | 0:49:51 | |
This time we've got you on ice, Mr Saint. | 0:49:51 | 0:49:52 | |
And if we ever want you again, we'll know where to find you. | 0:49:52 | 0:49:56 | |
Come on, boys. Have to work fast now. | 0:49:56 | 0:50:01 | |
Over the river, St Augustine. | 0:50:01 | 0:50:05 | |
Oh, Mr Fernack, some kid left this for you. Hello, inspector. | 0:50:05 | 0:50:10 | |
What do you make of this, John? | 0:50:10 | 0:50:12 | |
"You can find the Saint at 326 south water street. | 0:50:12 | 0:50:14 | |
"A friend." | 0:50:14 | 0:50:16 | |
-Think we better take a look. -You bet! | 0:50:16 | 0:50:19 | |
Order a couple of cars, tell Kendall I want 6 men at once. | 0:50:19 | 0:50:21 | |
-Yes, sir. -Come on, Henry. | 0:50:21 | 0:50:24 | |
I estimate the partner must have been restrained by something. | 0:50:30 | 0:50:33 | |
KNOCK KNOCK | 0:50:33 | 0:50:35 | |
Well? | 0:50:38 | 0:50:40 | |
I got the railroad tickets, and I've got a taxi outside, but can't use it. | 0:50:40 | 0:50:45 | |
I just saw two plainclothesmen across the street, watching. | 0:50:45 | 0:50:47 | |
-Are you sure? -I can smell them. | 0:50:47 | 0:50:49 | |
You can't take a chance by going out the front way. | 0:50:49 | 0:50:51 | |
Every cop in town is looking for the Saint. | 0:50:51 | 0:50:54 | |
Let 'em look. | 0:50:54 | 0:50:56 | |
I'll call Todd over in Camden, | 0:50:56 | 0:50:57 | |
have him meet us down the river with a car. | 0:50:57 | 0:50:59 | |
Sure. We can cycle-aggravate to the Jersey side in a boat. | 0:50:59 | 0:51:01 | |
We better get rid of the Saint on our way over. | 0:51:01 | 0:51:05 | |
We will. Just take it easy, don't worry. | 0:51:05 | 0:51:07 | |
FERNACK: All right, you. Get out from behind that bar, | 0:51:17 | 0:51:19 | |
And don't start anything! | 0:51:19 | 0:51:21 | |
BOHLEN: come on, stand over there and be quiet. | 0:51:21 | 0:51:24 | |
BARTENDER: hey, wait a minute... | 0:51:24 | 0:51:26 | |
Unless you want more trouble than you've already got, | 0:51:26 | 0:51:29 | |
just do as you're told. | 0:51:29 | 0:51:30 | |
Bohlen. | 0:51:30 | 0:51:32 | |
(WHISPERING) Henry. | 0:51:41 | 0:51:43 | |
Call 'em, tell 'em you got a message, and no tricks. | 0:51:44 | 0:51:48 | |
I'll call you later. | 0:51:53 | 0:51:55 | |
All right, Monk. | 0:51:55 | 0:51:57 | |
Yes, Mac? | 0:52:01 | 0:52:02 | |
Uh...I got a message for you. | 0:52:02 | 0:52:06 | |
Get 'em up, all of you! | 0:52:07 | 0:52:08 | |
Well, Templar, this time I'm in the driver's seat, | 0:52:10 | 0:52:14 | |
and I'm not shooting out any lights either. | 0:52:14 | 0:52:15 | |
BOHLEN: All right, get 'em upstairs. | 0:52:15 | 0:52:18 | |
Hold it! | 0:52:18 | 0:52:20 | |
We'll get him, John. | 0:52:20 | 0:52:22 | |
MOTOR STARTS | 0:52:30 | 0:52:32 | |
Get him, inspector? | 0:52:43 | 0:52:45 | |
I either plugged him or he jumped for it. | 0:52:45 | 0:52:46 | |
Shall I get the boat? | 0:52:46 | 0:52:48 | |
No, let it go. Come on. | 0:52:48 | 0:52:50 | |
ENGINE SLOWS | 0:53:40 | 0:53:42 | |
ENGINE STOPS | 0:53:42 | 0:53:44 | |
WHISTLING | 0:54:03 | 0:54:06 | |
Will you call a messenger and have him come up to my room, please? | 0:54:19 | 0:54:23 | |
And get me Pennypacker 2598. | 0:54:23 | 0:54:27 | |
Yes, please. | 0:54:27 | 0:54:30 | |
PHONE | 0:54:46 | 0:54:48 | |
HIGH-PITCHED VOICE: Hello? | 0:54:49 | 0:54:51 | |
Is this inspector Fernack? | 0:54:51 | 0:54:52 | |
-It is. -This is a friend. | 0:54:52 | 0:54:55 | |
I am sending you valuable information by a messenger. | 0:54:55 | 0:54:57 | |
Please be in Bohlen's office at exactly 5 minutes to 9:00 tonight. | 0:54:57 | 0:55:01 | |
Who is this? | 0:55:01 | 0:55:03 | |
Hello? Hello? | 0:55:03 | 0:55:06 | |
DOOR OPENING | 0:55:12 | 0:55:14 | |
Lady to see you, Templar. Mrs Bitts. | 0:55:16 | 0:55:19 | |
I'll give you 5 minutes, ma'am. | 0:55:19 | 0:55:21 | |
I'll be waiting right down the hall. | 0:55:21 | 0:55:23 | |
Saint! | 0:55:36 | 0:55:38 | |
Yes, and without the tattoo mark. | 0:55:38 | 0:55:41 | |
-What do you want? -The diamonds. | 0:55:41 | 0:55:45 | |
Well, I haven't got them. | 0:55:45 | 0:55:47 | |
Oh, no? Take your shoes off. | 0:55:47 | 0:55:49 | |
Yeah, I thought so. | 0:56:06 | 0:56:08 | |
I'll have that ring, too. | 0:56:10 | 0:56:13 | |
You say you didn't telephone me? | 0:56:25 | 0:56:26 | |
No, I did not. | 0:56:26 | 0:56:28 | |
I'd tell you if I had. | 0:56:28 | 0:56:30 | |
-KNOCK -Come in. | 0:56:30 | 0:56:32 | |
Mr Fernack? Message for you. | 0:56:32 | 0:56:35 | |
"9:00 tonight, the Saint will escape from his cell. | 0:56:40 | 0:56:44 | |
"9:02, he'll walk out of the jail, into the street. | 0:56:44 | 0:56:47 | |
"He'll be dressed as a woman, in black, wearing a veil. | 0:56:47 | 0:56:50 | |
"A friend." | 0:56:50 | 0:56:52 | |
Holy cats, it's 5 minutes to 9:00. | 0:56:52 | 0:56:54 | |
Where are you going? | 0:56:54 | 0:56:56 | |
To the jail. You wait here. | 0:56:56 | 0:56:58 | |
GUARD: Time's up, Mrs Bitts. | 0:56:58 | 0:57:01 | |
No luck, eh, ma'am? | 0:57:06 | 0:57:08 | |
That's just what I thought. | 0:57:08 | 0:57:09 | |
He's a pretty tough customer. | 0:57:09 | 0:57:12 | |
Just a minute, lady! | 0:57:17 | 0:57:20 | |
Halt! | 0:57:20 | 0:57:21 | |
Don't shoot! | 0:57:22 | 0:57:24 | |
Shall I call an ambulance? | 0:57:38 | 0:57:40 | |
Better make it a hearse. | 0:57:40 | 0:57:41 | |
All right, I'll have him there in 10 minutes. | 0:57:45 | 0:57:48 | |
-Hello, Mike. -Hello, Henry! | 0:57:48 | 0:57:50 | |
-Where's the Saint's cell? -I'll show you. What's up? | 0:57:50 | 0:57:52 | |
I'll tell you later. | 0:57:52 | 0:57:54 | |
-Hello, George. -Hello, Henry. | 0:57:55 | 0:57:58 | |
The widow Bitts was just here to see him. | 0:57:58 | 0:58:00 | |
Yeah, I know. | 0:58:00 | 0:58:01 | |
Open up, will you? I want to find out something. | 0:58:01 | 0:58:03 | |
Sure. | 0:58:03 | 0:58:05 | |
Wait for me down the hall. I'll be along in a minute. | 0:58:05 | 0:58:08 | |
All right, inspector. | 0:58:08 | 0:58:09 | |
Hey, you! Come out of it. | 0:58:12 | 0:58:15 | |
Oh, hello. | 0:58:15 | 0:58:17 | |
I didn't think it was possible. | 0:58:17 | 0:58:19 | |
What? | 0:58:19 | 0:58:21 | |
That anyone could look so much like Simon Templar. | 0:58:21 | 0:58:24 | |
Oh, that, yes. | 0:58:24 | 0:58:25 | |
It was rather convenient. | 0:58:25 | 0:58:27 | |
Made it easier for me to ship the mummy to Professor Bitts | 0:58:27 | 0:58:30 | |
on the pretext that it came from your friend, the Saint. | 0:58:30 | 0:58:33 | |
Clever way of smuggling diamonds, don't you think? | 0:58:33 | 0:58:36 | |
What's your real name? | 0:58:36 | 0:58:39 | |
Duke Bates. | 0:58:39 | 0:58:41 | |
-Oh, the fella they call the boss. -Mm-hmm. | 0:58:41 | 0:58:44 | |
Then it was you, not Templar, that killed the Dutchman | 0:58:44 | 0:58:46 | |
and Ephraim Byrd and the Professor. | 0:58:46 | 0:58:49 | |
Well, sometimes these unpleasant necessities arise. | 0:58:49 | 0:58:52 | |
The crime for which I personally will see you swing | 0:58:52 | 0:58:55 | |
is the way you tricked us into killing Simon Templar. | 0:58:55 | 0:58:58 | |
He's... | 0:59:09 | 0:59:11 | |
he's dead. | 0:59:11 | 0:59:13 | |
And how, lady? | 0:59:13 | 0:59:15 | |
Come on now. You're going to Bohlen's office, where you'll make a formal statement. | 0:59:23 | 0:59:26 | |
Tell me, why does Templar's death annoy you so much? | 0:59:26 | 0:59:28 | |
Is he a friend of yours? | 0:59:28 | 0:59:29 | |
I'll not discuss the Saint with you. | 0:59:29 | 0:59:32 | |
Would you like to have a look at these first? | 0:59:32 | 0:59:34 | |
-The diamonds! -Exactly. | 0:59:39 | 0:59:42 | |
And now, Henry, with your permission, | 0:59:42 | 0:59:43 | |
I'll say au revoir. | 0:59:43 | 0:59:45 | |
I hate to have to do this to you, | 0:59:45 | 0:59:47 | |
but it's really for your own good, you know. | 0:59:47 | 0:59:49 | |
If I don't bind and gag you, you'll get the horselaugh, | 0:59:49 | 0:59:51 | |
and I should hate that to happen. | 0:59:51 | 0:59:53 | |
Good night, Henry, | 0:59:57 | 0:59:59 | |
and I'm so sorry to hear about Templar's death. | 0:59:59 | 1:00:02 | |
You know, I've heard it's practically impossible to kill a Saint. | 1:00:02 | 1:00:06 | |
(CHUCKLES) So we fought to a draw again, eh? | 1:00:06 | 1:00:08 | |
Oh, I wasn't fooled for a minute. | 1:00:08 | 1:00:11 | |
When I took the gun out of Duke Bates' hand, | 1:00:11 | 1:00:12 | |
I saw there was no scar on his wrist. | 1:00:12 | 1:00:15 | |
Good luck, Simon. | 1:00:15 | 1:00:17 | |
-Find out anything, Henry? -No. Good night. | 1:00:23 | 1:00:26 | |
You can go to bed now, Hattie. | 1:01:00 | 1:01:02 | |
Yes. Good night, Miss Anne. | 1:01:02 | 1:01:05 | |
MAN, HOLLERING: Extra! Read all about it! | 1:01:05 | 1:01:07 | |
Hey, extra, extra! The Saint is dead! Read all about it! | 1:01:07 | 1:01:11 | |
Extra! Paper! Read all about the Saint! | 1:01:13 | 1:01:16 | |
Extra! The Saint is dead! | 1:01:18 | 1:01:21 | |
FAINTER: Read all about the Saint! | 1:01:22 | 1:01:26 | |
Hey, extra, extra! The Saint is dead! | 1:01:26 | 1:01:29 | |
All about it! Extra! Paper! | 1:01:29 | 1:01:32 | |
The Saint is dead. | 1:01:32 | 1:01:34 | |
Long live the Saint. | 1:01:34 | 1:01:37 | |
Simon! You're... | 1:01:37 | 1:01:39 | |
I thought you were dead! I saw you lying there. | 1:01:39 | 1:01:43 | |
It wasn't me you saw, Anne. | 1:01:43 | 1:01:45 | |
That was the man that did the things for which I was blamed. | 1:01:45 | 1:01:47 | |
-There was ANOTHER Saint? -No, not exactly. | 1:01:47 | 1:01:50 | |
He was just an imitation. | 1:01:50 | 1:01:52 | |
You gave him this ring the first time he called on you. | 1:01:52 | 1:01:55 | |
You thought you gave it to me. | 1:01:55 | 1:01:57 | |
I want you to keep it as a remembrance, will you? | 1:01:57 | 1:02:00 | |
Now I'm beginning to understand. | 1:02:00 | 1:02:03 | |
My one regret was that I couldn't be here to spare your father. | 1:02:03 | 1:02:06 | |
I know, Simon. | 1:02:06 | 1:02:07 | |
You've been very brave and fine, Anne. | 1:02:07 | 1:02:09 | |
He would have been proud of you. | 1:02:09 | 1:02:11 | |
Somehow you seem so different tonight, Simon, | 1:02:11 | 1:02:14 | |
like your old self. | 1:02:14 | 1:02:16 | |
-Please stay that way. -I'll try. | 1:02:16 | 1:02:19 | |
-BUZZER -I'll be right back. | 1:02:19 | 1:02:21 | |
I'm sorry to bother you, Miss Bitts, | 1:02:29 | 1:02:30 | |
but the Saint has escaped from jail. | 1:02:30 | 1:02:32 | |
Escaped? Why, I thought he was dead! | 1:02:32 | 1:02:34 | |
Yeah, it looked that way. | 1:02:34 | 1:02:36 | |
Well, he put one over on us, | 1:02:36 | 1:02:37 | |
and he viciously assaulted inspector Fernack. | 1:02:37 | 1:02:39 | |
He's a dangerous man, and I don't mind telling you, miss Bitts, | 1:02:39 | 1:02:42 | |
that I have every reason to believe that he came to this house! | 1:02:42 | 1:02:44 | |
-That's absurd! The Saint wouldn't... -If you don't mind... | 1:02:44 | 1:02:47 | |
We'll take a look around. | 1:02:47 | 1:02:50 | |
Well, he's not in there. | 1:03:21 | 1:03:23 | |
But I'm going to search every room in this house! | 1:03:23 | 1:03:25 | |
Come on, Fernack. | 1:03:25 | 1:03:27 | |
Yes, ma'am, Miss Bitts, we're going to search every room in the house, | 1:03:31 | 1:03:34 | |
every room. | 1:03:34 | 1:03:36 | |
WHISTLING | 1:03:51 | 1:03:54 | |
Long live the Saint. | 1:04:01 | 1:04:04 |