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MAN SHOUTS ORDERS IN GERMAN | 0:02:27 | 0:02:29 | |
-Albert? -Yes, Mother. -Hurry up, you'll be late. -Coming, Mother. | 0:04:03 | 0:04:07 | |
CLOCK CHIMES | 0:04:11 | 0:04:14 | |
-Darling? -Yes, Mother, coming. | 0:04:17 | 0:04:19 | |
Sit down, don't let your breakfast get cold. | 0:04:25 | 0:04:29 | |
Morning, Mother. How's your rheumatism? | 0:04:29 | 0:04:32 | |
I didn't sleep. That means it's going to rain. | 0:04:32 | 0:04:36 | |
-Here's the newspaper. -Newspaper(!) Lies! | 0:04:36 | 0:04:40 | |
Shhh! There may be something interesting in it today. | 0:04:40 | 0:04:45 | |
SHE CHUCKLES | 0:04:48 | 0:04:50 | |
-How did you get milk? -The doctor prescribed it. -Are you sick? | 0:04:50 | 0:04:54 | |
Have I ever been well? Never since you were born. | 0:04:54 | 0:04:59 | |
Not that I blame you. | 0:04:59 | 0:05:01 | |
You know I can't stand milk. I never could. | 0:05:01 | 0:05:05 | |
There's no reason why you shouldn't take advantage of my condition. | 0:05:05 | 0:05:10 | |
You were so weak as a child. I saved your life by giving you milk. | 0:05:10 | 0:05:17 | |
It's shocking. So many cows in the country and no milk. | 0:05:17 | 0:05:21 | |
SHE TUTS | 0:05:21 | 0:05:24 | |
Look, your coat. That filthy cat. | 0:05:24 | 0:05:27 | |
Take it off and let me brush it. | 0:05:27 | 0:05:30 | |
That girl should keep her cat at home. | 0:05:30 | 0:05:33 | |
I couldn't sleep for the yowling. | 0:05:33 | 0:05:36 | |
-I thought it was your rheumatism. -My rheumatism and the cat. | 0:05:36 | 0:05:40 | |
Come now, drink your milk, you bad boy! | 0:05:40 | 0:05:45 | |
Some people get milk without a prescription. | 0:05:46 | 0:05:50 | |
-CAT MIAOWS -There's a whole pitcher of cream on the mayor's table every morning. | 0:05:50 | 0:05:56 | |
Our mayor's doing all right, so are the merchants. | 0:05:56 | 0:06:00 | |
Black markets - that's why there's no food to sell. | 0:06:00 | 0:06:03 | |
Selling meat and butter for ten times the price but they won't raise your salary. | 0:06:03 | 0:06:10 | |
No, the schoolmaster must starve, | 0:06:10 | 0:06:13 | |
while men who can't spell their names get rich. | 0:06:13 | 0:06:17 | |
Ah, well, at least we have order. | 0:06:17 | 0:06:20 | |
Things are quiet in the town now, we shouldn't complain. | 0:06:20 | 0:06:24 | |
Drink up your milk. | 0:06:24 | 0:06:27 | |
What's that? | 0:06:30 | 0:06:32 | |
Liberty. | 0:06:36 | 0:06:38 | |
"Citizens, do not believe in the generosity of the conquerors. | 0:06:39 | 0:06:44 | |
"If they are not driven out, it means generations of slavery for us. | 0:06:44 | 0:06:50 | |
"We must resist. | 0:06:50 | 0:06:53 | |
"Let each of us say to himself, 'This land is mine.'" | 0:06:54 | 0:06:58 | |
-Troublemakers. -This is dangerous. I'd better burn it. | 0:06:58 | 0:07:02 | |
Not here! They might see you. | 0:07:02 | 0:07:05 | |
I'll watch here. You can't trust your neighbours nowadays. | 0:07:05 | 0:07:09 | |
Aaah! Get the cat! Go, tch-tch! | 0:07:39 | 0:07:42 | |
-Go, tch-tch! -Oh, my. | 0:07:43 | 0:07:45 | |
Albert, hurry up, you'll be late for school. | 0:07:45 | 0:07:49 | |
CLOCK CHIMES | 0:07:50 | 0:07:52 | |
-Goodbye, Mother. -Goodbye, my darling. | 0:07:54 | 0:07:56 | |
Edmund, hurry up! | 0:07:56 | 0:07:59 | |
Good morning. | 0:07:59 | 0:08:02 | |
-Good morning. -My sister's been looking for that cat. | 0:08:03 | 0:08:07 | |
There's the runaway. Won't you ever stay at home? | 0:08:07 | 0:08:11 | |
-Did she annoy your mother again? -Not all. We're very fond of her. | 0:08:11 | 0:08:15 | |
-My brother had a flat tyre. Is it fixed? -It'll do. | 0:08:15 | 0:08:20 | |
-I'm waiting for Edmund Lorraine. Edmund! -He's coming, Mr Lory. | 0:08:20 | 0:08:25 | |
-You don't mind if we wait? -Not if you walk fast. | 0:08:25 | 0:08:29 | |
-Why not ask him to dinner? -Please do. George Lambert's coming. | 0:08:29 | 0:08:33 | |
-Coming(!) He's bringing the pigeon for dinner. -Don't be silly! | 0:08:33 | 0:08:38 | |
Who's silly? I couldn't figure out why he was on the office roof. | 0:08:38 | 0:08:44 | |
I found out he's got traps up there for the pigeons. | 0:08:44 | 0:08:49 | |
-Will you come? -Thank you but my mother doesn't like being on her own. | 0:08:49 | 0:08:55 | |
-I'm sorry. -Have you seen this? -Paul! | 0:08:55 | 0:08:58 | |
Paul, don't be crazy. | 0:08:58 | 0:09:02 | |
-Why? -Soldiers. | 0:09:02 | 0:09:04 | |
Hans, want to read something? | 0:09:04 | 0:09:07 | |
Someone's trying to compete with our official newspaper. | 0:09:07 | 0:09:11 | |
-Where did you get this? -Under the door. | 0:09:11 | 0:09:15 | |
-They are all over town. -If you find any more, tell us. -Sure. | 0:09:15 | 0:09:19 | |
Any at your house? | 0:09:19 | 0:09:22 | |
No. | 0:09:22 | 0:09:24 | |
-You're very smart(!) -I don't want to get into trouble. | 0:09:31 | 0:09:35 | |
-They are just doing their job. -Are you doing yours? -Just as fast I can. | 0:09:35 | 0:09:41 | |
Why pick on me? You don't say anything to George. | 0:09:41 | 0:09:45 | |
BICYCLE BELL RINGS | 0:09:47 | 0:09:48 | |
Hi, Paul. Don't tear my stockings. | 0:09:48 | 0:09:52 | |
Just like all women, thinking of your legs. | 0:09:53 | 0:09:57 | |
SCHOOL BELL TOLLS | 0:09:59 | 0:10:02 | |
-Edmund, come along, we're late. Come on. -Come on. | 0:10:02 | 0:10:07 | |
-Burn these books. -Is that your order, Mr Mayor, or the enemy's? | 0:10:14 | 0:10:20 | |
Juvenal, Voltaire... | 0:10:20 | 0:10:23 | |
..Plato - The Republic. | 0:10:27 | 0:10:29 | |
My dear friend, we have to be careful about that word republic. | 0:10:29 | 0:10:35 | |
-Would you like my resignation? -By no means, my dear Sorel. | 0:10:35 | 0:10:40 | |
You have the respect of the whole community. | 0:10:40 | 0:10:44 | |
I only want you to understand our problems clearly. | 0:10:44 | 0:10:47 | |
-I'm so sorry, Mr Mayor. -Come in. Come ahead, Lory. I'm just leaving. | 0:10:47 | 0:10:54 | |
Good morning, Miss Martin. | 0:10:57 | 0:10:59 | |
-Is anything wrong? -Yes. Come here. Come here, Mr Lory. | 0:11:01 | 0:11:06 | |
It's a delicate surgical operation. | 0:11:06 | 0:11:09 | |
Cut out the heart without killing the patient. | 0:11:09 | 0:11:13 | |
Our country's history is a tough old patient. | 0:11:13 | 0:11:17 | |
We'll do the best we can. | 0:11:17 | 0:11:19 | |
We start here with Charlemagne. | 0:11:19 | 0:11:22 | |
Here he comes! > | 0:11:28 | 0:11:30 | |
Why do we have to do this dirty work? | 0:11:36 | 0:11:39 | |
-Why not get the Germans to do it? -It's only a few pages. | 0:11:39 | 0:11:44 | |
Oh, Albert! | 0:11:44 | 0:11:46 | |
SCHOOLCHILDREN LAUGH | 0:11:56 | 0:11:59 | |
SCHOOLCHILDREN LAUGH | 0:12:03 | 0:12:06 | |
Vincent, close the door. | 0:12:06 | 0:12:09 | |
Until our new schoolbooks arrive, we will make a few...corrections. | 0:12:33 | 0:12:38 | |
Edmund Lorraine, collect the pages and burn them in the stove. | 0:12:42 | 0:12:47 | |
Pages seven and eight... | 0:12:50 | 0:12:52 | |
..pages fifteen, sixteen... | 0:12:58 | 0:13:00 | |
..seventeen, eighteen. | 0:13:00 | 0:13:04 | |
Pages twenty one and twenty two - | 0:13:06 | 0:13:10 | |
now tear them out carefully. | 0:13:10 | 0:13:12 | |
Page thirty. | 0:13:16 | 0:13:18 | |
AIR RAID SIREN | 0:13:20 | 0:13:23 | |
-It's the British. -Emily, don't be nervous. | 0:13:25 | 0:13:29 | |
We have plenty of time. We must take shelter.. | 0:13:29 | 0:13:32 | |
..even from our friends in the sky. | 0:13:34 | 0:13:37 | |
Now, when you pass out, | 0:13:37 | 0:13:39 | |
give me all the pages you have taken out of your books. | 0:13:39 | 0:13:44 | |
The day will come when we will paste them back. | 0:13:44 | 0:13:48 | |
Order, young man. Don't let girls be better soldiers than the men. | 0:14:12 | 0:14:18 | |
-Could I get my mother? She's so afraid of the raids. -Go ahead. | 0:14:21 | 0:14:26 | |
Albert, why are you running? Why aren't you in the shelter? | 0:14:42 | 0:14:47 | |
EXPLOSIONS AND GUNFIRE | 0:14:57 | 0:15:00 | |
HAMMERING AT DOOR Professor Sorel. | 0:15:04 | 0:15:07 | |
Huh! | 0:15:14 | 0:15:16 | |
There's room over here, Mrs Lory. | 0:15:18 | 0:15:20 | |
You move over here. There's a draft in this cellar. | 0:15:42 | 0:15:46 | |
He catches cold easily. His lungs are weak. | 0:15:47 | 0:15:51 | |
THEY IMITATE AEROPLANES | 0:15:54 | 0:15:57 | |
-Shhh! Now they're over us. -Four engines. -Wellingtons! | 0:15:57 | 0:16:00 | |
No, they're American. Just listen to them. | 0:16:00 | 0:16:04 | |
THEY IMITATE AEROPLANES Shhh! | 0:16:04 | 0:16:07 | |
HE IMITATES THE SCREAM OF A BOMB DROPPING | 0:16:07 | 0:16:11 | |
Boom! | 0:16:11 | 0:16:13 | |
It's outrageous, bombing civilians. | 0:16:15 | 0:16:18 | |
Why don't they stay at home? Things are bad enough. | 0:16:18 | 0:16:22 | |
I wish I could see the sky full of them. | 0:16:22 | 0:16:26 | |
Why don't they bomb Germany, young woman? | 0:16:26 | 0:16:29 | |
Every factory and railroad in Europe is Germany until the Germans are driven out. | 0:16:29 | 0:16:36 | |
SCREAM OF BOMBS DROPPING | 0:16:39 | 0:16:42 | |
EXPLOSIONS | 0:16:42 | 0:16:45 | |
Emily, there's nothing to be worried about. | 0:16:56 | 0:17:00 | |
We're perfectly safe down here. | 0:17:00 | 0:17:03 | |
It'll be over in a few minutes. | 0:17:03 | 0:17:06 | |
LAUGHTER Look at Mr Lory. | 0:17:13 | 0:17:16 | |
Young men... | 0:17:26 | 0:17:29 | |
Let's all sing. If we sing loud enough, we won't hear the guns. | 0:17:39 | 0:17:44 | |
I know that Julian Lamont has a good strong voice. | 0:17:44 | 0:17:48 | |
Girls, we don't want the boys to sing louder than us. | 0:17:48 | 0:17:53 | |
Now, are you all ready? One, two. | 0:17:56 | 0:18:00 | |
# Ting-a-ling, ring-o-ring | 0:18:00 | 0:18:03 | |
# Two bells in the steeple | 0:18:03 | 0:18:05 | |
# Ting-a-ling, ring-o-ring | 0:18:05 | 0:18:08 | |
# Calling all the people | 0:18:08 | 0:18:10 | |
# Guide you on our way from play | 0:18:10 | 0:18:13 | |
# Work begins another day | 0:18:13 | 0:18:15 | |
# Ting-a-ling, ring-o-ring, | 0:18:15 | 0:18:18 | |
# Welcoming another day | 0:18:18 | 0:18:21 | |
# Ting-a-ling, ring-o-ring | 0:18:21 | 0:18:24 | |
# Two bells in the steeple | 0:18:24 | 0:18:27 | |
# Slowly swing, another ring | 0:18:27 | 0:18:29 | |
# Calling all the people | 0:18:29 | 0:18:33 | |
# Here the pealing clear and high | 0:18:33 | 0:18:36 | |
# Like those angels in the sky | 0:18:36 | 0:18:39 | |
# Ting-a-ling, ring-o-ring | 0:18:39 | 0:18:42 | |
# High in the steeple... # | 0:18:42 | 0:18:44 | |
BELL TOLLS | 0:18:44 | 0:18:48 | |
KNOCKING AT DOOR | 0:18:48 | 0:18:51 | |
Come in. | 0:18:55 | 0:18:57 | |
-You wished to see me? -Yes, Mr Lory. | 0:19:01 | 0:19:04 | |
I know what you're going to say. I know I'm ridiculous. | 0:19:04 | 0:19:08 | |
I'm stupid and weak. I can't help it, sir. | 0:19:08 | 0:19:12 | |
-I'm a coward. -No, no. -Yes, I can't stand violence. It terrifies me. | 0:19:12 | 0:19:18 | |
Noises and explosions, something happens to me. | 0:19:18 | 0:19:21 | |
I can't conceal it from the boys any longer. They see it. | 0:19:21 | 0:19:26 | |
They saw it this morning. You saw it. | 0:19:26 | 0:19:29 | |
Even Miss Martin. | 0:19:29 | 0:19:32 | |
-Sit down, Mr Lory. -No, sir. | 0:19:32 | 0:19:35 | |
Now she knows I'm a coward. | 0:19:35 | 0:19:37 | |
Would you like to be transferred to where there are no air raids? | 0:19:37 | 0:19:43 | |
-No, no, no. -Because of Miss Martin? | 0:19:43 | 0:19:46 | |
-Yes. -Does she know how you feel? | 0:19:47 | 0:19:50 | |
I thought you were a confirmed bachelor like me. | 0:19:51 | 0:19:55 | |
Like all young men, I fell in love, | 0:19:55 | 0:19:58 | |
but she died. | 0:19:58 | 0:20:00 | |
I found great comfort in my work - our work. | 0:20:00 | 0:20:04 | |
My family became this school, | 0:20:04 | 0:20:07 | |
my books, my teachers, my pupils - many of them have grown up. | 0:20:07 | 0:20:12 | |
It's wonderful to be a schoolmaster. It's a life work, Lory. | 0:20:12 | 0:20:17 | |
You sacrifice a lot but you receive a lot. | 0:20:17 | 0:20:20 | |
We are the most important people in the land. | 0:20:20 | 0:20:23 | |
Now is a time for sacrifice more than ever. | 0:20:23 | 0:20:27 | |
Our real happiness lies in doing our job well. | 0:20:27 | 0:20:31 | |
Our mayor was here this morning talking about duty. | 0:20:31 | 0:20:34 | |
I prefer to use the word job. | 0:20:34 | 0:20:37 | |
These books must be burnt. We can't resist physically. | 0:20:37 | 0:20:42 | |
But morally, within us, we can resist. | 0:20:42 | 0:20:46 | |
We contain those books, we contain truth. | 0:20:46 | 0:20:49 | |
They can't destroy the truth without destroying all of us. | 0:20:49 | 0:20:54 | |
We can keep the truth alive if the children believe in us. | 0:20:54 | 0:20:59 | |
Children like to follow a leader. | 0:20:59 | 0:21:02 | |
There are two kinds of leader. | 0:21:02 | 0:21:05 | |
We have no weapons, we don't march except to air raid shelters. | 0:21:05 | 0:21:10 | |
Our heroes are called criminals and shot against walls. | 0:21:10 | 0:21:14 | |
The others have guns and parades. | 0:21:14 | 0:21:16 | |
They teach violence, vanity, everything that appeals to children. | 0:21:16 | 0:21:22 | |
Their criminals are called heroes. | 0:21:22 | 0:21:24 | |
That's a lot of competition, Lory. | 0:21:24 | 0:21:27 | |
Love of liberty isn't glamorous. Respect for people isn't exciting. | 0:21:27 | 0:21:33 | |
There's one weapon they can't take away - our dignity. | 0:21:33 | 0:21:37 | |
It's going to be a fight, it IS a fight. | 0:21:37 | 0:21:41 | |
If the children admire us, they will follow us. | 0:21:41 | 0:21:44 | |
EXPLOSION | 0:21:44 | 0:21:45 | |
We will win, Lory. | 0:21:52 | 0:21:55 | |
Or maybe we will get shot. | 0:21:55 | 0:21:58 | |
Everyone of us they execute wins a battle for our cause, | 0:21:58 | 0:22:01 | |
because he dies a hero and heroism is glamorous to children. | 0:22:01 | 0:22:06 | |
I don't ask you to die - not immediately. | 0:22:07 | 0:22:11 | |
Think about these things and they'll help when we are visited by our friends in the sky. | 0:22:11 | 0:22:18 | |
Can you handle your class and feel less nervous next time? | 0:22:18 | 0:22:22 | |
-Yes, I'll try. -Good. | 0:22:22 | 0:22:25 | |
-Professor Sorel. -Yes, Victor? | 0:22:28 | 0:22:31 | |
-What's the trouble? -There's been a wreck at the railroad yard. | 0:22:31 | 0:22:36 | |
-Now it begins. -They'll take hostages even if it was an accident. | 0:22:36 | 0:22:41 | |
Now we've got to be strong, Lory. | 0:22:41 | 0:22:44 | |
Number nine. I haven't touched it since. | 0:23:03 | 0:23:06 | |
-Was it all right? -Yes, I watched the train back in. | 0:23:06 | 0:23:10 | |
Well, I expected it to but it ended up in front of the other train. | 0:23:10 | 0:23:16 | |
-It was too late to do anything. -See if it works now. | 0:23:16 | 0:23:20 | |
-Control cable's broken. -Cut. | 0:23:24 | 0:23:27 | |
-You know nothing about it? -No, it was all right when I pulled it. | 0:23:29 | 0:23:34 | |
You turned in an illegal newspaper this morning. | 0:23:34 | 0:23:38 | |
-That's right, sir. -Any idea where it comes from? | 0:23:38 | 0:23:42 | |
No, sir. | 0:23:42 | 0:23:44 | |
If you do get an idea, will you report it? | 0:23:44 | 0:23:48 | |
I think so. | 0:23:48 | 0:23:50 | |
Martin, this was an accident. | 0:23:50 | 0:23:53 | |
-You understand? -Yes, sir. | 0:23:55 | 0:23:59 | |
So, Hans, am I in a jam? | 0:24:16 | 0:24:19 | |
Ach, no. | 0:24:19 | 0:24:22 | |
-You smoke and forget it, Paul. -Thanks. | 0:24:24 | 0:24:28 | |
What's the old man up to? Why does he call it an accident? | 0:24:30 | 0:24:35 | |
We never ask questions. | 0:24:35 | 0:24:37 | |
TRAIN WHISTLE | 0:24:39 | 0:24:42 | |
-< -Oh, Julie! | 0:24:42 | 0:24:45 | |
-Where's George? -In his office. He's in an awful temper. | 0:24:46 | 0:24:51 | |
I'm worried about Paul. That fat pig just left the switch tower. | 0:24:51 | 0:24:56 | |
If the boss asks, I've gone to the warehouse. | 0:24:56 | 0:25:00 | |
You don't have to worry about Paul. | 0:25:00 | 0:25:03 | |
< Go ahead and load, number four. We'll get the tracks cleared. | 0:25:03 | 0:25:07 | |
-Speed it up. -George? -Hello, darling. | 0:25:07 | 0:25:10 | |
The men will have to work overtime. | 0:25:10 | 0:25:13 | |
Refer any complaints to me. | 0:25:13 | 0:25:16 | |
Call me back when you're finished. | 0:25:16 | 0:25:19 | |
I'm in for some trouble. Everything is in a mess. | 0:25:20 | 0:25:24 | |
-I'm worried. -So am I. Everything seemed all right at the switch tower. | 0:25:24 | 0:25:30 | |
I work so hard to keep everything moving. They'll blame me. | 0:25:30 | 0:25:35 | |
Perhaps I'm selfish but I'm thinking about me. | 0:25:35 | 0:25:38 | |
-Something's happened that I don't understand. -What? | 0:25:38 | 0:25:42 | |
I went to buy dinner and when I got back, the house had been searched. I... | 0:25:42 | 0:25:49 | |
Excuse me, Lambert, if I'm intruding. | 0:25:52 | 0:25:55 | |
-That's OK. -You know my adjutant? -Yes. | 0:25:55 | 0:25:58 | |
Louise, this is Major von Keller and Captain Schwartz - Miss Martin. | 0:25:58 | 0:26:03 | |
I know Miss Martin very well, even if she doesn't know me. | 0:26:07 | 0:26:11 | |
It is my duty to know what the teachers are teaching and thinking. | 0:26:11 | 0:26:18 | |
How are your friends in the sky? | 0:26:18 | 0:26:21 | |
I wanted to talk to you alone. | 0:26:24 | 0:26:26 | |
She wants to ask about some papers she's lost. | 0:26:29 | 0:26:33 | |
Not lost, stolen. | 0:26:34 | 0:26:37 | |
My report says neither. The forbidden pages were burned. | 0:26:37 | 0:26:42 | |
We protect the people from their own mistakes. | 0:26:42 | 0:26:45 | |
-What did you do? -Nothing - except prove our efficiency. | 0:26:45 | 0:26:51 | |
I found out what I wanted to ask you. I'll see you tonight. | 0:26:51 | 0:26:56 | |
Don't be disturbed. We've more important matters to discuss. | 0:26:58 | 0:27:02 | |
I've been investigating the wreck. | 0:27:02 | 0:27:05 | |
-An unfortunate accident. -I wouldn't call it an accident. | 0:27:05 | 0:27:10 | |
Neither would I. It was sabotage. | 0:27:10 | 0:27:13 | |
I knew that illegal newspaper would cause trouble. | 0:27:14 | 0:27:17 | |
-Do you suspect anyone? -I don't know. | 0:27:17 | 0:27:20 | |
Who prints the newspaper? Every man in this yard gets a copy. | 0:27:20 | 0:27:26 | |
-Find the publishers and find the saboteurs. -Logical but not helpful. | 0:27:26 | 0:27:31 | |
Not very intelligent for either of us. You said sabotage. | 0:27:33 | 0:27:37 | |
It is sabotage. | 0:27:37 | 0:27:40 | |
You don't understand, my friend. | 0:27:40 | 0:27:43 | |
Look, if we call it sabotage I will have to take hostages from the town, | 0:27:43 | 0:27:49 | |
and shoot them finally, if the guilty are not found. | 0:27:49 | 0:27:53 | |
I don't like to shoot innocent people. | 0:27:53 | 0:27:57 | |
Once you begin making martyrs, it never stops. | 0:27:57 | 0:28:00 | |
Finally, we end up on a powder keg. | 0:28:00 | 0:28:03 | |
-I see. -The taking of hostages will make the guilty more cautious. | 0:28:03 | 0:28:09 | |
The shooting will make them more rebellious. | 0:28:09 | 0:28:13 | |
Next time, a troop train will be wrecked. | 0:28:13 | 0:28:16 | |
Fortunately, no German soldiers were killed. | 0:28:16 | 0:28:20 | |
Whatever was destroyed by this "accident" can be replaced. | 0:28:20 | 0:28:24 | |
This town's good citizens will eat less and talk more. | 0:28:24 | 0:28:29 | |
You can't be blamed for an accident. | 0:28:29 | 0:28:32 | |
In the meantime, we keep our ears open. | 0:28:32 | 0:28:35 | |
I have many ears and you're in touch with all those who work here. | 0:28:35 | 0:28:41 | |
Do you think they tell me anything? | 0:28:41 | 0:28:44 | |
They regard anybody who gives orders as an enemy. | 0:28:44 | 0:28:48 | |
We had the same problem in Germany, | 0:28:48 | 0:28:51 | |
during the Republic under capitalism. | 0:28:51 | 0:28:54 | |
I killed workers with my own hands for our Fuhrer. | 0:28:55 | 0:28:59 | |
With both hands then. For my class, it was either kill or be killed. | 0:28:59 | 0:29:05 | |
But we won and now we are brothers - absolute obedience. | 0:29:05 | 0:29:09 | |
I too fought the unions in this yard. I nearly died. | 0:29:09 | 0:29:13 | |
You had a leader and were many. We had no leader and were few. | 0:29:13 | 0:29:18 | |
That's why you're here. | 0:29:18 | 0:29:20 | |
-But not as your enemy. -If you were, I wouldn't do what I do. | 0:29:20 | 0:29:25 | |
We're here to rebuild your country. Remember Germany before our Fuhrer? | 0:29:25 | 0:29:30 | |
A country without food, arms or honour. | 0:29:30 | 0:29:33 | |
The people were waiting to be told the truth. | 0:29:33 | 0:29:37 | |
We have shed German blood to give that truth to your people and the whole world. | 0:29:37 | 0:29:44 | |
Your ideas are my ideas. I saw our country being destroyed. | 0:29:44 | 0:29:48 | |
False democratic ideas, women refusing to have children, | 0:29:48 | 0:29:52 | |
strikes for a 40-hour week when your people worked 70 and 80 hours. | 0:29:52 | 0:29:58 | |
I want the new order for my country, I work for it. | 0:29:58 | 0:30:02 | |
I know we can't have it until this war is over. | 0:30:02 | 0:30:05 | |
But the truth is I don't like the occupation. | 0:30:05 | 0:30:09 | |
Neither do I. I'm glad we understand each other. | 0:30:09 | 0:30:13 | |
We both want this war to end. | 0:30:13 | 0:30:16 | |
Only then can Europe be peaceful and united. | 0:30:16 | 0:30:20 | |
Only then can men like you regain their dignity and honour. | 0:30:20 | 0:30:25 | |
Let us both work for that day. | 0:30:26 | 0:30:29 | |
MUTED BOOING | 0:30:58 | 0:31:01 | |
Sorry, but you must keep in line. | 0:31:06 | 0:31:09 | |
MUTED BOOING CONTINUES | 0:31:13 | 0:31:17 | |
The sound of the mob. I don't like the way they look. | 0:31:25 | 0:31:29 | |
Don't worry. Break up the printing presses and you break up rebellion. | 0:31:29 | 0:31:34 | |
Quiet! | 0:31:38 | 0:31:40 | |
Let's go. | 0:31:40 | 0:31:42 | |
LOUD WHISTLE BLASTS | 0:32:11 | 0:32:13 | |
A man is dead. | 0:32:15 | 0:32:18 | |
Go ahead! | 0:32:18 | 0:32:20 | |
LOUD WHISTLE BLASTS | 0:32:40 | 0:32:43 | |
GUNSHOT | 0:33:19 | 0:33:22 | |
Hello, Mrs Lory. | 0:33:59 | 0:34:02 | |
Eh, eh, eh! | 0:34:02 | 0:34:04 | |
Hello, Paul. | 0:34:27 | 0:34:30 | |
There's been trouble. Did you hear the shooting? | 0:34:30 | 0:34:33 | |
Paul, what's the matter? | 0:34:33 | 0:34:36 | |
-Paul! -It's nothing. I'm all right. | 0:34:38 | 0:34:42 | |
Paul! Paul, it was you. | 0:34:43 | 0:34:46 | |
Oh, Paul, why didn't you tell me it was you, it was you? | 0:34:46 | 0:34:51 | |
Now you're the brother I've been so very proud of. | 0:34:51 | 0:34:55 | |
I can believe in you again. | 0:34:55 | 0:34:58 | |
TINKLING MUSIC | 0:35:01 | 0:35:03 | |
MUSIC STOPS Herr Major. Man hat ihn gesehen, aber nicht mehr erkannt. | 0:35:14 | 0:35:21 | |
Die Gruppenfuhrer war sicher dass einer ihn getroffen hat. | 0:35:21 | 0:35:25 | |
So bloed. Abreden. | 0:35:25 | 0:35:28 | |
That settles it. The man got away - not even recognised. | 0:35:28 | 0:35:32 | |
This concerns you. An attempt was made on your life as well as mine. | 0:35:32 | 0:35:38 | |
-Any suggestions? -The two men you arrested must know who it was. | 0:35:38 | 0:35:43 | |
You don't understand your people. | 0:35:43 | 0:35:46 | |
I know these men. We had them in Germany - fanatics. | 0:35:46 | 0:35:49 | |
They'll die but they won't talk. I'll have to take hostages. | 0:35:49 | 0:35:54 | |
Two German soldiers have been killed. | 0:35:54 | 0:35:57 | |
-I'm so sorry, Major von Keller. -My superiors won't accept apologies. | 0:35:57 | 0:36:03 | |
Have you ever studied this paper? | 0:36:03 | 0:36:06 | |
"They make a desert and they call it peace." | 0:36:08 | 0:36:12 | |
That's classical flavour. | 0:36:12 | 0:36:15 | |
-Who wrote that? -The two men you arrested. | 0:36:15 | 0:36:19 | |
Oh, no, my dear Mayor, they were only printers. | 0:36:19 | 0:36:22 | |
They're the hands, I'm looking for the brain. | 0:36:22 | 0:36:26 | |
This shows scholarship. | 0:36:26 | 0:36:29 | |
Schwartz, give me the list of books on Professor Sorel's desk. | 0:36:29 | 0:36:33 | |
Voltaire, Plato, Juvenal, Tacitus. | 0:36:38 | 0:36:41 | |
Tacitus! Ubi solitudinem faciunt pacem appellant. | 0:36:41 | 0:36:46 | |
-You recognise it, Manville? -Is it Greek? -It's Latin. | 0:36:46 | 0:36:51 | |
Tacitus was speaking of the Roman occupation. | 0:36:51 | 0:36:55 | |
"They make a desert and they call it peace." | 0:36:55 | 0:36:58 | |
-We've got it. -Surely you don't suspect Sorel? | 0:36:58 | 0:37:02 | |
I've known him all my life. He's a little radical, crazy ideas. | 0:37:02 | 0:37:07 | |
I never agreed with him but he's highly respected. | 0:37:07 | 0:37:11 | |
-He'd never try to kill me. -Of course not. Have a glass of wine. | 0:37:11 | 0:37:15 | |
Let's drink a toast to Tacitus. | 0:37:15 | 0:37:19 | |
Boys, boys! | 0:37:41 | 0:37:44 | |
What have you been doing? | 0:37:44 | 0:37:47 | |
I'm very disappointed. This is a place of learning and culture. | 0:37:49 | 0:37:54 | |
The first requisite of culture is good manners. | 0:37:54 | 0:37:57 | |
I've tried to keep dignity but if you continue to misbehave, | 0:37:57 | 0:38:02 | |
I'll report you to the principal. | 0:38:02 | 0:38:05 | |
Edmund, what's that on your face? | 0:38:05 | 0:38:07 | |
They say I'm a Jew. | 0:38:07 | 0:38:10 | |
Who did it? | 0:38:15 | 0:38:17 | |
I don't know, sir. | 0:38:17 | 0:38:20 | |
Got to the washroom and clean your face. | 0:38:24 | 0:38:27 | |
Mr Lory, come quickly! They're arresting Professor Sorel. | 0:38:27 | 0:38:31 | |
Professor Sorel! They mustn't take you. | 0:38:33 | 0:38:37 | |
Don't leave us. We can't run the school without you. | 0:38:37 | 0:38:41 | |
-Don't leave us! -Dignity, Lory. You can run the school. | 0:38:41 | 0:38:45 | |
Stop it! Let go! You can't take him. I won't let you. | 0:38:45 | 0:38:49 | |
Father! | 0:38:49 | 0:38:52 | |
-Father! Father! -It's all right, son. | 0:38:52 | 0:38:56 | |
Don't worry, I'll be back. Comfort your mother. You're the man now. | 0:38:56 | 0:39:02 | |
You're a brave boy, Edmund. | 0:39:11 | 0:39:14 | |
And so are you, Albert. | 0:39:15 | 0:39:18 | |
TINKLING MUSIC | 0:39:23 | 0:39:26 | |
You're wasting your time. And mine too. | 0:39:26 | 0:39:29 | |
You surely can't have anything against Professor Sorel. | 0:39:29 | 0:39:34 | |
Everyone respects him. Some of us love him. He's a good man. | 0:39:34 | 0:39:38 | |
-MUSIC STOPS -He writes well. I admire his style. | 0:39:38 | 0:39:42 | |
-You know he'd never do anything violent. Mr Lorraine... -He's a Jew. | 0:39:42 | 0:39:47 | |
-What will happen to them? -Two German soldiers were murdered today. | 0:39:50 | 0:39:56 | |
Unless the criminal gives himself up, ten hostages will be shot but not by me. | 0:39:56 | 0:40:03 | |
But by the cowardly criminal who won't confess his guilt. | 0:40:03 | 0:40:08 | |
-You'd shoot innocent men? -I'd have nothing to do with it. | 0:40:08 | 0:40:12 | |
But I'm not grieving for the innocence of Sorel. | 0:40:12 | 0:40:16 | |
Your hostility to me comes from him. You pass it on to your pupils. | 0:40:16 | 0:40:22 | |
We must stamp out these ideas in the schools. | 0:40:22 | 0:40:25 | |
Children are the soldiers and mothers of tomorrow. | 0:40:25 | 0:40:30 | |
Ten years ago, our children were like yours. | 0:40:30 | 0:40:33 | |
We threw out the Sorels and took over the schools. | 0:40:33 | 0:40:37 | |
-They'll rule the world. -You won't! | 0:40:37 | 0:40:40 | |
If I didn't know you're marrying a reliable man, I'd worry about you. | 0:40:42 | 0:40:48 | |
Thank you for helping me understand exactly what this occupation means. | 0:40:49 | 0:40:55 | |
Thank you for your company, Miss Martin. | 0:40:56 | 0:41:00 | |
Don't worry too much about Sorel. | 0:41:00 | 0:41:02 | |
We have ways of finding out things. | 0:41:02 | 0:41:05 | |
The chances are we'll find the guilty man. | 0:41:05 | 0:41:09 | |
My regards to Lambert. And save me some wedding cake. | 0:41:09 | 0:41:14 | |
TRAIN WHISTLE | 0:41:16 | 0:41:18 | |
George? | 0:41:24 | 0:41:26 | |
They've arrested Professor Sorel. | 0:41:27 | 0:41:30 | |
Poor darling, don't cry. | 0:41:33 | 0:41:36 | |
Come and sit down. | 0:41:36 | 0:41:39 | |
I know how you feel but crying won't do any good. | 0:41:39 | 0:41:43 | |
-There now. Is that better? -Oh, George! | 0:41:44 | 0:41:48 | |
I'm frightened. I'm scared to death. | 0:41:48 | 0:41:52 | |
Life is getting terrible. I don't know what to do. | 0:41:53 | 0:41:57 | |
I need you. | 0:41:57 | 0:41:59 | |
Of course you do. That's what I'm here for. | 0:42:03 | 0:42:07 | |
I love you. | 0:42:07 | 0:42:09 | |
I know about Sorel and that they took that shopkeeper Lorraine | 0:42:09 | 0:42:14 | |
and eight other men. One of them worked here. | 0:42:14 | 0:42:17 | |
If they find the man who threw the bomb, they'll be released. | 0:42:17 | 0:42:22 | |
You don't understand. The man who threw the bomb... | 0:42:22 | 0:42:27 | |
-Oh, George, I'm in such an awful situation. -I know. | 0:42:27 | 0:42:31 | |
The man who threw the bomb is a criminal. | 0:42:31 | 0:42:35 | |
If he had any courage, he'd admit his guilt. | 0:42:35 | 0:42:38 | |
-You really believe he's a criminal? -We all hate this occupation. | 0:42:38 | 0:42:43 | |
I told Major von Keller just that. But we must face facts. | 0:42:43 | 0:42:48 | |
They have the power. If one of us resists and gets killed, | 0:42:48 | 0:42:53 | |
he takes the risk and the punishment himself. | 0:42:53 | 0:42:56 | |
The man who resists with acts of sabotage escapes but innocent people die. | 0:42:56 | 0:43:03 | |
-You really think that? -It's obvious, darling. | 0:43:04 | 0:43:08 | |
-Anyone who resists ought to give himself up?! -Yes. | 0:43:09 | 0:43:13 | |
-Then there's no more resistance. -Isn't it better to have peace? | 0:43:13 | 0:43:18 | |
What happens to a nation if all its citizens die? | 0:43:18 | 0:43:22 | |
But I saw them take Professor Sorel. He isn't afraid to die. | 0:43:22 | 0:43:28 | |
He's old, we're young. Life means everything to us. | 0:43:28 | 0:43:32 | |
I know young men who aren't afraid to die. | 0:43:32 | 0:43:36 | |
Nothing is worth the sacrifice of your life, Louise. | 0:43:37 | 0:43:41 | |
We have everything before us. Love, marriage, chi... | 0:43:41 | 0:43:46 | |
No, George! I was in love with you, perhaps I still am. | 0:43:46 | 0:43:50 | |
I feel as if I don't really know you. | 0:43:50 | 0:43:53 | |
This is the first time you've been frank with me. | 0:43:53 | 0:43:57 | |
I haven't found the answer to the things you've said. | 0:43:58 | 0:44:02 | |
-I feel...I know you're wrong. -DOOR OPENS | 0:44:02 | 0:44:06 | |
Hello, folks. | 0:44:06 | 0:44:08 | |
What's the matter? | 0:44:21 | 0:44:23 | |
She's just upset. She'll get over it. You know women. | 0:44:23 | 0:44:28 | |
I sure don't. | 0:44:28 | 0:44:31 | |
CLASSICAL MUSIC PLAYS | 0:44:33 | 0:44:35 | |
I don't know what's keeping Paul. He knew you were coming. | 0:44:37 | 0:44:42 | |
Louise... I have something to say to you. | 0:44:55 | 0:45:00 | |
Are you worried about your mother? | 0:45:00 | 0:45:03 | |
-I know she doesn't like me. -I... -You don't have to explain a thing. | 0:45:03 | 0:45:09 | |
She's old and lonely. I understand how you feel. | 0:45:09 | 0:45:12 | |
-You can go home. -Thank you. | 0:45:12 | 0:45:15 | |
-You forgot something. -It's for you. -For me? | 0:45:20 | 0:45:25 | |
They're lovely. Where did you get them? | 0:45:25 | 0:45:28 | |
Edmund picked them for you. He's very fond of you. | 0:45:28 | 0:45:32 | |
Louise. | 0:45:33 | 0:45:36 | |
Lou...Louise, I must speak to you. | 0:45:36 | 0:45:40 | |
Louise, I...I know I'm not young. | 0:45:40 | 0:45:46 | |
You are so very young in my mind. I remember the day you graduated. | 0:45:47 | 0:45:52 | |
I remember when you came back to teach. I was so worried about you. | 0:45:52 | 0:45:59 | |
I was so happy when I saw the children loved you. | 0:45:59 | 0:46:03 | |
Now we're both here together. We're the only ones left in the school. | 0:46:03 | 0:46:09 | |
I feel so very close to you... | 0:46:09 | 0:46:14 | |
EXPLOSIONS | 0:46:11 | 0:46:14 | |
ALARM | 0:46:24 | 0:46:27 | |
SHARP WHISTLE BLASTS | 0:46:27 | 0:46:30 | |
MOTORBIKE PASSES BY | 0:46:40 | 0:46:43 | |
GERMAN VOICES | 0:46:43 | 0:46:46 | |
-Paul! -Lory, sit down at the table. | 0:46:56 | 0:47:00 | |
Understand? I was here for dinner. I've been here an hour. | 0:47:24 | 0:47:29 | |
Smoke? | 0:47:29 | 0:47:31 | |
MOTORBIKES PULL UP OUTSIDE | 0:47:32 | 0:47:36 | |
Breathe in. | 0:47:36 | 0:47:38 | |
HE COUGHS I don't smoke. | 0:47:41 | 0:47:44 | |
KNOCKING AT DOOR | 0:47:45 | 0:47:48 | |
Hello, Sergeant. What were all those explosions? | 0:47:55 | 0:48:00 | |
Ammunition train. | 0:48:00 | 0:48:02 | |
-Anyone come in? -No. | 0:48:02 | 0:48:05 | |
-Do you live here? Why are you here? -He's Mr Lory from next door. | 0:48:05 | 0:48:10 | |
Why didn't you answer me? | 0:48:10 | 0:48:13 | |
I don't smoke. | 0:48:13 | 0:48:16 | |
He's a teacher. It's his first cigarette. | 0:48:16 | 0:48:19 | |
-How long have you been here? -I came home and then read the paper. | 0:48:19 | 0:48:25 | |
-What time? -Six o'clock. | 0:48:25 | 0:48:28 | |
HE COUGHS AND SPLUTTERS | 0:48:28 | 0:48:31 | |
Who was here? | 0:48:39 | 0:48:41 | |
-Louise was here. -And my brother Paul. | 0:48:43 | 0:48:45 | |
I'm not asking you. Who was here? | 0:48:45 | 0:48:50 | |
He was here. | 0:48:51 | 0:48:53 | |
-You're sure about that? -Yes. | 0:48:55 | 0:48:57 | |
-He was here all the time? -He's sweet on my sister. | 0:48:57 | 0:49:01 | |
THE GERMAN SOLDIER LAUGHS | 0:49:03 | 0:49:06 | |
Get those men out of my house! | 0:49:06 | 0:49:09 | |
-Where do you think you are? -Please, lady! -Don't give me "please". | 0:49:09 | 0:49:14 | |
Get those men out! I'm a decent woman. I don't hide anybody. | 0:49:14 | 0:49:19 | |
-What do you mean? -You've got no right to go into my house. | 0:49:19 | 0:49:24 | |
Albert, come home. Come on. | 0:49:24 | 0:49:27 | |
Wenn ihr hier fertig seid, kommt mit! | 0:49:30 | 0:49:32 | |
CRASH | 0:49:36 | 0:49:38 | |
My best china. Waaah! | 0:49:38 | 0:49:41 | |
-Get out of here, you lummox! Get out! -I'm sorry. | 0:49:41 | 0:49:46 | |
-My wedding gift from the mayor. -Come here. > | 0:49:46 | 0:49:51 | |
Are you satisfied? | 0:49:52 | 0:49:54 | |
NO! You're a brute. | 0:49:54 | 0:49:57 | |
Hmmm! | 0:50:00 | 0:50:02 | |
They're all brutes. | 0:50:07 | 0:50:10 | |
COCKEREL CROWS | 0:50:13 | 0:50:16 | |
CLOCK CHIMES | 0:50:16 | 0:50:18 | |
-Albert! -Yes, Mother. | 0:50:22 | 0:50:25 | |
Albert? | 0:50:50 | 0:50:52 | |
-Yes, Mother? -Sit down. | 0:50:57 | 0:50:59 | |
You'll be late. | 0:50:59 | 0:51:02 | |
-They ought to be ashamed to call this coffee. -Morning, Mother. | 0:51:02 | 0:51:07 | |
Nothing but burnt corn. You queue all day for four ounces. | 0:51:07 | 0:51:12 | |
I'm sure the mayor doesn't have this on his table. Tsh-aah! | 0:51:12 | 0:51:17 | |
That cat! I wish you wouldn't let it in in the morning. | 0:51:17 | 0:51:22 | |
-It's a very nice cat. -Albert, you'll never grow up. | 0:51:22 | 0:51:27 | |
How's your rheumatism this morning? | 0:51:27 | 0:51:31 | |
I had to get up in the middle of the night to rub my legs. | 0:51:31 | 0:51:36 | |
I think I caught cold waiting for you to come home. | 0:51:36 | 0:51:40 | |
You know I don't like to be left alone, my darling. | 0:51:40 | 0:51:46 | |
I'm sorry, Mother. | 0:51:46 | 0:51:49 | |
You smelt of tobacco when you came home from that girl's house. | 0:51:49 | 0:51:54 | |
I only took one puff. | 0:51:54 | 0:51:57 | |
With your weak lungs, tobacco could be the death of you. | 0:51:57 | 0:52:01 | |
I'm sure your father would have lived longer if he hadn't smoked. | 0:52:01 | 0:52:07 | |
It's poison for sensitive people. Now, me... | 0:52:07 | 0:52:11 | |
KNOCKING AT DOOR | 0:52:11 | 0:52:13 | |
I can't stand the smell of tobacco. | 0:52:15 | 0:52:18 | |
-Now what do you want? -Albert Lory? | 0:52:19 | 0:52:23 | |
-What is it you want? -Albert Lory, hostage. | 0:52:24 | 0:52:28 | |
Oh! | 0:52:28 | 0:52:30 | |
-I won't let you take my boy. -Don't make trouble now. | 0:52:30 | 0:52:35 | |
-He's innocent. -We have our orders. | 0:52:35 | 0:52:38 | |
Don't you touch him. My boy is innocent. | 0:52:40 | 0:52:44 | |
If you lay your hands on him, I'll go to our mayor. Get out! | 0:52:44 | 0:52:49 | |
Mein Herr! | 0:52:49 | 0:52:51 | |
Where did you get this? Under the door. | 0:52:53 | 0:52:56 | |
He's innocent. | 0:52:56 | 0:52:59 | |
-Let me tell you! -Mother... -Let me tell you. -SHE WAILS | 0:52:59 | 0:53:04 | |
-Get out of my way! I want to see Major von Keller. -He's busy. | 0:53:14 | 0:53:19 | |
-Do you have an appointment? -I'm Mrs Emma Lory. | 0:53:19 | 0:53:23 | |
Send in an application and I'll let you know in a few days. | 0:53:23 | 0:53:29 | |
The mayor's meeting the council. Impossible to see anyone. | 0:53:37 | 0:53:42 | |
Perhaps he'll see Emma Bellard. | 0:53:42 | 0:53:44 | |
-40 years he got his face slapped for trying to kiss her. -Come back tomorrow. | 0:53:44 | 0:53:51 | |
Sorry, Mrs Lory, the superintendent is very busy. | 0:53:56 | 0:54:01 | |
-Now, really, Mrs Lory! -George Lambert, you listen to me. | 0:54:08 | 0:54:13 | |
Do you know what they have done to my boy? | 0:54:13 | 0:54:17 | |
-I'm very sorry. -Sorry my eye! Do something. | 0:54:17 | 0:54:21 | |
Sit down and listen to me! | 0:54:21 | 0:54:24 | |
SOMEONE PLAYS PIANO SCALES | 0:54:26 | 0:54:29 | |
Go to bed now, Susie. You've practised enough. Come kiss me. | 0:54:29 | 0:54:35 | |
You've not only done your duty, you can also expect a reward. | 0:54:43 | 0:54:49 | |
I want no reward, sir. This is very hard for me to do. | 0:54:49 | 0:54:53 | |
Between you and me, I hope he is the man. | 0:54:54 | 0:54:59 | |
You know I have to handle von Keller carefully. | 0:54:59 | 0:55:02 | |
He's been ordered to increase the shipment of food from this district. | 0:55:02 | 0:55:08 | |
Our people are hungry enough as it is. | 0:55:08 | 0:55:11 | |
It'll keep von Keller happy if I can deliver the saboteur. | 0:55:11 | 0:55:16 | |
I'll save many lives. Not just Lory but also my friend Sorel. | 0:55:16 | 0:55:21 | |
They won't release Sorel unless Paul tells who threw the bomb. | 0:55:21 | 0:55:26 | |
The thing that makes me mad is how he fooled us - me, his best friend, | 0:55:26 | 0:55:32 | |
making friends with the Germans. | 0:55:32 | 0:55:35 | |
-I can't stand hypocrisy. -Neither can I. | 0:55:35 | 0:55:38 | |
They say I'm a collaborationist. I am and you know why. | 0:55:38 | 0:55:42 | |
It's easy for people in free countries to call us names. | 0:55:42 | 0:55:47 | |
-When the Germans march in, they'll make the best of it. -Or they'll get the worst of it. | 0:55:47 | 0:55:54 | |
I do my duty. As mayor, my duty is to defend this town. | 0:55:54 | 0:55:59 | |
Where can they find Martin? | 0:55:59 | 0:56:02 | |
-At home? -He's on the night shift. He'll be at the switch tower in half an hour. | 0:56:02 | 0:56:08 | |
Hello, operator. I want to speak to Major von Keller. | 0:56:11 | 0:56:15 | |
TRAIN BELL | 0:56:21 | 0:56:24 | |
Zwei bleiben draussen, zwei hier. | 0:56:25 | 0:56:27 | |
Anything wrong? | 0:56:30 | 0:56:32 | |
Don't ask questions. Get on with your work. | 0:56:32 | 0:56:35 | |
# Was soll es bedeuten | 0:56:35 | 0:56:42 | |
# Dass ich so traurig bin? # | 0:56:42 | 0:56:47 | |
-Paul! -Fraulein, kommen Sie zu uns hier! | 0:57:08 | 0:57:12 | |
Fraulein, bleib doch hier! | 0:57:14 | 0:57:17 | |
Julie. Julie. | 0:57:31 | 0:57:34 | |
LAUGHTER | 0:57:34 | 0:57:36 | |
LAUGHTER STOPS AND STARTS AGAIN | 0:57:36 | 0:57:40 | |
Why don't you go with her? Isn't she your type? | 0:57:42 | 0:57:46 | |
I know what people say. | 0:57:46 | 0:57:49 | |
You've got to stick by me, Julie. Believe in me. | 0:57:50 | 0:57:54 | |
I've tried to, Paul, but this is too much. | 0:57:54 | 0:57:59 | |
I hate these soldiers. They killed my brother. | 0:58:00 | 0:58:05 | |
Not these fellows. He...he was killed at the front, | 0:58:05 | 0:58:10 | |
-before the armistice. -I hate you! | 0:58:10 | 0:58:13 | |
-Julie. -Don't touch me. Don't speak to me. | 0:58:13 | 0:58:16 | |
I never want to see you again. | 0:58:16 | 0:58:19 | |
TRAIN WHISTLE AND BELL | 0:58:28 | 0:58:31 | |
Hello, George. | 0:59:07 | 0:59:10 | |
-Hey, George! -Shhh! | 0:59:10 | 0:59:12 | |
You're early. Have a smoke. | 0:59:15 | 0:59:18 | |
Thanks. | 0:59:18 | 0:59:20 | |
Here's a light. | 0:59:20 | 0:59:22 | |
-Is anything wrong? -You know I love Louise? -Sure. | 0:59:23 | 0:59:27 | |
Do you know what it means to me to lose her? | 0:59:27 | 0:59:31 | |
-You'll make up. -I don't think so. | 0:59:31 | 0:59:34 | |
-Are you my friend? -Sure. -Am I yours? -Say, what is this? | 0:59:34 | 0:59:40 | |
If you were in my place and you knew who did the sabotage, would you tell? | 0:59:40 | 0:59:48 | |
-Do you know who did it? -Yes. | 0:59:49 | 0:59:52 | |
-And you told? -Yes. | 0:59:53 | 0:59:56 | |
Why did you do it? | 0:59:56 | 0:59:59 | |
Why did YOU do it, George? | 1:00:01 | 1:00:04 | |
Don't look at me like that. | 1:00:07 | 1:00:10 | |
You're looking at yourself. | 1:00:10 | 1:00:13 | |
That's what you can't stand. | 1:00:13 | 1:00:16 | |
You can't stand it and that's why you've warned me. Thanks, George. | 1:00:16 | 1:00:21 | |
Paul! Paul! | 1:00:22 | 1:00:25 | |
Paul, I've got to talk to you. | 1:00:25 | 1:00:28 | |
-Don't move. Stay here. Hold her, George. -Paul! Paul! | 1:00:28 | 1:00:33 | |
Paul! Paul! | 1:02:21 | 1:02:23 | |
COCKEREL CROWS | 1:02:28 | 1:02:30 | |
BELL TOLLS | 1:02:30 | 1:02:33 | |
CLOCK CHIMES | 1:02:37 | 1:02:40 | |
Ah! My boy, my boy! | 1:02:41 | 1:02:44 | |
My boy, let me look at you. | 1:02:47 | 1:02:50 | |
I couldn't sleep thinking of you in that horrible prison. | 1:02:50 | 1:02:55 | |
It was very nice. I saw Professor Sorel. | 1:02:55 | 1:02:59 | |
He was right across from me. We talked all night. | 1:02:59 | 1:03:03 | |
When the Germans listened, we talked in Latin. | 1:03:03 | 1:03:07 | |
You had a good time while I was lying awake thinking of you. | 1:03:08 | 1:03:13 | |
Just like a man - talk, talk, talk - and let the women worry. | 1:03:13 | 1:03:19 | |
I'm worried. They didn't release Professor Sorel. | 1:03:19 | 1:03:23 | |
I was the only one they let go. Why let me go? | 1:03:23 | 1:03:26 | |
They're know you're needed at the school. | 1:03:26 | 1:03:30 | |
Come along, have your breakfast. | 1:03:30 | 1:03:33 | |
But Professor Sorel is needed more than I am. | 1:03:33 | 1:03:36 | |
Don't let's ask questions. They'll let him out, you'll see. | 1:03:36 | 1:03:42 | |
Come now, have your breakfast, my darling. | 1:03:42 | 1:03:45 | |
-I must tell Paul and Louise. -No! No! NO! | 1:03:45 | 1:03:49 | |
Mother, I must tell her I'm free. It'll make her happy. | 1:03:52 | 1:03:56 | |
Albert, don't leave me. | 1:03:56 | 1:03:59 | |
-What's the matter, Mother? -I don't feel well. | 1:03:59 | 1:04:03 | |
You must shave and change. You can't go out looking like that. | 1:04:03 | 1:04:08 | |
But the house is only next door. I shan't be a minute. | 1:04:08 | 1:04:12 | |
HE WHISTLES | 1:04:22 | 1:04:25 | |
Louise? | 1:04:39 | 1:04:41 | |
Where's Paul? | 1:04:42 | 1:04:45 | |
You coward! You know what happened to Paul. | 1:04:48 | 1:04:52 | |
They killed him. That's why you're free. To think we trusted you. | 1:04:52 | 1:04:58 | |
You're weak but I told Paul you'd keep quiet. | 1:04:58 | 1:05:01 | |
Did they pay you or just give you your life? | 1:05:01 | 1:05:04 | |
-It's not worth much. -Louise! | 1:05:04 | 1:05:07 | |
You're the only one that knew. Get out! | 1:05:07 | 1:05:10 | |
Get out! | 1:05:10 | 1:05:13 | |
Don't let that girl hurt you. She's mixed up in it with her brother. | 1:05:18 | 1:05:24 | |
-He's dead. -And you're free, thank God! | 1:05:24 | 1:05:27 | |
-You may as well know, I'm the one who told. -Told?! | 1:05:27 | 1:05:32 | |
-Told what?! -I saw him climb through the window. | 1:05:32 | 1:05:36 | |
You?! My own mother told the Germans?! | 1:05:36 | 1:05:39 | |
I told George Lambert. | 1:05:39 | 1:05:43 | |
George Lambert! | 1:05:43 | 1:05:45 | |
-Son! -George Lambert. | 1:05:45 | 1:05:49 | |
Albert! He's your friend. | 1:05:49 | 1:05:51 | |
George Lambert! | 1:05:51 | 1:05:54 | |
TRAIN WHISTLE | 1:05:55 | 1:05:58 | |
Good morning, Lambert. | 1:06:02 | 1:06:04 | |
Mmm, I feel poetic this morning. | 1:06:08 | 1:06:11 | |
"Romeo, Romeo, wherefore art thou, Romeo? | 1:06:13 | 1:06:17 | |
"Deny thy father and refuse thy name. | 1:06:18 | 1:06:21 | |
"Or, if thou wilt not, be but thus sworn my love, and I'll no longer be a Capulet." | 1:06:21 | 1:06:27 | |
Shakespeare. We love him in Germany. The English don't understand him. | 1:06:27 | 1:06:33 | |
Sit down. | 1:06:33 | 1:06:35 | |
You look as if you have indigestion or didn't you sleep well? | 1:06:35 | 1:06:40 | |
Now me, I slept better than I have for weeks. | 1:06:42 | 1:06:46 | |
She'll never know. We keep our secrets. | 1:06:50 | 1:06:54 | |
Don't worry about that broken engagement. | 1:06:54 | 1:06:57 | |
Now she'll be lonely and make up with you. | 1:06:57 | 1:07:01 | |
Too bad he wasn't taken alive. I think somebody warned him. | 1:07:02 | 1:07:07 | |
-Have you released the hostages? -By no means. | 1:07:09 | 1:07:13 | |
Only that fool schoolmaster. | 1:07:13 | 1:07:15 | |
After that, we won't have trouble keeping him in line. | 1:07:15 | 1:07:20 | |
One for one. Fair trade and good business. | 1:07:20 | 1:07:24 | |
Sadly, your friend Martin is dead. And dead men can't talk. | 1:07:26 | 1:07:31 | |
But I've thought of a way to find his accomplices. | 1:07:31 | 1:07:36 | |
People might be afraid to go to the funeral tomorrow. | 1:07:36 | 1:07:40 | |
But you will go and comfort her. | 1:07:40 | 1:07:43 | |
She will admire you for risking my displeasure. | 1:07:43 | 1:07:48 | |
She will cry on your shoulder. I'm making up your quarrel for you. | 1:07:48 | 1:07:53 | |
She knows who the accomplices were and you know the way to my office. | 1:07:53 | 1:07:59 | |
Do you think I'd do that? | 1:08:04 | 1:08:07 | |
I'm sure you will. | 1:08:10 | 1:08:13 | |
DOOR OPENS | 1:08:13 | 1:08:15 | |
-I have something for the superintendent. -Come in. | 1:08:15 | 1:08:19 | |
We caught it in a trap in the loft. I thought you'd like it for dinner. | 1:08:21 | 1:08:26 | |
It's a fine, fat bird. I wouldn't mind having it. | 1:08:26 | 1:08:30 | |
I'm expecting to hear from you tomorrow night, Lambert. | 1:08:36 | 1:08:40 | |
-I hope you like it, sir. -Oh, thanks. | 1:08:40 | 1:08:43 | |
GUNSHOT | 1:09:37 | 1:09:40 | |
Murder! Murder! | 1:10:01 | 1:10:05 | |
I can only sum up by saying the murder has been proved, | 1:10:12 | 1:10:18 | |
by the witnesses, by the gun he was holding, by the blood on his handkerchief, | 1:10:18 | 1:10:24 | |
and a very clear motive - one of the oldest motives in history - | 1:10:24 | 1:10:30 | |
jealousy. | 1:10:30 | 1:10:33 | |
You may find it preposterous | 1:10:33 | 1:10:35 | |
that a man of his timid character could become so enamoured | 1:10:35 | 1:10:40 | |
so as to commit an act of violence to dispose of a rival. | 1:10:40 | 1:10:45 | |
I've never seen a man too old to look at a charming young lady. | 1:10:46 | 1:10:52 | |
I wouldn't give my oath that such glances are always innocent. | 1:10:52 | 1:10:58 | |
All I ask is a just verdict. The prosecution rests. | 1:10:59 | 1:11:04 | |
This court regrets that you refuse to be defended by counsel. | 1:11:04 | 1:11:09 | |
You'll address the jury from where you sit. | 1:11:09 | 1:11:13 | |
I advise you to speak clearly and to the point. | 1:11:13 | 1:11:18 | |
I shall be brief because I have written down all I have to say. | 1:11:18 | 1:11:24 | |
I don't understand. I'm sure I had my papers. | 1:11:30 | 1:11:33 | |
It's all I've been doing in my cell. | 1:11:35 | 1:11:38 | |
It was a little hole, but I've been away so long, nobody's sewn it up. | 1:11:38 | 1:11:44 | |
I hope you'll excuse me for speaking badly. | 1:11:45 | 1:11:48 | |
I've never been able to speak in public. | 1:11:48 | 1:11:52 | |
I hope the prosecutor won't think I'm disrespectful | 1:11:52 | 1:11:56 | |
to the court and the legal profession in having no lawyer. | 1:11:56 | 1:12:01 | |
My only defence is the truth. | 1:12:01 | 1:12:04 | |
Nobody knows the truth as well as I. I was the only one who was there. | 1:12:04 | 1:12:09 | |
The truth is I wanted to kill George Lambert | 1:12:09 | 1:12:13 | |
but I don't think I could have. | 1:12:13 | 1:12:16 | |
I'm too weak. I'm a coward. | 1:12:16 | 1:12:20 | |
Everybody knows that, even the prosecutor. | 1:12:20 | 1:12:24 | |
That's why he's making fun of me. | 1:12:24 | 1:12:27 | |
I'm not a coward here. I have brave dreams. | 1:12:27 | 1:12:32 | |
I'm not afraid to commit murder here. | 1:12:32 | 1:12:35 | |
But when I face reality...outside... | 1:12:35 | 1:12:40 | |
..I'm lost. I'm a coward. | 1:12:42 | 1:12:46 | |
It's strange. We're two people, all of us. | 1:12:47 | 1:12:50 | |
Inside and outside. | 1:12:50 | 1:12:53 | |
George Lambert was two men. | 1:12:55 | 1:12:58 | |
It wasn't until I saw him dead that I realised it. | 1:12:58 | 1:13:02 | |
I knew why he'd killed himself. | 1:13:02 | 1:13:05 | |
He couldn't face reality. | 1:13:05 | 1:13:08 | |
But he was different from me. He was strong outside... | 1:13:08 | 1:13:14 | |
..and weak inside. | 1:13:15 | 1:13:17 | |
Inside he was a coward. | 1:13:18 | 1:13:21 | |
When this honest coward had to face | 1:13:22 | 1:13:25 | |
what that other George, brave George, had done... | 1:13:25 | 1:13:30 | |
..he couldn't stand it. | 1:13:32 | 1:13:35 | |
So he killed himself. | 1:13:35 | 1:13:38 | |
It's strange but I felt strong for the first time in my life when I saw him dead. | 1:13:38 | 1:13:45 | |
I was sorry for him. | 1:13:45 | 1:13:48 | |
I suddenly understood everything. | 1:13:48 | 1:13:52 | |
In a way, I'm to blame for his death... | 1:13:52 | 1:13:55 | |
through my mother's love for me. | 1:13:55 | 1:13:58 | |
Even love can be a terrible thing. | 1:14:00 | 1:14:04 | |
It can commit crimes. | 1:14:04 | 1:14:06 | |
Louise, you thought I informed on Paul. | 1:14:08 | 1:14:11 | |
It was my mother. | 1:14:13 | 1:14:15 | |
To save me, she told George. | 1:14:15 | 1:14:20 | |
George told the mayor, who told Major von Keller and Paul was killed. | 1:14:21 | 1:14:26 | |
Even Mayor Manville is two men. | 1:14:29 | 1:14:32 | |
They both appear strong but they're both weak. | 1:14:32 | 1:14:36 | |
The outside man pretends he's saving the town to hide the inside man who's saving himself. | 1:14:36 | 1:14:43 | |
I object. The accused has no right to slander our mayor. | 1:14:43 | 1:14:48 | |
If this is a court of justice, I have a right to be heard. | 1:14:48 | 1:14:53 | |
If not, how can we believe our courts deal out justice | 1:14:53 | 1:14:58 | |
-under the occupation, as the newspapers insist? -Proceed. | 1:14:58 | 1:15:02 | |
Even before the war, our mayor was sure the enemy was not the Germans, | 1:15:02 | 1:15:08 | |
-but a part of our people. -We found your speech outside. | 1:15:08 | 1:15:13 | |
The mayor was born poor. Then he became powerful. | 1:15:13 | 1:15:17 | |
Then he began to fear the very people he'd come from. | 1:15:17 | 1:15:22 | |
Huh! Our country is full of people like that. | 1:15:22 | 1:15:26 | |
Every country is. | 1:15:26 | 1:15:29 | |
George Lambert was not powerful but took the side of the powerful men he admired. | 1:15:29 | 1:15:36 | |
He found he got on better that way. | 1:15:36 | 1:15:38 | |
I object. The accused is exploiting this courtroom to indulge in dangerous political talk. | 1:15:38 | 1:15:45 | |
But it's the basis of my defence. | 1:15:45 | 1:15:48 | |
Can the accused slander his victim in a court of justice? | 1:15:48 | 1:15:53 | |
Is this a free court or not? | 1:15:53 | 1:15:56 | |
-Then the court must permit me to call a new witness. -Who? | 1:15:56 | 1:16:02 | |
Mayor Henry Manville. He'll be here by the morning. | 1:16:02 | 1:16:06 | |
-I request an adjournment. -Has the accused any objection? | 1:16:06 | 1:16:11 | |
Not at all. | 1:16:11 | 1:16:13 | |
Very well. This session stands adjourned. | 1:16:13 | 1:16:18 | |
CHATTER OF VOICES | 1:16:20 | 1:16:24 | |
BELL TOLLS IN THE DISTANCE | 1:16:31 | 1:16:36 | |
LOCK CLICKS | 1:16:39 | 1:16:41 | |
BELL CONTINUES TO TOLL | 1:16:48 | 1:16:53 | |
Good evening, Lory. | 1:17:02 | 1:17:05 | |
I heard about that torn pocket. You lost your speech. | 1:17:07 | 1:17:11 | |
But you did all right from all accounts. | 1:17:11 | 1:17:15 | |
-May I sit down? -Please, of course. | 1:17:15 | 1:17:18 | |
Sit down. | 1:17:24 | 1:17:26 | |
Lory, I was mistaken about you. | 1:17:29 | 1:17:32 | |
You are a man of real courage. | 1:17:32 | 1:17:35 | |
Oh no, I'm not. | 1:17:35 | 1:17:37 | |
I know what you said in court but you're wrong. I know you better. | 1:17:37 | 1:17:43 | |
I was a fool not to realise it sooner. | 1:17:43 | 1:17:46 | |
-Cigarette? -No, thank you. | 1:17:46 | 1:17:49 | |
This is my second one. MAJOR KELLER LAUGHS | 1:18:07 | 1:18:11 | |
Lory, I like you. | 1:18:11 | 1:18:14 | |
Too bad - you made a great mistake in court today. | 1:18:14 | 1:18:19 | |
You say you're a coward, but you disproved it by what you said. | 1:18:19 | 1:18:24 | |
Now they know you killed Lambert. | 1:18:24 | 1:18:26 | |
-But I didn't. -Come, come - I'm here to save you. | 1:18:26 | 1:18:30 | |
-I'm your friend. -I told the truth - I didn't. | 1:18:30 | 1:18:35 | |
Lory, I believe you. | 1:18:40 | 1:18:43 | |
Now I remember the way Lambert looked when I left him. That makes it all very easy. | 1:18:44 | 1:18:50 | |
Lambert was despondent because of losing Miss Martin. There will be a suicide note. You'll be acquitted. | 1:18:52 | 1:19:00 | |
-Oh. -You won't have to say another word in court. | 1:19:01 | 1:19:06 | |
Did they find a suicide note? | 1:19:09 | 1:19:12 | |
Hmm, you're a poet Lory, a poet. | 1:19:12 | 1:19:15 | |
-Why are you trying to save my life? -I told you - I like you. | 1:19:15 | 1:19:20 | |
Oh, I see. you don't want me to say anything more in court. | 1:19:21 | 1:19:25 | |
My dear Lory, it's a peculiar situation. | 1:19:25 | 1:19:29 | |
A courtroom is a public forum. | 1:19:29 | 1:19:31 | |
Of course, we Germans could take over the whole administration, but we prefer not to. | 1:19:31 | 1:19:39 | |
We prefer to give freedom to those we defeat on the battlefield. | 1:19:39 | 1:19:45 | |
But freedom must be limited by the necessities of war. | 1:19:45 | 1:19:49 | |
It's a very small sacrifice we ask of you when WE are still sacrificing our lives. | 1:19:49 | 1:19:56 | |
I have nothing to conceal. I tell you these things as a man of intelligence. | 1:19:56 | 1:20:02 | |
Lambert was a tool - very honest, but not very bright. | 1:20:02 | 1:20:06 | |
You're right - the mayor is working for his own interest. We need them. They're in every country we invade. | 1:20:06 | 1:20:14 | |
Why, even in Germany. That's the way our party got into power. | 1:20:14 | 1:20:19 | |
They're everywhere and that's why nothing can stop us from winning. | 1:20:19 | 1:20:24 | |
America thinks of invasion in terms of armies and aeroplanes, but they are already invaded. | 1:20:24 | 1:20:31 | |
The honest Lamberts and the dishonest Manvilles are waiting to welcome us, just as in Europe. | 1:20:31 | 1:20:38 | |
If we need peace, as a further weapon of conquest, | 1:20:38 | 1:20:42 | |
their patriotism will find plenty of arguments for peace. | 1:20:42 | 1:20:47 | |
What is the United States but a charming cocktail of Irish and Jews? | 1:20:47 | 1:20:52 | |
-Very spectacular but very childish. -LORY LAUGHS | 1:20:52 | 1:20:55 | |
And England? A few old ladies wearing their grandfathers' leather breeches. Well, Lory? | 1:20:55 | 1:21:03 | |
What do you say? | 1:21:03 | 1:21:06 | |
-Could I have another light for my cigarette? -Certainly. -Thank you. | 1:21:09 | 1:21:13 | |
Lory, I'm glad you've decided to live and be a free man. You're a schoolmaster, | 1:21:22 | 1:21:30 | |
and you have a great duty - the regeneration of youth. | 1:21:30 | 1:21:34 | |
You must make them ready for the world of tomorrow. Believe me, it will be a fine world. | 1:21:34 | 1:21:41 | |
TRAMP-TRAMP OF MARCHING FEET | 1:21:48 | 1:21:52 | |
TROOPS SHOUT ORDERS | 1:21:55 | 1:21:58 | |
MARCHING FEET STOP ABRUPTLY | 1:22:00 | 1:22:03 | |
Recht! | 1:22:05 | 1:22:08 | |
Professor Sorel! | 1:22:15 | 1:22:17 | |
< IN ANGUISH: Professor SOREL!!! | 1:22:23 | 1:22:27 | |
Laden! RIFLE BOLTS CLICK | 1:22:29 | 1:22:31 | |
Professor Sorel!! | 1:22:31 | 1:22:34 | |
Feuer! VOLLEY OF GUNFIRE | 1:22:34 | 1:22:38 | |
CHATTERING VOICES | 1:22:51 | 1:22:54 | |
BELL TINKLES | 1:22:59 | 1:23:02 | |
You may call your witness, Mr Prosecutor. | 1:23:02 | 1:23:06 | |
It will not be necessary to call Manville. | 1:23:06 | 1:23:09 | |
Happily, new evidence has been found | 1:23:09 | 1:23:12 | |
-which will make this trial unnecessary. -Why hasn't the court been informed? | 1:23:12 | 1:23:18 | |
I only found it today among some mail I'd forgotten to open. It's in George Lambert's handwriting. | 1:23:18 | 1:23:25 | |
It was mailed before his death. | 1:23:25 | 1:23:28 | |
I offer it in evidence. It saves us from a grave miscarriage of justice. | 1:23:28 | 1:23:33 | |
It shows George Lambert intended suicide. | 1:23:33 | 1:23:36 | |
Your Honour, it's a forgery. | 1:23:36 | 1:23:39 | |
I know all about that letter. | 1:23:39 | 1:23:42 | |
-I mean... -Quiet, you fool! -One moment, Mr Prosecutor. What do you mean, Lory? | 1:23:42 | 1:23:49 | |
-The letter's forged. Major Keller told me. -The man's insane! | 1:23:49 | 1:23:54 | |
No, I'm not insane. The prosecutor wrote that letter to himself. | 1:23:54 | 1:23:58 | |
I think he's trying to save my life. | 1:23:58 | 1:24:01 | |
LAUGHTER, BELL TINKLES | 1:24:01 | 1:24:04 | |
This is no laughing matter! | 1:24:04 | 1:24:07 | |
Your Honour, I ask that the man who started that unseemly outburst be removed from the room. | 1:24:07 | 1:24:13 | |
The court agrees, Mr Prosecutor. Which of you started that laughter? | 1:24:13 | 1:24:19 | |
SILENCE | 1:24:19 | 1:24:21 | |
I ask you again - who started the laughter? | 1:24:21 | 1:24:25 | |
Excuse me, Your Honour. I don't know but I think I can guess. Maybe it was the unknown soldier. | 1:24:25 | 1:24:31 | |
-Proceed, Mr Lory. -Thank you, sir. | 1:24:35 | 1:24:38 | |
I am a very lucky man. | 1:24:38 | 1:24:40 | |
This is the only place left in my country where a man can still speak out. | 1:24:40 | 1:24:46 | |
I ask that the courtroom be cleared. | 1:24:46 | 1:24:49 | |
He's afraid, Your Honour. He wants to deprive me of my last chance to speak. | 1:24:49 | 1:24:55 | |
I know I'm a condemned man. I know I must die. Are you going to let me speak, Your Honour? | 1:24:55 | 1:24:59 | |
-Or are you afraid to? -I demand that the courtroom be cleared. | 1:24:59 | 1:25:05 | |
Proceed, Mr Lory. | 1:25:07 | 1:25:10 | |
Thank you. | 1:25:10 | 1:25:12 | |
Thank you, sir. | 1:25:12 | 1:25:14 | |
I'm a very lucky man. | 1:25:16 | 1:25:18 | |
Last night, I had a moment of weakness. I wanted to live. | 1:25:18 | 1:25:23 | |
Major von Keller told me beautiful things about the future of our world. | 1:25:23 | 1:25:28 | |
I almost believed him. | 1:25:28 | 1:25:31 | |
But it's hard for people like you and me to know what is evil and what is good. | 1:25:31 | 1:25:37 | |
It's easy for the working people to know the enemy because the aim of this invasion is to make them slaves. | 1:25:37 | 1:25:45 | |
But it's easy for middle-class people to believe a German victory is not such a bad thing. | 1:25:45 | 1:25:51 | |
We hear people say that too much liberty brings chaos and disorder. | 1:25:51 | 1:25:57 | |
That's why I was tempted last night by Major von Keller in my cell. | 1:25:57 | 1:26:02 | |
But this morning, I looked out through bars and saw this beautiful new world working. | 1:26:02 | 1:26:09 | |
I saw ten men die because they still believed in freedom. | 1:26:09 | 1:26:14 | |
Among them was a man I loved - Professor Sorel. | 1:26:14 | 1:26:19 | |
He waved at me as if telling me what to do. | 1:26:19 | 1:26:22 | |
I knew then I had to die. | 1:26:22 | 1:26:25 | |
The strange thing is, I was happy. | 1:26:25 | 1:26:28 | |
Your Honour, I demand an adjournment! | 1:26:28 | 1:26:32 | |
Quiet, please. | 1:26:32 | 1:26:35 | |
Those ten men died because of Paul Martin. | 1:26:35 | 1:26:39 | |
They didn't blame Paul Martin - they were proud of him. | 1:26:39 | 1:26:44 | |
Paul was a soldier, | 1:26:44 | 1:26:47 | |
without glory, but in a wonderful cause. | 1:26:47 | 1:26:51 | |
I see now that sabotage is the only weapon left to a defeated people. | 1:26:51 | 1:26:58 | |
And so long as we have saboteurs, the other free nations who are still fighting | 1:26:58 | 1:27:04 | |
will know that we are not defeated. | 1:27:04 | 1:27:07 | |
Oh, I know - | 1:27:07 | 1:27:10 | |
for every German killed many of our innocent citizens are executed, | 1:27:10 | 1:27:16 | |
but the example of their heroism is contagious | 1:27:16 | 1:27:21 | |
and our resistance grows. | 1:27:21 | 1:27:25 | |
Oh, it's very easy to talk about heroism in the free countries. | 1:27:25 | 1:27:29 | |
But it's hard to talk about it here where our people are starving. | 1:27:29 | 1:27:35 | |
The hard truth is, | 1:27:35 | 1:27:37 | |
the hungrier we get, the more we need our heroes. | 1:27:37 | 1:27:42 | |
We must stop saying that sabotage is wrong - that it doesn't pay. | 1:27:42 | 1:27:48 | |
It DOES pay. | 1:27:48 | 1:27:50 | |
It makes us suffer, | 1:27:50 | 1:27:53 | |
starve and die. | 1:27:53 | 1:27:56 | |
Though it increases our misery, | 1:27:56 | 1:27:59 | |
it will shorten our slavery. | 1:27:59 | 1:28:02 | |
That's our hard choice. | 1:28:02 | 1:28:06 | |
Even now they are bringing more troops into town because of the trouble that has started. | 1:28:06 | 1:28:13 | |
The more German soldiers here, the less they have on the fighting fronts. | 1:28:13 | 1:28:19 | |
Even an occupied town like this | 1:28:19 | 1:28:23 | |
can be a fighting front, too. | 1:28:23 | 1:28:26 | |
And the fighting is harder. | 1:28:26 | 1:28:30 | |
We not only have to fight hunger and a tyrant, | 1:28:30 | 1:28:34 | |
first, we have to fight ourselves. | 1:28:34 | 1:28:38 | |
The occupation - any occupation in any land - | 1:28:38 | 1:28:42 | |
is only possible because we are corrupt. I accuse myself first. | 1:28:42 | 1:28:48 | |
I made no protest against the mutilation of the truth in our school books. | 1:28:48 | 1:28:54 | |
My mother got me extra food and milk, | 1:28:54 | 1:28:57 | |
and I accepted it without facing the fact | 1:28:57 | 1:29:01 | |
that I was depriving children of their portion. | 1:29:01 | 1:29:05 | |
You're the butcher, Mr Noble. | 1:29:05 | 1:29:08 | |
Naturally, you wanted to survive and the black market was your answer. | 1:29:08 | 1:29:13 | |
You keep your business going by selling meat out the back door at ten times its price. | 1:29:13 | 1:29:20 | |
Some to my mother, who is equally guilty as I was. | 1:29:20 | 1:29:24 | |
You, Mr Millett, are doing very well in your hotel although it's filled with Germans drinking champagne. | 1:29:24 | 1:29:32 | |
Of course, they print the money for nothing. | 1:29:32 | 1:29:35 | |
But with this money, you are buying property. | 1:29:35 | 1:29:40 | |
Just as the mayor is - I could say the same about many of you. | 1:29:40 | 1:29:45 | |
If the occupation lasts long enough, the men who are doing this will own the town. | 1:29:45 | 1:29:52 | |
I don't blame you for making money, | 1:29:52 | 1:29:55 | |
but you should blame yourselves for making the occupation possible. | 1:29:55 | 1:30:01 | |
Because you cannot do these things without playing into the hands | 1:30:01 | 1:30:06 | |
of the real rulers of the town - the Germans! | 1:30:06 | 1:30:10 | |
LORY CHUCKLES That's why I know you must condemn me to death. | 1:30:13 | 1:30:17 | |
Not because I killed George Lambert, which I didn't, | 1:30:17 | 1:30:21 | |
but because I've tried to tell the truth. | 1:30:21 | 1:30:25 | |
The truth can't be allowed to live under the occupation. | 1:30:25 | 1:30:29 | |
It's too dangerous. | 1:30:29 | 1:30:32 | |
The occupation lives upon lies, | 1:30:32 | 1:30:34 | |
as the whole evil world they call the New Order does. | 1:30:34 | 1:30:41 | |
Officially, you'll find me guilty of murder. | 1:30:43 | 1:30:46 | |
Don't worry, my friends, even if you were to acquit me, | 1:30:46 | 1:30:50 | |
the enemy would put me up against a wall - and you too. | 1:30:50 | 1:30:54 | |
They can find any reason to take hostages. | 1:30:54 | 1:30:58 | |
Oh, there's one final charge I must answer to. | 1:30:58 | 1:31:02 | |
And I'm very guilty. | 1:31:02 | 1:31:05 | |
I was ashamed when the prosecutor accused me of loving you. | 1:31:07 | 1:31:12 | |
I've always loved you secretly. | 1:31:12 | 1:31:15 | |
Now, I'm not ashamed. I'm proud of it. | 1:31:15 | 1:31:19 | |
I don't want to keep it a secret. I want to tell the whole world. | 1:31:20 | 1:31:25 | |
I don't feel silly at all. Maybe it's because I'm going to die. | 1:31:25 | 1:31:30 | |
I feel very young. | 1:31:30 | 1:31:33 | |
You know, Major von Keller said a very funny thing to me last night. | 1:31:33 | 1:31:38 | |
He told me I wasn't a coward. | 1:31:38 | 1:31:41 | |
I think he was right. | 1:31:41 | 1:31:44 | |
I'm not the only one who's not a coward. | 1:31:44 | 1:31:48 | |
This town is full of courage. | 1:31:49 | 1:31:52 | |
I'm proud of it. | 1:31:52 | 1:31:55 | |
I'm proud to be born and die here. | 1:31:55 | 1:31:59 | |
Thank you. | 1:32:00 | 1:32:02 | |
Gentlemen of the jury, you will now retire from this courtroom | 1:32:06 | 1:32:12 | |
to exercise your free conscience and arrive at a just verdict. | 1:32:12 | 1:32:18 | |
We have already agreed on a verdict. | 1:32:33 | 1:32:36 | |
Albert Lory, please stand. | 1:32:38 | 1:32:41 | |
-What is your verdict? -We, the jury, by unanimous agreement, | 1:32:44 | 1:32:48 | |
conscious of our responsibility in weighing the accused's guilt or innocence of murder, | 1:32:48 | 1:32:56 | |
find him not guilty. LOUD CHEERING | 1:32:56 | 1:33:00 | |
BELL TOLLS | 1:33:15 | 1:33:18 | |
Thank you, young men. | 1:33:28 | 1:33:30 | |
Sit down. | 1:33:36 | 1:33:38 | |
I'm afraid this is my last class. | 1:33:42 | 1:33:46 | |
I don't know how much time I have. | 1:33:46 | 1:33:48 | |
If this must be a short lesson, I think I've found the best book. | 1:33:48 | 1:33:54 | |
It was given to me by Professor Sorel. | 1:33:55 | 1:33:59 | |
The only reason it wasn't burnt was because I hid it in my bedroom. | 1:33:59 | 1:34:04 | |
I'm going to read you something written by great men. | 1:34:05 | 1:34:10 | |
Written in a night of enthusiasm a long time ago - 150 years ago. | 1:34:11 | 1:34:17 | |
These men came from all classes, | 1:34:17 | 1:34:20 | |
rich people, poor people, businessmen, men of religion. | 1:34:20 | 1:34:25 | |
They didn't fight with each other. | 1:34:25 | 1:34:28 | |
They all agreed on that wonderful night. | 1:34:28 | 1:34:32 | |
Now other men are trying to destroy this book. | 1:34:32 | 1:34:36 | |
Maybe this will be burned, but they can't burn it out of your memories. | 1:34:36 | 1:34:42 | |
You'll have to rewrite it some day. | 1:34:42 | 1:34:44 | |
That's why you young people are so important. | 1:34:45 | 1:34:49 | |
You're the new nation. | 1:34:49 | 1:34:52 | |
A Declaration Of The Rights Of Man. | 1:34:53 | 1:34:56 | |
"Article One - all men are born and remain free... | 1:34:58 | 1:35:06 | |
"..and equal in rights. | 1:35:07 | 1:35:10 | |
"Article Two - | 1:35:11 | 1:35:15 | |
"The purpose of all political parties is the safeguarding | 1:35:15 | 1:35:21 | |
"of the natural and inalienable rights of Man. | 1:35:21 | 1:35:27 | |
"These rights are liberty, property security and resistance to tyranny. | 1:35:27 | 1:35:35 | |
"Article Three - the principle of all government resides in the nation itself. | 1:35:36 | 1:35:45 | |
"No group, no individual can exercise any authority | 1:35:48 | 1:35:54 | |
"that does not expressly emanate from the people. | 1:35:54 | 1:35:58 | |
"Article Four - | 1:36:00 | 1:36:03 | |
"Liberty consists in freedom to do all that does not harm others. | 1:36:04 | 1:36:11 | |
"Article Five - | 1:36:13 | 1:36:15 | |
"The law has the right to forbid..." DOOR OPENS | 1:36:15 | 1:36:21 | |
Just one moment, gentlemen, please. | 1:36:25 | 1:36:28 | |
"The law has the right to forbid only those things which are harmful to society." | 1:36:29 | 1:36:38 | |
Well, I must go. | 1:36:47 | 1:36:50 | |
-Not because I am harmful to society, but because I am harmful to tyranny. -Come on. | 1:36:52 | 1:36:58 | |
Don't move, Louise... | 1:37:05 | 1:37:08 | |
..and don't cry. | 1:37:09 | 1:37:11 | |
-I'm happy. -That's enough. Come on. | 1:37:11 | 1:37:14 | |
Goodbye...citizens. | 1:37:16 | 1:37:20 | |
Sit down. | 1:37:44 | 1:37:46 | |
"Article Six - The law is the expression of the will of the people. | 1:37:56 | 1:38:02 | |
"All citizens have the right to assist personally | 1:38:02 | 1:38:05 | |
"or through their elected representatives in its formation. | 1:38:05 | 1:38:09 | |
"It ought to be the same for all, | 1:38:09 | 1:38:12 | |
"whether it protects or whether it punishes. | 1:38:12 | 1:38:15 | |
"All citizens, being equal in eyes of the law, | 1:38:15 | 1:38:19 | |
"have equal rights to all dignities, places and public positions, | 1:38:19 | 1:38:23 | |
"according to their capacity and without any distinctions other than those of their virtues and talents." | 1:38:23 | 1:38:30 | |
Subtitling by Howard Livingston and Tim Harvey - BBC, 1999 | 1:38:32 | 1:38:35 |