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|---|---|---|---|
This film contains strong language. | 0:00:04 | 0:00:11 | |
'Flying.' | 0:00:19 | 0:00:21 | |
'Flying.' | 0:00:25 | 0:00:27 | |
'You're beautiful, are you? Yes, you are. | 0:00:27 | 0:00:31 | |
'Ssh, ssh, ssh. | 0:00:31 | 0:00:33 | |
-'That's my boy. -Is that a smile? Is it?' | 0:00:33 | 0:00:37 | |
SHE LAUGHS | 0:00:37 | 0:00:39 | |
'You're the most precious thing in all the world.' | 0:00:41 | 0:00:43 | |
-Found it on the beach, Morecambe Bay. -Did you? -Yeah. | 0:01:20 | 0:01:23 | |
Went there one year as a family. | 0:01:24 | 0:01:26 | |
-How long have you had it? -Since I was five. | 0:01:26 | 0:01:30 | |
It's amazing. | 0:01:30 | 0:01:32 | |
You're joking. | 0:01:34 | 0:01:36 | |
My lancelet. | 0:01:36 | 0:01:38 | |
They do a beautiful dance, fertility dance. | 0:01:38 | 0:01:41 | |
And they have babies. | 0:01:41 | 0:01:43 | |
Here you go. I was told to keep it warm, so... | 0:02:01 | 0:02:05 | |
Well, we should have the results in a couple of weeks. | 0:02:05 | 0:02:09 | |
Brilliant. | 0:02:09 | 0:02:11 | |
FIDDLE MUSIC | 0:02:17 | 0:02:21 | |
Hi. | 0:03:04 | 0:03:06 | |
All right? | 0:03:09 | 0:03:11 | |
-Sorry, my husband's not here, he's... -At the builders', eh? | 0:03:11 | 0:03:14 | |
Are you one of his students? | 0:03:14 | 0:03:18 | |
HE LAUGHS | 0:03:18 | 0:03:20 | |
-Picked a right looker. -Oh, you're Nick. | 0:03:34 | 0:03:37 | |
-So I exist. -Yeah, no, of course. | 0:03:37 | 0:03:40 | |
I just wasn't expecting you. I'm Dawn. | 0:03:40 | 0:03:42 | |
-Just thought I'd drop by. -I'll let him know. | 0:03:43 | 0:03:46 | |
-Here, let's make it a surprise. -Oh, no, I think I should... | 0:03:48 | 0:03:53 | |
-Go on, then. -Thanks. | 0:03:53 | 0:03:56 | |
NICK CLUCKS LIKE A CHICKEN | 0:04:00 | 0:04:03 | |
ANSWER PHONE MESSAGE BEEPS | 0:04:03 | 0:04:07 | |
No, he's gone into a class. | 0:04:07 | 0:04:08 | |
Do you want to...? Bring your stuff in, come in. | 0:04:08 | 0:04:11 | |
-SHE LAUGHS -It's a bit of a bombsite. -I'll feel right at home. | 0:04:28 | 0:04:31 | |
I'll take up my things, shall I? | 0:04:33 | 0:04:35 | |
We had no idea you were coming. | 0:04:38 | 0:04:41 | |
We're not really set up for guests yet. | 0:04:44 | 0:04:47 | |
Oh, don't bring her too close to the hen hutch. | 0:05:06 | 0:05:09 | |
She's not trained yet. She's a reject dog. | 0:05:09 | 0:05:12 | |
-She was abandoned by her owners. -Reject? | 0:05:12 | 0:05:15 | |
You want to put some tar in there. | 0:05:17 | 0:05:19 | |
CAR DOOR CLOSES | 0:05:21 | 0:05:23 | |
Hi. | 0:05:24 | 0:05:26 | |
Bloody fucking hell. | 0:05:31 | 0:05:34 | |
-Been on the sun beds, then? -I tried to call. | 0:05:49 | 0:05:52 | |
-How the fuck did you know I'd be here? -Dog returns to its shit. | 0:05:53 | 0:05:57 | |
He's not very refined. | 0:06:00 | 0:06:02 | |
So, what do you think? | 0:06:05 | 0:06:07 | |
-It's lovely. Yeah, it's lovely. -It'll be beautiful. -Beautiful, yeah. | 0:06:09 | 0:06:15 | |
Gone AWOL then? | 0:06:19 | 0:06:20 | |
SHE SIGHS | 0:06:33 | 0:06:35 | |
This was from our family. | 0:06:51 | 0:06:54 | |
Listen. | 0:06:58 | 0:06:59 | |
MUSIC BOX TINKLES | 0:07:06 | 0:07:11 | |
It must be hard out there. You must miss home. | 0:07:27 | 0:07:31 | |
-Oh, fuck those glasses. -I know they're here somewhere. | 0:07:40 | 0:07:44 | |
We haven't really had the time... | 0:07:44 | 0:07:46 | |
Shame I was away. | 0:07:48 | 0:07:50 | |
-No, it was kind of low key. -Yeah? -It was only a registry office. | 0:07:50 | 0:07:53 | |
How did he behave? | 0:07:53 | 0:07:55 | |
He wasn't found shagging one of my bridesmaids in the toilet, were you? | 0:07:55 | 0:07:58 | |
Get back to the chopping, Mrs. | 0:07:58 | 0:08:01 | |
She's changed you. You gone all posh. | 0:08:01 | 0:08:04 | |
-Marriage is a constant process of negotiation. -Yeah. | 0:08:04 | 0:08:07 | |
IN COCKNEY ACCENT: We sing in our chains. | 0:08:07 | 0:08:09 | |
NICK LAUGHS | 0:08:09 | 0:08:12 | |
-How's Sam? -Grand, she's grand. | 0:08:12 | 0:08:16 | |
-And the kid? -Dylan? | 0:08:16 | 0:08:20 | |
Yeah, he's a bundle of fun. | 0:08:20 | 0:08:22 | |
Not mine, by previous. | 0:08:24 | 0:08:25 | |
-Oh, God, how do they put up with all the coming and going? -They don't. | 0:08:25 | 0:08:30 | |
-Thank you. -Thank you. | 0:08:35 | 0:08:38 | |
-Well. Cheers. -Cheers. -It's lovely to have you. | 0:08:39 | 0:08:43 | |
-So, you didn't buy the farm, then? -Nah, it's a wreck. | 0:08:45 | 0:08:49 | |
MUSIC BOX TINKLES | 0:09:09 | 0:09:15 | |
HEAVY BREATHING | 0:09:27 | 0:09:29 | |
Tell me. | 0:09:29 | 0:09:30 | |
Your brother's a joker. | 0:09:30 | 0:09:33 | |
Why haven't we seen him? | 0:09:33 | 0:09:35 | |
-He's been in the army. -And? | 0:09:35 | 0:09:38 | |
-He pushed our mum down the stairs when he was a teenager. -Oh, my God. | 0:09:42 | 0:09:46 | |
Why? | 0:09:48 | 0:09:49 | |
Well, she could be a bit... | 0:09:51 | 0:09:54 | |
bit verbal. | 0:09:54 | 0:09:55 | |
Still. | 0:09:56 | 0:09:58 | |
I burnt my mum with curling tongs when I was 16. | 0:10:01 | 0:10:03 | |
That wasn't entirely an accident. | 0:10:06 | 0:10:08 | |
She took me to a psychiatrist. | 0:10:08 | 0:10:11 | |
Yeah, well...our mum ended up in the hospital. | 0:10:13 | 0:10:16 | |
DISTANT VOICE ECHOES: Not very refined... | 0:10:30 | 0:10:32 | |
VOICE CONTINUES: He's not very refined. | 0:10:37 | 0:10:43 | |
DISTANT VOICE ECHOES: Lovely. Not very refined. | 0:11:00 | 0:11:03 | |
FOOTSTEPS. DOOR OPENS | 0:11:03 | 0:11:06 | |
THUMP | 0:11:09 | 0:11:11 | |
David. | 0:11:11 | 0:11:12 | |
MURMURS: Beautiful... | 0:11:16 | 0:11:19 | |
HE YAWNS | 0:11:22 | 0:11:26 | |
-You hungry? -MUTTERING: I'm starving, I'm hungry. -Yeah? | 0:11:41 | 0:11:46 | |
-Eggs. Orange, I think. Something. -All right, then. | 0:11:48 | 0:11:52 | |
You want to take that back to bed, yeah? | 0:11:55 | 0:11:58 | |
NICK YAWNS | 0:11:58 | 0:12:01 | |
DAVID SIGHS | 0:12:15 | 0:12:17 | |
THEY SNIGGER QUIETLY | 0:12:18 | 0:12:22 | |
Ssh! | 0:12:29 | 0:12:32 | |
DAWN MOANS | 0:12:42 | 0:12:44 | |
DEEP BREATHING | 0:12:46 | 0:12:51 | |
I want a baby. | 0:13:11 | 0:13:13 | |
Patience. | 0:13:15 | 0:13:17 | |
What's this all about? | 0:13:28 | 0:13:29 | |
DAVID LAUGHS You buggered it in your sleep. | 0:13:29 | 0:13:32 | |
You were sleep walking. | 0:13:32 | 0:13:34 | |
Oh, shit. | 0:13:34 | 0:13:36 | |
-Shit, I haven't done that for a while. -What, bugger a lettuce? | 0:13:37 | 0:13:40 | |
-Oh, thanks. -Maybe it's because you're able to relax. | 0:13:42 | 0:13:45 | |
-Maybe, do feel relaxed. -Yeah, don't relax too much. | 0:13:45 | 0:13:47 | |
When we were li'l, David and his mates made me a little obstacle course. | 0:13:50 | 0:13:54 | |
How'd you know? You were asleep. Dawn, what you have to do, is talk really quietly... | 0:13:54 | 0:13:59 | |
So I slept-walked into the pond. | 0:13:59 | 0:14:00 | |
Have some breakfast. | 0:14:05 | 0:14:07 | |
I'm all right for the minute, thanks. | 0:14:08 | 0:14:11 | |
MUSIC: "Fur Elise" by Beethoven | 0:14:21 | 0:14:25 | |
BANGING | 0:14:25 | 0:14:27 | |
SHE FALTERS | 0:14:28 | 0:14:30 | |
PLAYS MELANCHOLY TUNE | 0:14:34 | 0:14:36 | |
DRILLING | 0:14:48 | 0:14:52 | |
I don't know whether we should have got the chrome... | 0:14:52 | 0:14:54 | |
DRILLING Careful... | 0:14:54 | 0:14:57 | |
Which one's mine? | 0:14:57 | 0:14:59 | |
ZAPPING. DAVID CHOKES AND GASPS | 0:14:59 | 0:15:02 | |
David! Oh, my God! David! | 0:15:02 | 0:15:04 | |
HE LAUGHS | 0:15:04 | 0:15:05 | |
You...I can't believe you did that! It's not funny, it's not funny... | 0:15:05 | 0:15:11 | |
SOMBRE PIANO MUSIC | 0:15:12 | 0:15:17 | |
So how long is it since you've been back home? | 0:15:51 | 0:15:53 | |
About six years since I've been back in these parts. | 0:15:54 | 0:15:57 | |
How come you and David haven't been in touch? | 0:16:01 | 0:16:03 | |
David was making his way in London. And he got kind of lost, didn't he? | 0:16:04 | 0:16:08 | |
WIND WHISTLES | 0:16:16 | 0:16:19 | |
AEROPLANE FLIES OVER | 0:16:19 | 0:16:22 | |
Oh, I love that sound. Gaz, fuckin' hell. | 0:16:22 | 0:16:25 | |
-Hello, mate. -Ah, mate. | 0:16:25 | 0:16:27 | |
-Back from the dead, eh? -I'm going to fuckin' sort you out, mate. | 0:16:28 | 0:16:30 | |
I'm bigger now. | 0:16:30 | 0:16:32 | |
Watch out for this one, Dawn. | 0:16:32 | 0:16:34 | |
So you're grafting for Sharon's dad, now? | 0:16:36 | 0:16:39 | |
Married her. He's dead. Thank Christ. | 0:16:39 | 0:16:42 | |
Don't tell her I told you that, eh, Dawn? | 0:16:46 | 0:16:48 | |
-Do you want one, Nick? -No, I'm good, thanks. | 0:16:50 | 0:16:53 | |
Thank you. | 0:16:53 | 0:16:55 | |
Here you go. | 0:16:57 | 0:16:58 | |
-Ta. -Thanks. All right, Miss...? | 0:16:58 | 0:17:00 | |
-Want a sweet? -Ahh... -Ah, what? It's not bad. | 0:17:02 | 0:17:07 | |
I'll tell you about being bad. | 0:17:07 | 0:17:10 | |
Number two, the Hastings, Cathy Hasting hung herself. | 0:17:10 | 0:17:14 | |
Nobody found her for a week, | 0:17:14 | 0:17:16 | |
cos nobody gave a fuck about Cathy Hasting. | 0:17:16 | 0:17:18 | |
Number three, the Hastings. Jackie Grace beat his wife for 20 years. | 0:17:19 | 0:17:22 | |
But he wasn't a bad bloke cos he did have the football | 0:17:22 | 0:17:25 | |
scores on the radio when he was driving the buses. | 0:17:25 | 0:17:27 | |
Oh, God, the old forge! Now that's come up in the world. | 0:17:29 | 0:17:32 | |
That used to have all cobwebby windows | 0:17:32 | 0:17:35 | |
and have like a horse's hoof, right down there. | 0:17:35 | 0:17:37 | |
He was having sex with his daughter. | 0:17:39 | 0:17:41 | |
He was. Everybody knew about it. | 0:17:41 | 0:17:44 | |
Homely. Ha-ha. | 0:17:45 | 0:17:48 | |
Homely. | 0:17:48 | 0:17:50 | |
She had three kids and she drowned herself and two of them in the quarry pond. | 0:17:50 | 0:17:54 | |
Dunno what happened to the other poor little sod. | 0:17:54 | 0:17:56 | |
I met an evil spirit in this churchyard when I was seven. | 0:18:04 | 0:18:07 | |
-You did not. -I did. Made me what I am. | 0:18:07 | 0:18:11 | |
That and the army. | 0:18:11 | 0:18:13 | |
-That'll ward them off, the spirits. -Thanks. | 0:18:15 | 0:18:19 | |
-Sweets for the sweet. Go on. -Have a good day. | 0:18:21 | 0:18:25 | |
PIANO PLAYS | 0:18:31 | 0:18:32 | |
We all know the first line, OK? | 0:18:32 | 0:18:35 | |
So when I count one-two-three, I want you all to come in together. | 0:18:35 | 0:18:38 | |
I want the front line and the back line to come in together, OK? So... | 0:18:38 | 0:18:41 | |
PIANO DROWNS OUT SPEECH | 0:18:41 | 0:18:43 | |
'Tell me.' | 0:18:45 | 0:18:47 | |
He's so full-on, he's funny. | 0:18:55 | 0:18:57 | |
You tell me. | 0:19:04 | 0:19:05 | |
One of my students is cutting herself. | 0:19:07 | 0:19:11 | |
How do you know? | 0:19:11 | 0:19:12 | |
She told me. | 0:19:12 | 0:19:14 | |
Such a shame, she's a bright kid. | 0:19:15 | 0:19:18 | |
You have to report it. | 0:19:19 | 0:19:22 | |
I don't want to get her in to trouble. With her family, I mean. | 0:19:22 | 0:19:25 | |
-You have to tell someone, David, it's the law. -Yeah... | 0:19:27 | 0:19:29 | |
Social services, bit of a mixed bag. | 0:19:30 | 0:19:33 | |
She trusts me. | 0:19:35 | 0:19:37 | |
EERIE HUMMING SONG | 0:19:52 | 0:19:56 | |
-I can't believe he hasn't brought you here. -We did pass by, once. | 0:20:01 | 0:20:04 | |
-When did David leave? -When he was 17. God, it's a wreck. | 0:20:04 | 0:20:09 | |
-So which one was yours? -Ours was round the front. | 0:20:09 | 0:20:13 | |
CHILDREN PLAY IN BACKGROUND | 0:20:15 | 0:20:17 | |
It's like somewhere I've dreamt about. | 0:20:17 | 0:20:21 | |
I've dreamt about it, all right. | 0:20:21 | 0:20:23 | |
Watch out. | 0:20:23 | 0:20:25 | |
I left some tobacco just...here. | 0:20:25 | 0:20:30 | |
DAWN LAUGHS | 0:20:30 | 0:20:33 | |
-Oh, my God, it's been here since I was 15. -Oh, you can tell. -Mm. | 0:20:33 | 0:20:36 | |
So, what was it like? You and David down on the farm? | 0:20:40 | 0:20:44 | |
Mixed bag. | 0:20:44 | 0:20:46 | |
My grandpa, he had these big shire horses, they were fucking huge! | 0:20:50 | 0:20:55 | |
But really gentle. | 0:20:55 | 0:20:56 | |
Yeah. | 0:21:03 | 0:21:05 | |
Thanks for, um, for looking after us. | 0:21:05 | 0:21:09 | |
I appreciate it. It's blinding. | 0:21:09 | 0:21:11 | |
No worries. | 0:21:11 | 0:21:13 | |
FIDDLE MUSIC | 0:21:18 | 0:21:20 | |
It's Nick. Um, Dalton. | 0:21:23 | 0:21:26 | |
I'm not blind. | 0:21:27 | 0:21:29 | |
You gave me a gold star for geography. Remember? | 0:21:34 | 0:21:37 | |
FOOTSTEPS | 0:21:37 | 0:21:40 | |
-Hello, stranger! -Whoa. Fancy that. | 0:21:40 | 0:21:44 | |
-How you doin'? -Yeah. Hey, Dawn. -Hi. | 0:21:44 | 0:21:48 | |
-You OK? -Yeah. -Hi, Miss Hedges. | 0:21:48 | 0:21:50 | |
So, you won any medals yet? | 0:21:52 | 0:21:54 | |
-Yeah, the Purple Heart. -Oh. I've just got to... | 0:21:54 | 0:21:58 | |
They spit in the food. | 0:22:04 | 0:22:06 | |
I'm sure they don't. | 0:22:06 | 0:22:07 | |
You'll see. | 0:22:07 | 0:22:09 | |
So how were they? When you were teaching them? | 0:22:10 | 0:22:13 | |
-LOUDLY: -The Johnson boys? | 0:22:13 | 0:22:16 | |
Phlegmy brats. | 0:22:16 | 0:22:19 | |
Poor little chaps. | 0:22:19 | 0:22:21 | |
Sometimes you can't help them even if you want to. | 0:22:24 | 0:22:27 | |
Their father beat them. | 0:22:29 | 0:22:32 | |
Thwack-thwack. Diddly-dack. | 0:22:32 | 0:22:35 | |
Not that you could see anything. | 0:22:35 | 0:22:37 | |
David never told me. | 0:22:40 | 0:22:43 | |
Where is he? I like clever boys. | 0:22:44 | 0:22:48 | |
Hey, whatcha doin'? | 0:22:52 | 0:22:55 | |
THEY BANTER INAUDIBLY | 0:22:55 | 0:22:58 | |
EERIE PIANO AND HUMMING | 0:23:01 | 0:23:05 | |
SPEECH DROWED OUT BY MUSIC | 0:23:08 | 0:23:11 | |
-But you have been torturing her. -What? She used to torture us. | 0:23:14 | 0:23:18 | |
Ah, the poor old biddy, she hasn't got any kids to look after her. | 0:23:18 | 0:23:20 | |
Oh, that's what kids are for. | 0:23:20 | 0:23:22 | |
Remember Mr Dixon? | 0:23:22 | 0:23:24 | |
He used to beat the crap out of us. Well, the lads, that is. | 0:23:24 | 0:23:27 | |
-Out of you, you mean. -Yeah, cos I took the rap for Davy. -Ah, come on. | 0:23:27 | 0:23:31 | |
What did he do? | 0:23:31 | 0:23:33 | |
He was always the one there. When everyone else turned round, | 0:23:33 | 0:23:36 | |
it was always him standing there going, "What? It wasn't me! It wasn't me, I didn't do it." | 0:23:36 | 0:23:39 | |
Till they sent you away. | 0:23:39 | 0:23:41 | |
He had a spell in Borstal. | 0:23:44 | 0:23:46 | |
-Ten years ago, Dawn. -Well, give or take. | 0:23:47 | 0:23:50 | |
Far from the prying eyes of the State. | 0:23:50 | 0:23:54 | |
Banging his head against the wall. | 0:23:54 | 0:23:56 | |
Yeah, well, they like looking after troubled kids. | 0:23:56 | 0:23:59 | |
It's why I joined the fuckin' army. | 0:23:59 | 0:24:01 | |
THEY LAUGH NERVOUSLY | 0:24:03 | 0:24:05 | |
Here, remember that time you...held my head in the water trough. | 0:24:09 | 0:24:13 | |
DAVID LAUGHS | 0:24:13 | 0:24:14 | |
-Until I almost choked. -Oh, no. | 0:24:14 | 0:24:15 | |
Yeah. | 0:24:15 | 0:24:18 | |
-Where was David? -I dunno. Elsewhere. | 0:24:18 | 0:24:21 | |
You nicked my girlfriend. | 0:24:21 | 0:24:24 | |
I nicked your girlfriend? I was 13, how could I nick your girlfriend? | 0:24:24 | 0:24:27 | |
-You looked at her. -I looked at her? Fuckin' hell. | 0:24:27 | 0:24:31 | |
He taught me all I know. | 0:24:31 | 0:24:32 | |
...Dancing round my handbag, and some little scrawny, little scruffy... | 0:24:32 | 0:24:38 | |
-Me. -..Fella, comes up to me, i.e. you, Nick, | 0:24:38 | 0:24:42 | |
starts giving it the big in', comin' on. | 0:24:42 | 0:24:45 | |
And then Mr Trustworthy here, older lad, comes up and saves me, | 0:24:45 | 0:24:50 | |
i.e. Gary. | 0:24:50 | 0:24:51 | |
LAUGHTER | 0:24:51 | 0:24:53 | |
-You know they forced me to do that? -You Johnson boys. 'Ard men... | 0:24:53 | 0:24:57 | |
Argh! | 0:24:57 | 0:24:59 | |
Yeah, well that's all over now. | 0:25:01 | 0:25:04 | |
Marriage is just so restful, isn't it, Dawn? | 0:25:04 | 0:25:06 | |
You don't have to choose anymore. | 0:25:06 | 0:25:09 | |
I don't know. | 0:25:11 | 0:25:13 | |
Yeah, if you didn't laugh, you'd cry, eh? | 0:25:13 | 0:25:16 | |
Miss Hedges told me about your dad. That he beat you. | 0:25:17 | 0:25:21 | |
Who's that, Dad? Least he didn't fuck us up the arse, eh? | 0:25:22 | 0:25:26 | |
-He's too much. -Yeah, well, you wanted him to stay. -Did I? | 0:25:27 | 0:25:31 | |
-Why didn't you tell me? -Cos... Not here, Dawn. | 0:25:32 | 0:25:35 | |
All right, Pete, can I have one more gin and tonic, please? | 0:25:35 | 0:25:38 | |
GIGGLING | 0:25:40 | 0:25:41 | |
Oh, God! | 0:25:41 | 0:25:43 | |
Can you come in? | 0:25:44 | 0:25:47 | |
TOILET FLUSHES | 0:25:47 | 0:25:49 | |
-What are you doing? -Come on! -You come on. | 0:25:50 | 0:25:52 | |
No, I can't cos Gary will go mad. | 0:25:52 | 0:25:56 | |
Oh, my God. | 0:25:56 | 0:25:57 | |
Blimey, love. | 0:25:59 | 0:26:01 | |
Hey. | 0:26:02 | 0:26:04 | |
Thanks. Be careful, don't rip it. | 0:26:07 | 0:26:10 | |
Wahey! | 0:26:11 | 0:26:13 | |
WOLF-WHISTLE | 0:26:13 | 0:26:15 | |
You know this, Davey boy? She does. | 0:26:18 | 0:26:21 | |
Come on, guys, get out of the way. | 0:26:23 | 0:26:25 | |
APPLAUSE | 0:26:25 | 0:26:27 | |
# Must go and I must bide | 0:26:27 | 0:26:31 | |
# Well come ye back | 0:26:31 | 0:26:35 | |
# When summer's in the meadow. | 0:26:35 | 0:26:38 | |
Shocking! | 0:26:38 | 0:26:40 | |
THEY LAUGH | 0:26:42 | 0:26:45 | |
# I'll be here in sunshine or in shadow. # | 0:26:47 | 0:26:52 | |
Go 'ome! | 0:26:52 | 0:26:54 | |
# Oh, Danny Boy | 0:26:54 | 0:26:55 | |
# Oh, Davy Boy. # | 0:26:55 | 0:26:57 | |
GUITAR STRUMS | 0:26:59 | 0:27:02 | |
Wahey! | 0:27:03 | 0:27:05 | |
Painful. | 0:27:05 | 0:27:07 | |
-Dave, I think there's somebody in there. -Hm? | 0:27:29 | 0:27:32 | |
Think there's somebody in there. | 0:27:32 | 0:27:35 | |
-There is, Dave, look! -All right, all right. | 0:27:35 | 0:27:38 | |
Dave, there's somebody in here! | 0:27:38 | 0:27:40 | |
There's somebody in there, Dave, look! Come out! Come out! | 0:27:40 | 0:27:44 | |
Nick. | 0:27:45 | 0:27:46 | |
It's like when my mate Aaron was in there. | 0:27:49 | 0:27:51 | |
-When he got out the tank he was all on fire, Dave. He was burning. -Nick. | 0:27:51 | 0:27:55 | |
I pulled away but I tried to save him, and I was like, where's the fire brigade? | 0:27:55 | 0:27:58 | |
Where are they? I say. But there was nobody there! | 0:27:58 | 0:28:02 | |
I pulled him down and jumped on top of him. Like that. | 0:28:03 | 0:28:07 | |
Burned right through, I couldn't save him. | 0:28:07 | 0:28:09 | |
-It's all right, Nick. -Look! | 0:28:09 | 0:28:11 | |
Look at me, look at me. It's all right. | 0:28:11 | 0:28:14 | |
It's all right, look at me. | 0:28:14 | 0:28:15 | |
NICK PANTS | 0:28:15 | 0:28:19 | |
Don't. | 0:28:50 | 0:28:52 | |
Don't. | 0:28:52 | 0:28:54 | |
Is he all right? | 0:29:01 | 0:29:03 | |
Poor Nick. | 0:29:03 | 0:29:05 | |
Why didn't you tell me about your dad? | 0:29:17 | 0:29:20 | |
Because I don't want to think about it. Because... | 0:29:20 | 0:29:25 | |
Because he was full of hate. Self-hate. | 0:29:25 | 0:29:28 | |
Because I hate him. | 0:29:30 | 0:29:32 | |
Why did we come here? | 0:29:36 | 0:29:39 | |
Because I want to do some good in the place that my dad was a tosser. | 0:29:40 | 0:29:43 | |
-Do you really like the countryside? -You're the one with the chickens. | 0:29:44 | 0:29:48 | |
-David. -I love you. | 0:29:51 | 0:29:53 | |
Why has he come back? | 0:29:53 | 0:29:57 | |
I used to hold him. | 0:29:57 | 0:30:00 | |
That's all. I mean, you saw. | 0:30:00 | 0:30:02 | |
Hold me like that. | 0:30:02 | 0:30:04 | |
RAIN FALLS | 0:30:21 | 0:30:25 | |
He needs help. | 0:30:33 | 0:30:35 | |
Can't help Nick. | 0:30:36 | 0:30:38 | |
Can't save him. | 0:30:38 | 0:30:41 | |
FOOTSTEPS | 0:30:41 | 0:30:42 | |
PHONE RINGS | 0:30:45 | 0:30:48 | |
Hello? | 0:30:53 | 0:30:55 | |
Nick? | 0:31:00 | 0:31:02 | |
Have you thought about talking to someone? | 0:31:04 | 0:31:07 | |
You know, about your experiences. | 0:31:07 | 0:31:09 | |
We think you need professional help. | 0:31:11 | 0:31:13 | |
We? | 0:31:15 | 0:31:17 | |
There's no shame in going off on one, you know. I could talk to someone. | 0:31:17 | 0:31:20 | |
We all need help. | 0:31:21 | 0:31:23 | |
Yeah, you may do. | 0:31:23 | 0:31:25 | |
-And you. -NICK LAUGHS | 0:31:32 | 0:31:34 | |
CHILD READING: I opened the door and I was suddenly in a ruined city. | 0:31:43 | 0:31:48 | |
It looks as it...as it was bombed. | 0:31:48 | 0:31:51 | |
The ground was hot ash with dead body scattered everywhere. | 0:31:51 | 0:31:55 | |
OK, have a look at it. | 0:31:55 | 0:31:56 | |
If it's one body, it's just the body without the S. | 0:31:56 | 0:31:59 | |
And then if it's plural, we put I-E-S in there and that makes that bodies. | 0:31:59 | 0:32:03 | |
But that's brilliant, you've done that really well. Do you want to read on from there? | 0:32:03 | 0:32:06 | |
The buildings were all smashed to pieces... SPEECH FADES | 0:32:06 | 0:32:11 | |
So, what you know about professional help? | 0:32:28 | 0:32:30 | |
I was mugged in London. David weighed in, that's how we met. | 0:32:34 | 0:32:39 | |
-I had some counselling after that. -Oh. | 0:32:39 | 0:32:42 | |
-Well, he likes a barney. -Really? -Hm-hm. | 0:32:43 | 0:32:46 | |
I've never seen him fight except that one time. | 0:32:46 | 0:32:49 | |
What was it like? Really? | 0:32:55 | 0:32:57 | |
Better than sex. | 0:32:59 | 0:33:02 | |
Um... | 0:33:03 | 0:33:05 | |
It's...um... | 0:33:07 | 0:33:10 | |
It's like there's one of me, out there, fighting, | 0:33:12 | 0:33:16 | |
and one of me here, um... | 0:33:16 | 0:33:19 | |
and I can't quite...um... make the two... | 0:33:19 | 0:33:24 | |
um... | 0:33:24 | 0:33:25 | |
I know. | 0:33:28 | 0:33:29 | |
I can't have a record, see, that's the trouble. | 0:33:36 | 0:33:40 | |
-She's getting better. -Yeah, I put some tar on her. | 0:33:43 | 0:33:46 | |
CHORAL SINGING | 0:33:49 | 0:33:51 | |
# If ye loves me | 0:33:51 | 0:33:54 | |
# Keep my commandments | 0:33:54 | 0:34:00 | |
# And I will pray the father... # | 0:34:00 | 0:34:07 | |
OK, can we just do guys? Guys, from the beginning, actually, just on your own, first of all. | 0:34:07 | 0:34:12 | |
# If he.. # And a... | 0:34:12 | 0:34:15 | |
# If ye loves me | 0:34:15 | 0:34:20 | |
# Keep my commandments. # | 0:34:20 | 0:34:25 | |
Basses, can we just refine tone? It's a bit agricultural. # Oo-ooh...# | 0:34:25 | 0:34:29 | |
PIANO MUSIC DROWNS OUT SINGING | 0:34:29 | 0:34:34 | |
Dawn. All right? | 0:34:50 | 0:34:52 | |
-Yeah. -You walking? -Yeah. | 0:34:52 | 0:34:55 | |
So, how are you finding it? | 0:35:02 | 0:35:04 | |
Well, it's a big old church. | 0:35:04 | 0:35:06 | |
-It's beautiful. -It is. | 0:35:07 | 0:35:09 | |
-Those angels are famous. -Really? -Yeah. | 0:35:09 | 0:35:12 | |
-Churches make me feel sad, somehow. -Yeah? -Hmm. -Why? | 0:35:15 | 0:35:20 | |
PIANO MUSIC AND HUMMING | 0:35:39 | 0:35:45 | |
ATMOSPHERIC MUSIC | 0:36:05 | 0:36:07 | |
-...Run away and gave me a stool... -Little boy. Shitting yourself. Crying... | 0:36:07 | 0:36:11 | |
THUMP | 0:36:11 | 0:36:12 | |
Wait for me to come and save you, do you remember?! | 0:36:12 | 0:36:16 | |
Not going to do it anymore... | 0:36:17 | 0:36:18 | |
You frightened me earlier. | 0:36:18 | 0:36:21 | |
Sorry. | 0:36:23 | 0:36:24 | |
Gets to me sometimes. | 0:36:27 | 0:36:30 | |
I hardly know you, do I? | 0:36:37 | 0:36:39 | |
-We're trying for a baby. -Nice. | 0:36:44 | 0:36:47 | |
Yeah, well, it's taking a sweet time. | 0:36:47 | 0:36:50 | |
Nick one. | 0:36:50 | 0:36:51 | |
-LAUGHING: -I'll do it for you. | 0:36:51 | 0:36:53 | |
-I was stolen. Well, adopted. -Really? | 0:36:56 | 0:36:59 | |
It all worked out well, as far as I can see. | 0:37:02 | 0:37:04 | |
They're dead now. They were older. | 0:37:06 | 0:37:08 | |
I miss them. Like you never really... | 0:37:10 | 0:37:13 | |
He got shot up, by mistake. | 0:37:23 | 0:37:27 | |
In the dark. | 0:37:27 | 0:37:29 | |
Couldn't see. | 0:37:29 | 0:37:31 | |
-Ha! -David! | 0:37:33 | 0:37:34 | |
How'd you know we were here? | 0:37:34 | 0:37:37 | |
Dog returns to its shit. | 0:37:37 | 0:37:39 | |
I should have called you, I'm sorry, he just...turned up. | 0:37:39 | 0:37:41 | |
-You seen enough? -It's a wreck, innit? | 0:37:41 | 0:37:44 | |
WIND WHISTLES | 0:38:05 | 0:38:07 | |
CREEPY MUSIC | 0:38:07 | 0:38:10 | |
MAN'S VOICE MURMURS | 0:38:21 | 0:38:22 | |
BABY CRYING | 0:38:22 | 0:38:25 | |
NICK CRIES | 0:38:33 | 0:38:35 | |
Nick, Nick. Nick! It's a dream, it's all right. | 0:38:35 | 0:38:38 | |
NICK CRIES OUT | 0:38:38 | 0:38:39 | |
-It's all right, it's all right. -Nick. | 0:38:39 | 0:38:43 | |
-It's all right, Nick. -Ah! | 0:38:44 | 0:38:46 | |
DOG BARKS | 0:38:58 | 0:39:01 | |
DOG BARKS AND SQUEALS | 0:39:19 | 0:39:22 | |
DAVID SHOUTS OUT | 0:39:22 | 0:39:24 | |
-What's happened? -Christ! | 0:39:24 | 0:39:26 | |
It was wide open. He must have left it open in his sleep. | 0:39:28 | 0:39:31 | |
You did that. | 0:39:34 | 0:39:35 | |
Why would I open the hen hatch? | 0:39:38 | 0:39:40 | |
You know, this is just like when you killed your rabbit. | 0:39:40 | 0:39:43 | |
You left the hutch open in the middle of the night, let the dogs out all in his sleep, when he was a kid. | 0:39:43 | 0:39:47 | |
You did that! You opened the hutch door and you blamed it on me. | 0:39:47 | 0:39:50 | |
-You killed her. -You bed-wetter. | 0:39:50 | 0:39:52 | |
-You little shit! -Stop it! | 0:39:55 | 0:39:57 | |
Dawn. | 0:40:00 | 0:40:02 | |
Dawn. Dawn! | 0:40:03 | 0:40:05 | |
DOOR SLAMS | 0:40:05 | 0:40:06 | |
Dawn! | 0:40:06 | 0:40:08 | |
KNOCKS ON DOOR | 0:40:08 | 0:40:10 | |
Dawn!! | 0:40:10 | 0:40:12 | |
You Johnson boys. | 0:40:46 | 0:40:48 | |
-Come on, Judy. > -DOG BARKS | 0:40:48 | 0:40:53 | |
Bring them here. | 0:40:53 | 0:40:55 | |
Thank you. | 0:40:58 | 0:41:00 | |
Shall we get rid of him? | 0:41:10 | 0:41:12 | |
-Where to? -He's got mates. What about his ex? | 0:41:13 | 0:41:17 | |
David... | 0:41:27 | 0:41:29 | |
..did you let the dog into the hen hutch? | 0:41:31 | 0:41:33 | |
Sorry. | 0:41:35 | 0:41:36 | |
I was only joking. | 0:41:41 | 0:41:43 | |
And so, can you stand, please? | 0:41:52 | 0:41:54 | |
HE SINGS ARPEGGIO | 0:41:56 | 0:41:59 | |
# If ye love me | 0:42:01 | 0:42:07 | |
# Keep my commandments | 0:42:07 | 0:42:12 | |
# And I will pray the father | 0:42:12 | 0:42:17 | |
# Pray... | 0:42:17 | 0:42:20 | |
DISTANT CHORAL SINGING | 0:42:20 | 0:42:24 | |
GLASS SMASHES | 0:42:34 | 0:42:36 | |
FOOTSTEPS | 0:42:36 | 0:42:38 | |
CRASHING | 0:42:38 | 0:42:42 | |
DAVID SHOUTS: Are you awake now? | 0:42:42 | 0:42:45 | |
Dave, I'm sorry. Dave. I'm sorry. | 0:42:50 | 0:42:52 | |
THUMP | 0:42:52 | 0:42:53 | |
-Dave. -Don't. -Dave. -Don't! | 0:42:53 | 0:42:56 | |
Get up, get up. | 0:42:58 | 0:42:59 | |
CRASHING | 0:42:59 | 0:43:02 | |
You want to, do you? You want to? | 0:43:02 | 0:43:05 | |
THEY PANT | 0:43:07 | 0:43:10 | |
I'll pay for that. | 0:43:23 | 0:43:25 | |
FLY BUZZES | 0:43:30 | 0:43:34 | |
Why did you leave me in the house? | 0:43:36 | 0:43:38 | |
Sorry about last night. | 0:43:53 | 0:43:55 | |
WIND WHISTLES | 0:44:21 | 0:44:25 | |
That looks good. I'll have a slice of that. | 0:44:31 | 0:44:34 | |
You made it, you cut it. | 0:44:34 | 0:44:37 | |
-Ooh. Who wears the trousers in that house? -She does. | 0:44:37 | 0:44:40 | |
THEY LAUGH | 0:44:40 | 0:44:41 | |
This one's having this... | 0:44:41 | 0:44:43 | |
competition, well, they just made those in their house. | 0:44:43 | 0:44:46 | |
A bit like Robin Hood. And we, um... | 0:44:46 | 0:44:49 | |
-Hey. Do you think we should go away at the end of term? -Yeah, we could. | 0:44:51 | 0:44:56 | |
We've got a house in Spain. | 0:44:59 | 0:45:01 | |
Come there to us. | 0:45:01 | 0:45:03 | |
-It's an idea. -I'll come to Spain. | 0:45:03 | 0:45:05 | |
Hmph. | 0:45:05 | 0:45:07 | |
Yeah, it's a shame you're leaving, Nick. | 0:45:08 | 0:45:10 | |
We'll have a farewell party on Saturday. | 0:45:12 | 0:45:14 | |
Haven't got much of a house, but we've got a hell of a barbeque. | 0:45:14 | 0:45:17 | |
Aw. Going to miss you, Nick. | 0:45:17 | 0:45:20 | |
Well, when your time's up... | 0:45:23 | 0:45:25 | |
CREEPY MUSIC | 0:45:30 | 0:45:34 | |
Yeah, Gary wants another kid. I just feel too young. | 0:45:43 | 0:45:48 | |
And I love all this. | 0:45:48 | 0:45:49 | |
You know, having a laugh, and just being able to have a drink. | 0:45:49 | 0:45:53 | |
You know, cos my mum's not going to be around forever. | 0:45:53 | 0:45:56 | |
She can handle one, but then having to have two, I... | 0:45:56 | 0:46:01 | |
-And I don't want my tits sagging to the ground. -Urgh! | 0:46:01 | 0:46:04 | |
-Nick's the biggest one of them all. -Biggest one of the what? | 0:46:06 | 0:46:09 | |
-What's that? -Kids. -Oh, yeah? -Yeah, you. | 0:46:09 | 0:46:12 | |
NICK WHISTLES A TUNE | 0:46:18 | 0:46:21 | |
QUIET MOANS | 0:46:57 | 0:47:00 | |
SHE MOANS | 0:47:06 | 0:47:10 | |
HE MOANS | 0:47:17 | 0:47:22 | |
Ssh! | 0:47:23 | 0:47:25 | |
SHE LAUGHS | 0:47:25 | 0:47:28 | |
HE WHISTLES A TUNE | 0:47:33 | 0:47:37 | |
When are you going into battle? | 0:47:41 | 0:47:44 | |
Won't have your flak jacket. | 0:47:44 | 0:47:46 | |
I wish you were coming to hear me. | 0:47:54 | 0:47:56 | |
Sod's Law. | 0:47:57 | 0:47:59 | |
No. | 0:48:01 | 0:48:03 | |
No. | 0:48:06 | 0:48:07 | |
SHE LAUGHS | 0:48:07 | 0:48:09 | |
-What about this one? -No! -Dazzle, Bobby Dazzle. | 0:48:09 | 0:48:11 | |
No. None of them. | 0:48:11 | 0:48:13 | |
You're lovely as you are. | 0:48:13 | 0:48:15 | |
CHORAL SINGING | 0:48:15 | 0:48:20 | |
# Keep my commandments | 0:48:20 | 0:48:26 | |
# And I will pray the father | 0:48:26 | 0:48:34 | |
# I will pray the father | 0:48:34 | 0:48:37 | |
# And he shall give you | 0:48:37 | 0:48:41 | |
# Another comforter | 0:48:41 | 0:48:48 | |
# That he may bide with you... | 0:48:48 | 0:48:53 | |
# That he may bide with you forever. | 0:48:56 | 0:49:04 | |
# Even the spirit of truth | 0:49:04 | 0:49:12 | |
# If ye love me... | 0:49:14 | 0:49:20 | |
# Even the spirit of truth... # | 0:49:20 | 0:49:28 | |
APPLAUSE | 0:49:28 | 0:49:32 | |
Where was Sharon tonight? | 0:49:39 | 0:49:41 | |
-Not her thing. -Huh. | 0:49:41 | 0:49:44 | |
-David? -PTA. | 0:49:44 | 0:49:46 | |
-I'll take this. -Thank you. | 0:49:48 | 0:49:51 | |
-Oh, sorry. -It's all right. -Thank you. | 0:49:51 | 0:49:54 | |
OK? | 0:49:56 | 0:49:57 | |
Cheers, thank you. | 0:50:01 | 0:50:02 | |
No! | 0:50:02 | 0:50:04 | |
Stupid, sorry. | 0:50:05 | 0:50:07 | |
It's all right. Um, thanks for walking me home. | 0:50:09 | 0:50:12 | |
Dawn? | 0:50:12 | 0:50:14 | |
-< Get some food, eh? -DOG BARKS | 0:50:34 | 0:50:36 | |
-I think you need a wash, don't you? -You need a little wash... | 0:50:36 | 0:50:41 | |
It's a hard thing being a teacher, but I think it's a hell of a lot harder being a pupil. | 0:50:43 | 0:50:47 | |
It's not a closed book, by any means. In the first instance, | 0:50:55 | 0:50:58 | |
you need to come back here for a second test, | 0:50:58 | 0:51:00 | |
to make sure it isn't just a blip. | 0:51:00 | 0:51:02 | |
It's not a blip. | 0:51:02 | 0:51:04 | |
I'm sorry? | 0:51:04 | 0:51:06 | |
It's, er... It's... | 0:51:06 | 0:51:09 | |
It's not a blip. Um... | 0:51:09 | 0:51:11 | |
I had a previous girlfriend who was... | 0:51:11 | 0:51:14 | |
trying for a baby and, er... | 0:51:14 | 0:51:16 | |
DAWN WEEPS QUIETLY | 0:51:34 | 0:51:38 | |
Stop crying. | 0:51:46 | 0:51:48 | |
SHE SNIFFS | 0:51:48 | 0:51:50 | |
It's my fault. Stop crying. | 0:51:50 | 0:51:53 | |
Why didn't you just say? | 0:51:54 | 0:51:57 | |
You kept pushing it, your little project. I mean, why couldn't we have just waited for a couple of years? | 0:51:57 | 0:52:02 | |
CAR REVS AND STALLS | 0:52:02 | 0:52:04 | |
-I was afraid it was me. -Well, it's me. You happy now? | 0:52:05 | 0:52:08 | |
CAR REVS AND STALLS Christ!! | 0:52:08 | 0:52:11 | |
I'll cool the gas. | 0:52:11 | 0:52:13 | |
I'm going to walk home. | 0:52:14 | 0:52:16 | |
Dawn, please. Please. Don't leave me. I wouldn't be much without you. | 0:52:17 | 0:52:20 | |
-Get off me! -Ow! | 0:52:20 | 0:52:21 | |
Hello? | 0:52:44 | 0:52:47 | |
Nick? | 0:52:50 | 0:52:52 | |
CAR RUMBLES OUTSIDE | 0:53:22 | 0:53:26 | |
DOOR SLAMS | 0:53:29 | 0:53:31 | |
Hello? | 0:53:43 | 0:53:45 | |
Dawn? | 0:53:47 | 0:53:49 | |
FOOTSTEPS | 0:53:49 | 0:53:52 | |
Hello? | 0:53:52 | 0:53:53 | |
It's Gary. | 0:53:55 | 0:53:57 | |
FOOTSTEPS GET LOUDER | 0:53:57 | 0:54:00 | |
PANTING | 0:54:16 | 0:54:19 | |
GARY MOANS | 0:54:22 | 0:54:24 | |
HE PANTS | 0:54:32 | 0:54:35 | |
ZIPS | 0:55:06 | 0:55:07 | |
FOOTSTEPS LEAD AWAY | 0:55:08 | 0:55:12 | |
SOMBRE PIANO MUSIC | 0:55:26 | 0:55:30 | |
FOOTSTEPS APPROACH | 0:55:58 | 0:56:01 | |
Oh, God. | 0:56:06 | 0:56:08 | |
I'm so, so sorry. | 0:56:08 | 0:56:11 | |
FOOTSTEPS | 0:56:17 | 0:56:19 | |
Oops. | 0:56:19 | 0:56:20 | |
-I'll take the dog for a walk. -Go on, then. | 0:56:30 | 0:56:32 | |
Come on, Judy. | 0:56:32 | 0:56:35 | |
Yeah, thanks for making the bed. | 0:56:35 | 0:56:37 | |
Less of the chatter, please. | 0:56:44 | 0:56:47 | |
Right, get into your lines. Thomas, stop talking, please. | 0:56:47 | 0:56:50 | |
Thank you. Nadia and Sinead, will you please be quiet?! | 0:56:50 | 0:56:53 | |
You've got to do this in a week and none of you are prepared, OK? You need to start paying attention. | 0:56:53 | 0:56:59 | |
MUSIC BOX TINKLES | 0:57:22 | 0:57:25 | |
MUSIC BOX SNAPS SHUT | 0:57:36 | 0:57:38 | |
David. | 0:57:48 | 0:57:50 | |
I want to get through this. | 0:57:51 | 0:57:53 | |
Children aren't everything, they aren't all life. | 0:57:55 | 0:57:57 | |
They are when you really want a child. | 0:57:57 | 0:57:59 | |
How do you know what I want? | 0:58:00 | 0:58:02 | |
It was you who said we should go to the doctor. | 0:58:05 | 0:58:08 | |
You lied about how long we'd been trying. | 0:58:09 | 0:58:13 | |
You lied. | 0:58:13 | 0:58:14 | |
WHISPERS: Oh, God. I'm so ashamed. | 0:58:20 | 0:58:22 | |
David. | 0:58:23 | 0:58:25 | |
I love you. | 0:58:25 | 0:58:27 | |
I want you to be happy. | 0:58:31 | 0:58:34 | |
DISTANT VOICE MURMURS | 0:58:45 | 0:58:51 | |
FOOTSTEPS | 0:58:56 | 0:59:00 | |
DISTANT VOICE MURMURS: Not very refined. | 0:59:01 | 0:59:04 | |
DOOR SLAMS | 0:59:07 | 0:59:10 | |
FOOTSTEPS | 0:59:10 | 0:59:11 | |
-David. -You go. | 0:59:11 | 0:59:14 | |
I don't want to. | 0:59:15 | 0:59:16 | |
You go to him. | 0:59:20 | 0:59:22 | |
WIND WHISPERS | 0:59:43 | 0:59:46 | |
I'm awake. | 0:59:58 | 0:59:59 | |
HE LAUGHS | 0:59:59 | 1:00:01 | |
I was just admiring the... | 1:00:05 | 1:00:08 | |
Nick. | 1:00:18 | 1:00:20 | |
-Hi, how are you? -Hello, little one. How are you? | 1:00:55 | 1:00:59 | |
-Aw, aw, no. Hello. -Lovely dress. | 1:00:59 | 1:01:05 | |
All right, little one? | 1:01:19 | 1:01:21 | |
She's sad, that'll all. She can't have kids. | 1:01:33 | 1:01:35 | |
-What? -Yeah, David told me. | 1:01:35 | 1:01:38 | |
Oh, Dawn... | 1:01:43 | 1:01:45 | |
Oh, I'm sorry. | 1:01:45 | 1:01:47 | |
It's him who can't. | 1:01:53 | 1:01:55 | |
Come 'ere. I'm sorry. Hey? | 1:02:01 | 1:02:03 | |
-I'm sorry. -It's all right. | 1:02:06 | 1:02:08 | |
PHONE RINGS | 1:02:21 | 1:02:24 | |
Hello? | 1:02:25 | 1:02:27 | |
I know. It's a Sunday... | 1:02:29 | 1:02:30 | |
So, you looking forward to going back? | 1:02:36 | 1:02:39 | |
Say hello to the Taliban. | 1:02:41 | 1:02:43 | |
Blow up a few more towelheads, eh? | 1:02:45 | 1:02:48 | |
-Here, catch. -Argh! | 1:02:50 | 1:02:51 | |
GIRL SCREAMS | 1:02:51 | 1:02:54 | |
-Oh, God! -She all right? -Come here. Show me. Get some ice. | 1:02:54 | 1:02:59 | |
-Hey, hey little one. -She all right? | 1:02:59 | 1:03:02 | |
Yeah, she's fine. Hey? Want some water or something, hey? | 1:03:02 | 1:03:05 | |
...a hot coal on me, David, just get his fucking mind... | 1:03:05 | 1:03:08 | |
EERIE MUSIC OBSCURES CONVERSATION | 1:03:10 | 1:03:13 | |
FLY BUZZES | 1:03:13 | 1:03:16 | |
-All right, Dawn? -Want some help? | 1:03:35 | 1:03:38 | |
-Thank you. -Who you going to fuck next, then? | 1:03:39 | 1:03:41 | |
-All right, darling? Want some help? -Davy? -Yes, please. | 1:03:47 | 1:03:51 | |
David. Give us the ball. | 1:03:51 | 1:03:53 | |
Watch this. Hey, soldier boy. | 1:03:56 | 1:03:59 | |
Catch! | 1:03:59 | 1:04:01 | |
He used to pay me to beat you up, you know that? What? | 1:04:03 | 1:04:05 | |
What you going to do? | 1:04:05 | 1:04:06 | |
DAWN SQUEALS | 1:04:06 | 1:04:08 | |
Stop it! | 1:04:10 | 1:04:12 | |
-Remember when you did this to me, eh? -Get off him! | 1:04:12 | 1:04:16 | |
-Do you remember when you did this to me? -Stop. | 1:04:16 | 1:04:19 | |
I fucked your wife. | 1:04:25 | 1:04:28 | |
-Gary! Gary, please. -Get off me. | 1:04:30 | 1:04:33 | |
Don't look at me like that, Dawn. | 1:04:35 | 1:04:38 | |
I'm the sane one. | 1:04:38 | 1:04:40 | |
He pushed our mum downstairs. | 1:04:40 | 1:04:42 | |
-Nicky. -Fuck me. | 1:04:42 | 1:04:45 | |
Our mum, eh? Gave her something to think about. | 1:04:45 | 1:04:49 | |
David, no! | 1:04:50 | 1:04:52 | |
David, no! David! | 1:04:53 | 1:04:55 | |
FOOTSTEPS | 1:05:16 | 1:05:20 | |
CRASHING | 1:05:33 | 1:05:35 | |
EXHALES SLOWLY | 1:05:45 | 1:05:47 | |
CHILDREN SINGING | 1:06:06 | 1:06:08 | |
# Waters of Babylon | 1:06:08 | 1:06:10 | |
# We sat and wept | 1:06:11 | 1:06:15 | |
# And wept for the Zion | 1:06:15 | 1:06:21 | |
# We remember the... # | 1:06:21 | 1:06:25 | |
Yeah, sure, we'll be in. | 1:06:37 | 1:06:39 | |
That's fine. Thank you. | 1:06:41 | 1:06:43 | |
He's gone AWOL. | 1:06:52 | 1:06:54 | |
-Did he tell you he was going to run away? -No. | 1:06:54 | 1:06:57 | |
-Has he been in touch, David? -No. | 1:06:59 | 1:07:01 | |
He dropped by this summer, but we weren't that close since our parents died. | 1:07:04 | 1:07:08 | |
Well... | 1:07:11 | 1:07:12 | |
We think he might have mental health problems. | 1:07:16 | 1:07:18 | |
DOOR CLOSES | 1:07:23 | 1:07:25 | |
-Do you think he'll come back? -How should I know? | 1:07:38 | 1:07:41 | |
-You would tell me? -He'll come to you. | 1:07:47 | 1:07:50 | |
Why did you lie to me about pushing your mum down the stairs? | 1:07:56 | 1:07:59 | |
She was hurting him. | 1:08:06 | 1:08:08 | |
I was protecting him. | 1:08:10 | 1:08:12 | |
DISTANT VOICES FIGHTING | 1:08:27 | 1:08:32 | |
MUTTERING AND PANTING | 1:08:35 | 1:08:39 | |
Missed you. Yeah, I did. I missed you. | 1:09:37 | 1:09:40 | |
No, don't go, don't go. | 1:09:47 | 1:09:51 | |
Don't go. Please don't go. | 1:09:51 | 1:09:54 | |
You're right, I stink. | 1:09:55 | 1:09:57 | |
I went to London, but I couldn't...hack it. | 1:09:58 | 1:10:01 | |
Do you want a biscuit? | 1:10:04 | 1:10:07 | |
Eh? | 1:10:07 | 1:10:08 | |
Go on. Go on, have one. | 1:10:09 | 1:10:12 | |
They come from the back of the service station. | 1:10:12 | 1:10:14 | |
I've let all my mates down. | 1:10:19 | 1:10:21 | |
Just can't...sleep. | 1:10:25 | 1:10:29 | |
I just can't. | 1:10:29 | 1:10:30 | |
How's Davy? | 1:10:34 | 1:10:35 | |
I have to know... About you two. | 1:10:37 | 1:10:41 | |
Well, he loves me. | 1:10:42 | 1:10:45 | |
SHE SNIGGERS | 1:10:45 | 1:10:47 | |
What? | 1:10:47 | 1:10:49 | |
Davy looked after me, yeah? | 1:10:54 | 1:10:57 | |
Cos of Dad. | 1:10:59 | 1:11:00 | |
But he kind of... | 1:11:03 | 1:11:05 | |
..owned me. | 1:11:12 | 1:11:14 | |
That's not love. | 1:11:17 | 1:11:20 | |
He fucks you. But he loves me. | 1:11:22 | 1:11:25 | |
He hates you. | 1:11:25 | 1:11:27 | |
You have to go. I'll bring you money. | 1:11:31 | 1:11:34 | |
-Where can I go? -If you love him, you'll leave us! | 1:11:37 | 1:11:39 | |
-Where are you going? -To choir. | 1:11:59 | 1:12:03 | |
I'll drop you, if you like. | 1:12:04 | 1:12:05 | |
PIANO MUSIC | 1:12:17 | 1:12:19 | |
PIANO MUSIC DROWNS OUT SINGING | 1:12:28 | 1:12:31 | |
Nick? | 1:13:01 | 1:13:03 | |
SHE CRIES | 1:13:44 | 1:13:47 | |
HEAVY BREATHING | 1:14:04 | 1:14:07 | |
Where were you? I was worried about you. | 1:14:28 | 1:14:31 | |
Where is he? Where is he? | 1:14:32 | 1:14:36 | |
Dawn? | 1:14:36 | 1:14:37 | |
SHE WHIMPERS | 1:14:38 | 1:14:41 | |
She'll need to get plenty of rest, so we'll keep her in for now. | 1:15:00 | 1:15:04 | |
Thank you. | 1:15:04 | 1:15:05 | |
SHE MOANS SOFTLY | 1:15:14 | 1:15:15 | |
Dawn. | 1:15:15 | 1:15:17 | |
Dawn? | 1:15:23 | 1:15:25 | |
It's safe. The baby is safe. | 1:15:26 | 1:15:28 | |
I didn't want to hurt you. | 1:15:50 | 1:15:51 | |
I want this child. | 1:15:58 | 1:15:59 | |
I want you to be happy. | 1:16:03 | 1:16:05 | |
Nick came back. | 1:16:18 | 1:16:20 | |
I saw him. | 1:16:20 | 1:16:22 | |
I know. | 1:16:23 | 1:16:25 | |
I know. | 1:16:26 | 1:16:28 | |
SOMBRE PIANO MUSIC | 1:16:36 | 1:16:39 | |
PIANO AND HUMMING VOCALS | 1:16:45 | 1:16:48 | |
Hello, hello. | 1:17:23 | 1:17:25 | |
-Have you met little Ben? -Ben, hello. | 1:17:35 | 1:17:39 | |
Aw, he's lovely. | 1:17:39 | 1:17:42 | |
You must be proud. | 1:17:42 | 1:17:45 | |
Yeah. | 1:17:45 | 1:17:47 | |
SPEECH DROWNED OUT BY PIANO | 1:18:00 | 1:18:04 | |
DAVID AND BABY LAUGH | 1:18:32 | 1:18:34 | |
Subtitles By Red Bee Media Ltd | 1:19:37 | 1:19:40 |