
Browse content similar to 360. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
WOMAN BREATHES NERVOUSLY | 0:00:07 | 0:00:09 | |
This film contains some strong language and some scenes of a sexual nature. | 0:00:09 | 0:00:15 | |
FOOTSTEPS | 0:00:15 | 0:00:19 | |
FOOTSTEPS APPROACH | 0:00:24 | 0:00:26 | |
MAN: Good. | 0:00:34 | 0:00:35 | |
METAL SCRAPES | 0:00:36 | 0:00:38 | |
HE SPEAKS IN GERMAN | 0:00:40 | 0:00:43 | |
Come on, sweetie, smile. | 0:00:43 | 0:00:45 | |
Don't be shy. | 0:00:45 | 0:00:47 | |
These internet pictures are important. | 0:00:47 | 0:00:50 | |
20 beautiful girls on one web page. | 0:00:50 | 0:00:52 | |
Why do they pick you? | 0:00:52 | 0:00:54 | |
You need a drink? | 0:00:56 | 0:00:58 | |
Drink? No. | 0:00:58 | 0:01:00 | |
Help you relax. | 0:01:02 | 0:01:03 | |
I don't need drink for relax. | 0:01:03 | 0:01:05 | |
MAN SNIGGERS | 0:01:05 | 0:01:07 | |
Get undressed. | 0:01:07 | 0:01:09 | |
Yes, yes, yes, yes, yes, yes. | 0:01:12 | 0:01:15 | |
So turn around. Turn around. | 0:01:15 | 0:01:17 | |
Smile. | 0:01:17 | 0:01:19 | |
CAMERA CLICKS | 0:01:19 | 0:01:20 | |
Don't move, don't move. Yes, great. | 0:01:28 | 0:01:30 | |
Yeah, yeah. | 0:01:34 | 0:01:35 | |
Stop, stop. | 0:01:42 | 0:01:43 | |
That's good. | 0:01:45 | 0:01:46 | |
Head up, head up. | 0:01:53 | 0:01:55 | |
So, how much... | 0:02:09 | 0:02:12 | |
Anna. | 0:02:12 | 0:02:13 | |
SHE SPEAKS SLOVAK | 0:02:13 | 0:02:16 | |
"How much money will I get?" | 0:02:16 | 0:02:17 | |
How much money will I get? | 0:02:17 | 0:02:19 | |
It depends. It depends. | 0:02:19 | 0:02:21 | |
I had one girl... Come on. | 0:02:21 | 0:02:23 | |
OK. | 0:02:23 | 0:02:25 | |
I had one girl... Blanka... | 0:02:25 | 0:02:27 | |
was rich after one day. | 0:02:27 | 0:02:29 | |
Wow. | 0:02:29 | 0:02:31 | |
You have something to change? | 0:02:32 | 0:02:34 | |
She was smart, you know? | 0:02:36 | 0:02:38 | |
Her first client was a sheik, an Arab, ja? | 0:02:38 | 0:02:42 | |
She saw a big aktentasche, full of dollars. | 0:02:42 | 0:02:45 | |
Sends me an SMS, | 0:02:45 | 0:02:47 | |
"Come quick" and I come quick to the hotel room. | 0:02:47 | 0:02:50 | |
"Hello, room service." | 0:02:50 | 0:02:54 | |
And afterwards we split it, 50/50, you understand? | 0:02:54 | 0:02:57 | |
Yes. | 0:02:57 | 0:02:58 | |
That's good. Smile, smile, smile, smile, smile. | 0:02:58 | 0:03:01 | |
CAMERA BEEPS | 0:03:01 | 0:03:02 | |
OK, sit here. | 0:03:06 | 0:03:08 | |
So... | 0:03:08 | 0:03:09 | |
So do you choose a name already? | 0:03:09 | 0:03:12 | |
Yes. | 0:03:12 | 0:03:14 | |
Blanka. | 0:03:15 | 0:03:17 | |
HE CHUCKLES | 0:03:17 | 0:03:19 | |
We are done, Blanka. | 0:03:19 | 0:03:21 | |
So when will the pictures be on internet? | 0:03:28 | 0:03:32 | |
When you want, schatzi? | 0:03:32 | 0:03:34 | |
Tonight. | 0:03:34 | 0:03:36 | |
Tonight? | 0:03:36 | 0:03:38 | |
No, schatzi, no. | 0:03:38 | 0:03:39 | |
There are so many other girls waiting. | 0:03:39 | 0:03:42 | |
Unless... | 0:03:43 | 0:03:45 | |
you do something for me. | 0:03:45 | 0:03:47 | |
Joke? | 0:03:49 | 0:03:51 | |
She's cute. She can work for me too. | 0:04:11 | 0:04:14 | |
My sister? Never. | 0:04:14 | 0:04:16 | |
Why? She's too good for this? | 0:04:16 | 0:04:18 | |
Yes. She has heart. | 0:04:18 | 0:04:21 | |
-I have a heart. -No, you don't. | 0:04:21 | 0:04:25 | |
MUSIC: "Helium Reprise" by Tin Hat Trio feat. Tom Waits | 0:04:25 | 0:04:31 | |
# This blinding kiss | 0:04:45 | 0:04:48 | |
# Breathes helium | 0:04:50 | 0:04:53 | |
# Into my heart | 0:04:53 | 0:04:56 | |
# And erases the embraces | 0:04:58 | 0:05:02 | |
# Of all of the lovers | 0:05:02 | 0:05:05 | |
# With this kiss | 0:05:08 | 0:05:12 | |
# Your ruby lips | 0:05:16 | 0:05:18 | |
# Speak for themselves | 0:05:21 | 0:05:24 | |
# They tell nothing but lies | 0:05:24 | 0:05:27 | |
# But dissolve into the wax | 0:05:29 | 0:05:32 | |
# Of a flickering candle | 0:05:32 | 0:05:36 | |
# In this kiss | 0:05:40 | 0:05:43 | |
# And this kiss... # | 0:05:48 | 0:05:49 | |
MOBILE PHONE RINGS | 0:05:49 | 0:05:52 | |
Hello? | 0:05:55 | 0:05:56 | |
Good news. | 0:05:58 | 0:05:59 | |
-Tomorrow, 7:00PM, Hotel Steigenberger. -Rocco. | 0:05:59 | 0:06:03 | |
Top manager, in town for auto show. | 0:06:03 | 0:06:06 | |
Are you going to say thank you? | 0:06:07 | 0:06:09 | |
-Thank you. -You see? | 0:06:09 | 0:06:11 | |
You're good to me, I'm good to you. | 0:06:11 | 0:06:13 | |
Tomorrow, 7:00, Hotel Steigenberger. | 0:06:14 | 0:06:17 | |
Yeah? And don't be late? | 0:06:17 | 0:06:21 | |
-OK. -And look elegant, nice, yeah? | 0:06:21 | 0:06:23 | |
Understand? He's a top manager. | 0:06:23 | 0:06:26 | |
-OK? -Top manager. | 0:06:26 | 0:06:27 | |
Ciao. | 0:06:54 | 0:06:55 | |
ANNA: "What is your job?" | 0:06:59 | 0:07:01 | |
What is your job? | 0:07:01 | 0:07:02 | |
"You are a nice man." | 0:07:06 | 0:07:07 | |
You are a nice man. | 0:07:07 | 0:07:08 | |
"Today"... | 0:07:15 | 0:07:16 | |
"Today, I went to a fitness centre with my girlfriend." | 0:07:19 | 0:07:21 | |
Today, I went to a fitness centre with... | 0:07:21 | 0:07:23 | |
MOBILE PHONE RINGS | 0:08:23 | 0:08:27 | |
Hello. | 0:08:29 | 0:08:31 | |
ROCCO: OK, schatzi, he's waiting at the bar. | 0:08:31 | 0:08:34 | |
His name is Michael Daly. | 0:08:34 | 0:08:37 | |
They are booking us for two hours. | 0:08:37 | 0:08:39 | |
Listen, very important, you don't take the money | 0:08:39 | 0:08:42 | |
in public place. You take the money at the room. | 0:08:42 | 0:08:45 | |
As soon as you have the money, you give me a call | 0:08:45 | 0:08:47 | |
to say everything's OK. OK? | 0:08:47 | 0:08:49 | |
So good luck, schatzi. | 0:08:49 | 0:08:52 | |
I think he's even more nervous than you. | 0:08:52 | 0:08:56 | |
GENERAL CHATTER | 0:08:56 | 0:08:58 | |
Hey, Michael. | 0:09:44 | 0:09:45 | |
There you are. I've been looking for you. | 0:09:46 | 0:09:49 | |
Listen, we've come to tell you that we have reconsidered | 0:09:49 | 0:09:52 | |
and we agree to your price at 400 per unit. | 0:09:52 | 0:09:54 | |
Really? | 0:09:54 | 0:09:56 | |
Yeah, plus delivery within 90 days. | 0:09:56 | 0:09:58 | |
-So what do you say? -That's very interesting. | 0:10:00 | 0:10:02 | |
I'm sorry. You catch me at a bad moment. | 0:10:02 | 0:10:03 | |
All I can tell you is that you won't find anyone in Europe | 0:10:03 | 0:10:06 | |
-who can match that offer. -As it happens, | 0:10:06 | 0:10:08 | |
I got an offer yesterday from the Estonian suppliers | 0:10:08 | 0:10:10 | |
who beat that, both in delivery dates and price. | 0:10:10 | 0:10:12 | |
Estonia? OK. | 0:10:12 | 0:10:14 | |
Well, you know, go ahead, do your business in the Baltics. | 0:10:14 | 0:10:17 | |
See how you like it. We've done it, once. | 0:10:17 | 0:10:20 | |
Never again. Worse than the Russians. | 0:10:20 | 0:10:21 | |
My responsibility is cutting the costs. | 0:10:21 | 0:10:23 | |
And their figures are very good. | 0:10:23 | 0:10:25 | |
Speaking of good figures, | 0:10:25 | 0:10:27 | |
I see they started letting in hookers here again. | 0:10:27 | 0:10:31 | |
How do you know she's a hooker? | 0:10:31 | 0:10:32 | |
-Come on, it's obvious. Look at her...the hair, the dress. -MOBILE PHONE RINGS | 0:10:32 | 0:10:35 | |
Excuse me. | 0:10:35 | 0:10:36 | |
No, Daddy can't speak right now. | 0:10:42 | 0:10:44 | |
-GIRL ON PHONE: -Can I get a dog, please? | 0:10:44 | 0:10:46 | |
A dog? You want a dog? | 0:10:46 | 0:10:48 | |
You know Louise in my class? She got one for her birthday. | 0:10:48 | 0:10:51 | |
I'd rather talk about it tomorrow when I get home. | 0:10:51 | 0:10:54 | |
-I'm not very keen, Ellie. -Why not? | 0:10:54 | 0:10:56 | |
Because I will be the one taking it for a walk every night. | 0:10:56 | 0:11:00 | |
-Please, please?! -We... | 0:11:00 | 0:11:03 | |
Don't get upset. We'll talk about it tomorrow. | 0:11:03 | 0:11:06 | |
Yes, I'm coming back. I'll see you in the play. | 0:11:06 | 0:11:09 | |
All right, night, night. | 0:11:09 | 0:11:10 | |
-Love you. -I love you too. | 0:11:10 | 0:11:12 | |
-"Blanka." -Sorry about that. | 0:11:22 | 0:11:24 | |
That's her. Her name is Blanka. | 0:11:24 | 0:11:26 | |
What interests me is whether she's here looking for business | 0:11:26 | 0:11:30 | |
or waiting for a customer that she has already arranged to meet, | 0:11:30 | 0:11:33 | |
in which case I suggest we sit here | 0:11:33 | 0:11:35 | |
and wait for the dirty bugger to show up | 0:11:35 | 0:11:37 | |
and then take pictures of him to blackmail him with. | 0:11:37 | 0:11:39 | |
Sadly there's no reviews yet or else I could tell you how good she was... | 0:11:41 | 0:11:44 | |
-Reviews? -Yeah, reviews. | 0:11:44 | 0:11:46 | |
Guys who have seen girls, they write reviews | 0:11:46 | 0:11:48 | |
and then post them on the site. | 0:11:48 | 0:11:49 | |
I can't believe you want to share that with me in a business meeting. | 0:11:49 | 0:11:53 | |
Why? It's not a crime. | 0:11:53 | 0:11:54 | |
It's hardly something to be proud of either. | 0:11:54 | 0:11:57 | |
I'm sorry. I didn't know that I was dealing with the moral majority here. | 0:11:57 | 0:11:59 | |
Just someone with a little self-respect. | 0:11:59 | 0:12:01 | |
Good luck with the rest of the fair. | 0:12:01 | 0:12:03 | |
MUSIC: "Small Song" by Lhasa De Sela | 0:12:16 | 0:12:18 | |
# I made a small, small song | 0:12:18 | 0:12:22 | |
# I made a small, small song | 0:12:24 | 0:12:31 | |
# I sang it all night long | 0:12:33 | 0:12:38 | |
# All through the wind and rain | 0:12:38 | 0:12:41 | |
# Until the morning came... # | 0:12:41 | 0:12:48 | |
Hello, love, it's me. | 0:12:50 | 0:12:53 | |
I'm sitting in a restaurant... | 0:12:55 | 0:12:57 | |
..alone, wishing you were here. | 0:12:59 | 0:13:02 | |
# I sang it all night long | 0:13:08 | 0:13:12 | |
# And when the morning came | 0:13:12 | 0:13:16 | |
# I had to start all over again | 0:13:16 | 0:13:24 | |
# My song is so, so small | 0:13:25 | 0:13:31 | |
# If I was right, I would be wrong | 0:13:34 | 0:13:38 | |
# Don't be afraid | 0:13:38 | 0:13:40 | |
# It's just a small song. # | 0:13:40 | 0:13:48 | |
Hello, sweetheart. Me again. | 0:13:51 | 0:13:52 | |
Look, I'm just calling to say good night. | 0:13:53 | 0:13:56 | |
If you get this in the next ten minutes, | 0:13:56 | 0:13:58 | |
call me back in my room because my phone will be charging. | 0:13:58 | 0:14:01 | |
If not... | 0:14:01 | 0:14:04 | |
sweet dreams. | 0:14:04 | 0:14:05 | |
We'll speak tomorrow. | 0:14:05 | 0:14:07 | |
I love you... | 0:14:07 | 0:14:09 | |
more than ever. I wanted you to know that. | 0:14:09 | 0:14:12 | |
PHONE RINGS | 0:14:21 | 0:14:23 | |
Hi, baby. Were you in the bath? | 0:14:26 | 0:14:28 | |
'As a matter of fact I was, yes.' | 0:14:28 | 0:14:30 | |
-Sorry? -Oh, Michael. | 0:14:30 | 0:14:33 | |
Reflecting on what a beautiful evening I just had. | 0:14:33 | 0:14:37 | |
How was yours? | 0:14:37 | 0:14:38 | |
Fine, thank you. It's a bit late for this, isn't it? | 0:14:38 | 0:14:41 | |
Of course, I'm sorry. I won't keep you long. | 0:14:41 | 0:14:43 | |
It's just a... just a quick word. | 0:14:43 | 0:14:45 | |
Literally, it's one single word. | 0:14:45 | 0:14:49 | |
Blanka. | 0:14:49 | 0:14:50 | |
Got your attention now, haven't I? | 0:14:52 | 0:14:54 | |
I don't know what you're talking about. | 0:14:54 | 0:14:56 | |
Oh, I think you do, Michael. | 0:14:56 | 0:14:57 | |
Because after you left, I went over to chat to our little Slovakian friend. | 0:14:57 | 0:15:02 | |
And after it turned out that her 7:00 appointment was a no-show, | 0:15:02 | 0:15:06 | |
I did the only decent thing that a gentleman could do | 0:15:06 | 0:15:09 | |
in these circumstances and I booked her. | 0:15:09 | 0:15:12 | |
Now after the main event, | 0:15:12 | 0:15:15 | |
which was excellent, by the way, | 0:15:15 | 0:15:17 | |
Olympic, five-star review on its way, | 0:15:17 | 0:15:20 | |
I asked her what she had been doing at the bar of the hotel. | 0:15:20 | 0:15:24 | |
Is this where she would always drum up business | 0:15:24 | 0:15:26 | |
or had she been stood up? | 0:15:26 | 0:15:28 | |
And she told me that she had gone there | 0:15:28 | 0:15:31 | |
to meet someone from the automobile show. | 0:15:31 | 0:15:35 | |
"Really?" I said. "Who?" | 0:15:35 | 0:15:36 | |
Cos I know a lot of the guys, right? | 0:15:36 | 0:15:39 | |
Now thinking that she would say something like, | 0:15:39 | 0:15:41 | |
"Mr Presley" or "Mr Pacino," | 0:15:41 | 0:15:43 | |
cos they'd never be stupid enough to give their actual name, | 0:15:43 | 0:15:46 | |
do you know what she said? | 0:15:46 | 0:15:48 | |
"Daly." | 0:15:50 | 0:15:52 | |
"Michael Daly." | 0:15:52 | 0:15:54 | |
So, Mr Michael Daly, | 0:15:56 | 0:15:59 | |
esteemed company director with a little self-respect | 0:15:59 | 0:16:03 | |
and wedding ring on finger, | 0:16:03 | 0:16:05 | |
how about we have breakfast tomorrow morning, | 0:16:05 | 0:16:08 | |
you and me, and we renegotiate whatever it is | 0:16:08 | 0:16:11 | |
you agreed with those Estonian gypsies? | 0:16:11 | 0:16:14 | |
Let's say 7:30 in the restaurant? | 0:16:14 | 0:16:17 | |
SIREN WAILS IN DISTANCE | 0:16:43 | 0:16:45 | |
MUSIC: "Les Etoiles" by Melody Gardot | 0:17:12 | 0:17:17 | |
CAMERA CLICKS | 0:21:48 | 0:21:49 | |
-Hi, Siobhan. -Hello again. | 0:22:11 | 0:22:13 | |
SHOWER RUNNING | 0:22:23 | 0:22:26 | |
Coming. | 0:22:37 | 0:22:38 | |
-Hi. -You're half an hour late. -I know. | 0:22:45 | 0:22:49 | |
-Hi. -I missed you. | 0:22:50 | 0:22:52 | |
Rui? | 0:22:52 | 0:22:54 | |
-I want to talk to you. -Yeah? | 0:22:54 | 0:22:56 | |
-Can we talk? -Can I kiss you? | 0:22:56 | 0:22:58 | |
Can we talk first, please? I need to talk to you. | 0:22:58 | 0:23:01 | |
Why? What's wrong? | 0:23:01 | 0:23:03 | |
We... Will you stop? We can't... We have to stop this. | 0:23:06 | 0:23:10 | |
You're kidding, right? | 0:23:10 | 0:23:12 | |
No. Can you put some clothes on, please? | 0:23:12 | 0:23:14 | |
-Put your clothes on. -OK. | 0:23:14 | 0:23:16 | |
Yeah, OK, I'm decent now. | 0:23:16 | 0:23:19 | |
-Rui! -Let's... Let's talk. | 0:23:19 | 0:23:20 | |
What? It's not the first time you see it, is it? | 0:23:20 | 0:23:23 | |
Please help me out here a little bit. | 0:23:26 | 0:23:29 | |
You are so beautiful. I missed you. | 0:23:29 | 0:23:31 | |
(Rui.) | 0:23:34 | 0:23:35 | |
What's wrong? Do I make too many demands on you? | 0:23:38 | 0:23:41 | |
No, that's not what I'm talking about. | 0:23:41 | 0:23:43 | |
Do I make you...? | 0:23:43 | 0:23:45 | |
I make you happy, right? I make you feel good. | 0:23:45 | 0:23:48 | |
-Yes. -We have a good time together? | 0:23:48 | 0:23:50 | |
-Yes. -So why change it? | 0:23:50 | 0:23:53 | |
Cos you're 25 years old. | 0:23:53 | 0:23:57 | |
That's the beauty of it. We're different. | 0:23:57 | 0:23:59 | |
I have so many responsibilities. | 0:23:59 | 0:24:00 | |
I love your responsibilities. | 0:24:00 | 0:24:03 | |
We don't have a future. | 0:24:03 | 0:24:05 | |
We have a beautiful present. | 0:24:06 | 0:24:08 | |
We can have a future if you'll let me try. | 0:24:08 | 0:24:12 | |
-Rui. -Let me be part of your life. | 0:24:12 | 0:24:14 | |
And what about work? | 0:24:59 | 0:25:03 | |
How should we do that? | 0:25:03 | 0:25:06 | |
I mean, like total strangers? | 0:25:06 | 0:25:09 | |
We... We have to stop that, too. | 0:25:09 | 0:25:13 | |
You know you promised to... to keep me in work, right? | 0:25:15 | 0:25:19 | |
Said you would make me... | 0:25:21 | 0:25:23 | |
a staff photographer and all that? | 0:25:23 | 0:25:25 | |
That was very irresponsible. | 0:25:27 | 0:25:29 | |
A little. | 0:25:31 | 0:25:33 | |
That's OK, I guess. | 0:25:34 | 0:25:37 | |
If you need help with money, I can always do that. | 0:25:43 | 0:25:46 | |
What was that, now? | 0:25:49 | 0:25:52 | |
Rose, you just never understand, you never accept | 0:25:52 | 0:25:55 | |
how I feel about you, you know? | 0:25:55 | 0:25:57 | |
What this means to me. I actually love you. | 0:25:57 | 0:25:59 | |
I'm sorry about that. | 0:25:59 | 0:26:01 | |
-WOMAN: -And finally, the "Day in the Life of the City" spread. | 0:26:22 | 0:26:26 | |
We've locked down the text. And with regard to the photos, | 0:26:26 | 0:26:28 | |
Rose, I know you've suggested your Brazilian photographer again. | 0:26:28 | 0:26:32 | |
And I just want to confirm we're all very happy with that idea. | 0:26:32 | 0:26:35 | |
Well, I actually wanted to make a suggestion. | 0:26:35 | 0:26:37 | |
I feel that we've been using him a lot recently. | 0:26:37 | 0:26:39 | |
So there are two photographers here whose work | 0:26:39 | 0:26:41 | |
I think might suit this story better. | 0:26:41 | 0:26:44 | |
Well, thank you, everyone. | 0:26:46 | 0:26:48 | |
SHE SIGHS | 0:26:49 | 0:26:51 | |
HE WHISTLES | 0:27:03 | 0:27:05 | |
Laura? | 0:27:05 | 0:27:06 | |
Laura? | 0:27:14 | 0:27:16 | |
Hi... Harriet? | 0:28:23 | 0:28:25 | |
This is Rui. | 0:28:25 | 0:28:27 | |
Is Laura there with you? Did she call you or something? | 0:28:27 | 0:28:30 | |
Because she's gone. I don't know what happened. | 0:28:30 | 0:28:32 | |
She packed up everything and she is gone. | 0:28:32 | 0:28:35 | |
I mean, she's really gone. | 0:28:35 | 0:28:38 | |
Yeah, OK, if she calls you or anything, | 0:28:40 | 0:28:42 | |
just call me. Yeah. | 0:28:42 | 0:28:46 | |
Yeah, OK. Thank you. | 0:28:46 | 0:28:49 | |
MUSIC: "Mente Ao Meu Coracao" by Paulinho da Viola | 0:28:49 | 0:28:53 | |
-MICHAEL: -Here's 80. Keep the change. | 0:29:25 | 0:29:27 | |
I'm in the kitchen! | 0:29:43 | 0:29:44 | |
-Hi. -Hi, darling. | 0:29:50 | 0:29:51 | |
-You all right? -Fine. | 0:29:51 | 0:29:53 | |
-You look lovely. -Thank you. | 0:29:53 | 0:29:55 | |
-Have I got time for a shower? -No, absolutely not. We're very late. | 0:29:56 | 0:29:59 | |
All right, fresh shirt. | 0:29:59 | 0:30:01 | |
There's one in the utility room. | 0:30:01 | 0:30:03 | |
Esther left it there. | 0:30:03 | 0:30:04 | |
When did you get home? | 0:30:29 | 0:30:30 | |
Oh, about half an hour ago. | 0:30:30 | 0:30:33 | |
THUNDER RUMBLES | 0:30:38 | 0:30:40 | |
I forgot, in the first year, what was she? | 0:30:48 | 0:30:50 | |
A cloud. | 0:30:50 | 0:30:51 | |
And then, memorably, a comet. | 0:30:53 | 0:30:56 | |
What is she this year? | 0:30:56 | 0:30:58 | |
A tree? | 0:30:58 | 0:30:59 | |
You've been away too much. No, she's Shprintze. | 0:30:59 | 0:31:02 | |
Shprintze? | 0:31:02 | 0:31:04 | |
What is that? Does it at least have a pulse? | 0:31:05 | 0:31:07 | |
It's a Ukrainian Jewess. They're doing "Fiddler on the Roof." | 0:31:07 | 0:31:11 | |
And she...she's also got a line. | 0:31:11 | 0:31:15 | |
Wow. | 0:31:15 | 0:31:17 | |
"I think he has a pleasing air." | 0:31:17 | 0:31:20 | |
Is that it? | 0:31:23 | 0:31:25 | |
Well, they... She was going to say, | 0:31:25 | 0:31:28 | |
"Mama, Yente's coming," but they thought that might be a bit much for her, so... | 0:31:28 | 0:31:32 | |
You're right. I have been away too long. | 0:31:39 | 0:31:41 | |
-GIRL: -How can Grandma's recipe be world famous? | 0:31:45 | 0:31:48 | |
She never left the village once in her life. | 0:31:48 | 0:31:50 | |
-GIRL: -Don't be clever, Chava. | 0:31:50 | 0:31:52 | |
-Why not? I'll never be pretty... -Excuse me. | 0:31:52 | 0:31:55 | |
-Or a good singer. Allow me to excel in something. -Sorry. | 0:31:55 | 0:31:57 | |
I've seen Mosha outside. He's so handsome. | 0:31:57 | 0:32:00 | |
Isn't he a little bit cross-eyed? | 0:32:00 | 0:32:02 | |
This is it. This is her cue. | 0:32:02 | 0:32:04 | |
No, I think he's gorgeous. | 0:32:04 | 0:32:06 | |
Don't be silly. He's hideous. | 0:32:06 | 0:32:08 | |
Shprintze, we need you to cast the deciding vote. | 0:32:08 | 0:32:11 | |
What is he like? | 0:32:11 | 0:32:12 | |
Oh, God, she's dried. | 0:32:17 | 0:32:18 | |
-WHISPERS: -"I think he has a pleasing air." | 0:32:20 | 0:32:22 | |
Since you have nothing to say, Shprintze, | 0:32:22 | 0:32:24 | |
Tzeitel, what do you think? | 0:32:24 | 0:32:26 | |
-I think he has a pleasing air. -Excuse me. | 0:32:26 | 0:32:30 | |
Motel's coming and he's with Yente. | 0:32:30 | 0:32:33 | |
Seeing all the audience. | 0:32:40 | 0:32:41 | |
Feel a bit better? Yes. | 0:32:41 | 0:32:43 | |
OK. I don't remember you wearing this in the play. | 0:32:43 | 0:32:46 | |
-No. -You've stolen it from someone? | 0:32:46 | 0:32:48 | |
No. | 0:32:48 | 0:32:49 | |
It's a bit tight. | 0:32:49 | 0:32:51 | |
Suits you. | 0:32:53 | 0:32:55 | |
Mum, look what I have. I have a beard. | 0:32:55 | 0:32:58 | |
I look like a man. | 0:32:58 | 0:33:00 | |
Yes, she was all right. She did... | 0:33:01 | 0:33:05 | |
She went out like a light. | 0:33:08 | 0:33:10 | |
She was totally exhausted. | 0:33:10 | 0:33:12 | |
-You must be too. -Mmm. | 0:33:16 | 0:33:18 | |
Yeah. | 0:33:20 | 0:33:21 | |
It's been a crazy few days. | 0:33:22 | 0:33:24 | |
How did it go in Vienna? | 0:33:31 | 0:33:33 | |
Fine. | 0:33:33 | 0:33:35 | |
Did you get your deal done? | 0:33:36 | 0:33:38 | |
You did have a deal to do there, didn't you? | 0:33:41 | 0:33:44 | |
-I did and I did. -That's good. That's great. | 0:33:44 | 0:33:47 | |
That means a trip to Estonia in the near future. | 0:33:56 | 0:34:00 | |
Berlin, actually. | 0:34:02 | 0:34:04 | |
Do you know, I've never been to Berlin? | 0:34:06 | 0:34:09 | |
-How was it here? -It was fine. | 0:34:09 | 0:34:12 | |
I got your messages last night. | 0:34:16 | 0:34:19 | |
You sounded emotional. | 0:34:19 | 0:34:21 | |
Did I? | 0:34:23 | 0:34:24 | |
Am I wrong? | 0:34:24 | 0:34:26 | |
No. | 0:34:29 | 0:34:30 | |
Well, I tried to call you straight back, but it went to voice-mail so... | 0:34:31 | 0:34:36 | |
Anyway, it was very nice what you said. | 0:34:39 | 0:34:42 | |
What did I say? | 0:34:44 | 0:34:46 | |
You said that you wished I was there. | 0:34:48 | 0:34:50 | |
It's true, I did. | 0:34:54 | 0:34:56 | |
That's nice. | 0:34:56 | 0:34:58 | |
SECURITY GATE BUZZES | 0:35:42 | 0:35:43 | |
-WOMAN: -Morning, Tyler. So you asked to see me. | 0:35:48 | 0:35:52 | |
MAN: Clear. SECURITY DOOR BUZZES | 0:35:52 | 0:35:53 | |
I'm so pleased you agreed to do this halfway house. | 0:35:53 | 0:35:56 | |
-Clear. TYLER: -Miss Olsen, I believe... | 0:35:56 | 0:35:59 | |
I believe I've done everything you've asked of me here. | 0:35:59 | 0:36:02 | |
You have. You've worked hard. | 0:36:02 | 0:36:04 | |
Yeah. | 0:36:04 | 0:36:05 | |
But what if I'm no different? | 0:36:07 | 0:36:09 | |
You know, after everything we've done, what if... | 0:36:09 | 0:36:12 | |
What if I haven't changed? | 0:36:13 | 0:36:14 | |
The way I'm feeling right now is that maybe you were right... | 0:36:17 | 0:36:19 | |
maybe I should go to that halfway house first... | 0:36:19 | 0:36:21 | |
..for my own protection. | 0:36:23 | 0:36:25 | |
Because like you said, | 0:36:26 | 0:36:28 | |
I've been in... I've been in an all-male situation here | 0:36:28 | 0:36:32 | |
for six...six years. | 0:36:32 | 0:36:36 | |
And it's going to be quite a shock being on the outside with all the... | 0:36:36 | 0:36:41 | |
the temptations and distractions. | 0:36:41 | 0:36:43 | |
Yes, it is. | 0:36:44 | 0:36:47 | |
And I would hate for everything that we've done together to be undone. | 0:36:47 | 0:36:51 | |
You said you'd spoken to some people in Louisville | 0:36:54 | 0:36:57 | |
who have experience working with people like me? | 0:36:57 | 0:37:01 | |
If I remember, they were even happy to fly over here | 0:37:01 | 0:37:04 | |
to collect you and accompany you on the plane. | 0:37:04 | 0:37:07 | |
On the plane? | 0:37:07 | 0:37:09 | |
No, they can...they can spare themselves that. | 0:37:10 | 0:37:13 | |
They can just meet me at the Louisville airport. | 0:37:13 | 0:37:16 | |
Tyler, I am so happy that you've agreed to do this. | 0:37:17 | 0:37:21 | |
You think it's right? | 0:37:21 | 0:37:23 | |
-Yes, I do. -OK. | 0:37:23 | 0:37:25 | |
I never want to end up in a place like this again. | 0:37:30 | 0:37:32 | |
PLANE RUMBLES | 0:38:00 | 0:38:02 | |
-Hi. -Oh. | 0:38:43 | 0:38:45 | |
Thank you. | 0:38:45 | 0:38:46 | |
I wasn't sure if you were hungry. | 0:38:46 | 0:38:48 | |
So the choice is chicken or fish. | 0:38:50 | 0:38:53 | |
I got you chicken. | 0:38:53 | 0:38:55 | |
Though now I'm eating it myself, I'm not sure which one I got. | 0:38:55 | 0:38:58 | |
-I'm not hungry. -You sure? | 0:38:58 | 0:39:01 | |
They said they wouldn't be coming around again. | 0:39:01 | 0:39:04 | |
Maybe some wine. | 0:39:04 | 0:39:06 | |
OK, have mine as well. | 0:39:06 | 0:39:08 | |
-You don't want it? -No, I've got some work to do. | 0:39:08 | 0:39:12 | |
Going direct to Denver? | 0:39:12 | 0:39:14 | |
Miami. | 0:39:17 | 0:39:19 | |
Then home to Rio de Janeiro. | 0:39:19 | 0:39:21 | |
Been in London long? | 0:39:24 | 0:39:26 | |
Too long. | 0:39:26 | 0:39:28 | |
Studying, | 0:39:28 | 0:39:30 | |
doing stupid jobs, | 0:39:30 | 0:39:33 | |
but mostly waiting at home while my boyfriend slept with other women. | 0:39:33 | 0:39:36 | |
Oh... That's bad. | 0:39:38 | 0:39:41 | |
Sorry to drink like this. | 0:39:41 | 0:39:42 | |
It's not very elegant, but I want to sleep. | 0:39:42 | 0:39:44 | |
That's OK, I understand. | 0:39:44 | 0:39:46 | |
-You OK? -I'm fine, I'm fine. -OK. | 0:39:47 | 0:39:51 | |
You a Manchester United fan? | 0:39:53 | 0:39:55 | |
Sorry. | 0:40:18 | 0:40:20 | |
It's OK. My daughter, Julia. | 0:40:20 | 0:40:23 | |
Missing? | 0:40:23 | 0:40:24 | |
Yes. | 0:40:24 | 0:40:26 | |
Sadly, some think she's long dead. | 0:40:26 | 0:40:29 | |
-I'm sorry. -No. | 0:40:31 | 0:40:34 | |
She's beautiful. | 0:40:34 | 0:40:36 | |
Yes, she is. | 0:40:36 | 0:40:38 | |
You look so happy. | 0:40:38 | 0:40:40 | |
Yeah, I was. | 0:40:40 | 0:40:41 | |
That's before she ran away. Thank you. | 0:40:47 | 0:40:50 | |
Where did she run to? | 0:41:01 | 0:41:03 | |
America? | 0:41:05 | 0:41:07 | |
Yeah, eventually. | 0:41:07 | 0:41:09 | |
That's where we think she ended up. | 0:41:09 | 0:41:11 | |
Can I ask why? | 0:41:12 | 0:41:15 | |
-Why she ran away? -Yeah. | 0:41:15 | 0:41:17 | |
Yes, you can, but I don't think you'll like me when I've told you. | 0:41:17 | 0:41:21 | |
Is it important if I like you? | 0:41:21 | 0:41:23 | |
No, not remotely. | 0:41:23 | 0:41:26 | |
Well, my daughter and I have the same initial, "J". | 0:41:28 | 0:41:33 | |
One day she opened the wrong letter and found out I was having an affair. | 0:41:33 | 0:41:37 | |
She was devastated. | 0:41:37 | 0:41:40 | |
She told me if I didn't stop, she would tell her mother. | 0:41:40 | 0:41:43 | |
Of course I agreed to stop, but I didn't. | 0:41:43 | 0:41:47 | |
I couldn't. | 0:41:48 | 0:41:49 | |
And so she told her mother. Her mother screamed at me | 0:41:50 | 0:41:53 | |
and I screamed at my daughter. My daughter ran away... | 0:41:53 | 0:41:56 | |
..presumably to the arms of someone who...did her harm, I guess. | 0:41:58 | 0:42:03 | |
Your daughter... Why do people think she's...? | 0:42:09 | 0:42:12 | |
-Dead? -Yes. | 0:42:12 | 0:42:15 | |
Oh, silence, mostly, especially to her mother. | 0:42:15 | 0:42:18 | |
So unlike Julia. That and the sheer length of time. | 0:42:18 | 0:42:23 | |
And you're going to Phoenix because... | 0:42:23 | 0:42:26 | |
Arizona state police have found the body of a woman | 0:42:26 | 0:42:28 | |
reported to be the same age. White, British, died in a fire. | 0:42:28 | 0:42:35 | |
And I'm taking out samples of DNA, | 0:42:35 | 0:42:39 | |
bits and pieces of Julia's hair we kept from childhood. | 0:42:39 | 0:42:42 | |
Madness, really. | 0:42:43 | 0:42:45 | |
They closed the file on Julia years ago. | 0:42:45 | 0:42:48 | |
Well, when you're a father, | 0:42:48 | 0:42:51 | |
-what can you do? -Yeah. | 0:42:51 | 0:42:53 | |
You can't give up, you know? | 0:42:53 | 0:42:55 | |
-No. -No. | 0:42:55 | 0:42:58 | |
-I'll see you. -Yeah. | 0:42:58 | 0:42:59 | |
Bye. | 0:42:59 | 0:43:00 | |
Excuse me. | 0:43:15 | 0:43:16 | |
-Hi. -You didn't get away either. | 0:43:20 | 0:43:22 | |
-No. -I've heard them say it could be quite a wait. | 0:43:22 | 0:43:25 | |
-Really? -Yeah, I also heard them say | 0:43:25 | 0:43:26 | |
they may be putting us in hotels for the night. | 0:43:26 | 0:43:29 | |
Oh, God. They told me to report back at 7:00. | 0:43:29 | 0:43:32 | |
Yeah, me too. I think that's to collect the vouchers for the hotels. | 0:43:32 | 0:43:35 | |
Look, if you fancy it, | 0:43:35 | 0:43:37 | |
I saw a reasonably good restaurant up there by the phones. | 0:43:37 | 0:43:41 | |
Maybe we could get together for an hour | 0:43:41 | 0:43:43 | |
and, you know, in an hour's time have something to eat? | 0:43:43 | 0:43:45 | |
Because it beats eating room service in our separate hotels. | 0:43:45 | 0:43:48 | |
What do you think? | 0:43:48 | 0:43:50 | |
-Yeah, OK. -Good. | 0:43:50 | 0:43:51 | |
Laura. | 0:43:51 | 0:43:53 | |
Laura. I'm Laura. | 0:43:53 | 0:43:55 | |
-John. -OK. | 0:43:55 | 0:43:57 | |
Laura, pretty name. All right, see you then. | 0:43:57 | 0:43:59 | |
-Thank you. See you. -Bye. | 0:43:59 | 0:44:00 | |
-WOMAN: -How are you doing, Tyler? | 0:44:27 | 0:44:28 | |
It's crazy here. There are people everywhere. | 0:44:28 | 0:44:30 | |
Some are crying. Some are getting angry. | 0:44:30 | 0:44:33 | |
It's...it's just a stress situation. | 0:44:33 | 0:44:36 | |
I hear what you're saying about everyone, | 0:44:36 | 0:44:39 | |
but how are you? | 0:44:39 | 0:44:40 | |
How are you doing? | 0:44:40 | 0:44:42 | |
What? I'm... I'm OK. | 0:44:43 | 0:44:46 | |
Though I'm beginning to wish I had said yes | 0:44:47 | 0:44:50 | |
to those guys escorting me on the flight. | 0:44:50 | 0:44:53 | |
If I'm honest, I do feel a little... | 0:44:53 | 0:44:55 | |
..triggered. | 0:44:58 | 0:44:59 | |
Well, I'm going to make sure we get help to you. | 0:44:59 | 0:45:02 | |
The second I hang up this phone, that's what I'm going to get on to. | 0:45:02 | 0:45:06 | |
OK? | 0:45:06 | 0:45:07 | |
But I want you to remember | 0:45:07 | 0:45:09 | |
that if you weren't able to cope with this challenge, | 0:45:09 | 0:45:11 | |
it wouldn't have been presented to you. | 0:45:11 | 0:45:13 | |
You think? | 0:45:13 | 0:45:14 | |
Absolutely. | 0:45:14 | 0:45:16 | |
Now go find somewhere quiet and safe to sit. | 0:45:16 | 0:45:20 | |
I'll make a few calls. But I'd like for you to call me | 0:45:20 | 0:45:22 | |
in exactly an hour from now, OK? | 0:45:22 | 0:45:26 | |
One hour. | 0:45:26 | 0:45:27 | |
You'll be fine. | 0:45:27 | 0:45:29 | |
Thank you, Miss Olsen. | 0:45:30 | 0:45:33 | |
All right, take care. | 0:45:33 | 0:45:34 | |
That's my seat. | 0:46:01 | 0:46:03 | |
-Really? -Didn't see my stuff? | 0:46:03 | 0:46:05 | |
What stuff? | 0:46:05 | 0:46:07 | |
The stuff that I left... deliberately left right here. | 0:46:07 | 0:46:10 | |
No, I didn't see it. I'm sorry. | 0:46:10 | 0:46:12 | |
Well, you see it now, don't you? | 0:46:12 | 0:46:14 | |
Yeah, I do. | 0:46:14 | 0:46:16 | |
OK. OK, no problem. I can...can go. | 0:46:16 | 0:46:20 | |
OK, folks. | 0:46:20 | 0:46:22 | |
Some wine, two glasses. | 0:46:22 | 0:46:26 | |
And I'll get you some bread. | 0:46:26 | 0:46:28 | |
I'm sorry. | 0:46:32 | 0:46:34 | |
I... I ordered a drink for me and my friend. | 0:46:34 | 0:46:37 | |
He'll be here in a second. | 0:46:37 | 0:46:40 | |
Can I just stay here until he comes? | 0:46:40 | 0:46:43 | |
As soon as he comes, we'll move. | 0:46:43 | 0:46:45 | |
I promise. | 0:46:45 | 0:46:47 | |
You want a glass of wine? | 0:46:50 | 0:46:52 | |
I don't want a glass of wine. | 0:46:52 | 0:46:54 | |
He shouldn't be long. | 0:46:56 | 0:46:58 | |
Where are you headed? | 0:47:23 | 0:47:25 | |
Louisville, Kentucky. | 0:47:25 | 0:47:28 | |
Rio, Brazil. | 0:47:28 | 0:47:30 | |
They give you a hotel room yet? | 0:47:30 | 0:47:32 | |
-Hotel room? -Yeah. No, they did. | 0:47:34 | 0:47:37 | |
I'm just hoping these people meet me here first. | 0:47:37 | 0:47:39 | |
I'm Laura, by the way. | 0:47:42 | 0:47:44 | |
Tyler. | 0:47:44 | 0:47:45 | |
-You OK? -What's with all the questions? | 0:47:49 | 0:47:53 | |
Just being friendly. | 0:47:53 | 0:47:54 | |
-Switch seats with me. -Sorry? | 0:47:58 | 0:48:00 | |
Would you mind switching seats with me? | 0:48:00 | 0:48:03 | |
I'm waiting for some friends. | 0:48:03 | 0:48:05 | |
So if I sit here, I can see them coming. | 0:48:05 | 0:48:08 | |
Oh, OK. OK, sorry. | 0:48:08 | 0:48:11 | |
So who's meeting you here? | 0:48:19 | 0:48:21 | |
Just someone I met on the plane. | 0:48:21 | 0:48:23 | |
He sat next to me and we got talking. | 0:48:23 | 0:48:25 | |
Just talking? We just talkin' too? | 0:48:25 | 0:48:28 | |
What else are we doing? | 0:48:30 | 0:48:32 | |
Well, I don't know. I mean, now, I'm not doing anything. | 0:48:32 | 0:48:37 | |
But you... | 0:48:38 | 0:48:39 | |
-What am I doing? -You tell me. | 0:48:41 | 0:48:43 | |
I don't know. Just passing the time, making conversation. | 0:48:46 | 0:48:50 | |
You ever been to Brazil? | 0:48:53 | 0:48:55 | |
No. | 0:48:55 | 0:48:56 | |
You would like it. Everyone likes it. | 0:48:58 | 0:49:01 | |
We have the best beaches in the world. | 0:49:01 | 0:49:04 | |
It's the first thing I'm going to do when I get home, | 0:49:05 | 0:49:08 | |
go to the beach, | 0:49:08 | 0:49:10 | |
lie down, close my eyes... | 0:49:10 | 0:49:13 | |
..and smoke a joint. | 0:49:14 | 0:49:16 | |
-What? -You're bad. | 0:49:18 | 0:49:21 | |
Me? | 0:49:22 | 0:49:25 | |
No, I'm not. | 0:49:25 | 0:49:26 | |
364 days of the year, I'm a good Catholic girl. | 0:49:26 | 0:49:30 | |
-Right now, I'm just feeding off the situation. -What situation? | 0:49:30 | 0:49:34 | |
The situation we're in now. | 0:49:36 | 0:49:39 | |
No-one knows where we are. No-one can reach us. | 0:49:39 | 0:49:41 | |
It's perfect. | 0:49:44 | 0:49:45 | |
For what? | 0:49:45 | 0:49:47 | |
I don't know. | 0:49:51 | 0:49:52 | |
You tell me. | 0:49:56 | 0:49:57 | |
Stay there a second. | 0:50:00 | 0:50:02 | |
OK? | 0:50:02 | 0:50:03 | |
-WOMAN ON PHONE: -His name's McGregor, Tyler McGregor, | 0:50:12 | 0:50:15 | |
on flight 240 to Louisville. | 0:50:15 | 0:50:17 | |
He's newly released from jail | 0:50:17 | 0:50:19 | |
and he called me in a highly stressed state. | 0:50:19 | 0:50:21 | |
Ma'am, we have an airport shutdown and 60 grounded flights. | 0:50:21 | 0:50:23 | |
We are extremely stretched. | 0:50:23 | 0:50:25 | |
I need to know if you consider this McGregor | 0:50:25 | 0:50:27 | |
to be a threat to public safety. | 0:50:27 | 0:50:29 | |
It's hard to say. | 0:50:29 | 0:50:30 | |
I mean, I think we'd all feel a lot better, | 0:50:30 | 0:50:32 | |
including him, if you could keep an eye on him. | 0:50:32 | 0:50:34 | |
Ma'am, is that a yes or a no? | 0:50:34 | 0:50:37 | |
Yes. | 0:50:37 | 0:50:38 | |
Right, OK. Thank you, I'll get back to you. | 0:50:38 | 0:50:40 | |
Security to information desk, over. | 0:50:43 | 0:50:45 | |
This is information. Go ahead, security, over. | 0:50:45 | 0:50:47 | |
Yeah, I need you to put out a call for passenger McGregor, | 0:50:47 | 0:50:51 | |
Tyler McGregor on flight 240 to Louisville, over. | 0:50:51 | 0:50:54 | |
"McGregor... 240 to Louisville." | 0:50:54 | 0:50:57 | |
Yeah, tell him to report to your desk immediately. | 0:50:57 | 0:51:00 | |
Is that it? No more information than that? | 0:51:01 | 0:51:03 | |
He's a convicted sex offender. | 0:51:03 | 0:51:05 | |
You want to put that out over the loudspeaker, be my guest. Over. | 0:51:05 | 0:51:09 | |
Let's have a drink. | 0:51:10 | 0:51:13 | |
-OK. -Come with me. | 0:51:13 | 0:51:15 | |
I'm sorry. I'm sorry. I'm sorry. | 0:51:17 | 0:51:20 | |
It's OK. | 0:51:20 | 0:51:22 | |
So? You want to come? | 0:51:22 | 0:51:23 | |
Yeah. | 0:51:25 | 0:51:26 | |
TANNOY: 'Would passenger McGregor | 0:51:29 | 0:51:31 | |
'travelling on the 18:30 flight 240 to Louisville | 0:51:31 | 0:51:35 | |
'please report to the information desk immediately? | 0:51:35 | 0:51:37 | |
'That's passenger McGregor to the information desk. | 0:51:37 | 0:51:40 | |
'Thank you.' | 0:51:40 | 0:51:41 | |
Sir, would you happen to be John looking for Laura? | 0:51:47 | 0:51:51 | |
-Yeah. -She described you well. | 0:51:51 | 0:51:53 | |
She left a message for you. | 0:51:53 | 0:51:54 | |
-Thank you. -You're welcome. | 0:51:54 | 0:51:56 | |
OK. | 0:52:07 | 0:52:08 | |
Welcome to my crib. | 0:52:11 | 0:52:13 | |
Very luxurious. | 0:52:13 | 0:52:15 | |
One window, with a view of... | 0:52:16 | 0:52:19 | |
..a brick wall. | 0:52:20 | 0:52:21 | |
Come on in. | 0:52:23 | 0:52:25 | |
I should really go. | 0:52:25 | 0:52:27 | |
Go where? Do what? | 0:52:27 | 0:52:30 | |
Come on, we're stuck here. | 0:52:30 | 0:52:32 | |
I wonder could you help me? | 0:52:41 | 0:52:42 | |
-Could you put out a call for a passenger who's travelling to Miami? -Passenger's name? | 0:52:42 | 0:52:46 | |
Well, I don't know her last name, but the first name is Laura. | 0:52:46 | 0:52:48 | |
-We arranged to meet in the restaurant across by... -OK, sir, this is an information desk. | 0:52:48 | 0:52:51 | |
I know that, I know that. But this young girl, | 0:52:51 | 0:52:53 | |
she's a kid and she could be in trouble. She's missing. | 0:52:53 | 0:52:55 | |
Sir, I'm busy. I'm going to have to ask you to step away... | 0:52:55 | 0:52:57 | |
One call, that's it. 30 seconds. You could have done it by now. | 0:52:57 | 0:52:59 | |
Hey, fellas, will you get this guy out of here? | 0:52:59 | 0:53:01 | |
What's your problem? Screw you. | 0:53:01 | 0:53:04 | |
Make yourself useful. | 0:53:04 | 0:53:06 | |
Find us something to watch. | 0:53:06 | 0:53:08 | |
And relax, will you? | 0:53:08 | 0:53:11 | |
So we have a 30 credit for food and drink. | 0:53:11 | 0:53:16 | |
-But we're not hungry, right? -No. | 0:53:16 | 0:53:18 | |
So let's celebrate instead... | 0:53:20 | 0:53:21 | |
..or drown our sorrows. | 0:53:22 | 0:53:25 | |
Which? | 0:53:25 | 0:53:28 | |
-You've had too much already. -Too much sorrows. | 0:53:28 | 0:53:31 | |
I agree. | 0:53:31 | 0:53:33 | |
No, too much to drink. | 0:53:35 | 0:53:37 | |
Don't be silly. | 0:53:38 | 0:53:40 | |
Yeah. | 0:53:43 | 0:53:45 | |
I really should go. | 0:53:45 | 0:53:47 | |
Why? | 0:53:47 | 0:53:48 | |
Why do you want to go? | 0:53:49 | 0:53:52 | |
Why does every man nowadays want to leave me? | 0:53:52 | 0:53:55 | |
Is there something wrong with me? | 0:53:55 | 0:53:57 | |
No. | 0:53:57 | 0:53:59 | |
God, no, you're... | 0:53:59 | 0:54:01 | |
You're fine. | 0:54:02 | 0:54:04 | |
-Then prove it. -Please. | 0:54:05 | 0:54:08 | |
Kiss me. | 0:54:09 | 0:54:11 | |
I can't. | 0:54:11 | 0:54:12 | |
Why not? | 0:54:14 | 0:54:16 | |
Kiss me, come on. | 0:54:16 | 0:54:17 | |
You're drunk. | 0:54:20 | 0:54:21 | |
You don't like me. | 0:54:22 | 0:54:24 | |
Then what's the problem? | 0:54:25 | 0:54:26 | |
What's the problem? | 0:54:28 | 0:54:29 | |
-What's the problem? -Please don't do that. | 0:54:29 | 0:54:32 | |
PANTING | 0:55:14 | 0:55:18 | |
(Say you're fuckin' sorry.) | 0:55:19 | 0:55:21 | |
(Say you're fuckin' sorry.) | 0:55:26 | 0:55:28 | |
Hey, Laura? Laura. | 0:57:16 | 0:57:20 | |
Hey. | 0:57:20 | 0:57:21 | |
-Hey. Sorry. -Hey. | 0:57:21 | 0:57:23 | |
-Hi. -How you doing? All right? | 0:57:23 | 0:57:25 | |
-You OK? I was worried about you. -I'm fine. Sore head. | 0:57:25 | 0:57:28 | |
-Hungover? -Little bit. | 0:57:28 | 0:57:30 | |
-Yeah. -Sorry about last night. | 0:57:30 | 0:57:32 | |
That's no problem. I got your note. Thanks. | 0:57:32 | 0:57:34 | |
-Nice note. -Good. | 0:57:34 | 0:57:36 | |
And so did you have fun? | 0:57:36 | 0:57:38 | |
I'm not sure. | 0:57:38 | 0:57:39 | |
I think I must have fallen asleep. | 0:57:39 | 0:57:41 | |
Oh, I know all about that stuff. Yeah. | 0:57:41 | 0:57:43 | |
It's been a crazy few days. | 0:57:43 | 0:57:45 | |
I bet it has. | 0:57:45 | 0:57:47 | |
-Anyway... -So... | 0:57:47 | 0:57:49 | |
-Good luck. Have a good journey. -Yeah. | 0:57:49 | 0:57:51 | |
You really take care now. | 0:57:51 | 0:57:53 | |
It was really nice to meet you again. | 0:57:53 | 0:57:55 | |
It was great to talk to you, great to meet you. | 0:57:55 | 0:57:57 | |
-Maybe we'll meet again one day. -Yeah. | 0:57:57 | 0:57:59 | |
-OK. -OK. | 0:58:03 | 0:58:05 | |
-See you. -See you. Travel safe. | 0:58:05 | 0:58:07 | |
Yeah, you stay out of trouble. | 0:58:07 | 0:58:09 | |
-I'm going to try. -I'm keeping my eye on you. | 0:58:09 | 0:58:12 | |
SOFT MELANCHOLIC GUITAR PLAYS | 0:58:12 | 0:58:16 | |
Have a good flight. | 0:58:21 | 0:58:23 | |
You did it, Tyler. | 0:58:40 | 0:58:42 | |
You made the call. You did the right thing. | 0:58:42 | 0:58:44 | |
I'm so proud of you. | 0:58:45 | 0:58:47 | |
Stay in touch. | 0:58:47 | 0:58:49 | |
No, thank you. | 0:59:16 | 0:59:18 | |
Thank you. | 0:59:20 | 0:59:21 | |
See you next time. | 0:59:24 | 0:59:25 | |
'"See you next time." | 0:59:28 | 0:59:29 | |
'They were four innocent enough words, | 0:59:29 | 0:59:31 | |
'but they went through me like a knife. | 0:59:31 | 0:59:33 | |
'Because in that moment, I realised to them I'd become a familiar face, | 0:59:33 | 0:59:36 | |
'a joke...the British guy who was running a one-man campaign,' | 0:59:36 | 0:59:40 | |
stubbornly scratching away, refusing to do | 0:59:40 | 0:59:42 | |
what you've all been urging me to do for years and years, | 0:59:42 | 0:59:45 | |
move on, let go, and all that stuff. | 0:59:45 | 0:59:47 | |
Yeah, it's not easy. | 0:59:49 | 0:59:51 | |
I got sober a long time ago out in Los Angeles... | 0:59:51 | 0:59:53 | |
I don't know... 35, 36 years ago. | 0:59:53 | 0:59:56 | |
And I was crazy. I was insane. I was sickened to death, | 0:59:56 | 0:59:58 | |
drunk and insane, and... I was sentenced to AA meetings. | 0:59:58 | 1:00:02 | |
And I hated... I hated the damn things. | 1:00:02 | 1:00:04 | |
I hated all this...God stuff. It made me want to puke. | 1:00:04 | 1:00:08 | |
You know, "Move on. Let go, let God. Surrender and win" and all this. | 1:00:08 | 1:00:11 | |
I was a winner. I've been a winner all my life. | 1:00:11 | 1:00:15 | |
And... | 1:00:15 | 1:00:17 | |
But I was fighting all the time. | 1:00:17 | 1:00:19 | |
And anyway, to cut a long story short, | 1:00:19 | 1:00:21 | |
I met...there was this old man. He was a priest, | 1:00:21 | 1:00:24 | |
a Jesuit priest. His name was Joe Riley, Father Joe Riley | 1:00:24 | 1:00:28 | |
and I'll never forget him as long as I live. | 1:00:28 | 1:00:30 | |
One night I was about to leave the meeting. I had to get the hell out. | 1:00:30 | 1:00:33 | |
And he stood in my way, said, "Where the hell do you think you're going?" | 1:00:33 | 1:00:36 | |
I said, "You get out of my way." | 1:00:36 | 1:00:37 | |
He said, "You're not going anywhere." | 1:00:37 | 1:00:39 | |
But he looked up into my face, and he had these piercing blue eyes, | 1:00:39 | 1:00:42 | |
a cigarette in his mouth. He said, "You know..." | 1:00:42 | 1:00:44 | |
He said, "You look like to me... | 1:00:44 | 1:00:46 | |
"You look like you're busted, disgusted and not to be trusted." | 1:00:46 | 1:00:50 | |
And he was right. | 1:00:50 | 1:00:51 | |
I wasn't to be trusted by anyone, I'd never trust myself either. | 1:00:53 | 1:00:57 | |
And one day I asked him... I said, "OK, Father, | 1:00:57 | 1:00:59 | |
"you know all the"... I called him Father and he got a kick out of that. | 1:00:59 | 1:01:01 | |
I said, "You know all the answers. You're a pretty smart guy. | 1:01:01 | 1:01:03 | |
"What's the shortest, most powerful prayer in the world?" | 1:01:03 | 1:01:05 | |
Cos I was fast. I needed quick answers. | 1:01:05 | 1:01:07 | |
Cos I wanted to be back on the fast track. | 1:01:07 | 1:01:09 | |
I said, "What is the fastest, most powerful prayer in the world?" | 1:01:09 | 1:01:11 | |
He said, "The fastest, most powerful prayer in the world..." | 1:01:11 | 1:01:13 | |
He looked at me and said, "The fastest, most powerful prayer in the world, | 1:01:13 | 1:01:16 | |
"my friend, is 'Fuck it'." | 1:01:16 | 1:01:18 | |
Father Joe Riley. | 1:01:20 | 1:01:21 | |
He was a Jesuit priest... "Fuck it." Can you believe it? | 1:01:21 | 1:01:25 | |
He said, "It's the prayer of release and surrender." | 1:01:25 | 1:01:27 | |
And I felt the whole weight of the world going off my shoulders. | 1:01:27 | 1:01:31 | |
And just before Father Riley died, | 1:01:31 | 1:01:33 | |
I asked him... I said, "How do I get it? How do I know?" | 1:01:33 | 1:01:36 | |
He said, "You will see when you're ready to see. | 1:01:36 | 1:01:38 | |
"You will hear when you're ready to hear." | 1:01:38 | 1:01:41 | |
He said, "You're a particularly tough nut." | 1:01:41 | 1:01:43 | |
And the weird thing is that happened two days ago. | 1:01:45 | 1:01:48 | |
I was travelling on my way here... | 1:01:48 | 1:01:50 | |
my journey here with a young girl from Brazil. | 1:01:50 | 1:01:53 | |
She was a kid, beautiful little thing. Name was Laura. | 1:01:53 | 1:01:57 | |
And there was a snowstorm at Denver. | 1:01:57 | 1:01:59 | |
Flights were delayed and so we arranged to have dinner | 1:01:59 | 1:02:02 | |
and when I showed up, she wasn't there. | 1:02:02 | 1:02:04 | |
But she left me this note. Hold that, will you? | 1:02:04 | 1:02:06 | |
And she said, "Ran into someone cute. | 1:02:08 | 1:02:11 | |
"Never done this kind of thing before. | 1:02:11 | 1:02:14 | |
"But you only live once. | 1:02:14 | 1:02:17 | |
"How many chances do we get?" | 1:02:17 | 1:02:20 | |
"Out of the mouths of babies and sucklings, | 1:02:23 | 1:02:26 | |
"thou hast perfected praise." | 1:02:26 | 1:02:29 | |
The guy was right, whoever wrote that stuff. | 1:02:29 | 1:02:32 | |
And it's taken me all these years. | 1:02:32 | 1:02:36 | |
I tell you, if my... | 1:02:36 | 1:02:38 | |
If my daughter is alive... | 1:02:40 | 1:02:41 | |
..she knows where I am, where to find me. | 1:02:43 | 1:02:46 | |
And her silence means that she's probably made the choice not to be in touch. | 1:02:46 | 1:02:51 | |
But if she's dead... | 1:02:51 | 1:02:53 | |
..then she's dead. | 1:02:56 | 1:02:58 | |
And she's gone for ever. | 1:03:01 | 1:03:04 | |
And I have to move on and forget and let go. | 1:03:04 | 1:03:08 | |
Weird stuff. | 1:03:08 | 1:03:10 | |
I tell you, it's a mystery, all of it. | 1:03:14 | 1:03:16 | |
Anyway, I'll shut up now. Thanks for listening. | 1:03:16 | 1:03:19 | |
ALL: Thank you, John. | 1:03:19 | 1:03:21 | |
-MAN: -OK, before I open the meeting to our regular members, | 1:03:22 | 1:03:26 | |
we have another guest from overseas. | 1:03:26 | 1:03:28 | |
Valentina? | 1:03:28 | 1:03:30 | |
Yes. Hello, my name is Valentina. | 1:03:30 | 1:03:32 | |
ALL: Welcome, Valentina. | 1:03:32 | 1:03:35 | |
I'm an alcoholic. | 1:03:35 | 1:03:36 | |
I'm here from Europe visiting my sister, | 1:03:38 | 1:03:41 | |
waiting outside. | 1:03:41 | 1:03:43 | |
She has married an American who lives here in Phoenix. | 1:03:43 | 1:03:47 | |
And they're so happy, so in love. | 1:03:47 | 1:03:50 | |
This makes me sick. | 1:03:50 | 1:03:51 | |
Tomorrow I will fly home to my Russian husband. | 1:03:53 | 1:03:57 | |
'We married very young. We were like children. | 1:04:00 | 1:04:04 | |
'But now we've grown up, become different people. | 1:04:04 | 1:04:07 | |
'I am sober three years. | 1:04:11 | 1:04:13 | |
'I have a good new job, a new life, | 1:04:13 | 1:04:17 | |
'but he's still the same... | 1:04:17 | 1:04:19 | |
'doing bad things, working with bad people. | 1:04:19 | 1:04:23 | |
'For a long time I'm waiting for him to change.' | 1:04:25 | 1:04:28 | |
And... | 1:04:28 | 1:04:30 | |
like Brazilian girl said, "You only live once. | 1:04:30 | 1:04:34 | |
"How many chances do we have?" | 1:04:34 | 1:04:37 | |
I don't want to wait any more. | 1:04:37 | 1:04:39 | |
So maybe this is the time. | 1:04:39 | 1:04:41 | |
Plus there is someone else I am interested in. | 1:04:44 | 1:04:47 | |
A nice man, a good man. My boss, actually. | 1:04:49 | 1:04:52 | |
LAUGHTER | 1:04:52 | 1:04:54 | |
And he knows nothing from my past. | 1:04:54 | 1:04:58 | |
He thinks I am a good innocent girl. | 1:04:58 | 1:05:00 | |
But if we get together, he will get a shock the first night. | 1:05:02 | 1:05:06 | |
MAN: 'Hi.' | 1:07:42 | 1:07:43 | |
'I'm coming to the city tomorrow and would like some company. | 1:07:44 | 1:07:48 | |
'What have you got for me?' | 1:07:48 | 1:07:50 | |
Who have you got for me? | 1:07:50 | 1:07:52 | |
Best... I need the best. | 1:07:52 | 1:07:54 | |
Kate? | 1:07:55 | 1:07:57 | |
Maybe, maybe. | 1:07:57 | 1:07:59 | |
Maybe do you have a brunette? | 1:07:59 | 1:08:02 | |
Maybe do you have someone new? | 1:08:02 | 1:08:06 | |
MOBILE PHONE RINGS | 1:09:12 | 1:09:16 | |
MOBILE PHONE CONTINUES TO RING | 1:09:39 | 1:09:42 | |
PATIENT GROANS | 1:13:05 | 1:13:06 | |
MUSIC: "Madame Reve" by Alain Bahsung | 1:14:45 | 1:14:49 | |
MAN ON CD: 'English is made up from words | 1:15:30 | 1:15:32 | |
'borrowed from various languages. | 1:15:32 | 1:15:33 | |
'So words in English...' CAR HORN BEEPS | 1:15:33 | 1:15:35 | |
'..can give rise to pronunciation problems. | 1:15:35 | 1:15:37 | |
'When "Y" comes at the beginning of a word, | 1:15:37 | 1:15:39 | |
'it acts as a consonant. | 1:15:39 | 1:15:42 | |
-'Yellow.' -Yellow. | 1:15:42 | 1:15:43 | |
-'Year.' -Year. | 1:15:43 | 1:15:45 | |
-'Yet.' -Yet. | 1:15:45 | 1:15:46 | |
-'Yesterday.' -Yesterday. | 1:15:46 | 1:15:48 | |
-'Yolk.' -Yolk, yolk. | 1:15:48 | 1:15:51 | |
MOBILE PHONE RINGS | 1:16:57 | 1:17:02 | |
MAN ON CD: 'Remember, when two vowels go walking, | 1:18:26 | 1:18:29 | |
'only one does the talking. | 1:18:29 | 1:18:31 | |
'Repeat after me.' | 1:18:32 | 1:18:33 | |
No fucking aisle seat ever. | 1:18:42 | 1:18:46 | |
Repeat after me. | 1:18:46 | 1:18:48 | |
-No... -No... | 1:18:51 | 1:18:53 | |
-..fucking... -..fucking... | 1:18:53 | 1:18:54 | |
-..aisle seat. -..aisle seat. | 1:18:54 | 1:18:55 | |
Don't park my fucking car in the fucking airport parking. | 1:18:55 | 1:18:58 | |
Ciao. | 1:20:02 | 1:20:04 | |
-Ciao. -Ciao. | 1:20:04 | 1:20:06 | |
MOBILE PHONE RINGS | 1:20:09 | 1:20:12 | |
-Yes? -ROCCO: You there yet? | 1:20:16 | 1:20:18 | |
-Two minutes. -OK, you meet him at the bar. | 1:20:18 | 1:20:21 | |
They are booking us for one hour. | 1:20:21 | 1:20:22 | |
One hour? You bring me here for one hour? | 1:20:22 | 1:20:25 | |
Relax. Do the job good, | 1:20:25 | 1:20:27 | |
he will stay longer. | 1:20:27 | 1:20:29 | |
OK. | 1:20:47 | 1:20:49 | |
-Blanka? -Yes. | 1:20:56 | 1:20:58 | |
Yes. | 1:20:59 | 1:21:01 | |
I am Sergei. | 1:21:01 | 1:21:02 | |
You are meeting with my boss today. | 1:21:02 | 1:21:04 | |
Open it. | 1:21:13 | 1:21:15 | |
MAN SIGHS | 1:22:09 | 1:22:11 | |
You OK? | 1:22:37 | 1:22:39 | |
No, you're not. | 1:22:41 | 1:22:43 | |
You're not OK. | 1:22:45 | 1:22:47 | |
OK, I'm not OK, but it's OK. | 1:22:47 | 1:22:49 | |
RAIN BEGINS TO FALL HEAVILY | 1:22:54 | 1:22:58 | |
THUNDER RUMBLES | 1:23:05 | 1:23:08 | |
HE WHISTLES | 1:23:11 | 1:23:14 | |
Close the door. | 1:23:24 | 1:23:26 | |
Thank you. | 1:23:26 | 1:23:28 | |
It's so cold. | 1:23:28 | 1:23:30 | |
Yes. | 1:23:30 | 1:23:31 | |
Where are you from? | 1:23:33 | 1:23:35 | |
I am from Russia. | 1:23:36 | 1:23:38 | |
-Russia? -Yeah. | 1:23:38 | 1:23:40 | |
I'm from Slovakia. | 1:23:40 | 1:23:41 | |
Nice car. | 1:23:54 | 1:23:55 | |
-Auto? -Auto, yeah. | 1:23:55 | 1:23:57 | |
Thank you. | 1:23:57 | 1:23:58 | |
But it's not mine. | 1:23:59 | 1:24:02 | |
Your boss's? | 1:24:02 | 1:24:03 | |
Yes. | 1:24:03 | 1:24:05 | |
Must be important. | 1:24:07 | 1:24:09 | |
What does he do? | 1:24:11 | 1:24:13 | |
Business. | 1:24:15 | 1:24:16 | |
What kind of business? | 1:24:17 | 1:24:19 | |
Business. | 1:24:22 | 1:24:23 | |
Well, at least the atmosphere is yours. | 1:24:28 | 1:24:31 | |
The atmosphere. | 1:24:32 | 1:24:34 | |
It's a nice place to be. | 1:24:38 | 1:24:39 | |
That's a compliment. | 1:24:42 | 1:24:44 | |
So many buttons. | 1:24:50 | 1:24:52 | |
Yeah, this is interesting. | 1:24:55 | 1:24:57 | |
So perfect. | 1:25:01 | 1:25:03 | |
Go for a drive? | 1:25:06 | 1:25:07 | |
Just once around the Ring? | 1:25:09 | 1:25:11 | |
-Ring? -Ring. | 1:25:11 | 1:25:13 | |
Ring... You know... You don't know "Ring"? | 1:25:13 | 1:25:15 | |
What is this Ring? | 1:25:15 | 1:25:17 | |
Ring is the most famous street in this city. | 1:25:17 | 1:25:20 | |
It's a circle. | 1:25:20 | 1:25:21 | |
Come on. | 1:25:29 | 1:25:31 | |
OK, let's try. | 1:25:32 | 1:25:34 | |
Let's try. | 1:25:34 | 1:25:36 | |
I've never been in anything like this. | 1:25:47 | 1:25:50 | |
Really? | 1:25:50 | 1:25:52 | |
Why do some people have these nice things | 1:25:52 | 1:25:55 | |
and others don't? | 1:25:55 | 1:25:57 | |
I don't know. | 1:25:57 | 1:25:58 | |
But I'm afraid it doesn't make them happy. | 1:25:58 | 1:26:00 | |
It would make me happy. | 1:26:03 | 1:26:05 | |
Maybe, maybe. | 1:26:07 | 1:26:09 | |
I'm Anna. | 1:26:11 | 1:26:12 | |
I'm Sergei. | 1:26:12 | 1:26:14 | |
-"Nice to meet you." -Yes. | 1:26:16 | 1:26:19 | |
-So you're a driver? -Yes, I'm a driver... | 1:26:22 | 1:26:25 | |
..and bodyguard. | 1:26:27 | 1:26:28 | |
What? | 1:26:30 | 1:26:31 | |
-Dog. -Dog? | 1:26:31 | 1:26:32 | |
Dog, yes. I must be dog because this is how my boss treats me. | 1:26:32 | 1:26:38 | |
It's not a joke. | 1:26:38 | 1:26:40 | |
-Sorry. -No problem. | 1:26:40 | 1:26:43 | |
So why don't you leave? | 1:26:43 | 1:26:46 | |
I will. | 1:26:46 | 1:26:47 | |
I will soon. | 1:26:47 | 1:26:50 | |
Maybe start again, a new life. | 1:26:50 | 1:26:52 | |
-New life? -New life, yes. | 1:26:52 | 1:26:54 | |
Nice. | 1:26:54 | 1:26:55 | |
So many books. | 1:27:10 | 1:27:11 | |
-Yes! All yours? -Yes. | 1:27:14 | 1:27:16 | |
My boss doesn't read. | 1:27:19 | 1:27:21 | |
He doesn't need to. | 1:27:21 | 1:27:23 | |
Reading is for dreamer... | 1:27:25 | 1:27:27 | |
poor dreamers. | 1:27:27 | 1:27:29 | |
Do you read? | 1:27:29 | 1:27:31 | |
All the time. | 1:27:31 | 1:27:33 | |
Good. | 1:27:34 | 1:27:35 | |
Poor dreamer. | 1:27:37 | 1:27:39 | |
MOANS OF PLEASURE FADE IN | 1:27:42 | 1:27:46 | |
Blanka. | 1:28:31 | 1:28:32 | |
Blanka. | 1:28:32 | 1:28:34 | |
Blanka. | 1:28:39 | 1:28:40 | |
MUSIC: "Ripe (With Decay)" by Nine Inch Nails | 1:29:32 | 1:29:37 | |
Hello. | 1:29:58 | 1:30:00 | |
I want some tea on room 823. | 1:30:00 | 1:30:03 | |
SHE GROANS IN PAIN | 1:30:39 | 1:30:41 | |
That's it. We've come full circle. | 1:31:08 | 1:31:11 | |
Pity. I enjoyed it. | 1:31:11 | 1:31:14 | |
Me too. | 1:31:17 | 1:31:18 | |
It was nice meeting you. | 1:31:22 | 1:31:24 | |
You too. | 1:31:25 | 1:31:27 | |
SERGEI'S MOBILE PHONE RINGS | 1:31:27 | 1:31:31 | |
You're not going to answer it? | 1:31:40 | 1:31:42 | |
Goodbye. | 1:31:49 | 1:31:50 | |
Goodbye. | 1:31:53 | 1:31:55 | |
Goodbye. | 1:31:55 | 1:31:57 | |
MOBILE PHONE CONTINUES TO RING | 1:32:17 | 1:32:22 | |
Hello? | 1:32:33 | 1:32:34 | |
MOBILE PHONE RINGS | 1:32:55 | 1:32:58 | |
Excuse me. | 1:33:12 | 1:33:14 | |
Thank you. | 1:33:15 | 1:33:17 | |
-Which floor? -Eight. | 1:33:29 | 1:33:31 | |
Flu, always goes to my lungs. | 1:33:42 | 1:33:45 | |
MOBILE PHONE RINGS | 1:33:45 | 1:33:48 | |
Have a good day. | 1:33:51 | 1:33:53 | |
KNOCK ON DOOR | 1:34:05 | 1:34:07 | |
GUNSHOT HEARD THROUGH PHONE | 1:34:27 | 1:34:28 | |
TWO MUFFLED GUNSHOTS | 1:34:28 | 1:34:30 | |
MAN BREATHING SHALLOWLY ON PHONE | 1:34:41 | 1:34:44 | |
MAN GROANS | 1:34:44 | 1:34:47 | |
HE WHISTLES | 1:35:28 | 1:35:30 | |
Hi. | 1:35:30 | 1:35:31 | |
Hi. | 1:35:31 | 1:35:33 | |
-Hi again. -Hi. | 1:35:33 | 1:35:35 | |
-Where are you going? -I don't know. | 1:35:38 | 1:35:40 | |
-Come. -I can't. I'm waiting for my sister. | 1:35:40 | 1:35:43 | |
Let's go, come on. | 1:35:43 | 1:35:45 | |
To do what? | 1:35:45 | 1:35:46 | |
I don't know. | 1:35:47 | 1:35:49 | |
When are you coming back? | 1:35:49 | 1:35:51 | |
I don't know. | 1:35:51 | 1:35:52 | |
-You don't know that either? -No. Come on. | 1:35:52 | 1:35:55 | |
-I can't. -Come on, let's go. | 1:35:55 | 1:35:58 | |
Come on. | 1:35:58 | 1:35:59 | |
Come on. | 1:36:02 | 1:36:04 | |
OK. | 1:36:04 | 1:36:05 | |
"After what happened, I can't stay in your house." | 1:36:23 | 1:36:26 | |
-House, house, house. -House is... | 1:36:28 | 1:36:30 | |
-Yes, yes. -The same in Slovak. | 1:36:30 | 1:36:31 | |
POLICE SIRENS WAIL | 1:37:35 | 1:37:40 | |
So did you settle whatever you needed to settle back home? | 1:38:13 | 1:38:15 | |
I'm sorry? | 1:38:15 | 1:38:17 | |
There must have been something the matter | 1:38:17 | 1:38:19 | |
or else you wouldn't have wanted to see Blanka in the first place, right? | 1:38:19 | 1:38:22 | |
Yes. | 1:38:22 | 1:38:24 | |
And yes. | 1:38:24 | 1:38:26 | |
God, it's brutal... marriage, just brutal. | 1:38:26 | 1:38:29 | |
That's why I won't have anything to do with it. | 1:38:29 | 1:38:31 | |
Like religion...all that cruelty in the name of kindness. | 1:38:31 | 1:38:33 | |
I don't share that point of view. I'm hopeful. | 1:38:33 | 1:38:36 | |
Or I'm stupid. | 1:38:36 | 1:38:38 | |
Or I'm still in love. | 1:38:39 | 1:38:41 | |
This is my wife. | 1:38:41 | 1:38:42 | |
She's been at an art gallery, | 1:38:42 | 1:38:44 | |
and spending too much on our daughter. | 1:38:44 | 1:38:46 | |
And this is Peter. Rose. | 1:38:48 | 1:38:49 | |
-Hello. How do you do? -Very nice to meet you. | 1:38:49 | 1:38:51 | |
Darling, we have to go to the airport. We're late. | 1:38:51 | 1:38:53 | |
-I'll be in touch with you about the contacts. -Absolutely. | 1:38:53 | 1:38:56 | |
-So spending money? -Oh, I just bought some kids' clothes. | 1:38:56 | 1:39:00 | |
Taxi. | 1:39:02 | 1:39:03 | |
MUSIC: "Helium Reprise" by Tin Hat Trio feat. Tom Waits | 1:39:10 | 1:39:16 | |
-GIRL: -A drink? No. | 1:39:32 | 1:39:34 | |
I don't need a drink to relax. | 1:39:37 | 1:39:40 | |
# This blinding kiss | 1:39:43 | 1:39:46 | |
# Breathes helium | 1:39:47 | 1:39:51 | |
# Into my heart | 1:39:51 | 1:39:54 | |
# And erases the embraces | 1:39:55 | 1:40:00 | |
# Of all of the lovers | 1:40:00 | 1:40:03 | |
# With this kiss | 1:40:06 | 1:40:09 | |
# Your ruby lips | 1:40:14 | 1:40:16 | |
# Speak for themselves | 1:40:19 | 1:40:21 | |
# They tell nothing but lies | 1:40:21 | 1:40:25 | |
# I dissolve into the wax | 1:40:26 | 1:40:30 | |
# Of a flickering candle | 1:40:30 | 1:40:33 | |
# In this kiss. # | 1:40:37 | 1:40:40 | |
Subtitles by Red Bee Media Ltd | 1:41:50 | 1:41:53 |