
Browse content similar to Bachelor Knight. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Miss Susan? | 0:01:25 | 0:01:27 | |
Miss Susan. | 0:01:45 | 0:01:47 | |
Miss Susan? | 0:01:47 | 0:01:50 | |
BELL RINGS | 0:01:57 | 0:01:59 | |
-Just five more minutes, Bessie. -No, ma'am - now. | 0:02:03 | 0:02:07 | |
But, Bessie, I feel absolutely clunklish. | 0:02:07 | 0:02:11 | |
You just clunklish yourself down to breakfast. I'm getting the judge up. | 0:02:11 | 0:02:15 | |
-I'm up! -"Clunklish"! When I went to school I learnt English! | 0:02:15 | 0:02:20 | |
Judge Turner? | 0:02:28 | 0:02:30 | |
Judge Turner? Judge Turner? | 0:02:45 | 0:02:48 | |
CLATTER | 0:02:53 | 0:02:55 | |
Five more minutes. | 0:03:04 | 0:03:06 | |
Breakfast is ready, Your Honour. | 0:03:06 | 0:03:09 | |
-What time is it? -It's a few minutes past eight. | 0:03:12 | 0:03:16 | |
-My sister up? -Yes, she was feeling a little clunklish but I got her up. | 0:03:19 | 0:03:25 | |
-Next time she says she feels clunklish, tell her not to be a clunk. -Yes, Your Honour. | 0:03:25 | 0:03:32 | |
-Good morning. -Good morning, dear. -PHONE RINGS | 0:03:34 | 0:03:38 | |
Hello? Hi, Jerry! | 0:03:38 | 0:03:41 | |
-No, we have a speech this afternoon. -Susan. Your breakfast. | 0:03:42 | 0:03:48 | |
Hang on a second. | 0:03:48 | 0:03:51 | |
-Sorry I'm late. -Did you sleep well? -Oh, clunklish. | 0:03:53 | 0:03:57 | |
Don't be a clunk, Miss Susan. | 0:03:57 | 0:04:00 | |
-You've coached her. -Someone has to protect her. | 0:04:00 | 0:04:04 | |
-Margaret, the man who ran away with the 16-year-old girl... -Yes? -What did he get? -Three years. | 0:04:04 | 0:04:10 | |
-That'll cost me 3! I always bet you won't sentence people. -Ridiculous! | 0:04:10 | 0:04:16 | |
-How've you done? -You've cost me a fortune. | 0:04:16 | 0:04:20 | |
-You should be interested in a more exact science, like geometry. -I do not like geometry. -Mr Roberts does. | 0:04:20 | 0:04:27 | |
He said you described a triangle as two women crazy about one man. | 0:04:27 | 0:04:31 | |
-Mr Roberts is definitely decadent. -Is he? | 0:04:31 | 0:04:34 | |
-Margaret...? -How much? -Only 3 - in advance of my allowance. | 0:04:34 | 0:04:39 | |
You're already working on 1949. | 0:04:39 | 0:04:42 | |
And no more betting. | 0:04:42 | 0:04:44 | |
-I often wonder why you're so good to me. -I'd die for you - but it's harder living with you. | 0:04:44 | 0:04:51 | |
-HORN BLARES I got to go. -You haven't eaten your breakfast! | 0:04:51 | 0:04:54 | |
Thanks! Bye. | 0:04:54 | 0:04:57 | |
I can't talk now. | 0:05:01 | 0:05:03 | |
-Er, Bessie. -Yes, ma'am? | 0:05:06 | 0:05:09 | |
Have you followed the case of the man who ran away with the girl? | 0:05:09 | 0:05:13 | |
-Yes, ma'am. -Do you think my sentence was too severe? -No! I'd have given him ten. | 0:05:13 | 0:05:20 | |
-Would you? -I certainly would. -Thank you, Bessie. I was just curious. | 0:05:20 | 0:05:26 | |
-HORN SOUNDS -The judges. | 0:05:26 | 0:05:29 | |
I mustn't keep them waiting. | 0:05:29 | 0:05:31 | |
-Oh. -Your Honour? | 0:05:33 | 0:05:36 | |
-Oh, thank you. Bye, Bessie. -Bye, Miss Margaret. | 0:05:36 | 0:05:40 | |
Exit woman, enter judge. | 0:05:43 | 0:05:46 | |
-More's the pity. -Uncle Matt, I take exception to your innuendo. | 0:05:46 | 0:05:51 | |
-I'm no problem to you. Now, Susan... -Oh, nothing wrong with Susan that a man in the house wouldn't cure. | 0:05:51 | 0:05:58 | |
-I've been telling you that for years. -I will not put up with your constant attempts to get me married. | 0:05:58 | 0:06:06 | |
-KNOCK ON DOOR -Come in. | 0:06:06 | 0:06:08 | |
Good morning! Good morning! Good morning, Margaret, Herr Doktor. | 0:06:09 | 0:06:14 | |
-Good morning. -Margaret, I've found a copy of this rare Exegi Fossius. | 0:06:14 | 0:06:20 | |
-Thank you, Tom. -The night-blooming Exegi Fossius? Put it in a vase! | 0:06:20 | 0:06:25 | |
You seem truculent this morning. | 0:06:25 | 0:06:28 | |
Physician, heal thyself. | 0:06:28 | 0:06:30 | |
See you later, Margaret. | 0:06:30 | 0:06:33 | |
For the record - I'm not as interested in the woman marrying, as in her marrying the right man. | 0:06:34 | 0:06:41 | |
He doesn't like me. It's a sixth sense one acquires in this office. | 0:06:42 | 0:06:47 | |
No. He has a life beyond his job as court psychiatrist. Occasionally they become confused. | 0:06:47 | 0:06:53 | |
Speaking of combining work with pleasure, | 0:06:53 | 0:06:56 | |
-I understand you're reviewing a case involving Richard Nugent... -If your gift is in fact a bribe... | 0:06:56 | 0:07:04 | |
Oh, put it out of your head. But he's given us a lot of difficulty. | 0:07:04 | 0:07:08 | |
-Let's both go where we were going. So long, Tommy. -Very well. | 0:07:08 | 0:07:13 | |
But remember - absit invidia. | 0:07:13 | 0:07:16 | |
-We're ready, Your Honour. -All right, Max. | 0:07:18 | 0:07:22 | |
Do you swear that the evidence you shall give in the State v Nugent | 0:07:24 | 0:07:29 | |
shall be the truth, the whole truth and nothing but the truth? | 0:07:29 | 0:07:33 | |
ALL: Yes. | 0:07:33 | 0:07:35 | |
Go ahead. | 0:07:46 | 0:07:48 | |
We picked up Richard Nugent on a radio riot call. | 0:07:48 | 0:07:52 | |
It was a free-for-all, and Nugent was at the bottom of it. | 0:07:52 | 0:07:56 | |
-Which of you is Nugent? -Mr Nugent isn't here, Your Honour. -Is he in hospital? -No, out on bail. | 0:07:56 | 0:08:03 | |
-He knew the hearing was at nine? -Yes, Your Honour. He must have been unavoidably detained. | 0:08:03 | 0:08:10 | |
If Mr Nugent isn't here soon I shall forfeit his bail. | 0:08:10 | 0:08:15 | |
-But... -I'll hear the evidence. | 0:08:15 | 0:08:17 | |
-Your name? -Anthony Herman. I work at the Vampire Club. | 0:08:17 | 0:08:23 | |
I throw people out if there's a disturbance. | 0:08:23 | 0:08:27 | |
-What happened last night? -I got back from maintaining order on a guy who said the music stank, | 0:08:27 | 0:08:34 | |
and I became aware of loud activities and screams. | 0:08:34 | 0:08:39 | |
As I rushed over, a straight left catches me. | 0:08:39 | 0:08:42 | |
As you can see. | 0:08:42 | 0:08:45 | |
A short time later I'm informed it's all over. But I remember one thing - | 0:08:45 | 0:08:49 | |
-Mr Nugent was at the centre of it. -You didn't see him fighting. | 0:08:49 | 0:08:54 | |
Oh, he was fighting... THEY TALK OVER EACH OTHER | 0:08:54 | 0:08:58 | |
SHE BANGS GAVEL | 0:08:58 | 0:09:00 | |
-THEY FALL SILENT -Your name? | 0:09:00 | 0:09:03 | |
-Miss Agnes Prescott. -Go on. | 0:09:03 | 0:09:06 | |
I'm an entertainer. Huh! | 0:09:06 | 0:09:09 | |
I've known Mr Nugent some time. I once posed for him - in costume. | 0:09:09 | 0:09:15 | |
I've posed for Mr Nugent, too. In costume. | 0:09:15 | 0:09:18 | |
-Shall I continue? -By all means. | 0:09:18 | 0:09:21 | |
Last night, Mr Nugent dropped in. While we were having a few words, | 0:09:21 | 0:09:26 | |
we were accosted by this...lady, which I resented! | 0:09:26 | 0:09:29 | |
Harsh words were exchanged. Mr Nugent came to my defence. I knew him first! | 0:09:29 | 0:09:35 | |
-THEY TALK OVER EACH OTHER -Just a moment. | 0:09:35 | 0:09:40 | |
Mr Nugent has exactly 60 seconds. | 0:09:41 | 0:09:44 | |
Mr Nugent's unpunctuality comes as no surprise to the District Attorney's office. | 0:09:44 | 0:09:50 | |
The DA has a special interest. | 0:09:50 | 0:09:52 | |
It's the third time Mr Nugent has created a public disturbance. | 0:09:52 | 0:09:57 | |
I object, Your Honour. The remarks will prejudice the court. | 0:09:57 | 0:10:01 | |
This case only should be considered. | 0:10:01 | 0:10:04 | |
-Your Honour, it's important... > -I'll consider only this evidence. | 0:10:04 | 0:10:09 | |
-Very well. > -Don't sulk. | 0:10:09 | 0:10:12 | |
Good morning. | 0:10:36 | 0:10:38 | |
-Morning. -Morning. | 0:10:43 | 0:10:46 | |
-Good morning. -Good morning. Morning. | 0:10:46 | 0:10:50 | |
May I assume this is Mr Nugent, the defendant? | 0:10:50 | 0:10:55 | |
-I'm frankly and honestly delighted, Your Honour. -Is it all right to go ahead now? | 0:10:55 | 0:11:01 | |
-I'm sorry... -I hope we haven't inconvenienced you. -It's just... -Your watch is slow. | 0:11:01 | 0:11:07 | |
Stopped. | 0:11:07 | 0:11:09 | |
-Forgot to wind it. -This court works on schedule, Mr Nugent. | 0:11:09 | 0:11:13 | |
-Nine o'clock means nine o'clock. -Yes, sir... I mean, Your Honour. | 0:11:13 | 0:11:18 | |
Did you go to the Vampire Club last night? | 0:11:18 | 0:11:22 | |
Yes. I'm doing a series of paintings on Americana, including a nightclub scene. | 0:11:22 | 0:11:28 | |
Creating one, more like. | 0:11:28 | 0:11:31 | |
There seems to be some doubt as to how the fight started. | 0:11:31 | 0:11:35 | |
Well... | 0:11:35 | 0:11:37 | |
-Agnes had finished her spot. That's a theatrical term for routine. -Thank you(!) | 0:11:37 | 0:11:44 | |
We were having a drink when Florence... | 0:11:46 | 0:11:50 | |
-We've met. -..appeared. She, er... | 0:11:51 | 0:11:54 | |
-Florence has posed for me. -I merely stopped to say hello, which this canary resented. | 0:11:54 | 0:12:00 | |
-Well, my escort... -I'd prefer to hear Mr Nugent's version. | 0:12:00 | 0:12:05 | |
Thank you. | 0:12:05 | 0:12:06 | |
Florence's escort appeared. You've met him, too? | 0:12:06 | 0:12:11 | |
He objected to Florence coming to my table. Florence didn't like that. | 0:12:13 | 0:12:18 | |
Tony slapped Florence and I slapped Tony. | 0:12:18 | 0:12:21 | |
Defending American womanhood. Get that! | 0:12:21 | 0:12:25 | |
Florence attempted to stop the fight. Agnes scratched Florence. | 0:12:25 | 0:12:30 | |
Florence... | 0:12:30 | 0:12:32 | |
No-one can remember a fight punch for punch. | 0:12:35 | 0:12:39 | |
Mr Nugent has been in escapades, but never through any fault of his own. | 0:12:39 | 0:12:44 | |
The fact that he is a painter of contemporary life can place him in unusual circumstances. | 0:12:44 | 0:12:51 | |
-Mr Nugent should not get special privileges because he's an artist. -No, Your Honour. | 0:12:51 | 0:12:57 | |
-The DA's office would like him held. -I see no reason for that. | 0:12:57 | 0:13:02 | |
The fight involved everyone and they are equally guilty or innocent. | 0:13:02 | 0:13:08 | |
-Go home, nurse your wounds and be a little less emotional next time. -Thank you. May I go? | 0:13:08 | 0:13:14 | |
-You just got here. Don't you like our court? -Oh, I like it fine. Only I'm due to give a lecture. | 0:13:14 | 0:13:21 | |
-Really! What in? -America as I see it. | 0:13:21 | 0:13:24 | |
It should be interesting. | 0:13:24 | 0:13:27 | |
Mr Nugent, I've met your type before. I sentence them every day of the week. | 0:13:27 | 0:13:33 | |
Next time you won't be dealt with so leniently. | 0:13:33 | 0:13:36 | |
I suggest you confine your painting to still life. | 0:13:36 | 0:13:40 | |
Case dismissed. Next case. | 0:13:40 | 0:13:43 | |
(Don't press your luck.) | 0:13:43 | 0:13:46 | |
I wish we didn't have this thing. I hate lectures. | 0:13:56 | 0:14:01 | |
..if your coach told you to get exercise... | 0:14:01 | 0:14:04 | |
You OK for Saturday night, Susie? You promised. | 0:14:08 | 0:14:12 | |
-Promises are the hollow shells of undone deeds. -What does that mean? | 0:14:12 | 0:14:17 | |
You're a nice boy, Jerry, but you're callow. | 0:14:17 | 0:14:22 | |
-Not too callow to take you out when money's low. -Don't create a scene. | 0:14:22 | 0:14:27 | |
You're looking for a knight in shining armour. I'm competing with something medieval! | 0:14:27 | 0:14:34 | |
Don't be a stube! BELL RINGS | 0:14:34 | 0:14:37 | |
Students, members of the faculty, | 0:14:40 | 0:14:43 | |
our High School is honoured | 0:14:43 | 0:14:46 | |
in having as guest lecturer | 0:14:46 | 0:14:48 | |
a man who will speak to us about the classical tradition of painting. | 0:14:48 | 0:14:53 | |
He's well qualified to speak to us about painting | 0:14:53 | 0:14:57 | |
because he's one of America's foremost exponents of painting. | 0:14:57 | 0:15:02 | |
Students, | 0:15:03 | 0:15:05 | |
I know you will express enthusiasm for his appearance here today. | 0:15:05 | 0:15:11 | |
I present Mr Richard Nugent. | 0:15:11 | 0:15:13 | |
SPARSE APPLAUSE | 0:15:13 | 0:15:16 | |
APPLAUSE INCREASES | 0:15:24 | 0:15:27 | |
CHEERS | 0:15:30 | 0:15:33 | |
SOMEONE WOLF WHISTLES | 0:15:45 | 0:15:48 | |
..A lot of people think of art as stuffy. | 0:15:56 | 0:15:59 | |
But true art has something to say to everyone. | 0:15:59 | 0:16:03 | |
Great art unites the masses in every country. | 0:16:03 | 0:16:07 | |
-He's handsome! -I suppose so - for an older man. | 0:16:07 | 0:16:12 | |
Look at it in terms of history. | 0:16:13 | 0:16:16 | |
Each age, each era becomes visual to us when the artist recreates it in stone, bronze or on canvas. | 0:16:16 | 0:16:23 | |
The essence of art is simplicity. If I wanted to capture America, | 0:16:23 | 0:16:28 | |
I wouldn't look for towering mountains or fields of grain. | 0:16:28 | 0:16:33 | |
I'd put America on canvas in a picture of one of you. | 0:16:33 | 0:16:37 | |
In his denims, shirt open at the neck. | 0:16:37 | 0:16:40 | |
He'd be young, eager and proud because of what's ahead of him. | 0:16:40 | 0:16:46 | |
You're the kids who'll be running our factories, voting for what you want this country to be - | 0:16:46 | 0:16:53 | |
-a place where there's freedom... -You all right? | 0:16:53 | 0:16:57 | |
..I'd try to convey all that in the portrait, too. Thank you. | 0:16:57 | 0:17:02 | |
Mr Nugent. Mr Nugent! My name is Susan Turner. I'm a student here. | 0:17:06 | 0:17:11 | |
-No! -Yes! | 0:17:11 | 0:17:13 | |
I loved your speech. | 0:17:13 | 0:17:15 | |
Bye, Mr Nugent! SHE WHISTLES | 0:17:15 | 0:17:18 | |
-Nice to have met you... -You don't understand! | 0:17:22 | 0:17:26 | |
-I have to interview you. -What? -For the school paper. I'm editor. | 0:17:26 | 0:17:31 | |
-Shall we go somewhere quiet? -Well... -We don't often have an artist here. I bet you've had an interesting life. | 0:17:31 | 0:17:39 | |
Could we do this some other time? | 0:17:39 | 0:17:41 | |
-I have a date. -You're not married! -No. -Oh, I knew it! You couldn't be! | 0:17:41 | 0:17:47 | |
Well, I've had some offers. | 0:17:47 | 0:17:49 | |
It's this way. We can talk in here. | 0:17:49 | 0:17:52 | |
-Don't you see, I...? -Please? | 0:17:52 | 0:17:55 | |
-Have you ever been married? -No. | 0:18:02 | 0:18:05 | |
-Ever been in love? -Yes, I have. Tell me, what kind of paper does this school run? | 0:18:05 | 0:18:12 | |
-Oh, all the students read it! -I bet! | 0:18:12 | 0:18:14 | |
You probably have no idea what an unusual person you are. | 0:18:14 | 0:18:19 | |
But I can see it. I'm really much older than I look. | 0:18:19 | 0:18:23 | |
These are merely the vestments I don as a concession to our outworn educational anachronism. | 0:18:23 | 0:18:29 | |
But I know what the artistic soul is like, how it suffers. | 0:18:29 | 0:18:33 | |
-Did you have many ordeals before you found success? -No... -You can tell me. | 0:18:33 | 0:18:39 | |
I want you to think of me not as a newspaper woman but as a friend. | 0:18:39 | 0:18:44 | |
In that case, I'll tell you. | 0:18:46 | 0:18:48 | |
I did suffer. | 0:18:48 | 0:18:51 | |
When I was ten my parents had a suicide pact. They made it. | 0:18:52 | 0:18:57 | |
I was sent to an orphanage. Some days they didn't beat me. | 0:18:57 | 0:19:01 | |
Then I escaped. | 0:19:01 | 0:19:04 | |
I ran away to New York. I used to steal. | 0:19:04 | 0:19:07 | |
-What did you steal? -I beg your pardon? | 0:19:07 | 0:19:11 | |
-What did you steal? -Crusts of bread. | 0:19:11 | 0:19:14 | |
And things. | 0:19:14 | 0:19:16 | |
One time I stole a valise. There were paints inside it. | 0:19:16 | 0:19:21 | |
So I began to paint. Then they got me. | 0:19:21 | 0:19:25 | |
-I was sent to a reform school, but I escaped again. -Go on! | 0:19:25 | 0:19:30 | |
Back to New York. A wealthy lady saw my work, fell in love with me | 0:19:30 | 0:19:35 | |
and sent me to art school. The rest is history. | 0:19:35 | 0:19:39 | |
How wonderful. | 0:19:39 | 0:19:41 | |
How terribly wonderful. | 0:19:41 | 0:19:44 | |
Now, if you'll excuse me, I must rest. | 0:19:45 | 0:19:49 | |
Of course. | 0:19:49 | 0:19:50 | |
-Goodbye, Miss... -Turner! | 0:19:50 | 0:19:53 | |
Susan Turner! Remember what you said about painting one of us? | 0:19:53 | 0:19:57 | |
-America and the grain? -Yes, I do. | 0:19:57 | 0:20:00 | |
D'you think I'd make a good model? | 0:20:00 | 0:20:03 | |
-You're not quitting the paper? -It's a stopgap. My family want me to do law, but I don't want to be Portia. | 0:20:03 | 0:20:10 | |
-That's something you can sort out. -One female judge in the family is enough. | 0:20:10 | 0:20:16 | |
-Did you say your name was Turner? -Yes. My sister's Judge Margaret Turner. -Bye! | 0:20:16 | 0:20:22 | |
-What about my posing for you? America? -Fine. -You think I'm ideal? -Sure. Sometime. | 0:20:22 | 0:20:29 | |
Thanks for the interview. Bye. | 0:20:29 | 0:20:32 | |
-Not goodbye, au revoir. -Au revoir! | 0:20:32 | 0:20:34 | |
-Something wrong? -That picture. It's hideous. -It's very nice! | 0:21:14 | 0:21:18 | |
It has no simplicity! It's so...so busy. | 0:21:18 | 0:21:22 | |
-True art should unite the masses in every country. -Hmm. | 0:21:22 | 0:21:26 | |
-Who lectured today? -What does that have to do with it? -Everything. | 0:21:26 | 0:21:31 | |
Last month you wanted to be a designer. | 0:21:31 | 0:21:35 | |
Then you wanted to be a female deep sea diver. | 0:21:35 | 0:21:39 | |
Now you find our painting offensive. What does this artist look like? | 0:21:39 | 0:21:44 | |
He's wonderful. I interviewed him. | 0:21:44 | 0:21:47 | |
-I've never seen anyone in armour before. -Few people have, Susan. | 0:21:47 | 0:21:52 | |
You don't know how wonderful he is. | 0:21:52 | 0:21:54 | |
-He's had to lie and steal to get somewhere in life. -That's just dandy! | 0:21:54 | 0:22:00 | |
-What's the name of this knight? -Richard Nugent. | 0:22:00 | 0:22:04 | |
Richard Nugent... Richard Nugent?! | 0:22:04 | 0:22:06 | |
-Have you heard of him? -We have a permanent courtroom for him! | 0:22:06 | 0:22:11 | |
-How dare he lecture in a school?! -Don't get excited. All he did was talk about art. | 0:22:11 | 0:22:17 | |
-And he was very good. -Perhaps you're right. | 0:22:17 | 0:22:21 | |
I suppose there's nothing wrong with his lecturing. | 0:22:21 | 0:22:25 | |
Have you ever thought of me as a model? | 0:22:25 | 0:22:28 | |
I can't honestly say that I have. Why? | 0:22:28 | 0:22:31 | |
Dicky wants me to pose for him. | 0:22:31 | 0:22:34 | |
Isn't that nice(!) | 0:22:34 | 0:22:36 | |
Dicky?! | 0:22:36 | 0:22:38 | |
He's a very fine man. You don't know him. | 0:22:38 | 0:22:42 | |
-Enough to advise you to go back to diving! -I don't need your advice. | 0:22:42 | 0:22:47 | |
I'm acting in your own best interests. | 0:22:47 | 0:22:51 | |
-You'll make me an old maid! -When a suitable man appears I'll be happy. -If he does a lie detector test first! | 0:22:51 | 0:22:58 | |
-I want you to forget all about Mr Nugent. -Why don't you write out a court order?! | 0:22:58 | 0:23:05 | |
KNOCKING | 0:23:08 | 0:23:10 | |
-Good evening, Mr Chamberlain. -Is the lady in? -She's practically out. | 0:23:13 | 0:23:18 | |
-Hello, Your Honour. -Only a moment, Tommy. | 0:23:18 | 0:23:22 | |
-Are you all right? -Fine. Just fine. | 0:23:25 | 0:23:28 | |
-I'm sorry about our... -Oh, it's all right. It was nothing. | 0:23:28 | 0:23:32 | |
I'll be home early. See you in the morning. | 0:23:32 | 0:23:36 | |
Goodbye. Have a good time. | 0:23:36 | 0:23:39 | |
-Do I detect an air of trouble? -I never enjoy quarrelling with Susan. | 0:23:44 | 0:23:50 | |
-She's entitled to growing pains. -They're rapidly becoming a disease. | 0:23:50 | 0:23:56 | |
-Can I help? -What apartment is Mr Nugent in? -He isn't in any. | 0:24:02 | 0:24:07 | |
-Doesn't he live here? -Sure, but he isn't home. | 0:24:07 | 0:24:11 | |
-Anything I can do for you? -Thank you, I'll wait. | 0:24:11 | 0:24:15 | |
-He expecting you? -I'm going to pose for him. -Oh. | 0:24:15 | 0:24:20 | |
-D'you want to wait upstairs? -Would it be all right? -Sure. I'll take you. | 0:24:20 | 0:24:25 | |
-You're new around here. -Yes. | 0:24:25 | 0:24:28 | |
-I'm 15! -I'm 17. -That's OK. I like older women. | 0:24:28 | 0:24:33 | |
Mademoiselle. | 0:24:35 | 0:24:37 | |
Here we are. | 0:24:44 | 0:24:46 | |
Some layout, huh? | 0:24:46 | 0:24:49 | |
-This is where he lives. -I've got work to do. Make yourself at home. | 0:24:49 | 0:24:54 | |
SHE MOUTHS | 0:25:32 | 0:25:34 | |
-When did you discover she was gone? -About dinnertime. -What time was it? | 0:25:50 | 0:25:56 | |
-A quarter past seven. -Did she leave a note? -I didn't find any. -Are... | 0:25:56 | 0:26:00 | |
-This isn't a criminal investigation. Bessie, you may go. -Thank you. | 0:26:00 | 0:26:05 | |
-You're Assistant District Attorney. Do something! -We have no clues. | 0:26:05 | 0:26:11 | |
-Have you checked the hospitals? -Yes. Airports, railroad, bus stations. Did you call her friends? -Hours ago. | 0:26:11 | 0:26:18 | |
-Jerry came to see her. She'd gone. -PHONE RINGS | 0:26:18 | 0:26:22 | |
-Hello? It's for you. -Hello. Chamberlain speaking. | 0:26:23 | 0:26:28 | |
Keep a man there. Check the morgue. | 0:26:29 | 0:26:32 | |
HE HANGS UP I'm sorry. It's routine. | 0:26:32 | 0:26:36 | |
-I remember an important... -If she's hurt I'll never forgive myself. | 0:26:36 | 0:26:41 | |
-I shouldn't have quarrelled with her. -What was it about? -I said she couldn't pose for Richard Nugent... | 0:26:41 | 0:26:48 | |
HE WHISTLES | 0:27:04 | 0:27:07 | |
RADIO: '..Aggravated by the imponderables of international...' | 0:27:39 | 0:27:44 | |
ORCHESTRA PLAYS RELAXING MUSIC | 0:27:45 | 0:27:49 | |
HE WHISTLES THE MELODY | 0:27:49 | 0:27:53 | |
Hello, Mr Nugent. | 0:28:36 | 0:28:38 | |
Dicky, hello! | 0:28:41 | 0:28:44 | |
BANGING ON DOOR | 0:28:45 | 0:28:48 | |
< Let us in! | 0:28:49 | 0:28:52 | |
RADIO: 'Now we bring you that sensational tune Fast Ride In A Patrol Wagon.' | 0:28:52 | 0:28:58 | |
SIREN BLARES | 0:29:01 | 0:29:03 | |
Tell me exactly what happened. | 0:29:05 | 0:29:08 | |
-If I knew that I wouldn't be here! -Give me a rough idea. | 0:29:08 | 0:29:12 | |
-Where were you when they let me use the phone last night? -I had not anticipated your winding up in jail. | 0:29:12 | 0:29:20 | |
-I have a life of my own. -I hope I haven't inconvenienced you! | 0:29:20 | 0:29:25 | |
-Not at all. -Sleep well? Good breakfast? -The facts! -Sit down. | 0:29:25 | 0:29:30 | |
Get a load of this. | 0:29:31 | 0:29:33 | |
I got home to my apartment last night. That much I know. | 0:29:34 | 0:29:39 | |
This girl was there. At least, I think she was. I don't know. | 0:29:39 | 0:29:44 | |
-Judge Turner's sister? -That's right. | 0:29:44 | 0:29:47 | |
-Young girl? -What did you say? -Young girl? -Too young. | 0:29:47 | 0:29:51 | |
Nugent, why don't you tell me the truth? | 0:29:51 | 0:29:55 | |
I AM telling you the truth. That's what happened last night. | 0:29:55 | 0:29:59 | |
Nobody listened to me. I couldn't explain. Now please... | 0:29:59 | 0:30:04 | |
I got home to my apartment last night. | 0:30:04 | 0:30:08 | |
I went up to my bedroom, took off my dinner coat, put on a robe, came downstairs, turned on the radio, | 0:30:08 | 0:30:15 | |
got a nice highball, opened a book, sat down to read, | 0:30:15 | 0:30:20 | |
when up popped this little girl. Little girl popped up. | 0:30:20 | 0:30:24 | |
There's banging. Somebody busts in. | 0:30:24 | 0:30:28 | |
-Did the girl...? -Everybody's talking at once... -Did the girl explain why she was there? | 0:30:28 | 0:30:34 | |
Yes... She tried to explain. They wouldn't let her. | 0:30:34 | 0:30:39 | |
She said she'd come to be a model. | 0:30:39 | 0:30:42 | |
Did you or did you not invite her up there to be a model? | 0:30:42 | 0:30:48 | |
Well, in a roundabout way, I guess I did. | 0:30:48 | 0:30:52 | |
She kept saying I was going to paint her as Young America. | 0:30:52 | 0:30:56 | |
-Did you tell her that? -I've told that to 500 little girls! -Let's not go into that. | 0:30:56 | 0:31:03 | |
You're charged with hitting the District Attorney. Did you or did you not hit him? | 0:31:03 | 0:31:09 | |
I hit him. That's right. | 0:31:09 | 0:31:11 | |
I did not know he was the Assistant District Attorney. | 0:31:11 | 0:31:16 | |
If I had known he was the Assistant DA...I would have hit him. | 0:31:16 | 0:31:21 | |
He said some very bad things. Kept pulling on my arm. Wouldn't let the little girl explain. | 0:31:21 | 0:31:28 | |
-And her sister - that's a mountain of ice, a gallon of poison! Jumping to conclusions! -Control yourself! | 0:31:28 | 0:31:35 | |
If worst comes to worst, maybe I can get your sentence reduced. | 0:31:35 | 0:31:40 | |
-But you have to remember coherently exactly what happened. -Oh, sure. | 0:31:40 | 0:31:46 | |
If you talked like this in front of a court, you'd get 20 years. | 0:31:46 | 0:31:51 | |
I'm ready to go now. | 0:31:52 | 0:31:54 | |
Coherently. Exactly. | 0:31:54 | 0:31:56 | |
See you later. You'll know me - I'll be dressed like a lawyer. | 0:31:56 | 0:32:01 | |
HE MUTTERS | 0:32:03 | 0:32:06 | |
Mr Nugent, you got a visitor. It's Dr Beemish. | 0:32:10 | 0:32:14 | |
Mr Nugent? | 0:32:17 | 0:32:19 | |
-I'm the court psychiatrist. -Return in an hour. I'll be crazy by then! | 0:32:22 | 0:32:28 | |
I'm here to help. You're just an innocent bystander. | 0:32:28 | 0:32:34 | |
-Sit down, doctor. -Thank you. | 0:32:36 | 0:32:39 | |
-May I offer you a drink? -No, thanks. -Cigar? -No, no, I'm fine, thanks. | 0:32:42 | 0:32:47 | |
-Is this cell comfortable? -I've nothing to compare it with. This is my first time. -Oh, oh. | 0:32:47 | 0:32:54 | |
-I think you'll find our penology system is quite modern. -That's a load off my mind. | 0:32:54 | 0:33:01 | |
What can they do to me if I kill a judge? | 0:33:01 | 0:33:04 | |
-Judge Turner appears to be a very dominant woman, but her dominance is actually retreat. -Is that so? | 0:33:04 | 0:33:12 | |
We call it a manifestation of the Oedipus complex. | 0:33:12 | 0:33:16 | |
As Menangere so clearly points out, traumatic events seem to... | 0:33:16 | 0:33:21 | |
The only traumatic event she needs is a good smack in the jaw. | 0:33:21 | 0:33:25 | |
She's my niece. | 0:33:25 | 0:33:28 | |
But you're absolutely right. | 0:33:28 | 0:33:31 | |
-Judge Turner's ready for you, Doctor. -Thank you. | 0:33:31 | 0:33:35 | |
Just leave things in my hands, Mr Nugent. | 0:33:35 | 0:33:38 | |
-I dare say you'll be surprised at the results. -Dare say. | 0:33:38 | 0:33:42 | |
I have a plan. | 0:33:44 | 0:33:46 | |
-Nugent seems a nice fellow. -Sure you were talking to the right man(?) | 0:33:53 | 0:33:58 | |
Certainly. About six feet, broad shoulders, blue eyes. | 0:33:58 | 0:34:02 | |
-He has brown eyes. -Oh, has he? Margaret, have you made any definite plans about Nugent? | 0:34:02 | 0:34:09 | |
It isn't my case. Judge Treadwell is viewing the evidence. | 0:34:09 | 0:34:15 | |
Oh. Well, I hope Treadwell doesn't go too far. | 0:34:15 | 0:34:20 | |
I won't be responsible for Susan. | 0:34:21 | 0:34:24 | |
You were saying? | 0:34:26 | 0:34:28 | |
Susan thinks she loves this man. | 0:34:28 | 0:34:31 | |
If things take their normal course, in a few weeks she will have forgotten all about him. | 0:34:31 | 0:34:37 | |
But sending him to prison will martyr him in her eyes. | 0:34:37 | 0:34:41 | |
-It'll be a tragedy she'll never get over. -Nonsense! | 0:34:41 | 0:34:45 | |
You don't understand. Susan's not like other children. She's above that sort of silliness. | 0:34:45 | 0:34:52 | |
KNOCKING | 0:34:52 | 0:34:54 | |
Sorry to bother you. This lady came to see Mr Nugent. | 0:34:57 | 0:35:01 | |
-She claims to be your sister and his mother. -Susan! | 0:35:01 | 0:35:05 | |
I just wanted to talk to him. About the steel business. | 0:35:05 | 0:35:08 | |
She baked this. | 0:35:08 | 0:35:11 | |
Thank you, Melvin. | 0:35:11 | 0:35:13 | |
What's happening to you? | 0:35:15 | 0:35:17 | |
I'm in love with him. Don't you realise that? | 0:35:17 | 0:35:21 | |
If I lose him, life has no meaning. I love him. | 0:35:21 | 0:35:25 | |
SUSAN SOBS | 0:35:27 | 0:35:30 | |
-How about a reversal? -You win. | 0:35:31 | 0:35:35 | |
KNOCKING Come in. | 0:35:36 | 0:35:40 | |
Here's Mr Nugent. | 0:35:40 | 0:35:42 | |
-Hello, Richard. Well, you don't look any the worse for wear. -Prison agrees with me(!) | 0:35:42 | 0:35:49 | |
-Mr Nugent, I have good news. -They're going to hang me! | 0:35:49 | 0:35:53 | |
I'm the one who ought to be hanged. | 0:35:53 | 0:35:55 | |
Won't I sit down? | 0:35:55 | 0:35:58 | |
-Please do. I believe you know Dr Beemish. -Yes. | 0:35:58 | 0:36:03 | |
-This is Judge Treadwell. -How do you do? | 0:36:03 | 0:36:06 | |
-How do you do? -You know Assistant DA Chamberlain? | 0:36:06 | 0:36:10 | |
-Nice to see you again. -Sorry about that misunderstanding. -Forget it. | 0:36:10 | 0:36:16 | |
-That's generous of you. -Not at all. | 0:36:16 | 0:36:19 | |
-I lost my temper, too, last night. Pardon me. -That's all right. I hope you'll pardon ME! | 0:36:19 | 0:36:25 | |
Thank you for holding this preliminary hearing in camera. | 0:36:26 | 0:36:30 | |
That's all right. Given Mr Nugent's reputation, I see no reason to expose him to unnecessary publicity. | 0:36:30 | 0:36:37 | |
This incident can be straightened out amicably, if the Assistant DA doesn't wish to press charges. | 0:36:37 | 0:36:44 | |
I wouldn't want to see Mr Nugent in jail. | 0:36:44 | 0:36:48 | |
-Well, thank you. I guess I'm free to go. -Just a moment. | 0:36:48 | 0:36:53 | |
-I believe Judge Turner has a suggestion. -Anything. -Yes. | 0:36:53 | 0:36:57 | |
It isn't much. I'm worried about Susan. | 0:36:57 | 0:37:01 | |
-Oh. -She's become quite enamoured of you, Mr Nugent. -Well... | 0:37:01 | 0:37:06 | |
-We wondered if you'd help us by taking her out. -I'd be glad to... | 0:37:06 | 0:37:11 | |
-Doing what?! -Being her beau, just until she gets over you. | 0:37:11 | 0:37:16 | |
-Dr Beemish says she mustn't feel you're being martyred. -Oh, does he? Let Dr Beemish take her out! | 0:37:16 | 0:37:23 | |
There's no law says I have to. | 0:37:23 | 0:37:26 | |
No-one's trying to force you. We hoped you'd WANT to. | 0:37:26 | 0:37:30 | |
Because your attitude will have a bearing on the other charges, if the Assistant DA chooses to press them. | 0:37:30 | 0:37:38 | |
-All I did was punch his nose! -Mr Walters, | 0:37:38 | 0:37:42 | |
if a man was brought before you who'd enticed a 17-year-old to his apartment to "paint her portrait", | 0:37:42 | 0:37:48 | |
and who'd brutally assaulted the Assistant DA, what would you do? | 0:37:48 | 0:37:54 | |
-I'd give him 20 years. -Which side are you on? -You haven't proved it. | 0:37:54 | 0:38:00 | |
-We will. -That's for the jury to decide. | 0:38:00 | 0:38:02 | |
Mr Walters, if this man realised the young girl was in love with him, | 0:38:02 | 0:38:08 | |
and agreed to help her get over him, wouldn't you be lenient? | 0:38:08 | 0:38:12 | |
I would. I'd drop the charges. | 0:38:12 | 0:38:15 | |
That's exactly what I'd do. | 0:38:15 | 0:38:18 | |
What do I have to do? | 0:38:20 | 0:38:23 | |
You'll see Susan whenever we deem proper. As soon as your fascination wears off, you're free to go. | 0:38:23 | 0:38:29 | |
-What if it doesn't wear off? -It will. -Oh! | 0:38:29 | 0:38:33 | |
Mr Nugent, please have no illusions about this matter. | 0:38:33 | 0:38:37 | |
This is against my judgment. I'd as soon she went out with an actor. | 0:38:37 | 0:38:42 | |
-Judge Turner doesn't mean that. -Oh, just wondering. | 0:38:42 | 0:38:47 | |
She means I've recommended you as a vital therapy measure. | 0:38:47 | 0:38:52 | |
Huh! That's great(!) Recommended for children! | 0:38:55 | 0:38:59 | |
Get him! | 0:39:19 | 0:39:21 | |
This row is reserved for faculty and important members of the student body. I hope you like basketball. | 0:39:26 | 0:39:32 | |
Crazy about it! | 0:39:32 | 0:39:35 | |
Good evening, Susan. | 0:39:38 | 0:39:40 | |
-Geometry straightened out? -Yes, Mr Mittwig. | 0:39:40 | 0:39:44 | |
-Your handkerchief. -You must be a new boy. | 0:39:44 | 0:39:47 | |
-We'll probably run into each other. -I gave a lecture here on art. | 0:39:47 | 0:39:52 | |
Oh, you're in Miss Hellop's class. Excellent teacher! Excellent! | 0:39:52 | 0:39:57 | |
WHISTLE BLOWS There they go! | 0:39:57 | 0:40:00 | |
CROWD CHEERS AND WHISTLES | 0:40:00 | 0:40:03 | |
CROWD CHEERS | 0:40:10 | 0:40:13 | |
WHISTLE | 0:40:13 | 0:40:16 | |
M-F, S-U-N. | 0:40:46 | 0:40:49 | |
F-F, S-E-T. | 0:40:49 | 0:40:52 | |
S-U-N-S-E-T. | 0:40:52 | 0:40:56 | |
-Sunset! Sunset! Sunset! -Ra! | 0:40:56 | 0:40:59 | |
We had a better team last season, but our star centre graduated. | 0:41:13 | 0:41:18 | |
-Too bad. -I think our new centre needs more experience. -Oh, at least. | 0:41:18 | 0:41:24 | |
-He used to be sort of a boyfriend of mine. -What? | 0:41:24 | 0:41:28 | |
-Oh, until I met you. -You mean that fine-looking young man who smiled at you? | 0:41:28 | 0:41:35 | |
Yes, that's the one. He's just a child. | 0:41:35 | 0:41:38 | |
-Is he in love with you? -I suppose so. | 0:41:38 | 0:41:42 | |
But you needn't be jealous, Richard. He's really terribly unsophisticated. | 0:41:42 | 0:41:47 | |
WHISTLE | 0:42:00 | 0:42:03 | |
White out. | 0:42:05 | 0:42:08 | |
-Sit it out for a while. Get your mind back on the game. -Yes, sir. | 0:42:13 | 0:42:18 | |
Yes, fine figure of a man! I'd like to meet him. | 0:42:21 | 0:42:25 | |
That can be arranged. | 0:42:25 | 0:42:28 | |
-Great game, Mr... -Jerry White, Richard Nugent. -How do you do? | 0:42:32 | 0:42:37 | |
Usually my game's better. It's kinda off. Personal troubles. | 0:42:37 | 0:42:42 | |
It's too bad that certain athletes are concerned with their own problems, instead of beating PB High. | 0:42:42 | 0:42:50 | |
Oh, I don't know, Susan. Why don't we all talk it over? Will you join us for a soda after the game? | 0:42:50 | 0:42:57 | |
-You mean that? -Yes. -I'd love to! | 0:42:57 | 0:43:00 | |
Thanks, Mr Nugent. | 0:43:00 | 0:43:02 | |
I feel a lot better, Coach. Sure would like to get back in the game. | 0:43:05 | 0:43:10 | |
-All right. Go in. -Thanks. | 0:43:10 | 0:43:13 | |
CROWD CHANTS | 0:43:13 | 0:43:16 | |
-White for Baldman. -Baldman, eh? | 0:43:16 | 0:43:18 | |
CROWD CHEERS | 0:43:18 | 0:43:22 | |
WHISTLE | 0:43:22 | 0:43:24 | |
Hooray! Sunset! | 0:43:39 | 0:43:41 | |
Hooray! What a player! Hooray! | 0:43:41 | 0:43:44 | |
SWING MUSIC PLAYS | 0:43:45 | 0:43:49 | |
Thank you. | 0:43:54 | 0:43:56 | |
I feel sorry for Jerry. | 0:44:05 | 0:44:07 | |
-Why? -I played basketball as a kid, about 20 years ago... | 0:44:07 | 0:44:11 | |
-I'll bet you were wonderful. -Not as good as Jerry. He's a champ. | 0:44:11 | 0:44:16 | |
-His game's off because of you. -You think? -I know. | 0:44:16 | 0:44:20 | |
-It's awful what a woman can do. Look at Caesar and Cleopatra... -Napoleon and Josephine. -All of them. | 0:44:20 | 0:44:27 | |
-Behind every defeated man is a frustrated love. -You're right. -You bet. | 0:44:27 | 0:44:33 | |
And I promise all my life never to hurt you. | 0:44:33 | 0:44:37 | |
It was a tough game. | 0:44:37 | 0:44:39 | |
-Hello, Jerry. -But we won. | 0:44:39 | 0:44:42 | |
-Certainly through no help from you. -I thought he played a splendid game. -No, he didn't. -He did. -I didn't. | 0:44:42 | 0:44:49 | |
-What will you have? -I'm not hungry. I'll have a double sweetheart flip. -Aren't you in training? | 0:44:49 | 0:44:56 | |
Sometimes a man just doesn't care. | 0:44:56 | 0:44:59 | |
-You see? I know how you feel. -You do, huh? | 0:44:59 | 0:45:03 | |
When Susan told me about you and her, I was sore. You can't blame me. | 0:45:03 | 0:45:08 | |
-No... -My first instinct was to take a poke at you. -Jerry! -Let me finish. | 0:45:08 | 0:45:13 | |
I said to myself, let's be civilised. | 0:45:13 | 0:45:17 | |
If Susan feels that way, it's all right. | 0:45:17 | 0:45:20 | |
That's big of you, and generous. | 0:45:20 | 0:45:23 | |
-We can still be friends. -Of course. -No matter what. -Dick and I will treasure your friendship. | 0:45:23 | 0:45:30 | |
If I can do anything for you, just call Jerry. | 0:45:30 | 0:45:33 | |
-And if we can do anything for you, just ask. -Get in touch. | 0:45:33 | 0:45:38 | |
-Well, I guess it's goodbye, Jerry. -I guess it is. -I guess it is... | 0:45:38 | 0:45:44 | |
-Oh, Susan... -Yes, dear? | 0:45:56 | 0:45:58 | |
It isn't becoming for you to call me "dear" and "darling". | 0:45:58 | 0:46:03 | |
-Why, darling? -Stop that. | 0:46:03 | 0:46:05 | |
-The basketball game was fun, but it can't go on. -I know. The season's over next week. | 0:46:05 | 0:46:12 | |
No, Susan. Wait a minute. I mean the whole thing can't go on. | 0:46:12 | 0:46:16 | |
You got me into this. You told your sister I asked you to pose for me. | 0:46:16 | 0:46:22 | |
-That's true, in a way. -It isn't so and you know it. Let's not argue. | 0:46:22 | 0:46:27 | |
-Everyone now has the crazy idea you're in love with me. -I am. | 0:46:27 | 0:46:32 | |
Look at me. Susan, I wouldn't say this to many people, but I'm old enough to be your father. | 0:46:33 | 0:46:40 | |
-You're so right, dear. -Honey, you've got to realise that this isn't proper for either of us. | 0:46:40 | 0:46:47 | |
-You're so right, dear. -It's... -Step. -Thanks. | 0:46:47 | 0:46:50 | |
-It's gonna embarrass you, too. -You're so right, dear. | 0:46:50 | 0:46:54 | |
-You're not paying any attention. -You're so right, dear. | 0:46:54 | 0:46:58 | |
Well! Good evening, Susan. Good evening, Nugent. | 0:46:59 | 0:47:04 | |
-Glad to see you kids home early. -We're not home yet. | 0:47:04 | 0:47:07 | |
-Did you have a good time? How'd you like a cigarette? -I'm not allowed to smoke. -Sorry, I've no bubble gum. | 0:47:07 | 0:47:15 | |
Good night, Tommy. | 0:47:15 | 0:47:17 | |
Nugent, we're having a birthday party Saturday for my niece. Love to have you come. She'll be six. | 0:47:17 | 0:47:24 | |
-How's your jaw? -Fine. Why? -Because the worst I can get is 90 days. | 0:47:24 | 0:47:29 | |
Temper, temper! Well, toodle-oo, kids! | 0:47:29 | 0:47:33 | |
Hello, Margaret. | 0:47:38 | 0:47:40 | |
Hello, Susan. | 0:47:40 | 0:47:43 | |
-Good evening. -Good evening. -That's the new dress. -Like it? -Beautiful! | 0:47:43 | 0:47:49 | |
Too bad you had to go to that dreary dinner. | 0:47:49 | 0:47:52 | |
-It was nice. Did you enjoy yourself? -It was simply sensational. | 0:47:52 | 0:47:57 | |
-You'd better turn in now. School tomorrow. -Yes, of course. | 0:47:57 | 0:48:02 | |
Good night, Dicky. | 0:48:02 | 0:48:05 | |
Good night, Susan. | 0:48:06 | 0:48:09 | |
-Good night. -Good night. | 0:48:09 | 0:48:11 | |
-Good night, Dicky. -Good night. | 0:48:14 | 0:48:16 | |
Well, um, good night. | 0:48:20 | 0:48:22 | |
Good night. | 0:48:22 | 0:48:24 | |
That is a beautiful dress, and you look wonderful in it. | 0:48:27 | 0:48:30 | |
Thank you. You said that gracefully - perhaps the result of practice. | 0:48:30 | 0:48:35 | |
-You said that ungraciously - perhaps the result of practice. -I had that coming. | 0:48:35 | 0:48:42 | |
-You got a moment? -Yes. | 0:48:42 | 0:48:44 | |
That's right. | 0:48:57 | 0:49:00 | |
My mother was a remarkable woman. She taught piano. | 0:49:03 | 0:49:07 | |
Funnily enough, children liked to take lessons from her. | 0:49:07 | 0:49:12 | |
Anyway, I read a lot of books she didn't want me to read. | 0:49:12 | 0:49:16 | |
A perfectly normal attitude. | 0:49:16 | 0:49:19 | |
One day, downstairs, I found a book with a very racy title. I sneaked it up to my room, started to read. | 0:49:19 | 0:49:26 | |
I read for a long time. It was awful dull, but I kept on with it. | 0:49:26 | 0:49:31 | |
Then I discovered Mother had stuck a philosophy book under that paper cover with a racy title. | 0:49:31 | 0:49:39 | |
I waded through the thing. I never found anything exciting, but I learned a lot about philosophy. | 0:49:39 | 0:49:46 | |
Very interesting. | 0:49:46 | 0:49:49 | |
My father was a judge. When he gave me a book about law, I knew it would be about law. | 0:49:49 | 0:49:55 | |
And when you meet a man labelled "artist", you know he'll be all you think an artist is supposed to be. | 0:49:55 | 0:50:03 | |
Concerning you, I sat in judgment on a series of facts, not on your character or biography. | 0:50:03 | 0:50:10 | |
I just took the long way around to tell you | 0:50:10 | 0:50:13 | |
that when I said you look wonderful in that dress, I meant it. | 0:50:13 | 0:50:18 | |
I'm sorry. I've never been subjected to so much charm before. | 0:50:18 | 0:50:24 | |
Well, I'm afraid we're wasting a perfect, beautiful moon, and I'm keeping you up. | 0:50:25 | 0:50:31 | |
-Good night. -We'll see you Saturday. You're taking Susan to the picnic. | 0:50:31 | 0:50:37 | |
I'll be here, don't worry, with my very best Saturday picnic charm. | 0:50:37 | 0:50:43 | |
-Good night, Your Honour. -Good night. | 0:50:43 | 0:50:46 | |
Hi, Jerry. | 0:51:07 | 0:51:09 | |
-Hi, Mr Nugent. -Why are you out here? | 0:51:09 | 0:51:12 | |
-It's hard to get Susan out of your system. -I know. | 0:51:12 | 0:51:16 | |
-Why don't you go inside? -I'm not welcome. | 0:51:16 | 0:51:19 | |
-Susan probably doesn't know you're out here. -She put me here. | 0:51:19 | 0:51:24 | |
I'm a square in Susan's social circle. It's not her fault. | 0:51:24 | 0:51:28 | |
-It's her uncle - Judge Thaddeus. Have you met? -No. -He's fierce. | 0:51:28 | 0:51:33 | |
All I said was "Greetings! Yookey dookey!" He blew a fuse. | 0:51:33 | 0:51:37 | |
-Sounds OK. -He's been around lawyers so long he's forgotten how people talk. -Sure. "Greetings! Yookey..." | 0:51:37 | 0:51:45 | |
-Are you going to the picnic? -I was, but... -Like to use my car? | 0:51:45 | 0:51:50 | |
-You're kidding! -No, I'd like to borrow yours. Does it run? | 0:51:50 | 0:51:54 | |
-Sure! -Where are the keys? -You don't need a key. -Oh. Here are the keys to mine. -Thanks. -See you there. | 0:51:54 | 0:52:01 | |
-She sure is a honey. -Just a later model. | 0:52:03 | 0:52:07 | |
-DOOR BUZZER -That must be Richard Nugent. | 0:52:25 | 0:52:28 | |
-Who the devil is Richard Nugent? -He's taking Susan to the picnic. | 0:52:28 | 0:52:34 | |
-You'll like him. -How in blazes do you know? | 0:52:34 | 0:52:38 | |
Hi! Greetings! Yookey dookey! | 0:52:38 | 0:52:41 | |
-Dicky! -Poot, let's scoot! -Reet! | 0:52:41 | 0:52:44 | |
-You remind me of a man. -What man? -With the power of hoodoo. -Hoodoo? | 0:52:44 | 0:52:49 | |
-You do! -What? -Remind me of a man... | 0:52:49 | 0:52:52 | |
-Good morning. -Greetings. -(Are you mad?) -What? -(What are you doing?) -I don't dig you! | 0:52:52 | 0:52:58 | |
-What are you whispering about? -I'm sorry. -Hi, Uncle Matt! | 0:52:58 | 0:53:02 | |
-May I present Judge Turner? -How do you do? -Ooh! This isn't a pump handle. -He's sharp! | 0:53:02 | 0:53:09 | |
-You remind me of a man. -What man? -With the power of hoodoo. -Hoodoo? -You do! -What? -Remind me of a man. | 0:53:09 | 0:53:16 | |
-Judge Turner's an Associate Justice. -Better than working for a living! | 0:53:16 | 0:53:21 | |
-Won't we be late to the picnic? -Yes. | 0:53:21 | 0:53:24 | |
I'm a pepper shaker! The hot rod's outside! | 0:53:24 | 0:53:28 | |
Come on, Thaddeus. | 0:53:31 | 0:53:33 | |
Hmmm. "You remind me of a man..." | 0:53:33 | 0:53:36 | |
-Who do? -No, I'm supposed to say that! | 0:53:36 | 0:53:39 | |
-But that's Jerry's car. -Just looks like it. | 0:53:45 | 0:53:49 | |
-What's this? -Friend of mine made it! | 0:53:49 | 0:53:52 | |
You expect me to ride in that? Margaret, I want to talk to you. | 0:53:52 | 0:53:57 | |
Come on, Thaddeus. There's no time for talking. Come on. | 0:53:57 | 0:54:01 | |
Oh, this is nonsense! | 0:54:01 | 0:54:05 | |
Yip-dippy-dee! | 0:54:05 | 0:54:07 | |
TRAD JAZZ MUSIC | 0:54:09 | 0:54:12 | |
EXHAUST BACKFIRES | 0:54:26 | 0:54:29 | |
-Nice car, Richard(!) -Thank you. | 0:54:29 | 0:54:32 | |
Ooh! I just hope you come up before me sometime! | 0:54:33 | 0:54:37 | |
-It must run in your family. -Ooh! Ooh! | 0:54:37 | 0:54:41 | |
-Hello. -I've been waiting. -We were delayed. | 0:54:41 | 0:54:44 | |
-Mind your thumb! -It's the junior set! | 0:54:44 | 0:54:47 | |
Hello. Ooh! | 0:54:47 | 0:54:50 | |
-Can I get you something? -A seat that doesn't bounce! | 0:54:50 | 0:54:54 | |
-We can get our lunch there. Come on. -I'm as hungry as a bear! Let's join the ants! | 0:54:54 | 0:55:00 | |
Ladies and gentlemen, | 0:55:01 | 0:55:04 | |
the first events of the afternoon are the novelty races, | 0:55:04 | 0:55:08 | |
open to adults, parents and friends. | 0:55:08 | 0:55:12 | |
-I used to be pretty good at these things as a kid. -It's open to parents. -I'm not a parent. | 0:55:12 | 0:55:19 | |
-Too old, Chamberlain? -Of course not. -Of course not. -All right, then, I will. -How about you? | 0:55:19 | 0:55:25 | |
-Don't be silly. -I want a medal. | 0:55:25 | 0:55:28 | |
-Get her a medal. -Too old? -To run in a sack race? No. | 0:55:28 | 0:55:32 | |
Then go on there and show them, Dicky. | 0:55:32 | 0:55:36 | |
All right, I will. | 0:55:36 | 0:55:39 | |
-Hold that. -Hold this. | 0:55:39 | 0:55:41 | |
-Let's go to the finish line. I want to see Dicky win. -Coming, Uncle Matt? -You go ahead. I'll wait here. | 0:55:43 | 0:55:51 | |
Thank you, gentlemen. | 0:55:51 | 0:55:54 | |
Step right up and get a sack. | 0:55:54 | 0:55:56 | |
You all set? All right, steady now. | 0:55:56 | 0:55:59 | |
Ready, gentlemen? | 0:55:59 | 0:56:02 | |
On your marks, get set... | 0:56:02 | 0:56:04 | |
Oh! | 0:56:14 | 0:56:15 | |
All right, ladies and gentlemen, all set for the three-legged race - | 0:56:28 | 0:56:33 | |
one of the most hilarious events. | 0:56:33 | 0:56:36 | |
Come on, folks, pick out your favourite | 0:56:36 | 0:56:40 | |
and cheer him to the finish line. | 0:56:40 | 0:56:42 | |
All right, on your marks, get set... | 0:56:42 | 0:56:46 | |
All right, we're all set for the spoon-and-potato race. | 0:56:59 | 0:57:03 | |
On you marks, get set... | 0:57:03 | 0:57:06 | |
Disqualified. You have to finish on your feet! | 0:57:26 | 0:57:29 | |
On your marks, get set.... | 0:57:35 | 0:57:38 | |
-Come on, Dicky! -Come on. | 0:57:41 | 0:57:44 | |
Ladies and gentlemen, this is it. | 0:58:00 | 0:58:04 | |
This is the main event of the afternoon. | 0:58:04 | 0:58:08 | |
You are about to witness the obstacle race - | 0:58:08 | 0:58:12 | |
a supreme test of skill, stamina and endurance. | 0:58:12 | 0:58:17 | |
-Oh! -Come on, Dicky, stand up. I can't pin it when you're sitting. | 0:58:17 | 0:58:22 | |
-You've had enough. -No. | 0:58:22 | 0:58:24 | |
-We've just begun to fight. -Just begun. | 0:58:24 | 0:58:28 | |
Can you hold these heavy medals, Uncle Ted? | 0:58:28 | 0:58:31 | |
REFEREE: Everybody get ready. Report to the starting line. | 0:58:31 | 0:58:36 | |
-Oh! -Come on, Dicky. I know can win. -Sure, sure. | 0:58:36 | 0:58:40 | |
-REFEREE: Last call! -Hi. -Hi. Where have you been? | 0:58:40 | 0:58:44 | |
-Trying out that super-gelati. Hi. -Hi, Jerry. | 0:58:44 | 0:58:47 | |
Dicky, you've got to win me that cup. | 0:58:47 | 0:58:51 | |
-You're going in the race? -Yep. -May the best man win. -He will. | 0:58:51 | 0:58:55 | |
-I'm beginning to worry about him. -Why? He's got courage - a man's man. | 0:58:57 | 0:59:02 | |
I hope he wins. | 0:59:02 | 0:59:04 | |
For Susan's sake. | 0:59:04 | 0:59:07 | |
-Of course! -Let's go down to the finish line. | 0:59:07 | 0:59:11 | |
REFEREE: ..The obstacle race. All right. All you contestants take your places on the starting line. | 0:59:11 | 0:59:19 | |
Anyone who fails to take an obstacle is disqualified. | 0:59:19 | 0:59:23 | |
On your marks, get set... PISTOL FIRES | 0:59:23 | 0:59:26 | |
Keep going. | 1:00:27 | 1:00:29 | |
HE YELPS | 1:00:31 | 1:00:33 | |
-Excuse me. I slipped. -You pushed me. | 1:00:47 | 1:00:51 | |
-It was nothing - just a race. -Congratulations, Mr Nugent. | 1:00:56 | 1:01:01 | |
Everybody to the bandstand for the grand award. | 1:01:01 | 1:01:04 | |
You were wonderful. Grand award - that's you. | 1:01:04 | 1:01:08 | |
Oh, sure. Grand reward. | 1:01:08 | 1:01:11 | |
-Thanks for letting Dicky win. -You can pay the boys 75 cents apiece. | 1:01:14 | 1:01:19 | |
-If it was anyone else, they'd have charged a buck. -I'll pay you, too. | 1:01:19 | 1:01:23 | |
-No. Some things can't be bought. -Jerry, at times you're really very nice. | 1:01:23 | 1:01:30 | |
Quiet, please. | 1:01:35 | 1:01:37 | |
It gives me great pleasure to present this beautiful trophy | 1:01:39 | 1:01:45 | |
to that great athlete and winner of the feature event, | 1:01:45 | 1:01:49 | |
Mr Richard Nugent. | 1:01:49 | 1:01:51 | |
CROWD: Speech! Speech! Speech! | 1:01:57 | 1:02:01 | |
I don't know how this happened to me. | 1:02:02 | 1:02:06 | |
But, er, I guess I owe it all to clean living, | 1:02:07 | 1:02:11 | |
proper outlook, and the help of my friends. | 1:02:11 | 1:02:16 | |
BAND PLAYS: "For He's A Jolly Good Fellow" | 1:02:16 | 1:02:21 | |
What a wonderful day! What a wonderful picnic! I feel wonderful! | 1:02:30 | 1:02:35 | |
Uncle Thaddeus, let's dance. No! No! | 1:02:35 | 1:02:38 | |
Susan, your youthful exuberance is very tiring! | 1:02:38 | 1:02:42 | |
I'm going upstairs to take a bath. | 1:02:42 | 1:02:45 | |
Ah, life! | 1:02:45 | 1:02:47 | |
-You'd better rest. You're going to a dance tonight. -Quite right. | 1:02:47 | 1:02:53 | |
But I'd like this day to never end. I'd like everything to stay suspended, beautiful. | 1:02:53 | 1:03:00 | |
You can leave everything suspended AFTER I sit down! | 1:03:00 | 1:03:03 | |
-I'll take it, Margaret. -No, you'd better go up now. -All right, sis. | 1:03:03 | 1:03:09 | |
DOOR CLOSES UPSTAIRS | 1:03:12 | 1:03:15 | |
-Er, what's wrong? -Nothing's wrong. | 1:03:41 | 1:03:45 | |
Er, a very odd thing happened to me today, Uncle Matt. | 1:03:45 | 1:03:49 | |
It's simple to explain. Optical illusions have been known to, er... | 1:03:49 | 1:03:55 | |
Or the power of suggestion through Susan. | 1:03:55 | 1:03:58 | |
These things have been, well, er... | 1:03:58 | 1:04:01 | |
What happened was a combination of the heat, a hurried lunch and the excitement. | 1:04:01 | 1:04:07 | |
-Of course. -I merely thought I saw... | 1:04:07 | 1:04:10 | |
-You understand? -Oh, sure. | 1:04:10 | 1:04:12 | |
-However, it occurred to me that... -Mr Nugent? | 1:04:12 | 1:04:16 | |
-He's been sweet about Susan. We ought not embarrass him longer. -Yes. | 1:04:16 | 1:04:21 | |
Susan will get over her romance. | 1:04:21 | 1:04:24 | |
We owe it to Mr Nugent to... I'd like to talk this over with him. | 1:04:24 | 1:04:29 | |
-That's a... -We can't have him here because, with Susan in the house, we couldn't talk freely. | 1:04:29 | 1:04:35 | |
-Naturally. -I couldn't go to his apartment. | 1:04:35 | 1:04:39 | |
-Oh, no. -So the obvious thing to do is arrange a meeting place - | 1:04:39 | 1:04:44 | |
something public, sophisticated and, er, | 1:04:44 | 1:04:48 | |
we can talk things over. | 1:04:48 | 1:04:50 | |
-Well... -Thanks for talking to me. You've cleared things up. | 1:04:50 | 1:04:55 | |
I appreciate your confidence. | 1:04:55 | 1:04:58 | |
-Problems become so simple when you control your emotions. -True. | 1:04:58 | 1:05:04 | |
Where's the telephone? | 1:05:04 | 1:05:06 | |
TELEPHONE RINGS | 1:05:38 | 1:05:41 | |
Hello? | 1:05:43 | 1:05:46 | |
..Yes. ..Oh. Anything wrong with Susan? | 1:05:46 | 1:05:50 | |
..Can't go, huh? Sorry to hear that. Will you tell her? | 1:05:50 | 1:05:55 | |
..Yeah. | 1:05:55 | 1:05:57 | |
..With you?! | 1:05:57 | 1:05:59 | |
I'd be delighted. | 1:05:59 | 1:06:02 | |
..Do you want me to come over? ..Oh, I see. | 1:06:04 | 1:06:07 | |
..You wouldn't want to come here? ..Oh, naturally. | 1:06:07 | 1:06:11 | |
..We can meet any place you say. | 1:06:11 | 1:06:14 | |
..Yeah, we'll celebrate my triumph. | 1:06:14 | 1:06:18 | |
..Well, er, no, I'm not too tired to dance. | 1:06:18 | 1:06:22 | |
Do you dance? I mean, er... | 1:06:22 | 1:06:25 | |
..Well, OK. Anything you say. | 1:06:25 | 1:06:28 | |
..Let's see. I know the head waiter at the Tick-Tock Club. | 1:06:28 | 1:06:34 | |
..Fine. Sure. OK. | 1:06:34 | 1:06:36 | |
-DOOR BUZZER -Come in. | 1:06:38 | 1:06:42 | |
Oh. | 1:06:45 | 1:06:47 | |
-Hello. -Hello, Nugent. | 1:06:47 | 1:06:50 | |
Come on in. Last time I saw you, you were underwater. You weren't hurt? | 1:06:50 | 1:06:56 | |
-I keep myself in excellent physical condition at all times. How do you feel? -Splendid. | 1:06:56 | 1:07:03 | |
-To the victors the spoils. -You made a good race of it. | 1:07:04 | 1:07:09 | |
-I don't like it there. -Nugent, I want to let you off the hook. | 1:07:09 | 1:07:14 | |
Hold that. What hook? | 1:07:14 | 1:07:16 | |
Taking Susan out wasn't good for her, and it was a strain on Margaret. | 1:07:16 | 1:07:21 | |
-Which one of us are you most concerned about(?) -If I had to, I'd choose Margaret. | 1:07:21 | 1:07:27 | |
-Who's your tailor? -The coach furnished them to me. | 1:07:27 | 1:07:31 | |
-Oh, I had it there. -Nugent, I've something very important to tell you. | 1:07:31 | 1:07:36 | |
I've decided to drop the charges. | 1:07:36 | 1:07:39 | |
-Let me see. -I'm dropping the charges. | 1:07:39 | 1:07:43 | |
-Oh, dropped my medal! Help me look for it. -Yes. | 1:07:43 | 1:07:47 | |
You won't have to come around any more. | 1:07:47 | 1:07:50 | |
Hey, you look silly in that coat. | 1:07:50 | 1:07:53 | |
Let's stick to the subject. You're a free man now. We may not see any more of each other. | 1:07:53 | 1:08:00 | |
-Found it. What? -I say we may not see any more of each other. | 1:08:00 | 1:08:04 | |
You've put me in a position where I'm forced to make a confession. | 1:08:04 | 1:08:10 | |
-About Margaret? -No. | 1:08:10 | 1:08:12 | |
About Susan. I'm madly in love with her. | 1:08:12 | 1:08:16 | |
-What?! -I don't know how or why - | 1:08:16 | 1:08:19 | |
perhaps something she said, or how she looked, or something she wore. | 1:08:19 | 1:08:24 | |
I'm happy when I'm near her. I... Well, you're a man. You must have felt what I feel. It's love! | 1:08:24 | 1:08:31 | |
It's preposterous! She's only 17. | 1:08:31 | 1:08:34 | |
She'll be 18 soon. We'll wait for our chance - spring and autumn. | 1:08:34 | 1:08:39 | |
Stop it, Nugent! I forbid it! | 1:08:39 | 1:08:42 | |
No court of law can stop this. This is bigger than you and me. | 1:08:42 | 1:08:47 | |
As I thought, you're irresponsible. | 1:08:47 | 1:08:50 | |
L'amour, my friend! L'amour! | 1:08:50 | 1:08:53 | |
We'll see about "L'amour, my friend! l'amour!" | 1:08:53 | 1:08:56 | |
DOOR SHUTS | 1:08:56 | 1:08:59 | |
It's not the kind of wine we got before the war, but you'll like it. | 1:09:03 | 1:09:08 | |
It's the best we can get. | 1:09:08 | 1:09:11 | |
-Thank you, Alex. -Is that the mademoiselle? | 1:09:11 | 1:09:15 | |
-No, no, no. Hey, that isn't... -I'm awfully sorry. | 1:09:15 | 1:09:19 | |
ALEX SPEAKS RUSSIAN | 1:09:19 | 1:09:23 | |
-I'm sorry. The polish - the best we can get nowadays. -It's all right. | 1:09:23 | 1:09:28 | |
-Oh, perhaps that's mademoiselle? -No, no, no. I wish we had blue flowers. She'd like blue flowers. | 1:09:28 | 1:09:35 | |
-We can get blue flowers, but it'll take time. -I'll try and fix these. | 1:09:35 | 1:09:40 | |
Huh? | 1:09:41 | 1:09:44 | |
Alex, that's the best you can get. | 1:09:46 | 1:09:49 | |
-Oh, er... -Hello. -Hello. Hello. | 1:09:56 | 1:09:59 | |
I didn't know. I should have checked. No black tie. | 1:10:00 | 1:10:04 | |
That's all right. That's a beautiful suit, and you look wonderful in it. | 1:10:04 | 1:10:11 | |
They're lovely. Thank you. Yellow's my favourite colour. | 1:10:24 | 1:10:29 | |
I thought so. | 1:10:29 | 1:10:32 | |
BAND: # ..Happy birthday to you | 1:10:32 | 1:10:35 | |
# Happy birthday, dear Millicent | 1:10:35 | 1:10:38 | |
# Happy birthday to you. # | 1:10:38 | 1:10:41 | |
-Isn't that sweet? -Hmm. | 1:10:41 | 1:10:44 | |
I can't say how glad I am we're here. | 1:10:44 | 1:10:48 | |
Our relationship's been so odd, I thought we should try a new background. | 1:10:48 | 1:10:53 | |
-Would you like to order now? -Later. | 1:10:53 | 1:10:56 | |
-How about a drink in the meantime? Champagne? -Yes. | 1:10:56 | 1:11:00 | |
-The time is now, Alex. Shall we dance? -Love to. | 1:11:00 | 1:11:04 | |
-My father was a bachelor. -Really? | 1:11:12 | 1:11:16 | |
Wait until... Wait, um... Wait until I finish. | 1:11:16 | 1:11:20 | |
He was a bachelor until into his 30s. | 1:11:20 | 1:11:23 | |
He always said he'd know who he'd marry the moment he met her. Then he met my mother. | 1:11:23 | 1:11:30 | |
He put his arm around her. The way she felt in his arms did the trick. | 1:11:30 | 1:11:35 | |
They were married three days later. | 1:11:35 | 1:11:38 | |
That's a very romantic story. | 1:11:38 | 1:11:40 | |
They were happy all their lives and had nothing in common. | 1:11:40 | 1:11:45 | |
-She was a piano teacher and he was a flag decorator. -A what? -Flag decorator - | 1:11:45 | 1:11:51 | |
a good one, until he fell off Newark City Hall. | 1:11:51 | 1:11:55 | |
Your family sounds like fun. | 1:11:55 | 1:11:58 | |
You must have come from a nice family. It shows in your face. | 1:12:00 | 1:12:05 | |
My family weren't that impulsive. My father courted my mother through high school, college and law school. | 1:12:05 | 1:12:11 | |
14 years after they met, they got married. | 1:12:11 | 1:12:15 | |
They had a lot in common - they were both attorneys. | 1:12:15 | 1:12:19 | |
You feel nice in MY arms. | 1:12:21 | 1:12:24 | |
I imagine that if Mother and Father hadn't had so much in common, they needn't have waited 14 years. | 1:12:25 | 1:12:32 | |
It could have happened suddenly - romantically. | 1:12:32 | 1:12:36 | |
Dicky! | 1:12:38 | 1:12:40 | |
-Oh, hello, Agnes. -You didn't congratulate me. -Should I? -It's my birthday. -Congratulations. | 1:12:44 | 1:12:51 | |
Nugent, what do you say we let bygones be bygones? | 1:12:51 | 1:12:56 | |
-Don't I know you? -Yes. -Where did I meet you? Dicky's apartment? | 1:12:56 | 1:13:01 | |
-No, you remember Judge Turner. -Of course. Yes. | 1:13:01 | 1:13:06 | |
You got to be friends? Dicky knows all the angles. | 1:13:06 | 1:13:10 | |
-If it's too crowded, we could go to the table. -It's too crowded. | 1:13:10 | 1:13:15 | |
-Happy birthday. -Goodbye. -Goodbye. | 1:13:15 | 1:13:19 | |
There's a guy who never goes out of a girl's mind. He just stays there, like a heavy meal. | 1:13:19 | 1:13:25 | |
What am I like? | 1:13:25 | 1:13:28 | |
Orange juice! | 1:13:28 | 1:13:30 | |
-I'm terribly sorry about that. -I'm sure you didn't know she'd be here. | 1:13:30 | 1:13:35 | |
-Are you sure you're sure? -Yes. Why? -I just wondered. | 1:13:35 | 1:13:39 | |
-I've given up jumping at conclusions. -Good. | 1:13:39 | 1:13:43 | |
-Hello, Dicky. -Hello, Jolie. -Cigarettes? -No, thanks. -All righty. | 1:13:43 | 1:13:48 | |
-Cute kid. I did a magazine cover of her. -She's nice. | 1:13:48 | 1:13:52 | |
-This is absolutely forbidden! -Susan! -I do not intend to create a scene. You both ought to be ashamed. | 1:13:52 | 1:14:00 | |
-I'm too young for such treachery. -What will you drink? -Lemonade. -Sit down. -I'm not staying. | 1:14:00 | 1:14:07 | |
-And ice cream. How did I find out? -What's going on in your mind? | 1:14:07 | 1:14:11 | |
You told me Dicky was sick - exhausted from the picnic. | 1:14:11 | 1:14:16 | |
I went to his apartment and they told me where he was. And here I am! | 1:14:16 | 1:14:22 | |
-I demand an explanation. -Susan! You're being a little childish. | 1:14:22 | 1:14:27 | |
-Joey wants to buy you a birthday drink. -Well... | 1:14:27 | 1:14:30 | |
-I owe it to you for being so nice. -Just a few minutes. | 1:14:30 | 1:14:35 | |
-Garcon, this party's on me. Bring two chairs. -Yes, sir. | 1:14:35 | 1:14:39 | |
-We've not been acquainted. -Er, Susan Turner... -Agnes and Joey. | 1:14:39 | 1:14:43 | |
-Is this your daughter? -No, it's her sister - Margaret's sister. | 1:14:43 | 1:14:48 | |
-Enough room? -Sure. -You look like mother and daughter. -We're sisters. | 1:14:48 | 1:14:54 | |
I hate my sister. BAND: # Happy birthday to you | 1:14:54 | 1:14:58 | |
# Happy birthday to you | 1:14:58 | 1:15:01 | |
# Happy birthday, Mr Rosenheimer | 1:15:01 | 1:15:04 | |
# Happy birthday to you. # | 1:15:04 | 1:15:07 | |
I think birthdays are the best! | 1:15:07 | 1:15:10 | |
-We could get Mr Rosenheimer to come over here. -I intend to wait here. | 1:15:10 | 1:15:15 | |
-Nobody said anything to you. -Cute hat! | 1:15:15 | 1:15:18 | |
-I don't intend to take it off. -I didn't ask you to. Bring another round. | 1:15:18 | 1:15:24 | |
Take these away. We're not going to eat anything. | 1:15:24 | 1:15:29 | |
-Hello, Jerry. -No-one's glad to see ME. -You weren't invited. | 1:15:29 | 1:15:33 | |
-Meet Agnes and Joey. -I love kids with that floppy hair! | 1:15:33 | 1:15:38 | |
-Wondering how I got here? -I am. -It's getting to be quite a party. | 1:15:38 | 1:15:43 | |
-All is not gold that glitters. -Just a minute. | 1:15:43 | 1:15:46 | |
Just a minute. I haven't got much time. | 1:15:46 | 1:15:50 | |
I wanted to see you because I got word I'm being drafted. | 1:15:50 | 1:15:54 | |
-I went to the house, then Mr Nugent's... -We know the rest of it. -I just wanted to say goodbye. | 1:15:54 | 1:16:01 | |
-It's not such a big thing. The war is over. -But guns go off and a fellow could trip on a bayonet. | 1:16:01 | 1:16:08 | |
I know how you feel - missing your loved ones. | 1:16:08 | 1:16:12 | |
You're a good friend. Possibly Mr Nugent doesn't know HOW good. | 1:16:12 | 1:16:17 | |
-You can't tell me anything about Jerry. -Maybe I could - | 1:16:17 | 1:16:21 | |
how he made sure you won that race this afternoon. | 1:16:21 | 1:16:25 | |
-AGNES: What race? -This doesn't concern you. | 1:16:25 | 1:16:28 | |
-What? -You shouldn't... -A woman scorned is a fury! | 1:16:28 | 1:16:32 | |
-JOEY: -What are you drinking? Egg nog. | 1:16:32 | 1:16:34 | |
Jerry... | 1:16:34 | 1:16:36 | |
Bring the boy an egg nog. | 1:16:36 | 1:16:38 | |
-Jerry, what did you...? -Two eggs. -> | 1:16:38 | 1:16:41 | |
BAND: # Happy birthday to you | 1:16:41 | 1:16:44 | |
# Happy birthday to you... # Oh, Joey! | 1:16:44 | 1:16:47 | |
# Happy birthday, dear Agnes... # Oh, thank you! | 1:16:47 | 1:16:50 | |
# Happy birthday to you. # | 1:16:50 | 1:16:52 | |
-Did you fix that race? -Well... | 1:16:52 | 1:16:55 | |
-He did it because I love you. -Stop this! -Life's complicated. -Too complicated. | 1:16:55 | 1:17:01 | |
-Good evening. -Sit down. -Wondering why I'm here? I went to your house... | 1:17:01 | 1:17:07 | |
You were suspicious she was with me, so you went to my apartment. | 1:17:07 | 1:17:11 | |
-You'd be a good detective! -I don't like this guy. | 1:17:11 | 1:17:15 | |
I'm Chamberlain. How do you do? Get him - "How do you do?"! | 1:17:15 | 1:17:19 | |
-You know what you're doing? -Yes. | 1:17:19 | 1:17:22 | |
-You're a regular Blackbeard! -Bluebeard. -A rose by any colour... | 1:17:22 | 1:17:27 | |
-Everybody's too excited. -Nobody's excited. This man told me he's in love with Susan. | 1:17:27 | 1:17:34 | |
-Oh, Dicky, darling! -I was only kidding. | 1:17:34 | 1:17:37 | |
-Don't kid Susan. -Stay out of this. | 1:17:37 | 1:17:40 | |
-Let's have a drink, or some cake. -I don't feel like eating. | 1:17:40 | 1:17:45 | |
-Chamberlain... -This is too public a place for this discussion. -You have my chair. -There are others. | 1:17:45 | 1:17:52 | |
Tell me, do you love me or don't you? | 1:17:52 | 1:17:55 | |
You're cute, but I don't love you. | 1:17:55 | 1:17:58 | |
-She spent 4.50 to make sure you won that race. -Too bad! Have the cup back! | 1:17:58 | 1:18:05 | |
-It was a frame-up? -For the last time, I want my chair! | 1:18:05 | 1:18:09 | |
BAND: # Happy anniversary to you Happy anniversary to you | 1:18:09 | 1:18:14 | |
# Happy anniversary, Mr and Mrs Alderhall | 1:18:14 | 1:18:18 | |
-# Happy anniversary to you. # -I just want my chair! | 1:18:18 | 1:18:22 | |
-Oh, stand up! -Please, sit down. | 1:18:22 | 1:18:26 | |
-CRASH -What happened? | 1:18:26 | 1:18:29 | |
-Always saying the wrong thing. -Shall we fight it out? -Calm down. | 1:18:29 | 1:18:34 | |
-I'm leaving. -So am I. -Wait a minute. | 1:18:34 | 1:18:37 | |
Everywhere you go, you attract trouble. | 1:18:37 | 1:18:41 | |
-You're jumping again. -Shut up! Thanks for a lovely evening(!) -Thank you(!) | 1:18:41 | 1:18:46 | |
I could make trouble for you. | 1:18:46 | 1:18:49 | |
-You're no regular guy! -I hope this fixes your kettle of fish! | 1:18:49 | 1:18:54 | |
I came to buy you a birthday drink and you've ruined my birthday! | 1:18:54 | 1:18:59 | |
Joey got me a cake. You've ruined everything! | 1:18:59 | 1:19:02 | |
-Let him pay for the drinks! -I'd punch you if I wasn't afraid to! | 1:19:02 | 1:19:07 | |
Oh, I'm awfully sorry, Mr Nugent. | 1:19:10 | 1:19:13 | |
Would there be anything else? | 1:19:17 | 1:19:20 | |
For instance? | 1:19:20 | 1:19:22 | |
Well, it's your move. It's been your move for several minutes. | 1:19:27 | 1:19:32 | |
I was a little concerned about Margaret and Susan. | 1:19:32 | 1:19:36 | |
They're old enough to take care of themselves. You just made a stupid move. | 1:19:36 | 1:19:42 | |
DOOR SLAMS | 1:19:43 | 1:19:45 | |
Susan? | 1:19:45 | 1:19:47 | |
Susan! | 1:19:47 | 1:19:49 | |
DOOR SLAMS Why does she do that? | 1:19:53 | 1:19:56 | |
-I should find out what's wrong. -Your queen's in danger. | 1:19:56 | 1:20:00 | |
FOOTSTEPS | 1:20:00 | 1:20:03 | |
DOOR SLAMS | 1:20:03 | 1:20:05 | |
Margaret! | 1:20:05 | 1:20:07 | |
You and your psychology! | 1:20:07 | 1:20:09 | |
DOOR SLAMS I won't stand for this excitement! | 1:20:14 | 1:20:18 | |
-Your queen's still in danger. -Oh. | 1:20:18 | 1:20:20 | |
DOOR SLAMS | 1:20:20 | 1:20:23 | |
-What's wrong? -I must talk to Margaret. -That's impossible! -This is a conspiracy! | 1:20:23 | 1:20:29 | |
DOOR SLAMS | 1:20:32 | 1:20:35 | |
Do you intend to finish this game? | 1:20:35 | 1:20:38 | |
Now, Thaddeus... | 1:20:38 | 1:20:40 | |
-I've got to talk to Susan. -Come back in the morning. | 1:20:41 | 1:20:46 | |
This is a fine way to treat a veteran! | 1:20:46 | 1:20:49 | |
DOOR SLAMS | 1:20:49 | 1:20:52 | |
Thaddeus! You're old enough to control yourself. | 1:20:52 | 1:20:56 | |
Oh! | 1:20:56 | 1:20:58 | |
DOOR SLAMS | 1:21:01 | 1:21:03 | |
-Margaret, I want to talk to you. -Keep out of this! | 1:21:03 | 1:21:07 | |
If you're leaving home, you might take something more practical than a doll. | 1:21:10 | 1:21:16 | |
-I hate you! -You can't mean that. -My own sister stealing my love. -That's not fair. -The other woman! | 1:21:16 | 1:21:23 | |
-It's not like that. -Why don't you send me to prison? -Susan! -I'll fight for my happiness. | 1:21:23 | 1:21:30 | |
Anyway, I saw him first! | 1:21:30 | 1:21:33 | |
I couldn't help overhearing. I had my ear to the door. | 1:21:33 | 1:21:38 | |
Uncle Matt, you told Susan to come to that nightclub. | 1:21:38 | 1:21:42 | |
Let's calm down. Susan, did I send you? | 1:21:42 | 1:21:46 | |
No. It was all my own idea. | 1:21:46 | 1:21:48 | |
-That's beside the point. -You're both hysterical. | 1:21:48 | 1:21:52 | |
-THEY SHOUT -Margaret, let me talk to Susan. | 1:21:52 | 1:21:57 | |
I have nothing to say. I will not make a statement of any kind. | 1:21:57 | 1:22:02 | |
Unpack those clothes and hang them up. | 1:22:02 | 1:22:05 | |
I'm strong enough to give you the spanking you deserve. | 1:22:05 | 1:22:10 | |
-You wouldn't dare. -I won't spank you if you're sensible. Sit down. | 1:22:10 | 1:22:15 | |
Sit down! Your infatuation for Mr Nugent is childish. | 1:22:15 | 1:22:19 | |
You've been cruel and unfair to Mr Nugent, Margaret and Jerry. | 1:22:19 | 1:22:24 | |
-You're going to get sensible about the matter. -I am! | 1:22:24 | 1:22:28 | |
You are? | 1:22:28 | 1:22:30 | |
You're going to listen to me and do just as I tell you. | 1:22:30 | 1:22:35 | |
KNOCKING | 1:22:35 | 1:22:37 | |
-Margaret? -Come in, dear. | 1:22:37 | 1:22:41 | |
-I've had a long talk with Uncle Matt. -Yes? | 1:22:46 | 1:22:50 | |
I see things more clearly. | 1:22:50 | 1:22:52 | |
Richard is too old for me. | 1:22:52 | 1:22:55 | |
When I'm 42, he'll be 60. | 1:22:55 | 1:22:57 | |
-Jerry will look handsome in uniform, don't you think? -I think. | 1:22:57 | 1:23:02 | |
-I've decided to renounce Richard for Jerry. -Very sensible. | 1:23:02 | 1:23:06 | |
Now you ought to patch things up with Richard. | 1:23:06 | 1:23:11 | |
I've acted very childishly and I'm sorry, really sorry. | 1:23:11 | 1:23:15 | |
If I had a million sisters, I'd want them all to be like you. | 1:23:15 | 1:23:20 | |
-You only say that because I'm clunklish. -You're smart. | 1:23:20 | 1:23:24 | |
-Good night. -Good night. | 1:23:24 | 1:23:27 | |
You know, in many ways, I think this has made a bigger woman of me. | 1:23:28 | 1:23:33 | |
I'm not interested in any more of your psychological mumbo jumbo. | 1:23:41 | 1:23:46 | |
You must look at this from the emotional point of view. | 1:23:46 | 1:23:50 | |
I deal in facts. The conclusions I draw from them are depressing. | 1:23:50 | 1:23:55 | |
You're in love with Richard Nugent. | 1:23:55 | 1:23:58 | |
Uncle Matt, I'm weary. I'll discuss this with you in the morning. | 1:23:58 | 1:24:03 | |
-Good night. -Very well. | 1:24:03 | 1:24:06 | |
I thank you for one thing - straightening Susan out. | 1:24:06 | 1:24:10 | |
-It's perfectly all right. Good night. -Good night. | 1:24:10 | 1:24:15 | |
-Hi. -How did you get in here? -I opened the door and came in. | 1:24:31 | 1:24:36 | |
-You can go right out. -You and Margaret are in trouble. | 1:24:36 | 1:24:40 | |
-None of your business. -Don't forget, I started this thing. -I won't! | 1:24:40 | 1:24:44 | |
-Where are you going? -Africa. -Far away. | 1:24:44 | 1:24:48 | |
I'll be in Arabia first, which is pretty close. | 1:24:48 | 1:24:52 | |
-Get out of here. I've got things to do. -All right. | 1:24:52 | 1:24:56 | |
You can't run away from yourself. You're in love with Margaret. | 1:24:56 | 1:25:00 | |
-Don't be ridiculous! -Look at the facts. -I'm an artist. I deal in emotions, which tell me to go. | 1:25:00 | 1:25:07 | |
-What do your emotions tell YOU? Fine. -All right. | 1:25:07 | 1:25:11 | |
-I've got a plan. -I've had enough of your plans and your family. | 1:25:11 | 1:25:16 | |
I was carefree before I met you. I've been in trouble ever since. | 1:25:16 | 1:25:22 | |
-Now buzz off! -All right. | 1:25:22 | 1:25:24 | |
If you run into Professor Smedley, give him my regards. | 1:25:24 | 1:25:28 | |
He's a cousin of ours. ..Just a fifth cousin. | 1:25:28 | 1:25:32 | |
-Ah, beautiful morning! Simply beautiful! Isn't it? -Yes. | 1:25:34 | 1:25:39 | |
-Wonderful weather for flying, isn't it? -Yes. | 1:25:39 | 1:25:43 | |
It'll give you a chance to relax. | 1:25:43 | 1:25:46 | |
I think you'd better take me home. | 1:25:46 | 1:25:49 | |
That's ridiculous! | 1:25:49 | 1:25:51 | |
It's ridiculous that I'm packing up for four days, running away, because of a very silly man. | 1:25:51 | 1:25:58 | |
Let bygones be bygones. | 1:25:58 | 1:26:00 | |
If your paths should happen to cross, that's another thing. | 1:26:00 | 1:26:05 | |
-They'd better NOT cross. -You do what I tell you. -You haven't done so good lately. | 1:26:05 | 1:26:11 | |
-I talked you into taking a plane trip. -You could talk the devil into going to church! | 1:26:11 | 1:26:18 | |
-Keys, please. -Be right with you. | 1:26:31 | 1:26:34 | |
-I'll take care of the baggage. -Baggage. | 1:26:34 | 1:26:37 | |
TANNOY: 'Attention please...' | 1:26:37 | 1:26:41 | |
- We can get you on the next flight. - All right. Thanks anyway. | 1:26:41 | 1:26:45 | |
-Judge Turner's reservation, please. -Sir. | 1:26:45 | 1:26:49 | |
Please thank Mr Martin for arranging this. | 1:26:49 | 1:26:53 | |
-Beemish! Where's Margaret? -I'm looking for her. | 1:26:54 | 1:26:58 | |
-You know she's leaving? -Yes. -It's Nugent's fault. If I see him, he'll get ten years. | 1:26:58 | 1:27:05 | |
-Take my advice... -No. I should have locked him up. Where's Margaret? -I don't know. She should be here. | 1:27:05 | 1:27:11 | |
-Watch that entrance. I'll keep watch here. -Let me know when she arrives. -Sure. | 1:27:11 | 1:27:17 | |
-So long. Thanks. -Have fun. Stay out of jail. | 1:27:25 | 1:27:29 | |
-Here. -Maybe I ought to have some second thoughts. | 1:27:31 | 1:27:35 | |
You just go away and have a good time. | 1:27:35 | 1:27:39 | |
I'm sorry I can't see you off. I have to get back. | 1:27:39 | 1:27:43 | |
Thanks, Uncle Matt. I don't know what for, but thanks. | 1:27:43 | 1:27:46 | |
-You're welcome. Happy landing. -Bye. | 1:27:46 | 1:27:50 | |
TANNOY: 'Your attention, please. TWA flight 60 is ready for immediate departure...' | 1:27:50 | 1:27:57 | |
-I'm Dr Matthew Beemish, the City Psychiatrist. -Glad to know you. | 1:27:57 | 1:28:02 | |
-I'm observing a patient. -Who is he? -The blond fellow with the brown hat. | 1:28:02 | 1:28:07 | |
-Oh, yeah. -He's harmless, but might create a scene. | 1:28:07 | 1:28:11 | |
-What's his trouble? -He thinks he's the Assistant District Attorney. He likes to arrest people. -Poor guy. | 1:28:11 | 1:28:18 | |
You'd think he'd at least want to be a desk sergeant! | 1:28:18 | 1:28:23 | |
-I'll try to handle him, but I wanted you to know. -I'll be around. | 1:28:23 | 1:28:28 | |
-You seen Margaret? -No. I'll tell you a story. -I don't wanna hear it. | 1:28:28 | 1:28:34 | |
-There's Nugent! Get him! -Wait! -No. -You're sure you want to go through with this? -It'll be a pleasure. | 1:28:36 | 1:28:44 | |
Officer, I want you to arrest someone. | 1:28:44 | 1:28:47 | |
- You don't want to arrest people. - What? | 1:28:47 | 1:28:50 | |
- Go on home. - I'm Assistant District Attorney. | 1:28:50 | 1:28:54 | |
- Sure! - Tell him. | 1:28:54 | 1:28:56 | |
-He is the Assistant DA. -Nice! | 1:28:56 | 1:29:00 | |
- You blockhead! - Wait a moment. | 1:29:00 | 1:29:03 | |
- Trouble? - I'm the Assistant DA. - Sure! Relax. | 1:29:03 | 1:29:09 | |
We'll make you District Attorney. You'll be in charge. | 1:29:09 | 1:29:13 | |
-I'll report you to the Police Commission. -I'll get a pencil. | 1:29:13 | 1:29:17 | |
I'm the Assistant DA! Leave me alone! | 1:29:17 | 1:29:21 | |
Margaret Turner. | 1:29:36 | 1:29:38 | |
-Nugent, Richard. -Thank you, sir. | 1:29:38 | 1:29:41 | |
-You remind me of a man. -What man? -The man with the power. -What power? | 1:29:54 | 1:29:59 | |
-The power of hoodoo. -Hoodoo? -You do. -Do what? -Remind me of a man. | 1:29:59 | 1:30:04 | |
-What man? -With the power. -What power? -Give up? -Give up. Let's go. | 1:30:04 | 1:30:10 |