Bachelor Knight


Bachelor Knight

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Miss Susan?

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Miss Susan.

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Miss Susan?

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BELL RINGS

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-Just five more minutes, Bessie.

-No, ma'am - now.

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But, Bessie, I feel absolutely clunklish.

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You just clunklish yourself down to breakfast. I'm getting the judge up.

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-I'm up!

-"Clunklish"! When I went to school I learnt English!

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Judge Turner?

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Judge Turner? Judge Turner?

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CLATTER

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Five more minutes.

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Breakfast is ready, Your Honour.

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-What time is it?

-It's a few minutes past eight.

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-My sister up?

-Yes, she was feeling a little clunklish but I got her up.

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-Next time she says she feels clunklish, tell her not to be a clunk.

-Yes, Your Honour.

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-Good morning.

-Good morning, dear.

-PHONE RINGS

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Hello? Hi, Jerry!

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-No, we have a speech this afternoon.

-Susan. Your breakfast.

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Hang on a second.

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-Sorry I'm late.

-Did you sleep well?

-Oh, clunklish.

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Don't be a clunk, Miss Susan.

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-You've coached her.

-Someone has to protect her.

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-Margaret, the man who ran away with the 16-year-old girl...

-Yes?

-What did he get?

-Three years.

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-That'll cost me 3! I always bet you won't sentence people.

-Ridiculous!

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-How've you done?

-You've cost me a fortune.

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-You should be interested in a more exact science, like geometry.

-I do not like geometry.

-Mr Roberts does.

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He said you described a triangle as two women crazy about one man.

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-Mr Roberts is definitely decadent.

-Is he?

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-Margaret...?

-How much?

-Only 3 - in advance of my allowance.

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You're already working on 1949.

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And no more betting.

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-I often wonder why you're so good to me.

-I'd die for you - but it's harder living with you.

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-HORN BLARES I got to go.

-You haven't eaten your breakfast!

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Thanks! Bye.

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I can't talk now.

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-Er, Bessie.

-Yes, ma'am?

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Have you followed the case of the man who ran away with the girl?

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-Yes, ma'am.

-Do you think my sentence was too severe?

-No! I'd have given him ten.

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-Would you?

-I certainly would.

-Thank you, Bessie. I was just curious.

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-HORN SOUNDS

-The judges.

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I mustn't keep them waiting.

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-Oh.

-Your Honour?

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-Oh, thank you. Bye, Bessie.

-Bye, Miss Margaret.

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Exit woman, enter judge.

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-More's the pity.

-Uncle Matt, I take exception to your innuendo.

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-I'm no problem to you. Now, Susan...

-Oh, nothing wrong with Susan that a man in the house wouldn't cure.

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-I've been telling you that for years.

-I will not put up with your constant attempts to get me married.

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-KNOCK ON DOOR

-Come in.

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Good morning! Good morning! Good morning, Margaret, Herr Doktor.

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-Good morning.

-Margaret, I've found a copy of this rare Exegi Fossius.

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-Thank you, Tom.

-The night-blooming Exegi Fossius? Put it in a vase!

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You seem truculent this morning.

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Physician, heal thyself.

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See you later, Margaret.

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For the record - I'm not as interested in the woman marrying, as in her marrying the right man.

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He doesn't like me. It's a sixth sense one acquires in this office.

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No. He has a life beyond his job as court psychiatrist. Occasionally they become confused.

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Speaking of combining work with pleasure,

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-I understand you're reviewing a case involving Richard Nugent...

-If your gift is in fact a bribe...

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Oh, put it out of your head. But he's given us a lot of difficulty.

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-Let's both go where we were going. So long, Tommy.

-Very well.

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But remember - absit invidia.

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-We're ready, Your Honour.

-All right, Max.

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­ Do you swear that the evidence you shall give in the State v Nugent

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shall be the truth, the whole truth and nothing but the truth?

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ALL: Yes.

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Go ahead.

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We picked up Richard Nugent on a radio riot call.

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It was a free-for-all, and Nugent was at the bottom of it.

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-Which of you is Nugent?

-Mr Nugent isn't here, Your Honour.

-Is he in hospital?

-No, out on bail.

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-He knew the hearing was at nine?

-Yes, Your Honour. He must have been unavoidably detained.

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If Mr Nugent isn't here soon I shall forfeit his bail.

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-But...

-I'll hear the evidence.

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-Your name?

-Anthony Herman. I work at the Vampire Club.

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I throw people out if there's a disturbance.

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-What happened last night?

-I got back from maintaining order on a guy who said the music stank,

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and I became aware of loud activities and screams.

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As I rushed over, a straight left catches me.

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As you can see.

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A short time later I'm informed it's all over. But I remember one thing -

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-Mr Nugent was at the centre of it.

-You didn't see him fighting.

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Oh, he was fighting... THEY TALK OVER EACH OTHER

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SHE BANGS GAVEL

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-THEY FALL SILENT

-Your name?

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-Miss Agnes Prescott.

-Go on.

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I'm an entertainer. Huh!

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I've known Mr Nugent some time. I once posed for him - in costume.

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I've posed for Mr Nugent, too. In costume.

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-Shall I continue?

-By all means.

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Last night, Mr Nugent dropped in. While we were having a few words,

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we were accosted by this...lady, which I resented!

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Harsh words were exchanged. Mr Nugent came to my defence. I knew him first!

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-THEY TALK OVER EACH OTHER

-Just a moment.

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Mr Nugent has exactly 60 seconds.

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Mr Nugent's unpunctuality comes as no surprise to the District Attorney's office.

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The DA has a special interest.

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It's the third time Mr Nugent has created a public disturbance.

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I object, Your Honour. The remarks will prejudice the court.

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This case only should be considered.

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-Your Honour, it's important... >

-I'll consider only this evidence.

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-Very well. >

-Don't sulk.

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Good morning.

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-Morning.

-Morning.

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-Good morning.

-Good morning. Morning.

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May I assume this is Mr Nugent, the defendant?

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-I'm frankly and honestly delighted, Your Honour.

-Is it all right to go ahead now?

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-I'm sorry...

-I hope we haven't inconvenienced you.

-It's just...

-Your watch is slow.

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Stopped.

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-Forgot to wind it.

-This court works on schedule, Mr Nugent.

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-Nine o'clock means nine o'clock.

-Yes, sir... I mean, Your Honour.

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Did you go to the Vampire Club last night?

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Yes. I'm doing a series of paintings on Americana, including a nightclub scene.

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Creating one, more like.

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There seems to be some doubt as to how the fight started.

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Well...

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-Agnes had finished her spot. That's a theatrical term for routine.

-Thank you(!)

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We were having a drink when Florence...

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-We've met.

-..appeared. She, er...

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-Florence has posed for me.

-I merely stopped to say hello, which this canary resented.

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-Well, my escort...

-I'd prefer to hear Mr Nugent's version.

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Thank you.

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Florence's escort appeared. You've met him, too?

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He objected to Florence coming to my table. Florence didn't like that.

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Tony slapped Florence and I slapped Tony.

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Defending American womanhood. Get that!

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Florence attempted to stop the fight. Agnes scratched Florence.

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Florence...

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No-one can remember a fight punch for punch.

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Mr Nugent has been in escapades, but never through any fault of his own.

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The fact that he is a painter of contemporary life can place him in unusual circumstances.

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-Mr Nugent should not get special privileges because he's an artist.

-No, Your Honour.

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-The DA's office would like him held.

-I see no reason for that.

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The fight involved everyone and they are equally guilty or innocent.

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-Go home, nurse your wounds and be a little less emotional next time.

-Thank you. May I go?

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-You just got here. Don't you like our court?

-Oh, I like it fine. Only I'm due to give a lecture.

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-Really! What in?

-America as I see it.

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It should be interesting.

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Mr Nugent, I've met your type before. I sentence them every day of the week.

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Next time you won't be dealt with so leniently.

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I suggest you confine your painting to still life.

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Case dismissed. Next case.

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(Don't press your luck.)

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I wish we didn't have this thing. I hate lectures.

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..if your coach told you to get exercise...

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You OK for Saturday night, Susie? You promised.

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-Promises are the hollow shells of undone deeds.

-What does that mean?

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You're a nice boy, Jerry, but you're callow.

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-Not too callow to take you out when money's low.

-Don't create a scene.

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You're looking for a knight in shining armour. I'm competing with something medieval!

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Don't be a stube! BELL RINGS

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Students, members of the faculty,

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our High School is honoured

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in having as guest lecturer

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a man who will speak to us about the classical tradition of painting.

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He's well qualified to speak to us about painting

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because he's one of America's foremost exponents of painting.

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Students,

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I know you will express enthusiasm for his appearance here today.

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I present Mr Richard Nugent.

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SPARSE APPLAUSE

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APPLAUSE INCREASES

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CHEERS

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SOMEONE WOLF WHISTLES

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..A lot of people think of art as stuffy.

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But true art has something to say to everyone.

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Great art unites the masses in every country.

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-He's handsome!

-I suppose so - for an older man.

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Look at it in terms of history.

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Each age, each era becomes visual to us when the artist recreates it in stone, bronze or on canvas.

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The essence of art is simplicity. If I wanted to capture America,

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I wouldn't look for towering mountains or fields of grain.

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I'd put America on canvas in a picture of one of you.

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In his denims, shirt open at the neck.

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He'd be young, eager and proud because of what's ahead of him.

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You're the kids who'll be running our factories, voting for what you want this country to be -

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-a place where there's freedom...

-You all right?

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..I'd try to convey all that in the portrait, too. Thank you.

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Mr Nugent. Mr Nugent! My name is Susan Turner. I'm a student here.

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-No!

-Yes!

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I loved your speech.

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Bye, Mr Nugent! SHE WHISTLES

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-Nice to have met you...

-You don't understand!

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-I have to interview you.

-What?

-For the school paper. I'm editor.

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-Shall we go somewhere quiet?

-Well...

-We don't often have an artist here. I bet you've had an interesting life.

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Could we do this some other time?

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-I have a date.

-You're not married!

-No.

-Oh, I knew it! You couldn't be!

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Well, I've had some offers.

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It's this way. We can talk in here.

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-Don't you see, I...?

-Please?

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-Have you ever been married?

-No.

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-Ever been in love?

-Yes, I have. Tell me, what kind of paper does this school run?

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-Oh, all the students read it!

-I bet!

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You probably have no idea what an unusual person you are.

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But I can see it. I'm really much older than I look.

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These are merely the vestments I don as a concession to our outworn educational anachronism.

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But I know what the artistic soul is like, how it suffers.

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-Did you have many ordeals before you found success?

-No...

-You can tell me.

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I want you to think of me not as a newspaper woman but as a friend.

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In that case, I'll tell you.

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I did suffer.

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When I was ten my parents had a suicide pact. They made it.

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I was sent to an orphanage. Some days they didn't beat me.

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Then I escaped.

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I ran away to New York. I used to steal.

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-What did you steal?

-I beg your pardon?

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-What did you steal?

-Crusts of bread.

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And things.

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One time I stole a valise. There were paints inside it.

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So I began to paint. Then they got me.

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-I was sent to a reform school, but I escaped again.

-Go on!

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Back to New York. A wealthy lady saw my work, fell in love with me

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and sent me to art school. The rest is history.

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How wonderful.

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How terribly wonderful.

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Now, if you'll excuse me, I must rest.

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Of course.

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-Goodbye, Miss...

-Turner!

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Susan Turner! Remember what you said about painting one of us?

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-America and the grain?

-Yes, I do.

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D'you think I'd make a good model?

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-You're not quitting the paper?

-It's a stopgap. My family want me to do law, but I don't want to be Portia.

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-That's something you can sort out.

-One female judge in the family is enough.

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-Did you say your name was Turner?

-Yes. My sister's Judge Margaret Turner.

-Bye!

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-What about my posing for you? America?

-Fine.

-You think I'm ideal?

-Sure. Sometime.

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Thanks for the interview. Bye.

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-Not goodbye, au revoir.

-Au revoir!

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-Something wrong?

-That picture. It's hideous.

-It's very nice!

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It has no simplicity! It's so...so busy.

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-True art should unite the masses in every country.

-Hmm.

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-Who lectured today?

-What does that have to do with it?

-Everything.

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Last month you wanted to be a designer.

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Then you wanted to be a female deep sea diver.

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Now you find our painting offensive. What does this artist look like?

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He's wonderful. I interviewed him.

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-I've never seen anyone in armour before.

-Few people have, Susan.

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You don't know how wonderful he is.

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-He's had to lie and steal to get somewhere in life.

-That's just dandy!

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-What's the name of this knight?

-Richard Nugent.

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Richard Nugent... Richard Nugent?!

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-Have you heard of him?

-We have a permanent courtroom for him!

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-How dare he lecture in a school?!

-Don't get excited. All he did was talk about art.

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-And he was very good.

-Perhaps you're right.

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I suppose there's nothing wrong with his lecturing.

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Have you ever thought of me as a model?

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I can't honestly say that I have. Why?

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Dicky wants me to pose for him.

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Isn't that nice(!)

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Dicky?!

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He's a very fine man. You don't know him.

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-Enough to advise you to go back to diving!

-I don't need your advice.

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I'm acting in your own best interests.

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-You'll make me an old maid!

-When a suitable man appears I'll be happy.

-If he does a lie detector test first!

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-I want you to forget all about Mr Nugent.

-Why don't you write out a court order?!

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KNOCKING

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-Good evening, Mr Chamberlain.

-Is the lady in?

-She's practically out.

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-Hello, Your Honour.

-Only a moment, Tommy.

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-Are you all right?

-Fine. Just fine.

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-I'm sorry about our...

-Oh, it's all right. It was nothing.

0:23:280:23:32

I'll be home early. See you in the morning.

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Goodbye. Have a good time.

0:23:360:23:39

-Do I detect an air of trouble?

-I never enjoy quarrelling with Susan.

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-She's entitled to growing pains.

-They're rapidly becoming a disease.

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-Can I help?

-What apartment is Mr Nugent in?

-He isn't in any.

0:24:020:24:07

-Doesn't he live here?

-Sure, but he isn't home.

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-Anything I can do for you?

-Thank you, I'll wait.

0:24:110:24:15

-He expecting you?

-I'm going to pose for him.

-Oh.

0:24:150:24:20

-D'you want to wait upstairs?

-Would it be all right?

-Sure. I'll take you.

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-You're new around here.

-Yes.

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-I'm 15!

-I'm 17.

-That's OK. I like older women.

0:24:280:24:33

Mademoiselle.

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Here we are.

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Some layout, huh?

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-This is where he lives.

-I've got work to do. Make yourself at home.

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SHE MOUTHS

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-When did you discover she was gone?

-About dinnertime.

-What time was it?

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-A quarter past seven.

-Did she leave a note?

-I didn't find any.

-Are...

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-This isn't a criminal investigation. Bessie, you may go.

-Thank you.

0:26:000:26:05

-You're Assistant District Attorney. Do something!

-We have no clues.

0:26:050:26:11

-Have you checked the hospitals?

-Yes. Airports, railroad, bus stations. Did you call her friends?

-Hours ago.

0:26:110:26:18

-Jerry came to see her. She'd gone.

-PHONE RINGS

0:26:180:26:22

-Hello? It's for you.

-Hello. Chamberlain speaking.

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Keep a man there. Check the morgue.

0:26:290:26:32

HE HANGS UP I'm sorry. It's routine.

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-I remember an important...

-If she's hurt I'll never forgive myself.

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-I shouldn't have quarrelled with her.

-What was it about?

-I said she couldn't pose for Richard Nugent...

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HE WHISTLES

0:27:040:27:07

RADIO: '..Aggravated by the imponderables of international...'

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ORCHESTRA PLAYS RELAXING MUSIC

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HE WHISTLES THE MELODY

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Hello, Mr Nugent.

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Dicky, hello!

0:28:410:28:44

BANGING ON DOOR

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< Let us in!

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RADIO: 'Now we bring you that sensational tune Fast Ride In A Patrol Wagon.'

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SIREN BLARES

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Tell me exactly what happened.

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-If I knew that I wouldn't be here!

-Give me a rough idea.

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-Where were you when they let me use the phone last night?

-I had not anticipated your winding up in jail.

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-I have a life of my own.

-I hope I haven't inconvenienced you!

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-Not at all.

-Sleep well? Good breakfast?

-The facts!

-Sit down.

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Get a load of this.

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I got home to my apartment last night. That much I know.

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This girl was there. At least, I think she was. I don't know.

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-Judge Turner's sister?

-That's right.

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-Young girl?

-What did you say?

-Young girl?

-Too young.

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Nugent, why don't you tell me the truth?

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I AM telling you the truth. That's what happened last night.

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Nobody listened to me. I couldn't explain. Now please...

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I got home to my apartment last night.

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I went up to my bedroom, took off my dinner coat, put on a robe, came downstairs, turned on the radio,

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got a nice highball, opened a book, sat down to read,

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when up popped this little girl. Little girl popped up.

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There's banging. Somebody busts in.

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-Did the girl...?

-Everybody's talking at once...

-Did the girl explain why she was there?

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Yes... She tried to explain. They wouldn't let her.

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She said she'd come to be a model.

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Did you or did you not invite her up there to be a model?

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Well, in a roundabout way, I guess I did.

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She kept saying I was going to paint her as Young America.

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-Did you tell her that?

-I've told that to 500 little girls!

-Let's not go into that.

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You're charged with hitting the District Attorney. Did you or did you not hit him?

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I hit him. That's right.

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I did not know he was the Assistant District Attorney.

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If I had known he was the Assistant DA...I would have hit him.

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He said some very bad things. Kept pulling on my arm. Wouldn't let the little girl explain.

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-And her sister - that's a mountain of ice, a gallon of poison! Jumping to conclusions!

-Control yourself!

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If worst comes to worst, maybe I can get your sentence reduced.

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-But you have to remember coherently exactly what happened.

-Oh, sure.

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If you talked like this in front of a court, you'd get 20 years.

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I'm ready to go now.

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Coherently. Exactly.

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See you later. You'll know me - I'll be dressed like a lawyer.

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HE MUTTERS

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Mr Nugent, you got a visitor. It's Dr Beemish.

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Mr Nugent?

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-I'm the court psychiatrist.

-Return in an hour. I'll be crazy by then!

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I'm here to help. You're just an innocent bystander.

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-Sit down, doctor.

-Thank you.

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-May I offer you a drink?

-No, thanks.

-Cigar?

-No, no, I'm fine, thanks.

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-Is this cell comfortable?

-I've nothing to compare it with. This is my first time.

-Oh, oh.

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-I think you'll find our penology system is quite modern.

-That's a load off my mind.

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What can they do to me if I kill a judge?

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-Judge Turner appears to be a very dominant woman, but her dominance is actually retreat.

-Is that so?

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We call it a manifestation of the Oedipus complex.

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As Menangere so clearly points out, traumatic events seem to...

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The only traumatic event she needs is a good smack in the jaw.

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She's my niece.

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But you're absolutely right.

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-Judge Turner's ready for you, Doctor.

-Thank you.

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Just leave things in my hands, Mr Nugent.

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-I dare say you'll be surprised at the results.

-Dare say.

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I have a plan.

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-Nugent seems a nice fellow.

-Sure you were talking to the right man(?)

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Certainly. About six feet, broad shoulders, blue eyes.

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-He has brown eyes.

-Oh, has he? Margaret, have you made any definite plans about Nugent?

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It isn't my case. Judge Treadwell is viewing the evidence.

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Oh. Well, I hope Treadwell doesn't go too far.

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I won't be responsible for Susan.

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You were saying?

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Susan thinks she loves this man.

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If things take their normal course, in a few weeks she will have forgotten all about him.

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But sending him to prison will martyr him in her eyes.

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-It'll be a tragedy she'll never get over.

-Nonsense!

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You don't understand. Susan's not like other children. She's above that sort of silliness.

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KNOCKING

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Sorry to bother you. This lady came to see Mr Nugent.

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-She claims to be your sister and his mother.

-Susan!

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I just wanted to talk to him. About the steel business.

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She baked this.

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Thank you, Melvin.

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What's happening to you?

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I'm in love with him. Don't you realise that?

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If I lose him, life has no meaning. I love him.

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SUSAN SOBS

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-How about a reversal?

-You win.

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KNOCKING Come in.

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Here's Mr Nugent.

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-Hello, Richard. Well, you don't look any the worse for wear.

-Prison agrees with me(!)

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-Mr Nugent, I have good news.

-They're going to hang me!

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I'm the one who ought to be hanged.

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Won't I sit down?

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-Please do. I believe you know Dr Beemish.

-Yes.

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-This is Judge Treadwell.

-How do you do?

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-How do you do?

-You know Assistant DA Chamberlain?

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-Nice to see you again.

-Sorry about that misunderstanding.

-Forget it.

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-That's generous of you.

-Not at all.

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-I lost my temper, too, last night. Pardon me.

-That's all right. I hope you'll pardon ME!

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Thank you for holding this preliminary hearing in camera.

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That's all right. Given Mr Nugent's reputation, I see no reason to expose him to unnecessary publicity.

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This incident can be straightened out amicably, if the Assistant DA doesn't wish to press charges.

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I wouldn't want to see Mr Nugent in jail.

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-Well, thank you. I guess I'm free to go.

-Just a moment.

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-I believe Judge Turner has a suggestion.

-Anything.

-Yes.

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It isn't much. I'm worried about Susan.

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-Oh.

-She's become quite enamoured of you, Mr Nugent.

-Well...

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-We wondered if you'd help us by taking her out.

-I'd be glad to...

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-Doing what?!

-Being her beau, just until she gets over you.

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-Dr Beemish says she mustn't feel you're being martyred.

-Oh, does he? Let Dr Beemish take her out!

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There's no law says I have to.

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No-one's trying to force you. We hoped you'd WANT to.

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Because your attitude will have a bearing on the other charges, if the Assistant DA chooses to press them.

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-All I did was punch his nose!

-Mr Walters,

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if a man was brought before you who'd enticed a 17-year-old to his apartment to "paint her portrait",

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and who'd brutally assaulted the Assistant DA, what would you do?

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-I'd give him 20 years.

-Which side are you on?

-You haven't proved it.

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-We will.

-That's for the jury to decide.

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Mr Walters, if this man realised the young girl was in love with him,

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and agreed to help her get over him, wouldn't you be lenient?

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I would. I'd drop the charges.

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That's exactly what I'd do.

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What do I have to do?

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You'll see Susan whenever we deem proper. As soon as your fascination wears off, you're free to go.

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-What if it doesn't wear off?

-It will.

-Oh!

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Mr Nugent, please have no illusions about this matter.

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This is against my judgment. I'd as soon she went out with an actor.

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-Judge Turner doesn't mean that.

-Oh, just wondering.

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She means I've recommended you as a vital therapy measure.

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Huh! That's great(!) Recommended for children!

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Get him!

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This row is reserved for faculty and important members of the student body. I hope you like basketball.

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Crazy about it!

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Good evening, Susan.

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-Geometry straightened out?

-Yes, Mr Mittwig.

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-Your handkerchief.

-You must be a new boy.

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-We'll probably run into each other.

-I gave a lecture here on art.

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Oh, you're in Miss Hellop's class. Excellent teacher! Excellent!

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WHISTLE BLOWS There they go!

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CROWD CHEERS AND WHISTLES

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CROWD CHEERS

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WHISTLE

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M-F, S-U-N.

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F-F, S-E-T.

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S-U-N-S-E-T.

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-Sunset! Sunset! Sunset!

-Ra!

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We had a better team last season, but our star centre graduated.

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-Too bad.

-I think our new centre needs more experience.

-Oh, at least.

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-He used to be sort of a boyfriend of mine.

-What?

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-Oh, until I met you.

-You mean that fine-looking young man who smiled at you?

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Yes, that's the one. He's just a child.

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-Is he in love with you?

-I suppose so.

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But you needn't be jealous, Richard. He's really terribly unsophisticated.

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WHISTLE

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White out.

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-Sit it out for a while. Get your mind back on the game.

-Yes, sir.

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Yes, fine figure of a man! I'd like to meet him.

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That can be arranged.

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-Great game, Mr...

-Jerry White, Richard Nugent.

-How do you do?

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Usually my game's better. It's kinda off. Personal troubles.

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It's too bad that certain athletes are concerned with their own problems, instead of beating PB High.

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Oh, I don't know, Susan. Why don't we all talk it over? Will you join us for a soda after the game?

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-You mean that?

-Yes.

-I'd love to!

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Thanks, Mr Nugent.

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I feel a lot better, Coach. Sure would like to get back in the game.

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-All right. Go in.

-Thanks.

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CROWD CHANTS

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-White for Baldman.

-Baldman, eh?

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CROWD CHEERS

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WHISTLE

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Hooray! Sunset!

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Hooray! What a player! Hooray!

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SWING MUSIC PLAYS

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Thank you.

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I feel sorry for Jerry.

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-Why?

-I played basketball as a kid, about 20 years ago...

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-I'll bet you were wonderful.

-Not as good as Jerry. He's a champ.

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-His game's off because of you.

-You think?

-I know.

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-It's awful what a woman can do. Look at Caesar and Cleopatra...

-Napoleon and Josephine.

-All of them.

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-Behind every defeated man is a frustrated love.

-You're right.

-You bet.

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And I promise all my life never to hurt you.

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It was a tough game.

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-Hello, Jerry.

-But we won.

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-Certainly through no help from you.

-I thought he played a splendid game.

-No, he didn't.

-He did.

-I didn't.

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-What will you have?

-I'm not hungry. I'll have a double sweetheart flip.

-Aren't you in training?

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Sometimes a man just doesn't care.

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-You see? I know how you feel.

-You do, huh?

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When Susan told me about you and her, I was sore. You can't blame me.

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-No...

-My first instinct was to take a poke at you.

-Jerry!

-Let me finish.

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I said to myself, let's be civilised.

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If Susan feels that way, it's all right.

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That's big of you, and generous.

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-We can still be friends.

-Of course.

-No matter what.

-Dick and I will treasure your friendship.

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If I can do anything for you, just call Jerry.

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-And if we can do anything for you, just ask.

-Get in touch.

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-Well, I guess it's goodbye, Jerry.

-I guess it is.

-I guess it is...

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-Oh, Susan...

-Yes, dear?

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It isn't becoming for you to call me "dear" and "darling".

0:45:580:46:03

-Why, darling?

-Stop that.

0:46:030:46:05

-The basketball game was fun, but it can't go on.

-I know. The season's over next week.

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No, Susan. Wait a minute. I mean the whole thing can't go on.

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You got me into this. You told your sister I asked you to pose for me.

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-That's true, in a way.

-It isn't so and you know it. Let's not argue.

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-Everyone now has the crazy idea you're in love with me.

-I am.

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Look at me. Susan, I wouldn't say this to many people, but I'm old enough to be your father.

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-You're so right, dear.

-Honey, you've got to realise that this isn't proper for either of us.

0:46:400:46:47

-You're so right, dear.

-It's...

-Step.

-Thanks.

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-It's gonna embarrass you, too.

-You're so right, dear.

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-You're not paying any attention.

-You're so right, dear.

0:46:540:46:58

Well! Good evening, Susan. Good evening, Nugent.

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-Glad to see you kids home early.

-We're not home yet.

0:47:040:47:07

-Did you have a good time? How'd you like a cigarette?

-I'm not allowed to smoke.

-Sorry, I've no bubble gum.

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Good night, Tommy.

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Nugent, we're having a birthday party Saturday for my niece. Love to have you come. She'll be six.

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-How's your jaw?

-Fine. Why?

-Because the worst I can get is 90 days.

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Temper, temper! Well, toodle-oo, kids!

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Hello, Margaret.

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Hello, Susan.

0:47:400:47:43

-Good evening.

-Good evening.

-That's the new dress.

-Like it?

-Beautiful!

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Too bad you had to go to that dreary dinner.

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-It was nice. Did you enjoy yourself?

-It was simply sensational.

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-You'd better turn in now. School tomorrow.

-Yes, of course.

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Good night, Dicky.

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Good night, Susan.

0:48:060:48:09

-Good night.

-Good night.

0:48:090:48:11

-Good night, Dicky.

-Good night.

0:48:140:48:16

Well, um, good night.

0:48:200:48:22

Good night.

0:48:220:48:24

That is a beautiful dress, and you look wonderful in it.

0:48:270:48:30

Thank you. You said that gracefully - perhaps the result of practice.

0:48:300:48:35

-You said that ungraciously - perhaps the result of practice.

-I had that coming.

0:48:350:48:42

-You got a moment?

-Yes.

0:48:420:48:44

That's right.

0:48:570:49:00

My mother was a remarkable woman. She taught piano.

0:49:030:49:07

Funnily enough, children liked to take lessons from her.

0:49:070:49:12

Anyway, I read a lot of books she didn't want me to read.

0:49:120:49:16

A perfectly normal attitude.

0:49:160:49:19

One day, downstairs, I found a book with a very racy title. I sneaked it up to my room, started to read.

0:49:190:49:26

I read for a long time. It was awful dull, but I kept on with it.

0:49:260:49:31

Then I discovered Mother had stuck a philosophy book under that paper cover with a racy title.

0:49:310:49:39

I waded through the thing. I never found anything exciting, but I learned a lot about philosophy.

0:49:390:49:46

Very interesting.

0:49:460:49:49

My father was a judge. When he gave me a book about law, I knew it would be about law.

0:49:490:49:55

And when you meet a man labelled "artist", you know he'll be all you think an artist is supposed to be.

0:49:550:50:03

Concerning you, I sat in judgment on a series of facts, not on your character or biography.

0:50:030:50:10

I just took the long way around to tell you

0:50:100:50:13

that when I said you look wonderful in that dress, I meant it.

0:50:130:50:18

I'm sorry. I've never been subjected to so much charm before.

0:50:180:50:24

Well, I'm afraid we're wasting a perfect, beautiful moon, and I'm keeping you up.

0:50:250:50:31

-Good night.

-We'll see you Saturday. You're taking Susan to the picnic.

0:50:310:50:37

I'll be here, don't worry, with my very best Saturday picnic charm.

0:50:370:50:43

-Good night, Your Honour.

-Good night.

0:50:430:50:46

Hi, Jerry.

0:51:070:51:09

-Hi, Mr Nugent.

-Why are you out here?

0:51:090:51:12

-It's hard to get Susan out of your system.

-I know.

0:51:120:51:16

-Why don't you go inside?

-I'm not welcome.

0:51:160:51:19

-Susan probably doesn't know you're out here.

-She put me here.

0:51:190:51:24

I'm a square in Susan's social circle. It's not her fault.

0:51:240:51:28

-It's her uncle - Judge Thaddeus. Have you met?

-No.

-He's fierce.

0:51:280:51:33

All I said was "Greetings! Yookey dookey!" He blew a fuse.

0:51:330:51:37

-Sounds OK.

-He's been around lawyers so long he's forgotten how people talk.

-Sure. "Greetings! Yookey..."

0:51:370:51:45

-Are you going to the picnic?

-I was, but...

-Like to use my car?

0:51:450:51:50

-You're kidding!

-No, I'd like to borrow yours. Does it run?

0:51:500:51:54

-Sure!

-Where are the keys?

-You don't need a key.

-Oh. Here are the keys to mine.

-Thanks.

-See you there.

0:51:540:52:01

-She sure is a honey.

-Just a later model.

0:52:030:52:07

-DOOR BUZZER

-That must be Richard Nugent.

0:52:250:52:28

-Who the devil is Richard Nugent?

-He's taking Susan to the picnic.

0:52:280:52:34

-You'll like him.

-How in blazes do you know?

0:52:340:52:38

Hi! Greetings! Yookey dookey!

0:52:380:52:41

-Dicky!

-Poot, let's scoot!

-Reet!

0:52:410:52:44

-You remind me of a man.

-What man?

-With the power of hoodoo.

-Hoodoo?

0:52:440:52:49

-You do!

-What?

-Remind me of a man...

0:52:490:52:52

-Good morning.

-Greetings.

-(Are you mad?)

-What?

-(What are you doing?)

-I don't dig you!

0:52:520:52:58

-What are you whispering about?

-I'm sorry.

-Hi, Uncle Matt!

0:52:580:53:02

-May I present Judge Turner?

-How do you do?

-Ooh! This isn't a pump handle.

-He's sharp!

0:53:020:53:09

-You remind me of a man.

-What man?

-With the power of hoodoo.

-Hoodoo?

-You do!

-What?

-Remind me of a man.

0:53:090:53:16

-Judge Turner's an Associate Justice.

-Better than working for a living!

0:53:160:53:21

-Won't we be late to the picnic?

-Yes.

0:53:210:53:24

I'm a pepper shaker! The hot rod's outside!

0:53:240:53:28

Come on, Thaddeus.

0:53:310:53:33

Hmmm. "You remind me of a man..."

0:53:330:53:36

-Who do?

-No, I'm supposed to say that!

0:53:360:53:39

-But that's Jerry's car.

-Just looks like it.

0:53:450:53:49

-What's this?

-Friend of mine made it!

0:53:490:53:52

You expect me to ride in that? Margaret, I want to talk to you.

0:53:520:53:57

Come on, Thaddeus. There's no time for talking. Come on.

0:53:570:54:01

Oh, this is nonsense!

0:54:010:54:05

Yip-dippy-dee!

0:54:050:54:07

TRAD JAZZ MUSIC

0:54:090:54:12

EXHAUST BACKFIRES

0:54:260:54:29

-Nice car, Richard(!)

-Thank you.

0:54:290:54:32

Ooh! I just hope you come up before me sometime!

0:54:330:54:37

-It must run in your family.

-Ooh! Ooh!

0:54:370:54:41

-Hello.

-I've been waiting.

-We were delayed.

0:54:410:54:44

-Mind your thumb!

-It's the junior set!

0:54:440:54:47

Hello. Ooh!

0:54:470:54:50

-Can I get you something?

-A seat that doesn't bounce!

0:54:500:54:54

-We can get our lunch there. Come on.

-I'm as hungry as a bear! Let's join the ants!

0:54:540:55:00

Ladies and gentlemen,

0:55:010:55:04

the first events of the afternoon are the novelty races,

0:55:040:55:08

open to adults, parents and friends.

0:55:080:55:12

-I used to be pretty good at these things as a kid.

-It's open to parents.

-I'm not a parent.

0:55:120:55:19

-Too old, Chamberlain?

-Of course not.

-Of course not.

-All right, then, I will.

-How about you?

0:55:190:55:25

-Don't be silly.

-I want a medal.

0:55:250:55:28

-Get her a medal.

-Too old?

-To run in a sack race? No.

0:55:280:55:32

Then go on there and show them, Dicky.

0:55:320:55:36

All right, I will.

0:55:360:55:39

-Hold that.

-Hold this.

0:55:390:55:41

-Let's go to the finish line. I want to see Dicky win.

-Coming, Uncle Matt?

-You go ahead. I'll wait here.

0:55:430:55:51

Thank you, gentlemen.

0:55:510:55:54

Step right up and get a sack.

0:55:540:55:56

You all set? All right, steady now.

0:55:560:55:59

Ready, gentlemen?

0:55:590:56:02

On your marks, get set...

0:56:020:56:04

Oh!

0:56:140:56:15

All right, ladies and gentlemen, all set for the three-legged race -

0:56:280:56:33

one of the most hilarious events.

0:56:330:56:36

Come on, folks, pick out your favourite

0:56:360:56:40

and cheer him to the finish line.

0:56:400:56:42

All right, on your marks, get set...

0:56:420:56:46

All right, we're all set for the spoon-and-potato race.

0:56:590:57:03

On you marks, get set...

0:57:030:57:06

Disqualified. You have to finish on your feet!

0:57:260:57:29

On your marks, get set....

0:57:350:57:38

-Come on, Dicky!

-Come on.

0:57:410:57:44

Ladies and gentlemen, this is it.

0:58:000:58:04

This is the main event of the afternoon.

0:58:040:58:08

You are about to witness the obstacle race -

0:58:080:58:12

a supreme test of skill, stamina and endurance.

0:58:120:58:17

-Oh!

-Come on, Dicky, stand up. I can't pin it when you're sitting.

0:58:170:58:22

-You've had enough.

-No.

0:58:220:58:24

-We've just begun to fight.

-Just begun.

0:58:240:58:28

Can you hold these heavy medals, Uncle Ted?

0:58:280:58:31

REFEREE: Everybody get ready. Report to the starting line.

0:58:310:58:36

-Oh!

-Come on, Dicky. I know can win.

-Sure, sure.

0:58:360:58:40

-REFEREE: Last call!

-Hi.

-Hi. Where have you been?

0:58:400:58:44

-Trying out that super-gelati. Hi.

-Hi, Jerry.

0:58:440:58:47

Dicky, you've got to win me that cup.

0:58:470:58:51

-You're going in the race?

-Yep.

-May the best man win.

-He will.

0:58:510:58:55

-I'm beginning to worry about him.

-Why? He's got courage - a man's man.

0:58:570:59:02

I hope he wins.

0:59:020:59:04

For Susan's sake.

0:59:040:59:07

-Of course!

-Let's go down to the finish line.

0:59:070:59:11

REFEREE: ..The obstacle race. All right. All you contestants take your places on the starting line.

0:59:110:59:19

Anyone who fails to take an obstacle is disqualified.

0:59:190:59:23

On your marks, get set... PISTOL FIRES

0:59:230:59:26

Keep going.

1:00:271:00:29

HE YELPS

1:00:311:00:33

-Excuse me. I slipped.

-You pushed me.

1:00:471:00:51

-It was nothing - just a race.

-Congratulations, Mr Nugent.

1:00:561:01:01

Everybody to the bandstand for the grand award.

1:01:011:01:04

You were wonderful. Grand award - that's you.

1:01:041:01:08

Oh, sure. Grand reward.

1:01:081:01:11

-Thanks for letting Dicky win.

-You can pay the boys 75 cents apiece.

1:01:141:01:19

-If it was anyone else, they'd have charged a buck.

-I'll pay you, too.

1:01:191:01:23

-No. Some things can't be bought.

-Jerry, at times you're really very nice.

1:01:231:01:30

Quiet, please.

1:01:351:01:37

It gives me great pleasure to present this beautiful trophy

1:01:391:01:45

to that great athlete and winner of the feature event,

1:01:451:01:49

Mr Richard Nugent.

1:01:491:01:51

CROWD: Speech! Speech! Speech!

1:01:571:02:01

I don't know how this happened to me.

1:02:021:02:06

But, er, I guess I owe it all to clean living,

1:02:071:02:11

proper outlook, and the help of my friends.

1:02:111:02:16

BAND PLAYS: "For He's A Jolly Good Fellow"

1:02:161:02:21

What a wonderful day! What a wonderful picnic! I feel wonderful!

1:02:301:02:35

Uncle Thaddeus, let's dance. No! No!

1:02:351:02:38

Susan, your youthful exuberance is very tiring!

1:02:381:02:42

I'm going upstairs to take a bath.

1:02:421:02:45

Ah, life!

1:02:451:02:47

-You'd better rest. You're going to a dance tonight.

-Quite right.

1:02:471:02:53

But I'd like this day to never end. I'd like everything to stay suspended, beautiful.

1:02:531:03:00

You can leave everything suspended AFTER I sit down!

1:03:001:03:03

-I'll take it, Margaret.

-No, you'd better go up now.

-All right, sis.

1:03:031:03:09

DOOR CLOSES UPSTAIRS

1:03:121:03:15

-Er, what's wrong?

-Nothing's wrong.

1:03:411:03:45

Er, a very odd thing happened to me today, Uncle Matt.

1:03:451:03:49

It's simple to explain. Optical illusions have been known to, er...

1:03:491:03:55

Or the power of suggestion through Susan.

1:03:551:03:58

These things have been, well, er...

1:03:581:04:01

What happened was a combination of the heat, a hurried lunch and the excitement.

1:04:011:04:07

-Of course.

-I merely thought I saw...

1:04:071:04:10

-You understand?

-Oh, sure.

1:04:101:04:12

-However, it occurred to me that...

-Mr Nugent?

1:04:121:04:16

-He's been sweet about Susan. We ought not embarrass him longer.

-Yes.

1:04:161:04:21

Susan will get over her romance.

1:04:211:04:24

We owe it to Mr Nugent to... I'd like to talk this over with him.

1:04:241:04:29

-That's a...

-We can't have him here because, with Susan in the house, we couldn't talk freely.

1:04:291:04:35

-Naturally.

-I couldn't go to his apartment.

1:04:351:04:39

-Oh, no.

-So the obvious thing to do is arrange a meeting place -

1:04:391:04:44

something public, sophisticated and, er,

1:04:441:04:48

we can talk things over.

1:04:481:04:50

-Well...

-Thanks for talking to me. You've cleared things up.

1:04:501:04:55

I appreciate your confidence.

1:04:551:04:58

-Problems become so simple when you control your emotions.

-True.

1:04:581:05:04

Where's the telephone?

1:05:041:05:06

TELEPHONE RINGS

1:05:381:05:41

Hello?

1:05:431:05:46

..Yes. ..Oh. Anything wrong with Susan?

1:05:461:05:50

..Can't go, huh? Sorry to hear that. Will you tell her?

1:05:501:05:55

..Yeah.

1:05:551:05:57

..With you?!

1:05:571:05:59

I'd be delighted.

1:05:591:06:02

..Do you want me to come over? ..Oh, I see.

1:06:041:06:07

..You wouldn't want to come here? ..Oh, naturally.

1:06:071:06:11

..We can meet any place you say.

1:06:111:06:14

..Yeah, we'll celebrate my triumph.

1:06:141:06:18

..Well, er, no, I'm not too tired to dance.

1:06:181:06:22

Do you dance? I mean, er...

1:06:221:06:25

..Well, OK. Anything you say.

1:06:251:06:28

..Let's see. I know the head waiter at the Tick-Tock Club.

1:06:281:06:34

..Fine. Sure. OK.

1:06:341:06:36

-DOOR BUZZER

-Come in.

1:06:381:06:42

Oh.

1:06:451:06:47

-Hello.

-Hello, Nugent.

1:06:471:06:50

Come on in. Last time I saw you, you were underwater. You weren't hurt?

1:06:501:06:56

-I keep myself in excellent physical condition at all times. How do you feel?

-Splendid.

1:06:561:07:03

-To the victors the spoils.

-You made a good race of it.

1:07:041:07:09

-I don't like it there.

-Nugent, I want to let you off the hook.

1:07:091:07:14

Hold that. What hook?

1:07:141:07:16

Taking Susan out wasn't good for her, and it was a strain on Margaret.

1:07:161:07:21

-Which one of us are you most concerned about(?)

-If I had to, I'd choose Margaret.

1:07:211:07:27

-Who's your tailor?

-The coach furnished them to me.

1:07:271:07:31

-Oh, I had it there.

-Nugent, I've something very important to tell you.

1:07:311:07:36

I've decided to drop the charges.

1:07:361:07:39

-Let me see.

-I'm dropping the charges.

1:07:391:07:43

-Oh, dropped my medal! Help me look for it.

-Yes.

1:07:431:07:47

You won't have to come around any more.

1:07:471:07:50

Hey, you look silly in that coat.

1:07:501:07:53

Let's stick to the subject. You're a free man now. We may not see any more of each other.

1:07:531:08:00

-Found it. What?

-I say we may not see any more of each other.

1:08:001:08:04

You've put me in a position where I'm forced to make a confession.

1:08:041:08:10

-About Margaret?

-No.

1:08:101:08:12

About Susan. I'm madly in love with her.

1:08:121:08:16

-What?!

-I don't know how or why -

1:08:161:08:19

perhaps something she said, or how she looked, or something she wore.

1:08:191:08:24

I'm happy when I'm near her. I... Well, you're a man. You must have felt what I feel. It's love!

1:08:241:08:31

It's preposterous! She's only 17.

1:08:311:08:34

She'll be 18 soon. We'll wait for our chance - spring and autumn.

1:08:341:08:39

Stop it, Nugent! I forbid it!

1:08:391:08:42

No court of law can stop this. This is bigger than you and me.

1:08:421:08:47

As I thought, you're irresponsible.

1:08:471:08:50

L'amour, my friend! L'amour!

1:08:501:08:53

We'll see about "L'amour, my friend! l'amour!"

1:08:531:08:56

DOOR SHUTS

1:08:561:08:59

It's not the kind of wine we got before the war, but you'll like it.

1:09:031:09:08

It's the best we can get.

1:09:081:09:11

-Thank you, Alex.

-Is that the mademoiselle?

1:09:111:09:15

-No, no, no. Hey, that isn't...

-I'm awfully sorry.

1:09:151:09:19

ALEX SPEAKS RUSSIAN

1:09:191:09:23

-I'm sorry. The polish - the best we can get nowadays.

-It's all right.

1:09:231:09:28

-Oh, perhaps that's mademoiselle?

-No, no, no. I wish we had blue flowers. She'd like blue flowers.

1:09:281:09:35

-We can get blue flowers, but it'll take time.

-I'll try and fix these.

1:09:351:09:40

Huh?

1:09:411:09:44

Alex, that's the best you can get.

1:09:461:09:49

-Oh, er...

-Hello.

-Hello. Hello.

1:09:561:09:59

I didn't know. I should have checked. No black tie.

1:10:001:10:04

That's all right. That's a beautiful suit, and you look wonderful in it.

1:10:041:10:11

They're lovely. Thank you. Yellow's my favourite colour.

1:10:241:10:29

I thought so.

1:10:291:10:32

BAND: # ..Happy birthday to you

1:10:321:10:35

# Happy birthday, dear Millicent

1:10:351:10:38

# Happy birthday to you. #

1:10:381:10:41

-Isn't that sweet?

-Hmm.

1:10:411:10:44

I can't say how glad I am we're here.

1:10:441:10:48

Our relationship's been so odd, I thought we should try a new background.

1:10:481:10:53

-Would you like to order now?

-Later.

1:10:531:10:56

-How about a drink in the meantime? Champagne?

-Yes.

1:10:561:11:00

-The time is now, Alex. Shall we dance?

-Love to.

1:11:001:11:04

-My father was a bachelor.

-Really?

1:11:121:11:16

Wait until... Wait, um... Wait until I finish.

1:11:161:11:20

He was a bachelor until into his 30s.

1:11:201:11:23

He always said he'd know who he'd marry the moment he met her. Then he met my mother.

1:11:231:11:30

He put his arm around her. The way she felt in his arms did the trick.

1:11:301:11:35

They were married three days later.

1:11:351:11:38

That's a very romantic story.

1:11:381:11:40

They were happy all their lives and had nothing in common.

1:11:401:11:45

-She was a piano teacher and he was a flag decorator.

-A what?

-Flag decorator -

1:11:451:11:51

a good one, until he fell off Newark City Hall.

1:11:511:11:55

Your family sounds like fun.

1:11:551:11:58

You must have come from a nice family. It shows in your face.

1:12:001:12:05

My family weren't that impulsive. My father courted my mother through high school, college and law school.

1:12:051:12:11

14 years after they met, they got married.

1:12:111:12:15

They had a lot in common - they were both attorneys.

1:12:151:12:19

You feel nice in MY arms.

1:12:211:12:24

I imagine that if Mother and Father hadn't had so much in common, they needn't have waited 14 years.

1:12:251:12:32

It could have happened suddenly - romantically.

1:12:321:12:36

Dicky!

1:12:381:12:40

-Oh, hello, Agnes.

-You didn't congratulate me.

-Should I?

-It's my birthday.

-Congratulations.

1:12:441:12:51

Nugent, what do you say we let bygones be bygones?

1:12:511:12:56

-Don't I know you?

-Yes.

-Where did I meet you? Dicky's apartment?

1:12:561:13:01

-No, you remember Judge Turner.

-Of course. Yes.

1:13:011:13:06

You got to be friends? Dicky knows all the angles.

1:13:061:13:10

-If it's too crowded, we could go to the table.

-It's too crowded.

1:13:101:13:15

-Happy birthday.

-Goodbye.

-Goodbye.

1:13:151:13:19

There's a guy who never goes out of a girl's mind. He just stays there, like a heavy meal.

1:13:191:13:25

What am I like?

1:13:251:13:28

Orange juice!

1:13:281:13:30

-I'm terribly sorry about that.

-I'm sure you didn't know she'd be here.

1:13:301:13:35

-Are you sure you're sure?

-Yes. Why?

-I just wondered.

1:13:351:13:39

-I've given up jumping at conclusions.

-Good.

1:13:391:13:43

-Hello, Dicky.

-Hello, Jolie.

-Cigarettes?

-No, thanks.

-All righty.

1:13:431:13:48

-Cute kid. I did a magazine cover of her.

-She's nice.

1:13:481:13:52

-This is absolutely forbidden!

-Susan!

-I do not intend to create a scene. You both ought to be ashamed.

1:13:521:14:00

-I'm too young for such treachery.

-What will you drink?

-Lemonade.

-Sit down.

-I'm not staying.

1:14:001:14:07

-And ice cream. How did I find out?

-What's going on in your mind?

1:14:071:14:11

You told me Dicky was sick - exhausted from the picnic.

1:14:111:14:16

I went to his apartment and they told me where he was. And here I am!

1:14:161:14:22

-I demand an explanation.

-Susan! You're being a little childish.

1:14:221:14:27

-Joey wants to buy you a birthday drink.

-Well...

1:14:271:14:30

-I owe it to you for being so nice.

-Just a few minutes.

1:14:301:14:35

-Garcon, this party's on me. Bring two chairs.

-Yes, sir.

1:14:351:14:39

-We've not been acquainted.

-Er, Susan Turner...

-Agnes and Joey.

1:14:391:14:43

-Is this your daughter?

-No, it's her sister - Margaret's sister.

1:14:431:14:48

-Enough room?

-Sure.

-You look like mother and daughter.

-We're sisters.

1:14:481:14:54

I hate my sister. BAND: # Happy birthday to you

1:14:541:14:58

# Happy birthday to you

1:14:581:15:01

# Happy birthday, Mr Rosenheimer

1:15:011:15:04

# Happy birthday to you. #

1:15:041:15:07

I think birthdays are the best!

1:15:071:15:10

-We could get Mr Rosenheimer to come over here.

-I intend to wait here.

1:15:101:15:15

-Nobody said anything to you.

-Cute hat!

1:15:151:15:18

-I don't intend to take it off.

-I didn't ask you to. Bring another round.

1:15:181:15:24

Take these away. We're not going to eat anything.

1:15:241:15:29

-Hello, Jerry.

-No-one's glad to see ME.

-You weren't invited.

1:15:291:15:33

-Meet Agnes and Joey.

-I love kids with that floppy hair!

1:15:331:15:38

-Wondering how I got here?

-I am.

-It's getting to be quite a party.

1:15:381:15:43

-All is not gold that glitters.

-Just a minute.

1:15:431:15:46

Just a minute. I haven't got much time.

1:15:461:15:50

I wanted to see you because I got word I'm being drafted.

1:15:501:15:54

-I went to the house, then Mr Nugent's...

-We know the rest of it.

-I just wanted to say goodbye.

1:15:541:16:01

-It's not such a big thing. The war is over.

-But guns go off and a fellow could trip on a bayonet.

1:16:011:16:08

I know how you feel - missing your loved ones.

1:16:081:16:12

You're a good friend. Possibly Mr Nugent doesn't know HOW good.

1:16:121:16:17

-You can't tell me anything about Jerry.

-Maybe I could -

1:16:171:16:21

how he made sure you won that race this afternoon.

1:16:211:16:25

-AGNES: What race?

-This doesn't concern you.

1:16:251:16:28

-What?

-You shouldn't...

-A woman scorned is a fury!

1:16:281:16:32

-JOEY:

-What are you drinking? Egg nog.

1:16:321:16:34

Jerry...

1:16:341:16:36

Bring the boy an egg nog.

1:16:361:16:38

-Jerry, what did you...?

-Two eggs.

->

1:16:381:16:41

BAND: # Happy birthday to you

1:16:411:16:44

# Happy birthday to you... # Oh, Joey!

1:16:441:16:47

# Happy birthday, dear Agnes... # Oh, thank you!

1:16:471:16:50

# Happy birthday to you. #

1:16:501:16:52

-Did you fix that race?

-Well...

1:16:521:16:55

-He did it because I love you.

-Stop this!

-Life's complicated.

-Too complicated.

1:16:551:17:01

-Good evening.

-Sit down.

-Wondering why I'm here? I went to your house...

1:17:011:17:07

You were suspicious she was with me, so you went to my apartment.

1:17:071:17:11

-You'd be a good detective!

-I don't like this guy.

1:17:111:17:15

I'm Chamberlain. How do you do? Get him - "How do you do?"!

1:17:151:17:19

-You know what you're doing?

-Yes.

1:17:191:17:22

-You're a regular Blackbeard!

-Bluebeard.

-A rose by any colour...

1:17:221:17:27

-Everybody's too excited.

-Nobody's excited. This man told me he's in love with Susan.

1:17:271:17:34

-Oh, Dicky, darling!

-I was only kidding.

1:17:341:17:37

-Don't kid Susan.

-Stay out of this.

1:17:371:17:40

-Let's have a drink, or some cake.

-I don't feel like eating.

1:17:401:17:45

-Chamberlain...

-This is too public a place for this discussion.

-You have my chair.

-There are others.

1:17:451:17:52

Tell me, do you love me or don't you?

1:17:521:17:55

You're cute, but I don't love you.

1:17:551:17:58

-She spent 4.50 to make sure you won that race.

-Too bad! Have the cup back!

1:17:581:18:05

-It was a frame-up?

-For the last time, I want my chair!

1:18:051:18:09

BAND: # Happy anniversary to you Happy anniversary to you

1:18:091:18:14

# Happy anniversary, Mr and Mrs Alderhall

1:18:141:18:18

-# Happy anniversary to you. #

-I just want my chair!

1:18:181:18:22

-Oh, stand up!

-Please, sit down.

1:18:221:18:26

-CRASH

-What happened?

1:18:261:18:29

-Always saying the wrong thing.

-Shall we fight it out?

-Calm down.

1:18:291:18:34

-I'm leaving.

-So am I.

-Wait a minute.

1:18:341:18:37

Everywhere you go, you attract trouble.

1:18:371:18:41

-You're jumping again.

-Shut up! Thanks for a lovely evening(!)

-Thank you(!)

1:18:411:18:46

I could make trouble for you.

1:18:461:18:49

-You're no regular guy!

-I hope this fixes your kettle of fish!

1:18:491:18:54

I came to buy you a birthday drink and you've ruined my birthday!

1:18:541:18:59

Joey got me a cake. You've ruined everything!

1:18:591:19:02

-Let him pay for the drinks!

-I'd punch you if I wasn't afraid to!

1:19:021:19:07

Oh, I'm awfully sorry, Mr Nugent.

1:19:101:19:13

Would there be anything else?

1:19:171:19:20

For instance?

1:19:201:19:22

Well, it's your move. It's been your move for several minutes.

1:19:271:19:32

I was a little concerned about Margaret and Susan.

1:19:321:19:36

They're old enough to take care of themselves. You just made a stupid move.

1:19:361:19:42

DOOR SLAMS

1:19:431:19:45

Susan?

1:19:451:19:47

Susan!

1:19:471:19:49

DOOR SLAMS Why does she do that?

1:19:531:19:56

-I should find out what's wrong.

-Your queen's in danger.

1:19:561:20:00

FOOTSTEPS

1:20:001:20:03

DOOR SLAMS

1:20:031:20:05

Margaret!

1:20:051:20:07

You and your psychology!

1:20:071:20:09

DOOR SLAMS I won't stand for this excitement!

1:20:141:20:18

-Your queen's still in danger.

-Oh.

1:20:181:20:20

DOOR SLAMS

1:20:201:20:23

-What's wrong?

-I must talk to Margaret.

-That's impossible!

-This is a conspiracy!

1:20:231:20:29

DOOR SLAMS

1:20:321:20:35

Do you intend to finish this game?

1:20:351:20:38

Now, Thaddeus...

1:20:381:20:40

-I've got to talk to Susan.

-Come back in the morning.

1:20:411:20:46

This is a fine way to treat a veteran!

1:20:461:20:49

DOOR SLAMS

1:20:491:20:52

Thaddeus! You're old enough to control yourself.

1:20:521:20:56

Oh!

1:20:561:20:58

DOOR SLAMS

1:21:011:21:03

-Margaret, I want to talk to you.

-Keep out of this!

1:21:031:21:07

If you're leaving home, you might take something more practical than a doll.

1:21:101:21:16

-I hate you!

-You can't mean that.

-My own sister stealing my love.

-That's not fair.

-The other woman!

1:21:161:21:23

-It's not like that.

-Why don't you send me to prison?

-Susan!

-I'll fight for my happiness.

1:21:231:21:30

Anyway, I saw him first!

1:21:301:21:33

I couldn't help overhearing. I had my ear to the door.

1:21:331:21:38

Uncle Matt, you told Susan to come to that nightclub.

1:21:381:21:42

Let's calm down. Susan, did I send you?

1:21:421:21:46

No. It was all my own idea.

1:21:461:21:48

-That's beside the point.

-You're both hysterical.

1:21:481:21:52

-THEY SHOUT

-Margaret, let me talk to Susan.

1:21:521:21:57

I have nothing to say. I will not make a statement of any kind.

1:21:571:22:02

Unpack those clothes and hang them up.

1:22:021:22:05

I'm strong enough to give you the spanking you deserve.

1:22:051:22:10

-You wouldn't dare.

-I won't spank you if you're sensible. Sit down.

1:22:101:22:15

Sit down! Your infatuation for Mr Nugent is childish.

1:22:151:22:19

You've been cruel and unfair to Mr Nugent, Margaret and Jerry.

1:22:191:22:24

-You're going to get sensible about the matter.

-I am!

1:22:241:22:28

You are?

1:22:281:22:30

You're going to listen to me and do just as I tell you.

1:22:301:22:35

KNOCKING

1:22:351:22:37

-Margaret?

-Come in, dear.

1:22:371:22:41

-I've had a long talk with Uncle Matt.

-Yes?

1:22:461:22:50

I see things more clearly.

1:22:501:22:52

Richard is too old for me.

1:22:521:22:55

When I'm 42, he'll be 60.

1:22:551:22:57

-Jerry will look handsome in uniform, don't you think?

-I think.

1:22:571:23:02

-I've decided to renounce Richard for Jerry.

-Very sensible.

1:23:021:23:06

Now you ought to patch things up with Richard.

1:23:061:23:11

I've acted very childishly and I'm sorry, really sorry.

1:23:111:23:15

If I had a million sisters, I'd want them all to be like you.

1:23:151:23:20

-You only say that because I'm clunklish.

-You're smart.

1:23:201:23:24

-Good night.

-Good night.

1:23:241:23:27

You know, in many ways, I think this has made a bigger woman of me.

1:23:281:23:33

I'm not interested in any more of your psychological mumbo jumbo.

1:23:411:23:46

You must look at this from the emotional point of view.

1:23:461:23:50

I deal in facts. The conclusions I draw from them are depressing.

1:23:501:23:55

You're in love with Richard Nugent.

1:23:551:23:58

Uncle Matt, I'm weary. I'll discuss this with you in the morning.

1:23:581:24:03

-Good night.

-Very well.

1:24:031:24:06

I thank you for one thing - straightening Susan out.

1:24:061:24:10

-It's perfectly all right. Good night.

-Good night.

1:24:101:24:15

-Hi.

-How did you get in here?

-I opened the door and came in.

1:24:311:24:36

-You can go right out.

-You and Margaret are in trouble.

1:24:361:24:40

-None of your business.

-Don't forget, I started this thing.

-I won't!

1:24:401:24:44

-Where are you going?

-Africa.

-Far away.

1:24:441:24:48

I'll be in Arabia first, which is pretty close.

1:24:481:24:52

-Get out of here. I've got things to do.

-All right.

1:24:521:24:56

You can't run away from yourself. You're in love with Margaret.

1:24:561:25:00

-Don't be ridiculous!

-Look at the facts.

-I'm an artist. I deal in emotions, which tell me to go.

1:25:001:25:07

-What do your emotions tell YOU? Fine.

-All right.

1:25:071:25:11

-I've got a plan.

-I've had enough of your plans and your family.

1:25:111:25:16

I was carefree before I met you. I've been in trouble ever since.

1:25:161:25:22

-Now buzz off!

-All right.

1:25:221:25:24

If you run into Professor Smedley, give him my regards.

1:25:241:25:28

He's a cousin of ours. ..Just a fifth cousin.

1:25:281:25:32

-Ah, beautiful morning! Simply beautiful! Isn't it?

-Yes.

1:25:341:25:39

-Wonderful weather for flying, isn't it?

-Yes.

1:25:391:25:43

It'll give you a chance to relax.

1:25:431:25:46

I think you'd better take me home.

1:25:461:25:49

That's ridiculous!

1:25:491:25:51

It's ridiculous that I'm packing up for four days, running away, because of a very silly man.

1:25:511:25:58

Let bygones be bygones.

1:25:581:26:00

If your paths should happen to cross, that's another thing.

1:26:001:26:05

-They'd better NOT cross.

-You do what I tell you.

-You haven't done so good lately.

1:26:051:26:11

-I talked you into taking a plane trip.

-You could talk the devil into going to church!

1:26:111:26:18

-Keys, please.

-Be right with you.

1:26:311:26:34

-I'll take care of the baggage.

-Baggage.

1:26:341:26:37

TANNOY: 'Attention please...'

1:26:371:26:41

- We can get you on the next flight. - All right. Thanks anyway.

1:26:411:26:45

-Judge Turner's reservation, please.

-Sir.

1:26:451:26:49

Please thank Mr Martin for arranging this.

1:26:491:26:53

-Beemish! Where's Margaret?

-I'm looking for her.

1:26:541:26:58

-You know she's leaving?

-Yes.

-It's Nugent's fault. If I see him, he'll get ten years.

1:26:581:27:05

-Take my advice...

-No. I should have locked him up. Where's Margaret?

-I don't know. She should be here.

1:27:051:27:11

-Watch that entrance. I'll keep watch here.

-Let me know when she arrives.

-Sure.

1:27:111:27:17

-So long. Thanks.

-Have fun. Stay out of jail.

1:27:251:27:29

-Here.

-Maybe I ought to have some second thoughts.

1:27:311:27:35

You just go away and have a good time.

1:27:351:27:39

I'm sorry I can't see you off. I have to get back.

1:27:391:27:43

Thanks, Uncle Matt. I don't know what for, but thanks.

1:27:431:27:46

-You're welcome. Happy landing.

-Bye.

1:27:461:27:50

TANNOY: 'Your attention, please. TWA flight 60 is ready for immediate departure...'

1:27:501:27:57

-I'm Dr Matthew Beemish, the City Psychiatrist.

-Glad to know you.

1:27:571:28:02

-I'm observing a patient.

-Who is he?

-The blond fellow with the brown hat.

1:28:021:28:07

-Oh, yeah.

-He's harmless, but might create a scene.

1:28:071:28:11

-What's his trouble?

-He thinks he's the Assistant District Attorney. He likes to arrest people.

-Poor guy.

1:28:111:28:18

You'd think he'd at least want to be a desk sergeant!

1:28:181:28:23

-I'll try to handle him, but I wanted you to know.

-I'll be around.

1:28:231:28:28

-You seen Margaret?

-No. I'll tell you a story.

-I don't wanna hear it.

1:28:281:28:34

-There's Nugent! Get him!

-Wait!

-No.

-You're sure you want to go through with this?

-It'll be a pleasure.

1:28:361:28:44

Officer, I want you to arrest someone.

1:28:441:28:47

- You don't want to arrest people. - What?

1:28:471:28:50

- Go on home. - I'm Assistant District Attorney.

1:28:501:28:54

- Sure! - Tell him.

1:28:541:28:56

-He is the Assistant DA.

-Nice!

1:28:561:29:00

- You blockhead! - Wait a moment.

1:29:001:29:03

- Trouble? - I'm the Assistant DA. - Sure! Relax.

1:29:031:29:09

We'll make you District Attorney. You'll be in charge.

1:29:091:29:13

-I'll report you to the Police Commission.

-I'll get a pencil.

1:29:131:29:17

I'm the Assistant DA! Leave me alone!

1:29:171:29:21

Margaret Turner.

1:29:361:29:38

-Nugent, Richard.

-Thank you, sir.

1:29:381:29:41

-You remind me of a man.

-What man?

-The man with the power.

-What power?

1:29:541:29:59

-The power of hoodoo.

-Hoodoo?

-You do.

-Do what?

-Remind me of a man.

1:29:591:30:04

-What man?

-With the power.

-What power?

-Give up?

-Give up. Let's go.

1:30:041:30:10

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