
Browse content similar to Borderline Murder. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
HEARTBEAT | 0:00:03 | 0:00:04 | |
MAN: I'm in. I'm doing it! | 0:00:12 | 0:00:14 | |
How long has this been? | 0:00:19 | 0:00:20 | |
SECOND MAN: Try! | 0:00:20 | 0:00:22 | |
HEARTBEAT STOPS | 0:00:32 | 0:00:34 | |
It's about time. | 0:00:40 | 0:00:43 | |
You can handle the body? | 0:00:43 | 0:00:45 | |
Yes. | 0:00:46 | 0:00:48 | |
GRUNTING | 0:01:26 | 0:01:28 | |
GRUNTING | 0:01:53 | 0:01:56 | |
PLASTIC RUSTLING | 0:02:01 | 0:02:04 | |
PLASTIC RUSTLING | 0:02:19 | 0:02:21 | |
HE GASPS | 0:02:21 | 0:02:23 | |
BELL RINGS | 0:03:22 | 0:03:25 | |
MUSIC PLAYING | 0:03:25 | 0:03:28 | |
INDISTINCT CHATTER | 0:03:28 | 0:03:30 | |
Yay! Yay! | 0:03:31 | 0:03:33 | |
Oh, my God. That was tough. | 0:03:33 | 0:03:36 | |
Do you think you passed? | 0:03:36 | 0:03:37 | |
I don't know. Guess I'll find out in a couple weeks. | 0:03:37 | 0:03:40 | |
OK, let's do a shot, right? | 0:03:40 | 0:03:41 | |
Ah...I think I'll have a beer. | 0:03:41 | 0:03:43 | |
Seriously? | 0:03:43 | 0:03:44 | |
Yes. Why? | 0:03:44 | 0:03:46 | |
Boring. | 0:03:46 | 0:03:49 | |
I heard Kevin's coming. Oy. | 0:03:49 | 0:03:50 | |
He's hot, and he likes you. What more do you want? | 0:03:50 | 0:03:52 | |
Plus you're not getting any younger. | 0:03:52 | 0:03:54 | |
CELL PHONE RINGING | 0:03:54 | 0:03:55 | |
Ouch. | 0:03:55 | 0:03:57 | |
Oh, sorry. Hold on one second. | 0:03:57 | 0:04:00 | |
Hey, Mom? | 0:04:00 | 0:04:03 | |
Mom? | 0:04:03 | 0:04:04 | |
Mom, I can't talk to you if you're not going to say anything. | 0:04:05 | 0:04:09 | |
SHE SOBS | 0:04:09 | 0:04:11 | |
Are you OK? What's going on? | 0:04:13 | 0:04:17 | |
I got a call about Halie. | 0:04:17 | 0:04:20 | |
What is it now? | 0:04:20 | 0:04:21 | |
Can you come home? | 0:04:21 | 0:04:23 | |
Mom, I can't come right now. | 0:04:23 | 0:04:25 | |
Can I come by first thing tomorrow? | 0:04:27 | 0:04:30 | |
OK. | 0:04:30 | 0:04:31 | |
I'll come by tomorrow, OK? | 0:04:31 | 0:04:33 | |
BEEP | 0:04:36 | 0:04:37 | |
Ohh. | 0:05:03 | 0:05:04 | |
Mom, seriously. | 0:05:05 | 0:05:08 | |
You cannot get yourself worked up like this. | 0:05:11 | 0:05:14 | |
A friend of Halie's called from Texas, | 0:05:14 | 0:05:17 | |
a Jenny something. | 0:05:17 | 0:05:19 | |
I guess they work together at a bar in Laredo. | 0:05:19 | 0:05:22 | |
She thinks something bad might have happened. | 0:05:22 | 0:05:25 | |
Mom, how many times have we been through this before with Halie? | 0:05:25 | 0:05:28 | |
It's different this time, Abbey. | 0:05:28 | 0:05:30 | |
I mean it. Even when she's off getting high, she always checks in. | 0:05:30 | 0:05:34 | |
I get phone calls in the middle of the night. You know what it's like. | 0:05:34 | 0:05:38 | |
I haven't heard from her in three weeks, not a peep. | 0:05:38 | 0:05:42 | |
I've left messages and e-mails... nothing back. | 0:05:42 | 0:05:46 | |
Well, that is unusual, but... | 0:05:46 | 0:05:48 | |
Yeah. Now, with her friend calling, | 0:05:48 | 0:05:49 | |
I know something's happened. | 0:05:49 | 0:05:52 | |
I'm sure everything is OK. | 0:05:52 | 0:05:55 | |
If your father were alive, | 0:05:57 | 0:05:59 | |
he'd have been out there weeks ago. | 0:05:59 | 0:06:01 | |
SHE SNIFFS | 0:06:01 | 0:06:02 | |
I know things aren't good between the two of you, | 0:06:02 | 0:06:04 | |
but, Abbey, she's your sister, your blood. | 0:06:04 | 0:06:09 | |
She needs your help. I need your help. | 0:06:09 | 0:06:12 | |
I'll look into it, OK? | 0:06:14 | 0:06:17 | |
Thank you. | 0:06:17 | 0:06:19 | |
Oh, how... how was the exam? | 0:06:19 | 0:06:22 | |
It was fine. | 0:06:22 | 0:06:23 | |
Hey, Tim. It's Abbey. | 0:06:37 | 0:06:39 | |
Ah, it's been a while. | 0:06:39 | 0:06:41 | |
I'm actually headed out to Texas. | 0:06:41 | 0:06:43 | |
Let's catch up. | 0:06:43 | 0:06:45 | |
Halie? Abbey. | 0:06:52 | 0:06:55 | |
Like the fifth time. Call me back. | 0:06:55 | 0:06:58 | |
STEADY BEEPING | 0:07:00 | 0:07:02 | |
There. Mira. Nothing to it. | 0:07:04 | 0:07:08 | |
A few sutures, and we're done. | 0:07:08 | 0:07:11 | |
Preguntas? | 0:07:11 | 0:07:13 | |
No, Doctor. | 0:07:13 | 0:07:14 | |
Good. | 0:07:14 | 0:07:15 | |
Are you ready to give it a try? | 0:07:15 | 0:07:19 | |
Si. KNOCK ON DOOR | 0:07:19 | 0:07:20 | |
Paco? | 0:07:22 | 0:07:23 | |
No lo encontramos. | 0:07:23 | 0:07:25 | |
The body? | 0:07:27 | 0:07:28 | |
Go out there and find that little punk. | 0:07:31 | 0:07:35 | |
Halie? | 0:08:46 | 0:08:48 | |
Hello? | 0:08:53 | 0:08:54 | |
Hello? | 0:09:03 | 0:09:04 | |
Halie? | 0:09:26 | 0:09:28 | |
Halie? | 0:09:31 | 0:09:32 | |
What in the world? | 0:09:40 | 0:09:42 | |
OK. | 0:09:58 | 0:09:59 | |
MOM: For plastic surgery? | 0:10:10 | 0:10:12 | |
I'll have it back to you in no time. | 0:10:12 | 0:10:14 | |
Ohh. I...I don't know. | 0:10:14 | 0:10:17 | |
You know I've been doing good, you know, staying clean. | 0:10:17 | 0:10:20 | |
Yeah, I know. | 0:10:20 | 0:10:22 | |
This is just going to help me get ahead, you know? | 0:10:22 | 0:10:25 | |
SHE SIGHS | 0:10:26 | 0:10:28 | |
I swear I will have it back to you before you know it's gone. | 0:10:28 | 0:10:31 | |
Halie, that's not the point. | 0:10:31 | 0:10:33 | |
You don't need that stuff. | 0:10:33 | 0:10:36 | |
You don't. | 0:10:36 | 0:10:38 | |
ABBEY: Hi. | 0:10:40 | 0:10:42 | |
What's going on? | 0:10:42 | 0:10:44 | |
Nothing. | 0:10:44 | 0:10:45 | |
Mom? | 0:10:48 | 0:10:49 | |
Halie, there's no more money. | 0:10:52 | 0:10:55 | |
We talked about this. | 0:10:55 | 0:10:56 | |
It's different this time, Abbey. Butt out. | 0:10:56 | 0:10:57 | |
I know it's different, and the answer's still no. | 0:10:57 | 0:10:59 | |
It's not your money. It's nothing to do with you. | 0:10:59 | 0:11:01 | |
This has nothing to do with me? | 0:11:01 | 0:11:03 | |
I...I am trying to do something good here. | 0:11:03 | 0:11:04 | |
Save it, Halie. | 0:11:04 | 0:11:08 | |
Don't you think that you have done enough damage to this family? | 0:11:08 | 0:11:10 | |
Abbey. Mom! | 0:11:10 | 0:11:12 | |
It's got to stop. | 0:11:12 | 0:11:13 | |
You have done way more damage than I have, | 0:11:13 | 0:11:15 | |
Miss High And Mighty, | 0:11:15 | 0:11:17 | |
too good for your own father. | 0:11:17 | 0:11:19 | |
You broke his heart when you dropped out. | 0:11:19 | 0:11:22 | |
How dare you? | 0:11:22 | 0:11:23 | |
Yeah, the truth hurts, doesn't it? | 0:11:23 | 0:11:25 | |
At least I didn't snort my family's savings up my nose. | 0:11:25 | 0:11:28 | |
That's enough, girls. | 0:11:28 | 0:11:30 | |
Unbelievable. | 0:11:31 | 0:11:33 | |
We have carried you for so many years. | 0:11:33 | 0:11:38 | |
It ends now. Choke on it. | 0:11:38 | 0:11:41 | |
We're done. No problem. | 0:11:41 | 0:11:43 | |
We're done, Halie. | 0:11:43 | 0:11:45 | |
Don't come back here asking for handouts. | 0:11:45 | 0:11:47 | |
MOM: Halie. | 0:11:47 | 0:11:50 | |
DOOR CLOSES | 0:11:52 | 0:11:53 | |
BEEP | 0:12:10 | 0:12:11 | |
ROBOTIC VOICE: You have two messages. That's weird. | 0:12:11 | 0:12:14 | |
ABBEY'S VOICE: Hey, Halie. It's me again, | 0:12:14 | 0:12:16 | |
Um...trying you. So...call me back. | 0:12:16 | 0:12:18 | |
BEEP | 0:12:18 | 0:12:19 | |
Halie, Abbey. | 0:12:19 | 0:12:22 | |
Like the fifth time. Call me back. | 0:12:22 | 0:12:24 | |
BEEP | 0:12:24 | 0:12:25 | |
ROBOTIC VOICE: End of messages. | 0:12:25 | 0:12:27 | |
Hi. Who are you? | 0:12:28 | 0:12:31 | |
I'm Halie's sister. | 0:12:31 | 0:12:33 | |
And you? Building manager. | 0:12:34 | 0:12:37 | |
Where's Halie? | 0:12:37 | 0:12:39 | |
Ah...I'm not sure. | 0:12:39 | 0:12:41 | |
Have you seen her around? | 0:12:41 | 0:12:42 | |
I'm not her keeper. | 0:12:42 | 0:12:45 | |
Not short on charm, either. | 0:12:45 | 0:12:46 | |
Is there anything that I can do for you? | 0:12:50 | 0:12:52 | |
Rent's due in a few days. | 0:12:52 | 0:12:55 | |
Well... | 0:12:55 | 0:12:57 | |
until then. | 0:12:57 | 0:12:58 | |
The sister's here. | 0:13:32 | 0:13:33 | |
BEEP | 0:13:52 | 0:13:53 | |
Deputy Corbin, please. | 0:13:59 | 0:14:01 | |
ENGINE STARTS | 0:14:19 | 0:14:21 | |
RADIO PLAYING SOFTLY | 0:14:36 | 0:14:39 | |
Tim. | 0:14:46 | 0:14:48 | |
Long time. | 0:14:50 | 0:14:52 | |
Yeah, tell me about it. | 0:14:52 | 0:14:54 | |
So... cryptic message out of the blue... | 0:14:57 | 0:14:59 | |
It's not really your style. | 0:14:59 | 0:15:01 | |
Yeah. Sorry about that. | 0:15:01 | 0:15:03 | |
Unexpected trip. | 0:15:03 | 0:15:04 | |
How about for you, hon? | 0:15:04 | 0:15:05 | |
Uh, I'm OK. Just coffee, please? | 0:15:05 | 0:15:08 | |
What brings you to Laredo? | 0:15:08 | 0:15:10 | |
I am looking for my sister. | 0:15:10 | 0:15:13 | |
Your sister? | 0:15:13 | 0:15:15 | |
Remember Halie? | 0:15:15 | 0:15:16 | |
Sure. She lives here now? | 0:15:16 | 0:15:18 | |
Yeah, for, uh... | 0:15:18 | 0:15:19 | |
I guess, like, the last year? | 0:15:19 | 0:15:22 | |
Things seem to be going OK. | 0:15:22 | 0:15:24 | |
She's working at some place called Ray's, | 0:15:24 | 0:15:26 | |
keeping her nose clean. | 0:15:26 | 0:15:28 | |
Thank you. | 0:15:28 | 0:15:29 | |
The strip club? | 0:15:29 | 0:15:30 | |
There's only one Ray's in town. | 0:15:32 | 0:15:34 | |
Oh, wow. Uh... | 0:15:37 | 0:15:41 | |
Yeah. I guess that would explain the wigs and the clothes. | 0:15:41 | 0:15:45 | |
Oh, Halie. | 0:15:45 | 0:15:46 | |
And she's missing? | 0:15:46 | 0:15:47 | |
I'm not sure. | 0:15:47 | 0:15:49 | |
Something's not right, you know? | 0:15:49 | 0:15:52 | |
I just have that feeling. | 0:15:52 | 0:15:54 | |
That's what would have made you a good cop. | 0:15:54 | 0:15:56 | |
Nah. It's in your blood. | 0:15:58 | 0:16:00 | |
You were one of the tough ones coming out of the academy... | 0:16:00 | 0:16:03 | |
Till you bailed. | 0:16:03 | 0:16:05 | |
So what are you doing instead. | 0:16:07 | 0:16:09 | |
Um, I just took the bar exam. | 0:16:11 | 0:16:14 | |
That's close enough, I guess. | 0:16:14 | 0:16:16 | |
So you need my help? | 0:16:16 | 0:16:19 | |
Maybe. | 0:16:19 | 0:16:20 | |
I'm going to poke around a little bit, | 0:16:20 | 0:16:22 | |
see if I can come up with anything. | 0:16:22 | 0:16:25 | |
You should file a missing persons. | 0:16:25 | 0:16:27 | |
Yeah. I don't know that she's missing, you know? | 0:16:27 | 0:16:29 | |
It'll get her picture out there. It couldn't hurt. | 0:16:29 | 0:16:33 | |
Thanks, Tim. | 0:16:33 | 0:16:34 | |
Us blue dogs have to stick together. | 0:16:34 | 0:16:37 | |
ROCK MUSIC PLAYING | 0:17:02 | 0:17:04 | |
MAN SPEAKING INDISTINCTLY ON PA | 0:17:08 | 0:17:10 | |
CHEERS AND WHISTLING | 0:17:13 | 0:17:15 | |
MAN: Come on, baby! | 0:17:15 | 0:17:17 | |
Can I help you? | 0:17:20 | 0:17:21 | |
Hi. Are you Ray? | 0:17:21 | 0:17:24 | |
Are you looking for work? | 0:17:24 | 0:17:27 | |
If I was? | 0:17:27 | 0:17:28 | |
Then I'm Ray. | 0:17:28 | 0:17:30 | |
SHE SCOFFS | 0:17:30 | 0:17:31 | |
Do you have a girl who works here named Halie Morgan? | 0:17:33 | 0:17:36 | |
I have a lot of girls who work here. | 0:17:36 | 0:17:39 | |
Right. | 0:17:39 | 0:17:40 | |
Well...ahem. | 0:17:42 | 0:17:44 | |
Maybe this will help. | 0:17:44 | 0:17:47 | |
Yeah, Halie. Right. | 0:17:49 | 0:17:51 | |
I'm looking for her. | 0:17:51 | 0:17:53 | |
And you are? | 0:17:53 | 0:17:54 | |
I'm her sister. | 0:17:54 | 0:17:56 | |
OK. | 0:17:56 | 0:17:58 | |
Yeah, I can see it now. | 0:17:58 | 0:18:00 | |
So...is she around? | 0:18:00 | 0:18:02 | |
No, she doesn't work here any more. | 0:18:02 | 0:18:04 | |
Oh. | 0:18:04 | 0:18:05 | |
When's the last time you saw her? | 0:18:05 | 0:18:07 | |
I couldn't really say. | 0:18:07 | 0:18:08 | |
Take a guess. | 0:18:08 | 0:18:10 | |
Maybe a month. Maybe longer. | 0:18:10 | 0:18:14 | |
Um...do you mind if I talk to some of the girls? | 0:18:16 | 0:18:20 | |
You a cop? | 0:18:20 | 0:18:22 | |
No. | 0:18:22 | 0:18:24 | |
Unless you plan on buying a drink, | 0:18:30 | 0:18:32 | |
you might want to go ahead and get out of here. | 0:18:32 | 0:18:34 | |
OK. | 0:18:36 | 0:18:38 | |
Thanks for your time. | 0:18:38 | 0:18:40 | |
CELL PHONE RINGING | 0:19:39 | 0:19:41 | |
Hey, Mom. | 0:19:45 | 0:19:47 | |
MOM: So? | 0:19:47 | 0:19:49 | |
I just got into town today. | 0:19:49 | 0:19:51 | |
I'm at Halie's place now. | 0:19:51 | 0:19:52 | |
She's not there? | 0:19:52 | 0:19:53 | |
No, but that doesn't mean much. | 0:19:53 | 0:19:57 | |
SHE EXHALES | 0:19:57 | 0:19:58 | |
Don't get upset, Mom. We don't know anything yet. | 0:19:58 | 0:20:01 | |
I'll call you tomorrow with an update, OK? | 0:20:03 | 0:20:05 | |
OK. | 0:20:05 | 0:20:07 | |
Love you. | 0:20:07 | 0:20:09 | |
You too, hon. | 0:20:09 | 0:20:10 | |
ZIPPER | 0:20:13 | 0:20:15 | |
"Michael." | 0:20:45 | 0:20:46 | |
"Michael O'Hare, journalist." | 0:21:02 | 0:21:06 | |
ROCK MUSIC PLAYING | 0:22:57 | 0:22:59 | |
So... | 0:23:32 | 0:23:34 | |
Are we set? For? | 0:23:36 | 0:23:39 | |
Hips, lips, and cheekbones. | 0:23:39 | 0:23:43 | |
I want to look like a young Diana Ross. | 0:23:43 | 0:23:46 | |
You have something for me? | 0:23:46 | 0:23:48 | |
Your ticket. | 0:24:09 | 0:24:10 | |
Bus leaves at 8:00 AM be on it. | 0:24:10 | 0:24:12 | |
CELL PHONE RINGING | 0:24:12 | 0:24:14 | |
Give me a second, will you, sweetheart? | 0:24:14 | 0:24:16 | |
We have a situation with the errand boy, Paco. | 0:24:20 | 0:24:22 | |
What? | 0:24:22 | 0:24:23 | |
He panicked and disappeared. | 0:24:23 | 0:24:26 | |
The body? | 0:24:26 | 0:24:29 | |
The body is not where it should be. | 0:24:29 | 0:24:31 | |
Listen, Victor. | 0:24:31 | 0:24:34 | |
We cannot be connected. | 0:24:34 | 0:24:35 | |
Do you understand? Don't worry about it. I will take care of it. | 0:24:35 | 0:24:39 | |
We cannot be connected! | 0:24:39 | 0:24:41 | |
I said I will take care of it. | 0:24:41 | 0:24:45 | |
Victor? Victor? | 0:24:45 | 0:24:47 | |
SPEAKS SPANISH | 0:24:50 | 0:24:52 | |
One for the road? | 0:24:52 | 0:24:55 | |
So is Bella a done deal? | 0:24:55 | 0:24:56 | |
Your cut is the least of your worries. | 0:24:56 | 0:24:59 | |
We have a situation. | 0:24:59 | 0:25:01 | |
DOOR OPENS | 0:26:19 | 0:26:22 | |
Hello? | 0:26:56 | 0:26:58 | |
Oh. I have... | 0:27:44 | 0:27:46 | |
her picture as well. | 0:27:46 | 0:27:48 | |
Great. | 0:27:48 | 0:27:51 | |
Have you ever heard of a local reporter named Michael O'Hare? | 0:27:51 | 0:27:54 | |
Eh, he's a bit of a quack. | 0:27:54 | 0:27:56 | |
But he makes for a good read. | 0:27:56 | 0:27:58 | |
Do you know anything about the, um... | 0:28:01 | 0:28:03 | |
the border clinics that he's been writing about? | 0:28:03 | 0:28:05 | |
Oh, yeah, unfortunately, I do. | 0:28:05 | 0:28:07 | |
It's the curse of a border town. | 0:28:07 | 0:28:09 | |
Is that something that you guys focus on? | 0:28:09 | 0:28:11 | |
No, not really. | 0:28:11 | 0:28:13 | |
You know, it's not a priority. | 0:28:13 | 0:28:15 | |
Hmm. | 0:28:16 | 0:28:17 | |
I found this envelope at Halie's apartment. | 0:28:19 | 0:28:22 | |
I guess she was gathering some information. | 0:28:22 | 0:28:26 | |
There was a brochure on plastic surgery | 0:28:26 | 0:28:28 | |
with names and costs and... | 0:28:28 | 0:28:31 | |
Hmm. That's interesting. | 0:28:31 | 0:28:33 | |
Be perfectly honest with you, | 0:28:36 | 0:28:38 | |
we have our hands full with guns going out and drugs coming in. | 0:28:38 | 0:28:41 | |
Yeah, of course. | 0:28:41 | 0:28:43 | |
You bring the package by, | 0:28:43 | 0:28:45 | |
and I'll see if I can help. | 0:28:45 | 0:28:47 | |
Sure. | 0:28:48 | 0:28:50 | |
OK. Sign here. | 0:28:51 | 0:28:54 | |
All right. Let me process this. | 0:28:56 | 0:28:59 | |
You know... | 0:28:59 | 0:29:00 | |
I would love to find that O'Hare guy. | 0:29:00 | 0:29:03 | |
Seriously? | 0:29:03 | 0:29:04 | |
All right. Well, he's always moving around, | 0:29:08 | 0:29:10 | |
but he filed a few death threats, | 0:29:10 | 0:29:11 | |
so we have the addresses. | 0:29:11 | 0:29:13 | |
You did not get this from me. | 0:29:13 | 0:29:15 | |
No. | 0:29:15 | 0:29:18 | |
Al, can you pull Michael O'Hare's addresses | 0:29:18 | 0:29:21 | |
and give them to Abbey? | 0:29:21 | 0:29:22 | |
Thanks. | 0:29:22 | 0:29:24 | |
You keep checking in. | 0:29:24 | 0:29:27 | |
Yeah. Will do. | 0:29:27 | 0:29:28 | |
DOOR OPENS AND CLOSES | 0:29:33 | 0:29:38 | |
Hey, excuse me. | 0:30:11 | 0:30:13 | |
Hey. | 0:30:13 | 0:30:15 | |
Wait. | 0:30:15 | 0:30:16 | |
Stay back! Are you Michael O'Hare? | 0:30:25 | 0:30:28 | |
Not another step. I mean it. | 0:30:28 | 0:30:30 | |
I'll use it. Who do you work for? | 0:30:30 | 0:30:33 | |
I don't work for anybody. My name's... | 0:30:33 | 0:30:34 | |
I saw you at the apartment | 0:30:34 | 0:30:36 | |
and meeting with the deputy. | 0:30:36 | 0:30:38 | |
You've been following me? | 0:30:38 | 0:30:39 | |
Damn straight. | 0:30:39 | 0:30:41 | |
Look. I'm not sitting on the apartment, OK? | 0:30:41 | 0:30:44 | |
I'm staying there. | 0:30:44 | 0:30:46 | |
I'm Abbey Morgan. I'm Halie's older sister. | 0:30:46 | 0:30:48 | |
Can we put the mini-mace away now, please? | 0:30:51 | 0:30:52 | |
Is it the death threats that have you living like a transient? | 0:30:56 | 0:30:59 | |
No. I've been getting death threats | 0:30:59 | 0:31:00 | |
ever since my first expose on border clinics a couple years ago. | 0:31:00 | 0:31:05 | |
That just fuels my writing. | 0:31:05 | 0:31:07 | |
It's when they actually follow through with | 0:31:07 | 0:31:09 | |
those death threats that's got me spooked. | 0:31:09 | 0:31:11 | |
Seriously? | 0:31:12 | 0:31:14 | |
Yeah. Last year, a couple scary-looking Mexican guys | 0:31:14 | 0:31:17 | |
came by my place and roughed me up a bit, | 0:31:17 | 0:31:20 | |
made it very clear that I was to stop. | 0:31:20 | 0:31:21 | |
So did you stop? | 0:31:21 | 0:31:23 | |
I did for a bit. | 0:31:23 | 0:31:25 | |
But I was getting anonymous letters | 0:31:25 | 0:31:26 | |
from people who have been hurt and cheated. | 0:31:26 | 0:31:29 | |
So how does my sister fit into all of this? | 0:31:32 | 0:31:34 | |
I've been going to the club looking for an insider. | 0:31:37 | 0:31:39 | |
She had heard about a couple of the girls going to Mexico | 0:31:39 | 0:31:42 | |
to get really cheap surgery. | 0:31:42 | 0:31:43 | |
She's thinking about doing the same thing. | 0:31:43 | 0:31:46 | |
So, what, you sent her undercover? | 0:31:46 | 0:31:49 | |
No. We had only talked a couple times. | 0:31:49 | 0:31:52 | |
She just seemed sympathetic to the stories that I was telling her. | 0:31:55 | 0:31:58 | |
MUSIC PLAYING, WHISTLING | 0:31:58 | 0:32:00 | |
Did you bring the letters? | 0:32:00 | 0:32:04 | |
Like you're giving me a tip. | 0:32:04 | 0:32:06 | |
Are you sure you're down for this? | 0:32:20 | 0:32:22 | |
Yeah. | 0:32:25 | 0:32:27 | |
Since she was already exploring surgical options, | 0:32:27 | 0:32:30 | |
I simply asked her to pass on information. | 0:32:30 | 0:32:32 | |
Right. | 0:32:35 | 0:32:36 | |
This is for you. | 0:32:44 | 0:32:45 | |
I knew she'd come through. | 0:32:49 | 0:32:51 | |
When's the last time you saw her? | 0:32:52 | 0:32:54 | |
I'd say about a month ago now. | 0:32:57 | 0:32:59 | |
I leave tomorrow. | 0:33:02 | 0:33:03 | |
How are you feeling? | 0:33:06 | 0:33:07 | |
A bit nervous, but... | 0:33:09 | 0:33:11 | |
I'm sure that's normal. | 0:33:11 | 0:33:13 | |
Everything I've gathered so far | 0:33:14 | 0:33:16 | |
is in an envelope at my place. | 0:33:16 | 0:33:18 | |
Got my blue card today. | 0:33:18 | 0:33:20 | |
Blue card? | 0:33:20 | 0:33:21 | |
Yeah. | 0:33:24 | 0:33:25 | |
It's the key to getting on the bus and over the border. | 0:33:26 | 0:33:29 | |
When I get back, | 0:33:31 | 0:33:33 | |
I should have everything you need. | 0:33:33 | 0:33:35 | |
If anything should go wrong... | 0:33:37 | 0:33:38 | |
It won't. | 0:33:38 | 0:33:40 | |
You'll be fine. | 0:33:40 | 0:33:42 | |
So were you two... | 0:33:46 | 0:33:47 | |
No. Like I said, we only talked a couple times. | 0:33:47 | 0:33:51 | |
And you haven't talked to her since? | 0:33:51 | 0:33:53 | |
No. Waited about a week or so. | 0:33:53 | 0:33:56 | |
I figured she needed time to recover. | 0:33:56 | 0:33:58 | |
I went looking for her at the club, | 0:33:58 | 0:34:00 | |
watched her place, and nothing. | 0:34:00 | 0:34:03 | |
So she may have never come back from Mexico? | 0:34:03 | 0:34:06 | |
I've been waiting for the right moment to look for that envelope, | 0:34:07 | 0:34:10 | |
but they've been sitting on her place. | 0:34:10 | 0:34:11 | |
Wretched landlady. | 0:34:11 | 0:34:13 | |
Figured there's got to be something in there that might be a clue. | 0:34:13 | 0:34:17 | |
My sister is a bit of a scatterbrain. | 0:34:24 | 0:34:27 | |
This is good. | 0:34:29 | 0:34:30 | |
Why? Does anything look familiar? | 0:34:30 | 0:34:34 | |
This clinic, I called a couple times and just got the machine. | 0:34:34 | 0:34:37 | |
I've never been able to zone in | 0:34:37 | 0:34:38 | |
on who's involved for the medical community on this end. | 0:34:38 | 0:34:41 | |
There's some important names here. | 0:34:41 | 0:34:43 | |
Dr Sparks. Wow. Do you know him? | 0:34:44 | 0:34:47 | |
I know of him. | 0:34:47 | 0:34:49 | |
Looks like he did the consult. | 0:34:49 | 0:34:51 | |
I can't wait to break this thing wide open. | 0:34:51 | 0:34:54 | |
Look. | 0:34:56 | 0:34:58 | |
This may all be Pulitzer material for you. | 0:34:58 | 0:35:02 | |
All I want to do is find my sister. | 0:35:02 | 0:35:04 | |
Yeah. | 0:35:07 | 0:35:09 | |
There's somewhere I want to take you. | 0:35:11 | 0:35:13 | |
I don't have time to mess around. | 0:35:15 | 0:35:17 | |
I like your sister. | 0:35:17 | 0:35:19 | |
She was really kind and open with me. | 0:35:19 | 0:35:22 | |
Look. You don't have to do this alone. | 0:35:22 | 0:35:24 | |
I know the town and its people. | 0:35:24 | 0:35:25 | |
I can help. | 0:35:25 | 0:35:28 | |
OK. | 0:35:28 | 0:35:29 | |
Hi, Michael. Hi, Jean. | 0:35:36 | 0:35:38 | |
This is Abbey Morgan. | 0:35:38 | 0:35:39 | |
Hi. Hi. | 0:35:39 | 0:35:41 | |
Please, come in. Thank you. | 0:35:41 | 0:35:43 | |
What can I do for you? | 0:35:44 | 0:35:45 | |
My sister's missing. | 0:35:45 | 0:35:49 | |
I'm sorry to hear that. | 0:35:49 | 0:35:50 | |
I have a picture. | 0:35:52 | 0:35:55 | |
She's very pretty. | 0:36:00 | 0:36:03 | |
Thank you. | 0:36:03 | 0:36:04 | |
She went across the border to one of these clinics, | 0:36:04 | 0:36:06 | |
but, um... | 0:36:06 | 0:36:09 | |
she hasn't come back. | 0:36:09 | 0:36:11 | |
How awful. | 0:36:11 | 0:36:12 | |
Halie was collecting information for me when she disappeared. | 0:36:12 | 0:36:15 | |
Information? About the process. | 0:36:15 | 0:36:17 | |
We believe Dr Sparks is involved. | 0:36:17 | 0:36:20 | |
Was he your doctor as well? | 0:36:23 | 0:36:25 | |
Jean, I brought Abbey here | 0:36:26 | 0:36:28 | |
so you could share your story with her, | 0:36:28 | 0:36:30 | |
hoping that maybe you could lead us in the right direction. | 0:36:30 | 0:36:33 | |
This is not something that I'm comfortable talking about. | 0:36:33 | 0:36:36 | |
I understand that. | 0:36:36 | 0:36:38 | |
Please? | 0:36:42 | 0:36:43 | |
My surgery... | 0:36:47 | 0:36:50 | |
in Mexico... | 0:36:50 | 0:36:52 | |
was one of the biggest mistakes of my life. | 0:36:54 | 0:36:57 | |
What happened? | 0:36:57 | 0:36:59 | |
When my husband Bert passed away, | 0:37:01 | 0:37:04 | |
I...I... | 0:37:04 | 0:37:07 | |
really didn't think I would be interested in another, you know, | 0:37:07 | 0:37:13 | |
man. | 0:37:13 | 0:37:15 | |
But dating, and he'd been gone four years, | 0:37:15 | 0:37:19 | |
and I was 50. | 0:37:19 | 0:37:20 | |
So I thought maybe some... | 0:37:20 | 0:37:24 | |
cosmetic work... | 0:37:24 | 0:37:25 | |
you know, enhancements... | 0:37:25 | 0:37:29 | |
might make me more desirable. | 0:37:29 | 0:37:32 | |
I remember going home in a taxi, | 0:37:32 | 0:37:35 | |
and I was very sick and in a lot of pain. | 0:37:35 | 0:37:41 | |
I, uh, had strep infection, | 0:37:41 | 0:37:42 | |
but I was too ashamed to tell my physician. | 0:37:42 | 0:37:46 | |
One morning, I... I just... | 0:37:46 | 0:37:48 | |
I felt like my heart was going to explode. | 0:37:48 | 0:37:50 | |
So I called an ambulance. | 0:37:50 | 0:37:52 | |
The doctor said I was very lucky to survive | 0:37:53 | 0:37:57 | |
because my liver and my kidneys, they were failing, | 0:37:57 | 0:38:01 | |
and I had gone into toxic shock. | 0:38:01 | 0:38:06 | |
I didn't tell you this, Michael, but... | 0:38:06 | 0:38:08 | |
well, because I was warned not to, | 0:38:09 | 0:38:12 | |
but I had a visitor one afternoon. | 0:38:12 | 0:38:15 | |
He was a very... frightening character. | 0:38:15 | 0:38:20 | |
He said I was not to tell anybody what had happened | 0:38:20 | 0:38:24 | |
and that would be what was best for everybody. | 0:38:24 | 0:38:28 | |
Was Dr Sparks your consulting physician? | 0:38:28 | 0:38:31 | |
But he didn't perform the procedure. | 0:38:36 | 0:38:38 | |
Was it a Mexican physician? | 0:38:38 | 0:38:40 | |
Nothing was like it was supposed to be. | 0:38:40 | 0:38:44 | |
The clinic, the doctors... | 0:38:44 | 0:38:47 | |
it was all so scary. | 0:38:47 | 0:38:49 | |
Jean, you don't have to... | 0:38:54 | 0:38:55 | |
No. I'm not afraid any more. | 0:38:55 | 0:38:57 | |
Those weren't real surgeons. | 0:39:02 | 0:39:04 | |
My God. | 0:39:04 | 0:39:05 | |
Real surgeons wouldn't do this. | 0:39:05 | 0:39:07 | |
No, I want them to pay for what they did to me. | 0:39:09 | 0:39:12 | |
Why'd you take me there? | 0:39:25 | 0:39:27 | |
I had a feeling she might open up to you, | 0:39:27 | 0:39:28 | |
with your sister and all. | 0:39:28 | 0:39:31 | |
I have to go to that clinic. | 0:39:31 | 0:39:34 | |
The Villa Majestic? | 0:39:34 | 0:39:36 | |
Yeah. | 0:39:36 | 0:39:37 | |
I don't think that's a good idea. | 0:39:39 | 0:39:40 | |
If that's where my sister went, | 0:39:40 | 0:39:42 | |
then that's where I'm going. | 0:39:42 | 0:39:43 | |
Americans disappear in Mexico all the time. | 0:39:43 | 0:39:46 | |
It's dangerous. | 0:39:46 | 0:39:48 | |
You don't have to come. | 0:39:48 | 0:39:49 | |
Come on. | 0:39:49 | 0:39:50 | |
I don't care if it's dangerous. | 0:39:50 | 0:39:52 | |
I need to find her. | 0:39:52 | 0:39:54 | |
All right. Fine. | 0:39:56 | 0:39:59 | |
Thank you. | 0:40:00 | 0:40:01 | |
Abbey! | 0:40:27 | 0:40:28 | |
TYRES SCREECHING | 0:40:28 | 0:40:30 | |
Ugh. Are you OK? | 0:40:33 | 0:40:34 | |
Yeah. I think so. | 0:40:34 | 0:40:36 | |
Should I call an ambulance? | 0:40:36 | 0:40:37 | |
No. No. I'm OK. | 0:40:37 | 0:40:41 | |
Did you get his plates? No. | 0:40:41 | 0:40:43 | |
You've been here two days, | 0:40:43 | 0:40:45 | |
and they're already gunning for you. | 0:40:45 | 0:40:46 | |
SHE GROANS | 0:40:48 | 0:40:49 | |
Maybe I should follow you home. | 0:40:49 | 0:40:52 | |
I'm OK. | 0:40:52 | 0:40:54 | |
Are you sure? | 0:40:54 | 0:40:55 | |
7:00 AM. | 0:41:00 | 0:41:02 | |
CELL PHONE RINGS | 0:41:40 | 0:41:42 | |
Hey, you. | 0:41:45 | 0:41:46 | |
Tim? | 0:41:46 | 0:41:48 | |
Halie's apartment was ransacked. | 0:41:48 | 0:41:49 | |
Really? | 0:41:49 | 0:41:51 | |
I just got back. The door was open. | 0:41:51 | 0:41:53 | |
And the whole place is a wreck. | 0:41:53 | 0:41:55 | |
LIGHT RATTLING IN DISTANCE | 0:41:55 | 0:41:57 | |
Oh, my God. Someone's still here. | 0:41:58 | 0:42:00 | |
Abbey, get out of there. | 0:42:00 | 0:42:01 | |
Please hurry. Abbey... | 0:42:01 | 0:42:02 | |
SHE HANGS UP | 0:42:02 | 0:42:03 | |
Abbey? Abbey?! | 0:42:04 | 0:42:07 | |
Stop. Whoa. | 0:42:27 | 0:42:29 | |
Who the hell are you? | 0:42:29 | 0:42:31 | |
I, uh, I'm Jenny... Halie's friend. | 0:42:31 | 0:42:33 | |
Why are you trashing the place? | 0:42:33 | 0:42:34 | |
I didn't. I...I live across the hall. | 0:42:34 | 0:42:38 | |
I came over after they left. | 0:42:38 | 0:42:39 | |
Who's "they"? | 0:42:39 | 0:42:40 | |
Some guys from the club. | 0:42:40 | 0:42:42 | |
What club? Ray's? | 0:42:42 | 0:42:44 | |
Yeah. | 0:42:46 | 0:42:47 | |
How do I know that you didn't let them in? | 0:42:48 | 0:42:50 | |
It was Irena, the landlord. | 0:42:50 | 0:42:52 | |
I'm worried about Halie, too. | 0:42:52 | 0:42:54 | |
I'm the one who called her mother. | 0:42:54 | 0:42:57 | |
Please... | 0:42:57 | 0:42:59 | |
put the knife down. | 0:42:59 | 0:43:01 | |
Are you the one who's been looking through the blinds? | 0:43:04 | 0:43:06 | |
I've been wanting to talk to you. | 0:43:06 | 0:43:08 | |
Why haven't you? | 0:43:08 | 0:43:11 | |
It's hard. | 0:43:11 | 0:43:13 | |
They've got eyes everywhere. | 0:43:13 | 0:43:15 | |
And Halie isn't the first girl who's gone missing. | 0:43:17 | 0:43:20 | |
Then why wouldn't you stop her? | 0:43:20 | 0:43:23 | |
She was determined to go through with it. | 0:43:23 | 0:43:25 | |
And most girls come back, | 0:43:25 | 0:43:27 | |
and they work off the surgery in a couple months. | 0:43:27 | 0:43:29 | |
What do you mean, they work it off? | 0:43:29 | 0:43:30 | |
Well, if you can't afford it, Ray will spot you, | 0:43:30 | 0:43:32 | |
but you got to work it off. | 0:43:32 | 0:43:35 | |
Have you talked to her since she's been gone? | 0:43:35 | 0:43:37 | |
No. | 0:43:37 | 0:43:39 | |
She said if anything went wrong, | 0:43:40 | 0:43:42 | |
that I should call home. | 0:43:42 | 0:43:44 | |
She gave me your mother's number. | 0:43:44 | 0:43:47 | |
She said you'd come looking for her. | 0:43:47 | 0:43:49 | |
She always talked about her big sister. | 0:43:51 | 0:43:53 | |
Abbey this and Abbey that. | 0:43:53 | 0:43:56 | |
Shoot. I feel like I know you. | 0:43:57 | 0:43:59 | |
You're prettier than your pictures. | 0:44:01 | 0:44:04 | |
I'm sorry. | 0:44:05 | 0:44:07 | |
So what's your next move? | 0:44:07 | 0:44:10 | |
I don't know. | 0:44:13 | 0:44:15 | |
Look, I've been at Ray's a long time. | 0:44:15 | 0:44:17 | |
If you need to know how things work there. | 0:44:17 | 0:44:19 | |
Yeah. Maybe. | 0:44:19 | 0:44:21 | |
I might. | 0:44:21 | 0:44:23 | |
SIREN PULSES | 0:44:23 | 0:44:24 | |
Do you want some help? | 0:44:26 | 0:44:29 | |
Down on the ground! | 0:44:29 | 0:44:30 | |
ABBEY: Oh, it's OK. It's OK. She's a friend. | 0:44:30 | 0:44:32 | |
Is everything all right? | 0:44:34 | 0:44:36 | |
Yeah. We're all right. Um... | 0:44:36 | 0:44:39 | |
Just the place is a mess. | 0:44:39 | 0:44:40 | |
Is there anything missing? | 0:44:40 | 0:44:41 | |
I think I had what they were looking for. | 0:44:41 | 0:44:43 | |
I'm sorry to have you rush down here like that. | 0:44:43 | 0:44:46 | |
It's OK. I'll file a report. | 0:44:46 | 0:44:49 | |
It was a couple of guys from Ray's. | 0:44:49 | 0:44:52 | |
Right? | 0:44:52 | 0:44:53 | |
Jenny? | 0:44:53 | 0:44:55 | |
Yeah, it was. | 0:44:57 | 0:44:59 | |
Did they have a key? | 0:44:59 | 0:45:01 | |
No. Apparently the landlady let them in. | 0:45:01 | 0:45:04 | |
I'll talk to her. | 0:45:04 | 0:45:06 | |
Thank you. | 0:45:08 | 0:45:09 | |
Need help? | 0:45:09 | 0:45:11 | |
No. We got this. | 0:45:11 | 0:45:14 | |
OK. I'll talk to you later. | 0:45:14 | 0:45:17 | |
Sorry. | 0:45:17 | 0:45:19 | |
You got to be more careful. | 0:45:29 | 0:45:31 | |
SHE SIGHS | 0:45:31 | 0:45:33 | |
You can be replaced. | 0:45:36 | 0:45:38 | |
ROCK MUSIC PLAYING | 0:45:49 | 0:45:50 | |
MAN: Number one rule at Ray's... | 0:45:50 | 0:45:52 | |
Look but don't touch. | 0:45:52 | 0:45:54 | |
SECOND MAN: All right. All right. | 0:45:54 | 0:45:55 | |
And a warm welcome for Veronica. | 0:45:57 | 0:46:00 | |
Where's Ray? | 0:46:00 | 0:46:01 | |
So? | 0:46:08 | 0:46:10 | |
Did you find anything? | 0:46:10 | 0:46:12 | |
No. We trashed the place. | 0:46:12 | 0:46:14 | |
There was nothing there. | 0:46:14 | 0:46:16 | |
Is the sister backing off? | 0:46:16 | 0:46:17 | |
Hopefully she got the hint. | 0:46:17 | 0:46:19 | |
Handle it. I will. | 0:46:19 | 0:46:21 | |
Otherwise all of this goes away. | 0:46:21 | 0:46:24 | |
I got it. | 0:46:24 | 0:46:26 | |
The cops? | 0:46:27 | 0:46:28 | |
It's covered. | 0:46:30 | 0:46:32 | |
I'll check in with you later, OK? | 0:46:34 | 0:46:36 | |
You have a right to be worried. | 0:46:36 | 0:46:38 | |
I love you too. Bye. | 0:46:38 | 0:46:40 | |
Hey. Hey. | 0:47:02 | 0:47:04 | |
Ohh. You look tired. | 0:47:04 | 0:47:06 | |
You really know what to say to a lady. | 0:47:06 | 0:47:09 | |
Sorry. | 0:47:09 | 0:47:10 | |
A couple of guys from the strip club tossed Halie's apartment. | 0:47:10 | 0:47:13 | |
What? Are you OK? | 0:47:13 | 0:47:14 | |
Yeah. Tim's going to take care of it. | 0:47:14 | 0:47:17 | |
The deputy? Stop being so paranoid. | 0:47:17 | 0:47:21 | |
How did she know it was guys from ray's? | 0:47:21 | 0:47:24 | |
Jenny. One of the dancers who lives across the hall. | 0:47:24 | 0:47:27 | |
All right. You ready for this? | 0:47:28 | 0:47:30 | |
Yup. Let's go. | 0:47:30 | 0:47:31 | |
ABBEY: You OK? | 0:47:53 | 0:47:55 | |
Yeah. I just hate going through checkpoints. | 0:47:55 | 0:47:58 | |
We'll be fine. | 0:47:59 | 0:48:00 | |
Officer. | 0:48:05 | 0:48:07 | |
Go on. | 0:48:07 | 0:48:09 | |
Hold it together. | 0:48:21 | 0:48:24 | |
Thank you. | 0:48:26 | 0:48:27 | |
See? No problem. | 0:48:30 | 0:48:32 | |
Is this the right street? | 0:49:14 | 0:49:16 | |
Yeah, according to the map. | 0:49:17 | 0:49:19 | |
Maybe it's just back further on the property. | 0:49:22 | 0:49:24 | |
This doesn't make any sense. | 0:49:54 | 0:49:56 | |
Maybe we took down the wrong address. | 0:49:58 | 0:50:00 | |
Well, this is the place. | 0:50:00 | 0:50:02 | |
I mean, it should be right here. | 0:50:02 | 0:50:04 | |
Unless it doesn't really exist. | 0:50:04 | 0:50:07 | |
Why would they...? Think about it. | 0:50:07 | 0:50:11 | |
So what? She could just be anywhere right now? | 0:50:12 | 0:50:16 | |
How are we supposed to find her? | 0:50:19 | 0:50:21 | |
I don't know. | 0:50:21 | 0:50:23 | |
I can feel her slipping away. | 0:50:31 | 0:50:33 | |
Don't say that. | 0:50:33 | 0:50:35 | |
Come on. You really think that she just forgot to call? | 0:50:38 | 0:50:41 | |
Something happened. | 0:50:45 | 0:50:47 | |
Maybe she died on the table or... | 0:50:49 | 0:50:51 | |
I don't know. Maybe they found out | 0:50:53 | 0:50:54 | |
that she was feeding you information. | 0:50:54 | 0:50:56 | |
No. There are other possibilities. | 0:50:56 | 0:51:00 | |
Like what? | 0:51:03 | 0:51:04 | |
I don't know. | 0:51:04 | 0:51:06 | |
But you can't give up hope. | 0:51:06 | 0:51:09 | |
Great. | 0:51:09 | 0:51:11 | |
ABBEY: How did they even know that we were out here? | 0:51:11 | 0:51:13 | |
MAN: This is private property. | 0:51:18 | 0:51:20 | |
What are you doing out here? | 0:51:20 | 0:51:22 | |
Do you want me to ask you in Spanish? | 0:51:25 | 0:51:27 | |
No. Sorry. We were just looking around. | 0:51:27 | 0:51:31 | |
It's a beautiful landscape. | 0:51:31 | 0:51:34 | |
You're going to have to come with us. | 0:51:38 | 0:51:40 | |
SPEAKING SPANISH | 0:51:40 | 0:51:41 | |
Get your hands off me. | 0:51:44 | 0:51:45 | |
Michael. | 0:51:45 | 0:51:46 | |
OFFICER: Just give him your keys. | 0:51:46 | 0:51:48 | |
You got to stop. | 0:51:50 | 0:51:51 | |
I don't think you understand the gravity of the situation. | 0:51:51 | 0:51:54 | |
Could you just put a call in | 0:51:55 | 0:51:56 | |
to deputy Tim Corbin in Laredo? | 0:51:56 | 0:51:58 | |
He will be able to clear all of this up. | 0:51:58 | 0:52:00 | |
Get into the car. | 0:52:00 | 0:52:02 | |
I'm sorry. Is this really necessary? | 0:52:24 | 0:52:27 | |
We didn't break any laws. | 0:52:27 | 0:52:28 | |
Trespassing and resisting arrest. | 0:52:28 | 0:52:33 | |
Passports and cell phone, please. | 0:52:33 | 0:52:36 | |
No way. | 0:52:36 | 0:52:37 | |
We can take them from you if you like. | 0:52:37 | 0:52:40 | |
Can I make a phone call, please? | 0:52:51 | 0:52:53 | |
A phone call. Ha ha. | 0:52:53 | 0:52:55 | |
You are not in the United States any more. | 0:52:55 | 0:52:59 | |
What is going on? | 0:53:05 | 0:53:07 | |
This is bad. | 0:53:18 | 0:53:20 | |
They can't keep us in here. | 0:53:20 | 0:53:22 | |
You still don't get it, do you? | 0:53:24 | 0:53:26 | |
They're all in on it. They can do whatever they want with us. | 0:53:26 | 0:53:28 | |
Come on, Michael. Not now. | 0:53:28 | 0:53:30 | |
Think about it. How did they find us so quickly? | 0:53:30 | 0:53:32 | |
Our luck just changed. | 0:53:45 | 0:53:47 | |
Are you sure about this? | 0:53:49 | 0:53:50 | |
Yeah. | 0:53:50 | 0:53:52 | |
Your call. | 0:53:56 | 0:53:58 | |
He's releasing you to my custody. | 0:53:58 | 0:54:00 | |
Thank you. | 0:54:00 | 0:54:01 | |
You, too, Michael. | 0:54:06 | 0:54:08 | |
You got lucky this time. | 0:54:10 | 0:54:12 | |
Don't come back here. | 0:54:14 | 0:54:15 | |
Did you at least find what you were looking for? | 0:54:23 | 0:54:25 | |
No. There was nothing there. | 0:54:25 | 0:54:29 | |
What do you mean, there was nothing there? | 0:54:29 | 0:54:31 | |
There's just land. | 0:54:31 | 0:54:33 | |
There's no building, no clinic. Nothing. | 0:54:33 | 0:54:36 | |
TIM: Well, where do they bring the girls? | 0:54:36 | 0:54:38 | |
I don't know. | 0:54:40 | 0:54:41 | |
It's just another dead end. | 0:54:41 | 0:54:43 | |
I can't pull that favour again. | 0:54:45 | 0:54:48 | |
All right. Follow me back, | 0:54:50 | 0:54:52 | |
so I can bring you across the border. | 0:54:52 | 0:54:53 | |
ABBEY: OK. What do we do now? | 0:55:00 | 0:55:03 | |
I don't know. Maybe Jean will come forward. | 0:55:03 | 0:55:07 | |
Maybe we can get her to press charges. | 0:55:07 | 0:55:09 | |
That's going to take too long. | 0:55:09 | 0:55:10 | |
KNOCK ON DOOR | 0:55:10 | 0:55:12 | |
Jenny. | 0:55:17 | 0:55:19 | |
Hi. Come on in. | 0:55:19 | 0:55:21 | |
Hi. Thanks. | 0:55:21 | 0:55:23 | |
Jenny, Michael. | 0:55:23 | 0:55:25 | |
He's helping me find Halie. | 0:55:25 | 0:55:27 | |
It's all right. We can trust him. | 0:55:29 | 0:55:32 | |
I've seen you around the club. | 0:55:32 | 0:55:34 | |
Yeah. I'm a reporter. | 0:55:34 | 0:55:36 | |
Did you find the clinic? | 0:55:36 | 0:55:38 | |
No. The address we had was a cover. | 0:55:38 | 0:55:40 | |
There was nothing there. | 0:55:40 | 0:55:41 | |
So what's next? | 0:55:41 | 0:55:43 | |
We're trying to figure that out. | 0:55:43 | 0:55:44 | |
Maybe I could ask around the club. | 0:55:44 | 0:55:46 | |
Can you do that without drawing too much attention? | 0:55:46 | 0:55:48 | |
That's it. | 0:55:48 | 0:55:50 | |
The club. | 0:55:51 | 0:55:53 | |
Plastic surgery... Dr Sparks. | 0:55:54 | 0:55:56 | |
I'm not following. | 0:55:56 | 0:55:58 | |
I'll go in and get a consultation. | 0:55:58 | 0:56:00 | |
For what? | 0:56:00 | 0:56:02 | |
It doesn't matter. | 0:56:02 | 0:56:03 | |
Boobs, hips, thighs, whatever. | 0:56:03 | 0:56:05 | |
Oh, that sounds great and all, Abbey, | 0:56:05 | 0:56:07 | |
but they know who you are. | 0:56:07 | 0:56:09 | |
They'll see that coming a mile away. | 0:56:09 | 0:56:11 | |
There has to be some way. | 0:56:11 | 0:56:13 | |
Or... | 0:56:17 | 0:56:19 | |
what? | 0:56:24 | 0:56:25 | |
You could inquire. | 0:56:25 | 0:56:26 | |
We just need that blue card. | 0:56:26 | 0:56:27 | |
Exactly. | 0:56:27 | 0:56:28 | |
Now, wait a minute, guys. What are you talking about? | 0:56:28 | 0:56:31 | |
Take a seat. | 0:56:31 | 0:56:32 | |
OK. | 0:56:38 | 0:56:39 | |
Tonight at work, | 0:56:41 | 0:56:42 | |
just do your regular thing. | 0:56:42 | 0:56:45 | |
MUSIC PLAYING | 0:56:45 | 0:56:47 | |
It's a good night? | 0:57:08 | 0:57:10 | |
Mmm. | 0:57:10 | 0:57:11 | |
I've had better. | 0:57:11 | 0:57:13 | |
What's up, honey? | 0:57:13 | 0:57:16 | |
I'm...looking to make some improvements. | 0:57:16 | 0:57:20 | |
Little tuck, if you know what I mean. | 0:57:21 | 0:57:23 | |
Are you serious? | 0:57:23 | 0:57:24 | |
Well, I ain't getting any younger. | 0:57:24 | 0:57:26 | |
You still look good to me, baby. | 0:57:26 | 0:57:28 | |
Can you set it up? | 0:57:31 | 0:57:33 | |
Consider it done. | 0:57:33 | 0:57:34 | |
You're a doll. | 0:57:34 | 0:57:36 | |
A tummy tuck, little bit off the sides. | 0:57:47 | 0:57:51 | |
You made arrangements with Ray? | 0:57:51 | 0:57:55 | |
Yeah. | 0:57:55 | 0:57:57 | |
It's covered. | 0:57:57 | 0:57:58 | |
OK. Well, then I will make sure | 0:58:00 | 0:58:02 | |
that they take extra-special care of you. | 0:58:02 | 0:58:06 | |
Hmm. | 0:58:06 | 0:58:07 | |
Thank you. | 0:58:08 | 0:58:10 | |
Perfect. | 0:58:16 | 0:58:18 | |
Thank you. | 0:58:18 | 0:58:21 | |
Be careful. | 0:58:21 | 0:58:22 | |
Yeah. Michael's going to follow the bus. | 0:58:22 | 0:58:26 | |
It leaves at 8:00 AM sharp. | 0:58:26 | 0:58:27 | |
OK. | 0:58:27 | 0:58:29 | |
You should get out of town for a while. | 0:58:29 | 0:58:33 | |
Oh. | 0:58:33 | 0:58:35 | |
You're going to need these. | 0:58:35 | 0:58:37 | |
Got to play the part. | 0:58:39 | 0:58:42 | |
Mmm. | 0:58:42 | 0:58:43 | |
Thanks. | 0:58:43 | 0:58:45 | |
SHE EXHALES | 0:58:48 | 0:58:50 | |
Just find her, OK? | 0:58:52 | 0:58:54 | |
One way or another, | 0:58:55 | 0:58:57 | |
just find her. | 0:58:57 | 0:58:59 | |
Hey. | 0:59:26 | 0:59:28 | |
We're on track. | 0:59:28 | 0:59:30 | |
Everything's going to be OK. | 0:59:30 | 0:59:32 | |
We will find her. | 0:59:32 | 0:59:34 | |
Thank you. | 0:59:37 | 0:59:38 | |
You don't have to thank me. | 0:59:38 | 0:59:39 | |
Your help means a lot to me. | 0:59:42 | 0:59:44 | |
Hi. | 1:00:03 | 1:00:04 | |
Can you please make sure that Deputy Corbin gets this? | 1:00:04 | 1:00:07 | |
Thank you. | 1:00:07 | 1:00:09 | |
Not too late to change your mind. | 1:00:27 | 1:00:29 | |
Just don't lose the bus. | 1:00:29 | 1:00:31 | |
Officer. | 1:02:35 | 1:02:36 | |
TYPING | 1:02:46 | 1:02:47 | |
Would you please pull over? | 1:02:53 | 1:02:54 | |
Is there a problem? Why do I have to pull over? | 1:02:54 | 1:02:56 | |
Now. | 1:02:56 | 1:02:58 | |
Good morning, Al. | 1:03:26 | 1:03:28 | |
I didn't think you'd be in. | 1:03:28 | 1:03:30 | |
ABBEY, VOICE-OVER: Tim, when you get this, | 1:03:57 | 1:03:59 | |
I'll hopefully be in Mexico at the clinic my sister went to. | 1:03:59 | 1:04:03 | |
You'll find everything you need in here to start a case file. | 1:04:03 | 1:04:06 | |
I didn't tell you because I knew you'd try to stop me. | 1:04:06 | 1:04:09 | |
After I find my sister, | 1:04:09 | 1:04:10 | |
Michael and I will make our way back across the border | 1:04:10 | 1:04:13 | |
with the rest of the info you'll need to put these people away. | 1:04:13 | 1:04:16 | |
Hey. | 1:04:26 | 1:04:28 | |
Yeah, we have a problem. | 1:04:28 | 1:04:29 | |
Michael! | 1:04:45 | 1:04:46 | |
ROCK MUSIC PLAYING | 1:05:01 | 1:05:03 | |
Hey. | 1:05:06 | 1:05:07 | |
We got to go. What's going on? | 1:05:07 | 1:05:09 | |
Jenny sold us out. Now, I will explain on the way. | 1:05:09 | 1:05:12 | |
Clean this up. | 1:05:12 | 1:05:14 | |
Hello, everyone. | 1:06:59 | 1:07:01 | |
Follow me, and I'll take you in. | 1:07:01 | 1:07:03 | |
You can wait in here until we call your name. | 1:07:23 | 1:07:26 | |
TELEPHONE RINGS | 1:08:03 | 1:08:05 | |
Digame. | 1:08:07 | 1:08:10 | |
They just arrived. | 1:08:12 | 1:08:13 | |
She'd be on the bus. | 1:08:15 | 1:08:17 | |
OK. | 1:08:18 | 1:08:20 | |
Claro que si. Claro. | 1:08:21 | 1:08:24 | |
HANGS UP PHONE | 1:08:25 | 1:08:26 | |
Hands up! | 1:09:04 | 1:09:05 | |
SPEAKING SPANISH | 1:09:05 | 1:09:07 | |
Keep your hands where I can see them. | 1:09:07 | 1:09:08 | |
This is not necessary. | 1:09:08 | 1:09:09 | |
I'm looking for my friend...hey! What the hell? | 1:09:09 | 1:09:11 | |
I told you not to come back here. | 1:09:11 | 1:09:13 | |
I'm searching for my friend. She's out here somewhere. | 1:09:13 | 1:09:15 | |
Can you at least help me out? | 1:09:15 | 1:09:17 | |
Uh...bathroom? | 1:10:33 | 1:10:35 | |
Oh! | 1:10:43 | 1:10:44 | |
Aah! | 1:10:44 | 1:10:46 | |
Where is my sister? | 1:10:58 | 1:11:01 | |
SPEAKING SPANISH | 1:11:01 | 1:11:03 | |
Put her in the room with Paco for now. | 1:11:05 | 1:11:08 | |
SHOUTING | 1:11:08 | 1:11:11 | |
SOBBING | 1:11:20 | 1:11:22 | |
GASP | 1:11:32 | 1:11:33 | |
MICHAEL: Sheriff, if you're not in on it, | 1:11:39 | 1:11:41 | |
then please help us. | 1:11:41 | 1:11:43 | |
This is happening all over the place. | 1:11:43 | 1:11:44 | |
You've got to know about it. | 1:11:44 | 1:11:45 | |
Of course I know about it. | 1:11:45 | 1:11:48 | |
SPEAKING SPANISH | 1:12:09 | 1:12:11 | |
OK. | 1:12:22 | 1:12:24 | |
OK. | 1:12:32 | 1:12:33 | |
What can we do? | 1:12:41 | 1:12:42 | |
What can we use? | 1:12:45 | 1:12:46 | |
OK. | 1:12:46 | 1:12:48 | |
What else? | 1:12:48 | 1:12:49 | |
OK. | 1:12:53 | 1:12:54 | |
Um... | 1:13:34 | 1:13:36 | |
CAR ENGINE REVS | 1:13:51 | 1:13:54 | |
ENGINE STOPS | 1:14:08 | 1:14:09 | |
So? | 1:14:10 | 1:14:11 | |
Todo bien. | 1:14:11 | 1:14:13 | |
We have her locked up. | 1:14:13 | 1:14:14 | |
Perfect. Then we will wait. | 1:14:14 | 1:14:17 | |
I'm not happy about this, Dr Martinez. | 1:14:17 | 1:14:18 | |
Your problema no esta aqui. | 1:14:18 | 1:14:20 | |
You have a problem up north. | 1:14:20 | 1:14:21 | |
Then maybe we should take our business somewhere else | 1:14:21 | 1:14:24 | |
if you can't handle it. | 1:14:24 | 1:14:25 | |
Oh, thank God. | 1:14:28 | 1:14:30 | |
Who else has this? | 1:15:05 | 1:15:06 | |
I don't know, | 1:15:06 | 1:15:08 | |
but she's been working with that reporter Michael. | 1:15:08 | 1:15:10 | |
Is there enough to make a case here? | 1:15:10 | 1:15:13 | |
Not quite yet. | 1:15:13 | 1:15:15 | |
There's no proof of murder or illegal medical practice in it. | 1:15:15 | 1:15:20 | |
If she disappears? | 1:15:20 | 1:15:22 | |
It all goes away. | 1:15:22 | 1:15:23 | |
So what are we waiting for? | 1:15:23 | 1:15:25 | |
I want to find a new place. | 1:15:35 | 1:15:37 | |
Find me a new place. | 1:15:37 | 1:15:39 | |
Calm down. This is fine. | 1:15:39 | 1:15:41 | |
SHE YELLS | 1:15:59 | 1:16:01 | |
Don't! | 1:16:09 | 1:16:11 | |
You son of a bitch. | 1:16:14 | 1:16:17 | |
You kept pushing. | 1:16:17 | 1:16:19 | |
This can't be about money. | 1:16:19 | 1:16:21 | |
Why else? | 1:16:21 | 1:16:22 | |
She was my sister, Tim. | 1:16:22 | 1:16:25 | |
YELLING | 1:16:26 | 1:16:28 | |
Aah! | 1:16:28 | 1:16:29 | |
Aah! | 1:16:32 | 1:16:34 | |
Oh, it's so sad. | 1:16:34 | 1:16:36 | |
Wait! Ray. Not here. Doctor! | 1:16:39 | 1:16:43 | |
Can we take her around back and get this done, please? | 1:16:51 | 1:16:56 | |
SHE MOANS | 1:16:58 | 1:16:59 | |
What are we waiting for? | 1:17:18 | 1:17:20 | |
SIREN | 1:17:35 | 1:17:37 | |
Damn it! | 1:17:39 | 1:17:40 | |
Relax. Lose the gun. | 1:17:42 | 1:17:44 | |
SPEAKING SPANISH | 1:17:44 | 1:17:45 | |
Vamonos. All right, come on! Let's move it in! | 1:17:49 | 1:17:52 | |
Hands up! | 1:17:52 | 1:17:54 | |
POLICEMAN SPEAKING SPANISH | 1:17:54 | 1:17:55 | |
Get down on the ground! | 1:17:55 | 1:17:57 | |
Down on your knees! Down, I said! | 1:17:57 | 1:18:00 | |
You OK? | 1:18:00 | 1:18:02 | |
What happened to you? | 1:18:02 | 1:18:03 | |
Sorry. I got caught up. | 1:18:03 | 1:18:05 | |
Come on! Take it easy. | 1:18:11 | 1:18:13 | |
So...that was all of them. | 1:18:17 | 1:18:20 | |
Yes. | 1:18:20 | 1:18:21 | |
And the doctor and the nurses are in on it. | 1:18:23 | 1:18:25 | |
SPEAKING SPANISH | 1:18:27 | 1:18:29 | |
Wait. | 1:18:30 | 1:18:31 | |
Can you translate something for me? | 1:18:34 | 1:18:37 | |
Yes. | 1:18:37 | 1:18:38 | |
Did this woman come through here? | 1:18:44 | 1:18:47 | |
SPEAKING SPANISH | 1:18:47 | 1:18:49 | |
Do you recognise this woman? | 1:18:51 | 1:18:54 | |
SPEAKING SPANISH | 1:18:54 | 1:18:55 | |
Did this woman come through here? | 1:18:58 | 1:19:01 | |
SPEAKING SPANISH | 1:19:01 | 1:19:03 | |
Please. | 1:19:04 | 1:19:05 | |
Si o no? | 1:19:05 | 1:19:07 | |
She was my sister. | 1:19:07 | 1:19:09 | |
Era la hermana de ella. | 1:19:09 | 1:19:11 | |
Que? | 1:19:14 | 1:19:15 | |
Yes? | 1:19:15 | 1:19:16 | |
SPEAKING SPANISH | 1:19:16 | 1:19:17 | |
You recognise her? | 1:19:17 | 1:19:19 | |
SPEAKING SPANISH | 1:19:19 | 1:19:21 | |
He said that, uh, | 1:19:26 | 1:19:28 | |
that she was a patient here | 1:19:28 | 1:19:30 | |
and that she died on the table. | 1:19:30 | 1:19:33 | |
I...I... | 1:19:37 | 1:19:38 | |
I can show you to the body. | 1:19:38 | 1:19:41 | |
What? | 1:19:43 | 1:19:44 | |
I can show you to the body. | 1:19:44 | 1:19:46 | |
You can? | 1:19:46 | 1:19:48 | |
Yes, please. | 1:19:48 | 1:19:51 | |
Guillermo will take you. | 1:19:51 | 1:19:52 | |
Thank you. | 1:19:52 | 1:19:54 | |
I can come with you if you want. | 1:20:37 | 1:20:39 | |
It's OK. | 1:20:45 | 1:20:46 | |
Where is the body? | 1:21:20 | 1:21:22 | |
SNIFFLING | 1:22:19 | 1:22:21 | |
FLIES BUZZING | 1:22:26 | 1:22:28 | |
CRYING | 1:22:30 | 1:22:32 | |
Mom? | 1:23:19 | 1:23:20 | |
I'm bringing her home. | 1:23:24 | 1:23:26 | |
I love you. | 1:23:29 | 1:23:31 |