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GERMAN OVER PA | 0:00:27 | 0:00:29 | |
All right, boys, let's go. | 0:00:33 | 0:00:35 | |
HE SPEAKS GERMAN | 0:00:37 | 0:00:38 | |
THEY PLAY A MARCH | 0:00:40 | 0:00:41 | |
Come on, guys! | 0:00:57 | 0:00:58 | |
What do you say, Joe? Brother, this is sure seeing Europe the hard way. | 0:00:58 | 0:01:01 | |
This is better than dodging those sheriffs in Kentucky. | 0:01:01 | 0:01:03 | |
Besides, we might do pretty good here. | 0:01:03 | 0:01:05 | |
Hi, lover. Did you miss me? | 0:01:05 | 0:01:07 | |
Miss you? I couldn't sleep, couldn't eat, couldn't think. | 0:01:07 | 0:01:09 | |
Yeah, uh-huh. Couldn't even write, you muscle-bound ape. | 0:01:09 | 0:01:11 | |
Hurry it up. Get in line. | 0:01:11 | 0:01:13 | |
You've got the only good-looking pair of legs to show! Come on! | 0:01:13 | 0:01:16 | |
WOLF WHISTLE | 0:01:31 | 0:01:34 | |
SHE GASPS | 0:01:39 | 0:01:41 | |
PA: 'Straight from Hawaii, | 0:01:52 | 0:01:53 | |
'so come on over to the carnival grounds tonight.' | 0:01:53 | 0:01:56 | |
PA: 'Ladies and gentlemen, | 0:02:08 | 0:02:09 | |
'come on out tonight and see Grayson's Wunderschau. | 0:02:09 | 0:02:12 | |
'Let your eyes gaze upon the wonders of all wonder.' | 0:02:12 | 0:02:15 | |
PA: 'The greatest diver | 0:02:46 | 0:02:47 | |
'in the world!' | 0:02:47 | 0:02:49 | |
All right, hold it, hold it, hold it. | 0:03:20 | 0:03:23 | |
Now, pay attention, everybody. | 0:03:23 | 0:03:24 | |
The cookhouse is straight ahead, | 0:03:24 | 0:03:26 | |
living quarters over here. | 0:03:26 | 0:03:28 | |
We go on tonight. I'll meet you in the cookhouse at 6.30. | 0:03:28 | 0:03:31 | |
And give you the rest of the low-down, OK? | 0:03:31 | 0:03:33 | |
Quiet, everybody! | 0:03:38 | 0:03:40 | |
Quiet, quiet. Shh. Quiet. Just a moment. | 0:03:40 | 0:03:42 | |
Now, you all know why we're here in Europe. | 0:03:42 | 0:03:45 | |
Back home, we didn't do so good. | 0:03:45 | 0:03:47 | |
As a matter of fact, we didn't do anything. | 0:03:47 | 0:03:48 | |
THEY LAUGH | 0:03:48 | 0:03:50 | |
They won't look at you freaks any more, even if we pay them. | 0:03:50 | 0:03:53 | |
The only one who came around was the Sheriff. | 0:03:53 | 0:03:56 | |
Now, this is the first American carnival | 0:03:56 | 0:03:58 | |
that ever played Germany. | 0:03:58 | 0:04:00 | |
Nobody knows whether they're going to go for us or not, | 0:04:00 | 0:04:02 | |
But I figure this way, | 0:04:02 | 0:04:04 | |
we might turn into a freak novelty | 0:04:04 | 0:04:06 | |
if we give them straight, American mud-show corn, | 0:04:06 | 0:04:08 | |
so forget where you are. | 0:04:08 | 0:04:10 | |
Play it straight to the hillbillies. | 0:04:10 | 0:04:12 | |
Now, you talkers - you'll have to work in German. | 0:04:12 | 0:04:15 | |
I've had translations made of all the ballyhoos, | 0:04:15 | 0:04:17 | |
so you read them right out, | 0:04:17 | 0:04:20 | |
and if we can't talk them in... | 0:04:20 | 0:04:22 | |
pray them in. | 0:04:22 | 0:04:24 | |
CALLIOPE PLAYING | 0:04:24 | 0:04:26 | |
MAN: One and only Miss Daisy Mae! | 0:04:36 | 0:04:38 | |
SECOND MAN: Captain Snyder, | 0:04:38 | 0:04:40 | |
sword swallower extraordinaire. | 0:04:40 | 0:04:42 | |
THIRD MAN: The human flamethrower. | 0:04:42 | 0:04:45 | |
FOURTH MAN: The lovely Kim Lee, | 0:04:47 | 0:04:49 | |
blossom from the Orient. | 0:04:49 | 0:04:51 | |
He was worshipped as a god... | 0:04:54 | 0:04:56 | |
Als ein Gott... | 0:04:56 | 0:04:58 | |
..by the Dayak tribe of central Borneo, | 0:04:58 | 0:05:00 | |
where he was captured after a terrific battle. | 0:05:00 | 0:05:05 | |
Here we show him as a gesture - | 0:05:05 | 0:05:07 | |
ein Beweis amerikanische friendship - | 0:05:07 | 0:05:09 | |
to all the people in the world. | 0:05:09 | 0:05:11 | |
Sehen sie, mein Damen und Herren, | 0:05:11 | 0:05:13 | |
er, all these remarkable little ladies here... | 0:05:13 | 0:05:18 | |
wunderbaren Menschen... | 0:05:18 | 0:05:22 | |
perform their - their dance | 0:05:22 | 0:05:24 | |
to the gods of their fathers. | 0:05:24 | 0:05:27 | |
Watch the perfect control... | 0:05:27 | 0:05:29 | |
er, Kontrolle... | 0:05:29 | 0:05:32 | |
of the 200 separate and distinct muscles of the, er... | 0:05:32 | 0:05:36 | |
zwei hundert Muskel... | 0:05:36 | 0:05:40 | |
of the belly, ja? | 0:05:40 | 0:05:42 | |
CROWD LAUGHS | 0:05:42 | 0:05:44 | |
All right, 50 cents - er, 50 pfennigs. | 0:05:44 | 0:05:47 | |
50 pfennigs. Come on, only 50 pfennigs. | 0:05:47 | 0:05:49 | |
Boys, and inside where it's warmer, | 0:05:49 | 0:05:51 | |
they don't wear so many clothes. | 0:05:51 | 0:05:53 | |
There. Who's next? You are? | 0:05:58 | 0:05:59 | |
Ah, yes, sir. Thank you. | 0:05:59 | 0:06:00 | |
Danke schoen. Step up, suckers. | 0:06:00 | 0:06:01 | |
Thank you very much, yes, indeed. | 0:06:01 | 0:06:03 | |
That's all, folks. All sold out. | 0:06:04 | 0:06:06 | |
All sold out. | 0:06:06 | 0:06:08 | |
Come back in half an hour. | 0:06:09 | 0:06:11 | |
Halb stunde! | 0:06:11 | 0:06:13 | |
A cold one, honey. | 0:06:33 | 0:06:35 | |
Eine Wurst mit Brot, bitte. | 0:07:06 | 0:07:09 | |
Danke schoen. | 0:07:37 | 0:07:39 | |
Hey, you. | 0:07:50 | 0:07:51 | |
SHE SPEAKS GERMAN | 0:07:56 | 0:07:57 | |
Oh! | 0:08:00 | 0:08:01 | |
Ich habe Hunger. | 0:08:10 | 0:08:11 | |
You are hungry. | 0:08:11 | 0:08:13 | |
You're hungry for what - blood? | 0:08:13 | 0:08:15 | |
Suck the wound. It may be poisonous. | 0:08:16 | 0:08:19 | |
Since you're hungry, | 0:08:22 | 0:08:24 | |
why don't you go ahead and eat it? | 0:08:24 | 0:08:26 | |
Danke schoen. Thank you very much. | 0:08:26 | 0:08:29 | |
You speak pretty good English. | 0:08:33 | 0:08:35 | |
How come? | 0:08:35 | 0:08:36 | |
Of course I do. | 0:08:36 | 0:08:38 | |
It's a hangover from a time | 0:08:38 | 0:08:40 | |
a girl spoke English or she didn't eat. | 0:08:40 | 0:08:42 | |
You're a pretty good-looking girl. | 0:08:50 | 0:08:52 | |
Is that so? | 0:08:52 | 0:08:54 | |
You know what might be good for you? | 0:08:55 | 0:08:58 | |
A little time in jail, maybe, | 0:09:00 | 0:09:01 | |
for picking pockets? | 0:09:01 | 0:09:03 | |
Some honest work. | 0:09:04 | 0:09:06 | |
You could get me work? | 0:09:09 | 0:09:11 | |
Might get you a job here in the carnival. | 0:09:11 | 0:09:13 | |
I can do anything. I'm very strong. | 0:09:13 | 0:09:16 | |
You mean it? | 0:09:16 | 0:09:18 | |
Sure. | 0:09:18 | 0:09:20 | |
Come on. We'll go see. | 0:09:20 | 0:09:22 | |
What's your name? | 0:09:27 | 0:09:29 | |
Willie. | 0:09:29 | 0:09:30 | |
Villie? | 0:09:30 | 0:09:31 | |
Willie. | 0:09:31 | 0:09:32 | |
Oh, Willie. | 0:09:32 | 0:09:33 | |
That's not my real name, | 0:09:33 | 0:09:34 | |
but someone called me that one time, and it stuck. | 0:09:34 | 0:09:37 | |
My name's Joe - Joe Hammond. | 0:09:37 | 0:09:39 | |
How are you, Willie? | 0:09:39 | 0:09:41 | |
Freut mich. | 0:09:41 | 0:09:43 | |
Joe. | 0:09:45 | 0:09:47 | |
What's the matter? | 0:09:48 | 0:09:50 | |
I've got some information for you. | 0:09:50 | 0:09:52 | |
You did not count your money. | 0:09:52 | 0:09:55 | |
I think this must be yours. | 0:09:55 | 0:09:57 | |
Thanks. Willie, remember this. | 0:09:59 | 0:10:01 | |
Any time you ever catch a thief, | 0:10:01 | 0:10:04 | |
be sure and search him very thoroughly. | 0:10:04 | 0:10:07 | |
Charley! | 0:10:13 | 0:10:15 | |
JOE: Charley! | 0:10:16 | 0:10:18 | |
Well, it looks like we're doing all right now, huh? | 0:10:19 | 0:10:22 | |
Yeah. They're really going for that Tennessee Dutch. | 0:10:22 | 0:10:24 | |
Oh, er, this is Willie. | 0:10:24 | 0:10:26 | |
Willie? From here, it looks like a girl. | 0:10:26 | 0:10:29 | |
Ha ha! I think she is. | 0:10:29 | 0:10:31 | |
She'd like to join up with us, Charley. | 0:10:31 | 0:10:34 | |
Listen, Joe, I can't put everybody you pick up on the payroll. | 0:10:34 | 0:10:37 | |
No, no, look, this is an exception. | 0:10:37 | 0:10:39 | |
She's going to - she's going to teach me German, | 0:10:39 | 0:10:41 | |
you know, to help out with the spiel. | 0:10:41 | 0:10:43 | |
What else can she do? | 0:10:43 | 0:10:45 | |
Now, this is serious. | 0:10:47 | 0:10:48 | |
You can put her to work in the cookhouse washing dishes. | 0:10:48 | 0:10:51 | |
I will do anything, Mr Grayson. | 0:10:51 | 0:10:52 | |
Even a few days' work will help. | 0:10:52 | 0:10:54 | |
OK. Sleep her with the hula dancers, I guess. | 0:10:54 | 0:10:57 | |
You show up at the cookhouse at 6.30 in the morning. | 0:10:57 | 0:11:00 | |
Thank you, Mr Grayson. | 0:11:00 | 0:11:01 | |
SHE GASPS | 0:11:01 | 0:11:03 | |
Oh, don't worry about him. He's harmless. | 0:11:04 | 0:11:07 | |
I had him released from an asylum in Alabama. | 0:11:07 | 0:11:10 | |
He is... | 0:11:10 | 0:11:11 | |
No, no, no, no. | 0:11:11 | 0:11:13 | |
No, he's just a little stupid, | 0:11:13 | 0:11:14 | |
and he's a dummy. | 0:11:14 | 0:11:16 | |
You know, he can't talk. | 0:11:16 | 0:11:18 | |
Go back to your tent, Groppo. | 0:11:18 | 0:11:20 | |
Go back to your tent! | 0:11:20 | 0:11:22 | |
Kids... | 0:11:36 | 0:11:37 | |
Get out of here, you Tom. | 0:11:37 | 0:11:39 | |
Oh, shut up a minute. | 0:11:39 | 0:11:40 | |
(Come on. Come on.) | 0:11:40 | 0:11:42 | |
This is Willie. She's going to stay with you a while. | 0:11:42 | 0:11:47 | |
Baby, this is your new home. | 0:11:47 | 0:11:49 | |
What's the matter? | 0:11:51 | 0:11:52 | |
JOE: Huh? | 0:11:56 | 0:11:58 | |
Um... | 0:11:58 | 0:12:00 | |
What's the matter? | 0:12:00 | 0:12:01 | |
Look, er... | 0:12:01 | 0:12:02 | |
I've been travelling. I'm not clean. | 0:12:02 | 0:12:07 | |
I'd be ashamed for them to see me. | 0:12:07 | 0:12:10 | |
Is there someplace I could take a bath? | 0:12:10 | 0:12:13 | |
Sure. | 0:12:13 | 0:12:14 | |
I, uh...I guess the only clothes you own | 0:12:14 | 0:12:17 | |
are the ones you got on, huh? | 0:12:17 | 0:12:20 | |
Yes. | 0:12:20 | 0:12:21 | |
Well, I think we can find something for you. | 0:12:21 | 0:12:24 | |
Come on. | 0:12:24 | 0:12:26 | |
Which one do I pull? | 0:12:37 | 0:12:39 | |
What do you want - hot or cold? | 0:12:39 | 0:12:41 | |
I want hot. | 0:12:41 | 0:12:42 | |
Then pull the one on the right. | 0:12:42 | 0:12:44 | |
SHE GASPS | 0:12:44 | 0:12:46 | |
Oh! Oh, it's cold! | 0:12:46 | 0:12:49 | |
Well, it takes a little while. | 0:12:49 | 0:12:51 | |
H-How long? | 0:12:51 | 0:12:52 | |
Oh... | 0:12:54 | 0:12:55 | |
Mmm... | 0:12:55 | 0:12:57 | |
Ahh... | 0:12:58 | 0:13:00 | |
Oh... | 0:13:00 | 0:13:02 | |
Ahh... | 0:13:02 | 0:13:04 | |
You wet all over? | 0:13:10 | 0:13:12 | |
Mmm, all over. | 0:13:12 | 0:13:13 | |
Well, let go of the chain and soap yourself. | 0:13:13 | 0:13:16 | |
Oh... | 0:13:21 | 0:13:23 | |
Soap is expensive, you know. | 0:13:25 | 0:13:27 | |
Oh, it feels so good. | 0:13:28 | 0:13:31 | |
You all soaped all over? | 0:13:31 | 0:13:33 | |
Every bit of me. | 0:13:34 | 0:13:36 | |
I'm almost smothered in bubbles. | 0:13:36 | 0:13:38 | |
I'm all slippery with soap, | 0:13:38 | 0:13:40 | |
and it's wonderful. | 0:13:40 | 0:13:42 | |
Then go ahead and rinse off. | 0:13:42 | 0:13:44 | |
Oh... | 0:13:44 | 0:13:46 | |
Oh, I hate to do it. | 0:13:46 | 0:13:48 | |
How do you feel now? | 0:14:21 | 0:14:22 | |
Ah, clean. | 0:14:22 | 0:14:24 | |
You look clean. | 0:14:24 | 0:14:26 | |
Mmm! And smell clean. | 0:14:26 | 0:14:28 | |
Ha ha! | 0:14:28 | 0:14:30 | |
I bet you taste clean, too. | 0:14:30 | 0:14:32 | |
No, no, no, please don't. | 0:14:32 | 0:14:33 | |
What's the matter? What's this? | 0:14:33 | 0:14:35 | |
You've been kissed before. | 0:14:35 | 0:14:37 | |
What difference does that make? | 0:14:37 | 0:14:38 | |
If I'd been married before, would that make you want to marry me? | 0:14:38 | 0:14:42 | |
If I'd been hurt before, would that make you want to hurt me? | 0:14:42 | 0:14:44 | |
Uh-uh. I don't want to hurt you. | 0:14:44 | 0:14:47 | |
(No... Please... Please...) | 0:15:04 | 0:15:05 | |
What's the matter? | 0:15:05 | 0:15:08 | |
You said I've been kissed before. | 0:15:09 | 0:15:12 | |
Yes, I have - many times - | 0:15:12 | 0:15:15 | |
but... | 0:15:15 | 0:15:16 | |
But what? | 0:15:16 | 0:15:18 | |
I'll tell you only this... | 0:15:19 | 0:15:21 | |
To me, you are different. | 0:15:21 | 0:15:23 | |
Don't take from me. | 0:15:25 | 0:15:28 | |
Let me give. | 0:15:28 | 0:15:30 | |
All right. | 0:15:30 | 0:15:31 | |
When? | 0:15:31 | 0:15:32 | |
When... | 0:15:32 | 0:15:34 | |
when I've had time to think a little. | 0:15:34 | 0:15:37 | |
MAN: Hi! | 0:16:16 | 0:16:17 | |
Hi! | 0:16:17 | 0:16:19 | |
Hi! | 0:16:19 | 0:16:21 | |
What's for supper tonight? | 0:16:21 | 0:16:23 | |
Meat loaf! | 0:16:23 | 0:16:25 | |
You're the new girl in the cook tent, aren't you? | 0:16:25 | 0:16:28 | |
How did you guess? | 0:16:28 | 0:16:30 | |
What are you doing up there? | 0:16:32 | 0:16:35 | |
Testing the guy wires. | 0:16:35 | 0:16:38 | |
Oh. | 0:16:38 | 0:16:40 | |
Say, I used to pay the other girl a little extra | 0:16:56 | 0:16:59 | |
to bring a pot of coffee | 0:16:59 | 0:17:01 | |
to my tent right after the act. That be OK with you? | 0:17:01 | 0:17:04 | |
Be glad to. | 0:17:04 | 0:17:05 | |
You have sugar and cream? | 0:17:05 | 0:17:07 | |
Black. | 0:17:07 | 0:17:08 | |
BAND PLAYS FANFARE | 0:17:19 | 0:17:20 | |
MAN SPEAKS GERMAN | 0:17:20 | 0:17:22 | |
From a height of 110 feet... | 0:17:25 | 0:17:28 | |
Er, I mean, er... | 0:17:28 | 0:17:30 | |
HE SPEAKS GERMAN | 0:17:30 | 0:17:32 | |
LAUGHTER | 0:17:32 | 0:17:34 | |
..which is only six feet deep! | 0:17:38 | 0:17:40 | |
HE CONTINUES IN GERMAN | 0:17:40 | 0:17:45 | |
LAUGHTER | 0:17:45 | 0:17:48 | |
..die Grosse Collonis! | 0:17:48 | 0:17:50 | |
DRUMROLL | 0:18:49 | 0:18:51 | |
CHEERING | 0:19:17 | 0:19:18 | |
Here's your coffee. | 0:19:52 | 0:19:53 | |
Fine. Just put it on the chair. | 0:19:53 | 0:19:55 | |
Well, that's real service. | 0:20:04 | 0:20:05 | |
How do you say thanks in German? | 0:20:05 | 0:20:07 | |
Danke schoen. | 0:20:07 | 0:20:09 | |
Danke schoen. Danke schoen. | 0:20:09 | 0:20:11 | |
And you deserve it. I saw your dive. | 0:20:11 | 0:20:14 | |
Like it? | 0:20:14 | 0:20:17 | |
Well, you're very brave, | 0:20:17 | 0:20:18 | |
but it frightened me. | 0:20:18 | 0:20:20 | |
It would probably scare me, too, | 0:20:20 | 0:20:22 | |
if I saw it from the ground. | 0:20:22 | 0:20:24 | |
Ooh... | 0:20:24 | 0:20:25 | |
I've got a headache. | 0:20:25 | 0:20:27 | |
Do you get them often? | 0:20:27 | 0:20:29 | |
Once in a while. Depends how I hit. | 0:20:29 | 0:20:32 | |
Will you let me rub your neck for you? | 0:20:32 | 0:20:34 | |
I used to be good at it. | 0:20:34 | 0:20:36 | |
All right. | 0:20:36 | 0:20:37 | |
Mmm... | 0:20:42 | 0:20:43 | |
You have strong hands. | 0:20:47 | 0:20:48 | |
Hard work makes strong hands. | 0:20:48 | 0:20:50 | |
They always do hard work? | 0:20:50 | 0:20:52 | |
Not always. | 0:20:52 | 0:20:54 | |
Who are you? Where are you from? | 0:20:54 | 0:20:56 | |
That's not important. | 0:20:56 | 0:20:59 | |
Oh, that's wonderful. | 0:20:59 | 0:21:03 | |
My headache feels better already. | 0:21:03 | 0:21:05 | |
Thank you. | 0:21:05 | 0:21:06 | |
It was a very quick cure. | 0:21:08 | 0:21:10 | |
Would you mind walking | 0:21:12 | 0:21:14 | |
across the room, please? | 0:21:14 | 0:21:15 | |
Why? | 0:21:15 | 0:21:17 | |
I want to see how you move, | 0:21:17 | 0:21:19 | |
how you carry yourself. | 0:21:19 | 0:21:20 | |
Very well. | 0:21:22 | 0:21:23 | |
Do you mind taking off your dress? | 0:21:34 | 0:21:37 | |
Sometimes there are phrases in English I do not understand. | 0:21:37 | 0:21:41 | |
Did you ask me to take my dress off? | 0:21:41 | 0:21:43 | |
Afraid of me? | 0:21:43 | 0:21:46 | |
I'm not afraid of anyone. | 0:21:46 | 0:21:49 | |
Well? | 0:21:57 | 0:21:59 | |
You know what I was thinking? | 0:21:59 | 0:22:02 | |
Probably. | 0:22:02 | 0:22:04 | |
You're wrong. | 0:22:04 | 0:22:07 | |
I've been thinking lately the act might go better if I had a partner. | 0:22:09 | 0:22:12 | |
That's all. It's just an idea. | 0:22:12 | 0:22:17 | |
A lady partner? | 0:22:17 | 0:22:18 | |
That's right. Can you swim? | 0:22:18 | 0:22:19 | |
Yes. | 0:22:19 | 0:22:21 | |
You were thinking of me? | 0:22:21 | 0:22:23 | |
Why not? You've got good legs, | 0:22:23 | 0:22:25 | |
good shoulders, strong hands... | 0:22:25 | 0:22:26 | |
That's important when you're coming up. | 0:22:26 | 0:22:28 | |
You move well, have good balance... | 0:22:28 | 0:22:30 | |
Yes, but why do you ask me? | 0:22:30 | 0:22:32 | |
There are many who move well. | 0:22:32 | 0:22:34 | |
Well, if you don't want to, just say so. | 0:22:34 | 0:22:36 | |
I don't really mean I don't want to. | 0:22:36 | 0:22:38 | |
It's just that I'm scared to death just thinking about it. | 0:22:38 | 0:22:42 | |
I know. I used to be that way myself, | 0:22:42 | 0:22:45 | |
but I've found you can do anything | 0:22:45 | 0:22:46 | |
you make up your mind to do. | 0:22:46 | 0:22:48 | |
Here. For the coffee. | 0:22:50 | 0:22:54 | |
Oh, thanks. | 0:22:54 | 0:22:55 | |
Why don't you think about it for a while? | 0:22:55 | 0:22:58 | |
I'd be able to earn a great deal of money, wouldn't I? | 0:23:02 | 0:23:06 | |
A lot more than you're making in that cook tent. | 0:23:06 | 0:23:09 | |
A lot more? | 0:23:09 | 0:23:11 | |
Uh-huh. Think it over. | 0:23:11 | 0:23:14 | |
I will. | 0:23:14 | 0:23:16 | |
Good night. | 0:23:16 | 0:23:18 | |
Good night. | 0:23:18 | 0:23:20 | |
Joe! | 0:23:26 | 0:23:28 | |
JOE: Hmm? | 0:23:28 | 0:23:29 | |
Oh, hi, Willie. | 0:23:29 | 0:23:31 | |
What's this - bedside service | 0:23:31 | 0:23:32 | |
for the Great Colloni? | 0:23:32 | 0:23:34 | |
Yeah... | 0:23:34 | 0:23:35 | |
And he said something tonight | 0:23:35 | 0:23:37 | |
that I want to ask you about. | 0:23:37 | 0:23:39 | |
Oh? What? | 0:23:39 | 0:23:41 | |
He wants me to be his partner in the diving business. | 0:23:41 | 0:23:44 | |
He said he'd teach me. | 0:23:44 | 0:23:46 | |
Well... | 0:23:46 | 0:23:48 | |
Maybe...Maybe he's on the make for you. | 0:23:48 | 0:23:51 | |
Oh, no, no. He's very serious. | 0:23:51 | 0:23:53 | |
He said I'd be able to earn a lot of money. | 0:23:53 | 0:23:56 | |
What did you tell him? | 0:23:56 | 0:23:58 | |
Well, I said I'd need a little time to think about it. | 0:23:58 | 0:24:01 | |
I thought I'd better ask you first. | 0:24:01 | 0:24:03 | |
Ask me? Why? | 0:24:03 | 0:24:05 | |
To see whether you minded or not. | 0:24:05 | 0:24:08 | |
Minded? | 0:24:08 | 0:24:09 | |
Baby, you've been overdue for a good break. | 0:24:09 | 0:24:11 | |
Do you think I'd stand in your way? | 0:24:11 | 0:24:14 | |
No, no, no, I know you wouldn't, | 0:24:14 | 0:24:16 | |
but it's very dangerous, you know. | 0:24:16 | 0:24:18 | |
Oh! | 0:24:18 | 0:24:19 | |
I'm afraid. | 0:24:19 | 0:24:21 | |
Look, people... People get killed | 0:24:21 | 0:24:22 | |
every day in the bathtub. | 0:24:22 | 0:24:24 | |
Anything's dangerous. | 0:24:24 | 0:24:25 | |
You really think I could do it? | 0:24:25 | 0:24:27 | |
I know you can do it, | 0:24:27 | 0:24:29 | |
but listen, you. I don't want | 0:24:29 | 0:24:32 | |
that Wisconsin cheese-eater | 0:24:32 | 0:24:33 | |
moving in on my girl. | 0:24:33 | 0:24:34 | |
I'm glad you're jealous. | 0:24:36 | 0:24:39 | |
Sure, I'm jealous. | 0:24:39 | 0:24:41 | |
I got to go check with Charley | 0:24:41 | 0:24:43 | |
about the receipts. See you later. | 0:24:43 | 0:24:46 | |
Good night. | 0:24:46 | 0:24:48 | |
Good night. | 0:24:48 | 0:24:49 | |
Oh, even ten feet looks high from here. | 0:25:14 | 0:25:17 | |
It is. | 0:25:17 | 0:25:18 | |
SHE GASPS | 0:25:23 | 0:25:24 | |
Lesson number one - never look up, | 0:25:24 | 0:25:25 | |
not even when you're climbing. | 0:25:25 | 0:25:27 | |
Yeah. | 0:25:27 | 0:25:28 | |
NEVER look up. | 0:25:28 | 0:25:30 | |
Now try it. No matter how high you are, | 0:25:30 | 0:25:32 | |
take one look down at the tank, just one, | 0:25:32 | 0:25:35 | |
then look straight ahead. | 0:25:35 | 0:25:37 | |
Shouldn't I watch you try it once or twice? | 0:25:37 | 0:25:39 | |
Nope. This is the way to do it. | 0:25:39 | 0:25:41 | |
Now, look, you watch me. Turn around. | 0:25:41 | 0:25:43 | |
As soon as your head touches water, | 0:25:45 | 0:25:47 | |
the very instant you feel water, | 0:25:47 | 0:25:48 | |
bring your back full up like this and reach for air. | 0:25:48 | 0:25:51 | |
If you do that, you won't touch bottom. | 0:25:51 | 0:25:54 | |
If you ever do touch bottom from real heights, you're gone. Got it? | 0:25:54 | 0:25:58 | |
All right, I'll try it. | 0:25:58 | 0:26:00 | |
All right, you go on out to the end and do | 0:26:00 | 0:26:03 | |
exactly what I tell you, when I tell you. | 0:26:03 | 0:26:05 | |
All right, look down just once. | 0:26:10 | 0:26:12 | |
Look straight ahead. | 0:26:15 | 0:26:16 | |
Up on your toes. | 0:26:18 | 0:26:20 | |
Deep breath. | 0:26:21 | 0:26:23 | |
Now fall forward. | 0:26:24 | 0:26:27 | |
You touched bottom. | 0:26:39 | 0:26:40 | |
Yes, I know, but how was the rest of it? | 0:26:40 | 0:26:43 | |
Terrible. Now, go on up there and do a good one. | 0:26:43 | 0:26:46 | |
IN RUSSIAN ACCENT: More gravy, darling. | 0:27:03 | 0:27:05 | |
Oh, yeah. Yeah, sure. | 0:27:14 | 0:27:18 | |
Hi. | 0:27:22 | 0:27:23 | |
What's to eat, honey? | 0:27:23 | 0:27:26 | |
Meat loaf. | 0:27:26 | 0:27:28 | |
Honey, my cup's dirty. | 0:27:28 | 0:27:30 | |
So is your face, my dear, | 0:27:30 | 0:27:32 | |
but we can get a new cup. | 0:27:32 | 0:27:34 | |
Don't you dare grin! | 0:27:36 | 0:27:38 | |
Who's grinning? | 0:27:38 | 0:27:40 | |
THEY SPEAK GERMAN | 0:27:40 | 0:27:42 | |
You'd feel sorry for everything that wears skirts. | 0:27:52 | 0:27:54 | |
Come on. It's only 25 feet. | 0:28:18 | 0:28:21 | |
CHEERING | 0:28:55 | 0:28:56 | |
HE WHISTLES | 0:29:03 | 0:29:04 | |
WHISTLING CONTINUES | 0:29:16 | 0:29:19 | |
Oh! | 0:29:45 | 0:29:47 | |
I'll mark you up for good! | 0:29:47 | 0:29:49 | |
THEY SHOUT | 0:29:49 | 0:29:50 | |
Cut it out! | 0:29:55 | 0:29:56 | |
Or take it out into the alley | 0:29:56 | 0:29:57 | |
so we can go back to sleep. | 0:29:57 | 0:29:59 | |
Go on, Tabby. You'll find him | 0:30:02 | 0:30:04 | |
on top of some fence. | 0:30:04 | 0:30:05 | |
Don't whistle for me! | 0:30:25 | 0:30:27 | |
Been in a fight? | 0:30:27 | 0:30:28 | |
Yes. You guess with whom. | 0:30:28 | 0:30:30 | |
I don't like it. | 0:30:30 | 0:30:32 | |
Whistling for me, like for a dog. | 0:30:32 | 0:30:35 | |
You never let me know ahead of time. | 0:30:35 | 0:30:37 | |
You never take me out. | 0:30:37 | 0:30:39 | |
You just call for me as if I were your servant. | 0:30:39 | 0:30:42 | |
Baby, what kind of a beef is this? | 0:30:42 | 0:30:44 | |
You know I'm busy. | 0:30:44 | 0:30:45 | |
I don't know when I'm going to be free. | 0:30:45 | 0:30:47 | |
Well, from now on, you have to find out. | 0:30:47 | 0:30:50 | |
You must treat me like a person with feelings, | 0:30:50 | 0:30:53 | |
instead of... | 0:30:53 | 0:30:55 | |
Instead of what? | 0:30:55 | 0:30:57 | |
Instead of what you think I am. | 0:30:57 | 0:31:01 | |
Baby, I think you're my girl. | 0:31:03 | 0:31:06 | |
Anything wrong with that? | 0:31:06 | 0:31:08 | |
You shouldn't be so certain. | 0:31:10 | 0:31:12 | |
I can't help it if I'm certain. | 0:31:12 | 0:31:15 | |
Come on. Let's take a walk, huh? | 0:31:17 | 0:31:19 | |
No. | 0:31:19 | 0:31:21 | |
What do you mean, no? | 0:31:21 | 0:31:22 | |
I think you ARE falling for that high diver. | 0:31:24 | 0:31:27 | |
I'm not falling for anybody. | 0:31:28 | 0:31:31 | |
You're falling for somebody. | 0:31:34 | 0:31:36 | |
All right, now, | 0:32:02 | 0:32:03 | |
I want you to arch your back more, | 0:32:03 | 0:32:04 | |
and you got to surface faster, you understand? | 0:32:04 | 0:32:07 | |
OK. Otherwise, you're doing all right. | 0:32:07 | 0:32:09 | |
Come on. It's only 75 feet. Ha ha ha! | 0:32:09 | 0:32:12 | |
Now let's see you do a really good one. | 0:32:14 | 0:32:16 | |
CHEERING | 0:32:56 | 0:32:57 | |
How was it? | 0:33:09 | 0:33:11 | |
Pretty good. | 0:33:11 | 0:33:12 | |
It deserves a little present. | 0:33:12 | 0:33:14 | |
You go get dried off. Come over to the tent. | 0:33:14 | 0:33:17 | |
I got something for you. | 0:33:17 | 0:33:19 | |
Oh! Oh, but it's just wunderschoen. | 0:33:29 | 0:33:34 | |
Oh, it... It's so beautiful. | 0:33:34 | 0:33:36 | |
You're going to wear it tonight. | 0:33:36 | 0:33:37 | |
Tonight? | 0:33:37 | 0:33:40 | |
Sure. You're going off the top tonight. | 0:33:40 | 0:33:42 | |
Oh...shouldn't I try it just once? | 0:33:44 | 0:33:47 | |
You only hit the top once in your whole life, Willie. | 0:33:47 | 0:33:50 | |
After that, it's never the same. | 0:33:50 | 0:33:52 | |
There's only one way to hit the top the first time - | 0:33:52 | 0:33:54 | |
right out there where the music's playing | 0:33:54 | 0:33:56 | |
and everybody in the whole world is watching. | 0:33:56 | 0:33:58 | |
Yes, but... | 0:33:58 | 0:34:00 | |
Here. Take this. | 0:34:00 | 0:34:02 | |
Go ahead. Just one. | 0:34:02 | 0:34:04 | |
Go on. Take it. It will relax you. | 0:34:14 | 0:34:16 | |
There. Now go to your tent and lie down. | 0:34:22 | 0:34:25 | |
I'll wake you when it's time. | 0:34:25 | 0:34:27 | |
Oh, but what if I... | 0:34:27 | 0:34:28 | |
Go on, Willie. That stuff hits you fast. | 0:34:28 | 0:34:29 | |
MUSIC PLAYS | 0:34:43 | 0:34:44 | |
MAN SPEAKS GERMAN | 0:34:44 | 0:34:47 | |
Yes, sir. How many? | 0:34:50 | 0:34:52 | |
3, yes. Drei. | 0:34:52 | 0:34:53 | |
Willie. | 0:35:14 | 0:35:15 | |
You go on in six minutes. | 0:35:17 | 0:35:19 | |
Time to get dressed. | 0:35:19 | 0:35:21 | |
Six minutes? | 0:35:21 | 0:35:23 | |
Mm-hmm. | 0:35:23 | 0:35:25 | |
Frank, I'm frightened. | 0:35:27 | 0:35:29 | |
Well, I should hope so. | 0:35:29 | 0:35:31 | |
If you weren't, I'd think you were crazy. | 0:35:31 | 0:35:34 | |
MAN SPEAKS GERMAN | 0:35:48 | 0:35:50 | |
..die Grosse Colloni! | 0:35:55 | 0:35:57 | |
I should have said die Grossen Collonis! | 0:36:02 | 0:36:06 | |
Look off at the town, Willie. | 0:37:17 | 0:37:19 | |
Enjoy this feeling. | 0:37:19 | 0:37:21 | |
Look at those lights. | 0:37:23 | 0:37:24 | |
You'll see other cities, other towns, shining like that in the night. | 0:37:24 | 0:37:29 | |
You'll be way up here, cool and far away and high, | 0:37:29 | 0:37:33 | |
looking down at them, never letting them touch you. | 0:37:33 | 0:37:36 | |
This is the moment I've been waiting for. | 0:37:40 | 0:37:43 | |
I love you very much. | 0:37:43 | 0:37:46 | |
I wanted to tell you up here on your first night. | 0:37:46 | 0:37:51 | |
I love you, Willie. I want you to marry me. | 0:37:51 | 0:37:55 | |
You can tell me later. | 0:37:58 | 0:38:00 | |
Now... You're on your own. | 0:38:09 | 0:38:14 | |
The music's over. | 0:38:14 | 0:38:16 | |
The act is on. | 0:38:16 | 0:38:18 | |
Hi. What's the trouble? | 0:39:44 | 0:39:46 | |
Something happened tonight which makes me very unhappy. | 0:39:46 | 0:39:52 | |
Frank asked me to marry him. | 0:39:52 | 0:39:53 | |
What? | 0:39:53 | 0:39:55 | |
The...The cheese-eater wants to marry you? | 0:39:55 | 0:39:59 | |
Well, what do you know? | 0:39:59 | 0:40:00 | |
Why should you be unhappy? | 0:40:00 | 0:40:02 | |
Because he's in love with me, and... | 0:40:02 | 0:40:07 | |
I don't love him. | 0:40:07 | 0:40:11 | |
Well, er... | 0:40:11 | 0:40:12 | |
maybe you should learn to love him. | 0:40:12 | 0:40:15 | |
What do you mean by that? | 0:40:15 | 0:40:18 | |
That Wisconsin hillbilly | 0:40:18 | 0:40:20 | |
should have a good wad stashed away by now. | 0:40:20 | 0:40:22 | |
You could do a lot worse. | 0:40:22 | 0:40:24 | |
But, Joe, I... What, er... | 0:40:24 | 0:40:28 | |
You mean, about us? | 0:40:28 | 0:40:29 | |
Look, | 0:40:31 | 0:40:33 | |
we're not going to let a little thing | 0:40:33 | 0:40:34 | |
like you being married come between us. | 0:40:34 | 0:40:37 | |
If you ever touch me again, I'll kill you! | 0:40:41 | 0:40:45 | |
All right, all you fakers and thieves, | 0:41:03 | 0:41:07 | |
like the man said, there's good news today. | 0:41:07 | 0:41:09 | |
The show's a big hit, | 0:41:09 | 0:41:11 | |
and we got a brand-new star. | 0:41:11 | 0:41:13 | |
Here she is, the other half of the team of the Great Colloni. | 0:41:13 | 0:41:18 | |
Thank you. | 0:41:25 | 0:41:26 | |
Thank you very much. | 0:41:26 | 0:41:28 | |
This is the happiest day of my life, | 0:41:28 | 0:41:31 | |
not only because I-I really feel a part of the show now, | 0:41:31 | 0:41:36 | |
but because from now on, the Collonis are not just going to be a team. | 0:41:36 | 0:41:42 | |
They're going to be Mr and Mrs, too. | 0:41:42 | 0:41:45 | |
CROWD MURMURS | 0:41:45 | 0:41:47 | |
APPLAUSE | 0:41:47 | 0:41:50 | |
Music! Music! Music! | 0:41:50 | 0:41:53 | |
Everybody dance! | 0:41:56 | 0:41:58 | |
MAN: Frank! | 0:42:32 | 0:42:33 | |
Hey, Frank! | 0:42:33 | 0:42:35 | |
Bill! What are you doing here? | 0:42:35 | 0:42:37 | |
I'm here on an assignment for Life magazine. | 0:42:37 | 0:42:40 | |
Wonderful. | 0:42:40 | 0:42:41 | |
Uh, aren't you forgetting something? | 0:42:41 | 0:42:43 | |
Oh, excuse me. Willie, this is Bill Vines. | 0:42:43 | 0:42:45 | |
He was combat photographer assigned to our regiment | 0:42:45 | 0:42:47 | |
when I was peeling spuds for Company K. | 0:42:47 | 0:42:49 | |
She's my new partner. | 0:42:49 | 0:42:51 | |
Hello, Willie. | 0:42:51 | 0:42:52 | |
I didn't know Frank had such a good eye for partners. | 0:42:52 | 0:42:54 | |
Come on, everybody kiss the bride. | 0:42:54 | 0:42:56 | |
All right, stand in line and take your turn. | 0:43:00 | 0:43:04 | |
Here we go. | 0:43:04 | 0:43:05 | |
LAUGHTER | 0:43:05 | 0:43:07 | |
All right, next. | 0:43:07 | 0:43:08 | |
ALL: Oh! | 0:43:08 | 0:43:10 | |
VINES: I'm not going to miss out on this. | 0:43:10 | 0:43:13 | |
You're getting a swell guy. | 0:43:13 | 0:43:14 | |
All the luck in the world. | 0:43:14 | 0:43:15 | |
Thank you. | 0:43:15 | 0:43:17 | |
Groppo, Groppo, you, too. | 0:43:17 | 0:43:18 | |
Come on! | 0:43:18 | 0:43:19 | |
Come on. Kiss the bride. | 0:43:19 | 0:43:23 | |
Aw! Sweet. | 0:43:23 | 0:43:24 | |
Lift her up so we can all see it, Groppo. | 0:43:24 | 0:43:29 | |
LAUGHTER | 0:43:29 | 0:43:30 | |
Come on. Next. | 0:43:30 | 0:43:33 | |
Who's next? | 0:43:33 | 0:43:35 | |
MUSIC BEGINS | 0:43:45 | 0:43:46 | |
KNOCK AT DOOR | 0:45:11 | 0:45:12 | |
What do you want? | 0:45:14 | 0:45:16 | |
Uh...nothing, I guess. | 0:45:16 | 0:45:18 | |
Just thought I'd drop over and see how you're doing, | 0:45:21 | 0:45:24 | |
how things are going. | 0:45:24 | 0:45:25 | |
They go very well, and you shouldn't be here. | 0:45:25 | 0:45:28 | |
I guess you're right, but... | 0:45:28 | 0:45:30 | |
Baby... | 0:45:30 | 0:45:32 | |
I never see you alone any more. | 0:45:32 | 0:45:35 | |
You saw me alone. | 0:45:35 | 0:45:36 | |
You could have seen me alone for the rest of your life, | 0:45:36 | 0:45:39 | |
and you didn't want it that way. | 0:45:39 | 0:45:42 | |
I know. I made a mistake. | 0:45:42 | 0:45:44 | |
Yeah. I made it, but... | 0:45:44 | 0:45:47 | |
That doesn't mean I have to like it, does it? | 0:45:47 | 0:45:51 | |
No. There's nothing I can do about it now. | 0:45:51 | 0:45:54 | |
I guess not. | 0:45:56 | 0:45:58 | |
Oh, there is... | 0:45:58 | 0:46:00 | |
There's one thing you could do for me. | 0:46:00 | 0:46:03 | |
Uh...you see, I got myself in a jam, | 0:46:03 | 0:46:08 | |
and I need a couple of hundred bucks. | 0:46:08 | 0:46:10 | |
Thought maybe you could let me have it. | 0:46:10 | 0:46:11 | |
I haven't got it. | 0:46:11 | 0:46:12 | |
What do you mean, you haven't got it? | 0:46:12 | 0:46:14 | |
Frank takes care of our money. I haven't got it. | 0:46:14 | 0:46:17 | |
Thanks anyway. | 0:46:25 | 0:46:27 | |
Baby...there's something else I need, | 0:46:29 | 0:46:33 | |
and you've got it. | 0:46:33 | 0:46:35 | |
No...no, Joe. | 0:46:35 | 0:46:37 | |
Look, maybe I can get the money for you... | 0:46:37 | 0:46:40 | |
As soon as I can. Maybe tonight, maybe tomorrow. | 0:46:40 | 0:46:43 | |
You've got to go. | 0:46:43 | 0:46:45 | |
All right. I'll see you tonight. | 0:46:45 | 0:46:47 | |
Meet me at the carousel. | 0:46:47 | 0:46:51 | |
Better make it about 12.00. | 0:46:51 | 0:46:53 | |
He'll be asleep by then. | 0:46:53 | 0:46:55 | |
Oh, you're crazy. If Frank finds you here, | 0:46:55 | 0:46:58 | |
I don't know what he'll do to you. | 0:46:58 | 0:47:00 | |
I'll take that chance. | 0:47:00 | 0:47:02 | |
See you tonight. | 0:47:04 | 0:47:05 | |
Hello, Mrs Colloni. | 0:47:16 | 0:47:17 | |
Hello. | 0:47:17 | 0:47:20 | |
I saw who came out of here, you dirty little cheat, | 0:47:20 | 0:47:22 | |
and if you ever do it again, I'm going to... | 0:47:22 | 0:47:24 | |
Be quiet! | 0:47:24 | 0:47:26 | |
Hello, Frank. | 0:47:26 | 0:47:27 | |
Hi, Peggy. | 0:47:27 | 0:47:29 | |
See you later, doll. So long. | 0:47:29 | 0:47:31 | |
What was she doing here? | 0:47:33 | 0:47:34 | |
Borrowing thread. | 0:47:34 | 0:47:36 | |
I don't like these Sunday afternoon shows. | 0:47:36 | 0:47:38 | |
I like the lights when I dive. | 0:47:38 | 0:47:41 | |
You'd better get dressed. We go on in 20 minutes. | 0:47:41 | 0:47:44 | |
Ladies and gentlemen, | 0:47:49 | 0:47:50 | |
I want you to meet the wonder of our show, | 0:47:50 | 0:47:54 | |
the fire-eater extraordinary - Captain Snyder. | 0:47:54 | 0:47:57 | |
He eats the swords and the fire. | 0:47:57 | 0:47:59 | |
CARNIVAL MUSIC PLAYS | 0:47:59 | 0:48:01 | |
HE SPEAKS GERMAN | 0:48:26 | 0:48:27 | |
..die Grossen Colloni! | 0:48:30 | 0:48:33 | |
CHEERS AND APPLAUSE | 0:49:53 | 0:49:54 | |
CHEERS AND APPLAUSE | 0:50:15 | 0:50:17 | |
You waited a little too long after you looked at the tank. | 0:50:23 | 0:50:26 | |
That's dangerous. | 0:50:26 | 0:50:28 | |
I know. | 0:50:28 | 0:50:29 | |
There's nothing bothering you, is there? | 0:50:29 | 0:50:31 | |
No. I...just made a mistake. | 0:50:31 | 0:50:33 | |
Why should anything be bothering me? | 0:50:33 | 0:50:35 | |
Come on inside so nobody can see us. | 0:51:19 | 0:51:21 | |
Look, Joe, I haven't got the money. | 0:51:26 | 0:51:28 | |
I couldn't think of a way of asking him without it seeming strange. | 0:51:28 | 0:51:32 | |
Don't you know where it is? | 0:51:32 | 0:51:33 | |
No. I never asked. | 0:51:33 | 0:51:34 | |
What kind of dame are you? | 0:51:34 | 0:51:36 | |
You don't know where your husband keeps his money? | 0:51:36 | 0:51:38 | |
Look, I'll find some other way to get the money. | 0:51:38 | 0:51:41 | |
I've got to go back now. | 0:51:41 | 0:51:43 | |
I don't want you to go... | 0:51:43 | 0:51:44 | |
No. Get away from me. | 0:51:44 | 0:51:46 | |
I told you I'd kill you, and I will. | 0:51:47 | 0:51:50 | |
What's the matter with you? | 0:51:50 | 0:51:52 | |
What are you talking about. You'll kill me? | 0:51:54 | 0:51:58 | |
If I knocked you down and kicked you, | 0:51:58 | 0:52:00 | |
you wouldn't do anything about it. | 0:52:00 | 0:52:01 | |
You couldn't because you're in love with me. | 0:52:01 | 0:52:03 | |
You couldn't help yourself. | 0:52:03 | 0:52:04 | |
Joe, you hurt me. | 0:52:06 | 0:52:10 | |
Baby, nobody else is ever going to | 0:52:10 | 0:52:11 | |
come close to you again except me. Nobody ever. | 0:52:11 | 0:52:14 | |
You'll go back there, get that money, and bring it to me. | 0:52:14 | 0:52:18 | |
Then we're going to leave together, you and me. | 0:52:18 | 0:52:21 | |
SHE SOBS | 0:52:25 | 0:52:26 | |
Oh, Joe... | 0:52:48 | 0:52:50 | |
Oh, I fight and I fight, but it doesn't do any good. | 0:52:52 | 0:52:57 | |
Until I met you, I never knew how rotten I was. | 0:52:59 | 0:53:04 | |
If you're rotten, we're both rotten. | 0:53:04 | 0:53:08 | |
We're two of a kind. We belong together. | 0:53:08 | 0:53:12 | |
Don't fight it. | 0:53:12 | 0:53:14 | |
FRANK: Come here, Willie. | 0:53:14 | 0:53:16 | |
Frank! | 0:53:32 | 0:53:33 | |
MUSIC STARTS | 0:53:44 | 0:53:46 | |
FRANK! | 0:53:46 | 0:53:48 | |
No, Frank! | 0:54:20 | 0:54:22 | |
No, Frank! No! | 0:54:33 | 0:54:35 | |
Stop it! Stop! | 0:54:35 | 0:54:37 | |
Go to your tent. | 0:54:51 | 0:54:53 | |
Go to your tent! | 0:54:54 | 0:54:55 | |
WILLIE CRIES | 0:54:56 | 0:54:59 | |
He's leaving the show, Charley, tonight. | 0:55:01 | 0:55:04 | |
FRANK: If I ever see you again, I'll really finish the job. | 0:55:04 | 0:55:07 | |
I don't want no trouble in my show, Joe. | 0:55:11 | 0:55:14 | |
You better pack your things. | 0:55:14 | 0:55:16 | |
Come by my tent. I'll give you your money. | 0:55:16 | 0:55:18 | |
You'd better start packing. | 0:55:40 | 0:55:44 | |
What are we going to do? | 0:55:50 | 0:55:52 | |
I'll tell you what we're going to do. | 0:55:52 | 0:55:55 | |
We're going to buy a farm and live on it | 0:55:55 | 0:55:58 | |
and work on it with our own hands | 0:55:58 | 0:56:00 | |
till you're so tired you won't have any ideas of playing around. | 0:56:00 | 0:56:04 | |
I won't go. | 0:56:05 | 0:56:07 | |
You'll go wherever I tell you. | 0:56:07 | 0:56:10 | |
Do you think you can move me around like some farm animal? | 0:56:17 | 0:56:21 | |
Well, you can't. | 0:56:21 | 0:56:22 | |
I'm not an animal. I'm a human being. | 0:56:22 | 0:56:25 | |
You don't act like one. | 0:56:25 | 0:56:27 | |
I won't go! | 0:56:27 | 0:56:29 | |
I don't love you. I won't go with you. | 0:56:29 | 0:56:31 | |
I hate you. I hate every man in the world, | 0:56:31 | 0:56:34 | |
and I hate you most of all. | 0:56:34 | 0:56:35 | |
I don't belong to you or anyone else. | 0:56:35 | 0:56:37 | |
And I want my money. I earned it. | 0:56:37 | 0:56:40 | |
You have no right to keep it from me. | 0:56:40 | 0:56:42 | |
I'm not. I'm saving it for you. | 0:56:42 | 0:56:44 | |
Then where is it? Show it to me! | 0:56:44 | 0:56:46 | |
You must think I'm very stupid. | 0:56:46 | 0:56:48 | |
SHE MUTTERS IN GERMAN | 0:56:48 | 0:56:51 | |
All I want is my money. | 0:56:51 | 0:56:53 | |
I won't go with you, and I want my money. | 0:56:53 | 0:56:55 | |
Shut up and go to bed! | 0:56:55 | 0:56:56 | |
THUNDER CLAPS | 0:57:04 | 0:57:06 | |
Frank? | 0:57:18 | 0:57:20 | |
Yes? | 0:57:20 | 0:57:21 | |
I'm sorry. | 0:57:27 | 0:57:29 | |
I'm really not much good, Frank, | 0:57:31 | 0:57:35 | |
but if you want me, | 0:57:35 | 0:57:37 | |
I'll try to be a decent wife to you, | 0:57:37 | 0:57:41 | |
whether it's here or... | 0:57:41 | 0:57:43 | |
or in that state where you want a farm... | 0:57:43 | 0:57:47 | |
Or anywhere else. | 0:57:47 | 0:57:49 | |
Well, it might just as well be here. | 0:57:54 | 0:57:57 | |
I guess that's what comes with being a bachelor so long - | 0:57:58 | 0:58:02 | |
I've done everything myself, | 0:58:02 | 0:58:04 | |
my own way. | 0:58:04 | 0:58:06 | |
Sometimes I forget | 0:58:06 | 0:58:09 | |
that I'm not alone any more... | 0:58:09 | 0:58:12 | |
But I'll try to be a good husband for you, Willie. | 0:58:13 | 0:58:16 | |
Ready? | 0:58:30 | 0:58:31 | |
Sure. Come on. | 0:58:31 | 0:58:33 | |
When will the pictures be published? | 0:58:33 | 0:58:35 | |
Maybe never. | 0:58:35 | 0:58:36 | |
I haven't got an order for the assignment yet, | 0:58:36 | 0:58:38 | |
but, er, I think they'll like them, | 0:58:38 | 0:58:39 | |
er, especially if you'll, er... | 0:58:39 | 0:58:40 | |
open the cape a little. | 0:58:40 | 0:58:42 | |
Oh, I hope this shows up in the picture. | 0:58:46 | 0:58:49 | |
Frank gave it to me today. | 0:58:49 | 0:58:51 | |
WILLIE: It's real diamonds. | 0:58:51 | 0:58:52 | |
Beautiful. | 0:58:52 | 0:58:54 | |
Any special occasion? A birthday or something? | 0:58:54 | 0:58:57 | |
No. No birthday, | 0:58:57 | 0:58:59 | |
but a very special occasion. | 0:58:59 | 0:59:03 | |
From now on, my assistant and I | 0:59:06 | 0:59:08 | |
will be popping up all over the place, | 0:59:08 | 0:59:09 | |
but it'll all be this flash stuff, | 0:59:09 | 0:59:11 | |
so just play like we're not alive, OK? | 0:59:11 | 0:59:13 | |
Fine. | 0:59:13 | 0:59:15 | |
Mein Damen und Herren, | 0:59:15 | 0:59:18 | |
jetzt das wunder der wunderschau - | 0:59:18 | 0:59:20 | |
die Grossen Collonis! | 0:59:20 | 0:59:22 | |
APPLAUSE | 0:59:22 | 0:59:24 | |
Hope the flash doesn't bother you, Frank. | 0:59:24 | 0:59:26 | |
No, not at all, Bill. | 0:59:26 | 0:59:27 | |
Aarrrrrrrrrrrgh! | 1:00:09 | 1:00:10 | |
Stand back. Give us room, will you please? | 1:00:14 | 1:00:15 | |
Stand back. | 1:00:15 | 1:00:17 | |
Move out of the way. | 1:00:17 | 1:00:18 | |
SHOUTING | 1:00:22 | 1:00:23 | |
POLICE WHISTLE BLOWS | 1:00:23 | 1:00:26 | |
No. Don't look! | 1:00:52 | 1:00:54 | |
Oh! | 1:00:54 | 1:00:55 | |
Is there...Is there anything else that... | 1:01:14 | 1:01:16 | |
No, no, no. Thank you very much. You've been very nice. | 1:01:16 | 1:01:19 | |
I wish there was something I could really do for you... | 1:01:19 | 1:01:22 | |
I mean, I really do. | 1:01:22 | 1:01:23 | |
No. | 1:01:23 | 1:01:25 | |
I think all I need now is a little rest. | 1:01:25 | 1:01:27 | |
It was a real nice funeral, Willie. | 1:01:44 | 1:01:47 | |
Nobody could ask for any better. | 1:01:47 | 1:01:49 | |
Yes. | 1:01:49 | 1:01:51 | |
I'm sure Frank would have thought it was a lovely funeral. | 1:01:51 | 1:01:56 | |
You get some rest. | 1:01:56 | 1:01:58 | |
You'll feel better in two or three days. | 1:01:58 | 1:02:00 | |
Charley... | 1:02:02 | 1:02:03 | |
Why did everyone act so strange at the funeral? | 1:02:05 | 1:02:08 | |
No-one came near me. | 1:02:08 | 1:02:09 | |
No-one spoke to me. | 1:02:09 | 1:02:11 | |
It's been that way ever since he died. | 1:02:11 | 1:02:14 | |
Oh, why worry about them? | 1:02:14 | 1:02:15 | |
They're nothing but a bunch of characters anyway. | 1:02:15 | 1:02:17 | |
It's as if they think I killed him. | 1:02:17 | 1:02:20 | |
Oh, you ought to know better than that. | 1:02:20 | 1:02:22 | |
Gab, gab, gab. That's all they ever do. | 1:02:22 | 1:02:23 | |
There was an investigation. | 1:02:23 | 1:02:25 | |
It was an accident, and that's that. | 1:02:25 | 1:02:27 | |
Besides, if they didn't have this to talk about, | 1:02:27 | 1:02:29 | |
they'd find something else. | 1:02:29 | 1:02:30 | |
I suppose so. | 1:02:30 | 1:02:32 | |
Uh, Willie... | 1:02:32 | 1:02:33 | |
I've got a little business I'd like to talk over with you. | 1:02:33 | 1:02:37 | |
Frank's will. | 1:02:37 | 1:02:40 | |
He made it out the day after the wedding. | 1:02:40 | 1:02:42 | |
You get everything, Willie. | 1:02:43 | 1:02:46 | |
I think it's a little more than you'd expect. | 1:02:46 | 1:02:49 | |
5,000. | 1:02:49 | 1:02:51 | |
5,000? | 1:02:54 | 1:02:56 | |
Been saving for years for that little farm. | 1:02:56 | 1:03:00 | |
It says you'll find it in the top of the trunk, | 1:03:00 | 1:03:02 | |
in back of the mirror. | 1:03:02 | 1:03:04 | |
Because I'm sort of responsible, | 1:03:04 | 1:03:06 | |
I'd like to have you look to see if it's all there. | 1:03:06 | 1:03:08 | |
Yeah? All right. | 1:03:08 | 1:03:10 | |
It is. | 1:03:22 | 1:03:24 | |
You think we better count it and see if it checks out? | 1:03:24 | 1:03:27 | |
No. | 1:03:27 | 1:03:29 | |
Frank said there was 5,000. | 1:03:29 | 1:03:31 | |
That's what there is. | 1:03:31 | 1:03:33 | |
My whole life, I've dreamed of having money. | 1:03:36 | 1:03:39 | |
I was much more modest in my dreams. | 1:03:39 | 1:03:43 | |
5,000 marks was all I wanted. | 1:03:43 | 1:03:46 | |
Now I have 5,000, | 1:03:46 | 1:03:50 | |
and I don't want it. | 1:03:50 | 1:03:53 | |
Of course you don't. I understand, honey, | 1:03:57 | 1:03:59 | |
but Frank wanted you to be happy. | 1:03:59 | 1:04:02 | |
Why don't you look at it that way? | 1:04:02 | 1:04:04 | |
Charley, I really have to get some rest. | 1:04:04 | 1:04:06 | |
OK. | 1:04:06 | 1:04:08 | |
I'll go. | 1:04:08 | 1:04:10 | |
CHARLEY: These pictures will sell a lot of tickets. | 1:04:37 | 1:04:40 | |
I'll show them to the gang. | 1:04:42 | 1:04:44 | |
Poor Frank. | 1:04:47 | 1:04:48 | |
Even when he's dead, he makes money for Charley. | 1:04:50 | 1:04:53 | |
He's made money for me, too. | 1:04:53 | 1:04:56 | |
I got an awful big cheque for that layout, Willie. | 1:04:56 | 1:04:58 | |
You see, people like those pictures. | 1:04:58 | 1:05:01 | |
They dramatise death. | 1:05:01 | 1:05:03 | |
It gives them a thrill, even in a photograph, | 1:05:03 | 1:05:06 | |
to see Frank falling. | 1:05:06 | 1:05:07 | |
Oh, perhaps. | 1:05:07 | 1:05:09 | |
Do you know why they'll come now? | 1:05:09 | 1:05:10 | |
Because they'll be waiting for you to fall. | 1:05:10 | 1:05:12 | |
They'll want to be sure not to miss it when you do. | 1:05:12 | 1:05:16 | |
Did it ever occur to you, Bill, | 1:05:16 | 1:05:18 | |
that people might like to see diving | 1:05:18 | 1:05:20 | |
just because they like diving? | 1:05:20 | 1:05:22 | |
Not a dive like you make. | 1:05:22 | 1:05:23 | |
They're waiting for you to make a slip. | 1:05:23 | 1:05:24 | |
They want to see you dead. | 1:05:24 | 1:05:26 | |
I want to see you alive. | 1:05:26 | 1:05:27 | |
Tell me about Frank and you. | 1:05:31 | 1:05:34 | |
Well... | 1:05:34 | 1:05:35 | |
Not much to tell. | 1:05:35 | 1:05:38 | |
We met, fell in love, | 1:05:38 | 1:05:41 | |
just like that. | 1:05:41 | 1:05:44 | |
Then we weren't alone any more. | 1:05:44 | 1:05:47 | |
We did everything together | 1:05:47 | 1:05:49 | |
because we couldn't stand to be separated, | 1:05:49 | 1:05:52 | |
even for a single minute. | 1:05:52 | 1:05:55 | |
That's why we became partners. | 1:05:55 | 1:05:59 | |
We were very happy. | 1:05:59 | 1:06:02 | |
At least he had that. | 1:06:02 | 1:06:03 | |
No... | 1:06:06 | 1:06:08 | |
He hadn't. | 1:06:08 | 1:06:10 | |
I'll tell you what he had, | 1:06:10 | 1:06:13 | |
really had. | 1:06:13 | 1:06:15 | |
He picked me up out of the cook tent. | 1:06:15 | 1:06:17 | |
He taught me how to earn a living. | 1:06:17 | 1:06:19 | |
He made a performer out of me. | 1:06:19 | 1:06:21 | |
He loved me, and he married me. | 1:06:21 | 1:06:24 | |
By way of thanks, I betrayed him. | 1:06:24 | 1:06:27 | |
I broke his heart, | 1:06:30 | 1:06:33 | |
and in one way or another, | 1:06:33 | 1:06:35 | |
I killed him. | 1:06:35 | 1:06:38 | |
Did you love this other guy, | 1:06:40 | 1:06:42 | |
this heel? | 1:06:42 | 1:06:44 | |
Will you take me home, please? | 1:06:49 | 1:06:51 | |
Sure. | 1:06:51 | 1:06:52 | |
No. Please don't get out. | 1:06:59 | 1:07:01 | |
I feel like being alone. | 1:07:01 | 1:07:04 | |
Thank you so much. | 1:07:11 | 1:07:14 | |
Good night. | 1:07:14 | 1:07:15 | |
Hello, Willie. | 1:07:38 | 1:07:39 | |
I, er... | 1:07:41 | 1:07:43 | |
I didn't want to come around any earlier. | 1:07:43 | 1:07:46 | |
I was real sorry to hear about Frank. | 1:07:46 | 1:07:49 | |
Were you? | 1:07:49 | 1:07:52 | |
Oh, of course. | 1:07:52 | 1:07:53 | |
I mean... | 1:07:53 | 1:07:55 | |
Somebody you know. | 1:07:55 | 1:07:57 | |
I heard you were terrific your first dive | 1:07:57 | 1:08:01 | |
after it happened. | 1:08:01 | 1:08:03 | |
I had a good teacher. | 1:08:03 | 1:08:04 | |
Yeah. | 1:08:06 | 1:08:07 | |
How's Peggy? | 1:08:07 | 1:08:09 | |
Peggy? > | 1:08:09 | 1:08:11 | |
Uh... | 1:08:11 | 1:08:12 | |
She left me. | 1:08:12 | 1:08:14 | |
I don't know. | 1:08:14 | 1:08:16 | |
Well, I guess I better be going. | 1:08:19 | 1:08:22 | |
Where are you going? | 1:08:22 | 1:08:24 | |
Haven't made up my mind yet. | 1:08:24 | 1:08:27 | |
Doesn't much matter. | 1:08:27 | 1:08:29 | |
If you wanted it, | 1:08:29 | 1:08:31 | |
I...I think I could get Charley to give you your old job back. | 1:08:31 | 1:08:35 | |
No, baby. You're doing all right now. | 1:08:35 | 1:08:39 | |
I don't want you to... | 1:08:39 | 1:08:41 | |
I'm no good for you. | 1:08:47 | 1:08:49 | |
Joe. > | 1:08:55 | 1:08:56 | |
Harry. | 1:10:27 | 1:10:28 | |
Hi, Willie. | 1:10:28 | 1:10:29 | |
Will you get Charley to come to my tent as soon as he can? | 1:10:29 | 1:10:32 | |
It's very important. | 1:10:32 | 1:10:33 | |
Sure. Right away. | 1:10:33 | 1:10:34 | |
Thanks. | 1:10:34 | 1:10:35 | |
You want to see me? | 1:10:57 | 1:10:59 | |
Yeah. Sit down. | 1:10:59 | 1:11:01 | |
There's, er, something we haven't talked about. | 1:11:03 | 1:11:07 | |
Yeah? | 1:11:07 | 1:11:09 | |
What's that? | 1:11:09 | 1:11:11 | |
My new salary. | 1:11:14 | 1:11:15 | |
You were paying Frank 200 and me 125. | 1:11:15 | 1:11:20 | |
That's 325 for the whole act, right? | 1:11:20 | 1:11:21 | |
Yeah, well, you see, I... | 1:11:21 | 1:11:22 | |
From now on, the act only costs you 300. | 1:11:22 | 1:11:25 | |
I was thinking around 200, | 1:11:25 | 1:11:27 | |
and then maybe a little later... | 1:11:27 | 1:11:29 | |
It's 300, Charley, or I don't go on, | 1:11:29 | 1:11:31 | |
and I'm not joking. | 1:11:31 | 1:11:33 | |
No. I don't believe you are. | 1:11:33 | 1:11:36 | |
Then it's settled? | 1:11:37 | 1:11:39 | |
Yeah. | 1:11:42 | 1:11:43 | |
By the way, | 1:11:43 | 1:11:45 | |
you haven't seen Joe around this morning, have you? | 1:11:45 | 1:11:49 | |
Joe? | 1:11:49 | 1:11:50 | |
No. Why? | 1:11:50 | 1:11:52 | |
I didn't even know he was back. | 1:11:52 | 1:11:54 | |
He was. | 1:11:54 | 1:11:56 | |
Is there anything wrong, Willie? | 1:12:01 | 1:12:02 | |
Not a thing. Why? | 1:12:02 | 1:12:04 | |
I was just wondering. | 1:12:04 | 1:12:06 | |
The way you held me up for that 300 just now... | 1:12:06 | 1:12:09 | |
That wasn't like you, Willie. | 1:12:09 | 1:12:11 | |
It's going to be like me from now on, Charley. | 1:12:11 | 1:12:14 | |
I'm turning smart, | 1:12:14 | 1:12:17 | |
very smart. | 1:12:17 | 1:12:19 | |
You don't have to convince me, honey. | 1:12:19 | 1:12:23 | |
CHARLEY: Das wunder von der wunderschau - | 1:12:32 | 1:12:35 | |
die Grosse Colloni! | 1:12:35 | 1:12:37 | |
APPLAUSE | 1:12:37 | 1:12:38 | |
WHISTLING | 1:12:38 | 1:12:40 | |
And you can tell them tonight I'll dive like Frank did. | 1:12:50 | 1:12:53 | |
I'll do the somersault dive. | 1:12:53 | 1:12:54 | |
Gee, that's great, kid, | 1:12:54 | 1:12:56 | |
but do you know what you're doing? | 1:12:56 | 1:12:57 | |
Improving the act, Charley, that's what I'm doing, | 1:12:57 | 1:13:00 | |
and after the dive, you come to my tent, | 1:13:00 | 1:13:02 | |
and we'll talk about money. More money, to be exact. | 1:13:02 | 1:13:05 | |
Mein Damen und Herren, | 1:13:11 | 1:13:13 | |
Frau Colloni das erste mal | 1:13:13 | 1:13:15 | |
in a somersault dive, | 1:13:15 | 1:13:18 | |
ein Purzelbaum. | 1:13:18 | 1:13:21 | |
DRUMROLL | 1:13:47 | 1:13:48 | |
APPLAUSE | 1:14:11 | 1:14:12 | |
WOMAN: Aah! | 1:14:15 | 1:14:17 | |
SHOUTING | 1:14:19 | 1:14:21 | |
CHARLEY: Willie! Oh, Willie! | 1:14:28 | 1:14:31 | |
OK. OK. Take her arms. | 1:14:31 | 1:14:34 | |
The doctor says you're going to be great. | 1:14:40 | 1:14:42 | |
It'll take a little while, | 1:14:42 | 1:14:44 | |
but you're going to be all right. | 1:14:44 | 1:14:46 | |
How did you get that scar on your cheek? | 1:16:07 | 1:16:09 | |
Oh, that? Well, I got a nick during the war. | 1:16:09 | 1:16:11 | |
Oh? | 1:16:11 | 1:16:13 | |
I was a photographer | 1:16:13 | 1:16:14 | |
attached to headquarters. | 1:16:14 | 1:16:16 | |
I was snapping a photograph of some VIP | 1:16:16 | 1:16:18 | |
75 miles behind the front one day | 1:16:18 | 1:16:20 | |
when a flashbulb exploded in my face. | 1:16:20 | 1:16:21 | |
I always felt they should have given me | 1:16:21 | 1:16:24 | |
the purple heart for it. | 1:16:24 | 1:16:26 | |
I like it. | 1:16:26 | 1:16:28 | |
It gives you sort of a sporting look. | 1:16:28 | 1:16:31 | |
You like? | 1:16:56 | 1:16:58 | |
I like very much. | 1:16:58 | 1:17:01 | |
Willie... | 1:17:02 | 1:17:04 | |
I want to ask you a question. | 1:17:04 | 1:17:05 | |
That's why I brought you here. | 1:17:05 | 1:17:07 | |
It's a very important question, and I... | 1:17:07 | 1:17:09 | |
Bill, I-I can't. | 1:17:09 | 1:17:10 | |
I just can't. | 1:17:10 | 1:17:12 | |
I might even want to, but I can't. | 1:17:12 | 1:17:15 | |
You're throwing away an awful lot of years | 1:17:15 | 1:17:17 | |
that might be good for us both. | 1:17:17 | 1:17:19 | |
I know. | 1:17:19 | 1:17:21 | |
I'll probably be sorry for it the rest of my life. | 1:17:21 | 1:17:24 | |
I've never brought good fortune to anybody, | 1:17:24 | 1:17:27 | |
least of all to myself. | 1:17:27 | 1:17:30 | |
Are you sure it isn't Joe? | 1:17:30 | 1:17:34 | |
Do you still love him? | 1:17:36 | 1:17:38 | |
I don't know what love is. | 1:17:38 | 1:17:40 | |
I think you love me. | 1:17:51 | 1:17:53 | |
BILL: Whoa. | 1:18:13 | 1:18:15 | |
Not with all those people watching. No. | 1:18:21 | 1:18:25 | |
WOMAN: Entschuldigen sie mich, frau. | 1:18:25 | 1:18:28 | |
Telephon gesprach fur sie als Frankfurt. | 1:18:28 | 1:18:30 | |
Oh, danke. I'll be right back. | 1:18:30 | 1:18:32 | |
Um, how much? | 1:18:33 | 1:18:35 | |
Five marks. | 1:18:35 | 1:18:37 | |
Bitte. | 1:18:38 | 1:18:40 | |
Danke schoen. | 1:18:40 | 1:18:41 | |
Ja? Bitte bespricht. | 1:18:41 | 1:18:43 | |
Charley! | 1:18:43 | 1:18:45 | |
Oh, how are things going? | 1:18:45 | 1:18:49 | |
Ah, not so good, Willie. | 1:18:49 | 1:18:50 | |
I thought we'd do better here in Frankfurt. | 1:18:50 | 1:18:52 | |
The most important thing is, how are you? | 1:18:52 | 1:18:55 | |
I'm fine. The doctors say they're going to throw me out of here the end of the week. | 1:18:55 | 1:18:59 | |
She's getting out of here, all right, | 1:18:59 | 1:19:01 | |
but she's not coming to Frankfurt. | 1:19:01 | 1:19:02 | |
She quits, see? She's through. | 1:19:02 | 1:19:04 | |
You can take that diving tower, | 1:19:04 | 1:19:05 | |
and you can sell it to the junk dealer. | 1:19:05 | 1:19:07 | |
But to tell you the truth, Charley, | 1:19:07 | 1:19:10 | |
I probably won't be coming back. | 1:19:10 | 1:19:12 | |
I think I have other plans. | 1:19:12 | 1:19:14 | |
Nice plans. | 1:19:14 | 1:19:18 | |
Uh, just a minute. | 1:19:18 | 1:19:19 | |
There's somebody here who wants to talk to you. | 1:19:19 | 1:19:22 | |
Just a minute. | 1:19:24 | 1:19:25 | |
Hi, Willie. | 1:19:32 | 1:19:34 | |
Yes. | 1:19:37 | 1:19:39 | |
Yes. I'm much better. | 1:19:39 | 1:19:41 | |
Thank you. | 1:19:43 | 1:19:45 | |
Thank you very much. | 1:19:45 | 1:19:48 | |
Goodbye. | 1:19:48 | 1:19:50 | |
MAN ON LOUDSPEAKER: 'Your attention, please. | 1:19:56 | 1:19:59 | |
'The passengers of flight 418 from Munich to Frankfurt | 1:19:59 | 1:20:04 | |
'will enter through gate 2. | 1:20:04 | 1:20:06 | |
'Achtung, achtung. Die Passagiere...' | 1:20:06 | 1:20:09 | |
Willie! | 1:20:16 | 1:20:18 | |
Willie, hello! | 1:20:18 | 1:20:20 | |
Willie! Oh, I'm glad to see you! | 1:20:20 | 1:20:22 | |
CHARLEY: How do you feel, Willie? How do you feel? | 1:20:22 | 1:20:25 | |
Oh, I knew you'd come back. | 1:20:25 | 1:20:27 | |
This show is really nothing without you. | 1:20:27 | 1:20:29 | |
Oh, come on. I'll show you your tent. | 1:20:29 | 1:20:31 | |
Where's Joe? | 1:20:33 | 1:20:35 | |
Oh, he's in town trying to drum up some business. | 1:20:35 | 1:20:38 | |
For me? | 1:21:03 | 1:21:04 | |
Oh, Groppo. | 1:21:16 | 1:21:19 | |
We're very much alike, you and I. | 1:21:19 | 1:21:22 | |
We have good things in us, | 1:21:22 | 1:21:25 | |
lots of good things. | 1:21:25 | 1:21:29 | |
They're trapped there. | 1:21:29 | 1:21:32 | |
They...They can't come out. | 1:21:32 | 1:21:35 | |
Thank you. | 1:21:40 | 1:21:42 | |
CARNIVAL MUSIC PLAYS | 1:21:57 | 1:21:59 | |
Ein? Sure, sure. Ha ha ha! | 1:22:04 | 1:22:06 | |
Hi, Willie. | 1:22:23 | 1:22:25 | |
Hello, Joe. | 1:22:26 | 1:22:28 | |
I, er... | 1:22:28 | 1:22:30 | |
Oh, here. | 1:22:30 | 1:22:32 | |
I, er... | 1:22:35 | 1:22:37 | |
guess I've got a little explaining to do. | 1:22:37 | 1:22:40 | |
No. | 1:22:40 | 1:22:41 | |
Everything's all right, Joe. | 1:22:41 | 1:22:43 | |
Let's just forget it. | 1:22:43 | 1:22:45 | |
Willie... | 1:22:57 | 1:22:59 | |
Er... | 1:22:59 | 1:23:00 | |
Willie, I-I don't want to forget it. | 1:23:00 | 1:23:02 | |
I want to talk to you. | 1:23:02 | 1:23:04 | |
Could I come back to your tent after the show? | 1:23:04 | 1:23:06 | |
Sure, Joe. | 1:23:06 | 1:23:08 | |
I'd like to see you. | 1:23:08 | 1:23:10 | |
Mein Damen und Herren, | 1:23:10 | 1:23:11 | |
jetzt das wunder von der wunderschau - | 1:23:11 | 1:23:14 | |
die Grosse Colloni! | 1:23:14 | 1:23:15 | |
APPLAUSE | 1:23:15 | 1:23:16 | |
DRUMROLL | 1:24:55 | 1:24:56 | |
APPLAUSE | 1:25:14 | 1:25:16 | |
CHEERING | 1:25:16 | 1:25:18 | |
BILL: Willie. | 1:25:44 | 1:25:45 | |
Why did you have to follow me? | 1:25:45 | 1:25:47 | |
If I were right for you, I would have come back. | 1:25:47 | 1:25:50 | |
Joe's here. | 1:25:50 | 1:25:51 | |
Did you come to Frankfurt to see him? | 1:25:51 | 1:25:53 | |
Yes. Yes, I did. | 1:25:53 | 1:25:55 | |
Please believe me. | 1:25:55 | 1:25:56 | |
I'm not running after you. | 1:25:56 | 1:25:57 | |
I just want to be around if you need me. | 1:25:57 | 1:25:59 | |
Look, I have to be alone now, Bill. | 1:25:59 | 1:26:02 | |
Don't follow me, please. | 1:26:02 | 1:26:05 | |
You were terrific. You were great. | 1:26:13 | 1:26:15 | |
And that took a lot of guts. | 1:26:15 | 1:26:18 | |
I couldn't have done that... | 1:26:18 | 1:26:20 | |
I mean, er, go back up there after what happened. | 1:26:20 | 1:26:23 | |
Thank you. | 1:26:23 | 1:26:25 | |
Uh, Willie... | 1:26:25 | 1:26:27 | |
I know what I did was a... | 1:26:27 | 1:26:29 | |
was a real lousy thing to do, and... | 1:26:29 | 1:26:32 | |
I'm sorry. | 1:26:32 | 1:26:34 | |
The only thing I can say is... | 1:26:34 | 1:26:36 | |
I want to make it up to you. | 1:26:36 | 1:26:38 | |
You want to give me back the money? | 1:26:38 | 1:26:40 | |
Why, sure, baby. Sure... | 1:26:40 | 1:26:43 | |
But I want to do more than that. | 1:26:43 | 1:26:46 | |
Look, without you, this show wouldn't be worth a penny. | 1:26:46 | 1:26:49 | |
You know that. | 1:26:49 | 1:26:50 | |
And what's Charley paying you? Peanuts. | 1:26:50 | 1:26:53 | |
I could show you how to make some real dough. | 1:26:53 | 1:26:55 | |
You know what you should be getting? | 1:26:55 | 1:26:57 | |
A piece of this outfit, | 1:26:57 | 1:26:59 | |
and I mean a big piece, | 1:26:59 | 1:27:01 | |
and I'm going to see that you get it. | 1:27:01 | 1:27:04 | |
Sounds fine, Joe. | 1:27:04 | 1:27:05 | |
Is that all you're interested in? | 1:27:07 | 1:27:10 | |
Baby... | 1:27:10 | 1:27:12 | |
You know better than that. | 1:27:12 | 1:27:15 | |
It doesn't work, Joe. | 1:27:24 | 1:27:26 | |
It doesn't work any more. | 1:27:26 | 1:27:29 | |
What's the matter with you? | 1:27:29 | 1:27:31 | |
Are you nuts? What are you talking about? | 1:27:31 | 1:27:33 | |
I'm free of you. | 1:27:33 | 1:27:35 | |
I didn't think I ever would be, | 1:27:35 | 1:27:37 | |
but I am. | 1:27:37 | 1:27:39 | |
Look, baby... | 1:27:39 | 1:27:40 | |
I don't blame you for being sore about the money, but... | 1:27:40 | 1:27:43 | |
The money? No, Joe. | 1:27:43 | 1:27:45 | |
I'm only sorry it couldn't have been | 1:27:45 | 1:27:46 | |
put to some decent use, | 1:27:46 | 1:27:48 | |
instead of being carried off to the sewers | 1:27:48 | 1:27:50 | |
by filth like you. | 1:27:50 | 1:27:52 | |
Now just a minute. Just hold it. | 1:27:52 | 1:27:54 | |
You can be sore, | 1:27:54 | 1:27:56 | |
but you or no other dame is going to talk to me like that. | 1:27:56 | 1:27:59 | |
Now, let's stop this nonsense. | 1:27:59 | 1:28:01 | |
Come here. | 1:28:01 | 1:28:03 | |
I won't. | 1:28:03 | 1:28:05 | |
You'll do as I tell you to do. | 1:28:05 | 1:28:07 | |
Not any more, Joe. | 1:28:07 | 1:28:09 | |
That's all over. | 1:28:09 | 1:28:11 | |
If you were starving to death | 1:28:11 | 1:28:14 | |
and howling for food, | 1:28:14 | 1:28:16 | |
I wouldn't throw you a rotten bone. | 1:28:16 | 1:28:19 | |
Now... | 1:28:27 | 1:28:29 | |
I know what you're trying to prove, | 1:28:29 | 1:28:32 | |
but knock it off. It won't work. | 1:28:32 | 1:28:34 | |
You're stuck with me, baby, and you know it. | 1:28:34 | 1:28:37 | |
Whatever I am, | 1:28:37 | 1:28:38 | |
we're both made of the same kind of stuff. | 1:28:38 | 1:28:41 | |
We are not! | 1:28:41 | 1:28:42 | |
I'm not dirty like you. | 1:28:42 | 1:28:44 | |
When I stole your money, I was hungry. | 1:28:44 | 1:28:47 | |
Whatever I've done wrong shames me, | 1:28:47 | 1:28:50 | |
but you... | 1:28:50 | 1:28:52 | |
You love to wallow in the mud. | 1:28:52 | 1:28:55 | |
You've been paid in full. | 1:28:55 | 1:28:57 | |
Now get out of here. | 1:28:57 | 1:29:00 | |
Get out of here? | 1:29:00 | 1:29:02 | |
Get out? | 1:29:02 | 1:29:05 | |
You can stand there just like that and tell me to get out? | 1:29:05 | 1:29:08 | |
Do you think, | 1:29:08 | 1:29:10 | |
after what I did... | 1:29:10 | 1:29:12 | |
Do you think I fixed that bar on Frank's ladder | 1:29:12 | 1:29:15 | |
for you to tell me to get out of here?! | 1:29:15 | 1:29:17 | |
Yeah. I did that. | 1:29:18 | 1:29:21 | |
I did it because I couldn't stand to be without you. | 1:29:21 | 1:29:23 | |
I did it for us, because we belong together. | 1:29:23 | 1:29:26 | |
You killed Frank? | 1:29:26 | 1:29:28 | |
No, no. Not me. | 1:29:28 | 1:29:30 | |
WE did it, the two of us, | 1:29:30 | 1:29:31 | |
the both of us! | 1:29:31 | 1:29:33 | |
Yeah. That's what everybody will think. | 1:29:33 | 1:29:37 | |
Yeah, and I'll let them think it. | 1:29:37 | 1:29:42 | |
Yeah. | 1:29:42 | 1:29:43 | |
Now... | 1:29:43 | 1:29:45 | |
Now tell me to get out of here. | 1:29:45 | 1:29:48 | |
GET OUT! | 1:29:48 | 1:29:49 | |
Uh! Uh! | 1:29:51 | 1:29:52 | |
Oh! > | 1:29:52 | 1:29:54 | |
CROWD SCREAMS | 1:30:11 | 1:30:12 | |
POLICE WHISTLE BLOWS | 1:30:51 | 1:30:53 | |
Groppo! | 1:31:36 | 1:31:38 | |
Groppo, no! No! Come down! | 1:31:41 | 1:31:43 | |
CROWD SCREAMS | 1:31:43 | 1:31:45 | |
Nein! Nein! Bitte schiess nicht! | 1:31:49 | 1:31:50 | |
Come down, Groppo. | 1:31:53 | 1:31:55 | |
They won't hurt you. | 1:31:57 | 1:31:59 | |
Please come down, Groppo! | 1:32:02 | 1:32:04 | |
It's all right, Groppo. | 1:32:35 | 1:32:38 | |
They won't harm you. | 1:32:38 | 1:32:40 | |
I know you did it for me, | 1:32:40 | 1:32:43 | |
and I'll tell them so, | 1:32:43 | 1:32:46 | |
but you must go with them now. | 1:32:46 | 1:32:49 | |
Nein. Nein. | 1:32:49 | 1:32:51 | |
You will not need those. | 1:32:51 | 1:32:54 | |
He will go with you now. | 1:32:54 | 1:32:58 | |
Poor Groppo. | 1:33:14 | 1:33:17 |