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Hello, Tim! | 0:00:59 | 0:01:02 | |
-Hello, Mr Burley. -MR BURLEY CHUCKLES | 0:01:02 | 0:01:04 | |
-How have you been? -Oh, never better. | 0:01:04 | 0:01:06 | |
This is the greatest country in the world for your health. | 0:01:06 | 0:01:09 | |
-I wish it was the same for business. -And how are you, Chito Rafferty? | 0:01:09 | 0:01:13 | |
-After riding since daylight, I got corns someplace else besides my feet. -You better water the horses. | 0:01:13 | 0:01:17 | |
Let 'em have a bucket each and then we've got to get moving. | 0:01:17 | 0:01:20 | |
Can't you come in the house for a spell? | 0:01:20 | 0:01:22 | |
I ain't had nobody but my dog to talk to for a week. | 0:01:22 | 0:01:25 | |
We'd like to, Mr Burley, but we're going to try and make Lavic before the sun gets too high. | 0:01:25 | 0:01:29 | |
I can't blame you, you've got a long ride ahead of you. | 0:01:29 | 0:01:31 | |
Maybe you know somebody who'd like to buy our business? | 0:01:32 | 0:01:35 | |
You ain't quitting, are you? | 0:01:35 | 0:01:37 | |
-Well, it's the end of our bankroll. -Well, how am I going to get my supplies and my mail? | 0:01:37 | 0:01:41 | |
It's going to leave me high and dry too. | 0:01:41 | 0:01:44 | |
Sorry, Mr Burley, but that's the way it is. | 0:01:44 | 0:01:46 | |
Hey, maybe you know somebody who'll buy my business? | 0:01:46 | 0:01:50 | |
HE LAUGHS All ready, Tim. | 0:01:50 | 0:01:52 | |
-How much do I owe you? -Oh, a dollar. | 0:01:52 | 0:01:56 | |
No wonder you don't make any money, it's worth at least two. | 0:01:56 | 0:01:59 | |
Yeah, but you can't afford it. | 0:01:59 | 0:02:01 | |
I pay a fair price for a job well done. There you are. | 0:02:01 | 0:02:04 | |
Say, if I was a young fella, I'd strike out for a livelier country, | 0:02:04 | 0:02:09 | |
but I'm getting too old. I'll stick it out. | 0:02:09 | 0:02:12 | |
I wish we could. Goodbye, sir. | 0:02:12 | 0:02:14 | |
Bye-bye. | 0:02:14 | 0:02:15 | |
That wasn't such a bad trip. | 0:03:52 | 0:03:54 | |
It would have been better if we'd made some money. | 0:03:54 | 0:03:56 | |
Get the team unhitched. Leave the coach out there, we'll wash it down. | 0:04:13 | 0:04:17 | |
We'll wash it down? That's what you always say, but I end up doing it. | 0:04:17 | 0:04:20 | |
-What is this?! -The horses, Chito. | 0:04:23 | 0:04:25 | |
Si. | 0:04:25 | 0:04:27 | |
-Excuse me, but did your coach just arrive by way of Yuma Road? -Yes, ma'am. | 0:04:27 | 0:04:31 | |
Did you bring a passenger? A rather youngish man with greying temples? | 0:04:31 | 0:04:35 | |
I'm afraid we didn't have any passengers at all. | 0:04:35 | 0:04:38 | |
Well, perhaps you passed him on the road? | 0:04:38 | 0:04:40 | |
No, I don't believe we passed anyone. | 0:04:40 | 0:04:43 | |
Are you certain? | 0:04:43 | 0:04:45 | |
I'm sure if we had passed someone such as you describe, we'd have remembered. | 0:04:45 | 0:04:49 | |
Yes, I...I guess you would. | 0:04:49 | 0:04:52 | |
Well, is there trouble of some kind? Perhaps we can be of help. | 0:04:54 | 0:04:57 | |
No, he'll probably arrive by some other road. | 0:04:57 | 0:05:00 | |
But there's only one road from the West. | 0:05:00 | 0:05:03 | |
Well, thank you. | 0:05:04 | 0:05:06 | |
-What she wants? -I don't know, I've never seen her before. | 0:05:21 | 0:05:24 | |
Oh, she's muy bonita. I'd like to know her better. | 0:05:24 | 0:05:26 | |
BIRDSONG | 0:05:26 | 0:05:28 | |
-What did you find out? -He wasn't on that coach. | 0:05:29 | 0:05:32 | |
-What are so nervous about? -Maybe something's happened to him. -Hardly. | 0:05:32 | 0:05:35 | |
-Perhaps he's been here and left. -He only got out yesterday, so there hasn't been time. | 0:05:35 | 0:05:40 | |
-He'll show up. -He mustn't see you, he might get suspicious. | 0:05:40 | 0:05:43 | |
Don't worry, I'll keep out of Carver's sight until the right time. | 0:05:43 | 0:05:46 | |
Oh, what is this here? It's Emily! | 0:05:54 | 0:05:57 | |
Hello, Chito. | 0:05:57 | 0:05:59 | |
-How's the school teaching business? -Summer vacation started yesterday. | 0:05:59 | 0:06:02 | |
-Nothing to do until fall. -I can think of something to do. | 0:06:02 | 0:06:05 | |
-A nice picnic, just you and me. -There'll be no picnics today, Chito. | 0:06:05 | 0:06:09 | |
Hello, Tim. | 0:06:09 | 0:06:11 | |
Hello, Emily. You know, you want to look out for that Romeo. | 0:06:12 | 0:06:16 | |
I know all about Chito's shenanigans. | 0:06:16 | 0:06:18 | |
There's nobody in my family by that name. | 0:06:18 | 0:06:20 | |
I got Gonzalez, Bustamante and Rafferty, but no shenanigans. | 0:06:20 | 0:06:23 | |
You've been gone longer than usual this trip, I missed you. | 0:06:23 | 0:06:26 | |
Tim missed you too, Emily. | 0:06:26 | 0:06:28 | |
We've been looking for a buyer for our business. | 0:06:28 | 0:06:31 | |
-Why don't you drop by the house later? -Thanks, I will. | 0:06:31 | 0:06:33 | |
-Yeah, me, too. -Who invited you? -Two's company, Chito. | 0:06:33 | 0:06:38 | |
Well, I have to go to the store. | 0:06:39 | 0:06:41 | |
Get busy on that sponge. Better make this place look prosperous if we're going to sell it. | 0:06:44 | 0:06:49 | |
-But I'm not expecting. Who would buy this old rattletrap? -We did. | 0:06:50 | 0:06:55 | |
There must be other nitwits in this world like us. | 0:06:55 | 0:06:58 | |
No nits so wit as ours. | 0:06:58 | 0:07:00 | |
-The harnesses all falling to pieces! -Well, we'll mend it. | 0:07:07 | 0:07:10 | |
Get the repair box off the back, I'll take it on inside. | 0:07:10 | 0:07:14 | |
-Why don't you look where you're going? -It was your fault as well as mine. | 0:08:03 | 0:08:07 | |
-Why are you staring at me like that? -John Carver! -How did you know? | 0:08:12 | 0:08:15 | |
I'm Emily Bryce. | 0:08:17 | 0:08:19 | |
Emily? Tom Bryce's daughter? | 0:08:19 | 0:08:21 | |
-So you've come back to Lavic, where...? -Not so loud! | 0:08:21 | 0:08:24 | |
-Nobody knows I'm back. Nobody except you. -How did you get out? | 0:08:24 | 0:08:28 | |
-What are you doing here? -That's my affair. -Perhaps I can guess. | 0:08:28 | 0:08:33 | |
If you tell anybody you saw me, Emily, you'll regret it. | 0:08:33 | 0:08:36 | |
-Tim, what's the telephone ring for Yuma? -One long, one short. | 0:08:48 | 0:08:51 | |
RINGING | 0:08:56 | 0:08:58 | |
Hello! | 0:09:04 | 0:09:05 | |
-Tim, please, nothing happened. -Let me try. | 0:09:06 | 0:09:10 | |
Excuse me. | 0:09:12 | 0:09:13 | |
Hello? | 0:09:19 | 0:09:21 | |
-Hello, Yuma! Hello! -Yell louder. | 0:09:21 | 0:09:24 | |
Hello! | 0:09:24 | 0:09:26 | |
It's a wonderful machine, when it feels like working. | 0:09:26 | 0:09:29 | |
This line is dead. | 0:09:32 | 0:09:33 | |
-Perhaps the wires have been cut. -Why would anybody want to that? | 0:09:34 | 0:09:38 | |
To keep any word from getting outside. | 0:09:38 | 0:09:40 | |
I'll have to drive over to Garnet to find Sheriff Clay. | 0:09:40 | 0:09:43 | |
Emily, you couldn't make it with that old horse of yours. | 0:09:43 | 0:09:45 | |
Please, Tim, I've got to go. | 0:09:45 | 0:09:47 | |
-What in the world's the matter with her? -Nothing, except she's a woman. | 0:09:49 | 0:09:53 | |
They all get like that. Nobody knows why. | 0:09:53 | 0:09:55 | |
Like a chicken with her head off! | 0:10:04 | 0:10:06 | |
I've never known Emily to blow up over anything before. | 0:10:12 | 0:10:15 | |
Why did she want to use the telephone to Yuma? | 0:10:15 | 0:10:17 | |
There's nothing there but that big prison. | 0:10:17 | 0:10:19 | |
Come on, let's get back to work. | 0:10:21 | 0:10:22 | |
CARVER GROANS | 0:11:51 | 0:11:53 | |
Hey, bud, did you notice a stranger | 0:12:39 | 0:12:43 | |
coming into your town in the last couple of hours? | 0:12:43 | 0:12:45 | |
-Would have come in by the Yuma road. -Kind of young, maybe middle-30s. | 0:12:45 | 0:12:48 | |
-He'd be wearing clothes and talking. -He sort of grey at the temples? | 0:12:48 | 0:12:53 | |
-Yeah, that's him. Where is he? -I didn't see him. | 0:12:53 | 0:12:56 | |
Then how did you know he had grey hair? | 0:12:56 | 0:12:58 | |
-Because you're not the only one looking for him. -Who else? | 0:12:58 | 0:13:00 | |
A lady. She's rather well-dressed, had a veil on. | 0:13:00 | 0:13:04 | |
She was here about half an hour ago. | 0:13:04 | 0:13:07 | |
Much obliged. | 0:13:07 | 0:13:09 | |
That hombre with the grey hair, he's muy important, eh? | 0:13:14 | 0:13:18 | |
Here. Take it inside. | 0:13:18 | 0:13:20 | |
On me it looks good. I'm only a workhorse anyway. | 0:13:22 | 0:13:25 | |
Giddup! | 0:13:25 | 0:13:26 | |
-Looks like we've got competition. -Roxie Van Zell. | 0:13:35 | 0:13:38 | |
She didn't lose any time getting here. She's Carver's girl. | 0:13:38 | 0:13:41 | |
How'd you know about her? | 0:13:41 | 0:13:42 | |
I spent three years in a prison cell with Carver. | 0:13:42 | 0:13:44 | |
Roxie used to come to see him. | 0:13:44 | 0:13:46 | |
That's all Carver talked about, his woman and his money. | 0:13:46 | 0:13:49 | |
If Roxie is around here, will run into him. | 0:13:49 | 0:13:51 | |
You stay here, I'll go inside and ask a few questions. | 0:13:51 | 0:13:54 | |
Hello, Carver. Ain't you glad to see your old cell mate? | 0:14:31 | 0:14:34 | |
Langdon. So, it was you who jumped me in that hotel room just now. | 0:14:34 | 0:14:38 | |
Not us. | 0:14:38 | 0:14:39 | |
-We're your pals, Carver. -Sure. Did you get what you came for? -He got it. | 0:14:39 | 0:14:46 | |
-We'll go easy on you, we'll settle for half. -You won't get a red cent! | 0:14:46 | 0:14:50 | |
Head into the alley. | 0:14:52 | 0:14:54 | |
All right, turn around. | 0:15:07 | 0:15:09 | |
Help! Help! | 0:15:16 | 0:15:19 | |
Follow them! | 0:15:19 | 0:15:20 | |
-They got away. The man with grey hair! -Get me out of here. | 0:15:40 | 0:15:45 | |
Help me and you'll be well paid. | 0:15:45 | 0:15:46 | |
We don't take money from anybody to help them get out of trouble. | 0:15:46 | 0:15:49 | |
Come on, Chito, give me a hand. | 0:15:49 | 0:15:51 | |
Easy. | 0:15:52 | 0:15:53 | |
That's about the best I can do, Mr Carver. | 0:15:55 | 0:15:57 | |
You ought to have that looked at. There's a doctor over in Garnet. | 0:15:57 | 0:16:00 | |
-I don't want no sawbones pawing me over. -I help you, senor. | 0:16:00 | 0:16:05 | |
I need no help! | 0:16:05 | 0:16:06 | |
I...must appear very ungrateful after what you did for me. | 0:16:12 | 0:16:15 | |
Oh, forget it. | 0:16:15 | 0:16:17 | |
I'm thinking of some way to reward you. How'd you like to make 1,000? | 0:16:19 | 0:16:24 | |
-Huh? -It all depends on what we have to do for it. | 0:16:24 | 0:16:27 | |
Come here. | 0:16:29 | 0:16:30 | |
-Do you know this road? -Certainly do, we just came over it this morning. | 0:16:37 | 0:16:40 | |
That's Presomito Pass. There's a little town south of the border | 0:16:40 | 0:16:43 | |
-called Sassoby. -Can you take me there? | 0:16:43 | 0:16:45 | |
Senor, for all that money, we could carry you there piggyback! | 0:16:45 | 0:16:48 | |
How about the wound? Think you can make it? | 0:16:48 | 0:16:50 | |
I'm better in your coach and on horseback. | 0:16:50 | 0:16:53 | |
-How long would the run take? -We'll have to stay overnight at Burley's. | 0:16:53 | 0:16:56 | |
It's a roadhouse. With a little luck we should get across the border | 0:16:56 | 0:16:59 | |
the following day in Sassoby. | 0:16:59 | 0:17:01 | |
So you think I'm crazy, huh? | 0:17:06 | 0:17:08 | |
No, senor, but with a wound like that you could be delirious. | 0:17:08 | 0:17:11 | |
Then what does this look like? | 0:17:11 | 0:17:13 | |
-I'M delirious! -I'll pay you 500 now, the balance when we get to Sassoby. | 0:17:13 | 0:17:17 | |
I have enemies, they know I have money. | 0:17:17 | 0:17:20 | |
I must get away from them. Far away. | 0:17:20 | 0:17:22 | |
Take it, Tim, before I drop dead! | 0:17:22 | 0:17:25 | |
There is but one simple condition, that there be no other passengers. | 0:17:25 | 0:17:29 | |
Not even a horsefly, senor. | 0:17:29 | 0:17:31 | |
You have a deal, Mr Carver. | 0:17:31 | 0:17:32 | |
I have also purchased protection, is that understood? | 0:17:33 | 0:17:36 | |
-Even if we have to shoot a hundred banditos. -When do you want to start? | 0:17:36 | 0:17:39 | |
As soon as you can hitch the coach. | 0:17:39 | 0:17:41 | |
That will only take two shakes of a pig's tail! | 0:17:41 | 0:17:44 | |
That money Senor Carver give us, how do you know it's not counterfeit? | 0:18:07 | 0:18:10 | |
-I wouldn't mind having a hatful of it. -Can I take a look again? | 0:18:10 | 0:18:15 | |
-Here. -It's brand-new! It's never been used. | 0:18:18 | 0:18:22 | |
Ha! Giddup! | 0:18:22 | 0:18:24 | |
This is a picture of my Uncle Gonzales! | 0:18:24 | 0:18:27 | |
It's a picture of President Garfield. He was shot. | 0:18:27 | 0:18:30 | |
-So was my Uncle Gonzales. -For what? | 0:18:30 | 0:18:32 | |
For the same thing, putting his picture on money. | 0:18:32 | 0:18:35 | |
If Senor Carver only knew, he could have bought the horses and the coach for half this money. | 0:18:38 | 0:18:41 | |
He knew, all right. | 0:18:41 | 0:18:43 | |
You're going to wear that money out. Here. | 0:18:49 | 0:18:51 | |
When I get to Sassoby I'm going to spend some on the girls I know. | 0:18:53 | 0:18:56 | |
You don't know any girls in Sassoby. | 0:18:56 | 0:18:57 | |
But with some of that money, I would! | 0:18:57 | 0:18:59 | |
Hey, stop! | 0:19:07 | 0:19:09 | |
Stop! | 0:19:11 | 0:19:12 | |
-Hey, stop! -Whoa! | 0:19:12 | 0:19:14 | |
Throw me that rifle. | 0:19:20 | 0:19:21 | |
They saw your rifle. | 0:19:28 | 0:19:29 | |
-What's that turn-off up there? -The road to the old Parry shack. | 0:19:30 | 0:19:34 | |
Well, drive in there! | 0:19:34 | 0:19:36 | |
Ha! | 0:19:51 | 0:19:53 | |
What are they doing, going to that old shack? | 0:20:17 | 0:20:20 | |
We ain't sure Carver had the loot on him when we tackled him. | 0:20:20 | 0:20:22 | |
Maybe that's where he hid it and he's going to dig it up. | 0:20:22 | 0:20:25 | |
Not with us watching. | 0:20:25 | 0:20:26 | |
We'll move around so as to come in on the far side of the shack. | 0:20:26 | 0:20:29 | |
Ha! | 0:20:36 | 0:20:37 | |
Yah! | 0:20:39 | 0:20:40 | |
Whoa! | 0:20:43 | 0:20:44 | |
I got something to do. Move across the road and stand guard. | 0:20:48 | 0:20:51 | |
-When I want you, I'll call. -But I thought... I... | 0:20:51 | 0:20:54 | |
But, Tim, what if he run away with the coach? | 0:21:17 | 0:21:20 | |
We'd still be ahead on the deal. | 0:21:20 | 0:21:22 | |
Blockhead! | 0:22:14 | 0:22:17 | |
-But I can't miss him! -He can't miss you either with that rifle. | 0:22:17 | 0:22:20 | |
Tim! Something moved down there. | 0:22:23 | 0:22:25 | |
We'll see. Give me that shotgun. | 0:22:25 | 0:22:28 | |
Look at them run! | 0:22:35 | 0:22:37 | |
Holt! Rafferty! Come back! | 0:22:48 | 0:22:50 | |
-Same banditos! -Did you make a hit? -No, I just shot over their heads. | 0:23:09 | 0:23:14 | |
-What did I hire you for? -Not to kill anyone, that's for sure. | 0:23:14 | 0:23:17 | |
They'll kill me if they get a chance. You too. All three of us! | 0:23:17 | 0:23:21 | |
-Maybe we better get back to Lavic. -We go on. | 0:23:21 | 0:23:23 | |
And remember, no more stops till we get to Burley's. Let's hurry up. | 0:23:23 | 0:23:27 | |
Giddup! Yah! | 0:24:00 | 0:24:02 | |
Come on! Yah! | 0:24:05 | 0:24:07 | |
Ya! | 0:24:08 | 0:24:09 | |
Take a look at that. | 0:24:56 | 0:24:58 | |
Bank of Lavic? 10,000? | 0:25:00 | 0:25:02 | |
-But we've got no bank in Lavic. -There used to be one in the old days. | 0:25:02 | 0:25:06 | |
-Emily's father owned it. -I didn't know that. | 0:25:06 | 0:25:10 | |
We'd better take a look in the house. | 0:25:26 | 0:25:28 | |
Hey, Allen! | 0:25:54 | 0:25:55 | |
Take a look at this. | 0:26:02 | 0:26:03 | |
What would Carver be doing with that? | 0:26:05 | 0:26:07 | |
He'd use it to sew up a place where he hid something on the coach. | 0:26:08 | 0:26:12 | |
Yeah, that's it! | 0:26:12 | 0:26:14 | |
COACH APPROACHES | 0:26:42 | 0:26:44 | |
-What are you doing here? -I was never so glad to see anyone in my life. | 0:26:57 | 0:27:01 | |
-Where's your buggy? -Back there. -We'll go back and get it for you. | 0:27:01 | 0:27:04 | |
There's nothing you can do. He's dead. | 0:27:04 | 0:27:07 | |
You were right, Tim, he couldn't stand the trip. | 0:27:07 | 0:27:10 | |
Try not to let it bother you, Emily. We'll take you back to Burley's. | 0:27:10 | 0:27:13 | |
-You can pick up another rig there. -Not in this coach. | 0:27:13 | 0:27:16 | |
What you expect to do, leave her here? | 0:27:16 | 0:27:18 | |
You agreed, no other passengers. | 0:27:18 | 0:27:20 | |
What kind of man are you anyway? | 0:27:20 | 0:27:22 | |
-Someone will come along and pick her up. -Yeah, maybe those banditos! | 0:27:22 | 0:27:25 | |
-We're picking her up. -And taking her back home to Lavic. | 0:27:25 | 0:27:27 | |
-And maybe you'll walk to Sassoby. -If it's your money you want back, here. | 0:27:27 | 0:27:31 | |
Miss Bryce is riding in this coach, at least as far as the roadhouse. | 0:27:31 | 0:27:34 | |
Mr Burley will see that she gets safely home. | 0:27:34 | 0:27:36 | |
Miss Bryce...perhaps I was over-hasty. I apologise. | 0:27:36 | 0:27:41 | |
Consider yourself my guest, but only as far as Burley's. | 0:27:41 | 0:27:44 | |
-Tim, couldn't I ride on the box with you? -I'd rather you didn't, Emily. | 0:27:46 | 0:27:50 | |
I'll ride on the box if you're afraid of me, Miss Bryce. | 0:27:50 | 0:27:54 | |
I'm not afraid. | 0:27:54 | 0:27:55 | |
I can almost see your dead father in your eyes. | 0:28:19 | 0:28:23 | |
If you're on your way to Mexico, Mr Carver, you won't get there. | 0:28:23 | 0:28:27 | |
The officers will stop you at the border. | 0:28:27 | 0:28:29 | |
Have you told any officers about me, Emily? | 0:28:29 | 0:28:32 | |
I tried to, but I couldn't reach Garnet. They'll be waiting for you. | 0:28:32 | 0:28:37 | |
They'll know you escaped from the Yuma penitentiary. | 0:28:37 | 0:28:40 | |
I have news for you, Emily, I didn't escape, I was paroled. | 0:28:40 | 0:28:44 | |
You don't believe me, huh? | 0:28:44 | 0:28:46 | |
Take a look. | 0:28:48 | 0:28:50 | |
-After what you did? -Yes. | 0:28:55 | 0:28:58 | |
I'm free. | 0:28:59 | 0:29:00 | |
Free, to go and enjoy stolen money! What kind of justice is that? | 0:29:00 | 0:29:05 | |
The kind you get with a clever and expensive lawyer. | 0:29:05 | 0:29:09 | |
That money is mine now. | 0:29:09 | 0:29:10 | |
Whoa! | 0:29:13 | 0:29:14 | |
Whoa! | 0:29:16 | 0:29:17 | |
-That's funny. -What's funny? | 0:29:27 | 0:29:30 | |
Burley may be old, but he's got ears like a rabbit. | 0:29:30 | 0:29:32 | |
He'd hear anybody coming a mile away. He's usually out here to greet me. | 0:29:32 | 0:29:36 | |
-Maybe he's over in the barn. -Go take a look. | 0:29:36 | 0:29:39 | |
There still a couple of hours till sundown. We'll drive on. | 0:29:39 | 0:29:42 | |
-There's no place to go. -There must be a ranch or something. | 0:29:42 | 0:29:45 | |
Not a solitary ranch between here and Presomito Pass. | 0:29:45 | 0:29:47 | |
Then we'll camp in the open. | 0:29:47 | 0:29:49 | |
If you're willing to risk it, but we have to change horses. | 0:29:49 | 0:29:52 | |
Hey, Burley! Burley! | 0:29:53 | 0:29:55 | |
Tim, he's not in the barn, but all the horses are there. | 0:29:55 | 0:29:59 | |
That's peculiar. | 0:29:59 | 0:30:00 | |
Maybe he's sick. | 0:30:00 | 0:30:02 | |
ANIMAL HOWLS | 0:30:02 | 0:30:03 | |
-What's that? -A coyote. I hope. | 0:30:03 | 0:30:06 | |
-Coyotes don't howl this early. -Yeah. | 0:30:06 | 0:30:09 | |
Tim! | 0:30:11 | 0:30:13 | |
-I saw a face at the window. -If it was Burley he'd be out here. | 0:30:15 | 0:30:19 | |
-I know Mr Burley, that wasn't him. -Take a look, Chito. | 0:30:19 | 0:30:23 | |
Alone?! | 0:30:23 | 0:30:25 | |
What are you scared of? You got a gun. | 0:30:25 | 0:30:27 | |
I've got two guns, but I still feel funny inside. | 0:30:27 | 0:30:30 | |
HOWLING | 0:30:35 | 0:30:36 | |
-So you finally got here, John. -What are you doing here, Bronson? | 0:31:32 | 0:31:36 | |
I came to give you some much needed advice. How do you do? | 0:31:36 | 0:31:39 | |
-I'm Mr Carver's attorney. -I'm Tim Holt, this is Chito Rafferty. Miss Bryce. | 0:31:39 | 0:31:44 | |
Bryce? | 0:31:44 | 0:31:46 | |
That name sounds familiar. | 0:31:46 | 0:31:47 | |
It should, if you're Mr Carver's lawyer. | 0:31:47 | 0:31:50 | |
-Oh? Oh, yes, I remember. -Where is Burley? -Who? | 0:31:50 | 0:31:55 | |
-The man who owns this roadhouse. -I haven't seen him. | 0:31:55 | 0:31:58 | |
I only arrived a short while ago myself. | 0:31:58 | 0:32:00 | |
Since there seemed to be no-one here, I stabled my own horse. | 0:32:00 | 0:32:03 | |
I found the front door wide open so I just came in. | 0:32:03 | 0:32:05 | |
I don't understand this. | 0:32:05 | 0:32:06 | |
I've never known Burley to leave for anything short of a funeral. | 0:32:06 | 0:32:09 | |
Let's not mention such depressing things, shall we? | 0:32:09 | 0:32:12 | |
Isn't this place gloomy enough? | 0:32:12 | 0:32:13 | |
Anyway, I got tired of waiting so I went upstairs to find myself a room. | 0:32:13 | 0:32:16 | |
Perhaps you'd better do the same, Emily. | 0:32:18 | 0:32:20 | |
Carver, there's one thing... I wanted to... | 0:32:31 | 0:32:36 | |
You're excused. | 0:32:36 | 0:32:37 | |
Why, senor? | 0:32:37 | 0:32:39 | |
We can get along without your company. | 0:32:39 | 0:32:40 | |
Oh, I don't find yours, Senor. | 0:32:40 | 0:32:42 | |
I'd like to speak to my client alone. | 0:32:42 | 0:32:45 | |
Why didn't you say so the first time? | 0:32:45 | 0:32:47 | |
How did you get involved with all these people? | 0:32:56 | 0:32:59 | |
I ran into Langdon and Allen. | 0:32:59 | 0:33:01 | |
Look here. | 0:33:01 | 0:33:02 | |
Oh. | 0:33:02 | 0:33:06 | |
I'll get you a drink. | 0:33:06 | 0:33:07 | |
This looks like the best room. We'll take a look at ours, Chito. | 0:33:10 | 0:33:14 | |
Wait a minute, boys, I have something to tell you. | 0:33:14 | 0:33:17 | |
Close the door, Tim. | 0:33:17 | 0:33:18 | |
-It's about Carver. -We know lots of things about Senor Carver already. | 0:33:23 | 0:33:27 | |
-What about him? -He was the cashier in my father's bank. | 0:33:27 | 0:33:31 | |
He embezzled 100,000. | 0:33:31 | 0:33:33 | |
That's why my father committed suicide. | 0:33:34 | 0:33:36 | |
When I saw him on the street this morning I was stunned. | 0:33:38 | 0:33:40 | |
-I didn't know what to do. -That's why you go looking for the Sheriff! | 0:33:40 | 0:33:43 | |
-Then that stolen money rightfully belongs to you. -Only part of it. | 0:33:43 | 0:33:47 | |
The rest of it belongs to the depositors who trusted my father. | 0:33:47 | 0:33:50 | |
If he ever gets across the border with that money, there's nothing we can do. | 0:33:50 | 0:33:54 | |
But that's where he hid the money and he's going there now to get it. | 0:33:54 | 0:33:57 | |
I don't think so, Emily. | 0:33:57 | 0:33:58 | |
In the first place, if he hid the money in Mexico, | 0:33:58 | 0:34:01 | |
where did he get the 500 to pay us? | 0:34:01 | 0:34:03 | |
And where did this money wrapper come from? | 0:34:03 | 0:34:05 | |
I found it by the wheel horse this morning. | 0:34:05 | 0:34:07 | |
I guess that means he must have the money now. | 0:34:07 | 0:34:10 | |
If I knew for sure, I'll guarantee he wouldn't have it long! | 0:34:10 | 0:34:13 | |
There's a stagecoach! | 0:34:21 | 0:34:23 | |
I'll move in on the other side of the bunkhouse so they won't see me. | 0:34:23 | 0:34:26 | |
You'd better stay behind the barn. | 0:34:26 | 0:34:28 | |
Let's just be sensible and listen to some trained counsel. | 0:34:36 | 0:34:40 | |
Let me handle your money. | 0:34:40 | 0:34:41 | |
I'll send you the amounts you require from time to time. | 0:34:41 | 0:34:44 | |
You can go anywhere in the world. | 0:34:44 | 0:34:46 | |
You can live in the luxury of a retired capitalist, | 0:34:46 | 0:34:49 | |
that way it will be safe and sure. | 0:34:49 | 0:34:50 | |
Save you all kinds of trouble. | 0:34:50 | 0:34:53 | |
-I don't know... -Just think it over. | 0:34:53 | 0:34:55 | |
I'll even go to the border and get you past the customs officers. | 0:34:55 | 0:34:58 | |
Because they'll not only search you, they'll turn your coach inside out, | 0:34:58 | 0:35:01 | |
unless you're represented by someone who can protect your interests. | 0:35:01 | 0:35:04 | |
Shh! | 0:35:04 | 0:35:05 | |
-Burley shown up yet? -No, not yet. | 0:35:09 | 0:35:12 | |
-MAN OUTSIDE: -Ya! Ya! | 0:35:12 | 0:35:14 | |
The coach! | 0:35:14 | 0:35:15 | |
No, Chito. Get horses. | 0:35:21 | 0:35:23 | |
Take this. Lock yourself in your room and stay there until we come back. | 0:35:25 | 0:35:30 | |
-What's the matter, your shoulder bother you? -No. My money. | 0:35:51 | 0:35:56 | |
-It was hidden on that coach. -On that coach? Why, you stupid fool! | 0:35:56 | 0:36:01 | |
Well... | 0:36:26 | 0:36:28 | |
Nothing in here. | 0:36:28 | 0:36:30 | |
Carver always could hide stuff, even in the prison cell, | 0:36:30 | 0:36:33 | |
where I couldn't find it. | 0:36:33 | 0:36:35 | |
Right under your nose. Tobacco, matches, money, everything. | 0:36:35 | 0:36:39 | |
-Find something? -Maybe I will, in the harness. | 0:36:56 | 0:36:59 | |
I've looked everyplace else. | 0:36:59 | 0:37:01 | |
GUNSHOT | 0:37:26 | 0:37:27 | |
GUNFIRE | 0:37:30 | 0:37:33 | |
GUNFIRE CONTINUES | 0:37:37 | 0:37:40 | |
-Our beautiful coach! -Our horses seem to be all right. | 0:37:46 | 0:37:49 | |
But look, everything is torn to pieces! | 0:37:49 | 0:37:51 | |
Whatever they were looking for, I bet you they find it. | 0:37:51 | 0:37:54 | |
They certainly didn't overlook anything. | 0:37:54 | 0:37:56 | |
Who's going to pay for this damage? Carver only give us 500. | 0:37:56 | 0:37:59 | |
That's not enough. And, besides, think of my feelings. I... | 0:37:59 | 0:38:02 | |
If they found the money, they certainly wouldn't be hanging around. | 0:38:05 | 0:38:08 | |
Save your ammunition. | 0:38:09 | 0:38:11 | |
You may need it before we're through with his job. | 0:38:11 | 0:38:14 | |
Come on. We'd better get out of here before dark. | 0:38:14 | 0:38:17 | |
HOWLING | 0:38:19 | 0:38:21 | |
HE TURNS DOOR HANDLE | 0:38:30 | 0:38:32 | |
HANDLE RATTLES | 0:38:32 | 0:38:34 | |
-Who's there? -I must talk with you, Miss Bryce. | 0:38:34 | 0:38:37 | |
What about? | 0:38:39 | 0:38:40 | |
Since Burley isn't here, would you mind getting supper for us? | 0:38:41 | 0:38:44 | |
Not until Tim and Chito get back. | 0:38:44 | 0:38:46 | |
They may never get back, so open this door. | 0:38:46 | 0:38:49 | |
Unlock this door before I break it in! | 0:38:49 | 0:38:51 | |
HAMMERING | 0:38:51 | 0:38:52 | |
HANDLE RATTLES VIOLENTLY | 0:38:52 | 0:38:54 | |
HAMMERING CONTINUES | 0:38:54 | 0:38:56 | |
Get away from that door! | 0:38:56 | 0:38:58 | |
Let me in! | 0:38:58 | 0:39:00 | |
GUNSHOT | 0:39:00 | 0:39:01 | |
-Well? -What is well? Everything is bad! Look what happens! | 0:39:20 | 0:39:23 | |
You think the money you pay us is enough for this? | 0:39:23 | 0:39:25 | |
-500 PESOS is not enough. 1,000! 2,000 pesos! -How much in cash? -Cash? | 0:39:25 | 0:39:29 | |
Cash?! Would 50 pesos be too much? | 0:39:29 | 0:39:32 | |
There you are, now quit bellyaching. | 0:39:33 | 0:39:35 | |
-Better put the coach inside the barn. Maybe they won't steal it again. -I'll help you. -Five, ten... | 0:39:35 | 0:39:40 | |
-Is everything all right? -I'm all right if you are. Did you find anything? | 0:39:56 | 0:40:00 | |
The money? No, and I don't think they did either. | 0:40:00 | 0:40:03 | |
-This gun's been fired. -Well, I... | 0:40:03 | 0:40:06 | |
A lady should never be trusted with firearms. | 0:40:06 | 0:40:09 | |
They explode more easily than the weapons! | 0:40:09 | 0:40:12 | |
Perhaps now, Miss Bryce, you'll get us all something to eat? | 0:40:12 | 0:40:14 | |
Of course. | 0:40:14 | 0:40:16 | |
-Burley shown up? -No, he hasn't returned. | 0:40:23 | 0:40:27 | |
HOWLING | 0:40:27 | 0:40:28 | |
-What's the matter, Bronson? You seem nervous. -Me? That's ridiculous. | 0:40:35 | 0:40:42 | |
You can put Jay and Henry in their stalls and throw them some hay. | 0:40:47 | 0:40:49 | |
I'll let you do that, my shoulder is bothering me again. | 0:40:49 | 0:40:53 | |
I'll rack the harness for you. | 0:40:53 | 0:40:55 | |
-Excellent meal, Miss Bryce. -Thank you. | 0:41:16 | 0:41:18 | |
Emily knows what I like. Tapioca pudding. | 0:41:18 | 0:41:21 | |
-Rafferty, did you lock the barn? -The barn has no locks, senor. | 0:41:23 | 0:41:27 | |
Besides, nobody ever steals anything from Senor Burley. | 0:41:27 | 0:41:30 | |
KNOCK ON DOOR | 0:41:30 | 0:41:32 | |
-Who's that? -Must be Burley. -It can't be. -What makes you so sure? | 0:41:32 | 0:41:36 | |
He wouldn't... It's more likely Langdon and Allen. | 0:41:36 | 0:41:39 | |
Stay out of sight, Emily, we'll see who it is. | 0:41:39 | 0:41:42 | |
John! Johnny Carver! Oh, Johnny, it's so good to see you! | 0:42:01 | 0:42:05 | |
Roxie. I sent word for you to meet me across the border. | 0:42:06 | 0:42:09 | |
-Never mind that now, I'm here. -Very touching, Roxie. | 0:42:09 | 0:42:13 | |
May I enquire how you arrived at this isolated spot? | 0:42:16 | 0:42:19 | |
I might ask you the same question. | 0:42:19 | 0:42:20 | |
I'm here to protect a client's interests. | 0:42:20 | 0:42:22 | |
I reached Lavic this morning, hoping to meet John. | 0:42:22 | 0:42:25 | |
-When he wasn't there, I started for the border. -This morning? | 0:42:25 | 0:42:28 | |
-You weren't near Lavic. -How do you know? Were you there? | 0:42:28 | 0:42:31 | |
This gentleman here can tell you I was in Lavic. | 0:42:31 | 0:42:34 | |
-She was. -Poor Johnny, you look all in. -I'm all right. | 0:42:34 | 0:42:38 | |
-How did you reach here from Lavic, Roxie? -In a buggy. | 0:42:38 | 0:42:42 | |
My horse got frightened when he heard some animal howling out | 0:42:42 | 0:42:45 | |
there in the dark. It ran away and threw me off. | 0:42:45 | 0:42:47 | |
-How did you know that you'd find Carver here? -I didn't! | 0:42:47 | 0:42:51 | |
I was frightened too, and when I saw this house, I came here for help. | 0:42:51 | 0:42:54 | |
Oh! | 0:42:54 | 0:42:57 | |
-A most remarkable coincidence. -You believe me, don't you, Johnny? | 0:42:57 | 0:43:01 | |
Why didn't you go to Sassoby and wait for me there? | 0:43:01 | 0:43:03 | |
I wanted to be by your side to help you. | 0:43:03 | 0:43:05 | |
A lot of help you've ever been to him, except to get him in trouble! | 0:43:05 | 0:43:08 | |
-Are you going to let him...? -That's enough! | 0:43:08 | 0:43:10 | |
This woman is interested in one thing, your money. | 0:43:10 | 0:43:12 | |
If you let her make a fool of you again, I wash my hands of you. | 0:43:12 | 0:43:14 | |
Chito, give me a hand with the dishes. | 0:43:19 | 0:43:21 | |
You know that Roxie Van Zell is a notorious adventuress. | 0:43:31 | 0:43:34 | |
She's kissing him! | 0:43:34 | 0:43:36 | |
My father believed that it was she who got Carver to | 0:43:36 | 0:43:38 | |
-steal from the bank. -Now he's kissing her! | 0:43:38 | 0:43:40 | |
-She certainly told a good story. -Too good to be true. | 0:43:40 | 0:43:44 | |
HOWLING | 0:43:44 | 0:43:46 | |
That would make any horse run away! | 0:43:46 | 0:43:49 | |
Now they are kissing each other! | 0:43:49 | 0:43:50 | |
Chito, will you get away from that door? | 0:43:50 | 0:43:53 | |
I want to see what they're going to do next. | 0:43:53 | 0:43:54 | |
We have something more important to find out. | 0:43:54 | 0:43:57 | |
Namely, why Burley's dog keeps up that howling. | 0:43:57 | 0:43:59 | |
Be back in two minutes, Emily. | 0:44:00 | 0:44:02 | |
DOG HOWLS | 0:44:05 | 0:44:08 | |
HOWLING CONTINUES | 0:44:09 | 0:44:10 | |
Do you have to walk so close on my heels? | 0:44:17 | 0:44:19 | |
I'm staying close so nobody come up behind you and hurt you! | 0:44:19 | 0:44:22 | |
DOG HOWLS | 0:44:22 | 0:44:23 | |
Why does he change tune? | 0:44:23 | 0:44:25 | |
A dog exists by his nose. Maybe he smells something. | 0:44:26 | 0:44:28 | |
So do I! The barn. It ought to be fumigated. | 0:44:29 | 0:44:33 | |
-Go look and see if everything is all right. -But I was... | 0:44:33 | 0:44:36 | |
DOOR CREAKS | 0:44:49 | 0:44:51 | |
HE WHISTLES NONCHALANTLY | 0:44:54 | 0:44:57 | |
Anybody in there? No? | 0:45:07 | 0:45:10 | |
Adios, then. Buenas noches. | 0:45:10 | 0:45:11 | |
RATTLING | 0:45:26 | 0:45:27 | |
DOG WHINES | 0:45:57 | 0:45:58 | |
DOG HOWLS | 0:46:00 | 0:46:01 | |
What's the matter, son? | 0:46:07 | 0:46:09 | |
What's the matter, Smoky? Smoky, what's wrong? | 0:46:09 | 0:46:12 | |
Don't you know me, Smoky? What's the matter? Where's Mr Burley? | 0:46:12 | 0:46:15 | |
Where's Mr Burley? Where's Mr...? | 0:46:15 | 0:46:18 | |
Chito? | 0:46:24 | 0:46:26 | |
Chito! | 0:46:29 | 0:46:30 | |
Chito! | 0:46:30 | 0:46:31 | |
Chito! | 0:46:33 | 0:46:35 | |
Stop, or I'll shoot! | 0:46:37 | 0:46:38 | |
Who are you and where did you come from? | 0:46:50 | 0:46:51 | |
I was looking for the innkeeper. | 0:46:51 | 0:46:53 | |
You expect to find him in our stagecoach in the barn? | 0:46:53 | 0:46:55 | |
-So you knew Burley? -I make him talk! | 0:46:55 | 0:46:57 | |
He'll talk before we're through with him. | 0:46:57 | 0:46:59 | |
But, Tim, just let me hit him once. Look at my noggin! I got an egg on it | 0:46:59 | 0:47:03 | |
-the size to hatch an ostrich! -Come on. | 0:47:03 | 0:47:05 | |
What's going on here? | 0:47:07 | 0:47:10 | |
-You know this man? -No. -I know him. Name's Dave Warwick. He is a gambler. | 0:47:14 | 0:47:20 | |
Roxie is acquainted with him. Intimately acquainted! | 0:47:21 | 0:47:24 | |
You know how Bronson hates me, Johnny. | 0:47:24 | 0:47:26 | |
He'd say anything to hurt me with you. | 0:47:26 | 0:47:27 | |
How do you think Roxie lived while you were in prison, Carver? | 0:47:27 | 0:47:30 | |
She's the kind of woman who always has to have a...protector. | 0:47:30 | 0:47:33 | |
Don't listen to him, Johnny. | 0:47:33 | 0:47:35 | |
-Why did you kill Burley? -I didn't kill anyone. | 0:47:35 | 0:47:38 | |
I'm charging you with murder! | 0:47:38 | 0:47:40 | |
Roxie, are you going to let him fasten anything like that on me? | 0:47:40 | 0:47:43 | |
-So you do know this man! -I had to have a driver for my buggy. | 0:47:43 | 0:47:47 | |
I know nothing about horses, so how could I travel alone? | 0:47:47 | 0:47:50 | |
But, Johnny, I... There's nothing between Warwick and me. | 0:47:50 | 0:47:53 | |
If you'd lie about one thing, you'd lie about another! | 0:47:53 | 0:47:55 | |
Don't do anything you'd be sorry for. Roxie isn't worth it. | 0:47:55 | 0:47:59 | |
Just let her go. | 0:47:59 | 0:48:00 | |
You ought to know who your friends are now. | 0:48:01 | 0:48:03 | |
Johnny! Johnny! | 0:48:05 | 0:48:07 | |
Bronson? Perhaps you know about Burley and who killed him. | 0:48:11 | 0:48:15 | |
What on earth put that notion into your head, Holt? | 0:48:15 | 0:48:18 | |
Because you were here when we arrived, | 0:48:18 | 0:48:20 | |
and your answers about Burley's disappearance don't hold water. | 0:48:20 | 0:48:23 | |
Only you had the opportunity to kill him. | 0:48:23 | 0:48:25 | |
-To prove murder against anyone, you have to produce a body. -I have it. | 0:48:25 | 0:48:28 | |
-With a bullet hole in the back of his head. -And a witness? | 0:48:28 | 0:48:31 | |
I have that too. A dog that can identify the killer. | 0:48:31 | 0:48:34 | |
Well, you'll need more than circumstantial evidence | 0:48:34 | 0:48:37 | |
and a howling dog to implicate me. | 0:48:37 | 0:48:39 | |
Any magistrate would laugh at you. | 0:48:40 | 0:48:42 | |
It'll be daylight before long, Emily. You'd better get some rest. | 0:48:47 | 0:48:51 | |
-With Bronson here we'll get nowhere. -If I let that slick shyster get ahead of me, you'll know it. | 0:49:02 | 0:49:08 | |
-Haven't you wormed something out of Carver? -Not yet. | 0:49:08 | 0:49:10 | |
It's getting light out, we'll be leaving pretty soon. | 0:49:18 | 0:49:21 | |
-If only we could find those pesos. -Yes, if! | 0:49:21 | 0:49:23 | |
You know, I'm pretty sure that Carver knows his money is safe. | 0:49:24 | 0:49:27 | |
What was he doing when you were out there in the barn? | 0:49:28 | 0:49:30 | |
Do I got eyes in the back of my head? No, all I got is a bump. | 0:49:30 | 0:49:34 | |
Well...I'm going to get one last look at that coach. | 0:49:38 | 0:49:41 | |
-But, Tim, it won't do any good! -Maybe. Still... I'll be right back. | 0:49:41 | 0:49:45 | |
-Snore! -But how can I when I'm not asleep? -Try! | 0:49:54 | 0:49:57 | |
LOUD SNORING | 0:49:59 | 0:50:04 | |
SNORING CONTINUES | 0:50:04 | 0:50:05 | |
-You stay here with Emily. -No, I go with you. -I said, stay here! | 0:50:05 | 0:50:08 | |
-Where are you going? -I'm going to do a little prowling on my own. | 0:50:08 | 0:50:12 | |
Bronson is right, I'm going to try to get some more evidence. | 0:50:12 | 0:50:14 | |
Tim, be careful, you'll break your neck. | 0:50:14 | 0:50:16 | |
See? He land like a pussycat. And he still have eight lives left! | 0:50:30 | 0:50:33 | |
We'll take that, Carver. | 0:51:50 | 0:51:52 | |
-Open your mouth and you get it. -We'd better plug him anyway. | 0:51:52 | 0:51:55 | |
Too much noise. Take him back there and tie him up. | 0:51:55 | 0:51:57 | |
Move! | 0:52:05 | 0:52:07 | |
Turn around. | 0:52:07 | 0:52:08 | |
Hurry up! | 0:52:14 | 0:52:15 | |
Hey, bud! | 0:52:19 | 0:52:20 | |
Langdon! Langdon, what happened? | 0:52:38 | 0:52:42 | |
Where's the money? | 0:52:42 | 0:52:43 | |
KNOCK ON DOOR | 0:52:47 | 0:52:48 | |
-Who is it? -It's me, open up. | 0:52:48 | 0:52:50 | |
Better lock it again. | 0:52:53 | 0:52:56 | |
-Tim, you found it! I could kiss you. -I could kiss you too. | 0:52:56 | 0:53:00 | |
Better save your kissin' till you got more time. | 0:53:00 | 0:53:03 | |
Put it in here. | 0:53:12 | 0:53:14 | |
What are we going to do now? | 0:53:14 | 0:53:16 | |
Get out of here before all of them find out the money is gone. | 0:53:16 | 0:53:19 | |
No, you don't. I saw you come in from the barn | 0:53:22 | 0:53:24 | |
and I've been here long enough to hear all you said. | 0:53:24 | 0:53:27 | |
Now, hand it over. Hand it over! | 0:53:27 | 0:53:28 | |
-We could have got past that Roxie. -Yeah, | 0:53:31 | 0:53:34 | |
but she'd scream her head off and we'd run into Bronson and Warwick. | 0:53:34 | 0:53:37 | |
The barn's clear. Get Emily into the coach, get it hitched and get out of here. | 0:53:43 | 0:53:46 | |
-We're going to make a run for it. -But Emily is a girl, not a bird! | 0:53:46 | 0:53:50 | |
On your feet. | 0:53:56 | 0:53:58 | |
Get their guns. | 0:54:00 | 0:54:02 | |
-All right, who's got that money? -What are you talking about? -Search him. | 0:54:04 | 0:54:09 | |
They haven't got it, Langdon. | 0:54:17 | 0:54:18 | |
You know where it is? | 0:54:22 | 0:54:23 | |
What's in it for me if I tell you where to find it? | 0:54:23 | 0:54:26 | |
You'll get your cut. | 0:54:26 | 0:54:27 | |
Those coach drivers upstairs, last room to your right. | 0:54:29 | 0:54:32 | |
But, Langdon, you can't handle Holt and Rafferty without help. | 0:54:32 | 0:54:36 | |
100,000 means plenty for all of us. | 0:54:36 | 0:54:39 | |
If we don't work together, we'll hang together. | 0:54:39 | 0:54:41 | |
Give them back their guns. | 0:54:42 | 0:54:44 | |
HAMMERING ON DOOR | 0:55:04 | 0:55:05 | |
-Who is it? -Open up! -What do you want? -That money, Holt. | 0:55:07 | 0:55:11 | |
-Hand it over and nobody will get hurt. -So you're all in this together. | 0:55:11 | 0:55:14 | |
That's right. | 0:55:14 | 0:55:15 | |
-What about the girl? -Let me talk to her. | 0:55:16 | 0:55:19 | |
-You can't, she's fainted. -He's stalling. | 0:55:19 | 0:55:22 | |
Come on! | 0:55:31 | 0:55:32 | |
Giddup! | 0:55:59 | 0:56:01 | |
Yes, Sheriff. | 0:57:36 | 0:57:37 | |
That's right, Sheriff. | 0:57:38 | 0:57:39 | |
Thank you very much, Sheriff. | 0:57:40 | 0:57:42 | |
That was the Sheriff. | 0:57:43 | 0:57:45 | |
Sheriff Clay picked up Carver | 0:57:45 | 0:57:47 | |
-and the rest of them, with the exception of Bronson. -He's dead. | 0:57:47 | 0:57:49 | |
-Well, that cleans up everything. -Not quite. -What's this? -Open it. | 0:57:49 | 0:57:54 | |
-Pesos! Did we forget to turn this in? -No. | 0:57:57 | 0:57:59 | |
It's your reward for recovering the money. | 0:57:59 | 0:58:03 | |
We can't accept this. We were just lucky. | 0:58:03 | 0:58:06 | |
It's not mine, and after all, you deserve it. | 0:58:06 | 0:58:08 | |
-Now you won't have to sell the business. -I see you later. | 0:58:08 | 0:58:11 | |
Wait a minute! Come back here! | 0:58:12 | 0:58:14 | |
Chito! Chito! | 0:58:15 | 0:58:17 | |
-Where are you going with that money? Come back! -Oh, no. | 0:58:17 | 0:58:19 | |
I'm going where the girls are. I see you later. | 0:58:19 | 0:58:23 | |
What's that old saying, a fool and his money are soon parted? | 0:58:27 | 0:58:31 | |
He'll be back VERY soon. | 0:58:31 | 0:58:32 | |
Subtitles by Red Bee Media Ltd | 0:58:36 | 0:58:39 |