Browse content similar to I Remember Mama. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
"..for the grocer. | 0:00:54 | 0:00:56 | |
"Another group of coins | 0:00:56 | 0:00:58 | |
"for Katrin's shoes to be half-soled. | 0:00:58 | 0:01:00 | |
"And mama would count out the silver. | 0:01:00 | 0:01:02 | |
"At last, papa would ask, is all? | 0:01:02 | 0:01:05 | |
"Mama would look up then and smile. | 0:01:05 | 0:01:08 | |
"Is good, she'd murmur. | 0:01:08 | 0:01:10 | |
"We do not have to go to the bank. | 0:01:10 | 0:01:13 | |
"The end." | 0:01:15 | 0:01:16 | |
"A novel by Kathryn Hanson. | 0:01:36 | 0:01:40 | |
"For as long as I could remember, | 0:01:47 | 0:01:51 | |
"the house on the Larkin Street hill | 0:01:51 | 0:01:53 | |
"had been home. | 0:01:53 | 0:01:55 | |
"Papa and Mama had both been born in Norway, | 0:01:58 | 0:02:01 | |
"but they came to San Francisco | 0:02:01 | 0:02:03 | |
"because Mama's sisters were here. | 0:02:03 | 0:02:05 | |
"All of us were born here - | 0:02:05 | 0:02:07 | |
"Nels, the oldest, and the only boy, | 0:02:07 | 0:02:10 | |
"my sister Christine, | 0:02:10 | 0:02:11 | |
"and the littlest sister... | 0:02:11 | 0:02:13 | |
"..Dagmar." | 0:02:14 | 0:02:16 | |
But first and foremost, | 0:02:17 | 0:02:21 | |
I remember Mama. | 0:02:21 | 0:02:23 | |
I remember that every Saturday night, | 0:02:25 | 0:02:29 | |
I would sit at my desk | 0:02:29 | 0:02:31 | |
by the attic window, | 0:02:31 | 0:02:33 | |
and write down in my diary all my innermost thoughts. | 0:02:33 | 0:02:38 | |
Mama would call out to me from downstairs. | 0:02:38 | 0:02:42 | |
Katrin? | 0:02:42 | 0:02:43 | |
Yes, Mama? | 0:02:43 | 0:02:45 | |
Katrin, come. We are waiting. | 0:02:45 | 0:02:48 | |
Yes, Mama. I'm coming. | 0:02:48 | 0:02:51 | |
It was like a weekly ritual, | 0:03:00 | 0:03:03 | |
those Saturday nights, | 0:03:03 | 0:03:05 | |
for I remember | 0:03:05 | 0:03:06 | |
how Mama would sit down at the kitchen table | 0:03:06 | 0:03:09 | |
and count out the money | 0:03:09 | 0:03:10 | |
that Papa had brought home in a little envelope. | 0:03:10 | 0:03:14 | |
Katrin? | 0:03:14 | 0:03:15 | |
Yes, Mama. | 0:03:15 | 0:03:16 | |
Papa called. | 0:03:18 | 0:03:20 | |
I call two times before you answer. | 0:03:20 | 0:03:23 | |
I'm sorry, Mama. I was writing. | 0:03:23 | 0:03:24 | |
Ha ha. | 0:03:24 | 0:03:26 | |
Christine, you wish to laugh, please to laugh. | 0:03:26 | 0:03:28 | |
No just ha ha. | 0:03:28 | 0:03:29 | |
Yes, Mama. | 0:03:29 | 0:03:30 | |
So now all are here. | 0:03:30 | 0:03:33 | |
Ja. Come then. | 0:03:33 | 0:03:35 | |
First, for the landlord. | 0:03:35 | 0:03:37 | |
For the landlord. | 0:03:37 | 0:03:39 | |
For the landlord. | 0:03:39 | 0:03:40 | |
For the landlord. | 0:03:40 | 0:03:43 | |
Ja. | 0:03:43 | 0:03:44 | |
For the grocer. | 0:03:46 | 0:03:47 | |
The grocer. | 0:03:47 | 0:03:49 | |
For the grocer. | 0:03:49 | 0:03:51 | |
In all the United States, | 0:03:51 | 0:03:52 | |
no cat was as brave as Elizabeth. | 0:03:52 | 0:03:55 | |
In all the world, | 0:03:55 | 0:03:56 | |
no cat was as brave as Elizabeth. | 0:03:56 | 0:03:58 | |
Dagmar, put Elizabeth onto the back porch. | 0:03:58 | 0:04:02 | |
In heaven or hell, | 0:04:02 | 0:04:03 | |
no cat was as brave as Elizabeth. | 0:04:03 | 0:04:09 | |
For Katrin's shoes to be half-soled. | 0:04:09 | 0:04:12 | |
Katrin's shoes. | 0:04:12 | 0:04:14 | |
My shoes. | 0:04:14 | 0:04:15 | |
Katrin's old shoes. | 0:04:15 | 0:04:17 | |
For Katrin's shoes. | 0:04:17 | 0:04:20 | |
Mama, teacher says this week, | 0:04:20 | 0:04:22 | |
I'll need a new notebook. | 0:04:22 | 0:04:24 | |
How much it will be? | 0:04:24 | 0:04:26 | |
A dime. | 0:04:26 | 0:04:28 | |
For the notebook. | 0:04:29 | 0:04:31 | |
It's 5...8...3. | 0:04:33 | 0:04:38 | |
You-you don't lose it, you... | 0:04:38 | 0:04:39 | |
I won't lose it. | 0:04:39 | 0:04:41 | |
Look out when you blow your nose. | 0:04:41 | 0:04:43 | |
I'll look out. | 0:04:43 | 0:04:45 | |
Is all, Mama? | 0:04:45 | 0:04:46 | |
Ja. Ja, is all for this week. | 0:04:46 | 0:04:49 | |
Is good. | 0:04:49 | 0:04:51 | |
We do not have to go to the bank. | 0:04:51 | 0:04:54 | |
Mama, Mama... | 0:04:54 | 0:04:55 | |
I'll be graduating from Valley School next month. | 0:04:55 | 0:04:58 | |
Ja? | 0:04:58 | 0:04:59 | |
Could I go on to high, you think? | 0:04:59 | 0:05:01 | |
You want to go to high school? | 0:05:10 | 0:05:12 | |
Well, I'd like to very much, | 0:05:12 | 0:05:14 | |
if you think I could. | 0:05:14 | 0:05:17 | |
Is good. | 0:05:21 | 0:05:22 | |
It will cost a little money. | 0:05:22 | 0:05:24 | |
Here. I've got it all written down. | 0:05:24 | 0:05:27 | |
Books and carfare... | 0:05:29 | 0:05:31 | |
Will you get the little bank, Katrin? | 0:05:33 | 0:05:36 | |
Yes, Mama. | 0:05:36 | 0:05:38 | |
The little bank. | 0:05:39 | 0:05:42 | |
That was the most important thing in the whole house. | 0:05:42 | 0:05:45 | |
It was a box we kept for emergencies. | 0:05:45 | 0:05:48 | |
The things that came out of the little bank. | 0:05:48 | 0:05:52 | |
Mama was going to buy herself a warm coat with it | 0:05:52 | 0:05:55 | |
when there was enough... | 0:05:55 | 0:05:57 | |
only there never was. | 0:05:57 | 0:06:00 | |
It's all there, Mama - | 0:06:02 | 0:06:03 | |
carfare, clothes, notebooks - | 0:06:03 | 0:06:05 | |
all things I really need. | 0:06:05 | 0:06:07 | |
I talked it over with Cy Nichols. | 0:06:07 | 0:06:09 | |
He went to high last year. | 0:06:09 | 0:06:11 | |
Is good. | 0:06:11 | 0:06:13 | |
Now we see. | 0:06:13 | 0:06:14 | |
Is there enough there, Mama? | 0:06:14 | 0:06:17 | |
Is not much in the little bank right now. | 0:06:17 | 0:06:20 | |
We give to the dentist, you remember, | 0:06:20 | 0:06:23 | |
and for your roller skates. | 0:06:23 | 0:06:25 | |
I know, and there's a warm coat | 0:06:25 | 0:06:27 | |
you've been saving for. | 0:06:27 | 0:06:29 | |
Well, the coat we can get another time, | 0:06:29 | 0:06:31 | |
but even so, I... | 0:06:31 | 0:06:33 | |
You mean Nels can't go to high? | 0:06:33 | 0:06:35 | |
Well, is not enough here. | 0:06:35 | 0:06:36 | |
We do not want to go to the bank, do we? | 0:06:36 | 0:06:40 | |
No, Mama. No. | 0:06:40 | 0:06:41 | |
I... I could work in Dillon's grocery | 0:06:52 | 0:06:55 | |
after school. | 0:06:55 | 0:06:56 | |
Ja? | 0:06:56 | 0:06:58 | |
Is not enough. | 0:07:03 | 0:07:05 | |
No, is not enough. | 0:07:05 | 0:07:08 | |
I'll stop the smoking. | 0:07:09 | 0:07:11 | |
I'll give up the tobacco. | 0:07:11 | 0:07:13 | |
Well... | 0:07:19 | 0:07:20 | |
I-I could mind the Maxwell children | 0:07:20 | 0:07:24 | |
Friday night. | 0:07:24 | 0:07:25 | |
Katrin could help me. | 0:07:25 | 0:07:27 | |
Is good. | 0:07:33 | 0:07:34 | |
Is enough. | 0:07:34 | 0:07:35 | |
We do not have to go to the bank. | 0:07:35 | 0:07:38 | |
Gee. | 0:07:38 | 0:07:39 | |
Good. | 0:07:39 | 0:07:40 | |
DOORBELL RINGS | 0:07:46 | 0:07:48 | |
If that's the Aunts, I'm going to my boudoir. | 0:07:48 | 0:07:50 | |
I'm going to my study. | 0:07:50 | 0:07:52 | |
You must not run away. Why, Trina. | 0:07:52 | 0:07:55 | |
LARS: Trina, and all by herself. | 0:07:55 | 0:07:56 | |
Say good evening to Aunt Trina. | 0:07:56 | 0:07:58 | |
CHILDREN: Good evening, Aunt Trina. | 0:07:58 | 0:08:00 | |
Good evening, children. | 0:08:00 | 0:08:01 | |
How well they all look. | 0:08:01 | 0:08:03 | |
You have a feather boa. | 0:08:03 | 0:08:05 | |
Is new? Beautiful! | 0:08:05 | 0:08:06 | |
It was a present. | 0:08:06 | 0:08:08 | |
A present? Lars, look. | 0:08:08 | 0:08:09 | |
Trina has a present. | 0:08:09 | 0:08:11 | |
Yes. Is fine. | 0:08:11 | 0:08:12 | |
Jenny and Sigrid don't come with you, Trina? | 0:08:12 | 0:08:15 | |
No. I didn't tell them I was coming. | 0:08:15 | 0:08:18 | |
I want to talk to you, Marta. | 0:08:18 | 0:08:20 | |
Well, come in then. | 0:08:20 | 0:08:22 | |
Sit, and we talk. | 0:08:22 | 0:08:25 | |
Could we talk alone? | 0:08:27 | 0:08:29 | |
Alone? | 0:08:29 | 0:08:30 | |
If you wouldn't mind. | 0:08:30 | 0:08:33 | |
Children, you leave us alone a little. | 0:08:33 | 0:08:35 | |
I call you. Dagmar, you go with Katrin. | 0:08:35 | 0:08:38 | |
Oh, Trina, what is it? | 0:08:39 | 0:08:41 | |
Oh, no. No, I can't say it. | 0:08:42 | 0:08:44 | |
Why, Trina, what is it? | 0:08:44 | 0:08:46 | |
It's something very personal. | 0:08:47 | 0:08:49 | |
No, Lars, you stay here. | 0:08:51 | 0:08:54 | |
We-we go out on front porch. | 0:08:54 | 0:08:56 | |
I like a breath of air. | 0:08:56 | 0:08:58 | |
Smoke your pipe. Be comfortable. | 0:08:58 | 0:09:00 | |
So, Trina, now, what is? | 0:09:03 | 0:09:06 | |
Marta, I want to get married. | 0:09:06 | 0:09:08 | |
You mean you want to get married, | 0:09:08 | 0:09:11 | |
or there's someone you want to marry? | 0:09:11 | 0:09:13 | |
There's someone I want to marry. | 0:09:13 | 0:09:15 | |
Does he want to marry you? | 0:09:15 | 0:09:17 | |
He says he does. | 0:09:17 | 0:09:19 | |
Trina, is wonderful. | 0:09:19 | 0:09:20 | |
I think it is. | 0:09:20 | 0:09:22 | |
Who is? | 0:09:22 | 0:09:23 | |
Mr Thorkelson. | 0:09:23 | 0:09:26 | |
From the funeral parlour. | 0:09:26 | 0:09:28 | |
Ja. | 0:09:28 | 0:09:29 | |
I know he isn't very handsome, | 0:09:29 | 0:09:32 | |
and it isn't what most people think a very nice profession, | 0:09:32 | 0:09:35 | |
but, uh... | 0:09:35 | 0:09:36 | |
You love him, Trina? | 0:09:36 | 0:09:37 | |
Ja. | 0:09:37 | 0:09:39 | |
Then is good. | 0:09:39 | 0:09:41 | |
Marta... | 0:09:41 | 0:09:42 | |
Marta... Ja? | 0:09:42 | 0:09:44 | |
Will you help me tell the others? | 0:09:44 | 0:09:47 | |
Jenny and Sigrid, they do not know? | 0:09:47 | 0:09:49 | |
No. I was afraid they laugh at me, | 0:09:49 | 0:09:51 | |
but if you tell them... | 0:09:51 | 0:09:53 | |
Jenny will not like you tell me first. | 0:09:53 | 0:09:55 | |
Well, I can't help that. | 0:09:55 | 0:09:57 | |
You've got to tell them not to laugh at me. | 0:09:57 | 0:10:00 | |
If they laugh at me, I'll jump in the bay. | 0:10:00 | 0:10:04 | |
Jenny and Sigrid will not laugh, Trina. | 0:10:04 | 0:10:09 | |
I promise you that. | 0:10:09 | 0:10:11 | |
Oh, thank you, Marta. | 0:10:11 | 0:10:13 | |
Come now. | 0:10:13 | 0:10:14 | |
And Uncle Chris? | 0:10:14 | 0:10:16 | |
Oh... | 0:10:16 | 0:10:18 | |
Will you talk to him? | 0:10:18 | 0:10:20 | |
Well, it is Mr Thorkelson | 0:10:20 | 0:10:22 | |
who must talk to Uncle Chris. | 0:10:22 | 0:10:24 | |
Always it is husband who must talk | 0:10:24 | 0:10:26 | |
to the head of the family. | 0:10:26 | 0:10:28 | |
Yes, I know that, but Uncle Chris is very frightening. | 0:10:28 | 0:10:31 | |
He's so big and black, | 0:10:31 | 0:10:33 | |
and he shouts so, | 0:10:33 | 0:10:35 | |
and Mr Thorkelson is kind of timid, really. | 0:10:35 | 0:10:38 | |
But, Trina, if he's to be your husband, | 0:10:38 | 0:10:42 | |
he must learn not to be timid. | 0:10:42 | 0:10:44 | |
You do not want husband should be timid. | 0:10:44 | 0:10:47 | |
You are timid. | 0:10:47 | 0:10:48 | |
Is not good when both are timid. | 0:10:48 | 0:10:51 | |
No. Jenny and Sigrid I talk to, | 0:10:52 | 0:10:56 | |
but Mr Thorkelson must go to Uncle Chris. | 0:10:56 | 0:10:58 | |
CABLE CAR BELL RINGS Marta, look. | 0:10:58 | 0:11:02 | |
TRINA: Is Jenny and Sigrid now. | 0:11:02 | 0:11:04 | |
I see Jenny and Sigrid first. | 0:11:07 | 0:11:09 | |
You go into my bedroom. | 0:11:09 | 0:11:11 | |
Wait there till I call you. | 0:11:11 | 0:11:14 | |
Lars, Jenny and Sigrid come. | 0:11:15 | 0:11:17 | |
Uh-oh. | 0:11:17 | 0:11:19 | |
No, no. I like you stay a little. | 0:11:19 | 0:11:22 | |
Wait! | 0:11:30 | 0:11:32 | |
Oh, wait, Jenny. | 0:11:32 | 0:11:35 | |
I must get my breath. | 0:11:35 | 0:11:36 | |
This hill kills me every time I climb it. | 0:11:36 | 0:11:39 | |
You climbed bigger hills than that in the old country. | 0:11:39 | 0:11:42 | |
Ja, well, I was a girl in the old country. | 0:11:42 | 0:11:46 | |
DOORBELL RINGS | 0:11:46 | 0:11:47 | |
Hello, Marta. Marta. | 0:11:47 | 0:11:49 | |
Jenny, Sigrid, Arne! | 0:11:49 | 0:11:52 | |
Is surprise! | 0:11:52 | 0:11:53 | |
Good evening, Aunt Martha. | 0:11:53 | 0:11:55 | |
Good evening, Arne. | 0:11:55 | 0:11:57 | |
Has Trina been here? | 0:12:04 | 0:12:05 | |
Trina? | 0:12:05 | 0:12:06 | |
She's gone somewhere, | 0:12:06 | 0:12:08 | |
and she doesn't know anyone but you. | 0:12:08 | 0:12:10 | |
That is what you think. | 0:12:10 | 0:12:11 | |
Uh, give Lars your coat. | 0:12:11 | 0:12:14 | |
I give you some coffee, | 0:12:14 | 0:12:16 | |
then we talk about Trina. | 0:12:16 | 0:12:18 | |
Arne, the children are upstairs. | 0:12:18 | 0:12:21 | |
ARNE: That's good, Aunt Martha. | 0:12:21 | 0:12:23 | |
Can I play with this, Aunt Martha? | 0:12:23 | 0:12:26 | |
Ja, sure, Arne, but you don't break it. | 0:12:26 | 0:12:28 | |
Trina has been here. | 0:12:32 | 0:12:34 | |
Ja, she has been here. | 0:12:34 | 0:12:37 | |
What did Trina want? | 0:12:37 | 0:12:38 | |
She want to talk to me. | 0:12:38 | 0:12:41 | |
What about? | 0:12:41 | 0:12:42 | |
Marriage. | 0:12:42 | 0:12:44 | |
What? | 0:12:44 | 0:12:46 | |
Trina wants to get married. | 0:12:46 | 0:12:48 | |
Who'd want to marry Trina? | 0:12:48 | 0:12:50 | |
Mr Thorkelson. | 0:12:50 | 0:12:53 | |
P-Peter Thorkelson? | 0:12:53 | 0:12:56 | |
Ja. > | 0:12:56 | 0:12:57 | |
Timid Peter? She'd be the laughingstock. | 0:12:57 | 0:13:00 | |
Ha ha ha! | 0:13:00 | 0:13:02 | |
Ha ha ha ha! | 0:13:02 | 0:13:03 | |
Ha ha ha ha! | 0:13:03 | 0:13:06 | |
Ha ha ha ha! | 0:13:06 | 0:13:09 | |
Jenny... | 0:13:09 | 0:13:11 | |
Jenny, Sigrid! > | 0:13:11 | 0:13:13 | |
Trina is here. | 0:13:15 | 0:13:16 | |
She will come in in a minute. > | 0:13:16 | 0:13:19 | |
This is serious for her. | 0:13:19 | 0:13:21 | |
You will not laugh at her. | 0:13:21 | 0:13:23 | |
I shall do what I please. | 0:13:23 | 0:13:26 | |
No, Jenny, you will not. | 0:13:26 | 0:13:27 | |
And why won't I? | 0:13:27 | 0:13:28 | |
Because I will not let you. | 0:13:28 | 0:13:30 | |
And how will you stop me? | 0:13:30 | 0:13:33 | |
If you laugh at Trina, | 0:13:33 | 0:13:35 | |
I will tell of the time before your wedding | 0:13:35 | 0:13:38 | |
when your husband tried to run away. | 0:13:38 | 0:13:40 | |
What is that? | 0:13:40 | 0:13:42 | |
Who told you that? | 0:13:42 | 0:13:43 | |
I know. > | 0:13:43 | 0:13:45 | |
Erik... | 0:13:45 | 0:13:47 | |
tried to run away? | 0:13:47 | 0:13:49 | |
It is not true. | 0:13:49 | 0:13:51 | |
Then you do not mind if I tell Trina? | 0:13:51 | 0:13:53 | |
Uncle Chris told you! | 0:13:53 | 0:13:57 | |
Tried to run away, hmm? | 0:13:57 | 0:13:59 | |
It does not matter, Sigrid. | 0:14:01 | 0:14:04 | |
Jenny will not laugh at Trina, no. | 0:14:04 | 0:14:07 | |
Nor will you, > | 0:14:07 | 0:14:10 | |
for if you laugh at her, > | 0:14:10 | 0:14:13 | |
I will tell of your wedding night with Ole, | 0:14:13 | 0:14:16 | |
when you cry all the time, | 0:14:16 | 0:14:18 | |
and he bring you home to mother. | 0:14:18 | 0:14:20 | |
That I did not know. | 0:14:25 | 0:14:27 | |
Is no need you should know. | 0:14:27 | 0:14:29 | |
I do not tell these stories for spite, | 0:14:29 | 0:14:32 | |
only so they do not laugh at Trina. | 0:14:32 | 0:14:35 | |
You go call her now, Lars. | 0:14:37 | 0:14:39 | |
Come have some coffee. | 0:14:39 | 0:14:41 | |
Jenny? Sigrid? | 0:14:41 | 0:14:43 | |
Trina! | 0:14:43 | 0:14:45 | |
Ja, I'm coming. | 0:14:45 | 0:14:47 | |
Oh, I beg your pardon. I was not aware... | 0:14:56 | 0:15:00 | |
Oh, Mr Hyde, these are my sisters. | 0:15:00 | 0:15:03 | |
Pleased to meet you. | 0:15:03 | 0:15:05 | |
Madame, madame. | 0:15:05 | 0:15:07 | |
The three graces, hmm? | 0:15:07 | 0:15:11 | |
I shall be in my room. | 0:15:11 | 0:15:13 | |
Ja, sure, Mr Hyde. | 0:15:13 | 0:15:15 | |
Has he paid you his rent yet? | 0:15:19 | 0:15:21 | |
Well, is...is hard to ask. | 0:15:21 | 0:15:23 | |
Surely he pay soon. | 0:15:23 | 0:15:25 | |
Surely he won't. | 0:15:25 | 0:15:27 | |
If Marta thinks she'll get a warm coat | 0:15:27 | 0:15:29 | |
out of that old broken-down actor... | 0:15:29 | 0:15:32 | |
Jenny, Mr Hyde is a gentleman. | 0:15:32 | 0:15:35 | |
He reads to us loud wonderful books - | 0:15:35 | 0:15:37 | |
Longfellow and Charles Dickens | 0:15:37 | 0:15:39 | |
and Fenimore Kipling. | 0:15:39 | 0:15:42 | |
Oh, come, come in, Trina. | 0:15:42 | 0:15:44 | |
Come on. Coffee's getting cold. | 0:15:44 | 0:15:47 | |
I tell them. | 0:15:51 | 0:15:53 | |
Why did you come to Marta first? | 0:15:53 | 0:15:55 | |
Uh, er, she think, er, | 0:15:55 | 0:15:58 | |
maybe Marta would understand. | 0:15:58 | 0:16:00 | |
Maybe Mr Thorkelson thinks she will have dowry, | 0:16:00 | 0:16:03 | |
like the girls in the old country. | 0:16:03 | 0:16:05 | |
Sigrid... | 0:16:05 | 0:16:06 | |
Why shouldn't I? You all had dowries. | 0:16:06 | 0:16:09 | |
We were married in Norway, | 0:16:09 | 0:16:10 | |
and our parents were alive. | 0:16:10 | 0:16:12 | |
Where would your dowry come from? | 0:16:12 | 0:16:14 | |
Uncle Chris. He's head of the family. | 0:16:14 | 0:16:17 | |
And who will ask him? | 0:16:17 | 0:16:18 | |
He won't need asking when Mr Thorkelson... | 0:16:18 | 0:16:21 | |
Uncle Chris will eat him. | 0:16:21 | 0:16:23 | |
Timid Peter and Uncle Chris! | 0:16:24 | 0:16:27 | |
Maybe Uncle Chris will tell him some family stories. | 0:16:27 | 0:16:30 | |
He knows many, does Uncle Chris. | 0:16:30 | 0:16:33 | |
Where are the children? | 0:16:33 | 0:16:34 | |
Yes, aren't we going to see them? | 0:16:34 | 0:16:37 | |
Ja, sure. I'll call them. | 0:16:37 | 0:16:39 | |
Children! Your Aunts are leaving! | 0:16:39 | 0:16:42 | |
Coming, Papa. | 0:16:42 | 0:16:43 | |
I help with the coffee things. | 0:16:43 | 0:16:46 | |
CAT MEOWS | 0:16:47 | 0:16:48 | |
CRASH | 0:16:48 | 0:16:50 | |
Is all right. | 0:16:50 | 0:16:53 | |
Here they come. | 0:16:53 | 0:16:54 | |
Good evening, Aunt Jenny. | 0:16:57 | 0:16:59 | |
Good evening, Aunt Sigrid. | 0:16:59 | 0:17:00 | |
Good evening. | 0:17:00 | 0:17:01 | |
Where have you been hiding yourselves? | 0:17:01 | 0:17:04 | |
Good evening, Nels. | 0:17:04 | 0:17:05 | |
Aunt Sigrid. | 0:17:05 | 0:17:07 | |
My, my, my, | 0:17:07 | 0:17:08 | |
how tall he's getting. | 0:17:08 | 0:17:09 | |
Ja, almost as tall as his Papa. | 0:17:09 | 0:17:12 | |
Looks to me | 0:17:14 | 0:17:15 | |
as if he's outgrowing his strength. | 0:17:15 | 0:17:17 | |
SIGRID: Dagmar is looking pale, too. | 0:17:17 | 0:17:19 | |
Oh, my goodness! | 0:17:21 | 0:17:22 | |
What an awful-looking cat! | 0:17:22 | 0:17:24 | |
Her new friend. Follows Dagmar... | 0:17:24 | 0:17:26 | |
Next she'll sleep with her. | 0:17:26 | 0:17:28 | |
Don't you know a cat draws breath from a sleeping child? | 0:17:28 | 0:17:31 | |
You wouldn't want to wake up smothered, would you? | 0:17:31 | 0:17:34 | |
Elizabeth can have all my breath. | 0:17:34 | 0:17:37 | |
There. | 0:17:38 | 0:17:39 | |
Elizabeth - what a very silly name for a cat. | 0:17:39 | 0:17:42 | |
Especially for that cat. That old cat's a tom. | 0:17:42 | 0:17:45 | |
Nels, you do not need to say it. | 0:17:45 | 0:17:48 | |
She better think of a new name. | 0:17:48 | 0:17:50 | |
He's Elizabeth, and he's going to stay Elizabeth. | 0:17:50 | 0:17:53 | |
Well, maybe you would call him Uncle Elizabeth. | 0:17:53 | 0:17:56 | |
Uncle Elizabeth? | 0:17:56 | 0:17:57 | |
Mm-hmm. | 0:17:57 | 0:17:58 | |
Elizabeth, do you hear? | 0:17:58 | 0:17:59 | |
Goodbye, all. | 0:17:59 | 0:18:01 | |
Come on, sweetheart. | 0:18:01 | 0:18:02 | |
You're called Uncle Elizabeth now. | 0:18:02 | 0:18:04 | |
MARTA: Go tell Mr Hyde we are ready for the reading. | 0:18:04 | 0:18:09 | |
Mind what I say, Marta. | 0:18:09 | 0:18:10 | |
It would be a great pity | 0:18:10 | 0:18:12 | |
if a boarder put something over on a Norwegian woman. | 0:18:12 | 0:18:15 | |
It would be great pity | 0:18:15 | 0:18:17 | |
if boarder put something over | 0:18:17 | 0:18:19 | |
on San Francisco woman. Is San Francisco the world? | 0:18:19 | 0:18:22 | |
Ja. Is my world. | 0:18:22 | 0:18:23 | |
Goodbye, Jenny, Sigrid. | 0:18:23 | 0:18:25 | |
Goodbye, Marta. Goodbye, Aunt Martha. | 0:18:25 | 0:18:27 | |
Goodbye, Arne, sweetheart. | 0:18:27 | 0:18:30 | |
CABLE CAR BELL RINGS | 0:18:30 | 0:18:34 | |
Yoo-hoo! | 0:18:34 | 0:18:36 | |
Yoo-hoo! Yoo-hoo! | 0:18:36 | 0:18:38 | |
Mr Hyde, this is my sister Trina. | 0:18:42 | 0:18:45 | |
HYDE: Enchanted. | 0:18:45 | 0:18:46 | |
Mr Hyde reads to us tonight, | 0:18:46 | 0:18:48 | |
The Tales From Two Cities. | 0:18:48 | 0:18:50 | |
Is a beautiful story, but sad. | 0:18:50 | 0:18:54 | |
I like sad stories. | 0:18:54 | 0:18:55 | |
I should, er, like to finish this tonight. | 0:18:55 | 0:19:01 | |
Is good. | 0:19:01 | 0:19:02 | |
Are you ready? | 0:19:04 | 0:19:05 | |
Yes, please, Mr Hyde. | 0:19:05 | 0:19:07 | |
Ja, Mr Hyde. | 0:19:08 | 0:19:10 | |
"In the black prison of the conciergerie, | 0:19:11 | 0:19:14 | |
"the doomed of the day awaited their fate. | 0:19:14 | 0:19:18 | |
"They were, in numbers, the weeks of the year. | 0:19:18 | 0:19:22 | |
"52 were to roll that afternoon, | 0:19:22 | 0:19:25 | |
"from the life tide of the city | 0:19:25 | 0:19:28 | |
"to the boundless, everlasting sea." | 0:19:28 | 0:19:30 | |
'I don't think I shall ever forget that night. | 0:19:30 | 0:19:33 | |
'It was almost midnight when he came to the end, | 0:19:33 | 0:19:36 | |
'and none of us had noticed.' | 0:19:36 | 0:19:39 | |
"It is a far, far better thing I do | 0:19:41 | 0:19:46 | |
"than I have ever done. | 0:19:46 | 0:19:49 | |
"It is a far, far better rest I go to | 0:19:49 | 0:19:54 | |
"than I have ever known." | 0:19:54 | 0:19:58 | |
The end. | 0:20:04 | 0:20:05 | |
HE BLOWS LOUDLY | 0:20:09 | 0:20:11 | |
There were many nights I couldn't sleep | 0:20:11 | 0:20:15 | |
for the way Mr Hyde had set my imagination dancing. | 0:20:15 | 0:20:17 | |
I wrote in my diary, | 0:20:17 | 0:20:19 | |
"What a wonderful thing is literature, | 0:20:19 | 0:20:22 | |
"transporting us to realms unknown." | 0:20:22 | 0:20:25 | |
"His voice sank almost to a whisper as he answered, | 0:20:25 | 0:20:28 | |
"Mr Holmes, they were the footprints | 0:20:28 | 0:20:33 | |
"of a gigantic hound." | 0:20:33 | 0:20:36 | |
To be continued in our next. | 0:20:38 | 0:20:40 | |
Aw... Oh... | 0:20:40 | 0:20:41 | |
If you're interested. | 0:20:41 | 0:20:43 | |
Oh, yes, Mr Hyde. | 0:20:43 | 0:20:45 | |
'If we were interested? | 0:20:45 | 0:20:46 | |
'You couldn't have kept us from it. | 0:20:46 | 0:20:49 | |
'It meant a lot to Mama, too, | 0:20:49 | 0:20:52 | |
'because Nels stopped going nights | 0:20:52 | 0:20:53 | |
'to the street corner | 0:20:53 | 0:20:55 | |
'to hang about with the neighbourhood boys. | 0:20:55 | 0:20:57 | |
'The night they got into trouble | 0:20:57 | 0:20:59 | |
'for breaking into Mr Dillon's store, | 0:20:59 | 0:21:01 | |
'Nels was home with us.' | 0:21:01 | 0:21:03 | |
"This above all - to thine own self be true, | 0:21:03 | 0:21:07 | |
"and it must follow | 0:21:07 | 0:21:09 | |
"as the night the day, | 0:21:09 | 0:21:11 | |
"thou canst not then be false | 0:21:11 | 0:21:13 | |
"to any man." | 0:21:13 | 0:21:15 | |
The more Mr Hyde read, the more I realised | 0:21:21 | 0:21:24 | |
that the one thing I really wanted in all the world | 0:21:24 | 0:21:27 | |
was to become a writer. | 0:21:27 | 0:21:28 | |
I did write a piece once about Mama's Uncle Chris, | 0:21:28 | 0:21:32 | |
but my schoolteacher said it wasn't nice | 0:21:32 | 0:21:34 | |
to write like that about a member of one's own family. | 0:21:34 | 0:21:37 | |
SHIP HORN BLOWS | 0:21:38 | 0:21:41 | |
CAR HORN BLOWS | 0:21:41 | 0:21:43 | |
Once or twice a year, | 0:21:43 | 0:21:45 | |
our Uncle Chris, with his great, loud voice, | 0:21:45 | 0:21:49 | |
with his fierce black moustache, | 0:21:49 | 0:21:51 | |
would come down from his ranch in the north | 0:21:51 | 0:21:54 | |
and descend upon San Francisco | 0:21:54 | 0:21:56 | |
in his automobile. | 0:21:56 | 0:21:58 | |
HONK HONK | 0:21:58 | 0:22:00 | |
We knew that from the time he roared off the ferry | 0:22:09 | 0:22:12 | |
and charged up Market Street, | 0:22:12 | 0:22:15 | |
to get a good run at the hill, | 0:22:15 | 0:22:17 | |
our quiet way of life would change. | 0:22:17 | 0:22:20 | |
HORN HONKS | 0:22:20 | 0:22:21 | |
HORSE NEIGHS | 0:22:21 | 0:22:23 | |
Uncle Chris! | 0:22:25 | 0:22:26 | |
We children didn't talk much about it, | 0:22:33 | 0:22:36 | |
but Mama used to say, | 0:22:36 | 0:22:38 | |
that the reason Uncle Chris drove so fast, | 0:22:38 | 0:22:40 | |
was that it gave him a feeling of freedom | 0:22:40 | 0:22:43 | |
denied him when he walked, | 0:22:43 | 0:22:45 | |
for Uncle Chris limped badly | 0:22:45 | 0:22:47 | |
because of an accident back in the old country. | 0:22:47 | 0:22:50 | |
HONK HONK | 0:22:50 | 0:22:53 | |
Marta! | 0:22:53 | 0:22:55 | |
HONK | 0:22:55 | 0:22:56 | |
Lars! | 0:22:56 | 0:22:57 | |
Children, where are you? | 0:22:57 | 0:23:00 | |
Marta! Lars! | 0:23:00 | 0:23:02 | |
Hey there, is nobody home? | 0:23:02 | 0:23:05 | |
I say, is nobody home? | 0:23:07 | 0:23:10 | |
So, what is? | 0:23:15 | 0:23:18 | |
You do not answer me? | 0:23:18 | 0:23:21 | |
You do not hear me calling? | 0:23:21 | 0:23:23 | |
I say, you do not hear me calling? | 0:23:23 | 0:23:26 | |
I do not call loud enough? | 0:23:26 | 0:23:29 | |
Christine! | 0:23:41 | 0:23:44 | |
Yes, Uncle Chris? | 0:23:54 | 0:23:56 | |
Katrin! | 0:24:04 | 0:24:08 | |
Nels. | 0:24:12 | 0:24:16 | |
Yes, Uncle Chris? | 0:24:18 | 0:24:19 | |
Which yes? Yes, you do not hear me, | 0:24:19 | 0:24:22 | |
or yes, I do not call loud enough? | 0:24:22 | 0:24:24 | |
We heard you, Uncle Chris. | 0:24:24 | 0:24:26 | |
Then why you do not come? | 0:24:26 | 0:24:28 | |
We were coming. | 0:24:28 | 0:24:29 | |
Come, let me look at you. | 0:24:29 | 0:24:33 | |
Stand tall... | 0:24:42 | 0:24:44 | |
Where the marks are. | 0:24:49 | 0:24:51 | |
Two inches. | 0:24:54 | 0:24:57 | |
Two inches in six months. | 0:24:57 | 0:25:01 | |
Is good! Good! | 0:25:01 | 0:25:03 | |
Good! | 0:25:03 | 0:25:04 | |
Christine. | 0:25:04 | 0:25:05 | |
Show me your teeth. | 0:25:07 | 0:25:08 | |
You brush them good? | 0:25:08 | 0:25:11 | |
Nels, there's a box of oranges in the automobile. | 0:25:11 | 0:25:14 | |
You fetch them in. | 0:25:14 | 0:25:17 | |
Where is the little one - Dagmar? | 0:25:18 | 0:25:20 | |
She's sick, Uncle Chris. | 0:25:20 | 0:25:22 | |
Sick? What's the matter with her? | 0:25:22 | 0:25:24 | |
She's had an earache for two days. | 0:25:24 | 0:25:27 | |
Mama sent for the doctor. | 0:25:27 | 0:25:28 | |
Good doctor? What did he say? | 0:25:28 | 0:25:31 | |
He's in there now. | 0:25:31 | 0:25:32 | |
Oh. I go in. | 0:25:32 | 0:25:34 | |
Uncle Chris. | 0:25:49 | 0:25:51 | |
How is with Dagmar? | 0:25:51 | 0:25:53 | |
Is not good. | 0:25:53 | 0:25:54 | |
This is my Uncle, Mr Halvorsen. | 0:26:03 | 0:26:06 | |
How do you do, sir? | 0:26:06 | 0:26:08 | |
What is with the child? | 0:26:08 | 0:26:09 | |
We must get her to a hospital. | 0:26:09 | 0:26:12 | |
We'll have to operate. | 0:26:12 | 0:26:13 | |
Operate? | 0:26:13 | 0:26:14 | |
I'm afraid so. | 0:26:14 | 0:26:16 | |
Can wait till my husband come home from work? | 0:26:22 | 0:26:25 | |
I'm afraid not. | 0:26:25 | 0:26:26 | |
Her condition requires an immediate operation. | 0:26:26 | 0:26:28 | |
We go. | 0:26:32 | 0:26:33 | |
What is with the child? | 0:26:38 | 0:26:40 | |
I'm afraid it's a mastoid. | 0:26:40 | 0:26:42 | |
Oh. Well, then you operate immediately. | 0:26:42 | 0:26:44 | |
I believe that's what I said. | 0:26:44 | 0:26:47 | |
Immediately. | 0:26:47 | 0:26:48 | |
Dr Johnson... | 0:26:48 | 0:26:50 | |
Doctor, is... | 0:26:58 | 0:27:00 | |
is enough? | 0:27:00 | 0:27:01 | |
Frankly, I was thinking of the county hospital. | 0:27:01 | 0:27:04 | |
No. No, we pay. | 0:27:04 | 0:27:06 | |
But is...is enough? | 0:27:06 | 0:27:09 | |
If there isn't, we can go to the bank. | 0:27:09 | 0:27:11 | |
We have a bank account. | 0:27:11 | 0:27:13 | |
Is enough without we go to the bank, doctor? | 0:27:16 | 0:27:20 | |
My husband is carpenter. Make good money. | 0:27:20 | 0:27:23 | |
If there is need of money, I pay. | 0:27:23 | 0:27:26 | |
We'll take her to the clinic. | 0:27:26 | 0:27:28 | |
Pay what you can afford. | 0:27:28 | 0:27:30 | |
Good. Good. | 0:27:30 | 0:27:32 | |
I have patient there already. | 0:27:32 | 0:27:34 | |
My nephew Arne. | 0:27:34 | 0:27:36 | |
They operate this morning on his knee. | 0:27:36 | 0:27:39 | |
Are you a physician, sir? | 0:27:39 | 0:27:41 | |
I'm better physician than most doctors. | 0:27:41 | 0:27:44 | |
Nels, here, my other nephew, | 0:27:44 | 0:27:46 | |
he become doctor when he grow up. | 0:27:46 | 0:27:48 | |
Indeed. | 0:27:48 | 0:27:50 | |
DOCTOR: Very interesting. | 0:27:50 | 0:27:51 | |
If you'll have the child at the clinic in... | 0:27:51 | 0:27:54 | |
shall we say an hour's time? | 0:27:54 | 0:27:56 | |
The child will be there in ten minutes. | 0:27:56 | 0:27:59 | |
I have my automobile. | 0:27:59 | 0:28:01 | |
I can't make arrangements in ten minutes. | 0:28:01 | 0:28:03 | |
Well, I make arrangements. I know doctors. | 0:28:03 | 0:28:06 | |
Uncle Chris, Dr Johnson arrange. | 0:28:06 | 0:28:09 | |
He is good doctor. | 0:28:09 | 0:28:11 | |
Thank you, madam. | 0:28:13 | 0:28:14 | |
Doctor, you go. We come. | 0:28:16 | 0:28:18 | |
Very well. In an hour. | 0:28:18 | 0:28:20 | |
Dagmar will be well taken care of, I promise you. | 0:28:20 | 0:28:23 | |
I will operate myself. | 0:28:23 | 0:28:25 | |
I watch. | 0:28:25 | 0:28:26 | |
You'll do no such thing, sir. | 0:28:26 | 0:28:29 | |
Always I watch operation. I'm head of family. | 0:28:29 | 0:28:32 | |
I allow no-one to attend my operations. | 0:28:32 | 0:28:34 | |
Are so bad? | 0:28:37 | 0:28:39 | |
HORSE WHINNIES | 0:28:42 | 0:28:44 | |
I go see Dagmar. | 0:28:44 | 0:28:45 | |
Uncle Chris! | 0:28:45 | 0:28:46 | |
Is kind of you, | 0:28:47 | 0:28:49 | |
but Dagmar's sick. | 0:28:49 | 0:28:51 | |
You frighten her. | 0:28:51 | 0:28:52 | |
I frighten her? | 0:28:52 | 0:28:54 | |
Ja, Uncle Chris, you frighten everyone. | 0:28:54 | 0:28:57 | |
I? Ja, everyone but me. | 0:28:57 | 0:28:59 | |
Even the girls - Jenny, Sigrid, Trina - | 0:28:59 | 0:29:01 | |
they are frightened of you. | 0:29:01 | 0:29:03 | |
The girls! Women! | 0:29:03 | 0:29:04 | |
And the children, too. | 0:29:04 | 0:29:06 | |
So Nels and I get Dagmar, | 0:29:06 | 0:29:07 | |
you drive us to the hospital in your automobile, | 0:29:07 | 0:29:11 | |
but you do not frighten Dagmar, | 0:29:11 | 0:29:12 | |
and you leave doctor alone! | 0:29:12 | 0:29:14 | |
Dr Johnson is fine doctor. | 0:29:14 | 0:29:17 | |
Nels, you come with me. | 0:29:17 | 0:29:19 | |
Help me carry Dagmar. | 0:29:19 | 0:29:22 | |
You remember. | 0:29:22 | 0:29:23 | |
Is true I frighten you, huh? | 0:29:34 | 0:29:37 | |
Christine, Katrin, | 0:29:37 | 0:29:39 | |
you are frightened of me? | 0:29:39 | 0:29:41 | |
Now, come, I ask you, | 0:29:41 | 0:29:43 | |
tell me the truth. | 0:29:43 | 0:29:45 | |
You are frightened of me? | 0:29:45 | 0:29:47 | |
A little, Uncle Chris. | 0:29:48 | 0:29:49 | |
CHRIS: Oh, no. | 0:29:49 | 0:29:52 | |
Are you, Christine? | 0:29:52 | 0:29:54 | |
Yes, Uncle Chris. | 0:29:54 | 0:29:56 | |
But WHY? | 0:29:56 | 0:29:57 | |
What is there to be frightened of? | 0:29:57 | 0:30:00 | |
I'm your Uncle Chris. Why do I frighten you? | 0:30:00 | 0:30:02 | |
I don't know. | 0:30:02 | 0:30:04 | |
Is bad. | 0:30:09 | 0:30:10 | |
Very bad. | 0:30:10 | 0:30:11 | |
The Aunts, yes, | 0:30:11 | 0:30:13 | |
I like to frighten them. | 0:30:13 | 0:30:15 | |
What? That makes you laugh? | 0:30:25 | 0:30:28 | |
You do not like the aunts? | 0:30:28 | 0:30:31 | |
Now, come, tell me. | 0:30:31 | 0:30:33 | |
You do not like the aunts, huh? | 0:30:33 | 0:30:35 | |
Now say. | 0:30:35 | 0:30:37 | |
Not very much, Uncle Chris. | 0:30:37 | 0:30:39 | |
And which do you not like the most, hmm? | 0:30:39 | 0:30:42 | |
Jenny, Sigrid, or Trina? | 0:30:42 | 0:30:45 | |
Tell me. | 0:30:45 | 0:30:47 | |
I think I like Aunt Jenny the least. | 0:30:47 | 0:30:49 | |
She's so bossy. | 0:30:49 | 0:30:51 | |
I can't stand Aunt Sigrid. | 0:30:51 | 0:30:54 | |
Always whining and complaining. | 0:30:54 | 0:30:57 | |
Hee, hee, hee! | 0:31:06 | 0:31:07 | |
Ha, Sigrid, whining! | 0:31:10 | 0:31:14 | |
Jenny, bossy. | 0:31:15 | 0:31:18 | |
Is true! | 0:31:18 | 0:31:19 | |
Uncle Chris, black? I'll say. | 0:31:21 | 0:31:23 | |
Black in his heart. | 0:31:23 | 0:31:24 | |
Cursing and swearing. | 0:31:24 | 0:31:26 | |
He is good to the children. | 0:31:26 | 0:31:28 | |
He's good to his bottles... | 0:31:28 | 0:31:29 | |
and that woman he lives with. | 0:31:29 | 0:31:31 | |
His housekeeper? | 0:31:31 | 0:31:33 | |
His housekeeper? Ha! | 0:31:33 | 0:31:34 | |
Oh! There's Peter waiting | 0:31:34 | 0:31:36 | |
right on time! | 0:31:36 | 0:31:37 | |
Yoo-hoo, Peter! | 0:31:37 | 0:31:39 | |
Yoo-hoo! | 0:31:39 | 0:31:40 | |
Peter, I'm so glad | 0:31:49 | 0:31:51 | |
you weren't tied down to your business. | 0:31:51 | 0:31:53 | |
As a matter of fact, I was just starting... | 0:31:53 | 0:31:56 | |
An undertaker's business can always wait. | 0:31:56 | 0:31:59 | |
Now's a fine chance | 0:31:59 | 0:32:00 | |
to ask Uncle Chris for a dowry. | 0:32:00 | 0:32:02 | |
You must be very firm, Mr Thorkelson. | 0:32:02 | 0:32:04 | |
Yes, ma'am. Very firm, indeed. | 0:32:04 | 0:32:07 | |
Fare, please. | 0:32:07 | 0:32:08 | |
Tell him, Sigrid. | 0:32:08 | 0:32:10 | |
Tell Mr Thorkelson what Uncle Chris has just done. | 0:32:10 | 0:32:13 | |
You know my little Arne's knee - | 0:32:13 | 0:32:15 | |
that fall he had two months ago - | 0:32:15 | 0:32:18 | |
the man at the drugstore said it was only a bruise. | 0:32:18 | 0:32:21 | |
This morning, when I left to do the marketing, | 0:32:21 | 0:32:24 | |
who should turn up but Uncle Chris? | 0:32:24 | 0:32:25 | |
You must not tell your mama | 0:32:26 | 0:32:28 | |
we talk on them so. | 0:32:28 | 0:32:30 | |
Is secret for us. | 0:32:30 | 0:32:31 | |
You cannot be frightened any more | 0:32:31 | 0:32:34 | |
when we have secret, hmm? | 0:32:34 | 0:32:36 | |
Come. | 0:32:38 | 0:32:39 | |
I tell you my secret, too. | 0:32:43 | 0:32:45 | |
I do not like the aunts. | 0:32:45 | 0:32:47 | |
Oh, Jenny, do you see what I see? | 0:32:56 | 0:32:59 | |
That woman in his automobile. | 0:32:59 | 0:33:01 | |
JENNY: How shameful! | 0:33:01 | 0:33:03 | |
Is the woman his wife? | 0:33:09 | 0:33:11 | |
Ja... | 0:33:11 | 0:33:12 | |
and no. | 0:33:12 | 0:33:14 | |
THEY GIGGLE | 0:33:18 | 0:33:20 | |
Uncle Chris, | 0:33:20 | 0:33:21 | |
Sigrid has something to say to you. | 0:33:21 | 0:33:25 | |
Uncle Chris. | 0:33:32 | 0:33:35 | |
You took Arne to the hospital. | 0:33:36 | 0:33:38 | |
I take Arne to the hospital. | 0:33:38 | 0:33:40 | |
Now we take Dagmar to the hospital, | 0:33:40 | 0:33:42 | |
so you do not clutter up the place. | 0:33:42 | 0:33:44 | |
This is more of Uncle Chris' doings. | 0:33:44 | 0:33:46 | |
Sigrid, you're a whining old fool, | 0:33:46 | 0:33:48 | |
and you get out of here. | 0:33:48 | 0:33:51 | |
No. | 0:33:51 | 0:33:52 | |
There has been enough | 0:33:52 | 0:33:54 | |
of these high-handed goings on. | 0:33:54 | 0:33:56 | |
Jenny, you're a bossy old fool. | 0:33:56 | 0:33:58 | |
Get out of here. | 0:33:58 | 0:33:59 | |
And we take Dagmar to the hospital. | 0:33:59 | 0:34:02 | |
Phwwt! Phwwt! | 0:34:03 | 0:34:05 | |
CHRIS: You got her good, Nels? | 0:34:08 | 0:34:11 | |
- Ja. - Well, we go. | 0:34:11 | 0:34:13 | |
No. You're going to listen to Sigrid. | 0:34:13 | 0:34:16 | |
If you do not get out of the way | 0:34:16 | 0:34:19 | |
before I count three, I throw you out. | 0:34:19 | 0:34:21 | |
And Jenny, too, as big as she is. | 0:34:21 | 0:34:23 | |
One... | 0:34:25 | 0:34:27 | |
two... | 0:34:28 | 0:34:30 | |
Put her in the back of the car. | 0:34:34 | 0:34:37 | |
Uncle Chris! | 0:34:43 | 0:34:44 | |
Uncle Chris, | 0:34:44 | 0:34:45 | |
I want to introduce Mr Thorkelson. | 0:34:45 | 0:34:47 | |
I want you to meet Mr Thorkelson. | 0:34:47 | 0:34:50 | |
Uncle Chris, I want you to meet Mr Thorkelson. | 0:34:56 | 0:34:59 | |
This is Mr Thorkelson. | 0:35:05 | 0:35:07 | |
He wants to say... | 0:35:07 | 0:35:08 | |
Mar-ta! | 0:35:08 | 0:35:11 | |
We go. | 0:35:11 | 0:35:12 | |
He wants to ask... | 0:35:12 | 0:35:13 | |
HONK | 0:35:13 | 0:35:15 | |
Jenny, Sigrid, | 0:35:18 | 0:35:20 | |
we go to hospital. | 0:35:20 | 0:35:22 | |
You...you be good children till Mama comes home. | 0:35:23 | 0:35:27 | |
Yes, Mama. | 0:35:27 | 0:35:28 | |
HONK | 0:35:28 | 0:35:30 | |
Ja, I come. | 0:35:30 | 0:35:31 | |
There's milk in the cooler, | 0:35:31 | 0:35:33 | |
and fruit and cookies for your lunch. | 0:35:33 | 0:35:35 | |
We'll be all right. | 0:35:35 | 0:35:37 | |
Don't worry. | 0:35:37 | 0:35:38 | |
I go now. | 0:35:41 | 0:35:43 | |
HONK HONK HONK | 0:35:43 | 0:35:44 | |
Oh, Marta! Ja? | 0:35:44 | 0:35:46 | |
You can't go in his automobile. Why not? | 0:35:46 | 0:35:48 | |
< Marta. | 0:35:48 | 0:35:50 | |
I come. < We go. | 0:35:50 | 0:35:51 | |
Because she is in it. | 0:35:54 | 0:35:57 | |
The woman. | 0:35:57 | 0:35:58 | |
So it will kill me or Dagmar | 0:35:58 | 0:36:01 | |
to sit in automobile with her? | 0:36:01 | 0:36:04 | |
She looks nice woman. | 0:36:04 | 0:36:05 | |
Mama... | 0:36:19 | 0:36:21 | |
Uncle Chris! | 0:36:33 | 0:36:35 | |
Mr Thorkelson! | 0:36:38 | 0:36:40 | |
Mr Thorkelson! | 0:36:40 | 0:36:42 | |
Come, come! | 0:36:42 | 0:36:45 | |
CLOCK CHIMES | 0:36:56 | 0:36:58 | |
Mama... | 0:37:20 | 0:37:22 | |
But, Uncle Chris, | 0:37:33 | 0:37:35 | |
I tell you I must see him. | 0:37:35 | 0:37:37 | |
You do not understand English? | 0:37:37 | 0:37:40 | |
No visitors for 24 hours. | 0:37:40 | 0:37:42 | |
But you have see him. | 0:37:42 | 0:37:44 | |
I am no visitor. | 0:37:44 | 0:37:45 | |
I am exception. | 0:37:45 | 0:37:47 | |
Well, then his mama should be exception. | 0:37:47 | 0:37:50 | |
I will see the doctor. | 0:37:50 | 0:37:52 | |
I seen doctor. | 0:37:52 | 0:37:53 | |
I told him you are not good for Arne. | 0:37:53 | 0:37:56 | |
Not good for my own son? | 0:37:56 | 0:37:58 | |
No. Not good at all. | 0:37:58 | 0:38:00 | |
You cry over him. I go now. | 0:38:00 | 0:38:02 | |
Uncle Chris! | 0:38:02 | 0:38:04 | |
Uncle Chris, I must speak to you. | 0:38:04 | 0:38:06 | |
I have business. | 0:38:06 | 0:38:08 | |
Uncle Chris, please. I want to get married. | 0:38:08 | 0:38:10 | |
Get married. | 0:38:10 | 0:38:11 | |
Wait! | 0:38:11 | 0:38:12 | |
Wait, Uncle Chris. | 0:38:14 | 0:38:15 | |
I want to marry Mr Thorkelson. | 0:38:15 | 0:38:18 | |
Here. | 0:38:18 | 0:38:19 | |
Peter, this is Uncle Chris. | 0:38:19 | 0:38:22 | |
Uncle Chris, this is Mr Thorkelson. | 0:38:22 | 0:38:26 | |
So? | 0:38:26 | 0:38:27 | |
How are you, sir? | 0:38:27 | 0:38:29 | |
Busy. | 0:38:29 | 0:38:31 | |
Please, Uncle Chris! | 0:38:31 | 0:38:32 | |
What is? | 0:38:32 | 0:38:33 | |
You want to marry him? Marry him. | 0:38:33 | 0:38:36 | |
You give your permission? | 0:38:36 | 0:38:37 | |
Sure, I give my permission. | 0:38:37 | 0:38:39 | |
If you want to make a fool of yourself, | 0:38:39 | 0:38:42 | |
I can't stop you. | 0:38:42 | 0:38:44 | |
So, is all? | 0:38:44 | 0:38:45 | |
Ja, I think is all. | 0:38:45 | 0:38:48 | |
No! No? | 0:38:48 | 0:38:51 | |
CLEARS THROAT | 0:38:51 | 0:38:52 | |
Well, there was a little something else. | 0:38:52 | 0:38:55 | |
Er, you see... | 0:38:55 | 0:38:56 | |
Er... | 0:38:56 | 0:38:57 | |
Well, Trina mentioned that in the old country, | 0:38:57 | 0:39:00 | |
it was...it was always usual, and... | 0:39:00 | 0:39:03 | |
Mm-hmm. | 0:39:03 | 0:39:04 | |
Well, after all, we are all from the old country. | 0:39:04 | 0:39:08 | |
Mm-hmm. | 0:39:08 | 0:39:09 | |
Well, that's how it is. | 0:39:09 | 0:39:11 | |
That's how it is. | 0:39:11 | 0:39:13 | |
Well, sir, what is? What do you want? | 0:39:15 | 0:39:18 | |
Well, it was a question... | 0:39:18 | 0:39:20 | |
a question of Trina's... | 0:39:20 | 0:39:22 | |
Well, not to mince matters... | 0:39:22 | 0:39:25 | |
her... | 0:39:25 | 0:39:26 | |
dowry. | 0:39:26 | 0:39:28 | |
Her what? | 0:39:29 | 0:39:30 | |
Dowry. | 0:39:30 | 0:39:31 | |
Her dowry! | 0:39:31 | 0:39:32 | |
Oh, so Trina wants dowry. | 0:39:32 | 0:39:34 | |
She is 42 years old! | 0:39:34 | 0:39:35 | |
No, Uncle Chris... | 0:39:35 | 0:39:37 | |
It's not enough she gets husband, | 0:39:37 | 0:39:38 | |
she wants dowry! | 0:39:38 | 0:39:40 | |
Please! This is a hospital, not a marriage bureau. | 0:39:40 | 0:39:44 | |
Come with me into waiting room. | 0:39:44 | 0:39:47 | |
I talk to you about dowry. | 0:39:47 | 0:39:49 | |
Aah! | 0:39:53 | 0:39:54 | |
So, did you hear that, Marta? | 0:39:58 | 0:40:01 | |
What? | 0:40:01 | 0:40:02 | |
Uncle Chris. | 0:40:02 | 0:40:03 | |
No. I do not hear. | 0:40:03 | 0:40:06 | |
I wait for doctor. | 0:40:06 | 0:40:08 | |
Is two hours since they take Dagmar | 0:40:09 | 0:40:12 | |
to operating room. | 0:40:12 | 0:40:14 | |
More. | 0:40:14 | 0:40:15 | |
Who gives dowry? | 0:40:17 | 0:40:18 | |
Parents. | 0:40:22 | 0:40:24 | |
Why? | 0:40:24 | 0:40:25 | |
Because they are so glad | 0:40:25 | 0:40:27 | |
they don't have to support their daughter any more, | 0:40:27 | 0:40:30 | |
they pay money. | 0:40:30 | 0:40:32 | |
I do not support Trina. | 0:40:36 | 0:40:39 | |
Why should I pay money to have her married? | 0:40:39 | 0:40:41 | |
I don't know. | 0:40:41 | 0:40:43 | |
You don't know? | 0:40:43 | 0:40:45 | |
You think I let Trina marry a man | 0:40:45 | 0:40:47 | |
who won't take her without dowry? | 0:40:47 | 0:40:48 | |
I never thought of it like that. | 0:40:48 | 0:40:50 | |
What kind of man would that be? | 0:40:50 | 0:40:52 | |
Not a very nice kind of a man. | 0:40:52 | 0:40:55 | |
Are you that kind of a man? | 0:40:55 | 0:40:57 | |
I don't think so. | 0:40:57 | 0:40:58 | |
Then you don't want dowry. | 0:40:58 | 0:41:00 | |
No, I don't suppose I do. | 0:41:00 | 0:41:02 | |
Good. | 0:41:02 | 0:41:04 | |
We'll go next door and have coffee. | 0:41:04 | 0:41:06 | |
Sigrid, do you have money? | 0:41:06 | 0:41:08 | |
Ja, I have little. | 0:41:08 | 0:41:10 | |
Good. Then I treat you. | 0:41:10 | 0:41:11 | |
We'll be next door if you want us, Marta. | 0:41:11 | 0:41:14 | |
Ja. | 0:41:14 | 0:41:15 | |
FOOTSTEPS APPROACH | 0:41:33 | 0:41:36 | |
Mrs Hanson. | 0:42:06 | 0:42:07 | |
Doctor! | 0:42:07 | 0:42:08 | |
Dagmar's fine. | 0:42:10 | 0:42:11 | |
She came through beautifully. | 0:42:11 | 0:42:12 | |
She's in bed, sleeping off the anaesthetic. | 0:42:12 | 0:42:15 | |
Thank you, Doctor. | 0:42:15 | 0:42:17 | |
You're very welcome. | 0:42:17 | 0:42:18 | |
Is good of you, Doctor. | 0:42:18 | 0:42:20 | |
I go to her now. | 0:42:20 | 0:42:22 | |
Oh, Mrs Hanson. | 0:42:22 | 0:42:25 | |
I'm very sorry. | 0:42:36 | 0:42:37 | |
You see, it's against the rules. | 0:42:37 | 0:42:40 | |
But you shall see her tomorrow. | 0:42:40 | 0:42:42 | |
Tomorrow? | 0:42:42 | 0:42:43 | |
But, Doctor, I promise her. | 0:42:43 | 0:42:45 | |
She's so little, | 0:42:45 | 0:42:46 | |
she'll be frightened when she wakes | 0:42:46 | 0:42:49 | |
if I do not keep my promise. | 0:42:49 | 0:42:51 | |
The nurses will take excellent care of her. | 0:42:51 | 0:42:54 | |
Now you mustn't worry. | 0:42:58 | 0:43:00 | |
For the first 24 hours, | 0:43:00 | 0:43:02 | |
the clinic patients are not permitted to have visitors. | 0:43:02 | 0:43:05 | |
The wards must be kept very quiet. | 0:43:05 | 0:43:08 | |
I would not make a sound. | 0:43:08 | 0:43:10 | |
I'm very sorry. | 0:43:12 | 0:43:13 | |
Tomorrow. | 0:43:13 | 0:43:15 | |
Nels. | 0:43:15 | 0:43:17 | |
Yes, sir? | 0:43:17 | 0:43:18 | |
Tomorrow. | 0:43:18 | 0:43:20 | |
But, Doctor... | 0:43:24 | 0:43:25 | |
Er, just a minute. | 0:43:56 | 0:43:58 | |
Whom did you wish to see? | 0:43:59 | 0:44:01 | |
Where can I find my daughter? | 0:44:01 | 0:44:03 | |
What name? | 0:44:03 | 0:44:04 | |
Dagmar. | 0:44:04 | 0:44:06 | |
Dagmar Hanson. | 0:44:06 | 0:44:07 | |
You can't see her today. | 0:44:07 | 0:44:09 | |
No visitors for the first 24 hours. | 0:44:09 | 0:44:12 | |
Oh, I'm not visitor. | 0:44:12 | 0:44:13 | |
I am her mama. | 0:44:13 | 0:44:15 | |
< I'm sorry, but it's against the rules. | 0:44:15 | 0:44:18 | |
Just one minute, please. | 0:44:24 | 0:44:26 | |
I'm sorry, but it's against the rules. | 0:44:26 | 0:44:28 | |
Mama. | 0:44:30 | 0:44:31 | |
You can see her tomorrow. | 0:44:37 | 0:44:39 | |
They said so. | 0:44:39 | 0:44:40 | |
But I promise her. | 0:44:40 | 0:44:43 | |
What can I tell Papa tonight? | 0:44:45 | 0:44:48 | |
The nurses will look after her. | 0:44:49 | 0:44:52 | |
Do you want to go next door for some coffee? | 0:44:52 | 0:44:55 | |
No, we go home. | 0:44:57 | 0:44:59 | |
We have coffee home. | 0:44:59 | 0:45:01 | |
Where are the girls? | 0:45:11 | 0:45:13 | |
Oh... | 0:45:13 | 0:45:14 | |
Can I make you some coffee? | 0:45:14 | 0:45:16 | |
You said you'd have some when you got home. | 0:45:16 | 0:45:19 | |
Later. First I have to think. | 0:45:19 | 0:45:21 | |
Mama, I wish you wouldn't worry like this. | 0:45:21 | 0:45:24 | |
Dagmar's all right. | 0:45:24 | 0:45:26 | |
You know she's all right. | 0:45:26 | 0:45:28 | |
Is everything all right? | 0:45:28 | 0:45:29 | |
Ja, is all right. | 0:45:29 | 0:45:31 | |
You have eaten? | 0:45:31 | 0:45:32 | |
Yes, Mama. | 0:45:32 | 0:45:33 | |
You drink your milk? | 0:45:33 | 0:45:35 | |
Yes, Mama. | 0:45:36 | 0:45:38 | |
Ja, is good. | 0:45:38 | 0:45:39 | |
Mama, is there something the matter? | 0:45:46 | 0:45:50 | |
Mama, Dagmar isn't... | 0:45:50 | 0:45:52 | |
She's not... | 0:45:52 | 0:45:54 | |
Mama! | 0:45:54 | 0:45:55 | |
No, no. Dagmar's fine. | 0:45:55 | 0:45:58 | |
Always so dramatic. | 0:45:58 | 0:46:01 | |
Two hours till Papa come home. | 0:46:02 | 0:46:05 | |
Nels, what is it? | 0:46:13 | 0:46:14 | |
There is something the matter. | 0:46:14 | 0:46:16 | |
They wouldn't let Mama see Dagmar. | 0:46:16 | 0:46:19 | |
It's a rule of the hospital. | 0:46:19 | 0:46:21 | |
And Mama's very worried. | 0:46:21 | 0:46:23 | |
She was talking to me in Norwegian on the streetcar. | 0:46:23 | 0:46:27 | |
What should we do? | 0:46:27 | 0:46:28 | |
Don't make a tragedy out of it. | 0:46:28 | 0:46:30 | |
How can you be so callous? | 0:46:30 | 0:46:33 | |
Can't you see Mama's heart is breaking? | 0:46:33 | 0:46:35 | |
You're always making everything so dramatic. | 0:46:35 | 0:46:37 | |
You only make things worse for Mama. | 0:46:37 | 0:46:39 | |
Well, it is dramatic. | 0:46:39 | 0:46:41 | |
People's hearts don't actually break. | 0:46:41 | 0:46:43 | |
They do, too. | 0:46:43 | 0:46:44 | |
Only in books. | 0:46:44 | 0:46:46 | |
Mama... | 0:46:55 | 0:46:57 | |
what are you going to do? | 0:46:57 | 0:46:59 | |
I scrub the floor. | 0:47:00 | 0:47:02 | |
But, Mama, | 0:47:15 | 0:47:16 | |
you scrubbed the floor yesterday. | 0:47:16 | 0:47:19 | |
Ja, well, I scrub it again. | 0:47:19 | 0:47:22 | |
But, Mama... | 0:47:24 | 0:47:26 | |
Comes a time | 0:47:29 | 0:47:31 | |
when you got to get down on your knees. | 0:47:31 | 0:47:34 | |
Now will you believe me? | 0:47:38 | 0:47:40 | |
Mama, I wish you wouldn't do this. | 0:47:46 | 0:47:49 | |
You must be tired. | 0:47:49 | 0:47:51 | |
Let her alone. | 0:47:51 | 0:47:53 | |
'Mama... | 0:47:59 | 0:48:00 | |
'Mama...' | 0:48:00 | 0:48:02 | |
What is it, Mama? | 0:48:05 | 0:48:07 | |
What is it? | 0:48:07 | 0:48:09 | |
I think of something. | 0:48:11 | 0:48:13 | |
I think I think of something. | 0:48:18 | 0:48:21 | |
"And drank real dew out of a crystal goblet. | 0:48:34 | 0:48:37 | |
"And helped the stars to play peek-a-boo." | 0:48:39 | 0:48:43 | |
Ooh! | 0:48:49 | 0:48:51 | |
Ooh! | 0:48:52 | 0:48:54 | |
Ooh, ooh, ooh! | 0:48:56 | 0:48:57 | |
# 10,000 Swedes went through the weeds | 0:48:57 | 0:49:02 | |
# At the battle of Copenhagen | 0:49:02 | 0:49:05 | |
# 10,000 Swedes went through the weeds | 0:49:05 | 0:49:09 | |
# Chasing one Norwegian... # | 0:49:09 | 0:49:12 | |
Ooh! | 0:49:16 | 0:49:17 | |
Uncle Chris? | 0:49:17 | 0:49:18 | |
Yes, Arne? | 0:49:18 | 0:49:19 | |
Does it have to hurt like this? | 0:49:19 | 0:49:22 | |
If you want it to be well | 0:49:22 | 0:49:25 | |
and not walk always like Uncle Chris, | 0:49:25 | 0:49:28 | |
it does... for a little. | 0:49:28 | 0:49:29 | |
Arne, the doctor give you something | 0:49:29 | 0:49:32 | |
to make you go to sleep. | 0:49:32 | 0:49:34 | |
So maybe if you don't think of pain, | 0:49:34 | 0:49:37 | |
you go to sleep, hmm? | 0:49:37 | 0:49:39 | |
Is very bad? | 0:49:42 | 0:49:43 | |
It is, kind of. | 0:49:43 | 0:49:45 | |
Ooh! | 0:49:48 | 0:49:49 | |
Arne? | 0:49:49 | 0:49:50 | |
Don't you know any swear words? | 0:49:52 | 0:49:54 | |
Wh-what? | 0:49:54 | 0:49:55 | |
Ooh! | 0:49:55 | 0:49:57 | |
Don't you know any swear words? | 0:49:57 | 0:50:00 | |
No, Uncle Chris. | 0:50:00 | 0:50:02 | |
Not real ones. | 0:50:02 | 0:50:03 | |
Well, then I tell you two fine ones | 0:50:03 | 0:50:07 | |
you use when pain comes again. | 0:50:07 | 0:50:09 | |
I tell you Norwegian swear word. | 0:50:09 | 0:50:12 | |
Is better. | 0:50:12 | 0:50:13 | |
When pain comes again, you say, dom gjett. | 0:50:13 | 0:50:19 | |
It help plenty. | 0:50:21 | 0:50:22 | |
I know. | 0:50:22 | 0:50:24 | |
I have pain, too. | 0:50:24 | 0:50:25 | |
I say it all the time. | 0:50:25 | 0:50:27 | |
And if pain is very bad, | 0:50:29 | 0:50:31 | |
you say, | 0:50:31 | 0:50:32 | |
Dom gjett! | 0:50:32 | 0:50:34 | |
Just like that. | 0:50:34 | 0:50:36 | |
Dom gjett! | 0:50:36 | 0:50:37 | |
But only if is very bad. | 0:50:37 | 0:50:39 | |
Is bad now? | 0:50:42 | 0:50:43 | |
No. It's a little better, Uncle Chris. | 0:50:43 | 0:50:46 | |
You like I sing some more? | 0:50:46 | 0:50:49 | |
I don't mind. | 0:50:49 | 0:50:51 | |
But maybe something a little, well, quieter? | 0:50:51 | 0:50:56 | |
Sure, sure. | 0:50:59 | 0:51:01 | |
HE SINGS IN NORWEGIAN | 0:51:11 | 0:51:14 | |
Dom gjett. | 0:51:25 | 0:51:27 | |
Dom gjett! | 0:51:30 | 0:51:31 | |
Good! | 0:51:31 | 0:51:34 | |
It help, huh? | 0:51:34 | 0:51:37 | |
Is good! | 0:51:37 | 0:51:38 | |
Then you sleep some. | 0:51:41 | 0:51:43 | |
SINGING IN NORWEGIAN | 0:51:45 | 0:51:47 | |
C'est terrible. | 0:51:49 | 0:51:50 | |
Teaching a child to swear. | 0:51:50 | 0:51:53 | |
Hmm. | 0:51:53 | 0:51:55 | |
You don't know what dom gjett means, hmm? | 0:51:55 | 0:51:58 | |
Do I look like a foreigner? | 0:51:58 | 0:52:00 | |
If you were, | 0:52:00 | 0:52:02 | |
you would know that dom gjett in Norwegian | 0:52:02 | 0:52:05 | |
means stupid old goat. | 0:52:05 | 0:52:07 | |
Oh! | 0:52:07 | 0:52:09 | |
Sale bouche! | 0:52:09 | 0:52:10 | |
Oh, m'insulter de la sorte! | 0:52:10 | 0:52:13 | |
HE CONTINUES TO SING | 0:52:13 | 0:52:15 | |
Dom gjett! | 0:52:42 | 0:52:44 | |
Is different one. | 0:52:58 | 0:53:00 | |
WATER RUNS | 0:53:23 | 0:53:25 | |
SHE WHISTLES "Listen To The Mockingbird" | 0:53:28 | 0:53:33 | |
RAPS DESK | 0:53:33 | 0:53:35 | |
RAPS DESK | 0:53:36 | 0:53:38 | |
You're working late, aren't you? | 0:53:54 | 0:53:56 | |
The floors need cleaning. | 0:53:56 | 0:53:57 | |
I'm glad they finally decided to clean them. | 0:53:57 | 0:54:00 | |
Ja. | 0:54:01 | 0:54:02 | |
Mama... | 0:54:47 | 0:54:49 | |
BUZZER SOUNDS | 0:54:59 | 0:55:01 | |
Mama. | 0:55:10 | 0:55:12 | |
Mama. | 0:55:28 | 0:55:30 | |
Mama. | 0:55:32 | 0:55:35 | |
Mama. | 0:55:43 | 0:55:44 | |
Mama. | 0:55:47 | 0:55:49 | |
Dagmar. | 0:55:53 | 0:55:54 | |
Is Mama, Dagmar. | 0:55:54 | 0:55:57 | |
Mama. | 0:55:58 | 0:56:00 | |
There's no fever. | 0:56:03 | 0:56:06 | |
Is good. | 0:56:06 | 0:56:09 | |
Where you been? | 0:56:09 | 0:56:10 | |
You promised. | 0:56:10 | 0:56:12 | |
Well, ja, ja, I promise. | 0:56:12 | 0:56:15 | |
I come. | 0:56:15 | 0:56:16 | |
I was worried. | 0:56:16 | 0:56:20 | |
Oh, well, no. | 0:56:20 | 0:56:23 | |
Mama's here now. | 0:56:23 | 0:56:25 | |
Ja, you go to sleep now. | 0:56:25 | 0:56:29 | |
Sleep. | 0:56:42 | 0:56:44 | |
Sleep. | 0:56:49 | 0:56:51 | |
SHE SINGS IN NORWEGIAN | 0:56:52 | 0:56:55 | |
SHE HUMS | 0:57:59 | 0:58:02 | |
CRASH | 0:58:11 | 0:58:12 | |
SHE CONTINUES TO HUM | 0:58:13 | 0:58:16 | |
BANG | 0:58:40 | 0:58:42 | |
SHE STOPS HUMMING | 0:58:52 | 0:58:54 | |
'I don't think I can ever remember | 1:00:10 | 1:00:12 | |
'seeing Mama unoccupied. | 1:00:12 | 1:00:13 | |
'Her work was never done. | 1:00:13 | 1:00:15 | |
'She was always so busy around the house | 1:00:15 | 1:00:17 | |
'that it wasn't very often | 1:00:17 | 1:00:18 | |
'I could get her to talk | 1:00:18 | 1:00:20 | |
'about herself or her life in the old country. | 1:00:20 | 1:00:23 | |
'I do remember one time, though, | 1:00:23 | 1:00:25 | |
'and I felt very proud, | 1:00:25 | 1:00:27 | |
'for Mama talked to me as if I were a grown-up. | 1:00:27 | 1:00:30 | |
'It was the day before Dagmar came home | 1:00:30 | 1:00:33 | |
'from the hospital.' | 1:00:33 | 1:00:35 | |
Mmm. This one's coffee flavoured. | 1:00:35 | 1:00:37 | |
Ja, mine, also. | 1:00:37 | 1:00:39 | |
Mama, when can I drink coffee? | 1:00:39 | 1:00:42 | |
When you're grown up. | 1:00:42 | 1:00:43 | |
When I'm 18? | 1:00:43 | 1:00:45 | |
Oh, maybe before that. | 1:00:45 | 1:00:47 | |
When I graduate? | 1:00:47 | 1:00:48 | |
Maybe. | 1:00:48 | 1:00:49 | |
Comes the day you are grown up, | 1:00:49 | 1:00:52 | |
Papa and I will know. | 1:00:52 | 1:00:55 | |
Oh, Mama, aren't they beautiful? | 1:00:59 | 1:01:00 | |
Don't you just love flowers? | 1:01:00 | 1:01:02 | |
You like we buy some? | 1:01:02 | 1:01:04 | |
Oh, Mama, can we afford it? | 1:01:04 | 1:01:07 | |
I think for Dagmar's coming home tomorrow. | 1:01:07 | 1:01:11 | |
We like some violets, please. | 1:01:11 | 1:01:13 | |
Ten cents violets, please. | 1:01:17 | 1:01:20 | |
Wonderful. | 1:01:26 | 1:01:28 | |
Oh, ladies. | 1:01:31 | 1:01:34 | |
Thank you, ladies. | 1:01:34 | 1:01:35 | |
Well, thank you. | 1:01:35 | 1:01:37 | |
Mama, he called us ladies! | 1:01:37 | 1:01:40 | |
Oh, Mama, when I'm rich and famous, | 1:01:44 | 1:01:46 | |
I'm going to have fresh flowers every day. | 1:01:46 | 1:01:48 | |
I'll buy you just lovely clothes - | 1:01:48 | 1:01:51 | |
white satin gowns with long trains to them, | 1:01:51 | 1:01:53 | |
and jewellery. | 1:01:53 | 1:01:54 | |
I'll buy you a pearl necklace. | 1:01:54 | 1:01:56 | |
Better I like Mysolje. | 1:01:56 | 1:01:59 | |
But, Mama, | 1:02:00 | 1:02:02 | |
wouldn't you like to be rich? | 1:02:02 | 1:02:04 | |
I would like to be rich | 1:02:04 | 1:02:06 | |
the way I would like to be ten feet high. | 1:02:06 | 1:02:09 | |
Is good for some things, | 1:02:09 | 1:02:11 | |
bad for others. | 1:02:11 | 1:02:12 | |
But didn't you come to America to get rich? | 1:02:14 | 1:02:17 | |
No. We come to America | 1:02:17 | 1:02:19 | |
because they are all here - | 1:02:19 | 1:02:21 | |
all the others. | 1:02:21 | 1:02:22 | |
Is good for families to be together. | 1:02:22 | 1:02:25 | |
And did you like it right away? | 1:02:25 | 1:02:27 | |
Ja, right away. | 1:02:27 | 1:02:29 | |
When we get off the ferry boat, | 1:02:29 | 1:02:31 | |
and I see San Francisco | 1:02:31 | 1:02:33 | |
and all the family, | 1:02:33 | 1:02:34 | |
I say, "is like Norway." | 1:02:34 | 1:02:36 | |
And then you are all born here, | 1:02:36 | 1:02:38 | |
and I become American citizen. | 1:02:38 | 1:02:40 | |
Mama, do you ever want to go back | 1:02:40 | 1:02:43 | |
to the old country? | 1:02:43 | 1:02:45 | |
Well, I like to go back once to look, maybe, | 1:02:45 | 1:02:48 | |
to see the mountains and the fjords. | 1:02:48 | 1:02:50 | |
I like to show them once to all of you. | 1:02:50 | 1:02:54 | |
Maybe when Dagmar is big, | 1:02:54 | 1:02:55 | |
we go back once more - like tourists. | 1:02:55 | 1:02:57 | |
CAT MEOWS | 1:03:05 | 1:03:08 | |
Uncle Elizabeth. | 1:03:08 | 1:03:09 | |
Could you not wait till Dagmar comes home | 1:03:09 | 1:03:12 | |
to do this? | 1:03:12 | 1:03:14 | |
Nels, what you think? | 1:03:14 | 1:03:15 | |
He's pretty bad, mama. | 1:03:15 | 1:03:17 | |
We should get him out of here and put him away. | 1:03:17 | 1:03:20 | |
Elizabeth! | 1:03:20 | 1:03:22 | |
DOORBELL RINGS | 1:03:25 | 1:03:26 | |
Ja, ja. Dagmar. Dagmar, wait a minute! | 1:03:26 | 1:03:30 | |
I must tell you, um, | 1:03:30 | 1:03:32 | |
Uncle Elizabeth is kind of sick. | 1:03:32 | 1:03:35 | |
Sick? What's the matter with him? | 1:03:35 | 1:03:37 | |
Well, he, uh... | 1:03:37 | 1:03:38 | |
He has been in fight again, last night. | 1:03:38 | 1:03:41 | |
He come home this morning | 1:03:41 | 1:03:42 | |
very sick indeed. | 1:03:42 | 1:03:44 | |
Ja. CAT MEOWS | 1:03:44 | 1:03:46 | |
Dagmar! | 1:03:46 | 1:03:47 | |
CAT MEOWS | 1:03:50 | 1:03:52 | |
Mama, what happened to him? | 1:03:52 | 1:03:55 | |
Oh, mama. He looks awful. | 1:03:55 | 1:03:59 | |
Ja, come away, little one. | 1:03:59 | 1:04:01 | |
Nels takes care of him. | 1:04:01 | 1:04:04 | |
Listen, Dagmar... | 1:04:04 | 1:04:06 | |
sweetheart, | 1:04:06 | 1:04:08 | |
would it not be better | 1:04:08 | 1:04:10 | |
for poor uncle Elizabeth | 1:04:10 | 1:04:12 | |
to go quietly to sleep? | 1:04:12 | 1:04:15 | |
You mean go to sleep and never wake up again? | 1:04:15 | 1:04:19 | |
Well, he... | 1:04:19 | 1:04:21 | |
I think... | 1:04:21 | 1:04:23 | |
he will die anyway. | 1:04:23 | 1:04:25 | |
Mama can make him well. | 1:04:26 | 1:04:29 | |
Mama can do everything. | 1:04:29 | 1:04:31 | |
Make him live, mama. | 1:04:33 | 1:04:35 | |
Make him well again. | 1:04:35 | 1:04:37 | |
Please? | 1:04:37 | 1:04:39 | |
Well, we see. | 1:04:39 | 1:04:41 | |
Let us see how he gets through the night. CAT MEOWS | 1:04:41 | 1:04:45 | |
Now, come on. You must go upstairs | 1:04:45 | 1:04:46 | |
and go to bed. | 1:04:46 | 1:04:48 | |
I bring up your supper. | 1:04:48 | 1:04:50 | |
You will make Uncle Elizabeth well again. | 1:04:50 | 1:04:52 | |
Please promise, mama. | 1:04:52 | 1:04:53 | |
Well, I promise I try. | 1:04:53 | 1:04:55 | |
CAT YOWLS IN PAIN | 1:04:55 | 1:04:58 | |
You say we see how cat get through the night. | 1:05:01 | 1:05:04 | |
How do we get through the night? | 1:05:04 | 1:05:06 | |
Is no use, Marta. | 1:05:06 | 1:05:07 | |
We must put the cat to sleep. | 1:05:07 | 1:05:10 | |
It's cruel to keep that cat alive. | 1:05:10 | 1:05:12 | |
I know. | 1:05:12 | 1:05:13 | |
Go to the drugstore and get something... | 1:05:13 | 1:05:16 | |
some chloroform, maybe. | 1:05:16 | 1:05:17 | |
Chloroform? | 1:05:17 | 1:05:18 | |
How much shall I get? | 1:05:18 | 1:05:20 | |
Tell the man it's for a cat. He knows. | 1:05:20 | 1:05:23 | |
Is no use, Marta. | 1:05:23 | 1:05:25 | |
Is best thing to do. | 1:05:25 | 1:05:28 | |
Such a sad homecoming for Dagmar. | 1:05:30 | 1:05:32 | |
She was so good in the hospital, too. | 1:05:32 | 1:05:36 | |
CAT MEOWS | 1:05:38 | 1:05:39 | |
CAT MEOWS | 1:05:39 | 1:05:41 | |
CAT MEOWS | 1:05:41 | 1:05:43 | |
Thanks, Mr Schiller. | 1:05:54 | 1:05:55 | |
You're welcome. | 1:05:55 | 1:05:56 | |
CABLE CAR BELL CLANGS | 1:06:14 | 1:06:16 | |
Did you see him? | 1:06:18 | 1:06:20 | |
Mr Hyde. | 1:06:20 | 1:06:21 | |
He must be going for keeps. | 1:06:21 | 1:06:23 | |
KATRIN: What will mama do? She needs the money. | 1:06:23 | 1:06:26 | |
I hope he's paid whatever he owes her. | 1:06:26 | 1:06:29 | |
Mama? | 1:06:32 | 1:06:34 | |
Mama? | 1:06:34 | 1:06:35 | |
< Ja? | 1:06:35 | 1:06:36 | |
Mama, we saw Mr Hyde get on the streetcar | 1:06:43 | 1:06:46 | |
with his suitcases. | 1:06:46 | 1:06:47 | |
He left this for you. | 1:06:47 | 1:06:49 | |
Nels, take off your hat. | 1:06:51 | 1:06:53 | |
Christine, close the door. | 1:06:53 | 1:06:55 | |
How much is the cheque for? | 1:07:00 | 1:07:03 | |
130. | 1:07:03 | 1:07:05 | |
Is four months. | 1:07:05 | 1:07:07 | |
Is good. Good. | 1:07:07 | 1:07:09 | |
Is wonderful. | 1:07:09 | 1:07:11 | |
Now we pay doctor everything. | 1:07:11 | 1:07:12 | |
Mm-hmm. And you can buy your new coat, | 1:07:12 | 1:07:16 | |
your warm coat. | 1:07:16 | 1:07:17 | |
Yes, you can buy your new coat. | 1:07:17 | 1:07:20 | |
But there will be no more reading. | 1:07:20 | 1:07:23 | |
What does Mr Hyde say? | 1:07:23 | 1:07:26 | |
"Dear friends, I find myself compelled | 1:07:26 | 1:07:28 | |
"to take a somewhat hasty departure | 1:07:28 | 1:07:31 | |
from your house of happiness." | 1:07:31 | 1:07:34 | |
Beautiful letter. | 1:07:34 | 1:07:35 | |
"I am leaving you my library for the children." | 1:07:35 | 1:07:40 | |
He leaves his books? | 1:07:40 | 1:07:41 | |
Well, he says so. | 1:07:41 | 1:07:43 | |
Nels, is wonderful. Go get the books. | 1:07:43 | 1:07:47 | |
What else he say? | 1:07:47 | 1:07:48 | |
"It has been a privilege | 1:07:48 | 1:07:50 | |
"to be a part of your happy home. | 1:07:50 | 1:07:54 | |
"I shall never forget your kind hos...hospitality." | 1:07:54 | 1:07:59 | |
He signs it "Jonathan Hyde." | 1:07:59 | 1:08:01 | |
Av...avenue, oh, avenue... | 1:08:01 | 1:08:06 | |
Here, I think... | 1:08:06 | 1:08:07 | |
I think it's vale - ava vale. | 1:08:07 | 1:08:10 | |
Ave atque vale. | 1:08:10 | 1:08:12 | |
Is what? | 1:08:12 | 1:08:14 | |
It means hail and farewell. | 1:08:14 | 1:08:16 | |
It's Latin. | 1:08:16 | 1:08:17 | |
Yes, is Latin, sure. | 1:08:17 | 1:08:19 | |
Gee willikers, look at this. | 1:08:23 | 1:08:25 | |
Oh! | 1:08:25 | 1:08:26 | |
My, my. | 1:08:26 | 1:08:27 | |
The Pickwick Papers. | 1:08:27 | 1:08:29 | |
The Complete Shakespeare. | 1:08:29 | 1:08:30 | |
Alice In Wonderland. | 1:08:30 | 1:08:32 | |
So much we can learn. | 1:08:32 | 1:08:33 | |
The Last Of The Mohicans. | 1:08:33 | 1:08:35 | |
CAT MEOWS | 1:08:35 | 1:08:36 | |
You get it, Nels? | 1:08:41 | 1:08:43 | |
Yeah. | 1:08:43 | 1:08:45 | |
You know how? | 1:08:49 | 1:08:52 | |
Well, no. I thought that... | 1:08:53 | 1:08:56 | |
Well, just don't stand there, girls. | 1:08:58 | 1:09:02 | |
Christine, go take Dagmar her tray. | 1:09:02 | 1:09:04 | |
Katrin, put the butter in the cooler for me. | 1:09:04 | 1:09:08 | |
Here, take the jelly, too. | 1:09:08 | 1:09:10 | |
Pick up your feet. | 1:09:11 | 1:09:13 | |
Well, take Dagmar her milk. | 1:09:19 | 1:09:21 | |
Lars... | 1:09:28 | 1:09:30 | |
FOOTSTEPS ON STAIRS | 1:09:30 | 1:09:33 | |
You know how? | 1:09:38 | 1:09:40 | |
No, but, well, it shouldn't be too difficult. | 1:09:42 | 1:09:45 | |
If-if you hold the cat... | 1:09:45 | 1:09:47 | |
Me hold the cat? | 1:09:47 | 1:09:48 | |
You hold the cat. | 1:09:48 | 1:09:50 | |
Uh, er, Nels... | 1:09:52 | 1:09:53 | |
MAMA: No, no. | 1:09:53 | 1:09:55 | |
I think it's better if, er... | 1:09:55 | 1:09:58 | |
if we get a big sponge. | 1:09:58 | 1:10:00 | |
We put it in the box with him | 1:10:00 | 1:10:03 | |
and cover him over. | 1:10:03 | 1:10:04 | |
Nels, you get a sponge, | 1:10:04 | 1:10:06 | |
and we make him ready here in the pantry. | 1:10:06 | 1:10:09 | |
Sure. | 1:10:09 | 1:10:10 | |
DOOR SLAMS SHUT | 1:10:10 | 1:10:11 | |
Has he paid you his rent? | 1:10:11 | 1:10:13 | |
Ja, sure. | 1:10:13 | 1:10:14 | |
How? | 1:10:14 | 1:10:15 | |
He give me his cheque. | 1:10:15 | 1:10:17 | |
Lars has it right here. | 1:10:17 | 1:10:19 | |
A cheque. | 1:10:19 | 1:10:21 | |
Jenny, what is it? | 1:10:25 | 1:10:27 | |
What is it? | 1:10:27 | 1:10:29 | |
I was at Mr Kruper's down the street. | 1:10:31 | 1:10:34 | |
Mr Hyde was there today, | 1:10:34 | 1:10:37 | |
having his lunch. | 1:10:37 | 1:10:39 | |
And when he left, | 1:10:39 | 1:10:41 | |
he asked if he would cash a cheque | 1:10:41 | 1:10:44 | |
for him for 50. | 1:10:44 | 1:10:46 | |
So-so-so what? | 1:10:46 | 1:10:48 | |
Well? Go on. | 1:10:48 | 1:10:50 | |
Mr Hyde doesn't even have an account at the bank. | 1:10:50 | 1:10:55 | |
You...you mean, | 1:10:59 | 1:11:01 | |
this cheque is no good? | 1:11:01 | 1:11:03 | |
No good at all. | 1:11:03 | 1:11:05 | |
Well... | 1:11:05 | 1:11:06 | |
Your Mr Hyde was a crook. | 1:11:06 | 1:11:10 | |
How much was that cheque for? | 1:11:10 | 1:11:12 | |
Eh, Marta, I bet he owed you plenty, didn't he? | 1:11:16 | 1:11:20 | |
He owed us nothing. | 1:11:22 | 1:11:24 | |
Nothing. | 1:11:27 | 1:11:30 | |
He pay with far, far better things | 1:11:30 | 1:11:34 | |
than money. | 1:11:34 | 1:11:36 | |
I'll bet it must have been 100 | 1:11:40 | 1:11:42 | |
that he rooked you of, wasn't it? | 1:11:42 | 1:11:46 | |
Jenny, I cannot talk to you now. | 1:11:48 | 1:11:50 | |
Maybe you don't have things to do. I have. | 1:11:50 | 1:11:53 | |
What have you got to do that's so important? | 1:11:53 | 1:11:56 | |
I have to chloroform a cat! | 1:11:56 | 1:11:57 | |
DAGMAR: Kitty. | 1:12:29 | 1:12:30 | |
Elizabeth! | 1:12:30 | 1:12:31 | |
Mama, how's Uncle Elizabeth? | 1:12:41 | 1:12:44 | |
Dagmar, why so early? | 1:12:44 | 1:12:45 | |
Why you don't rest? | 1:12:45 | 1:12:47 | |
I want to see Uncle Elizabeth. | 1:12:47 | 1:12:50 | |
No, no, no, Dagmar. | 1:12:50 | 1:12:51 | |
Dagmar, er... | 1:12:51 | 1:12:52 | |
Good morning, papa. | 1:12:52 | 1:12:54 | |
Is Uncle Elizabeth all better? | 1:12:54 | 1:12:56 | |
Dagmar, there is something I must tell you. | 1:12:56 | 1:12:59 | |
I want to see Uncle Elizabeth first. | 1:12:59 | 1:13:02 | |
No, Dagmar! Wait! | 1:13:02 | 1:13:04 | |
Come on, my darling Elizabeth. | 1:13:07 | 1:13:09 | |
Are you still asleep, you old sleepy cat? | 1:13:09 | 1:13:12 | |
Lars, do something. Tell her. | 1:13:12 | 1:13:15 | |
Wake up! It's morning. | 1:13:15 | 1:13:18 | |
Well, maybe it's good for her | 1:13:18 | 1:13:20 | |
to think that the cat die by itself. | 1:13:20 | 1:13:24 | |
We cannot tell her lies. | 1:13:24 | 1:13:26 | |
< My, what a funny smell. | 1:13:26 | 1:13:29 | |
< It's like it was in the hospital. | 1:13:29 | 1:13:32 | |
< I'll take care of you, Elizabeth, | 1:13:32 | 1:13:34 | |
< the way the nurses took care of me. | 1:13:34 | 1:13:36 | |
< You'll soon be the wellest cat in San Francisco. | 1:13:36 | 1:13:40 | |
My goodness, you put enough blankets on him. | 1:13:40 | 1:13:44 | |
Did you think he'd catch cold? | 1:13:47 | 1:13:50 | |
Look, mama, look. | 1:13:59 | 1:14:01 | |
Dagmar, let me see. | 1:14:08 | 1:14:10 | |
Let me see that cat. | 1:14:10 | 1:14:13 | |
Here. | 1:14:15 | 1:14:17 | |
CAT MEOWS | 1:14:20 | 1:14:21 | |
Oh, Uncle Elizabeth, speak to me. | 1:14:21 | 1:14:23 | |
CAT MEOWS | 1:14:23 | 1:14:25 | |
It's a miracle. | 1:14:26 | 1:14:28 | |
Oh, mama, I knew you'd make him well. | 1:14:28 | 1:14:32 | |
Oh, but, Dagmar... | 1:14:32 | 1:14:35 | |
I'm going to show him to Nels. | 1:14:35 | 1:14:37 | |
Dagmar, I didn't... | 1:14:37 | 1:14:38 | |
Nels! Christine! Look what mama did! | 1:14:38 | 1:14:41 | |
You didn't give him enough chloroform. | 1:14:41 | 1:14:43 | |
You just give him good sleep. | 1:14:43 | 1:14:45 | |
We must tell her. | 1:14:45 | 1:14:46 | |
Is not good to let her grow up believing | 1:14:46 | 1:14:49 | |
I can fix everything. | 1:14:49 | 1:14:50 | |
Maybe is best thing in the world | 1:14:50 | 1:14:53 | |
for her to believe. | 1:14:53 | 1:14:54 | |
Besides, I know exactly how she feels. | 1:14:54 | 1:14:58 | |
'At the time, it seemed like ages, | 1:14:58 | 1:15:01 | |
'but now I know that the days and months | 1:15:01 | 1:15:04 | |
'went by too fast while we were growing up. | 1:15:04 | 1:15:07 | |
'Graduation day assumed monumental proportions, | 1:15:07 | 1:15:09 | |
'especially because I was to play Portia | 1:15:09 | 1:15:12 | |
'in the school production of The Merchant of Venice.' | 1:15:12 | 1:15:15 | |
"The quality of mercy is not strain'd, | 1:15:15 | 1:15:18 | |
"it droppeth as the gentle rain from heaven | 1:15:18 | 1:15:22 | |
"upon the place beneath - | 1:15:22 | 1:15:25 | |
"is twice bless'd. | 1:15:25 | 1:15:26 | |
"It blesseth him that gives | 1:15:26 | 1:15:28 | |
and him that takes." | 1:15:28 | 1:15:29 | |
Him that takes. | 1:15:29 | 1:15:31 | |
"It blesseth him that gives and him that takes." | 1:15:31 | 1:15:33 | |
What comes after that? | 1:15:33 | 1:15:35 | |
I don't know, and I don't care. | 1:15:35 | 1:15:37 | |
Why, Chris! | 1:15:37 | 1:15:39 | |
It's all I've heard for weeks. | 1:15:39 | 1:15:40 | |
The school play, your graduation, | 1:15:40 | 1:15:42 | |
going on to high, | 1:15:42 | 1:15:44 | |
never a thought of what's happening at home. | 1:15:44 | 1:15:46 | |
All you and your friends think about | 1:15:46 | 1:15:48 | |
is the presents you're going to get. | 1:15:48 | 1:15:50 | |
You make me ashamed of being a girl. | 1:15:50 | 1:15:52 | |
Have you heard about Thyra's graduation present? | 1:15:52 | 1:15:54 | |
- Hello, Katrin. - Madeline. | 2:59:21 | 2:59:23 | |
What are you getting? | 2:59:23 | 2:59:24 | |
They haven't said, | 2:59:24 | 2:59:26 | |
but I think I'm going to get that. | 2:59:26 | 2:59:28 | |
You mean the dresser set? | 2:59:28 | 2:59:30 | |
Your father took it out for me | 2:59:30 | 2:59:32 | |
so I could touch it. | 2:59:32 | 2:59:33 | |
It's got everything - | 2:59:33 | 2:59:35 | |
even a hair receiver. | 2:59:35 | 2:59:36 | |
And it's genuine celluloid. | 2:59:36 | 2:59:38 | |
You're not getting it. | 2:59:38 | 2:59:40 | |
How do you know? | 2:59:40 | 2:59:41 | |
I know what you're getting. | 2:59:41 | 2:59:42 | |
What is it? | 2:59:42 | 2:59:44 | |
Mama's giving you her brooch - | 2:59:44 | 2:59:46 | |
her solje. | 2:59:46 | 2:59:47 | |
That old silver thing she wears | 2:59:47 | 2:59:49 | |
that belonged to grandmother? | 2:59:49 | 2:59:51 | |
What would I want | 2:59:51 | 2:59:52 | |
with an old thing like that for? | 2:59:52 | 2:59:54 | |
It's an heirloom. | 2:59:54 | 2:59:55 | |
Mama thinks a lot of it. | 2:59:55 | 2:59:57 | |
Then she ought to keep it. | 2:59:57 | 2:59:59 | |
That's all they're going to give me? | 2:59:59 | 3:00:02 | |
What more do you want? | 3:00:02 | 3:00:03 | |
The dresser set. | 3:00:03 | 3:00:04 | |
If mama doesn't realise | 3:00:04 | 3:00:06 | |
what's a suitable present... | 3:00:06 | 3:00:07 | |
Why, it's practically the most important time | 3:00:07 | 3:00:10 | |
in a girl's life when she graduates. | 3:00:10 | 3:00:12 | |
And you say you're not selfish. | 3:00:12 | 3:00:14 | |
It's not selfishness. | 3:00:14 | 3:00:15 | |
What else would you call it? | 3:00:15 | 3:00:17 | |
With papa not working, we need every penny. | 3:00:17 | 3:00:20 | |
Even the little bank's empty. | 3:00:20 | 3:00:22 | |
But you'll devil mama into giving you the dresser set somehow. | 3:00:22 | 3:00:26 | |
So why talk about it? | 3:00:26 | 3:00:28 | |
Walk faster if you're going to walk with me. | 3:00:31 | 3:00:34 | |
Christine was right. I got the dresser set. | 3:00:39 | 3:00:42 | |
They gave it to me toward the end of supper | 3:00:42 | 3:00:46 | |
on graduation night. | 3:00:46 | 3:00:47 | |
Papa couldn't attend the exercises | 3:00:47 | 3:00:49 | |
because there was a strike meeting | 3:00:49 | 3:00:51 | |
to decide about going back to work. | 3:00:51 | 3:00:53 | |
I'll start the dishes, mama. | 3:00:56 | 3:00:58 | |
Ja, ja. > | 3:00:58 | 3:00:59 | |
We can wash them when we come home. | 3:00:59 | 3:01:03 | |
Katrin, why you don't eat your rice pudding? | 3:01:06 | 3:01:09 | |
Mama, I couldn't eat - not now. | 3:01:09 | 3:01:11 | |
Who wants some coffee sugar? | 3:01:11 | 3:01:13 | |
Dagmar? | 3:01:13 | 3:01:14 | |
Thank you, papa. | 3:01:14 | 3:01:16 | |
Katrin? | 3:01:19 | 3:01:20 | |
No, papa. | 3:01:20 | 3:01:23 | |
Katrin, get your coat. You'll need it. | 3:01:23 | 3:01:26 | |
Yes, mama. | 3:01:26 | 3:01:28 | |
Aunt Jenny says if we drink black coffee, | 3:01:28 | 3:01:30 | |
it will turn our complexions dark. | 3:01:30 | 3:01:32 | |
I'd like to be a black Norwegian | 3:01:32 | 3:01:34 | |
like Uncle Chris. | 3:01:34 | 3:01:36 | |
I like you better blonde like mama is. | 3:01:36 | 3:01:38 | |
When do you get old enough to drink coffee | 3:01:38 | 3:01:41 | |
and not turn dark? DOORBELL RINGS | 3:01:41 | 3:01:43 | |
Well, er...one day when you're grown up. | 3:01:43 | 3:01:46 | |
It's the most wonderful > night in my life. | 3:01:46 | 3:01:49 | |
Is that black coffee you dipped that sugar in? | 3:01:49 | 3:01:52 | |
Lars, you shouldn't. It's not good for them. | 3:01:52 | 3:01:54 | |
It will turn... | 3:01:54 | 3:01:55 | |
It will turn your complexion black, I know. | 3:01:55 | 3:01:58 | |
Aunt Jenny, did you see my graduation present? | 3:01:58 | 3:02:00 | |
Look - it's got a hair receiver. | 3:02:00 | 3:02:03 | |
But I thought...Marta! | 3:02:03 | 3:02:05 | |
Ja, Jenny, you were right. | 3:02:05 | 3:02:07 | |
She's too young to appreciate that. | 3:02:07 | 3:02:09 | |
She likes something more modern. | 3:02:09 | 3:02:11 | |
Hmm! | 3:02:11 | 3:02:12 | |
You're not wearing your solje. | 3:02:12 | 3:02:14 | |
No, I do not wear it tonight. | 3:02:14 | 3:02:17 | |
Come on, Trina, we'll be late. | 3:02:17 | 3:02:19 | |
Oh, but Peter isn't here yet. | 3:02:19 | 3:02:21 | |
< You like to wait for him? | 3:02:21 | 3:02:23 | |
Ja. > | 3:02:23 | 3:02:24 | |
I hope Katrin knows her part. | 3:02:24 | 3:02:26 | |
She sure does. I know it, too. | 3:02:26 | 3:02:28 | |
Lars, you be back before us? | 3:02:28 | 3:02:30 | |
I don't think the meeting will take long. | 3:02:30 | 3:02:33 | |
Good. All right, now we go. | 3:02:33 | 3:02:34 | |
Katrin, come. | 3:02:34 | 3:02:36 | |
Goodbye, papa. | 3:02:38 | 3:02:39 | |
Goodbye, daughter. I think of you. | 3:02:39 | 3:02:41 | |
See you there, Aunt Trina. | 3:02:41 | 3:02:43 | |
Good luck! | 3:02:43 | 3:02:44 | |
I knew you would devil mama into giving it to you. | 3:02:47 | 3:02:51 | |
I didn't. | 3:02:51 | 3:02:52 | |
I showed it to her in Mr Schiller's window. | 3:02:52 | 3:02:55 | |
And made her sell her brooch | 3:02:55 | 3:02:57 | |
her mother gave her. | 3:02:57 | 3:02:59 | |
What? | 3:02:59 | 3:03:00 | |
You weren't supposed to tell that. | 3:03:00 | 3:03:01 | |
I don't care. I think she ought to know. | 3:03:01 | 3:03:04 | |
Is that true? Did mama...Nels? | 3:03:04 | 3:03:07 | |
Well, yes. Come on. | 3:03:07 | 3:03:09 | |
No, I don't believe it. | 3:03:09 | 3:03:11 | |
I'm going to ask papa. | 3:03:11 | 3:03:13 | |
You haven't got time. | 3:03:13 | 3:03:14 | |
I don't care. | 3:03:14 | 3:03:16 | |
I hope you're satisfied. | 3:03:16 | 3:03:17 | |
Papa! Papa! | 3:03:18 | 3:03:21 | |
Christine said... | 3:03:21 | 3:03:22 | |
Papa, did mama sell her brooch | 3:03:22 | 3:03:25 | |
to give me this? | 3:03:25 | 3:03:26 | |
Well... | 3:03:26 | 3:03:28 | |
Christine shouldn't have told you that. | 3:03:28 | 3:03:31 | |
It's true then. | 3:03:31 | 3:03:32 | |
Well, she didn't sell it. | 3:03:32 | 3:03:34 | |
She traded it to Mr Schiller for... | 3:03:34 | 3:03:36 | |
for your present. | 3:03:36 | 3:03:38 | |
Oh, but she shouldn't. | 3:03:38 | 3:03:40 | |
I never meant... | 3:03:40 | 3:03:42 | |
But, look, Katrin, | 3:03:42 | 3:03:43 | |
you wanted your present, | 3:03:43 | 3:03:45 | |
and mama wanted your happiness. | 3:03:45 | 3:03:47 | |
Well, she wanted that more | 3:03:47 | 3:03:49 | |
than she wanted that brooch. | 3:03:49 | 3:03:51 | |
But I never meant her to do that. | 3:03:51 | 3:03:54 | |
She loved it so. | 3:03:54 | 3:03:56 | |
It was all she had of grandmother's. | 3:03:56 | 3:03:59 | |
But she always meant it for you, Katrin, | 3:03:59 | 3:04:02 | |
and you must not cry. | 3:04:02 | 3:04:04 | |
You have your play to act. | 3:04:04 | 3:04:06 | |
I don't want to act in it now. | 3:04:06 | 3:04:08 | |
But you must. Your audience is waiting. | 3:04:08 | 3:04:10 | |
I don't care. | 3:04:10 | 3:04:11 | |
But you must care. | 3:04:11 | 3:04:13 | |
Now, look, Katrin, | 3:04:13 | 3:04:15 | |
tonight you are not Katrin any longer. | 3:04:15 | 3:04:18 | |
Tonight you are an actress, | 3:04:18 | 3:04:20 | |
and an actress must act - | 3:04:20 | 3:04:23 | |
whatever she is feeling. | 3:04:23 | 3:04:25 | |
There's an old saying that says... the...er... | 3:04:25 | 3:04:28 | |
The mails must go through! | 3:04:28 | 3:04:30 | |
The mail... | 3:04:30 | 3:04:31 | |
The... | 3:04:42 | 3:04:43 | |
The show must go on. | 3:04:45 | 3:04:47 | |
You stop crying and go back and act your play. | 3:04:47 | 3:04:51 | |
We'll talk of this later. | 3:04:51 | 3:04:53 | |
Afterwards. Hmm? | 3:04:53 | 3:04:55 | |
All right. | 3:04:57 | 3:04:59 | |
I'll go. | 3:05:00 | 3:05:02 | |
I'm worried about her, Lars. | 3:05:43 | 3:05:45 | |
She was not good in the play tonight. | 3:05:45 | 3:05:48 | |
I've heard her practice it here. | 3:05:48 | 3:05:51 | |
She was good. | 3:05:51 | 3:05:53 | |
But tonight... | 3:05:53 | 3:05:54 | |
I don't know. She was not good. | 3:05:56 | 3:05:59 | |
Marta, tonight, after you leave, | 3:05:59 | 3:06:01 | |
Katrin found out about your brooch. | 3:06:01 | 3:06:03 | |
My brooch? | 3:06:03 | 3:06:05 | |
Ja. | 3:06:05 | 3:06:06 | |
How? Who told her? | 3:06:06 | 3:06:08 | |
Christine. | 3:06:09 | 3:06:11 | |
Why? | 3:06:12 | 3:06:13 | |
I don't know. | 3:06:13 | 3:06:15 | |
Christine! | 3:06:16 | 3:06:18 | |
Christine! | 3:06:18 | 3:06:19 | |
Yes, mama? | 3:06:21 | 3:06:22 | |
Did you tell Katrin tonight about my brooch? | 3:06:22 | 3:06:25 | |
Yes. | 3:06:25 | 3:06:27 | |
Why did you? | 3:06:27 | 3:06:28 | |
Because I hated the smug way she was acting | 3:06:28 | 3:06:31 | |
about that dresser set. | 3:06:31 | 3:06:33 | |
Is no excuse. | 3:06:33 | 3:06:34 | |
You make her unhappy and not good in the play. | 3:06:34 | 3:06:37 | |
Well, she made you unhappy, | 3:06:37 | 3:06:39 | |
giving up your brooch... | 3:06:39 | 3:06:40 | |
Is not your business I choose to give my brooch. | 3:06:40 | 3:06:44 | |
Is not you to judge. | 3:06:44 | 3:06:46 | |
You know I do not want you to tell. | 3:06:46 | 3:06:49 | |
I'm angry with you, Christine. | 3:06:49 | 3:06:51 | |
I'm sorry. | 3:06:53 | 3:06:55 | |
But I'm not sorry I told. | 3:07:00 | 3:07:03 | |
Christine is the stubborn one. | 3:07:07 | 3:07:09 | |
NELS: Come on, Katrin. It's all right. | 3:07:19 | 3:07:21 | |
NELS: What happened | 3:07:28 | 3:07:29 | |
at the meeting tonight, papa? | 3:07:29 | 3:07:31 | |
Oh, we go back to work tomorrow morning. | 3:07:31 | 3:07:34 | |
That's bully! Isn't it, mama? | 3:07:34 | 3:07:36 | |
Ja, is good. | 3:07:36 | 3:07:37 | |
Here's your brooch, mama. | 3:07:49 | 3:07:51 | |
I'm sorry I was so bad in the play. | 3:07:53 | 3:07:56 | |
I'll go help Christine with the dishes. | 3:07:56 | 3:08:00 | |
Mr Schiller give it back to her? | 3:08:12 | 3:08:14 | |
We went to his house to get it. | 3:08:14 | 3:08:16 | |
He didn't want to, but Katrin begged and begged. | 3:08:16 | 3:08:19 | |
And the dresser set, she give that back? | 3:08:19 | 3:08:22 | |
It was awful hard for her to do, mama. | 3:08:22 | 3:08:25 | |
She's a good kid. | 3:08:25 | 3:08:26 | |
Well, I'll say good night. | 3:08:26 | 3:08:28 | |
I got to get up early. | 3:08:28 | 3:08:31 | |
Good night, Nels. | 3:08:31 | 3:08:32 | |
Good night, Nels. | 3:08:32 | 3:08:34 | |
< Good night. | 3:08:34 | 3:08:35 | |
Nels is the kind one. | 3:08:38 | 3:08:40 | |
Katrin. | 3:08:43 | 3:08:45 | |
Katrin. | 3:08:46 | 3:08:48 | |
Katrin, come here. | 3:08:54 | 3:08:56 | |
You put this on. | 3:09:05 | 3:09:07 | |
No, it's... it's yours. | 3:09:09 | 3:09:11 | |
It is your graduation present. | 3:09:12 | 3:09:14 | |
I put it on for you. | 3:09:17 | 3:09:19 | |
I'll wear it always. | 3:09:24 | 3:09:26 | |
I'll keep it forever. | 3:09:26 | 3:09:27 | |
Christine should not have told you. | 3:09:29 | 3:09:32 | |
I'm glad she did now. | 3:09:32 | 3:09:34 | |
I'm glad, too. | 3:09:34 | 3:09:36 | |
Good night, Christine. | 3:09:52 | 3:09:54 | |
Good night, mama. | 3:09:56 | 3:09:57 | |
Good night, papa. | 3:10:04 | 3:10:05 | |
Good night, baby. | 3:10:08 | 3:10:09 | |
Good night, Katrin. | 3:10:13 | 3:10:15 | |
Good night, Christine. | 3:10:16 | 3:10:17 | |
Katrin. | 3:10:19 | 3:10:21 | |
I'm sorry, papa. | 3:10:23 | 3:10:24 | |
I just don't feel like it. | 3:10:24 | 3:10:27 | |
Katrin. | 3:11:30 | 3:11:32 | |
For me? | 3:11:35 | 3:11:36 | |
For our grown-up daughter. | 3:11:36 | 3:11:39 | |
SHE SOBS | 3:11:53 | 3:11:56 | |
Katrin is the dramatic one. | 3:12:01 | 3:12:04 | |
Ja. | 3:12:04 | 3:12:05 | |
Is too bad. | 3:12:05 | 3:12:07 | |
Her first cup of coffee, | 3:12:07 | 3:12:09 | |
and she doesn't drink it. | 3:12:09 | 3:12:11 | |
It would not have been good for her, so late at night. | 3:12:11 | 3:12:15 | |
Lars, you drink it. | 3:12:15 | 3:12:17 | |
We do not want to waste it. | 3:12:17 | 3:12:19 | |
And you, Marta, are the practical one. | 3:12:19 | 3:12:22 | |
There is a time for everything - | 3:12:29 | 3:12:30 | |
a time for being born, | 3:12:30 | 3:12:32 | |
and a time for coming of age, | 3:12:32 | 3:12:34 | |
and there is a time for death, too. | 3:12:34 | 3:12:36 | |
I remember when the telegram arrived. | 3:12:36 | 3:12:38 | |
Jenny, Uncle Chris is dying! | 3:12:38 | 3:12:40 | |
I don't believe it. | 3:12:40 | 3:12:42 | |
He's too mean to die, ever! | 3:12:42 | 3:12:43 | |
I cannot stop to argue. | 3:12:43 | 3:12:45 | |
There's a train at 11.00. | 3:12:45 | 3:12:47 | |
It take four hours. | 3:12:47 | 3:12:49 | |
You call Sigrid and Trina! | 3:12:49 | 3:12:51 | |
'When mama told me I was to go with her, | 3:12:58 | 3:13:00 | |
'I was thrilled, and I was frightened. | 3:13:00 | 3:13:02 | |
'It was exciting taking sandwiches on the train, | 3:13:02 | 3:13:04 | |
'almost as though we were going on a picnic. | 3:13:04 | 3:13:07 | |
'But I was scared at the idea of seeing death, | 3:13:07 | 3:13:10 | |
'although I told myself that if I were going to write, | 3:13:10 | 3:13:13 | |
'I'd have to experience everything. | 3:13:13 | 3:13:15 | |
'But even so, | 3:13:15 | 3:13:17 | |
'I hoped it would all be over when we got there. | 3:13:17 | 3:13:21 | |
'It was afternoon when we arrived. | 3:13:25 | 3:13:28 | |
'The ranch was about three miles from the town... | 3:13:28 | 3:13:32 | |
'a rambling, derelict old place. | 3:13:32 | 3:13:35 | |
'There were wide fields and tall trees | 3:13:35 | 3:13:37 | |
'and the smell of honeysuckle. | 3:13:37 | 3:13:40 | |
'The woman came out on the steps to meet us.' | 3:13:40 | 3:13:43 | |
How is he? Is he... | 3:13:58 | 3:14:01 | |
Come in, won't you? | 3:14:01 | 3:14:02 | |
CHRIS: I want more. | 3:14:19 | 3:14:22 | |
Give me more. | 3:14:22 | 3:14:24 | |
There is still some in the bottle. | 3:14:24 | 3:14:27 | |
Uncle Chris, that will not help now. | 3:14:27 | 3:14:31 | |
It always help. | 3:14:31 | 3:14:33 | |
Now especially. | 3:14:33 | 3:14:34 | |
Uncle Chris, I don't think you realise... | 3:14:34 | 3:14:37 | |
What don't I realise? | 3:14:37 | 3:14:40 | |
That I'm dying? | 3:14:40 | 3:14:43 | |
Why else do I think you come here? | 3:14:43 | 3:14:46 | |
Why else do I think you stand there watching me? | 3:14:46 | 3:14:50 | |
Get out. Get out. | 3:14:50 | 3:14:53 | |
I don't want you here. | 3:14:53 | 3:14:54 | |
Oh, very well. | 3:14:54 | 3:14:56 | |
We'll be outside on the porch if you want us. | 3:14:56 | 3:14:59 | |
That is where I want you - on the porch. | 3:14:59 | 3:15:01 | |
Oh, wait. That is Arne. | 3:15:04 | 3:15:06 | |
Come here, Arne. | 3:15:06 | 3:15:08 | |
How is your knee? | 3:15:13 | 3:15:15 | |
It's - it's fine, Uncle Chris. | 3:15:15 | 3:15:17 | |
- Does not hurt any more? - No. | 3:15:17 | 3:15:19 | |
You don't say "dom gjett" any more? | 3:15:19 | 3:15:23 | |
No, Uncle Chris. | 3:15:23 | 3:15:25 | |
< You walk good? | 3:15:25 | 3:15:27 | |
< Quite good? | 3:15:27 | 3:15:28 | |
Yes. | 3:15:28 | 3:15:30 | |
Is good. | 3:15:31 | 3:15:33 | |
Uncle Chris, Arne has always been fond... | 3:15:33 | 3:15:35 | |
I tell you all to get out! | 3:15:35 | 3:15:38 | |
Except Marta. | 3:15:38 | 3:15:40 | |
Katrina. | 3:15:43 | 3:15:44 | |
Katrina can stay. | 3:15:46 | 3:15:48 | |
She and I have secret. | 3:15:48 | 3:15:51 | |
You remember? | 3:15:51 | 3:15:53 | |
Yes, Uncle Chris. | 3:15:54 | 3:15:55 | |
Heh heh. | 3:15:55 | 3:15:57 | |
Uncle Chris, what are you doing? | 3:16:02 | 3:16:04 | |
You must lie down again. | 3:16:04 | 3:16:06 | |
Then you give me drink. | 3:16:06 | 3:16:08 | |
No. | 3:16:08 | 3:16:09 | |
We cannot waste what is left in the bottle! | 3:16:09 | 3:16:12 | |
You do not drink it. | 3:16:12 | 3:16:14 | |
Who will drink it when I'm gone? | 3:16:14 | 3:16:16 | |
What harm can it do now? | 3:16:16 | 3:16:18 | |
I die anyway. | 3:16:18 | 3:16:20 | |
You give it me. | 3:16:20 | 3:16:22 | |
All right. I... I give you drink. | 3:16:24 | 3:16:26 | |
You lie down again. | 3:16:26 | 3:16:28 | |
Uhh... | 3:16:57 | 3:16:58 | |
Marta. | 3:17:46 | 3:17:47 | |
Ja. | 3:17:47 | 3:17:49 | |
You sell this ranch | 3:17:50 | 3:17:52 | |
and give the money to Jessie. | 3:17:52 | 3:17:55 | |
Jessie? | 3:17:55 | 3:17:57 | |
Jessie Brown, my housekeeper. | 3:17:57 | 3:18:00 | |
No. Why do I call her that to you? | 3:18:00 | 3:18:04 | |
She is my wife. | 3:18:05 | 3:18:07 | |
For several years, she has been my wife. | 3:18:07 | 3:18:10 | |
She used to have husband in asylum in Stockton, | 3:18:12 | 3:18:15 | |
but when he die, we get married. | 3:18:15 | 3:18:18 | |
Only I do not tell the aunts. | 3:18:18 | 3:18:21 | |
They snub her before... | 3:18:21 | 3:18:23 | |
so... | 3:18:23 | 3:18:25 | |
heh heh... | 3:18:25 | 3:18:26 | |
I play fine joke on them. | 3:18:26 | 3:18:28 | |
Ja. | 3:18:28 | 3:18:30 | |
But there is no money for you, Marta. | 3:18:32 | 3:18:35 | |
Always I wanted there should be money to make Nels doctor. | 3:18:35 | 3:18:40 | |
But... | 3:18:40 | 3:18:41 | |
there were other things. | 3:18:41 | 3:18:43 | |
Quick things. | 3:18:43 | 3:18:45 | |
And now there is no time to make more. | 3:18:45 | 3:18:48 | |
There is no money. | 3:18:48 | 3:18:50 | |
But... | 3:18:52 | 3:18:53 | |
you make Nels doctor all the same. | 3:18:53 | 3:18:56 | |
You like? | 3:18:56 | 3:18:58 | |
Ja, sure, Uncle Chris. | 3:18:58 | 3:19:00 | |
Is what Lars and I have always wanted for him... | 3:19:00 | 3:19:03 | |
to help people who suffer. | 3:19:03 | 3:19:06 | |
Is greatest thing in world. | 3:19:07 | 3:19:10 | |
It is to have little of God in you. | 3:19:12 | 3:19:16 | |
Where is Jessie? | 3:19:21 | 3:19:23 | |
I think she wait outside, Uncle Chris. | 3:19:24 | 3:19:28 | |
You call her. | 3:19:28 | 3:19:30 | |
I like you both be here. | 3:19:30 | 3:19:32 | |
Oh...Katrina. | 3:19:51 | 3:19:54 | |
Hmm... | 3:19:57 | 3:19:58 | |
Your mama write me you drink coffee now? | 3:20:04 | 3:20:07 | |
Huh... | 3:20:10 | 3:20:11 | |
Katrina, who will be writer. | 3:20:11 | 3:20:15 | |
You're not frightened of me now. | 3:20:18 | 3:20:21 | |
Hmm? | 3:20:21 | 3:20:23 | |
No, Uncle Chris. | 3:20:23 | 3:20:24 | |
One day maybe... | 3:20:31 | 3:20:33 | |
you write story from Uncle Chris... | 3:20:33 | 3:20:36 | |
..if you remember. | 3:20:39 | 3:20:41 | |
I'll remember. | 3:20:43 | 3:20:44 | |
I think best, maybe... Katrina go away now. | 3:20:54 | 3:20:58 | |
Farvell, Katrina. | 3:21:00 | 3:21:02 | |
Goodbye, Uncle Chris. | 3:21:02 | 3:21:04 | |
You say in Norwegian, | 3:21:06 | 3:21:09 | |
like I do? | 3:21:09 | 3:21:11 | |
Farvell, Onkel Chris. | 3:21:17 | 3:21:18 | |
Maybe... | 3:21:42 | 3:21:44 | |
I should introduce you to each other. | 3:21:44 | 3:21:47 | |
Jessie... | 3:21:49 | 3:21:50 | |
this is my niece Marta, | 3:21:52 | 3:21:55 | |
the only one of my nieces I can stand. | 3:21:55 | 3:21:59 | |
Marta... | 3:21:59 | 3:22:00 | |
this is my wife... | 3:22:02 | 3:22:04 | |
Jessie... | 3:22:04 | 3:22:05 | |
who has given me much... | 3:22:07 | 3:22:09 | |
happiness. | 3:22:09 | 3:22:11 | |
I'm very glad to meet you. | 3:22:11 | 3:22:13 | |
I am, too, Marta. | 3:22:13 | 3:22:16 | |
Is good. | 3:22:16 | 3:22:18 | |
And now... | 3:22:18 | 3:22:20 | |
you give me one more drink. | 3:22:20 | 3:22:23 | |
You have drink with me, both of you. | 3:22:25 | 3:22:28 | |
That way, we finish the bottle. | 3:22:28 | 3:22:30 | |
Yes? | 3:22:30 | 3:22:31 | |
Ja, sure, Uncle Chris. | 3:22:34 | 3:22:36 | |
Uh, Jessie... | 3:22:36 | 3:22:37 | |
you get best glasses. | 3:22:37 | 3:22:39 | |
What is the time? | 3:22:44 | 3:22:46 | |
Is, er, about half past four, Uncle Chris. | 3:22:46 | 3:22:50 | |
Hmm... | 3:22:50 | 3:22:51 | |
The sun come round this side of the house | 3:22:53 | 3:22:55 | |
in afternoon. | 3:22:55 | 3:22:57 | |
I pull the shade. | 3:23:01 | 3:23:02 | |
No! No! Marta! | 3:23:02 | 3:23:04 | |
I don't like it dark. | 3:23:06 | 3:23:08 | |
The sun is good. | 3:23:11 | 3:23:13 | |
POURING WATER | 3:23:15 | 3:23:17 | |
No, no, no, no. | 3:23:21 | 3:23:23 | |
I take now without water. | 3:23:23 | 3:23:25 | |
Last drink always without water. | 3:23:25 | 3:23:28 | |
Is Norwegian custom. True? | 3:23:28 | 3:23:31 | |
True. | 3:23:31 | 3:23:34 | |
No, no. I do not need you feed it to me. | 3:23:34 | 3:23:37 | |
I can drink myself. | 3:23:37 | 3:23:39 | |
You give Marta her glass. | 3:23:44 | 3:23:46 | |
So. | 3:23:52 | 3:23:54 | |
Skoal. | 3:23:55 | 3:23:57 | |
Skoal. | 3:23:59 | 3:24:00 | |
Uhh... | 3:24:00 | 3:24:01 | |
Skoal. | 3:24:01 | 3:24:04 | |
< Hmm. | 3:24:04 | 3:24:05 | |
Ahh! | 3:24:16 | 3:24:17 | |
Mmm... | 3:24:23 | 3:24:24 | |
Farvell, Onkel Chris. | 3:25:12 | 3:25:13 | |
CAR HORN HONKS | 3:25:36 | 3:25:38 | |
HONK HONK | 3:25:42 | 3:25:44 | |
Oh, these gnats. | 3:25:53 | 3:25:55 | |
They're always worse around sunset. | 3:25:55 | 3:25:58 | |
HONK | 3:26:00 | 3:26:02 | |
Oh, sweetheart, stop honking that horn. | 3:26:02 | 3:26:05 | |
My goodness. You'll wear the thing out. | 3:26:05 | 3:26:08 | |
All this expense | 3:26:08 | 3:26:10 | |
to watch a wicked old man die of the DTs. | 3:26:10 | 3:26:14 | |
Well, you can't hurry these things. | 3:26:14 | 3:26:16 | |
I, er... | 3:26:18 | 3:26:19 | |
I mean that, er... | 3:26:19 | 3:26:21 | |
Well, Mr Thorkelson say that... | 3:26:21 | 3:26:23 | |
ahem. | 3:26:23 | 3:26:24 | |
Uncle Chris is gone. | 3:26:37 | 3:26:38 | |
Did he... | 3:26:44 | 3:26:45 | |
did he say anything about a will? | 3:26:45 | 3:26:48 | |
There's no will. | 3:26:48 | 3:26:49 | |
Well, then, | 3:26:49 | 3:26:51 | |
that means... | 3:26:51 | 3:26:52 | |
we're his nearest relatives. | 3:26:52 | 3:26:54 | |
There is no money, either. | 3:26:56 | 3:26:58 | |
How do you know? | 3:26:58 | 3:27:00 | |
He told me. | 3:27:00 | 3:27:01 | |
What's that? | 3:27:02 | 3:27:04 | |
Is an account of how he spent the money. | 3:27:05 | 3:27:09 | |
Bills from a saloon. | 3:27:09 | 3:27:11 | |
No, Jenny. | 3:27:11 | 3:27:12 | |
No. | 3:27:12 | 3:27:14 | |
I read it to you. | 3:27:14 | 3:27:16 | |
You know how Uncle Chris was lame, | 3:27:19 | 3:27:22 | |
how he walked always with limp. | 3:27:22 | 3:27:24 | |
It was his one thought... | 3:27:24 | 3:27:26 | |
lame people. | 3:27:26 | 3:27:28 | |
He would have liked to be doctor and help them. | 3:27:29 | 3:27:33 | |
Instead, he... | 3:27:33 | 3:27:34 | |
he help in other ways. | 3:27:34 | 3:27:36 | |
I read you the last page. | 3:27:37 | 3:27:40 | |
"Joseph Spinelli, | 3:27:40 | 3:27:42 | |
"four year old, | 3:27:42 | 3:27:44 | |
"tubercular left leg, | 3:27:44 | 3:27:47 | |
"337.18." | 3:27:47 | 3:27:50 | |
"Walks now." | 3:27:52 | 3:27:53 | |
"Esther Jensen, | 3:27:55 | 3:27:57 | |
"nine year, | 3:27:57 | 3:27:59 | |
"club foot, | 3:27:59 | 3:28:00 | |
"217.50." | 3:28:00 | 3:28:04 | |
"Walks now." | 3:28:05 | 3:28:07 | |
"Arne Solfeldt." | 3:28:10 | 3:28:12 | |
My Arne? | 3:28:12 | 3:28:13 | |
"nine year, | 3:28:13 | 3:28:15 | |
"fractured kneecap, | 3:28:15 | 3:28:18 | |
"442.16." | 3:28:18 | 3:28:22 | |
Mother. | 3:28:24 | 3:28:25 | |
Mother. | 3:28:25 | 3:28:27 | |
When do we eat? | 3:28:28 | 3:28:30 | |
What is it? | 3:28:34 | 3:28:35 | |
Is...Uncle Chris... | 3:28:35 | 3:28:38 | |
I like to write... | 3:28:46 | 3:28:48 | |
walks now. | 3:28:48 | 3:28:50 | |
Ja? | 3:28:50 | 3:28:51 | |
Ja. | 3:28:51 | 3:28:53 | |
Or...maybe even runs? | 3:28:53 | 3:28:57 | |
So... | 3:29:04 | 3:29:06 | |
is finish. | 3:29:06 | 3:29:08 | |
He was good. | 3:29:11 | 3:29:13 | |
Was good. | 3:29:16 | 3:29:18 | |
You can go in and see him now if you want. | 3:29:26 | 3:29:30 | |
Maybe you never meet Uncle Chris wife... | 3:29:32 | 3:29:34 | |
Mrs Halvorsen. | 3:29:34 | 3:29:36 | |
Is true. | 3:29:39 | 3:29:41 | |
How do you do? | 3:29:54 | 3:29:56 | |
Jessie... | 3:30:02 | 3:30:04 | |
I go in and wash the dishes. | 3:30:04 | 3:30:07 | |
How's that? | 3:30:07 | 3:30:09 | |
You like to come to San Francisco for a little, | 3:30:21 | 3:30:24 | |
to our house? | 3:30:24 | 3:30:25 | |
Thank you. | 3:30:25 | 3:30:27 | |
I like to have you. | 3:30:27 | 3:30:29 | |
We got room, | 3:30:29 | 3:30:30 | |
plenty room. | 3:30:30 | 3:30:32 | |
I don't know why you should bother. | 3:30:32 | 3:30:35 | |
You were good to Uncle Chris. | 3:30:35 | 3:30:38 | |
Thank you, Martha. | 3:30:39 | 3:30:41 | |
Thank you, Martha. | 3:30:43 | 3:30:45 | |
Katrin. | 3:30:53 | 3:30:54 | |
You come and see him. | 3:30:56 | 3:30:58 | |
See him? | 3:30:58 | 3:30:59 | |
You mean... | 3:30:59 | 3:31:01 | |
Ja, I like you see him. | 3:31:01 | 3:31:04 | |
He looks happy. | 3:31:04 | 3:31:05 | |
I like you to know what death looks like. | 3:31:05 | 3:31:08 | |
Then you are not frightened of it ever. | 3:31:08 | 3:31:11 | |
Will you come with me? | 3:31:20 | 3:31:22 | |
Ja, sure. I come. | 3:31:24 | 3:31:26 | |
The woman. | 3:31:33 | 3:31:35 | |
One year later, | 3:31:38 | 3:31:39 | |
my Aunt Trina and Peter Thorkelson | 3:31:39 | 3:31:42 | |
were married in our parlour. | 3:31:42 | 3:31:44 | |
One year after that... | 3:31:49 | 3:31:51 | |
who is the most beautiful Norwegian baby | 3:31:51 | 3:31:53 | |
in San Francisco? | 3:31:53 | 3:31:55 | |
Hmm? | 3:31:55 | 3:31:56 | |
Look. He's asleep. | 3:31:56 | 3:31:59 | |
Trina. | 3:31:59 | 3:32:01 | |
Ja? | 3:32:01 | 3:32:02 | |
Do you know what next Thursday is? | 3:32:02 | 3:32:05 | |
Our anniversary. | 3:32:05 | 3:32:07 | |
What would you think of our giving a little party? | 3:32:08 | 3:32:12 | |
I think it is time you... | 3:32:12 | 3:32:14 | |
took your place in society. | 3:32:14 | 3:32:18 | |
Well... what would you say | 3:32:18 | 3:32:20 | |
to ice cream and cookies | 3:32:20 | 3:32:22 | |
for the ladies? | 3:32:22 | 3:32:23 | |
And...and coffee, of course. | 3:32:23 | 3:32:25 | |
Perhaps port wine for the gentlemen. | 3:32:27 | 3:32:29 | |
Port wine? | 3:32:29 | 3:32:31 | |
Uh, just a little. | 3:32:31 | 3:32:32 | |
You could bring it in already poured out | 3:32:32 | 3:32:35 | |
in...in little glasses. | 3:32:35 | 3:32:37 | |
And Jenny or Sigrid could help me serve the ice cream. | 3:32:37 | 3:32:41 | |
No. | 3:32:41 | 3:32:42 | |
You will have someone in to help you, | 3:32:42 | 3:32:44 | |
in the kitchen. | 3:32:44 | 3:32:46 | |
You...you mean a waitress? | 3:32:46 | 3:32:49 | |
Oh, Peter. | 3:32:49 | 3:32:50 | |
But none of us have ever... | 3:32:50 | 3:32:52 | |
you don't really think... | 3:32:52 | 3:32:55 | |
Oh, no. | 3:32:55 | 3:32:56 | |
No. | 3:32:56 | 3:32:58 | |
Trina... | 3:32:58 | 3:32:59 | |
There... there is something | 3:33:01 | 3:33:03 | |
I would like to tell you. | 3:33:03 | 3:33:05 | |
I... | 3:33:05 | 3:33:06 | |
I am not very good at expressing myself... | 3:33:06 | 3:33:11 | |
or my... my deeper feelings. | 3:33:11 | 3:33:14 | |
But... | 3:33:14 | 3:33:16 | |
I want you to know | 3:33:16 | 3:33:17 | |
that I am not only very fond of you... | 3:33:17 | 3:33:23 | |
but I'm very proud of you, as well. | 3:33:23 | 3:33:27 | |
And I-I want you | 3:33:27 | 3:33:29 | |
to have the best of everything... | 3:33:29 | 3:33:32 | |
as far as it is in my power | 3:33:32 | 3:33:35 | |
to give it to you. | 3:33:35 | 3:33:37 | |
I want... | 3:33:39 | 3:33:41 | |
you to have a waitress. | 3:33:41 | 3:33:43 | |
Oh, Peter! | 3:33:43 | 3:33:45 | |
Papa was working steadily now, | 3:33:49 | 3:33:51 | |
and the little bank was fuller than ever, | 3:33:51 | 3:33:53 | |
but the old and thrifty ways continued. | 3:33:53 | 3:33:55 | |
I've just decided something. | 3:33:55 | 3:33:57 | |
What have you decided? | 3:33:57 | 3:33:58 | |
If Nels is going to be a doctor, | 3:33:58 | 3:34:01 | |
when I grow up, | 3:34:01 | 3:34:03 | |
I'm going to be a veterinarian. | 3:34:03 | 3:34:04 | |
I remember one afternoon, | 3:34:04 | 3:34:06 | |
when I was going out to do some shopping for mama. | 3:34:06 | 3:34:10 | |
Goodbye, everybody. | 3:34:10 | 3:34:11 | |
Goodbye. | 3:34:11 | 3:34:12 | |
A horse doctor? | 3:34:12 | 3:34:14 | |
Goodbye, Katrin. | 3:34:14 | 3:34:15 | |
There are more animals in the world | 3:34:15 | 3:34:17 | |
than there are human beings, | 3:34:17 | 3:34:19 | |
and more human doctors | 3:34:19 | 3:34:20 | |
than there are animal ones. | 3:34:20 | 3:34:22 | |
It isn't fair, Mama. | 3:34:22 | 3:34:24 | |
I don't suppose we can have a horse, | 3:34:26 | 3:34:29 | |
can we, Papa? | 3:34:29 | 3:34:31 | |
Maybe a pony? | 3:34:31 | 3:34:33 | |
Huh? A pony? | 3:34:33 | 3:34:34 | |
Say, Dagmar, what are you going to do | 3:34:34 | 3:34:37 | |
when the pony grows up to be a horse? | 3:34:37 | 3:34:40 | |
Oh, I never thought of that yet. | 3:34:40 | 3:34:42 | |
What is it? | 3:35:03 | 3:35:05 | |
KATRIN: Mama... | 3:35:05 | 3:35:06 | |
I'm not going to college. | 3:35:06 | 3:35:08 | |
MAMA: And why not? | 3:35:08 | 3:35:10 | |
KATRIN: Because it would be a waste of money. | 3:35:10 | 3:35:12 | |
The very point in my going to college | 3:35:12 | 3:35:15 | |
was to be a writer. | 3:35:15 | 3:35:16 | |
Well, I'm not going to be one. | 3:35:16 | 3:35:18 | |
MAMA: Is your letter makes you say this? | 3:35:18 | 3:35:21 | |
Has a story come back again? | 3:35:21 | 3:35:24 | |
KATRIN: This is the tenth time. | 3:35:24 | 3:35:26 | |
It's the best I've ever written. | 3:35:26 | 3:35:28 | |
MAMA: What do your teachers say about this? | 3:35:28 | 3:35:30 | |
KATRIN: Teachers don't know anything about writing. | 3:35:30 | 3:35:33 | |
They just know about literature. | 3:35:33 | 3:35:35 | |
PAPA: Say-say-say, Katrin, | 3:35:35 | 3:35:36 | |
last night I read an article in the newspapers. | 3:35:36 | 3:35:39 | |
I saved it for you. | 3:35:39 | 3:35:41 | |
My eye just caught the headline. | 3:35:41 | 3:35:43 | |
It says... here it is. | 3:35:43 | 3:35:46 | |
It says, "Woman writer tells key | 3:35:46 | 3:35:48 | |
"to literary success." | 3:35:48 | 3:35:50 | |
Who? | 3:35:50 | 3:35:51 | |
Is a lady called... | 3:35:51 | 3:35:53 | |
NELS: Where is everybody? | 3:35:53 | 3:35:55 | |
PAPA: Florence Dana Moorhead. | 3:35:55 | 3:35:57 | |
What's going on here? | 3:35:57 | 3:36:00 | |
Nothing. | 3:36:00 | 3:36:02 | |
PAPA: Did you ever hear of her? | 3:36:02 | 3:36:04 | |
KATRIN: Yes, of course. Everyone has. | 3:36:04 | 3:36:06 | |
She's terribly successful. | 3:36:06 | 3:36:08 | |
What does she say is the secret? | 3:36:08 | 3:36:11 | |
Well, she say... | 3:36:11 | 3:36:12 | |
Katrin, you better read it. Here. | 3:36:12 | 3:36:15 | |
Look. | 3:36:15 | 3:36:16 | |
"Florence Dana Moorhead, | 3:36:17 | 3:36:19 | |
"celebrated novelist and short story writer - | 3:36:19 | 3:36:22 | |
"blah, blah, blah - | 3:36:22 | 3:36:23 | |
"interviewed today in her suite at the Fairmont - | 3:36:23 | 3:36:26 | |
"blah, blah, blah - | 3:36:26 | 3:36:27 | |
"pronounced sincerity the one essential quality | 3:36:27 | 3:36:30 | |
"for success as a writer." | 3:36:30 | 3:36:32 | |
A lot of help that is. | 3:36:32 | 3:36:34 | |
If you sent your stories to this lady, | 3:36:34 | 3:36:36 | |
maybe she could tell you what's wrong with them. | 3:36:36 | 3:36:39 | |
Oh, Mama, don't be silly. | 3:36:39 | 3:36:41 | |
Why is silly? | 3:36:41 | 3:36:42 | |
In the first place, | 3:36:42 | 3:36:44 | |
she's a very important person, | 3:36:44 | 3:36:46 | |
a celebrity. | 3:36:46 | 3:36:47 | |
And she'd never read them. | 3:36:47 | 3:36:49 | |
In the second place, | 3:36:49 | 3:36:50 | |
you seem to think writing's like... | 3:36:50 | 3:36:52 | |
like cooking or something, | 3:36:52 | 3:36:53 | |
that you just need a recipe. | 3:36:53 | 3:36:55 | |
It takes much more. | 3:36:55 | 3:36:57 | |
You've got to have the gift. | 3:36:57 | 3:36:59 | |
You have to have the gift for cooking, too. | 3:36:59 | 3:37:02 | |
But there are things you must learn, | 3:37:02 | 3:37:04 | |
even if you have the gift. | 3:37:04 | 3:37:06 | |
Well, that's the whole point. | 3:37:06 | 3:37:09 | |
I haven't. | 3:37:09 | 3:37:11 | |
I know now. | 3:37:11 | 3:37:13 | |
So, Papa, | 3:37:14 | 3:37:16 | |
if you're through with the paper, | 3:37:16 | 3:37:18 | |
I'll take the want ad section | 3:37:18 | 3:37:20 | |
and see if I can find a job. | 3:37:20 | 3:37:22 | |
This lady in the paper, | 3:37:30 | 3:37:32 | |
what else does she say, Nels? | 3:37:32 | 3:37:35 | |
Well, not much. | 3:37:35 | 3:37:36 | |
The rest seems to be about her and her home. | 3:37:36 | 3:37:39 | |
"Apart from literature, | 3:37:41 | 3:37:43 | |
"Mrs Moorhead's main interest in life | 3:37:43 | 3:37:46 | |
"is gastronomy." | 3:37:46 | 3:37:48 | |
Gastronomy... | 3:37:48 | 3:37:49 | |
the stars. | 3:37:49 | 3:37:51 | |
No. Eating. | 3:37:51 | 3:37:53 | |
"A brilliant cook herself, | 3:37:53 | 3:37:54 | |
"she would as soon turn out a good souffle | 3:37:54 | 3:37:57 | |
"as a short story..." | 3:37:57 | 3:37:59 | |
"..Or find a new recipe | 3:38:01 | 3:38:03 | |
"as she would a first edition." | 3:38:03 | 3:38:05 | |
Mama, I'll go see | 3:38:07 | 3:38:08 | |
if I have any puppies yet. | 3:38:08 | 3:38:11 | |
Ja. | 3:38:11 | 3:38:12 | |
Can I see her picture? | 3:38:12 | 3:38:14 | |
Is kind face. | 3:38:15 | 3:38:17 | |
What is first edition? | 3:38:17 | 3:38:20 | |
HE COUGHS | 3:38:22 | 3:38:25 | |
Christine, lookee. | 3:38:35 | 3:38:36 | |
What, Dagmar? | 3:38:36 | 3:38:37 | |
I've got puppies! | 3:38:37 | 3:38:39 | |
How many? | 3:38:39 | 3:38:40 | |
15. What will I call them? | 3:38:40 | 3:38:43 | |
I'm coming! | 3:38:43 | 3:38:44 | |
Don't name them anything till I get there. | 3:38:46 | 3:38:48 | |
Miss Moorhead. | 3:39:11 | 3:39:12 | |
Calling Miss Moorhead. | 3:39:13 | 3:39:15 | |
Miss Moorhead. | 3:39:18 | 3:39:20 | |
Calling Miss Moorhead. | 3:39:21 | 3:39:23 | |
Call for Miss Moorhead. | 3:39:25 | 3:39:27 | |
Yes? | 3:39:27 | 3:39:29 | |
Miss Moorhead? | 3:39:35 | 3:39:36 | |
Miss Florence Dana Moorhead? | 3:39:38 | 3:39:40 | |
Yes? | 3:39:40 | 3:39:41 | |
Could I speak to you, please? | 3:39:41 | 3:39:43 | |
Yes. What's it about? | 3:39:43 | 3:39:45 | |
I read what you say about writing. | 3:39:45 | 3:39:47 | |
Oh, yes. | 3:39:47 | 3:39:49 | |
My daughter Katrin wants to be writer. | 3:39:49 | 3:39:52 | |
Oh, really? | 3:39:52 | 3:39:53 | |
I bring her stories. | 3:39:53 | 3:39:55 | |
I'm in a hurry. | 3:39:55 | 3:39:56 | |
I'm leaving San Francisco this evening. | 3:39:56 | 3:39:59 | |
But if we can talk just two minute. | 3:39:59 | 3:40:03 | |
I've had to make it a rule | 3:40:03 | 3:40:05 | |
never to read anyone's unpublished material. | 3:40:05 | 3:40:08 | |
I read that you like to collect recipes for eating. | 3:40:11 | 3:40:15 | |
Yes. I've written several books on cooking. | 3:40:15 | 3:40:18 | |
I, too, am interested in gastronomy. | 3:40:18 | 3:40:21 | |
I am good cook - Norwegian. | 3:40:21 | 3:40:22 | |
I make good Norwegian dishes. | 3:40:22 | 3:40:24 | |
Lutefisk and kjodboller - | 3:40:24 | 3:40:26 | |
meatballs with cream sauce. | 3:40:26 | 3:40:28 | |
I know. I've eaten them in Christiania. | 3:40:28 | 3:40:30 | |
My mother give me special recipe for kjodboller. | 3:40:30 | 3:40:33 | |
She was best cook I ever know. | 3:40:33 | 3:40:35 | |
Never have I told this recipe, | 3:40:35 | 3:40:37 | |
not even to my sisters | 3:40:37 | 3:40:39 | |
because they are not good cooks. | 3:40:39 | 3:40:41 | |
Oh? | 3:40:41 | 3:40:42 | |
But if you let me talk to you, | 3:40:42 | 3:40:45 | |
I give it to you. | 3:40:45 | 3:40:47 | |
Is fine recipe. | 3:40:47 | 3:40:48 | |
Now, your daughter wants to write, you say. | 3:40:54 | 3:40:56 | |
Ja. | 3:40:56 | 3:40:58 | |
Does she write or only want to? | 3:40:58 | 3:41:00 | |
She write all the time. | 3:41:00 | 3:41:02 | |
Maybe she should not be author, | 3:41:02 | 3:41:04 | |
but is hard to give up something | 3:41:04 | 3:41:07 | |
that have meant so much. | 3:41:07 | 3:41:08 | |
I bring her stories. I bring 12. | 3:41:08 | 3:41:11 | |
12? | 3:41:11 | 3:41:13 | |
Well, if you could read maybe just one. | 3:41:13 | 3:41:16 | |
To know if someone cooks well, | 3:41:16 | 3:41:18 | |
you do not need to eat a whole dinner. | 3:41:18 | 3:41:20 | |
You're very persuasive. | 3:41:20 | 3:41:22 | |
Why didn't your daughter come herself? | 3:41:22 | 3:41:24 | |
She was too unhappy and too scared of you. | 3:41:24 | 3:41:28 | |
You are celebrity. | 3:41:28 | 3:41:29 | |
But I see your picture in the paper. | 3:41:29 | 3:41:32 | |
That frightful picture. | 3:41:32 | 3:41:34 | |
Is a picture of woman who like to eat good. | 3:41:34 | 3:41:37 | |
It certainly is. | 3:41:37 | 3:41:39 | |
Now tell me about the kjodboller. | 3:41:39 | 3:41:41 | |
Ja. | 3:41:41 | 3:41:42 | |
When you make the meatballs, | 3:41:44 | 3:41:46 | |
you drop them in boiling stock, | 3:41:46 | 3:41:49 | |
not water. | 3:41:49 | 3:41:50 | |
Oh. | 3:41:50 | 3:41:52 | |
That is one of the secrets. | 3:41:52 | 3:41:53 | |
The cream sauce is another secret. | 3:41:53 | 3:41:56 | |
Is half sour cream, added at the last. | 3:41:56 | 3:42:00 | |
Oh, that sounds marvellous. | 3:42:01 | 3:42:03 | |
You have to grind the meat six times, | 3:42:03 | 3:42:06 | |
and then you... | 3:42:06 | 3:42:08 | |
Well, I could write this out for you. | 3:42:08 | 3:42:11 | |
And while I write, you could read. | 3:42:11 | 3:42:14 | |
Having written a tragic farewell to my art, | 3:42:23 | 3:42:26 | |
I was tearing up all the stories I'd written | 3:42:26 | 3:42:29 | |
when I heard Mama's voice at the attic stairs. | 3:42:29 | 3:42:32 | |
Katrin? | 3:42:33 | 3:42:35 | |
Yes, Mama? | 3:42:35 | 3:42:36 | |
You are writing? | 3:42:38 | 3:42:40 | |
No, Mama. | 3:42:40 | 3:42:41 | |
That's all over. | 3:42:43 | 3:42:45 | |
That's what I want to talk to you about. | 3:42:46 | 3:42:50 | |
It's all right, Mama. Really. | 3:42:50 | 3:42:52 | |
I've been tearing up my stories, | 3:42:52 | 3:42:54 | |
only I couldn't find half of them. | 3:42:54 | 3:42:57 | |
Well, they're here. | 3:42:57 | 3:42:58 | |
Did you take them? | 3:43:00 | 3:43:02 | |
What for? | 3:43:11 | 3:43:12 | |
Katrin, I've been to see Miss Moorhead. | 3:43:13 | 3:43:17 | |
Who's Miss... | 3:43:17 | 3:43:18 | |
Florence Dana Moorhead? | 3:43:18 | 3:43:21 | |
You took her my stories? | 3:43:21 | 3:43:23 | |
She read five of them. | 3:43:23 | 3:43:26 | |
I was two hours with her. | 3:43:26 | 3:43:28 | |
We have glass of sherry. | 3:43:30 | 3:43:32 | |
We have two glass of sherry. | 3:43:32 | 3:43:34 | |
What did she say about them? | 3:43:34 | 3:43:37 | |
Well, she said they are not good. | 3:43:37 | 3:43:40 | |
Well, I knew that. | 3:43:40 | 3:43:41 | |
It was hardly worth going to that trouble | 3:43:41 | 3:43:44 | |
just to be told that. | 3:43:44 | 3:43:46 | |
But she say more. | 3:43:46 | 3:43:48 | |
Will you listen, Katrin? | 3:43:48 | 3:43:50 | |
Sure. I'll listen. | 3:43:50 | 3:43:51 | |
She say you write now | 3:43:53 | 3:43:55 | |
only because of what you have read in other books, | 3:43:55 | 3:43:58 | |
that for years she write bad stories | 3:43:58 | 3:44:01 | |
about people in the olden times, | 3:44:01 | 3:44:03 | |
until one day she remembers | 3:44:03 | 3:44:05 | |
something that happen in her own town, | 3:44:05 | 3:44:09 | |
and she feels she must tell that. | 3:44:09 | 3:44:12 | |
That is how she write her first good story. | 3:44:12 | 3:44:16 | |
She say you must write about things you know. | 3:44:16 | 3:44:19 | |
That's what my teacher always said. | 3:44:19 | 3:44:21 | |
Maybe your teacher was right. | 3:44:21 | 3:44:24 | |
But she say you are to go on writing, | 3:44:25 | 3:44:28 | |
that you have the gift. | 3:44:28 | 3:44:30 | |
And that when you have written story | 3:44:32 | 3:44:35 | |
that is real and true, | 3:44:35 | 3:44:37 | |
then you are to send it to her agent | 3:44:37 | 3:44:40 | |
and say she recommend you. | 3:44:40 | 3:44:42 | |
Here. | 3:44:42 | 3:44:43 | |
No. Is recipe for goulash | 3:44:43 | 3:44:45 | |
as her grandmother make it. | 3:44:45 | 3:44:47 | |
Here. | 3:44:49 | 3:44:50 | |
It helps, Katrin, what I have told you? | 3:45:02 | 3:45:06 | |
Yes, I... I guess it helps... | 3:45:06 | 3:45:09 | |
some. | 3:45:09 | 3:45:11 | |
But I haven't been anywhere | 3:45:11 | 3:45:14 | |
or seen anything. | 3:45:14 | 3:45:16 | |
Well... | 3:45:16 | 3:45:17 | |
could you write about San Francisco maybe? | 3:45:17 | 3:45:20 | |
Is fine city. | 3:45:20 | 3:45:21 | |
Miss Moorhead write about her home town. | 3:45:21 | 3:45:24 | |
Yes, I know, but... | 3:45:24 | 3:45:25 | |
you got to have a central character or something. | 3:45:25 | 3:45:29 | |
She always writes about her grandfather. | 3:45:29 | 3:45:31 | |
He was a wonderful man. | 3:45:31 | 3:45:33 | |
Could you maybe write about Papa? | 3:45:33 | 3:45:35 | |
Papa. | 3:45:35 | 3:45:37 | |
Papa's a fine man. Is a wonderful man. | 3:45:37 | 3:45:39 | |
Yes, I know, but... | 3:45:39 | 3:45:42 | |
Well, I go fix supper. | 3:45:42 | 3:45:44 | |
Papa's working late. | 3:45:44 | 3:45:46 | |
I like you should write about Papa. | 3:45:50 | 3:45:54 | |
DOORBELL RINGS | 3:46:37 | 3:46:38 | |
Special delivery. | 3:46:45 | 3:46:46 | |
Oh, dear. | 3:46:46 | 3:46:48 | |
Mama! | 3:47:17 | 3:47:18 | |
Mama! | 3:47:18 | 3:47:19 | |
I sold a story. | 3:47:19 | 3:47:21 | |
A story? | 3:47:21 | 3:47:22 | |
Here's the letter with a cheque for 500. | 3:47:22 | 3:47:25 | |
Let me see. Let me see the thing. | 3:47:25 | 3:47:28 | |
What will you do with 500? | 3:47:28 | 3:47:31 | |
I don't know. | 3:47:31 | 3:47:33 | |
I'll buy Mama her warm coat, I know that. | 3:47:33 | 3:47:36 | |
We'll put the rest in the bank. | 3:47:36 | 3:47:39 | |
Mama, will you take it to the bank downtown tomorrow? | 3:47:39 | 3:47:43 | |
What is it? | 3:47:48 | 3:47:50 | |
I do not know how. | 3:47:51 | 3:47:53 | |
Just give it to the man, like you always do. | 3:47:53 | 3:47:57 | |
Mama... | 3:47:58 | 3:48:00 | |
I think you better tell them now. | 3:48:01 | 3:48:04 | |
Tell us what? | 3:48:04 | 3:48:06 | |
Is no bank account. | 3:48:07 | 3:48:09 | |
Never in my life | 3:48:09 | 3:48:10 | |
have I been inside a bank. | 3:48:10 | 3:48:13 | |
Mama, you always said... | 3:48:13 | 3:48:15 | |
Ja, ja, I know, | 3:48:15 | 3:48:17 | |
but is not true. | 3:48:17 | 3:48:19 | |
I tell a lie. | 3:48:19 | 3:48:20 | |
But why, Mama? | 3:48:20 | 3:48:21 | |
Why did you pretend? | 3:48:21 | 3:48:23 | |
Is not good for little ones to be afraid, | 3:48:23 | 3:48:26 | |
to not feel secure. | 3:48:26 | 3:48:28 | |
But now with 500, I think I can tell. | 3:48:28 | 3:48:30 | |
Mama. | 3:48:30 | 3:48:31 | |
Katrin, get the story. | 3:48:31 | 3:48:33 | |
Now? | 3:48:33 | 3:48:34 | |
Dagmar. | 3:48:34 | 3:48:35 | |
- Yes, Mama? - Come here. | 3:48:35 | 3:48:37 | |
What is it? | 3:48:37 | 3:48:39 | |
Magazine pay Katrin 500 to print her story. | 3:48:39 | 3:48:41 | |
Oh? | 3:48:41 | 3:48:43 | |
No. You leave the rabbits. | 3:48:43 | 3:48:45 | |
Goodbye, Jo, Meg, Amy, Beth, and Laurie. | 3:48:46 | 3:48:49 | |
Don't you do anything till I come back. | 3:48:49 | 3:48:51 | |
Be quiet and listen. | 3:48:51 | 3:48:53 | |
Katrin, read it to us. | 3:48:53 | 3:48:55 | |
You take Mr Hyde's chair. | 3:48:57 | 3:48:58 | |
CHRISTINE: "...Very truly yours, Bertha Stewart." | 3:49:01 | 3:49:04 | |
What is it called, the story? | 3:49:06 | 3:49:09 | |
It's called "Mama and the hospital". | 3:49:09 | 3:49:11 | |
You...you write about Mama? | 3:49:13 | 3:49:15 | |
Yes. | 3:49:15 | 3:49:16 | |
Is good. | 3:49:16 | 3:49:17 | |
(I tell you write about Papa.) | 3:49:17 | 3:49:19 | |
(I tried it that way, but it didn't work.) | 3:49:19 | 3:49:22 | |
(I tell you!) | 3:49:22 | 3:49:23 | |
(Mama, I tried.) | 3:49:23 | 3:49:25 | |
Are you ready? | 3:49:25 | 3:49:26 | |
"For as long as I could remember, | 3:49:26 | 3:49:29 | |
"the house on the Larkin Street Hill | 3:49:29 | 3:49:32 | |
"had been home. | 3:49:32 | 3:49:33 | |
"Papa and Mama had both been born in Norway, | 3:49:33 | 3:49:37 | |
"but they came to San Francisco | 3:49:37 | 3:49:40 | |
"because Mama's sisters were here. | 3:49:40 | 3:49:42 | |
"All of us were born here - | 3:49:42 | 3:49:44 | |
"Nels, the oldest, and the only boy, | 3:49:44 | 3:49:48 | |
"my sister Christine..." | 3:49:48 | 3:49:51 | |
"and the littlest sister, Dagmar." | 3:49:53 | 3:49:56 | |
Am I in the story? | 3:49:56 | 3:49:58 | |
"When I look back, | 3:50:00 | 3:50:02 | |
"1910 seems like only yesterday. | 3:50:02 | 3:50:04 | |
"I remember that every Saturday night, | 3:50:04 | 3:50:06 | |
"Mama used to call the family together. | 3:50:06 | 3:50:09 | |
"I remember Mr Hyde, | 3:50:09 | 3:50:11 | |
"dear Aunt Trina, | 3:50:11 | 3:50:13 | |
"and my Uncle Chris. | 3:50:13 | 3:50:15 | |
"But first and foremost, | 3:50:15 | 3:50:17 | |
"I remember Mama." | 3:50:17 | 3:50:19 | |
"I remember how on every Saturday night, | 3:50:21 | 3:50:24 | |
"Mama would sit down at the kitchen table | 3:50:24 | 3:50:27 | |
"and count out the money | 3:50:27 | 3:50:29 | |
"that Papa had brought home in a little envelope. | 3:50:29 | 3:50:32 | |
"There would be various stacks. | 3:50:32 | 3:50:34 | |
"For the landlord, Mama would say, | 3:50:34 | 3:50:37 | |
"piling up the big silver pieces. | 3:50:37 | 3:50:41 | |
"For the grocer. | 3:50:41 | 3:50:43 | |
"Another group of coins. | 3:50:43 | 3:50:45 | |
"At last, Papa would ask, | 3:50:45 | 3:50:47 | |
"is all? | 3:50:47 | 3:50:49 | |
"Mama would look up then and smile. | 3:50:49 | 3:50:52 | |
"Is good, she'd murmur. | 3:50:52 | 3:50:53 | |
"We do not have to go to the bank." | 3:50:53 | 3:50:56 | |
Subtitles by Red Bee Media Ltd | 3:50:58 | 3:51:03 |