
Browse content similar to Jane Eyre. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
I will die. | 0:03:25 | 0:03:27 | |
St John? | 0:03:53 | 0:03:55 | |
I found her at the door. at the door. | 0:03:56 | 0:03:57 | |
She's white as death. | 0:03:57 | 0:03:58 | |
Hannah, some of that hot milk. | 0:04:01 | 0:04:03 | |
St John, we would have stumbled upon her corpse in the morning. | 0:04:03 | 0:04:06 | |
And she would have haunted us for turning her away. | 0:04:06 | 0:04:09 | |
She's no vagrant. I'm sure of it. | 0:04:09 | 0:04:11 | |
There's milk for you. | 0:04:12 | 0:04:13 | |
Here. | 0:04:15 | 0:04:16 | |
Ask her her name. | 0:04:18 | 0:04:19 | |
What's your name? | 0:04:19 | 0:04:21 | |
'Jane Eyre.' | 0:04:21 | 0:04:23 | |
Tell us how we may help you. | 0:04:24 | 0:04:26 | |
Your name? | 0:04:26 | 0:04:27 | |
'Where are you?' | 0:04:31 | 0:04:33 | |
Must hide. | 0:04:36 | 0:04:38 | |
St John, we must get her warm. | 0:04:42 | 0:04:44 | |
Let us take her upstairs. | 0:04:44 | 0:04:46 | |
Will she die? | 0:04:46 | 0:04:48 | |
Where are you, rat? | 0:04:50 | 0:04:51 | |
I know you're here. | 0:05:03 | 0:05:04 | |
If you crawl out and say, "Forgive me, Master Reed," | 0:05:09 | 0:05:12 | |
I might consider it. | 0:05:12 | 0:05:13 | |
-Mama. -John. | 0:05:20 | 0:05:22 | |
There you are. | 0:05:39 | 0:05:40 | |
That book belongs to me, rat. | 0:05:41 | 0:05:43 | |
It belongs to my Uncle Reed. | 0:05:43 | 0:05:45 | |
Spoilt, miserable brat! | 0:05:58 | 0:06:01 | |
-Mama! -For shame! | 0:06:03 | 0:06:05 | |
Mama! | 0:06:08 | 0:06:11 | |
You wretched imp. | 0:06:11 | 0:06:13 | |
She attacked me. | 0:06:13 | 0:06:14 | |
-I hate you, John Reed! I hate you! -Hilary, take her! Take her! | 0:06:14 | 0:06:17 | |
Lock her in the red room. | 0:06:18 | 0:06:20 | |
No! | 0:06:20 | 0:06:21 | |
Please, please! No, it's haunted. Please It's haunted! No! | 0:06:23 | 0:06:27 | |
Please! Please! | 0:06:28 | 0:06:30 | |
If you don't sit still, you will be tied down. | 0:06:30 | 0:06:32 | |
What we do is for your own good. | 0:06:32 | 0:06:34 | |
Pray for forgiveness, Miss Eyre, | 0:06:34 | 0:06:35 | |
or something bad will come down that chimney and fetch you away. | 0:06:35 | 0:06:39 | |
Let me out, please! Have mercy, Aunt Reed! Please! | 0:06:44 | 0:06:47 | |
WIND HOWLS | 0:07:01 | 0:07:03 | |
SHE SCREAMS | 0:07:09 | 0:07:11 | |
Do you know, Jane Eyre, where the wicked go after death? | 0:07:30 | 0:07:34 | |
They go to hell. | 0:07:35 | 0:07:37 | |
And what is hell? | 0:07:37 | 0:07:39 | |
A pit full of fire. | 0:07:41 | 0:07:43 | |
Should you like to fall into this pit | 0:07:43 | 0:07:45 | |
and be burned there for ever? | 0:07:45 | 0:07:47 | |
No, sir. | 0:07:47 | 0:07:49 | |
How might you avoid it? | 0:07:49 | 0:07:51 | |
I must keep in good health and not die. | 0:07:51 | 0:07:54 | |
What is her parentage? | 0:07:55 | 0:07:57 | |
She's an orphan. | 0:07:58 | 0:08:00 | |
Her mother was my husband's sister. | 0:08:01 | 0:08:04 | |
On his deathbed he exhorted me to care for her. | 0:08:04 | 0:08:06 | |
I have always treated her as one of my own. | 0:08:08 | 0:08:11 | |
If you accept her at Lowood School, Mr Brocklehurst... | 0:08:11 | 0:08:14 | |
..keep a strict eye on her. | 0:08:16 | 0:08:17 | |
She has a heart of spite... | 0:08:19 | 0:08:21 | |
..and I'm sorry to say that her worst fault is that of deceit. | 0:08:24 | 0:08:27 | |
You can rest assured | 0:08:27 | 0:08:30 | |
that we shall root out the wickedness | 0:08:30 | 0:08:33 | |
in this small, ungrateful plant. | 0:08:33 | 0:08:36 | |
And as for its vacations, it must spend them all at Lowood. | 0:08:36 | 0:08:41 | |
SHE RINGS BELL | 0:08:43 | 0:08:45 | |
You may leave. | 0:08:54 | 0:08:55 | |
You said I was a liar. I'm not. | 0:09:00 | 0:09:03 | |
If I were, I should say I loved you, and I don't. | 0:09:05 | 0:09:07 | |
I dislike you worse than anybody in the world. | 0:09:09 | 0:09:10 | |
People think you are good but you're bad and hard-hearted. | 0:09:12 | 0:09:17 | |
I'll let everyone know what you have done. | 0:09:17 | 0:09:18 | |
Children must be corrected for their faults. | 0:09:19 | 0:09:22 | |
Deceit is not my fault. | 0:09:22 | 0:09:24 | |
But you are passionate. | 0:09:24 | 0:09:25 | |
My Uncle Reed is in heaven, so are my mother and father. | 0:09:25 | 0:09:29 | |
They know how you hate me and wish me dead. They can see. | 0:09:29 | 0:09:31 | |
They see everything you do and they will judge you, Mrs Reed | 0:09:31 | 0:09:34 | |
Get out. | 0:09:36 | 0:09:37 | |
Next. Show me your hands. | 0:10:30 | 0:10:33 | |
Stop there. | 0:10:33 | 0:10:34 | |
Very grand. | 0:10:42 | 0:10:43 | |
Next. | 0:10:46 | 0:10:47 | |
Step out of your fine dress. | 0:10:55 | 0:10:56 | |
Stay there. | 0:10:59 | 0:11:00 | |
Show me your hands. | 0:11:03 | 0:11:04 | |
My name is Jane Elliott. | 0:11:14 | 0:11:16 | |
Who can we send for to help you? | 0:11:17 | 0:11:20 | |
No-one. | 0:11:20 | 0:11:21 | |
I mustn't ever be found. | 0:11:22 | 0:11:24 | |
Join me to Thyself with an inseparable band of love. | 0:11:35 | 0:11:37 | |
For Thou, even Thou alone, dost satisfy him that loveth Thee. | 0:11:39 | 0:11:42 | |
And without Thee, all things are vain and empty. | 0:11:44 | 0:11:48 | |
Amen. | 0:11:49 | 0:11:51 | |
Amen. | 0:11:51 | 0:11:52 | |
It's wonderful to see you up, Miss Elliott. | 0:12:03 | 0:12:05 | |
Last week we thought we'd be escorting your remains | 0:12:05 | 0:12:07 | |
to an unmarked grave. | 0:12:07 | 0:12:09 | |
She read The Bride of Lindorf | 0:12:09 | 0:12:11 | |
and suddenly it's all woebegone maidens and dramatic deaths. | 0:12:11 | 0:12:15 | |
I'm sorry to have caused so much trouble. | 0:12:15 | 0:12:17 | |
Nonsense. | 0:12:17 | 0:12:18 | |
You're the most exciting thing that's happened here | 0:12:18 | 0:12:19 | |
since St John's sermon on the fall of Babylon. | 0:12:19 | 0:12:21 | |
I hope I'll not be eating long at your expense, Mr Rivers. | 0:12:28 | 0:12:31 | |
Then tell me where to place you. | 0:12:31 | 0:12:33 | |
Show me where to seek work, that is all I ask. | 0:12:33 | 0:12:35 | |
You're not fit enough to work. Is she, Di? | 0:12:35 | 0:12:37 | |
No. Stay with us. | 0:12:37 | 0:12:39 | |
You return to your posts at the end of the month. | 0:12:39 | 0:12:41 | |
What must Miss Elliott do then? | 0:12:41 | 0:12:43 | |
I'll endeavour to help you... | 0:12:49 | 0:12:50 | |
..if that's what you wish. | 0:12:52 | 0:12:53 | |
With all my heart, sir. | 0:12:54 | 0:12:56 | |
This school you were at, Miss Elliott, | 0:13:02 | 0:13:04 | |
this charitable institution. | 0:13:04 | 0:13:07 | |
What did it prepare you for? | 0:13:07 | 0:13:09 | |
WHIPPING | 0:13:09 | 0:13:10 | |
Was it a thorough education? | 0:13:10 | 0:13:13 | |
Most thorough. | 0:13:15 | 0:13:16 | |
A little wit... | 0:13:19 | 0:13:20 | |
A little wit... | 0:13:20 | 0:13:22 | |
-..will serve... -..will serve... | 0:13:22 | 0:13:24 | |
-..a fortunate man. -..a fortunate man. | 0:13:24 | 0:13:27 | |
Again. A little wit... | 0:13:27 | 0:13:29 | |
A little wit... | 0:13:29 | 0:13:31 | |
-..will serve... -..will serve... | 0:13:31 | 0:13:33 | |
-..a fortunate man. -..a fortunate man. | 0:13:33 | 0:13:40 | |
Burns! | 0:13:40 | 0:13:42 | |
I will not have you before me in that attitude. | 0:13:42 | 0:13:44 | |
All rise. | 0:13:51 | 0:13:52 | |
I see you are mortifying this girl's flesh. | 0:13:54 | 0:13:58 | |
Sir, she was not... | 0:13:58 | 0:13:59 | |
It is your mission to render her contrite and self-denying. | 0:13:59 | 0:14:02 | |
Continue. | 0:14:02 | 0:14:04 | |
The new girl. | 0:14:18 | 0:14:20 | |
This is the pedestal of infamy, | 0:14:25 | 0:14:27 | |
and you will remain upon it all day long. | 0:14:27 | 0:14:30 | |
You will have neither food nor drink, | 0:14:30 | 0:14:33 | |
for you must learn how barren is the life of a sinner. | 0:14:33 | 0:14:37 | |
Children, I exhort you to shun her, exclude her, | 0:14:38 | 0:14:43 | |
shut her out from this day forth. | 0:14:43 | 0:14:45 | |
Withhold the hand of friendship | 0:14:46 | 0:14:48 | |
and deny your love to Jane Eyre, | 0:14:48 | 0:14:53 | |
the liar. | 0:14:53 | 0:14:54 | |
How do you bear being struck? | 0:15:29 | 0:15:31 | |
Miss Scatcherd hits me to improve me. | 0:15:32 | 0:15:34 | |
She's tormented by my faults. | 0:15:35 | 0:15:37 | |
If she hit me, I'd get that birch and break it under her nose. | 0:15:37 | 0:15:39 | |
She'd find another soon enough. | 0:15:39 | 0:15:41 | |
My father used to preach that life's too short | 0:15:43 | 0:15:45 | |
to spend in nursing animosity. | 0:15:45 | 0:15:47 | |
At my aunt's house, I was solitary and despised. | 0:15:51 | 0:15:55 | |
She thought I could do without one bit of love or kindness. | 0:15:57 | 0:15:59 | |
You are loved. | 0:16:01 | 0:16:02 | |
There's an invisible world all around you... | 0:16:05 | 0:16:07 | |
.a kingdom of spirits commissioned to guard you, Jane. | 0:16:09 | 0:16:12 | |
Do you not see them? | 0:16:14 | 0:16:16 | |
Jane? | 0:16:23 | 0:16:24 | |
Have you something for me to do? | 0:16:27 | 0:16:28 | |
You're doing something already. | 0:16:28 | 0:16:30 | |
May I see? | 0:16:31 | 0:16:32 | |
These are wonderful. | 0:16:41 | 0:16:42 | |
St John. | 0:16:46 | 0:16:48 | |
No, Mary, please... | 0:16:48 | 0:16:50 | |
See how skilled Jane is. | 0:16:50 | 0:16:52 | |
Is this how you perceive me, Miss Elliott? | 0:16:57 | 0:17:00 | |
Well. How fierce I am. | 0:17:05 | 0:17:08 | |
Jane. | 0:17:14 | 0:17:15 | |
You're freezing. Your little feet are bare. | 0:17:16 | 0:17:19 | |
Come into bed and cover yourself. | 0:17:22 | 0:17:24 | |
SHE COUGHS | 0:17:29 | 0:17:31 | |
How are you? | 0:17:35 | 0:17:36 | |
I'm happy, Jane. | 0:17:38 | 0:17:39 | |
I'm going home. | 0:17:41 | 0:17:42 | |
Back to your father? | 0:17:44 | 0:17:45 | |
I'm going to God. | 0:17:48 | 0:17:49 | |
Don't be sad. | 0:17:53 | 0:17:55 | |
You have a passion for living, Jane. | 0:17:55 | 0:17:57 | |
And one day you'll come to the region of bliss. | 0:17:59 | 0:18:02 | |
Don't leave me. | 0:18:10 | 0:18:11 | |
I like to have you near. | 0:18:13 | 0:18:14 | |
I will not leave you. | 0:18:17 | 0:18:18 | |
No-one shall take me from you. | 0:18:23 | 0:18:25 | |
Helen! | 0:18:57 | 0:18:58 | |
Helen! | 0:19:01 | 0:19:02 | |
Mr Rivers? I wondered if you had yet heard of any work I could do. | 0:19:24 | 0:19:28 | |
I found you a situation some time ago, | 0:19:29 | 0:19:31 | |
but I've delayed telling you because the work is lowly and I fear you'll scorn it. | 0:19:31 | 0:19:35 | |
I shan't mind what I do. | 0:19:35 | 0:19:37 | |
When I took over the parish two years ago it had no school. | 0:19:40 | 0:19:43 | |
I opened one for boys. I now intend to open one for girls. | 0:19:44 | 0:19:47 | |
The schoolmistress will have a cottage paid for by benefactors | 0:19:49 | 0:19:51 | |
and she'll receive £15 a year. | 0:19:51 | 0:19:53 | |
You can see how humble, how ignoble it is. | 0:19:54 | 0:19:58 | |
Mr Rivers, thank you. | 0:19:58 | 0:19:59 | |
I accept. | 0:19:59 | 0:20:01 | |
With all my heart. | 0:20:02 | 0:20:03 | |
But you comprehend me? | 0:20:03 | 0:20:04 | |
'Tis a village school - cottagers' daughters. | 0:20:06 | 0:20:08 | |
What will you do with all your fine accomplishments? | 0:20:09 | 0:20:12 | |
I will save them till they're wanted. They will keep. | 0:20:12 | 0:20:15 | |
'Jane.' | 0:20:47 | 0:20:48 | |
You will be quite alone here. | 0:20:57 | 0:20:59 | |
I'm not afraid of solitude. | 0:20:59 | 0:21:00 | |
This is my first home where I am neither dependent | 0:21:02 | 0:21:04 | |
nor subordinate to anyone. | 0:21:04 | 0:21:05 | |
Thank you, Mr St John. | 0:21:06 | 0:21:08 | |
It is small and plain, as I told you. | 0:21:11 | 0:21:15 | |
Then it'll suit me very well. | 0:21:15 | 0:21:18 | |
'Safe journey, Miss Eyre. Godspeed.' | 0:21:32 | 0:21:36 | |
Goodbye, Miss Eyre. | 0:21:36 | 0:21:37 | |
-Safe journey. -Thank you. | 0:21:37 | 0:21:39 | |
Bye, Miss Eyre. | 0:21:39 | 0:21:42 | |
Girls! | 0:21:42 | 0:21:43 | |
Goodbye. | 0:21:53 | 0:21:54 | |
Thornfield, Miss. | 0:22:01 | 0:22:03 | |
Wait here, Miss | 0:22:39 | 0:22:40 | |
How do you do, my dear? | 0:23:05 | 0:23:07 | |
-Are you Mrs Fairfax? -Indeed I am. | 0:23:07 | 0:23:09 | |
What a tedious journey you must have had. | 0:23:13 | 0:23:16 | |
Your hands must be frozen. Here. | 0:23:16 | 0:23:18 | |
Goodness. How young you are. | 0:23:24 | 0:23:26 | |
I'm quite experienced, I can assure you. | 0:23:26 | 0:23:28 | |
Of course you are. I'm sure we're very lucky to have you. | 0:23:28 | 0:23:31 | |
Leah, would you ask Martha to bring a little hot port | 0:23:31 | 0:23:34 | |
and cut a sandwich or two? | 0:23:34 | 0:23:35 | |
Draw nearer the fire. | 0:23:35 | 0:23:37 | |
John is taking your trunk up to your room. | 0:23:37 | 0:23:40 | |
I've put you at the back of the house, I hope you don't mind. | 0:23:44 | 0:23:46 | |
The rooms at the front have much finer furniture, | 0:23:46 | 0:23:48 | |
but they're so gloomy and solitary, I think. | 0:23:48 | 0:23:51 | |
I'm glad you're come. | 0:23:53 | 0:23:54 | |
To be sure, this is a grand old house, | 0:23:55 | 0:23:58 | |
but I must confess that in winter one can feel a little dreary and alone. | 0:23:58 | 0:24:03 | |
Leah's a very nice girl, and John and Martha are good people, too, | 0:24:03 | 0:24:07 | |
but...they are servants. | 0:24:07 | 0:24:10 | |
One cannot talk to them on terms of equality. | 0:24:10 | 0:24:13 | |
Am I meeting Miss Fairfax tonight? | 0:24:16 | 0:24:18 | |
Who? | 0:24:18 | 0:24:20 | |
Miss Fairfax, my pupil? | 0:24:20 | 0:24:22 | |
Oh, you mean Miss Varens, Mr Rochester's ward. | 0:24:22 | 0:24:24 | |
She's to be your pupil. | 0:24:24 | 0:24:26 | |
Who's Mr Rochester? | 0:24:26 | 0:24:29 | |
Why, the owner of Thornfield. Mr Edward Fairfax Rochester. | 0:24:29 | 0:24:33 | |
I thought Thornfield Hall belonged to you. | 0:24:34 | 0:24:36 | |
Bless you, child, what an idea. Me? | 0:24:36 | 0:24:40 | |
I'm only the housekeeper. | 0:24:40 | 0:24:41 | |
Forgive me. | 0:24:41 | 0:24:43 | |
There is a distant connection between Mr Rochester and me - | 0:24:43 | 0:24:46 | |
his mother was a Fairfax, but I'd never presume on it. | 0:24:46 | 0:24:49 | |
Heavens. Me, owner of Thornfield? | 0:24:49 | 0:24:52 | |
We shall have a cheerful house this winter. | 0:24:52 | 0:24:55 | |
With Miss Varens here and with you, | 0:24:55 | 0:24:57 | |
we'll have quite a merry time of it. | 0:24:57 | 0:24:59 | |
I'm sure that last winter, and what a severe one it was, if it didn't rain, it snowed, | 0:24:59 | 0:25:03 | |
if it didn't snow, it blew. | 0:25:03 | 0:25:05 | |
I declare, not one soul came to the house from November to February. | 0:25:05 | 0:25:10 | |
When spring finally came, I thought it a great relief I hadn't gone distracted. | 0:25:10 | 0:25:14 | |
I've had Martha lay a fire. I hope you'll be comfortable. | 0:25:17 | 0:25:21 | |
Now, get that lot turned over before frost comes down. | 0:26:00 | 0:26:02 | |
Do you want the upper bit doing as well? | 0:26:02 | 0:26:04 | |
Yes. | 0:26:04 | 0:26:05 | |
We must open the window in the study today to let in some air. | 0:26:12 | 0:26:15 | |
I've never seen such an ancient old house | 0:26:18 | 0:26:21 | |
How beautifully you've preserved it. | 0:26:21 | 0:26:23 | |
Well, Mr Rochester's visits are always unexpected. | 0:26:23 | 0:26:26 | |
He doesn't like to arrive and find everything all swathed up, | 0:26:26 | 0:26:29 | |
so I keep it in constant readiness. | 0:26:29 | 0:26:31 | |
Now, come and meet Miss Varens. | 0:26:31 | 0:26:35 | |
Did I mention she's French? | 0:26:38 | 0:26:40 | |
THEY SPEAKS FRENCH | 0:26:40 | 0:26:41 | |
Will you ask her about her parents? | 0:26:49 | 0:26:52 | |
Mr Rochester neglected to tell me anything about her. | 0:26:52 | 0:26:54 | |
Her mother has passed away. | 0:27:04 | 0:27:06 | |
Adele is going to show us her accomplishments. | 0:27:23 | 0:27:25 | |
Oh! | 0:27:25 | 0:27:27 | |
SHE SINGS IN FRENCH | 0:27:30 | 0:27:33 | |
How very French. | 0:28:07 | 0:28:09 | |
Very good. Very good. | 0:28:11 | 0:28:12 | |
Now, we're going to make a press. Shut the book up. | 0:28:17 | 0:28:20 | |
Butterfly. | 0:28:21 | 0:28:23 | |
And what was it before it was a butterfly? | 0:28:23 | 0:28:25 | |
Caterpillar. | 0:28:25 | 0:28:28 | |
"I shall leave and walk into town." | 0:28:28 | 0:28:31 | |
"Do not go," begged her maid. | 0:28:31 | 0:28:33 | |
"The Gytrash roams these hills." | 0:28:33 | 0:28:35 | |
A spirit of the North that lies in wait for travellers. | 0:28:38 | 0:28:42 | |
It tenants the carcasses of beasts, | 0:28:42 | 0:28:44 | |
possesses horses, wolves, great dogs. | 0:28:44 | 0:28:48 | |
You know it only by its eyes, | 0:28:48 | 0:28:50 | |
which burn as red as coals, | 0:28:50 | 0:28:52 | |
and if one should chance upon you... | 0:28:52 | 0:28:53 | |
Nothing. A mere story | 0:28:57 | 0:29:00 | |
What nonsense. | 0:29:32 | 0:29:33 | |
Whatever brings you up here? | 0:29:49 | 0:29:51 | |
I've been waiting to pour our tea. | 0:29:51 | 0:29:53 | |
I'm not in need of tea, thank you. | 0:29:53 | 0:29:55 | |
It's a quiet life, isn't it? | 0:29:59 | 0:30:01 | |
This isolated house, a still doom for a young woman. | 0:30:03 | 0:30:08 | |
I wish a woman could have action in her life, like a man. | 0:30:12 | 0:30:15 | |
It agitates me to pain that the skyline over there is ever our limit. | 0:30:17 | 0:30:21 | |
I long sometimes for a power of vision that would overpass it | 0:30:22 | 0:30:26 | |
If I could behold all I imagine... | 0:30:26 | 0:30:28 | |
I've never seen a city | 0:30:29 | 0:30:32 | |
I've never spoken with men | 0:30:32 | 0:30:33 | |
And I fear my whole life will pass. | 0:30:33 | 0:30:35 | |
Now, exercise and fresh air - | 0:30:40 | 0:30:43 | |
great cures for anything, they say. | 0:30:43 | 0:30:46 | |
I have some letters to post. Will you take them? | 0:30:46 | 0:30:49 | |
BIRD CALLS | 0:31:11 | 0:31:14 | |
HORSE WHINNEYS | 0:31:39 | 0:31:42 | |
Up! Up, you cursed beast! Up! | 0:31:45 | 0:31:48 | |
-Stand back. -Are you injured, sir? | 0:31:52 | 0:31:54 | |
May I be of some help? | 0:31:54 | 0:31:56 | |
Where did you come from? | 0:31:56 | 0:31:58 | |
Just below, at Thornfield Hall. I am the governess. | 0:31:58 | 0:32:01 | |
I'm on my way to post a letter. Can I fetch someone to help? | 0:32:03 | 0:32:07 | |
The governess. | 0:32:07 | 0:32:08 | |
You may help me yourself. | 0:32:10 | 0:32:11 | |
Get hold of his bridle and lead him to me. | 0:32:11 | 0:32:14 | |
If you would be so kind. | 0:32:18 | 0:32:20 | |
HORSE WHINNEYS | 0:32:25 | 0:32:27 | |
It would be easier to bring me to the horse. Come here. | 0:32:30 | 0:32:32 | |
I must beg of you to please come here, Miss Governess. | 0:32:36 | 0:32:39 | |
Hold it. | 0:32:54 | 0:32:55 | |
Make haste with your letter, | 0:33:04 | 0:33:06 | |
for who knows what might lurk in these dark woods. | 0:33:06 | 0:33:08 | |
Leah, go and light the fire in the master's bedroom. | 0:33:26 | 0:33:29 | |
-And tell Martha to prepare for tea. -Yes, ma'am. | 0:33:29 | 0:33:31 | |
Mr Rochester's here. | 0:33:33 | 0:33:35 | |
Go and change your frock. He wishes to meet you. | 0:33:35 | 0:33:37 | |
-Leah, take her cloak. -I have to change? | 0:33:37 | 0:33:39 | |
I always dress for the evening when Mr Rochester's here. | 0:33:39 | 0:33:42 | |
But all my dresses are the same. | 0:33:42 | 0:33:44 | |
You must have one that's better. | 0:33:44 | 0:33:46 | |
He's in a terrible humour. | 0:33:46 | 0:33:48 | |
His horse fell in Hay Lane, and his ankle is sprained | 0:33:48 | 0:33:52 | |
He's at the doctor this half hour. Where have you been? | 0:33:52 | 0:33:54 | |
Let her sit. | 0:34:23 | 0:34:24 | |
I've examined Adele and I find you've taken great pains with her. | 0:34:39 | 0:34:42 | |
She's not bright, she has no talents, | 0:34:42 | 0:34:45 | |
yet in a short time she's improved. | 0:34:45 | 0:34:47 | |
Thank you, Mr Rochester. | 0:34:48 | 0:34:50 | |
You've been resident here three months? | 0:34:50 | 0:34:51 | |
Yes, sir. | 0:34:51 | 0:34:53 | |
And from whence do you hail? | 0:34:53 | 0:34:56 | |
What's your tale of woe? | 0:34:56 | 0:34:57 | |
Pardon? | 0:34:59 | 0:35:00 | |
All governesses have a tale of woe. What's yours? | 0:35:00 | 0:35:04 | |
I was brought up by my aunt, Mrs Reed of Gateshead, | 0:35:04 | 0:35:07 | |
in a house even finer than this. | 0:35:07 | 0:35:09 | |
I then attended Lowood School, where I received | 0:35:09 | 0:35:11 | |
as good an education as I could hope for. | 0:35:11 | 0:35:14 | |
I have no tale of woe, sir. | 0:35:14 | 0:35:16 | |
Where are your parents? | 0:35:16 | 0:35:17 | |
Dead. | 0:35:17 | 0:35:18 | |
-Do you remember them? -No. | 0:35:18 | 0:35:20 | |
And why are you not with Mrs Reed of Gateshead now? | 0:35:22 | 0:35:25 | |
She cast me off, sir | 0:35:26 | 0:35:28 | |
Why? | 0:35:29 | 0:35:31 | |
Because I was burdensome and she disliked me. | 0:35:31 | 0:35:33 | |
No tale of woe? | 0:35:34 | 0:35:36 | |
I daily thank providence for sending us Miss Eyre. | 0:35:40 | 0:35:42 | |
She's an invaluable... | 0:35:43 | 0:35:45 | |
Don't trouble yourself to give her a character. I'll judge for myself. | 0:35:45 | 0:35:48 | |
I have her to thank for this sprain. | 0:35:49 | 0:35:51 | |
Sir? | 0:35:51 | 0:35:53 | |
You bewitched my horse. | 0:35:54 | 0:35:56 | |
I did not. | 0:35:56 | 0:35:57 | |
Were you waiting for your people on that lane? | 0:35:57 | 0:36:00 | |
I have no people, sir | 0:36:00 | 0:36:01 | |
I mean for the imps and elves and little green men. | 0:36:01 | 0:36:05 | |
The sad truth is, they are all gone. | 0:36:07 | 0:36:09 | |
Your land is neither wild nor savage enough for them. | 0:36:09 | 0:36:12 | |
Adele brought me these. Are they yours? | 0:36:19 | 0:36:20 | |
Yes, sir. | 0:36:20 | 0:36:22 | |
Where did you get your copies? | 0:36:22 | 0:36:24 | |
Out of my head. | 0:36:24 | 0:36:26 | |
That head I now see on your shoulders? | 0:36:26 | 0:36:29 | |
Yes, sir. | 0:36:29 | 0:36:30 | |
Who's this? | 0:36:33 | 0:36:34 | |
The evening star. | 0:36:37 | 0:36:38 | |
-Were you happy when you painted these? -Yes. | 0:36:40 | 0:36:43 | |
To paint is one of the keenest pleasures I have ever known. | 0:36:43 | 0:36:46 | |
Then your pleasures have been few. | 0:36:46 | 0:36:48 | |
Are you satisfied with them? | 0:36:49 | 0:36:51 | |
Far from it. I imagine things I'm powerless to execute. | 0:36:51 | 0:36:55 | |
You've secured the shadow of your thoughts. | 0:36:55 | 0:36:57 | |
Yet the drawings are, for a schoolgirl, peculiar. | 0:36:59 | 0:37:01 | |
Good night. | 0:37:15 | 0:37:16 | |
Come, Adele. | 0:37:19 | 0:37:20 | |
Most merciful Father, | 0:37:28 | 0:37:29 | |
we give Thee humble thanks for this, Thy special bounty. | 0:37:29 | 0:37:32 | |
Amen. | 0:37:33 | 0:37:35 | |
Amen. Amen. | 0:37:35 | 0:37:36 | |
Sit nicely, please, Adele. | 0:37:51 | 0:37:53 | |
BANGING | 0:37:56 | 0:37:57 | |
Pilot, come here! | 0:38:02 | 0:38:04 | |
SHOTS FIRED | 0:38:05 | 0:38:08 | |
Go on, further down! | 0:38:12 | 0:38:14 | |
By the river! | 0:38:15 | 0:38:17 | |
He's very abrupt and changeful. | 0:38:17 | 0:38:19 | |
What manner of man is he? | 0:38:22 | 0:38:24 | |
He's a good master. | 0:38:24 | 0:38:26 | |
He's fine company, too, when he... | 0:38:26 | 0:38:29 | |
SHOTS FIRED | 0:38:29 | 0:38:31 | |
Except when he's in an ill humour. | 0:38:31 | 0:38:34 | |
Adele. | 0:38:34 | 0:38:35 | |
I hate to reload. | 0:38:46 | 0:38:48 | |
On three. One, two, three. | 0:39:16 | 0:39:18 | |
Ready? | 0:39:20 | 0:39:21 | |
Oh! | 0:39:23 | 0:39:24 | |
Think that's it, sir. Take it down to the river. | 0:39:26 | 0:39:28 | |
Come on. | 0:39:33 | 0:39:35 | |
HE PLAYS PIANO NOTES | 0:39:35 | 0:39:37 | |
Keep it. | 0:39:49 | 0:39:51 | |
Take it away and disembowel it. | 0:40:09 | 0:40:11 | |
-Beautiful. -Miss Eyre. | 0:40:16 | 0:40:18 | |
I'm not fond of children. | 0:40:26 | 0:40:28 | |
Nor do I particularly enjoy simple-minded old ladies. | 0:40:28 | 0:40:31 | |
But you might suit me, if you would. | 0:40:32 | 0:40:34 | |
How, sir? | 0:40:35 | 0:40:37 | |
By distracting me from the mire of my thoughts. | 0:40:37 | 0:40:39 | |
That is how Maman used to say. | 0:40:45 | 0:40:47 | |
Precisely. | 0:40:47 | 0:40:49 | |
And that's how she charmed my English gold | 0:40:49 | 0:40:51 | |
out of my English pocket. | 0:40:51 | 0:40:53 | |
Let's go and try it on, shall we? | 0:40:55 | 0:40:57 | |
Your gaze is very direct, Miss Eyre. | 0:41:08 | 0:41:10 | |
Do you think me handsome? | 0:41:12 | 0:41:15 | |
No, sir. | 0:41:15 | 0:41:16 | |
What fault do you find with me? | 0:41:17 | 0:41:19 | |
I have all my limbs and features. | 0:41:19 | 0:41:21 | |
I beg your pardon, sir. | 0:41:21 | 0:41:23 | |
I ought to have replied that beauty is of little consequence. | 0:41:23 | 0:41:26 | |
You're blushing, Miss Eyre. | 0:41:32 | 0:41:34 | |
And though you're not pretty any more than I am handsome, | 0:41:35 | 0:41:38 | |
I must say it becomes you. | 0:41:38 | 0:41:40 | |
And now I see you're fascinated by the flowers on the rug | 0:41:45 | 0:41:48 | |
Come, speak to me. | 0:41:51 | 0:41:53 | |
Fact is, Miss Eyre, I'd like to draw you out. | 0:41:53 | 0:41:56 | |
You have rather the look of another world about you. | 0:41:56 | 0:41:59 | |
I don't wish to treat you as inferior. | 0:42:03 | 0:42:07 | |
Yet you'd command me to speak? | 0:42:07 | 0:42:09 | |
Are you very hurt by my tone of command? | 0:42:09 | 0:42:11 | |
There are few masters who'd trouble to enquire | 0:42:11 | 0:42:13 | |
whether their paid subordinates were hurt by their commands. | 0:42:13 | 0:42:16 | |
Paid subordinate? I'd forgotten the salary. | 0:42:16 | 0:42:19 | |
Well, on that mercenary ground, | 0:42:21 | 0:42:22 | |
will you consent to speak as my equal | 0:42:22 | 0:42:24 | |
without thinking that the request arises from insolence? | 0:42:24 | 0:42:28 | |
I'd never mistake informality for insolence, sir. | 0:42:28 | 0:42:30 | |
One, I rather like. The other, nothing freeborn should ever submit to. | 0:42:30 | 0:42:35 | |
Humbug. | 0:42:35 | 0:42:37 | |
Even for a salary. | 0:42:37 | 0:42:38 | |
Most free-born things would submit to anything for a salary. | 0:42:38 | 0:42:41 | |
But I mentally shake hands with you for your answer. | 0:42:44 | 0:42:46 | |
Not three in 3,000 schoolgirl governesses | 0:42:48 | 0:42:50 | |
would have answered me as you've just done. | 0:42:50 | 0:42:52 | |
Then you've not spent much time in our company, sir. | 0:42:52 | 0:42:55 | |
I'm the same plain kind of bird as all the rest, | 0:42:55 | 0:42:58 | |
with my common tale of woe. | 0:42:58 | 0:42:59 | |
I envy you. | 0:43:03 | 0:43:04 | |
How? | 0:43:07 | 0:43:08 | |
Your openness, your unpolluted mind. | 0:43:08 | 0:43:10 | |
When I was your age, fate dealt me a blow. | 0:43:12 | 0:43:15 | |
And since happiness is denied me, | 0:43:17 | 0:43:19 | |
I've a right to get pleasure in its stead. | 0:43:19 | 0:43:21 | |
And I will get it, cost what it may. | 0:43:21 | 0:43:23 | |
Then you'll degenerate still more. | 0:43:25 | 0:43:28 | |
But, Miss Eyre... | 0:43:28 | 0:43:29 | |
..if the pleasure I was seeking was sweet and fresh... | 0:43:32 | 0:43:35 | |
..if it was an inspiration if it wore the robes of an angel of light... | 0:43:38 | 0:43:42 | |
..what then? | 0:43:43 | 0:43:45 | |
To speak truth, sir, I don't understand you at all. | 0:43:49 | 0:43:51 | |
I fear the conversation has got out of my depth. | 0:43:53 | 0:43:55 | |
You're afraid of me. | 0:43:57 | 0:43:59 | |
I'm not afraid. I've simply no wish to talk nonsense. | 0:43:59 | 0:44:03 | |
Do you never laugh, Miss Eyre? | 0:44:11 | 0:44:13 | |
Only rarely, perhaps. | 0:44:16 | 0:44:17 | |
But you're not naturally austere, any more than I'm naturally vicious. | 0:44:18 | 0:44:23 | |
I can see in you the glance of a curious sort of bird | 0:44:23 | 0:44:26 | |
through the close-set bars of a cage, | 0:44:26 | 0:44:28 | |
a vivid, restless captive. | 0:44:28 | 0:44:31 | |
Were it but free, it would soar, cloud-high. | 0:44:34 | 0:44:39 | |
-Leah, have you seen Mrs Poole? -Yes, ma'am. | 0:45:05 | 0:45:08 | |
The master's in no mood for any more mistakes. | 0:45:08 | 0:45:10 | |
Who's there? | 0:45:39 | 0:45:41 | |
Wake up, sir! Wake up! Sir! Wake up! | 0:46:14 | 0:46:19 | |
The quilt! Give it here! | 0:46:35 | 0:46:37 | |
A noise aroused me from my sleep. | 0:47:07 | 0:47:09 | |
What noise? | 0:47:10 | 0:47:12 | |
There was someone at my door. | 0:47:12 | 0:47:14 | |
Stay here. | 0:47:18 | 0:47:19 | |
Don't make a sound. | 0:47:25 | 0:47:27 | |
Say nothing about this. You're no talking fool. | 0:48:07 | 0:48:11 | |
-But... -I'll account for this state of affairs. | 0:48:11 | 0:48:13 | |
Say nothing. | 0:48:13 | 0:48:14 | |
Yes, sir. | 0:48:16 | 0:48:17 | |
Is that how you would leave me? | 0:48:20 | 0:48:21 | |
Jane, fire is a horrible death. You've saved my life. | 0:48:23 | 0:48:27 | |
Don't walk past me as if we were strangers. | 0:48:28 | 0:48:30 | |
But what am I to do, then? | 0:48:31 | 0:48:33 | |
I've a pleasure in owing you my life. | 0:48:49 | 0:48:50 | |
There is no debt. | 0:48:55 | 0:48:56 | |
I knew you would do me good in some way. | 0:48:59 | 0:49:01 | |
I saw it in your eyes when I first beheld you. | 0:49:03 | 0:49:05 | |
Their expression did not strike my very inmost being so for nothing. | 0:49:07 | 0:49:11 | |
People talk of natural sympathies. You... | 0:49:14 | 0:49:18 | |
Good night, then, sir | 0:49:22 | 0:49:25 | |
You will leave me, then? | 0:49:25 | 0:49:26 | |
I am cold. | 0:49:28 | 0:49:30 | |
Go. | 0:49:33 | 0:49:34 | |
Has Mr Rochester not sent for us today? | 0:50:17 | 0:50:19 | |
Why, he's gone away | 0:50:19 | 0:50:21 | |
Were you not aware? He left after breakfast. | 0:50:21 | 0:50:23 | |
He's gone to the Leas. It's Mr Eshton's place. | 0:50:25 | 0:50:29 | |
I believe Blanche Ingram is there. | 0:50:30 | 0:50:32 | |
She's a great favourite of his. | 0:50:32 | 0:50:34 | |
I saw her two years ago when Mr Rochester gave a party here. | 0:50:35 | 0:50:39 | |
She's a most elegant girl. | 0:50:39 | 0:50:41 | |
They sang a duet together. They made a lovely harmony. | 0:50:41 | 0:50:45 | |
I was quite surprised he didn't make a proposal, | 0:50:47 | 0:50:49 | |
but she has no fortune. | 0:50:49 | 0:50:50 | |
In every other way, they'd make a splendid match. | 0:50:50 | 0:50:53 | |
Perhaps it's his intention now. | 0:50:53 | 0:50:55 | |
He's far more likely to have gone off to Europe. | 0:50:59 | 0:51:01 | |
He often goes without so much as a fare-you-well | 0:51:01 | 0:51:03 | |
and I don't see him for a year. | 0:51:03 | 0:51:06 | |
I collected the burnt linen from the master's room. | 0:51:06 | 0:51:07 | |
That's fine. Just go make up the bed. | 0:51:07 | 0:51:09 | |
England is a great power, Adele. | 0:51:22 | 0:51:24 | |
British ships set sail from here to the outer limits of our empire, | 0:51:25 | 0:51:29 | |
navigating the five oceans and four corners of our world. | 0:51:29 | 0:51:32 | |
From Canada, here, all the way to the south of Africa | 0:51:33 | 0:51:37 | |
and the Cape of Good Hope. | 0:51:37 | 0:51:40 | |
Across the Indian Ocean, to Australia and New Zealand, | 0:51:40 | 0:51:43 | |
and on to Burma, China, India and Malaya. | 0:51:43 | 0:51:47 | |
Nothing. | 0:51:53 | 0:51:54 | |
On these distant horizons, you will find all manner of men. | 0:51:55 | 0:51:58 | |
KNOCKING AT DOOR | 0:52:38 | 0:52:39 | |
He's coming back tomorrow. | 0:52:40 | 0:52:42 | |
He's given me directions to prepare all the rooms. | 0:52:43 | 0:52:46 | |
I'm to get more staff from the George Inn. | 0:52:46 | 0:52:49 | |
Miss Ingram's coming. | 0:52:49 | 0:52:50 | |
Supplies to be got, the linen, mattresses... | 0:52:52 | 0:52:54 | |
I'll go to the George now. No, no, I'll tell Martha... | 0:52:55 | 0:52:59 | |
May I assist you, Mrs Fairfax? | 0:52:59 | 0:53:01 | |
Oh. | 0:53:01 | 0:53:03 | |
South-facing rooms for Lady Ingram and Miss Ingram. | 0:53:41 | 0:53:43 | |
Colonel Dent and Mrs Dent must have the river view. | 0:53:43 | 0:53:46 | |
I reckon master's taken a fancy to that Miss Ingram. | 0:53:46 | 0:53:48 | |
He may well have asked her already | 0:53:48 | 0:53:50 | |
I'll wager he will by end of week. | 0:53:50 | 0:53:52 | |
You mark my words. | 0:53:52 | 0:53:53 | |
Adele. | 0:53:55 | 0:53:57 | |
SHE SPEAKS FRENCH | 0:54:00 | 0:54:02 | |
What's she saying? | 0:54:05 | 0:54:07 | |
Mr Rochester is here. | 0:54:07 | 0:54:09 | |
Everybody out. | 0:54:09 | 0:54:10 | |
Edward. | 0:54:18 | 0:54:20 | |
Allow me, Miss Ingram. | 0:54:20 | 0:54:21 | |
I'd forgotten how masculine Thornfield is. | 0:54:25 | 0:54:28 | |
I think you need more flowers. I have the fairest of all on my arm. | 0:54:31 | 0:54:34 | |
Come away, Adele | 0:54:36 | 0:54:38 | |
Tonight, he wants both of you in the drawing room after dinner. | 0:54:38 | 0:54:41 | |
Not me, surely. | 0:54:41 | 0:54:43 | |
I'm instructed to tell you, if you resist, | 0:54:43 | 0:54:45 | |
he'll come up and get you himself. | 0:54:45 | 0:54:47 | |
But I don't have a dress. | 0:54:49 | 0:54:51 | |
Don't worry, child, who'll notice? | 0:54:51 | 0:54:53 | |
Mademoiselle! | 0:54:55 | 0:54:56 | |
I thought you were not fond of children, Mr Rochester. | 0:55:00 | 0:55:02 | |
Nor am I, Lady Ingram. | 0:55:02 | 0:55:04 | |
What induced you to take charge of her? | 0:55:04 | 0:55:06 | |
She was left on my hands. | 0:55:06 | 0:55:08 | |
Why don't you send her to school? | 0:55:08 | 0:55:10 | |
She has a governess. | 0:55:10 | 0:55:12 | |
Poor child. I had about half a dozen in my day, | 0:55:12 | 0:55:15 | |
all detestable incubi. | 0:55:15 | 0:55:17 | |
It's true. | 0:55:17 | 0:55:18 | |
Mr Rochester, beware the governess | 0:55:20 | 0:55:22 | |
Mama thinks they're generally hysterics. | 0:55:22 | 0:55:23 | |
Or degenerates. | 0:55:23 | 0:55:25 | |
I thank heaven I have done with them. | 0:55:25 | 0:55:28 | |
It's a miracle I survived my education. | 0:55:28 | 0:55:30 | |
I remember Miss Wilson screaming, "You villainous child!" | 0:55:30 | 0:55:34 | |
That's right. She tried to set her hair on fire | 0:55:34 | 0:55:35 | |
Frequently, I might add. | 0:55:35 | 0:55:37 | |
Anyway, enough of this dreary race. | 0:55:42 | 0:55:44 | |
We shall have music and a new subject. | 0:55:44 | 0:55:48 | |
Signor Eduardo, what shall it be? | 0:55:48 | 0:55:51 | |
I give you beauty. | 0:55:51 | 0:55:52 | |
There's nothing new to be said. | 0:55:52 | 0:55:54 | |
I give you back male beauty. | 0:55:54 | 0:55:56 | |
Well, that's my son. | 0:55:56 | 0:55:58 | |
Hear, hear. | 0:55:58 | 0:56:00 | |
A man should pay no heed to his looks. | 0:56:00 | 0:56:02 | |
He should possess only strength and valour. | 0:56:02 | 0:56:06 | |
Gentleman or highwayman, | 0:56:06 | 0:56:08 | |
his beauty lies in his power. | 0:56:08 | 0:56:11 | |
Then a pirate would do for you? | 0:56:11 | 0:56:13 | |
SHE SINGS | 0:56:17 | 0:56:20 | |
Why did you leave the room? | 0:56:43 | 0:56:45 | |
I am tired, sir. | 0:56:49 | 0:56:51 | |
Why didn't you come and speak to me? | 0:56:52 | 0:56:53 | |
I haven't seen you for weeks. | 0:56:53 | 0:56:55 | |
It would have been normal and polite to wish me good evening. | 0:56:55 | 0:56:59 | |
You seemed engaged. | 0:57:00 | 0:57:02 | |
You look pale. | 0:57:04 | 0:57:05 | |
I am well. | 0:57:06 | 0:57:08 | |
What have you been doing while I've been away? | 0:57:09 | 0:57:11 | |
Teaching Adele. | 0:57:11 | 0:57:13 | |
You're depressed. | 0:57:16 | 0:57:18 | |
What's the meaning of this? | 0:57:18 | 0:57:19 | |
Your eyes are full... | 0:57:19 | 0:57:22 | |
What is it? | 0:57:22 | 0:57:23 | |
There's a gentleman to see you, sir. | 0:57:23 | 0:57:25 | |
From Spanish Town, Jamaica. | 0:57:26 | 0:57:30 | |
And indeed I think he does come from some hot place, | 0:57:30 | 0:57:32 | |
because he won't take off his coat. | 0:57:32 | 0:57:34 | |
Mr Richard Mason | 0:57:34 | 0:57:36 | |
I've put him in the morning room. | 0:57:36 | 0:57:38 | |
Have I done wrong? | 0:57:39 | 0:57:41 | |
Bring him to my study. | 0:57:43 | 0:57:44 | |
Jane, this is a blow. | 0:57:53 | 0:57:55 | |
If I were to go to those people | 0:57:57 | 0:58:00 | |
and they looked at me coldly and sneered, | 0:58:00 | 0:58:01 | |
and then left me one by one, | 0:58:01 | 0:58:03 | |
what would you do? Would you go with them? | 0:58:03 | 0:58:06 | |
No, sir. I'd stay with you. | 0:58:06 | 0:58:07 | |
You'd dare condemnation for my sake? | 0:58:11 | 0:58:13 | |
For the sake of any friend who deserved it. | 0:58:14 | 0:58:17 | |
Richard. | 0:58:22 | 0:58:23 | |
Fairfax. | 0:58:25 | 0:58:26 | |
How the devil are you? | 0:58:28 | 0:58:30 | |
Splendid. | 0:58:30 | 0:58:31 | |
I'm sorry. I see you have guests. | 0:58:33 | 0:58:36 | |
'Tis no trouble. Come. | 0:58:36 | 0:58:38 | |
BANGING | 0:58:53 | 0:58:55 | |
What on Earth was that? | 0:58:57 | 0:58:58 | |
-Where is Rochester? -Wait for me. | 0:58:58 | 0:59:01 | |
I'm here. Be composed A servant has had a nightmare, that's all. | 0:59:01 | 0:59:06 | |
I must see you back into your rooms | 0:59:06 | 0:59:08 | |
because until the house is settled, | 0:59:08 | 0:59:10 | |
she can't be properly looked after. | 0:59:10 | 0:59:11 | |
Is there anything I might do? | 0:59:11 | 0:59:13 | |
Miss Ingram, ladies, please, | 0:59:14 | 0:59:17 | |
return to your nests like the doves that you are. | 0:59:17 | 0:59:20 | |
I assure you all is well. | 0:59:20 | 0:59:21 | |
Noisy old house. | 0:59:21 | 0:59:23 | |
Come, my lily flower. I told you it was nothing. | 0:59:23 | 0:59:26 | |
Please. | 0:59:30 | 0:59:31 | |
Come with me. | 0:59:37 | 0:59:38 | |
Can you clean this? | 0:59:58 | 1:00:00 | |
Yes. | 1:00:08 | 1:00:09 | |
Drink, Richard. It will give you the strength you lack. | 1:00:10 | 1:00:13 | |
-Will it hurt me? -Drink! | 1:00:13 | 1:00:15 | |
I must go for the doctor. | 1:00:15 | 1:00:16 | |
Sponge the blood away when it returns. | 1:00:16 | 1:00:18 | |
Give him water if he wants it. | 1:00:18 | 1:00:20 | |
Do not speak to him for any reason. | 1:00:20 | 1:00:23 | |
And, Richard, on pain of death, do not speak to her. | 1:00:23 | 1:00:26 | |
WIND HOWLS | 1:00:36 | 1:00:39 | |
CREAKING | 1:00:45 | 1:00:48 | |
BANGING | 1:00:58 | 1:01:00 | |
BANGING | 1:01:47 | 1:01:48 | |
FOOTSTEPS | 1:02:02 | 1:02:04 | |
How does he? | 1:02:10 | 1:02:12 | |
He is sleeping. | 1:02:12 | 1:02:13 | |
Hurry, Carter. Be on alert. | 1:02:15 | 1:02:17 | |
The sun will soon rise and he must be gone. | 1:02:17 | 1:02:19 | |
Let's have a look, shall we? | 1:02:19 | 1:02:21 | |
Flesh is torn as well as cut. | 1:02:21 | 1:02:24 | |
Very, very unpleasant | 1:02:24 | 1:02:25 | |
-Fairfax. -Drive! | 1:02:34 | 1:02:36 | |
It's a strange night you've passed. | 1:02:55 | 1:02:56 | |
Yes, sir. | 1:02:57 | 1:03:00 | |
You showed no fear. | 1:03:00 | 1:03:01 | |
I was afraid of the inner room. | 1:03:03 | 1:03:04 | |
You were in no danger. | 1:03:06 | 1:03:07 | |
Mr Rochester, who did that violence? | 1:03:07 | 1:03:09 | |
I cannot tell you. | 1:03:09 | 1:03:10 | |
Why do you protect them? | 1:03:12 | 1:03:14 | |
I drag through life a capital error. | 1:03:16 | 1:03:18 | |
Its consequence blights my existence. | 1:03:19 | 1:03:21 | |
For years, I've sought to escape it. | 1:03:21 | 1:03:24 | |
This spring, I came home heart-sore and soul-withered. | 1:03:25 | 1:03:30 | |
And I met a gentle stranger whose society revives me. | 1:03:30 | 1:03:33 | |
With her, I feel I could live again | 1:03:34 | 1:03:37 | |
in a higher, purer way. | 1:03:37 | 1:03:38 | |
Tell me - | 1:03:40 | 1:03:41 | |
am I justified in overleaping an obstacle of custom to attain her? | 1:03:41 | 1:03:45 | |
There is an obstacle? | 1:03:48 | 1:03:50 | |
A mere conventional impediment. | 1:03:50 | 1:03:53 | |
But what can it be? | 1:03:53 | 1:03:55 | |
If you cherish an affection, sir, | 1:03:55 | 1:03:57 | |
then fortune alone cannot impede you | 1:03:57 | 1:03:59 | |
Yes. | 1:04:00 | 1:04:02 | |
And if the lady is of noble stock, | 1:04:02 | 1:04:04 | |
and has indicated that she may reciprocate... | 1:04:04 | 1:04:06 | |
Jane, of whom do you think I speak? | 1:04:09 | 1:04:11 | |
Of Miss Ingram | 1:04:12 | 1:04:14 | |
I'm asking what Jane Eyre would do to secure my happiness. | 1:04:16 | 1:04:21 | |
I would do anything for you, sir. | 1:04:21 | 1:04:23 | |
Anything that was right. | 1:04:23 | 1:04:25 | |
You transfix me quite. | 1:04:27 | 1:04:29 | |
I feel I can speak to you now of my lovely one | 1:04:33 | 1:04:37 | |
for you've met her and you know her. | 1:04:37 | 1:04:40 | |
She's a rare one, isn't she? | 1:04:41 | 1:04:43 | |
Fresh and healthy, without soil or taint. | 1:04:43 | 1:04:48 | |
I'm sure she'll regenerate me with a vengeance. | 1:04:52 | 1:04:55 | |
You look ridiculous. | 1:06:13 | 1:06:14 | |
This game is ridiculous. | 1:06:14 | 1:06:16 | |
Excuse me, sir | 1:06:23 | 1:06:24 | |
Does that creeping creature want you? | 1:06:31 | 1:06:34 | |
Excuse me. | 1:06:34 | 1:06:35 | |
This is from my old nurse, Bessie. | 1:06:45 | 1:06:48 | |
She says my cousin John Reed is dead. | 1:06:48 | 1:06:50 | |
He squandered his fortune and has committed suicide. | 1:06:50 | 1:06:52 | |
The news has so shocked my aunt | 1:06:53 | 1:06:55 | |
it's brought on a stroke. | 1:06:55 | 1:06:56 | |
What, the aunt who cast you out? | 1:06:56 | 1:06:59 | |
She's been asking for me. | 1:07:01 | 1:07:03 | |
I parted from her badly and I can't neglect her wishes now. | 1:07:03 | 1:07:07 | |
Promise me you won't stay long. | 1:07:13 | 1:07:16 | |
Mr Rochester, I've had no wages. | 1:07:19 | 1:07:22 | |
I need funds for my journey. | 1:07:22 | 1:07:23 | |
How much do I owe you? | 1:07:25 | 1:07:27 | |
30 pounds. | 1:07:27 | 1:07:29 | |
Here's 50. | 1:07:41 | 1:07:43 | |
That's too much. | 1:07:43 | 1:07:44 | |
Take your wages, Jane | 1:07:44 | 1:07:46 | |
I cannot. | 1:07:46 | 1:07:47 | |
Then I only have 10. | 1:07:49 | 1:07:51 | |
Now you owe me. | 1:07:57 | 1:07:59 | |
Indeed I do. | 1:07:59 | 1:08:01 | |
Meantime, I shall safeguard it here. | 1:08:01 | 1:08:05 | |
Do you trust me to keep it? | 1:08:07 | 1:08:09 | |
Not a whit, sir. | 1:08:11 | 1:08:13 | |
You are not to be trusted at all. | 1:08:13 | 1:08:15 | |
Jane Eyre. | 1:08:36 | 1:08:37 | |
I've twice done you wrong. | 1:08:40 | 1:08:41 | |
And I broke the vow I made to Reed. | 1:08:45 | 1:08:48 | |
Please, don't think of it. | 1:08:48 | 1:08:50 | |
Open that box. | 1:08:52 | 1:08:53 | |
Take out the letter and read it. | 1:09:00 | 1:09:03 | |
"Madam, | 1:09:08 | 1:09:10 | |
"will you have the goodness to send me | 1:09:10 | 1:09:12 | |
"the address of my niece, Jane Eyre? | 1:09:12 | 1:09:15 | |
"I desire her to come to me at Madeira. | 1:09:15 | 1:09:18 | |
"Fortune has blessed my endeavours, | 1:09:18 | 1:09:20 | |
"and as I am childless, I wish to adopt her | 1:09:20 | 1:09:22 | |
"and bequeath her at my death whatever I may have to leave | 1:09:22 | 1:09:27 | |
"Yours, John Eyre, Madeira." | 1:09:27 | 1:09:29 | |
This is dated three years ago. Why did I never hear of it? | 1:09:32 | 1:09:36 | |
Because I wrote and told him | 1:09:39 | 1:09:41 | |
you'd died of typhus at Lowood School. | 1:09:41 | 1:09:43 | |
You called the names of the dead down upon me. | 1:09:48 | 1:09:51 | |
You cursed me. | 1:09:53 | 1:09:54 | |
I would have loved you if you'd let me. | 1:09:57 | 1:09:59 | |
You were born to be my torment. | 1:10:02 | 1:10:05 | |
Then love me or hate me as you will. | 1:10:13 | 1:10:16 | |
You have my full and free forgiveness. | 1:10:16 | 1:10:18 | |
Be at peace. | 1:10:21 | 1:10:23 | |
'My dear uncle, | 1:10:33 | 1:10:35 | |
'some years ago, my Aunt Reed mistakenly informed you that I had died. | 1:10:35 | 1:10:38 | |
'I am writing to tell you that I'm very much alive | 1:10:40 | 1:10:42 | |
'and gratified to find I have a relative. | 1:10:42 | 1:10:45 | |
'I look forward to our correspondence, | 1:10:45 | 1:10:47 | |
'hoping one day we may meet. | 1:10:47 | 1:10:49 | |
'I'm currently living at Thornfield Hall, | 1:10:49 | 1:10:51 | |
'where I am governess to the ward of Mr Edward Fairfax Rochester.' | 1:10:51 | 1:10:55 | |
Ah. There you are. | 1:11:01 | 1:11:02 | |
Just like one of your tricks, | 1:11:04 | 1:11:06 | |
to steal in along with the twilight. | 1:11:06 | 1:11:08 | |
If I dared I'd touch you to see if you were real. | 1:11:10 | 1:11:13 | |
Come, Jane | 1:11:15 | 1:11:16 | |
Stay your wandering feet at a friend's threshold. | 1:11:16 | 1:11:19 | |
Thank you, Mr Rochester, for your great kindness. | 1:11:25 | 1:11:28 | |
I'm strangely glad to get back again. | 1:11:28 | 1:11:30 | |
There's been nothing official yet, | 1:11:39 | 1:11:41 | |
but he's ordered jewels from his bank | 1:11:41 | 1:11:44 | |
and he's making preparations to travel to Europe. | 1:11:44 | 1:11:46 | |
FAINT VOICES | 1:11:46 | 1:11:49 | |
Mademoiselle. | 1:11:57 | 1:11:58 | |
He's taken to singing, | 1:12:01 | 1:12:03 | |
the operas Miss Ingram favours so well. | 1:12:03 | 1:12:06 | |
We'll hear their announcement soon, I'm sure. | 1:12:06 | 1:12:09 | |
You are to be married. | 1:12:37 | 1:12:38 | |
I see Mrs Fairfax has intimated my intention | 1:12:40 | 1:12:43 | |
to put my neck into the sacred noose. | 1:12:43 | 1:12:46 | |
Adele should go to school, | 1:12:46 | 1:12:47 | |
and I must seek another situation. | 1:12:47 | 1:12:49 | |
Congratulations, sir | 1:12:54 | 1:12:55 | |
Thornfield is a pleasant place in spring, isn't it? | 1:13:18 | 1:13:21 | |
Yes, sir. | 1:13:21 | 1:13:23 | |
You'll be sorry to part with it. | 1:13:23 | 1:13:26 | |
It's always the way with events in life. | 1:13:26 | 1:13:28 | |
No sooner have you got settled | 1:13:28 | 1:13:29 | |
than a voice cries, "Rise and move on!" | 1:13:29 | 1:13:31 | |
I'll find you a new situation, Jane, | 1:13:33 | 1:13:35 | |
one I hope that you'll accept. | 1:13:35 | 1:13:37 | |
I shall be ready when your order to march comes. | 1:13:37 | 1:13:41 | |
Must I really lose a faithful paid subordinate such as yourself? | 1:13:41 | 1:13:45 | |
You must. | 1:13:45 | 1:13:46 | |
We've been good friends haven't we? | 1:13:48 | 1:13:51 | |
Yes, sir. | 1:13:51 | 1:13:52 | |
I've a strange feeling with regard to you, | 1:13:56 | 1:13:59 | |
as if I had a string somewhere under my left ribs, | 1:13:59 | 1:14:03 | |
tightly knotted to a similar string in you. | 1:14:03 | 1:14:06 | |
And if you were to leave | 1:14:06 | 1:14:08 | |
I'm afraid that cord of communion would snap. | 1:14:08 | 1:14:10 | |
And I've a notion that I'd take to bleeding inwardly. | 1:14:13 | 1:14:16 | |
As for you, you'd forget me. | 1:14:19 | 1:14:21 | |
How? | 1:14:24 | 1:14:26 | |
I have lived a full life here. | 1:14:26 | 1:14:28 | |
I have not been trampled on. | 1:14:28 | 1:14:30 | |
I have not been petrified. | 1:14:30 | 1:14:32 | |
I have not been excluded from every glimpse of what is bright | 1:14:32 | 1:14:35 | |
I have known you, Mr Rochester, | 1:14:35 | 1:14:38 | |
and it strikes me with anguish to be torn from you. | 1:14:38 | 1:14:42 | |
Then why must you leave? | 1:14:42 | 1:14:43 | |
-Because of your wife. -I have no wife. | 1:14:43 | 1:14:46 | |
But you are to be married. | 1:14:46 | 1:14:47 | |
Jane, you must stay. | 1:14:47 | 1:14:49 | |
And become nothing to you? | 1:14:51 | 1:14:53 | |
Am I a machine without feelings? | 1:14:53 | 1:14:56 | |
Do you think that because I am poor, obscure, plain and little | 1:14:56 | 1:15:00 | |
that I am soulless and heartless? | 1:15:00 | 1:15:03 | |
I have as much soul as you and full as much heart. | 1:15:03 | 1:15:06 | |
And if God had blessed me with beauty and wealth, | 1:15:06 | 1:15:08 | |
I could make it as hard for you to leave me | 1:15:08 | 1:15:10 | |
as it is for I to leave you. | 1:15:10 | 1:15:13 | |
I'm not speaking to you through mortal flesh. | 1:15:13 | 1:15:16 | |
It is my spirit that addresses your spirit | 1:15:16 | 1:15:18 | |
as if we'd passed through the grave and stood at God's feet, equal, | 1:15:18 | 1:15:22 | |
-as we are. -As we are. | 1:15:22 | 1:15:23 | |
I am a free human being with an independent will, | 1:15:27 | 1:15:29 | |
which I now exert to leave you. | 1:15:29 | 1:15:31 | |
Then let your will decide your destiny. | 1:15:31 | 1:15:33 | |
I offer you my hand, my heart. | 1:15:33 | 1:15:37 | |
Jane, | 1:15:37 | 1:15:38 | |
I ask you to pass through life at my side. | 1:15:38 | 1:15:41 | |
You are my equal and my likeness. | 1:15:41 | 1:15:44 | |
Will you marry me? | 1:15:45 | 1:15:46 | |
Are you mocking me? | 1:15:49 | 1:15:50 | |
Do you doubt me? | 1:15:50 | 1:15:52 | |
Entirely. | 1:15:52 | 1:15:54 | |
Your bride is Miss Ingram. | 1:15:54 | 1:15:55 | |
Miss Ingram? | 1:15:55 | 1:15:57 | |
She is the machine without feelings. | 1:15:57 | 1:15:59 | |
It's you. You rare unearthly thing | 1:15:59 | 1:16:02 | |
Poor and obscure as you are | 1:16:02 | 1:16:04 | |
please accept me as your husband. | 1:16:04 | 1:16:07 | |
I must have you for my own. | 1:16:07 | 1:16:09 | |
You wish me to be your wife? | 1:16:11 | 1:16:12 | |
I swear it. | 1:16:12 | 1:16:14 | |
You love me? | 1:16:14 | 1:16:16 | |
I do. | 1:16:16 | 1:16:17 | |
Then, sir, I will marry you | 1:16:22 | 1:16:24 | |
THUNDER RUMBLES | 1:16:40 | 1:16:45 | |
Good night. Good night, my love. | 1:17:21 | 1:17:24 | |
Good night. | 1:17:24 | 1:17:25 | |
Am I a monster? | 1:17:36 | 1:17:38 | |
Is it so impossible that Mr Rochester should love me? | 1:17:38 | 1:17:41 | |
No. | 1:17:41 | 1:17:43 | |
I've long noticed you were a sort of pet of his. | 1:17:43 | 1:17:46 | |
But you're so young and you're so little acquainted with men. | 1:17:46 | 1:17:50 | |
I don't want to grieve you, child | 1:17:52 | 1:17:55 | |
but let me just put you on your guard. | 1:17:55 | 1:17:57 | |
Gentlemen in his position... | 1:17:57 | 1:18:00 | |
Well, let's just say | 1:18:00 | 1:18:02 | |
they're not accustomed to marry their governesses. | 1:18:02 | 1:18:05 | |
Until you are wed, distrust yourself as well as him. | 1:18:06 | 1:18:11 | |
Please, | 1:18:11 | 1:18:12 | |
keep him at a distance. | 1:18:12 | 1:18:15 | |
Come. | 1:18:22 | 1:18:24 | |
What is it? | 1:18:41 | 1:18:42 | |
Jane Eyre with nothing to say? | 1:18:45 | 1:18:48 | |
Everything seems unreal. | 1:18:48 | 1:18:50 | |
I am real enough. | 1:18:51 | 1:18:53 | |
You, sir, are most phantom-like of all. | 1:18:55 | 1:18:58 | |
ADELE SPEAKS FRENCH | 1:20:00 | 1:20:02 | |
I will be Jane Eyre no longer. | 1:20:26 | 1:20:28 | |
Edward! | 1:20:50 | 1:20:52 | |
Move it! | 1:20:54 | 1:20:55 | |
Have the carriage loaded and ready within the hour. | 1:20:57 | 1:20:59 | |
Take courage, Jane. | 1:21:02 | 1:21:03 | |
I will. | 1:21:03 | 1:21:05 | |
Come on. | 1:21:07 | 1:21:08 | |
I require and charge you both, | 1:21:31 | 1:21:33 | |
as you will answer at the dreadful Day of Judgment, | 1:21:33 | 1:21:36 | |
when the secrets of all hearts shall be revealed | 1:21:36 | 1:21:39 | |
that if either of you do know of any impediment | 1:21:39 | 1:21:41 | |
why you may not be joined together lawfully, | 1:21:41 | 1:21:44 | |
You do now confess it. | 1:21:44 | 1:21:46 | |
Edward Fairfax Rochester. | 1:21:50 | 1:21:53 | |
The marriage cannot go on | 1:21:53 | 1:21:54 | |
An insurmountable impediment exists. | 1:21:56 | 1:21:58 | |
Proceed. | 1:21:58 | 1:22:00 | |
"I affirm and can prove..." | 1:22:00 | 1:22:01 | |
Proceed! | 1:22:01 | 1:22:03 | |
"..that Edward Fairfax Rochester was, | 1:22:03 | 1:22:05 | |
"15 years ago, married to my sister, | 1:22:05 | 1:22:08 | |
"Bertha Antoinetta Mason, at St James' Church, | 1:22:08 | 1:22:11 | |
"Spanish Town, Jamaica. | 1:22:11 | 1:22:12 | |
"A copy of the register is now in my possession | 1:22:12 | 1:22:16 | |
"Signed, Richard Mason." | 1:22:16 | 1:22:18 | |
She lives at Thornfield Hall. | 1:22:18 | 1:22:20 | |
This girl knew nothing of this. | 1:22:33 | 1:22:35 | |
She thought all was fair and legal. | 1:22:37 | 1:22:39 | |
She never dreamt she was being entrapped | 1:22:39 | 1:22:41 | |
into a feigned union with a defrauded wretch. | 1:22:41 | 1:22:44 | |
Come, Jane. | 1:22:48 | 1:22:50 | |
Come, all of you. Meet my wife. | 1:22:50 | 1:22:53 | |
Get back! | 1:22:54 | 1:22:55 | |
Go, all of you. Go! | 1:22:55 | 1:22:58 | |
You're 15 years too late. | 1:22:58 | 1:23:00 | |
-Mrs Poole. -You ought to give warning, sir | 1:23:03 | 1:23:06 | |
This is Bertha Antoinetta Mason. | 1:23:19 | 1:23:21 | |
My wife. | 1:23:21 | 1:23:23 | |
'Antoinetta. It's I, Richard. | 1:23:23 | 1:23:26 | |
'She has her quiet times and her rages. | 1:23:27 | 1:23:31 | |
'The windows are shuttered lest she throw herself out. | 1:23:32 | 1:23:36 | |
'We have no furniture, as she can make a weapon out of anything. | 1:23:36 | 1:23:39 | |
'I take her for a turn upon the roof each day, securely held, | 1:23:39 | 1:23:43 | |
'as she's taken to thinking she can fly.' | 1:23:43 | 1:23:46 | |
My own demon. | 1:23:51 | 1:23:53 | |
SHE YELLS | 1:24:03 | 1:24:05 | |
SHE WAILS | 1:24:05 | 1:24:08 | |
Jane. | 1:25:06 | 1:25:08 | |
Forgive me. I'm worthless. How could I? | 1:25:11 | 1:25:14 | |
Jane. | 1:25:17 | 1:25:18 | |
No tears. | 1:25:21 | 1:25:23 | |
Why don't you cry? | 1:25:23 | 1:25:25 | |
Why not scream at me? I deserve a hail of fire. | 1:25:25 | 1:25:28 | |
-I need some water. -Of course. | 1:25:30 | 1:25:32 | |
Jane. | 1:25:35 | 1:25:36 | |
How are you now? | 1:26:32 | 1:26:34 | |
I will be well again soon. | 1:26:34 | 1:26:36 | |
I know you. You're thinking. | 1:26:47 | 1:26:49 | |
Talking is of no use, you're thinking how to act. | 1:26:49 | 1:26:51 | |
All is changed, sir. I must leave you. | 1:26:54 | 1:26:57 | |
No. No. | 1:26:58 | 1:27:01 | |
Jane, do you love me? | 1:27:01 | 1:27:03 | |
Then the essential things are the same. | 1:27:10 | 1:27:12 | |
Be my wife. | 1:27:14 | 1:27:15 | |
You have a wife. | 1:27:16 | 1:27:17 | |
I pledge you my honour, my fidelity. | 1:27:18 | 1:27:21 | |
-You cannot. -My love, until death do us part. | 1:27:21 | 1:27:24 | |
What of truth? | 1:27:24 | 1:27:27 | |
I would have told you the truth. | 1:27:27 | 1:27:28 | |
You are deceitful, sir! | 1:27:28 | 1:27:30 | |
I was wrong to deceive you. | 1:27:35 | 1:27:36 | |
I see that now. It was cowardly. | 1:27:36 | 1:27:39 | |
I should have appealed to your spirit as I do now. | 1:27:41 | 1:27:43 | |
Bertha Antoinetta Mason. | 1:27:45 | 1:27:48 | |
She was wanted by my father for her fortune. | 1:27:48 | 1:27:50 | |
I hardly spoke with her before the wedding. | 1:27:51 | 1:27:54 | |
I lived with her for four years. | 1:27:57 | 1:27:59 | |
Her temper ripened, her vices sprang up, | 1:27:59 | 1:28:03 | |
violent and unchaste. | 1:28:03 | 1:28:05 | |
Only cruelty would check her, and I'd not use cruelty. | 1:28:05 | 1:28:08 | |
I was chained to her for life, Jane. | 1:28:09 | 1:28:11 | |
Not even the law could free me. | 1:28:12 | 1:28:14 | |
Have you ever set foot in a madhouse, Jane? | 1:28:16 | 1:28:18 | |
No, sir. | 1:28:18 | 1:28:19 | |
The inmates are caged and baited like beasts. | 1:28:19 | 1:28:23 | |
I spared her that at least. | 1:28:25 | 1:28:27 | |
Jane. | 1:28:29 | 1:28:30 | |
I earnestly pity you, sir | 1:28:30 | 1:28:32 | |
No. | 1:28:32 | 1:28:33 | |
Who would you offend by living with me? | 1:28:38 | 1:28:41 | |
-Who would care? -I would. | 1:28:41 | 1:28:44 | |
You'd rather drive me to madness than break some mere human law? | 1:28:45 | 1:28:49 | |
I must respect myself. | 1:28:52 | 1:28:54 | |
Listen to me. | 1:28:55 | 1:28:56 | |
Listen. | 1:28:58 | 1:28:59 | |
I could bend you with my finger and my thumb, | 1:29:09 | 1:29:13 | |
a mere reed you feel in my hands. | 1:29:13 | 1:29:15 | |
But whatever I do with this cage, | 1:29:24 | 1:29:27 | |
I cannot get at you. | 1:29:27 | 1:29:30 | |
And it is your soul that I want. | 1:29:30 | 1:29:32 | |
Why don't you come of your own free will? | 1:29:36 | 1:29:39 | |
God help me! | 1:29:40 | 1:29:42 | |
Jane! JANE! | 1:30:42 | 1:30:44 | |
JANE! | 1:30:47 | 1:30:50 | |
I asked how you were. | 1:32:01 | 1:32:03 | |
I'm getting on very well. | 1:32:05 | 1:32:07 | |
Do you find the work too hard? | 1:32:08 | 1:32:10 | |
Not at all | 1:32:10 | 1:32:13 | |
Is the solitude an oppression? | 1:32:13 | 1:32:15 | |
I hardly have time to notice it. | 1:32:15 | 1:32:17 | |
Thank you, girls. | 1:32:17 | 1:32:18 | |
Yes, ma'am. | 1:32:18 | 1:32:19 | |
Then perhaps you are dwelling on things past. | 1:32:23 | 1:32:25 | |
When I came to your door I had nothing. | 1:32:27 | 1:32:29 | |
Now I have a home and work, free and honest. | 1:32:30 | 1:32:33 | |
I thank God for the generosity of my friends. | 1:32:33 | 1:32:36 | |
What you had left before I met you, I don't know. | 1:32:39 | 1:32:42 | |
But I counsel you to resist firmly every temptation to look back. | 1:32:42 | 1:32:47 | |
That's what I intend to do. | 1:32:47 | 1:32:49 | |
A year ago, I was myself intensely miserable. | 1:32:49 | 1:32:53 | |
I scorned this weakness, | 1:32:53 | 1:32:56 | |
fought hard against it and won. | 1:32:56 | 1:32:58 | |
I wonder if we do not share the same alloy. | 1:33:04 | 1:33:07 | |
You are ambitious, I think. | 1:33:07 | 1:33:10 | |
And this little school will not hold you for long. | 1:33:10 | 1:33:13 | |
-Is this yours? -Yes. | 1:33:20 | 1:33:22 | |
What's the matter? | 1:33:24 | 1:33:27 | |
Nothing. | 1:33:27 | 1:33:28 | |
Good night. | 1:33:30 | 1:33:32 | |
BANGING | 1:33:52 | 1:33:54 | |
BANGING CONTINUES | 1:33:56 | 1:33:58 | |
Jane. | 1:34:12 | 1:34:14 | |
Miss Eyre. | 1:34:28 | 1:34:30 | |
What brings you from your hearth on a night like this? | 1:34:36 | 1:34:39 | |
There is no bad news, I hope. | 1:34:39 | 1:34:40 | |
How easily alarmed you are, Miss Eyre. | 1:34:40 | 1:34:43 | |
Please, won't you sit down? | 1:34:45 | 1:34:47 | |
Thank you, Miss Eyre. | 1:34:47 | 1:34:49 | |
I saw an advertisement in The Times from a solicitor named Briggs | 1:34:54 | 1:34:58 | |
inquiring of a Jane Eyre. | 1:34:58 | 1:35:00 | |
I knew a Jane Elliott. | 1:35:01 | 1:35:03 | |
This paper resolved my suspicion into certainty. | 1:35:04 | 1:35:07 | |
And so, I wrote to him. | 1:35:10 | 1:35:12 | |
He told the story of a young governess. | 1:35:12 | 1:35:14 | |
And her employer, a Mr Fairfax Rochester. | 1:35:16 | 1:35:18 | |
Mr Rivers. | 1:35:18 | 1:35:19 | |
I can guess your feelings, but please hear me. | 1:35:23 | 1:35:24 | |
As you know so much, perhaps you'll tell me how he is? | 1:35:28 | 1:35:31 | |
-Who? -Mr Rochester. | 1:35:31 | 1:35:33 | |
I'm ignorant of all concerning him. | 1:35:33 | 1:35:35 | |
But he has been seeking me? | 1:35:36 | 1:35:38 | |
No, he hasn't. | 1:35:38 | 1:35:42 | |
Mr Briggs has. | 1:35:42 | 1:35:44 | |
And what does he want with me? | 1:35:45 | 1:35:47 | |
Merely to tell you that your uncle, | 1:35:47 | 1:35:50 | |
Mr John Eyre of Madeira, is dead, | 1:35:50 | 1:35:53 | |
that he has left you all his property | 1:35:53 | 1:35:56 | |
and that you are now rich. | 1:35:56 | 1:35:57 | |
What? | 1:35:59 | 1:36:01 | |
You are rich, | 1:36:01 | 1:36:03 | |
quite an heiress. | 1:36:03 | 1:36:04 | |
Will you ask how much you are worth? | 1:36:07 | 1:36:10 | |
How much am I worth? | 1:36:10 | 1:36:12 | |
20,000 pounds. | 1:36:12 | 1:36:14 | |
HE LAUGHS | 1:36:14 | 1:36:17 | |
If you had committed a murder | 1:36:17 | 1:36:18 | |
and I'd found you out, you could scarcely look more aghast. | 1:36:18 | 1:36:21 | |
There must be some mistake. | 1:36:21 | 1:36:23 | |
Not at all. | 1:36:23 | 1:36:25 | |
You look desperately miserable about it, I must say | 1:36:27 | 1:36:30 | |
Please, sit down. I've shocked you. | 1:36:32 | 1:36:37 | |
Mr St John. | 1:36:58 | 1:37:00 | |
The debt I owe to you and your sisters... | 1:37:00 | 1:37:02 | |
Is nothing. | 1:37:02 | 1:37:03 | |
You saved my life. | 1:37:05 | 1:37:06 | |
Please write to them. | 1:37:10 | 1:37:12 | |
This money frees us. | 1:37:12 | 1:37:14 | |
They will have 5,000 each | 1:37:14 | 1:37:15 | |
and so will you, if you'll take it. | 1:37:15 | 1:37:16 | |
Certainly not. | 1:37:16 | 1:37:17 | |
And if you would accept me as a sister, | 1:37:17 | 1:37:19 | |
perhaps we could live together, | 1:37:19 | 1:37:20 | |
at Moor House. | 1:37:20 | 1:37:21 | |
I told you the news too quickly. | 1:37:21 | 1:37:23 | |
You're confused. | 1:37:23 | 1:37:25 | |
My only relative is dead. | 1:37:25 | 1:37:27 | |
You have family. | 1:37:27 | 1:37:29 | |
You cannot know what isolation means. | 1:37:29 | 1:37:31 | |
And you cannot know what it means to be wealthy. | 1:37:31 | 1:37:33 | |
I have been alone always | 1:37:33 | 1:37:36 | |
I've never had a brother or sisters. | 1:37:36 | 1:37:38 | |
Please, let me be yours. | 1:37:38 | 1:37:39 | |
Are you reluctant to have me? | 1:37:45 | 1:37:48 | |
No, Miss Eyre. | 1:37:48 | 1:37:50 | |
On the contrary. | 1:37:50 | 1:37:52 | |
I shall write to my sisters, as you request. | 1:37:52 | 1:37:55 | |
Brother. | 1:37:55 | 1:37:56 | |
'We are bid to work while it is day. | 1:38:03 | 1:38:06 | |
'For night cometh, when no man shall work. | 1:38:07 | 1:38:10 | |
'Help us to choose the harder path,' | 1:38:12 | 1:38:14 | |
for as our master is long-suffering, | 1:38:14 | 1:38:17 | |
so must we be. | 1:38:17 | 1:38:20 | |
-Amen. -Amen. -Amen. | 1:38:22 | 1:38:25 | |
-Good night. -Good night. | 1:38:29 | 1:38:34 | |
Good night. | 1:38:35 | 1:38:37 | |
Is Jane not our sister, too? | 1:38:38 | 1:38:40 | |
Good night. | 1:38:49 | 1:38:51 | |
Jane. | 1:39:00 | 1:39:02 | |
I go to India in six weeks. | 1:39:09 | 1:39:10 | |
I can see what your gifts are | 1:39:13 | 1:39:15 | |
and why they were given. | 1:39:15 | 1:39:16 | |
God intended you for a missionary's wife. | 1:39:17 | 1:39:21 | |
I want to claim you. | 1:39:23 | 1:39:25 | |
I'm not fit for it. | 1:39:26 | 1:39:28 | |
I trust you unreservedly. | 1:39:30 | 1:39:32 | |
And know this - | 1:39:33 | 1:39:36 | |
in you, I recognise a fellow soul. | 1:39:36 | 1:39:40 | |
I'll go with you to India. | 1:40:47 | 1:40:48 | |
-Jane. -I'll go if I may go free. | 1:40:49 | 1:40:52 | |
Free? | 1:40:53 | 1:40:54 | |
How can I take out to India a girl of 19 unless she is my wife? | 1:40:56 | 1:40:59 | |
I love you as a brother. As a husband, no. | 1:40:59 | 1:41:02 | |
My heart is mute. | 1:41:02 | 1:41:05 | |
Then I must speak for it. | 1:41:06 | 1:41:08 | |
You've said you'll come. | 1:41:08 | 1:41:10 | |
We shall marry. | 1:41:10 | 1:41:12 | |
And undoubtedly enough of love would follow. | 1:41:12 | 1:41:14 | |
Enough of love? | 1:41:18 | 1:41:19 | |
Yes, quite enough. | 1:41:21 | 1:41:22 | |
Of love? | 1:41:22 | 1:41:24 | |
Yes. In all its forms. | 1:41:24 | 1:41:27 | |
Forgive me, but the very name of love | 1:41:27 | 1:41:29 | |
is an apple of discord between us. | 1:41:29 | 1:41:32 | |
My dear brother, abandon your scheme of marriage. | 1:41:32 | 1:41:35 | |
Why this refusal? | 1:41:35 | 1:41:37 | |
It makes no sense. | 1:41:37 | 1:41:39 | |
I earnestly wish to be your friend. | 1:41:39 | 1:41:41 | |
You can't give half a sacrifice. | 1:41:41 | 1:41:43 | |
You must give all. | 1:41:45 | 1:41:46 | |
To marry you would kill me! | 1:41:46 | 1:41:48 | |
Kill you? | 1:41:48 | 1:41:50 | |
Kill you? | 1:41:51 | 1:41:52 | |
Those words are unfeminine and untrue. | 1:41:54 | 1:41:57 | |
I know where your heart turns and to what it still clings. | 1:42:00 | 1:42:04 | |
Say his name. | 1:42:06 | 1:42:07 | |
Say it. Say it! | 1:42:11 | 1:42:12 | |
'Jane.' | 1:42:13 | 1:42:15 | |
Why have you not yet crushed this lawless passion? | 1:42:15 | 1:42:18 | |
Jane! | 1:42:21 | 1:42:22 | |
It offends me and it offends God! | 1:42:23 | 1:42:25 | |
What is it? | 1:42:25 | 1:42:26 | |
Where are you? | 1:42:27 | 1:42:29 | |
Wait for me. | 1:42:31 | 1:42:32 | |
Why do you speak to the air? | 1:42:32 | 1:42:34 | |
Jane. | 1:42:36 | 1:42:38 | |
'Jane.' | 1:42:38 | 1:42:39 | |
-I am coming. -Jane! | 1:42:41 | 1:42:43 | |
Wait, please, Miss. | 1:43:17 | 1:43:19 | |
Jane Eyre. | 1:44:57 | 1:44:58 | |
I thought gypsies were come. | 1:45:00 | 1:45:02 | |
And then I saw you and I thought it cannot be - | 1:45:03 | 1:45:06 | |
you are a ghost. | 1:45:06 | 1:45:07 | |
No-one knows how it started. | 1:45:10 | 1:45:12 | |
I expect that Mrs Poole took too much of the gin and water | 1:45:13 | 1:45:17 | |
and, as she slept, the lady, | 1:45:17 | 1:45:19 | |
Mrs Rochester, unhooked the keys. | 1:45:19 | 1:45:22 | |
She did what she failed to do a year ago - | 1:45:23 | 1:45:25 | |
set the whole place to fire. | 1:45:25 | 1:45:27 | |
We would have all perished in the smoke, | 1:45:29 | 1:45:31 | |
but Mr Rochester would not rest till we were all safe. | 1:45:31 | 1:45:36 | |
Then he went in for her. | 1:45:36 | 1:45:38 | |
The flames were tearing up so high, | 1:45:39 | 1:45:41 | |
it brought men running from the village. | 1:45:41 | 1:45:44 | |
I saw her standing on the roof. | 1:45:44 | 1:45:46 | |
The very edge. | 1:45:46 | 1:45:47 | |
I heard Mr Rochester beg her to come down. | 1:45:47 | 1:45:50 | |
But she jumped. | 1:45:52 | 1:45:53 | |
Mr Rochester remained, | 1:45:55 | 1:45:56 | |
as if he would not move until the fire consumed him. | 1:45:56 | 1:46:00 | |
I didn't know. | 1:46:02 | 1:46:03 | |
I didn't know it was his wife, I promise you. | 1:46:05 | 1:46:07 | |
Why did you run away, child? | 1:46:08 | 1:46:10 | |
I would have helped you. | 1:46:11 | 1:46:14 | |
I had some money saved. | 1:46:14 | 1:46:16 | |
You could have come to me. | 1:46:16 | 1:46:18 | |
Where is he? | 1:46:22 | 1:46:23 | |
Pilot. | 1:47:04 | 1:47:05 | |
Who's there? | 1:47:20 | 1:47:21 | |
This hand... | 1:47:46 | 1:47:48 | |
Jane Eyre. | 1:48:05 | 1:48:07 | |
Edward, I am come back to you. | 1:48:15 | 1:48:17 | |
Fairfax Rochester with nothing to say? | 1:48:28 | 1:48:32 | |
You are altogether a human being, Jane. | 1:48:37 | 1:48:39 | |
I conscientiously believe so. | 1:48:41 | 1:48:44 | |
A dream. | 1:49:00 | 1:49:02 | |
Awaken, then. | 1:49:07 | 1:49:09 |