
Browse content similar to The 51st State. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
This film contains some violent scenes and very strong language. | 0:00:02 | 0:00:07 | |
DOOR OPENS AND KEYS JINGLE | 0:00:21 | 0:00:23 | |
ENGINE STARTS | 0:00:25 | 0:00:27 | |
-MAN: -Yeah. Heh-heh. | 0:00:29 | 0:00:31 | |
MUSIC: "Them Changes" by Buddy Miles | 0:00:33 | 0:00:34 | |
# Well, my mind is going through them changes | 0:00:48 | 0:00:53 | |
# I feel just like committing a crime | 0:00:53 | 0:00:57 | |
# Every time you see me going somewhere | 0:00:58 | 0:01:01 | |
# I know I'm going out of my mind Yeah | 0:01:02 | 0:01:06 | |
# Oh, my baby, she left me the other day | 0:01:06 | 0:01:10 | |
# And we were having a lot of fun | 0:01:10 | 0:01:13 | |
# Oh, she know I just loved her so | 0:01:14 | 0:01:18 | |
# And that's the reason why she had to run | 0:01:18 | 0:01:22 | |
# It's all right Girl, you're all I need | 0:01:23 | 0:01:27 | |
# It's all right What I say...? # | 0:01:27 | 0:01:31 | |
HE COUGHS | 0:01:31 | 0:01:32 | |
SIREN WAILS | 0:01:36 | 0:01:37 | |
# Well, my mind is going through so many changes | 0:01:39 | 0:01:43 | |
# I'm going right out of my mind | 0:01:43 | 0:01:45 | |
# Every time you see me going somewhere | 0:01:47 | 0:01:50 | |
# I could commit a big old crime. # | 0:01:51 | 0:01:53 | |
I mean, rules are like...arbitrary, you know? Made up for people | 0:01:53 | 0:01:59 | |
who believe in fairy tales, like... You know, like... Like Santa Claus. | 0:01:59 | 0:02:04 | |
Hey, but not us, right? I mean, we know what's important. | 0:02:04 | 0:02:09 | |
There's a war going on, man. A war! | 0:02:10 | 0:02:14 | |
Ain't that a bitch? | 0:02:14 | 0:02:16 | |
HE SUCKS TEETH | 0:02:16 | 0:02:18 | |
I just graduated today, man. | 0:02:18 | 0:02:21 | |
With honours. | 0:02:21 | 0:02:22 | |
Got my degree in... In pharmacology. I'm licensed. | 0:02:22 | 0:02:27 | |
Look, if you write me up on this drug charge, | 0:02:29 | 0:02:33 | |
I won't be able to practise. | 0:02:33 | 0:02:35 | |
So what we're talking about here is my life. The rest of it. | 0:02:35 | 0:02:40 | |
SHARP INTAKE OF BREATH | 0:02:59 | 0:03:01 | |
HE COUGHS | 0:03:02 | 0:03:03 | |
The '60s are over...man. | 0:03:13 | 0:03:15 | |
MUSIC: "Shamrocks And Shenanigans" by House of Pain | 0:03:24 | 0:03:26 | |
# Boom sha lock lock boom! | 0:03:26 | 0:03:28 | |
# Boom sha lock lock boom! | 0:03:28 | 0:03:30 | |
# Boom sha lock lock boom! | 0:03:30 | 0:03:33 | |
# Boom sha lock lock boom! | 0:03:33 | 0:03:35 | |
# I kicks the flava like Stephen King writes horror | 0:03:35 | 0:03:37 | |
# If I was a Jew, then I'd light a menorah | 0:03:37 | 0:03:40 | |
# I got rhymes for ya Excuse me, senora | 0:03:40 | 0:03:42 | |
# Are you a whore, or are you a lady? | 0:03:42 | 0:03:44 | |
# Is it Erica Boyare or Marcia Brady? | 0:03:44 | 0:03:47 | |
# Let me know, hon The deed'll get done | 0:03:47 | 0:03:49 | |
# Just assume the position, I'll take my rod and then I'll go fishing | 0:03:49 | 0:03:52 | |
# I'll get your river flowing | 0:03:52 | 0:03:54 | |
# I'm always in the know when it comes to giving pleasure | 0:03:54 | 0:03:56 | |
# I'm every woman's treasure | 0:03:56 | 0:03:57 | |
# The cartoon boom sha lock lock | 0:03:57 | 0:03:58 | |
# Boom sha lock lock boom! | 0:03:58 | 0:04:00 | |
# Boom sha lock lock boom! | 0:04:00 | 0:04:03 | |
# Boom sha lock lock boom! | 0:04:03 | 0:04:04 | |
# Boom sha lock lock boom! | 0:04:04 | 0:04:07 | |
# Breaker, breaker, here comes the caper... # | 0:04:07 | 0:04:10 | |
MUSIC: " Getcha Ass Up" by Headrillaz Feat Blade | 0:04:10 | 0:04:12 | |
# Blade, Blade, Blade | 0:04:26 | 0:04:28 | |
# Body bag... # | 0:04:28 | 0:04:30 | |
-MAN: -Jody and Nick, you have come together in this church | 0:04:30 | 0:04:33 | |
so that the Lord may seal... | 0:04:33 | 0:04:35 | |
# Yo! You got to take it like I give it | 0:04:45 | 0:04:47 | |
# I write it how I see | 0:04:47 | 0:04:49 | |
# I been living | 0:04:49 | 0:04:50 | |
# Been places you couldn't be | 0:04:50 | 0:04:52 | |
# Took the road less travelled I dabbled in weight | 0:04:52 | 0:04:54 | |
# Learned the art of Wu, like, trust me, dabbled in hate | 0:04:54 | 0:04:56 | |
# Now everybody hit the gravel... # | 0:04:56 | 0:04:58 | |
SUDDEN CHATTER | 0:05:01 | 0:05:03 | |
-FEMALE REPORTER: -Is it true this is the biggest deal you've cut with the FBI? | 0:05:04 | 0:05:08 | |
SCREAMING | 0:05:20 | 0:05:21 | |
I now pronounce you man and wife. | 0:05:28 | 0:05:31 | |
APPLAUSE, SMALL GASP | 0:05:34 | 0:05:36 | |
CHURCH BELL TOLLS | 0:05:42 | 0:05:44 | |
-PHONE RINGS -Aren't you supposed to be in court? | 0:05:52 | 0:05:56 | |
Case adjourned. They just seemed to run fresh out of witnesses. | 0:05:57 | 0:06:00 | |
Ah, frees up The Lizard for his other business. | 0:06:02 | 0:06:05 | |
100 large has been deducted from your account as promised. | 0:06:05 | 0:06:10 | |
Can The Lizard offer a suggestion on how she can, er... | 0:06:10 | 0:06:13 | |
..work off the rest of her debt? | 0:06:15 | 0:06:16 | |
The Lizard may not. | 0:06:16 | 0:06:19 | |
Go. | 0:06:36 | 0:06:37 | |
Believe me, you'll thank me later. Let's go. | 0:06:37 | 0:06:40 | |
No more free meals. Let's go. | 0:06:40 | 0:06:43 | |
Christ! It's like a reptile house in here. | 0:06:57 | 0:06:59 | |
Fuck off! | 0:07:02 | 0:07:04 | |
BEEPING | 0:07:13 | 0:07:15 | |
Ah. Mix-Master. | 0:07:20 | 0:07:22 | |
To our star chemist, gentlemen. Elmo McElroy. | 0:07:23 | 0:07:26 | |
Where's Durant? | 0:07:30 | 0:07:32 | |
I see five. I don't see the Brit. | 0:07:34 | 0:07:36 | |
Where the fuck is he at? | 0:07:36 | 0:07:38 | |
He said he'd be here. | 0:07:38 | 0:07:40 | |
Limey faggot needs a lesson in manners. | 0:07:40 | 0:07:43 | |
Fuck Durant. | 0:07:43 | 0:07:44 | |
Just tell us about this new wonder drug. | 0:07:44 | 0:07:47 | |
Get your master chemist in here. | 0:07:47 | 0:07:48 | |
OK. | 0:07:48 | 0:07:50 | |
Konokko, fetch him. | 0:07:50 | 0:07:51 | |
Fetch The Lizard's Elmo. | 0:07:51 | 0:07:53 | |
# Let me tell you 'bout what I love in Gina | 0:07:54 | 0:07:56 | |
# Love is like no other Couldn't get in between her | 0:07:56 | 0:07:59 | |
# Always stay fly, man l wish that you'd seen her | 0:07:59 | 0:08:02 | |
# Said they had a scheme but nobody believed her | 0:08:02 | 0:08:04 | |
# No real job cos she stay in the streets | 0:08:04 | 0:08:06 | |
# Gina did nails but her love made beats | 0:08:06 | 0:08:08 | |
# When they wanna eat, they just walk in the store | 0:08:08 | 0:08:11 | |
# They took what they wanted, man, the illest you saw | 0:08:11 | 0:08:14 | |
# Come on, take the money and run | 0:08:14 | 0:08:16 | |
# Come on, take the money and run | 0:08:18 | 0:08:21 | |
# Hey, hey, hey | 0:08:21 | 0:08:23 | |
# Come on, take the money and run | 0:08:24 | 0:08:26 | |
# That's what I say | 0:08:26 | 0:08:28 | |
# Come on, take the money and run... # | 0:08:28 | 0:08:30 | |
No Durant... | 0:08:37 | 0:08:40 | |
no McElroy. | 0:08:40 | 0:08:42 | |
Maybe he went out for something. | 0:08:44 | 0:08:46 | |
Nobody goes out for something on deal day! | 0:08:48 | 0:08:51 | |
Now, stop your whining, get up off your ass and go find him! | 0:08:51 | 0:08:55 | |
Now! | 0:08:55 | 0:08:56 | |
Argh! | 0:08:56 | 0:08:58 | |
HE CHUCKLES | 0:08:58 | 0:09:00 | |
Just give me a moment. | 0:09:02 | 0:09:04 | |
RINGS, SIZZLING | 0:09:07 | 0:09:08 | |
'This is Elmo McElroy's phone. He's not home. | 0:09:13 | 0:09:16 | |
'You know what to do, you know when to do it. | 0:09:16 | 0:09:19 | |
'Bye.' | 0:09:19 | 0:09:21 | |
Tasty Drops? | 0:09:25 | 0:09:26 | |
He fucked me! I'm truly ass-invaded! | 0:09:31 | 0:09:34 | |
'You have one new message.' | 0:09:53 | 0:09:55 | |
'He fucked me. I'm truly ass-invaded.' | 0:09:57 | 0:10:00 | |
'EXPLOSION' | 0:10:00 | 0:10:02 | |
Rest in peace... | 0:10:05 | 0:10:07 | |
..motherfucker. | 0:10:09 | 0:10:11 | |
MUSIC: "Good Fortune" by PJ Harvey | 0:10:14 | 0:10:16 | |
# Threw my bad fortune off the top of... # | 0:10:21 | 0:10:24 | |
PHONE RINGS | 0:10:24 | 0:10:26 | |
You're going home, Dakota. | 0:10:29 | 0:10:31 | |
-I'm going to Vegas. -You listen to me. | 0:10:31 | 0:10:33 | |
There's this limey asshole in Liverpool | 0:10:35 | 0:10:37 | |
named Durant. | 0:10:37 | 0:10:39 | |
He was supposed to show up for this little deal we had going on today. | 0:10:39 | 0:10:42 | |
He didn't show up. | 0:10:42 | 0:10:44 | |
The Lizard thinks he stole his Elmo. | 0:10:44 | 0:10:46 | |
I'm not going back. I don't care how much I owe you. | 0:10:46 | 0:10:49 | |
Listen to me, Dakota. | 0:10:49 | 0:10:50 | |
I want this limey motherfucker Durant off the fucking planet | 0:10:50 | 0:10:54 | |
and I want fucking Elmo fucking McElroy | 0:10:54 | 0:10:57 | |
-off the fucking planet! -'Did you hear what I just said?' | 0:10:57 | 0:11:01 | |
That place has nothing to offer me. | 0:11:01 | 0:11:03 | |
The Lizard... | 0:11:03 | 0:11:04 | |
..will wipe your marker clean. | 0:11:05 | 0:11:09 | |
Plus a bonus - £100,000 | 0:11:13 | 0:11:16 | |
if the job is done in 48 hours. | 0:11:16 | 0:11:19 | |
And after that, there is nothing to stop you | 0:11:19 | 0:11:22 | |
from turning right around and leaving again. | 0:11:22 | 0:11:26 | |
250. | 0:11:26 | 0:11:29 | |
Get it done. | 0:11:29 | 0:11:32 | |
It's done. | 0:11:32 | 0:11:34 | |
Shit! | 0:11:38 | 0:11:40 | |
'I would like to extend a very warm welcome to each of you | 0:11:54 | 0:11:57 | |
'on behalf of all the crew on this Virgin Atlantic flight. | 0:11:57 | 0:12:00 | |
'Please store carry-on baggage...' | 0:12:00 | 0:12:02 | |
Can I show you to your seat, sir? | 0:12:02 | 0:12:04 | |
ENGINES WHINE | 0:12:42 | 0:12:44 | |
Spit it out. Spit it out now! | 0:13:46 | 0:13:49 | |
Tommy? | 0:13:49 | 0:13:51 | |
SHE HUFFS | 0:13:56 | 0:13:57 | |
What? | 0:13:57 | 0:13:59 | |
What? | 0:14:02 | 0:14:03 | |
-LIVERPUDLIAN ACCENT: -Fuckin' Yanks. | 0:14:11 | 0:14:14 | |
The trouble with the fuckin' Yanks is, they've no fuckin' sense. | 0:14:14 | 0:14:19 | |
Had some dick in Los Angeles | 0:14:19 | 0:14:20 | |
actually ask me where I learnt English. | 0:14:20 | 0:14:23 | |
English? Fuck! | 0:14:23 | 0:14:24 | |
Do you have a problem with America, Felix? | 0:14:24 | 0:14:26 | |
Oh, yeah. I've got one great big, fat, swollen fucker of a problem with America, twat! | 0:14:26 | 0:14:32 | |
Listen to this. I'm in fuckin' Florida, right? | 0:14:32 | 0:14:35 | |
This Southern prat comes up and he's like, er... | 0:14:36 | 0:14:39 | |
"Hey, England's small. You must know that John fuckin' Smith guy, right?" | 0:14:39 | 0:14:43 | |
-Fuckin' Smith! -CAMPTOWN RACES RINGTONE | 0:14:43 | 0:14:45 | |
I'm like, "Oh, yeah, yeah, mate, that's right. John Smith. | 0:14:45 | 0:14:48 | |
"Yeah, I do know him, but he doesn't come from England, mate. | 0:14:48 | 0:14:52 | |
-"No, he comes from fuckin'... -BOTH: Pricksville, USA!" | 0:14:52 | 0:14:55 | |
PHONE CONTINUES RINGING | 0:14:57 | 0:15:00 | |
-You going to answer the fuckin' phone or what? -It's just my wife. | 0:15:00 | 0:15:03 | |
Now, when Mr McElroy joins us, I'd be pleased if you kept your opinions to yourself. | 0:15:03 | 0:15:08 | |
This particular Yank is not a travelling salesman. He's a genius, hmm? | 0:15:08 | 0:15:13 | |
Who is this cunt? | 0:15:13 | 0:15:15 | |
So I said to Mr Durant, I said, "Mr Durant, we go and meet this fuckin' Yank McElroy, | 0:15:17 | 0:15:23 | |
"bring him to the deal and that's it." | 0:15:23 | 0:15:25 | |
None of this fuckin' conversation-and-coffee bollocks. | 0:15:25 | 0:15:27 | |
None of this asking him how the Tampa Bay Fuckin'-eers are doing. | 0:15:27 | 0:15:30 | |
No, I said, "Fuck him. | 0:15:30 | 0:15:32 | |
"I'll bring him to the deal, I get my fuckin' tickets and I'm off. That's it." | 0:15:32 | 0:15:36 | |
-Take a left up here. -There's no time for this. | 0:15:38 | 0:15:41 | |
Take a fuckin' left! | 0:15:41 | 0:15:42 | |
FOOTBALL CHANTS | 0:15:48 | 0:15:50 | |
Felix! Felix, listen! | 0:15:56 | 0:15:59 | |
This is a totally new chemical. | 0:15:59 | 0:16:01 | |
Once we have the formula, we could make this stuff in a kitchen. | 0:16:01 | 0:16:04 | |
We don't even need Durant. | 0:16:04 | 0:16:05 | |
Look. You see that? | 0:16:05 | 0:16:08 | |
That's tomorrow. Blokes are shagging their mothers-in-law to get a ticket | 0:16:10 | 0:16:14 | |
and I'm getting two from Mr Durant. | 0:16:14 | 0:16:16 | |
So unless you can shite out a couple of tickets on the spot, | 0:16:16 | 0:16:19 | |
I suggest you shut the fuck up. | 0:16:19 | 0:16:21 | |
But this is a unique window of opportunity for you. | 0:16:21 | 0:16:24 | |
-We are talking telephone numbers! -Ah, enough. Take care of him. | 0:16:24 | 0:16:28 | |
He's getting on my fuckin' tits. | 0:16:28 | 0:16:29 | |
We're going to be late, boss. | 0:16:29 | 0:16:31 | |
Fuck the Yank. Let him wait. | 0:16:31 | 0:16:33 | |
# When you walk... | 0:16:33 | 0:16:38 | |
# Through a storm | 0:16:38 | 0:16:40 | |
# Hold your head up high... # | 0:16:40 | 0:16:44 | |
CUSTOMERS: # Glory, glory, Man United | 0:16:45 | 0:16:48 | |
# Glory, glory, Man United | 0:16:48 | 0:16:51 | |
# Glory, glory, Man United | 0:16:51 | 0:16:54 | |
# And the Reds go marching on, on, on...! # | 0:16:54 | 0:16:57 | |
Boys and girls of Manchester! | 0:16:59 | 0:17:01 | |
-Just popped over from er...Liverpool... -Fuckin' wanker! | 0:17:03 | 0:17:07 | |
..to invite you to a game of footy tomorrow. | 0:17:07 | 0:17:09 | |
What the fuckin' hell's that, you twat? | 0:17:09 | 0:17:11 | |
But I'm fuckin' fucked if you pricks are going to win it. | 0:17:11 | 0:17:14 | |
Come on, then, mate. Keep up the spirit. | 0:17:16 | 0:17:18 | |
HE LAUGHS | 0:17:18 | 0:17:20 | |
Someone get that fucking thing out! | 0:17:21 | 0:17:23 | |
Young man, get off the bloody green! | 0:17:23 | 0:17:25 | |
-Where the fuck have you been? -Round the block. | 0:17:34 | 0:17:37 | |
Drive, quick! | 0:17:37 | 0:17:38 | |
Let's go meet the Yankee muppet. | 0:17:48 | 0:17:50 | |
Where's Lawrence? Where's he gone? We're late. | 0:17:51 | 0:17:55 | |
-Well, he's... -You left him at the pub. Twat! | 0:17:55 | 0:17:58 | |
-But you said... -Go back. | 0:17:58 | 0:17:59 | |
Go back and get him. | 0:18:02 | 0:18:04 | |
Look at this wanker. | 0:18:14 | 0:18:16 | |
-Prick! -Go on. | 0:18:16 | 0:18:18 | |
SIGH OF RELIEF | 0:18:27 | 0:18:29 | |
Lawrence says, right, he's going to be carrying... | 0:18:29 | 0:18:32 | |
..a load of drugs, right? | 0:18:33 | 0:18:35 | |
We do him. Job done. | 0:18:35 | 0:18:38 | |
OK? | 0:18:38 | 0:18:39 | |
I'm not having some fuckin' nig-nog...put us out of business, right? | 0:18:39 | 0:18:44 | |
Hey! | 0:18:44 | 0:18:46 | |
Watch it! You're pissin' on my fuckin' boots! | 0:18:46 | 0:18:49 | |
-What about Felix DeSouza? -Fuck him. | 0:18:49 | 0:18:51 | |
He's a rabid dog. | 0:18:51 | 0:18:52 | |
Is he? Well, fuck him! | 0:18:52 | 0:18:54 | |
Fuck him! Leave it to me! | 0:18:55 | 0:18:57 | |
I'll rip out his fuckin' liver. One shot. Va-voom! | 0:18:57 | 0:19:00 | |
Yeah? No problem. | 0:19:01 | 0:19:03 | |
No problem. | 0:19:04 | 0:19:06 | |
Hey! | 0:19:09 | 0:19:10 | |
Hey! Felix DeSouza. | 0:19:13 | 0:19:16 | |
Just the wanker I wanted to deal with. | 0:19:16 | 0:19:18 | |
Deal with this. | 0:19:18 | 0:19:20 | |
What a fuckin' day. | 0:19:25 | 0:19:28 | |
Arthur. Come in, Arthur. Over. | 0:19:28 | 0:19:30 | |
STATIC HISS | 0:19:30 | 0:19:32 | |
Why don't you try the big fat button, Arthur? | 0:19:32 | 0:19:34 | |
Yes, sir. | 0:19:35 | 0:19:36 | |
Now, we are looking for a large black gentleman wearing a dress. | 0:19:36 | 0:19:40 | |
That's what Lawrence said. It should be easy. Over. | 0:19:40 | 0:19:43 | |
Yeah, and we want Customs to pull him over, right? | 0:19:43 | 0:19:46 | |
Wrong. We want Customs to let him through and you follow him. Over. | 0:19:46 | 0:19:51 | |
-Utter nutbag. -Right. Over. | 0:19:51 | 0:19:53 | |
'What now?' | 0:20:09 | 0:20:11 | |
Follow them all. Over. | 0:20:11 | 0:20:14 | |
-Madam, if you'd like to come this way. -No. I've got to go. | 0:20:29 | 0:20:32 | |
Have you finished? | 0:20:39 | 0:20:40 | |
CUSTOMS OFFICER: Not quite, miss. I need to look at your shoulder bag. | 0:20:40 | 0:20:43 | |
Welcome to England. | 0:20:56 | 0:20:58 | |
Actually, that makes me out to be a bit of a liar, cos let's face it, pal, | 0:20:58 | 0:21:01 | |
you're about as welcome as a dose of the clap. | 0:21:01 | 0:21:04 | |
But it's always nice to be nice. | 0:21:04 | 0:21:06 | |
-Who the hell are you? -Felix DeSouza. | 0:21:06 | 0:21:08 | |
Mr Durant sent me. | 0:21:08 | 0:21:10 | |
-I asked for a chemist. Where's Lawrence? -In the car. | 0:21:10 | 0:21:12 | |
-He should be here. -I should give a shit. | 0:21:12 | 0:21:15 | |
To me, you're just a ticket to the game. | 0:21:15 | 0:21:17 | |
Where's the chemist? | 0:21:24 | 0:21:26 | |
Where's Lawrence? | 0:21:27 | 0:21:29 | |
You heard him. Where's Lawrence? | 0:21:30 | 0:21:32 | |
Put these in the truck. Get Durant on the phone. | 0:21:34 | 0:21:36 | |
Put these fucking sticks in the boot. | 0:21:38 | 0:21:41 | |
Aaah! | 0:21:44 | 0:21:45 | |
-What's that? -It's Lawrence. | 0:21:47 | 0:21:49 | |
I can see it's fucking Lawrence. What happened? | 0:21:49 | 0:21:51 | |
-You told me to take care of him. -Oh, shit. | 0:21:51 | 0:21:53 | |
I meant to take care of him, not fucking take care of him. | 0:21:53 | 0:21:57 | |
Shit. | 0:21:57 | 0:21:59 | |
Shit. | 0:22:00 | 0:22:01 | |
Shit! | 0:22:03 | 0:22:04 | |
Shut the fucking thing, will you? | 0:22:04 | 0:22:06 | |
Fuck... | 0:22:14 | 0:22:16 | |
Get Durant on the fucking phone, right fucking now! | 0:22:16 | 0:22:19 | |
Where's my motherfucking chemist?! | 0:22:27 | 0:22:29 | |
-Lawrence? He should be in the car. -Should be? | 0:22:29 | 0:22:32 | |
What kind of fuck-up is this, Durant? | 0:22:32 | 0:22:34 | |
Look, we deal today, or I go to the competition. | 0:22:34 | 0:22:37 | |
Look, let me speak to DeSouza. | 0:22:37 | 0:22:39 | |
DeSouza? DeSouza? | 0:22:39 | 0:22:41 | |
Look, boss, it wasn't my fault. | 0:22:41 | 0:22:44 | |
Besides, he was fucking irritating. | 0:22:44 | 0:22:46 | |
Right now, I couldn't give a gnat's chuff. You twat! | 0:22:46 | 0:22:49 | |
You just make sure McElroy gets here. | 0:22:49 | 0:22:50 | |
Where's my fucking chemist?! | 0:22:50 | 0:22:53 | |
-I think we need a new chemist, Mr Durant. -I know. I know. | 0:22:53 | 0:22:55 | |
I can fucking hear him, can't I? | 0:22:55 | 0:22:57 | |
Tell him I'm going to get a hold of, er... | 0:22:57 | 0:23:00 | |
Pudsey Smith, OK? | 0:23:00 | 0:23:02 | |
Yeah. I am not buying aspirin for a fucking arm and a leg. | 0:23:02 | 0:23:05 | |
He's getting Pudsey Smith. | 0:23:05 | 0:23:07 | |
-Who? -He's a deaf-mute. | 0:23:07 | 0:23:09 | |
Stall him. Just stall him. | 0:23:09 | 0:23:11 | |
You keep that Yankee cunt happy. And alive. | 0:23:11 | 0:23:14 | |
All right, boss. Yeah. | 0:23:14 | 0:23:16 | |
Oh! You fucking twat! | 0:23:19 | 0:23:21 | |
What's the plan, then? Freshen up? | 0:23:25 | 0:23:28 | |
Massage? Maybe you fancy a bucket of fried fucking chicken. | 0:23:28 | 0:23:32 | |
If I wanted cuisine, I'd have gone to Paris. | 0:23:32 | 0:23:34 | |
You can still go to France. it's not too far. | 0:23:34 | 0:23:36 | |
It's full of pricks and they hate fucking Yanks too. Do you fancy a bite? | 0:23:36 | 0:23:40 | |
Yeah. All right. | 0:23:40 | 0:23:42 | |
Hello, stranger! | 0:23:51 | 0:23:53 | |
Said hello to lover boy yet? | 0:23:56 | 0:23:59 | |
-HE LAUGHS -Iki, I'm in a hurry. | 0:23:59 | 0:24:02 | |
Can we get on with it? | 0:24:02 | 0:24:04 | |
Ruger mini-14, 223 calibre. | 0:24:12 | 0:24:15 | |
It comes in a fetching chrome. | 0:24:15 | 0:24:17 | |
20 rounds per banana. | 0:24:19 | 0:24:21 | |
Unless the elite and snazzy Iki special takes your fancy, extending your capacity to 40. | 0:24:21 | 0:24:25 | |
-We've got a Czechoslovakian... -CZ 83, I'll take one. | 0:24:25 | 0:24:28 | |
Oh... | 0:24:28 | 0:24:30 | |
Well, that's young Felix's weapon of choice, isn't it? | 0:24:30 | 0:24:33 | |
Now, there's a trip down memory lane. | 0:24:33 | 0:24:35 | |
I'm partial to a bit of sentiment, me. | 0:24:35 | 0:24:37 | |
I've heard things, you know. He misses you. | 0:24:37 | 0:24:40 | |
So, what are you going to take? | 0:24:42 | 0:24:43 | |
I'll take the Beretta, the CZ, an ankle holster, add the mini-14 and I'm done. | 0:24:43 | 0:24:48 | |
-I want to get in and out fast. -Don't we all? | 0:24:48 | 0:24:50 | |
Does Durant still do his deals at the Port Hotel? | 0:24:50 | 0:24:53 | |
Silly lad. It'll be his undoing, one of these days. | 0:24:53 | 0:24:55 | |
But what do you expect from a fella who gets his arse waxed every month? | 0:24:55 | 0:24:59 | |
I forgot what a circus this place is. | 0:24:59 | 0:25:02 | |
Funny, that. | 0:25:02 | 0:25:04 | |
I never did much like the circus. All that poking your head in a lion's mouth shite. | 0:25:04 | 0:25:08 | |
Bring on the horses! Get 'em rogering the dancing girls! | 0:25:08 | 0:25:11 | |
That's a circus. | 0:25:11 | 0:25:13 | |
These...and these | 0:25:14 | 0:25:16 | |
are on the house. | 0:25:16 | 0:25:17 | |
Welcome home...Dawn. | 0:25:19 | 0:25:21 | |
-There you go, mate. -Thanks, mate. | 0:25:31 | 0:25:33 | |
Ta. | 0:25:33 | 0:25:35 | |
What the fuck did they do to this fish? Batter it to death? | 0:25:42 | 0:25:46 | |
Fish and chips. The national dish, mate. | 0:25:46 | 0:25:48 | |
More like a national disaster. | 0:25:48 | 0:25:51 | |
# I said you don't really wanna go, I can tell | 0:25:51 | 0:25:54 | |
# But I'm gonna take you anyway | 0:25:54 | 0:25:56 | |
# What the hell? | 0:25:56 | 0:25:57 | |
# So come on, get on in the ride | 0:25:57 | 0:26:00 | |
# And let me take you to the other side | 0:26:00 | 0:26:02 | |
# You don't really wanna go, I can tell | 0:26:03 | 0:26:05 | |
# But I'm gonna take you anyway | 0:26:05 | 0:26:07 | |
# What the hell? | 0:26:07 | 0:26:09 | |
# So come on, get on in the ride | 0:26:09 | 0:26:11 | |
# And let me take you to the other side | 0:26:11 | 0:26:14 | |
# I heard you even got a child now | 0:26:14 | 0:26:16 | |
# Look at that | 0:26:16 | 0:26:17 | |
# A baby momma and a bow-wow... # | 0:26:17 | 0:26:19 | |
TYRES SCREECH | 0:26:19 | 0:26:21 | |
Keys. | 0:26:23 | 0:26:25 | |
Twat. | 0:26:27 | 0:26:29 | |
Come on. | 0:26:29 | 0:26:31 | |
So, er... | 0:26:34 | 0:26:36 | |
How much are they paying you to wear that skirt? | 0:26:36 | 0:26:39 | |
Fag? | 0:26:46 | 0:26:48 | |
No, motherfucker. | 0:26:51 | 0:26:53 | |
HE SNIGGERS | 0:26:56 | 0:26:58 | |
KNOCK AT DOOR | 0:27:03 | 0:27:05 | |
Ah, Mr McElroy! | 0:27:10 | 0:27:13 | |
That's daring, but very dashing attire. | 0:27:13 | 0:27:15 | |
Let's stick to the business in hand. | 0:27:15 | 0:27:18 | |
Hey, come on! Mr McElroy's a guest of ours. | 0:27:18 | 0:27:21 | |
OK, boys, guns on the table, please. | 0:27:23 | 0:27:25 | |
Felix? | 0:27:27 | 0:27:28 | |
I've delivered him. I'll have my tickets and be off. | 0:27:28 | 0:27:30 | |
OK. Put your gun on the table. | 0:27:30 | 0:27:32 | |
-Fuck. The game's tomorrow. -Put your fucking gun on the table, you gobshite! | 0:27:32 | 0:27:35 | |
What? | 0:27:37 | 0:27:39 | |
-So, who's the chemist? -This is Pudsey Smith. | 0:27:39 | 0:27:41 | |
A first-class man. Qualified and everything. | 0:27:41 | 0:27:43 | |
He can't talk. He's been shot. | 0:27:45 | 0:27:46 | |
Felix, have you shit your pants, or something? | 0:27:55 | 0:27:57 | |
Something doesn't feel right, Mr Durant. | 0:27:57 | 0:27:59 | |
I know. You're making me nervous, for fuck's sake! Sit on your hands, or something. | 0:27:59 | 0:28:03 | |
OK, Mr McElroy, the ball's in your court. | 0:28:03 | 0:28:06 | |
MCELROY: MDMA utilises serotonin. | 0:28:16 | 0:28:19 | |
Opiates like heroin utilise dopamine. | 0:28:19 | 0:28:23 | |
Sort of like the same sensation you get after sex. | 0:28:23 | 0:28:26 | |
Amphetamines increase adrenaline | 0:28:26 | 0:28:29 | |
and cocaine gets those synapses in the brain firing really fast. | 0:28:29 | 0:28:34 | |
My product is 51 times stronger than cocaine. | 0:28:34 | 0:28:38 | |
51 times more hallucinogenic than acid | 0:28:38 | 0:28:41 | |
and 51 times more explosive than ecstasy. | 0:28:41 | 0:28:44 | |
It's like a personal visit... | 0:28:45 | 0:28:46 | |
..from God. | 0:28:47 | 0:28:49 | |
It's that good? | 0:28:50 | 0:28:52 | |
The dog's bollocks. | 0:28:54 | 0:28:57 | |
Felix DeSouza. | 0:29:17 | 0:29:20 | |
-I count ten. -That's right. | 0:29:20 | 0:29:22 | |
That's one million sterling, or 1.6 million dollars. | 0:29:22 | 0:29:26 | |
But that ain't what we agreed on, is it? | 0:29:26 | 0:29:28 | |
You're 18.4 million dollars shy. | 0:29:28 | 0:29:31 | |
And I don't care how you cut it, that's a whole lot shy. | 0:29:31 | 0:29:35 | |
No... | 0:29:35 | 0:29:37 | |
Mr McElroy, what we have there is a goodwill gesture. | 0:29:37 | 0:29:40 | |
A deposit. A down payment. | 0:29:40 | 0:29:41 | |
One and a half million's not a bad start, is it? | 0:29:41 | 0:29:44 | |
I need to do some research. I need to feed a few thousand to the kids, get some feedback. | 0:29:44 | 0:29:49 | |
You don't think I can allow you to walk out of here with 20 million | 0:29:49 | 0:29:52 | |
for a formula that only exists in your head? | 0:29:52 | 0:29:54 | |
And all I get is, what? | 0:29:54 | 0:29:57 | |
An ointment for toe jam. | 0:29:57 | 0:29:59 | |
Uh-huh? | 0:30:00 | 0:30:02 | |
-Market research. -Right. | 0:30:03 | 0:30:05 | |
Profile customers, send out questionnaires. | 0:30:05 | 0:30:07 | |
Get out the bloody way, Felix. | 0:30:11 | 0:30:14 | |
I can dig that. But unless you've got what we agreed on, what the fuck am I doing here? | 0:30:14 | 0:30:20 | |
Give me a call when you're ready to deal. | 0:30:20 | 0:30:22 | |
-BANGING ON DOOR -I fucking knew it. | 0:30:22 | 0:30:24 | |
-QUAVERING VOICE: -Room service. | 0:30:27 | 0:30:29 | |
That old fuckin' chestnut. | 0:30:29 | 0:30:31 | |
Aaargh! | 0:30:32 | 0:30:33 | |
Hey, hold it fellas! | 0:30:34 | 0:30:36 | |
It's my sausage and flamin' mash! | 0:30:36 | 0:30:38 | |
SHE SCREAMS Ssh... | 0:30:38 | 0:30:41 | |
Sorry, love. Sorry about that, pet. | 0:30:41 | 0:30:44 | |
It's just that, er... | 0:30:44 | 0:30:45 | |
my dad ran off with a room service maid. | 0:30:45 | 0:30:48 | |
Things have never really been the same since. | 0:30:48 | 0:30:50 | |
Bollocks. | 0:30:51 | 0:30:53 | |
PHONE RINGS | 0:30:53 | 0:30:55 | |
Now's not a good time. | 0:30:58 | 0:31:00 | |
-'Change of plan.' -What do you mean? | 0:31:00 | 0:31:02 | |
I want McElroy kept alive. | 0:31:02 | 0:31:03 | |
I don't do alive, I do dead. | 0:31:03 | 0:31:05 | |
It's a matter of 20 million | 0:31:05 | 0:31:07 | |
in cash being vaporised, | 0:31:07 | 0:31:08 | |
and it's a matter of a lot of anger being directed at The Lizardman. | 0:31:08 | 0:31:12 | |
You now do alive. | 0:31:12 | 0:31:13 | |
'My future is inside McEroy's skull.' | 0:31:13 | 0:31:18 | |
You waste anything and everybody that gets near him. | 0:31:18 | 0:31:21 | |
You waste them, not him. | 0:31:21 | 0:31:23 | |
'His mind belongs to The Lizard.' | 0:31:23 | 0:31:26 | |
Shit. | 0:31:28 | 0:31:29 | |
Fucking hell! | 0:31:35 | 0:31:36 | |
Shit, shit, shit! | 0:31:39 | 0:31:41 | |
Arsehole. | 0:31:49 | 0:31:50 | |
Let go, you double-crosser. Let go! They're mine! | 0:31:52 | 0:31:55 | |
Oh! | 0:31:55 | 0:31:56 | |
Oh, shit. | 0:32:08 | 0:32:10 | |
Shit. | 0:32:26 | 0:32:28 | |
Ow! Shit! | 0:32:33 | 0:32:35 | |
I told you to get out of the way, Felix. | 0:32:35 | 0:32:38 | |
-Fuck! I've been shot. -Where? | 0:32:38 | 0:32:40 | |
In the fucking arse! | 0:32:40 | 0:32:42 | |
Man, it's just a flesh wound. Come on. | 0:32:42 | 0:32:44 | |
Flesh wound? Is that supposed to sound like a fuckin' good thing? | 0:32:44 | 0:32:48 | |
ARGUING | 0:32:52 | 0:32:54 | |
Come on, dude. | 0:32:54 | 0:32:56 | |
Oi, Sooty. | 0:32:58 | 0:32:59 | |
Sooty! | 0:32:59 | 0:33:01 | |
Here. Take these. | 0:33:03 | 0:33:04 | |
-Aaargh! -Oh, fuck! | 0:33:15 | 0:33:17 | |
Fuckin' get him, boys. Come on! | 0:33:17 | 0:33:20 | |
-Stay down, bitch. -Oi! You're not driving my car! | 0:33:25 | 0:33:28 | |
Shit. | 0:33:28 | 0:33:30 | |
Give me the fuckin' keys. Get in the car. | 0:33:30 | 0:33:31 | |
Fuck! | 0:33:31 | 0:33:33 | |
BOTH: Aaargh! | 0:33:41 | 0:33:42 | |
Fucking hell! | 0:33:46 | 0:33:47 | |
Get your fat arse out of the flamin' car. Check the hotel. | 0:33:48 | 0:33:50 | |
Put me in the picture. What the fuck happened back there? | 0:33:50 | 0:33:53 | |
I just got shot in the fucking arse | 0:33:53 | 0:33:55 | |
-is what happened! -This is not how we do fuckin' business. | 0:33:55 | 0:33:58 | |
-Just get out of the fucking car! -All right. All right. | 0:33:58 | 0:34:01 | |
Oh, fuck! | 0:34:01 | 0:34:02 | |
What the fuck are you doing? | 0:34:07 | 0:34:09 | |
Whoa... | 0:34:09 | 0:34:11 | |
Just take a fucking left! | 0:34:12 | 0:34:14 | |
SIREN WAILS | 0:34:17 | 0:34:18 | |
-Get off the pavement! -Shit. | 0:34:23 | 0:34:25 | |
Watch out! | 0:34:25 | 0:34:27 | |
Fuck! | 0:34:27 | 0:34:29 | |
-Which fucking way? -Right. Right. | 0:34:30 | 0:34:32 | |
-Come on! -Aargh. -Christ! | 0:34:38 | 0:34:40 | |
Hey... | 0:34:41 | 0:34:42 | |
-The traffic's coming from the right. -I got it. | 0:34:53 | 0:34:56 | |
Fuck! | 0:35:00 | 0:35:02 | |
You! Out of my fuckin' way! | 0:35:06 | 0:35:08 | |
-Oh, bollocks. -The dog's bollocks? | 0:35:17 | 0:35:20 | |
No. Just plain fucking bollocks. | 0:35:20 | 0:35:21 | |
-No dogs involved? -No! | 0:35:21 | 0:35:24 | |
Watch out! Watch out! | 0:35:24 | 0:35:25 | |
You'll kill the fucking car! | 0:35:29 | 0:35:31 | |
Fuck. | 0:35:36 | 0:35:38 | |
Oh! Fuck. | 0:35:39 | 0:35:41 | |
SIREN BLARES | 0:35:42 | 0:35:44 | |
Hello? | 0:35:49 | 0:35:50 | |
So, let me get this straight. | 0:36:03 | 0:36:05 | |
"Bollocks" is bad, whereas "the dog's bollocks" is good, huh? | 0:36:05 | 0:36:08 | |
Yeah. | 0:36:08 | 0:36:10 | |
ENGINE REVS | 0:36:11 | 0:36:12 | |
Oh, bollocks. | 0:36:12 | 0:36:14 | |
Gotcha. | 0:36:20 | 0:36:22 | |
Come on, then! | 0:36:34 | 0:36:36 | |
Come on! | 0:36:36 | 0:36:37 | |
Aaa-aargh! | 0:36:39 | 0:36:43 | |
-Stop. -God. Fucking Yanks. | 0:36:46 | 0:36:49 | |
Come on! | 0:36:49 | 0:36:50 | |
Shit. | 0:36:55 | 0:36:57 | |
Fucking hell. | 0:36:57 | 0:36:58 | |
Scraping my fucking paintwork! | 0:37:00 | 0:37:02 | |
Shit. Shit. Shit. Shit. Shit. | 0:37:03 | 0:37:05 | |
-Fuck you, Kane, you shitebag. -Fuck off! | 0:37:05 | 0:37:08 | |
SQUAWKS LIKE A CHICKEN | 0:37:10 | 0:37:13 | |
Oh, you little fuck! | 0:37:13 | 0:37:14 | |
Chicken bollocks. | 0:37:14 | 0:37:17 | |
Shit! | 0:37:19 | 0:37:20 | |
Whoa-oa! | 0:37:20 | 0:37:22 | |
Fuck you, Kane, you fucking wanker! | 0:37:24 | 0:37:27 | |
SIRENS BLARE | 0:37:27 | 0:37:29 | |
Come here, you! | 0:37:55 | 0:37:57 | |
-Are you all right? -Fuck off! | 0:37:57 | 0:37:59 | |
We've lost them. | 0:38:02 | 0:38:04 | |
SHIP'S HORN | 0:38:04 | 0:38:07 | |
Yeah, well, let's not take any chances. | 0:38:09 | 0:38:12 | |
Oh... | 0:38:34 | 0:38:35 | |
Oh, shit! | 0:38:36 | 0:38:38 | |
Ugh... | 0:38:54 | 0:38:56 | |
Are you wanting to junk that, pal? | 0:38:58 | 0:38:59 | |
You what? | 0:38:59 | 0:39:00 | |
Dude, do you have a car that works? I need transportation. | 0:39:00 | 0:39:03 | |
I've got a Cooper needing a lick of paint. | 0:39:03 | 0:39:05 | |
She goes. Throw in the XJ6 and she's yours for a 100 quid. | 0:39:05 | 0:39:09 | |
-Deal. -What, a Cooper? Piss off, Popeye. And you. | 0:39:09 | 0:39:13 | |
I'll tell you what - 70 quid and the Jag | 0:39:13 | 0:39:15 | |
and I'm robbing myself. | 0:39:15 | 0:39:17 | |
Tha... That's it. That's it. | 0:39:17 | 0:39:19 | |
I've had just about enough of this shite. | 0:39:19 | 0:39:22 | |
I got you to that deal in one piece. | 0:39:22 | 0:39:24 | |
I got you out of that deal in one piece. | 0:39:24 | 0:39:26 | |
As far as I'm concerned, my job's done. It's finished. | 0:39:26 | 0:39:29 | |
You can leave my motor alone, get your golf clubs, and fuck off back to Dixie. | 0:39:29 | 0:39:33 | |
Pay attention, Felix DeSouza. | 0:39:33 | 0:39:35 | |
I atomised a major drugs syndicate to be here this morning. | 0:39:35 | 0:39:40 | |
Now, I'm stuck in Liver-fucking-fool with you! | 0:39:40 | 0:39:44 | |
And if I need you to sell your car to help me, you will sell your goddamn car! | 0:39:44 | 0:39:50 | |
Do I look like the Salvation Army? | 0:39:57 | 0:39:59 | |
Have I got "Jim'll Fix It" written on my fucking hat? | 0:39:59 | 0:40:02 | |
I'm sorry, mate, but help's not a word I'm too familiar with, you know. | 0:40:02 | 0:40:06 | |
CAMPTOWN RACES RINGTONE | 0:40:06 | 0:40:08 | |
Fuck off! | 0:40:12 | 0:40:13 | |
I don't believe it. | 0:40:35 | 0:40:37 | |
So, who's the girl? | 0:40:38 | 0:40:40 | |
It's my ex-girlfriend. | 0:40:43 | 0:40:45 | |
Arthur. I want you to describe the situation to me. | 0:40:49 | 0:40:52 | |
Seven shades of shit in a one-shit trumpet, sir. | 0:40:52 | 0:40:56 | |
It looks like some kind of a drugs buy. | 0:40:56 | 0:40:58 | |
'None of your ordinary.' | 0:40:58 | 0:41:00 | |
Aye-aye. Got some blue tabs. They look like sweets. | 0:41:00 | 0:41:04 | |
How are you? | 0:41:04 | 0:41:06 | |
What do you mean, how am I? Nearly cut my fucking ear off! | 0:41:06 | 0:41:09 | |
And I've hurt my knee. | 0:41:09 | 0:41:11 | |
Now, I want you to get the pills and take them straight down to the lab, double time. | 0:41:11 | 0:41:16 | |
You got that? And then you call me. Now, what else have you got? | 0:41:16 | 0:41:20 | |
Six dead bodies and one live one. | 0:41:20 | 0:41:22 | |
HE GROANS Chief, it's Leopold Durant. | 0:41:22 | 0:41:25 | |
Durant? Right. Now, concentrate, Arthur. | 0:41:25 | 0:41:28 | |
Get that fat fuck down here pronto. | 0:41:28 | 0:41:32 | |
But, sir, he's dying. | 0:41:32 | 0:41:33 | |
Then you'd better be fucking quick about it, hadn't you? | 0:41:33 | 0:41:36 | |
FOGHORN HOOTS | 0:41:37 | 0:41:38 | |
She dumped me. | 0:41:41 | 0:41:43 | |
Two years ago now. | 0:41:44 | 0:41:46 | |
Changed her name from Dawn to Dakota. | 0:41:48 | 0:41:51 | |
Fucked off for Las Vegas and a deck of cards. | 0:41:51 | 0:41:54 | |
So who hired her to take me out? | 0:41:54 | 0:41:56 | |
You're asking the wrong question, mate. | 0:41:56 | 0:41:58 | |
She's your guardian angel. | 0:42:00 | 0:42:02 | |
If she wanted you dead, you'd be dead. | 0:42:04 | 0:42:07 | |
She never misses. | 0:42:07 | 0:42:09 | |
I mean, fucking look at that. | 0:42:09 | 0:42:11 | |
If she really wanted to hit me... I'd be shiteing through a tube for the rest of my life. | 0:42:12 | 0:42:17 | |
Someone wants you kept alive. | 0:42:20 | 0:42:22 | |
Somebody's trying to cut in on Durant's deal. They're shitting again. | 0:42:29 | 0:42:34 | |
-Yeah, well, shit happens. -No. | 0:42:34 | 0:42:36 | |
Shit don't just happen, shit takes time. | 0:42:36 | 0:42:38 | |
Shit takes effort. | 0:42:38 | 0:42:40 | |
20 million-worth of effort. | 0:42:40 | 0:42:43 | |
METALLIC PING | 0:42:43 | 0:42:45 | |
I've got to get a new deal on, fast. | 0:42:45 | 0:42:48 | |
You know the town, you know the players. | 0:42:48 | 0:42:50 | |
Look... | 0:42:50 | 0:42:52 | |
..all I want is a ticket for the game. | 0:42:54 | 0:42:56 | |
Do you think you can swing that? | 0:42:56 | 0:42:58 | |
20 million could swing anything. You know what I'm selling. | 0:42:58 | 0:43:01 | |
Well, how much? | 0:43:01 | 0:43:03 | |
5% of whatever I get out of any deal you set up. | 0:43:03 | 0:43:06 | |
That's a million dollars. | 0:43:06 | 0:43:08 | |
Hell, you could buy your own goddamn stadium with that. | 0:43:08 | 0:43:11 | |
-Game's tomorrow. -You'd better get started, then. | 0:43:15 | 0:43:18 | |
Oh, and Felix. | 0:43:18 | 0:43:20 | |
A word of advice. | 0:43:20 | 0:43:23 | |
You ever want to get the girl, you've got to broaden your horizons. | 0:43:23 | 0:43:27 | |
DISTANT METALLIC PING | 0:43:29 | 0:43:32 | |
-KANE: -What the fuck is that? | 0:43:34 | 0:43:36 | |
What is it? | 0:43:36 | 0:43:38 | |
What? Scotch mist? | 0:43:38 | 0:43:40 | |
Now, now, now, now, now. | 0:43:42 | 0:43:44 | |
You are getting greedy, Leopold. | 0:43:44 | 0:43:47 | |
It's a big deal going down, and you are trying to cut me out of the fucking loop. | 0:43:48 | 0:43:54 | |
-LEOPOLD SCREAMS IN AGONY -I told you. Face the fuck front! | 0:43:54 | 0:43:58 | |
HE COUGHS AND CHOKES | 0:44:00 | 0:44:02 | |
This is going to cost you an additional 15%. | 0:44:02 | 0:44:06 | |
No? | 0:44:06 | 0:44:08 | |
All right, then. 30. | 0:44:08 | 0:44:10 | |
As you're being so difficult. | 0:44:10 | 0:44:11 | |
How about this? 50-50. Why settle for anything less, eh? | 0:44:11 | 0:44:16 | |
60-40. | 0:44:18 | 0:44:20 | |
Leopold, I don't know if you noticed, my son, but you're in urgent need of a fucking doctor. | 0:44:20 | 0:44:26 | |
50-50. | 0:44:28 | 0:44:30 | |
Good boy. | 0:44:30 | 0:44:31 | |
All right, then, Arthur. Take him down. | 0:44:33 | 0:44:35 | |
HE SHOUTS | 0:44:35 | 0:44:37 | |
Argh! | 0:44:39 | 0:44:41 | |
Fuck! | 0:44:41 | 0:44:43 | |
You really have excelled yourself this time, haven't you, Arthur? | 0:44:45 | 0:44:49 | |
Brilliant. Fucking brilliant. | 0:44:49 | 0:44:51 | |
EASTERN MEDITATION MUSIC | 0:44:53 | 0:44:54 | |
Omar, it's my own interpretation, innit? | 0:45:02 | 0:45:05 | |
-You need to find your centre. -Get off my leg! | 0:45:05 | 0:45:08 | |
-Find your centre. -Stop messing... Omar! | 0:45:08 | 0:45:11 | |
Omar, you're messing with my delicate energy field here, all right? | 0:45:12 | 0:45:16 | |
OK, OK. | 0:45:16 | 0:45:18 | |
-Cocksucker. -Find your centre, Omar. | 0:45:19 | 0:45:21 | |
MOBILE RINGS | 0:45:21 | 0:45:23 | |
Hello? | 0:45:24 | 0:45:25 | |
You've got one chance, mate - yes or no - | 0:45:25 | 0:45:27 | |
to be the number one shite in this particular cesspool. | 0:45:27 | 0:45:31 | |
Bugger me sideways. Felix DeSouza, you misguided wanker. I'm already number one. | 0:45:31 | 0:45:35 | |
-IKI: -'Always was a bit of a pillock - Leo Durant. | 0:45:35 | 0:45:37 | |
-'Now he's a dead pillock.' -Dead? | 0:45:37 | 0:45:39 | |
-MOBILE RINGS -Hang on, Felix. It's my other line. | 0:45:39 | 0:45:42 | |
Hello? | 0:45:44 | 0:45:45 | |
I need to find Felix. | 0:45:45 | 0:45:47 | |
Hello, Dawn. | 0:45:47 | 0:45:49 | |
Time to scratch that itch, is it? | 0:45:50 | 0:45:52 | |
Well, he's gnawing my fucking wigwam. | 0:45:52 | 0:45:54 | |
-Where does he hang out these days? -Hang on a minute, Dawn. | 0:45:54 | 0:45:58 | |
Felix... | 0:45:58 | 0:45:59 | |
Listen, me and, er... | 0:45:59 | 0:46:01 | |
My associate and I have selected you to deal with. | 0:46:01 | 0:46:04 | |
Well, aren't I just the luckiest bugger alive? | 0:46:04 | 0:46:06 | |
-Stay there. -I don't fucking believe it. | 0:46:07 | 0:46:10 | |
-'Have you tried Re-Fresh, Pink Factor?' -Yeah, all of them. | 0:46:11 | 0:46:14 | |
Hang on a minute, tiger. Just let me deal with this. | 0:46:14 | 0:46:17 | |
Let me talk to him. | 0:46:17 | 0:46:19 | |
MCELROY: 'The deal is 20 million.' | 0:46:20 | 0:46:22 | |
The deal is non-negotiable. The deal expires at midnight. | 0:46:22 | 0:46:26 | |
Oh, Mr McElroy, 20 million sounds fannytastic. Yes! | 0:46:26 | 0:46:30 | |
Negotiation's for arsewipes. If you're not here by midnight, I'll shit myself with woe. | 0:46:31 | 0:46:37 | |
I want samples, Mr McElroy. Supersonic samples. | 0:46:37 | 0:46:39 | |
I want frost, I want 100,000 miles an hour of intergalactic spaciness. See ya. | 0:46:39 | 0:46:44 | |
We in the house. | 0:46:44 | 0:46:46 | |
-IKI: -'Hiya, Daw. Sorry to keep you.' | 0:46:48 | 0:46:50 | |
There might be one person who knows where he is. | 0:46:50 | 0:46:53 | |
Fuck. | 0:46:59 | 0:47:01 | |
What the fuck is that? | 0:47:05 | 0:47:06 | |
-FELIX: -Congratulations, pal. That's your new Cooper. | 0:47:06 | 0:47:10 | |
Mini Cooper. | 0:47:10 | 0:47:12 | |
SPLUTTERS AND BACKFIRES | 0:47:13 | 0:47:15 | |
Have I got to sort out every fucking problem? | 0:47:19 | 0:47:21 | |
A laboratory. Or as you would say, a "lab-oratree". | 0:47:21 | 0:47:24 | |
We need a lab, Felix. | 0:47:24 | 0:47:26 | |
I'm sure that's dead easy where you come from. Fucking lab on every corner, is it? | 0:47:26 | 0:47:31 | |
HORNS BLARE | 0:47:41 | 0:47:44 | |
Piss off. | 0:47:44 | 0:47:45 | |
MUSIC: "Don't Be Cruel" by Dillard & Clarke | 0:47:56 | 0:47:57 | |
# You know I can be found | 0:47:57 | 0:48:00 | |
# Sitting all alone | 0:48:00 | 0:48:02 | |
# If you don't come around | 0:48:02 | 0:48:04 | |
# At least, please telephone | 0:48:04 | 0:48:07 | |
# Don't be cruel | 0:48:07 | 0:48:09 | |
# To a heart that's true... # | 0:48:09 | 0:48:11 | |
Well, shit in a bag and punch it. She's back. | 0:48:12 | 0:48:16 | |
I need to find Felix. | 0:48:19 | 0:48:21 | |
And what do you need from me? A map and a fucking compass? | 0:48:21 | 0:48:24 | |
Shirley... | 0:48:24 | 0:48:26 | |
You broke his heart. Did you even give a thought about that? | 0:48:26 | 0:48:30 | |
-This was a mistake. -Most sensible thing you've said. | 0:48:30 | 0:48:33 | |
Are you still shooting people for a living? | 0:48:35 | 0:48:38 | |
What kind of fucking career is that, then, eh? | 0:48:38 | 0:48:41 | |
-Look, can I come in? -And do what? The dirty stop-out | 0:48:43 | 0:48:47 | |
doesn't come home till breakfast. | 0:48:47 | 0:48:49 | |
Really good to be home. | 0:48:51 | 0:48:54 | |
It's great to see you again, love. | 0:48:59 | 0:49:02 | |
# Baby, it's still you I'm thinking of | 0:49:03 | 0:49:07 | |
# Don't be cruel | 0:49:07 | 0:49:09 | |
# To a heart that's true... # | 0:49:09 | 0:49:11 | |
ENGINE ROARS AND SPLUTTERS | 0:49:11 | 0:49:13 | |
I wanted to see the world. | 0:49:21 | 0:49:23 | |
Liverpool isn't the world. | 0:49:24 | 0:49:26 | |
I couldn't take America. It was like fucking Albania in neon. | 0:49:27 | 0:49:31 | |
And that stupid football shirt. | 0:49:31 | 0:49:33 | |
What kind of man jumps into bed shouting, "Come on, you Reds"? | 0:49:35 | 0:49:39 | |
She made me laugh. | 0:49:39 | 0:49:41 | |
Good shag, though. | 0:49:45 | 0:49:47 | |
I tell you, she'd kill anyone for me, I'll say that for her. | 0:49:47 | 0:49:50 | |
He's got problems. | 0:49:50 | 0:49:52 | |
She's got problems. | 0:49:52 | 0:49:53 | |
Shouldn't have come back. | 0:49:53 | 0:49:56 | |
Better off. | 0:49:56 | 0:49:57 | |
I need everything on this list. | 0:50:05 | 0:50:07 | |
I'm dying for a smoke. You haven't any ciggies, have you? | 0:50:07 | 0:50:10 | |
I'm sorry. Cigarettes are bad for your health. | 0:50:10 | 0:50:13 | |
So's a fucking punch in the throat. I need fucking nicotine now! | 0:50:13 | 0:50:16 | |
No need to shout at me. I'm Pakistani, not deaf. | 0:50:16 | 0:50:19 | |
-Take a puff on this! -Oh, fuck off. | 0:50:20 | 0:50:24 | |
You? | 0:50:24 | 0:50:25 | |
You! Dress-wearing, er...monkey-boy. | 0:50:26 | 0:50:31 | |
SKINHEADS: Monkey-boy! | 0:50:31 | 0:50:33 | |
You're going to take them drugs of yours and make it work for us. | 0:50:33 | 0:50:36 | |
-And where would I do this? -In my lab. | 0:50:36 | 0:50:41 | |
-You got a lab? -Yeah, of course. | 0:50:41 | 0:50:43 | |
What do you take us for? Rank fucking amateurs? | 0:50:44 | 0:50:47 | |
SKINHEADS LAUGH | 0:50:47 | 0:50:49 | |
THRASH METAL PLAYS | 0:50:52 | 0:50:54 | |
Come on! | 0:51:01 | 0:51:02 | |
SCREECHING AND WHOOPING | 0:51:04 | 0:51:06 | |
Just say no. | 0:51:11 | 0:51:13 | |
-FELIX: -How the fuck did we end up in here? | 0:51:13 | 0:51:16 | |
One little mistake...30 years ago. | 0:51:16 | 0:51:19 | |
All of these items are over-the-counter. | 0:51:28 | 0:51:31 | |
Nothing illegal here. | 0:51:31 | 0:51:33 | |
You're no fucking help, are you? | 0:51:33 | 0:51:35 | |
I beg to differ. You see, it's not the ingredients themselves which determine the effect | 0:51:35 | 0:51:40 | |
but the manner in which they're combined. | 0:51:40 | 0:51:42 | |
These kids are getting very smart. | 0:51:42 | 0:51:44 | |
He's right. | 0:51:49 | 0:51:51 | |
The ravers are the key. | 0:51:51 | 0:51:53 | |
Aren't you the clever little chunky monkey? | 0:51:53 | 0:51:56 | |
You keep banging on about my weight. You're crossing a line. | 0:51:56 | 0:51:59 | |
Arthur, it was a joke. | 0:51:59 | 0:52:01 | |
It was a joke. Smile. | 0:52:01 | 0:52:04 | |
Smile. | 0:52:04 | 0:52:06 | |
You fat cunt. | 0:52:06 | 0:52:07 | |
Yo, Blowjob. | 0:52:09 | 0:52:11 | |
P-O-S 51. Comes in blue or race-car red. | 0:52:11 | 0:52:17 | |
Destination - stratosphere. | 0:52:17 | 0:52:20 | |
Only, this one...gets you there in 60 seconds. | 0:52:22 | 0:52:26 | |
You try one first. | 0:52:26 | 0:52:29 | |
Thought you'd never ask. | 0:52:29 | 0:52:31 | |
P-O-S 51? | 0:52:44 | 0:52:47 | |
You can't call it that. | 0:52:47 | 0:52:49 | |
Punters'll feel like right tits asking for tabs of 438 I-O-fuckin'-U, | 0:52:49 | 0:52:52 | |
whatever the number is. No-one's going to know what they're on about. | 0:52:52 | 0:52:56 | |
These scumbags spend their entire life smacked out of their heads. | 0:52:56 | 0:53:00 | |
Numbers - they couldn't even tell you what fucking time it is. | 0:53:00 | 0:53:03 | |
All right, Mr Smug, what have you done? | 0:53:06 | 0:53:08 | |
I think the shit's about to hit the fan. | 0:53:11 | 0:53:13 | |
Arrrrrgh! | 0:53:28 | 0:53:32 | |
FARTING | 0:53:33 | 0:53:35 | |
Phew. Eurgh. | 0:53:35 | 0:53:36 | |
FARTS | 0:53:39 | 0:53:42 | |
-ALL GROAN AND FART -Curry was a bad idea, lads. | 0:53:42 | 0:53:45 | |
SKINHEADS GROAN | 0:53:46 | 0:53:48 | |
FARTING Oh, yeah. | 0:53:50 | 0:53:52 | |
-ALL: -Please. Please. | 0:53:52 | 0:53:54 | |
FARTING AND SQUELCHING | 0:53:54 | 0:53:56 | |
-BLOWFISH: -Oh, thanks. Oh, thanks. | 0:53:58 | 0:54:01 | |
MUSIC: "Warrior" by Warrior | 0:54:16 | 0:54:18 | |
# Here comes your warrior | 0:54:24 | 0:54:27 | |
# Here comes your warrior | 0:54:37 | 0:54:39 | |
# Here comes your warrior | 0:54:47 | 0:54:49 | |
# He's letting you know | 0:54:49 | 0:54:53 | |
# Your sun will come shining | 0:54:53 | 0:54:56 | |
# Your sun will come shining | 0:54:56 | 0:54:59 | |
# Here comes your warrior | 0:55:00 | 0:55:02 | |
# He's letting you know | 0:55:03 | 0:55:06 | |
# Your sun will come shining... # | 0:55:06 | 0:55:08 | |
-IKI: -Oi! | 0:55:09 | 0:55:11 | |
Brothers gonna work it out. | 0:55:11 | 0:55:13 | |
Brothers gonna work it out. | 0:55:13 | 0:55:15 | |
He's a chemical brother! Mr McElroy...welcome. | 0:55:15 | 0:55:19 | |
-How you doing, man? -Spectacular is what I'm doing. | 0:55:19 | 0:55:22 | |
Spectacular. | 0:55:22 | 0:55:24 | |
Nice skirt. Special occasion, is it? | 0:55:24 | 0:55:27 | |
IKI LAUGHS | 0:55:27 | 0:55:29 | |
-Are you going to be all right here on your own? -Mm-hm. | 0:55:29 | 0:55:32 | |
-She's here. -Right. | 0:55:32 | 0:55:34 | |
-Everything all right, lads? Problems? -No, man. Nothing we can't handle. | 0:55:34 | 0:55:39 | |
# Here comes your warrior | 0:55:40 | 0:55:43 | |
# He's letting you know | 0:55:43 | 0:55:46 | |
# Your sun will come shining | 0:55:46 | 0:55:49 | |
# Your sun will come shining | 0:55:49 | 0:55:53 | |
# Here comes your warrior | 0:55:53 | 0:55:56 | |
# He's letting you know... # | 0:55:56 | 0:55:58 | |
Every chemical used in the production of this drug is 100% legal. | 0:56:00 | 0:56:06 | |
Not one ingredient is found on any known government's banned substance watch list. | 0:56:06 | 0:56:12 | |
Hell, you can ship supertankers of this shit. | 0:56:13 | 0:56:16 | |
You can even lay a goddamn pipeline and no-one would bat an eye. | 0:56:16 | 0:56:20 | |
P-O-S 51. | 0:56:26 | 0:56:28 | |
It's all that. | 0:56:28 | 0:56:30 | |
And it can be yours. | 0:56:30 | 0:56:33 | |
If the price...is right. | 0:56:33 | 0:56:36 | |
Chemistry...Mr McElroy. | 0:56:57 | 0:57:01 | |
What is chemistry... | 0:57:03 | 0:57:05 | |
..but the ability to attract adoration in others? | 0:57:06 | 0:57:10 | |
You see, you're like me, Mr McElroy. | 0:57:15 | 0:57:18 | |
You're a sky-highatrist, I'm a sky-highatrist. | 0:57:18 | 0:57:21 | |
See, I always knew I'd be a drug dealer even when I was a kid. | 0:57:21 | 0:57:24 | |
I saw my dad hit my mother, my mother hit my brother, | 0:57:24 | 0:57:27 | |
my brother hit my sister, and my sister fuck my father. | 0:57:27 | 0:57:30 | |
So it's inevitable, really. | 0:57:30 | 0:57:32 | |
You'd have to be on drugs just to live in that madhouse, wouldn't you? | 0:57:32 | 0:57:36 | |
Drugs are good, Mr McElroy. | 0:57:36 | 0:57:39 | |
Drugs are our mates. | 0:57:40 | 0:57:42 | |
Fuck. I'm getting on my own nerves. | 0:57:43 | 0:57:47 | |
What I'm trying to say to you, Mr McElroy, is... | 0:57:48 | 0:57:51 | |
..I'm very much attracted to what you have to offer. | 0:57:54 | 0:57:58 | |
IKI CHUCKLES | 0:57:58 | 0:58:01 | |
How are you doing, Felix? | 0:58:10 | 0:58:12 | |
Well, my boss is dead... | 0:58:13 | 0:58:15 | |
..can't get a ticket for tomorrow's match, | 0:58:16 | 0:58:19 | |
and, oh, yeah, I've got a fucking bullet hole in the arse. | 0:58:19 | 0:58:22 | |
Apart from that, | 0:58:23 | 0:58:25 | |
I'm tiptop. | 0:58:25 | 0:58:27 | |
So who's the target? | 0:58:30 | 0:58:32 | |
You've got that look in your eye. | 0:58:32 | 0:58:35 | |
I've been looking for you. | 0:58:35 | 0:58:37 | |
Oh, yeah? For old times' sake or for the company I keep? | 0:58:37 | 0:58:41 | |
Little bit of both. | 0:58:41 | 0:58:43 | |
So, you have got me on your list, then? | 0:58:46 | 0:58:48 | |
You've always been on my list. | 0:58:49 | 0:58:51 | |
WHOOPING AND CHEERING 40 years ago | 0:58:53 | 0:58:56 | |
a rock-and-roll revolution was launched in this town. | 0:58:56 | 0:59:00 | |
WILD CHEERING | 0:59:00 | 0:59:02 | |
Tonight, we're going to launch a new revolution. | 0:59:02 | 0:59:06 | |
One that will rock and roll your senses. | 0:59:07 | 0:59:13 | |
CHEERING | 0:59:13 | 0:59:15 | |
And you...are my test pilots. | 0:59:15 | 0:59:18 | |
You're going to kiss the sun and taste the motherfuckin' rainbow. | 0:59:18 | 0:59:26 | |
WILD CHEERING | 0:59:26 | 0:59:30 | |
Are you ready? CHEERING | 0:59:31 | 0:59:34 | |
Are...you...ready? CHEERING | 0:59:34 | 0:59:39 | |
Then let's get ready to party-y-y-y. | 0:59:39 | 0:59:44 | |
-MUSIC: Synaesthesia (Fly Away) -by Thrillseekers | 0:59:46 | 0:59:49 | |
Have you any idea how much I missed you? | 1:00:26 | 1:00:28 | |
Why didn't you stay with me, then? | 1:00:28 | 1:00:30 | |
What, me? In America? Don't be soft! | 1:00:30 | 1:00:33 | |
Besides, I don't know who you are any more, girl. | 1:00:33 | 1:00:36 | |
It's been nearly two years. I haven't heard a word. | 1:00:36 | 1:00:39 | |
Still... | 1:00:42 | 1:00:44 | |
I always hoped... | 1:00:45 | 1:00:47 | |
..you might... | 1:00:51 | 1:00:53 | |
change your mind... | 1:00:53 | 1:00:54 | |
..and come home. | 1:00:55 | 1:00:58 | |
We could have a fresh start. | 1:01:01 | 1:01:03 | |
Aren't you going to say anything? | 1:01:06 | 1:01:08 | |
This, Mr McElroy, is a fucking miracle. | 1:01:37 | 1:01:40 | |
Drug use will reach epidemic proportions, revolutions will break out, governments will fall! | 1:01:40 | 1:01:46 | |
20 million, and not a penny less! | 1:01:46 | 1:01:48 | |
-Where do I sign? -Si... Sign?! | 1:01:48 | 1:01:51 | |
This ain't some written contract. | 1:01:51 | 1:01:53 | |
The kind of agreement I could take you to court and sue your ass over. | 1:01:53 | 1:01:56 | |
You fuck me on this deal, | 1:01:56 | 1:01:58 | |
I gotta take out a contract just to get even on the goddamn contract! | 1:01:58 | 1:02:01 | |
We think we have an agreement, we think we see things the same way. | 1:02:01 | 1:02:04 | |
Either we do, or we don't. | 1:02:04 | 1:02:05 | |
You're either in, or you're out. | 1:02:05 | 1:02:07 | |
You give me the money, I give you the formula. Are we clear? | 1:02:07 | 1:02:10 | |
Crystal, Mr McElroy. Crystal. | 1:02:11 | 1:02:15 | |
I'm not Leo Durant. I'm a man of my word. | 1:02:15 | 1:02:18 | |
Get in my way, | 1:02:18 | 1:02:20 | |
and I'm gonna have to shoot you. | 1:02:20 | 1:02:22 | |
Get in my way, and I'm gonna have to shoot you again. | 1:02:24 | 1:02:27 | |
I've got to work, babe. | 1:02:28 | 1:02:30 | |
Fucking cow! | 1:02:34 | 1:02:36 | |
SCREAMING | 1:02:39 | 1:02:41 | |
Oh, fuck! | 1:02:42 | 1:02:44 | |
Can't a brother just deal some goddamn drugs? | 1:02:46 | 1:02:50 | |
Time to go, Elmo. | 1:02:52 | 1:02:55 | |
Mr Kane. Is it that time of the month already? | 1:03:10 | 1:03:12 | |
I thought you weren't due till next week, you eager beaver. | 1:03:12 | 1:03:15 | |
Now, ain't that always the way? | 1:03:24 | 1:03:27 | |
Elevator music, a nigger in a kilt, | 1:03:27 | 1:03:29 | |
and a chick with a nickel-plated nine. | 1:03:29 | 1:03:32 | |
MOBILE RINGS | 1:03:32 | 1:03:34 | |
And now a word from our sponsor. | 1:03:36 | 1:03:38 | |
That ain't no Liverpool accent. | 1:03:38 | 1:03:40 | |
-Say hello, Elmo. -Hello, Elmo. | 1:03:41 | 1:03:43 | |
'Absence makes the heart grow fonder, Elmo. | 1:03:43 | 1:03:47 | |
'And The Lizard is so full of' | 1:03:47 | 1:03:50 | |
motherfucking fonderence for you that he got | 1:03:50 | 1:03:53 | |
'on this plane just to come see you.' | 1:03:53 | 1:03:56 | |
I'm touched. | 1:03:56 | 1:03:58 | |
-You will be. -You got my cash? | 1:03:58 | 1:04:00 | |
You're flush, sweetcakes. You are flush. | 1:04:00 | 1:04:03 | |
He's looking forward to seeing you. | 1:04:04 | 1:04:07 | |
So, what's the price tag on my ass? | 1:04:19 | 1:04:22 | |
It's enough. Move. | 1:04:22 | 1:04:24 | |
SHE SCREAMS | 1:04:34 | 1:04:35 | |
Last stop. There's nowhere from here but down. | 1:04:38 | 1:04:41 | |
Reel me in! | 1:04:41 | 1:04:43 | |
Why would I do a stupid thing like that? | 1:04:43 | 1:04:45 | |
-Pull me up, will you? -Fold or call? | 1:04:45 | 1:04:48 | |
-What? -You play poker. Fold or call? | 1:04:48 | 1:04:52 | |
SHE WHIMPERS I'm your last chance, girl. | 1:04:52 | 1:04:54 | |
I'm that "out" you've been looking for. | 1:04:54 | 1:04:56 | |
I'm only gonna make this offer once. | 1:04:56 | 1:04:59 | |
You either take it and get out from under The Lizard, | 1:04:59 | 1:05:02 | |
or you stay a slave and wonder where your life went. | 1:05:02 | 1:05:04 | |
You think you can save me, do you? Look where you are! | 1:05:04 | 1:05:08 | |
-Get real! -A million in bonds, untraceable. | 1:05:08 | 1:05:11 | |
That's real! That's a fresh start. | 1:05:11 | 1:05:14 | |
Try quitting while you're ahead for a change...Dawn. | 1:05:14 | 1:05:18 | |
-No. -No?! | 1:05:18 | 1:05:20 | |
SHE SCREAMS | 1:05:20 | 1:05:22 | |
I want 10% of your deal with Iki. | 1:05:23 | 1:05:26 | |
You're negotiating with me?! | 1:05:26 | 1:05:27 | |
Look at your options. | 1:05:27 | 1:05:29 | |
10%. | 1:05:31 | 1:05:33 | |
Have a look at yours. | 1:05:33 | 1:05:35 | |
All right. | 1:05:39 | 1:05:41 | |
SHE SCREAMS | 1:05:41 | 1:05:42 | |
Now that is a lovely dress. | 1:05:52 | 1:05:55 | |
Need the extra room, do you? | 1:05:55 | 1:05:56 | |
Tell me something. I'm intrigued. | 1:05:56 | 1:05:58 | |
Is it true that you fellas are equipped with incredibly... | 1:05:58 | 1:06:01 | |
..large... | 1:06:04 | 1:06:06 | |
Fuck! | 1:06:07 | 1:06:09 | |
Thanks. | 1:06:11 | 1:06:13 | |
My pleasure. | 1:06:13 | 1:06:14 | |
You can move your arm now. | 1:06:14 | 1:06:15 | |
-KANE: -Right then, you Scouse git. | 1:06:20 | 1:06:22 | |
In the last 12 hours | 1:06:23 | 1:06:25 | |
this city has gone from a peaceful fun-loving Utopia | 1:06:25 | 1:06:28 | |
to an all-out fucking war zone. | 1:06:28 | 1:06:30 | |
And I, Virgil Kane... | 1:06:30 | 1:06:32 | |
Well, I want to know why. | 1:06:33 | 1:06:35 | |
Nobody cuts me out of anything in this parochial pisshole. | 1:06:35 | 1:06:41 | |
You smell that, Felix. Smell it. | 1:06:41 | 1:06:42 | |
-Smell it! -HE SNIFFS | 1:06:42 | 1:06:45 | |
That is essence of Durant. | 1:06:45 | 1:06:47 | |
And Durant got what he deserved. | 1:06:48 | 1:06:51 | |
So, when a deal goes down, | 1:06:51 | 1:06:53 | |
you, my old sausage, will fix it. Time and place. | 1:06:53 | 1:06:57 | |
And then you will call me. | 1:06:57 | 1:06:59 | |
Otherwise... Accessory to murder. | 1:06:59 | 1:07:02 | |
Possession of a firearm. | 1:07:03 | 1:07:06 | |
You fuck me, | 1:07:06 | 1:07:08 | |
I'll have you on your hands and your knees, | 1:07:08 | 1:07:10 | |
with your arse in the air, exposing your rusty sheriff's badge for the next 20 years. | 1:07:10 | 1:07:14 | |
So ask yourself, are you going to help restore | 1:07:16 | 1:07:19 | |
some national pride, and stick one on the Yanks? | 1:07:19 | 1:07:22 | |
Or, like the rest of your life, are you going to piss it all away? | 1:07:22 | 1:07:25 | |
Are you going to help me | 1:07:26 | 1:07:29 | |
to help you? | 1:07:29 | 1:07:30 | |
Eight hours till kickoff. | 1:07:30 | 1:07:32 | |
It's a big game. | 1:07:35 | 1:07:36 | |
Let's just see if you come good. | 1:07:37 | 1:07:40 | |
Mr Kane. | 1:07:51 | 1:07:52 | |
See ya! | 1:07:58 | 1:08:01 | |
-You'll never walk alone, eh, mate? -HE LAUGHS | 1:08:03 | 1:08:05 | |
DEACTIVATES CAR ALARM | 1:08:16 | 1:08:18 | |
HE LAUGHS | 1:08:18 | 1:08:20 | |
Help me to help you? Cunt! | 1:08:22 | 1:08:24 | |
ELMO: How do you think that motherfucker would do against people who diss | 1:08:52 | 1:08:55 | |
like Soso, McGuire, Griffey? They'd be knocking this shit out the park. | 1:08:55 | 1:08:58 | |
He can't throw that kinda heat. Kevin's got what's goin' on here. | 1:08:58 | 1:09:01 | |
-You don't know what you're talking about. DAWN: -Bullshit. | 1:09:01 | 1:09:04 | |
Kevin Brown couldn't carry Sandy Koufax's jockstrap. | 1:09:04 | 1:09:08 | |
You've been listening to too much Vince Scully. | 1:09:08 | 1:09:10 | |
You need to get your ear out of the radio, and carry your ass out to the ball game. | 1:09:10 | 1:09:14 | |
Sorry, but, er... | 1:09:16 | 1:09:18 | |
..have I missed something? | 1:09:19 | 1:09:20 | |
What the fuck is that? | 1:09:26 | 1:09:28 | |
Black pudding. | 1:09:28 | 1:09:29 | |
-Fried pig's blood. -Oh! | 1:09:29 | 1:09:32 | |
Are you two planning on filling me in, or what? | 1:09:32 | 1:09:34 | |
Elmo's propositioned her. | 1:09:36 | 1:09:38 | |
Nice one, Shirley. | 1:09:38 | 1:09:40 | |
I'm listening. | 1:09:40 | 1:09:42 | |
Lizard offered Dakota 250K to deliver my live ass to him. | 1:09:42 | 1:09:46 | |
I've made her a significantly better offer. | 1:09:46 | 1:09:50 | |
And I'm thinking... she might entertain... | 1:09:50 | 1:09:52 | |
..certain sentimental reasons for not doing her job. | 1:09:53 | 1:09:56 | |
The question is | 1:09:56 | 1:09:58 | |
whether it's going to pay me... to be sentimental. | 1:09:58 | 1:10:01 | |
Look, we have a choice. | 1:10:06 | 1:10:09 | |
We can use our "Get out of jail free" cards, | 1:10:09 | 1:10:13 | |
or we can choose "Stop, do not pass Go". Do not collect 20 million dollars. | 1:10:13 | 1:10:19 | |
Do we have a deal? | 1:10:20 | 1:10:22 | |
Do that again, I will definitely fucking shoot you. | 1:10:27 | 1:10:29 | |
Shut your gob! Go and get yourself cleaned up! | 1:10:29 | 1:10:32 | |
-And no shagging up there! -Yeah. | 1:10:40 | 1:10:42 | |
No shagging up there. | 1:10:42 | 1:10:45 | |
We do this job and we get out. | 1:10:57 | 1:10:59 | |
It's what we all want, isn't it? | 1:11:08 | 1:11:10 | |
# I don't know why | 1:11:13 | 1:11:15 | |
# I love you like I do, but I do... # | 1:11:16 | 1:11:19 | |
Just to get out. | 1:11:19 | 1:11:20 | |
# I don't know why | 1:11:24 | 1:11:27 | |
# You treat me like you do | 1:11:27 | 1:11:29 | |
# But you do | 1:11:29 | 1:11:31 | |
# Lord, you do... # | 1:11:32 | 1:11:34 | |
So, what's the plan? | 1:11:35 | 1:11:37 | |
You tell me. | 1:11:37 | 1:11:39 | |
# Lord, you do me any way you please... # | 1:11:42 | 1:11:45 | |
What's the plan? | 1:11:46 | 1:11:48 | |
You tell me. | 1:11:48 | 1:11:50 | |
# No matter how you treat me, woman | 1:11:50 | 1:11:52 | |
# Lord, I just can't seem to leave | 1:11:54 | 1:11:58 | |
# I don't know | 1:11:59 | 1:12:01 | |
# What you're using on me, baby, but it's good | 1:12:01 | 1:12:05 | |
# Ooh, it's real good | 1:12:07 | 1:12:09 | |
# I know I would surely leave you, woman | 1:12:11 | 1:12:16 | |
# Oh, if I could | 1:12:16 | 1:12:18 | |
# I surely would | 1:12:19 | 1:12:21 | |
# Ooh... # | 1:12:22 | 1:12:24 | |
SQUEAKS | 1:12:28 | 1:12:30 | |
CHANTING | 1:12:34 | 1:12:37 | |
Listen! It's got to come from your belly. | 1:12:37 | 1:12:40 | |
Right deep down! | 1:12:40 | 1:12:42 | |
It's your birth trauma. | 1:12:42 | 1:12:44 | |
Now cleanse your chakras and let it all out. | 1:12:44 | 1:12:48 | |
THEY CHANT | 1:12:51 | 1:12:53 | |
-Let it go! -I'm trying, you fucking fairy! | 1:12:54 | 1:12:58 | |
A-a-a-a-ah! | 1:12:58 | 1:13:00 | |
All right? A-a-a-ah! | 1:13:00 | 1:13:04 | |
A-a-a-a-a-ah! | 1:13:04 | 1:13:06 | |
MOBILE RINGS | 1:13:06 | 1:13:08 | |
-All-righty. Good morning. -All right, let's finish this deal. | 1:13:09 | 1:13:12 | |
My sentiments exactly. | 1:13:12 | 1:13:14 | |
-Any particular venue? -No airports, no hotel rooms, | 1:13:15 | 1:13:18 | |
no dockyards, no barges, no pharmacies, | 1:13:18 | 1:13:22 | |
-no animal-testing labs. -Oh! | 1:13:22 | 1:13:23 | |
-No rooftops. -Riddles! Riddles! I love riddles. | 1:13:23 | 1:13:27 | |
No abandoned warehouses or rave clubs. | 1:13:27 | 1:13:30 | |
I want total privacy | 1:13:32 | 1:13:34 | |
in a very public place. | 1:13:34 | 1:13:36 | |
And security. | 1:13:38 | 1:13:40 | |
Cops. Lots of them. | 1:13:40 | 1:13:42 | |
And witnesses. Thousands of witnesses. | 1:13:42 | 1:13:45 | |
-You getting my drift? -Well, er, I've got a certain, er, | 1:13:45 | 1:13:49 | |
business indulgence, shall we say, that I could er...utilise. | 1:13:49 | 1:13:53 | |
-So, what time's kickoff? -'Three o'clock sharp.' | 1:13:53 | 1:13:56 | |
I'll be there. | 1:13:56 | 1:13:57 | |
Football and drugs. | 1:13:57 | 1:13:59 | |
A perfect Saturday afternoon. | 1:13:59 | 1:14:01 | |
Liverpool! | 1:14:03 | 1:14:05 | |
Liverpool! | 1:14:05 | 1:14:07 | |
Come on! | 1:14:07 | 1:14:08 | |
Chakras! | 1:14:08 | 1:14:09 | |
FANS CHANT | 1:14:18 | 1:14:20 | |
CAR HORN HONKS | 1:14:22 | 1:14:24 | |
CHEERING | 1:14:28 | 1:14:30 | |
No, no, no, no, no, chubster. | 1:14:30 | 1:14:32 | |
-You stay here. -What for? | 1:14:32 | 1:14:34 | |
I don't know. Keep your eyes peeled on the exit. | 1:14:34 | 1:14:37 | |
And try, for fuck's sake, to blend in, cunt! | 1:14:37 | 1:14:39 | |
This clown better deliver. | 1:14:42 | 1:14:44 | |
Don't worry. Iki put something like this together a couple of years ago now. | 1:14:44 | 1:14:48 | |
Yeah? What happened? | 1:14:48 | 1:14:50 | |
They all died. | 1:14:50 | 1:14:51 | |
We get in, we get out. | 1:14:53 | 1:14:55 | |
What about the game? | 1:14:55 | 1:14:57 | |
-We're staying to watch the game, right? -Dude, I'm in, then I'm out. | 1:14:57 | 1:15:01 | |
TANNOY: 'Virgin Atlantic announce the arrival of Flight ES12 from Los Angeles.' | 1:15:10 | 1:15:15 | |
Any glass bottles? | 1:15:19 | 1:15:20 | |
Good afternoon, gentlemen. Welcome to Anfield, the home of football. | 1:15:20 | 1:15:23 | |
-Too right, pal. -McElroy, DeSouza. | 1:15:23 | 1:15:26 | |
Yes, sir. Take the lift to the third floor. It's the first door on your right, sir. | 1:15:26 | 1:15:31 | |
Thank you. | 1:15:31 | 1:15:33 | |
-Sir? -Don't you want to search me? | 1:15:34 | 1:15:36 | |
Guests for the executive suites are never searched, sir. | 1:15:37 | 1:15:41 | |
Right. I knew that. | 1:15:42 | 1:15:44 | |
Welcome! Come in, come in. | 1:15:57 | 1:15:59 | |
Excellent. | 1:16:02 | 1:16:05 | |
I'm nothing if not hospitable, Felix. Make yourself at home. | 1:16:05 | 1:16:08 | |
-IKI: -I'm so excited, I could shit. | 1:16:08 | 1:16:11 | |
CROWD ROARS | 1:16:12 | 1:16:15 | |
-Huh? -Right, Mr McElroy, a drink | 1:16:17 | 1:16:19 | |
while I tell you about my plans. | 1:16:19 | 1:16:21 | |
Oh I've got plans, Mr McElroy. | 1:16:21 | 1:16:24 | |
-Big fucking plans. -Hey, hey, hey | 1:16:24 | 1:16:27 | |
No talk. You want a beverage? | 1:16:27 | 1:16:29 | |
I'll fix your beverage while you get the 20 mill. | 1:16:30 | 1:16:33 | |
I give you the formula, you smile, | 1:16:34 | 1:16:36 | |
we toast, | 1:16:36 | 1:16:38 | |
we pretend we're friends, | 1:16:38 | 1:16:40 | |
-and we go our separate ways. -Foreplay, Mr McElroy, | 1:16:41 | 1:16:44 | |
-it's the only way to a good relationship. -Ah... | 1:16:44 | 1:16:47 | |
Iki, my love, we're way past holding hands. | 1:16:47 | 1:16:50 | |
WHISTLE BLOWS | 1:16:52 | 1:16:53 | |
20 million in bonds. Untraceable. | 1:17:03 | 1:17:06 | |
What?! Is that supposed to be 20 mill? | 1:17:06 | 1:17:10 | |
I'm not heftin' gold bars around the shop, am I? It's not fucking Goldfinger, is it? | 1:17:10 | 1:17:14 | |
Ah-ah-ah-ah! | 1:17:14 | 1:17:15 | |
Easy, flower. | 1:17:15 | 1:17:17 | |
Where's my formula? | 1:17:17 | 1:17:19 | |
"Wish you were here"? | 1:17:28 | 1:17:30 | |
HE LAUGHS | 1:17:37 | 1:17:39 | |
CONTINUES LAUGHING | 1:17:39 | 1:17:41 | |
I'm fucking there, Mr McElroy. I'm fucking there. | 1:17:43 | 1:17:47 | |
An inspired choice, I must say, | 1:17:47 | 1:17:49 | |
my, er...chemical brother. | 1:17:49 | 1:17:51 | |
Cheers. | 1:17:52 | 1:17:53 | |
Ah-ah-ah-ah! | 1:17:56 | 1:17:57 | |
I never was one to be too sentimental. | 1:18:03 | 1:18:06 | |
Elmo! | 1:18:08 | 1:18:10 | |
It ain't often that a blowed-up motherfucker | 1:18:12 | 1:18:15 | |
gets to chat to the motherfucker that blowed him up. | 1:18:15 | 1:18:18 | |
You got that right. | 1:18:18 | 1:18:20 | |
Usually, the blowed-up motherfucker has the courtesy to stay blowed up. | 1:18:20 | 1:18:23 | |
I'll try to be more accommodating next time, Elmo. | 1:18:23 | 1:18:26 | |
Ooh, cocktails! What are we celebrating? | 1:18:28 | 1:18:31 | |
Oh, er...we're toasting... | 1:18:31 | 1:18:34 | |
..our deal, Mr Lizard. | 1:18:35 | 1:18:37 | |
-Our deal? -Not your deal. | 1:18:38 | 1:18:39 | |
Hands across the ocean you might say. | 1:18:39 | 1:18:41 | |
Fucking twat. | 1:18:41 | 1:18:43 | |
Elmo Mix-Master. | 1:18:43 | 1:18:45 | |
Cheers. | 1:18:47 | 1:18:50 | |
-I love your touches. -To a global partnership. | 1:18:51 | 1:18:54 | |
-LIZARD: -To a global partnership. | 1:18:54 | 1:18:57 | |
Ow. | 1:19:01 | 1:19:02 | |
Fucking limey bastard. | 1:19:03 | 1:19:05 | |
Global partnership, my ass! | 1:19:05 | 1:19:08 | |
My money is on good old-fashioned American monopoly, you son of a bitch! | 1:19:08 | 1:19:13 | |
Besides, | 1:19:13 | 1:19:15 | |
England ain't nothin'... | 1:19:15 | 1:19:18 | |
nothin' but the 51st state! | 1:19:18 | 1:19:21 | |
Don't you just fucking hate it when a motherfucker stabs you in the back? | 1:19:22 | 1:19:27 | |
The Lizard travelled 12,000 miles to settle accounts with you! | 1:19:29 | 1:19:33 | |
So? What? | 1:19:33 | 1:19:35 | |
You gonna tell me how much you missed me, or are you gonna shoot me? | 1:19:35 | 1:19:38 | |
I'm sick and tired of fucking chasing your ass! | 1:19:38 | 1:19:41 | |
Now, you give me my fucking goods, and you give 'em to me fucking now! | 1:19:41 | 1:19:44 | |
You better chill with that shit, motherfucker. | 1:19:46 | 1:19:48 | |
-I own you. -You own me? | 1:19:48 | 1:19:50 | |
-I fucking own you! -You own shit! | 1:19:50 | 1:19:53 | |
Go ahead, kill me. Put me out of my misery for the first time in 30 years. | 1:19:53 | 1:19:57 | |
But you will no longer take what is mine. | 1:19:57 | 1:20:00 | |
Fucking right. 10% is mine. | 1:20:00 | 1:20:01 | |
-Five! -Five fucking per cent of that's mine. | 1:20:01 | 1:20:04 | |
Shut the fuck up! I don't even know who the fuck you are! | 1:20:04 | 1:20:07 | |
Oh, you've got some big fucking onions, Elmo. | 1:20:10 | 1:20:12 | |
This... | 1:20:12 | 1:20:14 | |
is the most expensive candy on the market. | 1:20:14 | 1:20:18 | |
The drug's a fake, you know. | 1:20:18 | 1:20:20 | |
It's bogus. It's what we chemists call a placebo. | 1:20:20 | 1:20:24 | |
It's whatever you want it to be. | 1:20:24 | 1:20:26 | |
You can run all the tests you want, and it'll look like the best shit in the universe, | 1:20:28 | 1:20:33 | |
but the ingredients... they cancel each other out. | 1:20:33 | 1:20:36 | |
Fucking confusing The Lizard ain't gonna fucking help your cause, Elmo. | 1:20:36 | 1:20:40 | |
You've gotta give big ups to marketing. | 1:20:40 | 1:20:43 | |
The ability to make people believe. | 1:20:43 | 1:20:45 | |
The power of suggestion. | 1:20:45 | 1:20:47 | |
P-O-S...51. | 1:20:47 | 1:20:51 | |
I don't give a shit! Is this fucking science lecture over? | 1:20:52 | 1:20:55 | |
It will be in...23 seconds. | 1:20:55 | 1:20:58 | |
It takes 10 seconds for an imbibed liquid to reach the stomach. | 1:21:02 | 1:21:06 | |
It takes the human body 81 seconds to heat that liquid to the point of chemical volatility. | 1:21:06 | 1:21:11 | |
You...have 12 seconds left. | 1:21:13 | 1:21:15 | |
12 seconds? What the fuck are you talking about? | 1:21:15 | 1:21:18 | |
And what is the big fucking umbrella? | 1:21:18 | 1:21:20 | |
Freeze! | 1:21:20 | 1:21:21 | |
-Oh! -You, lumpy, in the kaftan, drop the gun. | 1:21:21 | 1:21:24 | |
Nice and controlled. How's my timing, Felix? | 1:21:24 | 1:21:28 | |
It's fucking perfect. | 1:21:28 | 1:21:29 | |
Ow! Argh! | 1:21:29 | 1:21:31 | |
GURGLING | 1:21:31 | 1:21:34 | |
Aaaargh! | 1:21:36 | 1:21:38 | |
Aargh! | 1:21:38 | 1:21:39 | |
CHEERING | 1:21:39 | 1:21:41 | |
WHISTLE | 1:21:41 | 1:21:42 | |
CHEERING | 1:21:42 | 1:21:45 | |
That cleared my sinuses. | 1:21:52 | 1:21:54 | |
Drugs... | 1:21:57 | 1:21:59 | |
always kill you in the end. | 1:21:59 | 1:22:01 | |
Whoa! Whoa. Whoa, shit! | 1:22:13 | 1:22:15 | |
HE MUTTERS | 1:22:15 | 1:22:18 | |
All right, lads. | 1:22:18 | 1:22:20 | |
Get the cuffs on this cockney twat! | 1:22:20 | 1:22:23 | |
As agreed. | 1:22:26 | 1:22:28 | |
What about the drug? | 1:22:30 | 1:22:32 | |
You conned us. | 1:22:32 | 1:22:35 | |
I conned them. | 1:22:35 | 1:22:37 | |
We got paid. | 1:22:37 | 1:22:39 | |
Is this, | 1:22:41 | 1:22:42 | |
or is this not, worth 20 million dollars? | 1:22:42 | 1:22:44 | |
This castle's worth, | 1:22:48 | 1:22:49 | |
I'd say, more like... | 1:22:49 | 1:22:51 | |
seven, seven and a half. | 1:22:51 | 1:22:53 | |
WHISTLE BLOWS | 1:23:03 | 1:23:05 | |
Do you want to see the game? | 1:23:06 | 1:23:08 | |
# Easy come | 1:23:09 | 1:23:11 | |
# Easy go | 1:23:11 | 1:23:14 | |
# Watch the world flow... # | 1:23:14 | 1:23:17 | |
Mr McElroy, | 1:23:36 | 1:23:39 | |
you are a genuine McElroy like myself, you say. | 1:23:39 | 1:23:42 | |
This is the tartan of my slave master. | 1:23:42 | 1:23:45 | |
I now claim his castle and his lands for my own. | 1:23:45 | 1:23:49 | |
I see. | 1:23:49 | 1:23:51 | |
-But will you not now be making your putt? -Aye. | 1:23:51 | 1:23:54 | |
Congratulations, Mr McElroy. An outstanding round of golf. | 1:24:02 | 1:24:07 | |
You ain't seen nothing yet. | 1:24:07 | 1:24:09 | |
Well! | 1:24:15 | 1:24:17 | |
I can tell you, it's the first time that's been seen on the 18th green. | 1:24:17 | 1:24:20 | |
# Everything good is bad | 1:24:20 | 1:24:23 | |
# Everything bad is good... # | 1:24:24 | 1:24:27 | |
Elmo's in the house! | 1:24:27 | 1:24:29 | |
# Everything good is bad | 1:24:29 | 1:24:32 | |
# And everything bad is good | 1:24:33 | 1:24:35 | |
# Everything good is bad | 1:24:38 | 1:24:41 | |
# Everything bad is good | 1:24:42 | 1:24:44 | |
# Everything good is bad... # | 1:24:46 | 1:24:49 |