
Browse content similar to The Awakening. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
CAR PASSES BY | 0:00:44 | 0:00:47 | |
SHALLOW BREATHING | 0:01:03 | 0:01:06 | |
CARS PASS BY | 0:01:18 | 0:01:20 | |
DOOR LATCH OPENS | 0:01:30 | 0:01:32 | |
Miss Emerson? | 0:01:32 | 0:01:34 | |
Are you prepared? | 0:01:35 | 0:01:37 | |
I brought this. | 0:01:39 | 0:01:41 | |
CLOCK CHIMES | 0:01:53 | 0:01:55 | |
Just get it ready. Get it ready. | 0:02:13 | 0:02:16 | |
Life given. Life returned. | 0:02:34 | 0:02:37 | |
Life given. Death lifted. | 0:02:38 | 0:02:41 | |
Take this life force, consume its flesh. | 0:02:43 | 0:02:47 | |
Open our eyes to what is lost. | 0:02:49 | 0:02:51 | |
Memento mori. Memento mori. | 0:02:57 | 0:03:00 | |
-Memento mori. -ALL: Memento mori. | 0:03:00 | 0:03:05 | |
Memento mori. Memento mori. Memento mori. | 0:03:05 | 0:03:11 | |
Who? Whose loss? | 0:03:17 | 0:03:20 | |
This woman? | 0:03:26 | 0:03:28 | |
This grieving woman? | 0:03:28 | 0:03:30 | |
SHE GASPS | 0:03:30 | 0:03:32 | |
-Darling? -Oh, God! -Don't look away. You mustn't look away. | 0:03:42 | 0:03:46 | |
Rose? Rose, darling. | 0:03:46 | 0:03:49 | |
I can see you. | 0:03:51 | 0:03:54 | |
I can see you. | 0:03:54 | 0:03:56 | |
Life given. Death lifted. Life given. Death... | 0:03:56 | 0:04:00 | |
-CHILD GROANS -Get off me! | 0:04:00 | 0:04:03 | |
Sergeant Evans, the curtains. | 0:04:03 | 0:04:05 | |
The door! The door! | 0:04:06 | 0:04:08 | |
-Stay there, Captain. -Get off me! | 0:04:08 | 0:04:10 | |
If you're a captain at all. Sergeant Evans, fetch the others. | 0:04:10 | 0:04:13 | |
POLICE WHISTLE BLOWS | 0:04:13 | 0:04:15 | |
-My spirit! -You bastard. You'll kill him! | 0:04:16 | 0:04:20 | |
-I'll fetch a doctor. -I'll manage. | 0:04:20 | 0:04:23 | |
-Ah! Ow! -Another miracle. | 0:04:25 | 0:04:27 | |
Miss Cathcart, you shouldn't do that. | 0:04:27 | 0:04:30 | |
Cathcart. Florence Cathcart. | 0:04:30 | 0:04:33 | |
How dare you come here under false pretences? Is your soldier boy even dead? | 0:04:33 | 0:04:37 | |
-SHE SCOFFS -And this grotesque charade won't bring him back. | 0:04:40 | 0:04:44 | |
Neither will your blood capsules which you slipped from your cup | 0:04:44 | 0:04:47 | |
and your handkerchief as we started. | 0:04:47 | 0:04:51 | |
Nor your free hand pulling the wick from this woman's candle. | 0:04:51 | 0:04:55 | |
As if the dead had something against naked flames. | 0:04:55 | 0:04:58 | |
You're charlatans. | 0:04:59 | 0:05:01 | |
And poor ones at that. | 0:05:01 | 0:05:02 | |
Get them out of here, Evans. | 0:05:05 | 0:05:06 | |
Get off! You bastard. | 0:05:09 | 0:05:11 | |
-I've got your brooch. -Oh, thank you, Evans. | 0:05:30 | 0:05:33 | |
Miss Cathcart, when you do these things | 0:05:41 | 0:05:42 | |
you've taken to ordering me around a little. | 0:05:42 | 0:05:45 | |
-I just think with you being... -What, you don't want your colleagues | 0:05:45 | 0:05:48 | |
seeing you bossed by a civilian woman? | 0:05:48 | 0:05:50 | |
Uh, I mean, if anyone was going to order me around, it'd be... | 0:05:50 | 0:05:53 | |
I mean, if Mrs Evans wasn't Mrs Evans... | 0:05:53 | 0:05:56 | |
But she is. And she's very lucky, she is. | 0:05:56 | 0:06:01 | |
I won't bully you any more. Promise. | 0:06:01 | 0:06:04 | |
You've never had a child, have you? | 0:06:06 | 0:06:08 | |
No, of course you haven't. | 0:06:11 | 0:06:14 | |
-Allow me, miss. -Thank you, Katie. | 0:07:01 | 0:07:04 | |
DOORBELL | 0:07:10 | 0:07:12 | |
It's all right. | 0:07:12 | 0:07:13 | |
Oh, for heaven's sake. Um... | 0:07:16 | 0:07:18 | |
-Who shall I make it out to? -I'm sorry? | 0:07:20 | 0:07:21 | |
-Please, Mr... -Mallory. | 0:07:21 | 0:07:23 | |
Mr Mallory, you'll excuse my brevity, but this is my home. | 0:07:23 | 0:07:27 | |
-Very glad you enjoyed the book. -I didn't. | 0:07:27 | 0:07:31 | |
-Excuse me? -I didn't much like your book. | 0:07:31 | 0:07:34 | |
I found it too certain. | 0:07:34 | 0:07:36 | |
Perhaps that's only fitting for someone so rude to strangers. | 0:07:37 | 0:07:40 | |
I'm a history master at a boy's prep school. | 0:07:40 | 0:07:45 | |
Forgive my daughter, Mr Mallory. | 0:07:45 | 0:07:47 | |
She's not taking on any more work. She's quite exhausted. | 0:07:47 | 0:07:49 | |
Um, let him speak, Harry. Please. | 0:07:49 | 0:07:54 | |
Um, I'm afraid Harry's right. I'm really not taking on any more work. | 0:07:54 | 0:07:58 | |
But you are a ghost hunter as well as an author? | 0:07:59 | 0:08:03 | |
Well, you can't hunt what doesn't exist. | 0:08:03 | 0:08:06 | |
Ah, well, that's just it. | 0:08:06 | 0:08:08 | |
We think we have one that does. | 0:08:10 | 0:08:12 | |
I need to change. | 0:08:17 | 0:08:19 | |
Katie, will you show Mr Mallory to my study. | 0:08:19 | 0:08:21 | |
-Yes, miss. -I'll be fine. | 0:08:21 | 0:08:23 | |
-SHE SIGHS -You're fine? | 0:08:31 | 0:08:34 | |
Mmm. | 0:08:34 | 0:08:35 | |
-SHE SOBS -We always know why you throw yourself into this. | 0:08:42 | 0:08:48 | |
And we don't blame you for thinking that it will help. | 0:08:48 | 0:08:52 | |
But every time now, all we can see is the pain it causes you. | 0:08:53 | 0:08:58 | |
Yes. | 0:09:06 | 0:09:08 | |
I know. I'm sorry I keep doing this to you. | 0:09:09 | 0:09:12 | |
It's not fair. | 0:09:13 | 0:09:15 | |
"May your skin be flayed from your body" | 0:09:34 | 0:09:36 | |
"in the hell you so arrogantly claim does not exist." | 0:09:36 | 0:09:39 | |
An elderly woman in Dorset, I seem to remember. | 0:09:39 | 0:09:43 | |
Our school matron is a devotee of your book | 0:09:43 | 0:09:47 | |
and has told the headmaster about the work you do. | 0:09:47 | 0:09:51 | |
She assures him you're quite respected | 0:09:51 | 0:09:52 | |
and your book sits alongside the Bible on many book shelves. | 0:09:52 | 0:09:57 | |
Miss Cathcart, rumour is a dangerous thing. | 0:09:57 | 0:10:01 | |
Conversations in this room are confidential, Mr Mallory. | 0:10:02 | 0:10:06 | |
Especially if I don't take the case. | 0:10:06 | 0:10:09 | |
Our school is called Rookford in Cumbria. | 0:10:12 | 0:10:14 | |
Some years ago, a child was said to have been murdered there. | 0:10:14 | 0:10:18 | |
Not a pupil. It was a private house then. | 0:10:18 | 0:10:20 | |
Well, who? Did they catch the killer? | 0:10:20 | 0:10:23 | |
There's no record. It was an important family. All hushed up. | 0:10:23 | 0:10:25 | |
Still, it's perfectly possible someone died there. | 0:10:25 | 0:10:28 | |
So you're here about a death that may or may not have happened | 0:10:28 | 0:10:31 | |
-however many years ago? -No. | 0:10:31 | 0:10:33 | |
I'm here about another death. | 0:10:34 | 0:10:37 | |
A pupil. Three weeks ago. | 0:10:39 | 0:10:44 | |
His name was Walter. Walter Portman. | 0:10:44 | 0:10:47 | |
The day before he died, Walter went to see the headmaster, | 0:10:48 | 0:10:51 | |
quaking with fear, convinced he'd seen a ghost. | 0:10:51 | 0:10:54 | |
The ghost of the murdered child. | 0:10:54 | 0:10:56 | |
Well, how did he know what the murdered child looked like? | 0:10:56 | 0:10:59 | |
This was taken 18 years ago. | 0:10:59 | 0:11:02 | |
Mr Mallory, this is... This is an old school prank. | 0:11:07 | 0:11:09 | |
As the camera sweeps across to expose the plate... | 0:11:09 | 0:11:12 | |
One of the boys runs behind the row to appear at both sides. | 0:11:12 | 0:11:14 | |
He was still moving when it reached him. | 0:11:14 | 0:11:16 | |
I know. That was 1902. | 0:11:16 | 0:11:18 | |
This was '03. | 0:11:21 | 0:11:23 | |
'04. | 0:11:25 | 0:11:27 | |
1905. | 0:11:28 | 0:11:30 | |
And, lastly, '06. | 0:11:30 | 0:11:32 | |
All the boys in the school are accounted for. | 0:11:32 | 0:11:35 | |
All of them. In all the photographs. | 0:11:35 | 0:11:38 | |
Including this one, taken just one month ago. | 0:11:38 | 0:11:41 | |
Miss Cathcart, I can understand a child running the length of the line | 0:11:41 | 0:11:44 | |
in the 15 seconds it takes for the camera to make its sweep. | 0:11:44 | 0:11:48 | |
What I can't explain is how he could get there. | 0:11:48 | 0:11:51 | |
The Millford woman. | 0:12:02 | 0:12:04 | |
Either a batch of partially exposed photographic plates | 0:12:04 | 0:12:07 | |
or the same ghost was in my mother's potting shed. | 0:12:07 | 0:12:09 | |
It's half-term in two days. We'll be lucky to get any of the children back unless... | 0:12:09 | 0:12:13 | |
I'm not interested in the commercial fortunes of your school. | 0:12:13 | 0:12:15 | |
There have been other sightings. The boys believe... | 0:12:15 | 0:12:18 | |
Boys believe in Santa Claus and the Tooth Fairy. | 0:12:18 | 0:12:21 | |
I'm sure some of them even believe in God. | 0:12:21 | 0:12:22 | |
You don't need me to tell you what happened | 0:12:24 | 0:12:27 | |
to that generation of boys, Mr Mallory, | 0:12:27 | 0:12:29 | |
and yet you don't see their ghosts stalking the halls of your school. | 0:12:29 | 0:12:32 | |
Rookford is a boarding school, Miss Cathcart. | 0:12:32 | 0:12:36 | |
Most of the boys are as good as orphans. | 0:12:36 | 0:12:39 | |
I don't say that just because of your circumstances. | 0:12:40 | 0:12:43 | |
Well, then, why say it? | 0:12:43 | 0:12:45 | |
"Fear is all I remember of my childhood." | 0:12:49 | 0:12:52 | |
"I have glimpses of my parents' death" | 0:12:52 | 0:12:54 | |
"but nothing of our life in Kenya, nor coming to London." | 0:12:54 | 0:12:57 | |
"Nothing but a feeling of perpetual black terror." | 0:12:57 | 0:13:00 | |
Your tactics are despicable. | 0:13:01 | 0:13:02 | |
"Fear swallows children and the adults we become." | 0:13:02 | 0:13:06 | |
These boys aren't worried about bumps in the night. | 0:13:07 | 0:13:10 | |
They're frightened to death. | 0:13:10 | 0:13:13 | |
Please leave. | 0:13:20 | 0:13:22 | |
I was sent to request your help and I've done that. | 0:13:26 | 0:13:29 | |
You strike me as a woman who won't do anything she doesn't want to. | 0:13:29 | 0:13:33 | |
I'm at the Wellington Hotel. Thank you for your time. | 0:13:35 | 0:13:38 | |
Semper veritas. | 0:14:22 | 0:14:25 | |
Latin gives a new school an air of respectability. | 0:14:25 | 0:14:28 | |
Means they can add a pound to the fees. | 0:14:28 | 0:14:30 | |
And I should imagine a bona fide ghost knocks it right off again. | 0:14:30 | 0:14:34 | |
Latin puns. What fun. | 0:14:34 | 0:14:36 | |
"Always the truth." | 0:14:36 | 0:14:39 | |
Let's see, shall we? | 0:14:39 | 0:14:41 | |
You can't wait. | 0:14:41 | 0:14:42 | |
You're that keen that people believe in nothing? | 0:14:42 | 0:14:44 | |
No, without science people don't believe in nothing. | 0:14:44 | 0:14:47 | |
They believe in anything, including spirits. | 0:14:47 | 0:14:49 | |
So we need them. But you don't. | 0:14:49 | 0:14:52 | |
I believe in evidence. Need has nothing to do with it. | 0:14:52 | 0:14:55 | |
And yet you carry someone else's cigarette case. | 0:14:55 | 0:14:57 | |
Touche. | 0:14:59 | 0:15:01 | |
I'm sorry. | 0:15:04 | 0:15:05 | |
Mr Mallory, am I... | 0:15:12 | 0:15:14 | |
TYRES SCREECH | 0:15:14 | 0:15:15 | |
Go on. | 0:15:21 | 0:15:23 | |
HE REVS THE ENGINE Judd. | 0:15:23 | 0:15:26 | |
THE CHILDREN SHOUT | 0:15:41 | 0:15:44 | |
-WHISTLE BLOWS -Hey! Knees, boys! | 0:15:50 | 0:15:54 | |
Miss Cathcart, this is Miss Hill, the school matron. Maud to you and me. | 0:16:35 | 0:16:39 | |
-How do you do? -Maud? | 0:16:39 | 0:16:41 | |
She's taken this very hard. | 0:16:45 | 0:16:47 | |
She's an odd fish at the best of times. | 0:16:48 | 0:16:51 | |
For a start, she liked your book. | 0:16:52 | 0:16:55 | |
I feel like I know you. | 0:17:03 | 0:17:05 | |
I've read your book a dozen times at least. | 0:17:05 | 0:17:07 | |
It's on my book shelf next to the Bible. | 0:17:07 | 0:17:09 | |
I've never met an educated lady before. | 0:17:11 | 0:17:14 | |
Not Cambridge and everything. | 0:17:14 | 0:17:16 | |
Never mind someone famous. | 0:17:16 | 0:17:18 | |
Oh, the Kaiser was famous, Miss Hill. | 0:17:18 | 0:17:20 | |
I... I just wrote a book. | 0:17:20 | 0:17:22 | |
Maud. | 0:17:22 | 0:17:24 | |
Mr Mallory told you to call me Maud. | 0:17:24 | 0:17:26 | |
Maud. | 0:17:26 | 0:17:28 | |
-Hello. -Hello. | 0:17:28 | 0:17:30 | |
Did Mr McNair not say all boys inside, Thomas? | 0:17:33 | 0:17:35 | |
-Tom. -Er... | 0:17:35 | 0:17:37 | |
Everyone's nerves are shot to pieces. | 0:17:39 | 0:17:42 | |
I've been here 14 years. I know this place. | 0:17:46 | 0:17:49 | |
And I don't hold with any ghostly nonsense. | 0:17:49 | 0:17:52 | |
I just wanted you to know I'm at your service. | 0:17:53 | 0:17:59 | |
Hello. | 0:18:07 | 0:18:08 | |
Stop it. Go on. | 0:18:10 | 0:18:12 | |
Howell, stick up for yourself And get that hair cut. | 0:18:12 | 0:18:15 | |
All of you, downstairs. | 0:18:15 | 0:18:17 | |
Thank you, Maud. I'll take Miss Cathcart to the headmaster | 0:18:17 | 0:18:20 | |
Came with the building. It's the boys' favourite. | 0:18:22 | 0:18:25 | |
John the Baptist, I think. This way. | 0:18:25 | 0:18:28 | |
It's actually Judith slaying Holofernes. | 0:18:28 | 0:18:31 | |
Story of a woman who stole into the enemy camp | 0:18:32 | 0:18:34 | |
and seduced then beheaded their highest general. | 0:18:34 | 0:18:38 | |
Hmm. Those were the days, eh, Maud? | 0:18:38 | 0:18:40 | |
-KNOCK ON THE DOOR -I'm not in, I'm out. | 0:18:43 | 0:18:48 | |
At least I was out. Now I'm in. | 0:18:48 | 0:18:51 | |
You must be the ghost lady. Come through. | 0:18:51 | 0:18:53 | |
Reverend Purslow, this is Miss Florence Cathcart. | 0:18:53 | 0:18:56 | |
An educated woman. Well, well, well. Glad you're here. | 0:18:56 | 0:18:59 | |
Presume you know you've a matron to thank. | 0:18:59 | 0:19:01 | |
So I believe. Glad I can be of service. | 0:19:01 | 0:19:03 | |
Child dying before a parent. Dreadful thing. | 0:19:03 | 0:19:06 | |
I lost three of them. | 0:19:06 | 0:19:08 | |
I imagine you don't believe in the afterlife, Miss Cathcart. | 0:19:08 | 0:19:12 | |
No, I don't. | 0:19:12 | 0:19:14 | |
Terrible, isn't it? | 0:19:14 | 0:19:15 | |
Mr Mallory will give you a tour of the school. | 0:19:17 | 0:19:20 | |
I'm on my way to the dining room should you wish to see it. | 0:19:20 | 0:19:24 | |
THEY DINE IN SILENCE | 0:19:27 | 0:19:29 | |
Mr Mallory. | 0:19:33 | 0:19:35 | |
So I'm the guide now? | 0:19:37 | 0:19:38 | |
-BOY WHISPERS: -He's coming. He's coming. | 0:19:38 | 0:19:41 | |
After supper there's an hour of scrubs, that's compulsory reading to you. | 0:19:41 | 0:19:45 | |
Then lights out at 8:00. | 0:19:45 | 0:19:48 | |
I'll show you where Walter was found. | 0:19:48 | 0:19:50 | |
I'd like to see everywhere the boys claim to have seen the ghost. | 0:19:50 | 0:19:54 | |
And perhaps you'd ask Maud to join us? | 0:19:54 | 0:19:57 | |
Most of the sightings were in here, including Walter's. | 0:20:01 | 0:20:04 | |
In fact, he was found outside here on the terrace. | 0:20:04 | 0:20:09 | |
Many of the boys are now too frightened to come in here. | 0:20:11 | 0:20:13 | |
Mr Mallory. | 0:20:13 | 0:20:15 | |
She doesn't like any superfluous sound. | 0:20:15 | 0:20:19 | |
"Ego contemno Latin." I hate Latin. | 0:20:22 | 0:20:27 | |
That you, Mallory? | 0:20:27 | 0:20:29 | |
-SCHOOL BELL RINGS -Walter was found there. | 0:20:34 | 0:20:36 | |
Mr Broad found him just before breakfast. | 0:20:36 | 0:20:39 | |
-And these doors were locked? -Mmm-hmm. | 0:20:39 | 0:20:41 | |
Did he have a bear or a toy animal? | 0:20:52 | 0:20:54 | |
-It's in the front office, yes. -Could you? | 0:20:54 | 0:20:57 | |
You don't like him. | 0:21:06 | 0:21:07 | |
I have my reasons. It would be indiscreet. | 0:21:09 | 0:21:12 | |
Where are his glasses? He used to keep up the pretence. | 0:21:16 | 0:21:20 | |
Used to have a limp, too. Kept him out of the trenches. | 0:21:20 | 0:21:24 | |
-His mother couldn't bear to keep it. -Thank you. | 0:21:25 | 0:21:28 | |
And this was still on his bed the morning he was found? | 0:21:30 | 0:21:32 | |
Yes. | 0:21:32 | 0:21:34 | |
-You said there were other sightings elsewhere in the house? -Yes. Mostly in the west dormitory. | 0:21:34 | 0:21:38 | |
Maud, perhaps I could leave this to you? | 0:21:38 | 0:21:40 | |
-Why aren't you at scrubs? -My book, sir. | 0:21:48 | 0:21:51 | |
Are you all right? | 0:21:51 | 0:21:53 | |
HE GROANS AND WINCES | 0:22:17 | 0:22:19 | |
And it's half-term tomorrow? | 0:22:27 | 0:22:29 | |
Boys with parents in far-flung places stay behind. | 0:22:29 | 0:22:33 | |
Apart from that, we have the place to ourselves. | 0:22:33 | 0:22:35 | |
Was he bullied? | 0:22:44 | 0:22:46 | |
They called him "Wheezy Walter". He was asthmatic. | 0:22:46 | 0:22:49 | |
Who were his friends? | 0:22:49 | 0:22:51 | |
Did he have any friends? | 0:22:52 | 0:22:54 | |
Miss Cathcart, this is a good school. | 0:22:54 | 0:22:56 | |
But if you're different, the wrong kind of different... | 0:22:56 | 0:23:00 | |
His isn't the only mattress like this. | 0:23:00 | 0:23:03 | |
-CANE WHACKS ON THE TABLE -"Then spake King Arthur to Sir Bedivere." | 0:23:03 | 0:23:07 | |
-CANE WHACKS ON THE TABLE -"The sequel of today unsolders all" | 0:23:07 | 0:23:10 | |
"The goodliest fellowship of famous knights." | 0:23:10 | 0:23:13 | |
-CANE WHACKS ON THE TABLE -"Where-of this world hold record." | 0:23:13 | 0:23:16 | |
"Such a sleep they sleep, the men I loved." | 0:23:16 | 0:23:19 | |
CANE WHACKS ON THE TABLE "I think that we shall..." | 0:23:19 | 0:23:21 | |
"We shall never more, at..." | 0:23:21 | 0:23:24 | |
"I think that we shall never more, at any future time," | 0:23:24 | 0:23:27 | |
"Delight our souls with talk of knightly deeds." | 0:23:27 | 0:23:32 | |
HE COUGHS AND WHEEZES | 0:23:32 | 0:23:34 | |
BOY COUGHS UNDER THE DESK | 0:23:38 | 0:23:40 | |
Dowden! | 0:23:40 | 0:23:41 | |
Now. | 0:23:49 | 0:23:51 | |
Matron, I presume you've brought this young lady to my classroom for a purpose | 0:23:56 | 0:23:59 | |
besides subjecting her to the outrageous behaviour of Mr Dowden? | 0:23:59 | 0:24:03 | |
Mr McNair. Boys, | 0:24:03 | 0:24:05 | |
I know you're all upset and frightened at the moment. | 0:24:05 | 0:24:08 | |
Well, Miss Cathcart is here to put your fears to bed. | 0:24:08 | 0:24:12 | |
She's one of the cleverest people in England. Miss Cathcart. | 0:24:12 | 0:24:17 | |
Stand. | 0:24:17 | 0:24:19 | |
-Good evening. -ALL: Good evening. | 0:24:23 | 0:24:26 | |
Sit. Please sit. | 0:24:27 | 0:24:29 | |
How many of you did Walter Portman talk to about this ghost? | 0:24:31 | 0:24:35 | |
Well, did any of you see this ghost boy for yourselves? | 0:24:38 | 0:24:43 | |
I did, miss. I saw it. | 0:24:45 | 0:24:48 | |
-Stand, boy. -Would you like to come with me and describe... | 0:24:48 | 0:24:51 | |
It was horrible. It was on the upper corridor. | 0:24:51 | 0:24:53 | |
-Wouldn't you rather... -His face was twisted. Blurred and sort of twisted. | 0:24:53 | 0:24:57 | |
Like in the photographs. But he was in pain. Crying out. | 0:24:57 | 0:25:02 | |
It was him. Please kill it, miss. | 0:25:02 | 0:25:04 | |
ALL: Yes, please. Kill it, miss. | 0:25:04 | 0:25:07 | |
Silence. | 0:25:07 | 0:25:09 | |
Pocket Premo, 12 exposure pack with meniscus lens. | 0:25:10 | 0:25:14 | |
Sound recorder, part Bell-Tainter. | 0:25:14 | 0:25:16 | |
Fumigator for measuring contact traces. | 0:25:16 | 0:25:19 | |
Can Walter's dormitory sleep elsewhere in the house? | 0:25:19 | 0:25:22 | |
We could move their mattresses to the dining room. | 0:25:22 | 0:25:24 | |
Marconi magnetic field detector. | 0:25:24 | 0:25:27 | |
Third of an ounce of magnesium and potassium chlorate per tray. | 0:25:29 | 0:25:34 | |
As the wire is tripped the aperture opens for a thirtieth of a second, | 0:25:34 | 0:25:37 | |
and an electrical charge ignites the powder. | 0:25:37 | 0:25:41 | |
-What about these? -Those are footprint catchers. | 0:25:47 | 0:25:51 | |
Ghosts have footprints? | 0:25:51 | 0:25:52 | |
No, people pretending to be ghosts do. | 0:25:52 | 0:25:54 | |
They must hate you. | 0:25:54 | 0:25:56 | |
Who? The spiritualists? | 0:25:56 | 0:25:58 | |
No, the ghosts. | 0:25:58 | 0:26:00 | |
MAN SHOUTING: Be quiet. | 0:26:17 | 0:26:20 | |
You'll be quiet or so help me! | 0:26:20 | 0:26:23 | |
FOOTSTEPS ON CREAKING FLOOR BOARDS | 0:26:36 | 0:26:38 | |
Victor, you did the run today. | 0:26:59 | 0:27:01 | |
-What's the matter? -Nothing. | 0:27:02 | 0:27:05 | |
BOYS WHISPER | 0:27:08 | 0:27:10 | |
What's this mess? | 0:27:16 | 0:27:18 | |
Will she do what they say? The lady? | 0:27:18 | 0:27:21 | |
And what do they say? | 0:27:22 | 0:27:24 | |
That she'll kill the ghost. | 0:27:24 | 0:27:26 | |
And that one boy a night will die until she does. | 0:27:26 | 0:27:30 | |
She's not here to catch ghosts. | 0:27:30 | 0:27:32 | |
She's here to catch naughty boys up to mischief. | 0:27:32 | 0:27:34 | |
Silence now. Eyes closed. | 0:27:44 | 0:27:47 | |
It'll be dark soon. | 0:27:47 | 0:27:49 | |
Parry. | 0:27:54 | 0:27:56 | |
Parry. | 0:27:58 | 0:27:59 | |
Nobody... | 0:28:05 | 0:28:06 | |
Likes... | 0:28:06 | 0:28:07 | |
You! | 0:28:07 | 0:28:09 | |
LAUGHTER | 0:28:09 | 0:28:10 | |
BELL RINGS | 0:28:31 | 0:28:33 | |
MAN SHOUTING: Be quiet. | 0:28:38 | 0:28:40 | |
You'll be quiet or so help me! | 0:28:40 | 0:28:42 | |
COUGHING | 0:28:53 | 0:28:55 | |
COUGHING IN THE DISTANCE | 0:29:24 | 0:29:26 | |
BREEZE WHISTLES THROUGH THE HOUSE | 0:29:36 | 0:29:39 | |
WATER SPLASHES | 0:29:41 | 0:29:43 | |
WATER TRICKLES | 0:29:58 | 0:30:00 | |
SHE GASPS | 0:30:29 | 0:30:31 | |
HE WINCES | 0:30:35 | 0:30:36 | |
HE WINCES | 0:30:47 | 0:30:49 | |
MUFFLED CRIES | 0:30:51 | 0:30:53 | |
TRAP BELL RINGS | 0:30:54 | 0:30:56 | |
SHE GASPS | 0:30:56 | 0:30:57 | |
TRAP BELL RINGS | 0:30:57 | 0:30:58 | |
CREAKING | 0:32:58 | 0:33:00 | |
TRAP BELL RINGS | 0:33:11 | 0:33:12 | |
A BOY LAUGHS | 0:33:26 | 0:33:27 | |
BOY WHISPERS: Shh! Keep still. | 0:33:58 | 0:34:00 | |
Hello? | 0:34:56 | 0:34:57 | |
SHE GASPS | 0:35:54 | 0:35:56 | |
SHE SCREAMS | 0:36:19 | 0:36:20 | |
I heard bells. Are you all right? | 0:36:23 | 0:36:26 | |
SHE SIGHS HEAVILY | 0:36:26 | 0:36:28 | |
First bell! | 0:36:31 | 0:36:33 | |
First bell! | 0:36:34 | 0:36:36 | |
Next three boys, please. Quieten down. | 0:36:38 | 0:36:42 | |
Next. | 0:36:45 | 0:36:46 | |
Boys who have been seen can go to their classrooms at once. | 0:36:46 | 0:36:49 | |
They couldn't have been made with socks? | 0:36:49 | 0:36:50 | |
The prints I followed were definitely barefoot. | 0:36:50 | 0:36:54 | |
-Get back! -Come on. Come on. | 0:36:54 | 0:36:57 | |
Why are we here, sir? | 0:36:57 | 0:36:59 | |
All right, turn around, stick your feet up. | 0:36:59 | 0:37:01 | |
Headmaster. | 0:37:10 | 0:37:12 | |
Parry. | 0:37:12 | 0:37:14 | |
-Sir. -Parry. What would your father have thought? | 0:37:14 | 0:37:18 | |
The night Walter died, he got up to use the latrine. | 0:37:18 | 0:37:21 | |
He wasn't wearing his spectacles. | 0:37:21 | 0:37:23 | |
Mr Parry here frightened him, using this to blur his face. | 0:37:23 | 0:37:26 | |
I didn't. I didn't do it to Walter. | 0:37:26 | 0:37:29 | |
And last night he tried to do the same thing to me. Didn't you? | 0:37:29 | 0:37:32 | |
Victor. | 0:37:34 | 0:37:35 | |
They said if I did it then they'd be nice. | 0:37:39 | 0:37:44 | |
-Stop snivelling. -Malcolm, please. | 0:37:44 | 0:37:47 | |
Who? | 0:37:48 | 0:37:50 | |
-Them. -Scab! | 0:37:51 | 0:37:52 | |
-Quiet! -But I didn't do it before. | 0:37:52 | 0:37:54 | |
Not to Walter. I liked Walter. We shared grots. | 0:37:54 | 0:37:56 | |
-Victor. -I didn't scare him. | 0:37:56 | 0:37:57 | |
-No-one knows who did. -A boy is dead. | 0:37:57 | 0:37:59 | |
-Wasn't me! -All right, it wasn't just him. | 0:37:59 | 0:38:02 | |
There was another boy last night. | 0:38:02 | 0:38:04 | |
I saw him down in the stairwell. | 0:38:04 | 0:38:06 | |
What? | 0:38:06 | 0:38:07 | |
Dowden? | 0:38:07 | 0:38:09 | |
-There wasn't another boy. -Ah-ah-ah. You're behind this. | 0:38:09 | 0:38:11 | |
-Honestly, sir. -You will name this other boy now. | 0:38:11 | 0:38:13 | |
There wasn't another boy. Please! | 0:38:13 | 0:38:15 | |
You will name this boy or you'll be thrashed where you stand. Mr McNair. | 0:38:15 | 0:38:18 | |
Honestly. No, there wasn't another boy, sir. | 0:38:18 | 0:38:20 | |
Please, I tell you, sir. There wasn't another boy! HE SOBS | 0:38:20 | 0:38:23 | |
Please, sir, I promise, it was only me! | 0:38:23 | 0:38:25 | |
Wait, stop! | 0:38:25 | 0:38:26 | |
Honestly, I'm telling you the truth! | 0:38:26 | 0:38:28 | |
For God's sakes. You've done quite enough damage, you will not do this. | 0:38:28 | 0:38:32 | |
BOY SOBS | 0:38:32 | 0:38:33 | |
What did you say? | 0:38:34 | 0:38:36 | |
You use a balsam for your chest. | 0:38:38 | 0:38:40 | |
I just smelled it on you. I also found it smeared on the glass | 0:38:42 | 0:38:45 | |
of the French doors and on the handles | 0:38:45 | 0:38:47 | |
and on Walter's bear. | 0:38:47 | 0:38:48 | |
You were... You were there the night he died. | 0:38:49 | 0:38:53 | |
I protest. This is... | 0:38:53 | 0:38:54 | |
And did he protest when you found him downstairs, | 0:38:54 | 0:38:58 | |
ripped the bear from him and left him out in the dark? | 0:38:58 | 0:39:00 | |
I came here to protect children from fear and you... | 0:39:01 | 0:39:05 | |
You are hell-bent on making them live in it. | 0:39:05 | 0:39:07 | |
-You can't die of fear. -No. | 0:39:07 | 0:39:09 | |
But you can die of an asthma attack brought on by it. | 0:39:09 | 0:39:13 | |
-He was alive when I left him. -Malcolm. | 0:39:29 | 0:39:32 | |
He was crying. | 0:39:33 | 0:39:35 | |
Insisting he'd seen a ghost. | 0:39:35 | 0:39:37 | |
I thought... | 0:39:39 | 0:39:41 | |
I thought I'd toughen him up. | 0:39:42 | 0:39:44 | |
It's not enough to be mollycoddled, Robert. | 0:39:52 | 0:39:55 | |
These boys must be strong. | 0:39:57 | 0:39:59 | |
Stronger than us. | 0:40:02 | 0:40:04 | |
-HEADMASTER: -Malcolm, there's not a man on earth I'd rather protect. | 0:40:12 | 0:40:16 | |
But the parents arrive shortly, and I must ask you to leave this school | 0:40:16 | 0:40:21 | |
at once. | 0:40:21 | 0:40:23 | |
SINGING INAUDIBLE | 0:40:36 | 0:40:39 | |
# Be still, my soul | 0:40:55 | 0:40:59 | |
# Though dearest friends depart... # | 0:40:59 | 0:41:03 | |
There was a chap in a trench not far from ours. | 0:41:14 | 0:41:17 | |
He used to sing this hymn most sunsets. | 0:41:17 | 0:41:20 | |
It's odd separating the past from the present. | 0:41:24 | 0:41:26 | |
The boys are transformed. You should be pleased. | 0:41:32 | 0:41:35 | |
Semper veritas. | 0:41:40 | 0:41:43 | |
-Mmm. -Truth comes at a price. | 0:41:43 | 0:41:45 | |
Ruined a damaged man. | 0:41:46 | 0:41:48 | |
Oh, I'm not thinking about Malcolm. | 0:41:48 | 0:41:52 | |
Nor are you. | 0:41:52 | 0:41:53 | |
I saw you. | 0:41:55 | 0:41:57 | |
As soon as you proved the ghost was a fraud, something happened to you. | 0:41:57 | 0:42:00 | |
-You were suddenly... -Please, Robert. | 0:42:00 | 0:42:02 | |
I've done what was asked of me. | 0:42:05 | 0:42:08 | |
Proved there's nothing to fear. | 0:42:09 | 0:42:11 | |
Nothing. | 0:42:14 | 0:42:16 | |
You left church early. | 0:42:39 | 0:42:41 | |
Mr Judd. | 0:42:43 | 0:42:44 | |
You going home? | 0:42:44 | 0:42:46 | |
Found your ghost? | 0:42:47 | 0:42:48 | |
Another case to write up while McNair's thrown to the dogs. | 0:42:51 | 0:42:55 | |
After all he's been through. | 0:42:55 | 0:42:57 | |
You know, I wonder whether any of us really know | 0:43:00 | 0:43:02 | |
what he went through, Mr Judd. | 0:43:02 | 0:43:04 | |
-You shouldn't talk to me like that. -Excuse me? | 0:43:04 | 0:43:07 | |
-I'm sorry. I didn't mean to... -You think I don't know? | 0:43:13 | 0:43:17 | |
Staying at home was wrong? | 0:43:17 | 0:43:19 | |
Come down here | 0:43:20 | 0:43:23 | |
and tell me that? | 0:43:23 | 0:43:24 | |
Let me tell you something, ghost lady. | 0:43:24 | 0:43:27 | |
It's the living you want to watch out for. | 0:43:27 | 0:43:30 | |
Not the dead. | 0:43:32 | 0:43:33 | |
There she is. Now try to forget all about it. The headmaster will. | 0:43:43 | 0:43:47 | |
Getting to go home. Cakes and puddings. | 0:43:48 | 0:43:52 | |
Lucky beggars. | 0:43:52 | 0:43:54 | |
Still, we'll have a nice time. | 0:43:54 | 0:43:57 | |
You always say that. | 0:43:58 | 0:44:00 | |
Lucky beggars. You always say that. | 0:44:00 | 0:44:03 | |
GUNFIRE | 0:44:37 | 0:44:39 | |
No! | 0:44:45 | 0:44:46 | |
SHE GASPS | 0:44:53 | 0:44:54 | |
SHE SOBS | 0:44:58 | 0:45:01 | |
There's nothing. | 0:45:04 | 0:45:06 | |
There's nothing. | 0:45:12 | 0:45:14 | |
Goodbye. See you in a week. | 0:45:44 | 0:45:47 | |
Check the out buildings before you go, Mr Baxter. | 0:45:47 | 0:45:50 | |
There are gypsies on the Tarrow farm. | 0:45:50 | 0:45:52 | |
Your ma and pa overseas, Tom? | 0:46:02 | 0:46:05 | |
They live in India. | 0:46:05 | 0:46:07 | |
Takes three weeks to travel to India. They have tigers there. | 0:46:07 | 0:46:11 | |
Goodbye, Matron. | 0:46:12 | 0:46:14 | |
Mary. | 0:46:14 | 0:46:15 | |
Have you been? | 0:46:16 | 0:46:18 | |
No. | 0:46:18 | 0:46:21 | |
No, but I've seen the lions in Africa. | 0:46:21 | 0:46:23 | |
One of them even attacked me. | 0:46:24 | 0:46:27 | |
How come you're not dead? | 0:46:28 | 0:46:31 | |
Apparently I was rescued by one of the villagers. | 0:46:31 | 0:46:34 | |
Actually, a tribal chieftain. | 0:46:34 | 0:46:36 | |
-Did he kill the lion? -I was very young. I think so. | 0:46:36 | 0:46:40 | |
The villagers took me in and looked after me until help came | 0:46:41 | 0:46:45 | |
They called me their "Mowa-Zee". | 0:46:45 | 0:46:48 | |
White doll. | 0:46:49 | 0:46:50 | |
I wonder what they'd think of me today, seeing me in such a silly state. | 0:46:54 | 0:46:57 | |
-Tom, can you leave us now? -Were your mother and father with you? | 0:46:57 | 0:47:00 | |
-Were they killed? -Afraid they were. | 0:47:01 | 0:47:04 | |
Tom, Miss Cathcart and I want a grown-up conversation. | 0:47:04 | 0:47:07 | |
-I like grown-up conversations. -Now. | 0:47:07 | 0:47:10 | |
Goodbye, Mowa-Zee. | 0:47:12 | 0:47:15 | |
Maud, it was an accident. I lost my cigarette case. | 0:47:22 | 0:47:27 | |
How could someone like you want to do such a thing? | 0:47:27 | 0:47:29 | |
I don't want to talk about it. | 0:47:29 | 0:47:30 | |
Don't go. Miss, something has happened to you. | 0:47:30 | 0:47:33 | |
You can't leave this house now. | 0:47:33 | 0:47:34 | |
Please stop calling me miss. It's Florence. | 0:47:34 | 0:47:37 | |
And I can't stay here. | 0:47:38 | 0:47:40 | |
I'm sorry. | 0:47:41 | 0:47:43 | |
Thank you. | 0:47:59 | 0:48:00 | |
I'll be gone in an hour. | 0:48:03 | 0:48:05 | |
I fell. | 0:48:13 | 0:48:14 | |
I fell. | 0:48:16 | 0:48:18 | |
SHE SIGHS | 0:48:48 | 0:48:50 | |
CREAKING | 0:50:05 | 0:50:07 | |
I know you're there, Robert. | 0:50:39 | 0:50:41 | |
Please don't go away. | 0:50:44 | 0:50:46 | |
Don't go. | 0:50:59 | 0:51:01 | |
SHE SCREAMS | 0:51:10 | 0:51:12 | |
-HEADMASTER: -'You must be the ghost lady. | 0:52:02 | 0:52:03 | |
'Come through.' | 0:52:05 | 0:52:07 | |
'Good evening.' | 0:52:13 | 0:52:14 | |
ALL: 'Good evening.' | 0:52:14 | 0:52:16 | |
SHE SCREAMS, DOOR CREAKS | 0:52:44 | 0:52:46 | |
MAN: Be quiet. | 0:53:14 | 0:53:16 | |
You'll be quiet or so help me! | 0:53:16 | 0:53:18 | |
GLASS SMASHES | 0:53:18 | 0:53:20 | |
Mr Mallory, I need your help. | 0:53:28 | 0:53:30 | |
You're not going? | 0:53:30 | 0:53:31 | |
Some of the equipment needs resetting. | 0:53:31 | 0:53:33 | |
-Can I... -I don't understand. | 0:53:33 | 0:53:34 | |
You have your culprit. You're doing more? | 0:53:34 | 0:53:37 | |
-Oh, would you... -No, thank you. | 0:53:37 | 0:53:39 | |
Don't you like sherry? | 0:53:39 | 0:53:41 | |
I need to keep my wits about me. | 0:53:41 | 0:53:43 | |
I don't think I shall ever drink alcohol. | 0:53:44 | 0:53:46 | |
-It makes you cross and sick. -Mr Judd, | 0:53:46 | 0:53:49 | |
you're welcome to join us. | 0:53:49 | 0:53:51 | |
Things to do, Matron. | 0:53:51 | 0:53:54 | |
Mallory. | 0:53:54 | 0:53:55 | |
Mr Mallory. | 0:53:57 | 0:53:59 | |
-Florence, what are you doing? -I was brought here | 0:54:01 | 0:54:03 | |
to explain a phenomenon in this house, | 0:54:03 | 0:54:04 | |
and whatever everyone else may believe, I have yet to do that. | 0:54:04 | 0:54:07 | |
A collective delusion has been experienced here, | 0:54:07 | 0:54:11 | |
a child moving through the house as if there were no walls or floors. | 0:54:11 | 0:54:14 | |
You said that a child was murdered here. | 0:54:15 | 0:54:18 | |
What if that was also caused by... | 0:54:18 | 0:54:19 | |
You're doing this because of a feeling? | 0:54:19 | 0:54:21 | |
-This morning, you were... -This is not a feeling! | 0:54:21 | 0:54:24 | |
This is a thesis. It's science. | 0:54:24 | 0:54:27 | |
-Tell me about the original murder. -One can't even be sure there was one. | 0:54:27 | 0:54:31 | |
-Something is causing this. -Two hours ago, you... | 0:54:31 | 0:54:34 | |
-Florence, why are you doing this? -Florence. | 0:54:36 | 0:54:38 | |
-What is it? -A differential thermometer. | 0:54:43 | 0:54:45 | |
It means this side of the corridor has suddenly become | 0:54:45 | 0:54:49 | |
much colder than that side. | 0:54:49 | 0:54:51 | |
You said this was a private house. | 0:54:51 | 0:54:54 | |
Housemaids often had hidden cupboards | 0:54:56 | 0:54:59 | |
for mops and brooms and so forth. | 0:54:59 | 0:55:03 | |
May even be stairs to the upper levels. | 0:55:08 | 0:55:12 | |
TOY RABBIT PLAYS A NURSERY RHYME | 0:55:44 | 0:55:47 | |
I know this. | 0:55:53 | 0:55:56 | |
It's an old nursery rhyme. | 0:55:56 | 0:55:57 | |
RABBIT CONTINUES PLAYING | 0:55:57 | 0:56:00 | |
Ladybird, ladybird, | 0:56:00 | 0:56:03 | |
fly away home. | 0:56:03 | 0:56:05 | |
Your house is on fire. | 0:56:07 | 0:56:09 | |
Your children are gone. | 0:56:11 | 0:56:13 | |
All except one. | 0:56:17 | 0:56:19 | |
We need to work. Lock the house. | 0:56:23 | 0:56:25 | |
-Florence, you don't need... -Robert, LOCK the house. | 0:56:25 | 0:56:27 | |
This is nothing, it's a silly nursery rhyme. | 0:56:31 | 0:56:34 | |
I'm frightened. | 0:56:34 | 0:56:35 | |
-Tom. -Tom. -He wants to get me. | 0:56:35 | 0:56:39 | |
Tom, nothing is going to happen to you. Nothing. | 0:56:40 | 0:56:43 | |
I promise you that. | 0:56:43 | 0:56:45 | |
Now I must work. I'll be upstairs if you need me. | 0:56:46 | 0:56:49 | |
HE BOLTS THE DOOR | 0:56:56 | 0:56:57 | |
Can I sit with you? I won't talk. | 0:57:29 | 0:57:31 | |
Of course. | 0:57:31 | 0:57:33 | |
I get in trouble for talking. | 0:57:41 | 0:57:43 | |
But I don't talk much. | 0:57:46 | 0:57:48 | |
Did you have any friends at school? | 0:57:50 | 0:57:51 | |
You can talk to me. | 0:57:53 | 0:57:55 | |
I have make-believe friends. Sometimes. | 0:57:58 | 0:58:01 | |
There's nothing wrong with that. Many children do. I know I did. | 0:58:01 | 0:58:05 | |
What was his name? | 0:58:06 | 0:58:07 | |
I'm not sure he had a name. | 0:58:11 | 0:58:12 | |
-Do yours have names? -You're still lonely. | 0:58:14 | 0:58:17 | |
Aren't you? | 0:58:17 | 0:58:18 | |
I can tell. | 0:58:22 | 0:58:24 | |
With the boys at school, too, | 0:58:24 | 0:58:26 | |
I can tell. | 0:58:26 | 0:58:27 | |
You had a real friend once. | 0:58:30 | 0:58:33 | |
And you don't any more. | 0:58:33 | 0:58:34 | |
Did you love him or something? | 0:58:36 | 0:58:38 | |
Yes, I loved him. | 0:58:42 | 0:58:44 | |
He was a very kind man, a very good man. | 0:58:46 | 0:58:48 | |
But I was... | 0:58:55 | 0:58:57 | |
I did something very silly and very cruel. | 0:58:58 | 0:59:01 | |
I think I was frightened of losing him, I loved him so much. | 0:59:04 | 0:59:07 | |
He was in the war. | 0:59:10 | 0:59:12 | |
What did you do? | 0:59:13 | 0:59:14 | |
I wrote to him and told him | 0:59:15 | 0:59:17 | |
I couldn't marry him and I didn't love him any more. | 0:59:17 | 0:59:19 | |
What did he say? | 0:59:21 | 0:59:22 | |
He died. | 0:59:26 | 0:59:27 | |
Not long after he got the letter. | 0:59:29 | 0:59:31 | |
But you did love him. | 0:59:31 | 0:59:32 | |
That's why you want him back. | 0:59:34 | 0:59:35 | |
MAUD CLEARS HER THROAT | 0:59:37 | 0:59:39 | |
Thank you. Mowa-Zee. | 0:59:49 | 0:59:51 | |
I don't think there's a place on earth | 1:00:00 | 1:00:02 | |
people understand loneliness better than here. | 1:00:02 | 1:00:05 | |
You're torturing yourself. Is that what you're doing here? | 1:00:22 | 1:00:26 | |
Proving again and again that he's really gone? | 1:00:26 | 1:00:28 | |
-Twisting the blade in deeper? -You tell me. -Why? Is it guilt? | 1:00:28 | 1:00:31 | |
Preaching to me while you rip your leg to shreds | 1:00:31 | 1:00:33 | |
as if that'll make you feel better for having survived! | 1:00:33 | 1:00:36 | |
You don't know what you're talking about. | 1:00:42 | 1:00:44 | |
Robert. | 1:00:50 | 1:00:51 | |
I'm frightened. And I can't live with that. | 1:00:52 | 1:00:55 | |
And yes, you're right, what I do comes at a price. | 1:00:55 | 1:00:58 | |
I hate myself more and more, but I can't live with fear. | 1:00:58 | 1:01:02 | |
I'd sooner be dead myself. | 1:01:03 | 1:01:05 | |
Red four goes on the black five. | 1:02:15 | 1:02:18 | |
Every card has its place. | 1:02:18 | 1:02:21 | |
When they're back where they should be, you win the game. | 1:02:21 | 1:02:24 | |
And that goes there. | 1:02:25 | 1:02:26 | |
That one there. | 1:02:28 | 1:02:30 | |
Black eight can go on red nine. | 1:02:31 | 1:02:34 | |
It takes time. | 1:02:36 | 1:02:37 | |
That's why they call it "patience". | 1:02:38 | 1:02:40 | |
She's downstairs. | 1:02:48 | 1:02:49 | |
VANES CREAK | 1:02:55 | 1:02:57 | |
-Mowa-Zee. -Tom. Tom! | 1:04:02 | 1:04:05 | |
Tom! | 1:04:05 | 1:04:06 | |
I know it's you, Tom. | 1:04:12 | 1:04:15 | |
I won't chase you. | 1:04:15 | 1:04:17 | |
Keep playing. | 1:04:17 | 1:04:18 | |
RHYTHMIC THUDDING | 1:04:19 | 1:04:24 | |
A BOY GIGGLES | 1:04:36 | 1:04:38 | |
Florence! | 1:04:58 | 1:04:59 | |
Why are you doing this? You! | 1:05:07 | 1:05:09 | |
I heard you giggle. | 1:05:09 | 1:05:11 | |
-I heard him giggle. -Florence! | 1:05:11 | 1:05:13 | |
You took me to a man. Who was he? Who was he? | 1:05:13 | 1:05:16 | |
There was a... There was a man! There was... There was a man! | 1:05:16 | 1:05:18 | |
Stop this! | 1:05:18 | 1:05:20 | |
It's... It's all of you! | 1:05:20 | 1:05:22 | |
You're all doing this! | 1:05:22 | 1:05:24 | |
You, you... | 1:05:24 | 1:05:25 | |
You cruel and horrid little boy. | 1:05:25 | 1:05:28 | |
Florence! | 1:05:29 | 1:05:30 | |
I hate you. | 1:05:31 | 1:05:33 | |
Thomas Hill, you will come back here at once and apologise! | 1:05:35 | 1:05:38 | |
Stop bossing me around. I haven't done anything wrong. | 1:05:38 | 1:05:42 | |
I don't recognise you. | 1:05:45 | 1:05:47 | |
I thought you were a kind, loving girl but there's... | 1:05:47 | 1:05:50 | |
There's nothing left. | 1:05:51 | 1:05:53 | |
You're a shell. | 1:05:58 | 1:06:00 | |
She's very troubled. | 1:06:15 | 1:06:16 | |
You have to understand that. | 1:06:22 | 1:06:24 | |
She likes you very, very much. | 1:06:29 | 1:06:31 | |
She doesn't care about me. | 1:06:39 | 1:06:41 | |
I may as well be dead like Walter. | 1:06:43 | 1:06:45 | |
I hate her. | 1:06:47 | 1:06:48 | |
KNOCKING | 1:07:09 | 1:07:11 | |
Robert, I need your help. | 1:07:14 | 1:07:17 | |
He had a shotgun, and he WAS there, | 1:07:20 | 1:07:24 | |
and one of these will prove it. | 1:07:24 | 1:07:26 | |
I can leave an amber light on, but are you... | 1:07:30 | 1:07:35 | |
I'll be fine. | 1:07:36 | 1:07:38 | |
If you could just lift them. | 1:07:50 | 1:07:52 | |
That's good. | 1:07:55 | 1:07:56 | |
The dark used to bother me. | 1:07:58 | 1:08:00 | |
Later, of course, it came to mean safety, no sniper fire, or... | 1:08:01 | 1:08:05 | |
-Thank you. -...shells, but | 1:08:05 | 1:08:07 | |
as a lad I'd huddle into my bed... | 1:08:09 | 1:08:11 | |
..wanting to see what was there but too frightened to open my eyes. | 1:08:13 | 1:08:17 | |
Thank you. | 1:08:19 | 1:08:21 | |
It's never darker than when we close our eyes and yet we keep them shut. | 1:08:22 | 1:08:25 | |
Why is that? | 1:08:29 | 1:08:30 | |
Thank you. | 1:08:33 | 1:08:34 | |
The motion's not blurred, so even if he's moving | 1:08:44 | 1:08:48 | |
one of these will have him clearly. | 1:08:48 | 1:08:51 | |
Why do you keep your eyes closed, Florence? | 1:08:51 | 1:08:53 | |
Where is he? | 1:08:58 | 1:09:00 | |
Oh, God! | 1:09:04 | 1:09:06 | |
-No! -HER VOICE SHAKES | 1:09:14 | 1:09:15 | |
THEY MOAN AND GASP | 1:10:40 | 1:10:42 | |
You're real. | 1:11:01 | 1:11:03 | |
Why are these things here? What do they want with me? | 1:11:13 | 1:11:18 | |
Maybe they aren't here for you. | 1:11:28 | 1:11:30 | |
BELL RINGS | 1:11:33 | 1:11:36 | |
Tom, stay here. Do not leave this room. | 1:11:42 | 1:11:45 | |
BELL RINGS | 1:11:55 | 1:11:56 | |
PING PONG ECHOES | 1:12:11 | 1:12:13 | |
No! No! No! | 1:12:42 | 1:12:45 | |
Open the door! | 1:13:34 | 1:13:35 | |
Have you left this room? Something's happened to Florence. | 1:13:55 | 1:13:59 | |
-Promise me you'll stay here. -All right. | 1:14:00 | 1:14:01 | |
Tom! | 1:14:01 | 1:14:03 | |
I promise. | 1:14:03 | 1:14:04 | |
Maud! Florence! | 1:14:08 | 1:14:09 | |
I saw you. | 1:14:16 | 1:14:17 | |
I saw you with him. | 1:14:19 | 1:14:21 | |
The war hero. | 1:14:21 | 1:14:23 | |
I don't know what you... | 1:14:23 | 1:14:24 | |
I've seen plenty through these windows making my rounds, | 1:14:24 | 1:14:27 | |
but never that. | 1:14:27 | 1:14:29 | |
Women. Just lap up the sob stories, don't you? | 1:14:31 | 1:14:35 | |
They were sent, you know. They didn't sign up. | 1:14:35 | 1:14:37 | |
Suddenly they're heroes. | 1:14:37 | 1:14:39 | |
How dare you! | 1:14:44 | 1:14:46 | |
You did nothing, and you think you can mock men like him? | 1:14:47 | 1:14:51 | |
You take care of what you're saying. | 1:14:51 | 1:14:53 | |
You did... You did nothing when men gave every... | 1:14:54 | 1:14:57 | |
SCREAMING | 1:15:27 | 1:15:28 | |
No! | 1:15:30 | 1:15:32 | |
SHE GASPS AND SCREAMS | 1:15:33 | 1:15:35 | |
SHE GASPS AND CHOKES | 1:15:47 | 1:15:49 | |
Robert! Robert! | 1:16:54 | 1:16:57 | |
Whatever happened? What's happened, Florence? | 1:16:57 | 1:16:59 | |
-Florence, what is it? My darling girl! -Florence! | 1:16:59 | 1:17:01 | |
Judd attacked me. | 1:17:03 | 1:17:04 | |
He tried to... He tried to... I think I killed him. | 1:17:06 | 1:17:10 | |
-I think I killed him. -Maud, get a blanket. | 1:17:10 | 1:17:12 | |
And run a bath. Now, please. | 1:17:12 | 1:17:14 | |
Where? Where's Judd? | 1:17:14 | 1:17:15 | |
By the trees at the end of the driveway. | 1:17:15 | 1:17:18 | |
No, go inside. Get to Maud and stay there. You hear? | 1:17:18 | 1:17:22 | |
Robert. Robert, don't tell Tom. | 1:17:27 | 1:17:31 | |
Tom? | 1:17:31 | 1:17:32 | |
Little Tom. He's frightened enough. He's the only child here. | 1:17:32 | 1:17:35 | |
Florence, there are no children here. It's just us three! | 1:17:35 | 1:17:38 | |
What? | 1:17:39 | 1:17:41 | |
PING PONG ECHOES | 1:18:02 | 1:18:04 | |
Mowa-Zee? | 1:18:14 | 1:18:15 | |
Mowa-Zee? | 1:18:17 | 1:18:19 | |
Mowa-Zee. | 1:18:24 | 1:18:26 | |
Mowa-Zee. | 1:18:43 | 1:18:45 | |
I didn't mean to scare Walter that night. | 1:19:16 | 1:19:19 | |
I know. | 1:19:22 | 1:19:24 | |
I believe you. | 1:19:27 | 1:19:29 | |
You can control that? | 1:19:56 | 1:19:59 | |
Sometimes I can. | 1:19:59 | 1:20:01 | |
But I don't know why he could see me. | 1:20:02 | 1:20:04 | |
No one sees me. | 1:20:06 | 1:20:07 | |
I can't make them. | 1:20:08 | 1:20:10 | |
We see what we need to. | 1:20:11 | 1:20:13 | |
He needed a friend. | 1:20:15 | 1:20:16 | |
So did I. | 1:20:18 | 1:20:20 | |
But you were frightened. When you heard the music from | 1:20:20 | 1:20:22 | |
that rabbit doll, you said someone was going to get you. | 1:20:22 | 1:20:25 | |
-Who were you frightened of? -I can't tell you. -Please. Tell me, please. | 1:20:25 | 1:20:30 | |
You have to see for yourself. | 1:20:30 | 1:20:32 | |
It's the only way we can be together. | 1:20:32 | 1:20:35 | |
Again. | 1:20:36 | 1:20:38 | |
What? | 1:20:40 | 1:20:42 | |
Promise you won't go away again. | 1:20:42 | 1:20:43 | |
Mousie. | 1:20:44 | 1:20:46 | |
Mow-zee? | 1:20:46 | 1:20:48 | |
Look at the doll's house. Look at it. | 1:20:49 | 1:20:52 | |
-No. -You started to remember, I know you did. -No. | 1:20:54 | 1:20:57 | |
-Look at it. You'll remember the rest! Look at it. -I don't want to look. | 1:20:57 | 1:21:00 | |
You started to remember, I know you did! Look at the house. | 1:21:00 | 1:21:03 | |
-I don't want to look! -Look at the house. -Get away from me! | 1:21:03 | 1:21:06 | |
Mousie. | 1:21:17 | 1:21:19 | |
You started to remember! You started! | 1:21:19 | 1:21:21 | |
You started to remember! I know you did! | 1:21:24 | 1:21:27 | |
-MAN: -But you go on and on! | 1:21:27 | 1:21:30 | |
I don't even want to look at you! I can't live like this! | 1:21:30 | 1:21:34 | |
Look at it. You'll remember the rest. | 1:21:34 | 1:21:36 | |
You don't know! You scheme and you laugh at me and plot! | 1:21:40 | 1:21:44 | |
No one is plotting. It's just that we can't care any more. | 1:21:44 | 1:21:48 | |
You make it impossible to care. You don't speak for days. | 1:21:48 | 1:21:51 | |
You don't speak to me. You won't even look at her. | 1:21:51 | 1:21:53 | |
Be quiet. You will be quiet, or so help me! | 1:21:55 | 1:21:58 | |
Your own child? You despise her. | 1:22:01 | 1:22:03 | |
-You're a monster! -She's not a boy! | 1:22:03 | 1:22:06 | |
She's bright, and she's sweet, and she's... | 1:22:06 | 1:22:09 | |
-Give me a son! Stay here! -You have one! | 1:22:09 | 1:22:12 | |
How do you think that makes me feel? Watching your bastard boy | 1:22:17 | 1:22:19 | |
-running around with... Your bastard boy running around with Florence! -Leave Tom out of this! | 1:22:19 | 1:22:24 | |
..making us pay because you... | 1:22:28 | 1:22:31 | |
Mummy! Mummy! | 1:22:31 | 1:22:32 | |
Stay back, Florence. You can't help Mummy now. | 1:22:36 | 1:22:40 | |
Move out of the way! | 1:22:41 | 1:22:43 | |
You can't help Mummy now. Move out of the way! | 1:22:47 | 1:22:50 | |
You can't help Mummy now. Move out of the way! | 1:22:57 | 1:23:00 | |
I need you to move out of the way. | 1:23:09 | 1:23:11 | |
Please, Daddy. | 1:23:12 | 1:23:14 | |
Mousie, Mousie, run! Run! | 1:23:14 | 1:23:17 | |
Think I don't know your little hiding places? | 1:23:28 | 1:23:30 | |
Know where my little mouse hides herself for hours on end? | 1:23:33 | 1:23:36 | |
GUNSHOT, SHE SCREAMS | 1:23:40 | 1:23:42 | |
Little Mousie! | 1:24:00 | 1:24:01 | |
Little Mousie! | 1:24:12 | 1:24:14 | |
I really am sorry, Little Mousie. | 1:24:21 | 1:24:23 | |
I will find you, darling. | 1:24:33 | 1:24:35 | |
You have to go with Mummy now. | 1:24:41 | 1:24:43 | |
TOY RABBIT PLAYS THE NURSERY RHYME | 1:24:48 | 1:24:52 | |
GUNSHOT | 1:24:54 | 1:24:56 | |
Mousie. | 1:25:26 | 1:25:28 | |
Mousie! | 1:25:30 | 1:25:31 | |
Little Mousie! | 1:25:34 | 1:25:35 | |
GUNSHOT | 1:25:40 | 1:25:41 | |
-MAUD: -You never said school. | 1:26:17 | 1:26:19 | |
From the moment you arrived, you called this place a house. | 1:26:24 | 1:26:27 | |
You, nanny. | 1:26:29 | 1:26:31 | |
Tom's mother. | 1:26:33 | 1:26:34 | |
I thought bringing you here would be enough. | 1:26:34 | 1:26:37 | |
But you didn't remember me, let alone the terrible things. | 1:26:37 | 1:26:40 | |
I knew your little mind had blacked it all out. | 1:26:40 | 1:26:43 | |
But one thing kept me certain. | 1:26:43 | 1:26:45 | |
You saw him. | 1:26:46 | 1:26:48 | |
You saw my... | 1:26:49 | 1:26:51 | |
My... | 1:26:52 | 1:26:53 | |
..darling... | 1:26:54 | 1:26:56 | |
..murdered child. | 1:26:57 | 1:26:58 | |
Who's lived here all these years with friends he could never have. | 1:27:00 | 1:27:04 | |
I was his friend. | 1:27:07 | 1:27:08 | |
We shared everything. | 1:27:09 | 1:27:12 | |
A father, | 1:27:13 | 1:27:15 | |
everything. | 1:27:15 | 1:27:16 | |
But you needed to see. | 1:27:16 | 1:27:19 | |
That's why I sent Tom to frighten you those times. | 1:27:19 | 1:27:22 | |
To make you stay. | 1:27:25 | 1:27:26 | |
Because I know what's best for you. | 1:27:26 | 1:27:29 | |
I always did. | 1:27:29 | 1:27:30 | |
Because I raised you. | 1:27:32 | 1:27:33 | |
I wet-nursed you. | 1:27:35 | 1:27:37 | |
I watched you | 1:27:37 | 1:27:40 | |
taken away... | 1:27:40 | 1:27:41 | |
..adopted. | 1:27:42 | 1:27:44 | |
You were ripped from me like my boy had been. | 1:27:45 | 1:27:49 | |
I never asked anything of the world. | 1:27:53 | 1:27:55 | |
And it's a perfect hell on earth... | 1:27:57 | 1:27:59 | |
..to give a woman children to love | 1:28:02 | 1:28:06 | |
and to rob her of them. | 1:28:06 | 1:28:08 | |
Little Tom. | 1:28:25 | 1:28:27 | |
Little Tom. | 1:28:28 | 1:28:30 | |
I'd forgotten everything. | 1:28:57 | 1:28:59 | |
Well, perhaps not everything. | 1:29:01 | 1:29:04 | |
"Eaten by lions." | 1:29:06 | 1:29:07 | |
Well, all memories are a hoax of some sort. | 1:29:10 | 1:29:13 | |
You can't blame anyone for letting you believe that one. | 1:29:13 | 1:29:17 | |
Mmm. | 1:29:17 | 1:29:18 | |
You needn't worry. | 1:29:23 | 1:29:24 | |
No one will find Judd's body. | 1:29:27 | 1:29:28 | |
I've buried better men than him. | 1:29:31 | 1:29:34 | |
You see your own ghosts, too? | 1:29:37 | 1:29:40 | |
Are they with us now? | 1:29:48 | 1:29:51 | |
Your friends. | 1:30:01 | 1:30:02 | |
They look like my friends. | 1:30:06 | 1:30:09 | |
They don't have the right. | 1:30:09 | 1:30:11 | |
No amount of guilt deserves the pain you inflict on yourself. | 1:30:11 | 1:30:14 | |
-They died. I lived. -No, you didn't. | 1:30:14 | 1:30:18 | |
A life haunted... | 1:30:18 | 1:30:20 | |
..isn't a life at all. | 1:30:21 | 1:30:23 | |
We may as well... | 1:30:25 | 1:30:26 | |
..be ghosts ourselves. | 1:30:28 | 1:30:30 | |
Light a fire, get some glasses. | 1:30:36 | 1:30:38 | |
Someone once told me it makes one cross and sick. | 1:30:57 | 1:31:00 | |
Tom, what... What is it? What's wrong? | 1:31:17 | 1:31:20 | |
Mother said it would be all right. | 1:31:20 | 1:31:22 | |
She said that you would want us to. | 1:31:24 | 1:31:26 | |
The loneliest boys are starting to see Tom now, | 1:31:26 | 1:31:30 | |
but will he listen to me? Will he hide? He needs you. | 1:31:30 | 1:31:33 | |
Maud, I'm going home. | 1:31:36 | 1:31:37 | |
Imagine what a fright you gave me going in the lake like that | 1:31:37 | 1:31:40 | |
before you saw the truth. | 1:31:40 | 1:31:42 | |
But it's all right now. | 1:31:43 | 1:31:45 | |
Because he can have you forever. | 1:31:47 | 1:31:49 | |
Everything in its place. | 1:31:49 | 1:31:51 | |
Maud... | 1:31:53 | 1:31:54 | |
..knows best. | 1:31:56 | 1:31:57 | |
Robert! | 1:32:00 | 1:32:02 | |
Florence? | 1:32:02 | 1:32:04 | |
-Florence? -Mr Mallory! | 1:32:05 | 1:32:08 | |
Florence and I will be leaving now. | 1:32:08 | 1:32:12 | |
Tom needs his family with him. | 1:32:12 | 1:32:15 | |
Florence? Florence? | 1:32:15 | 1:32:18 | |
Robert, the medicine cabinet in Maud's room. Quickly. | 1:32:18 | 1:32:21 | |
Something to make me sick. Something to make me sick. | 1:32:21 | 1:32:24 | |
Oh, God! No! No! | 1:32:24 | 1:32:27 | |
Tom? | 1:32:31 | 1:32:32 | |
Tom? | 1:32:34 | 1:32:36 | |
Don't be angry, I just miss you. | 1:32:39 | 1:32:44 | |
All the time. | 1:32:44 | 1:32:46 | |
My whole life I've never been happy, not one second since you left me. | 1:32:48 | 1:32:52 | |
But I can't... I can't... I can't come. | 1:32:52 | 1:32:57 | |
You know that, don't you? | 1:32:57 | 1:32:58 | |
You're the only friend I've ever had. | 1:33:01 | 1:33:03 | |
But if I go with you now, my soul will never be happy, and I... | 1:33:05 | 1:33:09 | |
I can be, thanks to you. | 1:33:10 | 1:33:12 | |
But you won't need me. | 1:33:13 | 1:33:15 | |
No one will need me. | 1:33:15 | 1:33:17 | |
Tom, you must be brave. | 1:33:18 | 1:33:21 | |
Can you move through the house like there are no walls? | 1:33:21 | 1:33:25 | |
No walls and no floors. | 1:33:25 | 1:33:27 | |
Help her, help her, help her! | 1:33:27 | 1:33:29 | |
Then fly, little Tom. | 1:33:29 | 1:33:31 | |
Fly. | 1:33:33 | 1:33:34 | |
Are you dead? | 1:33:54 | 1:33:55 | |
Are you dying? | 1:33:57 | 1:33:59 | |
I don't know. | 1:33:59 | 1:34:00 | |
I need to sleep. | 1:34:01 | 1:34:03 | |
I need to close my eyes. | 1:34:05 | 1:34:07 | |
I'll stay with you. | 1:34:08 | 1:34:10 | |
I promise. | 1:34:11 | 1:34:12 | |
Even if you can't see me. | 1:34:13 | 1:34:15 | |
I can... | 1:34:18 | 1:34:20 | |
I can feel you now. | 1:34:20 | 1:34:22 | |
I'll tell the boys it was an accident, of course. | 1:35:18 | 1:35:21 | |
They'll be devastated. They adored her. | 1:35:21 | 1:35:23 | |
We all did. Uh-uh-uh. | 1:35:23 | 1:35:25 | |
I can only think the Walter incident hit her harder than we thought. | 1:35:26 | 1:35:29 | |
Mind you, the Cathcart girl didn't help. | 1:35:30 | 1:35:33 | |
I suspect she wasn't altogether well herself. | 1:35:33 | 1:35:35 | |
You know, I read a study last term. | 1:35:36 | 1:35:38 | |
Ladies' minds often can't cope with further education. | 1:35:38 | 1:35:41 | |
I know you're there. | 1:35:56 | 1:35:58 | |
That's more than your headmaster does. | 1:35:58 | 1:36:01 | |
I used to play here. | 1:36:08 | 1:36:10 | |
Hide and seek. | 1:36:10 | 1:36:11 | |
She would... | 1:36:11 | 1:36:14 | |
Maud would sit over there. | 1:36:14 | 1:36:16 | |
I'm thinking of writing another book. | 1:36:25 | 1:36:28 | |
The Interpretation of Ghosts. | 1:36:29 | 1:36:31 | |
Oh, God help us. | 1:36:32 | 1:36:34 | |
Victor, do your laces. | 1:36:36 | 1:36:38 | |
-Hello. -Hello, again. | 1:36:42 | 1:36:44 | |
Actually, Robert, can you tell the driver to wait for me | 1:36:47 | 1:36:50 | |
at the end of drive? I like the walk. | 1:36:50 | 1:36:53 | |
I always have. | 1:36:53 | 1:36:54 | |
Till Saturday week. | 1:36:55 | 1:36:57 | |
Not seeing them... | 1:37:06 | 1:37:08 | |
It's not the same as forgetting. | 1:37:10 | 1:37:12 | |
It isn't. | 1:37:16 | 1:37:17 | |
-Hello. -Hello. | 1:37:30 | 1:37:32 |