The Awakening


The Awakening

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CAR PASSES BY

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SHALLOW BREATHING

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CARS PASS BY

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DOOR LATCH OPENS

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Miss Emerson?

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Are you prepared?

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I brought this.

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CLOCK CHIMES

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Just get it ready. Get it ready.

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Life given. Life returned.

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Life given. Death lifted.

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Take this life force, consume its flesh.

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Open our eyes to what is lost.

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Memento mori. Memento mori.

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-Memento mori.

-ALL: Memento mori.

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Memento mori. Memento mori. Memento mori.

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Who? Whose loss?

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This woman?

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This grieving woman?

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SHE GASPS

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-Darling?

-Oh, God!

-Don't look away. You mustn't look away.

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Rose? Rose, darling.

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I can see you.

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I can see you.

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Life given. Death lifted. Life given. Death...

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-CHILD GROANS

-Get off me!

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Sergeant Evans, the curtains.

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The door! The door!

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-Stay there, Captain.

-Get off me!

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If you're a captain at all. Sergeant Evans, fetch the others.

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POLICE WHISTLE BLOWS

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-My spirit!

-You bastard. You'll kill him!

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-I'll fetch a doctor.

-I'll manage.

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-Ah! Ow!

-Another miracle.

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Miss Cathcart, you shouldn't do that.

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Cathcart. Florence Cathcart.

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How dare you come here under false pretences? Is your soldier boy even dead?

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-SHE SCOFFS

-And this grotesque charade won't bring him back.

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Neither will your blood capsules which you slipped from your cup

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and your handkerchief as we started.

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Nor your free hand pulling the wick from this woman's candle.

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As if the dead had something against naked flames.

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You're charlatans.

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And poor ones at that.

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Get them out of here, Evans.

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Get off! You bastard.

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-I've got your brooch.

-Oh, thank you, Evans.

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Miss Cathcart, when you do these things

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you've taken to ordering me around a little.

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-I just think with you being...

-What, you don't want your colleagues

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seeing you bossed by a civilian woman?

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Uh, I mean, if anyone was going to order me around, it'd be...

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I mean, if Mrs Evans wasn't Mrs Evans...

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But she is. And she's very lucky, she is.

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I won't bully you any more. Promise.

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You've never had a child, have you?

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No, of course you haven't.

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-Allow me, miss.

-Thank you, Katie.

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DOORBELL

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It's all right.

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Oh, for heaven's sake. Um...

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-Who shall I make it out to?

-I'm sorry?

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-Please, Mr...

-Mallory.

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Mr Mallory, you'll excuse my brevity, but this is my home.

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-Very glad you enjoyed the book.

-I didn't.

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-Excuse me?

-I didn't much like your book.

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I found it too certain.

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Perhaps that's only fitting for someone so rude to strangers.

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I'm a history master at a boy's prep school.

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Forgive my daughter, Mr Mallory.

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She's not taking on any more work. She's quite exhausted.

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Um, let him speak, Harry. Please.

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Um, I'm afraid Harry's right. I'm really not taking on any more work.

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But you are a ghost hunter as well as an author?

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Well, you can't hunt what doesn't exist.

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Ah, well, that's just it.

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We think we have one that does.

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I need to change.

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Katie, will you show Mr Mallory to my study.

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-Yes, miss.

-I'll be fine.

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-SHE SIGHS

-You're fine?

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Mmm.

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-SHE SOBS

-We always know why you throw yourself into this.

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And we don't blame you for thinking that it will help.

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But every time now, all we can see is the pain it causes you.

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Yes.

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I know. I'm sorry I keep doing this to you.

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It's not fair.

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"May your skin be flayed from your body"

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"in the hell you so arrogantly claim does not exist."

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An elderly woman in Dorset, I seem to remember.

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Our school matron is a devotee of your book

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and has told the headmaster about the work you do.

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She assures him you're quite respected

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and your book sits alongside the Bible on many book shelves.

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Miss Cathcart, rumour is a dangerous thing.

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Conversations in this room are confidential, Mr Mallory.

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Especially if I don't take the case.

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Our school is called Rookford in Cumbria.

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Some years ago, a child was said to have been murdered there.

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Not a pupil. It was a private house then.

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Well, who? Did they catch the killer?

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There's no record. It was an important family. All hushed up.

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Still, it's perfectly possible someone died there.

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So you're here about a death that may or may not have happened

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-however many years ago?

-No.

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I'm here about another death.

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A pupil. Three weeks ago.

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His name was Walter. Walter Portman.

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The day before he died, Walter went to see the headmaster,

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quaking with fear, convinced he'd seen a ghost.

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The ghost of the murdered child.

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Well, how did he know what the murdered child looked like?

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This was taken 18 years ago.

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Mr Mallory, this is... This is an old school prank.

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As the camera sweeps across to expose the plate...

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One of the boys runs behind the row to appear at both sides.

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He was still moving when it reached him.

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I know. That was 1902.

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This was '03.

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'04.

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1905.

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And, lastly, '06.

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All the boys in the school are accounted for.

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All of them. In all the photographs.

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Including this one, taken just one month ago.

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Miss Cathcart, I can understand a child running the length of the line

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in the 15 seconds it takes for the camera to make its sweep.

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What I can't explain is how he could get there.

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The Millford woman.

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Either a batch of partially exposed photographic plates

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or the same ghost was in my mother's potting shed.

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It's half-term in two days. We'll be lucky to get any of the children back unless...

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I'm not interested in the commercial fortunes of your school.

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There have been other sightings. The boys believe...

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Boys believe in Santa Claus and the Tooth Fairy.

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I'm sure some of them even believe in God.

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You don't need me to tell you what happened

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to that generation of boys, Mr Mallory,

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and yet you don't see their ghosts stalking the halls of your school.

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Rookford is a boarding school, Miss Cathcart.

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Most of the boys are as good as orphans.

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I don't say that just because of your circumstances.

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Well, then, why say it?

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"Fear is all I remember of my childhood."

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"I have glimpses of my parents' death"

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"but nothing of our life in Kenya, nor coming to London."

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"Nothing but a feeling of perpetual black terror."

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Your tactics are despicable.

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"Fear swallows children and the adults we become."

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These boys aren't worried about bumps in the night.

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They're frightened to death.

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Please leave.

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I was sent to request your help and I've done that.

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You strike me as a woman who won't do anything she doesn't want to.

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I'm at the Wellington Hotel. Thank you for your time.

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Semper veritas.

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Latin gives a new school an air of respectability.

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Means they can add a pound to the fees.

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And I should imagine a bona fide ghost knocks it right off again.

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Latin puns. What fun.

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"Always the truth."

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Let's see, shall we?

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You can't wait.

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You're that keen that people believe in nothing?

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No, without science people don't believe in nothing.

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They believe in anything, including spirits.

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So we need them. But you don't.

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I believe in evidence. Need has nothing to do with it.

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And yet you carry someone else's cigarette case.

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Touche.

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I'm sorry.

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Mr Mallory, am I...

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TYRES SCREECH

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Go on.

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HE REVS THE ENGINE Judd.

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THE CHILDREN SHOUT

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-WHISTLE BLOWS

-Hey! Knees, boys!

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Miss Cathcart, this is Miss Hill, the school matron. Maud to you and me.

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-How do you do?

-Maud?

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She's taken this very hard.

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She's an odd fish at the best of times.

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For a start, she liked your book.

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I feel like I know you.

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I've read your book a dozen times at least.

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It's on my book shelf next to the Bible.

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I've never met an educated lady before.

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Not Cambridge and everything.

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Never mind someone famous.

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Oh, the Kaiser was famous, Miss Hill.

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I... I just wrote a book.

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Maud.

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Mr Mallory told you to call me Maud.

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Maud.

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-Hello.

-Hello.

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Did Mr McNair not say all boys inside, Thomas?

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-Tom.

-Er...

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Everyone's nerves are shot to pieces.

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I've been here 14 years. I know this place.

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And I don't hold with any ghostly nonsense.

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I just wanted you to know I'm at your service.

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Hello.

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Stop it. Go on.

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Howell, stick up for yourself And get that hair cut.

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All of you, downstairs.

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Thank you, Maud. I'll take Miss Cathcart to the headmaster

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Came with the building. It's the boys' favourite.

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John the Baptist, I think. This way.

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It's actually Judith slaying Holofernes.

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Story of a woman who stole into the enemy camp

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and seduced then beheaded their highest general.

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Hmm. Those were the days, eh, Maud?

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-KNOCK ON THE DOOR

-I'm not in, I'm out.

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At least I was out. Now I'm in.

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You must be the ghost lady. Come through.

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Reverend Purslow, this is Miss Florence Cathcart.

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An educated woman. Well, well, well. Glad you're here.

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Presume you know you've a matron to thank.

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So I believe. Glad I can be of service.

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Child dying before a parent. Dreadful thing.

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I lost three of them.

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I imagine you don't believe in the afterlife, Miss Cathcart.

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No, I don't.

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Terrible, isn't it?

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Mr Mallory will give you a tour of the school.

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I'm on my way to the dining room should you wish to see it.

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THEY DINE IN SILENCE

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Mr Mallory.

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So I'm the guide now?

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-BOY WHISPERS:

-He's coming. He's coming.

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After supper there's an hour of scrubs, that's compulsory reading to you.

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Then lights out at 8:00.

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I'll show you where Walter was found.

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I'd like to see everywhere the boys claim to have seen the ghost.

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And perhaps you'd ask Maud to join us?

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Most of the sightings were in here, including Walter's.

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In fact, he was found outside here on the terrace.

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Many of the boys are now too frightened to come in here.

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Mr Mallory.

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She doesn't like any superfluous sound.

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"Ego contemno Latin." I hate Latin.

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That you, Mallory?

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-SCHOOL BELL RINGS

-Walter was found there.

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Mr Broad found him just before breakfast.

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-And these doors were locked?

-Mmm-hmm.

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Did he have a bear or a toy animal?

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-It's in the front office, yes.

-Could you?

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You don't like him.

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I have my reasons. It would be indiscreet.

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Where are his glasses? He used to keep up the pretence.

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Used to have a limp, too. Kept him out of the trenches.

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-His mother couldn't bear to keep it.

-Thank you.

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And this was still on his bed the morning he was found?

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Yes.

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-You said there were other sightings elsewhere in the house?

-Yes. Mostly in the west dormitory.

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Maud, perhaps I could leave this to you?

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-Why aren't you at scrubs?

-My book, sir.

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Are you all right?

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HE GROANS AND WINCES

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And it's half-term tomorrow?

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Boys with parents in far-flung places stay behind.

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Apart from that, we have the place to ourselves.

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Was he bullied?

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They called him "Wheezy Walter". He was asthmatic.

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Who were his friends?

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Did he have any friends?

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Miss Cathcart, this is a good school.

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But if you're different, the wrong kind of different...

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His isn't the only mattress like this.

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-CANE WHACKS ON THE TABLE

-"Then spake King Arthur to Sir Bedivere."

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-CANE WHACKS ON THE TABLE

-"The sequel of today unsolders all"

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"The goodliest fellowship of famous knights."

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-CANE WHACKS ON THE TABLE

-"Where-of this world hold record."

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"Such a sleep they sleep, the men I loved."

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CANE WHACKS ON THE TABLE "I think that we shall..."

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"We shall never more, at..."

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"I think that we shall never more, at any future time,"

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"Delight our souls with talk of knightly deeds."

0:23:270:23:32

HE COUGHS AND WHEEZES

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BOY COUGHS UNDER THE DESK

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Dowden!

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Now.

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Matron, I presume you've brought this young lady to my classroom for a purpose

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besides subjecting her to the outrageous behaviour of Mr Dowden?

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Mr McNair. Boys,

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I know you're all upset and frightened at the moment.

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Well, Miss Cathcart is here to put your fears to bed.

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She's one of the cleverest people in England. Miss Cathcart.

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Stand.

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-Good evening.

-ALL: Good evening.

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Sit. Please sit.

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How many of you did Walter Portman talk to about this ghost?

0:24:310:24:35

Well, did any of you see this ghost boy for yourselves?

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I did, miss. I saw it.

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-Stand, boy.

-Would you like to come with me and describe...

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It was horrible. It was on the upper corridor.

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-Wouldn't you rather...

-His face was twisted. Blurred and sort of twisted.

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Like in the photographs. But he was in pain. Crying out.

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It was him. Please kill it, miss.

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ALL: Yes, please. Kill it, miss.

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Silence.

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Pocket Premo, 12 exposure pack with meniscus lens.

0:25:100:25:14

Sound recorder, part Bell-Tainter.

0:25:140:25:16

Fumigator for measuring contact traces.

0:25:160:25:19

Can Walter's dormitory sleep elsewhere in the house?

0:25:190:25:22

We could move their mattresses to the dining room.

0:25:220:25:24

Marconi magnetic field detector.

0:25:240:25:27

Third of an ounce of magnesium and potassium chlorate per tray.

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As the wire is tripped the aperture opens for a thirtieth of a second,

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and an electrical charge ignites the powder.

0:25:370:25:41

-What about these?

-Those are footprint catchers.

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Ghosts have footprints?

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No, people pretending to be ghosts do.

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They must hate you.

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Who? The spiritualists?

0:25:560:25:58

No, the ghosts.

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MAN SHOUTING: Be quiet.

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You'll be quiet or so help me!

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FOOTSTEPS ON CREAKING FLOOR BOARDS

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Victor, you did the run today.

0:26:590:27:01

-What's the matter?

-Nothing.

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BOYS WHISPER

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What's this mess?

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Will she do what they say? The lady?

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And what do they say?

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That she'll kill the ghost.

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And that one boy a night will die until she does.

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She's not here to catch ghosts.

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She's here to catch naughty boys up to mischief.

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Silence now. Eyes closed.

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It'll be dark soon.

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Parry.

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Parry.

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Nobody...

0:28:050:28:06

Likes...

0:28:060:28:07

You!

0:28:070:28:09

LAUGHTER

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BELL RINGS

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MAN SHOUTING: Be quiet.

0:28:380:28:40

You'll be quiet or so help me!

0:28:400:28:42

COUGHING

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COUGHING IN THE DISTANCE

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BREEZE WHISTLES THROUGH THE HOUSE

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WATER SPLASHES

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WATER TRICKLES

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SHE GASPS

0:30:290:30:31

HE WINCES

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HE WINCES

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MUFFLED CRIES

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TRAP BELL RINGS

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SHE GASPS

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TRAP BELL RINGS

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CREAKING

0:32:580:33:00

TRAP BELL RINGS

0:33:110:33:12

A BOY LAUGHS

0:33:260:33:27

BOY WHISPERS: Shh! Keep still.

0:33:580:34:00

Hello?

0:34:560:34:57

SHE GASPS

0:35:540:35:56

SHE SCREAMS

0:36:190:36:20

I heard bells. Are you all right?

0:36:230:36:26

SHE SIGHS HEAVILY

0:36:260:36:28

First bell!

0:36:310:36:33

First bell!

0:36:340:36:36

Next three boys, please. Quieten down.

0:36:380:36:42

Next.

0:36:450:36:46

Boys who have been seen can go to their classrooms at once.

0:36:460:36:49

They couldn't have been made with socks?

0:36:490:36:50

The prints I followed were definitely barefoot.

0:36:500:36:54

-Get back!

-Come on. Come on.

0:36:540:36:57

Why are we here, sir?

0:36:570:36:59

All right, turn around, stick your feet up.

0:36:590:37:01

Headmaster.

0:37:100:37:12

Parry.

0:37:120:37:14

-Sir.

-Parry. What would your father have thought?

0:37:140:37:18

The night Walter died, he got up to use the latrine.

0:37:180:37:21

He wasn't wearing his spectacles.

0:37:210:37:23

Mr Parry here frightened him, using this to blur his face.

0:37:230:37:26

I didn't. I didn't do it to Walter.

0:37:260:37:29

And last night he tried to do the same thing to me. Didn't you?

0:37:290:37:32

Victor.

0:37:340:37:35

They said if I did it then they'd be nice.

0:37:390:37:44

-Stop snivelling.

-Malcolm, please.

0:37:440:37:47

Who?

0:37:480:37:50

-Them.

-Scab!

0:37:510:37:52

-Quiet!

-But I didn't do it before.

0:37:520:37:54

Not to Walter. I liked Walter. We shared grots.

0:37:540:37:56

-Victor.

-I didn't scare him.

0:37:560:37:57

-No-one knows who did.

-A boy is dead.

0:37:570:37:59

-Wasn't me!

-All right, it wasn't just him.

0:37:590:38:02

There was another boy last night.

0:38:020:38:04

I saw him down in the stairwell.

0:38:040:38:06

What?

0:38:060:38:07

Dowden?

0:38:070:38:09

-There wasn't another boy.

-Ah-ah-ah. You're behind this.

0:38:090:38:11

-Honestly, sir.

-You will name this other boy now.

0:38:110:38:13

There wasn't another boy. Please!

0:38:130:38:15

You will name this boy or you'll be thrashed where you stand. Mr McNair.

0:38:150:38:18

Honestly. No, there wasn't another boy, sir.

0:38:180:38:20

Please, I tell you, sir. There wasn't another boy! HE SOBS

0:38:200:38:23

Please, sir, I promise, it was only me!

0:38:230:38:25

Wait, stop!

0:38:250:38:26

Honestly, I'm telling you the truth!

0:38:260:38:28

For God's sakes. You've done quite enough damage, you will not do this.

0:38:280:38:32

BOY SOBS

0:38:320:38:33

What did you say?

0:38:340:38:36

You use a balsam for your chest.

0:38:380:38:40

I just smelled it on you. I also found it smeared on the glass

0:38:420:38:45

of the French doors and on the handles

0:38:450:38:47

and on Walter's bear.

0:38:470:38:48

You were... You were there the night he died.

0:38:490:38:53

I protest. This is...

0:38:530:38:54

And did he protest when you found him downstairs,

0:38:540:38:58

ripped the bear from him and left him out in the dark?

0:38:580:39:00

I came here to protect children from fear and you...

0:39:010:39:05

You are hell-bent on making them live in it.

0:39:050:39:07

-You can't die of fear.

-No.

0:39:070:39:09

But you can die of an asthma attack brought on by it.

0:39:090:39:13

-He was alive when I left him.

-Malcolm.

0:39:290:39:32

He was crying.

0:39:330:39:35

Insisting he'd seen a ghost.

0:39:350:39:37

I thought...

0:39:390:39:41

I thought I'd toughen him up.

0:39:420:39:44

It's not enough to be mollycoddled, Robert.

0:39:520:39:55

These boys must be strong.

0:39:570:39:59

Stronger than us.

0:40:020:40:04

-HEADMASTER:

-Malcolm, there's not a man on earth I'd rather protect.

0:40:120:40:16

But the parents arrive shortly, and I must ask you to leave this school

0:40:160:40:21

at once.

0:40:210:40:23

SINGING INAUDIBLE

0:40:360:40:39

# Be still, my soul

0:40:550:40:59

# Though dearest friends depart... #

0:40:590:41:03

There was a chap in a trench not far from ours.

0:41:140:41:17

He used to sing this hymn most sunsets.

0:41:170:41:20

It's odd separating the past from the present.

0:41:240:41:26

The boys are transformed. You should be pleased.

0:41:320:41:35

Semper veritas.

0:41:400:41:43

-Mmm.

-Truth comes at a price.

0:41:430:41:45

Ruined a damaged man.

0:41:460:41:48

Oh, I'm not thinking about Malcolm.

0:41:480:41:52

Nor are you.

0:41:520:41:53

I saw you.

0:41:550:41:57

As soon as you proved the ghost was a fraud, something happened to you.

0:41:570:42:00

-You were suddenly...

-Please, Robert.

0:42:000:42:02

I've done what was asked of me.

0:42:050:42:08

Proved there's nothing to fear.

0:42:090:42:11

Nothing.

0:42:140:42:16

You left church early.

0:42:390:42:41

Mr Judd.

0:42:430:42:44

You going home?

0:42:440:42:46

Found your ghost?

0:42:470:42:48

Another case to write up while McNair's thrown to the dogs.

0:42:510:42:55

After all he's been through.

0:42:550:42:57

You know, I wonder whether any of us really know

0:43:000:43:02

what he went through, Mr Judd.

0:43:020:43:04

-You shouldn't talk to me like that.

-Excuse me?

0:43:040:43:07

-I'm sorry. I didn't mean to...

-You think I don't know?

0:43:130:43:17

Staying at home was wrong?

0:43:170:43:19

Come down here

0:43:200:43:23

and tell me that?

0:43:230:43:24

Let me tell you something, ghost lady.

0:43:240:43:27

It's the living you want to watch out for.

0:43:270:43:30

Not the dead.

0:43:320:43:33

There she is. Now try to forget all about it. The headmaster will.

0:43:430:43:47

Getting to go home. Cakes and puddings.

0:43:480:43:52

Lucky beggars.

0:43:520:43:54

Still, we'll have a nice time.

0:43:540:43:57

You always say that.

0:43:580:44:00

Lucky beggars. You always say that.

0:44:000:44:03

GUNFIRE

0:44:370:44:39

No!

0:44:450:44:46

SHE GASPS

0:44:530:44:54

SHE SOBS

0:44:580:45:01

There's nothing.

0:45:040:45:06

There's nothing.

0:45:120:45:14

Goodbye. See you in a week.

0:45:440:45:47

Check the out buildings before you go, Mr Baxter.

0:45:470:45:50

There are gypsies on the Tarrow farm.

0:45:500:45:52

Your ma and pa overseas, Tom?

0:46:020:46:05

They live in India.

0:46:050:46:07

Takes three weeks to travel to India. They have tigers there.

0:46:070:46:11

Goodbye, Matron.

0:46:120:46:14

Mary.

0:46:140:46:15

Have you been?

0:46:160:46:18

No.

0:46:180:46:21

No, but I've seen the lions in Africa.

0:46:210:46:23

One of them even attacked me.

0:46:240:46:27

How come you're not dead?

0:46:280:46:31

Apparently I was rescued by one of the villagers.

0:46:310:46:34

Actually, a tribal chieftain.

0:46:340:46:36

-Did he kill the lion?

-I was very young. I think so.

0:46:360:46:40

The villagers took me in and looked after me until help came

0:46:410:46:45

They called me their "Mowa-Zee".

0:46:450:46:48

White doll.

0:46:490:46:50

I wonder what they'd think of me today, seeing me in such a silly state.

0:46:540:46:57

-Tom, can you leave us now?

-Were your mother and father with you?

0:46:570:47:00

-Were they killed?

-Afraid they were.

0:47:010:47:04

Tom, Miss Cathcart and I want a grown-up conversation.

0:47:040:47:07

-I like grown-up conversations.

-Now.

0:47:070:47:10

Goodbye, Mowa-Zee.

0:47:120:47:15

Maud, it was an accident. I lost my cigarette case.

0:47:220:47:27

How could someone like you want to do such a thing?

0:47:270:47:29

I don't want to talk about it.

0:47:290:47:30

Don't go. Miss, something has happened to you.

0:47:300:47:33

You can't leave this house now.

0:47:330:47:34

Please stop calling me miss. It's Florence.

0:47:340:47:37

And I can't stay here.

0:47:380:47:40

I'm sorry.

0:47:410:47:43

Thank you.

0:47:590:48:00

I'll be gone in an hour.

0:48:030:48:05

I fell.

0:48:130:48:14

I fell.

0:48:160:48:18

SHE SIGHS

0:48:480:48:50

CREAKING

0:50:050:50:07

I know you're there, Robert.

0:50:390:50:41

Please don't go away.

0:50:440:50:46

Don't go.

0:50:590:51:01

SHE SCREAMS

0:51:100:51:12

-HEADMASTER:

-'You must be the ghost lady.

0:52:020:52:03

'Come through.'

0:52:050:52:07

'Good evening.'

0:52:130:52:14

ALL: 'Good evening.'

0:52:140:52:16

SHE SCREAMS, DOOR CREAKS

0:52:440:52:46

MAN: Be quiet.

0:53:140:53:16

You'll be quiet or so help me!

0:53:160:53:18

GLASS SMASHES

0:53:180:53:20

Mr Mallory, I need your help.

0:53:280:53:30

You're not going?

0:53:300:53:31

Some of the equipment needs resetting.

0:53:310:53:33

-Can I...

-I don't understand.

0:53:330:53:34

You have your culprit. You're doing more?

0:53:340:53:37

-Oh, would you...

-No, thank you.

0:53:370:53:39

Don't you like sherry?

0:53:390:53:41

I need to keep my wits about me.

0:53:410:53:43

I don't think I shall ever drink alcohol.

0:53:440:53:46

-It makes you cross and sick.

-Mr Judd,

0:53:460:53:49

you're welcome to join us.

0:53:490:53:51

Things to do, Matron.

0:53:510:53:54

Mallory.

0:53:540:53:55

Mr Mallory.

0:53:570:53:59

-Florence, what are you doing?

-I was brought here

0:54:010:54:03

to explain a phenomenon in this house,

0:54:030:54:04

and whatever everyone else may believe, I have yet to do that.

0:54:040:54:07

A collective delusion has been experienced here,

0:54:070:54:11

a child moving through the house as if there were no walls or floors.

0:54:110:54:14

You said that a child was murdered here.

0:54:150:54:18

What if that was also caused by...

0:54:180:54:19

You're doing this because of a feeling?

0:54:190:54:21

-This morning, you were...

-This is not a feeling!

0:54:210:54:24

This is a thesis. It's science.

0:54:240:54:27

-Tell me about the original murder.

-One can't even be sure there was one.

0:54:270:54:31

-Something is causing this.

-Two hours ago, you...

0:54:310:54:34

-Florence, why are you doing this?

-Florence.

0:54:360:54:38

-What is it?

-A differential thermometer.

0:54:430:54:45

It means this side of the corridor has suddenly become

0:54:450:54:49

much colder than that side.

0:54:490:54:51

You said this was a private house.

0:54:510:54:54

Housemaids often had hidden cupboards

0:54:560:54:59

for mops and brooms and so forth.

0:54:590:55:03

May even be stairs to the upper levels.

0:55:080:55:12

TOY RABBIT PLAYS A NURSERY RHYME

0:55:440:55:47

I know this.

0:55:530:55:56

It's an old nursery rhyme.

0:55:560:55:57

RABBIT CONTINUES PLAYING

0:55:570:56:00

Ladybird, ladybird,

0:56:000:56:03

fly away home.

0:56:030:56:05

Your house is on fire.

0:56:070:56:09

Your children are gone.

0:56:110:56:13

All except one.

0:56:170:56:19

We need to work. Lock the house.

0:56:230:56:25

-Florence, you don't need...

-Robert, LOCK the house.

0:56:250:56:27

This is nothing, it's a silly nursery rhyme.

0:56:310:56:34

I'm frightened.

0:56:340:56:35

-Tom.

-Tom.

-He wants to get me.

0:56:350:56:39

Tom, nothing is going to happen to you. Nothing.

0:56:400:56:43

I promise you that.

0:56:430:56:45

Now I must work. I'll be upstairs if you need me.

0:56:460:56:49

HE BOLTS THE DOOR

0:56:560:56:57

Can I sit with you? I won't talk.

0:57:290:57:31

Of course.

0:57:310:57:33

I get in trouble for talking.

0:57:410:57:43

But I don't talk much.

0:57:460:57:48

Did you have any friends at school?

0:57:500:57:51

You can talk to me.

0:57:530:57:55

I have make-believe friends. Sometimes.

0:57:580:58:01

There's nothing wrong with that. Many children do. I know I did.

0:58:010:58:05

What was his name?

0:58:060:58:07

I'm not sure he had a name.

0:58:110:58:12

-Do yours have names?

-You're still lonely.

0:58:140:58:17

Aren't you?

0:58:170:58:18

I can tell.

0:58:220:58:24

With the boys at school, too,

0:58:240:58:26

I can tell.

0:58:260:58:27

You had a real friend once.

0:58:300:58:33

And you don't any more.

0:58:330:58:34

Did you love him or something?

0:58:360:58:38

Yes, I loved him.

0:58:420:58:44

He was a very kind man, a very good man.

0:58:460:58:48

But I was...

0:58:550:58:57

I did something very silly and very cruel.

0:58:580:59:01

I think I was frightened of losing him, I loved him so much.

0:59:040:59:07

He was in the war.

0:59:100:59:12

What did you do?

0:59:130:59:14

I wrote to him and told him

0:59:150:59:17

I couldn't marry him and I didn't love him any more.

0:59:170:59:19

What did he say?

0:59:210:59:22

He died.

0:59:260:59:27

Not long after he got the letter.

0:59:290:59:31

But you did love him.

0:59:310:59:32

That's why you want him back.

0:59:340:59:35

MAUD CLEARS HER THROAT

0:59:370:59:39

Thank you. Mowa-Zee.

0:59:490:59:51

I don't think there's a place on earth

1:00:001:00:02

people understand loneliness better than here.

1:00:021:00:05

You're torturing yourself. Is that what you're doing here?

1:00:221:00:26

Proving again and again that he's really gone?

1:00:261:00:28

-Twisting the blade in deeper?

-You tell me.

-Why? Is it guilt?

1:00:281:00:31

Preaching to me while you rip your leg to shreds

1:00:311:00:33

as if that'll make you feel better for having survived!

1:00:331:00:36

You don't know what you're talking about.

1:00:421:00:44

Robert.

1:00:501:00:51

I'm frightened. And I can't live with that.

1:00:521:00:55

And yes, you're right, what I do comes at a price.

1:00:551:00:58

I hate myself more and more, but I can't live with fear.

1:00:581:01:02

I'd sooner be dead myself.

1:01:031:01:05

Red four goes on the black five.

1:02:151:02:18

Every card has its place.

1:02:181:02:21

When they're back where they should be, you win the game.

1:02:211:02:24

And that goes there.

1:02:251:02:26

That one there.

1:02:281:02:30

Black eight can go on red nine.

1:02:311:02:34

It takes time.

1:02:361:02:37

That's why they call it "patience".

1:02:381:02:40

She's downstairs.

1:02:481:02:49

VANES CREAK

1:02:551:02:57

-Mowa-Zee.

-Tom. Tom!

1:04:021:04:05

Tom!

1:04:051:04:06

I know it's you, Tom.

1:04:121:04:15

I won't chase you.

1:04:151:04:17

Keep playing.

1:04:171:04:18

RHYTHMIC THUDDING

1:04:191:04:24

A BOY GIGGLES

1:04:361:04:38

Florence!

1:04:581:04:59

Why are you doing this? You!

1:05:071:05:09

I heard you giggle.

1:05:091:05:11

-I heard him giggle.

-Florence!

1:05:111:05:13

You took me to a man. Who was he? Who was he?

1:05:131:05:16

There was a... There was a man! There was... There was a man!

1:05:161:05:18

Stop this!

1:05:181:05:20

It's... It's all of you!

1:05:201:05:22

You're all doing this!

1:05:221:05:24

You, you...

1:05:241:05:25

You cruel and horrid little boy.

1:05:251:05:28

Florence!

1:05:291:05:30

I hate you.

1:05:311:05:33

Thomas Hill, you will come back here at once and apologise!

1:05:351:05:38

Stop bossing me around. I haven't done anything wrong.

1:05:381:05:42

I don't recognise you.

1:05:451:05:47

I thought you were a kind, loving girl but there's...

1:05:471:05:50

There's nothing left.

1:05:511:05:53

You're a shell.

1:05:581:06:00

She's very troubled.

1:06:151:06:16

You have to understand that.

1:06:221:06:24

She likes you very, very much.

1:06:291:06:31

She doesn't care about me.

1:06:391:06:41

I may as well be dead like Walter.

1:06:431:06:45

I hate her.

1:06:471:06:48

KNOCKING

1:07:091:07:11

Robert, I need your help.

1:07:141:07:17

He had a shotgun, and he WAS there,

1:07:201:07:24

and one of these will prove it.

1:07:241:07:26

I can leave an amber light on, but are you...

1:07:301:07:35

I'll be fine.

1:07:361:07:38

If you could just lift them.

1:07:501:07:52

That's good.

1:07:551:07:56

The dark used to bother me.

1:07:581:08:00

Later, of course, it came to mean safety, no sniper fire, or...

1:08:011:08:05

-Thank you.

-...shells, but

1:08:051:08:07

as a lad I'd huddle into my bed...

1:08:091:08:11

..wanting to see what was there but too frightened to open my eyes.

1:08:131:08:17

Thank you.

1:08:191:08:21

It's never darker than when we close our eyes and yet we keep them shut.

1:08:221:08:25

Why is that?

1:08:291:08:30

Thank you.

1:08:331:08:34

The motion's not blurred, so even if he's moving

1:08:441:08:48

one of these will have him clearly.

1:08:481:08:51

Why do you keep your eyes closed, Florence?

1:08:511:08:53

Where is he?

1:08:581:09:00

Oh, God!

1:09:041:09:06

-No!

-HER VOICE SHAKES

1:09:141:09:15

THEY MOAN AND GASP

1:10:401:10:42

You're real.

1:11:011:11:03

Why are these things here? What do they want with me?

1:11:131:11:18

Maybe they aren't here for you.

1:11:281:11:30

BELL RINGS

1:11:331:11:36

Tom, stay here. Do not leave this room.

1:11:421:11:45

BELL RINGS

1:11:551:11:56

PING PONG ECHOES

1:12:111:12:13

No! No! No!

1:12:421:12:45

Open the door!

1:13:341:13:35

Have you left this room? Something's happened to Florence.

1:13:551:13:59

-Promise me you'll stay here.

-All right.

1:14:001:14:01

Tom!

1:14:011:14:03

I promise.

1:14:031:14:04

Maud! Florence!

1:14:081:14:09

I saw you.

1:14:161:14:17

I saw you with him.

1:14:191:14:21

The war hero.

1:14:211:14:23

I don't know what you...

1:14:231:14:24

I've seen plenty through these windows making my rounds,

1:14:241:14:27

but never that.

1:14:271:14:29

Women. Just lap up the sob stories, don't you?

1:14:311:14:35

They were sent, you know. They didn't sign up.

1:14:351:14:37

Suddenly they're heroes.

1:14:371:14:39

How dare you!

1:14:441:14:46

You did nothing, and you think you can mock men like him?

1:14:471:14:51

You take care of what you're saying.

1:14:511:14:53

You did... You did nothing when men gave every...

1:14:541:14:57

SCREAMING

1:15:271:15:28

No!

1:15:301:15:32

SHE GASPS AND SCREAMS

1:15:331:15:35

SHE GASPS AND CHOKES

1:15:471:15:49

Robert! Robert!

1:16:541:16:57

Whatever happened? What's happened, Florence?

1:16:571:16:59

-Florence, what is it? My darling girl!

-Florence!

1:16:591:17:01

Judd attacked me.

1:17:031:17:04

He tried to... He tried to... I think I killed him.

1:17:061:17:10

-I think I killed him.

-Maud, get a blanket.

1:17:101:17:12

And run a bath. Now, please.

1:17:121:17:14

Where? Where's Judd?

1:17:141:17:15

By the trees at the end of the driveway.

1:17:151:17:18

No, go inside. Get to Maud and stay there. You hear?

1:17:181:17:22

Robert. Robert, don't tell Tom.

1:17:271:17:31

Tom?

1:17:311:17:32

Little Tom. He's frightened enough. He's the only child here.

1:17:321:17:35

Florence, there are no children here. It's just us three!

1:17:351:17:38

What?

1:17:391:17:41

PING PONG ECHOES

1:18:021:18:04

Mowa-Zee?

1:18:141:18:15

Mowa-Zee?

1:18:171:18:19

Mowa-Zee.

1:18:241:18:26

Mowa-Zee.

1:18:431:18:45

I didn't mean to scare Walter that night.

1:19:161:19:19

I know.

1:19:221:19:24

I believe you.

1:19:271:19:29

You can control that?

1:19:561:19:59

Sometimes I can.

1:19:591:20:01

But I don't know why he could see me.

1:20:021:20:04

No one sees me.

1:20:061:20:07

I can't make them.

1:20:081:20:10

We see what we need to.

1:20:111:20:13

He needed a friend.

1:20:151:20:16

So did I.

1:20:181:20:20

But you were frightened. When you heard the music from

1:20:201:20:22

that rabbit doll, you said someone was going to get you.

1:20:221:20:25

-Who were you frightened of?

-I can't tell you.

-Please. Tell me, please.

1:20:251:20:30

You have to see for yourself.

1:20:301:20:32

It's the only way we can be together.

1:20:321:20:35

Again.

1:20:361:20:38

What?

1:20:401:20:42

Promise you won't go away again.

1:20:421:20:43

Mousie.

1:20:441:20:46

Mow-zee?

1:20:461:20:48

Look at the doll's house. Look at it.

1:20:491:20:52

-No.

-You started to remember, I know you did.

-No.

1:20:541:20:57

-Look at it. You'll remember the rest! Look at it.

-I don't want to look.

1:20:571:21:00

You started to remember, I know you did! Look at the house.

1:21:001:21:03

-I don't want to look!

-Look at the house.

-Get away from me!

1:21:031:21:06

Mousie.

1:21:171:21:19

You started to remember! You started!

1:21:191:21:21

You started to remember! I know you did!

1:21:241:21:27

-MAN:

-But you go on and on!

1:21:271:21:30

I don't even want to look at you! I can't live like this!

1:21:301:21:34

Look at it. You'll remember the rest.

1:21:341:21:36

You don't know! You scheme and you laugh at me and plot!

1:21:401:21:44

No one is plotting. It's just that we can't care any more.

1:21:441:21:48

You make it impossible to care. You don't speak for days.

1:21:481:21:51

You don't speak to me. You won't even look at her.

1:21:511:21:53

Be quiet. You will be quiet, or so help me!

1:21:551:21:58

Your own child? You despise her.

1:22:011:22:03

-You're a monster!

-She's not a boy!

1:22:031:22:06

She's bright, and she's sweet, and she's...

1:22:061:22:09

-Give me a son! Stay here!

-You have one!

1:22:091:22:12

How do you think that makes me feel? Watching your bastard boy

1:22:171:22:19

-running around with... Your bastard boy running around with Florence!

-Leave Tom out of this!

1:22:191:22:24

..making us pay because you...

1:22:281:22:31

Mummy! Mummy!

1:22:311:22:32

Stay back, Florence. You can't help Mummy now.

1:22:361:22:40

Move out of the way!

1:22:411:22:43

You can't help Mummy now. Move out of the way!

1:22:471:22:50

You can't help Mummy now. Move out of the way!

1:22:571:23:00

I need you to move out of the way.

1:23:091:23:11

Please, Daddy.

1:23:121:23:14

Mousie, Mousie, run! Run!

1:23:141:23:17

Think I don't know your little hiding places?

1:23:281:23:30

Know where my little mouse hides herself for hours on end?

1:23:331:23:36

GUNSHOT, SHE SCREAMS

1:23:401:23:42

Little Mousie!

1:24:001:24:01

Little Mousie!

1:24:121:24:14

I really am sorry, Little Mousie.

1:24:211:24:23

I will find you, darling.

1:24:331:24:35

You have to go with Mummy now.

1:24:411:24:43

TOY RABBIT PLAYS THE NURSERY RHYME

1:24:481:24:52

GUNSHOT

1:24:541:24:56

Mousie.

1:25:261:25:28

Mousie!

1:25:301:25:31

Little Mousie!

1:25:341:25:35

GUNSHOT

1:25:401:25:41

-MAUD:

-You never said school.

1:26:171:26:19

From the moment you arrived, you called this place a house.

1:26:241:26:27

You, nanny.

1:26:291:26:31

Tom's mother.

1:26:331:26:34

I thought bringing you here would be enough.

1:26:341:26:37

But you didn't remember me, let alone the terrible things.

1:26:371:26:40

I knew your little mind had blacked it all out.

1:26:401:26:43

But one thing kept me certain.

1:26:431:26:45

You saw him.

1:26:461:26:48

You saw my...

1:26:491:26:51

My...

1:26:521:26:53

..darling...

1:26:541:26:56

..murdered child.

1:26:571:26:58

Who's lived here all these years with friends he could never have.

1:27:001:27:04

I was his friend.

1:27:071:27:08

We shared everything.

1:27:091:27:12

A father,

1:27:131:27:15

everything.

1:27:151:27:16

But you needed to see.

1:27:161:27:19

That's why I sent Tom to frighten you those times.

1:27:191:27:22

To make you stay.

1:27:251:27:26

Because I know what's best for you.

1:27:261:27:29

I always did.

1:27:291:27:30

Because I raised you.

1:27:321:27:33

I wet-nursed you.

1:27:351:27:37

I watched you

1:27:371:27:40

taken away...

1:27:401:27:41

..adopted.

1:27:421:27:44

You were ripped from me like my boy had been.

1:27:451:27:49

I never asked anything of the world.

1:27:531:27:55

And it's a perfect hell on earth...

1:27:571:27:59

..to give a woman children to love

1:28:021:28:06

and to rob her of them.

1:28:061:28:08

Little Tom.

1:28:251:28:27

Little Tom.

1:28:281:28:30

I'd forgotten everything.

1:28:571:28:59

Well, perhaps not everything.

1:29:011:29:04

"Eaten by lions."

1:29:061:29:07

Well, all memories are a hoax of some sort.

1:29:101:29:13

You can't blame anyone for letting you believe that one.

1:29:131:29:17

Mmm.

1:29:171:29:18

You needn't worry.

1:29:231:29:24

No one will find Judd's body.

1:29:271:29:28

I've buried better men than him.

1:29:311:29:34

You see your own ghosts, too?

1:29:371:29:40

Are they with us now?

1:29:481:29:51

Your friends.

1:30:011:30:02

They look like my friends.

1:30:061:30:09

They don't have the right.

1:30:091:30:11

No amount of guilt deserves the pain you inflict on yourself.

1:30:111:30:14

-They died. I lived.

-No, you didn't.

1:30:141:30:18

A life haunted...

1:30:181:30:20

..isn't a life at all.

1:30:211:30:23

We may as well...

1:30:251:30:26

..be ghosts ourselves.

1:30:281:30:30

Light a fire, get some glasses.

1:30:361:30:38

Someone once told me it makes one cross and sick.

1:30:571:31:00

Tom, what... What is it? What's wrong?

1:31:171:31:20

Mother said it would be all right.

1:31:201:31:22

She said that you would want us to.

1:31:241:31:26

The loneliest boys are starting to see Tom now,

1:31:261:31:30

but will he listen to me? Will he hide? He needs you.

1:31:301:31:33

Maud, I'm going home.

1:31:361:31:37

Imagine what a fright you gave me going in the lake like that

1:31:371:31:40

before you saw the truth.

1:31:401:31:42

But it's all right now.

1:31:431:31:45

Because he can have you forever.

1:31:471:31:49

Everything in its place.

1:31:491:31:51

Maud...

1:31:531:31:54

..knows best.

1:31:561:31:57

Robert!

1:32:001:32:02

Florence?

1:32:021:32:04

-Florence?

-Mr Mallory!

1:32:051:32:08

Florence and I will be leaving now.

1:32:081:32:12

Tom needs his family with him.

1:32:121:32:15

Florence? Florence?

1:32:151:32:18

Robert, the medicine cabinet in Maud's room. Quickly.

1:32:181:32:21

Something to make me sick. Something to make me sick.

1:32:211:32:24

Oh, God! No! No!

1:32:241:32:27

Tom?

1:32:311:32:32

Tom?

1:32:341:32:36

Don't be angry, I just miss you.

1:32:391:32:44

All the time.

1:32:441:32:46

My whole life I've never been happy, not one second since you left me.

1:32:481:32:52

But I can't... I can't... I can't come.

1:32:521:32:57

You know that, don't you?

1:32:571:32:58

You're the only friend I've ever had.

1:33:011:33:03

But if I go with you now, my soul will never be happy, and I...

1:33:051:33:09

I can be, thanks to you.

1:33:101:33:12

But you won't need me.

1:33:131:33:15

No one will need me.

1:33:151:33:17

Tom, you must be brave.

1:33:181:33:21

Can you move through the house like there are no walls?

1:33:211:33:25

No walls and no floors.

1:33:251:33:27

Help her, help her, help her!

1:33:271:33:29

Then fly, little Tom.

1:33:291:33:31

Fly.

1:33:331:33:34

Are you dead?

1:33:541:33:55

Are you dying?

1:33:571:33:59

I don't know.

1:33:591:34:00

I need to sleep.

1:34:011:34:03

I need to close my eyes.

1:34:051:34:07

I'll stay with you.

1:34:081:34:10

I promise.

1:34:111:34:12

Even if you can't see me.

1:34:131:34:15

I can...

1:34:181:34:20

I can feel you now.

1:34:201:34:22

I'll tell the boys it was an accident, of course.

1:35:181:35:21

They'll be devastated. They adored her.

1:35:211:35:23

We all did. Uh-uh-uh.

1:35:231:35:25

I can only think the Walter incident hit her harder than we thought.

1:35:261:35:29

Mind you, the Cathcart girl didn't help.

1:35:301:35:33

I suspect she wasn't altogether well herself.

1:35:331:35:35

You know, I read a study last term.

1:35:361:35:38

Ladies' minds often can't cope with further education.

1:35:381:35:41

I know you're there.

1:35:561:35:58

That's more than your headmaster does.

1:35:581:36:01

I used to play here.

1:36:081:36:10

Hide and seek.

1:36:101:36:11

She would...

1:36:111:36:14

Maud would sit over there.

1:36:141:36:16

I'm thinking of writing another book.

1:36:251:36:28

The Interpretation of Ghosts.

1:36:291:36:31

Oh, God help us.

1:36:321:36:34

Victor, do your laces.

1:36:361:36:38

-Hello.

-Hello, again.

1:36:421:36:44

Actually, Robert, can you tell the driver to wait for me

1:36:471:36:50

at the end of drive? I like the walk.

1:36:501:36:53

I always have.

1:36:531:36:54

Till Saturday week.

1:36:551:36:57

Not seeing them...

1:37:061:37:08

It's not the same as forgetting.

1:37:101:37:12

It isn't.

1:37:161:37:17

-Hello.

-Hello.

1:37:301:37:32

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