
Browse content similar to The Las Vegas Story. Check below for episodes and series from the same categories and more!
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'This is Clark County, Nevada. | 0:01:22 | 0:01:24 | |
'Folks who live here think it's bigger than Texas, but it ain't. | 0:01:24 | 0:01:29 | |
'Excepting for folks round here, nobody knows Clark County, Nevada. | 0:01:29 | 0:01:34 | |
'but you say Las Vegas anywhere and folks pick up their ears. | 0:01:34 | 0:01:39 | |
'The lucky ones can remember picking up some money, | 0:01:39 | 0:01:43 | |
'or dropping some, along with last year's wife. | 0:01:43 | 0:01:46 | |
'But you can't say Las Vegas without including Clark County. | 0:01:46 | 0:01:50 | |
'They go together like whisky and soda, | 0:01:50 | 0:01:54 | |
'win and lose, Linda and Dave, | 0:01:54 | 0:01:57 | |
'but I'm getting ahead of myself. | 0:01:57 | 0:02:00 | |
'My name's Happy. | 0:02:00 | 0:02:03 | |
'This is me here at the piano in the Last Chance. | 0:02:03 | 0:02:07 | |
'I've been working here for years. | 0:02:07 | 0:02:11 | |
'It's not the best place in Vegas, but it's a long way from the worst. | 0:02:11 | 0:02:15 | |
'Oh, yes, this Linda I mentioned. | 0:02:15 | 0:02:18 | |
'She used to sing here, too. Stood right alongside me. | 0:02:18 | 0:02:22 | |
'And Dave? Well, he was a sergeant out at the air base. | 0:02:22 | 0:02:26 | |
'He'd come down here every chance he got. | 0:02:26 | 0:02:30 | |
'He always sat there, listening to her sing. | 0:02:30 | 0:02:33 | |
'What they did when she wasn't singing, I never asked. | 0:02:33 | 0:02:37 | |
'My business is just sitting here pounding on the old 88. | 0:02:37 | 0:02:41 | |
'But this is a sudden town and something sudden must've happened to them. | 0:02:41 | 0:02:46 | |
'I never did get it straight. | 0:02:46 | 0:02:49 | |
'But I think of them when I play a certain song.' | 0:02:49 | 0:02:53 | |
HE PLAYS "I Get Along Without You" | 0:02:53 | 0:02:55 | |
-What are you doing? Counting telegraph poles? -Cactus. | 0:03:22 | 0:03:26 | |
-The porter woke me with your wire. -He found me. | 0:03:26 | 0:03:29 | |
They don't need me in LA till next week. | 0:03:29 | 0:03:32 | |
Fine. Let's go to Palm Springs. | 0:03:32 | 0:03:35 | |
Let's celebrate. We'll be in Las Vegas soon. | 0:03:37 | 0:03:40 | |
So, we'll drink a toast and toss the bottle out. | 0:03:40 | 0:03:44 | |
No, we'll get off and toss the bottle back on with a note: | 0:03:44 | 0:03:48 | |
"Mr and Mrs Rollins have divorced LA for a holiday in Las Vegas." | 0:03:48 | 0:03:54 | |
-Short and to the point. -I could make it shorter. | 0:03:54 | 0:03:57 | |
I've always been curious, what have you got against Vegas? | 0:03:57 | 0:04:01 | |
-I just don't like the place. -Not good enough. | 0:04:03 | 0:04:06 | |
I'd say you're afraid of going back and running into yourself. | 0:04:06 | 0:04:12 | |
Maybe. | 0:04:12 | 0:04:14 | |
I may meet a total stranger. | 0:04:14 | 0:04:16 | |
Linda, I know you pretty well, but one part is missing. I think it's Vegas. | 0:04:16 | 0:04:22 | |
You like running risks, don't you? | 0:04:26 | 0:04:29 | |
With a woman like you, a man always runs a risk. | 0:04:29 | 0:04:32 | |
Thank you, sir. | 0:05:01 | 0:05:03 | |
WHISTLE BLOWS | 0:05:08 | 0:05:10 | |
But we're moving out! Send my luggage back here. | 0:05:12 | 0:05:15 | |
-Cab, sir? -Yes, please. | 0:05:23 | 0:05:25 | |
-Which hotel? -The Fabulous. -Excellent choice. Excuse me, | 0:05:25 | 0:05:29 | |
-didn't you used to sing in Vegas? -I used to sing all over. | 0:05:29 | 0:05:33 | |
I never forget a face. | 0:05:33 | 0:05:35 | |
That man obviously has no eye for figures! | 0:05:35 | 0:05:38 | |
We have more luggage at the station, would you see to it? | 0:06:10 | 0:06:14 | |
-Yes. Is the penthouse OK? -We'll cope(!) Who do I see to establish credit? | 0:06:14 | 0:06:19 | |
-Mr Martin. -Mr Martin, I'm Lloyd Rollins. | 0:06:19 | 0:06:22 | |
We're here for a short stay and would like to establish credit. | 0:06:22 | 0:06:26 | |
-Of course. Any specific amount? -Up to 100,000. | 0:06:26 | 0:06:29 | |
-That's specific enough. -You can check on me at Chase National. | 0:06:29 | 0:06:34 | |
Rollins Bond and Mortgage, New York. | 0:06:34 | 0:06:36 | |
-Will in the morning be OK? -We'll squeeze by till then. | 0:06:36 | 0:06:40 | |
-The casino's open all night? -We never close. -Excellent. | 0:06:40 | 0:06:44 | |
-Let's go and freshen up, shall we? -Would you put these away? | 0:06:44 | 0:06:48 | |
No, darling. Your pretty things should be seen, not imprisoned! | 0:06:48 | 0:06:53 | |
Single, sir? Anything with a bed in it! A wide one! | 0:06:57 | 0:07:00 | |
Here you go. Thanks. | 0:07:01 | 0:07:03 | |
Don't fall in love with the view, Linda. Let's get rolling. | 0:07:08 | 0:07:12 | |
Wear your necklace. I want to burst in like a million dollars! | 0:07:12 | 0:07:16 | |
-I thought 100,000 was your limit? -No ceiling on you, darling. | 0:07:16 | 0:07:21 | |
Shouldn't you limit your gambling? 100,000 is a high rub. | 0:07:21 | 0:07:25 | |
-It's OK, I'll win. -Don't confuse me with Lady Luck. | 0:07:25 | 0:07:28 | |
-I've been here before, you know. -Well, I'm not worried. | 0:07:28 | 0:07:32 | |
-I still have my rabbit's foot. -Be sure you wash it behind the ears! | 0:07:37 | 0:07:42 | |
SLOT MACHINES CLINK | 0:08:05 | 0:08:07 | |
Ah, music to my ears! | 0:08:07 | 0:08:10 | |
That's what everyone says until they get 'em chopped off! | 0:08:10 | 0:08:14 | |
Mr and Mrs Rollins, this is Mr Drucker, our MD. | 0:08:17 | 0:08:20 | |
Mrs Rollins has told me there's no such thing as luck. | 0:08:20 | 0:08:24 | |
-It's the one thing we can't furnish. -My husband thinks he's loaded. | 0:08:24 | 0:08:28 | |
-All I can say is, don't bet against me! -I never gamble. | 0:08:28 | 0:08:32 | |
That's nine. Six is the winning number. | 0:08:32 | 0:08:36 | |
Six. | 0:08:36 | 0:08:37 | |
Isn't this better than the Pullman? What'd you get there? | 0:08:37 | 0:08:41 | |
-Eight hours sleep! -Spit? -No thanks. | 0:08:41 | 0:08:45 | |
Come on six! Lose, seven. Seven away. | 0:08:45 | 0:08:49 | |
New shooter coming up. | 0:08:49 | 0:08:52 | |
Got a lucky pair? | 0:08:52 | 0:08:54 | |
-Coming up, win or lose. Place the bet. -Come on seven! | 0:08:57 | 0:09:01 | |
Winner, seven. Pay on line. Line win. | 0:09:01 | 0:09:05 | |
Thank you. | 0:09:05 | 0:09:07 | |
CRAP GAME CONTINUES > | 0:09:07 | 0:09:09 | |
-Come on! -Eight is the winning number. -Eight! | 0:09:15 | 0:09:18 | |
Eight. | 0:09:18 | 0:09:19 | |
-Car three. -'Go ahead.' -I'm at The Fabulous. | 0:09:33 | 0:09:36 | |
I saw the sheriff's car on Fremount. Send someone to tell him he's in a red zone! | 0:09:36 | 0:09:42 | |
-What do you know, Maddy? -Somebody blew into town. | 0:09:42 | 0:09:46 | |
-This is a windy town. -This doll used to sing at The Last Chance. | 0:09:46 | 0:09:51 | |
-What about her? -The penthouse suite. If a man answers, hang up. | 0:09:54 | 0:09:58 | |
You talk too much! | 0:09:58 | 0:10:01 | |
-Lieutenant, if you want the cigarette girl, I fired her. -Good, she was bad for my throat. | 0:10:23 | 0:10:29 | |
-What else is up? -Usual thing, bobby-soxers in the belfry. | 0:10:29 | 0:10:34 | |
That wedding chapel tempts people to get married! | 0:10:34 | 0:10:38 | |
-Take care of it, will you? -OK. Wonder who bought that necklace. | 0:10:38 | 0:10:42 | |
High roller next to her. He's her husband. | 0:10:42 | 0:10:45 | |
If you like the view, take care of the kids and come back on your own time. | 0:10:45 | 0:10:50 | |
Not me. I like my job. Chasing round in paddy wagons, picking up young squirts who want to marry(!) | 0:10:50 | 0:10:57 | |
I'm Lt Andrews from the Sheriff's Dept. | 0:11:19 | 0:11:23 | |
I hear you want to get married. Have you got your licence? | 0:11:23 | 0:11:27 | |
Are you really 18, Mary? | 0:11:34 | 0:11:36 | |
Bill, are you 21? | 0:11:37 | 0:11:39 | |
-Bill's being drafted in six weeks! -Do your folks know about this? | 0:11:39 | 0:11:44 | |
This is between me and Mary. We didn't ask you! | 0:11:44 | 0:11:48 | |
-Or your folks? -They wouldn't understand. -Why? | 0:11:48 | 0:11:51 | |
-Because... Well, because... -Because you're not 21 and Mary's not 18, isn't that it? | 0:11:51 | 0:11:57 | |
-If Bill's old for the draft, he's old enough to marry! -Waiting's no good. | 0:11:57 | 0:12:02 | |
It'll be years till he gets back! | 0:12:02 | 0:12:05 | |
-Anything can happen. Another man! -No, Bill. | 0:12:05 | 0:12:08 | |
There are 5,000 marrying places in Nevada, why did you pick this one?! | 0:12:08 | 0:12:14 | |
I'd like to give you a break, but the law says no. | 0:12:14 | 0:12:18 | |
-Let's go. -Where to? -Detention room. I'll get you a bite, then we'll call your folks. | 0:12:18 | 0:12:24 | |
When did you first notice this about your husband? | 0:12:39 | 0:12:43 | |
Notice it? He showed it to me! > | 0:12:43 | 0:12:46 | |
I guess he must've been like that before we were married. | 0:12:46 | 0:12:50 | |
When the psychiatrist moved in... Hey, you're not listening! I heard every word! | 0:12:50 | 0:12:56 | |
I've interrupted a conversation between you and the desert. | 0:13:17 | 0:13:22 | |
Is the past sneaking up on you? | 0:13:22 | 0:13:25 | |
Lloyd, why don't you roll your dice and let me roll my own? | 0:13:25 | 0:13:29 | |
I don't think you have the courage to roll your own dice. | 0:13:29 | 0:13:33 | |
I don't think I know what you mean. | 0:13:33 | 0:13:36 | |
Take a ride, find the old trunk with the memories in it and open it. | 0:13:38 | 0:13:43 | |
-What do you think I'll find? -Who knows? Dancing shoes, a broken piano key, a moth? | 0:13:44 | 0:13:51 | |
-If it's just a moth, buy it a drink. -Is that the way you want it, Lloyd? | 0:13:51 | 0:13:57 | |
Of course. Go ahead, get it out of your system. | 0:13:57 | 0:14:00 | |
All right...thank you. | 0:14:03 | 0:14:06 | |
PIANO PLAYS | 0:14:38 | 0:14:40 | |
HE PLAYS "I Get Along Without You" | 0:15:14 | 0:15:19 | |
-ECHOING VOICE -# I get along without you very well | 0:15:39 | 0:15:43 | |
# Of course I do | 0:15:44 | 0:15:47 | |
# Except when soft rains fall | 0:15:48 | 0:15:51 | |
# And drip from leaves, then I recall | 0:15:51 | 0:15:55 | |
# The thrill of being sheltered in your arms | 0:15:55 | 0:16:01 | |
# Of course I do | 0:16:01 | 0:16:04 | |
# But I get along without you very well | 0:16:06 | 0:16:12 | |
# I've forgotten you, just as I should | 0:16:13 | 0:16:19 | |
# Of course I have | 0:16:19 | 0:16:22 | |
# Except to hear your name, or someone's laugh that is the same | 0:16:23 | 0:16:30 | |
# But I've forgotten you, just as I should | 0:16:31 | 0:16:37 | |
# What a guy | 0:16:37 | 0:16:41 | |
# What a fool am I | 0:16:41 | 0:16:45 | |
# To think my breaking heart could kid the moon | 0:16:45 | 0:16:50 | |
# What's in store? | 0:16:51 | 0:16:54 | |
# Should I long once more? | 0:16:54 | 0:16:59 | |
# No, it's best that I stick to my tune | 0:16:59 | 0:17:09 | |
# I get along without you very well | 0:17:09 | 0:17:15 | |
# Of course I do | 0:17:15 | 0:17:19 | |
# Except perhaps in spring | 0:17:19 | 0:17:22 | |
# But I should never think of spring | 0:17:22 | 0:17:28 | |
# For that would surely break my heart... # | 0:17:28 | 0:17:33 | |
Linda! | 0:17:49 | 0:17:50 | |
< Hey! | 0:17:52 | 0:17:53 | |
Linda! You weren't gonna walk out on an old pal? | 0:17:53 | 0:17:57 | |
Happy, I wasn't walking out on you! How are you? | 0:17:57 | 0:18:01 | |
Good. You look fine! Good to see you. | 0:18:01 | 0:18:04 | |
Wait till Mike sees you. Mike, look who I found! | 0:18:04 | 0:18:07 | |
-Linda! Welcome home! -Hello, Mike. | 0:18:09 | 0:18:12 | |
-This calls for a drink. -On the house? -On the bar! | 0:18:12 | 0:18:16 | |
-Saw you coming, Miss Barnes. -You're a doll, Henry. | 0:18:17 | 0:18:21 | |
Here's to the girls who haven't come back. | 0:18:21 | 0:18:25 | |
-Mike? -Ulcer. Tell us how you got married. | 0:18:25 | 0:18:27 | |
Yeah, deal, deal. | 0:18:27 | 0:18:29 | |
-I was on Fifth Avenue talking to a horse when the bus hit me! -Was that bus loaded! | 0:18:29 | 0:18:35 | |
You forgot to tell your relief man you were leaving the floor. | 0:18:35 | 0:18:40 | |
Sorry. An old chum just dropped in. | 0:18:40 | 0:18:43 | |
-You'll be around a few days, Linda? -Sure, Mike. | 0:18:43 | 0:18:48 | |
She used to sing here. Mr Clayton is the owner, Linda. | 0:18:50 | 0:18:54 | |
-Linda? -Mrs Rollins. How do you do? | 0:18:54 | 0:18:57 | |
-How do YOU do? -She does fine! | 0:18:57 | 0:18:59 | |
You look like you had a fine voice. | 0:18:59 | 0:19:03 | |
-Coming from him that's no compliment. -How did Mike lose The Last Chance? | 0:19:03 | 0:19:09 | |
He borrowed from Peter to pay Pauline. Pauline was dating Clayton. They closed him out. | 0:19:09 | 0:19:15 | |
Mike having to work in the place he built! That's rough! | 0:19:15 | 0:19:19 | |
Having to work is rough! Hunger makes strange bedfellows. | 0:19:19 | 0:19:24 | |
Mrs Rollins, why don't you talk to Happy over at the piano? | 0:19:24 | 0:19:28 | |
-Can we take a hint? The man wants music. -Come on, Happy. | 0:19:28 | 0:19:32 | |
That's what I get for talking! | 0:19:32 | 0:19:34 | |
STARTS TO PLAY "I Get Along Without You" | 0:19:38 | 0:19:42 | |
When are you gonna ask me about Dave? | 0:19:45 | 0:19:47 | |
When the cow jumps over the moon. | 0:19:48 | 0:19:51 | |
Funny you should say that. You know the sign advertising the Blue Moon Restaurant? | 0:19:51 | 0:19:58 | |
Dang me if a real cow didn't jump over the Moon part of the sign! | 0:19:58 | 0:20:02 | |
All right, how is Dave? | 0:20:06 | 0:20:08 | |
He's healthy. | 0:20:08 | 0:20:09 | |
# I get along without you very well... | 0:20:14 | 0:20:18 | |
-You remember this? -# Of course I do | 0:20:20 | 0:20:25 | |
# Except perhaps in spring | 0:20:27 | 0:20:31 | |
# But you should never think of spring | 0:20:31 | 0:20:35 | |
# For that would surely break my heart in two. # | 0:20:37 | 0:20:47 | |
Hello, David. | 0:20:57 | 0:20:59 | |
Hello, Linda. | 0:20:59 | 0:21:01 | |
-Same old place, same old table. -Just like old times. | 0:21:01 | 0:21:05 | |
We can pretend. Which part of the old times is this? | 0:21:05 | 0:21:09 | |
The part where you were supposed to come back and say goodbye? | 0:21:09 | 0:21:13 | |
-That was a misunderstanding. -That explains that. | 0:21:13 | 0:21:17 | |
It's not logical, but logic never bothered you too much. | 0:21:17 | 0:21:21 | |
David, I didn't come here to beef with you. I was glad to see you. | 0:21:21 | 0:21:26 | |
I had the same reaction, but I caught myself. | 0:21:26 | 0:21:29 | |
You should have stayed in the high rent district. | 0:21:29 | 0:21:32 | |
Does the high roller know you're out alone? | 0:21:32 | 0:21:35 | |
I'm not alone. A man's with me. | 0:21:35 | 0:21:37 | |
-Who? -You. -Me? You're really mixed up. | 0:21:38 | 0:21:42 | |
That was long ago. That guy was a chump. | 0:21:42 | 0:21:46 | |
He believed his girl would be there when he came back. | 0:21:46 | 0:21:49 | |
I believed that if two people were in love, they'd kiss and make up. You have to take a chance. | 0:21:49 | 0:21:56 | |
There are only so many chances, the supply runs out! | 0:21:56 | 0:21:59 | |
-Here we go again! -No, once is enough! | 0:21:59 | 0:22:02 | |
The only thing I'm asking you is to keep out of my territory! | 0:22:02 | 0:22:06 | |
David, this is horrible. I've wondered about you so often. | 0:22:06 | 0:22:11 | |
Prayed it'd be like old times if we met again. | 0:22:11 | 0:22:14 | |
You've got all you wanted. Whatever you're in Vegas for, find it and get out. | 0:22:14 | 0:22:20 | |
I have to live in this town! | 0:22:20 | 0:22:22 | |
-Hi, Dave. -Hiya. | 0:22:33 | 0:22:35 | |
-Is the sheriff in? -He caught a fish. | 0:22:35 | 0:22:39 | |
I didn't know you were going to Lake Mead. Neither did this fish! | 0:22:39 | 0:22:43 | |
Otherwise, he'd have skedaddled! | 0:22:43 | 0:22:46 | |
Caught a prime trout. Don't know whether to mount him or eat him! | 0:22:46 | 0:22:50 | |
I don't know, but it gives me an idea. I'd like to go fishing. | 0:22:50 | 0:22:54 | |
-Shouldn't you change clothes first? -Thanks. I'll see you Thursday. | 0:22:54 | 0:22:58 | |
Hey, wait a minute! A whole week to fish? I can't spare you that long. | 0:22:58 | 0:23:06 | |
I've got to get out of town and I have the time coming to me. | 0:23:06 | 0:23:10 | |
Sorry to sound like a sheriff, but El Dorado week, I need every man. | 0:23:10 | 0:23:15 | |
OK, then pull me off the Strip. | 0:23:15 | 0:23:18 | |
Nobody knows that Strip like you do. | 0:23:18 | 0:23:20 | |
Outside of myself. | 0:23:21 | 0:23:23 | |
-This is something personal. -A woman? -Yeah. | 0:23:25 | 0:23:28 | |
-A married one? -You're right again. | 0:23:28 | 0:23:31 | |
I'm never wrong. I can read character or hit a bullseye at 50 paces. | 0:23:31 | 0:23:36 | |
Dave, I'm not even looking at you, but I can tell from here... | 0:23:41 | 0:23:46 | |
..you're not going fishing. | 0:23:48 | 0:23:50 | |
You didn't stop in at the casino on your way back. | 0:24:31 | 0:24:35 | |
-You didn't need me to carry your losses. -That sounds like a bitter woman. | 0:24:35 | 0:24:40 | |
Did the lid of that trunk fall on your pretty fingers? | 0:24:40 | 0:24:45 | |
Lloyd, let's get out of here! | 0:24:45 | 0:24:47 | |
I've a better idea. Let's sleep till noon and see how both our worlds look. | 0:24:47 | 0:24:53 | |
-Hello. -I wonder if you'd do me a favour. | 0:25:25 | 0:25:29 | |
-Name it. -Find yourself another pool. | 0:25:29 | 0:25:31 | |
-What's wrong with this one? -There's a sea monster in it! | 0:25:31 | 0:25:36 | |
-I hadn't noticed. -It's the first thing you've missed. Are you a licensed Peeping Tom? | 0:25:36 | 0:25:42 | |
If I've offended you by admiring you, I apologise. | 0:25:42 | 0:25:45 | |
-I know I've been staring. -Is that your business? Staring? | 0:25:45 | 0:25:50 | |
No, jewellery is my business. Pieces like your necklace. | 0:25:50 | 0:25:54 | |
The name's Tom Hubler. I have references. | 0:25:54 | 0:25:57 | |
I've never been asked for references, but I could get them. | 0:25:57 | 0:26:02 | |
I'd say you already have plenty. | 0:26:02 | 0:26:05 | |
Jump back in the pool. Here's my husband. | 0:26:05 | 0:26:07 | |
Lloyd, this is Mr Hubler. He has references. | 0:26:07 | 0:26:12 | |
-Hello. -You're a lucky man. -He admires my necklace. | 0:26:12 | 0:26:16 | |
-Naturally. -You don't see such pieces often. | 0:26:16 | 0:26:19 | |
I'll just check on that sea monster. | 0:26:21 | 0:26:23 | |
They ought to drain that pool. It's crawling. | 0:26:25 | 0:26:29 | |
Lloyd, why don't you tell me what's really going on? | 0:26:29 | 0:26:33 | |
I'm having fun, darling. Why don't you? | 0:26:33 | 0:26:36 | |
It's more than that. Mr Martin has limited your credit to 10,000. | 0:26:36 | 0:26:41 | |
His attitude could start a run on the Bank of England! | 0:26:41 | 0:26:45 | |
Lloyd, if there's something serious behind your gambling I'd like to help. | 0:26:45 | 0:26:50 | |
-Those are brave words. -I'm a brave girl. | 0:26:50 | 0:26:53 | |
As a kid I'd run the fellas off the block! | 0:26:53 | 0:26:56 | |
I won't ask if they finally caught up with you. | 0:26:56 | 0:27:00 | |
It's nice to be married to so much bravery. | 0:27:00 | 0:27:03 | |
If things get tough I may have to tap it. | 0:27:03 | 0:27:07 | |
-PHONE RINGS -Hello? | 0:27:07 | 0:27:09 | |
It's long distance, Lloyd. Boston. | 0:27:09 | 0:27:13 | |
I don't want to speak to them. | 0:27:13 | 0:27:15 | |
-I'm sorry, Mr Rollins isn't available. -Hang up, Linda. | 0:27:17 | 0:27:21 | |
Thank you. I'll tell him. | 0:27:24 | 0:27:26 | |
-A man said to tell you Monty's dead. -Monty? I don't place him. | 0:27:30 | 0:27:34 | |
Didn't he send that telegram you got? | 0:27:34 | 0:27:38 | |
Whoever Monty was, he committed suicide. | 0:27:38 | 0:27:41 | |
-The fool. -Then he DID sign the telegram. | 0:27:41 | 0:27:44 | |
Don't worry about my business associates, living or dead. | 0:27:44 | 0:27:48 | |
It's not your concern. And don't read my mail. | 0:27:48 | 0:27:52 | |
I'll see you downstairs. | 0:27:52 | 0:27:54 | |
-Hello, darling. -Lloyd, my necklace is missing! | 0:28:17 | 0:28:20 | |
I took it and forgot to tell you. | 0:28:20 | 0:28:23 | |
-Why? -Too many admirers. I thought it'd be safer in the hotel vault. | 0:28:23 | 0:28:28 | |
-Well, hello. -I see they drained the pool(!) | 0:28:28 | 0:28:31 | |
-Mr Rollins, I want to make amends. -How do you propose doing that? | 0:28:31 | 0:28:36 | |
-By dancing with your wife. -Oh, fine. | 0:28:36 | 0:28:38 | |
-Mr Rollins? -Hello. | 0:28:38 | 0:28:40 | |
Mr Hubler, my wife accepts. Dance with him, Linda. | 0:28:40 | 0:28:43 | |
I have business with Mr Drucker. | 0:28:43 | 0:28:46 | |
I said, dance. | 0:28:46 | 0:28:48 | |
Sit down. | 0:28:53 | 0:28:54 | |
-Will you have a drink? -No, thank you. | 0:28:54 | 0:28:58 | |
-You gave this to Mr Martin? -Yes, how much credit will you give me? -None. | 0:28:58 | 0:29:03 | |
It's worth 150,000. Don't take my word. I have an insurance appraisal up in my room. | 0:29:03 | 0:29:10 | |
I don't care. You asked for 100,000 credit. | 0:29:10 | 0:29:14 | |
We've already advanced you 10,000. If I knew then what I know now... | 0:29:14 | 0:29:19 | |
Well, your wife makes a good impression, | 0:29:19 | 0:29:22 | |
but it has run out, and so has your welcome. | 0:29:22 | 0:29:26 | |
You imply that I'm leaving. Do you intend to force me? | 0:29:26 | 0:29:30 | |
-Let's hope it doesn't come to that. -It won't, Mr Drucker. | 0:29:30 | 0:29:34 | |
-Don't look surprised. This place is on my beat. -Nice of you to look me up(!) | 0:29:43 | 0:29:49 | |
Let's keep it official. Your husband's a tramp and Drucker wants him out. | 0:29:49 | 0:29:54 | |
I thought if I told you, we could get it over painless. | 0:29:54 | 0:29:58 | |
Why don't you tell him yourself? | 0:29:58 | 0:30:00 | |
You'd say, "Your wife married the wrong man, she kissed me off, so get out of town!" | 0:30:00 | 0:30:07 | |
Why stop with one kiss? Why not the full story?! | 0:30:07 | 0:30:10 | |
Oh, that's all over now. | 0:30:10 | 0:30:12 | |
I'm not so sure. IS it over, Linda? | 0:30:12 | 0:30:16 | |
Isn't that what you came back here to find out?! | 0:30:16 | 0:30:19 | |
What a beautiful picture - moonlight and my wife with a stranger(!) | 0:30:21 | 0:30:27 | |
-An old friend. -Ah, the desert gives up its secrets. | 0:30:27 | 0:30:31 | |
Lloyd, Lt Andrews of the sheriff's office. My husband. | 0:30:31 | 0:30:35 | |
I'm a wizard at guessing names. Joe? In songs it's always Joe. | 0:30:35 | 0:30:39 | |
-I can see you riding off, with the girl you left crying, "Goodbye, Joe!" -Lloyd! | 0:30:39 | 0:30:44 | |
You put it all together, Rollins, all except the tears! | 0:30:44 | 0:30:48 | |
Your wife doesn't cry easy and she didn't wait to say goodbye. | 0:30:48 | 0:30:53 | |
Maybe if she had, you wouldn't be here. | 0:30:53 | 0:30:55 | |
If you're looking for trouble with me, forget it. | 0:30:55 | 0:30:59 | |
You've got your share already! | 0:30:59 | 0:31:01 | |
-Lloyd, we've got to go. -First thing tomorrow. | 0:31:05 | 0:31:09 | |
Tell you what, go and powder your nose, we'll go to The Last Chance. | 0:31:09 | 0:31:14 | |
I may as well meet your other old friends and see the scene of your innocent youth. | 0:31:14 | 0:31:20 | |
-Mr Rollins? -Oh, it's you again. | 0:31:28 | 0:31:31 | |
-What now? -I'm with the company insuring your wife's necklace. My job is to watch it. | 0:31:31 | 0:31:37 | |
-I didn't see it around tonight. -I resent the implication. | 0:31:37 | 0:31:41 | |
-I'm just following my instructions. -All right, relax! | 0:31:41 | 0:31:44 | |
-It's in the hotel vault. -No hard feelings. | 0:31:44 | 0:31:48 | |
-No reason for Mrs Rollins to know about your company's interest? -None. | 0:31:48 | 0:31:53 | |
-Thanks. Join us later for a drink and bring your OWN girl! -Hello, Mrs Rollins. | 0:31:53 | 0:31:59 | |
-There you are, darling. -Have a good time. | 0:31:59 | 0:32:03 | |
The Last Chance, please. | 0:32:05 | 0:32:07 | |
I can see almost anything could have happened here and probably did. | 0:32:10 | 0:32:16 | |
Where's the baggage room? The one with the trunk in it? | 0:32:16 | 0:32:20 | |
In there. That's Happy at the piano. | 0:32:20 | 0:32:24 | |
-What's missing? -Your sense of humour. | 0:32:24 | 0:32:28 | |
-I find little here to laugh at. -'Evening, Mrs Rollins. | 0:32:28 | 0:32:33 | |
Lloyd, this is Mr Clayton, the owner. | 0:32:33 | 0:32:36 | |
-I have heard your wife sing. -That's one of the things I've missed. | 0:32:36 | 0:32:41 | |
-May I buy you a drink? -Thank you. Linda? -I'll say hello to Happy. | 0:32:41 | 0:32:46 | |
I'll take the drink. I can always talk to the piano player later! | 0:32:46 | 0:32:50 | |
You asked for it and here it is - the monkey song! | 0:32:50 | 0:32:54 | |
Hi, Linda. | 0:32:54 | 0:32:55 | |
Gather round, everybody. | 0:32:55 | 0:32:58 | |
This is a story... about a monkey and a king. | 0:33:08 | 0:33:12 | |
King Rebop... | 0:33:12 | 0:33:14 | |
..and his dream... | 0:33:16 | 0:33:18 | |
..down in the jungle. | 0:33:19 | 0:33:22 | |
He dreams about flowers. | 0:33:23 | 0:33:25 | |
He dreams about a bird. | 0:33:27 | 0:33:29 | |
PLAYS LITTLE TUNE No, not that one. | 0:33:29 | 0:33:32 | |
PLAYS A TRILL That's a prettier bird! | 0:33:32 | 0:33:34 | |
Also dreams about a monkey. | 0:33:36 | 0:33:38 | |
He dreams this monkey can play the drums. | 0:33:41 | 0:33:44 | |
That's a different monkey! | 0:33:46 | 0:33:48 | |
The reason the king has this dream? He's broke. | 0:33:49 | 0:33:53 | |
He needs dough. | 0:33:55 | 0:33:57 | |
And there's a missionary. | 0:33:57 | 0:33:59 | |
# Well, a monkey heard swing down a Hoola-Hoola | 0:34:03 | 0:34:05 | |
# And he got bit, he got bit by the beat of it, the hop | 0:34:05 | 0:34:08 | |
# It pulled the hip bones back and he really went into his dance! | 0:34:08 | 0:34:11 | |
# Siga-de oodi-acki-backi! | 0:34:11 | 0:34:12 | |
# Rebop said, "You stop. You ain't exactly on the back beat | 0:34:12 | 0:34:15 | |
# "Look at my feet!" And then he shuffled up a rhythm | 0:34:15 | 0:34:17 | |
# But the monkey's going with him. In a minute, they were balling the jack in the sand | 0:34:17 | 0:34:21 | |
# So the monkey made a coconut tom tom | 0:34:21 | 0:34:23 | |
# Found an old drum that belong to the voodoos | 0:34:23 | 0:34:25 | |
# By the middle of the week, every native was speaking about the monkey and his medicine band | 0:34:25 | 0:34:29 | |
# He was beating licks with his sticks to a record by the Bix | 0:34:29 | 0:34:32 | |
# Till his rhythm was the talk of all the Congo | 0:34:32 | 0:34:34 | |
# He had a gnu playing the kazoo | 0:34:34 | 0:34:36 | |
# And a jug man rounded out the combo | 0:34:36 | 0:34:39 | |
# One day a missionary with umbrella and canary | 0:34:39 | 0:34:41 | |
# Came riding on a donkey through the jungle | 0:34:41 | 0:34:43 | |
# King Rebop shouted, "Hey, stop, Pop! I know a way we can make a bundle!" | 0:34:43 | 0:34:48 | |
# So we told the missionary with umbrella and canary | 0:34:48 | 0:34:50 | |
# About the monkey and the way he played drums | 0:34:50 | 0:34:52 | |
# But he had, indeed, he had a little bit of bad luck | 0:34:52 | 0:34:54 | |
# And he'd like to sell the monkey to frank funds | 0:34:54 | 0:34:57 | |
# "OK," said the man with umbrella in his hand | 0:34:57 | 0:34:59 | |
# "If a deal is a coin too hoil. | 0:34:59 | 0:35:01 | |
# "I'll see what you got. I'll pay you a lot | 0:35:01 | 0:35:03 | |
# "If you promise not to boil me in oil, oil, oil, oil!" | 0:35:03 | 0:35:07 | |
# The man he went with the king down in Hoola-Hoola | 0:35:07 | 0:35:09 | |
# To see if they'd be a hit and make a buck on it | 0:35:09 | 0:35:11 | |
# But the monkey the king kept raving about didn't know nothing at all! | 0:35:11 | 0:35:14 | |
# It was just another monkey | 0:35:14 | 0:35:16 | |
# King Rebop then woke up, found out he'd been a-dreaming | 0:35:16 | 0:35:19 | |
# And was upset cos the little missionary with the Bible and canary | 0:35:19 | 0:35:22 | |
# Said, "Gee, that must've been some party you had, so long, boy!" That's all! # | 0:35:22 | 0:35:26 | |
-Mrs Rollins, I'd like a word. -Sorry, I'm busy. | 0:35:31 | 0:35:34 | |
I have to ask you where your necklace is. | 0:35:34 | 0:35:37 | |
-Ask my husband. -I did. He said it was in the hotel vault. | 0:35:37 | 0:35:41 | |
-There. -Your husband's a liar. | 0:35:41 | 0:35:43 | |
Hello, Linda. Told you my luck would change! | 0:35:58 | 0:36:01 | |
-Lloyd, I want to talk to you. -Now is no time for talk. | 0:36:01 | 0:36:05 | |
Maybe you'd better run along. You said yourself you were no Lady Luck. | 0:36:05 | 0:36:10 | |
Come on, dice, you be my lucky lady! | 0:36:10 | 0:36:13 | |
-How much did Clayton give my husband on the necklace? -10,000. | 0:36:15 | 0:36:20 | |
-I see you didn't take my advice. Occasionally, I'm right. -I'm in no mood for your bragging. | 0:36:20 | 0:36:28 | |
-Come on! Come on! -< 11 is a winner. -Ha-ha! | 0:36:28 | 0:36:33 | |
Come out into the night air and cool off. | 0:36:33 | 0:36:36 | |
Monkey see, monkey do. | 0:36:53 | 0:36:55 | |
-'Car Three? Car Three?' -Car Three. Go ahead. | 0:37:03 | 0:37:08 | |
'The parents of that girl are here. What'll we do?' | 0:37:08 | 0:37:12 | |
Car Three. I'm on my way in. | 0:37:12 | 0:37:14 | |
You might find this very interesting. | 0:37:14 | 0:37:17 | |
-They're in the chief's office, Dave. -Do you have the release papers? | 0:37:29 | 0:37:34 | |
I'm Lt Andrews. Are these your folks, Mary? | 0:37:37 | 0:37:41 | |
Well, did you all talk it over? | 0:37:41 | 0:37:43 | |
-We know what's best for Mary. -Dad, you don't! Bill and I do! | 0:37:43 | 0:37:48 | |
Don't, Mary. | 0:37:48 | 0:37:50 | |
-If you have anything to say, Bill, now's the time. -I already said my piece. Nobody listens. | 0:37:51 | 0:37:58 | |
-You know Bill is being drafted in six weeks. -He gets in the army and Mary will forget him. | 0:38:04 | 0:38:10 | |
-Anyway, waiting will do them good. -Sometimes, waiting's not good. | 0:38:10 | 0:38:15 | |
I'm only saying this because they may have a long wait. | 0:38:15 | 0:38:19 | |
-I want you to understand that as well as they do. -Sign the papers. We have a long drive home. | 0:38:19 | 0:38:25 | |
Well, this will go into the files with a lot of other heartbreaks. | 0:38:35 | 0:38:39 | |
They could have walked across the street and been married. | 0:38:39 | 0:38:44 | |
All it needs is your signature. | 0:38:48 | 0:38:51 | |
Where do I sign? | 0:38:51 | 0:38:53 | |
Under where it says, "I wouldn't give a couple of kids a break." | 0:38:57 | 0:39:02 | |
Let's go, Linda. | 0:39:05 | 0:39:07 | |
Oh, we've been HERE before! | 0:39:27 | 0:39:29 | |
I'm renting it from Fogarty, same as you did, only I can't sing for my rent! | 0:39:29 | 0:39:34 | |
Hasn't changed a bit, has it? | 0:39:54 | 0:39:57 | |
Nope, not a bit. | 0:39:57 | 0:40:00 | |
Neither have you. | 0:40:01 | 0:40:03 | |
You left the icebox door open. | 0:40:03 | 0:40:05 | |
Help yourself to a beer, unless you're used to champagne. | 0:40:05 | 0:40:09 | |
I'm not, but I'll ignore the crack. | 0:40:09 | 0:40:12 | |
Get me a glass, too, in your honour. You know where they are. | 0:40:12 | 0:40:16 | |
-My, aren't we fancy? Who cleans up for you? -Nobody in particular. | 0:40:16 | 0:40:21 | |
-Everybody pitches in. -Everyone? | 0:40:21 | 0:40:23 | |
-We don't do much housework, but we have laughs! -I'll bet. | 0:40:23 | 0:40:27 | |
Everything looks just the same. | 0:40:32 | 0:40:34 | |
Houses don't change, Linda. Only people. | 0:40:34 | 0:40:38 | |
You know, you sure do some funny things, David. | 0:40:38 | 0:40:43 | |
Like leaving the icebox door open? | 0:40:43 | 0:40:46 | |
No, like making plans for those kids tonight. | 0:40:46 | 0:40:49 | |
Wish I thought you didn't frame it just for my benefit. | 0:40:49 | 0:40:53 | |
That sounds like you, only I have a sentimental side. | 0:40:53 | 0:40:58 | |
Turn it over and what have you got? A hothead. | 0:40:58 | 0:41:01 | |
I accept your apology. | 0:41:01 | 0:41:03 | |
-That puts all the pieces back together. -No, there's still something missing. | 0:41:03 | 0:41:09 | |
-What? -..I don't know. | 0:41:12 | 0:41:16 | |
-It's us. -Have you really changed, Dave? | 0:41:16 | 0:41:21 | |
Do people change that much? | 0:41:21 | 0:41:24 | |
Help yourself. | 0:41:51 | 0:41:53 | |
Thanks, I could use it. | 0:41:53 | 0:41:56 | |
-Have you still got that necklace? -Sure. Did you want to have another look at it? | 0:41:56 | 0:42:03 | |
No, but I want you to look at it again, real hard. | 0:42:03 | 0:42:07 | |
If there's not more meat than 10,000 on that, I'll eat it! | 0:42:07 | 0:42:10 | |
You've already eaten it, Mr Rollins. I'd advise a diet. Your luck's out. | 0:42:10 | 0:42:16 | |
It might change if I could have another go! | 0:42:16 | 0:42:20 | |
-Does he have to keep walloping that thing?! -Call it a night, Happy. | 0:42:20 | 0:42:25 | |
We both know that necklace is worth more than 10,000. | 0:42:32 | 0:42:36 | |
I admitted that when I loaned you the money on it. | 0:42:36 | 0:42:39 | |
But, personally, I'd rather have my dough back. | 0:42:39 | 0:42:43 | |
I've been waiting for your generous streak to show, Clayton. | 0:42:43 | 0:42:47 | |
-You gotta advance me more. -Here's the takings. > | 0:42:47 | 0:42:50 | |
Look, Rollins, for 10,000 you can have your necklace back. | 0:42:52 | 0:42:56 | |
I won't give you more and you won't redeem it for less. | 0:42:56 | 0:43:00 | |
No shortcuts. | 0:43:00 | 0:43:02 | |
I'm not so sure about that! | 0:43:02 | 0:43:04 | |
We're buttoned up in here, Fogarty. Close the doors when you go out. | 0:43:07 | 0:43:12 | |
I have to be getting back. | 0:43:39 | 0:43:41 | |
Yeah. | 0:43:46 | 0:43:47 | |
I left some lipstick on the glass. | 0:44:01 | 0:44:04 | |
What do you want me to do? Put it up on the mantle? | 0:44:04 | 0:44:08 | |
Or drink out of it some dark night and smash it in the fire? | 0:44:08 | 0:44:12 | |
Whatever you do, it'll be sudden and violent. | 0:44:12 | 0:44:16 | |
-Please don't spoil it. It's been so nice. -And brief. | 0:44:16 | 0:44:20 | |
Here we go again! You brought it round to reality. | 0:44:20 | 0:44:23 | |
You couldn't sit still long enough to see daylight! | 0:44:23 | 0:44:27 | |
I'm fed up sitting still and that daylight goes on my bill with the nights! | 0:44:27 | 0:44:32 | |
-It's tough to forget. -Do you want to forget tonight? | 0:44:32 | 0:44:36 | |
-I didn't say that. -What ARE you saying? | 0:44:36 | 0:44:38 | |
Just this. When Rollins hocks you, you'll look funny in the pawnbroker's window! | 0:44:38 | 0:44:44 | |
-Where do you draw the line on second-hand goods? -I don't. | 0:44:44 | 0:44:48 | |
-Well, I do! Call me a cab. -It'll be a pleasure! | 0:44:48 | 0:44:52 | |
-Car Three. -'Go ahead.' | 0:45:01 | 0:45:03 | |
I'm at my house. Will you send a cab over? | 0:45:03 | 0:45:06 | |
'Want plasma, too? You've been gone so long.' | 0:45:06 | 0:45:09 | |
Just do it! I'm on my way in. | 0:45:09 | 0:45:12 | |
Car Five? Come in, Car Five. | 0:45:36 | 0:45:39 | |
-Car Nine, stand by. -'Car Five, in.' -'Car Nine, standing by.' | 0:45:39 | 0:45:43 | |
Car Five, tell them the medical examiner is on his way. | 0:45:43 | 0:45:47 | |
Car Nine, go and pick up the coroner. Take him to The Last Chance. | 0:45:47 | 0:45:53 | |
-What about The Last Chance? -Somebody killed the owner. | 0:45:53 | 0:45:57 | |
Clayton? | 0:45:57 | 0:45:58 | |
-When did you get the call? -Just now, as you walked in. | 0:45:58 | 0:46:03 | |
-Are you going off duty, Dave? -Not now. | 0:46:03 | 0:46:06 | |
-Hi, Dave. -What do we know and what's missing? | 0:46:15 | 0:46:18 | |
This is what killed him, that's for sure. | 0:46:18 | 0:46:20 | |
-It's also used on lemons. Any seeds on it? -No. | 0:46:20 | 0:46:24 | |
No seeds, no prints. The janitor found the body at 4.10. | 0:46:24 | 0:46:29 | |
-You didn't touch it? -No sirree. I took one look and yelled! | 0:46:32 | 0:46:36 | |
Mr Fogarty ran in and threw water in my face. | 0:46:36 | 0:46:39 | |
-Take Mike's statement. -I got it, Dave. | 0:46:39 | 0:46:42 | |
-Did he tell you he opened the safe? -No, he didn't. | 0:46:42 | 0:46:46 | |
He did. His hat is over by the safe. | 0:46:46 | 0:46:48 | |
-What were you looking for? -The necklace Rollins gave Clayton. | 0:46:48 | 0:46:52 | |
It wasn't there. No necklace on the body, Dave. | 0:46:52 | 0:46:56 | |
The guy who killed him took the necklace. | 0:46:56 | 0:46:58 | |
Look, I know I have every reason to wish Clayton dead, | 0:46:58 | 0:47:02 | |
-but you're backing the wrong number. -OK, pick another number. | 0:47:02 | 0:47:07 | |
Linda's husband. I walked in on a beef they were having about more money on the necklace. | 0:47:07 | 0:47:13 | |
Why don't you ask Happy? | 0:47:14 | 0:47:16 | |
I was home sleeping, Dave, when this horrible tragedy occurred. | 0:47:22 | 0:47:28 | |
That's my story. But what do you want to know? | 0:47:28 | 0:47:32 | |
-What was the beef between Clayton and Rollins? -Rollins wanted him to up the ante on that necklace. | 0:47:32 | 0:47:38 | |
-Can't say I blame him. -Was he sore enough to kill? | 0:47:38 | 0:47:41 | |
You don't have to be sore at Clayton to kill him. | 0:47:41 | 0:47:45 | |
Somebody might do it as a public service, | 0:47:45 | 0:47:48 | |
but being mad at him would make it easier. | 0:47:48 | 0:47:51 | |
They sent me out, so I don't know how mad he got. | 0:47:51 | 0:47:54 | |
Get a signed statement from all these monkeys. | 0:47:54 | 0:47:58 | |
How did you make out, Doc? | 0:47:58 | 0:48:00 | |
Fellow's been dead for about an hour. | 0:48:00 | 0:48:02 | |
Sometime close to four, I'd say. | 0:48:02 | 0:48:05 | |
-Get me a report quickly. -Sure, but there ain't much to add. | 0:48:05 | 0:48:09 | |
Clean plug. He's dead, you can see yourself. | 0:48:09 | 0:48:12 | |
-Dave? Can I say something? -Sure, go ahead. | 0:48:12 | 0:48:16 | |
Don't hang it on Linda's old man until you're sure. | 0:48:16 | 0:48:19 | |
-You finished? -I just don't want you to undo all you've undone. | 0:48:19 | 0:48:24 | |
That's a big order. | 0:48:24 | 0:48:27 | |
-Up kinda early. -Yeah, I'm taking the census. | 0:48:36 | 0:48:39 | |
Isn't that out of your line? | 0:48:39 | 0:48:41 | |
We just lost a prominent citizen. | 0:48:41 | 0:48:44 | |
-Want help finding him? -We've found him. Murdered and robbed. | 0:48:44 | 0:48:48 | |
If I'm to send flowers, you better tell me who it is. | 0:48:48 | 0:48:52 | |
-Clayton. -Fellow at The Last Chance? What's missing? | 0:48:52 | 0:48:55 | |
His killer and a diamond necklace. | 0:48:55 | 0:48:58 | |
-This could cost me my job. -Why? -I'm ordered not to let Rollins or the necklace out of my sight. | 0:48:58 | 0:49:05 | |
-Where was Rollins this morning? -He gave up waiting for his wife around four. | 0:49:05 | 0:49:10 | |
-How do you know? -I saw him come out of The Last Chance. | 0:49:10 | 0:49:14 | |
-He headed here. -Where were you? | 0:49:14 | 0:49:16 | |
I was in the coffee shop waiting for you and Mrs Rollins. | 0:49:16 | 0:49:21 | |
-I wanted to see the fireworks. -You'll see fireworks when you report the necklace missing. | 0:49:21 | 0:49:28 | |
Well, this is a most unpleasant surprise. | 0:49:40 | 0:49:43 | |
Have you come to say goodbye to my wife? | 0:49:43 | 0:49:46 | |
I've already told your wife goodbye. Thought I'd do something with some joy in it. | 0:49:46 | 0:49:51 | |
-Would you smooth that? -It'd still be rough for you. Where's the necklace? | 0:49:51 | 0:49:56 | |
-That's MY business. -Not now. Clayton's dead and it's missing. | 0:49:56 | 0:50:01 | |
-I don't understand what it has to do with me? -You will when we get to the sheriff's office. | 0:50:01 | 0:50:07 | |
-But to give you a clue, the charge is murder. -Preposterous! | 0:50:07 | 0:50:11 | |
And dirty! How dirty can you get? | 0:50:11 | 0:50:14 | |
Let's go, Rollins. | 0:50:14 | 0:50:16 | |
-OK, but it won't do you any good. -Don't leave town, Linda. Your husband may need a loyal wife! | 0:50:16 | 0:50:23 | |
The time of death has been established at approx 4.00am. | 0:50:32 | 0:50:37 | |
-Remember where you were, Mr Rollins? -I was in my room at The Fabulous. | 0:50:37 | 0:50:43 | |
-Mmm-hmm, with whom? -I'm certain my wife would like to say she was with me. | 0:50:43 | 0:50:49 | |
Linda? | 0:50:54 | 0:50:55 | |
Mrs Rollins, I'm not going to ask you to testify formally, | 0:51:00 | 0:51:04 | |
but if there's anything at all that you can tell me...? | 0:51:04 | 0:51:09 | |
Mr Rollins, there is sufficient evidence to warrant your arraignment. | 0:51:13 | 0:51:18 | |
Capt Harris, the prisoner is remanded to your custody. | 0:51:18 | 0:51:23 | |
To apply for bail, have your attorney talk to me. | 0:51:23 | 0:51:27 | |
Mr Rollins, some days it's hard to do one's duty. | 0:51:27 | 0:51:30 | |
-Capt Harris? -Yes, ma'am. -I'd like a word in private with my husband. | 0:51:30 | 0:51:35 | |
-That'll be a change(!) -Please, Lloyd! | 0:51:35 | 0:51:37 | |
You can use my office. | 0:51:37 | 0:51:40 | |
-In here. I'll wait outside. -Naturally. | 0:51:40 | 0:51:44 | |
-I'm sorry if I've let you down, Lloyd. -Think nothing of it. | 0:51:49 | 0:51:53 | |
-You'll come into your own making last-minute pleas! -Don't say that! | 0:51:53 | 0:51:58 | |
-I don't believe you did it. -Why didn't you say so?! | 0:51:58 | 0:52:03 | |
There was nothing for me to say! You've lied to me. | 0:52:03 | 0:52:06 | |
You never explained the telegram or Monty's suicide | 0:52:06 | 0:52:10 | |
or why you wanted to stop in Las Vegas. | 0:52:10 | 0:52:12 | |
I don't know what trouble you're in if you don't tell me. | 0:52:12 | 0:52:16 | |
Linda, there's a cell waiting for me, do you need more than that?! | 0:52:16 | 0:52:21 | |
-You don't have to stay in it. I can do that. -What? | 0:52:21 | 0:52:25 | |
I've saved some money. Enough to get an attorney and raise bail. | 0:52:25 | 0:52:30 | |
Why didn't you tell me? You might have prevented this disaster! | 0:52:30 | 0:52:34 | |
There have been several disasters, Lloyd. Which one? | 0:52:34 | 0:52:38 | |
The one that kept you out with that cop last night. | 0:52:38 | 0:52:42 | |
I'm ready, Sheriff. | 0:52:46 | 0:52:48 | |
Mrs Rollins, may I give you a lift? | 0:52:54 | 0:52:57 | |
-The bus for The Fabulous is waiting. -I feel like it ran over me! | 0:52:57 | 0:53:02 | |
The Fabulous, please. | 0:53:12 | 0:53:14 | |
Make it The Last Chance. | 0:53:17 | 0:53:20 | |
What's the idea? I thought this bus went straight through. | 0:53:20 | 0:53:24 | |
-What's wrong with The Last Chance? -I'd rather get out. | 0:53:24 | 0:53:28 | |
We could go back to the sheriff's office. I like you, but you don't fool me. | 0:53:28 | 0:53:34 | |
I don't like you, Mr Hubler, so let's not get any ideas. | 0:53:34 | 0:53:39 | |
You shouldn't have come out the back door of The Last Chance around 4.00. | 0:53:39 | 0:53:44 | |
Let me put it straight, what are you trying to hide? | 0:53:44 | 0:53:48 | |
PIANO PLAYS > | 0:53:58 | 0:54:00 | |
Before we go in, why did you use the alley entrance this morning? | 0:54:04 | 0:54:09 | |
I got used to it when I worked here. Why didn't you speak at the inquest? | 0:54:09 | 0:54:14 | |
-Two reasons. -What are they? | 0:54:14 | 0:54:16 | |
-Well, I'd say, first it was the necklace. -And then? -Something you can't put on expense accounts. | 0:54:16 | 0:54:23 | |
-Nobody understands it. -Including me. | 0:54:23 | 0:54:26 | |
-I'd get my face slapped or I'd tell you. -Don't bother! | 0:54:26 | 0:54:29 | |
< When you came in this morning, show me what you did. | 0:54:31 | 0:54:35 | |
-I walked to the casino to look for my husband. -Hold it. | 0:54:35 | 0:54:39 | |
Stand right here till I tell you. | 0:54:40 | 0:54:44 | |
When I say go, walk across the room the same as you did. | 0:54:44 | 0:54:48 | |
-Is this a sobriety test? -Similar. | 0:54:49 | 0:54:52 | |
-C'mon in, Linda. You're welcome. -We're playing a game, Happy. I'm gonna walk across the room. | 0:54:52 | 0:54:58 | |
It lifts my heart to see you folks romping amidst the gloom of inquest! | 0:54:58 | 0:55:04 | |
OK, Linda, start walking. | 0:55:04 | 0:55:07 | |
-You flunked. -I don't get it. -You went around the chair. | 0:55:13 | 0:55:16 | |
-I was to jump over it? -You must've jumped over Clayton's body. | 0:55:16 | 0:55:21 | |
Either that, or you tripped over it and fell flat on your face! | 0:55:21 | 0:55:25 | |
And you might have got up holding a necklace. | 0:55:25 | 0:55:30 | |
No? | 0:55:33 | 0:55:35 | |
What do you think that is? | 0:55:36 | 0:55:39 | |
A spot, I guess. | 0:55:39 | 0:55:41 | |
-You couldn't have missed him. -Do you understand this game, Happy? | 0:55:42 | 0:55:47 | |
No, and nobody's enjoying it. I like the one where they pin tails on donkeys. | 0:55:47 | 0:55:53 | |
A game like this can be fun, IF you play fair. | 0:55:53 | 0:55:57 | |
-Would you take me to the hotel? -Whatever you want. | 0:55:57 | 0:56:00 | |
-That isn't what YOU want, is it, Mr Hubler? -I can wait for what I want. | 0:56:00 | 0:56:06 | |
Capt Harris, where's Lt Andrews? | 0:56:17 | 0:56:20 | |
If he takes my advice, he's fishing in the Belgian Congo! | 0:56:20 | 0:56:24 | |
-Matty? -You wanted to see me, Lieutenant. | 0:56:24 | 0:56:27 | |
You went to my house last night. Where did you take Mrs Rollins? | 0:56:27 | 0:56:31 | |
To The Fabulous. | 0:56:31 | 0:56:33 | |
Is that all you wanted to know, Lieutenant? | 0:56:33 | 0:56:36 | |
-Yes. That does it. -Of course, on the way to The Fabulous, I took her to The Last Chance. | 0:56:36 | 0:56:44 | |
-You blab about everything else, why didn't you say before?! -You didn't ask. -I'm asking now! | 0:56:45 | 0:56:52 | |
SHE HUMS A TUNE | 0:57:39 | 0:57:42 | |
< CLICK | 0:58:04 | 0:58:05 | |
If you're looking for the necklace, I just flushed it down the drain! | 0:58:19 | 0:58:24 | |
-Oh, do they hang women in Nevada? -Used to, by their pretty necks. | 0:58:24 | 0:58:29 | |
You've certainly made a mess! | 0:58:29 | 0:58:32 | |
-What are you doing with this? -I peel lemons with it! -You may cut your fingers. -What's all this about?! | 0:58:36 | 0:58:43 | |
-You were quiet earlier. -What did I miss out, besides my opinion of you?! | 0:58:43 | 0:58:48 | |
What were you doing at The Last Chance this morning and just how deep are you in this with Rollins? | 0:58:48 | 0:58:55 | |
I know you want to put me in jail, too! | 0:58:55 | 0:58:58 | |
Then you can lock yourself in, too. The three of us, living happily ever after(!) | 0:58:58 | 0:59:05 | |
Then you wouldn't have room to double cross us! | 0:59:05 | 0:59:08 | |
SHOE DROPS | 0:59:11 | 0:59:13 | |
Now, get out of here! | 0:59:13 | 0:59:15 | |
-Why don't you practise at home? -Here, I don't disturb anybody. | 0:59:31 | 0:59:36 | |
After last night, things are kinda slack. | 0:59:36 | 0:59:40 | |
Things may pick up when they find out we're running a bar, not a slaughterhouse. | 0:59:40 | 0:59:46 | |
-Wish I could get your piano to talk and do my work for me. -Works for me. As for talking, it does that, too. | 0:59:46 | 0:59:53 | |
Right now it's telling you to take a look on the floor by that chair. | 0:59:53 | 0:59:58 | |
That's a real musical chair, Dave. Take a look. | 0:59:58 | 1:00:02 | |
-It's got a sour not on it. -How come we overlooked this? | 1:00:02 | 1:00:08 | |
Point is, when Linda waltzed in here in the wee hours, she no see body. | 1:00:08 | 1:00:13 | |
-It was lying there. -Who said it was? -That insurance guy, Hubler. | 1:00:13 | 1:00:18 | |
-He showed Linda. -You KNOW where it was found! -Don't involve me. | 1:00:18 | 1:00:22 | |
-I was home sleeping. -It was behind the bar! | 1:00:22 | 1:00:25 | |
But he must have been stabbed here. | 1:00:25 | 1:00:28 | |
Then dragged himself behind the bar, trying to get to...the telephone! | 1:00:28 | 1:00:34 | |
Fabulous Hotel! We got fooled. Nobody would know where the murder happened except the killer! | 1:00:34 | 1:00:42 | |
-Mrs Rollins, please. -It had to be Hubler! | 1:00:42 | 1:00:45 | |
-It sure did! Hello, Linda? Now don't hang up. -The chances I take! | 1:00:45 | 1:00:50 | |
-I'm trying to apologise. -Don't bother! Someone's at the door. | 1:00:50 | 1:00:54 | |
-WAIT! I know who killed Clayton! -Who? -I'm on my way over. If you see Hubler, keep him entertained. | 1:00:54 | 1:01:01 | |
-BUZZER -I heard you. Hold on. | 1:01:01 | 1:01:04 | |
-May I come in? -Of course. I was just going out. | 1:01:07 | 1:01:10 | |
-I know where your necklace is. -Oh? -Somebody shipped it to LA. | 1:01:10 | 1:01:14 | |
I am driving down to check on it now. | 1:01:14 | 1:01:17 | |
-Are you going alone? -You don't have to ask twice. | 1:01:18 | 1:01:23 | |
-Come on. -I'll put a few things together. It'll only take a minute. -Go ahead. | 1:01:23 | 1:01:29 | |
Hello? HELLO?! LINDA?! | 1:01:34 | 1:01:38 | |
I'd say that's your friend, the cop. | 1:01:43 | 1:01:46 | |
-You don't have to pack. You look fine. -Dave knows about you. | 1:01:46 | 1:01:50 | |
Word gets around, doesn't it? | 1:01:50 | 1:01:53 | |
Get in, you're driving! | 1:02:03 | 1:02:05 | |
-Mrs Rollins' room, please. Did you see her go out? -I did. -Where is she? | 1:02:31 | 1:02:38 | |
-She stepped out on you, Dave. -Who with, that insurance man? -Yes. | 1:02:38 | 1:02:43 | |
Did Hubler check out? Yes, and he rented a car. | 1:02:43 | 1:02:46 | |
-Mr Hubler said he was going to LA. -Why didn't you say?! | 1:02:46 | 1:02:50 | |
-Car Three to Headquarters. -'Go ahead.' | 1:02:56 | 1:02:59 | |
-Gimme a clear channel. Emergency. -All units stand by. | 1:02:59 | 1:03:03 | |
Have identified Hubler as killer of Clayton. Just left The Fabulous. | 1:03:03 | 1:03:07 | |
He's driving a 1950 Plymouth sedan, green colour, Nevada licence 28072. | 1:03:07 | 1:03:14 | |
Suspect may be heading for Los Angeles. | 1:03:14 | 1:03:17 | |
Is the sheriff at headquarters? | 1:03:17 | 1:03:19 | |
This is Harris. Come in and make a written report! | 1:03:19 | 1:03:23 | |
Suspect accompanied by Mrs Rollins, possible kidnap victim. Out. | 1:03:23 | 1:03:27 | |
Notify the highway patrol. We'll set up road blocks. | 1:03:27 | 1:03:31 | |
This is Mitch. We need roadblocks on a homicide. > | 1:03:31 | 1:03:36 | |
North east - junction Highway 91 at B-5. | 1:03:36 | 1:03:40 | |
North west - Highway 95 at Lee Canyon. | 1:03:40 | 1:03:45 | |
South - junction of 91 and D-3. | 1:03:45 | 1:03:49 | |
South east - Highway 95 at Dry Lake. | 1:03:49 | 1:03:56 | |
East - Highway 93 at the dam. | 1:03:56 | 1:04:00 | |
Turn around! | 1:04:22 | 1:04:24 | |
HEY! What are you doing with my car?! | 1:05:14 | 1:05:17 | |
Start it up. | 1:05:17 | 1:05:19 | |
GO ON, START IT! | 1:05:20 | 1:05:23 | |
Get out of there! Go and keep your mouth shut! This is MY car...! | 1:05:26 | 1:05:30 | |
LINDA SCREAMS | 1:05:32 | 1:05:34 | |
Look for 1941 Ford station wagon, | 1:05:34 | 1:05:36 | |
Fenders blue, California licence 5-RADIO-7911, | 1:05:36 | 1:05:41 | |
being driven by Thomas Hubler. Suspect killed Alan Wickler, owner of vehicle. | 1:05:41 | 1:05:47 | |
Proceed with caution. Man armed and dangerous. | 1:05:47 | 1:05:50 | |
May have kidnap victim, Mrs Lloyd Rollins. | 1:05:50 | 1:05:53 | |
Notify the Arizona authorities. | 1:05:53 | 1:05:56 | |
-Why Arizona? -I figure with three murders, he took a boat ride over. | 1:05:56 | 1:06:01 | |
-Don't you? -No, and it's two murders. Why do you think he killed Linda? | 1:06:01 | 1:06:06 | |
Dave...all men were created equal, except you. | 1:06:06 | 1:06:10 | |
-Only you thinks there's a point to him not killing her. -I still say she's alive. | 1:06:10 | 1:06:16 | |
-I've a hunch where they are. -And I say she's at the bottom of the lake! | 1:06:16 | 1:06:22 | |
-Is that the last word?! -I'm entitled to it! | 1:06:22 | 1:06:25 | |
I'll let you play your hunch, but if you're wrong, and you ARE, | 1:06:25 | 1:06:30 | |
-you buy me a steak dinner, a la carte. -Fine! -With pie! -Deal! | 1:06:30 | 1:06:34 | |
I'm going to drag that lake from top to bottom. | 1:06:34 | 1:06:39 | |
Gimme the airport. Toby Rin. | 1:06:41 | 1:06:43 | |
This hunch better be good. | 1:07:14 | 1:07:16 | |
Suppose all the roads were blocked and you were driving a hot car, where would you hole up? | 1:07:16 | 1:07:23 | |
With a dish like that, I'd probably park first! | 1:07:23 | 1:07:26 | |
Do you see what I see? A tumbleweed going about 70 miles an hour! | 1:07:35 | 1:07:40 | |
-Let's go down and check the licence plate. -OK. | 1:07:40 | 1:07:45 | |
-What do we do now? -Turn him around. | 1:08:11 | 1:08:15 | |
There he is! Pick a dead end street and we'll corner him. | 1:09:20 | 1:09:24 | |
< Andrews! | 1:11:34 | 1:11:35 | |
-Throw the gun across the floor! -Is the girl all right? | 1:11:35 | 1:11:40 | |
Dave, we're behind the trailer. | 1:11:40 | 1:11:42 | |
The gun is pressed against her head. Want me to pull the trigger? | 1:11:42 | 1:11:47 | |
Now, throw the gun out! | 1:11:47 | 1:11:50 | |
I said, the GUN, Andrews! | 1:12:00 | 1:12:02 | |
The next one is for the lady! | 1:12:02 | 1:12:05 | |
CREAKING > | 1:12:31 | 1:12:33 | |
-Are you hurt bad? -I can't fly us out of here. | 1:13:02 | 1:13:06 | |
-Been waiting for you, are you OK? -Good as new. | 1:16:52 | 1:16:55 | |
I was looking at that Hubler fellow. Even dead, you can tell he's no good. | 1:16:55 | 1:17:00 | |
I don't think murder was his business. | 1:17:00 | 1:17:03 | |
-You're saying it was a hobby? -No, I figure he saw a chance to steal the necklace. | 1:17:03 | 1:17:10 | |
Clayton caught him in the act. It was unplanned. | 1:17:10 | 1:17:13 | |
I've had a lot of experience, Dave, and when a man decides to make a mistake, he keeps right on going. | 1:17:13 | 1:17:20 | |
Like you. You came close to railroading an innocent man. | 1:17:20 | 1:17:25 | |
-Should I turn in my badge? -Don't try carrying a torch at the same time. It's too big a load. | 1:17:25 | 1:17:31 | |
Cops aren't licensed for it. | 1:17:31 | 1:17:34 | |
Any time you feel it coming on, leave your badge on my desk. | 1:17:34 | 1:17:39 | |
-What the name of the lawyer handling Clayton's estate? -Schiller. | 1:17:39 | 1:17:45 | |
I got the money for that blasted necklace for him. | 1:17:45 | 1:17:49 | |
-How? -From Rollins. Poor, misjudged devil, after all the misery we put him through! | 1:17:49 | 1:17:56 | |
-Rollins gave you this? -When I turned him loose. | 1:17:56 | 1:17:59 | |
Saves the rigmarole of impounding jewels. | 1:17:59 | 1:18:03 | |
Sheriff, how long has it been since you arrested anyone for stealing? | 1:18:03 | 1:18:08 | |
Dave, as sheriff, I've followed my instincts for 18 years. | 1:18:08 | 1:18:12 | |
And I haven't been hurt yet. | 1:18:16 | 1:18:18 | |
Well, when you open that drawer in the morning, jump, because that cheque will bounce in your face! | 1:18:18 | 1:18:25 | |
-Glad the chief went home. -Why? -I'd like to see his face when he reads this! -You read it. | 1:18:37 | 1:18:44 | |
"Massachusetts Court No: 8351D, | 1:18:44 | 1:18:47 | |
"charge of three counts embezzlement and two grand fraud - Lloyd Rollins. | 1:18:47 | 1:18:53 | |
"News you released this man, suspicion murder. | 1:18:53 | 1:18:56 | |
"Re-arrest and notify this department. | 1:18:56 | 1:18:59 | |
"Telegraphic word send. We will expedite. | 1:18:59 | 1:19:03 | |
-"James Fitzpatrick." -I'll handle this myself. -Don't blame you! | 1:19:03 | 1:19:07 | |
-Can I help? -Get the chief back here. Say there are things on his desk for his attention. | 1:19:07 | 1:19:13 | |
-Where shall I say you'll be? -Say I'm taking my torch for a walk. | 1:19:13 | 1:19:18 | |
-Business or pleasure? -Both. | 1:19:27 | 1:19:30 | |
-What'll you have tonight? -Same. | 1:19:32 | 1:19:34 | |
-We're finally getting rid of Rollins. -Frankly, I don't care. | 1:19:34 | 1:19:39 | |
-I thought you'd be interested. -Definitely not. | 1:19:39 | 1:19:43 | |
-Thanks. -Why don't you get into some line that agrees with you? | 1:19:43 | 1:19:48 | |
-Does it show? -You look like your rabbits died! | 1:19:48 | 1:19:52 | |
All right, here's to crime. | 1:19:52 | 1:19:54 | |
-Aren't you taking a lot of granted? -I'm taking nothing for granted. | 1:19:54 | 1:19:59 | |
I bet 12/7, you and Rollins don't make the state line. | 1:19:59 | 1:20:03 | |
-Well, you've won half your bet already. -How come? | 1:20:03 | 1:20:09 | |
I told Happy I'd take my old job back at The Last Chance. | 1:20:09 | 1:20:14 | |
-I go to work in six weeks. -Working might not agree with you. -I have to eat. | 1:20:14 | 1:20:20 | |
-Dave, I apologise. -That's OK. -No, it's not. Rollins is no good, nor's his cheque! | 1:20:20 | 1:20:26 | |
Excuse me, ma'am. But there's no need to hold you. | 1:20:26 | 1:20:30 | |
Wrong again. I can think of a lot of reason to hold her, but not now. | 1:20:30 | 1:20:36 | |
Hey, wait a minute! | 1:20:36 | 1:20:38 | |
Hey, Dave, I don't intend losing the best man I've got. | 1:20:38 | 1:20:42 | |
-Take your badge back. -What's the matter? Aren't you man enough to do it? | 1:20:44 | 1:20:49 | |
-Mind taking a ride to the sheriff's office? -Would I be coming back? -No, sir. This is as far west as you go. | 1:20:52 | 1:20:59 | |
-Your next stop is Boston. -Thought I could fix that with a winning streak. Shows how wrong you can be. | 1:20:59 | 1:21:06 | |
Maybe you'd like to say goodbye to your wife? | 1:21:06 | 1:21:10 | |
That occurred to me, too. I already did. Shall we go? | 1:21:10 | 1:21:14 | |
Here you are, Lieutenant. Don't let those bags out of your sight. | 1:21:16 | 1:21:21 | |
-Hello, Lieutenant. -Hello, Bill, how are you? | 1:21:31 | 1:21:34 | |
-You look like an old veteran! -I am! I'm an old married man, too. | 1:21:34 | 1:21:38 | |
-It's our anniversary. -Anniversary? -We've been married a week today! | 1:21:38 | 1:21:43 | |
What you said changed my father's mind. | 1:21:43 | 1:21:46 | |
-We had bridesmaids, everything! -Good. Wish I'd been there. | 1:21:46 | 1:21:50 | |
Since you weren't, we thought maybe ...you'd like to kiss the bride! | 1:21:50 | 1:21:56 | |
-How does it feel to run the place again? -Fine, now you're here, too. | 1:21:58 | 1:22:03 | |
-Hey, remember me? -I asked him to kiss her. Remember us? | 1:22:03 | 1:22:09 | |
-Hi! -Old married folks! -I guess it'd be fair if you kissed Bill. | 1:22:09 | 1:22:13 | |
If I kissed Bill, there'd be nothing fair about it. | 1:22:13 | 1:22:18 | |
If you congratulate everyone who marries in Vegas, I'll never make a nickel! | 1:22:18 | 1:22:23 | |
# You touched my fingertips and my heart is aglow | 1:22:33 | 1:22:39 | |
What's on your mind, baby? | 1:22:39 | 1:22:41 | |
# You bent to kiss my lips and I can't let you go | 1:22:41 | 1:22:47 | |
# Maybe I should resist, I'm a fool I know | 1:22:49 | 1:22:55 | |
Resist me, baby! | 1:22:55 | 1:22:57 | |
# But, at a time like this, my resistance is low | 1:22:57 | 1:23:04 | |
# Your eyes have magic | 1:23:06 | 1:23:09 | |
# They seem to say | 1:23:09 | 1:23:13 | |
# Come closer, come closer, my darling, come closer | 1:23:13 | 1:23:17 | |
# But somehow you can't break away | 1:23:17 | 1:23:21 | |
# Can't you see that I want to be adored more than you'll ever know | 1:23:21 | 1:23:27 | |
# But I know, baby, I know | 1:23:27 | 1:23:29 | |
# And I'm going overboard with a capital O | 1:23:29 | 1:23:36 | |
# So don't be persistent, please keep your distance | 1:23:38 | 1:23:42 | |
# You know my resistance is low | 1:23:42 | 1:23:45 | |
# Your eyes have magic | 1:23:48 | 1:23:51 | |
# They seem to say | 1:23:51 | 1:23:55 | |
# Don't be persistent | 1:23:55 | 1:23:57 | |
# Please keep your distance, you know your resistance is low | 1:23:57 | 1:24:02 | |
# Low, low, low, low, low, low, low. # | 1:24:04 | 1:24:08 |