
Browse content similar to The Man Who Fell to Earth. Check below for episodes and series from the same categories and more!
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This film contains strong language and scenes of a sexual nature. | 0:00:02 | 0:00:12 | |
HORN BLARES | 0:03:22 | 0:03:25 | |
MAN BELCHES > | 0:03:58 | 0:04:01 | |
Hey, fella! Come here, fella! Come here... | 0:04:01 | 0:04:05 | |
DOG BARKS | 0:04:57 | 0:05:00 | |
ALARM BELL RINGS | 0:05:18 | 0:05:22 | |
RINGING STOPS | 0:05:24 | 0:05:26 | |
< PIANO MUSIC PLAYS | 0:05:28 | 0:05:32 | |
# I found my thrill | 0:05:35 | 0:05:38 | |
# On Blueberry Hill | 0:05:40 | 0:05:43 | |
# On Blueberry Hill... # | 0:05:45 | 0:05:48 | |
-Can I help? -Yes. I hope so. | 0:05:48 | 0:05:51 | |
-I want to sell this. -Where'd you get this ring? | 0:05:53 | 0:05:57 | |
It's mine. My wife gave it to me. | 0:05:57 | 0:06:00 | |
Look, the initials are on the inside. Yes? | 0:06:00 | 0:06:05 | |
-"T"..."J"..."N"... -Yes. | 0:06:06 | 0:06:09 | |
-Do you have your ID? -I'm pretty sure I have a passport. | 0:06:09 | 0:06:14 | |
Thomas Jerome... | 0:06:16 | 0:06:19 | |
This is not a pawn shop. | 0:06:23 | 0:06:26 | |
I beg your pardon? | 0:06:26 | 0:06:28 | |
-If I buy the ring, you can't redeem it later. Understand? -I understand. | 0:06:28 | 0:06:34 | |
# Though we're apart | 0:06:37 | 0:06:41 | |
# You follow me still... # | 0:06:42 | 0:06:45 | |
-Twenty dollars. -Twenty dollars? -Take it or leave it. | 0:06:48 | 0:06:53 | |
FROG CROAKS | 0:07:04 | 0:07:07 | |
AEROPLANE ROARS OVERHEAD | 0:07:20 | 0:07:25 | |
SHEEP BLEAT | 0:08:21 | 0:08:25 | |
DOG BARKS IN THE DISTANCE | 0:08:34 | 0:08:39 | |
-JAZZ MUSIC PLAYS -Oliver? | 0:08:58 | 0:09:02 | |
Oliver? | 0:09:05 | 0:09:07 | |
Oliver? Mr Newton is here. | 0:09:10 | 0:09:13 | |
I'm Oliver Farnsworth. | 0:09:16 | 0:09:19 | |
-Would you like a Scotch or something? -Oh, a glass of water. | 0:09:23 | 0:09:28 | |
-Fine. Would you like a Scotch? -Yes, please. | 0:09:31 | 0:09:35 | |
-Are you all right? -Just tired. | 0:09:40 | 0:09:44 | |
I'm sorry I didn't have time to see you at my office today. | 0:09:44 | 0:09:49 | |
-I had hardly even ten minutes. -PHONE RINGS | 0:09:49 | 0:09:53 | |
-What's this? Some kind of bribe? -I'm paying you for your time as from now. | 0:10:10 | 0:10:15 | |
I want ten hours at 1,000 an hour. | 0:10:15 | 0:10:20 | |
Mr Newton, this kind of money buys more than ten hours even of my time. | 0:10:20 | 0:10:25 | |
What exactly do you want? | 0:10:25 | 0:10:27 | |
I want a lawyer who's well-versed in patents. | 0:10:27 | 0:10:33 | |
That's me. | 0:10:33 | 0:10:36 | |
Here. | 0:10:36 | 0:10:37 | |
-Electronics. -Read the file. | 0:10:47 | 0:10:51 | |
-May I keep it overnight? -I'm sorry, I can't leave it with you. | 0:10:56 | 0:11:01 | |
It's not that I don't trust you. | 0:11:01 | 0:11:04 | |
All right, I'll read it. | 0:11:08 | 0:11:10 | |
If you want to put a record on, music doesn't disturb me. | 0:11:16 | 0:11:21 | |
-Oh, no, thank you. -If there's anything you want, just ask. | 0:11:21 | 0:11:26 | |
SIREN WAILS | 0:12:36 | 0:12:40 | |
I don't believe it. | 0:12:55 | 0:12:57 | |
I can't believe it. You have nine basic patents here. | 0:12:57 | 0:13:01 | |
Nine. | 0:13:01 | 0:13:04 | |
Do you know what that means? | 0:13:04 | 0:13:07 | |
-Yes, I think so. -Do you really? | 0:13:07 | 0:13:10 | |
I wonder. | 0:13:10 | 0:13:12 | |
It means, Mr Newton, that you can take RCA, Eastman, Kodak and Dupont for starters. | 0:13:12 | 0:13:19 | |
In three years, what would this be worth to me? | 0:13:19 | 0:13:24 | |
I'm a lawyer, not an accountant, Mr Newton. | 0:13:24 | 0:13:28 | |
But I'd say it must be something in the area of... | 0:13:28 | 0:13:33 | |
300 million. | 0:13:33 | 0:13:35 | |
-Not more? -More?! | 0:13:35 | 0:13:38 | |
-I need more. -What the hell for?! | 0:13:38 | 0:13:41 | |
I'm sorry, I didn't mean it to sound like that. I'm just trying adjust my mind to all this. | 0:13:41 | 0:13:48 | |
I'll offer you 10% of net profits, plus 5% of all corporate holdings. | 0:13:48 | 0:13:54 | |
I must think about it all. | 0:13:57 | 0:14:00 | |
I'll ask Trevor to take you home. | 0:14:00 | 0:14:03 | |
I don't drive. | 0:14:03 | 0:14:06 | |
Thank you, I have my own driver waiting. | 0:14:07 | 0:14:10 | |
-All night?! -You'll have complete authority below me. I don't have contact with anyone except you. | 0:14:10 | 0:14:18 | |
-If you take this position, you can replace your antiquated sound equipment and buy mine. -Buy it? | 0:14:18 | 0:14:26 | |
-At cost, naturally. -Perhaps you're not so different after all. | 0:14:26 | 0:14:31 | |
Arthur, would you please slow down? | 0:14:33 | 0:14:35 | |
We're only doing 45, Mr Newton. | 0:14:35 | 0:14:38 | |
It's making me feel dizzy. Keep to 30, please. | 0:14:38 | 0:14:43 | |
My father used to say, "Oliver, when you get a gift horse, walk up to it, quiet the animal down, | 0:14:43 | 0:14:50 | |
"then, using both hands, force open its jaws and have a damn good look in its mouth." | 0:14:50 | 0:14:57 | |
I'd say that was good advice. | 0:14:57 | 0:15:01 | |
Yes, but my father was always wrong. | 0:15:01 | 0:15:04 | |
-Hello. -I just marked your paper. | 0:17:17 | 0:17:21 | |
-How'd I do? -Don't worry about it. -I won't. | 0:17:21 | 0:17:25 | |
SHUTTER CLICKS | 0:17:28 | 0:17:32 | |
SHE SQUEALS | 0:17:32 | 0:17:35 | |
THEY LAUGH | 0:17:51 | 0:17:54 | |
Oh, shit! | 0:17:55 | 0:17:58 | |
Wait a minute, wait a minute! | 0:17:58 | 0:18:01 | |
THEY GROAN | 0:18:37 | 0:18:40 | |
Wanna see what they look like? | 0:19:10 | 0:19:12 | |
I don't believe this. | 0:19:18 | 0:19:20 | |
No, it's impossible. | 0:19:22 | 0:19:25 | |
Clever, isn't it? | 0:19:27 | 0:19:30 | |
It happened, literally, overnight. | 0:19:39 | 0:19:42 | |
When Mr Newton came into my apartment, my old life went straight out the window. | 0:19:42 | 0:19:49 | |
In no time at all, I got a brand-new life and I like it. | 0:19:49 | 0:19:54 | |
Maybe I'm not my own boss the way I used to be, but so what? | 0:19:54 | 0:19:58 | |
I'm the president of one of the largest corporations in America. | 0:19:58 | 0:20:04 | |
I'll tell you one thing, it's never too late. | 0:20:04 | 0:20:08 | |
I didn't think a man could change at my age. I still can't believe it. | 0:20:08 | 0:20:14 | |
Yes, that's possible. We can do that. | 0:20:14 | 0:20:17 | |
Are you sure this is the right moment, Mr Newton? | 0:20:17 | 0:20:21 | |
This one has virtually no bottom. | 0:20:21 | 0:20:24 | |
No... No, I want you to begin negotiations immediately. | 0:21:20 | 0:21:25 | |
We've been together a long time now, | 0:21:25 | 0:21:30 | |
and I don't see why you'd even consider selling off this division. | 0:21:30 | 0:21:34 | |
Well, if I owned a copyright on the Bible, | 0:21:34 | 0:21:40 | |
I wouldn't sell it to Random House. | 0:21:40 | 0:21:43 | |
It's what I want. | 0:21:45 | 0:21:47 | |
I'm going to New Mexico. I'll be staying at a hotel near the border. | 0:21:47 | 0:21:52 | |
I can't tell you yet. I'll be in touch. | 0:21:52 | 0:21:56 | |
Results are results. Your class is way below par. | 0:22:01 | 0:22:06 | |
I have the computer statement here. | 0:22:06 | 0:22:09 | |
And, er, it's kind of sad. | 0:22:09 | 0:22:11 | |
-That damn computer doesn't have a mind! -It's not meant to have a mind. | 0:22:11 | 0:22:18 | |
-That's why it's perfect for this place! -Oh... | 0:22:18 | 0:22:21 | |
Remember the company that made that self-developing film I showed you? | 0:22:21 | 0:22:26 | |
They've announced they're dumping computers and installing humans. | 0:22:26 | 0:22:31 | |
-Oh, really? -Wanna know why? | 0:22:31 | 0:22:34 | |
They want to bring back human error. | 0:22:34 | 0:22:37 | |
That's how you get new ideas - by making mistakes. | 0:22:37 | 0:22:42 | |
If you can't spot a piece of bullshit publicity when you hear it, you're more naive than I thought. | 0:22:42 | 0:22:48 | |
-Keep your mind on your job. -That's your advice? -Yeah. | 0:22:48 | 0:22:52 | |
-You don't know what's going on. -Really? | 0:22:52 | 0:22:56 | |
Those kids are bored with you and these books which are out of date. | 0:22:56 | 0:23:01 | |
I mean, what they need is some real stimulus - | 0:23:01 | 0:23:06 | |
ideas to pursue. | 0:23:06 | 0:23:09 | |
We've had enough of your pursuits. | 0:23:09 | 0:23:12 | |
What are you talking about? | 0:23:12 | 0:23:16 | |
I'm talking about the things you pursue - young things. | 0:23:16 | 0:23:21 | |
Maybe it's your age. You've become a novelty freak and you're not that young any more. | 0:23:21 | 0:23:28 | |
You don't get it. I'm younger than most of those kids... | 0:23:28 | 0:23:32 | |
-Oh... -They're taught to be middle-aged. | 0:23:32 | 0:23:35 | |
-Well, I want out. That's the fact. -Face the facts. | 0:23:35 | 0:23:40 | |
What else can you do except teach? | 0:23:40 | 0:23:43 | |
Nothing. Not a goddamn thing. | 0:23:43 | 0:23:47 | |
-Why don't you get a job with that company of yours? -I believe I will. | 0:23:47 | 0:23:51 | |
I believe you won't. | 0:23:53 | 0:23:56 | |
# All the boys from the South play the guitar | 0:24:03 | 0:24:06 | |
# Dance the night away | 0:24:06 | 0:24:08 | |
# They stand when a lady enters the room | 0:24:08 | 0:24:11 | |
# They won't let her do a thing | 0:24:11 | 0:24:14 | |
# All the boys from the South went to boarding school | 0:24:14 | 0:24:16 | |
# Didn't hurt them none... # | 0:24:16 | 0:24:19 | |
-That's got a New York licence number. Shall we check it? -Yeah. | 0:24:19 | 0:24:24 | |
OK. 89, Artesia... Request check of a New York licence plate... | 0:24:24 | 0:24:29 | |
One, five, eight, zero... | 0:24:29 | 0:24:33 | |
-Morning. How are you this morning? -Sussex. I have a reservation. | 0:24:33 | 0:24:39 | |
Yes, Mr Sussex, we've been expecting you. Room 505, please. | 0:24:39 | 0:24:44 | |
-That sure is a fancy-looking pen. -When should I call for you, sir? | 0:24:45 | 0:24:51 | |
I'm not sure. Some time tomorrow. | 0:24:51 | 0:24:54 | |
# He was born in Dixie | 0:24:54 | 0:24:57 | |
# And his momma raised him right | 0:24:57 | 0:25:00 | |
# He was born in Dixie... # | 0:25:00 | 0:25:02 | |
Um... | 0:25:02 | 0:25:04 | |
No. No, I'll take that. | 0:25:05 | 0:25:08 | |
-No, I'll take the stairs. -It's five flights. -Oh... | 0:25:11 | 0:25:16 | |
Oh... | 0:25:16 | 0:25:18 | |
-Shall I go back? -No, keep on going. | 0:25:18 | 0:25:21 | |
Oh, God! | 0:25:26 | 0:25:29 | |
Oh, God! | 0:25:29 | 0:25:31 | |
Oh! | 0:25:31 | 0:25:33 | |
Oh! | 0:25:33 | 0:25:35 | |
Oh, are you all right? | 0:25:35 | 0:25:38 | |
It's over. You're all right now. | 0:25:38 | 0:25:41 | |
We're on the fifth floor. | 0:25:41 | 0:25:43 | |
Oh, God! | 0:25:43 | 0:25:45 | |
Oh... | 0:25:45 | 0:25:48 | |
You're gonna be OK. Oh... | 0:25:48 | 0:25:53 | |
Oh... | 0:25:53 | 0:25:55 | |
Oh, Lord! Are you OK? | 0:26:11 | 0:26:15 | |
Are you OK? Oh... | 0:26:15 | 0:26:18 | |
Oh... | 0:26:18 | 0:26:21 | |
Mister? | 0:26:51 | 0:26:53 | |
Mister? Mister? Are you OK? | 0:26:53 | 0:26:57 | |
Are you OK? | 0:26:57 | 0:27:00 | |
-I must have fainted. -Fainted?! | 0:27:00 | 0:27:03 | |
I thought you were dead! | 0:27:03 | 0:27:06 | |
I'll call a doctor. | 0:27:08 | 0:27:11 | |
No, don't call a doctor. | 0:27:13 | 0:27:15 | |
Oh! | 0:27:17 | 0:27:19 | |
HE GROANS | 0:27:22 | 0:27:26 | |
Hello. | 0:27:52 | 0:27:53 | |
-You know, you're not at all like my father. -Oh, I'm so glad about that. | 0:27:53 | 0:27:59 | |
SIREN WAILS | 0:27:59 | 0:28:01 | |
-You know, you're not a bit like my father. -I'm glad about that. | 0:28:15 | 0:28:20 | |
You've got more little wrinkles. | 0:28:24 | 0:28:28 | |
You have a lot of wrinkles. | 0:28:28 | 0:28:30 | |
-And things... More things... -I know... | 0:28:33 | 0:28:38 | |
-I'm probably older than your dad! -Probably! | 0:28:38 | 0:28:42 | |
You tease me so much! | 0:28:42 | 0:28:46 | |
Well... | 0:28:46 | 0:28:49 | |
I'm not a lecherous old man, you're a lecherous little girl. | 0:28:49 | 0:28:53 | |
But no-one would ever believe it! | 0:28:53 | 0:28:56 | |
-Come on, nobody would ever believe you. -Oh... | 0:28:56 | 0:29:00 | |
Yeah! Yeah! | 0:29:00 | 0:29:03 | |
Professor Canutti! | 0:29:03 | 0:29:07 | |
Yeah! Yeah! | 0:29:09 | 0:29:11 | |
-DISTORTED VOICE: -"Nobody would ever believe you." | 0:29:11 | 0:29:16 | |
Could I have something to drink? | 0:29:20 | 0:29:23 | |
Are you sure you should drink? | 0:29:23 | 0:29:26 | |
-I'd like a glass of... -Gin? | 0:29:26 | 0:29:29 | |
A nice gin and tonic... | 0:29:29 | 0:29:32 | |
with four cubes of ice... and a slice of lime. | 0:29:32 | 0:29:37 | |
-How's that sound, mister? -Just a glass of water. -No, I'll get it. | 0:29:41 | 0:29:47 | |
Do you want me to go and get some medicine? | 0:29:49 | 0:29:53 | |
Maybe you should have something with your water? Some kind of pill maybe? | 0:29:53 | 0:29:58 | |
Just the water. | 0:29:58 | 0:30:01 | |
What's your name? | 0:30:03 | 0:30:06 | |
Sussex. | 0:30:07 | 0:30:09 | |
Erm, can I leave now? I've got some cleaning to do. I'll come back later. | 0:30:11 | 0:30:17 | |
You go ahead. I'm all right. | 0:30:17 | 0:30:20 | |
And then, when I was 15, I worked in this pharmacy in a hospital, | 0:30:37 | 0:30:43 | |
delivering medicine to all the floors. | 0:30:43 | 0:30:46 | |
It was a real responsible job. | 0:30:46 | 0:30:50 | |
Boy, you're really hooked on water, aren't you? | 0:30:50 | 0:30:55 | |
One day, you oughtta try one of these. | 0:30:55 | 0:30:58 | |
Am I talking too much? | 0:30:59 | 0:31:02 | |
Maybe I oughtta go. | 0:31:04 | 0:31:06 | |
Oh... Oh, Lord, it's after three. | 0:31:07 | 0:31:11 | |
I guess you're tired. | 0:31:11 | 0:31:13 | |
-Well...I'll just finish this up and then... -Then? | 0:31:15 | 0:31:20 | |
And then I think I'll have another one. | 0:31:20 | 0:31:25 | |
You know, I really like you, mister. | 0:31:27 | 0:31:30 | |
What do you do? | 0:31:30 | 0:31:33 | |
-For a living, I mean? -I'm just visiting. | 0:31:33 | 0:31:37 | |
Oh, a traveller! | 0:31:37 | 0:31:40 | |
-Could you help me up, please? -Sure. | 0:31:43 | 0:31:45 | |
You know, mister, I don't think you get enough to eat. | 0:31:52 | 0:31:58 | |
If you don't mind my saying so... I think you're too thin. | 0:31:58 | 0:32:03 | |
You're very thin. | 0:32:03 | 0:32:06 | |
You're too thin! | 0:32:07 | 0:32:10 | |
-Do you come from a city? -No, I come from the country. | 0:32:15 | 0:32:20 | |
Ah. | 0:32:20 | 0:32:22 | |
I wish I lived in the country. | 0:32:22 | 0:32:25 | |
You know, this is a very unhealthy place. | 0:32:25 | 0:32:28 | |
The water here is all polluted. | 0:32:28 | 0:32:31 | |
They put chemicals in it to stop people getting sick. Very unhealthy. | 0:32:31 | 0:32:36 | |
-I think it just takes getting used to, that's all. -It sure does. | 0:32:36 | 0:32:41 | |
-Anyway...I... -I wonder if you'd mind, Mary-Lou, if I rested now. | 0:32:44 | 0:32:50 | |
Lord, no. | 0:32:52 | 0:32:54 | |
I was just leaving anyway. | 0:32:54 | 0:32:57 | |
-I'll come back and see you tomorrow if you want. -I'd like that. | 0:33:10 | 0:33:14 | |
-Perhaps you could bring me a television? -TV? Nothing easier. | 0:33:14 | 0:33:20 | |
-Well, I'll be seeing ya, Mr...? -Sussex. | 0:33:20 | 0:33:24 | |
Sussex. I don't know why, but I'll never be able to remember that name. | 0:33:24 | 0:33:29 | |
Good night. | 0:33:29 | 0:33:31 | |
Good night. | 0:33:33 | 0:33:35 | |
Thank you, Mary-Lou. Thank you. | 0:33:35 | 0:33:39 | |
You're welcome. | 0:33:39 | 0:33:41 | |
They always seem to lead such interesting lives, people who travel. | 0:33:51 | 0:33:57 | |
People who write stories must lead kind of interesting lives, too. | 0:33:57 | 0:34:02 | |
I know I'll never be like a character in a story. | 0:34:02 | 0:34:06 | |
I'll just be like everybody else. | 0:34:06 | 0:34:09 | |
But, maybe, maybe, maybe, I don't know. | 0:34:09 | 0:34:14 | |
Maybe some day... | 0:34:14 | 0:34:17 | |
'There are now six subsidiaries under the holding company. | 0:34:17 | 0:34:22 | |
'Yes, we receive bank statements on each company twice a day.' | 0:34:22 | 0:34:28 | |
I want the total figure by tomorrow. | 0:34:28 | 0:34:30 | |
To the nearest 50 million. | 0:34:30 | 0:34:33 | |
The utilities operate slightly... | 0:34:33 | 0:34:36 | |
The more secretive you are about your life, the more it arouses people's interest. | 0:34:36 | 0:34:43 | |
A chemistry professor from Chicago has been calling and writing. | 0:34:43 | 0:34:49 | |
'Well, that's not so terrible.' | 0:34:49 | 0:34:52 | |
Why don't you talk to him? | 0:34:52 | 0:34:55 | |
Mary-Lou? | 0:34:55 | 0:34:57 | |
My life is not secret, Mr Farnsworth, but it IS private. | 0:34:57 | 0:35:02 | |
TV: 'Among the most active today is World Enterprises, up five points. | 0:35:02 | 0:35:07 | |
'Analysts say they know of no reason for the sudden interest...' | 0:35:07 | 0:35:12 | |
For a whole year, I concentrated on two things. Fucking and World Enterprises. | 0:35:17 | 0:35:22 | |
I had to admit it began to look like Canutti was right. | 0:35:22 | 0:35:27 | |
World Enterprises were slow to reply to my letters and calls. | 0:35:27 | 0:35:32 | |
Suddenly, I got this letter from Farnsworth. | 0:35:32 | 0:35:36 | |
I'd landed a job in the research department of the fuel division. | 0:35:36 | 0:35:41 | |
Strangely, after that, I began to lose my interest in 18-year-olds. I don't know what happened to me. | 0:35:41 | 0:35:48 | |
I'm not sure. But my mind had developed a libido of its own. | 0:35:48 | 0:35:53 | |
I didn't need the stimulation of legs and so forth. | 0:35:53 | 0:35:57 | |
The salary was terrific. It was three times what I'd been getting. | 0:35:57 | 0:36:02 | |
The first thing I did was order a French car. This upset Canutti more than anything else! | 0:36:02 | 0:36:09 | |
The last time I remember feeling so exhilarated was ten years back | 0:36:09 | 0:36:15 | |
when I'd been experimenting with heat photography. | 0:36:15 | 0:36:18 | |
It came to nothing, academia got in the way. But this time, I knew I was going to be given a proper chance. | 0:36:18 | 0:36:26 | |
I knew that because I had faith in myself. | 0:36:26 | 0:36:30 | |
What I didn't know then was someone else had faith in me as well. | 0:36:30 | 0:36:36 | |
TANNOY: 'This is the final call for Continental Airlines flight 241, | 0:36:42 | 0:36:47 | |
'non-stop for El Paso. Ready for immediate departure...' | 0:36:47 | 0:36:52 | |
Dr Bryce? | 0:37:09 | 0:37:11 | |
I'm Oliver Farnsworth. | 0:37:11 | 0:37:14 | |
I thought you were based in New York. | 0:37:14 | 0:37:17 | |
New York? Oh, not any more. | 0:37:17 | 0:37:20 | |
I still have an apartment there. I like it here. I think you will, too. | 0:37:20 | 0:37:25 | |
It's got a lot of... | 0:37:25 | 0:37:28 | |
-..space. It's freedom. You know what I mean? -Yes, I do. | 0:37:30 | 0:37:34 | |
Then there's the job itself. | 0:37:36 | 0:37:40 | |
It will entail certain... | 0:37:40 | 0:37:43 | |
er... | 0:37:43 | 0:37:45 | |
Well...you won't live in quite the same way as you did before. | 0:37:45 | 0:37:50 | |
Of course, there's the salary - | 0:37:50 | 0:37:53 | |
-another adjustment. -I know this is what I want. | 0:37:53 | 0:37:58 | |
I hope so. | 0:37:59 | 0:38:01 | |
-TV: -The sun is ten thousand times larger than earth... | 0:38:07 | 0:38:11 | |
-TV: -I'm glad you're leaving tonight. -You are? -Makes everything simpler. | 0:38:11 | 0:38:18 | |
-That's the way it should be - no complications, no danger. -None at all. | 0:38:18 | 0:38:24 | |
Hello, Tommy. | 0:38:24 | 0:38:26 | |
I got that white wine you like. | 0:38:26 | 0:38:30 | |
It's not cold. Want me to pour you a glass? | 0:38:30 | 0:38:33 | |
Why not? | 0:38:33 | 0:38:36 | |
-TV: -Oh, I suppose so. Like that first pair of high-heeled shoes. | 0:38:39 | 0:38:44 | |
I don't understand how you watch them all at the same time. | 0:38:44 | 0:38:49 | |
You know, Tommy... you're really a freak. | 0:38:49 | 0:38:52 | |
I don't mean that unkindly - I like freaks. That's why I like you. | 0:38:52 | 0:38:57 | |
-TV: -Let me see... | 0:38:57 | 0:39:00 | |
I really like you. | 0:39:00 | 0:39:03 | |
-TV: -If people get too attached to each other, things drag on. | 0:39:03 | 0:39:09 | |
-I think people should always behave as though they were between plains. -Very sound, Mr Flanagan. | 0:39:09 | 0:39:16 | |
Face it - he who loves and runs away, lives to love another day. | 0:39:16 | 0:39:21 | |
MARY-LOU: It's not enough. | 0:39:21 | 0:39:24 | |
I don't know why you're living with me. | 0:39:24 | 0:39:28 | |
Oh! You don't need me. | 0:39:28 | 0:39:31 | |
Yes, I do. | 0:39:31 | 0:39:34 | |
First, we'll have a drink... | 0:39:37 | 0:39:40 | |
then I'll have a bath... | 0:39:40 | 0:39:43 | |
and tomorrow, we'll go to church. | 0:39:45 | 0:39:48 | |
TV PLAYS IN THE BACKGROUND | 0:39:48 | 0:39:52 | |
-Lord, I love gin. -I can't go to church. | 0:39:52 | 0:39:57 | |
Oh, come on, Tommy. You won't feel out of place. | 0:39:57 | 0:40:01 | |
Makes me feel so good. | 0:40:02 | 0:40:05 | |
Gives me something to believe in. | 0:40:05 | 0:40:08 | |
Everybody needs that - a meaning to life. | 0:40:08 | 0:40:13 | |
I mean, when you look out at the sky at night, | 0:40:13 | 0:40:17 | |
don't you feel that somewhere out there, there's gotta be a god? | 0:40:17 | 0:40:22 | |
There's gotta be. | 0:40:26 | 0:40:29 | |
VIOLIN MUSIC PLAYS ON TV | 0:40:30 | 0:40:35 | |
They are so strange here, the trains. | 0:41:00 | 0:41:03 | |
Damn cheap rinses. | 0:41:16 | 0:41:19 | |
Come in, Tommy. Don't be embarrassed. | 0:41:19 | 0:41:22 | |
Are you hiding out? | 0:41:29 | 0:41:32 | |
-Then how come you said your name was Mr Sussex? -I didn't know you then. | 0:41:35 | 0:41:39 | |
-Are you married? -Yes. | 0:41:45 | 0:41:48 | |
Thought so. | 0:41:48 | 0:41:50 | |
What's she like, your wife? Is she like me? | 0:41:51 | 0:41:55 | |
No. | 0:41:55 | 0:41:57 | |
Didn't think so. | 0:41:58 | 0:42:01 | |
Well, I guess I'll do for now, won't I? | 0:42:01 | 0:42:05 | |
We've handed song sheets out today of an old English hymn, | 0:42:12 | 0:42:17 | |
which I'd like you all to try and sing for a friend of ours. | 0:42:17 | 0:42:22 | |
CHURCH ORGAN PLAYS | 0:42:22 | 0:42:26 | |
# And did those feet in ancient time | 0:42:33 | 0:42:40 | |
# Walk upon England's mountain green? | 0:42:40 | 0:42:46 | |
# And was the holy lamb of God | 0:42:46 | 0:42:52 | |
# On England's pleasant pastures seen? | 0:42:52 | 0:42:58 | |
# And did the countenance divine | 0:42:58 | 0:43:04 | |
# Shine forth upon our clouded hills? | 0:43:04 | 0:43:10 | |
# And was Jerusalem builded here | 0:43:10 | 0:43:17 | |
# Among these dark... # | 0:43:17 | 0:43:20 | |
# Try to remember the kind of September | 0:43:23 | 0:43:29 | |
# When life was slow and oh so mellow | 0:43:29 | 0:43:36 | |
# Try to remember the kind of September | 0:43:36 | 0:43:42 | |
# When grass was green | 0:43:42 | 0:43:45 | |
# And grain so yellow | 0:43:45 | 0:43:48 | |
# Try to remember the kind of September | 0:43:48 | 0:43:54 | |
# When you were young And a callow fellow | 0:43:54 | 0:44:00 | |
# Try to remember | 0:44:00 | 0:44:03 | |
# And if you remember | 0:44:03 | 0:44:06 | |
# Then follow | 0:44:06 | 0:44:09 | |
# Follow... # | 0:44:09 | 0:44:12 | |
TRAIN HORN BLARES | 0:44:32 | 0:44:36 | |
Tommy? | 0:44:38 | 0:44:40 | |
Tommy, look! A train! | 0:44:40 | 0:44:42 | |
I like trains. I remember when Momma used to put us on a train. I was ten. | 0:44:42 | 0:44:48 | |
We'd go to Oklahoma City to visit Granny. | 0:44:48 | 0:44:51 | |
The trains were nice then. They had concession stands. | 0:44:51 | 0:44:56 | |
They would sell magazines and candy bars... | 0:44:56 | 0:45:00 | |
and sodas... | 0:45:00 | 0:45:03 | |
Then, about six years later, | 0:45:06 | 0:45:09 | |
I rode the train again... | 0:45:09 | 0:45:12 | |
and... the concession stands were gone... | 0:45:12 | 0:45:16 | |
There weren't too many people on the train, there weren't any dining cars, | 0:45:19 | 0:45:23 | |
and the seats were all shabby. | 0:45:23 | 0:45:26 | |
It's a shame. I used to like trains. | 0:45:28 | 0:45:31 | |
What do you want to take a picture of that for? | 0:46:28 | 0:46:32 | |
For my scrapbook. | 0:46:32 | 0:46:34 | |
I love our rides in the country. Don't you, honey? | 0:46:57 | 0:47:00 | |
-What? -Nothing. | 0:47:08 | 0:47:11 | |
Look at that! Look! | 0:47:11 | 0:47:14 | |
Lord, I never knew America was so beautiful. | 0:48:16 | 0:48:19 | |
This is beau-ti-ful! | 0:48:19 | 0:48:22 | |
How did you find this place? | 0:48:24 | 0:48:27 | |
-Should I build the house here? -The house? | 0:48:27 | 0:48:31 | |
Oh, yes, yes. Definitely, yes. | 0:48:31 | 0:48:34 | |
It's perfect! | 0:48:34 | 0:48:36 | |
It IS perfect! | 0:48:36 | 0:48:39 | |
Perfect! | 0:48:39 | 0:48:41 | |
It's perfect! | 0:48:48 | 0:48:51 | |
Are you all right, Tommy? | 0:48:53 | 0:48:56 | |
Tommy? | 0:49:00 | 0:49:02 | |
Tommy? | 0:49:02 | 0:49:04 | |
Tommy? | 0:49:04 | 0:49:06 | |
Tommy? | 0:49:17 | 0:49:19 | |
Tommy? | 0:49:19 | 0:49:21 | |
Tommy! | 0:49:24 | 0:49:26 | |
Arthur! | 0:49:26 | 0:49:27 | |
Arthur! | 0:49:46 | 0:49:48 | |
What was it? What did you see? You saw something. | 0:49:48 | 0:49:52 | |
-Are you all right, sir? -Let's get Mr Newton to the car. He's not well. | 0:49:52 | 0:49:57 | |
Are you OK? Are you sure? | 0:49:57 | 0:50:02 | |
Tomorrow I want you to start work on a new project, Mr Farnsworth. | 0:50:12 | 0:50:17 | |
I want the complete resources of World Enterprises at my disposal. | 0:50:18 | 0:50:23 | |
What is the nature of this project, Mr Newton? | 0:50:23 | 0:50:26 | |
You'll have to recruit some new men. | 0:50:31 | 0:50:34 | |
Get some sleep, Mr Farnsworth. | 0:50:34 | 0:50:37 | |
Good night. | 0:50:37 | 0:50:39 | |
What does that mean? | 0:50:44 | 0:50:47 | |
-It's fantastic. -What is? | 0:50:48 | 0:50:51 | |
Starting tomorrow, we are embarking on some sort of space programme. | 0:50:52 | 0:50:58 | |
Space programme? What for? I don't trust him. | 0:50:58 | 0:51:02 | |
I don't trust you. That doesn't alter my feeling for you. | 0:51:02 | 0:51:07 | |
Has he ever been wrong? | 0:51:07 | 0:51:10 | |
No, but he's a freak. | 0:51:10 | 0:51:12 | |
-What do you see in the cards? -Nothing. | 0:51:15 | 0:51:19 | |
-Don't forget your bag. -Thanks, that was great. -Sure. | 0:52:13 | 0:52:18 | |
-Dr Bryce? -Yeah. -Your car's right outside the gate. | 0:52:19 | 0:52:24 | |
-Dr Bryce? -Yeah. -I've come to take you to your laboratory and quarters. | 0:52:39 | 0:52:44 | |
-I thought I'd be working here. -It's not far and it's more comfortable. | 0:52:44 | 0:52:49 | |
I've been shuttled round so much by this company, I should be used to it by now. | 0:52:49 | 0:52:56 | |
-Is that Mr Farnsworth's house? -No, sir, that belongs to Mr Newton. | 0:53:12 | 0:53:17 | |
I can't seem to get dry. | 0:53:37 | 0:53:40 | |
Mmm....I'm still wet. | 0:53:40 | 0:53:44 | |
-I've got something for you. -Oh, yeah? What? A present? | 0:54:06 | 0:54:11 | |
-You know you don't buy people presents. -Call it a prize. | 0:54:11 | 0:54:16 | |
A prize? What for? | 0:54:16 | 0:54:20 | |
-Oh, I don't know. Come on, I'll show you. -What kind of prize? | 0:54:20 | 0:54:25 | |
It's yours, Mary-Lou. | 0:54:25 | 0:54:27 | |
My Lord! | 0:54:27 | 0:54:29 | |
Move over. | 0:54:29 | 0:54:32 | |
Oh, it's beautiful! Let me look. | 0:54:32 | 0:54:35 | |
You saw me looking in that magazine. | 0:54:47 | 0:54:50 | |
It's all dark. | 0:54:51 | 0:54:54 | |
I love you. You're such a nice man. | 0:55:22 | 0:55:25 | |
No, I'm not. | 0:55:25 | 0:55:27 | |
(Let me touch it.) | 0:55:37 | 0:55:40 | |
Do you want it puffy or tight? | 0:55:51 | 0:55:54 | |
-Puff it out a bit more. -OK. | 0:55:54 | 0:55:57 | |
-I don't know if it looks good tight. -These are hard to stick in. | 0:55:57 | 0:56:02 | |
Here? | 0:56:10 | 0:56:11 | |
DISCO STYLE MUSIC PLAYS | 0:56:35 | 0:56:40 | |
-The new suit came in. It's not your colour. It's blue. -No. | 0:56:49 | 0:56:54 | |
-It's exactly the same style... -No, no. | 0:56:54 | 0:56:58 | |
-Dammit! -No, I don't like it. -All right, well, I'll send it back. | 0:56:58 | 0:57:03 | |
-You've had enough. -I don't want to talk to anyone! | 0:57:04 | 0:57:08 | |
Tommy... | 0:57:13 | 0:57:15 | |
Tommy, what's happened to you? | 0:57:15 | 0:57:18 | |
What's happened to me? | 0:57:18 | 0:57:21 | |
-What is this music Farnsworth keeps sending me? I don't like it. -Some German composer. | 0:57:21 | 0:57:28 | |
-I like to hear people singing. Let's have singing. Find some singing. -Singing... | 0:57:28 | 0:57:36 | |
SLOW MUSIC PLAYS | 0:57:37 | 0:57:41 | |
# I feel so bad I've got a worried mind... # | 0:57:45 | 0:57:49 | |
Let's talk. | 0:57:49 | 0:57:51 | |
# I'm so lonesome all the time... # | 0:57:51 | 0:57:53 | |
Oh, don't turn on those damn TVs! Come on, Tommy! | 0:57:53 | 0:57:58 | |
Talk to me! | 0:57:58 | 0:58:00 | |
Oh, I can't stand what's happening to you! Whatever it is! | 0:58:00 | 0:58:06 | |
Why don't you just tell me?! | 0:58:06 | 0:58:08 | |
# The sun don't shine... # | 0:58:08 | 0:58:10 | |
Oh...I hate you... No, I don't! | 0:58:10 | 0:58:14 | |
SHE SOBS | 0:58:14 | 0:58:17 | |
# Come what may... # | 0:58:19 | 0:58:23 | |
Action! Action is what I want! | 0:58:23 | 0:58:26 | |
We have the first report of the day, following these proceedings... | 0:58:26 | 0:58:30 | |
Right. Here we go. | 0:58:38 | 0:58:41 | |
Since you are in college and this is the first day of class... | 0:58:44 | 0:58:50 | |
'Prisoner, have you anything to say? | 0:59:09 | 0:59:11 | |
'If you have nothing to say, the sentence will be carried out!' | 0:59:11 | 0:59:16 | |
'This man is completely insane!' | 0:59:29 | 0:59:32 | |
Get out of my mind! All of you! | 0:59:40 | 0:59:42 | |
Leave my mind alone! | 0:59:49 | 0:59:52 | |
Stay where you belong! Go away! Back where you belong! | 1:00:00 | 1:00:04 | |
-God bless the captain! -Back where you came from. | 1:00:04 | 1:00:08 | |
All of you! | 1:00:13 | 1:00:16 | |
PHONE RINGS | 1:00:41 | 1:00:43 | |
Hello? | 1:00:43 | 1:00:45 | |
-Mr Farnsworth, yes, Bryce. -Is everything all right? | 1:00:45 | 1:00:50 | |
To tell you the truth, I'm baffled. | 1:00:50 | 1:00:53 | |
I've been here so long now. I don't know what I'm supposed to be doing. Oh, about the liquid gas problem... | 1:00:53 | 1:01:01 | |
'I really must tell you...' | 1:01:01 | 1:01:04 | |
I know nothing about liquid gas. | 1:01:04 | 1:01:07 | |
I called to tell you Mr Newton will be visiting you the day after tomorrow. | 1:01:07 | 1:01:14 | |
Yes, Wednesday. | 1:01:14 | 1:01:16 | |
He will be able to answer all your questions. | 1:01:18 | 1:01:21 | |
No, he's away at the moment. | 1:01:23 | 1:01:25 | |
Oh. Well, thanks for calling, Mr Farnsworth. | 1:01:25 | 1:01:29 | |
Tomorrow, Dr Bryce. | 1:02:11 | 1:02:14 | |
-Huh? Who are you? -Don't be suspicious. | 1:02:14 | 1:02:18 | |
Hmm? | 1:02:43 | 1:02:44 | |
Mr Newton sent me to collect you. This way. | 1:02:44 | 1:02:48 | |
-Mr Newton has been away, hasn't he? -Yes, sir. He came in this morning. | 1:02:54 | 1:02:59 | |
Mr Newton is waiting, sir. | 1:03:53 | 1:03:56 | |
-Dr Bryce? I'm Newton. -We've met before... | 1:04:00 | 1:04:04 | |
-How are you getting on? Have you found your feet yet? -Not really. | 1:04:08 | 1:04:14 | |
Well, I'm here to help you. | 1:04:14 | 1:04:16 | |
I believe we share a common interest, Mr Newton - photography. | 1:04:19 | 1:04:25 | |
Mmm. My interest is energy. | 1:04:25 | 1:04:28 | |
Transference of energy. | 1:04:28 | 1:04:31 | |
Oh. | 1:04:31 | 1:04:33 | |
-Transference of energy? -Yes. -I know it will be exciting working with you. | 1:04:33 | 1:04:38 | |
I've looked forward to meeting you. | 1:04:38 | 1:04:41 | |
I've thought about you once or twice. | 1:04:41 | 1:04:45 | |
This is some kind of space vehicle, right? | 1:05:35 | 1:05:38 | |
What for? | 1:05:38 | 1:05:41 | |
Is it a solar probe? | 1:05:41 | 1:05:44 | |
I want you to think beyond that. | 1:05:44 | 1:05:46 | |
I want to show you this because I value your contribution to my work. | 1:05:46 | 1:05:51 | |
-I'm not certain what that's to be. -Fuel conservation, Dr Bryce. | 1:05:51 | 1:05:56 | |
It may be the key to our project. | 1:05:56 | 1:05:59 | |
Ask me. | 1:05:59 | 1:06:01 | |
-What? -The question you've been wanting to ask ever since we met. | 1:06:01 | 1:06:06 | |
Are you a Lithuanian? | 1:06:06 | 1:06:10 | |
I come from England. | 1:06:10 | 1:06:12 | |
That's not so terrible. | 1:06:12 | 1:06:15 | |
Is this a weapon? | 1:06:16 | 1:06:19 | |
-A weapon? -It's too small for inter-planetary travel. | 1:06:19 | 1:06:23 | |
-You assume that it's a weapon. Does that matter to you? -Yeah. | 1:06:23 | 1:06:28 | |
If I thought that you were employing me to help build a weapon, I'd have to quit the project. | 1:06:28 | 1:06:35 | |
Don't be so...suspicious. | 1:06:35 | 1:06:39 | |
I know people think I'm unnecessarily secretive. | 1:06:40 | 1:06:45 | |
If I were you, I'd be secretive. | 1:06:46 | 1:06:49 | |
Would you be comfortable in here? | 1:06:52 | 1:06:55 | |
I think I'd last about 20 minutes. | 1:06:58 | 1:07:01 | |
-And then? -I'd start screaming. | 1:07:01 | 1:07:04 | |
Wouldn't everyone? | 1:07:04 | 1:07:07 | |
-Last night I was watching TV. I saw these ex-astronauts. Some of them are basket cases now. -Television. | 1:07:07 | 1:07:15 | |
The strange thing about television is it doesn't tell you everything. | 1:07:15 | 1:07:19 | |
It shows you everything about life on Earth, but mysteries remain. Maybe it's the nature of television. | 1:07:21 | 1:07:28 | |
Just waves in space. | 1:07:28 | 1:07:32 | |
-Do you trust me, Dr Bryce? -I think so. | 1:07:32 | 1:07:36 | |
-That's not good enough. -It's the best I can do. | 1:07:36 | 1:07:40 | |
Let's put it this way, I want to. | 1:07:40 | 1:07:44 | |
You see, I'm kind of a cliche. I'm the disillusioned scientist. That goes with the cynical writer, | 1:07:44 | 1:07:50 | |
-the alcoholic actor. A man like you wouldn't understand a guy like me. -I'll try to, Dr Bryce. | 1:07:50 | 1:07:58 | |
Well, anyhow... | 1:07:58 | 1:08:00 | |
-Per ardua ad astra. -I beg your pardon? | 1:08:00 | 1:08:05 | |
It's Latin. | 1:08:05 | 1:08:08 | |
-Latin? -You must know that in England. | 1:08:08 | 1:08:12 | |
-Royal Air Force - their motto. -Yes. | 1:08:12 | 1:08:16 | |
Per ardua... | 1:08:16 | 1:08:19 | |
ad astra. | 1:08:19 | 1:08:21 | |
"Through difficulties to the stars." | 1:08:21 | 1:08:24 | |
-It's very hot today. -I appreciate your coming all this way to see me. | 1:08:30 | 1:08:34 | |
-Would you say we're getting close to an understanding? -I'm afraid not. | 1:08:34 | 1:08:39 | |
That's a pity. | 1:08:39 | 1:08:42 | |
We seem to have spent so much time on this question. | 1:08:42 | 1:08:46 | |
Understand, World Enterprises sees itself as a loner. | 1:08:46 | 1:08:50 | |
A pioneer, if you will. We have that get-up-and-go spirit. | 1:08:50 | 1:08:55 | |
Frankly, what you're suggesting sounds like interference. | 1:08:55 | 1:09:01 | |
I beg you to reconsider, Mr Farnsworth. | 1:09:01 | 1:09:04 | |
The world is ever-changing, like our own solar system. | 1:09:04 | 1:09:09 | |
A corporation the size of yours must recognise that. | 1:09:09 | 1:09:13 | |
One must keep up, Mr Farnsworth. | 1:09:14 | 1:09:17 | |
The way I see it, Mr Peters, I'm way ahead. | 1:09:17 | 1:09:22 | |
It's going to be hard. | 1:09:24 | 1:09:26 | |
I'm concerned about the recovery programme. | 1:09:32 | 1:09:36 | |
Don't be. | 1:09:36 | 1:09:39 | |
Don't be? | 1:09:40 | 1:09:42 | |
Mr Newton, are you crazy? | 1:09:42 | 1:09:45 | |
RADIO CRACKLES | 1:10:21 | 1:10:25 | |
THUNDER RUMBLES | 1:10:26 | 1:10:29 | |
HUMMING | 1:10:48 | 1:10:51 | |
Same as before? | 1:11:20 | 1:11:23 | |
-TV: -'So many good and worthwhile products from World Enterprises...' | 1:11:23 | 1:11:28 | |
Gin, neat, no ice. | 1:11:28 | 1:11:31 | |
-Right? -That's it. | 1:11:31 | 1:11:34 | |
-TV: -'We want to help you to a better life. | 1:11:34 | 1:11:37 | |
'WE film turns a little moment into a great event.' | 1:11:37 | 1:11:43 | |
-DISTORTED VOICE: -The colours are beautiful. The film is WE. | 1:12:03 | 1:12:08 | |
It has to be. | 1:12:08 | 1:12:11 | |
WE do it for you. A free camera with each 12-pack. | 1:12:20 | 1:12:25 | |
Turn it off. | 1:12:25 | 1:12:27 | |
'WE film is self-loading...' | 1:12:27 | 1:12:30 | |
TV REMAINS ON | 1:12:30 | 1:12:33 | |
-Is there a malfunction? -No, I don't think so. -May I see? | 1:12:33 | 1:12:38 | |
-'With WE film, what you see is what you get.' -Sometimes it doesn't seem to work. I gotta get some ice. | 1:12:38 | 1:12:45 | |
MUSIC PLAYS ON TV | 1:12:45 | 1:12:50 | |
'Remember, don't throw your WE camera away. If it should break, | 1:12:50 | 1:12:55 | |
'drop it in your nearest WE litter bin. It will be recycled for you. | 1:12:55 | 1:13:00 | |
'World Enterprises works for you, for us.' | 1:13:00 | 1:13:04 | |
THUNDER RUMBLES | 1:13:14 | 1:13:17 | |
That cold front brought heavy snow to the Rockies this week... | 1:13:17 | 1:13:24 | |
-May I look at it? -Hmm? Oh, sure. | 1:13:32 | 1:13:36 | |
It seems to be all right now. | 1:13:45 | 1:13:49 | |
Why does the guy on the WE commercial look like you? | 1:13:49 | 1:13:53 | |
Does he? | 1:13:56 | 1:13:58 | |
He's just a family man. | 1:13:59 | 1:14:03 | |
Our WE products appeal to families. | 1:14:03 | 1:14:06 | |
Are you a family man? | 1:14:08 | 1:14:11 | |
-They live in Los Angeles. -Why aren't you with them? | 1:14:11 | 1:14:15 | |
I'm separated from my wife, but I see my daughter. | 1:14:15 | 1:14:21 | |
A man should spend time with his family. Mmm... | 1:14:21 | 1:14:26 | |
In these circumstances, we have to take action. | 1:14:43 | 1:14:47 | |
I talked with Farnsworth. He just cannot, or will not, see it our way. | 1:14:47 | 1:14:53 | |
The problem with this corporation is it's technologically over-stimulated. | 1:14:55 | 1:14:59 | |
The economic trouble stems from that. | 1:14:59 | 1:15:02 | |
Then you must go further. They have to take a wider view. | 1:15:02 | 1:15:07 | |
What kind of measure would you say is appropriate? | 1:15:10 | 1:15:14 | |
Well, we're flexible. | 1:15:14 | 1:15:17 | |
Something, er... | 1:15:17 | 1:15:19 | |
elastic. | 1:15:19 | 1:15:21 | |
But, remember, we're not the Mafia. | 1:15:21 | 1:15:24 | |
This isn't an archaic Italian joke. | 1:15:24 | 1:15:27 | |
We're determining a social ecology. | 1:15:27 | 1:15:30 | |
This is modern America and we're going to keep it that way. | 1:15:30 | 1:15:35 | |
Uh-huh. | 1:15:38 | 1:15:39 | |
Mm-hm. | 1:15:40 | 1:15:42 | |
OK, OK! > | 1:15:42 | 1:15:44 | |
How long will it take to complete the fuel tank? | 1:15:47 | 1:15:51 | |
-You mean...to construct and all? -Everything. | 1:15:53 | 1:15:58 | |
About 15 months. | 1:15:58 | 1:16:00 | |
That's too long. That's too long. | 1:16:00 | 1:16:04 | |
Why? Why is it too long? | 1:16:04 | 1:16:07 | |
You put alcohol in my drink. | 1:16:07 | 1:16:10 | |
BRYCE CHUCKLES | 1:16:10 | 1:16:13 | |
HUMMING | 1:16:37 | 1:16:40 | |
You can stay on here. The house is yours. | 1:17:05 | 1:17:08 | |
I've transferred enough to your bank account. | 1:17:08 | 1:17:12 | |
I don't want the house or your money. I wanna be with you. | 1:17:14 | 1:17:19 | |
I can't explain it to you completely. | 1:17:22 | 1:17:26 | |
But if I stay here... | 1:17:27 | 1:17:30 | |
I shall die. | 1:17:30 | 1:17:32 | |
What do you mean? | 1:17:32 | 1:17:35 | |
Take me with you. I'll see you don't die. | 1:17:35 | 1:17:38 | |
I can't stay. | 1:17:39 | 1:17:42 | |
You're an alien! | 1:17:43 | 1:17:46 | |
Do you know what would happen if they found out your visa had expired? | 1:17:46 | 1:17:52 | |
You don't know. How could you? You're simple. | 1:17:52 | 1:17:56 | |
You don't understand how we live here. | 1:17:56 | 1:18:00 | |
Oh... Come on, Tommy. | 1:18:03 | 1:18:06 | |
Don't go now. | 1:18:06 | 1:18:09 | |
Give us another chance. | 1:18:09 | 1:18:12 | |
You won't find anyone else like me. | 1:18:14 | 1:18:17 | |
You won't find anyone who'd do for you like I've done for you. | 1:18:19 | 1:18:23 | |
It's your wife, isn't it? I bet you she's no bloody good! | 1:18:31 | 1:18:36 | |
Oooh! | 1:18:36 | 1:18:37 | |
I don't care what you are, or who you are, | 1:18:39 | 1:18:43 | |
I know I can't let you go! Not now! | 1:18:43 | 1:18:46 | |
BUZZER | 1:18:46 | 1:18:49 | |
Tommy? | 1:20:47 | 1:20:49 | |
Tommy? | 1:20:51 | 1:20:52 | |
SHE KNOCKS ON DOOR Tommy, are you all right? | 1:20:53 | 1:20:58 | |
Are you all right? | 1:21:00 | 1:21:03 | |
Tommy! Can you hear me? | 1:21:08 | 1:21:11 | |
Tommy! Let me in! | 1:21:11 | 1:21:14 | |
Oh... | 1:21:43 | 1:21:44 | |
I lifted you up once. | 1:24:22 | 1:24:25 | |
You must believe in Mary-Lou. | 1:24:26 | 1:24:29 | |
Oh! | 1:25:10 | 1:25:12 | |
MARY-LOU SCREAMS | 1:25:12 | 1:25:16 | |
MARY-LOU SOBS | 1:25:22 | 1:25:25 | |
Why? | 1:25:25 | 1:25:26 | |
Why? | 1:25:31 | 1:25:33 | |
Why? Why? | 1:25:33 | 1:25:36 | |
You must hate me. | 1:26:27 | 1:26:30 | |
No, I don't. | 1:26:32 | 1:26:34 | |
I don't hate anyone. I can't. | 1:26:34 | 1:26:38 | |
Your wife's out there somewhere. | 1:26:44 | 1:26:47 | |
She's waiting for you, isn't she? | 1:26:48 | 1:26:52 | |
Your children must miss their dad. | 1:26:52 | 1:26:55 | |
What are they like, your children? | 1:26:57 | 1:27:00 | |
They're like children. | 1:27:03 | 1:27:05 | |
Exactly like children. | 1:27:05 | 1:27:08 | |
GUNSHOT | 1:28:31 | 1:28:35 | |
TYRES SCREECH | 1:28:35 | 1:28:37 | |
GUNSHOT | 1:28:41 | 1:28:44 | |
HORSES HOOVES POUND | 1:28:44 | 1:28:48 | |
-Hello, Mr Newton. -Hello, Dr Bryce. Glad you came. | 1:29:15 | 1:29:19 | |
I hoped you would. | 1:29:19 | 1:29:22 | |
I realise you've made certain assumptions about me. | 1:29:22 | 1:29:27 | |
I can see the flash of an X-ray camera. | 1:29:27 | 1:29:31 | |
It's blinding. | 1:29:31 | 1:29:34 | |
-Why did you come here? -Where I come from, there's a terrible drought. | 1:29:34 | 1:29:39 | |
We saw pictures of your planet on television. | 1:29:39 | 1:29:42 | |
We saw the water. Our word for your planet means "planet of water". | 1:29:42 | 1:29:48 | |
You watched it all on television? | 1:29:48 | 1:29:53 | |
Where exactly do you come from? | 1:29:53 | 1:29:57 | |
Well... I'm not an astronomer, but... | 1:29:57 | 1:30:02 | |
..somewhere down there. | 1:30:03 | 1:30:07 | |
Are you...the first? | 1:30:11 | 1:30:15 | |
The first what? | 1:30:15 | 1:30:17 | |
Visitor? | 1:30:17 | 1:30:19 | |
There have always been visitors. | 1:30:19 | 1:30:22 | |
On my own planet we found evidence of visitors. | 1:30:24 | 1:30:28 | |
You must have seen them here. | 1:30:28 | 1:30:31 | |
-No, I don't think so. -Well, I've seen them. | 1:30:31 | 1:30:35 | |
I've seen their footsteps in their places. | 1:30:35 | 1:30:39 | |
I've seen those things, we've all seen them. That's for theorists. I'm a scientist. | 1:30:39 | 1:30:45 | |
I'm not a scientist. But I know all things begin and end in eternity. | 1:30:45 | 1:30:50 | |
What are you going to do? | 1:30:50 | 1:30:53 | |
-You mean, Dr Bryce, what's in my mind. -Yeah. | 1:30:53 | 1:30:58 | |
-What's in your mind? -Don't worry, I don't want to hurt you. | 1:30:58 | 1:31:03 | |
SOMBRE MUSIC PLAYS | 1:31:11 | 1:31:15 | |
Turn that down, will you, Trevor? | 1:31:15 | 1:31:18 | |
-Would you like a drink? -No. | 1:31:22 | 1:31:24 | |
I don't like to see you like this. | 1:31:27 | 1:31:30 | |
Get out, now. Leave the company, Oliver. | 1:31:31 | 1:31:35 | |
We don't need Newton. | 1:31:35 | 1:31:37 | |
-I feel sorry for him. -Sorry for him? | 1:31:39 | 1:31:42 | |
Why? | 1:31:42 | 1:31:44 | |
Cos he can't help it. | 1:31:46 | 1:31:49 | |
MARY-LOU MOANS SOFTLY | 1:31:49 | 1:31:53 | |
Well... You know Mary-Lou's still living in the house? | 1:32:10 | 1:32:14 | |
I've seen her a few times. | 1:32:16 | 1:32:18 | |
How is she? | 1:32:18 | 1:32:21 | |
She knows, doesn't she? | 1:32:23 | 1:32:25 | |
Mm-hmm. | 1:32:27 | 1:32:28 | |
I trust you both. | 1:32:30 | 1:32:32 | |
What's the time? | 1:33:08 | 1:33:11 | |
It's late. Past midnight. | 1:33:11 | 1:33:13 | |
Is time on my side? | 1:33:13 | 1:33:16 | |
'This is a unique moment in the history of space exploration. | 1:33:17 | 1:33:21 | |
-'Never before has one man travelled single-handed to the stars.' -'It isn't a question of one man, Alan. | 1:33:21 | 1:33:28 | |
'Here we have the head of the World Enterprises Corporation himself.' | 1:33:28 | 1:33:33 | |
HUBBUB OF VOICES | 1:33:33 | 1:33:37 | |
'He's not only the head of World Enterprises, he's the inventor...' | 1:33:37 | 1:33:42 | |
-I don't want the money. I want my Tommy. -Here's the cheque, Mary-Lou. | 1:33:42 | 1:33:47 | |
I don't want it! No! | 1:33:47 | 1:33:50 | |
No! | 1:33:50 | 1:33:52 | |
'..That's impossible to evaluate. Mr Newton has led the life of a recluse. | 1:33:52 | 1:33:57 | |
'Oliver Farnsworth has run the corporation for a number of years.' | 1:33:57 | 1:34:02 | |
He's coming through! | 1:34:02 | 1:34:05 | |
CHEERING | 1:34:05 | 1:34:08 | |
-This is the amount. -I DON'T WANT IT! | 1:34:10 | 1:34:14 | |
I don't want it! I want Tommy! | 1:34:19 | 1:34:23 | |
CHEERING DROWNS SPEECH | 1:34:24 | 1:34:27 | |
'Commander Lovell was on Apollo 13.' | 1:34:27 | 1:34:30 | |
MARY-LOU: Tommy! | 1:34:30 | 1:34:33 | |
'Mr Newton's mission...' | 1:34:33 | 1:34:36 | |
'That was said by Mr Newton's associate, Dr Bryce.' | 1:34:36 | 1:34:41 | |
I want Tommy! I want him! | 1:34:41 | 1:34:44 | |
'Mr Newton is concerned about the state of our world and the climate | 1:34:44 | 1:34:49 | |
'and the preservation of natural life. World Enterprises has made special efforts to recycle waste...' | 1:34:49 | 1:34:56 | |
No! | 1:34:56 | 1:34:57 | |
'This amazing man is not only the owner of World Enterprises, | 1:34:57 | 1:35:02 | |
'but he's also the inventor of its most exceptional products. | 1:35:02 | 1:35:07 | |
'Where he comes from is as mysterious as where he's going.' | 1:35:07 | 1:35:12 | |
I've got an hour. Take me back to the house. | 1:35:12 | 1:35:16 | |
Thank you, Mary-Lou. | 1:35:18 | 1:35:20 | |
'There's been some research done...' | 1:35:20 | 1:35:23 | |
I want Tommy! Tommy! | 1:35:23 | 1:35:26 | |
'This is an extraordinary moment in the history of our country. | 1:35:26 | 1:35:31 | |
'There's no parallel to be found with what this man is doing. | 1:35:31 | 1:35:36 | |
'It's difficult to compare him with anyone. He is unique. | 1:35:36 | 1:35:42 | |
'We have all, strangely enough, relied on Mr Newton...' | 1:35:42 | 1:35:47 | |
-How many does she take? -35. | 1:35:47 | 1:35:50 | |
Don't bother. | 1:35:52 | 1:35:55 | |
Arthur? Arthur, can you hear me? | 1:36:03 | 1:36:07 | |
Arthur! | 1:36:45 | 1:36:47 | |
I haven't got time now. | 1:36:47 | 1:36:49 | |
BUZZER | 1:36:49 | 1:36:52 | |
Hello, Mr Farnsworth. | 1:36:52 | 1:36:55 | |
I knew it had to come. It had to come, didn't it? | 1:36:55 | 1:36:59 | |
What are you doing?! What...? | 1:37:01 | 1:37:04 | |
Those are my eyes! | 1:37:04 | 1:37:07 | |
Wait! | 1:37:09 | 1:37:12 | |
Let me see you! | 1:37:17 | 1:37:19 | |
PHONE RINGS | 1:37:20 | 1:37:23 | |
Stop! Stop a minute! | 1:37:23 | 1:37:27 | |
I won't believe it! | 1:37:32 | 1:37:35 | |
-Listen... -Give me his other arm. -I haven't got the time... | 1:37:35 | 1:37:40 | |
Wait! | 1:37:40 | 1:37:42 | |
Not that... Won't you let me see your face?! | 1:37:44 | 1:37:48 | |
-Goddamnit! -I'm sorry. -Oh, don't worry about it. | 1:37:50 | 1:37:55 | |
RADIO PLAYS | 1:37:55 | 1:37:59 | |
-I've changed my mind. Oh... -Oh, there's nothing to worry about. | 1:38:03 | 1:38:08 | |
I know who you are... | 1:38:08 | 1:38:11 | |
HE PANTS | 1:38:11 | 1:38:15 | |
Where are you taking me?! | 1:38:30 | 1:38:33 | |
HEARTBEAT PULSES | 1:39:24 | 1:39:27 | |
There we go, big guy. Oh, you got a kiss for your old dad? | 1:39:39 | 1:39:44 | |
Huh? | 1:39:44 | 1:39:46 | |
-I wonder if we do and say the right things. -To the children? | 1:40:00 | 1:40:04 | |
No...everything. | 1:40:04 | 1:40:08 | |
JAZZ STYLE MUSIC PLAYS | 1:40:10 | 1:40:15 | |
TV: 'Has just been appointed advisor to the new administration | 1:41:28 | 1:41:33 | |
'on matters of economic development in the chemical industry.' | 1:41:33 | 1:41:38 | |
Professor Canutti, have their been any major developments recently? | 1:41:38 | 1:41:42 | |
As we all know, a giant corporation, which had become a household word... | 1:41:42 | 1:41:47 | |
-Good morning, Mr Newton. -Good morning. | 1:41:47 | 1:41:50 | |
..Ran into financial difficulties. | 1:41:50 | 1:41:53 | |
-I feel so tired. -How about a nice, refreshing Martini? | 1:41:53 | 1:41:58 | |
The consumer can assimilate only so many new products... | 1:41:58 | 1:42:03 | |
Just the way you like it... | 1:42:03 | 1:42:06 | |
Not too cold. | 1:42:06 | 1:42:09 | |
There. Now, it's a beautiful day. | 1:42:13 | 1:42:16 | |
Oh... | 1:42:16 | 1:42:18 | |
Thank you, Arthur. | 1:42:29 | 1:42:32 | |
MUSIC PLAYS ON RADIO | 1:42:32 | 1:42:37 | |
You know, if all of you drank less, we'd get better results. | 1:42:39 | 1:42:44 | |
Take my advice and stick to mineral water. | 1:42:44 | 1:42:47 | |
Keep a perspective. | 1:42:47 | 1:42:50 | |
I'll talk to him. I know he'll be all right. | 1:42:50 | 1:42:54 | |
I'm not sure. We've got a serious unemployment problem on our hands. | 1:42:54 | 1:42:59 | |
Well, the media... have begun to hint at a fraud. | 1:42:59 | 1:43:05 | |
People need reassuring. | 1:43:07 | 1:43:10 | |
They've got a right to the facts. | 1:43:13 | 1:43:15 | |
-I understand, Mr Peters. -I'm not quite sure you understand | 1:43:15 | 1:43:21 | |
how all this might affect you. | 1:43:21 | 1:43:24 | |
-Nate! Help me, Nate! -Don't worry, Mr Newton, you're perfectly normal. | 1:43:54 | 1:43:59 | |
HE MOANS SOFTLY | 1:44:00 | 1:44:04 | |
Help me, Nate! | 1:44:06 | 1:44:09 | |
HUM OF CONVERSATION | 1:44:12 | 1:44:15 | |
Yes. It's been such a long time. Do you really think I look nice? | 1:44:15 | 1:44:20 | |
Mmm... | 1:44:20 | 1:44:22 | |
Have you seen him? | 1:44:22 | 1:44:24 | |
No, I, er... They're keeping us away from him. | 1:44:24 | 1:44:31 | |
You HAVE seen Calloway! | 1:44:31 | 1:44:33 | |
Well... they asked me to help take him. | 1:44:35 | 1:44:38 | |
So I'm helping. | 1:44:38 | 1:44:41 | |
-Poor Harry. -Poor Harry! | 1:44:49 | 1:44:52 | |
'Poor Harry! | 1:44:54 | 1:44:56 | |
'Wouldn't lift a finger to help you!' | 1:44:56 | 1:44:59 | |
Poor Tommy. We haven't helped him much, have we? | 1:44:59 | 1:45:03 | |
I think maybe we have a chance now. | 1:45:04 | 1:45:07 | |
They might let you, er...see him... | 1:45:07 | 1:45:10 | |
Alone that is. | 1:45:10 | 1:45:13 | |
I don't want him any more. I don't want him, but he's still part of me. That's a fact. | 1:45:13 | 1:45:19 | |
I don't want to hurt him any more. Poor Tommy's been hurt enough. | 1:45:19 | 1:45:24 | |
I know, but I might be able to arrange for you to talk to him. | 1:45:24 | 1:45:29 | |
Maybe you, er...you can save him. | 1:45:29 | 1:45:32 | |
Save him? From what? | 1:45:32 | 1:45:36 | |
TRAIN WHISTLE BLOWS | 1:45:36 | 1:45:39 | |
Good evening. Would you take off your pyjama jacket? | 1:45:39 | 1:45:43 | |
-How long do I have to stay here? -I have no idea. It depends on why you're here. | 1:45:43 | 1:45:49 | |
TV PLAYS IN THE BACKGROUND | 1:45:51 | 1:45:55 | |
This is just a little test. Would you drop your trousers, please? | 1:45:55 | 1:46:00 | |
I've told you already. | 1:46:00 | 1:46:03 | |
-Just don't hurt me again. -No, this won't hurt. Trust me. Hmm? Nurse? | 1:46:03 | 1:46:09 | |
OK, Mr Newton, point your toes in, please. | 1:46:14 | 1:46:18 | |
OK, take a nice, deep breath now. OK, hold it... | 1:46:18 | 1:46:22 | |
Oh! | 1:46:22 | 1:46:24 | |
-That's fine. -I told you before, I came alone. | 1:46:24 | 1:46:27 | |
I came alone, nobody saw me. | 1:46:27 | 1:46:30 | |
Oh! Tommy! | 1:48:39 | 1:48:42 | |
My sweet baby! | 1:48:42 | 1:48:44 | |
Oh, I never thought I'd see you again! | 1:48:44 | 1:48:48 | |
You look so beautiful to my eyes! | 1:48:48 | 1:48:50 | |
Oh... Do they know? | 1:48:53 | 1:48:56 | |
-Know what? -About you? | 1:48:56 | 1:48:58 | |
How did you get in here? | 1:48:58 | 1:49:01 | |
Oh...through the front doors. | 1:49:01 | 1:49:04 | |
The double doors? | 1:49:04 | 1:49:07 | |
Where...? Where are you going?! | 1:49:08 | 1:49:11 | |
Oh... | 1:49:26 | 1:49:27 | |
Oh... | 1:49:27 | 1:49:29 | |
Oh... | 1:49:29 | 1:49:32 | |
You never get sick. | 1:49:53 | 1:49:56 | |
What happens to you when you drink? | 1:49:58 | 1:50:02 | |
I see things. | 1:50:02 | 1:50:05 | |
What things? | 1:50:07 | 1:50:09 | |
Bodies. | 1:50:13 | 1:50:15 | |
Bodies? Women? | 1:50:15 | 1:50:18 | |
-And men. -Men?! | 1:50:18 | 1:50:21 | |
Men?! | 1:50:21 | 1:50:23 | |
Mmm! Bad boy! | 1:50:27 | 1:50:30 | |
I want it. | 1:50:41 | 1:50:44 | |
I've been dreaming of it. | 1:50:45 | 1:50:48 | |
Please... | 1:50:50 | 1:50:52 | |
Do you know what I think? | 1:50:53 | 1:50:56 | |
What? | 1:50:56 | 1:50:58 | |
I think you know... You know too much about me. | 1:50:58 | 1:51:03 | |
What do you mean? | 1:51:06 | 1:51:09 | |
I can do anything. | 1:51:10 | 1:51:13 | |
Now...you know? | 1:51:13 | 1:51:16 | |
I can kill you. | 1:51:17 | 1:51:20 | |
Right here, on this bed. | 1:51:20 | 1:51:23 | |
Then I could phone room service... | 1:51:26 | 1:51:29 | |
And they'd take your body away... | 1:51:31 | 1:51:34 | |
And then I'd have them send up another girl. | 1:51:34 | 1:51:38 | |
Oh, Tommy... | 1:51:38 | 1:51:41 | |
I just want it to be like it was. | 1:51:42 | 1:51:46 | |
Me...the two of us... | 1:51:46 | 1:51:50 | |
-You, the way you were. -That's the way I am! | 1:51:51 | 1:51:56 | |
-It's too late, Mary-Lou. I can't trust you! -Yes, you can. | 1:51:56 | 1:52:01 | |
-Yes, you can. -Goodbye, Mary-Lou. -No. -Sleep well. -NO! | 1:52:01 | 1:52:06 | |
# Hello Mary-Lou | 1:52:16 | 1:52:18 | |
# Goodbye heart... # | 1:52:18 | 1:52:21 | |
MARY-LOU GIGGLES | 1:52:21 | 1:52:25 | |
They gave me the gun and the blanks because I asked for them. And I asked for you and here you are. | 1:52:28 | 1:52:36 | |
You're not giving your everything. | 1:52:52 | 1:52:55 | |
They're not really giving me anything. I'm paying them. I'm rich. | 1:53:02 | 1:53:07 | |
I can afford anything. | 1:53:09 | 1:53:12 | |
Let me get up! | 1:53:21 | 1:53:24 | |
Come here! | 1:53:24 | 1:53:26 | |
Here, you shoot! You shoot! | 1:53:32 | 1:53:35 | |
Say your prayers, boy! | 1:54:10 | 1:54:12 | |
Give me a kiss! | 1:54:13 | 1:54:15 | |
You don't want to go back. Not really. | 1:54:27 | 1:54:30 | |
You've got everything here. | 1:54:30 | 1:54:34 | |
Tell me one thing that you have on your planet... | 1:54:38 | 1:54:43 | |
Wooh! That we don't have on ours. | 1:54:43 | 1:54:46 | |
Come on. | 1:54:46 | 1:54:48 | |
Tell me one thing. | 1:54:48 | 1:54:51 | |
You don't have any money... | 1:54:51 | 1:54:54 | |
you don't have any water... | 1:54:54 | 1:54:57 | |
you don't have any grass... | 1:54:57 | 1:55:00 | |
You don't have any booze. | 1:55:01 | 1:55:04 | |
What do you want to go back to a desert for? | 1:55:09 | 1:55:13 | |
If you want a desert, we've got deserts here. | 1:55:13 | 1:55:17 | |
This country's rich. We've got everything. | 1:55:17 | 1:55:21 | |
All right... | 1:55:28 | 1:55:31 | |
I know... | 1:55:31 | 1:55:33 | |
your wife and your family. | 1:55:33 | 1:55:36 | |
By the time you get back, they'll probably be dead. | 1:55:36 | 1:55:41 | |
I mean, how long will it take to get back from here? How many years? | 1:55:41 | 1:55:47 | |
Light years or whatever you want to call them. How many? | 1:55:47 | 1:55:51 | |
All I'm trying to say, Tommy... | 1:55:56 | 1:55:59 | |
is that if you could just prove who you really are, you'd be free. | 1:55:59 | 1:56:04 | |
They don't understand you. | 1:56:04 | 1:56:07 | |
They don't believe you. They think you're one of us. | 1:56:07 | 1:56:11 | |
They think you're a freak or a fake... | 1:56:11 | 1:56:15 | |
I know you're not. | 1:56:15 | 1:56:17 | |
All you have to do is just prove it to them. | 1:56:22 | 1:56:27 | |
Let them see you as you really are. | 1:56:27 | 1:56:29 | |
Listen... | 1:56:31 | 1:56:33 | |
Nate could probably make a deal for you. | 1:56:35 | 1:56:38 | |
I'll bet you you could go back. | 1:56:40 | 1:56:43 | |
They'll probably let you go back. I'm sure they would. | 1:56:43 | 1:56:48 | |
You can get into that little rocket ship of yours and go back! Huh? | 1:56:48 | 1:56:52 | |
No. | 1:56:55 | 1:56:56 | |
What do you mean "no"? | 1:56:56 | 1:57:00 | |
No. | 1:57:00 | 1:57:01 | |
Come on, Tommy! Show them! Prove it to them. | 1:57:01 | 1:57:06 | |
-Prove it. -No, I don't want to. I've proved enough. | 1:57:09 | 1:57:13 | |
I've proved everything I'm going to prove. That's as far as I'm going. | 1:57:13 | 1:57:18 | |
I don't love you any more. | 1:57:20 | 1:57:23 | |
And I don't love you. | 1:57:25 | 1:57:28 | |
You're going to die like an animal. | 1:57:32 | 1:57:35 | |
Just an animal - a stupid creature. | 1:57:35 | 1:57:38 | |
I want to give you something. | 1:57:38 | 1:57:41 | |
Here you are. | 1:57:44 | 1:57:47 | |
It's my last present. | 1:57:47 | 1:57:50 | |
It's the only thing that's really mine to give. | 1:57:50 | 1:57:54 | |
I don't want it. | 1:57:54 | 1:57:57 | |
Why not? | 1:57:59 | 1:58:01 | |
It doesn't fit, Tommy. | 1:58:20 | 1:58:23 | |
It doesn't fit! | 1:58:25 | 1:58:27 | |
It doesn't fit! | 1:58:29 | 1:58:32 | |
We're going to take some photographs of you. It's very straightforward. | 1:59:02 | 1:59:06 | |
-The first picture will be of your retinas... -What are you doing?! | 1:59:06 | 1:59:12 | |
-An equally straightforward X-ray. -No, you don't know what you're doing! | 1:59:12 | 1:59:18 | |
But the flash of an X-ray... | 1:59:18 | 1:59:21 | |
This won't hurt. There's no flash with an X-ray. You can't see it. | 1:59:21 | 1:59:26 | |
-I can. I can see X-rays. -Drink this. | 1:59:26 | 1:59:30 | |
Are you wearing contact lenses? I can see something inside there. | 1:59:30 | 1:59:34 | |
Please don't hurt my eyes! | 1:59:34 | 1:59:37 | |
Tweezers, please. | 1:59:37 | 1:59:39 | |
No, you won't be able to take them out. | 1:59:41 | 1:59:44 | |
-I've been dealing with lenses for 20 years. It won't hurt. -I'll do it. | 1:59:44 | 1:59:49 | |
Don't touch my eyes. Give me the tweezers, please. | 1:59:49 | 1:59:54 | |
-Hand me the tweezers. -No, I can't let you do it. -Get him drink. | 2:00:15 | 2:00:21 | |
-Please, don't do it! Please! -Don't get excited. -Call Dr Bryce. He knows. | 2:00:30 | 2:00:35 | |
-I don't know who Dr Bryce is. -I want to go home. -Yes, yes, of course. | 2:00:35 | 2:00:41 | |
-I want to go home. -Very soon now. -Finish your drink. -Please, don't! | 2:00:41 | 2:00:46 | |
-Doctor, when you're ready. -I'm ready. -Mary-Lou! Help me! Don't! | 2:00:46 | 2:00:52 | |
No! | 2:00:52 | 2:00:53 | |
They're stuck. They're stuck. | 2:00:56 | 2:01:00 | |
I'll never get them off. | 2:01:00 | 2:01:04 | |
'Twenty, nineteen, eighteen... | 2:01:44 | 2:01:48 | |
'seventeen, sixteen... | 2:01:48 | 2:01:51 | |
'fifteen, fourteen... | 2:01:51 | 2:01:55 | |
'thirteen, twelve... | 2:01:55 | 2:01:57 | |
'eleven, ten...' | 2:01:57 | 2:02:00 | |
-Can you imagine the cost of that spaceship? -Why do they build these things? -Stand by, five seconds... | 2:02:00 | 2:02:07 | |
-It's such a waste when people... It's such a waste of money. -Destruct. | 2:02:07 | 2:02:12 | |
CHURCH BELL TOLLS | 2:03:36 | 2:03:40 | |
TICKING | 2:04:28 | 2:04:31 | |
TICKING, WHIRRING, RINGING | 2:04:45 | 2:04:50 | |
MUSIC: "Silent Night" | 2:05:49 | 2:05:53 | |
-I'd like another one, please. -OK. -Honey? I'd like to try this. | 2:06:11 | 2:06:16 | |
MAN CHUCKLES | 2:06:16 | 2:06:18 | |
I'll get it. | 2:06:18 | 2:06:21 | |
-How much, please? -26.86. | 2:06:24 | 2:06:27 | |
Thirty. | 2:06:27 | 2:06:29 | |
-Change. -Thank you. | 2:06:34 | 2:06:37 | |
-Merry Christmas. -Uh-huh. | 2:06:37 | 2:06:40 | |
One...two... | 2:07:05 | 2:07:08 | |
Wanna drink? | 2:07:08 | 2:07:12 | |
Mmm... Why not? | 2:07:12 | 2:07:15 | |
Three...four. | 2:07:16 | 2:07:19 | |
Oh, shoot! | 2:07:24 | 2:07:26 | |
You know, I believe Christmas is less commercial this year. | 2:07:28 | 2:07:33 | |
I'd like to go someplace for Christmas where it's real hot. | 2:07:36 | 2:07:41 | |
Tropical. | 2:07:41 | 2:07:43 | |
I guess I must be feeling the cold. | 2:07:51 | 2:07:54 | |
CAT PURRS | 2:07:54 | 2:07:58 | |
-Could I listen to a track off this? -Yeah, let me see. Come this way. | 2:08:49 | 2:08:54 | |
DOG BARKS | 2:09:21 | 2:09:25 | |
There you are. | 2:09:31 | 2:09:34 | |
Thank you. | 2:09:35 | 2:09:37 | |
Mr Newton? | 2:09:39 | 2:09:41 | |
-Nathan Bryce. -That's right. | 2:09:42 | 2:09:46 | |
-May I sit down? -Mm-hm. Go ahead. | 2:09:46 | 2:09:50 | |
Strangely enough, I was thinking of you just the other day. | 2:09:52 | 2:09:57 | |
How did you find me? | 2:10:01 | 2:10:03 | |
Your record. | 2:10:03 | 2:10:05 | |
-Hm? -It took me a while, but I traced you. | 2:10:05 | 2:10:09 | |
Did you like it? | 2:10:11 | 2:10:14 | |
Not much. | 2:10:14 | 2:10:16 | |
Mmm... I didn't make it for you anyway. | 2:10:16 | 2:10:20 | |
-Who'd you make it for, then? -For my wife. | 2:10:20 | 2:10:24 | |
She'll get to hear it one day. | 2:10:24 | 2:10:27 | |
On the radio. | 2:10:27 | 2:10:30 | |
We hear almost everything on the radio these days. | 2:10:30 | 2:10:35 | |
Do you see anything of Mary-Lou? | 2:10:37 | 2:10:40 | |
Not much. | 2:10:40 | 2:10:42 | |
I don't want her to get lonely. | 2:10:45 | 2:10:48 | |
She must still have enough money. | 2:10:48 | 2:10:51 | |
Don't you feel bitter about it, everything? | 2:10:51 | 2:10:54 | |
Bitter? No. | 2:10:54 | 2:10:57 | |
We'd have probably treated you the same if you'd come to our place. | 2:10:57 | 2:11:02 | |
Is there no chance, then? | 2:11:04 | 2:11:07 | |
Of what? Course there's a chance. | 2:11:07 | 2:11:10 | |
You're the scientist, Dr Bryce. | 2:11:10 | 2:11:13 | |
You must know there's always a chance. Do you need money? | 2:11:13 | 2:11:18 | |
Let me know if you do. | 2:11:22 | 2:11:25 | |
I may not stay sober any more, but I still have money. | 2:11:26 | 2:11:31 | |
GLASS FALLS | 2:11:33 | 2:11:36 | |
-Oh! -Ah, I think maybe Mr Newton has had enough. Don't you? | 2:11:36 | 2:11:42 | |
I think maybe he has. | 2:11:42 | 2:11:46 | |
Ah. | 2:11:47 | 2:11:49 |