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|---|---|---|---|
This film contains some strong language. | 0:00:02 | 0:00:12 | |
# Who'll be deceiving me? | 0:01:41 | 0:01:44 | |
# Who will be leaving me? | 0:01:44 | 0:01:47 | |
# Bel Ami-i-i-i-i... # | 0:01:47 | 0:01:52 | |
HE WHISTLES: "Aupres De Ma Blonde" | 0:01:52 | 0:01:56 | |
CONTINUES WHISTLING | 0:02:04 | 0:02:09 | |
I said to my friend, "There's a handsome gentleman who will stand us a grenadine." | 0:02:17 | 0:02:24 | |
You will stand us a drink? | 0:02:24 | 0:02:26 | |
Yes. | 0:02:26 | 0:02:28 | |
From that fountain. | 0:02:28 | 0:02:31 | |
Espece de cochon! | 0:02:37 | 0:02:39 | |
HE RESUMES WHISTLING | 0:02:39 | 0:02:42 | |
Georges! Don't you know me? | 0:02:46 | 0:02:49 | |
-Charles Forestier, 6th Hussars. -I knew you at once. | 0:02:49 | 0:02:53 | |
-You old rogue! -Same old Charles. -Come and have a drink. | 0:02:53 | 0:02:58 | |
-Delighted to see you. -How are you? -Not too well. | 0:02:58 | 0:03:02 | |
-I've got a bad cough. What'll you have? -Beer. -Two. | 0:03:02 | 0:03:06 | |
-Doctor tells me I should go south, but I can't leave my job. -What job? | 0:03:06 | 0:03:11 | |
I'm on the editorial staff for the Vie Francaise. A journalist, | 0:03:11 | 0:03:15 | |
-if you please. -A journalist? Sounds important. | 0:03:15 | 0:03:18 | |
A fancy word for a newspaperman. What have you been up to since you left the army? | 0:03:18 | 0:03:25 | |
-I'm rich. Got enough money to last me the rest of my life. -You have? -If I die tomorrow. | 0:03:25 | 0:03:31 | |
How do you like that? | 0:03:31 | 0:03:34 | |
Is Ignorance Desirable In A Cabinet Minister? by Charles Forestier. | 0:03:34 | 0:03:39 | |
-You see? -You've come a long way from the time we stole chickens from bloodthirsty Arabs. | 0:03:39 | 0:03:45 | |
-Don't. I'm scared to remember it. -To the Arabs. -God rest their souls. | 0:03:45 | 0:03:51 | |
I got sick of the army, but Paris is no better. I've been sent into the world merely to swell the crowd. | 0:03:51 | 0:03:58 | |
-You expect to open Paris like an oyster? -I work for a railway company at 1,500 francs a year. | 0:03:58 | 0:04:05 | |
-Hang it, that's not much. -Today is the 28th of June. Here's my capital. | 0:04:05 | 0:04:10 | |
Three francs, 40 centimes till pay day. I can have two lunches and no dinner or two dinners and no lunch. | 0:04:10 | 0:04:17 | |
-I did a foolish thing. I squandered the price of breakfast on a toy. -Punch? | 0:04:17 | 0:04:23 | |
What in the world prompted you to buy this? | 0:04:23 | 0:04:28 | |
I have need of a stout stick like that of Punch to beat my way. | 0:04:28 | 0:04:32 | |
When I see the idiots with money, I'm tempted to wring their necks like we did with the chickens. | 0:04:32 | 0:04:39 | |
LAUGHTER, THEN HACKING COUGH | 0:04:39 | 0:04:43 | |
-That IS a bad cough you've got. -I shouldn't have taken that cheroot. | 0:04:48 | 0:04:53 | |
-Couldn't you get a better job? -Been offered a riding master's place. -People in society won't receive you | 0:04:53 | 0:05:00 | |
-if you give riding lessons. -One grenadine. | 0:05:00 | 0:05:04 | |
-Make yourself at home. -Your friend. I can make a fool of myself for his sake. -You haven't changed, Georges. | 0:05:04 | 0:05:12 | |
Women always go for you. Is it that devilish look of yours? | 0:05:12 | 0:05:17 | |
Maybe. Women take to men who appear wicked. | 0:05:17 | 0:05:21 | |
-Haven't I seen you in the Folies-Bergere? -It's possible. -I'm Rachel. My friend and I are dancers. | 0:05:21 | 0:05:28 | |
We're there between nine and ten. Perhaps we'll meet your good-looking friend there. | 0:05:28 | 0:05:34 | |
Perhaps you will not. Swallow your stolen drink and go. | 0:05:34 | 0:05:38 | |
Quickly. | 0:05:42 | 0:05:44 | |
You're very successful with women. It may lead to something. In Paris, it's through them one gets on. | 0:05:48 | 0:05:56 | |
A stick like that of Punch. | 0:06:01 | 0:06:04 | |
-What's that? -Nothing. Just an idea that occurred to me. | 0:06:04 | 0:06:09 | |
Like to try journalism? We have a vacancy. | 0:06:09 | 0:06:12 | |
-A reporter died in a duel. -I've never written. -Everyone must begin. | 0:06:12 | 0:06:18 | |
-I can get you a job. Shall I speak to the manager about it? -By all means. | 0:06:18 | 0:06:24 | |
-Dine with me tomorrow. The boss, Monsieur Walter, will be there. -I haven't any dress clothes. | 0:06:24 | 0:06:31 | |
In Paris, you may as well go naked. Here's 100 francs. Pay me later. | 0:06:31 | 0:06:36 | |
-Tomorrow, at half past seven. 17 Quai D'Anjou. -17 Quai D'Anjou. | 0:06:36 | 0:06:41 | |
-I've got to run along. -I'll read your article. -Till tomorrow. -Thanks, old man. -Long live the 6th Hussars. | 0:06:41 | 0:06:49 | |
# He... | 0:06:49 | 0:06:51 | |
# Whose love is deep | 0:06:51 | 0:06:54 | |
# Whose love is strong | 0:06:54 | 0:06:57 | |
# Whose love will keep | 0:06:57 | 0:07:01 | |
# But not for long | 0:07:01 | 0:07:03 | |
# Who'll be deceiving me? | 0:07:03 | 0:07:06 | |
# Who will be leaving me? | 0:07:06 | 0:07:09 | |
# Bel Ami-i-i-i... # | 0:07:09 | 0:07:13 | |
DOOR OPENS > | 0:07:46 | 0:07:49 | |
BELL RINGS | 0:07:54 | 0:07:56 | |
CHAMBER MUSIC PLAYS | 0:08:15 | 0:08:19 | |
-Good evening, Clotilde. -Good evening. | 0:08:31 | 0:08:34 | |
And Georges Duroy. Are you two acquainted? | 0:08:34 | 0:08:38 | |
-Monsieur Georges Duroy - Madame Clotilde de Marelle, my very dear friend. -Madame. | 0:08:38 | 0:08:44 | |
We met by chance at your door. | 0:08:44 | 0:08:46 | |
Fate, perhaps, had a hand in it. | 0:08:46 | 0:08:50 | |
GENTEEL CHAMBER MUSIC | 0:09:03 | 0:09:07 | |
It's Norbert de Varenne, the blind composer, and his wife Marie. | 0:09:17 | 0:09:22 | |
< Organist at Notre Dame Cathedral. He writes for the Vie Francaise. | 0:09:22 | 0:09:28 | |
And who is that beside Charles? | 0:09:28 | 0:09:30 | |
Laroche-Mathieu, of the Chamber of Deputies. Political editor of the paper. | 0:09:30 | 0:09:36 | |
He will be a cabinet minister. > | 0:09:36 | 0:09:39 | |
-And the gentleman with the cigar is Walter? -You'll never see him without one. Banker and publisher. | 0:09:39 | 0:09:47 | |
The woman knitting is his wife. She's always knitting. > | 0:09:53 | 0:09:58 | |
-The girl is their daughter, Suzanne. -Mme Walter knits too fast. There's trouble locked up in her. | 0:09:58 | 0:10:05 | |
-Perhaps. -Who is the artist? | 0:10:07 | 0:10:09 | |
Jacques Rival, the caricaturist. > | 0:10:09 | 0:10:13 | |
He's very witty. You'll like him. | 0:10:13 | 0:10:16 | |
MUSIC CONTINUES | 0:10:16 | 0:10:19 | |
MUSIC ENDS | 0:10:31 | 0:10:34 | |
Isn't it absurd, Monsieur? | 0:10:40 | 0:10:43 | |
I'm not allowed to go to the theatre, or to read the serials in Papa's newspaper. | 0:10:43 | 0:10:49 | |
I'm allowed to paint in watercolours, but not in oils, and then only roses. | 0:10:49 | 0:10:54 | |
Parents keep their daughters sealed up. | 0:10:54 | 0:10:57 | |
Were we born to imitate our grandmothers and do embroidery patterns? | 0:10:57 | 0:11:03 | |
After all, I'm 15, and this is 1880. | 0:11:03 | 0:11:06 | |
< Excuse my daughter, Monsieur. | 0:11:06 | 0:11:09 | |
She chatters like that all day. | 0:11:09 | 0:11:12 | |
If I published a newspaper fit for my daughter to read, I'd go bust. | 0:11:12 | 0:11:17 | |
She's old enough to read anything. We censor our young people too much. | 0:11:17 | 0:11:22 | |
The only way to develop an immunity to the diseases of life is to be exposed to them. | 0:11:22 | 0:11:29 | |
-A dangerous theory. -Not only young people suffer from censorship. | 0:11:29 | 0:11:34 | |
I'm a widow with a young daughter. | 0:11:34 | 0:11:37 | |
I'd like to disguise myself and go dancing at the Reine Blanche. | 0:11:37 | 0:11:42 | |
-But not a single gentleman of my acquaintance will take me there. -They are perfectly right. | 0:11:42 | 0:11:49 | |
-Monsieur de Varenne... -It is Monsieur Duroy who is speaking. | 0:11:49 | 0:11:54 | |
-I saw you at the puppet theatre on the Champs Elysees. -I like that puppet show because of Punch. | 0:11:54 | 0:12:01 | |
There's a lesson to be learned there. | 0:12:01 | 0:12:04 | |
A lesson to be learned from Punch? | 0:12:04 | 0:12:07 | |
He beats everyone who opposes him, but his brutality is imposed on him. | 0:12:07 | 0:12:13 | |
Those who surrender to evil are not free, but marionettes of the devil. | 0:12:13 | 0:12:18 | |
We are all no more than puppets unless we believe in God. | 0:12:18 | 0:12:23 | |
Don't let's discuss God over soup. It usually comes up over dessert. | 0:12:23 | 0:12:28 | |
When no-one knows what he's talking about. | 0:12:28 | 0:12:32 | |
I'm religious. I pray every morning for the Stock Market to go up! | 0:12:32 | 0:12:38 | |
NO-ONE ELSE LAUGHS | 0:12:38 | 0:12:41 | |
Why do you think that Punch has been so popular for centuries? Because he's a scoundrel. | 0:12:43 | 0:12:49 | |
-The human race adores a scoundrel and crucifies its heroes. -What is your opinion of Punch? | 0:12:49 | 0:12:56 | |
-I have respect for him. It is not easy to be a successful scoundrel. -You are right. It takes talent. | 0:12:56 | 0:13:03 | |
But what strikes me most about Punch is his amorous inclination. | 0:13:03 | 0:13:09 | |
-Disgusting. -I find it delightful. You've arrived at a subject which interests me. | 0:13:19 | 0:13:25 | |
It interests women, perhaps because in discussing it one passes readily from the general to the particular. | 0:13:25 | 0:13:33 | |
After the dinner, I shall make a caricature of you as Punch, since you admire him so much. | 0:13:33 | 0:13:41 | |
Your wife says you have something to discuss, Charles. The paper? | 0:13:41 | 0:13:47 | |
Yes. It can wait till dinner's over. | 0:13:47 | 0:13:50 | |
Nonsense. We are all from the paper except Monsieur Duroy. He won't mind. | 0:13:50 | 0:13:56 | |
-It concerns Monsieur Duroy. You'll forgive me, Georges? -Of course. | 0:13:56 | 0:14:01 | |
Poor Marambot was killed in a duel. | 0:14:01 | 0:14:04 | |
I would rather have lost... 20,000 francs. | 0:14:04 | 0:14:08 | |
Duellists are just murderers. | 0:14:08 | 0:14:11 | |
-We need to replace him. I suggest my friend. -Are you a journalist? | 0:14:11 | 0:14:16 | |
-Charles intends to make me one. -Georges has returned from Africa. | 0:14:16 | 0:14:21 | |
He can write about Algeria, while it's being debated in the Chamber. | 0:14:21 | 0:14:27 | |
Recollections Of A Chasseur D'Afrique. I'd like to read that. | 0:14:27 | 0:14:31 | |
Bring me an article tomorrow at three, | 0:14:31 | 0:14:35 | |
and we'll decide the matter. | 0:14:35 | 0:14:38 | |
WHISTLING: "Aupres De Ma Blonde" | 0:14:44 | 0:14:48 | |
TRAIN WHISTLE BLOWS | 0:14:54 | 0:14:57 | |
TRAIN WHISTLE BLOWS, ENGINES CHUG PAST | 0:15:46 | 0:15:51 | |
HE COUGHS | 0:16:15 | 0:16:17 | |
TRAIN WHISTLE BLOWS | 0:17:03 | 0:17:06 | |
-Charles! -Georges, what on earth are you doing here? -Waiting for you to come out. I didn't want to go up | 0:17:28 | 0:17:35 | |
for fear of disturbing you. I need your help. | 0:17:35 | 0:17:39 | |
-Checking your competitors? -Taking a course in journalism. -I see. | 0:17:39 | 0:17:44 | |
-You haven't been able to write? -Been at it all night. I made notes, but I can't get them into shape. | 0:17:44 | 0:17:51 | |
-I'm in a bit of a hurry. -Just get me started. I've got to make a good impression on Monsieur Walter. | 0:17:51 | 0:17:59 | |
-You've got some good ideas here. -I can't organise them properly. | 0:17:59 | 0:18:03 | |
Go in and see my wife. | 0:18:07 | 0:18:09 | |
-She'll be able to help. -Your wife? -I trained her for this kind of work. | 0:18:09 | 0:18:14 | |
-I can't call on her at this time of day. -She's up. She's in my study. | 0:18:14 | 0:18:20 | |
-You're not going to make me climb those stairs? -I'll tell her that you forced me to go. | 0:18:20 | 0:18:27 | |
-Bring the article to me at the Vie Francaise. -Don't worry about that. | 0:18:27 | 0:18:32 | |
And that, Monsieur, is how one writes an article. Sign it, please. | 0:18:37 | 0:18:42 | |
I haven't the words to thank you. | 0:18:42 | 0:18:45 | |
Nonsense. I made the sauce, but you provided the materials - excellent materials. | 0:18:45 | 0:18:51 | |
But sign it. | 0:18:51 | 0:18:54 | |
Georges Duroy. | 0:18:56 | 0:18:58 | |
I hope you're not suffocated. I simply can't work without smoking. | 0:19:03 | 0:19:08 | |
-What is it you want to say? -You won't be offended? -Is it so awful? | 0:19:08 | 0:19:13 | |
When I saw you last night I thought, "She's beautiful." | 0:19:13 | 0:19:17 | |
No woman could be offended by such a confession. | 0:19:20 | 0:19:24 | |
Now I can't help thinking, "She's clever." | 0:19:24 | 0:19:28 | |
-What did you think of Clotilde? -She's so young to be a widow. | 0:19:29 | 0:19:35 | |
She was married to an older man. She's original and intelligent. You must call on her. | 0:19:35 | 0:19:42 | |
-She wanted to go to the Reine Blanche. Dare I take her? -Not there. | 0:19:42 | 0:19:47 | |
Bernard, how nice to see you. Madeleine. | 0:19:47 | 0:19:50 | |
An old friend of Charles, Monsieur Georges Duroy. Our closest friend, the Count de Vaudrec. | 0:19:53 | 0:20:00 | |
-Monsieur. -Monsieur. | 0:20:00 | 0:20:03 | |
Well, thank you again. | 0:20:03 | 0:20:05 | |
LIVELY DANCE MUSIC | 0:20:20 | 0:20:23 | |
DANCE MUSIC ENDS | 0:21:28 | 0:21:31 | |
MOURNFUL MELODY PLAYS | 0:21:33 | 0:21:36 | |
# So many women adore him | 0:21:36 | 0:21:39 | |
# So many women, they bore him | 0:21:39 | 0:21:44 | |
# I'm just a woman who's for him | 0:21:44 | 0:21:48 | |
# If only he loved only me | 0:21:48 | 0:21:53 | |
# Who am I dreaming of Each time I dream of love? | 0:21:53 | 0:21:58 | |
# My Bel Ami | 0:21:58 | 0:22:01 | |
# Who clinks his glass with mine Each time we're drinking wine? | 0:22:01 | 0:22:06 | |
# My Bel Ami | 0:22:06 | 0:22:10 | |
# Whose arms romance with me Each time they dance with me? | 0:22:10 | 0:22:16 | |
# It's plain to see | 0:22:16 | 0:22:19 | |
# Whose love is deep? | 0:22:19 | 0:22:22 | |
# Whose love is strong? | 0:22:22 | 0:22:25 | |
# Whose love will keep? But not for long | 0:22:25 | 0:22:29 | |
# Who'll be deceiving me? | 0:22:29 | 0:22:32 | |
# Who will be leaving me? | 0:22:32 | 0:22:34 | |
# Bel Ami... # | 0:22:34 | 0:22:38 | |
SHE HUMS: "Bel Ami" | 0:22:45 | 0:22:48 | |
I've had such fun. | 0:22:48 | 0:22:51 | |
-We'll spend many such evenings. -At carnival time I want to dress up as a young man in a full dress suit. | 0:22:51 | 0:22:58 | |
-You've no idea what a charming man I can be. -Haven't I? | 0:22:58 | 0:23:03 | |
-I'm glad to see that the Vie Francaise has other uses. -I heard Walter talking about you. | 0:23:06 | 0:23:12 | |
-What did he say? -That you're a real find for the paper. He thinks you'll get on. -I find journalism | 0:23:12 | 0:23:19 | |
to my taste, but can't make money at it. Who is the Count de Vaudrec? | 0:23:19 | 0:23:25 | |
He is Madeleine's oldest friend. | 0:23:25 | 0:23:28 | |
Oh. | 0:23:28 | 0:23:30 | |
I don't think so. | 0:23:30 | 0:23:33 | |
He dines with her and Charles twice a week. He's very rich, and a noble. | 0:23:33 | 0:23:38 | |
Madeleine is very clever. | 0:23:38 | 0:23:41 | |
I wish I were clever. | 0:23:41 | 0:23:43 | |
-You're beautiful. I know no cleverness to match that. -She is keen, clever and intriguing. | 0:23:43 | 0:23:50 | |
-She'd be a treasure for anyone. -She plays with her wedding ring, as if she didn't consider it permanent. | 0:23:50 | 0:23:57 | |
Charles frightens me with that cough of his. | 0:23:57 | 0:24:01 | |
-Will she marry again if anything happens to him? -I suspect that she has someone in her eye. | 0:24:01 | 0:24:08 | |
-Not Laroche-Mathieu? -He'll be a cabinet minister. She's ambitious. | 0:24:08 | 0:24:12 | |
She's too good for that mediocrity. | 0:24:12 | 0:24:15 | |
SHE HUMS | 0:24:19 | 0:24:22 | |
Are you in love with Madeleine? | 0:24:22 | 0:24:25 | |
Certainly not. | 0:24:25 | 0:24:27 | |
Are you in love with anyone? | 0:24:31 | 0:24:33 | |
Yes. | 0:24:37 | 0:24:39 | |
HUMMING | 0:24:40 | 0:24:43 | |
Liar! | 0:24:46 | 0:24:48 | |
CARRIAGE STOPS | 0:24:53 | 0:24:56 | |
I've had too much champagne. | 0:25:05 | 0:25:07 | |
-Is she asleep, Louise? -Like an angel, Madame. | 0:25:14 | 0:25:18 | |
What do you think of my daughter? Isn't she an angel? | 0:25:35 | 0:25:39 | |
-As adorable as her mother, and more intelligent. -How do you know? | 0:25:39 | 0:25:44 | |
The soldier in her arms is in the uniform of the 6th Hussars. | 0:25:44 | 0:25:49 | |
My old regiment. | 0:25:49 | 0:25:52 | |
What a wicked man you are. | 0:25:55 | 0:25:57 | |
-I shall call you Bel Ami. -A name I shall do my best to deserve. I have an apartment near Notre Dame. | 0:25:58 | 0:26:05 | |
-Will you take coffee with me there tomorrow? -No. | 0:26:05 | 0:26:10 | |
Good. | 0:26:10 | 0:26:12 | |
Will you take coffee with me tomorrow? | 0:26:18 | 0:26:21 | |
No. | 0:26:21 | 0:26:23 | |
Tomorrow afternoon. | 0:26:35 | 0:26:37 | |
GENTLE PIANO MELODY | 0:26:45 | 0:26:49 | |
# The lark sings in the morning | 0:26:49 | 0:26:53 | |
# The robin sings in the day | 0:26:53 | 0:26:58 | |
# The nightingale sings in the moonlight | 0:26:58 | 0:27:03 | |
# But my heart sings... | 0:27:03 | 0:27:07 | |
# Night and day. # | 0:27:07 | 0:27:12 | |
He wrote it for me, Mummy, for my birthday. | 0:27:12 | 0:27:16 | |
I love you so much! | 0:27:17 | 0:27:20 | |
Two grenadine. | 0:27:35 | 0:27:38 | |
Good evening, Monsieur. | 0:27:51 | 0:27:54 | |
-You know that woman? -No, I... I never saw her in my life. | 0:28:01 | 0:28:06 | |
They can be awfully bold sometimes, these women. | 0:28:06 | 0:28:11 | |
Cognac. | 0:28:15 | 0:28:17 | |
He cut me dead, the swine. | 0:28:21 | 0:28:23 | |
HUMMING: "Bel Ami" | 0:28:25 | 0:28:28 | |
He knew me well enough to have a drink with me last Thursday night, and the Thursday before that. | 0:28:31 | 0:28:39 | |
He can have all the fancy ladies he likes, but he can at least bow to me. | 0:28:39 | 0:28:45 | |
I'll teach him manners, the lout. | 0:28:52 | 0:28:55 | |
Good evening, Georges. | 0:29:09 | 0:29:12 | |
Good evening. Are you quite well? | 0:29:21 | 0:29:24 | |
What? Have you grown deaf since Thursday? | 0:29:29 | 0:29:32 | |
So you're dumb, then? | 0:29:34 | 0:29:36 | |
Perhaps the lady bit your tongue off. | 0:29:36 | 0:29:39 | |
-Get out or I'll have you locked up. -You lout! | 0:29:39 | 0:29:43 | |
The least you can do is nod! You cut me out. | 0:29:43 | 0:29:47 | |
If you'd only nodded to me just now, I should have left you alone. So you won't say good evening? Stop her! | 0:29:47 | 0:29:55 | |
She's stolen my sweetheart! ROARS OF LAUGHTER | 0:29:55 | 0:29:59 | |
'When we first met, you said it was not chance, but fate, that had brought us together. | 0:30:42 | 0:30:49 | |
'I know now that it was a fatality as inescapable as daybreak, | 0:30:49 | 0:30:54 | |
'and as mysterious as the rising of the moon. | 0:30:54 | 0:30:58 | |
'You entered my heart and I gladly made a place for you there. | 0:30:58 | 0:31:02 | |
'Now it seems as natural for me to love you as to breathe. What have I to reproach you with? | 0:31:02 | 0:31:09 | |
'That you have made me love you more than you love me? In love, one always loves more than the other. | 0:31:09 | 0:31:16 | |
'One cannot tear love from the heart as one extracts a tooth. | 0:31:16 | 0:31:21 | |
'I love you so much that your cruelty is dearer to me than the love of others. | 0:31:21 | 0:31:27 | |
'There is nothing you could do that I would not be willing to forgive. | 0:31:27 | 0:31:32 | |
'Tonight my emotions overcame me. For that, I ask forgiveness. | 0:31:40 | 0:31:45 | |
'I shall hide from you the terrible jealousy that kindles in my heart. | 0:31:45 | 0:31:51 | |
'If I must weep, I shall hold a curtain between you and my tears. | 0:31:51 | 0:31:56 | |
'I shall make you a thousand secret sacrifices, including the sacrifice of my self-love. | 0:32:05 | 0:32:11 | |
'It is not difficult to make the gift of love. | 0:32:11 | 0:32:15 | |
'But there is a greater gift - the gift of pride. | 0:32:15 | 0:32:20 | |
'I give you my pride, dear Bel Ami, | 0:32:20 | 0:32:23 | |
'together with my love, which will never change.' | 0:32:23 | 0:32:27 | |
Touch old man Walter for a raise since you're taking over my duties. | 0:32:56 | 0:33:02 | |
-You're leaving? -Tomorrow. I'm going to Cannes. Doctor's orders. | 0:33:03 | 0:33:08 | |
-About time. -I should have been off a month ago. | 0:33:08 | 0:33:13 | |
What fools we are. We squander our lives as though we were immortal. | 0:33:28 | 0:33:33 | |
What kind of talk do you call that? | 0:33:33 | 0:33:37 | |
It would be odd that, bringing you here, I was training my successor. | 0:33:37 | 0:33:42 | |
Nonsense. All you need is sunshine and you'll be as fit as ever. | 0:33:44 | 0:33:49 | |
Perhaps. | 0:33:52 | 0:33:54 | |
When I am leaving Paris, you decide to visit me. You find time to visit Clotilde. | 0:33:54 | 0:34:00 | |
Perhaps you've quarrelled with her. | 0:34:00 | 0:34:03 | |
Clotilde was angry with me. We're friends again. | 0:34:03 | 0:34:07 | |
-I haven't visited you because it's better so. -Why? -I'm in love with you. Only a little. | 0:34:07 | 0:34:14 | |
-I don't want to be head over ears. -You could have come. No man loves me long. -Why not? -Because it's useless. | 0:34:14 | 0:34:21 | |
Understand that. A man in love is not only idiotic, but dangerous, like a mad dog. | 0:34:21 | 0:34:27 | |
I cease all relations with people in love with me until they're better. | 0:34:27 | 0:34:33 | |
But can we command our feelings? | 0:34:33 | 0:34:36 | |
Look at me. | 0:34:36 | 0:34:38 | |
I assure you that it is useless for you to persist in this sentiment. | 0:34:40 | 0:34:45 | |
Will you agree to be friends, nothing more? | 0:34:45 | 0:34:49 | |
Yes. If I'd found a woman like you, how gladly I'd have married her. | 0:34:49 | 0:34:54 | |
-Can you reach that suitcase for me? -Of course. -May I speak plainly? -Please do. | 0:34:56 | 0:35:03 | |
Go and see Mme Walter and please her. | 0:35:03 | 0:35:06 | |
You hold an inferior position. You are not paid enough money. | 0:35:06 | 0:35:10 | |
-Being attentive to her will help you get on. -How clever. -I'm your friend. | 0:35:10 | 0:35:15 | |
-Can I tell you an idea I'd had for the paper? -Of course. | 0:35:17 | 0:35:22 | |
A daily column made up of gossip and rumour. | 0:35:22 | 0:35:26 | |
-I should call it Echoes. -Echoes? I like that. | 0:35:26 | 0:35:29 | |
I should hint at things, insinuate what cannot be proved or disproved. | 0:35:29 | 0:35:35 | |
-Make revelations, contradict in such a way as to confirm. -Superb. | 0:35:35 | 0:35:40 | |
Everyone must be thought of. All classes, all professions. Army, art world, university, law courts. | 0:35:40 | 0:35:47 | |
People always believe gossip. | 0:35:47 | 0:35:49 | |
Reputations could be strengthened or weakened, and the Vie Francaise could become a power to be feared. | 0:35:49 | 0:35:57 | |
It will be necessary to judge what is good to announce and good to hide. | 0:35:57 | 0:36:03 | |
One could influence the stock market, the selection of cabinet ministers. | 0:36:03 | 0:36:08 | |
-Walter will be mad about your idea. -You think so? -It's magnificent. | 0:36:08 | 0:36:13 | |
I wish I could help you with Echoes. | 0:36:13 | 0:36:16 | |
I wish you could. | 0:36:20 | 0:36:22 | |
-Remember, we're friends now. If you have need of me for no matter what, do not hesitate. -Thank you. | 0:36:22 | 0:36:30 | |
If I can be of use, send a letter or telegram and I will obey. | 0:36:30 | 0:36:35 | |
-Goodbye, Madeleine. -Goodbye, Bel Ami. We've all picked up Clotilde's nickname for you. | 0:36:35 | 0:36:42 | |
Bernard, how nice of you to come and bid me goodbye. Madeleine. | 0:36:42 | 0:36:47 | |
You remember Monsieur Duroy? | 0:36:50 | 0:36:53 | |
-Monsieur. -Monsieur. | 0:36:53 | 0:36:55 | |
I'll take these pears. | 0:37:21 | 0:37:23 | |
HE WHISTLES: "Bel Ami" | 0:37:25 | 0:37:28 | |
'Georges Duroy begs Madame Walter... | 0:37:40 | 0:37:44 | |
'to accept a few pears which he received this morning... | 0:37:44 | 0:37:50 | |
'from Normandy.' | 0:37:50 | 0:37:52 | |
-It was so good of you to send us the delicious pears. -They're from an orchard close to my old home. | 0:38:02 | 0:38:09 | |
Sometimes my daughter's actions are a little bewildering. | 0:38:14 | 0:38:19 | |
Georges, you come at the right time. | 0:38:19 | 0:38:22 | |
We are discussing a subject on which we need your expert opinion. | 0:38:22 | 0:38:27 | |
The Venus de Milo's measurements have been compared with those considered ideal in females today. | 0:38:27 | 0:38:34 | |
-I prefer the living woman. -Bravo. | 0:38:34 | 0:38:37 | |
When you are my age, you may prefer the statue. | 0:38:37 | 0:38:42 | |
-I was sure that Bel Ami would be our champion. -On behalf of French womanhood, I thank you. | 0:38:42 | 0:38:48 | |
A woman turns in the direction you desire. You must walk round statues to get the right point of view. | 0:38:48 | 0:38:56 | |
-Bravo. -On behalf of French womanhood, I withdraw my thanks. | 0:38:56 | 0:39:00 | |
-I prefer the statue. It will never deceive you. -Society couldn't exist without deception. | 0:39:00 | 0:39:07 | |
But you are too severe. There ARE good women. | 0:39:07 | 0:39:11 | |
-Where? -There may be, somewhere, good women whose existence is unknown. | 0:39:11 | 0:39:16 | |
No woman is worth what she costs, even if she costs nothing. | 0:39:16 | 0:39:21 | |
-Is there no-one here to defend us? Monsieur? -You need no defence. | 0:39:21 | 0:39:26 | |
I shall not hear your virtue traduced. | 0:39:26 | 0:39:30 | |
If you'll excuse me. So soon? | 0:39:30 | 0:39:33 | |
Whenever Monsieur Duroy appears, the conversation takes an unwholesome turn. | 0:39:33 | 0:39:40 | |
I find myself welcome at many gatherings | 0:39:55 | 0:39:59 | |
for the reason that my arrival is the signal for Monsieur Laroche-Mathieu's departure. | 0:39:59 | 0:40:05 | |
We are waiting for your devastating reply. | 0:40:05 | 0:40:09 | |
He'll think of it in the cab. | 0:40:17 | 0:40:20 | |
-You are wicked to bait him. -He provokes it. | 0:40:20 | 0:40:23 | |
I disapprove of hypocrisy in others. | 0:40:23 | 0:40:26 | |
I've been admiring your paintings. | 0:40:26 | 0:40:30 | |
Now is the time to buy. The painters are all dying of hunger. They have not a sou. Not one sou! | 0:40:30 | 0:40:37 | |
-I must get home. My daughter will be angry with me. -May I escort you? | 0:40:37 | 0:40:42 | |
I should be delighted. | 0:40:42 | 0:40:45 | |
< Suzanne... | 0:40:53 | 0:40:55 | |
I saw a young girl run up the stairs, and now a young lady comes down. | 0:40:55 | 0:41:01 | |
-It's nothing less than magic. -She's too big for spanking. | 0:41:01 | 0:41:06 | |
I passed my sixteenth birthday, Monsieur Bel Ami. Do you approve of me? | 0:41:06 | 0:41:13 | |
My daughter finds you irresistible, Monsieur. | 0:41:13 | 0:41:18 | |
Now look at me. | 0:41:21 | 0:41:24 | |
I want to see if you still care for me. | 0:41:24 | 0:41:27 | |
I have a letter here that I want you to read. | 0:41:31 | 0:41:35 | |
Read it. | 0:41:40 | 0:41:43 | |
He never gives up, does he, your Gaston Rivault? | 0:41:46 | 0:41:51 | |
It's not myself I'm thinking of. | 0:41:51 | 0:41:53 | |
Monsieur Rivault is wealthy, one of the most respected citizens of Lyon. | 0:41:53 | 0:41:58 | |
A good man, devoted and honourable. | 0:41:58 | 0:42:01 | |
If I marry him, whatever may happen, Laurine's future will be assured. | 0:42:01 | 0:42:07 | |
-Well, then? -Ought I to marry him? | 0:42:07 | 0:42:10 | |
By all means. | 0:42:10 | 0:42:13 | |
You know very well I have no intention of marrying him. | 0:42:13 | 0:42:19 | |
Then there's no problem. | 0:42:19 | 0:42:21 | |
Don't you understand it's you I want to marry? | 0:42:21 | 0:42:25 | |
You cannot deny that you love me. | 0:42:29 | 0:42:31 | |
Marriage and love are different. | 0:42:31 | 0:42:35 | |
No, a marriage is the daily bread of the heart. It is great happiness. | 0:42:35 | 0:42:40 | |
There's no money in happiness. | 0:42:40 | 0:42:43 | |
If one desires money too much, it can poison your life. | 0:42:43 | 0:42:47 | |
Give me your cigarette case. | 0:42:47 | 0:42:50 | |
One day you will grow old. You will stretch out your arms for love, consolation. But no-one will come. | 0:42:50 | 0:42:57 | |
Wouldn't you like children, like Laurine, who's so fond of you? | 0:42:57 | 0:43:02 | |
What is it, then, that you want in life? | 0:43:04 | 0:43:08 | |
Shall I tell you? | 0:43:08 | 0:43:10 | |
I should like to know. | 0:43:10 | 0:43:13 | |
When you marry, you want it to be in the Church of the Madeleine with all the wealth of Paris attending. | 0:43:13 | 0:43:20 | |
You want to look across to the Chamber of Deputies, where your future lies. | 0:43:20 | 0:43:26 | |
You cannot understand what Paris means to those who grew up in the provinces. | 0:43:26 | 0:43:32 | |
We look toward Paris as the souls in purgatory look toward paradise. | 0:43:32 | 0:43:37 | |
It's a war. One man against a great city. I must conquer Paris, or be conquered. | 0:43:37 | 0:43:44 | |
Perhaps you could fight even better with me beside you. | 0:43:44 | 0:43:50 | |
Perhaps. | 0:43:51 | 0:43:54 | |
It fits perfectly. | 0:43:56 | 0:43:59 | |
I had it made to fit. I can take the measure of your cigarette case | 0:43:59 | 0:44:04 | |
and put my photograph in it, to remind you of me. | 0:44:04 | 0:44:09 | |
By what arithmetic am I to measure YOU? | 0:44:09 | 0:44:13 | |
Who will tell me the dimensions of the heart? | 0:44:13 | 0:44:17 | |
I could be happy with you, Clotilde. I know that. | 0:44:21 | 0:44:25 | |
Well, then... | 0:44:25 | 0:44:27 | |
-Number 18, Monsieur. -My heart tells me that you're right. | 0:44:27 | 0:44:32 | |
But I haven't listened to my heart for a long time. | 0:44:32 | 0:44:37 | |
Do listen to it now, Bel Ami. | 0:44:38 | 0:44:41 | |
'I am writing this letter because you told me I could count on you. | 0:44:46 | 0:44:51 | |
'Will you come and help me during the last moments of my husband, who is dying? | 0:44:51 | 0:44:56 | |
'I can only ask you as Charles has no relatives. You were his comrade. | 0:44:56 | 0:45:02 | |
'He opened the door of the paper to you. Come, I beseech you. I have no-one else to ask.' | 0:45:02 | 0:45:09 | |
I came just as quickly as I could. | 0:45:11 | 0:45:14 | |
How is he? | 0:45:14 | 0:45:17 | |
The priest is with him now. | 0:45:22 | 0:45:24 | |
Is he so far gone? | 0:45:26 | 0:45:28 | |
You will scarcely recognise him. | 0:45:32 | 0:45:35 | |
I can hear all the bugle calls from the encampment, | 0:45:49 | 0:45:54 | |
even see the warships in the bay. | 0:45:54 | 0:45:56 | |
Look through my glasses there. You can make out the squadron. | 0:45:59 | 0:46:04 | |
There's the Colbert, the Suffren, | 0:46:04 | 0:46:07 | |
the Admiral-Duperre, | 0:46:07 | 0:46:09 | |
and the Redoubtable. | 0:46:09 | 0:46:12 | |
It's beautiful, isn't it? | 0:46:12 | 0:46:15 | |
And over there is Africa. | 0:46:15 | 0:46:18 | |
GHOSTLY SINGING: "Aupres De Ma Blonde" | 0:46:18 | 0:46:23 | |
Sounds familiar, doesn't it? | 0:46:23 | 0:46:25 | |
They're always passing here. | 0:46:25 | 0:46:28 | |
You remember how we rode and sang, Georges? | 0:46:28 | 0:46:32 | |
You and I, this old accordion. | 0:46:32 | 0:46:35 | |
# Aupres de ma blonde Qu'il fait bon, fait bon, fait bon | 0:46:35 | 0:46:40 | |
# Aupres de ma blonde Qu'il fait bon dormir... # | 0:46:40 | 0:46:44 | |
GHOSTLY SINGING CONTINUES | 0:46:44 | 0:46:48 | |
SINGING GRADUALLY FADES | 0:46:52 | 0:46:57 | |
The sun will be shining. | 0:47:00 | 0:47:03 | |
The glow of springtime in the sky. Carriages will pass in the street. A breeze will blow the curtain. | 0:47:03 | 0:47:11 | |
But I... | 0:47:11 | 0:47:13 | |
Charles Forestier... | 0:47:13 | 0:47:15 | |
will be here no more, as though I'd never existed. | 0:47:15 | 0:47:19 | |
You're not so bad as all that. | 0:47:19 | 0:47:22 | |
I can see death so near, I want to reach out my arms, push it back. | 0:47:22 | 0:47:27 | |
Madeleine... | 0:47:30 | 0:47:33 | |
How clear the night is. | 0:48:02 | 0:48:05 | |
It's almost as bright as day. | 0:48:05 | 0:48:08 | |
Over there in Africa when we were soldiers together, | 0:48:09 | 0:48:14 | |
Charles risked his life every day, but no harm came to him. | 0:48:14 | 0:48:18 | |
-A cigarette might help me. Would it be wrong to smoke? -I don't think so. | 0:48:21 | 0:48:26 | |
I must ask you to listen to me for a moment. | 0:49:00 | 0:49:05 | |
Try to understand and do not be indignant at my speaking at such a moment. | 0:49:05 | 0:49:11 | |
You may make a decision about your future before I see you in Paris. | 0:49:11 | 0:49:16 | |
You are aware of my feeling for you. | 0:49:16 | 0:49:19 | |
When we talked about Echoes, I had the vision of a life that brought work and sentiment together happily. | 0:49:19 | 0:49:27 | |
I hoped that such a prospect might please you. This is not a proposal. At this time, that would be odious. | 0:49:27 | 0:49:35 | |
But you can make me happy with a word. My heart and myself are yours. | 0:49:35 | 0:49:40 | |
Have I offended you? | 0:49:53 | 0:49:55 | |
No. | 0:49:57 | 0:49:59 | |
I do not wish you to go away without an answer, but I'm not prepared to say yes or no. | 0:50:03 | 0:50:09 | |
I have felt that our collaboration could be a happy one, but you must understand what sort of woman I am. | 0:50:09 | 0:50:18 | |
Marriage, for me, is a partnership. | 0:50:18 | 0:50:21 | |
I must be free, perfectly free, | 0:50:21 | 0:50:23 | |
as to my ways, my comings and goings. | 0:50:23 | 0:50:26 | |
I must be an equal, an ally, | 0:50:26 | 0:50:29 | |
not an inferior or an obedient and submissive wife. | 0:50:29 | 0:50:33 | |
My notions are not everyone's, but I shall not change them. | 0:50:33 | 0:50:38 | |
You must consider all this carefully. | 0:50:38 | 0:50:41 | |
I do not wish you to change. It is as you are that I came to love you. | 0:50:41 | 0:50:47 | |
You are free to make this proposal? You have no other attachments? | 0:50:47 | 0:50:52 | |
I have no attachments. | 0:50:52 | 0:50:54 | |
We think that love is given to us. | 0:50:57 | 0:51:00 | |
It is not. It is sold to us at the cost of the most cruel tortures. | 0:51:00 | 0:51:05 | |
You told me that Madeleine would be a treasure for anyone. You said that yourself at the Reine Blanche. | 0:51:05 | 0:51:12 | |
When will you be married? | 0:51:12 | 0:51:15 | |
We shall go next week to Rouen, where my father lives, and be married in a registry office. | 0:51:15 | 0:51:22 | |
There will be no witnesses except my father and Madeleine's friend, the Count de Vaudrec. | 0:51:22 | 0:51:29 | |
PIANO PLAYS | 0:51:33 | 0:51:36 | |
# The lark sings in the morning | 0:51:36 | 0:51:41 | |
# The robin sings in the day | 0:51:41 | 0:51:45 | |
# The nightingale sings in the moonlight | 0:51:45 | 0:51:51 | |
# But my heart sings | 0:51:51 | 0:51:54 | |
# Night and day | 0:51:54 | 0:51:57 | |
# The lark sings in the morning | 0:51:57 | 0:52:02 | |
# The robin sings in the day | 0:52:02 | 0:52:07 | |
# The nightingale sings in the moonlight | 0:52:07 | 0:52:12 | |
# But my heart sings | 0:52:12 | 0:52:15 | |
# Night and day. # | 0:52:15 | 0:52:17 | |
I'm glad you're home early. I've had news from Morocco. I got it from Laroche-Mathieu at Mme Walter's tea. | 0:52:30 | 0:52:38 | |
We must work up an article at once. | 0:52:38 | 0:52:41 | |
Your article will be a campaign against the ministry. It'll end by making Laroche-Mathieu a minister. | 0:52:41 | 0:52:48 | |
-He will make our fortunes. -I'd be glad if it was someone less stupid. | 0:52:48 | 0:52:53 | |
-Your ears should have been burning. Mme Walter is smitten with you. -Nonsense. -It's so. | 0:52:53 | 0:53:00 | |
She spoke of you with enthusiasm. | 0:53:00 | 0:53:02 | |
-She wants a husband like you for her daughter, who would be willing. -Her father would be unwilling. | 0:53:02 | 0:53:10 | |
She's aiming very high. Nothing less than a count or marquis will do. | 0:53:10 | 0:53:15 | |
-Or a baron. -The title presents no difficulty. | 0:53:15 | 0:53:19 | |
How so? | 0:53:19 | 0:53:21 | |
-There are ways of acquiring a title. -To be sure. -Noble names are available to anyone | 0:53:21 | 0:53:28 | |
if the family's died out. | 0:53:28 | 0:53:31 | |
-Just visit the Keeper of the Seals and place an advertisement. -"Any protest must be made in one year." | 0:53:31 | 0:53:38 | |
In case someone born to the title is hidden away, he has one year to make himself known, and object. | 0:53:38 | 0:53:46 | |
-Have you been considering it? -The time has not come for that. | 0:53:46 | 0:53:50 | |
-She fancied me - Mme Walter? -Anyone else, I would be alarmed. With her, such things are of no moment. -How? | 0:53:50 | 0:53:58 | |
Mme Walter has never had a whisper about her. She's so perfect, | 0:53:58 | 0:54:03 | |
-I could throw her out of the window. -All angels become women again. | 0:54:03 | 0:54:07 | |
I might learn something from her about old Walter's schemes. | 0:54:07 | 0:54:12 | |
We have more important things to talk about. | 0:54:12 | 0:54:16 | |
GEORGES WHISTLES: "Aupres De Ma Blonde" | 0:54:28 | 0:54:32 | |
Forestier! | 0:54:39 | 0:54:41 | |
Oh, I beg your pardon, Duroy. It's you I want to speak to. | 0:54:48 | 0:54:53 | |
I'm always mixing you up with poor Charles Forestier. | 0:54:53 | 0:54:58 | |
It's because your articles are so infernally like his, I suppose. | 0:54:58 | 0:55:03 | |
Potin, put that gentleman here. | 0:55:03 | 0:55:06 | |
There are all sorts of fools and envious people in this world. | 0:55:06 | 0:55:11 | |
Yes, I see that I was right. | 0:55:11 | 0:55:13 | |
The resemblance is remarkable. | 0:55:13 | 0:55:16 | |
Lend me a piece of your chalk, Jacques. Certain individuals here think it funny to call me Forestier. | 0:55:19 | 0:55:27 | |
I begin to find it very stupid. | 0:55:28 | 0:55:31 | |
However, I have a peaceful nature | 0:55:31 | 0:55:34 | |
and I wish to prevent matters from going to painful extremes. | 0:55:34 | 0:55:39 | |
I'm no longer in the 6th Hussars, but I've not lost my skill with firearms. | 0:55:39 | 0:55:45 | |
I will slap the face of the first person who makes the mistake of calling me Forestier again. | 0:55:51 | 0:55:58 | |
Monsieur Laroche-Mathieu can decide if it's worth risking a bullet for. | 0:55:58 | 0:56:04 | |
You will need yellow crayon, Jacques, for your next caricature of Laroche-Mathieu. | 0:56:06 | 0:56:13 | |
LIVELY PIANO MUSIC | 0:56:13 | 0:56:16 | |
PIANO MUSIC DROWNS OUT SPEECH | 0:56:27 | 0:56:30 | |
-How have you been during the century that has passed since we last met? -Well. And you, Bel Ami? | 0:56:46 | 0:56:53 | |
-Allow me to call him Bel Ami. -Whatever you please. | 0:56:53 | 0:56:57 | |
Permit him to escort me to my carriage. Goodbye, Madeleine. | 0:56:57 | 0:57:02 | |
Goodbye, Clotilde. | 0:57:02 | 0:57:05 | |
How do you like your new life? | 0:57:15 | 0:57:18 | |
Not much. We are a success. We've overthrown the cabinet and made Laroche-Mathieu a minister. | 0:57:18 | 0:57:25 | |
I'm a celebrity. My wife presides over a distinguished political salon. A practical partnership. | 0:57:25 | 0:57:32 | |
Nothing more? | 0:57:32 | 0:57:35 | |
Nothing more. | 0:57:35 | 0:57:37 | |
Wait. | 0:57:41 | 0:57:43 | |
Remember this? | 0:57:48 | 0:57:50 | |
Why should you want me to see Madeleine's picture? | 0:57:55 | 0:57:59 | |
Look under Madeleine's picture. | 0:57:59 | 0:58:03 | |
You see how it is? | 0:58:16 | 0:58:19 | |
-You haven't changed, then? -Not for a moment. And you? | 0:58:19 | 0:58:24 | |
As if I could ever stop loving you. | 0:58:24 | 0:58:28 | |
You'll visit us again? | 0:58:45 | 0:58:48 | |
My carriage doesn't seem to have come as yet. | 0:59:34 | 0:59:38 | |
That is my good fortune. I shall have a moment with you. | 0:59:38 | 0:59:43 | |
Why do you look at me so strangely? | 0:59:45 | 0:59:48 | |
I want always to remember this time, this place. | 0:59:52 | 0:59:56 | |
The trees, the street. This moment, an island in the stream of time. | 0:59:56 | 1:00:02 | |
-What on earth are you talking about? -Can't you guess? -No. | 1:00:02 | 1:00:07 | |
-What makes this moment so important? -I have made a decision. Look away, | 1:00:07 | 1:00:13 | |
and I will tell you what it is. | 1:00:13 | 1:00:16 | |
-Regardless of convention, or what you may think of me, I shall declare myself. -To me? | 1:00:17 | 1:00:24 | |
To you. | 1:00:24 | 1:00:27 | |
-You must be mad. -I'm sure of it. | 1:00:27 | 1:00:30 | |
I've wanted to say this for a long time, but I dared not. They say you're so proper. | 1:00:30 | 1:00:36 | |
I shall remember this moment also. | 1:00:36 | 1:00:39 | |
-Then you're not offended? -No. | 1:00:39 | 1:00:41 | |
You understand my feeling? | 1:00:41 | 1:00:44 | |
-I understand it. -You return it? | 1:00:44 | 1:00:47 | |
-You do not deny it? -HOOVES CLATTER > | 1:00:47 | 1:00:51 | |
-When shall I see you? -I dare not see you. -I MUST see you. | 1:01:01 | 1:01:06 | |
-It's impossible. -Tomorrow afternoon in the Parc Monceau. A chance encounter in a public garden. | 1:01:06 | 1:01:14 | |
I shall be at the Cathedral of Notre Dame tomorrow at half past three. | 1:01:14 | 1:01:19 | |
'I have lighted a fire in an old, soot-filled chimney.' | 1:01:25 | 1:01:30 | |
SOLEMN ORGAN MUSIC | 1:01:30 | 1:01:33 | |
Madame de Varenne? You're surprised to see me here. Do not be alarmed. I'm not a reformed character. | 1:02:41 | 1:02:49 | |
Are you quite sure of that? | 1:02:49 | 1:02:51 | |
May I ask you something? I've been puzzled about you ever since I first saw you with your husband. | 1:02:51 | 1:02:58 | |
-You are not like other women. -What are other women like? -Usually, incredibly stupid. | 1:02:58 | 1:03:05 | |
They can be caught by a look, a compliment - anything that touches their vanity. | 1:03:05 | 1:03:11 | |
But you are different. I saw that you were not taken in by such devices. | 1:03:11 | 1:03:17 | |
Why should you wish to take me in at all? | 1:03:17 | 1:03:21 | |
-I could not help you to gain money or position. -You do me an injustice. | 1:03:21 | 1:03:26 | |
Wait. Why do you smile? | 1:03:26 | 1:03:28 | |
Because you're ridiculous. | 1:03:28 | 1:03:30 | |
Why should a woman marry a man who cannot see she is beautiful? | 1:03:30 | 1:03:35 | |
It seems unnatural to me. What made you waste your beauty on a man who is blind? | 1:03:35 | 1:03:42 | |
-How is one to explain such a thing to a man like you? -Try. | 1:03:42 | 1:03:48 | |
ORGAN MUSIC CONTINUES | 1:03:50 | 1:03:53 | |
I admire his mind and I love his soul. | 1:03:59 | 1:04:03 | |
He has a quality in him you could never comprehend. | 1:04:03 | 1:04:07 | |
-What is that quality? -A kind of... | 1:04:07 | 1:04:11 | |
grace, that comes from being gentle and good, | 1:04:11 | 1:04:15 | |
and faith that endures in spite of men and of experience. | 1:04:15 | 1:04:21 | |
If he should die, surely you could find someone else to adore. | 1:04:21 | 1:04:26 | |
One moment more. What do you think of me, really? | 1:04:26 | 1:04:31 | |
I think you're contemptible. | 1:04:32 | 1:04:35 | |
As for you, I think you're probably the only good woman I've ever known. | 1:04:35 | 1:04:40 | |
I am sorry for you, Monsieur. | 1:04:40 | 1:04:43 | |
There are millions of us. | 1:04:43 | 1:04:46 | |
Bel Ami! | 1:04:54 | 1:04:56 | |
-I'll do that. -Yes, sir. | 1:05:12 | 1:05:14 | |
-You've hardly spoken a word. -Have you forgotten our understanding? | 1:05:20 | 1:05:26 | |
We were carried away by our emotion. We've been guilty of a betrayal. | 1:05:26 | 1:05:31 | |
-We agreed to atone by burying our feelings. -I must at least see you. | 1:05:31 | 1:05:37 | |
-We meet socially. -Does that satisfy you? -Anything more would be indiscreet. -I have been discreet. | 1:05:37 | 1:05:44 | |
-You call it discreet to summon me to hasty meetings? -It is only to see you for a moment. | 1:05:44 | 1:05:51 | |
Or to write me letters full of pet names, to wait for me in a cab with the blinds drawn? | 1:05:51 | 1:05:58 | |
You're right. | 1:05:58 | 1:06:00 | |
It's a kind of madness. | 1:06:00 | 1:06:03 | |
And now this telegram. | 1:06:03 | 1:06:05 | |
"Must see you today. Meet me at two o'clock, Cafe Riche. Can render you a service." What's so important? | 1:06:05 | 1:06:13 | |
I came to tell you news to put you in the way of gaining 50,000 francs. | 1:06:13 | 1:06:19 | |
-How so? -I caught some words between my husband and Laroche-Mathieu. | 1:06:19 | 1:06:24 | |
-They agreed not to let you into the secret. -What secret? | 1:06:24 | 1:06:29 | |
They are going to take Morocco. | 1:06:29 | 1:06:31 | |
Nonsense. I've written articles for Laroche-Mathieu designed to create the opposite impression. | 1:06:31 | 1:06:38 | |
-They are humbugging you so their plan might not be known. -What plan? | 1:06:38 | 1:06:43 | |
Your articles depress the stock market. They're buying up the Morocco loan. | 1:06:43 | 1:06:49 | |
An expedition is to take place. | 1:06:49 | 1:06:52 | |
-When we are there, the government will guarantee the debt. They will gain millions. -And they leave me out. | 1:06:52 | 1:07:00 | |
Monsieur Walter is not a man. He is a cash-box. | 1:07:00 | 1:07:04 | |
We ought to profit by this. | 1:07:07 | 1:07:09 | |
-Buy some of the loan. -I haven't any money. -Let me lend you some. | 1:07:09 | 1:07:15 | |
-I can't. -I'll invest 20,000 francs. You shall stand in for half. | 1:07:15 | 1:07:20 | |
I will use my own money. Walter will not know. | 1:07:20 | 1:07:24 | |
-If it succeeds, you will gain 70,000 francs. If not, you will owe me 10,000. -I don't like it. | 1:07:24 | 1:07:30 | |
Your articles made it possible. It would be foolish not to profit by it. | 1:07:30 | 1:07:35 | |
-You have rendered them services. -Very well. But if we lose, I will repay you for 10,000 francs. | 1:07:35 | 1:07:43 | |
Eat your dessert before it is completely cold. | 1:07:45 | 1:07:49 | |
I shall tell you about a dream I had of you last night. | 1:07:53 | 1:07:57 | |
I was travelling in a train at night through a mysterious forest. | 1:07:59 | 1:08:04 | |
It was a very long train, but I seemed to be the only passenger. | 1:08:04 | 1:08:09 | |
We stopped at a deserted station surrounded by dark trees. I closed my suitcase. | 1:08:09 | 1:08:16 | |
I stepped onto the platform. I knew that you would be there to meet me. | 1:08:16 | 1:08:21 | |
That swine Laroche-Mathieu! I could skin him alive for his treachery. | 1:08:21 | 1:08:26 | |
I dreamed that we were taking a journey together across the desert. | 1:08:28 | 1:08:33 | |
We were riding on two camels and we had some sandwiches and wine. | 1:08:33 | 1:08:38 | |
It annoyed me. We were too far off from each other on our camels. | 1:08:38 | 1:08:43 | |
-I wanted to get down. -So do I. | 1:08:43 | 1:08:46 | |
You've brought one of Madeleine's hairs. | 1:08:46 | 1:08:50 | |
No, it isn't Madeleine's. It's too dark. | 1:08:50 | 1:08:54 | |
-Very likely the maid's. -You've been with a woman who has wound her hair round your buttons. -Ridiculous. | 1:08:54 | 1:09:01 | |
She loves you, and she wanted you to take something belonging to her. | 1:09:01 | 1:09:06 | |
-You're being very silly. -You're not faithful to Madeleine. | 1:09:06 | 1:09:11 | |
I don't know anything about it. | 1:09:11 | 1:09:13 | |
-Have a ring made out of her hair! And all the others! -Wait. | 1:09:13 | 1:09:18 | |
"I love you so much that your cruelty is dearer to me than the love of others. | 1:09:24 | 1:09:30 | |
"There is nothing you could do that I would not be willing to forgive. | 1:09:32 | 1:09:38 | |
"I shall hide from you the terrible jealousy that kindles in my heart. | 1:09:41 | 1:09:46 | |
"If I must weep, I shall hold a curtain between you and my tears. | 1:09:46 | 1:09:51 | |
"I shall make sacrifices, including the sacrifice of my self-love. | 1:09:51 | 1:09:56 | |
"I give you my pride, dear Bel Ami, together with my love, which will never change." | 1:09:56 | 1:10:03 | |
I suppose you meant those words at the time you wrote them. | 1:10:03 | 1:10:08 | |
What a brute you are. | 1:10:16 | 1:10:18 | |
Your minister, Laroche-Mathieu, let us down nicely. | 1:10:21 | 1:10:25 | |
-He's no more my minister than yours. -He doesn't pay court to me. -Or me. | 1:10:25 | 1:10:31 | |
If I chose from your admirers, I'd prefer that old fossil de Vaudrec. | 1:10:31 | 1:10:36 | |
What has become of the Count? | 1:10:36 | 1:10:38 | |
That old fossil de Vaudrec died an hour ago. | 1:10:52 | 1:10:57 | |
De Vaudrec? | 1:10:57 | 1:10:59 | |
He had a heart attack last night. They sent for me this morning. I've just come from his deathbed. | 1:10:59 | 1:11:07 | |
"Having no heirs, I leave the whole of my fortune, consisting of stock to the amount of 600,000 francs, | 1:11:18 | 1:11:26 | |
"and property worth about 500,000 francs, to Madame Madeleine Duroy, without any charge or condition." | 1:11:26 | 1:11:34 | |
It is understood, Monsieur, that your wife cannot accept this legacy without your consent. | 1:11:34 | 1:11:41 | |
I must ask time to reflect. | 1:11:44 | 1:11:46 | |
Just what was the Count de Vaudrec to you? | 1:12:02 | 1:12:05 | |
He knew me from my childhood, and my parents. He was like a father to me. | 1:12:05 | 1:12:11 | |
-You seem more affected by his death than by that of your husband. -Charles was ill. I was prepared. | 1:12:17 | 1:12:24 | |
De Vaudrec died so suddenly. | 1:12:24 | 1:12:27 | |
When a man leaves his fortune to a woman, it cannot be ignored. | 1:12:28 | 1:12:34 | |
It requires some explanation. | 1:12:34 | 1:12:36 | |
He left it to me because he had no relatives. He was very fond of me. | 1:12:36 | 1:12:41 | |
But there was nothing more. Never. | 1:12:41 | 1:12:44 | |
I'm prepared to believe you. | 1:12:49 | 1:12:52 | |
But do you suppose anyone else will? The world will gossip and laugh at me. I cannot accept that. | 1:12:52 | 1:12:59 | |
Then let us not accept it. There will be a million less in our pockets. That is all. | 1:12:59 | 1:13:06 | |
Perhaps you're right. | 1:13:09 | 1:13:11 | |
-I have the solution. -Yes? | 1:13:21 | 1:13:24 | |
-We say that he divided the money between us. -How can that be done? The will is plain. -Very simple. | 1:13:24 | 1:13:31 | |
-Sign half the inheritance to me by a deed of gift. We'll stop scandal. -The will is there. -Need we show it? | 1:13:31 | 1:13:39 | |
Paste it on the walls? We'll simply say he left his fortune between us. | 1:13:39 | 1:13:45 | |
Very well, if that is what you wish. | 1:13:48 | 1:13:51 | |
He left it equally to us to show that his feeling was Platonic. | 1:13:51 | 1:13:56 | |
-If he'd thought of it, that is what he'd have done. -Go to the notary. | 1:13:56 | 1:14:01 | |
-You think so? -By all means. | 1:14:01 | 1:14:04 | |
Behold a millionaire. | 1:14:09 | 1:14:12 | |
Have you the invitation? | 1:14:34 | 1:14:37 | |
"Monsieur and Madame Walter beg your company on December 30th between 9 and 12pm, | 1:14:39 | 1:14:45 | |
"to view the painting Temptation Of Saint Anthony illuminated by electric lights." Electric lights! | 1:14:45 | 1:14:52 | |
It's clever, that painting. The critics say it's a masterpiece. | 1:14:52 | 1:14:57 | |
Walter paid 400,000 francs for it. Titled hypocrites have an excuse to enter the home of the new Croesus. | 1:14:57 | 1:15:05 | |
And to see his daughter, the heiress. To become a king, one has only to marry that puppet. | 1:15:05 | 1:15:11 | |
-Suzanne has had two offers, one from a marquis and one from a count. -It'll be infested with counts. | 1:15:11 | 1:15:18 | |
You haven't been there for months. Mme Walter complained to me about it. | 1:15:18 | 1:15:25 | |
Mme Walter doesn't keep me away. Monsieur Walter and Laroche-Mathieu played us a scurvy trick. | 1:15:25 | 1:15:31 | |
They cleaned up. We got nothing. | 1:15:31 | 1:15:34 | |
-Why make Mme Walter suffer? There's no reason to be cruel to her. -The best of reasons. She bores me. | 1:15:34 | 1:15:41 | |
We are so happy that you came. You'll find the painting in a small drawing room beyond the conservatory. | 1:15:46 | 1:15:54 | |
I hope you can stay for the dance. Virginia, I have never seen so many celebrities at once. | 1:15:54 | 1:16:00 | |
I'll speak to Laroche-Mathieu. His defence of the African campaign... | 1:16:00 | 1:16:06 | |
-Who's that with Suzanne? -Marquis de Cazolles. -An impoverished aristocrat fishing for 40 millions. | 1:16:06 | 1:16:14 | |
-At last, Bel Ami. Why do we never see you any more? -I've been busy. | 1:16:16 | 1:16:22 | |
It is wicked of you to neglect us. When you are not here, I am bored. | 1:16:22 | 1:16:27 | |
Come along and I will take you to see our painting of Saint Anthony. | 1:16:27 | 1:16:32 | |
Yes. | 1:16:57 | 1:16:59 | |
When HE said that, my mother did the most fantastic thing. She kissed his hand. | 1:16:59 | 1:17:06 | |
The painting cast a spell over her. She says no-one can understand the struggle with temptation as she can. | 1:17:06 | 1:17:13 | |
Imagine that from my mother, who never had a temptation in her life. | 1:17:13 | 1:17:18 | |
She adores the painting. She spends hours here alone, | 1:17:18 | 1:17:22 | |
just looking at it. | 1:17:22 | 1:17:25 | |
You're not listening to me at all. | 1:17:28 | 1:17:31 | |
Your thoughts are miles away. What is it you're thinking of? | 1:17:31 | 1:17:36 | |
-I've decided to embark on a daring adventure. -May I come along? | 1:17:36 | 1:17:42 | |
Yes, if you have the courage. | 1:17:43 | 1:17:46 | |
It'll take a great deal of courage. | 1:17:46 | 1:17:49 | |
-I have a surprise. -What is it? | 1:17:58 | 1:18:01 | |
-Guess. -I shall make no such effort. | 1:18:01 | 1:18:04 | |
-The day after tomorrow is the 1st of January. -Yes. -The time for New Year's gifts. -Yes. | 1:18:04 | 1:18:10 | |
Here's one from Laroche-Mathieu. He gave it to me at the reception. | 1:18:10 | 1:18:16 | |
-The Cross of the Legion of Honour. -It's a big thing. -I should prefer ten millions. That didn't cost much. | 1:18:16 | 1:18:23 | |
You're incredible. Nothing satisfies you any more. | 1:18:23 | 1:18:27 | |
He still owes me. Do you mind if I make a suggestion? | 1:18:27 | 1:18:32 | |
-What? -Laroche-Mathieu is taken with you. | 1:18:32 | 1:18:36 | |
-Nonsense. -We ought to take advantage so that he doesn't fool us again. | 1:18:36 | 1:18:41 | |
What do you suggest? | 1:18:41 | 1:18:43 | |
Encourage him. Yield him no favours, but lead him on so that he confides in you. | 1:18:43 | 1:18:50 | |
He won't play any more tricks on us. | 1:18:50 | 1:18:53 | |
And have you no fear of me? | 1:18:53 | 1:18:56 | |
Do you trust me so far? | 1:18:56 | 1:18:58 | |
I trust you. | 1:19:02 | 1:19:05 | |
You are acting against the Minister of Foreign Affairs? | 1:19:13 | 1:19:18 | |
He'll not be that much longer. | 1:19:18 | 1:19:21 | |
-To destroy a career. What a waste. -My wife - how did she receive you? | 1:19:21 | 1:19:26 | |
-She stated that the rendezvous was made at your suggestion. -What a fantastic idea. -Yes. | 1:19:26 | 1:19:32 | |
-Let her tell that to the divorce court. -I am at your disposal. | 1:19:32 | 1:19:37 | |
You're even cleverer and more dangerous than I had supposed. | 1:19:50 | 1:19:55 | |
When you have your freedom, who will you marry? A princess, perhaps? Or a banker's daughter? | 1:19:55 | 1:20:02 | |
Not Suzanne Walter? | 1:20:04 | 1:20:07 | |
You will be disappointed there. | 1:20:07 | 1:20:10 | |
Her father needs a better name than Georges Duroy to match his millions. | 1:20:10 | 1:20:15 | |
I remember. You told me once how to obtain a title. | 1:20:15 | 1:20:19 | |
Good evening. Will you join me in a nightcap? | 1:20:19 | 1:20:23 | |
And you wear the Cross of Honour that I gave you. | 1:20:23 | 1:20:27 | |
You were paying a debt, but you did not pay in full. So I collected. | 1:20:27 | 1:20:32 | |
-What do you propose? -My application for divorce will name you. | 1:20:32 | 1:20:38 | |
Tonight I'll write an article which will tumble you from your pedestal. | 1:20:38 | 1:20:43 | |
I am not without resources. | 1:20:43 | 1:20:46 | |
Do not underestimate the extent of your ruin. You are done for. | 1:20:46 | 1:20:51 | |
-Permanently. -Monsieur Walter... -He is a realist. | 1:20:51 | 1:20:55 | |
He wastes no time on lost causes. He will ask for your resignation. | 1:20:55 | 1:21:00 | |
No doubt. But you will fight the case? | 1:21:00 | 1:21:04 | |
No. I shall not allow your name to be subjected to his accusations. | 1:21:04 | 1:21:10 | |
I applaud your discretion. | 1:21:10 | 1:21:12 | |
I shall offer myself as a candidate in the elections. From obscurity, follow my career. I shall get on. | 1:21:12 | 1:21:20 | |
Yes, you will get on. You are an unmitigated cad. | 1:21:20 | 1:21:24 | |
One day you will make a mistake. Scoundrels like you end by falling into their own traps. | 1:21:27 | 1:21:33 | |
Goodbye, Madeleine. | 1:21:35 | 1:21:38 | |
Goodbye... | 1:21:42 | 1:21:44 | |
Bel Ami. | 1:21:44 | 1:21:47 | |
PIANO PLAYING: "Bel Ami" | 1:21:49 | 1:21:53 | |
I should like to be announced. | 1:22:04 | 1:22:06 | |
Monsieur Duroy. | 1:22:09 | 1:22:12 | |
< Why have you become so formal? | 1:22:19 | 1:22:22 | |
You are quite at home here. | 1:22:22 | 1:22:25 | |
-You are not accustomed to being announced. -My visit is formal. | 1:22:25 | 1:22:30 | |
-Very dramatic. -This is perhaps the most important moment of my life. | 1:22:30 | 1:22:36 | |
I want to read a notice I inserted in the newspaper six months ago. | 1:22:38 | 1:22:43 | |
"Georges Duroy is about to apply to the Keeper of the Seals | 1:22:43 | 1:22:48 | |
"for permission to add to his name that of de Cantel. | 1:22:48 | 1:22:52 | |
"Any protest must be made to the Keeper of the Seals within a year." | 1:22:52 | 1:22:58 | |
Georges Duroy de Cantel. I like that. | 1:22:58 | 1:23:01 | |
De Cantel is an old, noble name. | 1:23:01 | 1:23:04 | |
I'm told the family's died out. In six months, the name will be mine. | 1:23:04 | 1:23:09 | |
-You ought to make a brilliant marriage. -It'll enable me to follow my heart. | 1:23:09 | 1:23:16 | |
The name I can offer is nobler than that of the Marquis de Cazolles. | 1:23:16 | 1:23:21 | |
-In six months time, it'll be mine. -The Marquis de Cazolles? What has he to do with it? | 1:23:21 | 1:23:28 | |
When it belongs to your grandchildren, no-one will question their right to it. | 1:23:28 | 1:23:34 | |
My grandchildren? | 1:23:34 | 1:23:37 | |
It's true, Father. | 1:23:40 | 1:23:42 | |
I love Bel Ami, and I want to marry him. | 1:23:42 | 1:23:47 | |
He's free to marry me. | 1:23:47 | 1:23:49 | |
You wanted a noble name, | 1:23:49 | 1:23:52 | |
and he's acquired that, too. | 1:23:52 | 1:23:55 | |
You always sing his praises. | 1:23:55 | 1:23:57 | |
Don't prevent our happiness. | 1:23:57 | 1:24:00 | |
All this is common sense, Monsieur. | 1:24:00 | 1:24:03 | |
It was you who made her refuse the Marquis de Cazolles. You think her dowry worth trying for. | 1:24:03 | 1:24:10 | |
I am sincerely in love with Suzanne. She knows that. | 1:24:10 | 1:24:14 | |
If you refuse, | 1:24:14 | 1:24:17 | |
I swear I shall never marry anyone else. | 1:24:17 | 1:24:21 | |
I am sorry, Monsieur. | 1:24:42 | 1:24:45 | |
Deeply sorry. | 1:24:45 | 1:24:47 | |
It is YOU who are responsible. | 1:24:54 | 1:24:57 | |
You were always luring him here, flattering him. It was Bel Ami here, Bel Ami there, morning till night. | 1:24:57 | 1:25:05 | |
This is the return for it. | 1:25:05 | 1:25:08 | |
I know how great a shock this is. On second thoughts, you'll realise | 1:25:12 | 1:25:18 | |
I'll make an excellent son-in-law. | 1:25:18 | 1:25:21 | |
I'll be more than a son-in-law. | 1:25:21 | 1:25:24 | |
I'll be a collaborator. We'll build the Vie Francaise into an empire. | 1:25:24 | 1:25:29 | |
Come here, my child. | 1:25:39 | 1:25:41 | |
Is this what you need to make you happy? Yes, Father. | 1:25:47 | 1:25:52 | |
I had a different dream for you. | 1:25:55 | 1:25:57 | |
But who knows? | 1:25:57 | 1:26:00 | |
Perhaps you shall not regret it. | 1:26:02 | 1:26:04 | |
With such a man, one never knows what may happen. Then you consent? | 1:26:04 | 1:26:10 | |
I might make a better choice as regards position, but not prospects. | 1:26:10 | 1:26:16 | |
He will be a deputy and a minister. | 1:26:16 | 1:26:20 | |
I consent. | 1:26:22 | 1:26:25 | |
I want to talk to your mother. | 1:26:27 | 1:26:30 | |
You'll find her at the painting of Saint Anthony. It's a mania with her. | 1:26:30 | 1:26:37 | |
Monsieur Walter has given his consent. | 1:26:41 | 1:26:45 | |
It is all suddenly so clear to me. | 1:26:45 | 1:26:48 | |
Clotilde, | 1:26:48 | 1:26:51 | |
Madeleine, and now Suzanne. | 1:26:51 | 1:26:54 | |
You're distressed now, but in time you will become accustomed to the idea. | 1:26:54 | 1:27:00 | |
I hate you. I did not know that it was possible to hate anyone as much as I hate you. | 1:27:02 | 1:27:09 | |
You are the Mayor of Canteleu? Yes, Madame. | 1:27:19 | 1:27:23 | |
You know the name de Cantel? The region once belonged to the de Cantel family. | 1:27:23 | 1:27:30 | |
There is no-one alive today? The last went into the forest. | 1:27:30 | 1:27:35 | |
Where is he now? He disappeared four years ago. It's thought he went to Africa. | 1:27:35 | 1:27:42 | |
No-one knows if he's alive. | 1:27:42 | 1:27:44 | |
If he should return, give him this. Someone is stealing his name. | 1:27:44 | 1:27:50 | |
He still has a few months in which to protest. Thank you, Monsieur. | 1:27:50 | 1:27:56 | |
Madame, why do you do this for a man who's a stranger to you? | 1:27:56 | 1:28:01 | |
To prevent a still greater wrong. | 1:28:01 | 1:28:03 | |
How brilliant Gautier was. "A woman is a toy which will pick itself up if you should let it fall." | 1:28:07 | 1:28:14 | |
-I'm not in the mood for quotations from Gautier. -No, but be reasonable. | 1:28:14 | 1:28:19 | |
Reasonable? For years I have been in love with you, waiting for you. | 1:28:19 | 1:28:25 | |
What is the most difficult thing to get, the thing we pay most for, | 1:28:28 | 1:28:33 | |
the thing we fight for, the thing we only obtain by genius, by luck, | 1:28:33 | 1:28:38 | |
by meanness, by wild efforts, energy, audacity or work? | 1:28:38 | 1:28:42 | |
It's money. | 1:28:42 | 1:28:45 | |
Yet there is a way of getting it without any fatigue, without genius, | 1:28:45 | 1:28:50 | |
simply and naturally, and that way is by marriage. | 1:28:50 | 1:28:55 | |
I despise that form of marriage. | 1:28:55 | 1:28:58 | |
I cannot afford to despise it. | 1:28:59 | 1:29:02 | |
-Victory in this world is to the strong. One must be strong. -Strong? You call that strength? | 1:29:02 | 1:29:09 | |
-Egotism as regards fortune is better than egotism as regards love. -You call it strength. | 1:29:09 | 1:29:16 | |
Strong men do not descend to that. | 1:29:16 | 1:29:18 | |
You are not strong. You are sly. You weave plots, invent schemes. You're no better than a sneak thief. | 1:29:18 | 1:29:26 | |
-I'm not sure that I like your saying that. -A thief. | 1:29:26 | 1:29:30 | |
You deceive. You filch enjoyment wherever you can. That is stealing. | 1:29:30 | 1:29:36 | |
-Be quiet. -I will not be quiet. | 1:29:36 | 1:29:39 | |
You robbed Madeleine of half her inheritance. You stole Walter's fortune. Even your name is stolen. | 1:29:39 | 1:29:47 | |
-Be quiet. -You behave like a cad to me, and you make out that I'm not to tell you so. You stole my life. | 1:29:47 | 1:29:55 | |
-My whole life! -Will you be quiet? -I'll shout it from the rooftops! Let all Paris know! Thief! Thief! | 1:29:55 | 1:30:03 | |
SOBBING | 1:30:08 | 1:30:10 | |
Someone steals my name, | 1:30:29 | 1:30:31 | |
and because a year passes before I see the warning, I cannot make the scoundrel give my name up again. | 1:30:31 | 1:30:39 | |
That is the case exactly. | 1:30:40 | 1:30:42 | |
Where can I find this thief who calls himself by the name de Cantel? | 1:30:42 | 1:30:48 | |
"Frances the King, | 1:30:52 | 1:30:55 | |
"to Gaston de Cantel, | 1:30:55 | 1:30:58 | |
"1515." | 1:30:58 | 1:31:00 | |
"A de Cantel would rather fight a battle | 1:31:02 | 1:31:07 | |
"than tell of it." | 1:31:07 | 1:31:09 | |
-Where can I find him? -You'll find him at the office of the Vie Francaise, Boulevard Poisonniere. | 1:31:11 | 1:31:18 | |
One moment, Monsieur. | 1:31:18 | 1:31:21 | |
I've thought of a gentleman who'd be happy to take you there. | 1:31:21 | 1:31:26 | |
Twenty-three. | 1:31:29 | 1:31:31 | |
Twenty-four. | 1:31:31 | 1:31:34 | |
Twenty-five... Ah! | 1:31:34 | 1:31:36 | |
We have a distinguished visitor. | 1:31:36 | 1:31:39 | |
Twenty-six. The ex-minister... Twenty-seven. ..of Foreign Affairs. | 1:31:39 | 1:31:44 | |
Twenty-eight. | 1:31:44 | 1:31:46 | |
-Twenty-nine. -Do you call yourself Duroy de Cantel? -That is my name. | 1:31:46 | 1:31:52 | |
My name is Philippe de Cantel. | 1:31:52 | 1:31:54 | |
Cowards find brave men to do their work for them. | 1:32:12 | 1:32:16 | |
I understand. You think there is a de Cantel too many. I agree. | 1:32:16 | 1:32:21 | |
-Will you act for me, Jacques? -Of course. | 1:32:21 | 1:32:25 | |
I represent the real de Cantel. I shall call on you within the hour. | 1:32:25 | 1:32:31 | |
Where can he have sprung from? They said there were none of them left. | 1:32:31 | 1:32:36 | |
-My lip is bleeding. He's a regular buffalo. -You'll choose the sword? | 1:32:36 | 1:32:41 | |
-No. -He looks as if he hunts. He'll be accustomed to firearms. | 1:32:41 | 1:32:46 | |
My enemies will try to make a scandal. I must kill this young man. | 1:32:46 | 1:32:51 | |
It's the way to make my position good. I'll put a stop to everything. | 1:32:51 | 1:32:56 | |
All stories, gossip. Everything. | 1:32:56 | 1:32:59 | |
With a sword, I might just wound him. I'm a good shot. I'll put the bullet there, in the organs. | 1:32:59 | 1:33:06 | |
A case of peritonitis. | 1:33:06 | 1:33:09 | |
-Who do you want to take? Potin? -Count on me. | 1:33:09 | 1:33:13 | |
Do not let this matter go beyond these walls. | 1:33:13 | 1:33:17 | |
< Come along, Potin. | 1:33:17 | 1:33:20 | |
Someone marked this paper and sent it to him. | 1:33:26 | 1:33:30 | |
You must tell me what's wrong. Why have you brought me here? | 1:34:06 | 1:34:11 | |
-We shall have rain. -The cab man must think we're insane. -Nothing surprises a cab driver. | 1:34:11 | 1:34:18 | |
I don't understand you at all. | 1:34:18 | 1:34:21 | |
I hardly expected to see you again. You get me out of bed in the night, | 1:34:21 | 1:34:26 | |
-and bring me to the Bois du Vesinet. -I hate trees. This vegetation lives by devouring us. | 1:34:26 | 1:34:33 | |
What a morbid idea. | 1:34:33 | 1:34:35 | |
I made my will this afternoon. | 1:34:35 | 1:34:38 | |
-But why? What has happened? -I provided for my old father. He doesn't need much. | 1:34:38 | 1:34:44 | |
I left everything else to you and Laurine. | 1:34:44 | 1:34:48 | |
What is it that threatens you? | 1:34:48 | 1:34:51 | |
Are you in some danger? | 1:34:51 | 1:34:54 | |
Ten. | 1:34:54 | 1:34:57 | |
I had the idea, in any case, that I might die. | 1:34:57 | 1:35:01 | |
But why? Why? | 1:35:01 | 1:35:05 | |
Twenty-five. | 1:35:11 | 1:35:13 | |
What is it, Bel Ami? | 1:35:15 | 1:35:18 | |
Please tell me. | 1:35:18 | 1:35:20 | |
I made an admission to myself tonight, an admission that I thought I ought to make to you. | 1:35:26 | 1:35:33 | |
So I got you up in the middle of the night and brought you here. | 1:35:33 | 1:35:39 | |
What sort of admission? | 1:35:41 | 1:35:44 | |
There are two people in the world that I love. | 1:35:45 | 1:35:49 | |
You, and little Laurine. | 1:35:49 | 1:35:52 | |
That last time we met - | 1:36:03 | 1:36:06 | |
if you could put that out of your mind and remember this instead. | 1:36:06 | 1:36:12 | |
But what is all this talk of dying? | 1:36:29 | 1:36:33 | |
No need to be alarmed. Quite the contrary. One never knows what may happen in a duel with pistols. | 1:36:36 | 1:36:44 | |
A duel? | 1:36:46 | 1:36:48 | |
I do not share your anxiety, Madame, and I shall not go to the Bois du Vesinet to make myself ridiculous. | 1:36:51 | 1:36:58 | |
Have no fear for Bel Ami. He'll come out of this with his skin intact. | 1:36:58 | 1:37:03 | |
Suzanne's interference would only embarrass him. Now I'm going to bed. | 1:37:03 | 1:37:09 | |
But it is a duel with pistols and both men will shoot to kill. | 1:37:09 | 1:37:14 | |
I have such a dreadful presentiment. | 1:37:14 | 1:37:18 | |
Get him to give up this young man's name. Agree to marry him without it. Then he could withdraw with honour. | 1:37:18 | 1:37:25 | |
-He thought the name had died out. -The name was only for Father's sake. | 1:37:25 | 1:37:31 | |
-Later on, he can find another title that will please your father. -You make me ashamed. | 1:37:31 | 1:37:38 | |
You love him, even though he is to marry me. Few would think more of his safety than of their own pride. | 1:37:38 | 1:37:46 | |
If Father won't come with us, I'll get Paul de Cazolles. | 1:37:46 | 1:37:51 | |
We must go at once. | 1:37:51 | 1:37:53 | |
Hurry, or you'll be too late. | 1:37:57 | 1:38:00 | |
But do not say who sent you. | 1:38:00 | 1:38:02 | |
You are not to fire until the signal has been given. The signal will be the dropping of the handkerchief. | 1:38:07 | 1:38:14 | |
You may then fire, if you wish. | 1:38:14 | 1:38:17 | |
It is permitted, however, to advance ten paces to the point indicated by the walking stick before firing. | 1:38:17 | 1:38:24 | |
If one of you is wounded, he is allowed one minute to fire from the moment he is hit. | 1:38:24 | 1:38:31 | |
If he has fallen, he's allowed two minutes. His adversary must stand and receive his fire. | 1:38:31 | 1:38:38 | |
Is everything clear? | 1:38:38 | 1:38:40 | |
Potin, will you bring the pistols? | 1:38:40 | 1:38:43 | |
Monsieur... | 1:38:43 | 1:38:46 | |
The principals are not to address each other directly. | 1:38:46 | 1:38:50 | |
Jacques, offer my adversary a cigar. A cigar puts the nerves in order. | 1:38:50 | 1:38:56 | |
Monsieur? | 1:38:56 | 1:38:59 | |
-I have no nerves. -I suspected as much. | 1:38:59 | 1:39:02 | |
-I am distressed to see my adversary exposed to the rain. Will he accept one of our umbrellas? -Monsieur? | 1:39:02 | 1:39:11 | |
I am used to shooting in foul weather. | 1:39:11 | 1:39:15 | |
In that case, might I retain my umbrella? I should not like to quit the field with a case of sniffles. | 1:39:15 | 1:39:22 | |
Monsieur? | 1:39:22 | 1:39:25 | |
I have no objection. | 1:39:25 | 1:39:28 | |
The pistols were obtained at Gastine Renette's. He loaded them and sealed the box | 1:39:28 | 1:39:34 | |
in the presence of witnesses. | 1:39:34 | 1:39:36 | |
Suggest to Monsieur Laroche-Mathieu that he observe from behind a tree. | 1:39:54 | 1:40:01 | |
He presents a very tempting target. | 1:40:01 | 1:40:04 | |
You will take your positions, gentlemen. | 1:40:05 | 1:40:09 | |
Are you ready, gentlemen? | 1:40:30 | 1:40:33 | |
Ready. | 1:40:33 | 1:40:35 | |
Ready. | 1:40:35 | 1:40:37 | |
I'm not done for yet! | 1:41:13 | 1:41:16 | |
One minute and 30 seconds remaining. | 1:41:25 | 1:41:28 | |
One minute. | 1:41:57 | 1:42:00 | |
30 seconds. | 1:42:20 | 1:42:23 | |
Fire! Fire! | 1:42:51 | 1:42:53 | |
One moment. > | 1:44:07 | 1:44:10 | |
Bel Ami? | 1:44:18 | 1:44:20 | |
It was I who brought the newspaper to him. | 1:44:22 | 1:44:26 | |
Do you understand, Bel Ami? | 1:44:31 | 1:44:34 | |
I brought it to him. | 1:44:35 | 1:44:38 | |
You see, Jacques? | 1:44:47 | 1:44:49 | |
It's nothing. | 1:44:51 | 1:44:54 | |
Just a scratch. | 1:44:55 | 1:44:57 | |
I have been scratched... | 1:44:57 | 1:45:00 | |
..by an old cat. | 1:45:03 | 1:45:05 | |
Clotilde... | 1:45:25 | 1:45:27 | |
I should have been happy with Clotilde. | 1:45:32 | 1:45:36 | |
'We are all no more than puppets unless we believe.' | 1:45:45 | 1:45:50 |