Browse content similar to The Westerner. Check below for episodes and series from the same categories and more!
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-Hey, wire. -Wire. They've drawn a fence across there. | 0:01:51 | 0:01:53 | |
Them plough-pushers must have put it up there last night. | 0:01:53 | 0:01:56 | |
Give me them wire cutters. | 0:01:56 | 0:01:58 | |
I'll fix this. | 0:02:08 | 0:02:09 | |
COWBOYS SHOUTING | 0:02:14 | 0:02:17 | |
-FARMER: -Cow herders! | 0:02:17 | 0:02:18 | |
Hey, cornhuskers! | 0:02:26 | 0:02:28 | |
GUNSHOTS | 0:02:28 | 0:02:29 | |
GUNSHOTS | 0:02:32 | 0:02:34 | |
GUNSHOTS | 0:02:49 | 0:02:52 | |
-JUDGE BEAN: -Shad Wilkins, you've been tried and found guilty | 0:03:16 | 0:03:19 | |
of the most serious crime west of the Pecos, | 0:03:19 | 0:03:22 | |
to wit, shooting a steer. | 0:03:22 | 0:03:24 | |
Anything to say for yourself before the sentence of the court is executed? | 0:03:24 | 0:03:27 | |
I told you, they shot at me first! | 0:03:27 | 0:03:29 | |
I didn't mean to kill that steer on purpose! I was aiming at the man. | 0:03:29 | 0:03:32 | |
It's your bad luck you missed him. | 0:03:32 | 0:03:34 | |
That's the trouble with you sodbusters, | 0:03:34 | 0:03:37 | |
you can't shoot straight. | 0:03:37 | 0:03:39 | |
CROWD LAUGHING | 0:03:39 | 0:03:41 | |
Shad... | 0:03:41 | 0:03:42 | |
..may the Lord have mercy on your soul. Hey! | 0:03:43 | 0:03:46 | |
Buck, I want to see you. | 0:03:58 | 0:04:00 | |
-Well, how's the hanging, there? -CHEERFUL MUSIC PLAYING | 0:04:12 | 0:04:15 | |
-Well, his neck didn't hardly stretch a foot. -LAUGHTER | 0:04:15 | 0:04:19 | |
Here's to the greatest woman in the world, | 0:04:24 | 0:04:27 | |
the fairest flower that ever bloomed... | 0:04:27 | 0:04:30 | |
-Lily Langtry. -ALL: Miss Langtry! | 0:04:30 | 0:04:32 | |
-JUDGE BEAN: -Hold it, boys. | 0:04:32 | 0:04:34 | |
Did you hear the toast, stranger? | 0:04:38 | 0:04:39 | |
To Lily Langtry? | 0:04:39 | 0:04:40 | |
I thought you meant your friends. I didn't know that included me. | 0:04:40 | 0:04:43 | |
That includes every man that drinks at my bar. | 0:04:43 | 0:04:45 | |
Glad to join you. | 0:04:45 | 0:04:47 | |
Have you ever met Miss Langtry? | 0:04:47 | 0:04:49 | |
No, I never met her. I never met the sun, | 0:04:49 | 0:04:52 | |
I never shook hands with the moon, | 0:04:52 | 0:04:54 | |
and I've never been introduced to no clouds. | 0:04:54 | 0:04:55 | |
LAUGHTER | 0:04:55 | 0:04:57 | |
That's all right. Too bad Lily Langtry couldn't have heard that. | 0:04:57 | 0:05:00 | |
Did you ever see her? | 0:05:00 | 0:05:02 | |
No, I was in England once, but didn't get around to it. | 0:05:02 | 0:05:06 | |
Oh, you was in England once, and you could have seen her, | 0:05:06 | 0:05:09 | |
-but you never got around to it, eh? -Yeah. | 0:05:09 | 0:05:12 | |
-Get out of my bar. -Huh? -Get out of my bar! | 0:05:13 | 0:05:16 | |
LAUGHTER | 0:05:16 | 0:05:18 | |
-To the Jersey Lily. -Miss Langtry! -Here's how! | 0:05:18 | 0:05:21 | |
All right, Mort, if Shad's good and cold, you can have him. | 0:05:52 | 0:05:56 | |
Oh... | 0:06:00 | 0:06:01 | |
4, that's all he had. | 0:06:03 | 0:06:05 | |
I'll make it up to you on the next one. | 0:06:05 | 0:06:07 | |
Get off. | 0:06:35 | 0:06:36 | |
-What you got there? -A horse thief, Judge. | 0:06:50 | 0:06:53 | |
Prisoner of the bar. | 0:06:53 | 0:06:54 | |
-Get in there. -Chickenfoot, the law. | 0:06:54 | 0:06:56 | |
-CHICKENFOOT: -Hear ye, hear ye, court of Vinegarroon is now in session. | 0:06:56 | 0:06:59 | |
What's the charge? | 0:06:59 | 0:07:01 | |
We caught him on Chickenfoot's horse that was stole last week. | 0:07:01 | 0:07:03 | |
-My horse Pete? Where's he at? -Right outside. | 0:07:03 | 0:07:06 | |
Well, so it is. Pete. | 0:07:11 | 0:07:14 | |
No, Your Honour. | 0:07:14 | 0:07:16 | |
I was just trying to get the lay of the land. | 0:07:16 | 0:07:18 | |
You will, too, at the end of a rope. | 0:07:18 | 0:07:20 | |
-JUDGE BEAN: -Southeast, no anticipating! | 0:07:20 | 0:07:22 | |
Hey, Judge! Judge, that is my old sabino pony. He's tied right out there. | 0:07:22 | 0:07:26 | |
People of Vinegarroon again... You can use any name you like. | 0:07:28 | 0:07:30 | |
Cole Harden. | 0:07:30 | 0:07:33 | |
What are you doing in Vinegarroon? | 0:07:33 | 0:07:36 | |
Oh, just passing through. | 0:07:36 | 0:07:38 | |
Homesteader? | 0:07:38 | 0:07:39 | |
-No. -Where do you hail from? | 0:07:41 | 0:07:44 | |
-No place in particular. -Where are you heading for? | 0:07:44 | 0:07:47 | |
-No place special. -Oh, saddle bum, huh? | 0:07:47 | 0:07:51 | |
Well, it's all right to live on a horse if it's your own horse. | 0:07:51 | 0:07:54 | |
Bart, turn loose the prisoner's hands. Chickenfoot, swear him in. | 0:07:54 | 0:07:57 | |
-MUMBLING: -Do you swear to tell the truth... So help you? Take off your hat! | 0:07:57 | 0:08:02 | |
-JUDGE BEAN: -Well, now, I'll tell you, son... -Are you Bean? | 0:08:17 | 0:08:20 | |
-Judge Roy W Bean. -My name's Jane Ellen Mathews. | 0:08:20 | 0:08:23 | |
Yes, Miss Mathews, what can I do for you? | 0:08:23 | 0:08:26 | |
-What have you done with Shad Wilkins? -Shad Wilkins? | 0:08:26 | 0:08:28 | |
He was working in the fields | 0:08:28 | 0:08:30 | |
when some of your wranglers came up and took him away. | 0:08:30 | 0:08:32 | |
Shad Wilkins... Shad Wilkins... | 0:08:32 | 0:08:36 | |
Oh, yeah, he was hanging around out there a while back, | 0:08:37 | 0:08:40 | |
but he ain't around now. | 0:08:40 | 0:08:43 | |
Your men not only took him away, but they tore down the fence. | 0:08:43 | 0:08:45 | |
-Not a stick of it was left standing. -That so? | 0:08:45 | 0:08:48 | |
Yes, that's so, and you needn't pretend you don't know about it. | 0:08:48 | 0:08:51 | |
Well, it don't surprise me none. | 0:08:51 | 0:08:53 | |
It's against the law to build fences hereabouts. | 0:08:53 | 0:08:55 | |
-What law? Whose law? -Mine. | 0:08:55 | 0:08:57 | |
-Now, you listen to me, Mr Bean. -Judge Bean. | 0:08:57 | 0:09:00 | |
You're no more a judge than I am. Just call yourself a judge. | 0:09:00 | 0:09:04 | |
I wouldn't say that if I was you. | 0:09:04 | 0:09:06 | |
I might consider it contempt of court. | 0:09:06 | 0:09:07 | |
It's contempt, all right. You call this a court? | 0:09:07 | 0:09:11 | |
I do, and it happens to be in session right now. | 0:09:11 | 0:09:14 | |
Southeast, get the young lady a chair. | 0:09:14 | 0:09:16 | |
Now, you sit down, Miss Mathews, | 0:09:16 | 0:09:18 | |
and I'll tend to your case in a minute. | 0:09:18 | 0:09:21 | |
You're charged with stealing a horse. Guilty or not guilty? | 0:09:21 | 0:09:23 | |
Not guilty. THEY CHUCKLE | 0:09:23 | 0:09:25 | |
-Where's exhibit A? -Huh? | 0:09:25 | 0:09:27 | |
Where's the horse? Bring in the horse, Chickenfoot. | 0:09:27 | 0:09:29 | |
Oh, yeah. Yeah, horse. | 0:09:29 | 0:09:32 | |
Miss Mathews, when cattle can't get to water, they die. | 0:09:32 | 0:09:35 | |
There's miles of river on each side of our homestead. | 0:09:35 | 0:09:37 | |
This country's unfenced rangeland. It always was, and always will be. | 0:09:37 | 0:09:41 | |
-CHICKENFOOT: Get in there. -All right, give me room there, you guys. | 0:09:41 | 0:09:44 | |
Come on, get in there. | 0:09:44 | 0:09:46 | |
Whoa, Pete. Come on in here. | 0:09:46 | 0:09:49 | |
Come on, get over there. Give us a little room. | 0:09:49 | 0:09:51 | |
All right, Judge, there he is. | 0:09:51 | 0:09:54 | |
Mr Harden, it's my duty to inform you | 0:09:54 | 0:09:57 | |
that the larceny of an equine is a capital offence, | 0:09:57 | 0:09:59 | |
punishable by death, | 0:09:59 | 0:10:01 | |
but you can rest assured that, in this court, | 0:10:01 | 0:10:03 | |
a horse thief always gets a fair trial before he's hung. | 0:10:03 | 0:10:07 | |
-Chickenfoot, that's your horse? -Oh, why, Judge... | 0:10:08 | 0:10:11 | |
Can you prove it's your horse? | 0:10:11 | 0:10:13 | |
Why, Judge, anybody here... | 0:10:13 | 0:10:15 | |
I can prove it by Pete himself that he's my horse. | 0:10:15 | 0:10:18 | |
Pete, you're my horse, ain't you? | 0:10:18 | 0:10:21 | |
Ownership of horse clearly established. | 0:10:21 | 0:10:23 | |
It belongs to Chickenfoot. That's my ruling. | 0:10:23 | 0:10:26 | |
Well, I don't contest it, Your Honour. Maybe the horse does belong | 0:10:26 | 0:10:29 | |
to Chickenfoot here, but I didn't steal it. | 0:10:29 | 0:10:32 | |
-How'd you get it then? -I bought it. ALL EXCLAIMING | 0:10:32 | 0:10:35 | |
Order in the court! | 0:10:35 | 0:10:37 | |
-That all you got to say? -That's all. | 0:10:37 | 0:10:40 | |
No, it's not. I'm not going to stay here and see anybody railroaded like this. | 0:10:40 | 0:10:43 | |
Miss Mathews, I don't recollect you was summoned as a witness. | 0:10:43 | 0:10:45 | |
What kind of a trial is it when a prisoner isn't allowed to have anybody speak for him? | 0:10:45 | 0:10:49 | |
-You an attorney, Miss? -I'm as much an attorney as you are a judge. | 0:10:49 | 0:10:52 | |
-You know this man? -No, I don't. -You ever see him before? -No, but... | 0:10:52 | 0:10:54 | |
-Can you prove he didn't steal the horse? -No. -Then he don't need no lawyer. | 0:10:54 | 0:10:58 | |
This man was caught on a stolen horse, and in this jurisdiction, that's prima facie evidence. | 0:10:58 | 0:11:02 | |
-The case is closed and that's my ruling. -Yes, and it's just like all your rulings! | 0:11:02 | 0:11:05 | |
The courtroom will now be cleared of everybody, | 0:11:07 | 0:11:09 | |
excepting the judge, the jury, the prisoner, the witnesses and... | 0:11:09 | 0:11:14 | |
-I guess that means you. -All right, I'll go. | 0:11:14 | 0:11:17 | |
I don't want to see anymore. | 0:11:17 | 0:11:19 | |
It's murder, that's what it is. Murder. | 0:11:19 | 0:11:21 | |
This man hasn't got a chance, and you know it, | 0:11:21 | 0:11:24 | |
but you never give anybody a chance. | 0:11:24 | 0:11:25 | |
You didn't give us one when you stampeded the cattle over our crops. | 0:11:25 | 0:11:28 | |
You thought you'd starve the homesteaders out, but you didn't. | 0:11:28 | 0:11:31 | |
You can pester us and rob us and kill us, but you can't stop us. | 0:11:31 | 0:11:34 | |
Cos there'll always be more coming. More and more. | 0:11:34 | 0:11:37 | |
And we'll stay on our farms, in spite of you | 0:11:37 | 0:11:39 | |
and your courtroom and your killers! | 0:11:39 | 0:11:42 | |
By gobs, she's all right. She'd make a good cattleman. | 0:11:43 | 0:11:45 | |
If it wasn't for Lily, I'd marry her. | 0:11:45 | 0:11:47 | |
Giddap. | 0:12:07 | 0:12:09 | |
You heard the case against the accused, pro and con. | 0:12:09 | 0:12:11 | |
Now I guess maybe you'd better retire to consider a verdict. | 0:12:11 | 0:12:15 | |
HORSE HOOVES CLOPPING | 0:12:15 | 0:12:18 | |
Chickenfoot, you'd better take Pete out for a little fresh air. | 0:12:18 | 0:12:21 | |
Take him out, Bart. I got work to do. | 0:12:21 | 0:12:23 | |
And while you retire, there'll be a recess for them that's thirsty. | 0:12:29 | 0:12:33 | |
Well, I guess you can't take it with you. | 0:12:39 | 0:12:41 | |
COINS CLINK | 0:12:41 | 0:12:43 | |
It's got to be strictly understood you ain't making no effort to | 0:12:43 | 0:12:46 | |
influence the sober judgment of the jury. | 0:12:46 | 0:12:47 | |
-Certainly not. -There you are. | 0:12:47 | 0:12:50 | |
-Compliments of the prisoner. -Jury to the rear! | 0:12:50 | 0:12:54 | |
Bull's-eye. | 0:13:00 | 0:13:01 | |
-Join me, Your Honour? -Don't mind if I do. | 0:13:07 | 0:13:10 | |
Don't spill none of that liquor, son. It eats right into the bar. | 0:13:12 | 0:13:16 | |
To the unfortunate lady with the bullet in her face. | 0:13:33 | 0:13:37 | |
The man that fired that bullet was hauled out of here feet first. | 0:13:37 | 0:13:40 | |
And he ought to be. | 0:13:40 | 0:13:42 | |
Any man that'd shoot at a picture of Lily Langtry ought to be killed. | 0:13:42 | 0:13:45 | |
It's just retribution. | 0:13:45 | 0:13:46 | |
-It's justifiable homicide, that was my ruling. -Right. | 0:13:46 | 0:13:50 | |
You an admirer of Miss Lily's, too? | 0:13:55 | 0:13:58 | |
Well, that's putting it mildly. | 0:13:58 | 0:14:00 | |
She's the most beautiful woman I ever met. | 0:14:03 | 0:14:05 | |
"Met"? | 0:14:07 | 0:14:08 | |
You mean to tell me you met Lily Langtry - | 0:14:10 | 0:14:12 | |
-the real her, in the flesh? -Oh, many times. | 0:14:12 | 0:14:15 | |
What an actress. | 0:14:16 | 0:14:18 | |
How'd you get to know her? | 0:14:20 | 0:14:22 | |
Well, that's a long story, Judge. | 0:14:24 | 0:14:27 | |
Bart, you and Blackjack get yourself a drink, huh? | 0:14:29 | 0:14:32 | |
Mighty fine liquor. What do you call it? | 0:14:34 | 0:14:37 | |
-Rub of the brush. Go on. -Rub of the brush? | 0:14:37 | 0:14:39 | |
-Did you get to know her real well? -It's got character. | 0:14:39 | 0:14:43 | |
I said, did you get to know her real well? | 0:14:47 | 0:14:50 | |
Now, Judge, you forget a gentleman never discusses a lady in a barroom. | 0:14:51 | 0:14:56 | |
Who said it's a barroom? This is a courtroom! | 0:14:56 | 0:14:59 | |
Say, tell me, is she as pretty as them pictures? | 0:15:01 | 0:15:04 | |
Why, the picture's never been made that can do justice to Lily Langtry. | 0:15:06 | 0:15:10 | |
Is she good-natured? | 0:15:10 | 0:15:12 | |
An angel. | 0:15:14 | 0:15:16 | |
Oh... | 0:15:16 | 0:15:17 | |
-I'll never forget the night we met. -Yeah? | 0:15:20 | 0:15:23 | |
I'll never forget it as long as I live. | 0:15:26 | 0:15:29 | |
-Who was that? -Oh, that's Mort Borrow. | 0:15:49 | 0:15:51 | |
He cleans up around here. | 0:15:51 | 0:15:53 | |
Go on about Lily. | 0:15:53 | 0:15:55 | |
Oh, yeah, Lily. | 0:15:59 | 0:16:00 | |
How about a verdict? | 0:16:07 | 0:16:08 | |
Can't you see we're still considering the evidence? | 0:16:08 | 0:16:11 | |
-Two aces. -Bet a dollar and a half. -Stay once. | 0:16:13 | 0:16:16 | |
-Get away from here. You smell of formaldehyde! -I'll call that. | 0:16:17 | 0:16:21 | |
-You been down around Lanno Bay, ain't you? -Sure. | 0:16:22 | 0:16:26 | |
Well, you know how it is at sunset. | 0:16:26 | 0:16:28 | |
You can look out and that water ain't exactly blue, | 0:16:30 | 0:16:32 | |
and it ain't exactly purple. | 0:16:32 | 0:16:35 | |
It's a kind of colour a man can feel, but he can't put a name to. | 0:16:35 | 0:16:39 | |
Yeah. | 0:16:39 | 0:16:40 | |
Well, that's Lily's eyes. | 0:16:42 | 0:16:44 | |
By gobs... | 0:16:46 | 0:16:48 | |
-I'm out. -I'll stay out. Here we go. | 0:16:54 | 0:16:57 | |
Got ten. Got a nine. | 0:16:57 | 0:17:00 | |
You know how bright and coppery and gold-like | 0:17:00 | 0:17:04 | |
a young chestnut horse is running in the bright sun? | 0:17:04 | 0:17:07 | |
-Yeah. -Well, her hair is something like that. | 0:17:07 | 0:17:11 | |
In the daytime. | 0:17:14 | 0:17:15 | |
You mean it's different at night? | 0:17:16 | 0:17:18 | |
Well, not different, but just sort of more so. | 0:17:18 | 0:17:22 | |
-How so? -Well... | 0:17:22 | 0:17:24 | |
Well, you know how it is at dusk, | 0:17:26 | 0:17:27 | |
when you see a prairie fire reflected in the sky. | 0:17:27 | 0:17:30 | |
A sort of a deep... | 0:17:31 | 0:17:34 | |
A beautiful kind of blushing... | 0:17:34 | 0:17:37 | |
-Red? -Red. | 0:17:37 | 0:17:39 | |
-Well, that'll give you a rough idea. -By gobs. | 0:17:40 | 0:17:45 | |
I got a lock of her hair. | 0:17:50 | 0:17:52 | |
JUDGE BEAN STUTTERS | 0:17:53 | 0:17:55 | |
You mean to tell me you actually got the real... From her head? | 0:17:55 | 0:17:59 | |
I don't suppose you'd ever part with that lock of hair, | 0:18:05 | 0:18:07 | |
no matter what a man was willing to give? | 0:18:07 | 0:18:10 | |
A man don't trade things like that. | 0:18:11 | 0:18:14 | |
You see that sword up there? | 0:18:17 | 0:18:20 | |
I wore it in the Civil War. Always meant to be buried with it. | 0:18:20 | 0:18:24 | |
Now, if you was willing to swap, why... | 0:18:24 | 0:18:26 | |
Would you really like to have it? | 0:18:28 | 0:18:30 | |
I'd rather own it than the state of Texas. Let's have a look at it. | 0:18:30 | 0:18:34 | |
I haven't got it with me. | 0:18:36 | 0:18:38 | |
Where's it at? | 0:18:41 | 0:18:43 | |
It's with my stuff in El Paso. | 0:18:44 | 0:18:46 | |
So, you was in the Civil War, huh, Judge? | 0:18:46 | 0:18:49 | |
-El Paso, huh? -Yeah. | 0:18:49 | 0:18:51 | |
-Cavalry, huh? -I suppose you could write for it. | 0:18:53 | 0:18:56 | |
Yeah. | 0:18:58 | 0:19:00 | |
Wouldn't take long to get here by mail coach. | 0:19:00 | 0:19:03 | |
Oh, two, three weeks. | 0:19:03 | 0:19:05 | |
-Two or three weeks, huh? -Yeah, about. | 0:19:07 | 0:19:09 | |
But I wouldn't part with that lock of hair for anything in the world. | 0:19:27 | 0:19:31 | |
FOOTSTEPS APPROACHING | 0:19:37 | 0:19:40 | |
The jury's ready, Judge. | 0:19:40 | 0:19:41 | |
That bottle of whiskey gone already? | 0:19:41 | 0:19:43 | |
Yeah, and if he ain't paid for it, you better start collecting now. | 0:19:43 | 0:19:47 | |
-What's the verdict? -You know what the verdict is. Guilty. | 0:19:59 | 0:20:03 | |
There's only one thing I can do. | 0:20:09 | 0:20:11 | |
You're sentenced to hang, that's my ruling. | 0:20:11 | 0:20:13 | |
Turn loose the prisoner's hands. | 0:20:13 | 0:20:15 | |
-But, Judge, you just ruled... -I didn't finish my ruling. | 0:20:15 | 0:20:19 | |
The court sentenced the prisoner to hang, | 0:20:21 | 0:20:24 | |
but the court didn't say when. | 0:20:24 | 0:20:25 | |
So long as there's reasonable doubt... | 0:20:25 | 0:20:27 | |
What reasonable doubt, Judge? | 0:20:27 | 0:20:29 | |
We just caught him with Chickenfoot's horse. | 0:20:29 | 0:20:31 | |
-Ain't any room for doubt. -Order! | 0:20:31 | 0:20:33 | |
I been talking to the prisoner. He's a friend of Lily Langtry's. | 0:20:35 | 0:20:39 | |
Stands to reason no friend of Lily Langtry goes around stealing horses. | 0:20:40 | 0:20:44 | |
Leastways, there's a reasonable doubt. | 0:20:44 | 0:20:45 | |
You mean, you're setting aside your own ruling? | 0:20:45 | 0:20:48 | |
That ain't what I said. When I make a ruling, it stands. | 0:20:48 | 0:20:51 | |
-But, Judge, you just sentenced the man. -His sentence is suspended | 0:20:51 | 0:20:54 | |
for a couple weeks until I can look into the matter further. | 0:20:54 | 0:20:57 | |
That's my ruling. | 0:20:57 | 0:20:58 | |
-Hi, Mort. How's business? -Just lost a customer. | 0:21:12 | 0:21:16 | |
-Well, I'll be down for a shave in a minute. -All right, you're next. | 0:21:16 | 0:21:19 | |
-Howdy, Judge. -Hello, Evans. | 0:21:29 | 0:21:31 | |
Jersey Lily special. | 0:21:31 | 0:21:33 | |
Pardon me, you don't happen to have a twin brother, do you? | 0:21:46 | 0:21:50 | |
No, not me. | 0:21:50 | 0:21:51 | |
Well, you'd better pay me that money you owe me. | 0:21:53 | 0:21:56 | |
-You're loco, brother. I don't owe you nothing. -You owe me 60. | 0:21:56 | 0:22:00 | |
60. | 0:22:05 | 0:22:06 | |
If you're interested, that's the man that sold me the roan horse. | 0:22:58 | 0:23:02 | |
Then, he's the man that stole... | 0:23:02 | 0:23:03 | |
GUNSHOT | 0:23:03 | 0:23:05 | |
84 and 6 bits. | 0:23:44 | 0:23:46 | |
Fined 80 for disorderly conduct, | 0:23:54 | 0:23:56 | |
and 4 and 6 bits for carrying concealed weapons. | 0:23:56 | 0:23:59 | |
Now, you men get some rope and string him up. | 0:24:00 | 0:24:02 | |
String him up? Why, he's dead already. | 0:24:02 | 0:24:05 | |
We hang horse thieves, don't we? String him up! | 0:24:05 | 0:24:08 | |
Come inside, son. | 0:24:09 | 0:24:11 | |
You can have his horse and outfit. | 0:24:16 | 0:24:19 | |
-Rub of the brush? -Rub of the brush. | 0:24:26 | 0:24:29 | |
-El Paso. -El Paso. | 0:24:34 | 0:24:37 | |
SNORING | 0:25:34 | 0:25:40 | |
SNORING CONTINUES | 0:27:08 | 0:27:14 | |
SNORING STOPS ABRUPTLY | 0:27:35 | 0:27:37 | |
SNORING RESUMES | 0:27:53 | 0:27:55 | |
JUDGE BEAN MUMBLES | 0:27:55 | 0:27:57 | |
OBJECTS FALLS AND CLANKS | 0:28:10 | 0:28:13 | |
Good morning, Judge. | 0:28:35 | 0:28:38 | |
Who are you? | 0:28:38 | 0:28:39 | |
JUDGE BEAN COUGHS | 0:28:39 | 0:28:42 | |
Who are you? What are you doing here? | 0:28:43 | 0:28:46 | |
JUDGE BEAN GRUNTS | 0:28:50 | 0:28:51 | |
Stranger. Stranger, come here. | 0:28:52 | 0:28:55 | |
Straighten out my neck, would you? Grab a hold of my head. | 0:28:56 | 0:29:00 | |
Now, jerk it quick. | 0:29:00 | 0:29:01 | |
NECK CLICKS | 0:29:01 | 0:29:03 | |
Thank you. | 0:29:03 | 0:29:05 | |
It's my neck. | 0:29:05 | 0:29:06 | |
You see, I was hung once, but my friends cut me down in time. | 0:29:08 | 0:29:12 | |
Now, when I don't live right, why, the crick comes back on me. | 0:29:12 | 0:29:15 | |
Now, who are you, anyhow? And what are you doing here? | 0:29:34 | 0:29:38 | |
Why, don't you remember? | 0:29:39 | 0:29:41 | |
Why, I'm the fellow that filled the inside straight, | 0:29:41 | 0:29:43 | |
and won Chickenfoot's horse. | 0:29:43 | 0:29:45 | |
So long, Judge. | 0:29:48 | 0:29:50 | |
Hey, Pete, are you glad I won you from Chickenfoot? | 0:30:00 | 0:30:03 | |
Well, that makes it nice. | 0:30:03 | 0:30:06 | |
Here. | 0:30:06 | 0:30:07 | |
Wait! | 0:31:55 | 0:31:56 | |
Wait! | 0:31:57 | 0:31:59 | |
That lock of hair, Lily's hair... | 0:32:46 | 0:32:48 | |
..you promised to write to El Paso for it. Don't you remember? | 0:32:50 | 0:32:54 | |
We drank on it. | 0:32:54 | 0:32:56 | |
When are you going to do it? | 0:32:56 | 0:32:58 | |
Huh? | 0:33:04 | 0:33:06 | |
You ain't going to crawfish? | 0:33:08 | 0:33:09 | |
No, the first post office I come to. | 0:33:09 | 0:33:12 | |
Straighten her out, would you, son? | 0:33:13 | 0:33:15 | |
Thank you. | 0:33:18 | 0:33:19 | |
You mangy old scorpion, you might have got us both killed. | 0:33:28 | 0:33:32 | |
JUDGE BEAN LAUGHS | 0:33:34 | 0:33:37 | |
THEY BOTH LAUGH | 0:33:37 | 0:33:39 | |
-What you want to go to California for? -See the Pacific Ocean. | 0:33:44 | 0:33:47 | |
It's just like the gulf down at Lanno Bay. | 0:33:47 | 0:33:50 | |
It's bigger. | 0:33:50 | 0:33:52 | |
Why don't you stay around Vinegarroon awhile? | 0:33:53 | 0:33:56 | |
We could have a lot of fun together. | 0:33:56 | 0:33:58 | |
-We could talk about Lily and... -No, I'm on my way. | 0:33:58 | 0:34:02 | |
Listen... | 0:34:04 | 0:34:05 | |
..it's a great country here, west of the Pecos. | 0:34:07 | 0:34:10 | |
A fellow could really make something of himself. | 0:34:10 | 0:34:12 | |
Why, when I first come here, I didn't have nothing. | 0:34:12 | 0:34:15 | |
Now, I'm boss of the whole section. | 0:34:15 | 0:34:18 | |
Well, that's mighty fine, Judge. | 0:34:18 | 0:34:21 | |
You know, I cottoned to you the first time I seen you. | 0:34:22 | 0:34:25 | |
Why don't you put in with me? | 0:34:25 | 0:34:27 | |
Well, I tell you, Judge, it's nice of you to ask me, | 0:34:27 | 0:34:30 | |
but I'm heading for California, | 0:34:30 | 0:34:33 | |
and nothing short of hanging can stop me. | 0:34:33 | 0:34:36 | |
Wait a minute. You can't go. You're under suspended sentence. | 0:34:37 | 0:34:41 | |
-Why, you hung Mr Evans for that. -Huh? | 0:34:41 | 0:34:43 | |
You're under suspendence, anyhow. | 0:34:43 | 0:34:45 | |
Who are you? What do I know about you? How do I know they ain't looking for you? | 0:34:45 | 0:34:49 | |
You're under arrest for disorderly conduct, | 0:34:49 | 0:34:51 | |
for disturbing the peace, vagrancy, | 0:34:51 | 0:34:53 | |
and you're on the way back to town with me, and that's my ruling! | 0:34:53 | 0:34:56 | |
So long, Judge. | 0:34:56 | 0:34:57 | |
By gobs, he stole my gun. | 0:35:19 | 0:35:21 | |
We hired out for farm work, Miss, not a civil war. | 0:35:30 | 0:35:32 | |
This ain't no fit place to homestead in. | 0:35:32 | 0:35:34 | |
Land's no good when there's always lead flying over it. | 0:35:34 | 0:35:37 | |
-If you'd shoot back, maybe they'd stop bothering you. -We did shoot back! | 0:35:37 | 0:35:40 | |
And so did Shad Wilkins, and he ain't trying it no more. | 0:35:40 | 0:35:43 | |
What about your own quarter section? | 0:35:43 | 0:35:44 | |
-If you leave, you'll lose it. -We don't want no part of it. | 0:35:44 | 0:35:47 | |
All right, Hod. If you feel that way, | 0:35:47 | 0:35:49 | |
-we'll try to get along with just Eph and Henry. -Not me. | 0:35:49 | 0:35:52 | |
Henry, if we only had one man, it'd be a big help. | 0:35:54 | 0:35:58 | |
Sorry, Mr Mathews. | 0:35:58 | 0:36:00 | |
-JANE ELLEN: -Call themselves men. | 0:36:09 | 0:36:11 | |
Wade, what do we do? | 0:36:18 | 0:36:20 | |
I know what to do. | 0:36:25 | 0:36:27 | |
No, no, wait. That's not the way. | 0:36:27 | 0:36:29 | |
Don't even think of it. | 0:36:29 | 0:36:31 | |
Wade, aren't you going to stay for supper? | 0:36:33 | 0:36:36 | |
I'll be back. | 0:36:36 | 0:36:38 | |
-Well, they left. -Of course they have. What did you expect? | 0:36:52 | 0:36:55 | |
My hands quit, too. You can't blame them for leaving. | 0:36:55 | 0:36:57 | |
There won't be a hired man left in this part of the country | 0:36:57 | 0:36:59 | |
-if we don't do something about it. -We hire new hands, same thing will happen. | 0:36:59 | 0:37:03 | |
What's old Mathews going to say about it? | 0:37:03 | 0:37:05 | |
He keeps passing the buck to the Lord Jehovah. | 0:37:05 | 0:37:07 | |
I say, let's do something about it ourselves. | 0:37:07 | 0:37:09 | |
ALL: That's right. | 0:37:09 | 0:37:11 | |
Let's give the judge the same thing he gave Shad Wilkins. | 0:37:11 | 0:37:14 | |
Maybe if some of us went down and appealed to Roy Bean for justice... | 0:37:14 | 0:37:18 | |
Justice? If you'd seen him yesterday, pretending to try that prisoner... | 0:37:18 | 0:37:22 | |
The man didn't have a chance. | 0:37:22 | 0:37:24 | |
-I wonder if they hanged him. -Don't they always? | 0:37:24 | 0:37:26 | |
He was the same as dead even while he stood there. | 0:37:26 | 0:37:29 | |
I've kept on seeing his face all day. | 0:37:29 | 0:37:32 | |
SHE GASPS | 0:37:36 | 0:37:38 | |
What is it, Daughter? | 0:37:40 | 0:37:41 | |
The man I told you about, the one that was hanged. | 0:37:41 | 0:37:45 | |
I saw him plain as day, looking in the window. | 0:37:45 | 0:37:47 | |
You're seeing things, Jane Ellen. There's nobody out there. | 0:37:51 | 0:37:54 | |
I saw his face, I tell you. | 0:37:54 | 0:37:56 | |
KNOCKS ON DOOR | 0:37:58 | 0:38:01 | |
Come in. | 0:38:01 | 0:38:02 | |
Good evening. | 0:38:04 | 0:38:05 | |
Pardon me for intruding like this. | 0:38:14 | 0:38:16 | |
-STAMMERING: -Oh, no, you're not. | 0:38:16 | 0:38:17 | |
It's just... Well, I thought you were a ghost. | 0:38:17 | 0:38:21 | |
Well, I guess you're partly to blame I'm not. | 0:38:22 | 0:38:25 | |
I just stopped in to thank you. | 0:38:25 | 0:38:27 | |
Father, this is Mister... | 0:38:27 | 0:38:29 | |
-Harden. -Welcome, Mr Harden, welcome. | 0:38:29 | 0:38:33 | |
Glad to meet you. | 0:38:33 | 0:38:34 | |
Oh, Mr Harden, this is our neighbour Wade Harper. | 0:38:36 | 0:38:40 | |
This is the man I told you about. | 0:38:40 | 0:38:42 | |
You mean to tell me Bean tried you, and let you go? | 0:38:42 | 0:38:45 | |
Well, she was my lawyer. I guess she's the one that got me off. | 0:38:45 | 0:38:48 | |
-I knew you weren't a horse thief. -Thanks. | 0:38:48 | 0:38:50 | |
How did you know that? | 0:38:51 | 0:38:53 | |
I just knew. | 0:38:54 | 0:38:56 | |
Are you working anywhere? | 0:38:56 | 0:38:58 | |
No, I'm heading for California. | 0:39:00 | 0:39:04 | |
Mr Harden, I suppose a body that's just been hanged | 0:39:04 | 0:39:07 | |
is apt to be a bit hungry. | 0:39:07 | 0:39:09 | |
You must stay for supper. | 0:39:09 | 0:39:11 | |
-Well, I don't want to put you out any. -Oh, no, not at all. | 0:39:15 | 0:39:18 | |
Matter of fact, we had some company that just disappointed us. | 0:39:18 | 0:39:21 | |
Uh-huh. We were hoping somebody'd show up to take their place. | 0:39:21 | 0:39:24 | |
Make yourself at home, now. Make yourself at home. | 0:39:24 | 0:39:27 | |
Wait till you sink your teeth into some of Jane Ellen's stew. | 0:39:32 | 0:39:35 | |
Oh, Lord, for that which Thou hast sent us in our hour of need, | 0:39:43 | 0:39:48 | |
make us truly grateful. | 0:39:48 | 0:39:50 | |
Bless this food to our use and ourselves to Thy service. Amen. | 0:39:52 | 0:39:57 | |
Let me help you. | 0:39:57 | 0:39:59 | |
-How about some hominy? -Here, Wade. Give him some milk. | 0:40:01 | 0:40:03 | |
-All right, all right. -Give him some milk. | 0:40:03 | 0:40:05 | |
I think he likes it here. I think we got him. | 0:40:07 | 0:40:10 | |
-What's he doing now? -Feeding his horse. | 0:40:10 | 0:40:13 | |
Wade, he could probably take the place of two men. | 0:40:13 | 0:40:15 | |
He's so big and strong. | 0:40:15 | 0:40:17 | |
Well, I don't know how strong he is. | 0:40:17 | 0:40:19 | |
Strong enough, Wade. | 0:40:19 | 0:40:21 | |
Now, Jane Ellen, we'll leave you alone with him, | 0:40:21 | 0:40:23 | |
and you kind of add on a little more welcome. | 0:40:23 | 0:40:25 | |
-What'll I say? -Oh, just keep smiling at him. | 0:40:25 | 0:40:28 | |
And, Daughter, if it should come up natural-like, | 0:40:28 | 0:40:33 | |
you might hint what a handsome man he is. | 0:40:33 | 0:40:36 | |
Handsome? | 0:40:36 | 0:40:38 | |
We need him terribly bad, Daughter. We got to get that corn husked. | 0:40:38 | 0:40:42 | |
We need him terribly bad. | 0:40:42 | 0:40:44 | |
-Listen, your father don't mean for you to... -Shh. Look out. | 0:40:44 | 0:40:47 | |
-Everything all right, Mr Harden? -Fine, thanks. | 0:40:49 | 0:40:52 | |
Good. Now, I'll go see about your bunk. | 0:40:52 | 0:40:54 | |
-Oh, no trouble... -No trouble at all. Come on, Wade. | 0:40:54 | 0:40:57 | |
-Can I give you a hand? -Oh, no, thanks. | 0:41:09 | 0:41:12 | |
-Won't you sit down, please? -Well, I won't argue with you. | 0:41:12 | 0:41:16 | |
If I had to wash dishes, I guess I'd give up eating. | 0:41:16 | 0:41:19 | |
Well, what do you do about the dishes when you're home? | 0:41:19 | 0:41:21 | |
Home? What? You mean in a house? | 0:41:21 | 0:41:24 | |
Well, you live in a house, don't you? | 0:41:24 | 0:41:26 | |
No. No, my house is all out there, all one room with a sky for a roof. | 0:41:26 | 0:41:31 | |
-Well, it's a big place. -Got some space to rent. | 0:41:32 | 0:41:36 | |
Well, I guess California's your next stop, huh? | 0:41:38 | 0:41:41 | |
California, but I don't stop. | 0:41:41 | 0:41:44 | |
Oregon next, I guess. | 0:41:44 | 0:41:46 | |
Well, all places aren't just the same. | 0:41:46 | 0:41:49 | |
Wouldn't you rather stay a little longer in some places? | 0:41:49 | 0:41:53 | |
No, they're all the same, beautiful when you leave them. | 0:41:53 | 0:41:56 | |
Well, it's like the turtles. Carry their houses with them. | 0:41:56 | 0:41:59 | |
If I had to build me a house, I'd have it on wheels. | 0:41:59 | 0:42:02 | |
Not me. I'd want my house so that nothing could ever move it. | 0:42:02 | 0:42:06 | |
So down deep that an earthquake couldn't shake it, | 0:42:06 | 0:42:10 | |
and a cyclone would be just another wind going by. | 0:42:10 | 0:42:13 | |
Well, you say, "Who wants to be a turtle?" | 0:42:15 | 0:42:20 | |
And I say, "I hope you'll be very happy in your house." | 0:42:20 | 0:42:24 | |
-Well... -Oh, say, wait a minute. | 0:42:32 | 0:42:37 | |
What? | 0:42:37 | 0:42:38 | |
-I'll bet I know something we could agree on. -What's that? | 0:42:38 | 0:42:41 | |
Well, in about a week now, we're going to husk the corn, | 0:42:41 | 0:42:45 | |
-and I'll bet you'll agree that that's fun. -Huh? | 0:42:45 | 0:42:48 | |
Well, you know, I think husking corn's | 0:42:48 | 0:42:50 | |
the greatest fun in the world. | 0:42:50 | 0:42:52 | |
-Husking corn, fun? -Oh, yes! | 0:42:52 | 0:42:54 | |
-Well, I'd rather wash dishes. -Oh, no. | 0:42:56 | 0:42:59 | |
It was a fine supper, and good cooking. | 0:43:01 | 0:43:04 | |
Oh, Mr Harden. | 0:43:08 | 0:43:10 | |
What a handsome man you are. | 0:43:17 | 0:43:19 | |
Well...I doubt that, but I'm a tired one. | 0:43:23 | 0:43:26 | |
Well, I hope I see you in the morning before I leave. | 0:43:26 | 0:43:29 | |
Get out of here! Hey! | 0:43:37 | 0:43:39 | |
If anybody'd told me yesterday I'd be playing tag in a cornfield | 0:43:49 | 0:43:52 | |
with a lot of cows... | 0:43:52 | 0:43:55 | |
If we had some men that would ride fence, | 0:43:55 | 0:43:57 | |
there wouldn't be any cows in the cornfield. | 0:43:57 | 0:44:00 | |
You were sure cute last night. | 0:44:02 | 0:44:04 | |
Now you're making fun of me. | 0:44:06 | 0:44:07 | |
Well, that's... That's more fun than picking corn. | 0:44:07 | 0:44:11 | |
Hey, look at your father. I wonder what's up. | 0:44:17 | 0:44:19 | |
-I tried to stop them. They wouldn't listen to me. -Wade! | 0:44:27 | 0:44:30 | |
Yes, yes. It's the wrong and lawless thing to do. | 0:44:30 | 0:44:33 | |
-I begged them not to. I told them. -Who? What happened? | 0:44:33 | 0:44:36 | |
Wade Harper has rounded up some of the men. | 0:44:36 | 0:44:39 | |
They going to town to lynch Judge Bean. | 0:44:39 | 0:44:41 | |
-When did they leave? -About an hour ago. They took our wagon. | 0:44:41 | 0:44:44 | |
Thunder and lightning! You back from California already? | 0:45:39 | 0:45:41 | |
You got to get out of here, and don't stop for nothing. | 0:45:41 | 0:45:44 | |
-Did you write to El Paso? -Listen, get on your horse and get, | 0:45:44 | 0:45:46 | |
-they're after you. -Did you write? Who's after me? | 0:45:46 | 0:45:49 | |
The homesteaders. They're going to string you up. | 0:45:49 | 0:45:52 | |
Why, that bunch of plough-pushing sod! | 0:45:52 | 0:45:53 | |
They're outside right now, a whole wagonload of them. | 0:45:53 | 0:45:56 | |
A wagonload? Why, I can handle a train load of them. | 0:45:56 | 0:45:59 | |
I'll tear their livers out. | 0:45:59 | 0:46:01 | |
-What'll it be, gentlemen? -It'll be Roy Bean. Where is he? | 0:46:25 | 0:46:29 | |
He's out for a while. | 0:46:30 | 0:46:32 | |
That's because you came down here and warned him. | 0:46:33 | 0:46:36 | |
Make a move and I'll kill you. | 0:46:50 | 0:46:52 | |
Cole, start collecting them shotguns. | 0:46:55 | 0:46:58 | |
Uncork them rifles now and set them down this end of the bar, easy-like. | 0:47:00 | 0:47:04 | |
Go on. | 0:47:05 | 0:47:07 | |
Get back. Get back. | 0:47:13 | 0:47:16 | |
Now, I'll take yours, Judge. | 0:47:33 | 0:47:35 | |
The drinks are on me, gentlemen. | 0:48:17 | 0:48:19 | |
We're not drinking with you, Harden, nor him, either. | 0:48:23 | 0:48:26 | |
I ain't serving none of my liquor to no bunch of tomato-kissing, | 0:48:26 | 0:48:29 | |
-plough-pushing... -Now, Judge, we don't want any harsh words | 0:48:29 | 0:48:32 | |
to spoil this friendly little get-together. | 0:48:32 | 0:48:35 | |
Get-together? | 0:48:35 | 0:48:37 | |
Why, this pack of weasels invade the dignity of my courtroom, | 0:48:37 | 0:48:41 | |
come in here armed with malice aforethought to kick up a rumpus... | 0:48:41 | 0:48:44 | |
Now, look, you being a judge, | 0:48:44 | 0:48:46 | |
you know there's always two sides to any question. | 0:48:46 | 0:48:49 | |
These men have come here with a legitimate grievance. | 0:48:49 | 0:48:51 | |
We're not asking you to speak for us, Harden. | 0:48:51 | 0:48:54 | |
No, nor me, either. | 0:48:54 | 0:48:56 | |
Well, that makes it unanimous. | 0:48:56 | 0:48:57 | |
I'm going to talk for the both of you. | 0:48:57 | 0:48:59 | |
There's a law here against fencing land | 0:49:01 | 0:49:03 | |
that seems nothing short of murder to people raising crops, | 0:49:03 | 0:49:06 | |
but it's common sense to men running cattle. | 0:49:06 | 0:49:09 | |
I've seen this kind of war before. | 0:49:10 | 0:49:12 | |
It's happening now, back in Kansas and Nebraska. | 0:49:12 | 0:49:15 | |
The cattlemen came in first, | 0:49:15 | 0:49:16 | |
then the homesteaders moved in and fenced them out. | 0:49:16 | 0:49:19 | |
They had crops for one year, and then a dry spell, drought, | 0:49:19 | 0:49:24 | |
so the homesteaders moved out, | 0:49:24 | 0:49:25 | |
and the rush and thistle and jimson moved in. | 0:49:25 | 0:49:28 | |
And the big spaces were all broken up by little quarter sections, | 0:49:28 | 0:49:31 | |
and the homesteads left empty, and the houses caved in, | 0:49:31 | 0:49:33 | |
and the land, no good for man or cattle. | 0:49:33 | 0:49:36 | |
You spoiled the land, then you came here to spoil this land. | 0:49:36 | 0:49:38 | |
This here's a big country. | 0:49:38 | 0:49:40 | |
Yeah, but it ain't big enough for cattlemen and homesteaders, | 0:49:40 | 0:49:43 | |
and it never will be. Now, clear out here. That's my ruling. | 0:49:43 | 0:49:46 | |
All right, Bean, we're going. | 0:49:49 | 0:49:52 | |
We're going back to build our fences. | 0:49:52 | 0:49:55 | |
If you do, you better build coffins along with them. Now, get. | 0:49:55 | 0:49:59 | |
You sure told them off, son. | 0:50:47 | 0:50:49 | |
Yep, and now I'm going to tell you off. | 0:50:50 | 0:50:52 | |
I'm sorry I stopped them from lynching you. | 0:50:52 | 0:50:54 | |
They got a right to defend their homesteads. | 0:50:54 | 0:50:56 | |
You know this ain't homestead land. You just said so yourself. | 0:50:56 | 0:50:59 | |
-The government didn't say so. -I'm the government here. | 0:50:59 | 0:51:02 | |
Judas Priest, I don't see how you can talk up for scum like that. | 0:51:02 | 0:51:05 | |
They proved up on their land, and they got deeds to it. | 0:51:05 | 0:51:08 | |
When you make war on them, | 0:51:08 | 0:51:09 | |
you're making war on their women and kids, too. | 0:51:09 | 0:51:12 | |
Those people were starved out last year. | 0:51:12 | 0:51:14 | |
I heard about those cattle being stampeded over their crops, | 0:51:14 | 0:51:16 | |
and there's too many strays running loose in that valley right now, | 0:51:16 | 0:51:19 | |
only they're not strays. | 0:51:19 | 0:51:21 | |
What do you want me to do? Arrest them cattle, | 0:51:22 | 0:51:24 | |
and fine them a couple dollars apiece for trespass? | 0:51:24 | 0:51:28 | |
Now, look, | 0:51:28 | 0:51:30 | |
those people don't take up much room | 0:51:30 | 0:51:32 | |
with their little shirt-sized pieces of land. | 0:51:32 | 0:51:35 | |
Why don't you be a real judge for all of the people? | 0:51:35 | 0:51:39 | |
Why don't you try to see their side of it, | 0:51:39 | 0:51:41 | |
and help them instead of fight them? | 0:51:41 | 0:51:43 | |
Make peace around here instead of war. | 0:51:43 | 0:51:46 | |
There's plenty of room for everybody, then everybody'd look up to you. | 0:51:46 | 0:51:51 | |
And then some day, maybe they'd put up a statue out there in the street, | 0:51:53 | 0:51:58 | |
a statue with a carving on it. "To Roy Bean, the real judge." | 0:51:58 | 0:52:03 | |
What are you doing? Catching a fish? | 0:52:05 | 0:52:07 | |
I guess I'm wasting my time. | 0:52:09 | 0:52:10 | |
-Hold on, wait a minute. You write that letter to El Paso yet? -No! | 0:52:10 | 0:52:14 | |
You promised. We drank on it. | 0:52:14 | 0:52:16 | |
I didn't have to write it. I had it on me all the time. | 0:52:16 | 0:52:18 | |
You did? Well, why didn't you give it to me then? | 0:52:18 | 0:52:21 | |
You old bullhead, if I'd have given it to you, you'd have hung me. | 0:52:21 | 0:52:24 | |
Wouldn't you? | 0:52:24 | 0:52:27 | |
I might've at that. Let's have a look at it. | 0:52:27 | 0:52:29 | |
-I haven't got it with me. -Suffering, bleeding Chickamauga! | 0:52:29 | 0:52:31 | |
-Where's it at? -I left it over at the Mathews' place. | 0:52:31 | 0:52:34 | |
-How is she? -Huh? | 0:52:34 | 0:52:36 | |
-I'll ride right over with you. -No, no. | 0:52:36 | 0:52:38 | |
You mean you're gonna crawfish? You ain't going to give it to me? | 0:52:38 | 0:52:41 | |
-Sure, I'll give it to you. -When? | 0:52:41 | 0:52:44 | |
When the last steer's out of the valley. | 0:52:44 | 0:52:47 | |
All right, I'll pass the word around to the boys. | 0:52:47 | 0:52:49 | |
No, you don't. You're going to help run those cattle out, | 0:52:49 | 0:52:52 | |
and I'm going along with you to see that it's done. | 0:52:52 | 0:52:55 | |
Don't you trust me, Cole? | 0:52:55 | 0:52:56 | |
When I was a kid, I had a pet rattlesnake. | 0:52:58 | 0:53:00 | |
I was fond of it, but I wouldn't turn my back on it. | 0:53:00 | 0:53:04 | |
JUDGE BEAN LAUGHS | 0:53:04 | 0:53:06 | |
You're all right. | 0:53:06 | 0:53:08 | |
I'm going back now, and gathering my stuff for the round-up. | 0:53:08 | 0:53:11 | |
-And that lock of hair. -Yeah, yeah, the lock of hair. | 0:53:13 | 0:53:17 | |
-WADE: -He defended Bean. He said he was right. | 0:53:29 | 0:53:31 | |
Said the homesteaders spoiled this land for the cattlemen. We all heard it. | 0:53:31 | 0:53:35 | |
-JANE ELLEN: -I don't care what you heard. He couldn't be two-faced. He's not that kind. | 0:53:35 | 0:53:39 | |
If he took Bean's part, he only did it to stop trouble. | 0:53:39 | 0:53:41 | |
Miss Mathews... | 0:53:41 | 0:53:43 | |
Looks like every time I get into trouble, you always speak up for me. | 0:53:44 | 0:53:47 | |
They're trying to tell me you spoke up for Bean. | 0:53:47 | 0:53:50 | |
Well, I did try to tell them Bean's point of view. | 0:53:50 | 0:53:54 | |
There you are. | 0:53:54 | 0:53:56 | |
It's always been my experience | 0:53:56 | 0:53:58 | |
that when you know the other fellow's point of view, | 0:53:58 | 0:54:00 | |
you usually get together. | 0:54:00 | 0:54:02 | |
Well, why didn't you tell him our point of view? | 0:54:02 | 0:54:04 | |
I did, and we got together. | 0:54:04 | 0:54:06 | |
You won't have to patrol your fields any longer. | 0:54:07 | 0:54:10 | |
Judge gave me his word they'd round up all cattle in this valley | 0:54:10 | 0:54:12 | |
and take them out of here. WADE SCOFFS | 0:54:12 | 0:54:14 | |
You think he'd keep his word? | 0:54:14 | 0:54:17 | |
Well, I'm going along with him to see that he does. | 0:54:17 | 0:54:19 | |
Well, what makes you think we'd take your word? | 0:54:19 | 0:54:23 | |
Take it or leave it. | 0:54:24 | 0:54:26 | |
Harden... | 0:54:28 | 0:54:29 | |
..you're a sneak and a liar. | 0:54:30 | 0:54:32 | |
Miss Mathews! | 0:55:58 | 0:56:00 | |
I'll be back. | 0:56:06 | 0:56:08 | |
California's that way. | 0:56:19 | 0:56:21 | |
I got something to tell you before I go. | 0:56:23 | 0:56:26 | |
-Well? -How's Wade? | 0:56:28 | 0:56:30 | |
He's fine, just fine. | 0:56:32 | 0:56:34 | |
You know, you're not the prettiest girl I ever saw. | 0:56:38 | 0:56:41 | |
Well, that's great news. Who asked you? | 0:56:43 | 0:56:46 | |
But you've got the prettiest hair I ever saw. | 0:56:46 | 0:56:49 | |
Why do you like to make fun of me? | 0:56:51 | 0:56:53 | |
Cos I like you, I guess. | 0:56:55 | 0:56:58 | |
And you think my hair's pretty, huh? | 0:56:58 | 0:57:01 | |
I never saw anything like it. | 0:57:01 | 0:57:03 | |
-Oh, could I clip a lock? -No, you can't. | 0:57:12 | 0:57:16 | |
-Will you clip one? -No, I won't. | 0:57:17 | 0:57:20 | |
Come around here, take sides with Bean... | 0:57:20 | 0:57:24 | |
and knock out my best friend, and... | 0:57:24 | 0:57:27 | |
Tell you how much I like you... | 0:57:27 | 0:57:29 | |
..and how much I might miss you? | 0:57:30 | 0:57:34 | |
All right? | 0:57:54 | 0:57:55 | |
No. | 0:57:55 | 0:57:56 | |
Here, these are yours. | 0:58:06 | 0:58:08 | |
Well, thanks a lot. | 0:58:50 | 0:58:53 | |
-WADE: -Jane Ellen! | 0:59:38 | 0:59:40 | |
Go on, Cole. Go on. | 0:59:58 | 0:59:59 | |
Well, so I says to her... | 1:00:01 | 1:00:03 | |
I said, "Miss Langtry, | 1:00:03 | 1:00:07 | |
"do you plan to go back to England when you finish your American tour?" | 1:00:07 | 1:00:11 | |
And she said to me... She said... | 1:00:11 | 1:00:14 | |
.."No." | 1:00:15 | 1:00:18 | |
Said she loved the United States too much. | 1:00:18 | 1:00:20 | |
-Yeah? -She planned to stay here for the rest of her life. | 1:00:20 | 1:00:23 | |
She told me that when she got all through her work in the theatre, | 1:00:25 | 1:00:28 | |
that she wanted to settle down someplace out here in the West. | 1:00:28 | 1:00:30 | |
By gobs. | 1:00:30 | 1:00:33 | |
Some quiet little place way out on the range, | 1:00:33 | 1:00:36 | |
away from all the lights and the crowds. | 1:00:36 | 1:00:39 | |
She kept asking about Texas especially. | 1:00:42 | 1:00:44 | |
She says that ever since she was a little girl... | 1:00:48 | 1:00:50 | |
NECK CLICKS ..she'd heard about Texas, | 1:00:50 | 1:00:53 | |
and it'd always been the dream of her life to have a home here some day. | 1:00:53 | 1:00:58 | |
-She did? -She did. | 1:00:58 | 1:01:01 | |
Last herd just come in, Judge. | 1:01:09 | 1:01:12 | |
Well? | 1:01:30 | 1:01:32 | |
Huh? | 1:01:32 | 1:01:34 | |
Oh. | 1:01:38 | 1:01:39 | |
By gobs! | 1:03:02 | 1:03:04 | |
A lock of her own hair! | 1:03:09 | 1:03:11 | |
It's kind of dark, ain't it? | 1:03:14 | 1:03:16 | |
-Yeah, she uses lots of shampoo on her hair. -She does? | 1:03:20 | 1:03:24 | |
It's beautiful. Beautiful. | 1:03:25 | 1:03:27 | |
I'll never forget this, Cole. Never. | 1:03:29 | 1:03:32 | |
-Let me see it, will you? -What for? | 1:03:36 | 1:03:39 | |
I ain't going to keep it. | 1:03:39 | 1:03:42 | |
I'd like to see you try. | 1:03:42 | 1:03:44 | |
-All right? -All right. | 1:03:53 | 1:03:57 | |
I know how you feel, son. | 1:04:05 | 1:04:08 | |
Almighty God, we offer Thee thanksgiving for Thy help | 1:04:20 | 1:04:24 | |
and Thy divine bounty. | 1:04:24 | 1:04:27 | |
Thou has poured Thy blessings on our land. | 1:04:27 | 1:04:30 | |
Thou hast visited the Earth and made it plenteous, | 1:04:30 | 1:04:34 | |
Thou hast made it soft with drops of rain, | 1:04:34 | 1:04:37 | |
and the land that was desolate has become like a garden, | 1:04:37 | 1:04:41 | |
and the waste places are become fenced and are inhabited. | 1:04:41 | 1:04:45 | |
Thou hast made the tree of the field yield her fruit, | 1:04:45 | 1:04:48 | |
and the Earth, her increase. | 1:04:48 | 1:04:51 | |
Thou hast broken the bonds of our yoke | 1:04:51 | 1:04:53 | |
and delivered us out of the hands of our enemies, | 1:04:53 | 1:04:56 | |
so that we shall dwell here safely, and none shall make us afraid, | 1:04:56 | 1:05:01 | |
and for this, Thy divine bounty, Oh, Lord, we thank Thee. Amen. | 1:05:01 | 1:05:07 | |
HOMESTEADERS: Amen. | 1:05:07 | 1:05:10 | |
CHEERFUL CHATTERING | 1:05:11 | 1:05:14 | |
JOYFUL FOLK MUSIC PLAYS | 1:05:22 | 1:05:26 | |
# One foot up and the other foot down | 1:05:36 | 1:05:38 | |
# Swing them pretty girls round and round... # | 1:05:38 | 1:05:41 | |
-Here it is. -What? | 1:05:48 | 1:05:51 | |
Tell me something first. | 1:05:52 | 1:05:54 | |
Where do you keep my lock of hair? | 1:05:55 | 1:05:58 | |
Oh, uh... | 1:05:58 | 1:05:59 | |
Show me. | 1:06:00 | 1:06:02 | |
Nobody can see that, not even you. | 1:06:07 | 1:06:09 | |
Look, Cole - the best piece of homestead land in the whole country. | 1:06:15 | 1:06:19 | |
It used to belong to one of the hired men that left us, | 1:06:21 | 1:06:24 | |
and now it's anybody's. You just claim it. | 1:06:24 | 1:06:26 | |
Yeah, that's a fine piece of land all right. | 1:06:28 | 1:06:30 | |
Yeah, look at the feed on those slopes over there, | 1:06:30 | 1:06:33 | |
and that strip along the bottom is just fine for wheat or corn. | 1:06:33 | 1:06:37 | |
And, Cole, look, that little knoll right there... | 1:06:39 | 1:06:42 | |
It's just begging for a house. | 1:06:43 | 1:06:45 | |
Do you know how to build a house? | 1:06:49 | 1:06:51 | |
No, how? | 1:06:51 | 1:06:53 | |
Well, you... You... | 1:06:56 | 1:06:59 | |
Well, you have the kitchen there... | 1:07:02 | 1:07:05 | |
..and the bedroom over there, | 1:07:07 | 1:07:08 | |
and the living room right in the middle. | 1:07:08 | 1:07:11 | |
It would have to have the right things in it, too. | 1:07:11 | 1:07:14 | |
What sort of things? | 1:07:16 | 1:07:18 | |
Oh, fires and lamplights, | 1:07:18 | 1:07:23 | |
warm beds... | 1:07:23 | 1:07:26 | |
the smell of coffee in the morning, the sound of rain on the roof. | 1:07:26 | 1:07:30 | |
Gee, that's a nice house, Jane Ellen. | 1:07:32 | 1:07:35 | |
Jane! | 1:07:52 | 1:07:53 | |
Look! | 1:08:09 | 1:08:10 | |
-FARMER: -Go to your homes! Protect your houses! | 1:08:14 | 1:08:18 | |
Hey, Wade, grab another team, | 1:08:18 | 1:08:19 | |
we'll take a section of rail fence and knock down a strip of corn. | 1:08:19 | 1:08:22 | |
Maybe we can start a backfire. | 1:08:22 | 1:08:24 | |
Take the two end sections, Wade! | 1:08:29 | 1:08:31 | |
-WADE: -Cole! Cole! Cole! | 1:09:40 | 1:09:44 | |
Hey, get out of here! Move! | 1:09:59 | 1:10:02 | |
Look, the house! | 1:10:27 | 1:10:29 | |
-JANE ELLEN SCREAMS -Dad! Dad! Dad! | 1:11:05 | 1:11:09 | |
Dad! Father! | 1:11:09 | 1:11:12 | |
Help! Help! | 1:11:16 | 1:11:18 | |
-FARMER: -Come on, hurry up! | 1:11:21 | 1:11:23 | |
-Watch out for his leg and shoulder. FARMER: -All right. | 1:11:53 | 1:11:56 | |
-Take it easy. -Have you seen Jane Mathews? -No. | 1:11:59 | 1:12:03 | |
So I hereby christen this town Langtry! | 1:13:26 | 1:13:29 | |
CROWD CHEER | 1:13:29 | 1:13:31 | |
No man ever gave a woman a whole town afore, | 1:13:33 | 1:13:36 | |
but I'm doing it, and from now on, this whole section's going to bloom | 1:13:36 | 1:13:40 | |
like the Jersey Lily herself! | 1:13:40 | 1:13:42 | |
CROWD CHEER | 1:13:42 | 1:13:45 | |
Quiet! I ain't through yet. | 1:13:45 | 1:13:49 | |
Miss Langtry's coming soon to play a night in Fort Davis, | 1:13:49 | 1:13:52 | |
and I want every legal resident of Langtry, Texas, | 1:13:52 | 1:13:55 | |
to go over and see the godmother of this here town - | 1:13:55 | 1:13:58 | |
a town of cattlemen, for cattlemen, and, by gobs, run by cattlemen! | 1:13:58 | 1:14:02 | |
CROWD CHEER | 1:14:02 | 1:14:04 | |
GUNSHOTS INTO THE AIR | 1:14:04 | 1:14:07 | |
Now, in honour of this great occasion, | 1:14:09 | 1:14:11 | |
I'm dishing out free beer to one and all, | 1:14:11 | 1:14:13 | |
and anybody found sober after sundown | 1:14:13 | 1:14:16 | |
is liable to arrest for disorderly conduct, and that's my ruling! | 1:14:16 | 1:14:20 | |
Start the music! | 1:14:22 | 1:14:24 | |
JOYFUL FOLK MUSIC PLAYS | 1:14:24 | 1:14:26 | |
-JANE ELLEN: -"And man that is born of woman | 1:15:40 | 1:15:42 | |
"has but a short time to live. | 1:15:42 | 1:15:44 | |
"He cometh up and is cut down like a flower. | 1:15:44 | 1:15:47 | |
"He fleeth as if it were a shadow, and never continueth in one stay. | 1:15:48 | 1:15:52 | |
"In the midst of life, we are in death." | 1:15:56 | 1:15:59 | |
The wagon train's left. The people have all gone, Jane Ellen. | 1:16:28 | 1:16:32 | |
I'm staying. Nobody's going to drive me away from my land, | 1:16:32 | 1:16:38 | |
not with cattle, or fire, or killing my father, or anything else. | 1:16:38 | 1:16:42 | |
I'll be here long after Bean and his gang of murderers are gone. | 1:16:42 | 1:16:46 | |
Sure you will, and me, too. | 1:16:47 | 1:16:50 | |
I don't want you. | 1:16:52 | 1:16:54 | |
I don't want any of Roy Bean's friends around. | 1:16:54 | 1:16:57 | |
Wade Harper was right. I didn't believe it then, but I do now. | 1:16:57 | 1:17:01 | |
You knew we were going to be burned out. | 1:17:01 | 1:17:03 | |
That's why you herded all the cattle out, | 1:17:03 | 1:17:05 | |
so they wouldn't be burned with our crops. | 1:17:05 | 1:17:07 | |
No, I don't need your help. Not now. | 1:17:10 | 1:17:14 | |
I can do what I have to do alone. | 1:17:16 | 1:17:18 | |
I'll be back. | 1:17:24 | 1:17:25 | |
SHE CRIES | 1:17:35 | 1:17:38 | |
JOYFUL FOLK MUSIC PLAYS | 1:17:40 | 1:17:44 | |
Why, Cole! | 1:18:03 | 1:18:05 | |
By gobs, man, I'm glad to see you. | 1:18:05 | 1:18:07 | |
Why, I never wanted to see a man so much before in my life. | 1:18:07 | 1:18:10 | |
-What for? -What for?! | 1:18:10 | 1:18:11 | |
Don't you know what for? She's coming to Fort Davis. | 1:18:11 | 1:18:14 | |
-Lily Langtry's coming to Fort Davis. -Langtry? | 1:18:14 | 1:18:17 | |
Langtry, yeah, and you and me are going over there together. | 1:18:17 | 1:18:19 | |
You're going to introduce me to her. By gobs, I'm going to meet her. | 1:18:19 | 1:18:22 | |
-I just can't believe it. -I want to talk to you, Judge. | 1:18:22 | 1:18:24 | |
Yeah, all right. And look what I got to tell her when I see her. | 1:18:24 | 1:18:27 | |
Langtry, that's the name of this town. | 1:18:27 | 1:18:29 | |
-A great town after a great woman. -I said I wanted to talk to you, Judge. -Sure. | 1:18:29 | 1:18:32 | |
Cole, it's a great day. | 1:18:34 | 1:18:35 | |
I tell you, it's the greatest day in the history of Texas. | 1:18:35 | 1:18:39 | |
-Some fire, huh? -Yeah, wasn't it, though? | 1:18:41 | 1:18:44 | |
-Yeah, too bad. -Yeah. | 1:18:44 | 1:18:46 | |
Yep. I wonder who was behind it? | 1:18:48 | 1:18:50 | |
Oh, a fire don't need nothing behind it. | 1:18:50 | 1:18:52 | |
Fire has a way of moving on its own. Here's how. | 1:18:52 | 1:18:55 | |
Before I drink with you, Judge, I want to know you had nothing to do with it. | 1:18:57 | 1:19:00 | |
Me? Why, how can you say a thing like that? | 1:19:00 | 1:19:03 | |
Didn't I round up all them cattle for you? | 1:19:03 | 1:19:05 | |
Wasn't I right here in the saloon when the fire broke out? | 1:19:05 | 1:19:07 | |
Didn't... | 1:19:07 | 1:19:08 | |
Well, I was, and what's more, I ain't got no idea who done it. | 1:19:10 | 1:19:14 | |
Now, drink up. | 1:19:15 | 1:19:17 | |
-Don't you believe me? -No. | 1:19:22 | 1:19:24 | |
Now, listen, son, I told you how it was, | 1:19:27 | 1:19:29 | |
and I don't want you calling me no liar. | 1:19:29 | 1:19:32 | |
Now, drink hearty. | 1:19:33 | 1:19:34 | |
Will you swear by that? | 1:19:38 | 1:19:40 | |
There ain't no reason I should, but I'm willing. | 1:19:40 | 1:19:43 | |
All right, I swear by my sword there I had nothing to do with it. | 1:19:43 | 1:19:46 | |
I swear by the revised statutes. | 1:19:46 | 1:19:48 | |
By gobs, if there was a Bible in town I'd... | 1:19:48 | 1:19:50 | |
Where's that lock of hair? | 1:19:50 | 1:19:52 | |
-Right here with me. -Let me see it. | 1:19:53 | 1:19:55 | |
Swear on that. | 1:20:05 | 1:20:07 | |
All right, it was me. I burned their houses and crops. | 1:20:11 | 1:20:13 | |
-I run them varmints out. -Nice going. -And if you think... | 1:20:13 | 1:20:16 | |
If you think I'm sorry, you're crazy. | 1:20:19 | 1:20:21 | |
I'm proud and glad I rid the country of them. | 1:20:21 | 1:20:24 | |
It was either them or us, and now the range grass will grow back, | 1:20:24 | 1:20:27 | |
and some day, the cattlemen will put up a statue of me | 1:20:27 | 1:20:29 | |
out there on the street, and they'll write on it, | 1:20:29 | 1:20:31 | |
"Judge Roy Bean, he give us back the land." | 1:20:31 | 1:20:34 | |
You get warrants in Fort Davis, don't you? | 1:20:37 | 1:20:39 | |
Yeah, that's where they get them, but they don't know how to spell my name. | 1:20:39 | 1:20:42 | |
-It's been tried before. -I'll get one. | 1:20:42 | 1:20:44 | |
This time, you're going to get what's coming to you, Judge. | 1:20:44 | 1:20:47 | |
Cole! | 1:20:49 | 1:20:51 | |
You and me's friends. I done what I had to, and you think it was wrong. | 1:20:51 | 1:20:55 | |
But if it was my own son come over here with a warrant, | 1:20:55 | 1:20:57 | |
he'd have to be first on the draw. | 1:20:57 | 1:21:00 | |
I aim to be, unless I get it in the back before I get out of here. | 1:21:00 | 1:21:04 | |
So long, Cole. | 1:21:45 | 1:21:47 | |
Make out a warrant against Roy Bean. | 1:21:57 | 1:22:00 | |
Raise your right hand. | 1:22:02 | 1:22:04 | |
Do you solemnly swear to carry out the duties of deputy sheriff | 1:22:04 | 1:22:06 | |
-in Jeff Davis County in the state of Texas? -Yep. | 1:22:06 | 1:22:09 | |
Thanks, Sheriff. | 1:22:13 | 1:22:15 | |
-How much are tickets? -2 apiece, all over the house. | 1:22:37 | 1:22:40 | |
First come, first served. | 1:22:40 | 1:22:42 | |
-How many seats in the house? -400. | 1:22:42 | 1:22:44 | |
-I'll take them. -How many? -All of them. | 1:22:44 | 1:22:47 | |
Much obliged. | 1:23:00 | 1:23:01 | |
Let me have two tickets. | 1:23:02 | 1:23:04 | |
If I was you, Judge, I wouldn't set foot in Fort Davis to see Adam and Eve. | 1:23:12 | 1:23:16 | |
Me, either. | 1:23:16 | 1:23:17 | |
-JUDGE BEAN: -A deputy's star makes the finest kind of a target. | 1:23:17 | 1:23:20 | |
How you know you're not heading into a trap? | 1:23:20 | 1:23:23 | |
Sure looking for trouble, going over to Fort Davis. | 1:23:23 | 1:23:25 | |
Taking an awful chance, Judge. | 1:23:25 | 1:23:26 | |
Them hombres just waiting down there for you. | 1:23:26 | 1:23:28 | |
Why, you pack of yellow bellies, give me them tickets. | 1:23:28 | 1:23:31 | |
You mean, you're going to Fort Davis alone? | 1:23:39 | 1:23:41 | |
Not by a jugful, I ain't. | 1:23:41 | 1:23:42 | |
You're all going with me as a guard of honour, | 1:23:42 | 1:23:44 | |
right up to the opera house, but I'm going in alone. | 1:23:44 | 1:23:47 | |
I don't want nobody in there with me no how. | 1:23:47 | 1:23:50 | |
I ain't sharing the Jersey Lily with no-one. | 1:23:50 | 1:23:53 | |
Now, come on, we got a day's ride ahead of us. | 1:23:53 | 1:23:55 | |
I'm going to dress, and you fellows proud yourselves up a bit. | 1:23:55 | 1:23:58 | |
Chickenfoot, my sword. | 1:23:58 | 1:24:00 | |
KNOCKS AT DOOR | 1:24:00 | 1:24:03 | |
I ain't wore this uniform since Chickamauga, | 1:24:21 | 1:24:24 | |
but it still fits right smart. | 1:24:24 | 1:24:26 | |
Bean and his men are coming! Get off the street! | 1:24:32 | 1:24:36 | |
Bean and his men are coming! | 1:24:36 | 1:24:38 | |
Bean's coming! Bean's coming! | 1:24:46 | 1:24:49 | |
-JUDGE BEAN: -Hey, look! | 1:25:04 | 1:25:06 | |
They must have heard I was coming. | 1:25:08 | 1:25:10 | |
All right, boys, take your places. | 1:25:23 | 1:25:26 | |
Hey, this is the stage entrance. | 1:25:34 | 1:25:36 | |
-Now, remember, I want strict privacy all during the show. -You'll get it. | 1:25:39 | 1:25:43 | |
Third seat in. | 1:26:00 | 1:26:01 | |
Pardon, sir, your seat is back here. | 1:26:20 | 1:26:21 | |
No, it ain't. It's right here. | 1:26:21 | 1:26:24 | |
Say, when does Miss Langtry go on the play? | 1:27:07 | 1:27:10 | |
Right after the curtain. She's about to go up now, sir. | 1:27:10 | 1:27:13 | |
-Go up?! -The curtain, sir. | 1:27:13 | 1:27:15 | |
Oh... | 1:27:15 | 1:27:17 | |
Now? | 1:27:30 | 1:27:31 | |
Yes, now. | 1:27:33 | 1:27:34 | |
Now... | 1:27:38 | 1:27:39 | |
ORCHESTRA PLAYS OVERTURE | 1:27:39 | 1:27:42 | |
Don't make a move, Judge. I'm coming down to get you. | 1:28:04 | 1:28:07 | |
Come shooting. | 1:28:09 | 1:28:10 | |
GUNSHOT | 1:28:39 | 1:28:41 | |
-The war's on. -Yeah. Wish I was in there to see that show. | 1:28:43 | 1:28:47 | |
-I bet the judge is having a good time. -Yeah. | 1:28:47 | 1:28:50 | |
GUNSHOT | 1:28:53 | 1:28:55 | |
GUNSHOT | 1:29:00 | 1:29:02 | |
GUNSHOTS | 1:29:21 | 1:29:28 | |
GUNSHOTS | 1:29:43 | 1:29:45 | |
GUNSHOTS | 1:29:56 | 1:29:58 | |
GUNSHOT | 1:30:02 | 1:30:04 | |
Hey! | 1:30:06 | 1:30:08 | |
Let's you and me stand up and shoot it out. | 1:30:09 | 1:30:11 | |
That suits me, Judge. | 1:30:13 | 1:30:15 | |
Put up your gun. We'll draw. | 1:30:17 | 1:30:19 | |
All right. | 1:30:19 | 1:30:21 | |
-Ready? -Yeah. | 1:30:26 | 1:30:28 | |
JUDGE BEAN LAUGHS | 1:30:59 | 1:31:02 | |
Now, you see what you done? | 1:31:02 | 1:31:04 | |
You stopped the show. | 1:31:05 | 1:31:07 | |
I was going to see Lily. | 1:31:07 | 1:31:09 | |
Now it's too late. | 1:31:13 | 1:31:15 | |
No, it isn't, Judge. | 1:31:16 | 1:31:19 | |
She's back there now, waiting to see you. | 1:31:19 | 1:31:21 | |
What? | 1:31:24 | 1:31:25 | |
She knows all about you, Judge. | 1:31:26 | 1:31:28 | |
She wants to meet you. She told me so herself. | 1:31:28 | 1:31:31 | |
Come on, let's go back and see her. | 1:31:34 | 1:31:36 | |
My hat. | 1:31:42 | 1:31:44 | |
Where's Miss Langtry? | 1:32:11 | 1:32:14 | |
Put me down. I can walk. | 1:32:14 | 1:32:16 | |
Put me down, I tell you. That's my ruling. | 1:32:17 | 1:32:19 | |
COLE KNOCKS ON DOOR | 1:32:54 | 1:32:57 | |
Miss Langtry, I'd like to present an old admirer. Judge Roy Bean. | 1:33:06 | 1:33:10 | |
I'm pleased to meet you. | 1:33:16 | 1:33:19 | |
JUDE BEAN GASPS | 1:33:27 | 1:33:28 | |
LOUD THUD | 1:33:28 | 1:33:30 | |
Cole, come here quick! | 1:34:20 | 1:34:22 | |
Look! | 1:34:27 | 1:34:29 | |
See, what did I tell you? They're coming back. | 1:34:33 | 1:34:36 | |
Wagons by the score. | 1:34:36 | 1:34:38 | |
It's the promised land. | 1:34:39 | 1:34:41 | |
Jane Ellen... | 1:34:41 | 1:34:43 | |
some day, Texas is going to be the biggest and the finest... | 1:34:43 | 1:34:46 | |
Subtitles by Red Bee Media Ltd | 1:34:52 | 1:34:56 |