Browse content similar to Till the End of Time. Check below for episodes and series from the same categories and more!
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Line up along the corridor. | 0:01:54 | 0:01:55 | |
This way, men. | 0:01:55 | 0:01:58 | |
Line up along the corridor. | 0:01:58 | 0:01:59 | |
Throw your stuff right here. | 0:01:59 | 0:02:01 | |
I don't know where most of you guys were on VJ Day, | 0:02:12 | 0:02:14 | |
but for one reason or another, you're here today. | 0:02:14 | 0:02:16 | |
You're being discharged. | 0:02:16 | 0:02:17 | |
Before you know it, you'll be home. | 0:02:17 | 0:02:19 | |
What the Corporal is giving you now | 0:02:19 | 0:02:20 | |
is your master schedule, | 0:02:20 | 0:02:22 | |
showing you what group you're in, | 0:02:22 | 0:02:23 | |
where that group's got to be at what hour. | 0:02:23 | 0:02:25 | |
Group one, sound off. | 0:02:25 | 0:02:27 | |
McConnell. Marks. | 0:02:27 | 0:02:29 | |
Harding. Ramsey. | 0:02:29 | 0:02:30 | |
Kern. Tabeshaw. | 0:02:30 | 0:02:32 | |
Conte. Harper. Farst. | 0:02:32 | 0:02:34 | |
MAN: Name? | 0:02:34 | 0:02:35 | |
Tabeshaw, William J. | 0:02:35 | 0:02:36 | |
840067. | 0:02:36 | 0:02:39 | |
Guadal, Kwajalein, Saipan, and Iwo Jima, right? | 0:02:39 | 0:02:42 | |
That's right. | 0:02:42 | 0:02:43 | |
Silver star and purple heart. | 0:02:43 | 0:02:45 | |
Hospitalised - New Zealand, Pearl, and Balboa. | 0:02:45 | 0:02:48 | |
Skull tree panned and silver plate inserted. | 0:02:48 | 0:02:50 | |
They put the gizmo in my head | 0:02:50 | 0:02:51 | |
to keep my brains where they belong. | 0:02:51 | 0:02:53 | |
Feel OK? | 0:02:53 | 0:02:54 | |
Well, with this hunk of silver and a real dime, | 0:02:54 | 0:02:56 | |
I can always get a cup of coffee. | 0:02:56 | 0:02:57 | |
Name? | 0:02:57 | 0:02:59 | |
Harper, Clifford W. | 0:02:59 | 0:03:01 | |
976955. | 0:03:01 | 0:03:03 | |
Got the same action record as Tabeshaw's. | 0:03:03 | 0:03:05 | |
Been together since boot camp in Diego. | 0:03:05 | 0:03:07 | |
Better than three years. | 0:03:07 | 0:03:08 | |
Three years, nine months. | 0:03:08 | 0:03:10 | |
Four battle stars and the silver star. | 0:03:10 | 0:03:13 | |
We parted company when he was dumb enough | 0:03:13 | 0:03:15 | |
to get himself shot. | 0:03:15 | 0:03:16 | |
Why don't you own up, Harper? | 0:03:16 | 0:03:17 | |
I was a big hero, and you were a coward. | 0:03:17 | 0:03:20 | |
As soon as I find out about your education | 0:03:20 | 0:03:22 | |
and military specialities, | 0:03:22 | 0:03:23 | |
I'll pass you on to rehab section. | 0:03:23 | 0:03:24 | |
Are you going back to truck driving? | 0:03:24 | 0:03:26 | |
You don't work as an MP for two years | 0:03:26 | 0:03:28 | |
and then go back to truck driving! I'm going to be a cop. | 0:03:28 | 0:03:31 | |
The rehabilitation officer nearest you | 0:03:31 | 0:03:33 | |
is in New Orleans. | 0:03:33 | 0:03:34 | |
Here's his name and address if you want his help. | 0:03:34 | 0:03:36 | |
Maybe you'll find things changed. | 0:03:36 | 0:03:38 | |
I don't need help. | 0:03:38 | 0:03:39 | |
I'm going to buy me a farm. | 0:03:39 | 0:03:41 | |
Little ever changes on a farm, mister. | 0:03:41 | 0:03:43 | |
After you leave me, you'll go to the Red Cross. | 0:03:43 | 0:03:45 | |
That's important to you, because there's where | 0:03:45 | 0:03:47 | |
you file claim to a pension. | 0:03:47 | 0:03:48 | |
That silver plate in your skull entitles you to a pension. | 0:03:48 | 0:03:50 | |
You don't think I'm going to | 0:03:50 | 0:03:51 | |
charge somebody for that, do you? | 0:03:51 | 0:03:52 | |
Lots of men say that, Corporal, | 0:03:52 | 0:03:54 | |
but you file that claim with the Red Cross anyway. | 0:03:54 | 0:03:57 | |
Did you sign for this insurance when you went in? | 0:03:57 | 0:03:59 | |
Between now and the next year and a half, | 0:03:59 | 0:04:01 | |
you'll have to convert that policy. | 0:04:01 | 0:04:03 | |
In the meantime, don't forget to pay your premiums. | 0:04:03 | 0:04:06 | |
Don't worry, I won't! | 0:04:06 | 0:04:08 | |
You left college in the middle of your freshman year, hmm? | 0:04:08 | 0:04:11 | |
Right after Pearl Harbor. | 0:04:11 | 0:04:13 | |
You're going back to school, I suppose? | 0:04:13 | 0:04:15 | |
Well, I hadn't thought about it. | 0:04:15 | 0:04:16 | |
Let's see... | 0:04:16 | 0:04:18 | |
you worked for your father one summer | 0:04:18 | 0:04:20 | |
in the construction business, didn't you? | 0:04:20 | 0:04:21 | |
I was getting primed for football. | 0:04:21 | 0:04:23 | |
It might be a good idea for you to take some engineering courses. | 0:04:23 | 0:04:28 | |
Well, maybe, but first I want to get home. | 0:04:28 | 0:04:29 | |
You and me both, Mack. | 0:04:29 | 0:04:31 | |
Tabeshaw. Here. | 0:04:31 | 0:04:34 | |
Total, 455.97. | 0:04:34 | 0:04:37 | |
Back pay is 387.42. | 0:04:37 | 0:04:39 | |
Railway fare to Stinking Creek, New Mexico | 0:04:39 | 0:04:42 | |
at five cents a mile is 68.55. | 0:04:42 | 0:04:44 | |
100 mustering out pay. | 0:04:44 | 0:04:46 | |
I'll give you the first 100 now. | 0:04:46 | 0:04:47 | |
The second 100 will be mailed | 0:04:47 | 0:04:48 | |
from Washington to your home in 30 days. | 0:04:48 | 0:04:49 | |
Third 100, 30 days after that. | 0:04:49 | 0:04:51 | |
What? So you can't blow it all in at once, huh? | 0:04:51 | 0:04:53 | |
That's the skinny, Corporal. | 0:04:53 | 0:04:54 | |
Count it, Mack. Are you kidding? | 0:04:54 | 0:04:56 | |
Tabeshaw. | 0:04:56 | 0:04:58 | |
Here's your discharge button, | 0:04:58 | 0:05:00 | |
your honourable discharge, | 0:05:00 | 0:05:01 | |
and an envelope to keep it in. | 0:05:01 | 0:05:02 | |
Thank you, sir. | 0:05:02 | 0:05:03 | |
Good luck, Tabeshaw. | 0:05:03 | 0:05:04 | |
ORCHESTRA PLAYS THE US MARINE CORPS HYMN | 0:05:09 | 0:05:11 | |
Keep the change. | 0:06:22 | 0:06:24 | |
BOY: Hi, Cliff! | 0:06:27 | 0:06:29 | |
Hi. What's your name? | 0:06:29 | 0:06:31 | |
I'm Freddy Stewart. | 0:06:31 | 0:06:33 | |
Freddy Stewart? | 0:06:33 | 0:06:35 | |
Why, the last time I saw you, | 0:06:35 | 0:06:36 | |
you were this high. | 0:06:36 | 0:06:38 | |
Now I'm...this high. | 0:06:38 | 0:06:40 | |
You sure are! | 0:06:40 | 0:06:41 | |
So long! So long! | 0:06:41 | 0:06:43 | |
DOORBELL RINGS | 0:07:00 | 0:07:01 | |
DOORBELL RINGS | 0:07:17 | 0:07:19 | |
GIRL: Hi! | 0:07:43 | 0:07:45 | |
Your folks aren't home. | 0:07:46 | 0:07:47 | |
Your father's playing golf, | 0:07:47 | 0:07:48 | |
and your mother's out shopping with my mother. | 0:07:48 | 0:07:50 | |
Oh, I'm sure they'll be positively grim | 0:07:50 | 0:07:52 | |
when they discover you came back from the wars | 0:07:52 | 0:07:53 | |
and they weren't here! | 0:07:53 | 0:07:56 | |
Welcome home! | 0:07:56 | 0:07:57 | |
What do you like to be called? | 0:07:57 | 0:07:59 | |
Leatherneck, Gyrene, or Devil Dog? | 0:07:59 | 0:08:02 | |
Marine suits me fine. | 0:08:02 | 0:08:03 | |
Just plain marine. | 0:08:03 | 0:08:05 | |
OK, marine. | 0:08:05 | 0:08:06 | |
I'm Helen Ingersoll. | 0:08:06 | 0:08:08 | |
We're your next-door neighbours. | 0:08:08 | 0:08:10 | |
Oh, what happened to the Crenshaws? | 0:08:10 | 0:08:12 | |
Oh, they moved north to Alameda three years ago. | 0:08:12 | 0:08:14 | |
Lucky for us, too, because when Daddy was transferred | 0:08:14 | 0:08:16 | |
out here from the plant in Detroit, | 0:08:16 | 0:08:18 | |
we didn't have a place to live. | 0:08:18 | 0:08:19 | |
Daddy's production manager at Lockheed, | 0:08:19 | 0:08:21 | |
and although we could have gotten into war housing, | 0:08:21 | 0:08:23 | |
we thought maybe... | 0:08:23 | 0:08:24 | |
Oh, but you're bored, aren't you? Naw, go ahead. | 0:08:24 | 0:08:26 | |
I'm interested in people, especially our new neighbours. | 0:08:26 | 0:08:29 | |
Oh, we're going to be your neighbours for a long time, too. | 0:08:29 | 0:08:31 | |
Daddy says southern California's the coming part of the country. | 0:08:31 | 0:08:34 | |
Daddy says six out of every ten veterans | 0:08:34 | 0:08:36 | |
will settle here after the war. | 0:08:36 | 0:08:37 | |
Never mind about your daddy. | 0:08:37 | 0:08:38 | |
Haven't you got any ideas of your own? | 0:08:38 | 0:08:41 | |
Oh, for our return marine, I've got some super ideas! | 0:08:42 | 0:08:46 | |
Anything I can help you with, hay? | 0:08:52 | 0:08:53 | |
No, thanks. I'll see you later. | 0:08:53 | 0:08:55 | |
OK. Bye, hay. | 0:08:55 | 0:08:57 | |
FOOD SIZZLES | 0:09:10 | 0:09:12 | |
SWING MUSIC PLAYS LOUDLY | 0:10:03 | 0:10:06 | |
TURNS RADIO OFF | 0:10:06 | 0:10:08 | |
SWING MUSIC PLAYS | 0:12:20 | 0:12:22 | |
What'll it be, chum? | 0:12:35 | 0:12:37 | |
Don't chum me, you four-eyed, little square! | 0:12:37 | 0:12:39 | |
Cliff! | 0:12:42 | 0:12:44 | |
Cliff Harper! | 0:12:44 | 0:12:45 | |
Well, Cliff, you're...you're back! | 0:12:45 | 0:12:47 | |
You're back from the thing! | 0:12:47 | 0:12:49 | |
I sure am, Scuffy! | 0:12:49 | 0:12:50 | |
Well, well! | 0:12:50 | 0:12:53 | |
Say! | 0:12:53 | 0:12:54 | |
You did all right, chum! You did fine! | 0:12:54 | 0:12:57 | |
You did all right yourself! | 0:12:57 | 0:12:59 | |
Why, when I left here, this was nothing | 0:12:59 | 0:13:01 | |
but a hard candy and ice cream parlour! | 0:13:01 | 0:13:03 | |
La guerre, chum. La guerre. | 0:13:03 | 0:13:06 | |
That's french for "the war," chum. | 0:13:06 | 0:13:07 | |
The war? | 0:13:07 | 0:13:08 | |
Yes, what with all the rationing | 0:13:08 | 0:13:11 | |
and the liquor licence I finally got, | 0:13:11 | 0:13:13 | |
I'd have been a creep not to jump on the gravy train! | 0:13:13 | 0:13:15 | |
Good going! | 0:13:15 | 0:13:16 | |
Give me a rum and coke. | 0:13:16 | 0:13:18 | |
You all in one piece? | 0:13:18 | 0:13:19 | |
Yes, sir! | 0:13:19 | 0:13:21 | |
I'm rigged as good as the day we took | 0:13:21 | 0:13:23 | |
the city championship away from Fairfax. | 0:13:23 | 0:13:25 | |
Boy, I'll never forget that one! | 0:13:25 | 0:13:27 | |
Oh, no, chum! | 0:13:27 | 0:13:29 | |
Your money buys nothing here. | 0:13:29 | 0:13:30 | |
Until tomorrow. | 0:13:30 | 0:13:32 | |
BOTH CHUCKLE | 0:13:32 | 0:13:33 | |
Well, thanks! | 0:13:33 | 0:13:35 | |
I'm glad you're back, chum. | 0:13:35 | 0:13:38 | |
See your kisser? | 0:13:38 | 0:13:40 | |
Yeah! Where'd you get it? | 0:13:47 | 0:13:49 | |
Nailed your ma for it. | 0:13:49 | 0:13:51 | |
Hey! I'm right next to Pinky! | 0:13:51 | 0:13:52 | |
Not only is he a lieutenant, senior grade, | 0:13:52 | 0:13:55 | |
having distinguished himself as a naval flier, | 0:13:55 | 0:13:58 | |
but he's sitting right in that booth over there! | 0:13:58 | 0:14:00 | |
Hey, Pinky! | 0:14:00 | 0:14:02 | |
Look what the marines threw back! | 0:14:02 | 0:14:04 | |
Cliff! Well, I'll be a son of a... | 0:14:04 | 0:14:06 | |
You're home! Yeah. | 0:14:06 | 0:14:07 | |
When did you get in? | 0:14:07 | 0:14:09 | |
Just got off the train. | 0:14:09 | 0:14:10 | |
I'll be! Hey, this is Cliff Harper! | 0:14:10 | 0:14:11 | |
Hello! | 0:14:11 | 0:14:12 | |
These are a couple of tired old crumbs! | 0:14:12 | 0:14:14 | |
I've made them even more tired | 0:14:14 | 0:14:15 | |
by telling them what a big hero I am! Hey, grab it! | 0:14:15 | 0:14:17 | |
Thanks. | 0:14:17 | 0:14:19 | |
How was it, Cliff? | 0:14:19 | 0:14:20 | |
It was all right. | 0:14:20 | 0:14:21 | |
How was it with you? | 0:14:21 | 0:14:23 | |
Upstairs, it was fine. | 0:14:23 | 0:14:24 | |
The minute I got back to the flight deck, | 0:14:24 | 0:14:26 | |
it nearly drove me nuts. | 0:14:26 | 0:14:27 | |
Yeah, I'll bet. | 0:14:27 | 0:14:28 | |
WOMAN: If you gents aren't careful, | 0:14:28 | 0:14:29 | |
you're going to get maudlin. | 0:14:29 | 0:14:31 | |
Well, Pat Ruscomb, this is Cliff Harper. | 0:14:31 | 0:14:34 | |
PAT: Hello. | 0:14:34 | 0:14:35 | |
Don't let the uniform fool you, Pat. He's a civilian. | 0:14:35 | 0:14:38 | |
You on terminal leave? | 0:14:38 | 0:14:39 | |
I'm in for the duration - | 0:14:39 | 0:14:41 | |
the duration of the peace. | 0:14:41 | 0:14:42 | |
If they start another war, | 0:14:42 | 0:14:43 | |
brother, I'm resigning! | 0:14:43 | 0:14:45 | |
I had enough points to get out, | 0:14:45 | 0:14:46 | |
but I like the navy. | 0:14:46 | 0:14:48 | |
You know, I wanted navy even before the war. | 0:14:48 | 0:14:49 | |
That's the kind of guy I am. | 0:14:49 | 0:14:51 | |
Any idea where they'll send you? | 0:14:51 | 0:14:54 | |
There's a new carrier bank commission | 0:14:54 | 0:14:55 | |
that I'm bucking for. | 0:14:55 | 0:14:56 | |
I'd have been out of these today, | 0:14:58 | 0:15:00 | |
but my clothes don't fit! | 0:15:00 | 0:15:01 | |
Going back to school? | 0:15:01 | 0:15:04 | |
I don't know. | 0:15:04 | 0:15:06 | |
Maybe. | 0:15:06 | 0:15:08 | |
Well, that's one thing I'll miss, | 0:15:08 | 0:15:10 | |
but I'll be getting back more often to see you guys | 0:15:10 | 0:15:12 | |
and shoot it with you. | 0:15:12 | 0:15:14 | |
I...know I'll want to. | 0:15:14 | 0:15:16 | |
Let's dance. | 0:15:21 | 0:15:23 | |
All right. | 0:15:24 | 0:15:25 | |
You with Pinky? | 0:15:47 | 0:15:49 | |
With nobody. | 0:15:50 | 0:15:51 | |
Pinky didn't bring you? | 0:15:53 | 0:15:55 | |
I drove over, by myself. | 0:15:55 | 0:15:57 | |
But I'm driving you home. | 0:15:58 | 0:16:01 | |
You know that, huh? Mm-hmm. | 0:16:01 | 0:16:04 | |
You told me. | 0:16:04 | 0:16:06 | |
When? | 0:16:06 | 0:16:08 | |
When you sat down next to me. | 0:16:08 | 0:16:11 | |
Want to say goodbye to them? | 0:16:14 | 0:16:17 | |
I'll say goodbye tomorrow. | 0:16:17 | 0:16:19 | |
This is it. | 0:16:55 | 0:16:57 | |
A bit on the elegant side but home. | 0:16:57 | 0:17:00 | |
I share it with a friend of mine | 0:17:00 | 0:17:02 | |
who works for the governor. | 0:17:02 | 0:17:04 | |
Not bad. Mm-hmm. | 0:17:04 | 0:17:06 | |
I thought it would work out pretty well, | 0:17:06 | 0:17:08 | |
having someone around all the time. | 0:17:08 | 0:17:10 | |
So far, she's been in Washington for the last three months. | 0:17:11 | 0:17:15 | |
Uh-huh. | 0:17:15 | 0:17:16 | |
Gives you a little more room, huh? | 0:17:17 | 0:17:20 | |
Uh-huh. | 0:17:21 | 0:17:22 | |
This your hometown? | 0:17:24 | 0:17:25 | |
Yeah. | 0:17:25 | 0:17:28 | |
Glad to be home? | 0:17:28 | 0:17:30 | |
Uh-huh. | 0:17:30 | 0:17:31 | |
Marines are... kind of rugged, hmm? | 0:17:33 | 0:17:35 | |
Yeah. | 0:17:38 | 0:17:39 | |
Well, that's fine. | 0:17:45 | 0:17:46 | |
Now what do we talk about? | 0:17:47 | 0:17:49 | |
Not much of a talker. | 0:17:49 | 0:17:51 | |
Come here. | 0:17:53 | 0:17:54 | |
What if I don't? | 0:18:00 | 0:18:02 | |
You will. | 0:18:05 | 0:18:06 | |
I liked it. | 0:18:20 | 0:18:21 | |
I've got to tell you something. | 0:18:23 | 0:18:26 | |
It's true. | 0:18:26 | 0:18:28 | |
I saw you, and funny things happened. | 0:18:28 | 0:18:32 | |
Couldn't wait to put my arms around you. | 0:18:32 | 0:18:35 | |
Don't be frightened. | 0:18:35 | 0:18:36 | |
It isn't love. | 0:18:39 | 0:18:41 | |
You don't think so? | 0:18:41 | 0:18:44 | |
What is it? | 0:18:44 | 0:18:45 | |
Lots of things. | 0:18:48 | 0:18:51 | |
Growing up... | 0:18:51 | 0:18:52 | |
Six, eight, ten months in the Pacific, | 0:18:52 | 0:18:55 | |
um...jukebox joint... | 0:18:55 | 0:18:58 | |
..and then a room that's not too crowded. | 0:19:00 | 0:19:02 | |
All those things. | 0:19:03 | 0:19:06 | |
Half of them's in love. | 0:19:06 | 0:19:07 | |
You're pretty grown up... | 0:19:19 | 0:19:22 | |
for a kid your age. | 0:19:22 | 0:19:25 | |
If you're laughing at me, I don't like it. | 0:19:25 | 0:19:27 | |
I'm sorry. | 0:19:28 | 0:19:29 | |
Who's Flash Gordon? | 0:19:43 | 0:19:45 | |
His name's John Ruscomb. | 0:19:46 | 0:19:48 | |
First lieutenant AAF, | 0:19:48 | 0:19:51 | |
8th bomber command. | 0:19:51 | 0:19:52 | |
Who is he? | 0:19:52 | 0:19:54 | |
My husband. | 0:19:58 | 0:20:00 | |
If you hadn't had his picture here, | 0:20:07 | 0:20:09 | |
I don't think I would have cared one way or the other, | 0:20:09 | 0:20:11 | |
whether you were married or not. | 0:20:11 | 0:20:13 | |
But this way... | 0:20:13 | 0:20:14 | |
I don't like me, and I don't like you. | 0:20:14 | 0:20:18 | |
Great. | 0:20:18 | 0:20:20 | |
Where is he? | 0:20:20 | 0:20:22 | |
They...buried him in France. | 0:20:22 | 0:20:25 | |
They sent me the name of the place about three weeks ago. | 0:20:25 | 0:20:29 | |
I... You're sorry. | 0:20:29 | 0:20:32 | |
I'm sorry, too. | 0:20:33 | 0:20:36 | |
Sit down. | 0:20:38 | 0:20:40 | |
I...met John about three years ago. | 0:20:46 | 0:20:50 | |
I was a hostess at the canteen, and he was a cadet. | 0:20:52 | 0:20:56 | |
It happened like that. | 0:20:56 | 0:20:58 | |
I trotted around with him, | 0:21:00 | 0:21:02 | |
until he got his wings and his assignment to go overseas. | 0:21:02 | 0:21:05 | |
And away he went. | 0:21:05 | 0:21:07 | |
Up into the wild, blue yonder. MUSIC TURNS ON | 0:21:09 | 0:21:11 | |
It's very corny but true. | 0:21:11 | 0:21:13 | |
That's what makes it so corny. | 0:21:13 | 0:21:15 | |
It's happened to so many. | 0:21:15 | 0:21:16 | |
The last letter I got from him, | 0:21:21 | 0:21:22 | |
he'd made a second mission. | 0:21:22 | 0:21:24 | |
The CO told me he was killed on his third. | 0:21:24 | 0:21:27 | |
He's been dead about 14 months. | 0:21:27 | 0:21:29 | |
He sent me a package | 0:21:30 | 0:21:31 | |
with...some of his personal things in it, | 0:21:31 | 0:21:34 | |
but I never opened it. | 0:21:34 | 0:21:35 | |
I sent it to his family. | 0:21:35 | 0:21:37 | |
They live in Louisville. | 0:21:37 | 0:21:39 | |
They ought to give purple hearts for war widows. | 0:21:40 | 0:21:43 | |
You're sweet. | 0:21:46 | 0:21:47 | |
I'll see you again. | 0:21:52 | 0:21:53 | |
I want to kiss you goodbye... | 0:21:59 | 0:22:02 | |
but the room's too crowded. | 0:22:02 | 0:22:05 | |
Bye, Cliff. | 0:22:06 | 0:22:08 | |
Goodbye, Pat. | 0:22:08 | 0:22:09 | |
Cliff! Dad! | 0:22:22 | 0:22:23 | |
How are you, Son? | 0:22:24 | 0:22:26 | |
I'm OK! | 0:22:26 | 0:22:29 | |
Where've you been? | 0:22:29 | 0:22:30 | |
I left a note for you. | 0:22:30 | 0:22:31 | |
Oh, we called Scuffy's. You weren't there. | 0:22:31 | 0:22:33 | |
You had us nearly crazy waiting for you. | 0:22:33 | 0:22:36 | |
Why didn't you let us know? | 0:22:36 | 0:22:37 | |
Aw, I thought I'd surprise you, Dad. | 0:22:37 | 0:22:40 | |
You look mighty fit, Son. | 0:22:40 | 0:22:42 | |
Feel great, too. | 0:22:42 | 0:22:44 | |
Amy! Amy, he's here! | 0:22:44 | 0:22:47 | |
She's been crying ever since she got home. | 0:22:47 | 0:22:49 | |
Imagine that! AMY: Cliff! | 0:22:49 | 0:22:51 | |
Oh, my boy! | 0:22:51 | 0:22:53 | |
Oh! My boy! | 0:22:53 | 0:22:55 | |
Oh! You're home! Thank God! Thank God! | 0:22:55 | 0:22:57 | |
Take it easy, ma. Take it easy. | 0:22:57 | 0:22:58 | |
Home for good, Amy! | 0:22:58 | 0:23:00 | |
Be a good girl! Don't carry on so! | 0:23:00 | 0:23:02 | |
Oh, you're thin! | 0:23:02 | 0:23:03 | |
Thin? He's 32lbs heavier than when he left here! | 0:23:03 | 0:23:06 | |
Oh, I felt just awful when I saw your note. | 0:23:06 | 0:23:09 | |
I could have killed myself | 0:23:09 | 0:23:10 | |
for going shopping this afternoon, | 0:23:10 | 0:23:11 | |
but we're having company for barbecue tonight, | 0:23:11 | 0:23:13 | |
and I just had to get some things. | 0:23:13 | 0:23:15 | |
Well, it was kind of spooky coming home | 0:23:15 | 0:23:17 | |
and not finding anyone around. | 0:23:17 | 0:23:18 | |
How does it look, Cliff? | 0:23:18 | 0:23:19 | |
Does it look the same to you? | 0:23:19 | 0:23:21 | |
Fine, Ma. It looks just fine. | 0:23:21 | 0:23:23 | |
You're not tired after your trip? | 0:23:23 | 0:23:24 | |
No, I'm all right. | 0:23:24 | 0:23:26 | |
Guess you're old enough to handle this now, Son. | 0:23:26 | 0:23:28 | |
I've been saving this bourbon for when you got home. | 0:23:28 | 0:23:30 | |
Say when. | 0:23:30 | 0:23:31 | |
Clifford! | 0:23:35 | 0:23:36 | |
CW, do you want to make him sick?! | 0:23:36 | 0:23:38 | |
Women don't understand us fightin' men, Son. | 0:23:38 | 0:23:42 | |
Glad to have you back from the wars. | 0:23:42 | 0:23:44 | |
Glad to be back. | 0:23:44 | 0:23:46 | |
SHE SNIFFS | 0:23:52 | 0:23:53 | |
I guess after that GI food, | 0:23:54 | 0:23:56 | |
you'll enjoy home cooking. | 0:23:56 | 0:23:57 | |
I sure will, Ma! | 0:23:57 | 0:23:59 | |
But I've got so much to talk about, | 0:23:59 | 0:24:01 | |
I don't know where to begin. | 0:24:01 | 0:24:02 | |
I want to tell you where I've been and what I saw... | 0:24:02 | 0:24:04 | |
Don't talk about it, Cliff. | 0:24:04 | 0:24:05 | |
I know you don't want to talk about it. | 0:24:05 | 0:24:08 | |
Sure great to have you home, Son. | 0:24:08 | 0:24:09 | |
Now you two hurry and get washed up. | 0:24:09 | 0:24:12 | |
Company will be here before you know it. | 0:24:12 | 0:24:14 | |
MAN: That's the last club you'll get. | 0:24:20 | 0:24:23 | |
CLIFF: Is this the bag you wanted, Mom? | 0:24:23 | 0:24:24 | |
Yes, Cliff. Thank you. | 0:24:24 | 0:24:26 | |
There we are. How's that? | 0:24:26 | 0:24:28 | |
How you doing, Dad? Oh, fine, Son. Fine. | 0:24:28 | 0:24:30 | |
Now, if he gives me one of these, | 0:24:30 | 0:24:33 | |
and I have this left, | 0:24:33 | 0:24:34 | |
I go down, you see? | 0:24:34 | 0:24:35 | |
AMY: Want a cold drink or something, Clifford? | 0:24:35 | 0:24:37 | |
No, thanks, Ma. I'm all right. | 0:24:37 | 0:24:39 | |
That's fine, dear. | 0:24:39 | 0:24:40 | |
MAN: Didn't play much gin | 0:24:40 | 0:24:41 | |
in the marines, eh, Cliff? | 0:24:41 | 0:24:42 | |
No, Mr Ingersoll. | 0:24:42 | 0:24:43 | |
Mostly Acey deucy. Sometimes a little poker. | 0:24:43 | 0:24:45 | |
Why, in the last show, CW and I had a boy in our company - | 0:24:45 | 0:24:49 | |
a fellow by the name of Scotty Blodgett - | 0:24:49 | 0:24:50 | |
knocked off over 60,000 shootin' crap at Paris. | 0:24:50 | 0:24:53 | |
What's the matter with the kids in this war, Cliff? Nobody gamble? | 0:24:53 | 0:24:55 | |
Oh, there was a little of it, I guess. | 0:24:55 | 0:24:57 | |
I left a note for him that I'd be over here. | 0:24:57 | 0:24:59 | |
Who? | 0:24:59 | 0:25:00 | |
Oh, I told you. Tommy Hendricks. | 0:25:00 | 0:25:01 | |
He's taking me to the frosh dance tonight. | 0:25:01 | 0:25:03 | |
He's her steady. | 0:25:03 | 0:25:04 | |
Father! | 0:25:04 | 0:25:05 | |
You wouldn't be in the mood | 0:25:07 | 0:25:08 | |
to treat me to a drink, would you? | 0:25:08 | 0:25:09 | |
Yes, ma'am! | 0:25:09 | 0:25:10 | |
CW: How's one? | 0:25:10 | 0:25:11 | |
MR INGERSOLL: I think you're safe. | 0:25:11 | 0:25:12 | |
MAN: I have 3. | 0:25:12 | 0:25:14 | |
You get 14. | 0:25:14 | 0:25:15 | |
In spite of what your old man tells ya! | 0:25:15 | 0:25:17 | |
That's the way to play gin, my boy! | 0:25:17 | 0:25:18 | |
I takes it as is. | 0:25:20 | 0:25:22 | |
What? No glass chaser? | 0:25:22 | 0:25:23 | |
Ha ha. Just neat. | 0:25:23 | 0:25:24 | |
Hi! Well, where have you been? | 0:25:24 | 0:25:26 | |
Well, I...I...couldn't get my car started. | 0:25:26 | 0:25:29 | |
That is, right away. | 0:25:29 | 0:25:30 | |
Cliff, this is Tommy Hendricks. | 0:25:30 | 0:25:32 | |
Tommy, Cliff Harper. | 0:25:32 | 0:25:33 | |
Hiya, Tommy. | 0:25:33 | 0:25:34 | |
Well, how are you, sir? | 0:25:34 | 0:25:36 | |
Uh, do you think we'll make it? | 0:25:36 | 0:25:37 | |
Relax, Tommy! | 0:25:37 | 0:25:40 | |
Oh, I'll need a wrap. | 0:25:40 | 0:25:42 | |
Tommy, would you mind stepping through the hedge | 0:25:42 | 0:25:43 | |
and getting it for me? | 0:25:43 | 0:25:44 | |
Well, sure! Thank you. | 0:25:44 | 0:25:46 | |
MAN: Sucker! | 0:25:46 | 0:25:48 | |
We could be more comfortable. | 0:25:48 | 0:25:51 | |
Smoke? | 0:25:53 | 0:25:55 | |
Oh, I'm dying for one, | 0:25:56 | 0:25:58 | |
but...my father - you know. | 0:25:58 | 0:26:00 | |
Yeah, I know. | 0:26:00 | 0:26:01 | |
My folks were like that, too, when I was your age. | 0:26:01 | 0:26:03 | |
Oh, I'm not so young! | 0:26:03 | 0:26:05 | |
SWING SQUEAKS | 0:26:05 | 0:26:07 | |
RADIO ANNOUNCER SPEAKS | 0:26:08 | 0:26:10 | |
This thing needs oiling. | 0:26:11 | 0:26:13 | |
What it needs is using. | 0:26:13 | 0:26:16 | |
I've been waiting three and a half years to sit here and use this, | 0:26:16 | 0:26:19 | |
oiling or no oiling. | 0:26:19 | 0:26:20 | |
Was it rugged? | 0:26:21 | 0:26:23 | |
Was what rugged? | 0:26:24 | 0:26:27 | |
Oh, the war. You know. | 0:26:27 | 0:26:30 | |
Yep, got to get some oil tomorrow. | 0:26:32 | 0:26:34 | |
Tomorrow's Sunday. | 0:26:35 | 0:26:37 | |
You mean today only started this morning? | 0:26:37 | 0:26:39 | |
Sure, it started at... | 0:26:39 | 0:26:40 | |
Hey, you want to go to the beach tomorrow? | 0:26:41 | 0:26:42 | |
Tomorrow I sleep. | 0:26:42 | 0:26:43 | |
I honestly don't think I can take this any longer, kid. | 0:26:47 | 0:26:49 | |
This is getting me seasick. | 0:26:49 | 0:26:51 | |
I thought the marines were good on land or sea. | 0:26:51 | 0:26:53 | |
I'm an ex-marine. | 0:26:53 | 0:26:55 | |
Here you are. | 0:26:55 | 0:26:57 | |
Well, I'm happy to have met you, sir. | 0:26:57 | 0:26:58 | |
Same here, Tommy. | 0:26:58 | 0:26:59 | |
Have a good time. | 0:26:59 | 0:27:01 | |
Oh, we sure will, sir. | 0:27:01 | 0:27:02 | |
Yes, sir. | 0:27:02 | 0:27:03 | |
Good night, hay. | 0:27:05 | 0:27:07 | |
WOMEN LAUGH | 0:27:08 | 0:27:10 | |
I'll take this one. | 0:27:10 | 0:27:11 | |
I'm the dummy. | 0:27:14 | 0:27:16 | |
Oh, Ma, if you don't tell anybody, I won't. | 0:27:16 | 0:27:18 | |
I-oh! | 0:27:18 | 0:27:20 | |
I saw you and Helen over by the glider together. | 0:27:22 | 0:27:24 | |
Yeah? | 0:27:24 | 0:27:26 | |
Ingersolls are nice people. | 0:27:26 | 0:27:27 | |
Seem to be all right. | 0:27:27 | 0:27:29 | |
Helen can cook and sew, is wonderful in the garden, | 0:27:29 | 0:27:32 | |
and she's very smart at school. | 0:27:32 | 0:27:33 | |
How's her knitting? Going to be a sophomore next term at USC, | 0:27:33 | 0:27:36 | |
and she made a very good sorority. | 0:27:36 | 0:27:38 | |
WOMAN: Oh, Amy, darling? Yes, dear? | 0:27:38 | 0:27:39 | |
Made three hearts and rubber. | 0:27:39 | 0:27:41 | |
Oh, that's wonderful, dear! | 0:27:41 | 0:27:43 | |
We'll talk some more about it, Son. | 0:27:43 | 0:27:45 | |
We have so much to talk about! | 0:27:45 | 0:27:47 | |
CW: How you doing, Son? | 0:27:56 | 0:27:57 | |
Guess I'll hit the sack, Dad. | 0:27:57 | 0:27:59 | |
All right, Son. | 0:27:59 | 0:28:01 | |
It's been a long day. | 0:28:01 | 0:28:02 | |
Well, good night, Dad. Good night, Son. | 0:28:02 | 0:28:03 | |
Good night, everybody. | 0:28:03 | 0:28:04 | |
MEN: Good night. | 0:28:04 | 0:28:05 | |
Good night, Ma. | 0:28:05 | 0:28:06 | |
Good night, Son. | 0:28:06 | 0:28:07 | |
CW: Poor kid's bushed! | 0:28:07 | 0:28:09 | |
Remember the day we got out? | 0:28:09 | 0:28:10 | |
We didn't stop celebrating for 72 hours! | 0:28:10 | 0:28:13 | |
I remember! ALL LAUGH | 0:28:13 | 0:28:15 | |
CW: Do I remember! | 0:28:15 | 0:28:17 | |
RADIO ANNOUNCER: We proudly point to bandstand number 1, | 0:28:23 | 0:28:25 | |
where you'll hear the delectable ditty | 0:28:25 | 0:28:27 | |
that jumped to the top of the totem pole in popularity. | 0:28:27 | 0:28:30 | |
It's good. | 0:28:30 | 0:28:32 | |
BIG BAND MUSIC PLAYS | 0:28:32 | 0:28:33 | |
WOMAN: # Till the end of time | 0:28:38 | 0:28:43 | |
# Long as stars are in the blue | 0:28:43 | 0:28:47 | |
# Long as there's a spring of birds who sing | 0:28:47 | 0:28:51 | |
# I'll go on loving you | 0:28:51 | 0:28:56 | |
# Till the end of time | 0:28:57 | 0:29:01 | |
# Long as roses bloom in May | 0:29:01 | 0:29:05 | |
# My love for you will grow deeper | 0:29:05 | 0:29:10 | |
# With every passing day | 0:29:10 | 0:29:13 | |
# Till the wells run dry | 0:29:13 | 0:29:18 | |
# And each mountain disappears | 0:29:18 | 0:29:23 | |
# I'll be there for you to care for you | 0:29:23 | 0:29:25 | |
# Through laughter and through tears | 0:29:25 | 0:29:31 | |
# So take my heart in sweet surrender... # | 0:29:31 | 0:29:36 | |
DOOR LATCH CLICKS | 0:29:44 | 0:29:46 | |
HE SOBS | 0:31:19 | 0:31:21 | |
RATTLING | 0:31:39 | 0:31:41 | |
HORN HONKS | 0:31:45 | 0:31:46 | |
Hi. Hiya, sailor. | 0:31:51 | 0:31:53 | |
What gives? | 0:31:53 | 0:31:55 | |
Oh, my folks had a barbecue last night. | 0:31:55 | 0:31:56 | |
Turned out to be a homecoming. | 0:31:56 | 0:31:58 | |
I had one of those things. It turned out to be murder. | 0:31:58 | 0:32:00 | |
Half of them were afraid if they said anything it would upset me, | 0:32:00 | 0:32:03 | |
and the other half were afraid if I said something, | 0:32:03 | 0:32:05 | |
I'd upset them. | 0:32:05 | 0:32:06 | |
Look, my friend, let's face it - | 0:32:06 | 0:32:08 | |
nobody's gonna listen to us. | 0:32:08 | 0:32:10 | |
Why don't we take off an hour sometime? | 0:32:10 | 0:32:11 | |
You tell me what you did, and I'll tell you what I did. | 0:32:11 | 0:32:13 | |
You got it. | 0:32:13 | 0:32:15 | |
In the meantime, leave us turn our talents to something gainful. | 0:32:15 | 0:32:17 | |
Want to go skating? | 0:32:17 | 0:32:18 | |
I haven't had a pair of skates on in four years. | 0:32:18 | 0:32:20 | |
I've got a date with Pat. | 0:32:20 | 0:32:22 | |
Pat who? | 0:32:22 | 0:32:24 | |
Girl you took out of Scuffy's yesterday | 0:32:24 | 0:32:26 | |
without saying goodbye to me. | 0:32:26 | 0:32:28 | |
Oh, that girl. | 0:32:28 | 0:32:30 | |
Grab yourself a date. I'll pick you up in an hour. | 0:32:30 | 0:32:32 | |
I'll try to think of somebody. Well, goodbye. | 0:32:32 | 0:32:35 | |
What do you mean, goodbye? I'm gonna pick you up in an hour. | 0:32:35 | 0:32:37 | |
That's goodbye for yesterday. | 0:32:37 | 0:32:38 | |
Oh. | 0:32:38 | 0:32:39 | |
Hey, do you skate? SHE SWITCHES ENGINE OFF | 0:32:41 | 0:32:43 | |
Do you skate? | 0:32:43 | 0:32:45 | |
Why, natch, hay! | 0:32:45 | 0:32:48 | |
HORN HONKS | 0:32:49 | 0:32:50 | |
Hi. | 0:32:54 | 0:32:55 | |
Hi. | 0:32:55 | 0:32:56 | |
HELEN: Hi! | 0:32:56 | 0:32:58 | |
He said he'd get somebody. He did. | 0:33:02 | 0:33:04 | |
Quiet. She's cute. | 0:33:04 | 0:33:06 | |
Well, hey, aren't you going to the beach with me? | 0:33:11 | 0:33:13 | |
Oh, I'm so sorry, Tommy, | 0:33:13 | 0:33:15 | |
but something terribly important has come up | 0:33:15 | 0:33:17 | |
and I just can't go today. | 0:33:17 | 0:33:19 | |
And get some clothes on! | 0:33:19 | 0:33:22 | |
He's such a child. | 0:33:28 | 0:33:29 | |
Helen Ingersoll, Pat Ruscomb. | 0:33:29 | 0:33:30 | |
Hello, Pat. | 0:33:30 | 0:33:31 | |
Pinky Laddis. Hiya, Pinky. | 0:33:31 | 0:33:33 | |
Westwood all right with you? | 0:33:33 | 0:33:35 | |
Everything's all right with me. | 0:33:35 | 0:33:36 | |
You guys? Aye, aye, sir. | 0:33:36 | 0:33:38 | |
Say, where do you get the skates? | 0:33:51 | 0:33:53 | |
HELEN: Oh, over this way. | 0:33:53 | 0:33:54 | |
I'll get 'em. | 0:33:56 | 0:33:57 | |
Size three for me. Figure skates. | 0:33:57 | 0:33:59 | |
Are you in the Sonja Henie department, too? | 0:33:59 | 0:34:01 | |
Anytime. Size 6. You flat foot? | 0:34:01 | 0:34:02 | |
I'm coming with you. We'll bring you the ice skates. | 0:34:02 | 0:34:05 | |
Give me a pair of figures for a girl size 3, | 0:34:05 | 0:34:08 | |
a pair for a girl size 6, 10 for me, | 0:34:08 | 0:34:11 | |
and you, sir? | 0:34:11 | 0:34:12 | |
Make mine size 11s. Figure skates. | 0:34:12 | 0:34:14 | |
I'm one of those hot kids. | 0:34:14 | 0:34:15 | |
The girls seem to be getting along all right. | 0:34:15 | 0:34:17 | |
Pat can take care of herself anywhere any time. | 0:34:17 | 0:34:19 | |
Skip the detail. Just tell me. | 0:34:19 | 0:34:21 | |
Is she is or is she ain't your girl? | 0:34:21 | 0:34:22 | |
Pat's nobody's girl but Johnny's. | 0:34:22 | 0:34:25 | |
What you mean is, she's not yours. | 0:34:25 | 0:34:27 | |
Me for the life on the bounty main, me friend. | 0:34:27 | 0:34:30 | |
I don't believe you. | 0:34:30 | 0:34:31 | |
Carry on. | 0:34:31 | 0:34:33 | |
GIRLS GIGGLE | 0:34:33 | 0:34:35 | |
Oh, it's wonderful! | 0:34:37 | 0:34:39 | |
Anybody who can't do this is grounded. | 0:34:39 | 0:34:41 | |
Hiya, fellas! | 0:34:44 | 0:34:46 | |
Ever do much skating, Mrs Ruscomb? | 0:34:46 | 0:34:48 | |
Um, yes and no. | 0:34:48 | 0:34:49 | |
Well, I'd be careful when I first got on the ice. | 0:34:49 | 0:34:51 | |
You can get an awful wrench in your back. | 0:34:51 | 0:34:53 | |
I'll try. | 0:34:53 | 0:34:54 | |
Why don't one of you fellas help Mrs Ruscomb? | 0:34:54 | 0:34:56 | |
That's me. | 0:34:56 | 0:34:58 | |
They all laughed when I sat down to skate. | 0:35:01 | 0:35:03 | |
Oh! | 0:35:03 | 0:35:05 | |
You're really great. | 0:35:05 | 0:35:06 | |
Very neat! | 0:35:49 | 0:35:50 | |
Now I know why I feel so old when she calls me Mrs Ruscomb. | 0:35:50 | 0:35:53 | |
Come on, Grandma. Let's try it. | 0:35:53 | 0:35:55 | |
She doesn't need any help at all. | 0:36:19 | 0:36:22 | |
Watch me. | 0:36:22 | 0:36:23 | |
SHE LAUGHS | 0:36:25 | 0:36:27 | |
Let me help you. | 0:36:27 | 0:36:29 | |
Coke, please. | 0:36:32 | 0:36:33 | |
Coffee? | 0:36:36 | 0:36:37 | |
Two coffees, please. | 0:36:37 | 0:36:39 | |
Where did you learn to skate like that? | 0:36:39 | 0:36:41 | |
Little town you've never heard of in Wisconsin. | 0:36:41 | 0:36:43 | |
Well, tell me. I'll look it up on the map. | 0:36:43 | 0:36:46 | |
Ready? Ready. | 0:36:46 | 0:36:47 | |
Chippewa Falls. | 0:36:47 | 0:36:48 | |
Chippewa Falls. I'll remember that. | 0:36:48 | 0:36:50 | |
You've got enough to remember. | 0:36:50 | 0:36:51 | |
I'm forgetting things so I'll have more room. | 0:36:51 | 0:36:54 | |
You ought to try that sometime. | 0:36:54 | 0:36:56 | |
I will sometime. | 0:36:56 | 0:36:59 | |
Was it a lake or river in Chippewa Falls? | 0:37:00 | 0:37:02 | |
A river filled with deadheads. | 0:37:02 | 0:37:04 | |
Anybody I know? | 0:37:04 | 0:37:05 | |
A deadhead is a piece of timber that's been waterlogged. | 0:37:07 | 0:37:10 | |
It just sits in the river | 0:37:10 | 0:37:12 | |
with its head above water going no place. | 0:37:12 | 0:37:14 | |
Then it is somebody I know. | 0:37:14 | 0:37:16 | |
Excuse me a minute. | 0:37:20 | 0:37:21 | |
Hiya, Dollface. | 0:37:25 | 0:37:27 | |
Close in, marine. I'm getting the shakes. | 0:37:27 | 0:37:30 | |
Go ahead. Shake. | 0:37:30 | 0:37:31 | |
Thanks. | 0:37:40 | 0:37:42 | |
Anybody looking? | 0:37:44 | 0:37:46 | |
What if they are? | 0:37:46 | 0:37:48 | |
Feeling better? | 0:38:03 | 0:38:05 | |
The doctor said they'd wear off in time. | 0:38:05 | 0:38:08 | |
Once you get home, things will brighten up. You'll be fine. | 0:38:08 | 0:38:11 | |
I'm not going home. | 0:38:11 | 0:38:13 | |
My folks will go nuts if they see me like this. | 0:38:13 | 0:38:17 | |
I couldn't take it. | 0:38:17 | 0:38:19 | |
Where do you live, soldier? | 0:38:19 | 0:38:21 | |
Boise, Idaho. | 0:38:21 | 0:38:23 | |
I got a 21-day pass from the hospital. | 0:38:25 | 0:38:29 | |
I used up five of them already. | 0:38:29 | 0:38:31 | |
I guess I better check back to the hospital. | 0:38:47 | 0:38:49 | |
Your being afraid to go home | 0:38:49 | 0:38:51 | |
reminds me of myself my first year in high school, | 0:38:51 | 0:38:53 | |
my first dance. | 0:38:53 | 0:38:55 | |
My mother made my dress for me. | 0:38:55 | 0:38:57 | |
I was so convinced it was awful | 0:38:57 | 0:38:59 | |
that every time some boy came up and asked me to dance, | 0:38:59 | 0:39:02 | |
I made up some silly excuse. | 0:39:02 | 0:39:04 | |
I was afraid to get out on the floor. | 0:39:04 | 0:39:06 | |
I was afraid people would laugh. | 0:39:06 | 0:39:08 | |
I was panicky. | 0:39:08 | 0:39:11 | |
"Patricia," I said to myself, | 0:39:12 | 0:39:14 | |
"this is your first dance, and it's going to be your last | 0:39:14 | 0:39:17 | |
"unless you stop being so ridiculous | 0:39:17 | 0:39:20 | |
"and beat this here and now." | 0:39:20 | 0:39:22 | |
While I'm having this big argument with myself, | 0:39:24 | 0:39:27 | |
a cute little boy comes up | 0:39:27 | 0:39:29 | |
and asks the girl next to me. | 0:39:29 | 0:39:31 | |
Before I knew what I was doing, | 0:39:31 | 0:39:33 | |
I grabbed him, and I was dancing. | 0:39:33 | 0:39:35 | |
And after that, it was a cinch. | 0:39:35 | 0:39:37 | |
You figure I can beat this by taking up dancing? | 0:39:37 | 0:39:41 | |
All I'm saying is let them look. | 0:39:42 | 0:39:45 | |
And if they don't like it, | 0:39:45 | 0:39:47 | |
let them kill themselves. | 0:39:47 | 0:39:49 | |
Sure. | 0:39:49 | 0:39:50 | |
Let them kill themselves. | 0:39:50 | 0:39:52 | |
Thanks. | 0:39:56 | 0:39:58 | |
You're good Joes. | 0:39:58 | 0:40:00 | |
That's us - service with a smile. | 0:40:00 | 0:40:03 | |
You OK? Yeah. | 0:40:03 | 0:40:04 | |
Good day. | 0:40:04 | 0:40:05 | |
I hope he does go home. | 0:40:12 | 0:40:14 | |
You handled him well, Pat. | 0:40:14 | 0:40:16 | |
He's nice. | 0:40:16 | 0:40:18 | |
Our coffee's cold. | 0:40:18 | 0:40:19 | |
I'll get some more. | 0:40:19 | 0:40:21 | |
Never mind. Come on. Let's skate. | 0:40:21 | 0:40:23 | |
CW IMITATES BUGLE | 0:40:25 | 0:40:28 | |
Hello there, Son! Rise and shine! | 0:40:32 | 0:40:34 | |
Up and at 'em! Hit the deck! Aw, Dad. | 0:40:34 | 0:40:36 | |
Come on! It's a wonderful morning. | 0:40:36 | 0:40:38 | |
God's in his heaven. All's right with the world. | 0:40:38 | 0:40:41 | |
Knock it off. | 0:40:41 | 0:40:42 | |
Oh, you're not gonna pound that pillow all day, are you? | 0:40:42 | 0:40:44 | |
There's work to be done. There's a world to be won. | 0:40:44 | 0:40:46 | |
It's too early for that old fight, Dad. | 0:40:46 | 0:40:47 | |
You got some mail. A man's got to read his mail. | 0:40:47 | 0:40:49 | |
It's the same old malarkey. | 0:40:49 | 0:40:50 | |
"We have your post-war bungalow ready for you today. Now. | 0:40:50 | 0:40:54 | |
"Sign up for that post-war trip around the world today. Now." | 0:40:54 | 0:40:57 | |
Everything has to be today. | 0:40:57 | 0:40:59 | |
And plugs from 18 veteran outfits. | 0:40:59 | 0:41:01 | |
Got to be careful with those, Son. Some of them can be bad. | 0:41:01 | 0:41:04 | |
Ever heard of the American War Patriots? What's that? | 0:41:04 | 0:41:07 | |
I don't know, but when you want to join up, talk to me about it. | 0:41:07 | 0:41:10 | |
When I want to join up? | 0:41:10 | 0:41:12 | |
Say, that's some suit. | 0:41:12 | 0:41:14 | |
Pretty snappy, huh? | 0:41:14 | 0:41:16 | |
Well, I hope you charged it to me like I told you to. | 0:41:16 | 0:41:19 | |
I've still got plenty of cash, Dad. 920 bucks. | 0:41:19 | 0:41:22 | |
I don't need your money for a long time. | 0:41:22 | 0:41:24 | |
Thanks anyway. | 0:41:24 | 0:41:25 | |
But, er, but if you don't get started with something, | 0:41:25 | 0:41:27 | |
your money won't last forever. You know that, Cliff. | 0:41:27 | 0:41:30 | |
How about school? Starts Monday. | 0:41:30 | 0:41:32 | |
Made up your mind about it? | 0:41:32 | 0:41:34 | |
I've made up my mind about one thing, Dad, | 0:41:34 | 0:41:37 | |
and that is not to make up my mind... | 0:41:37 | 0:41:40 | |
for a while yet. | 0:41:40 | 0:41:42 | |
Sure. Sure, Cliff. | 0:41:42 | 0:41:44 | |
I just thought I'd mention it. | 0:41:44 | 0:41:46 | |
Waffles! | 0:41:51 | 0:41:53 | |
Why, Ma, that's sensational. | 0:41:53 | 0:41:55 | |
You always liked them. | 0:41:55 | 0:41:57 | |
I remember one night - | 0:42:03 | 0:42:05 | |
I forget where it was - we were in a foxhole. | 0:42:05 | 0:42:08 | |
You don't know what a foxhole is, Ma, | 0:42:08 | 0:42:10 | |
but try to think of three fellas | 0:42:10 | 0:42:12 | |
lying in a telephone booth. | 0:42:12 | 0:42:15 | |
It's raining and hot and... | 0:42:15 | 0:42:18 | |
I don't want to upset you, Ma, but it really stunk. | 0:42:18 | 0:42:21 | |
Tried to think of something | 0:42:23 | 0:42:25 | |
that would take my mind off how rugged it was. | 0:42:25 | 0:42:30 | |
So for no reason at all, I thought of your waffles. | 0:42:30 | 0:42:32 | |
Son, don't talk about it. Just eat. | 0:42:34 | 0:42:36 | |
Anybody who talks about another war is out of his mind. | 0:42:36 | 0:42:41 | |
Those foxholes sure can stink. | 0:42:41 | 0:42:43 | |
Clifford, darling, please don't live in the past. | 0:42:43 | 0:42:46 | |
I'm not living in the past, Ma. | 0:42:46 | 0:42:48 | |
I was just... MAN SINGS | 0:42:48 | 0:42:50 | |
What's that? | 0:42:50 | 0:42:51 | |
That's my past! | 0:42:51 | 0:42:53 | |
# And they sing all angels that are single | 0:42:54 | 0:42:58 | |
# And that song ain't so very far from wrong. # | 0:42:58 | 0:43:01 | |
Hiya, Bill. Hi, partner. | 0:43:01 | 0:43:03 | |
A kid from Kwajalein. | 0:43:03 | 0:43:05 | |
In the flesh. How are you, Cliff? What's the word? | 0:43:05 | 0:43:07 | |
Everything's swell. Come on in and meet my mother. | 0:43:07 | 0:43:09 | |
Boy, these kids around here sure know you. | 0:43:09 | 0:43:11 | |
You must spend all your time digging | 0:43:11 | 0:43:13 | |
to scoop out a foxhole like this. | 0:43:13 | 0:43:15 | |
Mom, I want you to meet a friend of mine. | 0:43:15 | 0:43:17 | |
Bill Tabeshaw. Bill, my mother. | 0:43:17 | 0:43:19 | |
I'm happy to know you, Bill. | 0:43:19 | 0:43:21 | |
Thank you, ma'am. I'm glad to meet Cliff's mother. | 0:43:21 | 0:43:23 | |
Cliff's just having his breakfast. Would you like a waffle? | 0:43:23 | 0:43:26 | |
Oh, no, thanks, ma'am, but a cup of coffee would be mighty fine. | 0:43:26 | 0:43:28 | |
Right. | 0:43:28 | 0:43:29 | |
Go ahead and finish your chow, Cliff. | 0:43:29 | 0:43:31 | |
Come on, now. Sound off. Where have you been? | 0:43:31 | 0:43:33 | |
How's that hunk of metal in your skull? | 0:43:33 | 0:43:35 | |
Say, I'm getting to like that better than my own head. | 0:43:35 | 0:43:38 | |
Well, how do you like it? | 0:43:38 | 0:43:39 | |
You're too beautiful for Stinking Creek, New Mexico. | 0:43:39 | 0:43:42 | |
Oh, it's nothing. | 0:43:42 | 0:43:43 | |
Nothing that doesn't set you back a couple of months' pay. | 0:43:43 | 0:43:45 | |
Sit down, Ma, listen to the scuttlebutt. | 0:43:45 | 0:43:47 | |
Thank you, ma'am. | 0:43:47 | 0:43:48 | |
What happened to you at Diego? | 0:43:48 | 0:43:49 | |
Well, you remember I left the station | 0:43:49 | 0:43:51 | |
to go across the street for a beer? Yeah. | 0:43:51 | 0:43:52 | |
Well, coming back, I'm hailed by a couple of b... | 0:43:52 | 0:43:54 | |
a couple of girls that are going to Tijuana to get some nylons. | 0:43:54 | 0:43:57 | |
Well, you know me. I tag along. | 0:43:57 | 0:43:59 | |
I get down there, and I'm picked up | 0:43:59 | 0:44:01 | |
by a pair of promoters that want to play red dog. | 0:44:01 | 0:44:03 | |
I figure they've seen the Gooney bird on my blouse | 0:44:03 | 0:44:05 | |
and they know I'm loaded, so I play them very close. | 0:44:05 | 0:44:08 | |
I clipped them for 2,100 fish. Hubba hubba. | 0:44:08 | 0:44:10 | |
Still got it? I'm gonna keep it. | 0:44:12 | 0:44:14 | |
Catching me that Grand Canyon limited tonight. | 0:44:14 | 0:44:16 | |
If they let a guy dressed like you on the train. | 0:44:16 | 0:44:18 | |
Day after tomorrow, I lay this dough on the line | 0:44:18 | 0:44:20 | |
for a little old ranch, and I'm raising steers. | 0:44:20 | 0:44:22 | |
Now hear this. What have you got on the roster for today? | 0:44:22 | 0:44:25 | |
You tell me. | 0:44:25 | 0:44:26 | |
Well, I'm gonna make a slight social call. | 0:44:26 | 0:44:28 | |
She got a sister? | 0:44:28 | 0:44:30 | |
Well, this is a boy that was laying next to me in the hospital. | 0:44:32 | 0:44:34 | |
When I got out, I told him I was gonna play the table, | 0:44:34 | 0:44:36 | |
so he gave me a silver dollar for good luck. | 0:44:36 | 0:44:38 | |
I got the luck, he gets 10%. | 0:44:38 | 0:44:39 | |
Are you gonna sit there all day | 0:44:39 | 0:44:41 | |
and bore my mother with the story of your life, | 0:44:41 | 0:44:43 | |
or are we gonna brighten up? | 0:44:43 | 0:44:45 | |
Ma'am, it's been a pleasure to meet you. | 0:44:45 | 0:44:46 | |
If you ever get to Stinking Creek... | 0:44:46 | 0:44:48 | |
Thank you, Bill. I don't expect I will. | 0:44:48 | 0:44:51 | |
Well, sometimes I wish my ma | 0:44:51 | 0:44:53 | |
had said that same thing years ago. | 0:44:53 | 0:44:54 | |
SHE WOLF WHISTLES | 0:44:57 | 0:44:59 | |
Hi! | 0:44:59 | 0:45:00 | |
Gee, do you look super! | 0:45:00 | 0:45:02 | |
Not a brass button anywhere. | 0:45:02 | 0:45:04 | |
You look like a dream, man. | 0:45:04 | 0:45:06 | |
HE CHUCKLES | 0:45:06 | 0:45:07 | |
Meet the cowboy of Kwajalein. | 0:45:07 | 0:45:09 | |
Bill Tabeshaw, Helen Ingersoll. | 0:45:09 | 0:45:11 | |
Hello, Bill. Miss Ingersoll, it's a pleasure. | 0:45:11 | 0:45:12 | |
What are you up to? | 0:45:12 | 0:45:13 | |
Same thing I'm up to every day about this time - waiting for you. | 0:45:13 | 0:45:16 | |
Haven't you got anything else to do? | 0:45:16 | 0:45:18 | |
Want a little high-class chauffeuring? | 0:45:18 | 0:45:21 | |
Tour of the city with some sightseeing chatter thrown in? | 0:45:21 | 0:45:23 | |
Well, when you Marines make up your mind, | 0:45:25 | 0:45:27 | |
you make up your mind. | 0:45:27 | 0:45:30 | |
You know where 1121 South Orlando is? | 0:45:30 | 0:45:33 | |
TAPPING | 0:45:41 | 0:45:43 | |
MAN: I can't do it. | 0:45:51 | 0:45:53 | |
I can't do it. They hurt. | 0:45:53 | 0:45:55 | |
SECOND MAN: Come on, Perry. Give it another chance. | 0:45:55 | 0:45:58 | |
CREAK | 0:45:58 | 0:45:59 | |
Should we take her? | 0:46:06 | 0:46:08 | |
No, honey. It wouldn't be much fun for you. | 0:46:08 | 0:46:10 | |
Oh, sure, Bill. Go ahead. | 0:46:10 | 0:46:11 | |
You're a nice kid. | 0:46:11 | 0:46:13 | |
Thanks, Grandpa. | 0:46:13 | 0:46:14 | |
KNOCK ON DOOR | 0:46:14 | 0:46:16 | |
Come in. | 0:46:16 | 0:46:18 | |
Son, you have visitors. | 0:46:18 | 0:46:20 | |
Bill! | 0:46:20 | 0:46:21 | |
What do you say, partner? How are you, anyway? | 0:46:21 | 0:46:23 | |
I'm just fine, cowboy. Ma, this is the boy who was with me | 0:46:23 | 0:46:25 | |
up at Merritt Island Hospital, | 0:46:25 | 0:46:26 | |
had the bunk next to mine. | 0:46:26 | 0:46:28 | |
How do you do? Hello. | 0:46:28 | 0:46:29 | |
Gunny, shake hands with ex-marine corporal Bill Tabeshaw. | 0:46:29 | 0:46:31 | |
Hiya, Gunny. | 0:46:31 | 0:46:32 | |
Gunny Watrous, Rehabilitation Office, Los Angeles. | 0:46:32 | 0:46:34 | |
Glad to know you. | 0:46:34 | 0:46:35 | |
Oh, er, PFC Cliff Harper, Mrs Kincheloe. | 0:46:35 | 0:46:37 | |
BOTH: How do you do? | 0:46:37 | 0:46:38 | |
The sergeant. How are you? | 0:46:38 | 0:46:40 | |
How are you, Kincheloe? | 0:46:40 | 0:46:41 | |
Hiya, Perry. Hi there. | 0:46:41 | 0:46:43 | |
Hi, Sergeant. Hi, Perry. | 0:46:43 | 0:46:45 | |
This is my youngest son James. | 0:46:45 | 0:46:47 | |
Hi, fellas. | 0:46:47 | 0:46:48 | |
Gonna work out this afternoon? | 0:46:48 | 0:46:49 | |
You better limber up first with a little rope. | 0:46:49 | 0:46:51 | |
Sure. I'll whip it to death. | 0:46:51 | 0:46:53 | |
Come on, James. | 0:46:53 | 0:46:55 | |
You're always welcome here. | 0:46:55 | 0:46:57 | |
Drop in often, will you? | 0:46:57 | 0:46:59 | |
Thank you, ma'am. | 0:46:59 | 0:47:00 | |
We will, Mrs Kincheloe. | 0:47:00 | 0:47:01 | |
I remember seeing your papers | 0:47:03 | 0:47:04 | |
when they came through the office, Harper. | 0:47:04 | 0:47:06 | |
I wrote you a letter asking could we do anything to help out. | 0:47:06 | 0:47:09 | |
Never heard a word from you. | 0:47:09 | 0:47:10 | |
The letters a guy gets when he's mustered out | 0:47:10 | 0:47:12 | |
are just murder, Sergeant. | 0:47:12 | 0:47:13 | |
Oh, it's just that everybody wants to help. | 0:47:13 | 0:47:16 | |
I thought letter-writing was a lost art. Like steer milking. | 0:47:16 | 0:47:18 | |
THEY CHUCKLE | 0:47:18 | 0:47:19 | |
Well, I got to be getting on. | 0:47:19 | 0:47:21 | |
I'll drop in again next week, Perry. | 0:47:21 | 0:47:23 | |
So long, men. | 0:47:23 | 0:47:25 | |
If you need any advice, Harper, | 0:47:25 | 0:47:27 | |
just look in that wastebasket and fish out that letter. | 0:47:27 | 0:47:30 | |
If I don't hear from you in 40 days, you'll get another. | 0:47:30 | 0:47:32 | |
Man, you're loaded. | 0:47:34 | 0:47:36 | |
What's this for? | 0:47:39 | 0:47:41 | |
That's your cut. | 0:47:41 | 0:47:42 | |
I took that lucky silver dollar you gave me | 0:47:42 | 0:47:44 | |
and rolled it front and centre till it showed 2,100 iron men. | 0:47:44 | 0:47:47 | |
That's mighty nice of you, Bill, but I don't really need it. | 0:47:47 | 0:47:50 | |
I got me another lucky dollar. | 0:47:50 | 0:47:51 | |
Well, turn it over, man. Put it to work for you. | 0:47:51 | 0:47:53 | |
This one belongs to me. | 0:47:53 | 0:47:55 | |
THUMPING | 0:47:55 | 0:47:57 | |
That kid's skipping rope. | 0:48:00 | 0:48:01 | |
He's pretty good, too. | 0:48:01 | 0:48:04 | |
"Young Perry" I'll title him. | 0:48:04 | 0:48:06 | |
All this year I'm working on his wind and balance. | 0:48:06 | 0:48:08 | |
Next year, I'll teach him timing. | 0:48:08 | 0:48:11 | |
He'll be adding weight by then. | 0:48:11 | 0:48:13 | |
I'll work on him every year until he's 16. | 0:48:13 | 0:48:15 | |
That's when I had my first bout. Then he'll be ready. | 0:48:15 | 0:48:17 | |
He's got a pair of shoulders like yours. | 0:48:17 | 0:48:19 | |
When he gets some meat behind 'em. | 0:48:19 | 0:48:21 | |
And if his jaw ain't made of glass, | 0:48:21 | 0:48:23 | |
he'll be as good as I was. | 0:48:23 | 0:48:25 | |
Somebody in this family's got to be a fighter. | 0:48:27 | 0:48:30 | |
You ain't by any chance trying to put your life | 0:48:32 | 0:48:34 | |
into Jimmy's, are you, Perry? | 0:48:34 | 0:48:36 | |
Why not? Got no life of my own left. | 0:48:36 | 0:48:38 | |
Aw, now, don't give me that. | 0:48:38 | 0:48:40 | |
Just do what you did up at the hospital. | 0:48:40 | 0:48:42 | |
Put 'em on, mate, put 'em on. | 0:48:42 | 0:48:44 | |
Number one - they murder me. | 0:48:44 | 0:48:45 | |
Number two - after I've got 'em on, what have I got? | 0:48:45 | 0:48:47 | |
Cowboy, you've no idea what a feeling I get, | 0:48:47 | 0:48:50 | |
letting my mother look at me like this. | 0:48:50 | 0:48:53 | |
I get sick in my stomach when she has to help me in the chair, | 0:48:53 | 0:48:56 | |
when she has to lift me back in the bed. | 0:48:56 | 0:48:58 | |
I'm 21, and I'm dead. | 0:49:02 | 0:49:04 | |
Now, listen, dummy. | 0:49:04 | 0:49:07 | |
I'm pulling out for Stinking Creek tonight, | 0:49:07 | 0:49:10 | |
but when I get back, I want to see you with those legs on, | 0:49:10 | 0:49:12 | |
and I want to see you kicking 'em around like you were born with 'em. | 0:49:12 | 0:49:15 | |
Do you hear me? Got you, Bill. | 0:49:15 | 0:49:17 | |
That's what the man said. Have a nice trip. | 0:49:17 | 0:49:20 | |
Semper Fidelis. | 0:49:20 | 0:49:21 | |
Drop around again, mate. I'll be by, Perry. | 0:49:21 | 0:49:23 | |
I'll be here. | 0:49:23 | 0:49:24 | |
I owe this to Perry. | 0:49:28 | 0:49:30 | |
I borrowed it from him at the hospital. | 0:49:30 | 0:49:32 | |
Well, are you sure? | 0:49:32 | 0:49:34 | |
Ma'am, that's 200 there. | 0:49:34 | 0:49:36 | |
I wouldn't be giving it to you unless I'm sure. | 0:49:36 | 0:49:38 | |
Thanks. | 0:49:38 | 0:49:40 | |
Goodbye. Goodbye. | 0:49:40 | 0:49:41 | |
Goodbye, Mrs Kincheloe. | 0:49:41 | 0:49:43 | |
Oh, goodbye, Mr Harper. | 0:49:43 | 0:49:44 | |
How are you, chums? | 0:49:53 | 0:49:55 | |
Hi. Hi, Scuffy. | 0:49:55 | 0:49:57 | |
Oh, Cliff. Hello. What will you have? | 0:49:57 | 0:49:59 | |
Rum and coke. | 0:49:59 | 0:50:00 | |
Well, go on. Tell the man. | 0:50:00 | 0:50:02 | |
Make it the same, Scuffy. | 0:50:02 | 0:50:04 | |
Oh, no. Now, please, you know the law. | 0:50:04 | 0:50:07 | |
Oh, come on, Scuffy. | 0:50:07 | 0:50:09 | |
I've been 18 since last March. | 0:50:09 | 0:50:11 | |
Well, you come back in about three years. | 0:50:11 | 0:50:14 | |
Bring your birth certificate, too. | 0:50:14 | 0:50:16 | |
HE LAUGHS Right now, no rum. | 0:50:16 | 0:50:17 | |
Bourbon and ginger ale. | 0:50:17 | 0:50:19 | |
Bourbon and ginger ale, | 0:50:19 | 0:50:20 | |
rum and coke, | 0:50:20 | 0:50:22 | |
come back in three years. | 0:50:22 | 0:50:23 | |
You know, Bill, | 0:50:24 | 0:50:26 | |
that Perry - | 0:50:26 | 0:50:28 | |
he's never gonna put on those legs. | 0:50:28 | 0:50:30 | |
What he says makes sense. That's what rots you. | 0:50:30 | 0:50:32 | |
You know, when I left him up at Merritt Island, | 0:50:32 | 0:50:34 | |
he was coming along. | 0:50:34 | 0:50:36 | |
I guess that's because there were thousands of guys around | 0:50:36 | 0:50:39 | |
that's in the same fix. | 0:50:39 | 0:50:40 | |
War was still on. | 0:50:40 | 0:50:42 | |
It was like when we hit the beaches. | 0:50:42 | 0:50:44 | |
Yeah. We were a team. Everybody together. | 0:50:44 | 0:50:47 | |
There was a guy next to you you could depend on. | 0:50:47 | 0:50:49 | |
You didn't know where you were going, but everybody else | 0:50:49 | 0:50:51 | |
was going to the same place, so what difference did it make? | 0:50:51 | 0:50:53 | |
Well, now we're civilians again. | 0:50:54 | 0:50:56 | |
A rugged individual. | 0:50:56 | 0:50:58 | |
And nobody to tell us what to do | 0:50:58 | 0:51:00 | |
or when to do it. | 0:51:00 | 0:51:01 | |
We're on our own - Perry, you, me, all of us. | 0:51:02 | 0:51:05 | |
Well, we've been yapping for it. | 0:51:07 | 0:51:09 | |
Now we got it. | 0:51:09 | 0:51:10 | |
What are you doing? | 0:51:10 | 0:51:12 | |
I've been driving you fellas on your business. | 0:51:12 | 0:51:14 | |
This is my business. | 0:51:14 | 0:51:15 | |
How's business? | 0:51:15 | 0:51:16 | |
Oh, which one of you is the lucky one? | 0:51:16 | 0:51:19 | |
No, I'm stale. | 0:51:19 | 0:51:20 | |
Come on, Cliff. OK. | 0:51:20 | 0:51:23 | |
I brought you one of our very best rumless cokes. | 0:51:23 | 0:51:26 | |
I need a little courage. | 0:51:26 | 0:51:28 | |
Come on. I'll bring you up to date. | 0:51:28 | 0:51:30 | |
SWING MUSIC PLAYS | 0:51:30 | 0:51:32 | |
Cliff Harper, you've been holding out on me! | 0:51:54 | 0:51:57 | |
Cliff, you make the rest of them look like... | 0:52:56 | 0:52:59 | |
You should have seen me when I was young. | 0:52:59 | 0:53:00 | |
Come on. Let's have another one. Any nickels? | 0:53:00 | 0:53:03 | |
Say, that's not bad at all. | 0:53:03 | 0:53:05 | |
Yes, sir. You kids are really groovy. | 0:53:05 | 0:53:07 | |
You're next, Bill, whether you like it or not. | 0:53:07 | 0:53:09 | |
Oh, he's an old man, Helen. | 0:53:09 | 0:53:11 | |
Let him have his drink in peace. | 0:53:11 | 0:53:13 | |
MUSIC: "Till The End Of Time" | 0:53:13 | 0:53:14 | |
Hey, I didn't pick that. | 0:53:14 | 0:53:16 | |
There must be somebody ahead of you. | 0:53:16 | 0:53:18 | |
Hi, Pat. Hi. | 0:53:31 | 0:53:33 | |
You're a good dancer. | 0:53:33 | 0:53:34 | |
A girl always makes me look good. | 0:53:34 | 0:53:36 | |
You'll wear yourself out doing that all afternoon. | 0:53:36 | 0:53:38 | |
I haven't been doing it all afternoon. | 0:53:38 | 0:53:40 | |
No? Where have you been? To the beach? | 0:53:40 | 0:53:42 | |
Making a bad social call. | 0:53:42 | 0:53:44 | |
Anybody I know? | 0:53:44 | 0:53:46 | |
You don't want to know him. | 0:53:46 | 0:53:48 | |
You can't tell. I know a lot of people. | 0:53:48 | 0:53:50 | |
What about tonight? | 0:53:52 | 0:53:54 | |
No good for tonight. | 0:53:56 | 0:53:58 | |
I like your new clothes. | 0:53:58 | 0:53:59 | |
I'll get used them. | 0:53:59 | 0:54:01 | |
Do you like my new dress? | 0:54:01 | 0:54:03 | |
Can't see anything but your eyes. | 0:54:03 | 0:54:06 | |
Are you sure about tonight? | 0:54:08 | 0:54:10 | |
Mm-hmm. Pretty sure. | 0:54:10 | 0:54:11 | |
MAN: Hiya, Pat. Very sure. | 0:54:11 | 0:54:13 | |
Hello. | 0:54:13 | 0:54:14 | |
Captain Winthrop, ex-marine Harper. | 0:54:14 | 0:54:16 | |
How do you do? How are you, captain? | 0:54:16 | 0:54:18 | |
Well, I'll see you later. | 0:54:18 | 0:54:21 | |
Who's the babe, Clifford? | 0:54:23 | 0:54:25 | |
My best friend. | 0:54:25 | 0:54:26 | |
Oh, no, a man's best friend is his mother. | 0:54:26 | 0:54:28 | |
Pardon me. | 0:54:28 | 0:54:29 | |
Where are you going? | 0:54:29 | 0:54:31 | |
I just remembered a previous engagement I had. | 0:54:31 | 0:54:33 | |
Thanks for the chauffeuring, Helen. | 0:54:33 | 0:54:35 | |
Well, I've got to shove. | 0:54:40 | 0:54:41 | |
What's she mad about? | 0:54:41 | 0:54:43 | |
When she brightens up, you can write me a long letter. | 0:54:43 | 0:54:45 | |
You can also write me when you get rid of that heartburn. | 0:54:45 | 0:54:47 | |
How about a dance? | 0:54:50 | 0:54:51 | |
Hey, will you take my advice and get yourself | 0:54:56 | 0:54:58 | |
some traveller's cheques for all that dough? | 0:54:58 | 0:55:00 | |
Oh, I'll be all right. | 0:55:00 | 0:55:02 | |
You figure this heap will last to the union station? | 0:55:02 | 0:55:05 | |
Well, it did yesterday. | 0:55:05 | 0:55:06 | |
Well, keep punching, Bill. | 0:55:08 | 0:55:10 | |
Take it easy, Clifford. Be good. | 0:55:10 | 0:55:12 | |
Oh, Mother, come on! Come on! | 0:55:26 | 0:55:28 | |
Oh, let the Carters wait five minutes. | 0:55:28 | 0:55:31 | |
Clifford, where have you been? | 0:55:32 | 0:55:34 | |
Out. | 0:55:34 | 0:55:36 | |
Aren't you gonna say good evening, Son? | 0:55:37 | 0:55:40 | |
Sorry, Dad. Good evening. | 0:55:40 | 0:55:41 | |
That's better. | 0:55:41 | 0:55:43 | |
Son, you ought to call your mother when you're not coming home | 0:55:43 | 0:55:45 | |
instead of letting her worry her head off. | 0:55:45 | 0:55:48 | |
I'm sorry, Ma. I just didn't think. | 0:55:48 | 0:55:50 | |
That's one of your troubles, Clifford. | 0:55:50 | 0:55:51 | |
You never do much thinking. | 0:55:51 | 0:55:53 | |
Lay off me, will you, Ma? | 0:55:53 | 0:55:54 | |
Are you sick, Clifford? | 0:55:54 | 0:55:56 | |
No. I'm all right. | 0:55:56 | 0:55:58 | |
Your father and I would like to talk to you a moment. | 0:55:58 | 0:56:00 | |
Sure. | 0:56:02 | 0:56:03 | |
Go ahead, dear. | 0:56:07 | 0:56:09 | |
Cliff, | 0:56:11 | 0:56:14 | |
your mother and I haven't been seeing much of you lately. | 0:56:14 | 0:56:18 | |
We'd just like to ask you where you've been and... | 0:56:18 | 0:56:21 | |
..well, if you're happy... | 0:56:23 | 0:56:25 | |
What your father's trying to say, Clifford, | 0:56:25 | 0:56:27 | |
is we're very disappointed in your behaviour. | 0:56:27 | 0:56:29 | |
Why are you disappointed? | 0:56:29 | 0:56:30 | |
Well, you come home, grab a bite to eat, | 0:56:30 | 0:56:32 | |
and then you're off again. | 0:56:32 | 0:56:34 | |
I suppose you're gallivanting around | 0:56:34 | 0:56:36 | |
with boys like this Bill Tabeshaw, | 0:56:36 | 0:56:38 | |
and, well, I don't think that's the sort of company... | 0:56:38 | 0:56:40 | |
Tabeshaw's my buddy, Ma. He's the only guy... | 0:56:40 | 0:56:42 | |
Cliff! | 0:56:42 | 0:56:43 | |
What your mother is trying to say | 0:56:43 | 0:56:44 | |
is that since you've been back, we're... | 0:56:44 | 0:56:46 | |
..well, we just haven't been able to... | 0:56:48 | 0:56:50 | |
Well, Son, it's just not like old times. | 0:56:54 | 0:56:58 | |
Maybe that's because old times is three and a half years ago, Dad. | 0:56:58 | 0:57:01 | |
I know you're both sore at me | 0:57:07 | 0:57:09 | |
cos I didn't go back to school. | 0:57:09 | 0:57:11 | |
Maybe you're annoyed because I haven't done anything else, | 0:57:11 | 0:57:13 | |
but I'm not ready yet! That's all. | 0:57:13 | 0:57:15 | |
But we had other plans - plans about the present, | 0:57:15 | 0:57:17 | |
about your future. | 0:57:17 | 0:57:19 | |
Maybe I have to make my own plans about the future, Ma. | 0:57:19 | 0:57:21 | |
Think I'll have a beer and hit the sack. | 0:57:26 | 0:57:28 | |
There's a cold plate in the icebox for you, dear. | 0:57:28 | 0:57:32 | |
If you feel better later, Cliff, | 0:57:32 | 0:57:34 | |
come over to the Carters. | 0:57:34 | 0:57:35 | |
Thanks. | 0:57:35 | 0:57:37 | |
MUSIC: "Till The End Of Time" | 0:57:54 | 0:57:56 | |
CAR DOOR CLOSES | 0:59:21 | 0:59:22 | |
Hey, you all right? | 0:59:25 | 0:59:27 | |
Sorry. I'm fine. | 0:59:27 | 0:59:29 | |
SHE HUMS | 0:59:34 | 0:59:35 | |
Oh! I'm sorry. | 0:59:35 | 0:59:37 | |
I must be very, very tired. | 0:59:37 | 0:59:40 | |
Oh, you're OK. | 0:59:40 | 0:59:41 | |
Good night, Captain. | 0:59:41 | 0:59:42 | |
Good night. | 0:59:42 | 0:59:44 | |
I've had a wonderful evening. | 0:59:44 | 0:59:45 | |
CAR DOOR CLOSES | 1:00:04 | 1:00:06 | |
CAR DRIVES AWAY | 1:00:06 | 1:00:09 | |
Officer, there's a man following me. | 1:00:22 | 1:00:25 | |
Have a cigarette. Have a drink. | 1:00:29 | 1:00:32 | |
Well, have something. | 1:00:33 | 1:00:35 | |
I thought I told you I was going to be busy tonight. | 1:00:35 | 1:00:39 | |
So you're busy. | 1:00:39 | 1:00:41 | |
So... I was busy. | 1:00:41 | 1:00:43 | |
What did you want to see me about? | 1:00:43 | 1:00:46 | |
I can say it all in a minute. | 1:00:46 | 1:00:48 | |
Fine. I'll time you. | 1:00:48 | 1:00:51 | |
You're a tramp. | 1:00:51 | 1:00:53 | |
That leaves you just 40 seconds. | 1:00:59 | 1:01:01 | |
BIRDS CHIRP | 1:01:46 | 1:01:47 | |
TAP RUNS | 1:02:04 | 1:02:06 | |
DOORBELL BUZZES | 1:02:06 | 1:02:07 | |
Hot coffee. | 1:02:22 | 1:02:23 | |
If I'd wanted coffee, I would have made it. | 1:02:23 | 1:02:26 | |
Well, you still owe me 40 seconds. | 1:02:26 | 1:02:28 | |
I don't owe you anything... | 1:02:28 | 1:02:30 | |
except for the price of that coffee. | 1:02:30 | 1:02:32 | |
If you'll tell how much it was, I'll pay you, and you can get out of here! | 1:02:32 | 1:02:35 | |
Come on, drink this, and I'll tell you how I got my silver star. | 1:02:35 | 1:02:38 | |
I don't want to know anything about you. | 1:02:38 | 1:02:39 | |
Take a sip. Then I'll go. | 1:02:39 | 1:02:42 | |
I'm sorry I called you that. I came back to tell you. | 1:02:46 | 1:02:48 | |
That's very nice of you. | 1:02:48 | 1:02:50 | |
Very generous. | 1:02:50 | 1:02:52 | |
I know I shouldn't have acted the way I did, | 1:02:52 | 1:02:54 | |
but I was beginning to think of you as my girl. | 1:02:54 | 1:02:57 | |
Try to see it my way. You're smart, Pat. | 1:02:57 | 1:02:59 | |
Of course I'm smart. | 1:02:59 | 1:03:01 | |
There are lots of smart girls like me. | 1:03:06 | 1:03:09 | |
We had a choice to make, and we made it. | 1:03:09 | 1:03:12 | |
Why, John married me because... | 1:03:12 | 1:03:15 | |
when he went to war, he wanted to be able to dream of home. | 1:03:15 | 1:03:18 | |
That's why I married him. I wanted him to have that dream. | 1:03:18 | 1:03:21 | |
The thing I didn't count on is at the end of the war, | 1:03:21 | 1:03:25 | |
John's coming home would be my dream. | 1:03:25 | 1:03:28 | |
The war is over... | 1:03:32 | 1:03:34 | |
..and John isn't coming home... | 1:03:37 | 1:03:40 | |
and I'm stuck with my dream. | 1:03:40 | 1:03:42 | |
SHE SOBS | 1:03:42 | 1:03:45 | |
"Patricia," I said to myself, | 1:03:53 | 1:03:55 | |
"this is your first dance, and it's going to be your last... | 1:03:55 | 1:03:58 | |
"unless you stop being so ridiculous | 1:03:58 | 1:04:01 | |
"and beat this, here and now." | 1:04:01 | 1:04:03 | |
SHE CRIES | 1:04:03 | 1:04:04 | |
That's what the girl said to the soldier, Pat. | 1:04:08 | 1:04:12 | |
That's exactly what she said. | 1:04:12 | 1:04:14 | |
SHE SOBS | 1:04:17 | 1:04:18 | |
Cliff? | 1:05:22 | 1:05:24 | |
Yeah? | 1:05:24 | 1:05:26 | |
Could I have a cigarette? | 1:05:26 | 1:05:28 | |
What did you want to see me about? | 1:05:42 | 1:05:45 | |
I'm lonesome. | 1:05:45 | 1:05:47 | |
Cliff, there are two million people in this town, | 1:05:47 | 1:05:51 | |
and you've got to be lonesome for me? | 1:05:51 | 1:05:54 | |
Does that make sense? | 1:05:54 | 1:05:56 | |
A lot of things don't make sense. | 1:05:58 | 1:06:00 | |
For instance, why was I so burned up when I saw you with that captain? | 1:06:02 | 1:06:07 | |
That captain was John's co-pilot. | 1:06:07 | 1:06:10 | |
He's on terminal leave, passing through town on his way home. | 1:06:10 | 1:06:14 | |
And? | 1:06:15 | 1:06:16 | |
And... | 1:06:18 | 1:06:20 | |
..we talked about John... | 1:06:23 | 1:06:25 | |
..and France. | 1:06:26 | 1:06:28 | |
He told me so many things about John | 1:06:31 | 1:06:34 | |
I'd wanted to know. | 1:06:34 | 1:06:35 | |
Somehow... | 1:06:37 | 1:06:38 | |
..just for a moment, | 1:06:40 | 1:06:41 | |
he almost seemed to be John. | 1:06:41 | 1:06:44 | |
Is that all right? | 1:06:49 | 1:06:51 | |
Yes. It's all right. | 1:06:54 | 1:06:57 | |
Pat, I'm lonesome. There's nobody. | 1:07:00 | 1:07:03 | |
Nobody? | 1:07:03 | 1:07:05 | |
My pal left for home. | 1:07:05 | 1:07:07 | |
Helen doesn't talk my kind of talk. | 1:07:07 | 1:07:10 | |
And my folks... | 1:07:11 | 1:07:13 | |
What's the matter with your folks? | 1:07:13 | 1:07:16 | |
I don't know. | 1:07:16 | 1:07:18 | |
I don't know what's the matter with me, either. | 1:07:18 | 1:07:21 | |
We just don't seem to get along. | 1:07:23 | 1:07:25 | |
You know why you're lonesome? | 1:07:28 | 1:07:30 | |
You've got nothing to do. | 1:07:31 | 1:07:33 | |
You've got no interests. | 1:07:33 | 1:07:35 | |
What are you, a blank? | 1:07:36 | 1:07:38 | |
No, I mean work - a job. | 1:07:38 | 1:07:41 | |
What kind of a job? | 1:07:41 | 1:07:43 | |
I don't know. What have you ever done? | 1:07:43 | 1:07:45 | |
Go to school. Go to war. | 1:07:46 | 1:07:49 | |
Have you ever tried working? | 1:07:53 | 1:07:55 | |
Can you keep a secret? | 1:07:55 | 1:07:57 | |
Keep-a-secret Ruscomb - that's what they call me at the club. | 1:07:57 | 1:08:00 | |
I tried working... | 1:08:00 | 1:08:02 | |
half a day at a filling station... | 1:08:02 | 1:08:05 | |
half a day at JC Roberts' men's clothing. | 1:08:05 | 1:08:07 | |
You were too good for them. | 1:08:07 | 1:08:09 | |
No, they were swell jobs. | 1:08:09 | 1:08:11 | |
Somebody else has got them and going great. | 1:08:11 | 1:08:14 | |
It's me that's wrong. | 1:08:15 | 1:08:17 | |
I guess I just don't fit anyplace yet. | 1:08:19 | 1:08:22 | |
What about your father's office? | 1:08:23 | 1:08:26 | |
Too easy. Maybe later. | 1:08:26 | 1:08:28 | |
What do you do, Pat? | 1:08:28 | 1:08:29 | |
Since August 14th, | 1:08:29 | 1:08:31 | |
radios, recording machines, phonographs. | 1:08:31 | 1:08:35 | |
Do you think I could get in there? | 1:08:35 | 1:08:38 | |
We're hiring veterans every day. | 1:08:38 | 1:08:41 | |
You're a vet, you get the job. | 1:08:41 | 1:08:44 | |
It would be nice being close to you all the time. | 1:08:48 | 1:08:52 | |
Would it? | 1:08:52 | 1:08:55 | |
You know what I'm talking about. | 1:08:55 | 1:08:58 | |
You know what I'm thinking about. | 1:08:58 | 1:09:01 | |
I think I'll go to work... | 1:09:03 | 1:09:05 | |
Monday. | 1:09:05 | 1:09:07 | |
That's a nice, clean decision. | 1:09:09 | 1:09:12 | |
Try and make it last... | 1:09:13 | 1:09:15 | |
through the day. | 1:09:15 | 1:09:17 | |
HORNS HONK | 1:09:22 | 1:09:24 | |
No, not me. I'm not joining anything. | 1:09:31 | 1:09:33 | |
What have they got to offer? | 1:09:33 | 1:09:35 | |
Oh, I don't know. Some of those veteran organisations | 1:09:35 | 1:09:37 | |
have done some pretty good things. | 1:09:37 | 1:09:39 | |
Yeah, I guess they have. So many new ones are coming along, | 1:09:39 | 1:09:42 | |
a guy doesn't know which is good and which is lousy. | 1:09:42 | 1:09:44 | |
I got a pitch last night from one of those outfits called American War Patriots. | 1:09:44 | 1:09:47 | |
Ever catch them? | 1:09:47 | 1:09:49 | |
Not yet, but they'll get to me. They all do. | 1:09:49 | 1:09:51 | |
Why can't those girls put these transformers together | 1:09:51 | 1:09:53 | |
so a guy can check them right? | 1:09:53 | 1:09:54 | |
Here's another reject. | 1:09:54 | 1:09:56 | |
PA: Anne Hartman, report to personnel. | 1:09:56 | 1:09:59 | |
Anne Hartman, report to personnel. | 1:09:59 | 1:10:02 | |
You've been rejecting a lot of good material, Harper. | 1:10:04 | 1:10:07 | |
I call 'em as I see 'em. | 1:10:07 | 1:10:09 | |
Try it now. | 1:10:11 | 1:10:13 | |
What was wrong? | 1:10:13 | 1:10:14 | |
You're off two degrees. | 1:10:14 | 1:10:15 | |
OK! | 1:10:15 | 1:10:17 | |
Why don't you take ten minutes for a smoke, Harper? | 1:10:17 | 1:10:19 | |
This heat digs into everybody. | 1:10:19 | 1:10:20 | |
I've been in hotter places. | 1:10:20 | 1:10:21 | |
I know that, Harper. | 1:10:21 | 1:10:23 | |
If I hadn't have been, I'd have been sitting at this bench | 1:10:23 | 1:10:25 | |
working at it for three years, and I'd be as good as you. | 1:10:25 | 1:10:28 | |
Better, I think. | 1:10:28 | 1:10:30 | |
Quit riding me. | 1:10:30 | 1:10:32 | |
I'm not riding you, Harper. I'm trying not to. | 1:10:32 | 1:10:34 | |
I don't need any help from you. | 1:10:34 | 1:10:35 | |
If fighting would help any, I'd take you on. | 1:10:37 | 1:10:40 | |
TYPEWRITER CLACKS | 1:10:44 | 1:10:45 | |
CAR HORN HONKS | 1:11:09 | 1:11:11 | |
Hi! Coffee - black. | 1:11:12 | 1:11:15 | |
Give me another one. | 1:11:15 | 1:11:16 | |
What's driving you to drink, Cliff? | 1:11:16 | 1:11:18 | |
I'll tell you. | 1:11:18 | 1:11:20 | |
It's the needles on the testers. | 1:11:20 | 1:11:22 | |
You see, they were off two degrees. | 1:11:22 | 1:11:24 | |
Oh, Cliff. | 1:11:24 | 1:11:25 | |
I made a dummy out of myself. | 1:11:25 | 1:11:27 | |
The foreman tried to straighten me out on something, | 1:11:27 | 1:11:30 | |
and I got sore at him. | 1:11:30 | 1:11:31 | |
Well, you're over it. He'll forget about it. | 1:11:31 | 1:11:35 | |
I've been thinking. | 1:11:35 | 1:11:37 | |
I'll listen. OK. | 1:11:37 | 1:11:38 | |
CASH REGISTER RINGS | 1:11:38 | 1:11:41 | |
OK. I'm back from the war. I'm lucky. | 1:11:41 | 1:11:44 | |
I've got two arms, two legs, and two eyes, right? | 1:11:44 | 1:11:46 | |
Right. | 1:11:46 | 1:11:47 | |
Right. | 1:11:47 | 1:11:49 | |
Nine out of ten of the fellas coming home | 1:11:49 | 1:11:52 | |
are going to be in the same shape. | 1:11:52 | 1:11:54 | |
Mm-hmm-normal. Normal. | 1:11:54 | 1:11:56 | |
Then what's burning me up? | 1:11:56 | 1:11:58 | |
I'm edgy. | 1:11:58 | 1:12:00 | |
I feel out of things. You know why? | 1:12:00 | 1:12:03 | |
Tell me, and we'll both know. | 1:12:03 | 1:12:04 | |
Because I've been scrounged. | 1:12:04 | 1:12:06 | |
I'm robbed out of three and a half years. Somebody stole my time. | 1:12:06 | 1:12:09 | |
Look, Cliff, you can't twist up the rest of your life | 1:12:09 | 1:12:12 | |
worrying about lost time. | 1:12:12 | 1:12:13 | |
I know that. | 1:12:13 | 1:12:15 | |
I know that, but if I'd been in school, | 1:12:15 | 1:12:18 | |
maybe I'd have had an engineering degree... | 1:12:18 | 1:12:20 | |
CASH REGISTER RINGS | 1:12:20 | 1:12:21 | |
I might even have made a good fraternity. | 1:12:21 | 1:12:24 | |
You made a good fraternity - 14 million members. | 1:12:24 | 1:12:27 | |
Well, I have to be doing something. | 1:12:29 | 1:12:31 | |
I'm near you. | 1:12:31 | 1:12:33 | |
That's not much to make a career over. | 1:12:33 | 1:12:36 | |
What about going to the beach tonight | 1:12:36 | 1:12:38 | |
as soon as we finish? | 1:12:38 | 1:12:40 | |
Sounds good. OK. | 1:12:40 | 1:12:42 | |
Anything else? | 1:12:42 | 1:12:43 | |
No, I've had enough. | 1:12:43 | 1:12:44 | |
I'm glad to see that stuff isn't getting you. | 1:12:44 | 1:12:48 | |
CASH REGISTER RINGS | 1:12:48 | 1:12:49 | |
PA: Adele Jensen, call Purchasing. | 1:12:50 | 1:12:53 | |
Adele Jensen, call Purchasing. | 1:12:53 | 1:12:56 | |
Hey, Hal. | 1:12:56 | 1:12:57 | |
Yeah, Harper? | 1:12:57 | 1:12:59 | |
Uh, I should've kept my eyes on that tester. | 1:12:59 | 1:13:02 | |
Well, you got a beef, but I can't help you square it. | 1:13:02 | 1:13:05 | |
Only time can. | 1:13:05 | 1:13:07 | |
Don't let that bench get you down. | 1:13:07 | 1:13:09 | |
After you've learned every part of a radio, | 1:13:09 | 1:13:11 | |
we'll probably transfer you someplace else. | 1:13:11 | 1:13:12 | |
Sure. I got to start somewhere. You're doing OK. | 1:13:12 | 1:13:15 | |
PA: Cliff Harper, you're wanted in the superintendant's office. | 1:13:15 | 1:13:18 | |
I'll see you, Hal. Yeah. | 1:13:18 | 1:13:20 | |
PA: Cliff Harper, you're wanted in the superintendant's office. | 1:13:20 | 1:13:22 | |
Hello, Harper. Remember me? | 1:13:23 | 1:13:25 | |
Sure, Sergeant. Well, you kept your promise. | 1:13:25 | 1:13:27 | |
I got that second letter from you. | 1:13:27 | 1:13:29 | |
I didn't answer because... | 1:13:29 | 1:13:32 | |
we'll, I've been pretty busy. | 1:13:32 | 1:13:33 | |
Yeah. You're doing all right. | 1:13:33 | 1:13:35 | |
On the level? No squawks? | 1:13:35 | 1:13:37 | |
Of course not. | 1:13:37 | 1:13:38 | |
You've been out of the Marine Corps a few weeks. | 1:13:38 | 1:13:40 | |
It's kind of tough getting yourself reorganised. | 1:13:40 | 1:13:42 | |
Indoor work, but you'll make out. | 1:13:42 | 1:13:45 | |
These people here know what you're up against. | 1:13:45 | 1:13:47 | |
80% of their men are veterans. | 1:13:47 | 1:13:49 | |
Good guys. | 1:13:49 | 1:13:50 | |
No, you're no problem... | 1:13:50 | 1:13:52 | |
but I'd like to talk to you about my problem. | 1:13:52 | 1:13:55 | |
One of them, anyway. | 1:13:55 | 1:13:57 | |
What? | 1:13:57 | 1:13:58 | |
Remember Perry? | 1:13:58 | 1:13:59 | |
Yeah. I'd be a problem, too, | 1:13:59 | 1:14:01 | |
if I had both my legs off. | 1:14:01 | 1:14:03 | |
I'll only be a minute. | 1:14:09 | 1:14:10 | |
PAT: Take two. | 1:14:10 | 1:14:12 | |
Hiya, Cliff! Hi! | 1:14:22 | 1:14:24 | |
Hiya, Red. How are you doing? | 1:14:24 | 1:14:26 | |
Why, hello, Mr Harper! Hello, Mrs Kincheloe. | 1:14:26 | 1:14:28 | |
How would you boys like some nice, cold iced tea, huh? | 1:14:28 | 1:14:31 | |
It's hot enough for anything cold. | 1:14:31 | 1:14:32 | |
Jimmy, go help Mom. | 1:14:32 | 1:14:33 | |
Oh, don't let me break it up. | 1:14:33 | 1:14:35 | |
Did you ever punch a bag? | 1:14:35 | 1:14:37 | |
No, but I've always wanted to. | 1:14:37 | 1:14:39 | |
What do you hear from Tabeshaw? | 1:14:39 | 1:14:41 | |
Not a word. | 1:14:41 | 1:14:42 | |
Funny he wouldn't write a guy. | 1:14:42 | 1:14:44 | |
If you're going to do it, you might as well do it right. | 1:14:44 | 1:14:46 | |
The idea is to keep it going. Keep your eye on the one spot, | 1:14:46 | 1:14:50 | |
and hit the centre of the bag so you're sure to meet it as it comes to you. | 1:14:50 | 1:14:54 | |
Go ahead, try it. | 1:14:54 | 1:14:55 | |
Say, this is all right! | 1:14:58 | 1:15:00 | |
You ought to teach this stuff, Perry. | 1:15:00 | 1:15:02 | |
I mean, to a lot of people. | 1:15:02 | 1:15:04 | |
Gunny send you? | 1:15:05 | 1:15:07 | |
Yeah, he did. | 1:15:08 | 1:15:10 | |
He sent me some books to read about being a playground instructor. | 1:15:10 | 1:15:13 | |
Did you read them? | 1:15:13 | 1:15:14 | |
How can I teach kids games? | 1:15:14 | 1:15:15 | |
You're teaching Jimmy. | 1:15:15 | 1:15:17 | |
I can't teach him footwork. | 1:15:17 | 1:15:18 | |
You could... if you'd put on those legs they gave you. | 1:15:18 | 1:15:22 | |
They hurt. | 1:15:22 | 1:15:23 | |
Look, Perry, you aren't doing yourself or anybody else any good | 1:15:23 | 1:15:27 | |
by refusing to lick this thing. | 1:15:27 | 1:15:28 | |
Maybe. | 1:15:28 | 1:15:30 | |
Why didn't Gunny tell me this himself? | 1:15:30 | 1:15:32 | |
He thought if he said it, it'd be official. | 1:15:32 | 1:15:34 | |
I got nothing against topside, | 1:15:34 | 1:15:36 | |
but if Gunny can show me a book that will teach a guy | 1:15:36 | 1:15:39 | |
how to win a boxing championship with no legs, I'll read it. | 1:15:39 | 1:15:42 | |
No good, hmm? | 1:15:53 | 1:15:54 | |
I guess I made it even worse. | 1:15:54 | 1:15:57 | |
How was it? Still wet. | 1:16:08 | 1:16:10 | |
Hey, you're dripping on me! | 1:16:10 | 1:16:11 | |
Water never hurt you. | 1:16:11 | 1:16:13 | |
Mmm. | 1:16:18 | 1:16:20 | |
You like? | 1:16:20 | 1:16:22 | |
I think I'll just do this the rest of my life. | 1:16:22 | 1:16:25 | |
SHE LAUGHS | 1:16:25 | 1:16:27 | |
Have me rub your back? | 1:16:27 | 1:16:29 | |
That... | 1:16:29 | 1:16:30 | |
and live on the beach and swim... | 1:16:30 | 1:16:33 | |
lie on the sand in front of a fire. | 1:16:33 | 1:16:36 | |
Yes, sir, that's what I'm going to do. | 1:16:36 | 1:16:38 | |
Pat, this is the best time I've had since I've been home. | 1:16:40 | 1:16:43 | |
Why shouldn't I keep on doing it? | 1:16:43 | 1:16:45 | |
You might get lonesome here. | 1:16:45 | 1:16:47 | |
Nearly everybody else has something to do. | 1:16:47 | 1:16:50 | |
I won't be lonesome. | 1:16:50 | 1:16:52 | |
I'll be with you. You're my girl. | 1:16:53 | 1:16:56 | |
I am your girl. | 1:16:56 | 1:16:58 | |
Well, then it's all settled. | 1:17:03 | 1:17:05 | |
We live on the beach until our dough runs out. | 1:17:05 | 1:17:08 | |
And then? | 1:17:08 | 1:17:10 | |
Then it will be all straightened out. | 1:17:10 | 1:17:13 | |
We'll go back to work. | 1:17:13 | 1:17:15 | |
Foreman will still be there. | 1:17:21 | 1:17:23 | |
Perry still won't wear his legs. | 1:17:23 | 1:17:25 | |
Aw, that's got nothing to do with it. | 1:17:25 | 1:17:28 | |
I just feel good here doing this. I want it to last. | 1:17:28 | 1:17:31 | |
Pat... | 1:17:32 | 1:17:33 | |
Hmm? | 1:17:33 | 1:17:34 | |
What about us getting married? To whom? | 1:17:34 | 1:17:37 | |
Me to you, you to me. | 1:17:37 | 1:17:38 | |
Pat... | 1:17:39 | 1:17:41 | |
I'm levelling. | 1:17:41 | 1:17:42 | |
You just think you want to marry me. | 1:17:42 | 1:17:45 | |
I know. You're sure? | 1:17:45 | 1:17:46 | |
Positive. | 1:17:46 | 1:17:49 | |
Well, that's good, | 1:17:49 | 1:17:51 | |
because it's the only thing you're positive about. | 1:17:51 | 1:17:53 | |
I know what I want. | 1:17:53 | 1:17:56 | |
You're lucky. | 1:17:56 | 1:17:58 | |
I don't know what I want. | 1:17:59 | 1:18:02 | |
You must have some idea. | 1:18:04 | 1:18:06 | |
I don't think my idea of heaven | 1:18:06 | 1:18:08 | |
is to be married to a guy who wants to lay around | 1:18:08 | 1:18:10 | |
on the beach till he's broke. | 1:18:10 | 1:18:12 | |
OK. If you don't like my idea of heaven, what's yours? | 1:18:12 | 1:18:16 | |
I don't know. Sometimes I think that if I do get married again, | 1:18:16 | 1:18:20 | |
I'd like to marry a guy who could make things easy for me... | 1:18:20 | 1:18:25 | |
someone who can deliver a 20-room house | 1:18:25 | 1:18:27 | |
and thinks a 16-cylinder car is for bringing home the groceries... | 1:18:27 | 1:18:31 | |
Someone who doesn't yell each time I hire a nurse | 1:18:31 | 1:18:32 | |
for each one of the kids he wants. | 1:18:32 | 1:18:34 | |
You make me feel like a cheap pick-up. | 1:18:35 | 1:18:38 | |
I'm not talking about you, Cliff. I'm talking about me. | 1:18:38 | 1:18:41 | |
You asked me what I think about, | 1:18:41 | 1:18:43 | |
and sometimes I do think about security. | 1:18:43 | 1:18:45 | |
I don't mean the kind of man I was talking about. | 1:18:45 | 1:18:48 | |
But...if I do get married again, | 1:18:48 | 1:18:51 | |
I think I'd like to end up | 1:18:51 | 1:18:53 | |
with more than just a gold star and nothing else. | 1:18:53 | 1:18:57 | |
And until then? | 1:18:57 | 1:18:59 | |
I...live on velvet. | 1:18:59 | 1:19:02 | |
Where do I fit in? | 1:19:04 | 1:19:06 | |
You're the velvet. | 1:19:06 | 1:19:08 | |
Darling... Let's take off. | 1:19:09 | 1:19:12 | |
Cliff. | 1:19:29 | 1:19:31 | |
Yeah? | 1:19:33 | 1:19:34 | |
Aren't you going to kiss me good night? | 1:19:36 | 1:19:38 | |
Good night. | 1:19:42 | 1:19:43 | |
Well, gee, Helen! | 1:19:55 | 1:19:57 | |
I didn't know you... | 1:19:57 | 1:19:59 | |
How dare you?! | 1:20:01 | 1:20:03 | |
CAR DOOR SLAMS | 1:20:05 | 1:20:07 | |
Hello, Cliff. | 1:20:19 | 1:20:21 | |
Hi, Bill. What are you doing here? | 1:20:23 | 1:20:24 | |
Oh, I just breezed into town. I thought I'd look you up. | 1:20:24 | 1:20:27 | |
Why didn't you wait in the house? | 1:20:27 | 1:20:29 | |
Came to call on you, not your folks. | 1:20:29 | 1:20:31 | |
Careful. You'll get your hand caught. | 1:20:31 | 1:20:32 | |
I need 20 bucks. | 1:20:32 | 1:20:34 | |
Are you in any trouble? | 1:20:43 | 1:20:45 | |
For 20, you want the story of my life? | 1:20:45 | 1:20:47 | |
You look awful. | 1:20:49 | 1:20:51 | |
You look cute. | 1:20:52 | 1:20:53 | |
Come on in the house, and we'll have a beer. | 1:20:53 | 1:20:56 | |
It ain't polite to drink and run. | 1:20:56 | 1:20:58 | |
Where are you running to? | 1:20:58 | 1:21:01 | |
You're asking too many questions, Cliff. | 1:21:01 | 1:21:03 | |
Bill, level with me. What's the matter with you? | 1:21:14 | 1:21:17 | |
Bill! | 1:21:17 | 1:21:19 | |
It's my head. It's busting wide open. | 1:21:23 | 1:21:25 | |
I've had these headaches for weeks. | 1:21:25 | 1:21:28 | |
Sometimes it's better, sometimes like now. | 1:21:28 | 1:21:30 | |
Always this pressure. It's like clamps on my skull. | 1:21:30 | 1:21:32 | |
Why didn't you go to the veterans' hospital? | 1:21:32 | 1:21:34 | |
My folks don't know anything about the silver plate. | 1:21:34 | 1:21:36 | |
I don't want to worry them. | 1:21:36 | 1:21:37 | |
Go on in the house. I'll get a doctor. | 1:21:37 | 1:21:39 | |
No. I've got a better idea. | 1:21:39 | 1:21:40 | |
I've got 20 bucks. Let me buy you a drink. | 1:21:40 | 1:21:42 | |
I'll get the keys to the car and take you to the VA hospital. | 1:21:42 | 1:21:45 | |
Will you stop talking about the VA hospital? | 1:21:45 | 1:21:48 | |
Come on, Cliff. Let me buy you that drink. | 1:21:50 | 1:21:52 | |
OK. Maybe a drink will do us both some good. | 1:21:52 | 1:21:55 | |
A couple of drinks. | 1:21:55 | 1:21:57 | |
That's for me. | 1:21:57 | 1:21:59 | |
MUSIC PLAYS | 1:21:59 | 1:22:00 | |
You got any pain now? | 1:22:13 | 1:22:14 | |
I haven't felt better since I've been off a horse. | 1:22:14 | 1:22:17 | |
Me, too, Bill. Now hear this. | 1:22:17 | 1:22:20 | |
Tomorrow morning, I take you to the VA hospital. | 1:22:20 | 1:22:22 | |
Uh-uh. I got better plans. | 1:22:22 | 1:22:24 | |
I get me some dough, and I go back looking for another range. | 1:22:24 | 1:22:27 | |
Whatever happened to that 2,000 you left here with? | 1:22:27 | 1:22:29 | |
Ever hear of a town called Vegas? | 1:22:31 | 1:22:33 | |
Yeah. | 1:22:33 | 1:22:34 | |
Brother, that fouled me up, but good. | 1:22:34 | 1:22:37 | |
Come on, cowboy. All of it. | 1:22:37 | 1:22:41 | |
Well, I get to Vegas with the dough. | 1:22:41 | 1:22:43 | |
I figure 5,000 will buy me better land and more stock than two. | 1:22:43 | 1:22:46 | |
That's right? That's right. | 1:22:46 | 1:22:48 | |
I get in the game. I play, I lose. | 1:22:49 | 1:22:52 | |
I'm flat. | 1:22:52 | 1:22:54 | |
So I ask the house for a goodbye drink. | 1:22:54 | 1:22:57 | |
A little while later, three guys come and toss me out of the joint. | 1:22:57 | 1:23:00 | |
I land on the back of my head. It starts to hurt. | 1:23:00 | 1:23:03 | |
Well, didn't you ever get to Stinking Creek? | 1:23:03 | 1:23:06 | |
Sure. I hired out as a cowhand. | 1:23:06 | 1:23:09 | |
But my head started driving me crazy, | 1:23:09 | 1:23:12 | |
so I thumbed my way west. | 1:23:12 | 1:23:14 | |
Now I get me some more dough, and I go someplace else. | 1:23:14 | 1:23:17 | |
I've got some money at home - 700. | 1:23:17 | 1:23:20 | |
What's your 700 got to do with me? | 1:23:21 | 1:23:24 | |
Look, as soon as we get your head fixed up, | 1:23:24 | 1:23:26 | |
which we do first thing in the morning, | 1:23:26 | 1:23:28 | |
maybe I'll go into ranching with you. | 1:23:28 | 1:23:30 | |
You've never even been on a horse. | 1:23:32 | 1:23:34 | |
Well, I can learn. | 1:23:34 | 1:23:37 | |
Hey, that would be a good deal. | 1:23:37 | 1:23:39 | |
You know, it would be kind of nice working with an ex-buddy. | 1:23:39 | 1:23:42 | |
Maybe we could work Perry in on this some way, too. | 1:23:42 | 1:23:45 | |
That's a good idea. | 1:23:45 | 1:23:47 | |
But I'm not going to the hospital. This will stop by itself. | 1:23:47 | 1:23:50 | |
You're no doctor. | 1:23:50 | 1:23:51 | |
Then the deal is off. | 1:23:51 | 1:23:53 | |
Oh, I get it. You're just saying all this | 1:23:57 | 1:23:59 | |
to try to get me to go to the hospital. | 1:23:59 | 1:24:01 | |
You don't know what you're talking about. | 1:24:01 | 1:24:04 | |
Be swell having Perry with us. | 1:24:04 | 1:24:06 | |
I'll go call Perry and tell him right away. | 1:24:06 | 1:24:08 | |
Let me. | 1:24:08 | 1:24:10 | |
I'll be right here at the pinball machine. | 1:24:10 | 1:24:13 | |
TELEPHONE RINGS | 1:24:13 | 1:24:16 | |
Hello? | 1:24:17 | 1:24:19 | |
Oh, hello, Mr Harper. | 1:24:19 | 1:24:21 | |
Uh-huh. Cliff. Yes, he is. | 1:24:22 | 1:24:24 | |
Just a moment. | 1:24:24 | 1:24:26 | |
Here you are. | 1:24:26 | 1:24:27 | |
Thanks, Ma. Greetings, Mack. | 1:24:27 | 1:24:29 | |
Hello. Perry, listen. Tabeshaw's in town, and it's not good. | 1:24:29 | 1:24:33 | |
That silver plate in his skull has been acting up, | 1:24:33 | 1:24:36 | |
but he won't let me take him to the hospital. | 1:24:36 | 1:24:38 | |
Look, can you call that rehab sergeant Gunny Watrous | 1:24:38 | 1:24:40 | |
and ask him to come over here and give me a hand? | 1:24:40 | 1:24:42 | |
Why, sure. Give me the address. | 1:24:42 | 1:24:44 | |
It's the Swan Club on Western Avenue. | 1:24:44 | 1:24:46 | |
And tell him to hurry, will you? | 1:24:46 | 1:24:49 | |
The guy's really hurt, Perry. | 1:24:49 | 1:24:50 | |
Gotcha. | 1:24:50 | 1:24:52 | |
So long. | 1:24:53 | 1:24:55 | |
PHONE CLICKS | 1:24:55 | 1:24:56 | |
What is it, Son? | 1:24:58 | 1:24:59 | |
One of my buddies is sick and in trouble. | 1:24:59 | 1:25:01 | |
Well, you've got to help him, then. | 1:25:03 | 1:25:05 | |
Yeah. | 1:25:06 | 1:25:08 | |
Yeah, he'll take it better from me than from Gunny. | 1:25:08 | 1:25:12 | |
I can't help him. | 1:25:23 | 1:25:24 | |
Yes, you can, Son. | 1:25:24 | 1:25:26 | |
I can't, Ma. I can't. | 1:25:26 | 1:25:28 | |
Perry... | 1:25:28 | 1:25:30 | |
I watched you fight over 20 fights. | 1:25:30 | 1:25:34 | |
Every time you got hurt, it hurt me, too. | 1:25:34 | 1:25:38 | |
But that didn't matter, because you were a good fighter, | 1:25:38 | 1:25:40 | |
and you'd fight, win, lose, or draw. | 1:25:40 | 1:25:43 | |
I'm washed up with fighting. | 1:25:43 | 1:25:45 | |
There are different kinds of fighting. | 1:25:45 | 1:25:46 | |
You've been losing a fight ever since you got... | 1:25:46 | 1:25:49 | |
Stop talking foolish, Ma! What can a man do when he's got no legs? | 1:25:49 | 1:25:52 | |
There was a man who lost the use of his legs when he was 39 years old. | 1:25:52 | 1:25:57 | |
He didn't quit. He got to be president. | 1:25:57 | 1:26:00 | |
DOOR OPENS | 1:26:37 | 1:26:39 | |
Son, it's good to see you in your fighting clothes. | 1:27:02 | 1:27:06 | |
SHE CRIES | 1:27:07 | 1:27:09 | |
MUSIC PLAYS | 1:27:11 | 1:27:13 | |
Hey, you're getting a little stinky. | 1:27:15 | 1:27:18 | |
I've been doing a little thinking. | 1:27:18 | 1:27:20 | |
Well, don't fracture yourself. | 1:27:20 | 1:27:21 | |
You know what? | 1:27:21 | 1:27:23 | |
That ranch deal makes a lot of sense. | 1:27:23 | 1:27:25 | |
Of course it makes sense. | 1:27:25 | 1:27:27 | |
I was kidding before, but now I'm squaring off. | 1:27:27 | 1:27:29 | |
I'm gonna tell my girl. | 1:27:29 | 1:27:31 | |
She should know everything I know - no secrets. | 1:27:31 | 1:27:34 | |
The only way to be happy is not to have any secrets. | 1:27:34 | 1:27:38 | |
Hey, build up my score, will you, soldier? | 1:27:40 | 1:27:42 | |
OK. | 1:27:42 | 1:27:43 | |
TELEPHONE RINGS | 1:27:55 | 1:27:59 | |
Hello? | 1:27:59 | 1:28:00 | |
Hi! | 1:28:00 | 1:28:01 | |
Hello, Sourpuss. How are you? | 1:28:01 | 1:28:04 | |
I'm fine. Where are you? | 1:28:04 | 1:28:07 | |
I'm with friends, and we're discussing | 1:28:07 | 1:28:09 | |
a big deal that involves you. | 1:28:09 | 1:28:10 | |
Well, what did I do to deserve it? | 1:28:10 | 1:28:13 | |
Patricia, I'm serious. | 1:28:13 | 1:28:15 | |
BILL: Hey, move over. | 1:28:15 | 1:28:16 | |
Hey, Patricia, how'd you like to go live on a ranch? | 1:28:17 | 1:28:20 | |
Well, who are you? | 1:28:20 | 1:28:22 | |
There are a lot of things I could tell you, | 1:28:22 | 1:28:24 | |
but none of them would be as interesting | 1:28:24 | 1:28:26 | |
as the fact that I'm Cliff's buddy. | 1:28:26 | 1:28:28 | |
Now, Patricia, what about this here ranch deal? | 1:28:28 | 1:28:30 | |
What kind of a ranch? | 1:28:30 | 1:28:32 | |
Outdoor ranch. | 1:28:32 | 1:28:33 | |
Everyone should get a lot of fresh air. | 1:28:33 | 1:28:36 | |
You like chickens? | 1:28:36 | 1:28:37 | |
They're wonderful fried. | 1:28:37 | 1:28:39 | |
OK, we'll have chickens and cows. | 1:28:39 | 1:28:41 | |
And horses... | 1:28:41 | 1:28:43 | |
and maybe some pigs, too. | 1:28:43 | 1:28:45 | |
No rabbits? | 1:28:45 | 1:28:46 | |
Ah, rabbits aren't trustworthy. | 1:28:46 | 1:28:48 | |
And now I'm going to tell you the best part. | 1:28:48 | 1:28:51 | |
Where's Cliff? | 1:28:51 | 1:28:52 | |
Cliff's right here, standing right next to me. | 1:28:52 | 1:28:54 | |
We're in a very exclusive rendezvous on Western Avenue | 1:28:54 | 1:28:57 | |
called the Swan Club. | 1:28:57 | 1:28:58 | |
In order to get in here, you have to push the door open. | 1:28:58 | 1:29:01 | |
Let me talk to Cliff, will you? | 1:29:01 | 1:29:03 | |
Hello, Patricia. | 1:29:03 | 1:29:04 | |
Cliff, you're getting drunk. Get out of there. | 1:29:04 | 1:29:06 | |
Look, the only reason I called you up was to find out | 1:29:06 | 1:29:10 | |
if you'd like to go to this ranch with us. | 1:29:10 | 1:29:12 | |
I want "yes" or "no," nothing else. | 1:29:12 | 1:29:14 | |
Get out of there, Cliff. You can come up here and talk if you like. | 1:29:14 | 1:29:18 | |
Are you giving me no for an answer? | 1:29:18 | 1:29:21 | |
Cliff, please. | 1:29:22 | 1:29:23 | |
Very well. That's all I wanted to know. | 1:29:23 | 1:29:26 | |
I don't think we can count on my girl for this ranch deal. | 1:29:26 | 1:29:29 | |
Aw, forget about her, my friend. | 1:29:29 | 1:29:31 | |
If worse comes to worst, we'll raise women, too. | 1:29:31 | 1:29:34 | |
PINBALL MACHINE BELL RINGS | 1:29:34 | 1:29:36 | |
Hey, you hit 35,000. | 1:29:36 | 1:29:38 | |
Yeah. You win a free game. | 1:29:38 | 1:29:40 | |
My friend, I award it to you... with clusters. | 1:29:40 | 1:29:42 | |
Thank you. | 1:29:42 | 1:29:43 | |
Hey, get a load of that. | 1:29:43 | 1:29:45 | |
Let's go help him. | 1:29:48 | 1:29:50 | |
No, no. Play it down. | 1:29:50 | 1:29:52 | |
CLIFF: Well, get a load of him! | 1:29:55 | 1:29:58 | |
BILL: Hubba hubba hubba! | 1:29:58 | 1:29:59 | |
What gives? | 1:29:59 | 1:30:01 | |
Gives a lot. | 1:30:01 | 1:30:02 | |
We're going to secure us a ranch, all of us. | 1:30:02 | 1:30:04 | |
Cliff and you and me. | 1:30:04 | 1:30:05 | |
And we're going to hire nobody but ex-servicemen, | 1:30:05 | 1:30:08 | |
and...well, that's the skinny. | 1:30:08 | 1:30:09 | |
But I thought... What are you going to do, | 1:30:09 | 1:30:11 | |
let a guy just stand there and not get him a drink? | 1:30:11 | 1:30:13 | |
Oh, right away. Got to get the man a drink. | 1:30:13 | 1:30:15 | |
I don't get this. | 1:30:15 | 1:30:17 | |
Look, you didn't have to come, Perry. | 1:30:17 | 1:30:19 | |
But you said Tabeshaw was in trouble. | 1:30:19 | 1:30:21 | |
That plate in his head has been killing him. | 1:30:21 | 1:30:22 | |
I want to get him to a hospital, | 1:30:22 | 1:30:24 | |
so I figured Gunny would be the guy to help. | 1:30:24 | 1:30:26 | |
Did you reach him? No. | 1:30:26 | 1:30:27 | |
Well, it's just as well. We'll... | 1:30:27 | 1:30:29 | |
I figure the size of the ranch depends upon the amount of cash we can get. | 1:30:29 | 1:30:33 | |
Let's drink to old killer Kincheloe. | 1:30:33 | 1:30:35 | |
You want anything, lady? | 1:30:54 | 1:30:55 | |
Give me a Rye and water, please... | 1:30:55 | 1:30:57 | |
and that blond young man standing next to the marine. | 1:30:57 | 1:31:00 | |
Now, lady, you know we don't... | 1:31:00 | 1:31:01 | |
That blond young man standing next to the marine, please. | 1:31:01 | 1:31:05 | |
WOMAN LAUGHS | 1:31:17 | 1:31:18 | |
This is a nice ranch you have. | 1:31:31 | 1:31:33 | |
What are you doing here? | 1:31:33 | 1:31:35 | |
Oh, having a drink with you. | 1:31:35 | 1:31:37 | |
Did you order? | 1:31:37 | 1:31:38 | |
Mm-hmm. Getting it, too. | 1:31:38 | 1:31:40 | |
Thank you. | 1:31:46 | 1:31:48 | |
Happy days, as they say. | 1:31:49 | 1:31:51 | |
Go on, drink. | 1:31:51 | 1:31:53 | |
What'd you come down here for? | 1:31:55 | 1:31:57 | |
Because... | 1:31:57 | 1:31:59 | |
..you're drinking and you might do something silly. | 1:32:01 | 1:32:03 | |
What would I do that's silly? | 1:32:03 | 1:32:05 | |
I thought you'd straightened yourself out | 1:32:05 | 1:32:07 | |
with the foreman this afternoon. | 1:32:07 | 1:32:08 | |
It'll happen again. | 1:32:08 | 1:32:10 | |
Then I'll really bust him in the jaw. | 1:32:10 | 1:32:12 | |
That'll be that. | 1:32:12 | 1:32:13 | |
That takes care of your job. | 1:32:15 | 1:32:17 | |
That leaves me. | 1:32:18 | 1:32:21 | |
Go home and pack your bags. | 1:32:21 | 1:32:23 | |
Where are we going? | 1:32:23 | 1:32:25 | |
To New Mexico to buy that ranch. | 1:32:25 | 1:32:26 | |
Oh, Cliff, this is the growing city of the world. | 1:32:26 | 1:32:28 | |
Pat... Wherever you go, | 1:32:28 | 1:32:30 | |
you're going to have to face these same headaches. | 1:32:30 | 1:32:31 | |
It'll be fun. We'll see new places. We'll see new people. | 1:32:31 | 1:32:33 | |
I see new people till it drives me crazy. | 1:32:33 | 1:32:36 | |
We'll be happy. | 1:32:36 | 1:32:37 | |
Actually, you have no beef. | 1:32:37 | 1:32:38 | |
Who has? | 1:32:38 | 1:32:39 | |
Only the men who are never coming back. | 1:32:39 | 1:32:42 | |
Here we go - right back to Johnny Ruscomb. | 1:32:42 | 1:32:45 | |
Did you put his picture back on the table again? | 1:32:45 | 1:32:49 | |
I'm going...with you or without you. | 1:32:50 | 1:32:54 | |
With you or without you, Pat. | 1:32:56 | 1:32:58 | |
Without me. | 1:32:59 | 1:33:01 | |
Pay the man for my drink. | 1:33:01 | 1:33:04 | |
How you doin', men? | 1:33:26 | 1:33:28 | |
We're doing great. | 1:33:28 | 1:33:29 | |
Say, I see we belong to the same club. | 1:33:29 | 1:33:32 | |
Well, where did you sweat out the four freedoms, brother? | 1:33:32 | 1:33:34 | |
They busted him out of the army on a frame-up. | 1:33:34 | 1:33:37 | |
Let's see you make that one. | 1:33:38 | 1:33:41 | |
A sharpshooter. | 1:33:51 | 1:33:53 | |
Fellas, this is Mr Praeger and Mr Lawson. | 1:33:53 | 1:33:55 | |
Howdy. Hiya, fellas. | 1:33:55 | 1:33:58 | |
Well, I suppose you've told them all about | 1:33:58 | 1:34:00 | |
our organisation, have you, Mitch? No, not yet. | 1:34:00 | 1:34:02 | |
Ever heard of our outfit... | 1:34:02 | 1:34:04 | |
American War Patriots? | 1:34:04 | 1:34:05 | |
That's us, in the local district, anyway. | 1:34:05 | 1:34:07 | |
Got 1,700 members throughout the country. | 1:34:07 | 1:34:09 | |
I've heard of most of the rest of them, | 1:34:09 | 1:34:11 | |
but I'm afraid that's one I missed. | 1:34:11 | 1:34:13 | |
Son, we start where those fuzzbuddies leave off. | 1:34:13 | 1:34:15 | |
Know what we're going to do for you boys? | 1:34:15 | 1:34:17 | |
How would you like to have a bonus of 200 a month income | 1:34:17 | 1:34:20 | |
for as long as you live? Without the labour union? | 1:34:20 | 1:34:22 | |
Yeah. You fellas know that 15% of every pay cheque you get | 1:34:22 | 1:34:24 | |
goes to those foreign-born labour racketeers. | 1:34:24 | 1:34:26 | |
That's the kind of a free country we were fighting for. | 1:34:26 | 1:34:29 | |
Course, we don't know whether you men are eligible. | 1:34:29 | 1:34:32 | |
You see, we have certain restrictions. | 1:34:32 | 1:34:33 | |
What does that mean? | 1:34:33 | 1:34:36 | |
No Catholics, Jews, or Negroes. | 1:34:36 | 1:34:38 | |
You know, we had a friend named Maxie Klein. | 1:34:52 | 1:34:55 | |
If Maxie was here, he'd probably spit right in your eye. | 1:34:55 | 1:34:58 | |
Yeah? | 1:34:58 | 1:35:00 | |
Yeah, but Maxie's dead in Guadalcanal. | 1:35:00 | 1:35:03 | |
So just for him, I'm going to spit in your eye. | 1:35:03 | 1:35:06 | |
HE SPITS | 1:35:06 | 1:35:08 | |
WOMAN SCREAMS | 1:35:10 | 1:35:12 | |
I'm with you, boys. | 1:35:22 | 1:35:24 | |
Push 'em to me! Push 'em to me! | 1:35:40 | 1:35:43 | |
This one's mine. Go help Perry. PERRY: Bill! | 1:35:47 | 1:35:49 | |
WOMAN SCREAMS | 1:35:57 | 1:35:59 | |
Let's take off. | 1:36:08 | 1:36:10 | |
CLIFF: The car's in front. | 1:36:10 | 1:36:11 | |
You go ahead, Perry. I'll cover you. | 1:36:11 | 1:36:13 | |
Can you make it, Perry? Yeah. | 1:36:13 | 1:36:15 | |
Cops. | 1:36:21 | 1:36:23 | |
Come on - the back way. I'll see if it's clear. | 1:36:23 | 1:36:25 | |
Bill, behind you! | 1:36:25 | 1:36:27 | |
WOMAN SCREAMS | 1:36:27 | 1:36:28 | |
All right, break it up. | 1:36:31 | 1:36:33 | |
Break it up. | 1:36:33 | 1:36:34 | |
All right, you'll do the talking. | 1:36:34 | 1:36:35 | |
CLIFF: We'll have to do the talking on the way to the hospital. | 1:36:35 | 1:36:39 | |
Get an ambulance on the double. Right. | 1:36:39 | 1:36:41 | |
I don't know what gets into you fellas. | 1:36:43 | 1:36:45 | |
Once you get to be a hero, you figure you've got to be a hero all your life. | 1:36:45 | 1:36:48 | |
If I had a plate in my skull, | 1:36:48 | 1:36:50 | |
I'm sure I wouldn't go around looking for saloon fights. | 1:36:50 | 1:36:52 | |
They weren't looking for it, sir. It came to them. | 1:36:52 | 1:36:55 | |
OK, sergeant. | 1:36:55 | 1:36:56 | |
Get the patient ready. | 1:36:56 | 1:36:58 | |
Cliff.... | 1:36:58 | 1:37:00 | |
I'm not going to run away. | 1:37:01 | 1:37:03 | |
Yeah. Me, too. | 1:37:03 | 1:37:05 | |
If I make this, | 1:37:05 | 1:37:06 | |
I'm going back to Stinking Creek | 1:37:06 | 1:37:08 | |
and get me that cowhand job. | 1:37:08 | 1:37:10 | |
It will take you a little longer to get that cattle ranch, | 1:37:10 | 1:37:14 | |
but you'll be home. | 1:37:14 | 1:37:15 | |
Listens. | 1:37:15 | 1:37:17 | |
Hello, Cliff. | 1:37:21 | 1:37:22 | |
Hello, Dad. Glad you got here. | 1:37:22 | 1:37:24 | |
How's the other boy going to be, sergeant? | 1:37:24 | 1:37:26 | |
We'll check after the operation. | 1:37:26 | 1:37:28 | |
I'll call you at headquarters. | 1:37:28 | 1:37:30 | |
We're holding all those men. | 1:37:30 | 1:37:32 | |
You fellas get an assist for nailing them. | 1:37:32 | 1:37:34 | |
Good. I'm going to get Tabeshaw's papers squared away with admitting. | 1:37:34 | 1:37:37 | |
I'll see you all later. | 1:37:37 | 1:37:39 | |
I'll go along for the ride. | 1:37:39 | 1:37:41 | |
CLIFF: Well, so long, Perry. | 1:37:41 | 1:37:43 | |
It's good to be back on my feet again. | 1:37:45 | 1:37:48 | |
Anything else I can do? | 1:37:51 | 1:37:53 | |
I think not, Lieutenant. Thanks for picking me up | 1:37:53 | 1:37:55 | |
and for straightening this out. | 1:37:55 | 1:37:56 | |
Good night. Good night. | 1:37:56 | 1:37:58 | |
I'm glad it happened, Dad. | 1:38:04 | 1:38:06 | |
It showed me that if you believe something, | 1:38:08 | 1:38:10 | |
you'd better get in there and fight for it. | 1:38:10 | 1:38:12 | |
A lot of things have happened to me since I've come back. | 1:38:12 | 1:38:15 | |
I've got a good job... although I don't think | 1:38:15 | 1:38:18 | |
I want to do it all my life. | 1:38:18 | 1:38:22 | |
I'd like to be with my girl all my life... | 1:38:22 | 1:38:24 | |
if she'd let me. | 1:38:24 | 1:38:27 | |
But right now, standing here with nothing decided, | 1:38:27 | 1:38:30 | |
I'm better off than Perry... | 1:38:30 | 1:38:32 | |
and luckier than Tabeshaw. | 1:38:32 | 1:38:35 | |
It'll take time, I guess. | 1:38:36 | 1:38:38 | |
Sure. You didn't make yourself a soldier overnight. | 1:38:38 | 1:38:41 | |
You can't make yourself a civilian again overnight. | 1:38:41 | 1:38:45 | |
I'm going to stay here and sweat out the operation, Dad. | 1:38:47 | 1:38:50 | |
You better run along. | 1:38:50 | 1:38:52 | |
I'll sweat it out with you, Son. | 1:38:53 | 1:38:57 | |
Now, this is what I did when I waited for you once before... | 1:38:57 | 1:39:01 | |
23 years ago, come May 18th. | 1:39:01 | 1:39:04 | |
HE CHUCKLES | 1:39:04 | 1:39:06 | |
HORN HONKS | 1:39:09 | 1:39:10 | |
Ma! | 1:39:15 | 1:39:17 | |
How's your buddy? | 1:39:17 | 1:39:18 | |
He's going to make it. | 1:39:18 | 1:39:19 | |
Oh, I'm glad. | 1:39:19 | 1:39:20 | |
Are you all right, Son? | 1:39:20 | 1:39:22 | |
I'm all right, Ma, and I'm going to stay all right. | 1:39:22 | 1:39:25 | |
I know you are, Clifford. | 1:39:25 | 1:39:27 | |
Amy, you shouldn't have come here at this hour. | 1:39:27 | 1:39:29 | |
Well, I had to keep Pat company. | 1:39:29 | 1:39:31 | |
Pat? | 1:39:31 | 1:39:32 | |
Cliff! Pat! | 1:39:45 | 1:39:47 | |
Subtitles by the National Captioning Institute | 1:39:57 | 1:40:00 |