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| Line | From | To | |
|---|---|---|---|
'As the 19th century began... | 0:02:20 | 0:02:22 | |
'a darkening shadow moved across the face of Europe. | 0:02:22 | 0:02:25 | |
'This shadow was propelled by the voice of one man... | 0:02:25 | 0:02:29 | |
'Napoleon Bonaparte. | 0:02:29 | 0:02:30 | |
'Only Russia and England offered impressive resistance. | 0:02:30 | 0:02:34 | |
'Over Russia the weather was clear, the sun was shining. | 0:02:34 | 0:02:38 | |
'Napoleon was a thousand miles away... | 0:02:38 | 0:02:41 | |
'and the streets of Moscow were excellent for parades.' | 0:02:41 | 0:02:45 | |
PARADE MUSIC | 0:02:45 | 0:02:48 | |
Splendid sight. Splendid men. Eh, Pierre? | 0:03:20 | 0:03:24 | |
-For parades. -What do you mean by that? | 0:03:24 | 0:03:28 | |
Remember. I've seen the French marching too. | 0:03:28 | 0:03:31 | |
Don't tell me they march better than that. | 0:03:31 | 0:03:33 | |
Led by the greatest man in Europe. | 0:03:37 | 0:03:40 | |
Bonaparte? | 0:03:40 | 0:03:42 | |
A usurper. A murderer. A deposer of kings. | 0:03:42 | 0:03:47 | |
A colossus. A fresh wind. A cleansing force. | 0:03:47 | 0:03:51 | |
What does your father say when he hears you say things like that? | 0:03:51 | 0:03:54 | |
We don't talk about things like that, my father and I. | 0:03:54 | 0:03:57 | |
How is he? | 0:03:58 | 0:04:00 | |
The doctors say he will die at any moment. | 0:04:01 | 0:04:04 | |
-Have you been to see him? -I'm waiting to be asked. | 0:04:04 | 0:04:08 | |
In heaven all things will be arranged. | 0:04:08 | 0:04:11 | |
I believe that's the rumour. | 0:04:11 | 0:04:14 | |
Remember, Pierre, this is your home when you want it to be | 0:04:14 | 0:04:17 | |
and the Rostovs are your family when you want them to be. | 0:04:17 | 0:04:20 | |
I smoke too much. | 0:04:23 | 0:04:25 | |
Isn't it lovely? How can you bear not to go with them? | 0:04:29 | 0:04:33 | |
I can bear it. | 0:04:33 | 0:04:34 | |
If I were a man, I'd be down there... | 0:04:34 | 0:04:37 | |
riding a terrible black horse, waving a sword. | 0:04:37 | 0:04:41 | |
It's so unfair. | 0:04:45 | 0:04:47 | |
Men are the only people permitted to have any fun. | 0:04:47 | 0:04:50 | |
What is it, Natasha? | 0:05:07 | 0:05:09 | |
All those handsome young men marching away to fight... | 0:05:11 | 0:05:15 | |
to be killed. | 0:05:15 | 0:05:17 | |
PLAYS PIANO | 0:05:25 | 0:05:26 | |
Don't be frightened. Come on. | 0:05:38 | 0:05:41 | |
Nicholas! | 0:05:44 | 0:05:45 | |
Well, what's this? | 0:05:49 | 0:05:51 | |
You look so dazzling in your uniform. | 0:05:53 | 0:05:56 | |
And you're going so far away. Austria is miles. | 0:05:56 | 0:06:00 | |
I looked it up on the map. | 0:06:00 | 0:06:03 | |
That brute Napoleon. | 0:06:03 | 0:06:05 | |
The Austrians make the most beautiful bracelets. | 0:06:05 | 0:06:07 | |
-I'll bring you back one. -Nicholas, two. | 0:06:07 | 0:06:10 | |
-They're wearing them in pairs. -Two. | 0:06:10 | 0:06:13 | |
Pierre, you remember our cousin, Sonya? She's come to stay with us. | 0:06:13 | 0:06:17 | |
Of course, although she was considerably younger | 0:06:17 | 0:06:19 | |
the last time I saw her. | 0:06:19 | 0:06:21 | |
Girls grow up, Pierre, very fast. | 0:06:21 | 0:06:24 | |
Doesn't he look glorious? | 0:06:24 | 0:06:26 | |
Who would've thought Mama and Papa would have had such handsome children? | 0:06:26 | 0:06:30 | |
Mother, did you hear that? | 0:06:30 | 0:06:32 | |
Now attention. | 0:06:32 | 0:06:34 | |
Ensign Count Nicholas Rostov, | 0:06:34 | 0:06:36 | |
I decorate you with the order of... | 0:06:36 | 0:06:38 | |
absolutely everything. | 0:06:38 | 0:06:41 | |
LAUGHTER | 0:06:41 | 0:06:42 | |
I don't think you ought to laugh at her | 0:06:42 | 0:06:44 | |
when she makes jokes about the army. | 0:06:44 | 0:06:46 | |
Oh, well, Petya, women... you have to humour them a little. | 0:06:46 | 0:06:50 | |
You do look shiny, Nicholas. If only I was old enough. | 0:06:50 | 0:06:53 | |
-That'll come, Petya. -Not in time. | 0:06:53 | 0:06:56 | |
By the time I'm old enough, there won't be a Frenchman left to be killed. | 0:06:56 | 0:06:59 | |
Don't worry, Petya! There will always be plenty of Frenchmen. | 0:06:59 | 0:07:02 | |
Good luck. | 0:07:02 | 0:07:04 | |
With your views on war, that's very civil of you. | 0:07:04 | 0:07:06 | |
But seriously, Pierre, why don't you take a commission? | 0:07:06 | 0:07:09 | |
It's so easy for men. | 0:07:09 | 0:07:10 | |
All you have to do is decide to do something. Then do it. | 0:07:10 | 0:07:13 | |
If you were a man what would you decide to do? | 0:07:13 | 0:07:16 | |
I'd decide to become enormously powerful. | 0:07:16 | 0:07:19 | |
I'd become the czar's most trusted minister... | 0:07:19 | 0:07:21 | |
and he wouldn't dare make a move without consulting me. | 0:07:21 | 0:07:23 | |
And you would sit at my right hand and judge the nations. | 0:07:23 | 0:07:26 | |
Whenever anything was complicated or an injustice was being done, | 0:07:26 | 0:07:29 | |
the case would be laid before you and your word would be law. | 0:07:29 | 0:07:33 | |
Why me? | 0:07:33 | 0:07:34 | |
Because your heart is pure and you're good. | 0:07:35 | 0:07:37 | |
Well done, my dear. Well done. | 0:07:39 | 0:07:42 | |
On that note, I think I should leave. | 0:07:42 | 0:07:44 | |
What about if you did have that power, what would you do? | 0:07:44 | 0:07:48 | |
I? | 0:07:48 | 0:07:49 | |
I would hesitate. | 0:07:51 | 0:07:53 | |
Now I really must go. | 0:07:53 | 0:07:55 | |
Come again soon. | 0:07:55 | 0:07:57 | |
I'll walk you to the door, my Lord Hesitator. | 0:07:57 | 0:08:00 | |
-Goodbye, Pierre. -Come soon again. | 0:08:00 | 0:08:03 | |
You will come again soon, won't you? 01686 620725 ryan | 0:08:03 | 0:08:05 | |
Mama and Papa don't show it, | 0:08:05 | 0:08:06 | |
but they're going to be lonely when Nicholas is gone. | 0:08:06 | 0:08:09 | |
-And they do love seeing you. -Yes, of course I'll come. | 0:08:09 | 0:08:12 | |
I love this house and the whole family. | 0:08:12 | 0:08:14 | |
The whole family? That's not as simple as you think. | 0:08:14 | 0:08:16 | |
What do you mean by that? | 0:08:18 | 0:08:19 | |
Oh, there are currents and countercurrents. | 0:08:19 | 0:08:22 | |
Au revoir. | 0:08:26 | 0:08:27 | |
Now, where are you going? To Dolokhov's rooms? | 0:08:29 | 0:08:32 | |
As a matter of fact I am. How did you know? | 0:08:32 | 0:08:35 | |
I hear things, I hear things. | 0:08:35 | 0:08:38 | |
Go. Go to your night of disgusting and fascinating debauchery. | 0:08:40 | 0:08:44 | |
Au revoir. | 0:08:47 | 0:08:49 | |
FAST-PACED MUSIC | 0:09:01 | 0:09:03 | |
Careful. There's a bet on here. | 0:10:04 | 0:10:06 | |
Go on. Bring me a bottle of rum. | 0:10:06 | 0:10:08 | |
And you two, break this up. | 0:10:08 | 0:10:10 | |
Now, let's get this straight. | 0:10:10 | 0:10:13 | |
50 imperials against Prince Anatole Kuragin... | 0:10:13 | 0:10:16 | |
that I will drink a bottle of rum without taking it from my mouth. | 0:10:16 | 0:10:19 | |
Balancing on the outside ledge | 0:10:19 | 0:10:21 | |
and not touching the sides of the windows. | 0:10:21 | 0:10:25 | |
Want to make it 100, Anatole? | 0:10:25 | 0:10:27 | |
Fifty's enough for you to lose. | 0:10:27 | 0:10:29 | |
Here. Get down from there, you weaklings. | 0:10:29 | 0:10:31 | |
Calculus, come on. | 0:10:31 | 0:10:33 | |
-Come on. -You do it. | 0:10:33 | 0:10:35 | |
Hail Moscow! | 0:11:05 | 0:11:07 | |
Give me that. | 0:11:07 | 0:11:09 | |
Don't be crazy, Dolokhov. You'll be killed! | 0:11:09 | 0:11:12 | |
If you touch me again I will throw you down there. | 0:11:13 | 0:11:16 | |
And that goes for everyone of you here. | 0:11:16 | 0:11:19 | |
Play, play! What are we paying you for? | 0:11:19 | 0:11:22 | |
JOVIAL MUSIC | 0:11:23 | 0:11:25 | |
Now then, my friends. | 0:11:26 | 0:11:28 | |
Remember, without taking the bottle from your lips, huh? | 0:11:28 | 0:11:32 | |
CHEERING | 0:12:13 | 0:12:15 | |
50 imperials, Anatole. | 0:12:17 | 0:12:20 | |
And it's double for anyone else who will do it. | 0:12:20 | 0:12:24 | |
I'll do it for nothing... without a bet. | 0:12:24 | 0:12:26 | |
LAUGHTER | 0:12:26 | 0:12:28 | |
You get dizzy walking up a flight of steps. | 0:12:32 | 0:12:34 | |
Get out of my way. | 0:12:34 | 0:12:35 | |
Give me a bottle. | 0:12:42 | 0:12:44 | |
-Get down from there. -Can't take the bottle from your mouth... | 0:12:53 | 0:12:56 | |
-Get down from there, Pierre. -No, let him do it. | 0:12:56 | 0:12:59 | |
Your father's calling for you. | 0:13:01 | 0:13:03 | |
(SLURRED) Excuse me, gentlemen. | 0:13:05 | 0:13:07 | |
I suggest a little cold water first. | 0:13:09 | 0:13:11 | |
I'll wait for you. | 0:13:12 | 0:13:15 | |
Prince Andre. | 0:13:15 | 0:13:16 | |
Is the old boy really dying this time? | 0:13:16 | 0:13:19 | |
The doctors are fairly certain Count Bezukhov won't last the night. | 0:13:19 | 0:13:22 | |
Are my father and sister there? | 0:13:24 | 0:13:26 | |
Your father was there and the Princess Helene was expected. | 0:13:26 | 0:13:29 | |
That's good. I don't have to go. The family's well represented. | 0:13:29 | 0:13:33 | |
Careful, careful. | 0:13:40 | 0:13:41 | |
-You disapprove of me? -Well... | 0:13:43 | 0:13:45 | |
Of course you do. | 0:13:45 | 0:13:46 | |
You'd be wrong if you didn't. | 0:13:46 | 0:13:48 | |
Arriving at the deathbed of my father bleary-eyed... | 0:13:48 | 0:13:51 | |
stinking of alcohol. | 0:13:51 | 0:13:54 | |
He disapproves, too, my father. | 0:13:54 | 0:13:57 | |
Well, that's fair enough. | 0:13:57 | 0:13:58 | |
I disapprove of many things about him. | 0:13:58 | 0:14:02 | |
Chiefly, I disapprove of the fact that he didn't marry my mother. | 0:14:02 | 0:14:07 | |
Perhaps if I was legitimate... | 0:14:07 | 0:14:09 | |
I have sinned, Lord, but I have several excellent excuses. | 0:14:10 | 0:14:14 | |
With all that, Andre, you still disapprove? | 0:14:15 | 0:14:19 | |
You're not being worthy of yourself, Pierre. | 0:14:19 | 0:14:21 | |
You're not living up to the best things in yourself. | 0:14:21 | 0:14:24 | |
You must be somebody. | 0:14:24 | 0:14:26 | |
That's where the puzzle begins. Be somebody. Be what? | 0:14:26 | 0:14:29 | |
Who am I? Am I the next Count Bezukhov... | 0:14:29 | 0:14:32 | |
Lord of vast estates and the fixed positions... | 0:14:32 | 0:14:35 | |
fixed responsibilities? | 0:14:35 | 0:14:38 | |
Not quite. | 0:14:38 | 0:14:40 | |
My father cannot quite acknowledge that I am his son... | 0:14:40 | 0:14:43 | |
but he cannot quite acknowledge that I am not his son. | 0:14:43 | 0:14:47 | |
That makes everybody uncomfortable, including myself. | 0:14:47 | 0:14:50 | |
Well, you must aim at something, find a beginning. | 0:14:50 | 0:14:53 | |
Oh, you're right. Don't think I don't agree with you. | 0:14:53 | 0:14:56 | |
Each morning I wake up, I'm disgusted with myself... | 0:14:56 | 0:14:59 | |
with what I did the night before. | 0:14:59 | 0:15:02 | |
I tell myself today... a change. | 0:15:02 | 0:15:06 | |
If my headache is bad enough, I say... | 0:15:06 | 0:15:07 | |
"Pierre, today you must take steps to become a saint." | 0:15:07 | 0:15:11 | |
I say, I'll drop in at the club and watch the card playing. | 0:15:13 | 0:15:16 | |
Just order a glass of water... | 0:15:16 | 0:15:18 | |
to prove to myself how marvelously I resist temptation. | 0:15:18 | 0:15:23 | |
Then someone comes along and says... | 0:15:23 | 0:15:25 | |
"Just one vodka, Pierre." | 0:15:25 | 0:15:28 | |
Next morning my headache is worse, my pockets are emptier. | 0:15:28 | 0:15:31 | |
There must be something you want to do. | 0:15:31 | 0:15:34 | |
Of course. I want to discover. | 0:15:34 | 0:15:36 | |
-Discover what? -Everything. | 0:15:36 | 0:15:38 | |
I want to discover why I know what's right and still do what's wrong. | 0:15:38 | 0:15:42 | |
I want to discover what happiness is... | 0:15:43 | 0:15:46 | |
and what value there is in suffering. | 0:15:46 | 0:15:48 | |
I want to discover why men go to war... | 0:15:48 | 0:15:51 | |
and what they really say... | 0:15:51 | 0:15:54 | |
deep in their hearts when they pray to God. | 0:15:54 | 0:15:56 | |
I want to discover what it is that men and women feel when they say they love. | 0:15:57 | 0:16:01 | |
You see, there's enough to keep me busy. | 0:16:03 | 0:16:05 | |
It's hard for you to understand someone like me. | 0:16:08 | 0:16:11 | |
Everything is so clear for you. | 0:16:11 | 0:16:13 | |
You always know exactly what you must do and you do it. | 0:16:13 | 0:16:16 | |
-Exactly. -You're different from me. | 0:16:16 | 0:16:18 | |
You study, you become enlightened. | 0:16:18 | 0:16:20 | |
I study, I become confused. | 0:16:20 | 0:16:24 | |
You love, you marry. You believe, you act. | 0:16:24 | 0:16:27 | |
There's a war, you serve. | 0:16:27 | 0:16:28 | |
How wonderful it would be if I really answered to your description. | 0:16:28 | 0:16:31 | |
-You do, I tell you. -Shall I show you how wrong you are? | 0:16:31 | 0:16:35 | |
I know you. I'm not wrong. | 0:16:35 | 0:16:37 | |
Do you know why I'm going to the war? | 0:16:37 | 0:16:39 | |
You think it's because I think that Napoleon is a monster? | 0:16:39 | 0:16:42 | |
You think I believe that we have any business fighting Austria's battles | 0:16:42 | 0:16:45 | |
2,000 miles from home? | 0:16:45 | 0:16:47 | |
You think that I think Russia will be a greater nation | 0:16:47 | 0:16:49 | |
when this war is over? | 0:16:49 | 0:16:50 | |
Then why are you going? | 0:16:50 | 0:16:52 | |
Because I'm married to one of the most loving and honorable | 0:16:52 | 0:16:54 | |
and attractive women in Moscow... | 0:16:54 | 0:16:57 | |
and I can't stand it. | 0:16:57 | 0:16:59 | |
Never, never marry, Pierre. | 0:17:00 | 0:17:02 | |
Or if you must marry, marry when you're old and good for nothing. | 0:17:02 | 0:17:05 | |
Or else everything that is fine and noble in you will be lost. | 0:17:05 | 0:17:08 | |
You'll waste yourself on trifles. | 0:17:08 | 0:17:11 | |
Yes, yes, don't look at me like that. | 0:17:11 | 0:17:14 | |
You talk of Bonaparte and his career. | 0:17:14 | 0:17:17 | |
If Bonaparte had married when he was young | 0:17:17 | 0:17:19 | |
he'd still be a half-pay captain in Marseilles | 0:17:19 | 0:17:21 | |
going to dinner parties and carrying his wife's handbag | 0:17:21 | 0:17:24 | |
and inviting idiots to his house because his wife | 0:17:24 | 0:17:26 | |
wanted to be invited to their houses. | 0:17:26 | 0:17:28 | |
Prince Andre. | 0:18:29 | 0:18:31 | |
Princess Helene. | 0:18:31 | 0:18:33 | |
Didn't you tell my brother that he was expected here? | 0:18:33 | 0:18:35 | |
-I did. -Isn't he coming? | 0:18:35 | 0:18:37 | |
I believe not. | 0:18:37 | 0:18:39 | |
Thank you. | 0:18:40 | 0:18:42 | |
How is he, Prince Vasili? | 0:18:56 | 0:18:59 | |
His confessor is with him. | 0:18:59 | 0:19:01 | |
They are giving him extreme unction. | 0:19:01 | 0:19:03 | |
He was asking for you. | 0:19:05 | 0:19:06 | |
I hope you are in a proper condition to see him at this time. | 0:19:07 | 0:19:11 | |
Follow me. | 0:19:13 | 0:19:15 | |
Go ahead. I'll wait for you here. | 0:19:15 | 0:19:18 | |
CHANTING | 0:19:18 | 0:19:20 | |
If you please, Monsieur Pierre. | 0:20:11 | 0:20:14 | |
He wishes you to kiss him goodbye. | 0:20:15 | 0:20:18 | |
This is for you. | 0:20:46 | 0:20:48 | |
Now he would like to sleep. | 0:20:56 | 0:20:58 | |
So late. Finally at the end he loved me. | 0:21:25 | 0:21:28 | |
So late. | 0:21:28 | 0:21:29 | |
He gave me this. | 0:21:30 | 0:21:32 | |
This letter is for the czar, | 0:21:37 | 0:21:40 | |
and this one for you, Pierre. | 0:21:40 | 0:21:42 | |
Open it. | 0:21:42 | 0:21:44 | |
Your father wishes you to know that in the letter to the czar | 0:21:53 | 0:21:56 | |
he begs that you be legitimately acknowledged as his son | 0:21:56 | 0:22:00 | |
and the next Count Bezukhov, | 0:22:00 | 0:22:02 | |
the sole heir to all his estates. | 0:22:02 | 0:22:05 | |
Be worthy, my boy. | 0:22:15 | 0:22:18 | |
Be worthy of your great father. | 0:22:18 | 0:22:21 | |
How often we sin, | 0:22:21 | 0:22:23 | |
how much we deceive, and for what? | 0:22:23 | 0:22:25 | |
All ends in death. | 0:22:25 | 0:22:28 | |
Kiss your cousin,Helene. | 0:22:28 | 0:22:30 | |
He has been reborn. Embrace him. | 0:22:30 | 0:22:33 | |
Wish him well. | 0:22:33 | 0:22:35 | |
It's a good thing we're going back to Moscow. | 0:22:59 | 0:23:02 | |
After three weeks in the country I can hardly keep my eyes open. | 0:23:02 | 0:23:06 | |
Still, it was a profitable trip, wasn't it, Pierre? | 0:23:06 | 0:23:11 | |
Very profitable. | 0:23:13 | 0:23:15 | |
I'll see how long we have to wait. It shouldn't be too long. | 0:23:39 | 0:23:42 | |
There's no hurry. It'll give Papa a few extra winks of sleep. | 0:23:42 | 0:23:45 | |
Andre! | 0:23:51 | 0:23:52 | |
Pierre! | 0:23:54 | 0:23:55 | |
-Where are you going, to your father's? -Yes. | 0:23:59 | 0:24:01 | |
What have you been up to? Tell me all the news. Are you alone? | 0:24:01 | 0:24:04 | |
No. Prince Vasili is with me and his daughter too. | 0:24:04 | 0:24:08 | |
We've made a tour of inspection of my estates. | 0:24:08 | 0:24:11 | |
I've never been there before. It's huge. So backward. | 0:24:11 | 0:24:15 | |
And now that I'm Count Bezukhov, I feel I must do something about it. | 0:24:15 | 0:24:18 | |
I see. That's why you went with Prince Vasili and Helene. | 0:24:18 | 0:24:21 | |
Well, Prince Vasili helps me with the administration. | 0:24:21 | 0:24:24 | |
Of course. | 0:24:24 | 0:24:25 | |
Come say hello to Lise. It will give her pleasure. | 0:24:25 | 0:24:27 | |
She's miserable at the idea of being stuck away in the country. | 0:24:27 | 0:24:30 | |
Helene is different. She loves the country. | 0:24:30 | 0:24:32 | |
-It was her idea to come along. -I'm sure. | 0:24:32 | 0:24:35 | |
-Children, go away. -How long do you expect to stay here? | 0:24:36 | 0:24:40 | |
Forever. Months and months and months. | 0:24:40 | 0:24:43 | |
Until after the baby's born. | 0:24:43 | 0:24:45 | |
No, thank you. | 0:24:45 | 0:24:47 | |
You know Andre's leaving tomorrow? | 0:24:47 | 0:24:49 | |
He thought it would be better for me to be here with his father and sister | 0:24:49 | 0:24:52 | |
than alone in Moscow. | 0:24:52 | 0:24:54 | |
And how do you feel about it? | 0:24:54 | 0:24:56 | |
I dread it. | 0:24:56 | 0:24:58 | |
And even so, you consented to bury yourself down here? | 0:24:58 | 0:25:01 | |
Andre wants me to. What else is there to do? | 0:25:01 | 0:25:04 | |
I assure you, if it were I, I would find something else to do. | 0:25:04 | 0:25:07 | |
I suppose so, but we're very different, you and I. | 0:25:07 | 0:25:11 | |
Yes, indeed we are. | 0:25:11 | 0:25:12 | |
-Have you asked her to marry you yet? -No. | 0:25:12 | 0:25:15 | |
Are you going to? | 0:25:16 | 0:25:18 | |
I don't know yet. | 0:25:19 | 0:25:21 | |
-Do you want some advice? -On any subject, Andre. | 0:25:22 | 0:25:25 | |
Not on this. | 0:25:25 | 0:25:27 | |
All right. | 0:25:28 | 0:25:29 | |
Andre! | 0:25:38 | 0:25:40 | |
We thought you would never come. | 0:25:46 | 0:25:48 | |
-Oh, Lise, you look so beautiful. -You too, Mary. | 0:25:48 | 0:25:51 | |
No, I'm just a little country mouse. | 0:25:51 | 0:25:54 | |
Andre, it isn't true what you wrote in your letter... | 0:25:54 | 0:25:57 | |
that you're only staying overnight? | 0:25:57 | 0:25:59 | |
-I'm afraid it is. -Lise, talk to him. | 0:25:59 | 0:26:03 | |
-Make him stay. -I've tried. | 0:26:03 | 0:26:05 | |
Mary, Lise's very tired. I think she'd better get some rest. | 0:26:05 | 0:26:08 | |
-Yes? -Excellency, your father heard you. | 0:26:08 | 0:26:11 | |
He would like you to present yourself immediately. | 0:26:11 | 0:26:13 | |
Thank you. No, you'd better go upstairs, Lise. | 0:26:13 | 0:26:16 | |
You'll see him at dinner. | 0:26:16 | 0:26:18 | |
Come. | 0:26:18 | 0:26:19 | |
Here is the warrior. | 0:26:26 | 0:26:28 | |
Here's the Bolkonsky who's going to beat Napoleon. | 0:26:28 | 0:26:31 | |
How are you, my boy? How are you? | 0:26:33 | 0:26:35 | |
I'm well, Father. How is your health? | 0:26:36 | 0:26:39 | |
Oh, the same, boy. The same. Only fools fall ill. | 0:26:39 | 0:26:43 | |
You know me, busy from morning till night. | 0:26:43 | 0:26:46 | |
Little to eat, less to drink. So of course I'm well. | 0:26:46 | 0:26:49 | |
Thank God. | 0:26:49 | 0:26:50 | |
God has nothing to do with it. | 0:26:50 | 0:26:52 | |
Just a moment, Andre, please. | 0:27:01 | 0:27:03 | |
-Don't refuse. -What is it? | 0:27:03 | 0:27:04 | |
Father's father used to take it along with him...in all his wars. | 0:27:07 | 0:27:12 | |
If it's not too heavy and won't break my neck. | 0:27:12 | 0:27:14 | |
Andre, promise that you'll never take it off. | 0:27:14 | 0:27:19 | |
-Promise? -Yes. | 0:27:19 | 0:27:22 | |
Kiss me here. | 0:27:27 | 0:27:28 | |
Thank you, my boy. Thank you. | 0:27:37 | 0:27:40 | |
Why do you thank me, Father? | 0:27:40 | 0:27:42 | |
For doing your duty. | 0:27:42 | 0:27:44 | |
For not allowing yourself to be tied to a woman's apron strings. | 0:27:44 | 0:27:48 | |
The army before everything. Thank you. Thank you. | 0:27:49 | 0:27:52 | |
About my wife, Father. | 0:27:56 | 0:27:58 | |
Your wife? | 0:27:58 | 0:28:00 | |
Well, go on, speak. | 0:28:00 | 0:28:01 | |
When her confinement is due, send to Moscow for a doctor. | 0:28:01 | 0:28:05 | |
A doctor? | 0:28:05 | 0:28:06 | |
I know that if nature won't do its work, no-one can. | 0:28:06 | 0:28:08 | |
But they've been telling her things and... | 0:28:08 | 0:28:11 | |
she's had a dream. | 0:28:11 | 0:28:12 | |
She's frightened. | 0:28:12 | 0:28:15 | |
All right, all right. | 0:28:15 | 0:28:16 | |
Give this to Michael Kutuzov. | 0:28:17 | 0:28:19 | |
We were at school together. | 0:28:20 | 0:28:23 | |
He wasn't exactly a bright lad, but never mind. | 0:28:23 | 0:28:25 | |
I've written to him to tell him to keep you away from headquarters. | 0:28:27 | 0:28:30 | |
They're bad places. | 0:28:30 | 0:28:32 | |
Tell him I remember him and I admire him. | 0:28:34 | 0:28:37 | |
Now goodbye. | 0:28:37 | 0:28:39 | |
Remember this, Prince Andre. | 0:28:45 | 0:28:47 | |
If they kill you, it will hurt me, your old father. | 0:28:48 | 0:28:50 | |
But if I hear that you've not behaved like a son of Nicholas Bolkonsky... | 0:28:52 | 0:28:55 | |
it will be worse. | 0:28:55 | 0:28:57 | |
I shall be shamed. | 0:28:57 | 0:29:00 | |
You needn't have said that to me, Father. | 0:29:00 | 0:29:03 | |
L... | 0:29:03 | 0:29:05 | |
I also wanted to ask you... | 0:29:05 | 0:29:08 | |
if I am killed and I have a son... | 0:29:08 | 0:29:10 | |
..don't let him be taken away from you. | 0:29:11 | 0:29:14 | |
Let him grow up...here... | 0:29:15 | 0:29:17 | |
..with you, please. | 0:29:18 | 0:29:20 | |
Well, what are you waiting for? We've said goodbye. Go, go. | 0:29:25 | 0:29:29 | |
You're leaving already. Don't go. Don't leave me here. | 0:29:39 | 0:29:43 | |
I won't be able to stand it. I'll be so lonely. | 0:29:43 | 0:29:45 | |
I leave you in my family's house, with my father, with Mary. | 0:29:45 | 0:29:48 | |
Stay until tomorrow. Stay another day, please, I beg you. | 0:29:48 | 0:29:51 | |
I can't, Lise. You know that. | 0:29:51 | 0:29:53 | |
You're delighted to go. You're delighted to get rid of me. | 0:29:54 | 0:29:57 | |
Goodbye, Mary. | 0:30:14 | 0:30:16 | |
Ketya, go and get some smelling salts. | 0:30:21 | 0:30:23 | |
Would you please tell your horse to stop shaking his head? | 0:30:32 | 0:30:35 | |
I'll never get it this way. | 0:30:35 | 0:30:37 | |
You heard the lady. Stop shaking your head. | 0:30:37 | 0:30:41 | |
You see, animals are much more reasonable than people. | 0:30:42 | 0:30:46 | |
Mademoiselle, I wonder if I might offer you a million rubles... | 0:30:52 | 0:30:55 | |
to paint my portrait. | 0:30:55 | 0:30:58 | |
Pierre! | 0:30:58 | 0:30:59 | |
On one condition. You must make me look at least as good as the horse. | 0:30:59 | 0:31:03 | |
It's not fair to look at it before it's finished. | 0:31:04 | 0:31:08 | |
Very unpromising, isn't it? | 0:31:08 | 0:31:09 | |
Yes, it is. | 0:31:09 | 0:31:11 | |
You needn't be in such a hurry to agree. | 0:31:11 | 0:31:14 | |
Anyways, it's not meant to be a work of art. | 0:31:14 | 0:31:17 | |
Papa bought the colt to give to Nicholas | 0:31:17 | 0:31:19 | |
when he comes back from the war. | 0:31:19 | 0:31:21 | |
And I'm going to send him the picture to show him what it's like. | 0:31:21 | 0:31:23 | |
Have you finished? | 0:31:23 | 0:31:25 | |
For the moment. | 0:31:25 | 0:31:27 | |
Charge! Come on! Hurry! Come on! | 0:31:30 | 0:31:33 | |
HORSE NEIGHS | 0:31:33 | 0:31:35 | |
Yahoo! Come on! | 0:31:35 | 0:31:37 | |
-Have you heard from Nicholas? -Mama and Papa received a letter. | 0:31:40 | 0:31:43 | |
He hasn't written me or Sonya. | 0:31:43 | 0:31:45 | |
Men forget about women immediately when they go to war, don't they? | 0:31:45 | 0:31:48 | |
Men don't. Boys do. | 0:31:48 | 0:31:49 | |
Nicholas would be furious if he heard you call him a boy. | 0:31:49 | 0:31:52 | |
He'd probably challenge you to a duel. | 0:31:52 | 0:31:54 | |
That's better a reason than most for fighting a duel. | 0:31:54 | 0:31:56 | |
Actually, the only reason he wrote was that he wanted some more money. | 0:31:56 | 0:31:59 | |
He keeps lending money to his captain | 0:31:59 | 0:32:02 | |
who keeps losing it at cards. | 0:32:02 | 0:32:03 | |
The captain sounds a lot like Papa. | 0:32:03 | 0:32:06 | |
His name's Denisov. | 0:32:06 | 0:32:07 | |
And Nicholas says he's got moustaches out to here, | 0:32:07 | 0:32:10 | |
he lisps and he's the bravest man in the world. | 0:32:10 | 0:32:13 | |
Nicholas says he's having a perfectly glorious time | 0:32:13 | 0:32:15 | |
and we're bound to win the war soon. | 0:32:15 | 0:32:18 | |
He's beginning to feel quite sorry for Napoleon. | 0:32:18 | 0:32:20 | |
Charge! Kill 'em! | 0:32:20 | 0:32:23 | |
Come on, men! | 0:32:23 | 0:32:25 | |
Take that! | 0:32:25 | 0:32:27 | |
Come on! | 0:32:27 | 0:32:28 | |
There's no doubt about it. Wars must be very amusing. | 0:32:31 | 0:32:34 | |
-I must put it on my list. -What list? | 0:32:34 | 0:32:37 | |
I'm making a list of the greatest pleasures human beings | 0:32:37 | 0:32:39 | |
are capable of in the order of their importance. | 0:32:39 | 0:32:42 | |
I neglected war. | 0:32:42 | 0:32:43 | |
What are the other pleasures in the order of their importance? | 0:32:43 | 0:32:46 | |
The opera, eternal friendship, summertime, | 0:32:46 | 0:32:48 | |
dancing the mazurka, moving to the country in the springtime, | 0:32:48 | 0:32:51 | |
and welcoming soldiers home from the war. | 0:32:51 | 0:32:53 | |
-Have you any suggestions? -Well, let me think. | 0:32:53 | 0:32:56 | |
To be able to believe in God, | 0:32:56 | 0:32:59 | |
to cause happiness, to love. | 0:32:59 | 0:33:02 | |
Love? Look at Sonya. She's in love with Nicholas | 0:33:02 | 0:33:04 | |
and she cries every day between 8:00 and 9:00 in the morning, | 0:33:04 | 0:33:07 | |
a full hour. | 0:33:07 | 0:33:08 | |
Don't you ever intend to fall in love? | 0:33:08 | 0:33:10 | |
Ten or 11 times. Only for recreation. | 0:33:10 | 0:33:12 | |
I'll keep changing partners like a dance. | 0:33:12 | 0:33:15 | |
When I finally say I love you to a man and really mean it, | 0:33:16 | 0:33:19 | |
it'll be like a defeated general who's lost all his troops, | 0:33:19 | 0:33:22 | |
surrendering and handing his sword to his enemy. | 0:33:22 | 0:33:25 | |
You'll change. | 0:33:25 | 0:33:27 | |
The hideous thing about being young | 0:33:27 | 0:33:28 | |
is everybody is always telling you you'll change. | 0:33:28 | 0:33:32 | |
Are you dining with us tonight? | 0:33:34 | 0:33:36 | |
I'm afraid I can't. I have a previous engagement. | 0:33:36 | 0:33:39 | |
Oh? With whom? | 0:33:39 | 0:33:41 | |
My cousin, Princess Helene. | 0:33:42 | 0:33:44 | |
I'd like to be like her when I grow up. | 0:33:46 | 0:33:49 | |
Of course I'll have to fill out around here. | 0:33:51 | 0:33:53 | |
Tall, proud, beautiful, cold and untouchable... | 0:33:53 | 0:33:57 | |
with regiments of men dropping at my feet. | 0:33:57 | 0:34:00 | |
I'm going to marry her, Natasha. | 0:34:02 | 0:34:04 | |
Gently, gently. | 0:34:06 | 0:34:08 | |
Who's surrendering his sword, you or she? | 0:34:10 | 0:34:12 | |
Be happy, dearest Pierre. | 0:34:17 | 0:34:19 | |
I order you to be supremely happy. | 0:34:24 | 0:34:27 | |
I'll be leaving again directly. Wait. | 0:34:48 | 0:34:50 | |
I have a message for General Kutuzov and I must deliver it immediately. | 0:35:00 | 0:35:04 | |
There's the general's aide. You talk to him, Ensign. | 0:35:05 | 0:35:08 | |
Sir. I've just come from the picket lines. | 0:35:10 | 0:35:13 | |
I have a message and it must be delivered immediately to the commander. | 0:35:13 | 0:35:16 | |
His Excellency is in the middle of a council of war. | 0:35:16 | 0:35:18 | |
-Give it to me. I'll deliver it. -A verbal message. | 0:35:18 | 0:35:21 | |
Deliver it to me now. | 0:35:21 | 0:35:23 | |
My squadron is on picket duty. | 0:35:24 | 0:35:26 | |
This evening we saw the French put out their fires | 0:35:26 | 0:35:28 | |
and we heard sounds in their camp. | 0:35:28 | 0:35:30 | |
-The enemy's on the move, sir. -Is that all? | 0:35:30 | 0:35:32 | |
Is that all? | 0:35:34 | 0:35:35 | |
I would say that you have seen no action yet, am I right? | 0:35:37 | 0:35:40 | |
Good luck, my friend. | 0:35:45 | 0:35:48 | |
It is quite apparent that the enemy has regrouped his position. | 0:35:48 | 0:35:51 | |
Surely now, Your Excellency should take into consideration | 0:35:51 | 0:35:55 | |
the fact that we must change the orders for tomorrow. | 0:35:55 | 0:35:57 | |
Or rather for today | 0:35:57 | 0:35:59 | |
for it is past midnight. | 0:35:59 | 0:36:01 | |
Gentlemen. | 0:36:02 | 0:36:04 | |
Gentlemen... | 0:36:07 | 0:36:09 | |
..the orders for tomorrow... | 0:36:10 | 0:36:12 | |
cannot now be ordered. | 0:36:12 | 0:36:14 | |
You've heard them... | 0:36:16 | 0:36:19 | |
and we shall all do our duty. | 0:36:19 | 0:36:21 | |
But before the battle... | 0:36:23 | 0:36:25 | |
there is nothing more important... | 0:36:25 | 0:36:27 | |
..than to have a good sleep. | 0:36:29 | 0:36:31 | |
Good night. | 0:36:34 | 0:36:36 | |
-Good night, sir. -Good night. | 0:36:36 | 0:36:38 | |
But, sir... | 0:36:52 | 0:36:54 | |
..if the French are that far south of Austerlitz... | 0:36:55 | 0:36:57 | |
Plans. | 0:36:57 | 0:36:59 | |
Tomorrow after the battle | 0:37:00 | 0:37:02 | |
they will all have 100 reasons why the plans didn't work. | 0:37:02 | 0:37:05 | |
They'll blame everything but themselves. | 0:37:05 | 0:37:08 | |
How do you think it will go tomorrow? | 0:37:08 | 0:37:10 | |
I think the battle will be lost. | 0:37:14 | 0:37:15 | |
We shall not have lost the war, Andre... | 0:37:21 | 0:37:23 | |
because of this one battle. | 0:37:23 | 0:37:26 | |
There will be peace... | 0:37:26 | 0:37:28 | |
..and then a new war. | 0:37:30 | 0:37:32 | |
Men like Napoleon can never stop | 0:37:32 | 0:37:35 | |
until their own ambition destroys them. | 0:37:35 | 0:37:37 | |
The only important battle is the last. | 0:37:40 | 0:37:43 | |
Good night. | 0:37:44 | 0:37:45 | |
SHOOTING | 0:37:47 | 0:37:49 | |
Fire! | 0:37:52 | 0:37:53 | |
Sir, it looks as if the French have broken our flank. | 0:38:02 | 0:38:05 | |
Captain, the hussars must charge. | 0:38:09 | 0:38:12 | |
-You're wounded. -Wound's not here. There's my wound! | 0:39:03 | 0:39:06 | |
Stop them! | 0:39:09 | 0:39:11 | |
Stop those cowards! | 0:39:12 | 0:39:14 | |
Forward! Forward! | 0:39:22 | 0:39:25 | |
Forward! | 0:39:27 | 0:39:29 | |
Forwards, lads. Forward! | 0:39:29 | 0:39:31 | |
That... is a fine death. | 0:39:59 | 0:40:01 | |
He's alive. | 0:40:03 | 0:40:05 | |
Have this man attended to and take him | 0:40:06 | 0:40:08 | |
to my bivouac like all the others. | 0:40:08 | 0:40:10 | |
Let my doctor examine his wounds. | 0:40:10 | 0:40:13 | |
It's so early in the morning, Pierre. | 0:40:44 | 0:40:46 | |
-It's 11:00. -It's so early. | 0:40:46 | 0:40:49 | |
Since we decided to go to the country in a week, | 0:40:49 | 0:40:51 | |
we have a lot of shopping to do. | 0:40:51 | 0:40:53 | |
Oh, Pierre, I'm so tired. | 0:40:53 | 0:40:55 | |
It's all right. I'll go this morning and come back early. | 0:40:55 | 0:40:58 | |
KNOCK ON DOOR | 0:40:58 | 0:40:59 | |
-The morning papers, sir. -Thank you. | 0:41:03 | 0:41:05 | |
Anything amusing in the Gazette? | 0:41:13 | 0:41:15 | |
It's not very amusing. We've lost again. | 0:41:15 | 0:41:18 | |
An armistice is going to be discussed. | 0:41:19 | 0:41:21 | |
Prisoners wounded on both sides will be immediately returned. | 0:41:22 | 0:41:26 | |
In a word... we're suing for peace. | 0:41:26 | 0:41:30 | |
You sound bitter. | 0:41:30 | 0:41:31 | |
Maybe I am. | 0:41:32 | 0:41:34 | |
What difference does it make if a piece of Poland changes hand, | 0:41:34 | 0:41:37 | |
a new prince is established in Austria? | 0:41:37 | 0:41:40 | |
Oh, it's so boring to worry about things like that. | 0:41:40 | 0:41:43 | |
So, no more war. | 0:41:43 | 0:41:46 | |
-For the time being. -For the time being. | 0:41:46 | 0:41:49 | |
-Then the armies will be coming back. -Yes, I suppose so. | 0:41:50 | 0:41:53 | |
Moscow will be very gay and exciting. | 0:41:53 | 0:41:56 | |
Pierre, why don't we stay here and not go to the country? | 0:41:56 | 0:42:00 | |
Not this year, at least. It'll be such a gay season. | 0:42:00 | 0:42:04 | |
I'm not particularly interested in a gay season. | 0:42:04 | 0:42:06 | |
Besides, I have so much work to do down there - | 0:42:06 | 0:42:08 | |
the hospital, the school. | 0:42:08 | 0:42:10 | |
They will die just as well without you in the hospital. | 0:42:10 | 0:42:12 | |
And they'll learn just as many idiotic things without you | 0:42:12 | 0:42:15 | |
-in the schools. -I promised those people. I can't disappoint them. | 0:42:15 | 0:42:18 | |
Well, I never liked the idea. | 0:42:18 | 0:42:20 | |
Pierre, come here. | 0:42:21 | 0:42:24 | |
Listen. You know what we can do? | 0:42:25 | 0:42:28 | |
You go to the country all by yourself. | 0:42:28 | 0:42:31 | |
Do there what you have to do. Get the house ready and so on. | 0:42:31 | 0:42:35 | |
Then I'll join you in the spring, huh? | 0:42:35 | 0:42:38 | |
The country's so dreary in the winter. | 0:42:38 | 0:42:40 | |
Please don't force it on me, Pierre. | 0:42:41 | 0:42:44 | |
If you must stay, stay, but I'll be lost without you there, Helene. | 0:42:44 | 0:42:48 | |
Nonsense. | 0:42:48 | 0:42:49 | |
It will be good for the both of us. | 0:42:49 | 0:42:52 | |
And you will appreciate me so much more when you haven't seen me for some time. | 0:42:52 | 0:42:56 | |
I couldn't appreciate you more, Helene. | 0:42:56 | 0:42:58 | |
If you only knew how many things I have to do. | 0:43:02 | 0:43:04 | |
There's a dozen dresses I have to have made | 0:43:04 | 0:43:07 | |
and lots of shoes and things. | 0:43:07 | 0:43:09 | |
Why are you looking at me like that? | 0:43:10 | 0:43:12 | |
Why? | 0:43:12 | 0:43:14 | |
What does it mean? | 0:43:17 | 0:43:18 | |
Nothing, my dear. | 0:43:19 | 0:43:21 | |
They lost. They were defeated. What are they cheering about? | 0:43:35 | 0:43:39 | |
Because they fought, because they're alive, | 0:43:39 | 0:43:41 | |
because they've come home. | 0:43:41 | 0:43:43 | |
Vaska, I hope nothing's happened. | 0:43:57 | 0:43:59 | |
Gracious heavens. The young count. | 0:43:59 | 0:44:02 | |
-Can it possibly be? -Prokofy. Is everything all right? | 0:44:03 | 0:44:06 | |
-The Lord be thanked, yes. -Good. | 0:44:06 | 0:44:09 | |
You're back! | 0:44:16 | 0:44:18 | |
It's you! | 0:44:18 | 0:44:19 | |
Oh, dear! | 0:44:19 | 0:44:20 | |
Papa! | 0:44:33 | 0:44:36 | |
Mama. | 0:44:49 | 0:44:50 | |
-And you must be... -Vasili Denisov, your son's friend. | 0:44:59 | 0:45:02 | |
I know. Nicholas wrote to us. | 0:45:02 | 0:45:05 | |
Darling. Welcome. | 0:45:05 | 0:45:07 | |
Welcome. | 0:45:09 | 0:45:11 | |
Isn't it wonderful? | 0:45:11 | 0:45:13 | |
Nicholas, you haven't said hello to Sonya yet. | 0:45:13 | 0:45:16 | |
What's the sense of coming home from a war | 0:45:19 | 0:45:21 | |
if that's all you're going to do? | 0:45:21 | 0:45:23 | |
-Good morning. -Good morning. | 0:45:36 | 0:45:37 | |
Gwishka, my pipe. | 0:45:37 | 0:45:39 | |
Rostov, wake up. | 0:45:40 | 0:45:42 | |
-Why? Is it late? -Late? It's 10:00. | 0:45:43 | 0:45:46 | |
-What? -Get up, Nicholas. | 0:45:46 | 0:45:48 | |
Directly. | 0:45:48 | 0:45:49 | |
Is this your sabre or yours? | 0:45:52 | 0:45:55 | |
Take that, you Frenchman! | 0:45:55 | 0:45:57 | |
-Here I come! -At last! | 0:45:58 | 0:46:01 | |
Why did you stay in bed so long? I've been waiting for you to get up. | 0:46:05 | 0:46:09 | |
You're quite a man, aren't you? | 0:46:10 | 0:46:12 | |
I'm awfully glad you're my brother. | 0:46:12 | 0:46:15 | |
I want to know what men are like. | 0:46:16 | 0:46:19 | |
Are you the same as all of them? | 0:46:19 | 0:46:21 | |
Sonya is so young. | 0:46:23 | 0:46:25 | |
You know, Sonya's my dearest friend. | 0:46:25 | 0:46:27 | |
If she loves someone, she does it for life. | 0:46:27 | 0:46:30 | |
And she loves you and me like that. | 0:46:30 | 0:46:32 | |
You remember before you went away? | 0:46:32 | 0:46:35 | |
Well, she told me to forget all that. | 0:46:35 | 0:46:37 | |
She said, "I will love him always, but let him be free." | 0:46:37 | 0:46:41 | |
Isn't that lovely and noble? | 0:46:41 | 0:46:43 | |
-Isn't it? -I'll never go back on my word. | 0:46:43 | 0:46:46 | |
We knew you'd say that, but you see, it won't do. | 0:46:46 | 0:46:49 | |
Because if you marry her just because you're bound by a promise... | 0:46:49 | 0:46:53 | |
it'll seem as if you're marrying her because you must. | 0:46:53 | 0:46:56 | |
It wouldn't be right, Nicholas. | 0:46:56 | 0:46:59 | |
We'll talk it over later. | 0:46:59 | 0:47:01 | |
Oh, I'm so glad I have you. | 0:47:01 | 0:47:04 | |
Tell me, are you still true to Pierre now that he's married? | 0:47:04 | 0:47:07 | |
Don't be silly. | 0:47:07 | 0:47:09 | |
-I'll be a dancer. -I'll never marry. What? | 0:47:09 | 0:47:12 | |
-But don't tell anyone. -Oh, no. | 0:47:12 | 0:47:14 | |
Go and get dressed and we'll have breakfast together. | 0:47:15 | 0:47:17 | |
Andre! | 0:47:28 | 0:47:29 | |
Did you get my letter? | 0:47:32 | 0:47:34 | |
-We met the doctor at the last relay. -She'll be relieved. | 0:47:34 | 0:47:36 | |
-Is he in time? -Let's hope so. We must pray for her. | 0:47:36 | 0:47:39 | |
-She's longed for you. -What a strange fate, Masha, darling. | 0:47:39 | 0:47:42 | |
My darling. God is merciful. | 0:48:02 | 0:48:04 | |
I love you. I love you all. | 0:48:04 | 0:48:08 | |
I've never done any harm to anyone. | 0:48:08 | 0:48:10 | |
Why must I suffer so? Andre, please help me. | 0:48:12 | 0:48:16 | |
My boy, you'll have to leave now. | 0:48:16 | 0:48:18 | |
There, there, my dear. | 0:48:24 | 0:48:26 | |
SCREAMING | 0:48:42 | 0:48:44 | |
Upon my word, Rostov, if I were to see 50 more operas, | 0:50:22 | 0:50:26 | |
I'd wager I might wind up liking them. | 0:50:26 | 0:50:29 | |
But I do like the intermissions. | 0:50:31 | 0:50:33 | |
I say, Rostov... | 0:50:36 | 0:50:38 | |
that one there. | 0:50:38 | 0:50:39 | |
-Yes? -She's superb. | 0:50:39 | 0:50:42 | |
But wait. Well. | 0:50:44 | 0:50:47 | |
-Where's the husband? -Pierre. | 0:50:47 | 0:50:49 | |
He spends most of his time in the country nowadays. | 0:50:50 | 0:50:53 | |
If I were the husband | 0:50:57 | 0:50:59 | |
I'd come up from the country...fast. | 0:50:59 | 0:51:02 | |
HE LAUGHS | 0:51:02 | 0:51:03 | |
So, listen. So we took the bear to the house of that actress | 0:51:44 | 0:51:48 | |
and when the police tried to arrest us, | 0:51:48 | 0:51:50 | |
we took the most insolent policeman | 0:51:50 | 0:51:52 | |
tied him on the back of the bear and shoved them both into the river. | 0:51:52 | 0:51:56 | |
What happened to him? | 0:51:56 | 0:51:58 | |
There they were, swimming, both of them, the man and the bear. | 0:51:58 | 0:52:01 | |
Hey, Hercules. Wake up. The party's still young. | 0:52:01 | 0:52:04 | |
Don't be rough with him. | 0:52:04 | 0:52:06 | |
-One should always be polite to the husbands of pretty women. -That's right. | 0:52:06 | 0:52:09 | |
Let's drink to the health of beautiful women everywhere. | 0:52:09 | 0:52:12 | |
Yes, to the health of lovely women. Huh, Pierre? | 0:52:12 | 0:52:15 | |
And to their lovers. | 0:52:17 | 0:52:19 | |
Look at this. It's a new song written about General Kutuzov. | 0:52:24 | 0:52:27 | |
-That interests me. -What are you doing? | 0:52:32 | 0:52:34 | |
I said that interests me. | 0:52:34 | 0:52:36 | |
Then allow me to express your regrets | 0:53:01 | 0:53:03 | |
and I'm sure your opponent will accept. | 0:53:03 | 0:53:05 | |
What is there to talk about? Is everything ready? | 0:53:05 | 0:53:07 | |
-No apologies. -First, tell me how to use this thing. | 0:53:07 | 0:53:11 | |
It's very simple. You cock it. There's the trigger. | 0:53:12 | 0:53:15 | |
Oh, yes. I know. I just forgot. | 0:53:15 | 0:53:17 | |
No apologies, none whatever. | 0:53:20 | 0:53:22 | |
On the count of three, begin to advance. | 0:53:29 | 0:53:33 | |
One... | 0:53:37 | 0:53:38 | |
two, three. | 0:53:38 | 0:53:40 | |
Get away from here! | 0:53:56 | 0:53:58 | |
It's not over. | 0:53:58 | 0:54:00 | |
To your barrier! Stay where you are! | 0:54:08 | 0:54:11 | |
Cover yourself, you fool! | 0:54:15 | 0:54:16 | |
Well, now, the hero. The dashing duelist. | 0:54:53 | 0:54:57 | |
My protector. Thank you so much for defending my honour. | 0:54:57 | 0:55:00 | |
You were told that Dolokhov was my lover and you believed it. | 0:55:00 | 0:55:03 | |
Well, what did you prove? | 0:55:03 | 0:55:05 | |
That you are a fool, but everybody knew that. | 0:55:05 | 0:55:08 | |
Now I will be the laughingstock of all Moscow. | 0:55:08 | 0:55:10 | |
Everyone will say that you were drunk, not knowing what you were doing. | 0:55:10 | 0:55:13 | |
Challenging a man that you were jealous of without cause. | 0:55:13 | 0:55:17 | |
A man that is a better man than you are in every way. | 0:55:17 | 0:55:21 | |
-We had better separate. -Separate? | 0:55:23 | 0:55:26 | |
That's a charming idea. It's a wonderful idea! | 0:55:26 | 0:55:30 | |
It's the best idea you've had in your whole life. | 0:55:30 | 0:55:34 | |
Good. By all means we'll separate, but you will pay for it. | 0:55:34 | 0:55:38 | |
You'll give me a fortune for it. | 0:55:38 | 0:55:39 | |
Get out! | 0:55:44 | 0:55:45 | |
The count is waiting for you upstairs, sir. | 0:55:53 | 0:55:56 | |
PIANO PLAYS | 0:55:56 | 0:55:58 | |
-What have you heard? -He'll recover. Dolokhov won't die. | 0:56:14 | 0:56:18 | |
Thank God. | 0:56:18 | 0:56:19 | |
It's only easier to kill good men. | 0:56:21 | 0:56:25 | |
Men like Dolokhov are only good for wars. | 0:56:25 | 0:56:28 | |
In between wars, they ought to be locked up in cages. | 0:56:28 | 0:56:31 | |
Here. | 0:56:31 | 0:56:33 | |
I'd like to leave Moscow. | 0:56:34 | 0:56:36 | |
I want to get away from these people who believe it's normal to kill, | 0:56:36 | 0:56:39 | |
who are scornful of a man if he doesn't kill. | 0:56:39 | 0:56:42 | |
At the banquet, when Dolokhov made the toast, | 0:56:44 | 0:56:47 | |
I looked across at him smiling at me. | 0:56:47 | 0:56:50 | |
I was convinced of the guilt of my wife. | 0:56:50 | 0:56:53 | |
Well, is that a reason to kill? | 0:56:53 | 0:56:55 | |
-Look, my dear fellow... -Helene was guilty, not Dolokhov. | 0:56:55 | 0:56:58 | |
In his place, I might have done the same thing. | 0:56:58 | 0:57:00 | |
Maybe it's even certain that I'd have done the same thing. | 0:57:00 | 0:57:03 | |
There we were in the snow facing each other with pistols. | 0:57:03 | 0:57:07 | |
You know who's the guilty one? I. Only I. | 0:57:09 | 0:57:11 | |
Pierre, don't be silly. | 0:57:11 | 0:57:14 | |
And you know why? Because I married her without loving her. | 0:57:14 | 0:57:18 | |
I wanted her. I had to have her, so I made myself blind. | 0:57:18 | 0:57:22 | |
I lied when I said to her, "I love you." | 0:57:22 | 0:57:26 | |
And because of that... | 0:57:26 | 0:57:28 | |
there's Dolokhov stretched in pain, alive only by the grace of God. | 0:57:28 | 0:57:32 | |
Because of my weakness, my lie. I'm guilty. I must suffer for it. | 0:57:32 | 0:57:37 | |
Pierre, you must stop thinking like this. | 0:57:37 | 0:57:39 | |
It'll become an obsession, and it's not like you. | 0:57:39 | 0:57:42 | |
Look, if you'll agree... | 0:57:43 | 0:57:46 | |
we'll all take a fine trip to our place in the country. | 0:57:46 | 0:57:48 | |
It'll do us all good, and Nicholas wants to show it to Denisov. | 0:57:48 | 0:57:52 | |
We'll start tonight, and you'll come with us, eh? | 0:57:52 | 0:57:54 | |
Of course you'll come with us. I'll go and tell the family. | 0:57:54 | 0:57:57 | |
Hurry! We'll start for the country tonight. | 0:58:02 | 0:58:06 | |
Why didn't you tell me Pierre was here? Will you go, Pierre? | 0:58:06 | 0:58:09 | |
We must start while the moon is still high. | 0:58:09 | 0:58:11 | |
Of course Pierre will go. | 0:58:11 | 0:58:13 | |
What has happened, Ilya? And what moon are you speaking of? | 0:58:13 | 0:58:16 | |
Is there more than one, my pet? | 0:58:16 | 0:58:20 | |
Oh, how long must we wait for Nicholas? | 0:58:20 | 0:58:22 | |
I'm so happy you made up your mind. | 0:58:22 | 0:58:24 | |
I was just saying, "One more day and the snow will be gone." | 0:58:24 | 0:58:26 | |
Thank you. | 0:58:26 | 0:58:28 | |
-Order the troikas. -Immediately, sir. | 0:58:30 | 0:58:33 | |
We're off! | 0:58:33 | 0:58:34 | |
Hurry up, Nicholas. You're delaying the trip to the country. | 0:58:34 | 0:58:38 | |
The country? | 0:58:38 | 0:58:39 | |
You said you wanted to go to the country to show Denisov. | 0:58:39 | 0:58:42 | |
-Come, hurry. -Come, Vaska. You'll like this. | 0:58:42 | 0:58:44 | |
I was just beginning to enjoy Moscow! | 0:58:44 | 0:58:46 | |
Faster, faster! | 0:58:51 | 0:58:54 | |
Faster, Nitka! | 0:58:54 | 0:58:55 | |
# As we ride in the troika you and I | 0:58:59 | 0:59:01 | |
# Stars are twinkling up in the sky | 0:59:01 | 0:59:04 | |
# Strains of sweet balalaika soft and low | 0:59:04 | 0:59:07 | |
# Sleigh bells twinkling across the snow. # | 0:59:07 | 0:59:11 | |
Whoa, careful! | 0:59:11 | 0:59:13 | |
Come on. It's your turn. | 0:59:30 | 0:59:31 | |
# Hold me close and kiss me, katiusha | 0:59:37 | 0:59:39 | |
# Let's be happy and gay, hey. # | 0:59:39 | 0:59:41 | |
Ever since Nicholas joined the army, he's become terribly efficient. | 1:00:30 | 1:00:33 | |
Hardly seems to be my own son. | 1:00:33 | 1:00:36 | |
-I quite agree with you. -Just a minute. | 1:00:36 | 1:00:39 | |
I believe that's my friend Prince Andre Bolkonsky. | 1:00:41 | 1:00:43 | |
-May I ask him to join us? -Yes, by all means. | 1:00:43 | 1:00:46 | |
Do ask him. | 1:00:46 | 1:00:48 | |
Come on, Natasha. | 1:00:52 | 1:00:54 | |
Greetings. How glad I am to see you. | 1:01:00 | 1:01:02 | |
I didn't know you were still in the country. | 1:01:02 | 1:01:04 | |
The Rostovs invite you to join the hunt. | 1:01:04 | 1:01:07 | |
For the time being, I'm afraid anyone else's society... | 1:01:07 | 1:01:09 | |
would give me more pain than pleasure. | 1:01:09 | 1:01:11 | |
Prince Andre, may I present the Countess Rostova... | 1:01:15 | 1:01:18 | |
and her brother Petya Rostov. | 1:01:18 | 1:01:21 | |
I do hope Pierre has convinced you to come, Prince Andre. | 1:01:21 | 1:01:24 | |
It promises to be one of the very best hunts of the year. | 1:01:24 | 1:01:26 | |
And the huntsman swears he knows where there's a wolf and her cubs. | 1:01:26 | 1:01:29 | |
And the ground's just perfect. We'd be so delighted if you'd... | 1:01:29 | 1:01:33 | |
What I mean is, I do think you would enjoy it. | 1:01:33 | 1:01:35 | |
Perhaps I'll join you later, if I may. | 1:01:35 | 1:01:38 | |
-And stay to dinner? -Possibly. | 1:01:38 | 1:01:41 | |
-But you just said... -Shall I come now? | 1:01:41 | 1:01:44 | |
Wonderful! | 1:01:44 | 1:01:46 | |
-I'm glad you stayed tonight. -So am I. | 1:02:47 | 1:02:50 | |
-Aren't the Rostovs charming? -Charming. | 1:02:50 | 1:02:53 | |
It's wonderful to watch them together. | 1:02:53 | 1:02:55 | |
They're like a special race - a race of handsome, healthy, | 1:02:55 | 1:02:57 | |
gay, thoughtless animals. | 1:02:57 | 1:02:59 | |
Thoughtless? | 1:02:59 | 1:03:00 | |
That's the most charming of their characteristics. | 1:03:00 | 1:03:03 | |
-All of them, you think? -All of them. | 1:03:03 | 1:03:05 | |
No, within a year or two, the girl, Natasha, will begin to think. | 1:03:05 | 1:03:10 | |
That will make her even more charming and less of a Rostov. | 1:03:10 | 1:03:13 | |
-You follow me? -I think so. | 1:03:13 | 1:03:15 | |
I think it's bad for you. It's wrong to stay down here | 1:03:21 | 1:03:23 | |
year after year, brooding, not seeing anyone, | 1:03:23 | 1:03:26 | |
living the life of a hermit. | 1:03:26 | 1:03:28 | |
Bad? Wrong? | 1:03:28 | 1:03:31 | |
There are only two things in this life that are really wrong. | 1:03:32 | 1:03:35 | |
Remorse and illness. | 1:03:35 | 1:03:38 | |
When I've recovered from the both, I'll go out in the world again. | 1:03:38 | 1:03:41 | |
Remorse? What have you got to be remorseful for? | 1:03:41 | 1:03:45 | |
I was too late. | 1:03:45 | 1:03:46 | |
I let Lise die feeling unloved, uncomforted. | 1:03:47 | 1:03:50 | |
I was too busy on the trail of glory | 1:03:50 | 1:03:52 | |
to take the time to comfort my wife. | 1:03:52 | 1:03:55 | |
Well, I found glory. | 1:03:57 | 1:04:00 | |
I stopped the retreat of 100 men for five minutes. | 1:04:00 | 1:04:03 | |
I was left for dead on a lost battlefield in a lost war. | 1:04:03 | 1:04:07 | |
I'll stop being a hermit | 1:04:08 | 1:04:10 | |
when something happens to make me forget all those things. | 1:04:10 | 1:04:12 | |
Well, I think I'd better go to bed now. | 1:04:16 | 1:04:19 | |
Good night, Pierre. | 1:04:20 | 1:04:21 | |
Thank you again. | 1:04:25 | 1:04:26 | |
Good night, Andre. | 1:04:28 | 1:04:30 | |
Natasha, come to bed. You'll catch cold. | 1:04:42 | 1:04:44 | |
I won't. I can't sleep. What's the use? | 1:04:44 | 1:04:47 | |
After a day like this, it's impossible to sleep. | 1:04:47 | 1:04:49 | |
How can anyone sleep? | 1:04:49 | 1:04:51 | |
Do just come and see what a moon. Look how glorious it is. | 1:04:51 | 1:04:54 | |
Yes? | 1:04:58 | 1:04:59 | |
Do you think Prince Andre likes us? | 1:04:59 | 1:05:02 | |
Of course he does. He's so silent. | 1:05:02 | 1:05:05 | |
He keeps sitting there as though he's passing judgment on us. | 1:05:05 | 1:05:08 | |
I'm a little frightened of him, aren't you? | 1:05:08 | 1:05:11 | |
I'm a little frightened, and yet when I sang after dinner, | 1:05:11 | 1:05:14 | |
I wanted to go up to him and take him by the hand, | 1:05:14 | 1:05:17 | |
look in his eyes and sing just for him. | 1:05:17 | 1:05:20 | |
Poor man. He'd never come here again if I'd done that. | 1:05:20 | 1:05:23 | |
Did you notice he almost never smiles? | 1:05:25 | 1:05:28 | |
While I was singing, I turned and caught him looking at me. | 1:05:29 | 1:05:33 | |
He was smiling then. | 1:05:33 | 1:05:36 | |
And I felt... | 1:05:36 | 1:05:38 | |
But it's almost impossible to describe. | 1:05:38 | 1:05:40 | |
I felt as if someone had given me | 1:05:40 | 1:05:42 | |
the most enormous, beautiful present. | 1:05:42 | 1:05:46 | |
Come to bed, Natasha. It's terribly late. | 1:05:46 | 1:05:48 | |
Oh, you try to spoil everything. | 1:05:48 | 1:05:51 | |
A night like this, I feel like hugging myself | 1:05:51 | 1:05:54 | |
and straining tight as possible and flying away. | 1:05:54 | 1:05:58 | |
-Take care! You'll fall out! -All right. | 1:05:58 | 1:06:00 | |
But it is a shame to go in on such a night. | 1:06:00 | 1:06:04 | |
It's as though you can hear wonderful music | 1:06:04 | 1:06:06 | |
and you just know that the next song or the song after that | 1:06:06 | 1:06:09 | |
will be the most beautiful thing you've ever heard in your life. | 1:06:09 | 1:06:13 | |
And being pulled away and missing it forever. | 1:06:13 | 1:06:15 | |
Forever. | 1:06:20 | 1:06:21 | |
All right. | 1:06:24 | 1:06:26 | |
-The expression on my face. -What about it? | 1:06:51 | 1:06:53 | |
-Do I look disdainful? -No. | 1:06:53 | 1:06:56 | |
You're impossible. I'm sure I look disdainful. | 1:06:56 | 1:06:58 | |
What do you want to look disdainful for? | 1:06:58 | 1:07:00 | |
I thought if I looked bored and disdainful, | 1:07:00 | 1:07:02 | |
nobody would notice that this is the first ball I've ever been to. | 1:07:02 | 1:07:05 | |
-How's this? Better? -Oh, that's much better. | 1:07:08 | 1:07:12 | |
Good. | 1:07:12 | 1:07:13 | |
-You must promise me one thing. -What's that? | 1:07:25 | 1:07:27 | |
-Not to dance with me... -Not a chance. | 1:07:27 | 1:07:29 | |
No matter if I just stand against the wall for five hours | 1:07:29 | 1:07:31 | |
and nobody comes over and says a word to me. | 1:07:31 | 1:07:34 | |
No matter how much I seem to be appealing to you, | 1:07:34 | 1:07:36 | |
you must absolutely promise me not to ask me to dance. | 1:07:36 | 1:07:39 | |
-Why not? -It will be too humiliating | 1:07:39 | 1:07:41 | |
for the world to see the only person who asked me to dance | 1:07:41 | 1:07:44 | |
is my brother out of pity. | 1:07:44 | 1:07:47 | |
-Promise? -I promise. | 1:07:48 | 1:07:50 | |
What now? | 1:08:07 | 1:08:09 | |
-Is everybody looking at me? -Can't you see for yourself? | 1:08:09 | 1:08:12 | |
Not without changing the expression on my face. | 1:08:12 | 1:08:15 | |
Natasha, you know, there's one awful thing about you. | 1:08:15 | 1:08:18 | |
Tell it to me! Tell me the whole truth. | 1:08:18 | 1:08:21 | |
No girl I'll ever meet will ever be able to amuse me like you do. | 1:08:21 | 1:08:25 | |
Don't talk like that. Now go and leave us to our fate. | 1:08:25 | 1:08:28 | |
Excuse me, my dear. Nicholas, look after your mother. | 1:08:28 | 1:08:31 | |
-You all right, Mother? -Yes, my darling. | 1:08:31 | 1:08:34 | |
'What a horrible mistake. | 1:09:13 | 1:09:16 | |
'I shouldn't have come. | 1:09:16 | 1:09:18 | |
'Nothing is going to happen. | 1:09:18 | 1:09:20 | |
'The night is going to be one horrible, black... | 1:09:20 | 1:09:24 | |
'degrading zero.' | 1:09:24 | 1:09:26 | |
Aw, Count Denilov, come and meet my family. | 1:09:28 | 1:09:31 | |
Madame Maria Peronskaya. | 1:09:31 | 1:09:33 | |
You know my wife. My niece Sonya. And my daughter Natasha. | 1:09:33 | 1:09:38 | |
-How do you do? -May I have the pleasure? | 1:09:38 | 1:09:40 | |
Oh, dear. | 1:09:53 | 1:09:54 | |
Perhaps I shall be more fortunate later on. | 1:10:02 | 1:10:04 | |
Have no fear. I shall try again. | 1:10:04 | 1:10:07 | |
Denilov is our hostess' first cousin. | 1:10:12 | 1:10:15 | |
-Supposed to be worth millions. -Second cousin, dear. | 1:10:15 | 1:10:18 | |
Ah, there's the French ambassador himself. | 1:10:18 | 1:10:21 | |
He looks as if he were a king. | 1:10:21 | 1:10:23 | |
You're rather late, you know. Most of my dances are gone. | 1:10:24 | 1:10:28 | |
'Why must I keep thinking of Prince Andre? | 1:10:42 | 1:10:46 | |
'Am I so much in love with him... | 1:10:46 | 1:10:48 | |
'that all others seem ridiculous? | 1:10:48 | 1:10:51 | |
'We saw so little of each other... | 1:10:51 | 1:10:54 | |
'and yet I remember every moment. | 1:10:54 | 1:10:57 | |
'Oh, if only he could have brought me here tonight. | 1:10:58 | 1:11:02 | |
'Why doesn't he like the city? | 1:11:02 | 1:11:04 | |
'It isn't right for a man to shut himself off | 1:11:04 | 1:11:06 | |
'for months and months as he does.' | 1:11:06 | 1:11:08 | |
I am so delighted to see you again. | 1:11:08 | 1:11:11 | |
Will you honour me with this dance? | 1:11:17 | 1:11:19 | |
-Pierre, nice to see you again. -Pierre, my boy. | 1:11:21 | 1:11:24 | |
Will you honour me with this dance? | 1:11:26 | 1:11:28 | |
Don't you just love dances? | 1:12:31 | 1:12:34 | |
Not ordinarily. | 1:12:34 | 1:12:36 | |
This is the first one I've come to in more than two years. | 1:12:36 | 1:12:38 | |
I'm so glad you did come. | 1:12:38 | 1:12:40 | |
I mean, after the night of the hunt | 1:12:40 | 1:12:43 | |
Mama and Papa said how nice it was that you came to visit | 1:12:43 | 1:12:45 | |
and they hoped you'd come again. | 1:12:45 | 1:12:48 | |
I hope you tell Mama and Papa that I intend to visit often. | 1:12:48 | 1:12:52 | |
Very often, if they will permit me. | 1:12:52 | 1:12:54 | |
-I certainly shall tell them. -And on moonlit nights, | 1:12:54 | 1:12:58 | |
do you still want to hold yourself tight and fly off to the moon? | 1:12:58 | 1:13:02 | |
How do you know? Where did you hear? | 1:13:02 | 1:13:04 | |
I couldn't help overhearing. My window is just below yours. | 1:13:04 | 1:13:08 | |
What a disaster. You heard everything. | 1:13:10 | 1:13:13 | |
No. You disappeared too soon. | 1:13:13 | 1:13:15 | |
You must think I'm an utter idiot. | 1:13:20 | 1:13:22 | |
No. I don't think you're an idiot. | 1:13:22 | 1:13:25 | |
-I think... -Permit me, mademoiselle. | 1:13:26 | 1:13:28 | |
May I have the pleasure of this dance? | 1:13:28 | 1:13:30 | |
Thank you. | 1:13:34 | 1:13:36 | |
'What a joy it is to dance with her. | 1:13:54 | 1:13:57 | |
'Like holding springtime in your arms. | 1:13:57 | 1:14:00 | |
'Like holding a branch of lilac or a kitten. | 1:14:00 | 1:14:04 | |
'Look at her now. | 1:14:04 | 1:14:06 | |
'If she looks back at me and smiles on the next turn | 1:14:12 | 1:14:16 | |
'she'll be my wife.' | 1:14:16 | 1:14:18 | |
Guide us with thy infinite wisdom. | 1:14:46 | 1:14:49 | |
Teach us to abide in thy mercy. | 1:14:51 | 1:14:53 | |
And if it be thy will, let this bed be my grave. | 1:14:55 | 1:15:00 | |
Mama, I must talk to you just once more. | 1:15:00 | 1:15:02 | |
Well, well. | 1:15:02 | 1:15:05 | |
It's about Prince Andre, I suppose. | 1:15:05 | 1:15:08 | |
Thursday, Friday, Saturday, Sunday, Monday. | 1:15:10 | 1:15:14 | |
Five days that he hasn't been heard from. | 1:15:14 | 1:15:17 | |
First he comes and sees me every day, morning and evening, | 1:15:17 | 1:15:20 | |
and quite turns my head, then nothing happens and all's finished. | 1:15:20 | 1:15:23 | |
Now, let me tell you about myself when I was young. | 1:15:23 | 1:15:27 | |
I had a cousin. A handsome young man. | 1:15:27 | 1:15:30 | |
Yes, really handsome. | 1:15:30 | 1:15:33 | |
I know... Cyril Nutvich. | 1:15:33 | 1:15:36 | |
But must everything, as in your case, end up in nothing? | 1:15:36 | 1:15:39 | |
Now you're being impulsive, as I used to be. | 1:15:39 | 1:15:41 | |
You must be patient, very patient. | 1:15:41 | 1:15:44 | |
You must wait till a proper proposal has been made to you. | 1:15:44 | 1:15:48 | |
-He'll show up. -The last time he came | 1:15:48 | 1:15:50 | |
he had it right here on the tip of his tongue, his proposal. | 1:15:50 | 1:15:53 | |
And he seemed so in love. | 1:15:53 | 1:15:56 | |
I'm always a little afraid when I'm in his presence. | 1:15:56 | 1:15:59 | |
What does it mean? Does it mean that it's real love? | 1:15:59 | 1:16:03 | |
-Mama, are you asleep? -No, my pet. | 1:16:03 | 1:16:07 | |
I'm a little frightened myself. Now go. | 1:16:07 | 1:16:11 | |
Oh, it's not fair. I shan't sleep. | 1:16:11 | 1:16:14 | |
Mommy, such a thing has never happened to me before. | 1:16:14 | 1:16:17 | |
Could we ever have thought it when he first came to the country | 1:16:17 | 1:16:21 | |
that we should meet at the ball? | 1:16:21 | 1:16:23 | |
Well, it must be fate. | 1:16:23 | 1:16:25 | |
Clearly it must be fate if everything led up to this. | 1:16:25 | 1:16:29 | |
Mama, need one be ashamed of his being a widower? | 1:16:29 | 1:16:32 | |
No, darling. Pray to God. Marriages are made in heaven. | 1:16:32 | 1:16:36 | |
Mama, how I love you. I'm so happy. | 1:16:38 | 1:16:41 | |
KNOCK ON DOOR | 1:16:41 | 1:16:43 | |
Little countess, are you asleep? | 1:16:43 | 1:16:46 | |
Yes, dear, I'm asleep. Good night. | 1:16:47 | 1:16:51 | |
Marry. Marry? | 1:16:55 | 1:16:57 | |
As though life were not complicated enough as it is. | 1:16:58 | 1:17:02 | |
And in such a hurry. | 1:17:02 | 1:17:04 | |
You thought you knew what you were doing last time too. | 1:17:04 | 1:17:07 | |
-Do you remember? -This is completely different. | 1:17:07 | 1:17:09 | |
-It's always completely different. -Before I met her | 1:17:09 | 1:17:12 | |
life was sad, meaningless, hopeless. | 1:17:12 | 1:17:16 | |
You're over 30. By the time a man's over 30, | 1:17:16 | 1:17:19 | |
life should be sad, meaningless and hopeless. | 1:17:19 | 1:17:22 | |
-Father. -All right, all right! | 1:17:22 | 1:17:25 | |
Let's be reasonable. | 1:17:25 | 1:17:28 | |
-Her family is nothing. -Now, Father... | 1:17:28 | 1:17:31 | |
Nothing compared to the Bolkonskys. Nothing. | 1:17:31 | 1:17:33 | |
Her father is well known as a man who used to chase | 1:17:33 | 1:17:37 | |
every woman in Moscow and St Petersburg... | 1:17:37 | 1:17:40 | |
without success. | 1:17:40 | 1:17:42 | |
Now that he's grown older | 1:17:42 | 1:17:44 | |
he's well known as a man who plays in every card game | 1:17:44 | 1:17:47 | |
in Moscow and St Petersburg, equally without success. | 1:17:47 | 1:17:51 | |
They're a happy and delightful family. | 1:17:51 | 1:17:53 | |
That's a success too. Perhaps the greatest success. | 1:17:53 | 1:17:57 | |
But do you think you're being fair to the girl? | 1:17:58 | 1:18:02 | |
You're much older than she. | 1:18:02 | 1:18:04 | |
You have a son to bring up. | 1:18:04 | 1:18:06 | |
Who's going to take the responsibility? | 1:18:06 | 1:18:08 | |
A little chit of a girl? | 1:18:08 | 1:18:10 | |
I beg of you, put it off for just one year | 1:18:12 | 1:18:15 | |
and go abroad. | 1:18:15 | 1:18:18 | |
There's this peace mission to Prussia. | 1:18:18 | 1:18:20 | |
The czar and the emperor Napoleon. | 1:18:20 | 1:18:22 | |
They'll be signing a treaty there. | 1:18:22 | 1:18:25 | |
I know you wanted to go on the mission. | 1:18:25 | 1:18:28 | |
Now, after one year, if you still have this love | 1:18:28 | 1:18:31 | |
or obstinacy, passion, whatever you choose to call it, marry her. | 1:18:31 | 1:18:34 | |
That is my last word on the subject. | 1:18:34 | 1:18:37 | |
It's my last word. | 1:18:37 | 1:18:39 | |
'Is it possible that I, Natasha | 1:18:51 | 1:18:54 | |
'am to be the wife of this strange, dear, clever man | 1:18:54 | 1:18:58 | |
'whom even my father looks up to? | 1:18:58 | 1:19:00 | |
'Can it be true? | 1:19:00 | 1:19:02 | |
'Can it be true that there can be no more playing with life | 1:19:02 | 1:19:06 | |
'that now I am grown up, that on me now lies | 1:19:06 | 1:19:08 | |
'the responsibility of my every word and deed?' | 1:19:08 | 1:19:12 | |
I have loved you from the first moment I saw you. | 1:19:23 | 1:19:26 | |
-Do you love me? -Yes. | 1:19:33 | 1:19:35 | |
What is it? What's the matter? | 1:19:53 | 1:19:55 | |
I'm so happy. | 1:19:57 | 1:19:59 | |
Did your mother tell you what I explained to her? | 1:20:09 | 1:20:12 | |
There's nothing to explain. | 1:20:12 | 1:20:13 | |
Did she tell you that it can't be for a year? | 1:20:13 | 1:20:16 | |
Forgive me, but you're so young. I want you to be absolutely sure. | 1:20:16 | 1:20:19 | |
I am sure. | 1:20:19 | 1:20:21 | |
One year isn't too terribly long, and you'll be free. | 1:20:21 | 1:20:24 | |
If within that year you find that you don't love me | 1:20:24 | 1:20:27 | |
or if you come to love someone else... | 1:20:27 | 1:20:29 | |
Don't say that. You must never say anything like that again. | 1:20:29 | 1:20:32 | |
A year? Am I going to see you, though? | 1:20:34 | 1:20:37 | |
Of course. I have to go to Poland, but I'll be gone only a few months. | 1:20:37 | 1:20:40 | |
Well, can't it be helped? Is there anything that can be done? | 1:20:40 | 1:20:43 | |
It's awful! I'll die waiting a year! It's impossible! | 1:20:43 | 1:20:46 | |
No, I'll do anything. Whatever you say. | 1:20:49 | 1:20:51 | |
Oh, I'm so happy. We have the rest of our lives. | 1:20:51 | 1:20:55 | |
'At Tilsit, in Prussia, on June 13, 1807... | 1:21:00 | 1:21:04 | |
'Napoleon met with Emperor Alexander of Russia | 1:21:04 | 1:21:08 | |
'for the purpose of discussing a treaty of peace.' | 1:21:08 | 1:21:11 | |
'They can't help liking me. | 1:21:31 | 1:21:34 | |
'I'm so willing to do anything they wish. | 1:21:34 | 1:21:37 | |
'So ready to be fond of him | 1:21:37 | 1:21:40 | |
'for being his father.' | 1:21:40 | 1:21:42 | |
-I am Mary Bolkonsky. -Charmed. | 1:21:48 | 1:21:51 | |
-And this is my daughter Natasha. -How do you do? | 1:21:51 | 1:21:54 | |
Good afternoon. | 1:21:54 | 1:21:56 | |
Please excuse my father. He doesn't feel well. | 1:21:56 | 1:21:59 | |
He asked me to welcome you in his name. | 1:21:59 | 1:22:02 | |
-Will you have some tea? -Well, I think that would be... | 1:22:06 | 1:22:09 | |
No, thank you. | 1:22:09 | 1:22:11 | |
No, thank you. | 1:22:12 | 1:22:13 | |
I suppose you've heard from Andre? | 1:22:20 | 1:22:22 | |
Yes. | 1:22:23 | 1:22:24 | |
Father! | 1:22:27 | 1:22:28 | |
Ah, you're the young Countess Rostov. | 1:22:29 | 1:22:32 | |
I didn't know you were paying me the honour of a visit. | 1:22:32 | 1:22:35 | |
You must excuse my costume. I came to speak to my daughter. | 1:22:35 | 1:22:39 | |
Why wasn't I told? | 1:22:39 | 1:22:42 | |
-Count Rostov. -Oh, yes, I've heard a great deal about you. | 1:22:42 | 1:22:45 | |
A great deal about you. | 1:22:45 | 1:22:48 | |
As the Lord is my witness, nobody told me that they were here. | 1:22:48 | 1:22:52 | |
This house... utter confusion, chaos. | 1:22:53 | 1:22:56 | |
People coming and going, and you can't find anything. | 1:22:56 | 1:22:59 | |
Even the papers in my desk. | 1:22:59 | 1:23:01 | |
You must excuse me. | 1:23:01 | 1:23:03 | |
As you see, I'm not prepared to entertain. | 1:23:03 | 1:23:06 | |
I can't stand Moscow anyhow! | 1:23:06 | 1:23:08 | |
I wouldn't be here except I've no alternative. | 1:23:09 | 1:23:12 | |
I'm forced to be here. You understand, don't you? | 1:23:12 | 1:23:16 | |
Well, I think we'd better leave now, Princess. | 1:23:18 | 1:23:21 | |
Wait. I must talk to you. | 1:23:25 | 1:23:28 | |
Dear Natasha, I want to tell you | 1:23:28 | 1:23:30 | |
that I'm certain my brother has found happiness. | 1:23:30 | 1:23:33 | |
Princess, I think it is not convenient to speak of that now. | 1:23:33 | 1:23:37 | |
Isn't it wonderful? | 1:23:55 | 1:23:57 | |
Aren't you glad you decided to come instead of sitting home all night? | 1:23:57 | 1:24:01 | |
I don't know. Until Andre comes back | 1:24:01 | 1:24:03 | |
I can't be glad about anything. | 1:24:03 | 1:24:05 | |
Well, it's only a few weeks. Do you see that tall man over there? | 1:24:05 | 1:24:10 | |
Yes. What about him? | 1:24:10 | 1:24:11 | |
When we passed him, I heard him say to his wife, | 1:24:11 | 1:24:14 | |
"That's the Countess Rostov, the one who's going to marry Bolkonsky. | 1:24:14 | 1:24:18 | |
"Lucky man." | 1:24:18 | 1:24:19 | |
-He said, "Lucky man?" -Lucky man. | 1:24:19 | 1:24:22 | |
I must write that to Andre. | 1:24:25 | 1:24:27 | |
He can pass it on to his horrible old father. | 1:24:27 | 1:24:30 | |
-Countess Bezukhov has arrived. -Bezukhov? | 1:24:34 | 1:24:37 | |
One of my favourites. I must call on her. | 1:24:37 | 1:24:40 | |
Countess Bezukhov! You're back in Moscow. | 1:24:41 | 1:24:44 | |
I'm delighted to see you. The city hasn't been the same without you. | 1:24:44 | 1:24:47 | |
I've brought my two girls with me, as you can see. | 1:24:49 | 1:24:52 | |
Magnificent woman. | 1:25:00 | 1:25:02 | |
Yes. You can understand how men must fall in love with her. | 1:25:02 | 1:25:06 | |
Dolokhov, see the girl in that box? | 1:25:08 | 1:25:11 | |
Yes. She's lovely, but... | 1:25:11 | 1:25:13 | |
For you? Anatole, she's not exactly your type. | 1:25:17 | 1:25:20 | |
MUSIC BEGINS | 1:26:35 | 1:26:37 | |
Count Rostov, may I borrow your lovely daughter | 1:26:49 | 1:26:51 | |
to sit with me through the next act? | 1:26:51 | 1:26:53 | |
Oh, Countess, how charming. Natasha, my dear, come along. | 1:26:53 | 1:26:57 | |
-Isn't it exciting? -Yes. | 1:26:57 | 1:26:59 | |
Enchanting. You mustn't bury her in the country again. | 1:27:06 | 1:27:09 | |
Oh, you're too kind. Natasha, sit down. | 1:27:09 | 1:27:12 | |
Now we can tear all our friends to pieces. | 1:27:15 | 1:27:17 | |
You realise that everyone in the theatre is talking about you. | 1:27:21 | 1:27:25 | |
How lovely you are and the brilliant match you've made. | 1:27:25 | 1:27:28 | |
-You know about that? -It's the news of the season. | 1:27:28 | 1:27:32 | |
Prince Andre Bolkonsky? | 1:27:32 | 1:27:34 | |
Why, every woman here tonight is jealous of you at this moment. | 1:27:34 | 1:27:38 | |
Why, Anatole! | 1:27:39 | 1:27:40 | |
May I present my brother? Countess Natasha Rostov. | 1:27:42 | 1:27:46 | |
My brother is the centre of fashion in Moscow. | 1:27:47 | 1:27:50 | |
That means that he eats and drinks too much | 1:27:50 | 1:27:52 | |
and plays for too high stakes. | 1:27:52 | 1:27:54 | |
He also sees the worst and most amusing people. | 1:27:54 | 1:27:57 | |
You simply must get him to tell you all there is to do this season. | 1:27:57 | 1:28:00 | |
-Countess! -Prince, you've been neglecting me. | 1:28:00 | 1:28:03 | |
-I was convinced you were dead. -Dead? | 1:28:03 | 1:28:05 | |
When I saw you the first time at the ball... | 1:28:05 | 1:28:08 | |
When was it, six, seven weeks ago? | 1:28:08 | 1:28:10 | |
I thought, "What a pretty girl." That's all I thought. | 1:28:10 | 1:28:14 | |
But tonight... | 1:28:14 | 1:28:16 | |
But you felt it too, hmm? | 1:28:16 | 1:28:19 | |
-I felt... -When our eyes met? | 1:28:20 | 1:28:23 | |
Don't look guilty. What's there to be ashamed of? | 1:28:23 | 1:28:26 | |
Are you enjoying the opera? It's very good, isn't it? | 1:28:29 | 1:28:33 | |
Oh, is it? I haven't noticed. | 1:28:33 | 1:28:36 | |
I haven't looked at the stage tonight. | 1:28:36 | 1:28:38 | |
I must see you again. | 1:28:40 | 1:28:42 | |
You must come to my sister's house...very soon. | 1:28:42 | 1:28:45 | |
I think... | 1:28:47 | 1:28:48 | |
I think my mother's in the country. I may go up to be with her. | 1:28:50 | 1:28:54 | |
She's enchanting. | 1:28:56 | 1:28:58 | |
MUSIC BEGINS | 1:28:58 | 1:29:00 | |
Go away, Anatole. You will distract us. | 1:29:09 | 1:29:12 | |
All right. | 1:29:12 | 1:29:14 | |
You'll come. | 1:29:15 | 1:29:16 | |
I'll take this as a pledge. | 1:29:18 | 1:29:20 | |
My brother is very amusing, isn't he? | 1:29:25 | 1:29:28 | |
SPEAKS FRENCH | 1:29:50 | 1:29:52 | |
How lovely she is. | 1:30:12 | 1:30:14 | |
I don't think so... when I look at you. | 1:30:14 | 1:30:18 | |
Natasha, come. | 1:30:18 | 1:30:20 | |
You're enchanting. | 1:30:30 | 1:30:32 | |
From the moment I saw you, I never ceased worshipping you. | 1:30:32 | 1:30:36 | |
I do hope you don't think us too informal, Count. | 1:30:39 | 1:30:42 | |
Oh, Countess! | 1:30:42 | 1:30:44 | |
I'm madly in love with you. | 1:30:57 | 1:30:59 | |
The success was triumphant. The whole theatre... | 1:31:05 | 1:31:08 | |
-Papa, we must leave. -My dear, we can't go now. | 1:31:08 | 1:31:12 | |
It was like one big heart, palpitating with emotion. | 1:31:12 | 1:31:16 | |
His Majesty the king was so moved | 1:31:16 | 1:31:20 | |
that tears were streaming down his face. | 1:31:20 | 1:31:22 | |
My cloak, please. | 1:31:26 | 1:31:28 | |
I can't. You know I can't. | 1:31:56 | 1:31:58 | |
"Dearest Natasha... | 1:32:48 | 1:32:50 | |
"My fate has been sealed... to be loved by you or die. | 1:32:50 | 1:32:53 | |
"I know your parents won't give you to me | 1:32:53 | 1:32:55 | |
"for secret reasons I will reveal only to you. | 1:32:55 | 1:32:58 | |
"But if you love me, you need only say the word yes | 1:32:58 | 1:33:00 | |
""and no human power can hinder us. | 1:33:00 | 1:33:03 | |
"Anatole." | 1:33:03 | 1:33:04 | |
You're back. | 1:33:11 | 1:33:13 | |
How was your evening? Did you amuse yourself? | 1:33:15 | 1:33:18 | |
Yes. I made excuses for you. | 1:33:18 | 1:33:23 | |
I was worried about you. How's your headache? Better? | 1:33:23 | 1:33:26 | |
-Sonya, you read that letter. -Yes. | 1:33:26 | 1:33:29 | |
I'm glad you read it. I couldn't keep it from you any longer. | 1:33:29 | 1:33:32 | |
-You know we love one another. -But Anatole Kuragine. | 1:33:35 | 1:33:38 | |
-If only you knew how happy I am. -And Andre? | 1:33:38 | 1:33:41 | |
-You don't know what love is. -Then you are refusing Andre? | 1:33:41 | 1:33:44 | |
You don't understand anything. Don't talk nonsense. Listen. | 1:33:44 | 1:33:47 | |
How is it that you loved a man for so many months, and suddenly... | 1:33:47 | 1:33:50 | |
Why? You've only seen Anatole three times. | 1:33:50 | 1:33:54 | |
I've never loved anyone before. I know it's hard to understand. | 1:33:54 | 1:33:58 | |
I've heard it's happened that way. You must have too. | 1:33:58 | 1:34:01 | |
It's only now I feel such love. | 1:34:01 | 1:34:03 | |
As soon as I saw him, I felt he was my master | 1:34:03 | 1:34:07 | |
and I his slave, and I couldn't help loving him. | 1:34:07 | 1:34:10 | |
Yes, his slave! Whatever he commands, I must do! | 1:34:10 | 1:34:13 | |
-What can I do, Sonya? -If he loves you | 1:34:13 | 1:34:16 | |
why doesn't he come honestly to the house, to your fatherm | 1:34:16 | 1:34:19 | |
ask for your engagement to Andre to be broken off? | 1:34:19 | 1:34:22 | |
-Why all this secrecy? -I don't know. It doesn't matter. | 1:34:22 | 1:34:25 | |
Whatever his reasons, they are good ones. | 1:34:25 | 1:34:28 | |
I told you I have no will. I love him! | 1:34:28 | 1:34:30 | |
Then I won't let it come to that. I shall tell. | 1:34:30 | 1:34:34 | |
Sonya, what do you mean? You wouldn't tell anyone! | 1:34:34 | 1:34:37 | |
Don't torture me! I can't live without him! | 1:34:37 | 1:34:40 | |
Natasha, what are you saying? Think about Father and Nicholas. | 1:34:40 | 1:34:44 | |
I don't love anyone but him. | 1:34:44 | 1:34:47 | |
Go, Sonya. | 1:34:48 | 1:34:50 | |
I don't want to quarrel with you. Go away! | 1:34:50 | 1:34:53 | |
Anatole, where do you mean to take her? | 1:35:01 | 1:35:05 | |
Her family will find out about that girl in Poland you had to marry. | 1:35:05 | 1:35:09 | |
-If you're caught, it'll mean jail. -It will be worth it... | 1:35:09 | 1:35:12 | |
even if it is for one month or one week with that girl. | 1:35:12 | 1:35:17 | |
There are some things in life it's impossible not to have. | 1:35:17 | 1:35:21 | |
-The driver you sent for, Prince. -Come here. Have a drink. | 1:35:23 | 1:35:27 | |
-You've got to drive far and fast. -Call Matrevna. | 1:35:27 | 1:35:29 | |
-Tell her to bring the cloak. -We go again, sir? | 1:35:29 | 1:35:32 | |
-Elopement. -Oh, I like a job like that! | 1:35:32 | 1:35:35 | |
Youth, romance, excitement! | 1:35:35 | 1:35:37 | |
There's a priest of a sort waiting for us at Tver. | 1:35:37 | 1:35:39 | |
Run down anyone who tries to stop you. | 1:35:39 | 1:35:41 | |
There is a man for you! | 1:35:41 | 1:35:43 | |
-You want me? -Now, you take this. | 1:35:45 | 1:35:49 | |
Listen to me. I know something about this game. | 1:35:49 | 1:35:52 | |
You find the girl shivering and having forgotten everything. | 1:35:52 | 1:35:55 | |
You wrap her up, for the minute she gets into the cold night air | 1:35:55 | 1:35:58 | |
there will be a stampede back to the house for furs. | 1:35:58 | 1:36:01 | |
Papa awakened, Mama screaming, tears, recriminations... | 1:36:01 | 1:36:04 | |
challenges, et cetera. | 1:36:04 | 1:36:06 | |
Always keep a young girl warm, my boy. | 1:36:06 | 1:36:09 | |
Now, up with the collar! | 1:36:09 | 1:36:12 | |
-Take it. -Yes, sir! | 1:36:16 | 1:36:18 | |
-But my cloak. -I will get another one someday. | 1:36:18 | 1:36:21 | |
-But when? -All take glasses! Yours. | 1:36:21 | 1:36:24 | |
Now, comrade and friend of my youth... | 1:36:24 | 1:36:27 | |
we've had our fling, we've lived and reveled. | 1:36:27 | 1:36:29 | |
Yeah. Now let's...farewell. | 1:36:29 | 1:36:32 | |
-To your health. --To your health. | 1:36:32 | 1:36:34 | |
-How sad it is. -Sure. Let's go. | 1:36:38 | 1:36:41 | |
Anatole! I still think you shouldn't do it. | 1:36:41 | 1:36:44 | |
So do I. | 1:36:44 | 1:36:46 | |
No, I won't open it. And I've sent for Pierre. | 1:37:21 | 1:37:24 | |
I'll hate you forever for this! Open the door! | 1:37:27 | 1:37:30 | |
No, I won't open it. | 1:37:30 | 1:37:32 | |
What's the matter with you? | 1:37:52 | 1:37:54 | |
Your sister is not famous for keeping quiet about things - | 1:37:54 | 1:37:57 | |
things that are good subjects for gossip. | 1:37:57 | 1:37:59 | |
What are you talking about? | 1:37:59 | 1:38:01 | |
I know all about the money you had to send to Poland and why. | 1:38:01 | 1:38:04 | |
It's not true. | 1:38:07 | 1:38:08 | |
You must leave Moscow. | 1:38:08 | 1:38:10 | |
You must never breathe a word of this to anyone. | 1:38:10 | 1:38:12 | |
You must understand that besides your pleasure, | 1:38:12 | 1:38:15 | |
there's such a thing as other people's happiness. | 1:38:15 | 1:38:17 | |
You're willing to ruin a whole life for the sake of your own amusement. | 1:38:17 | 1:38:20 | |
Well, amuse yourself with women of your own rotten breed. | 1:38:20 | 1:38:24 | |
They're armed against you with the same experience. | 1:38:24 | 1:38:26 | |
As a man of honour, you can't talk to me that way. | 1:38:26 | 1:38:30 | |
-Is it satisfaction you want? -Yes. | 1:38:30 | 1:38:33 | |
I take it back. I beg your forgiveness. | 1:38:33 | 1:38:37 | |
Drive this gentleman wherever he wants to go. | 1:38:38 | 1:38:41 | |
He's gone. | 1:39:06 | 1:39:08 | |
She's in her room. | 1:39:09 | 1:39:12 | |
What are you doing here? | 1:39:24 | 1:39:25 | |
I came to stop you. | 1:39:27 | 1:39:29 | |
Nothing is going to stop me from going to him. | 1:39:30 | 1:39:33 | |
What do you plan to tell Andre when you see him next time? | 1:39:33 | 1:39:35 | |
I'm never going to see Andre again. I wrote to him, telling him everything. | 1:39:35 | 1:39:37 | |
Did you? He's not good enough for you, is he? | 1:39:37 | 1:39:40 | |
No, you've got to go crawling after a gambler and a liar, | 1:39:40 | 1:39:43 | |
the most notorious woman-chaser in Moscow. | 1:39:43 | 1:39:45 | |
I'm going to him, I tell you. I'm going to marry him! | 1:39:45 | 1:39:47 | |
Whatever he's told you, he's lying. He's married already. | 1:39:47 | 1:39:51 | |
It isn't true. | 1:39:54 | 1:39:55 | |
Look at me, Natasha. | 1:39:57 | 1:39:59 | |
Could I purposely deceive you? | 1:39:59 | 1:40:02 | |
-The rumour's all over Moscow. -But who could've started it? | 1:40:39 | 1:40:42 | |
And now Prince Andre has sent back all her letters. | 1:40:42 | 1:40:45 | |
That's bad. I am sorry. | 1:40:45 | 1:40:47 | |
She's been quite ill. Hardly ever leaves her room. | 1:40:47 | 1:40:50 | |
But when she knew you were coming, she insisted upon getting up. | 1:40:50 | 1:40:53 | |
She's dressed now and is waiting for you. | 1:40:53 | 1:40:55 | |
Now, mind you, don't tell her everything. | 1:41:01 | 1:41:04 | |
One hasn't the heart to scold her. She's so much to be pitied. | 1:41:04 | 1:41:07 | |
I hear he's in Moscow now. | 1:41:35 | 1:41:37 | |
Ask him... | 1:41:41 | 1:41:42 | |
Ask him to forgive me. | 1:41:45 | 1:41:46 | |
Yes, I will tell him, but Natasha... | 1:41:48 | 1:41:50 | |
I know that can never be. | 1:41:50 | 1:41:52 | |
All is over. | 1:41:52 | 1:41:53 | |
Only I'm so tormented by the wrong I've done him. | 1:41:54 | 1:41:58 | |
Tell him... | 1:42:02 | 1:42:04 | |
Tell him I beg him to forgive... | 1:42:04 | 1:42:07 | |
forgive me for everything. | 1:42:07 | 1:42:08 | |
I will tell him everything. | 1:42:15 | 1:42:17 | |
But one thing I beg of you. Remember, I'm your friend. | 1:42:17 | 1:42:20 | |
If you want help, advice or simply to open your heart to someone... | 1:42:20 | 1:42:23 | |
not now, but when your mind is clearer... think of me. | 1:42:23 | 1:42:26 | |
I shall be happy, if it's in my power. | 1:42:28 | 1:42:31 | |
Don't speak to me like that. I'm not worth it. | 1:42:31 | 1:42:32 | |
Don't talk like that. You have your whole life ahead of you. | 1:42:32 | 1:42:35 | |
Ahead of me? No. All is over, all is lost. | 1:42:35 | 1:42:38 | |
Nonsense, Natasha. Listen to me. Look. | 1:42:38 | 1:42:42 | |
If I were not myself, but the handsomest, cleverest, | 1:42:42 | 1:42:46 | |
best man in the world, and if I were free... | 1:42:46 | 1:42:49 | |
I would not hesitate for one moment to ask on my knees | 1:42:49 | 1:42:51 | |
for your hand and your love. | 1:42:51 | 1:42:53 | |
-It's not cold, Mishka. -That's a matter of opinion. | 1:43:32 | 1:43:36 | |
-I think it must be well below zero. -Wonderful! | 1:43:36 | 1:43:38 | |
-Where to now, sir? -Where? I don't know. | 1:43:38 | 1:43:42 | |
-Are you looking at the comet? -Yes. | 1:43:42 | 1:43:45 | |
They say it means bad. | 1:43:45 | 1:43:46 | |
They say it means war and famine and plague. | 1:43:46 | 1:43:49 | |
-All sorts of woes. -Nonsense. | 1:43:49 | 1:43:51 | |
That comet's beautiful. Life is beautiful! | 1:43:51 | 1:43:53 | |
-Go, Mishka! -Where to? The club? | 1:43:53 | 1:43:56 | |
-No. -Home? | 1:43:56 | 1:43:57 | |
No. Go. Just go, Mishka! | 1:43:57 | 1:44:00 | |
"If Your Majesty wishes to avoid shedding our people's blood | 1:44:20 | 1:44:23 | |
"for a mere misunderstanding | 1:44:23 | 1:44:25 | |
"and consents to the withdrawal of Your Majesty's troops, | 1:44:25 | 1:44:29 | |
"I, on my side, will forget what has happened | 1:44:29 | 1:44:32 | |
"and agreement between us will be possible. | 1:44:32 | 1:44:34 | |
"Otherwise, Your Majesty, | 1:44:34 | 1:44:37 | |
"I shall be forced to repel an aggression | 1:44:37 | 1:44:39 | |
"that has been totally unprovoked by me. | 1:44:39 | 1:44:43 | |
"The decision whether to preserve humanity | 1:44:43 | 1:44:45 | |
"from the disasters of another war | 1:44:45 | 1:44:48 | |
"lies in Your Majesty's hands." | 1:44:48 | 1:44:51 | |
"I am," et cetera, "Alexander." | 1:44:51 | 1:44:54 | |
So, this letter is very polite, very eloquent... | 1:44:55 | 1:44:58 | |
and it is full of the most fraternal expressions | 1:44:58 | 1:45:01 | |
of devotion and love from your master, the tsar. | 1:45:01 | 1:45:05 | |
Sentiments which, I assure you | 1:45:05 | 1:45:07 | |
are reciprocated by me. | 1:45:07 | 1:45:10 | |
However, in essence, Colonel... | 1:45:10 | 1:45:13 | |
-Bolkonsky. -Bolkonsky. | 1:45:13 | 1:45:14 | |
What would you say this letter in my hand expresses? | 1:45:14 | 1:45:17 | |
It is not for me, sire, as a mere messenger, | 1:45:17 | 1:45:20 | |
to express the wishes of His Imperial Majesty the tsar. | 1:45:20 | 1:45:24 | |
Come, come, my dear fellow. You must have an opinion of your own. | 1:45:24 | 1:45:28 | |
What... | 1:45:28 | 1:45:29 | |
Where have we met before? | 1:45:33 | 1:45:37 | |
Your face is familiar to me. | 1:45:37 | 1:45:39 | |
On the field at Austerlitz, sire. | 1:45:39 | 1:45:43 | |
Austerlitz, Austerlitz. | 1:45:43 | 1:45:45 | |
Yes, I do remember. | 1:45:47 | 1:45:51 | |
You were lying with a banner in your hand. | 1:45:51 | 1:45:54 | |
Yes, sire. | 1:45:54 | 1:45:56 | |
I thought you were dead. | 1:45:56 | 1:45:58 | |
Well, well, here you are again. I'm glad to see you. | 1:46:00 | 1:46:04 | |
Now, Colonel, this letter. What do you think it represents? | 1:46:04 | 1:46:10 | |
I think it can only represent, sire, | 1:46:10 | 1:46:12 | |
the sincere wish of His Majesty the tsar to avoid war | 1:46:12 | 1:46:15 | |
and to prevent the shedding of both Russian and French blood. | 1:46:15 | 1:46:18 | |
A praiseworthy aim, and one in which I completely concur. | 1:46:19 | 1:46:23 | |
However, what else? | 1:46:23 | 1:46:25 | |
What else would you say was in this letter? | 1:46:25 | 1:46:29 | |
Since you press me, sire, for a personal opinion, | 1:46:29 | 1:46:33 | |
I would say that it contained a request for the withdrawal | 1:46:33 | 1:46:36 | |
of Your Majesty's troops from the frontiers of our country. | 1:46:36 | 1:46:39 | |
A personal opinion. | 1:46:39 | 1:46:40 | |
So that's how the tsar told his messenger to put it. | 1:46:40 | 1:46:44 | |
You personally say "withdrawal," do you? | 1:46:44 | 1:46:46 | |
Say "retreat!" | 1:46:46 | 1:46:48 | |
I am a soldier, and I use soldiers' words! | 1:46:48 | 1:46:50 | |
I am not a fool! | 1:46:50 | 1:46:52 | |
I have been asked to put my head into a noose | 1:46:52 | 1:46:54 | |
while my enemies are conspiring against me. | 1:46:54 | 1:46:57 | |
Sire, it is not a personal opinion of mine | 1:46:57 | 1:47:01 | |
when I say that the tsar is not Your Majesty's enemy | 1:47:01 | 1:47:03 | |
and that he is not conspiring against you. | 1:47:03 | 1:47:06 | |
If you'll read his letter carefully... | 1:47:07 | 1:47:10 | |
I will read the letter more carefully | 1:47:15 | 1:47:19 | |
and send the tsar my answer later. | 1:47:19 | 1:47:23 | |
Good night to you, Colonel. | 1:47:23 | 1:47:25 | |
Gentlemen, tomorrow at dawn we cross the Niemen into Russia. | 1:47:38 | 1:47:43 | |
We'll talk of peace... | 1:47:43 | 1:47:45 | |
in Moscow! | 1:47:45 | 1:47:47 | |
'And on the 12th of June, 1812, | 1:47:53 | 1:47:56 | |
'Napoleon Bonaparte, at the head of an army of 200,000 men | 1:47:56 | 1:48:00 | |
''crossed the river Niemen into Russia. | 1:48:00 | 1:48:03 | |
'To combat this aggressive invasion of their homeland | 1:48:03 | 1:48:06 | |
'the Russian peasant chose to welcome the French | 1:48:06 | 1:48:08 | |
'with nothing more than a destroyed storehouse, | 1:48:08 | 1:48:11 | |
'a widely desolated land.' | 1:48:11 | 1:48:14 | |
Looting, burning. | 1:48:22 | 1:48:24 | |
As soon as Napoleon approaches a village, | 1:48:24 | 1:48:26 | |
the peasants and serfs run off with their carts and horses and grain. | 1:48:26 | 1:48:30 | |
What they can't take away with them, they burn or slaughter. | 1:48:30 | 1:48:33 | |
If we don't put a stop to it somewhere | 1:48:33 | 1:48:36 | |
we're going to leave behind us a desert, a scorched earth. | 1:48:36 | 1:48:40 | |
We must fight. | 1:48:40 | 1:48:42 | |
The army demands it, the tsar demands it, | 1:48:42 | 1:48:45 | |
and the people demand it. | 1:48:45 | 1:48:47 | |
What does the army want... | 1:48:50 | 1:48:54 | |
to be destroyed? | 1:48:54 | 1:48:56 | |
Because that will be what would happen if we fought now. | 1:48:56 | 1:49:00 | |
What does the tsar want? To be brought to his knees? | 1:49:00 | 1:49:03 | |
Because that would be what would happen if we fought now. | 1:49:03 | 1:49:07 | |
What do the people want? | 1:49:07 | 1:49:10 | |
To be the subjects of Napoleon? | 1:49:10 | 1:49:12 | |
Because that would be what would happen if we fought now. | 1:49:12 | 1:49:15 | |
Gentlemen, I've been put in command | 1:49:18 | 1:49:21 | |
to give the army, the tsar and the people what they really want. | 1:49:21 | 1:49:26 | |
And what they really want is to drive the last Frenchman | 1:49:26 | 1:49:29 | |
from the soil of Russia! | 1:49:29 | 1:49:31 | |
And that I propose to do when I can. | 1:49:33 | 1:49:38 | |
But the looting and the burning, General. | 1:49:38 | 1:49:40 | |
Let it continue! | 1:49:40 | 1:49:42 | |
Let it increase! | 1:49:42 | 1:49:43 | |
Soon they will be at our gates! He will not enter Moscow! | 1:49:59 | 1:50:01 | |
We will stop it! | 1:50:01 | 1:50:03 | |
-Why doesn't he replace him? -We will show Europe | 1:50:10 | 1:50:13 | |
how Russia rises in the defence of Russia! | 1:50:13 | 1:50:15 | |
Napoleon will not enter Moscow! | 1:50:15 | 1:50:17 | |
Lord God, hear us when we pray to thee. | 1:50:28 | 1:50:31 | |
Strengthen with thy might our most gracious sovereign | 1:50:33 | 1:50:37 | |
Emperor Alexander Pavlovich | 1:50:37 | 1:50:39 | |
and give him victory over his enemy | 1:50:39 | 1:50:41 | |
even as thou gavest Moses the victory over Amalek, | 1:50:41 | 1:50:45 | |
Gideon over Midian, David over Goliath. | 1:50:45 | 1:50:48 | |
Smite down our enemies and destroy them swiftly | 1:50:48 | 1:50:52 | |
beneath the feet of thy faithful servants. | 1:50:52 | 1:50:56 | |
Preserve our army. | 1:50:56 | 1:50:58 | |
Put a bow of brass in the hands of those | 1:50:58 | 1:51:01 | |
who have armed themselves in thy name, | 1:51:01 | 1:51:04 | |
and gird their loins with strength for the fight. | 1:51:04 | 1:51:07 | |
Take up the spear and shield and arise to help us. | 1:51:07 | 1:51:12 | |
Confound and put to shame those who have devised evil against us. | 1:51:12 | 1:51:15 | |
May they be before the faces of thy faithful warriors | 1:51:15 | 1:51:18 | |
as dust before the wind | 1:51:18 | 1:51:21 | |
and may thy mighty angel confound them and put them to flight. | 1:51:21 | 1:51:25 | |
Let them fall before thy servants' feet | 1:51:25 | 1:51:29 | |
and be laid low by our host. | 1:51:29 | 1:51:31 | |
I came to say goodbye. | 1:51:32 | 1:51:34 | |
-I'm leaving Moscow today. -Where are you going? | 1:51:34 | 1:51:36 | |
To the army. They hope to make a stand against Napoleon at Borodino. | 1:51:36 | 1:51:41 | |
You're going to join up yourself, finally? | 1:51:41 | 1:51:44 | |
I don't know. | 1:51:44 | 1:51:46 | |
I'm going to see... I have to see what it's like... | 1:51:46 | 1:51:49 | |
what it means for myself. | 1:51:49 | 1:51:51 | |
Prince Andre is in command of a regiment. | 1:51:51 | 1:51:53 | |
I'm going to try to find him and stay with him. | 1:51:53 | 1:51:55 | |
When did you decide to do this? | 1:51:55 | 1:51:57 | |
I've been thinking about it for a long time. | 1:51:57 | 1:51:59 | |
Even you, Pierre? | 1:51:59 | 1:52:01 | |
-You will stay to dinner, won't you? -Yes, do, Pierre. | 1:52:01 | 1:52:04 | |
-By all means. -Only to say goodbye. | 1:52:04 | 1:52:06 | |
That's good. Come along. | 1:52:06 | 1:52:08 | |
Lots of my school friends are going, and they are younger than I. | 1:52:08 | 1:52:10 | |
-Nonsense. -You must study. | 1:52:10 | 1:52:12 | |
It's not nonsense. Every man is needed. | 1:52:12 | 1:52:16 | |
Every man, not every infant. | 1:52:16 | 1:52:18 | |
Besides, I can't study now when our fatherland's in danger. | 1:52:18 | 1:52:21 | |
Petya, be quiet! | 1:52:21 | 1:52:23 | |
You heard from Andre? | 1:52:23 | 1:52:25 | |
Yes. One letter. | 1:52:25 | 1:52:27 | |
Did he... | 1:52:27 | 1:52:29 | |
How is he? | 1:52:29 | 1:52:31 | |
Well enough, but sad. His father died, you know. | 1:52:31 | 1:52:34 | |
Yes, I know. | 1:52:34 | 1:52:36 | |
And although his father was my enemy, I prayed for him. | 1:52:36 | 1:52:40 | |
He was the first person in the whole world | 1:52:40 | 1:52:41 | |
to disapprove of me, Pierre. | 1:52:41 | 1:52:44 | |
I suppose you're not really grown up until that happens to you. | 1:52:44 | 1:52:46 | |
Did Andre say anything about me in his letter? | 1:52:48 | 1:52:52 | |
No, Natasha. | 1:52:52 | 1:52:53 | |
Do you think he'll ever forgive me? | 1:52:53 | 1:52:56 | |
He has nothing to forgive. | 1:52:56 | 1:52:58 | |
Pierre, you must promise me something. | 1:53:03 | 1:53:05 | |
Yes? | 1:53:05 | 1:53:07 | |
Don't let anything happen to you. | 1:53:07 | 1:53:09 | |
If it did, I'd... | 1:53:11 | 1:53:13 | |
Did you hear me, Pierre? | 1:53:23 | 1:53:26 | |
Yes, I heard you. | 1:53:26 | 1:53:28 | |
I promise. | 1:53:28 | 1:53:30 | |
-And Pierre? -Yes? | 1:53:38 | 1:53:41 | |
If you do see Andre, tell him... | 1:53:41 | 1:53:43 | |
..tell him I prayed for the soul of his father. | 1:53:48 | 1:53:51 | |
Can you tell me where I'll find Colonel Bolkonsky? | 1:54:02 | 1:54:04 | |
Colonel, this gentleman's been asking to see you. | 1:54:41 | 1:54:45 | |
-At last. -What are you doing here? | 1:54:50 | 1:54:53 | |
It's a little hard to say. | 1:54:53 | 1:54:55 | |
I came to see the battle. | 1:54:55 | 1:54:58 | |
Why? | 1:54:58 | 1:54:59 | |
It's hard to explain, Andre. | 1:55:01 | 1:55:03 | |
It's such an enormous event. | 1:55:03 | 1:55:06 | |
All our lives will be different from now on | 1:55:06 | 1:55:08 | |
because of what's going to happen here tomorrow. | 1:55:08 | 1:55:11 | |
I'm sorry about your father's death, Andre. | 1:55:15 | 1:55:18 | |
He was an old man. | 1:55:18 | 1:55:19 | |
He couldn't live with the thought | 1:55:19 | 1:55:21 | |
of being driven away from Bald Hills. | 1:55:21 | 1:55:24 | |
How are they taking it in Moscow? | 1:55:24 | 1:55:25 | |
You know that Mary has gone to your aunt's at Ryazan. | 1:55:28 | 1:55:31 | |
It was Nicholas Rostov who got her out of Bald Hills just in time. | 1:55:31 | 1:55:34 | |
Nicholas? | 1:55:34 | 1:55:35 | |
So Anatole Kuragine did not honour Countess Rostov with his hand? | 1:55:41 | 1:55:45 | |
He couldn't. He was married already. | 1:55:45 | 1:55:48 | |
Well, it was all very long ago. I'm sure she's had time | 1:55:50 | 1:55:52 | |
to forget her disappointment. | 1:55:52 | 1:55:54 | |
You remember one of our old discussions about it? | 1:55:58 | 1:56:00 | |
I said that a fallen woman should be forgiven. | 1:56:00 | 1:56:03 | |
But I didn't say I could forgive her, and I can't. | 1:56:03 | 1:56:05 | |
But you can't compare Natasha to a fallen woman. | 1:56:05 | 1:56:08 | |
What romantic dreams I had. | 1:56:10 | 1:56:12 | |
You mean ask for her hand again? Be magnanimous and so on. | 1:56:14 | 1:56:17 | |
Yes, that would be very noble, but... | 1:56:17 | 1:56:21 | |
I'm sorry. | 1:56:25 | 1:56:26 | |
How are you, Andre? You seem so strange, disturbed. | 1:56:28 | 1:56:31 | |
The first thing you must learn about a battle is that | 1:56:31 | 1:56:34 | |
on the night before it is fought, the men who are to fight it | 1:56:34 | 1:56:36 | |
are likely to seem a little disturbed. | 1:56:36 | 1:56:38 | |
No. It's more than that. | 1:56:38 | 1:56:41 | |
Perhaps it is. | 1:56:41 | 1:56:43 | |
I've been in many battles, Pierre... | 1:56:48 | 1:56:51 | |
but for the first time I feel that I'm going to die tomorrow. | 1:56:51 | 1:56:55 | |
Nonsense. Why? | 1:56:55 | 1:56:57 | |
I just feel it. | 1:56:57 | 1:56:59 | |
Why are you really here, Pierre? | 1:56:59 | 1:57:01 | |
Why, when you hate violence and war, | 1:57:01 | 1:57:03 | |
did you decide to do this? | 1:57:03 | 1:57:05 | |
I don't know. | 1:57:07 | 1:57:09 | |
Because I've finally realised you can't hate something | 1:57:10 | 1:57:13 | |
you've never known and don't understand. | 1:57:13 | 1:57:15 | |
How do you think the battle will go? They say our position is good. | 1:57:17 | 1:57:20 | |
Success never depends on positions, orders, plans, or even on numbers. | 1:57:20 | 1:57:26 | |
The battle is won by men determined to win it, | 1:57:26 | 1:57:29 | |
and despite those men at headquarters who consider war a game. | 1:57:29 | 1:57:33 | |
War is the most horrible thing in life. | 1:57:33 | 1:57:35 | |
If it were in my power, I would not take one prisoner. | 1:57:35 | 1:57:38 | |
The French are my enemies! | 1:57:38 | 1:57:40 | |
They destroyed my home, caused my father's death, | 1:57:40 | 1:57:42 | |
exiled my sister and my child. | 1:57:42 | 1:57:45 | |
Now they hope to destroy Moscow. | 1:57:45 | 1:57:47 | |
Why take prisoners? That's playing at war. | 1:57:47 | 1:57:50 | |
Take no prisoners! | 1:57:50 | 1:57:52 | |
Kill and be killed! If there were none of this playing at war | 1:57:52 | 1:57:55 | |
we would go to war only when it was worthwhile going to certain death... | 1:57:55 | 1:57:58 | |
as now. | 1:57:58 | 1:57:59 | |
I'm sorry. | 1:58:02 | 1:58:04 | |
Why should I burden you with all this? | 1:58:04 | 1:58:06 | |
If we're both alive tomorrow night, we'll have a bottle | 1:58:08 | 1:58:10 | |
and we'll laugh at everything I've said tonight. | 1:58:10 | 1:58:12 | |
Forgive me. You're sleepy. | 1:58:12 | 1:58:14 | |
-It's time for me to sleep too. -I'd like to stay here. | 1:58:14 | 1:58:17 | |
Go! I have no time for you now! The only friends I have | 1:58:19 | 1:58:23 | |
are the men who are going to fight at my side tomorrow. | 1:58:23 | 1:58:26 | |
Goodbye. | 1:58:38 | 1:58:39 | |
Whether we meet again or not. | 1:58:39 | 1:58:42 | |
Take down a proclamation to all troops. | 3:00:00 | 3:00:03 | |
Soldiers... | 3:00:05 | 3:00:06 | |
..this is the battle you have all longed for. | 3:00:08 | 3:00:11 | |
Victory depends on you. It will give us all we need - | 3:00:11 | 3:00:13 | |
comfortable quarters | 3:00:13 | 3:00:15 | |
and a speedy return to our country. | 3:00:15 | 3:00:18 | |
Act as you did at Austerlitz, | 3:00:18 | 3:00:21 | |
Friedland, Vitebsk and Smolensk! | 3:00:21 | 3:00:23 | |
Let posterity say with pride of each of you, | 3:00:24 | 3:00:30 | |
"He was in the great battle before Moscow." | 3:00:30 | 3:00:32 | |
Well, de Beausset, what is Paris saying? | 3:00:35 | 3:00:37 | |
All Paris regrets your absence. | 3:00:37 | 3:00:39 | |
I should say they do. What have you in there? | 3:00:39 | 3:00:42 | |
-A surprise, Your Majesty. -What's that? | 3:00:42 | 3:00:44 | |
A present from the empress for Your Majesty. | 3:00:44 | 3:00:47 | |
My son. | 3:00:56 | 3:00:57 | |
The king of Rome. | 3:01:01 | 3:01:02 | |
Admirable. | 3:01:06 | 3:01:07 | |
Take him away, de Beausset. | 3:01:15 | 3:01:16 | |
It is too soon for him to see a field of battle. | 3:01:17 | 3:01:20 | |
Follow me, de Beausset. | 3:01:25 | 3:01:26 | |
You must not leave, de Beausset. | 3:01:30 | 3:01:32 | |
Stay, and we'll give you something to tell Paris. | 3:01:32 | 3:01:35 | |
CANNON FIRES | 3:02:17 | 3:02:19 | |
MORE CANNONS FIRE | 3:02:27 | 3:02:28 | |
There's a lot of wind out there, isn't there? | 3:05:08 | 3:05:10 | |
But it happens to be made of iron! | 3:05:10 | 3:05:12 | |
Better get down from there, mate, | 3:05:14 | 3:05:16 | |
or the next time it won't be your hat that blows off. | 3:05:16 | 3:05:19 | |
-It'll be your head! -Excuse me. I didn't realise. | 3:05:19 | 3:05:21 | |
Number three, you're too slow! | 3:05:21 | 3:05:23 | |
Ready! Fire! | 3:05:25 | 3:05:26 | |
-Sir, you can't stand here. You're in the way. -Sorry. | 3:05:28 | 3:05:31 | |
I'll try to keep out of everybody's way. | 3:05:31 | 3:05:34 | |
Up with your sights there, number four! You're firing low! | 3:05:35 | 3:05:38 | |
Number five, quicker with your charges! | 3:05:38 | 3:05:40 | |
-How is it you're not afraid, sir? -Are you afraid? | 3:05:47 | 3:05:50 | |
They have no mercy, you know, when they come singing over. | 3:05:50 | 3:05:53 | |
Heaven help us. | 3:05:53 | 3:05:54 | |
Ready! Fire! | 3:06:01 | 3:06:02 | |
Having a pleasant morning, sir? | 3:06:06 | 3:06:08 | |
-Interesting morning. -Interesting? | 3:06:08 | 3:06:10 | |
You hear that, mates? Interesting! | 3:06:10 | 3:06:12 | |
Here comes a live one! | 3:06:17 | 3:06:19 | |
Hey, don't come this way. Back there, towards the infantry. | 3:06:19 | 3:06:22 | |
Found you a friend, eh? Know him well? | 3:06:24 | 3:06:26 | |
Sir, beyond the trees, the French infantry advancing en masse. | 3:06:31 | 3:06:34 | |
Hold your fire! | 3:06:47 | 3:06:49 | |
CANNONS CEASE | 3:06:49 | 3:06:50 | |
Lower your sights and wait till you hear the order to fire. | 3:07:38 | 3:07:41 | |
Fire! | 3:08:58 | 3:08:59 | |
Sire, I must report more infantry regiments have turned back, | 3:09:34 | 3:09:37 | |
and they're retreating in full disorder. | 3:09:37 | 3:09:39 | |
The horse cavalry should have gone first to clear the way. | 3:09:39 | 3:09:42 | |
Send them now. | 3:09:42 | 3:09:44 | |
There's only enough ammunition for four more charges. | 3:09:49 | 3:09:51 | |
-Run to the reserves and bring up more. -I'll go too. | 3:09:51 | 3:09:53 | |
Water. | 3:11:55 | 3:11:56 | |
Take me to a dressing station. | 3:12:00 | 3:12:01 | |
Help me. | 3:12:01 | 3:12:03 | |
Doctor, this boy needs help. | 3:12:31 | 3:12:33 | |
-How far have you carried him? -I don't know. | 3:12:35 | 3:12:38 | |
You should have saved yourself the trouble. He is dead. | 3:12:42 | 3:12:45 | |
Damn you, Napoleon. | 3:13:37 | 3:13:39 | |
Damn you to hell! | 3:13:40 | 3:13:42 | |
Well, we've stood our ground. | 3:13:47 | 3:13:49 | |
We've taken the worst that Napoleon has to offer. | 3:13:49 | 3:13:52 | |
We must attack tomorrow morning. Do you agree, sir? | 3:13:53 | 3:13:56 | |
Yes, I agree, theoretically. | 3:13:57 | 3:13:59 | |
According to all the rules that we have ever learned about warfare, | 3:14:01 | 3:14:06 | |
we must attack tomorrow morning. | 3:14:06 | 3:14:08 | |
But we cannot attack! | 3:14:08 | 3:14:09 | |
We are too exhausted to attack! | 3:14:10 | 3:14:12 | |
But, sire, if we retreat now... | 3:14:12 | 3:14:14 | |
We leave the ground to the enemy. | 3:14:14 | 3:14:16 | |
But he has paid too high a price for it. | 3:14:17 | 3:14:19 | |
Finally, he will bleed to death from this victory. | 3:14:20 | 3:14:23 | |
But it will be impossible to make a stand in front of Moscow. | 3:14:23 | 3:14:26 | |
Yes, General, you are right. | 3:14:26 | 3:14:28 | |
Do you mean to abandon Russia's ancient and sacred capital? | 3:14:28 | 3:14:31 | |
Russia's ancient and sacred capital? | 3:14:32 | 3:14:35 | |
Allow me to tell you, Your Excellency, | 3:14:35 | 3:14:37 | |
that that question has no meaning for a Russian. | 3:14:37 | 3:14:40 | |
Such a question cannot be put. It is senseless! | 3:14:40 | 3:14:43 | |
The question I've asked you and these gentlemen | 3:14:43 | 3:14:45 | |
to meet to discuss is a military one! | 3:14:45 | 3:14:47 | |
The question is of saving Russia! | 3:14:48 | 3:14:50 | |
Is it better to give up Moscow without a battle | 3:14:51 | 3:14:53 | |
or by accepting battle lose the army as well as Moscow? | 3:14:53 | 3:14:57 | |
Well, gentlemen, I see I am the one | 3:15:02 | 3:15:05 | |
who has to pay for the broken crockery. | 3:15:05 | 3:15:07 | |
Gentlemen, I've heard your views. | 3:15:09 | 3:15:12 | |
Some of you will not agree with me, | 3:15:12 | 3:15:15 | |
but I, by the authority entrusted to me | 3:15:15 | 3:15:17 | |
by my sovereign and my country... | 3:15:17 | 3:15:19 | |
..order a retreat. | 3:15:22 | 3:15:23 | |
No, faster! Faster! The French will be here | 3:15:33 | 3:15:35 | |
before we're ready to leave, unless you move more quickly. | 3:15:35 | 3:15:38 | |
Now, come on. Up! Up! | 3:15:38 | 3:15:40 | |
Put all the glass things in the front wagons. And the books... | 3:15:51 | 3:15:54 | |
And the books, put them in the low wagon. | 3:15:54 | 3:15:57 | |
-Here, take this. And this. -Thank you. | 3:15:57 | 3:15:59 | |
-And these gloves. I'll never wear them again. -Thank you. | 3:15:59 | 3:16:02 | |
They are the wounded from Borodino. | 3:16:51 | 3:16:53 | |
Hurry! | 3:17:03 | 3:17:04 | |
Vera, come! | 3:17:05 | 3:17:07 | |
Give me some water. | 3:17:08 | 3:17:09 | |
-Papa, have you seen the wounded men? -Yes. I've given permission for them | 3:17:13 | 3:17:17 | |
to live in the house after we've gone. | 3:17:17 | 3:17:19 | |
Someone badly wounded? | 3:18:13 | 3:18:14 | |
Just about alive. | 3:18:16 | 3:18:18 | |
It is a miracle His Excellency has lasted this long. | 3:18:18 | 3:18:21 | |
-His Excellency? -Our colonel, miss. | 3:18:21 | 3:18:23 | |
Miss Sonya! | 3:18:34 | 3:18:35 | |
Mavra, don't tell anyone about this. | 3:18:37 | 3:18:39 | |
Not yet. Promise me. | 3:18:39 | 3:18:40 | |
Aunt! Prince Andre is here. Among the wounded. | 3:18:59 | 3:19:02 | |
-Andre? -I saw him. | 3:19:04 | 3:19:06 | |
He is unconscious. Terribly wounded. | 3:19:06 | 3:19:08 | |
-Natasha. -She doesn't know yet. | 3:19:08 | 3:19:11 | |
-She mustn't know. -His men say he's dying. | 3:19:11 | 3:19:14 | |
Natasha must not know. | 3:19:14 | 3:19:15 | |
All right! Get those wagons moving! | 3:19:19 | 3:19:20 | |
Pull them up ahead and turn them around! | 3:19:20 | 3:19:23 | |
You, in the back, pull ahead! We've got another load of wounded! | 3:19:23 | 3:19:27 | |
-Officer? -Get them moving! Yes, miss? | 3:19:27 | 3:19:29 | |
After we've left and the wounded men are in our house, what then? | 3:19:29 | 3:19:32 | |
I'm afraid I don't know. I'm only a transport officer. | 3:19:32 | 3:19:34 | |
My orders are to get back quickly and pick up another load of wounded. | 3:19:34 | 3:19:38 | |
They're to be left here deserted with nobody to take care of them? | 3:19:38 | 3:19:41 | |
To be taken prisoner? To die? | 3:19:41 | 3:19:43 | |
I'm afraid that's in other hands than ours, mademoiselle. | 3:19:43 | 3:19:46 | |
If you will permit me... | 3:19:46 | 3:19:47 | |
That's enough. Now, put it down now. | 3:19:47 | 3:19:50 | |
-Come along. -Father, you can't do this! | 3:19:50 | 3:19:52 | |
What do you mean? The settee? | 3:19:52 | 3:19:55 | |
If you left that here, those three men wouldn't have to stay here | 3:19:55 | 3:19:57 | |
-and become prisoners of the French! -What three men? | 3:19:57 | 3:20:00 | |
But of course! | 3:20:02 | 3:20:03 | |
If we leave the settee behind, | 3:20:03 | 3:20:05 | |
I don't know what will happen to your mother. | 3:20:05 | 3:20:07 | |
-I'll speak to mother. -Back into the house with it! | 3:20:07 | 3:20:10 | |
You three are to come with us on that cart, please. | 3:20:10 | 3:20:12 | |
Sir, your men must make themselves at home in my house. | 3:20:20 | 3:20:22 | |
Count, please help us. Is there no room in one of your carts | 3:20:22 | 3:20:25 | |
-for this poor fellow? -Of course. | 3:20:25 | 3:20:27 | |
Hurry. Hurry. | 3:20:49 | 3:20:50 | |
-Oh, my. -Oh, those men, Papa. | 3:20:52 | 3:20:53 | |
I know. It's very sad. | 3:20:53 | 3:20:55 | |
-Still, in a war... -We must take them with us. | 3:20:55 | 3:20:58 | |
Papa, we're going to unload everything | 3:20:58 | 3:21:01 | |
and take every man who's able to travel. | 3:21:01 | 3:21:02 | |
You're right. So very right. | 3:21:04 | 3:21:06 | |
Take those back. Put that down. | 3:21:08 | 3:21:10 | |
Vasilich, unload all the carts. | 3:21:11 | 3:21:13 | |
-Unload? -Do as you're told. | 3:21:13 | 3:21:15 | |
-You can tell your men we'll find room for them all. -Thank you, sir. | 3:21:15 | 3:21:18 | |
-Papa! -Come along now! | 3:21:19 | 3:21:21 | |
Take this off. Take it all down. | 3:21:23 | 3:21:25 | |
Unload the carts. | 3:21:25 | 3:21:27 | |
Unload this cart completely. Take it all down. | 3:21:27 | 3:21:29 | |
-Overboard with that. -Take all that down. -You, come here. | 3:21:29 | 3:21:32 | |
Take down that terrible table. Leave it behind. We don't need it. | 3:21:33 | 3:21:37 | |
Empty the cart straightaway. | 3:21:37 | 3:21:38 | |
All of this out. You, come here and help. | 3:21:38 | 3:21:40 | |
Ilya, what is this? They're unloading everything. | 3:21:42 | 3:21:45 | |
To make room for the wounded, my dear. | 3:21:46 | 3:21:49 | |
But these are our things. | 3:21:49 | 3:21:51 | |
Things, things. Things that can be bought. | 3:21:51 | 3:21:53 | |
Think what it means to be left behind to all these men. | 3:21:53 | 3:21:56 | |
It isn't fair. The government ought to care for the wounded. | 3:21:56 | 3:21:59 | |
Mama, you can't object. Look at them. | 3:22:00 | 3:22:02 | |
You'd leave them behind to save a few sticks of furniture? | 3:22:02 | 3:22:05 | |
Mama, suppose Nicholas was one of them... | 3:22:07 | 3:22:09 | |
or Petya? | 3:22:09 | 3:22:10 | |
Of course you are right, darling. | 3:22:16 | 3:22:18 | |
I'm sorry, Ilya. | 3:22:19 | 3:22:20 | |
The chicks are teaching the hen. | 3:22:23 | 3:22:24 | |
Ten more minutes! We leave in ten minutes. | 3:22:25 | 3:22:28 | |
I'm ready now, Ilya. | 3:22:40 | 3:22:41 | |
Now, come along, girls. In you get. Quickly, quickly. | 3:22:42 | 3:22:45 | |
In God's name, off! | 3:22:51 | 3:22:52 | |
Dear Moscow, everybody's leaving you. | 3:23:42 | 3:23:44 | |
Look! Look over there by the corner! | 3:23:51 | 3:23:54 | |
-Who is it? I can't see. -Pierre! | 3:23:54 | 3:23:57 | |
Over here, Pierre! | 3:23:57 | 3:23:58 | |
Over here, Pierre! | 3:24:02 | 3:24:03 | |
You're safe. You promised you'd come back, and you have. | 3:24:07 | 3:24:11 | |
You mustn't stay, Pierre. You must come with us. | 3:24:11 | 3:24:13 | |
Did you see the battle, Pierre? | 3:24:13 | 3:24:15 | |
Yes, I saw it. I saw too much. | 3:24:16 | 3:24:19 | |
-Come with us, Pierre. -I can't. I must stay in the city. There's... | 3:24:19 | 3:24:22 | |
-I have something... -Stop the coach. -Something I must do. | 3:24:22 | 3:24:24 | |
Pierre! | 3:24:24 | 3:24:25 | |
Go on. | 3:24:27 | 3:24:28 | |
Remember me. Remember. | 3:24:30 | 3:24:32 | |
Why wouldn't he come with us? | 3:24:39 | 3:24:41 | |
I don't understand. | 3:24:43 | 3:24:44 | |
-Natasha... -Sonya. | 3:24:48 | 3:24:50 | |
You're crying. For Pierre? | 3:24:53 | 3:24:55 | |
For us because we're leaving? Well, what then? | 3:24:55 | 3:24:58 | |
-I have to tell her. -No! | 3:24:59 | 3:25:00 | |
There's someone among the wounded... someone we know. | 3:25:00 | 3:25:03 | |
Andre? | 3:25:07 | 3:25:08 | |
He's travelling with us now. | 3:25:10 | 3:25:12 | |
Well, is he badly hurt? Why didn't you tell me before? | 3:25:15 | 3:25:18 | |
I didn't know how to tell you. | 3:25:18 | 3:25:20 | |
He told you not to tell me. | 3:25:22 | 3:25:23 | |
No. He's asleep or unconscious. He didn't speak. | 3:25:25 | 3:25:29 | |
He didn't speak? | 3:25:38 | 3:25:39 | |
Moscow. | 3:26:31 | 3:26:32 | |
Asiatic city of innumerable churches. | 3:26:34 | 3:26:36 | |
Lots of them. | 3:26:37 | 3:26:38 | |
Moscow the holy, | 3:26:40 | 3:26:42 | |
here at my feet, | 3:26:42 | 3:26:43 | |
at last. | 3:26:43 | 3:26:44 | |
On the ancient monuments of barbarism and despotism, | 3:26:46 | 3:26:50 | |
I shall inscribe great words of justice. And mercy. | 3:26:50 | 3:26:54 | |
Mercy. | 3:26:54 | 3:26:55 | |
What a splendid reign Emperor Alexander's might have been. | 3:27:10 | 3:27:14 | |
Now, I'm ready to accept the surrender of the city. | 3:27:17 | 3:27:20 | |
Now. | 3:27:20 | 3:27:21 | |
Well, where are the boyards? Where is the deputation? | 3:27:29 | 3:27:31 | |
There is no-one, sire. | 3:27:36 | 3:27:37 | |
The city is empty, half of it on fire. | 3:27:39 | 3:27:41 | |
There is no government... | 3:27:44 | 3:27:45 | |
..no-one to surrender to you. | 3:27:47 | 3:27:48 | |
That's impossible. | 3:27:53 | 3:27:54 | |
Impossible and ridiculous! | 3:27:56 | 3:27:59 | |
There must be a surrender. | 3:28:04 | 3:28:05 | |
This is an insult! | 3:28:13 | 3:28:14 | |
They're going to pay for this. | 3:28:16 | 3:28:18 | |
-The skyline! Look! -It's a village on fire. | 3:28:28 | 3:28:31 | |
-It could be Magdagachi. -Look at it. | 3:28:35 | 3:28:37 | |
-Moscow is on fire. -But it's so windy and dry. | 3:28:40 | 3:28:43 | |
-God have mercy. -Save us. | 3:28:44 | 3:28:46 | |
Oh, it is Moscow. Poor Moscow. | 3:28:48 | 3:28:50 | |
Natasha, Sonya, come and look. Moscow's on fire. | 3:28:55 | 3:28:57 | |
Moscow? Oh, no. | 3:29:00 | 3:29:01 | |
How terrible. | 3:29:04 | 3:29:05 | |
Natasha! | 3:29:07 | 3:29:08 | |
Let's go back to bed. We have a long day tomorrow. | 3:29:08 | 3:29:12 | |
-Papa, I must talk to you. -Again? Go back to bed. | 3:29:12 | 3:29:16 | |
You must give me your permission to join the army. | 3:29:16 | 3:29:18 | |
You already know it. It's no. | 3:29:18 | 3:29:21 | |
I must go where I can do the most good for my country. | 3:29:21 | 3:29:24 | |
Petya. Your duty now is not what you think. | 3:29:24 | 3:29:27 | |
Your duty is to stay with us and to help your mother. | 3:29:27 | 3:29:31 | |
I'm sorry, Papa. I've already made up my mind. | 3:29:31 | 3:29:34 | |
Natasha, do look. The whole city's on fire. | 3:29:53 | 3:29:56 | |
You can see it from the window. | 3:29:56 | 3:29:58 | |
-You didn't even look. -Yes, really, I did. | 3:30:02 | 3:30:04 | |
Go back to sleep. You'll catch your death of cold. | 3:30:06 | 3:30:09 | |
And you too, Natasha, darling. Go to sleep. | 3:30:11 | 3:30:13 | |
-Venture we were burning the city. -Who knows? | 3:31:32 | 3:31:35 | |
Please. | 3:31:37 | 3:31:38 | |
Your officers, where are they? | 3:31:39 | 3:31:41 | |
Officers, miss? | 3:31:41 | 3:31:42 | |
I don't know. Down there somewhere. | 3:31:43 | 3:31:45 | |
Forgive me. Forgive me. | 3:32:48 | 3:32:49 | |
I love you. | 3:32:52 | 3:32:53 | |
-Forgive me. -Forgive what? | 3:32:55 | 3:32:57 | |
For everything I have done. | 3:32:57 | 3:33:00 | |
I love you more... | 3:33:04 | 3:33:05 | |
..better than before. | 3:33:06 | 3:33:08 | |
-I want all these fires put out. See to it now. -Yes, sire. | 3:35:03 | 3:35:06 | |
No! Let me go! Take your hands off me! | 3:35:44 | 3:35:48 | |
Let me go! | 3:35:49 | 3:35:51 | |
Let me go. | 3:35:54 | 3:35:55 | |
-Where did he come from? -I don't know. | 3:36:10 | 3:36:12 | |
Take him over there. | 3:36:12 | 3:36:13 | |
Ready! | 3:36:20 | 3:36:22 | |
Aim! | 3:36:26 | 3:36:27 | |
Fire! | 3:36:28 | 3:36:29 | |
Cut 'em down. | 3:36:32 | 3:36:33 | |
Two others. Quickly. Come on. | 3:36:38 | 3:36:40 | |
No! Help me! | 3:36:40 | 3:36:41 | |
Help me, please! Please don't let them! | 3:36:42 | 3:36:45 | |
-Hurry up. Come on! -No! | 3:36:45 | 3:36:47 | |
No, that's all. | 3:36:49 | 3:36:50 | |
The orders were to shoot only the incendiaries. | 3:36:50 | 3:36:54 | |
Take them back to prison. | 3:36:54 | 3:36:56 | |
Forward, march! | 3:36:58 | 3:36:59 | |
Don't brood, sir. | 3:37:13 | 3:37:15 | |
That's not for us to judge whether to be spared or not spared. | 3:37:15 | 3:37:18 | |
Finally, in the world to come | 3:37:18 | 3:37:20 | |
God will give us a word or two of explanation, | 3:37:20 | 3:37:22 | |
and then it'll all be clear. | 3:37:22 | 3:37:23 | |
Here you are, Grey. Come here, boy. | 3:37:32 | 3:37:35 | |
You found me again. That's a little fella. | 3:37:35 | 3:37:38 | |
That's right. You sit right down there. Be a good boy. | 3:37:38 | 3:37:41 | |
Do you like cold potatoes? | 3:37:43 | 3:37:45 | |
We had soup for dinner, and the potatoes were delicious. | 3:37:45 | 3:37:48 | |
Here you are, boy. | 3:37:54 | 3:37:55 | |
Perhaps you'd like some salt. | 3:37:58 | 3:38:00 | |
Ah, that's better now, huh? | 3:38:09 | 3:38:10 | |
I'm all right. | 3:38:10 | 3:38:12 | |
Why did they shoot those poor fellows? The last one was barely 20. | 3:38:13 | 3:38:17 | |
Ah, what a sin, what a sin. | 3:38:17 | 3:38:18 | |
Well, where there's law, there's injustice. | 3:38:19 | 3:38:22 | |
Come on, boy, get up. | 3:38:22 | 3:38:24 | |
The maggot eats the cabbage, yet dies first. | 3:38:25 | 3:38:28 | |
What did you say? | 3:38:28 | 3:38:30 | |
I say things happen not as we plan, but as God judges. | 3:38:30 | 3:38:33 | |
Have you got a family estate, sir, and a housewife? | 3:38:34 | 3:38:37 | |
Your old parents, are they still living? | 3:38:37 | 3:38:40 | |
Perhaps you've got little ones, then? | 3:38:42 | 3:38:44 | |
Never mind, dear lad. | 3:38:46 | 3:38:48 | |
You're young folks yet, and pray God may have some still. | 3:38:48 | 3:38:51 | |
The great thing is to live in harmony. | 3:38:51 | 3:38:52 | |
Well, dear lad, | 3:38:54 | 3:38:56 | |
I was still living at home. | 3:38:56 | 3:38:58 | |
We had a well-to-do homestead, a nice piece of land | 3:38:58 | 3:39:01 | |
and a house that one could thank God for. | 3:39:01 | 3:39:03 | |
When Father and we went a-mowin', there was seven of us. | 3:39:03 | 3:39:06 | |
We were real peasants. We lived well. | 3:39:06 | 3:39:08 | |
Well, one day I... | 3:39:09 | 3:39:10 | |
I went into someone else's forest to cut wood. | 3:39:12 | 3:39:15 | |
But a keeper found me. I was taken before a judge for trial, | 3:39:15 | 3:39:19 | |
flogged and sent to serve as a soldier. | 3:39:19 | 3:39:21 | |
Well, lad, we thought that was a misfortune, | 3:39:22 | 3:39:25 | |
but that turned out to be a blessing. | 3:39:25 | 3:39:27 | |
You see, if it hadn't been for my sin, | 3:39:27 | 3:39:30 | |
my brother would've gone instead of me, and he's got five little ones. | 3:39:30 | 3:39:33 | |
Whereas I only had a wife to leave behind. | 3:39:33 | 3:39:36 | |
We had a little girl, but God took her before I left for the wars. | 3:39:37 | 3:39:41 | |
You've had hard luck. | 3:39:41 | 3:39:43 | |
We can make it into misery or into joy. | 3:39:45 | 3:39:47 | |
Our luck's like water in a dragnet. | 3:39:48 | 3:39:50 | |
You pull at it, and it bulges. | 3:39:50 | 3:39:52 | |
But when you've drawn it out, there's nothing in it. | 3:39:52 | 3:39:55 | |
That's how it is, dear boy. | 3:39:55 | 3:39:57 | |
Well, now I think it's time to sleep. | 3:39:57 | 3:39:59 | |
Lord Jesus Christ, holy Saint Nicholas, Frola and Lavra. | 3:40:05 | 3:40:09 | |
Lord Jesus Christ, have mercy upon us and save us. | 3:40:09 | 3:40:11 | |
That's the way. | 3:40:13 | 3:40:15 | |
Lay me down like a stone, O, God, and raise me up like a loaf. | 3:40:16 | 3:40:19 | |
What prayer was that you were saying? | 3:40:19 | 3:40:21 | |
I was praying. Don't you pray? | 3:40:21 | 3:40:23 | |
-Yes, I do. -But what did you say... -Frola and Lavra? | 3:40:24 | 3:40:27 | |
Ah, the horse's saints. | 3:40:27 | 3:40:29 | |
One must pity the animals too. | 3:40:29 | 3:40:31 | |
Come on, Grey. Come over here. That's right. | 3:40:31 | 3:40:33 | |
You get warm and lie down. That's it. That's right. | 3:40:33 | 3:40:36 | |
I thought you were asleep. | 3:41:08 | 3:41:10 | |
No, I was lying here watching you, | 3:41:10 | 3:41:13 | |
enjoying you, being thankful for you. | 3:41:13 | 3:41:17 | |
Sleep, my dearest. | 3:41:17 | 3:41:18 | |
No, not yet. | 3:41:18 | 3:41:20 | |
I want to keep my eyes open. | 3:41:20 | 3:41:22 | |
I want to look at you. | 3:41:22 | 3:41:24 | |
You know... | 3:41:25 | 3:41:27 | |
you're not the girl I saw dancing all night, | 3:41:27 | 3:41:30 | |
the girl who whispered on the balcony to the moon. | 3:41:30 | 3:41:33 | |
You're something much better. | 3:41:34 | 3:41:36 | |
How serene you are. | 3:41:38 | 3:41:39 | |
How valuable. | 3:41:39 | 3:41:41 | |
I love you so much. | 3:41:44 | 3:41:45 | |
It's a terrible thing. | 3:41:46 | 3:41:49 | |
Only at a moment like this can one talk so openly. | 3:41:49 | 3:41:52 | |
Until now, I knew nothing about love. | 3:41:52 | 3:41:54 | |
I was a great hater, Natasha. | 3:41:55 | 3:41:57 | |
I hated so many things, but most of all I hated you. | 3:41:58 | 3:42:03 | |
You had every right. | 3:42:03 | 3:42:04 | |
I love you more than I've ever loved anything on this earth. | 3:42:06 | 3:42:08 | |
Maybe this place has something to do with it, this monastery. | 3:42:10 | 3:42:13 | |
Maybe the monks really know about love. | 3:42:14 | 3:42:16 | |
Now I'm beginning to understand too. | 3:42:18 | 3:42:20 | |
Maybe death is my private monastery. | 3:42:22 | 3:42:24 | |
Ssh. | 3:42:24 | 3:42:25 | |
Where is he? | 3:42:40 | 3:42:42 | |
-Can I see him? -Of course. | 3:42:42 | 3:42:43 | |
But a moment, my dear. Is that his son? | 3:42:43 | 3:42:46 | |
-Yes. -And he's called? | 3:42:46 | 3:42:47 | |
-Kolja. -Kolja! But what a lovely boy! | 3:42:47 | 3:42:49 | |
-Where is he? -Natasha's with him. We've sent to ask. | 3:42:50 | 3:42:53 | |
I think you must be tired, Princess. | 3:42:54 | 3:42:57 | |
We've prepared rooms for you. | 3:42:57 | 3:42:59 | |
-And where is Petya? -He left a few days ago. | 3:42:59 | 3:43:01 | |
We simply couldn't control him any longer. | 3:43:01 | 3:43:04 | |
He kept on and on about going into the army, | 3:43:05 | 3:43:08 | |
until we just had to let him go. | 3:43:08 | 3:43:09 | |
Don't worry. The war will probably be over | 3:43:09 | 3:43:12 | |
before he gets his commission. | 3:43:12 | 3:43:14 | |
-Did you receive my letter? -Yes. | 3:43:14 | 3:43:16 | |
Thanks be to God. | 3:43:16 | 3:43:17 | |
That was a good piece of news. | 3:43:17 | 3:43:19 | |
You and Princess Mary. | 3:43:19 | 3:43:21 | |
-I'm worried about Sonya. -That's all right. | 3:43:21 | 3:43:23 | |
I told her immediately. | 3:43:23 | 3:43:25 | |
But, Mother, I wanted to explain it to her myself. | 3:43:25 | 3:43:28 | |
-Mary. -There, now. You're going to stay with us, little man? | 3:43:32 | 3:43:35 | |
Come, my dear. | 3:43:35 | 3:43:37 | |
-Come, little darling. -Come see him, Mary. | 3:43:45 | 3:43:47 | |
Nicholas, you come along. | 3:43:50 | 3:43:52 | |
Nicholas, I've read your letter. | 3:43:53 | 3:43:55 | |
I know. | 3:43:55 | 3:43:57 | |
She's a fine woman, isn't she? | 3:43:58 | 3:43:59 | |
If you want to, Nicholas, you're free. | 3:44:01 | 3:44:04 | |
Forgive me, Sonya. | 3:44:04 | 3:44:06 | |
Natasha. No-one will tell me anything. | 3:44:07 | 3:44:11 | |
How is his wound, his condition? | 3:44:12 | 3:44:14 | |
What do the doctors say? | 3:44:14 | 3:44:15 | |
Is he worse? | 3:44:15 | 3:44:18 | |
-Andre. -Hello, Mary. | 3:44:43 | 3:44:45 | |
How did you manage to get here? Have you brought little Kolja? | 3:44:46 | 3:44:50 | |
How are you now? | 3:44:50 | 3:44:52 | |
That, my dear, you must ask the doctor. | 3:44:52 | 3:44:54 | |
There, you see how strangely fate has brought us together? | 3:44:55 | 3:44:58 | |
She looks after me all the time. | 3:44:59 | 3:45:02 | |
-Mary came from Ryazan. -Really? | 3:45:02 | 3:45:04 | |
So you've met Count Nicholas, Mary? | 3:45:06 | 3:45:08 | |
Yes. | 3:45:08 | 3:45:10 | |
He wrote that he took a great liking to you. If you like him too, | 3:45:10 | 3:45:13 | |
it would be a good thing if you were to get married. | 3:45:13 | 3:45:16 | |
Why talk of me, Andre? | 3:45:16 | 3:45:17 | |
Would you like to see little Kolja? | 3:45:19 | 3:45:22 | |
-He's outside. -I'd be very glad to see him. | 3:45:22 | 3:45:25 | |
Is it too much for you, all this talking? | 3:45:35 | 3:45:37 | |
No. It's worse for Mary. | 3:45:38 | 3:45:40 | |
I want to tell her so many things, but I don't seem to be able to. | 3:45:40 | 3:45:43 | |
Kiss him, Kolja. | 3:45:55 | 3:45:56 | |
Kiss your father. | 3:45:57 | 3:45:58 | |
Kolja, no-one is permitted to cry in this room, you know. | 3:46:06 | 3:46:11 | |
Not children, and not grownups either. | 3:46:12 | 3:46:15 | |
I think you'd better go out and play now. | 3:46:20 | 3:46:22 | |
He's a handsome little boy. | 3:46:30 | 3:46:31 | |
What is it, Mary? Is it about the child? | 3:46:35 | 3:46:38 | |
You know the Gospel. | 3:46:39 | 3:46:40 | |
"The fowls of the air sow not, neither do they reap, | 3:46:43 | 3:46:45 | |
"yet your Father feedeth them." | 3:46:45 | 3:46:47 | |
That's why you mustn't cry. | 3:46:49 | 3:46:50 | |
Come sit beside me. | 3:46:54 | 3:46:55 | |
The hardest thing is to keep alive at sunset. | 3:47:02 | 3:47:04 | |
I had a wonderful dream. | 3:47:23 | 3:47:24 | |
I saw a door. | 3:47:25 | 3:47:27 | |
I could see beyond it. | 3:47:28 | 3:47:29 | |
I dreamt that I died... | 3:47:31 | 3:47:32 | |
..and as I died, I awoke. | 3:47:34 | 3:47:35 | |
Yes... | 3:47:37 | 3:47:38 | |
..death is an awakening. | 3:47:39 | 3:47:41 | |
You see? | 3:47:42 | 3:47:43 | |
It's all so simple. | 3:47:44 | 3:47:45 | |
Is it over? | 3:47:55 | 3:47:56 | |
Where is he now? | 3:48:08 | 3:48:09 | |
Where has he gone? | 3:48:11 | 3:48:12 | |
What is this? What is this? | 3:48:18 | 3:48:21 | |
Here we are, | 3:48:22 | 3:48:23 | |
the masters of the capital of the largest country in the world. | 3:48:23 | 3:48:27 | |
We don't have a single civilian to feed, | 3:48:28 | 3:48:30 | |
and even so, I get these reports! | 3:48:30 | 3:48:32 | |
"The stocks are dwindling. Food is disappearing. | 3:48:32 | 3:48:34 | |
"Ammunition is on fire. The danger point is approaching." | 3:48:34 | 3:48:38 | |
Who writes out these reports? | 3:48:38 | 3:48:40 | |
Who is taking steps to correct them? | 3:48:41 | 3:48:42 | |
I brought the greatest army in Europe into this city. | 3:48:47 | 3:48:51 | |
What do I see around me now? A mob of looters and drunkards. | 3:48:51 | 3:48:53 | |
They are not soldiers any more. | 3:48:55 | 3:48:56 | |
They are ragpickers. | 3:48:58 | 3:48:59 | |
Junk men! | 3:49:00 | 3:49:01 | |
I am sure Kutuzov must have sent emissaries | 3:49:08 | 3:49:11 | |
to ask for the terms of surrender. | 3:49:11 | 3:49:13 | |
What happened? Were they detained at the outposts? Are they shot? | 3:49:14 | 3:49:18 | |
Sire, I myself have given explicit instructions | 3:49:18 | 3:49:21 | |
to all the commanders of all the outposts. | 3:49:21 | 3:49:24 | |
There have been no emissaries | 3:49:24 | 3:49:26 | |
from the Russian commander-in-chief. | 3:49:26 | 3:49:28 | |
The city's burning down around our ears, house by house. | 3:49:39 | 3:49:42 | |
I have given strictest orders to shoot all incendiaries, | 3:49:43 | 3:49:46 | |
and even here, in my own headquarters, you cannot get the... | 3:49:46 | 3:49:48 | |
You cannot get the stink of smoke out of your nostrils! | 3:49:48 | 3:49:52 | |
Gentlemen, take hold. | 3:49:54 | 3:49:56 | |
Take hold, or I promise you, I will replace you all. | 3:49:56 | 3:49:58 | |
With all your titles, | 3:49:58 | 3:50:00 | |
with all your decorations and all your battles. | 3:50:00 | 3:50:03 | |
I'll go out into the streets and pick the first ten soldiers I can find | 3:50:03 | 3:50:07 | |
who are not drunk... | 3:50:07 | 3:50:08 | |
..and put them in your place! | 3:50:11 | 3:50:12 | |
I warn you, gentlemen. I cannot sit here much longer... | 3:50:18 | 3:50:21 | |
..watching my army... | 3:50:23 | 3:50:24 | |
..decay. | 3:50:25 | 3:50:26 | |
Close the window, someone. | 3:50:31 | 3:50:32 | |
Already, the wild geese are flying south. | 3:50:56 | 3:50:58 | |
What if we are trapped here through winter? | 3:50:58 | 3:51:01 | |
Time and patience. | 3:51:02 | 3:51:05 | |
Patience and time. | 3:51:05 | 3:51:06 | |
The grand army's wounded. | 3:51:08 | 3:51:10 | |
But is it mortally wounded? | 3:51:10 | 3:51:12 | |
An apple should not be plucked while it's green. | 3:51:14 | 3:51:18 | |
Patience and time. | 3:51:20 | 3:51:22 | |
-KNOCK ON THE DOOR -Yeah? Who is it? | 3:51:26 | 3:51:30 | |
Come in! | 3:51:30 | 3:51:31 | |
A special courier, Your Excellency. | 3:51:31 | 3:51:33 | |
Excellency, the French are preparing to leave Moscow. | 3:51:38 | 3:51:42 | |
Come closer. | 3:51:46 | 3:51:47 | |
Excellency, would you like me to... | 3:52:16 | 3:52:18 | |
O Lord...my creator... | 3:52:49 | 3:52:52 | |
..thou hast heard our prayer. | 3:52:53 | 3:52:55 | |
Russia is saved. | 3:52:58 | 3:53:00 | |
I thank thee, O, Lord. | 3:53:01 | 3:53:03 | |
Russian women. | 3:53:24 | 3:53:25 | |
They're the lice that live on the conquerors. | 3:53:27 | 3:53:29 | |
They have to leave with them or die. | 3:53:29 | 3:53:31 | |
Attack! | 3:54:16 | 3:54:17 | |
The word "attack" is always on your tongues. | 3:54:18 | 3:54:20 | |
Gentlemen... | 3:54:22 | 3:54:24 | |
they came into our country like locusts... | 3:54:24 | 3:54:27 | |
..leaving nothing behind, food nor shelter. | 3:54:28 | 3:54:31 | |
Now they're going back the way they came, | 3:54:31 | 3:54:34 | |
through the desolation they made themselves. | 3:54:34 | 3:54:38 | |
A cold, hungry army, | 3:54:38 | 3:54:40 | |
2,000 miles from home, | 3:54:40 | 3:54:41 | |
doing what every Russian wants... | 3:54:41 | 3:54:44 | |
..leaving our country with all possible speed. | 3:54:46 | 3:54:48 | |
The country is destroying them. | 3:54:50 | 3:54:53 | |
And the Russian army? | 3:54:53 | 3:54:54 | |
Since Borodino, the Russian army has been in constant retreat. | 3:54:54 | 3:54:58 | |
-Now it must attack. -For what? | 3:54:58 | 3:55:00 | |
I wouldn't give one Russian soldier for ten Frenchmen! | 3:55:02 | 3:55:06 | |
Those retreats | 3:55:07 | 3:55:09 | |
have brought about the destruction of the French army, | 3:55:09 | 3:55:13 | |
and will bring about the liberation of our country. | 3:55:13 | 3:55:17 | |
The animal is running. | 3:55:20 | 3:55:22 | |
We will follow it... | 3:55:22 | 3:55:23 | |
..and flick its haunches with whips, | 3:55:25 | 3:55:28 | |
to encourage it to keep moving. | 3:55:28 | 3:55:30 | |
We will follow it to the borders of our country. | 3:55:31 | 3:55:34 | |
We will offer the French a golden bridge | 3:55:36 | 3:55:38 | |
to the west. | 3:55:38 | 3:55:40 | |
Get moving there! Get moving! | 3:59:15 | 3:59:17 | |
All stragglers will be shot. | 3:59:18 | 3:59:20 | |
Get up. | 3:59:21 | 3:59:22 | |
Get up! Keep moving! Get up! | 3:59:22 | 3:59:25 | |
Come on! | 3:59:27 | 3:59:29 | |
Get into line! | 3:59:29 | 3:59:30 | |
Get up. Come on, get up! | 3:59:30 | 3:59:32 | |
-I can't. -Get up! Now! | 3:59:33 | 3:59:36 | |
971...972... | 4:01:38 | 4:01:41 | |
..73, 74... | 4:01:42 | 4:01:43 | |
..75, 76... | 4:01:46 | 4:01:47 | |
Get up! Get moving! | 4:01:49 | 4:01:52 | |
-One, two... -Clear the road! | 4:01:56 | 4:01:58 | |
Out of the way! Clear the road. | 4:01:58 | 4:02:00 | |
Clear the road there. Stand aside. | 4:02:00 | 4:02:02 | |
Out of the way. Out of the way. | 4:02:02 | 4:02:04 | |
Move on! | 4:02:18 | 4:02:19 | |
Move on! Keep moving! | 4:02:19 | 4:02:21 | |
-Move on! Move on! -One... | 4:02:24 | 4:02:26 | |
..two, three. | 4:02:27 | 4:02:28 | |
What are you...counting all the time? | 4:02:30 | 4:02:32 | |
I count to 1,000 and start again to keep my feet going. | 4:02:33 | 4:02:37 | |
-My feet are numb. -You've never needed them before. | 4:02:37 | 4:02:40 | |
Have you? | 4:02:40 | 4:02:41 | |
Gentlemen ride in carriages or on horseback. | 4:02:41 | 4:02:44 | |
I've lived my whole life on foot, | 4:02:45 | 4:02:48 | |
yet you'll outlast me. | 4:02:48 | 4:02:50 | |
Start again. One, two... | 4:02:50 | 4:02:52 | |
..four, five, six... | 4:03:21 | 4:03:23 | |
Get up! | 4:03:25 | 4:03:26 | |
Come on. Keep moving. | 4:03:28 | 4:03:29 | |
Are you afraid too, friend? | 4:03:46 | 4:03:47 | |
GUN FIRES | 4:03:50 | 4:03:51 | |
One, two... | 4:04:32 | 4:04:33 | |
..three, four, five... | 4:04:36 | 4:04:38 | |
Halt! | 4:04:44 | 4:04:45 | |
-Who are you? -Ensign Rostov, looking for Colonel Dolokhov's detachment. | 4:04:47 | 4:04:50 | |
-I have a dispatch from the commander-in-chief. -Come, then. | 4:04:50 | 4:04:53 | |
-How did you find us? -Some peasants in the village below told me. | 4:04:55 | 4:04:58 | |
-Dragoons? -Yes, sir. Dragoons. | 4:05:06 | 4:05:08 | |
How many infantrymen? | 4:05:08 | 4:05:10 | |
-Maybe 100. -Or 200? | 4:05:10 | 4:05:13 | |
Yes, sir. Perhaps 200. | 4:05:14 | 4:05:15 | |
Perhaps! Perhaps! Get out of here before I lose my temper! Out! | 4:05:15 | 4:05:19 | |
When was he captured? | 4:05:33 | 4:05:35 | |
Last night, but we won't keep him long. | 4:05:35 | 4:05:38 | |
I usually do not take prisoners. | 4:05:38 | 4:05:39 | |
-What is this dispatch? -It's my general's dispatch, sir. | 4:05:43 | 4:05:46 | |
-Who are you? -Ensign Rostov, sir. | 4:05:49 | 4:05:51 | |
Rostov. Do you have a brother Nicholas? | 4:05:51 | 4:05:54 | |
-Yes, sir. Do you know him? -Yes. | 4:05:54 | 4:05:55 | |
"All patrols are to pull back immediately to join the main army | 4:06:00 | 4:06:03 | |
"and prepare for a general attack | 4:06:03 | 4:06:05 | |
"when the French attempt to cross the Berezina River." | 4:06:05 | 4:06:10 | |
Rostov, you didn't find me tonight. | 4:06:21 | 4:06:24 | |
You didn't find me to give me this till tomorrow. | 4:06:24 | 4:06:26 | |
Why, sir? | 4:06:26 | 4:06:28 | |
That French column of stragglers. | 4:06:28 | 4:06:30 | |
I'm going to attack them tomorrow morning. | 4:06:30 | 4:06:32 | |
-One last fight. -Let me come. -No. | 4:06:32 | 4:06:35 | |
I'll say I didn't find you tonight if you let me fight too, sir. | 4:06:35 | 4:06:38 | |
-I'll make you a bargain. -No, no, no, no. -Yes, sir. Let me come. | 4:06:38 | 4:06:41 | |
It's a bargain, but you keep out of trouble, | 4:06:42 | 4:06:45 | |
or you will make trouble for me with the general. | 4:06:45 | 4:06:47 | |
-Thank you. Thank you. -Go and eat something. | 4:06:47 | 4:06:50 | |
Now, I will move in through the forest. | 4:06:53 | 4:06:56 | |
You take your men around to the other side of the valley during the night. | 4:06:56 | 4:06:59 | |
Be ready to attack at my signal. | 4:06:59 | 4:07:02 | |
-Right. Any reserves? -No reserves. | 4:07:02 | 4:07:05 | |
This is our last fight, | 4:07:05 | 4:07:06 | |
and we're not going to hold back anything. | 4:07:06 | 4:07:08 | |
-Ensign, you want some? -Thank you. | 4:07:12 | 4:07:14 | |
Hungry? Have this. | 4:07:33 | 4:07:35 | |
Thank you very much. | 4:07:36 | 4:07:38 | |
Remember, stay behind me at all times. | 4:07:56 | 4:07:58 | |
Charge! | 4:07:58 | 4:07:59 | |
ALL: Cossacks! Cossacks! | 4:08:07 | 4:08:08 | |
You must have wished often you had killed me in that stupid duel. | 4:09:19 | 4:09:22 | |
You probably haven't heard that Helene died in St Petersburg. | 4:09:22 | 4:09:25 | |
Finally, I want to ask you to forgive me | 4:09:28 | 4:09:30 | |
for the harm I did you. | 4:09:30 | 4:09:32 | |
Halt! | 4:09:46 | 4:09:47 | |
Take them away. You know what to do with them. | 4:09:51 | 4:09:53 | |
He wouldn't stay behind. It was a game for him. | 4:10:05 | 4:10:08 | |
His sabre was a toy. | 4:10:10 | 4:10:12 | |
EXPLOSION, SCREAMING | 4:10:12 | 4:10:14 | |
I never take prisoners. | 4:10:17 | 4:10:19 | |
Stand by your guns! | 4:11:10 | 4:11:11 | |
Stand by your guns! | 4:11:12 | 4:11:14 | |
Stand by your guns! | 4:11:14 | 4:11:15 | |
-Fire! -Fire! | 4:11:32 | 4:11:33 | |
Yes, burn them. | 4:13:06 | 4:13:07 | |
Hooray, lads! | 4:14:00 | 4:14:01 | |
ALL: Hoorah! | 4:14:01 | 4:14:02 | |
I thank you all for your hard | 4:14:08 | 4:14:11 | |
and faithful service. | 4:14:11 | 4:14:12 | |
The victory is complete, | 4:14:14 | 4:14:16 | |
and Russia will not forget you! | 4:14:16 | 4:14:18 | |
Honour to you for ever! | 4:14:19 | 4:14:20 | |
ALL: Hoorah! Hoorah! Hoorah! | 4:14:23 | 4:14:27 | |
Well, shall we see what's happened to the rest of the house? | 4:15:33 | 4:15:36 | |
Come on, Mary. | 4:15:37 | 4:15:39 | |
Sonya, why don't you see what the kitchen's like? | 4:15:45 | 4:15:47 | |
-Yes, surely. -Prokofy, you might find some tea. | 4:15:47 | 4:15:50 | |
Yes, miss. | 4:15:50 | 4:15:51 | |
-Will you look in the cellar, Vasilich? -Very well. | 4:15:51 | 4:15:53 | |
Mama! Papa! | 4:16:04 | 4:16:06 | |
The north wing is just as it was. Nothing's happened. | 4:16:06 | 4:16:09 | |
We have a house... Half a house. | 4:16:09 | 4:16:13 | |
Isn't it wonderful? | 4:16:13 | 4:16:14 | |
Mama, you can come and rest. We're home. | 4:16:15 | 4:16:18 | |
Dunyasha, make Mama a cold compress. | 4:16:20 | 4:16:23 | |
And, oh, take this footstool. | 4:16:23 | 4:16:25 | |
She always liked that. | 4:16:25 | 4:16:26 | |
The baby can go in my room. Whoops. | 4:16:28 | 4:16:29 | |
Up you go. There. | 4:16:31 | 4:16:32 | |
Oh, I do hope Vasilich will find a bottle of port. | 4:16:34 | 4:16:37 | |
You see, Mary? You're going to have a born optimist as a father-in-law. | 4:16:37 | 4:16:41 | |
I have loved you from the first moment I saw you. | 4:17:09 | 4:17:12 | |
Hurry up, Nicholas! You're delaying the trip to the country! | 4:17:20 | 4:17:24 | |
Pierre. | 4:17:46 | 4:17:47 | |
We were so worried when we heard you were taken prisoner. | 4:17:51 | 4:17:54 | |
But you've come back. | 4:17:57 | 4:17:58 | |
You are like this house. | 4:18:13 | 4:18:14 | |
You suffer, you show your wounds, | 4:18:16 | 4:18:18 | |
but you stand. | 4:18:18 | 4:18:20 |