
Browse content similar to An Ideal Husband. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Your usual, m'Lord. | 0:00:48 | 0:00:50 | |
HE GROANS | 0:00:50 | 0:00:52 | |
Good morning, m'Lord. | 0:00:56 | 0:00:59 | |
HE GROANS | 0:00:59 | 0:01:01 | |
The morning paper, m'Lord. | 0:01:09 | 0:01:11 | |
Mmm... | 0:01:11 | 0:01:12 | |
"Sir Robert Chiltern, a rising star in Parliament, tonight hosts a party | 0:01:15 | 0:01:21 | |
"that promises to be the highlight of the social calendar, | 0:01:21 | 0:01:25 | |
"with his wife, Lady Gertrude, who is herself a leading figure | 0:01:25 | 0:01:30 | |
"in women's politics. They represent what is best in English public life | 0:01:30 | 0:01:36 | |
"and is a noble contrast to the lax morality | 0:01:36 | 0:01:40 | |
"so common amongst foreign politicians." | 0:01:40 | 0:01:43 | |
They will never say that about me, will they, Phipps? | 0:01:43 | 0:01:47 | |
I sincerely hope not, sir. | 0:01:47 | 0:01:50 | |
Bit of a busy day. Distressingly little time for sloth or idleness. | 0:01:50 | 0:01:55 | |
-Sorry, sir. -Not entirely your fault. Not this time. | 0:01:55 | 0:02:01 | |
Thank you, m'Lord. | 0:02:02 | 0:02:04 | |
HE YAWNS | 0:02:04 | 0:02:06 | |
-Good morning, Tommy. -Lady Chiltern. | 0:02:23 | 0:02:26 | |
I very much look forward to this evening. | 0:02:26 | 0:02:29 | |
-Miss Mabel. -Tommy. | 0:02:29 | 0:02:31 | |
I hope you'll make our appointment, I've something to say to you. | 0:02:31 | 0:02:36 | |
Good day, ladies. | 0:02:37 | 0:02:40 | |
-When he wants to be romantic, he talks to one like a doctor. -Ha-ha! | 0:02:40 | 0:02:44 | |
Till tonight! | 0:02:44 | 0:02:47 | |
Miss Mabel. | 0:02:47 | 0:02:49 | |
Lord Goring. | 0:02:49 | 0:02:51 | |
Lord Goring? | 0:02:52 | 0:02:54 | |
Countess, good morning. | 0:02:54 | 0:02:57 | |
Aren't you going to congratulate me? | 0:02:57 | 0:03:01 | |
Congratulations. | 0:02:59 | 0:03:01 | |
-Aren't you going to ask why? -Why? | 0:03:01 | 0:03:04 | |
I've decided to marry. | 0:03:04 | 0:03:07 | |
My God! Who to? | 0:03:07 | 0:03:09 | |
That is still to be decided. | 0:03:09 | 0:03:11 | |
Good morning, dear Gertrude. | 0:03:11 | 0:03:14 | |
Lady Markby. | 0:03:14 | 0:03:16 | |
Allow me to introduce my friend, Mrs Cheveley. | 0:03:16 | 0:03:21 | |
How do you do? | 0:03:21 | 0:03:23 | |
Mrs Cheveley and I have met before. | 0:03:23 | 0:03:26 | |
Of course. | 0:03:26 | 0:03:28 | |
Gertrude. And to think you married Sir Robert Chiltern. | 0:03:28 | 0:03:32 | |
I was hoping to meet your husband. | 0:03:32 | 0:03:37 | |
Really? | 0:03:35 | 0:03:37 | |
Yes. But I return to Vienna on Friday. | 0:03:37 | 0:03:40 | |
Oh, dear, what a shame. | 0:03:40 | 0:03:44 | |
Well, perhaps I might bring her this evening? | 0:03:44 | 0:03:48 | |
Yes, by all means. | 0:03:48 | 0:03:53 | |
What can I say? I'd be delighted. | 0:03:50 | 0:03:53 | |
We'll see you tonight. | 0:03:53 | 0:03:58 | |
See you tonight. | 0:03:55 | 0:03:57 | |
You see, Phipps, fashion is what one wears oneself. | 0:04:20 | 0:04:25 | |
What is unfashionable | 0:04:25 | 0:04:27 | |
is what other people wear. | 0:04:27 | 0:04:31 | |
Yes, m'Lord. | 0:04:29 | 0:04:31 | |
People are dreadful. The only society is oneself. | 0:04:31 | 0:04:35 | |
Yes, m'Lord. | 0:04:35 | 0:04:39 | |
To love oneself... | 0:04:36 | 0:04:39 | |
is the beginning of a lifelong romance. | 0:04:39 | 0:04:42 | |
Yes, m'Lord. | 0:04:42 | 0:04:44 | |
Their Graces, | 0:04:54 | 0:04:56 | |
the Duke and Duchess of Berwick. | 0:04:56 | 0:04:58 | |
Lord Windermere. | 0:05:02 | 0:05:04 | |
Countess Basildon. | 0:05:06 | 0:05:09 | |
..It is widely agreed the last truly decent man in London. | 0:05:09 | 0:05:13 | |
You're a very personable man, with a most attractive personality. | 0:05:13 | 0:05:18 | |
You've brought into British politics an honesty, an integrity, a finer... | 0:05:18 | 0:05:23 | |
A nobler atmosphere. A finer attitude and higher ideals. | 0:05:23 | 0:05:28 | |
Don't believe everything in newspapers. | 0:05:28 | 0:05:31 | |
In the old days, we had the rack. Nowadays, we have the press. | 0:05:31 | 0:05:36 | |
Your paper being the exception, Sir Edward. | 0:05:36 | 0:05:39 | |
Where truth shines out like a beacon and lies run vainly for the shadows. | 0:05:39 | 0:05:44 | |
Bravo. But may I ask, do I detect in your conversation a lyricism | 0:05:44 | 0:05:49 | |
not entirely uncommon in your husband's speeches? | 0:05:49 | 0:05:53 | |
If you are suggesting that my position owes anything to my wife, | 0:05:53 | 0:05:57 | |
you are mistaken. It owes everything to her. | 0:05:57 | 0:06:01 | |
Make it known, for without her, I am entirely unexceptional. | 0:06:01 | 0:06:05 | |
Without her love, | 0:06:05 | 0:06:08 | |
I'm nothing. | 0:06:08 | 0:06:10 | |
All I know is, a serious shake-up in the Government looks inevitable. | 0:06:12 | 0:06:17 | |
The Prime Minister was asking about you. | 0:06:17 | 0:06:21 | |
Really? He's afraid you'll take his job! | 0:06:21 | 0:06:24 | |
< Lady Markby. Mrs Cheveley. | 0:06:24 | 0:06:27 | |
If I had a jewel for every staring eye! | 0:06:33 | 0:06:36 | |
I'm glad to say, Lady Markby, you evidently do. | 0:06:36 | 0:06:40 | |
Excuse me. Ah, chere Madame, quelle surprise! | 0:06:40 | 0:06:44 | |
Lady Markby. I have not seen you since Berlin. | 0:06:44 | 0:06:47 | |
Five years ago. | 0:06:47 | 0:06:49 | |
You are younger and more beautiful. How do you do it? | 0:06:49 | 0:06:53 | |
By only talking to charming people like yourself. | 0:06:53 | 0:06:57 | |
Mrs Cheveley. What do we know about her? | 0:06:57 | 0:07:01 | |
Very influential in Vienna. A force to be reckoned with. | 0:07:01 | 0:07:07 | |
Are you staying long? | 0:07:07 | 0:07:12 | |
It depends on the weather and the cooking | 0:07:08 | 0:07:12 | |
-and on your brother. -Sir Robert's been dying to meet you. | 0:07:12 | 0:07:17 | |
Everyone is. Our attaches in Vienna write to us about nothing else. | 0:07:17 | 0:07:22 | |
An acquaintance that begins with a compliment becomes a friendship. | 0:07:22 | 0:07:27 | |
-You've met my sister. -Yes, indeed. | 0:07:27 | 0:07:30 | |
My dear child, allow me to introduce you to the Vicounte de Nanjac. | 0:07:30 | 0:07:37 | |
Oh. | 0:07:35 | 0:07:37 | |
You've a beautiful house. | 0:07:37 | 0:07:42 | |
We're very happy here. | 0:07:39 | 0:07:42 | |
-I'd so love to see it. -Allow me. | 0:07:42 | 0:07:45 | |
Thank you. | 0:07:45 | 0:07:49 | |
< Lord Goring. | 0:07:46 | 0:07:49 | |
Good evening, young lady. | 0:07:55 | 0:07:56 | |
What are you doing here? Wasting your life, as usual. | 0:07:56 | 0:08:01 | |
You should be in bed. You keep too late hours. | 0:08:01 | 0:08:04 | |
I heard you were dancing till four. | 0:08:04 | 0:08:06 | |
Good evening, Father. | 0:08:06 | 0:08:12 | |
Can't make out how you stand London. Nobodies talking about nothing. | 0:08:07 | 0:08:12 | |
Talking about nothing is the only thing I know anything about. | 0:08:12 | 0:08:16 | |
That's a paradox. I hate paradoxes. | 0:08:16 | 0:08:21 | |
So do I, Father. Everyone one meets | 0:08:18 | 0:08:21 | |
is a paradox. Makes society so obvious, hmm? | 0:08:21 | 0:08:25 | |
Do you understand what you say? | 0:08:25 | 0:08:28 | |
Yes, if I listen attentively. HE SHUDDERS | 0:08:28 | 0:08:32 | |
Oh, conceited young puppy! | 0:08:34 | 0:08:37 | |
I have it on good authority that you have Corots. | 0:08:37 | 0:08:41 | |
Really? Whose? | 0:08:41 | 0:08:43 | |
Baron Arnheim. | 0:08:43 | 0:08:45 | |
-Did you know the Baron well? -Intimately. Did you? | 0:08:50 | 0:08:53 | |
-At one time. -Wonderful man, wasn't he? -Remarkable. | 0:08:53 | 0:08:58 | |
A pity he never wrote his memoirs. | 0:08:58 | 0:09:00 | |
They would have been most interesting. | 0:09:00 | 0:09:02 | |
Allow me to introduce the idlest man in London. | 0:09:02 | 0:09:06 | |
-Good evening, Lord Goring. -You've met? | 0:09:06 | 0:09:09 | |
I did not think you'd remember me, Mrs...Cheveley. | 0:09:09 | 0:09:13 | |
My memory's under admirable control. | 0:09:13 | 0:09:16 | |
The Indian Ambassador. | 0:09:16 | 0:09:18 | |
Excuse me. | 0:09:18 | 0:09:20 | |
Are you not just a little bit pleased to see me? | 0:09:23 | 0:09:28 | |
Possibly even less than that. | 0:09:28 | 0:09:31 | |
Should you wish to avoid me, I'll be staying at Claridge's until Friday. | 0:09:31 | 0:09:37 | |
-THEY CHUCKLE -Are you still a bachelor? | 0:09:37 | 0:09:40 | |
-Resolutely so. -He's the result of Boodle's Club. | 0:09:40 | 0:09:44 | |
He reflects every credit on it. | 0:09:44 | 0:09:48 | |
Thank you. | 0:09:46 | 0:09:48 | |
And now, Sir Robert, I have something to say to you. | 0:09:58 | 0:10:02 | |
You'll find me an eager audience. | 0:10:02 | 0:10:05 | |
I'm so glad. I want to talk to you about | 0:10:05 | 0:10:07 | |
a great political and financial scheme, | 0:10:07 | 0:10:10 | |
about this Argentine canal company, in fact. | 0:10:10 | 0:10:13 | |
What a tedious, practical subject to talk about. | 0:10:13 | 0:10:17 | |
I like those. What I don't like are tedious, practical people. | 0:10:17 | 0:10:21 | |
I know you are interested in international canal schemes. | 0:10:21 | 0:10:26 | |
Yes. | 0:10:26 | 0:10:28 | |
But the Suez Canal is a very great and splendid undertaking. | 0:10:28 | 0:10:33 | |
It gave us a direct route to India. | 0:10:33 | 0:10:36 | |
This Argentine scheme is a stock-exchange swindle. | 0:10:36 | 0:10:40 | |
It is a brilliant, daring speculation. | 0:10:40 | 0:10:43 | |
Believe me, Mrs Cheveley, it is a swindle. | 0:10:43 | 0:10:47 | |
Let us call things by their proper names. It makes matters simpler. | 0:10:47 | 0:10:52 | |
I hope you've not invested in it. You're too clever to have done that. | 0:10:52 | 0:10:57 | |
I have invested very largely in it. | 0:10:57 | 0:11:00 | |
Who advised you? | 0:11:00 | 0:11:02 | |
Your old friend and mine - Baron Arnheim. | 0:11:02 | 0:11:05 | |
It was one of the last things he said. | 0:11:05 | 0:11:09 | |
Ah. | 0:11:09 | 0:11:10 | |
The future of the canal depends on | 0:11:18 | 0:11:21 | |
the attitude of Her Majesty's Government. | 0:11:21 | 0:11:24 | |
And... | 0:11:24 | 0:11:26 | |
I'll be presenting my report to the House of Commons on Thursday night. | 0:11:26 | 0:11:34 | |
I can tell you now that I will be condemning the scheme | 0:11:34 | 0:11:36 | |
in no uncertain terms. | 0:11:36 | 0:11:38 | |
You must not. In your interests, to say nothing of mine, you must not. | 0:11:38 | 0:11:44 | |
My dear Mrs Cheveley, what do you mean? | 0:11:44 | 0:11:47 | |
Amend that report to state that the canal | 0:11:47 | 0:11:50 | |
will be of great international value. | 0:11:50 | 0:11:52 | |
Will you do that for me? | 0:11:52 | 0:11:54 | |
You cannot be serious. | 0:11:58 | 0:11:59 | |
I am quite serious. | 0:11:59 | 0:12:01 | |
If you do what I ask, I will pay you very handsomely. | 0:12:01 | 0:12:04 | |
Pay me? | 0:12:04 | 0:12:06 | |
You are a man of the world and you have your price. Everybody has. | 0:12:06 | 0:12:11 | |
I will call your carriage for you. You have lived so long abroad | 0:12:11 | 0:12:16 | |
that you don't realise that I am an English gentleman. | 0:12:16 | 0:12:20 | |
I realise you're a man whose past is less perfect than his reputation. | 0:12:20 | 0:12:27 | |
What are you saying? | 0:12:29 | 0:12:31 | |
I know the real origin of your wealth, and I have got your letter. | 0:12:31 | 0:12:37 | |
You are very late. | 0:12:40 | 0:12:42 | |
-Miss me? -Awfully. | 0:12:42 | 0:12:44 | |
Sorry I wasn't later. I like being missed. | 0:12:44 | 0:12:47 | |
-How very selfish. -I am very selfish. | 0:12:47 | 0:12:50 | |
You're always telling me about your bad qualities. | 0:12:50 | 0:12:52 | |
I haven't told you the half of them. | 0:12:52 | 0:12:54 | |
Are they very bad? | 0:12:54 | 0:12:56 | |
Quite dreadful. When I think of them at night, I go to sleep at once. | 0:12:56 | 0:13:01 | |
I like your bad qualities and I'd not have you part with a single one. | 0:13:01 | 0:13:07 | |
This shows your admirable good taste. | 0:13:07 | 0:13:10 | |
May I escort you to the music room? | 0:13:10 | 0:13:14 | |
I'd be delighted. | 0:13:11 | 0:13:14 | |
-As, indeed, would I. -Coming? | 0:13:14 | 0:13:16 | |
Not if there's any music going on. | 0:13:16 | 0:13:20 | |
The music is in German, so you would not understand it. | 0:13:20 | 0:13:24 | |
Quite so, quite so. | 0:13:24 | 0:13:27 | |
-Arthur! -Gertrude, good evening. | 0:13:27 | 0:13:30 | |
You like political parties? | 0:13:30 | 0:13:33 | |
I adore them. They're the only place where people don't talk politics. | 0:13:33 | 0:13:36 | |
The affair to which you allude was no more than a speculation. | 0:13:39 | 0:13:43 | |
A swindle. Call things by their proper names. It makes it simpler. | 0:13:43 | 0:13:49 | |
I'll sell you that letter back, | 0:13:49 | 0:13:52 | |
and the price is your public support of the Argentine scheme. | 0:13:52 | 0:13:56 | |
I cannot do what you ask me. | 0:13:58 | 0:14:00 | |
You're standing on the edge of a precipice. Supposing you refuse? | 0:14:00 | 0:14:05 | |
What then? | 0:14:05 | 0:14:07 | |
Suppose I pay a visit to a newspaper office and give them this scandal. | 0:14:07 | 0:14:13 | |
Think of the delight they'd have in tearing you down. | 0:14:13 | 0:14:17 | |
Think of... Sir Edward? | 0:14:17 | 0:14:21 | |
My dear Mrs Cheveley. | 0:14:18 | 0:14:21 | |
I hope we have the opportunity to meet up. I enjoy the cut and thrust | 0:14:21 | 0:14:26 | |
of continental politics. | 0:14:26 | 0:14:30 | |
I shall make it a priority. | 0:14:27 | 0:14:30 | |
Sir Robert. | 0:14:30 | 0:14:32 | |
It is infamous what you propose. Infamous. | 0:14:38 | 0:14:42 | |
Oh, no, it is the game of life, Sir Robert. As we all have to play it. | 0:14:42 | 0:14:47 | |
Sooner or later. | 0:14:47 | 0:14:50 | |
What a charming house. A delightful evening. | 0:15:11 | 0:15:15 | |
I'm so glad. | 0:15:15 | 0:15:17 | |
I'm so glad you met my husband. | 0:15:17 | 0:15:21 | |
Though... | 0:15:21 | 0:15:23 | |
I confess to some curiosity as to the matter of your conversation. | 0:15:23 | 0:15:27 | |
Your carriage is waiting. | 0:15:27 | 0:15:30 | |
Thanks. Another time. Good evening. | 0:15:30 | 0:15:34 | |
Good evening. | 0:15:34 | 0:15:36 | |
Will you see me out, Sir Robert? | 0:15:36 | 0:15:39 | |
Now that we have the same interests at heart, we'll be great friends. | 0:15:39 | 0:15:43 | |
Certainly. | 0:15:43 | 0:15:46 | |
Let me have more time to consider your proposal. | 0:15:52 | 0:15:55 | |
There is nothing to consider. | 0:15:55 | 0:15:56 | |
Support the scheme and I will return the letter. | 0:15:56 | 0:15:59 | |
Scandals used to lend charm to a man, | 0:15:59 | 0:16:02 | |
nowadays they crush him. Yours is a very nasty scandal. | 0:16:02 | 0:16:06 | |
You would be hounded out of public life. You'd disappear completely. | 0:16:06 | 0:16:11 | |
My God! | 0:16:11 | 0:16:13 | |
What brought you into my life? | 0:16:13 | 0:16:16 | |
Circumstances. At some point, | 0:16:16 | 0:16:19 | |
we all have to pay for what we do. You have to pay now. | 0:16:19 | 0:16:22 | |
(I will give you any sum of money you want.) | 0:16:24 | 0:16:27 | |
Even you are not rich enough to buy back your past. | 0:16:27 | 0:16:31 | |
No man is. | 0:16:31 | 0:16:33 | |
Father, this is not my day for talking seriously. | 0:16:53 | 0:16:57 | |
-What do you mean? -I talk seriously on the first Tuesday of the month, | 0:16:57 | 0:17:03 | |
between noon and three. | 0:17:03 | 0:17:05 | |
Well, make it Tuesday, sir. | 0:17:05 | 0:17:07 | |
That is before noon, Father. | 0:17:07 | 0:17:09 | |
I'm sorry, but my doctor said specifically. | 0:17:09 | 0:17:12 | |
You are 36. | 0:17:12 | 0:17:15 | |
Shh! Father! | 0:17:13 | 0:17:15 | |
I only admit to 32. | 0:17:15 | 0:17:17 | |
-You are 36, you must get a wife. -Wife? | 0:17:17 | 0:17:21 | |
HE LAUGHS | 0:17:21 | 0:17:24 | |
A shade lacklustre this morning, Chiltern. | 0:17:24 | 0:17:28 | |
Mind on other matters, I shouldn't wonder. | 0:17:31 | 0:17:34 | |
Mrs Cheveley came by the office last night. | 0:17:36 | 0:17:39 | |
Really? | 0:17:39 | 0:17:43 | |
Yes. | 0:17:41 | 0:17:43 | |
Wanted me to write a piece about this Argentine thing. | 0:17:43 | 0:17:48 | |
Quite interesting, really. Mentioned you. | 0:17:48 | 0:17:52 | |
Did she? | 0:17:52 | 0:17:56 | |
She did, indeed. | 0:17:53 | 0:17:56 | |
What did she say? | 0:17:58 | 0:18:00 | |
Outlined the virtues of the scheme. She probably has shares in it. | 0:18:00 | 0:18:06 | |
What did she say about me? | 0:18:06 | 0:18:09 | |
About your speech on it. Said I'd be surprised. Wouldn't say what. | 0:18:09 | 0:18:15 | |
Can I take it you've changed your position? | 0:18:15 | 0:18:19 | |
I wonder what kind of a woman she is. | 0:18:28 | 0:18:31 | |
Who? | 0:18:31 | 0:18:33 | |
Mrs Cheveley. | 0:18:33 | 0:18:35 | |
Hmm, smallish. | 0:18:35 | 0:18:38 | |
The question remains, where to from there, hmm? | 0:18:38 | 0:18:42 | |
To the Hartlocks, then the Basildons... | 0:18:42 | 0:18:45 | |
Or should we go straight to the ball? | 0:18:45 | 0:18:49 | |
I almost wish I were you sometimes. | 0:18:49 | 0:18:51 | |
I almost wish you were too. | 0:18:51 | 0:18:53 | |
Except that you'd probably do something useful, that'd never do. | 0:18:53 | 0:18:57 | |
You could always get married. | 0:18:57 | 0:19:02 | |
It's the 'always' bit that alarms me. | 0:18:59 | 0:19:02 | |
I could see that he was about to do it again. | 0:19:04 | 0:19:07 | |
Poor Mr Trafford. | 0:19:07 | 0:19:10 | |
-It sounds quite serious. -Oh, it is. | 0:19:10 | 0:19:13 | |
He proposed to me in broad daylight, in front of the statue of Achilles. | 0:19:13 | 0:19:18 | |
The things that go on in front of that are quite appalling! | 0:19:18 | 0:19:22 | |
-The police should interfere. -Ahem... | 0:19:22 | 0:19:25 | |
It may not suit a modern girl like you, | 0:19:25 | 0:19:29 | |
but there is one effective way | 0:19:29 | 0:19:31 | |
to put a stop to his proposals. | 0:19:31 | 0:19:34 | |
-Which is? -Accept one of them. | 0:19:34 | 0:19:37 | |
Oh, no! | 0:19:37 | 0:19:41 | |
Ladies! | 0:19:38 | 0:19:40 | |
By the way, have you been talking to my father? | 0:19:42 | 0:19:46 | |
Should I? | 0:19:46 | 0:19:49 | |
Certainly not. | 0:19:47 | 0:19:49 | |
He suggested that I model myself on you. | 0:19:49 | 0:19:53 | |
Your father has exquisite taste and rare judgement. | 0:19:53 | 0:19:57 | |
Hard work, probity, and a good woman. | 0:19:57 | 0:20:00 | |
He forgot that you took the last good woman. Took her right out of my arms. | 0:20:00 | 0:20:05 | |
What is that saying about the sea and plenty of fish in it? | 0:20:05 | 0:20:10 | |
Yes, but I couldn't possibly marry a fish. | 0:20:10 | 0:20:14 | |
I'd be sure to land an old trout. | 0:20:14 | 0:20:17 | |
I never change, except in my affection. | 0:20:17 | 0:20:21 | |
What a noble nature you have. | 0:20:21 | 0:20:25 | |
LAUGHTER | 0:20:23 | 0:20:25 | |
You told me yesterday. | 0:20:25 | 0:20:28 | |
The information I received was prejudiced. | 0:20:28 | 0:20:32 | |
Or, at any rate, misinformed. | 0:20:32 | 0:20:36 | |
But I... | 0:20:34 | 0:20:36 | |
There may be some benefit to the scheme. | 0:20:36 | 0:20:39 | |
Benefit? | 0:20:37 | 0:20:39 | |
To whom? | 0:20:39 | 0:20:42 | |
This has nothing to do with Mrs Cheveley, does it? | 0:20:43 | 0:20:47 | |
LAUGHTER | 0:20:47 | 0:20:49 | |
On the contrary. I've now realised, for the first time in my life, > | 0:20:53 | 0:20:58 | |
the vital importance of being earnest. > | 0:20:58 | 0:21:02 | |
LAUGHTER | 0:21:02 | 0:21:06 | |
Robert, | 0:21:04 | 0:21:06 | |
you are telling me the whole truth? | 0:21:06 | 0:21:09 | |
Why do you ask me such a question? | 0:21:09 | 0:21:13 | |
Why do you not answer it? | 0:21:16 | 0:21:18 | |
APPLAUSE | 0:21:18 | 0:21:20 | |
CHEERING | 0:21:22 | 0:21:24 | |
Ladies and gentlemen, | 0:21:29 | 0:21:31 | |
I have enjoyed this evening immensely... | 0:21:31 | 0:21:34 | |
Robert, | 0:21:36 | 0:21:38 | |
is there in your life any... | 0:21:38 | 0:21:41 | |
..any secret, any... | 0:21:42 | 0:21:45 | |
indiscretion? | 0:21:45 | 0:21:47 | |
..Which persuades me > | 0:21:47 | 0:21:50 | |
that you think as highly of the play as I do. | 0:21:50 | 0:21:53 | |
-Ha-ha! -You must tell me at once. | 0:21:53 | 0:21:56 | |
There is nothing in my past life that you might not know. | 0:21:56 | 0:22:00 | |
APPLAUSE AND CHEERING | 0:22:00 | 0:22:02 | |
I was sure of it, my darling. | 0:22:04 | 0:22:07 | |
I was sure of it. | 0:22:07 | 0:22:09 | |
UPBEAT MUSIC PLAYS | 0:22:15 | 0:22:17 | |
I found it a perfectly charming evening, of course I did. | 0:22:35 | 0:22:40 | |
And yours was a perfectly charming performance. | 0:22:40 | 0:22:43 | |
The costumes were delightful. But for me, it was the acting. | 0:22:43 | 0:22:47 | |
Would you excuse me a moment? | 0:22:52 | 0:22:54 | |
-Miss Mabel? -Good evening, Lord Goring. | 0:22:56 | 0:22:59 | |
-Shouldn't you be in bed? -Lord Goring! | 0:22:59 | 0:23:01 | |
My father is always advising me to go to bed. | 0:23:01 | 0:23:05 | |
I always pass on good advice. | 0:23:05 | 0:23:08 | |
It's very kind of you to offer. | 0:23:08 | 0:23:12 | |
Don't mention it. | 0:23:10 | 0:23:12 | |
The role of elder brother is being adequately performed by my brother. | 0:23:12 | 0:23:17 | |
Oh, really? | 0:23:17 | 0:23:19 | |
Yes. Charming and delightful performance it is, too. | 0:23:19 | 0:23:24 | |
You ought to go to bed straightaway. | 0:23:24 | 0:23:27 | |
You're ordering me around... | 0:23:27 | 0:23:30 | |
It is most courageous of you. | 0:23:30 | 0:23:33 | |
Especially as I'm not going to bed for hours. | 0:23:35 | 0:23:38 | |
Darling, you will write, won't you, to Mrs Cheveley? | 0:23:56 | 0:24:01 | |
Tell her that you cannot support her scheme. | 0:24:01 | 0:24:05 | |
I might see her. Perhaps that would be better. | 0:24:05 | 0:24:09 | |
Oh, no. You must never see her again. | 0:24:09 | 0:24:12 | |
I know this woman. We were at school together. | 0:24:12 | 0:24:16 | |
I didn't trust her then and I don't now. | 0:24:16 | 0:24:19 | |
She must know at once that she has been mistaken in you. | 0:24:19 | 0:24:24 | |
All your life, you have stood apart from others. | 0:24:24 | 0:24:29 | |
To the world, as to myself, | 0:24:29 | 0:24:33 | |
you have been an ideal. Always. | 0:24:33 | 0:24:36 | |
Be that ideal still. | 0:24:38 | 0:24:40 | |
Claridge's Hotel. No answer. | 0:24:56 | 0:24:58 | |
Sir. | 0:24:58 | 0:25:00 | |
Oh, I love you, Robert. | 0:25:08 | 0:25:11 | |
Oh, love me. | 0:25:11 | 0:25:14 | |
Love me, Gertrude. | 0:25:22 | 0:25:23 | |
Love me always. | 0:25:25 | 0:25:28 | |
NEIGHING | 0:25:28 | 0:25:31 | |
< Oi! | 0:25:31 | 0:25:32 | |
Madam. | 0:25:49 | 0:25:51 | |
What is it that brings you back to London? Business or pleasure? | 0:25:51 | 0:25:56 | |
I have some business with Sir Robert Chiltern, which is a great pleasure. | 0:25:56 | 0:26:02 | |
-And what brings you here tonight? -I came because you asked me to. | 0:26:07 | 0:26:12 | |
-And you were curious? -I suppose. | 0:26:12 | 0:26:14 | |
-Why did you ask me? -I was curious to see if you'd come. | 0:26:14 | 0:26:19 | |
-And you did. -You are quite as wilful as you used to be. | 0:26:19 | 0:26:23 | |
Far more. I have greatly improved, I have had more experience. | 0:26:23 | 0:26:26 | |
Too much experience can be very dangerous, Mrs Cheveley. | 0:26:26 | 0:26:30 | |
-Call me Laura. -I don't like the name. | 0:26:30 | 0:26:33 | |
-You used to adore it. -Yes, that is why. | 0:26:33 | 0:26:36 | |
It was so nearly Laura Goring. | 0:26:36 | 0:26:39 | |
-It has a certain ring, don't you agree? -Mmm. | 0:26:39 | 0:26:42 | |
We were quite well suited. | 0:26:42 | 0:26:44 | |
You were poor, I was rich, it must have suited you very well. | 0:26:44 | 0:26:48 | |
Until you met the Baron. He was richer, that suited you better. | 0:26:48 | 0:26:52 | |
Have you forgiven me yet? | 0:26:52 | 0:26:55 | |
It's been so long that I'd all but forgotten you. | 0:26:55 | 0:26:59 | |
I'm afraid I really must go. I have an extremely pressing engagement. | 0:26:59 | 0:27:04 | |
Really? As you know, I hate to stand between a man and his affairs. | 0:27:04 | 0:27:10 | |
NEIGHING AND CLATTER OF HORSES' HOOVES | 0:27:13 | 0:27:16 | |
Come on, Bunbury! | 0:27:21 | 0:27:23 | |
I can't believe it. | 0:27:23 | 0:27:25 | |
You are a deserter, sir. | 0:27:25 | 0:27:26 | |
I didn't say I would marry, I was merely debating its virtues. | 0:27:26 | 0:27:30 | |
Short debate, sir. | 0:27:30 | 0:27:34 | |
We're a dying breed. We should stick together. | 0:27:34 | 0:27:37 | |
Would you excuse me, gentlemen? Play the next hand without me. | 0:27:37 | 0:27:40 | |
'And now I think it's time you knew the truth.' | 0:27:50 | 0:27:53 | |
That all these riches, this wondrous luxury... | 0:27:53 | 0:27:57 | |
..amounts, finally, to nothing. | 0:28:00 | 0:28:02 | |
And that power | 0:28:02 | 0:28:05 | |
over other men | 0:28:05 | 0:28:07 | |
is the only thing worth having. | 0:28:07 | 0:28:10 | |
And this is what I call the philosophy of power. | 0:28:10 | 0:28:15 | |
Gospel of gold. | 0:28:17 | 0:28:20 | |
So now the question arises, | 0:28:20 | 0:28:24 | |
how do you become powerful? | 0:28:24 | 0:28:26 | |
I mean you, personally powerful... Cigar? | 0:28:26 | 0:28:30 | |
Yes, thank you. | 0:28:32 | 0:28:34 | |
The answer is simple. | 0:28:36 | 0:28:39 | |
The answer is information. | 0:28:39 | 0:28:42 | |
Information is the modern commodity | 0:28:42 | 0:28:45 | |
that can shake the world. | 0:28:45 | 0:28:48 | |
And I happen to know it's well within your grasp. | 0:28:48 | 0:28:54 | |
And you believed what he said? | 0:28:56 | 0:28:58 | |
Certainly. I believed it then and I believe it now. | 0:29:00 | 0:29:04 | |
You've never been poor. | 0:29:07 | 0:29:09 | |
You've never known ambition. | 0:29:09 | 0:29:12 | |
Go on. | 0:29:13 | 0:29:15 | |
Lord Radley was a Cabinet Minister | 0:29:15 | 0:29:19 | |
and the Baron knew I was his personal secretary. | 0:29:19 | 0:29:23 | |
One night, as usual, I was the last to leave the office. | 0:29:23 | 0:29:27 | |
Later that evening, | 0:29:35 | 0:29:38 | |
I wrote the Baron a letter containing confidential information. | 0:29:38 | 0:29:42 | |
Highly valuable information, | 0:29:42 | 0:29:44 | |
regarding the financing of the Suez Canal. | 0:29:44 | 0:29:47 | |
A Cabinet secret? | 0:29:47 | 0:29:50 | |
Indeed. | 0:29:50 | 0:29:52 | |
The Baron made for himself three quarters of a million pounds. | 0:29:52 | 0:29:58 | |
And you? | 0:29:58 | 0:30:00 | |
I received from the Baron £110,000. | 0:30:00 | 0:30:03 | |
You were worth more, Robert. | 0:30:06 | 0:30:09 | |
No. No, no, no. | 0:30:09 | 0:30:11 | |
I got exactly what I wanted. | 0:30:11 | 0:30:13 | |
I entered straight into Parliament, and I've... | 0:30:13 | 0:30:16 | |
never looked back. | 0:30:16 | 0:30:19 | |
Is it fair that some act of youthful folly is brought up against me now? | 0:30:19 | 0:30:24 | |
Is it fair? | 0:30:24 | 0:30:26 | |
Life is not fair. Perhaps it's a good thing for most of us that it's not. | 0:30:26 | 0:30:31 | |
What does Gertrude make of all this? | 0:30:31 | 0:30:33 | |
Robert? | 0:30:36 | 0:30:39 | |
My dear Robert, secrets from other people's wives | 0:30:41 | 0:30:44 | |
are a necessary luxury in modern life. | 0:30:44 | 0:30:47 | |
But no man should have a secret from his own wife. | 0:30:47 | 0:30:50 | |
She will find out. | 0:30:50 | 0:30:53 | |
If I told her, I'd lose the love of the woman I worship. | 0:30:53 | 0:30:57 | |
I couldn't tell her, but it did strike me that perhaps you might. | 0:30:57 | 0:31:02 | |
Go on. | 0:31:04 | 0:31:06 | |
Perhaps you might...talk with her? | 0:31:06 | 0:31:09 | |
Oh, really? | 0:31:09 | 0:31:11 | |
Not to tell her. | 0:31:11 | 0:31:13 | |
But just to talk with her. | 0:31:13 | 0:31:16 | |
I see. | 0:31:16 | 0:31:18 | |
It's just that Gertrude can be a little hard-headed. | 0:31:18 | 0:31:22 | |
You are her oldest, closest friend, I thought talking with you might... | 0:31:22 | 0:31:28 | |
-Soften her head? -Hmm. | 0:31:28 | 0:31:31 | |
Well, it has been known. | 0:31:31 | 0:31:33 | |
Thank you, Lady Chiltern, that was most inspiring. | 0:31:38 | 0:31:40 | |
Oh, I'm so glad. | 0:31:40 | 0:31:43 | |
Wonderful speech. | 0:31:45 | 0:31:47 | |
I'm delighted to find you showing such interest in women's politics. | 0:31:51 | 0:31:57 | |
Ahem... Yes, very keen. I'm afraid I had a late night last night. | 0:31:57 | 0:32:02 | |
So I gather. I'm glad to see you. | 0:32:02 | 0:32:05 | |
-Are you? -Yes. I want to talk about Robert. | 0:32:05 | 0:32:08 | |
Really? | 0:32:08 | 0:32:10 | |
He seems a little distracted, a little anxious. | 0:32:10 | 0:32:14 | |
-Yes. -You've noticed it too? | 0:32:14 | 0:32:17 | |
I suppose... Yes. In a way. | 0:32:18 | 0:32:22 | |
The life that he's chosen, | 0:32:22 | 0:32:25 | |
by its own nature, holds innumerable stresses. Full of compromises. | 0:32:25 | 0:32:31 | |
-Compromises? -Yes. | 0:32:31 | 0:32:33 | |
Once a man has set his heart and soul on getting to a certain point, | 0:32:33 | 0:32:39 | |
if he has to climb the crag, he has to climb the crag. | 0:32:39 | 0:32:44 | |
And if he has to walk in the mire... | 0:32:44 | 0:32:47 | |
Well? | 0:32:47 | 0:32:49 | |
He has to walk in the mire. | 0:32:49 | 0:32:52 | |
I'm talking in general terms, and on a subject about which I know nothing. | 0:32:52 | 0:32:57 | |
I thought those are your favourite subjects. | 0:32:57 | 0:33:00 | |
Yes, indeed. | 0:33:00 | 0:33:03 | |
Indeed. | 0:33:03 | 0:33:05 | |
-Go on. -Oh, yes. No, um... | 0:33:05 | 0:33:08 | |
Suppose a public figure, er, Lord Merton or my father, or even Robert, | 0:33:08 | 0:33:14 | |
had written some foolish letter. | 0:33:14 | 0:33:17 | |
What do you mean by a foolish letter? | 0:33:17 | 0:33:20 | |
Well, a letter gravely compromising one's position. | 0:33:20 | 0:33:26 | |
It's an imaginary case, of course. | 0:33:26 | 0:33:28 | |
I cannot help but feel, Arthur, | 0:33:28 | 0:33:31 | |
that you are wanting to tell me something. | 0:33:31 | 0:33:33 | |
What I really want to say, dear Gertrude, is... | 0:33:38 | 0:33:42 | |
that if, for any reason, you are ever in trouble, | 0:33:42 | 0:33:45 | |
come to me at once and know that I will help you in every way I can. | 0:33:45 | 0:33:50 | |
Lord Goring, | 0:33:50 | 0:33:52 | |
you are talking quite seriously. | 0:33:52 | 0:33:56 | |
-Forgive me, it won't occur again. -No, I like you to be serious. | 0:33:56 | 0:34:00 | |
Gertrude, please don't say such dreadful things to Lord Goring. | 0:34:00 | 0:34:05 | |
Seriousness would be very unbecoming to him. | 0:34:05 | 0:34:07 | |
Good morning. Pray be as trivial as you can. | 0:34:07 | 0:34:10 | |
I'd like to, but I'm out of practice this morning. Besides, I ought to go. | 0:34:10 | 0:34:15 | |
-Oh. Will you be there tonight? -I have received no invitation. | 0:34:15 | 0:34:19 | |
You have now. I'm sorry, Mabel, I'm not in the mood for modern art. | 0:34:19 | 0:34:25 | |
You don't mind, do you, if Arthur escorts you in my place? | 0:34:25 | 0:34:29 | |
As long as he's not too serious, for I've observed a worrying trend. | 0:34:29 | 0:34:33 | |
I swear to be utterly trivial and never to keep my word. | 0:34:33 | 0:34:37 | |
Then I shall be delighted. | 0:34:37 | 0:34:43 | |
So shall I. Gertrude, thank you. | 0:34:39 | 0:34:43 | |
Remember what I said, won't you? | 0:34:45 | 0:34:47 | |
Yes, but I still don't know why you said it. | 0:34:47 | 0:34:50 | |
I hardly know myself. Goodbye, Miss Mabel. | 0:34:50 | 0:34:54 | |
Lord Goring? | 0:34:54 | 0:34:56 | |
Lord Goring? | 0:34:57 | 0:34:59 | |
What dreadful manners, leaving as I arrive. You were badly brought up. | 0:34:59 | 0:35:04 | |
-Hmm, I was. -I wish I had brought you up. | 0:35:04 | 0:35:08 | |
-I'm sorry you didn't. -It is too late now, I suppose? | 0:35:08 | 0:35:12 | |
I shouldn't think so for a moment. | 0:35:12 | 0:35:14 | |
So. | 0:35:20 | 0:35:22 | |
-So. -SHE COUGHS | 0:35:23 | 0:35:25 | |
Till tonight, then. | 0:35:27 | 0:35:29 | |
Eight o'clock. | 0:35:29 | 0:35:31 | |
Eight o'clock. | 0:35:31 | 0:35:34 | |
So? | 0:35:42 | 0:35:43 | |
So. | 0:35:44 | 0:35:45 | |
"My dear Sir Robert, I must confess to being not a little disappointed | 0:35:48 | 0:35:53 | |
"to learn that my proposition held no interest for you. | 0:35:53 | 0:35:57 | |
"Perhaps I failed to present it in attractive or persuasive terms. | 0:35:57 | 0:36:02 | |
"Another time, perhaps. Yours sincerely, Laura Cheveley. | 0:36:02 | 0:36:07 | |
"PS - If I am in the neighbourhood, | 0:36:07 | 0:36:10 | |
"I may pay my respects to your charming wife. | 0:36:10 | 0:36:14 | |
"I wonder whether the matter would be of any interest to her?" | 0:36:14 | 0:36:17 | |
-Mrs Cheveley, won't you sit down? -Thanks. | 0:36:21 | 0:36:26 | |
I can't help feeling that this disturbing new thing, | 0:36:26 | 0:36:30 | |
this higher education of women, | 0:36:30 | 0:36:32 | |
will deal a terrible blow to happy married life. | 0:36:32 | 0:36:35 | |
Men need higher education, so sadly. | 0:36:35 | 0:36:39 | |
They do. But such a scheme would be unpractical. | 0:36:39 | 0:36:43 | |
Man hasn't much capacity to develop. He's got as far as he can. Not far. | 0:36:43 | 0:36:48 | |
With regard to women, modern women understand everything, I'm told. | 0:36:48 | 0:36:54 | |
Except their husbands. That is the one thing they never understand. | 0:36:54 | 0:36:58 | |
And a very good thing too, | 0:36:58 | 0:37:00 | |
it might break up many a happy home if they did. Not yours, Gertrude. | 0:37:00 | 0:37:06 | |
You have married a perfect husband. | 0:37:06 | 0:37:10 | |
And now, dear ladies, I had better set forth. | 0:37:11 | 0:37:13 | |
I haven't time to be idling around here, | 0:37:13 | 0:37:16 | |
I should be idling around somewhere else very shortly. | 0:37:16 | 0:37:20 | |
I'll see myself out. No doubt you both have pleasant reminiscences | 0:37:20 | 0:37:25 | |
of your school days to talk over. | 0:37:25 | 0:37:28 | |
-Goodbye. -Goodbye, my dear. | 0:37:28 | 0:37:30 | |
Wonderful woman, Lady Markby, isn't she? | 0:37:35 | 0:37:37 | |
Talks more and says less than anybody I ever met. Now, Gertrude... | 0:37:37 | 0:37:42 | |
Mrs Cheveley, | 0:37:42 | 0:37:44 | |
it is right to tell you that I wish you never to return to this house. | 0:37:44 | 0:37:49 | |
And never attempt to contact my husband. | 0:37:49 | 0:37:53 | |
-You have not changed a bit. -I hope I never will. | 0:37:53 | 0:37:57 | |
-Life's taught you nothing? -A person who was once guilty | 0:37:57 | 0:38:01 | |
of a dishonest action | 0:38:01 | 0:38:03 | |
may be guilty of it a second time and should be shunned. | 0:38:03 | 0:38:05 | |
Would you apply that rule to everyone? | 0:38:05 | 0:38:09 | |
Yes, without exception. | 0:38:09 | 0:38:11 | |
Then I am sorry for you. Very sorry for you. | 0:38:11 | 0:38:15 | |
I thank you for your sympathy, | 0:38:15 | 0:38:18 | |
but it is your departure I would prefer. | 0:38:18 | 0:38:21 | |
I don't mind your talking morality a bit. | 0:38:23 | 0:38:25 | |
Morality is the attitude we adopt towards people we dislike. | 0:38:25 | 0:38:30 | |
You dislike me. I'm aware of that. And I have always detested you. | 0:38:30 | 0:38:34 | |
Yet, I have come here to give you some advice. | 0:38:34 | 0:38:37 | |
I hold your husband in the hollow of my hand. | 0:38:37 | 0:38:41 | |
If you are wise, you'll make him do what I say. | 0:38:41 | 0:38:44 | |
How dare you class my husband with yourself?! | 0:38:44 | 0:38:48 | |
Leave my house! You are unfit to enter it. | 0:38:48 | 0:38:52 | |
Your house? A house bought with the price of dishonour? | 0:38:52 | 0:38:57 | |
Everything in which was paid for by fraud. Ask HIM about his fortune. | 0:38:57 | 0:39:02 | |
Get him to tell you how he sold to a stockbroker a Cabinet secret. | 0:39:02 | 0:39:07 | |
Learn from him to what you owe your position. | 0:39:07 | 0:39:11 | |
It is not true. | 0:39:11 | 0:39:13 | |
Robert, tell her it is not true. | 0:39:13 | 0:39:16 | |
Go. | 0:39:21 | 0:39:23 | |
Go at once. You've done your worst now. | 0:39:26 | 0:39:30 | |
Dear Sir Robert, Lady Chiltern, | 0:39:39 | 0:39:41 | |
unless you meet my terms, you'll find the worst is yet to come. | 0:39:41 | 0:39:46 | |
You have until half past ten tonight. | 0:39:46 | 0:39:48 | |
Tell me it is not true. | 0:39:54 | 0:39:56 | |
-Let me explain. -Tell me it is not true! | 0:39:59 | 0:40:02 | |
-Please. -No... | 0:40:02 | 0:40:05 | |
-Don't touch me. -Listen to me. | 0:40:05 | 0:40:08 | |
How could you do that, Robert?! | 0:40:08 | 0:40:11 | |
You've lied...to the whole world. | 0:40:11 | 0:40:13 | |
You will not lie to me. | 0:40:13 | 0:40:18 | |
Please, I must tell you. | 0:40:16 | 0:40:18 | |
Don't say anything. | 0:40:18 | 0:40:20 | |
You were, to me, something apart from common life. | 0:40:26 | 0:40:31 | |
A thing noble, pure. | 0:40:31 | 0:40:35 | |
The world seemed to me finer | 0:40:38 | 0:40:40 | |
because you were in it. | 0:40:40 | 0:40:43 | |
Goodness more real because you lived. | 0:40:43 | 0:40:45 | |
I'm sorry. | 0:40:51 | 0:40:53 | |
So very sorry. | 0:40:56 | 0:40:58 | |
I suppose I should go. | 0:41:05 | 0:41:08 | |
Should I? | 0:41:08 | 0:41:10 | |
Go. | 0:41:21 | 0:41:22 | |
Get out! | 0:41:25 | 0:41:26 | |
My second buttonhole. Much better. Do you know, Phipps, | 0:42:08 | 0:42:13 | |
a really well-made buttonhole | 0:42:13 | 0:42:16 | |
is the only link between art and nature. | 0:42:16 | 0:42:19 | |
Yes, m'Lord. | 0:42:19 | 0:42:21 | |
I don't think I quite like this one. | 0:42:25 | 0:42:27 | |
-Hmm? -No. | 0:42:27 | 0:42:30 | |
Makes me look a little old. Makes me almost in the prime of life, eh? | 0:42:30 | 0:42:35 | |
I don't observe any alteration in your appearance. | 0:42:35 | 0:42:40 | |
You don't? | 0:42:40 | 0:42:42 | |
No, m'Lord. | 0:42:42 | 0:42:44 | |
Hmm. Very well. | 0:42:44 | 0:42:46 | |
BELL RINGS | 0:42:50 | 0:42:52 | |
Oh, God! | 0:42:52 | 0:42:54 | |
Father, how delightful to see you. | 0:42:54 | 0:42:56 | |
Take my cloak off. | 0:42:56 | 0:42:57 | |
-Is it really worthwhile, Father? -Of course it is, sir. | 0:42:57 | 0:43:00 | |
I've recently made the resolution not to have visitors on Thursday, | 0:43:00 | 0:43:05 | |
between seven and nine. | 0:43:05 | 0:43:07 | |
Good. Can't stand interruption. No draught, I hope? | 0:43:07 | 0:43:11 | |
No, sir. | 0:43:11 | 0:43:13 | |
I feel a draught, sir. | 0:43:13 | 0:43:15 | |
So do I, sir. Why don't you go home? | 0:43:15 | 0:43:19 | |
I will come and see you tomorrow. | 0:43:19 | 0:43:22 | |
No, sir. I've called with a definite purpose. | 0:43:22 | 0:43:26 | |
I'll see it through, at all cost to my health or yours. | 0:43:26 | 0:43:29 | |
-Put my cloak down, sir. -BELL RINGS | 0:43:29 | 0:43:32 | |
I hate seeing things through, Father, | 0:43:32 | 0:43:33 | |
especially through someone else's eyes. | 0:43:33 | 0:43:37 | |
I don't follow you. | 0:43:37 | 0:43:39 | |
You seem to follow me everywhere, Father. | 0:43:39 | 0:43:41 | |
(Oh, God.) | 0:43:44 | 0:43:47 | |
Good evening. | 0:43:45 | 0:43:47 | |
My dear Robert, I really am horribly busy tonight. | 0:43:47 | 0:43:51 | |
But, Arthur, I must speak with you. | 0:43:51 | 0:43:54 | |
Gertrude has discovered the truth? | 0:43:54 | 0:43:57 | |
Yes, I'm afraid she has. | 0:43:57 | 0:43:59 | |
Come in. But if you wouldn't mind waiting for a while, | 0:44:01 | 0:44:06 | |
I'm right in the middle of giving my performance of the attentive son. | 0:44:06 | 0:44:11 | |
Oh, I'm sorry. | 0:44:11 | 0:44:13 | |
So am I. | 0:44:13 | 0:44:15 | |
BELL RINGS | 0:44:15 | 0:44:17 | |
HE SIGHS | 0:44:22 | 0:44:24 | |
God! | 0:44:24 | 0:44:26 | |
"When you left this afternoon, my life fell apart. | 0:44:26 | 0:44:29 | |
"My love is in ruins. | 0:44:29 | 0:44:31 | |
"I need you, after all. I am coming to you now. Gertrude." | 0:44:31 | 0:44:37 | |
A lady's coming to see me. Show her into the drawing room. Understand? | 0:44:37 | 0:44:42 | |
Yes, m'Lord. | 0:44:42 | 0:44:44 | |
It's a matter of grave importance. | 0:44:44 | 0:44:48 | |
I understand. | 0:44:46 | 0:44:48 | |
No-one else is to be admitted. Say I'm not at home. | 0:44:48 | 0:44:52 | |
I understand. | 0:44:52 | 0:44:55 | |
Arthur? | 0:44:53 | 0:44:55 | |
Yes, Father. | 0:44:55 | 0:44:57 | |
BELL RINGS | 0:44:57 | 0:44:59 | |
Good evening, Phipps. | 0:45:04 | 0:45:06 | |
How nice to see you again, madam. | 0:45:07 | 0:45:10 | |
His Lordship is engaged with Lord Caversham. | 0:45:15 | 0:45:19 | |
How very filial. | 0:45:19 | 0:45:22 | |
His Lordship told me to ask you to wait in the drawing room for him. | 0:45:22 | 0:45:27 | |
His Lordship will come to you there. | 0:45:27 | 0:45:30 | |
He expects me? | 0:45:30 | 0:45:33 | |
Yes, madam. | 0:45:33 | 0:45:34 | |
Are you quite sure? | 0:45:34 | 0:45:36 | |
His Lordship's directions were very precise. | 0:45:36 | 0:45:40 | |
That lamp is far too glaring. Light some candles. | 0:45:40 | 0:45:44 | |
Certainly, madam. | 0:45:44 | 0:45:47 | |
Marriage is not about affection, sir. | 0:45:47 | 0:45:49 | |
It is a question of common sense. | 0:45:49 | 0:45:52 | |
Women who have common sense are always so plain, aren't they? | 0:45:52 | 0:45:56 | |
That's only hearsay. | 0:45:56 | 0:45:59 | |
Women don't have any common sense. That is a privilege of our sex. | 0:45:59 | 0:46:03 | |
Quite so. Men are so wonderfully self-sacrificing, | 0:46:03 | 0:46:06 | |
we never use it, do we, Father? | 0:46:06 | 0:46:07 | |
I use it, sir. I use nothing else. | 0:46:07 | 0:46:10 | |
Mmm. So my mother tells me. | 0:46:10 | 0:46:14 | |
It is the secret of her happiness. | 0:46:11 | 0:46:14 | |
What was that? | 0:46:14 | 0:46:16 | |
Nothing, Father. Nothing. | 0:46:18 | 0:46:21 | |
You are heartless. Very heartless. | 0:46:21 | 0:46:25 | |
I hope not, Father. | 0:46:23 | 0:46:25 | |
"When you left this afternoon, | 0:46:31 | 0:46:33 | |
"my life fell apart. | 0:46:33 | 0:46:35 | |
"I am coming to you now. Gertrude." | 0:46:41 | 0:46:44 | |
There we are, madam. | 0:46:44 | 0:46:47 | |
-Thank you. -Thank you, madam. | 0:46:53 | 0:46:55 | |
BELL RINGS | 0:47:00 | 0:47:02 | |
BELL RINGS | 0:47:08 | 0:47:10 | |
His Lordship's not at home this evening. | 0:47:17 | 0:47:20 | |
-I see. -I'm sorry, Lady Chiltern. | 0:47:23 | 0:47:27 | |
Not at all. | 0:47:27 | 0:47:29 | |
As you keep saying. | 0:47:38 | 0:47:41 | |
Is she in there? | 0:47:41 | 0:47:44 | |
Yes, m'Lord. | 0:47:44 | 0:47:46 | |
Oh, my dear fellow. | 0:47:51 | 0:47:52 | |
I'm sorry, Arthur. I didn't know where else to go. | 0:47:52 | 0:47:56 | |
Hmm? | 0:47:57 | 0:47:59 | |
I don't know what to do, Arthur. | 0:48:04 | 0:48:06 | |
Robert, last night, you were telling me how much Gertrude means to you. | 0:48:06 | 0:48:12 | |
How much you love her. | 0:48:12 | 0:48:14 | |
More than anything in the world. | 0:48:14 | 0:48:17 | |
There is a wide gulf between us now. I fear I shall never bridge it. | 0:48:17 | 0:48:23 | |
I fear she will never forgive me. | 0:48:23 | 0:48:26 | |
Surely there must be some sin in her past life, any sin, | 0:48:26 | 0:48:30 | |
weakness that might help her to understand yours. | 0:48:30 | 0:48:34 | |
She doesn't know weakness or temptation. | 0:48:34 | 0:48:37 | |
But she loves you. She cannot but forgive you. | 0:48:37 | 0:48:42 | |
I wish she could hear you, the regret that you feel about your past... | 0:48:42 | 0:48:47 | |
Regret? | 0:48:47 | 0:48:49 | |
Yes, regret. I feel certain that she'd pity you. | 0:48:49 | 0:48:55 | |
Perhaps at this moment, she is pitying you. Praying that | 0:48:55 | 0:48:59 | |
she might once again be in your arms. | 0:48:59 | 0:49:02 | |
God grant it. But I doubt it. | 0:49:02 | 0:49:04 | |
There is something else I need to tell you. | 0:49:04 | 0:49:08 | |
The debate on the Argentine canal is to begin at 10:30. | 0:49:08 | 0:49:13 | |
I have made up my mind what to say. | 0:49:13 | 0:49:16 | |
I've decided... | 0:49:16 | 0:49:18 | |
CHAIR SQUEAKS | 0:49:18 | 0:49:20 | |
What was that? | 0:49:24 | 0:49:26 | |
Nothing. | 0:49:26 | 0:49:29 | |
I heard a noise from next door. | 0:49:29 | 0:49:33 | |
No, you didn't. | 0:49:31 | 0:49:33 | |
CHAIR CREAKS | 0:49:33 | 0:49:38 | |
Is there someone there? | 0:49:35 | 0:49:38 | |
-Arthur? -You're excited, unnerved. | 0:49:40 | 0:49:42 | |
There is no-one in that room. Now, sit down! | 0:49:42 | 0:49:45 | |
Do you give me your word of honour? | 0:49:45 | 0:49:50 | |
Yes! | 0:49:47 | 0:49:50 | |
Let me look for myself. | 0:49:51 | 0:49:53 | |
-Robert... -If there is no-one there, why shouldn't I look? | 0:49:53 | 0:49:57 | |
There is someone in that room. | 0:49:57 | 0:49:59 | |
I apologise, but I must state she is entirely guiltless in this matter. | 0:50:03 | 0:50:08 | |
She is scheming, devious and deceitful. | 0:50:08 | 0:50:12 | |
-Pardon? -You... | 0:50:12 | 0:50:14 | |
You are false as a friend and treacherous. | 0:50:14 | 0:50:19 | |
-Robert! -Good evening, Lord Goring. | 0:50:19 | 0:50:23 | |
-Sir Robert. -How do you explain her presence? | 0:50:23 | 0:50:27 | |
To be quite honest, I can't. | 0:50:29 | 0:50:32 | |
I take it you two planned this? | 0:50:32 | 0:50:35 | |
We have never planned anything! | 0:50:35 | 0:50:37 | |
Except marriage. You didn't forget we were engaged for three weeks? | 0:50:37 | 0:50:42 | |
Yes, but... | 0:50:42 | 0:50:43 | |
I find it hard to see | 0:50:43 | 0:50:45 | |
why you broke it off. You are entirely well suited. | 0:50:45 | 0:50:49 | |
I give you my word... | 0:50:49 | 0:50:53 | |
No, sir. | 0:50:51 | 0:50:53 | |
Oh, no, sir. | 0:50:53 | 0:50:56 | |
You have lied enough upon your word of honour. | 0:50:56 | 0:50:59 | |
DOOR CLOSES | 0:51:03 | 0:51:05 | |
I appear to have caused something of a commotion. | 0:51:05 | 0:51:09 | |
Good night, Sir Robert. | 0:51:12 | 0:51:14 | |
You've come here to sell me Robert Chiltern's letter. | 0:51:29 | 0:51:35 | |
To offer it to you on condition. How did you guess? | 0:51:35 | 0:51:39 | |
What is your price? | 0:51:39 | 0:51:42 | |
My price... I have arrived at the romantic stage. | 0:51:42 | 0:51:46 | |
When I saw you at the Chilterns', | 0:51:46 | 0:51:49 | |
I knew you were the only person I'd ever cared for. | 0:51:49 | 0:51:53 | |
If I've ever cared for anybody, Arthur. | 0:51:53 | 0:51:57 | |
So... | 0:51:57 | 0:52:00 | |
on the morning of the day | 0:52:00 | 0:52:03 | |
that you marry me, I will give you Robert's letter. | 0:52:03 | 0:52:07 | |
That is my offer. | 0:52:10 | 0:52:12 | |
Are you quite serious? | 0:52:14 | 0:52:16 | |
Yes. Quite serious. | 0:52:16 | 0:52:19 | |
My dear Mrs Cheveley... | 0:52:19 | 0:52:21 | |
HE CHUCKLES | 0:52:21 | 0:52:23 | |
..I'm afraid I shall make you a very bad husband. | 0:52:23 | 0:52:26 | |
I don't mind bad husbands, I've had two. They amuse me immensely. | 0:52:26 | 0:52:31 | |
Here's a chance to rise to great heights of self-sacrifice. | 0:52:31 | 0:52:36 | |
The rest of your life, you could spend | 0:52:36 | 0:52:39 | |
in contemplating your own perfection. | 0:52:39 | 0:52:41 | |
I do that as it is. | 0:52:41 | 0:52:44 | |
I am ready to sacrifice the greatest prize in my possession. | 0:52:44 | 0:52:49 | |
I'm honoured. | 0:52:54 | 0:52:56 | |
-Arthur? -Hmm? | 0:53:00 | 0:53:02 | |
You loved me once, you asked me to be your wife. | 0:53:02 | 0:53:06 | |
Ask me again. | 0:53:06 | 0:53:08 | |
Ask me now. | 0:53:08 | 0:53:09 | |
Bonsoir. | 0:53:15 | 0:53:17 | |
My dear Mrs Cheveley. | 0:53:26 | 0:53:28 | |
My dear Lord Goring. | 0:53:28 | 0:53:29 | |
I'm going to give you some good advice. | 0:53:33 | 0:53:35 | |
Never give a woman anything she can't wear in the evening. | 0:53:35 | 0:53:38 | |
I'm sorry, but I don't seem able to stop myself. I'm going to tell you | 0:53:38 | 0:53:43 | |
that love, about which I admit I know so little, | 0:53:43 | 0:53:48 | |
love cannot be bought. It can only be given. | 0:53:48 | 0:53:51 | |
And I sense it is not in my power to give to you. | 0:53:53 | 0:53:57 | |
Nor is it in yours, | 0:53:57 | 0:53:59 | |
I suspect, at all. | 0:53:59 | 0:54:02 | |
Dear boy, you underestimate us both. | 0:54:02 | 0:54:04 | |
To give... | 0:54:06 | 0:54:09 | |
and not expect return, hmm? | 0:54:09 | 0:54:12 | |
That is what lies at the heart of love. | 0:54:12 | 0:54:16 | |
I fear, though, the notion is a stranger to us both. | 0:54:16 | 0:54:21 | |
And yet, if we are honest, | 0:54:21 | 0:54:25 | |
it is something we both long for, | 0:54:25 | 0:54:28 | |
something that it takes great courage to do. | 0:54:28 | 0:54:32 | |
Yes, that is our dark secret. | 0:54:32 | 0:54:37 | |
Your coming here tonight is the first whisper of it. | 0:54:38 | 0:54:41 | |
And for that, I admire you. | 0:54:43 | 0:54:44 | |
Give me the letter. SHE LAUGHS | 0:54:46 | 0:54:49 | |
Prove your affections to me and give me the letter. | 0:54:49 | 0:54:54 | |
And surrender my position of power? | 0:54:54 | 0:54:58 | |
The future of a great man is in your hands, Mrs Cheveley. | 0:54:58 | 0:55:02 | |
Crush him and your power dies, | 0:55:02 | 0:55:05 | |
as will any feeling I've ever had for you. | 0:55:05 | 0:55:08 | |
If you've ever loved me... | 0:55:10 | 0:55:12 | |
I did love you. | 0:55:15 | 0:55:16 | |
I know, I know. | 0:55:16 | 0:55:19 | |
But not that much. | 0:55:26 | 0:55:28 | |
I must admit I never thought you did. | 0:55:30 | 0:55:33 | |
Even so, I felt it worth a try. | 0:55:33 | 0:55:36 | |
I understand and respect you all the more. I take it you reject my offer? | 0:55:36 | 0:55:42 | |
I fear I must when, tempting as it seems, | 0:55:42 | 0:55:47 | |
in truth, | 0:55:47 | 0:55:49 | |
it is little more than blackmail. | 0:55:49 | 0:55:52 | |
-True. -THEY BOTH LAUGH | 0:55:52 | 0:55:56 | |
-Gertrude. -Mabel. | 0:56:01 | 0:56:03 | |
I remembered you were meeting Arthur. | 0:56:03 | 0:56:06 | |
At least somebody remembered. | 0:56:06 | 0:56:09 | |
You mean he's not here either? | 0:56:09 | 0:56:12 | |
Oh, strange. | 0:56:12 | 0:56:15 | |
Are you quite well? | 0:56:15 | 0:56:19 | |
Me? Yes, of course. | 0:56:16 | 0:56:19 | |
No, I'm not at all. | 0:56:19 | 0:56:22 | |
Could we talk? | 0:56:24 | 0:56:26 | |
Everything I've learned leads me to reject him for what he did. Yet... | 0:56:26 | 0:56:32 | |
And yet? | 0:56:32 | 0:56:33 | |
I have never known such joy as when I'm with him. | 0:56:33 | 0:56:38 | |
I've never felt so... | 0:56:38 | 0:56:42 | |
free as when I'm lying in his arms. | 0:56:42 | 0:56:46 | |
I'll look out for you at the Commons, | 0:56:48 | 0:56:50 | |
where at least I'll see your friend submit to my desires. | 0:56:50 | 0:56:53 | |
I wouldn't be too sure. | 0:56:53 | 0:56:58 | |
We know how he values his career. | 0:56:55 | 0:56:58 | |
I look forward to him proving you wrong. | 0:56:58 | 0:57:01 | |
I'd stake my shirt on it. | 0:57:01 | 0:57:05 | |
Your shirt? | 0:57:03 | 0:57:05 | |
I think I'd probably wager my entire wardrobe on his integrity. | 0:57:05 | 0:57:09 | |
What confidence. Would you stake your liberty? | 0:57:09 | 0:57:13 | |
My liberty? | 0:57:13 | 0:57:14 | |
I've had a charming little idea. | 0:57:14 | 0:57:19 | |
Now I consider it, I discover it to be a rather charming big idea. | 0:57:19 | 0:57:23 | |
Go on. | 0:57:23 | 0:57:26 | |
If he stands by his principles and condemns the scheme in question, | 0:57:26 | 0:57:31 | |
I'll give you his letter to dispose of as you choose. | 0:57:31 | 0:57:35 | |
But if, as I project, | 0:57:35 | 0:57:38 | |
he surrenders to my demands | 0:57:38 | 0:57:40 | |
and publicly supports the scheme, then... | 0:57:40 | 0:57:43 | |
-I'll give you my hand in marriage. -Precisely. | 0:57:43 | 0:57:46 | |
To dispose of as you please. | 0:57:46 | 0:57:48 | |
As a betting man, you must concede there is a certain thrill to it. | 0:57:48 | 0:57:52 | |
Concede to how elegantly I've eased from proposal to proposition. | 0:57:52 | 0:57:57 | |
And with barely any loss of face. I'm most impressed, indeed. | 0:57:57 | 0:58:00 | |
We are creatures of compromise. | 0:58:00 | 0:58:03 | |
I await your response. | 0:58:03 | 0:58:06 | |
Perhaps you're less certain of your friend's true nature now. | 0:58:06 | 0:58:11 | |
Not at all. I accept your wager in all confidence. | 0:58:11 | 0:58:15 | |
-You do? -I do. | 0:58:15 | 0:58:18 | |
Oh, Arthur, | 0:58:18 | 0:58:20 | |
isn't it remarkable how those two little words can quicken the heart? | 0:58:20 | 0:58:23 | |
Would you do something for me? | 0:58:25 | 0:58:29 | |
Hmm? | 0:58:27 | 0:58:29 | |
Accompany me to the Commons? There's an interesting debate there tonight. | 0:58:29 | 0:58:35 | |
The Prime Minister himself has taken an interest. | 0:58:35 | 0:58:38 | |
And I believe... | 0:58:38 | 0:58:41 | |
that its outcome will prove interesting to you. And to me. | 0:58:41 | 0:58:47 | |
Whatever it may be. | 0:58:47 | 0:58:49 | |
Hmm. | 0:58:51 | 0:58:53 | |
Damn! | 0:59:06 | 0:59:08 | |
The honourable member for Whitney. | 0:59:26 | 0:59:30 | |
Good evening, Chiltern. | 0:59:30 | 0:59:33 | |
Prime Minister. | 0:59:31 | 0:59:33 | |
I ask the President of the Board of Trade to what extent he believes | 0:59:33 | 0:59:38 | |
the projected Argentine canal merits | 0:59:38 | 0:59:41 | |
the nation's attention and support? | 0:59:41 | 0:59:44 | |
Mr Speaker... | 0:59:44 | 0:59:46 | |
..I believe this excellent scheme represents a genuine opportunity | 0:59:51 | 0:59:56 | |
to extend our trading roots | 0:59:56 | 0:59:59 | |
and to stamp our authority on a vital portion of the globe. | 0:59:59 | 1:00:04 | |
ALL: Hear, hear! | 1:00:04 | 1:00:06 | |
< Excellent speech. | 1:00:06 | 1:00:08 | |
Didn't expect to see you here. | 1:00:10 | 1:00:13 | |
Neither did I. I've developed a sudden interest in politics. | 1:00:13 | 1:00:16 | |
Married yet? | 1:00:16 | 1:00:19 | |
Ask me again in half an hour. | 1:00:19 | 1:00:22 | |
What? | 1:00:24 | 1:00:26 | |
Nothing. | 1:00:26 | 1:00:27 | |
-Arthur! -Shh! | 1:00:28 | 1:00:30 | |
I beg to ask the undersecretary | 1:00:30 | 1:00:32 | |
to clarify his position in respect of this scheme! | 1:00:32 | 1:00:37 | |
ALL: Answer, sir. | 1:00:37 | 1:00:39 | |
Let me first of all thank the honourable member | 1:00:41 | 1:00:44 | |
for his articulate contribution to the debate. | 1:00:44 | 1:00:47 | |
Since I last addressed this House on the subject, | 1:00:49 | 1:00:53 | |
I have had the opportunity | 1:00:53 | 1:00:55 | |
to investigate this scheme more thoroughly | 1:00:55 | 1:00:58 | |
and to grasp fully the ramifications of our lending it support. | 1:00:58 | 1:01:02 | |
I have to inform the House... | 1:01:05 | 1:01:08 | |
that I was... | 1:01:08 | 1:01:11 | |
-mistaken... -HE COUGHS | 1:01:11 | 1:01:14 | |
..in my original perceptions, | 1:01:14 | 1:01:16 | |
and that I have now taken a rather different view. | 1:01:16 | 1:01:20 | |
HE COUGHS LOUDLY | 1:01:20 | 1:01:22 | |
Ow! Ow! | 1:01:28 | 1:01:30 | |
Ow! | 1:01:30 | 1:01:31 | |
I must agree with my Right Honourable Friend | 1:01:33 | 1:01:37 | |
that this is indeed an excellent scheme. | 1:01:37 | 1:01:40 | |
A genuine opportunity. | 1:01:41 | 1:01:44 | |
An opportunity particularly if you happen to be a corrupt investor... | 1:01:47 | 1:01:52 | |
LAUGHTER AND SHOUTING | 1:01:52 | 1:01:54 | |
..corrupt investor, with nothing but self-interest at heart. | 1:01:57 | 1:02:02 | |
It is my conviction that this scheme never should have had | 1:02:06 | 1:02:10 | |
or should ever have any chance of success. It is a fraud! | 1:02:10 | 1:02:15 | |
Our involvement would be a political fraud of the worst possible kind. | 1:02:15 | 1:02:21 | |
This great nation | 1:02:24 | 1:02:27 | |
has long been a great commercial power. | 1:02:27 | 1:02:31 | |
It seems there exists a growing compulsion to use that power | 1:02:31 | 1:02:36 | |
merely to beget more power. | 1:02:36 | 1:02:38 | |
Money merely to beget more money. | 1:02:38 | 1:02:42 | |
Irrespective of the true cost to the nation's soul. | 1:02:42 | 1:02:46 | |
It is this sickness, | 1:02:46 | 1:02:48 | |
a kind of moral blindness, commerce without conscience, | 1:02:48 | 1:02:51 | |
which threatens to strike at the very soul of this nation! | 1:02:51 | 1:02:56 | |
The only remedy is to strike back, and now! | 1:02:56 | 1:02:59 | |
Hear, hear! | 1:02:59 | 1:03:02 | |
SHOUTING | 1:03:02 | 1:03:03 | |
Order! | 1:03:07 | 1:03:10 | |
As we stand... | 1:03:10 | 1:03:12 | |
As we stand at the end of this most eventful century, | 1:03:12 | 1:03:17 | |
it seems that we do, after all, have a genuine opportunity. | 1:03:17 | 1:03:22 | |
One honest chance to shed our... | 1:03:22 | 1:03:27 | |
sometimes imperfect past. To start again, | 1:03:27 | 1:03:31 | |
to step unshackled | 1:03:31 | 1:03:34 | |
into the next century, and to look our future squarely | 1:03:34 | 1:03:39 | |
and proudly in the face. | 1:03:39 | 1:03:43 | |
CHEERING AND APPLAUSE | 1:03:43 | 1:03:46 | |
You must agree, it has been a romantic interlude. | 1:04:07 | 1:04:10 | |
You might even confess to some faint and secret regret at its outcome. | 1:04:10 | 1:04:15 | |
Huh! | 1:04:15 | 1:04:16 | |
I feel some relief that in the end, Sir Robert has come to no harm. | 1:04:16 | 1:04:20 | |
Really? | 1:04:20 | 1:04:21 | |
Oh, yes. I'm not quite as wicked as you suppose. | 1:04:21 | 1:04:25 | |
Mrs Cheveley? | 1:04:25 | 1:04:27 | |
And a lady must always honour her bets. | 1:04:27 | 1:04:31 | |
Come back with me, Arthur. | 1:04:31 | 1:04:33 | |
Come back to Vienna. | 1:04:36 | 1:04:39 | |
Bravo, Sir Robert. I underestimated you. | 1:04:41 | 1:04:45 | |
-Sorry if I spoiled your plans. -Far more than you realise. | 1:04:45 | 1:04:49 | |
-That is some small satisfaction. -Look, Robert... | 1:04:49 | 1:04:52 | |
I have nothing to say to you. Nor is there anything I wish to hear. | 1:04:52 | 1:04:57 | |
I hope that now you are content. That I didn't disappoint you. | 1:05:10 | 1:05:15 | |
Robert, I... | 1:05:15 | 1:05:17 | |
Let women make no more ideals of men, | 1:05:17 | 1:05:19 | |
or they may ruin other lives as completely as you. | 1:05:19 | 1:05:22 | |
You, whom I have loved so wildly, have surely ruined mine. | 1:05:22 | 1:05:27 | |
Robert... | 1:05:27 | 1:05:29 | |
I know there is no hope for us now. | 1:05:29 | 1:05:32 | |
I know you can never forgive me. | 1:05:32 | 1:05:35 | |
Poor man, I almost begin to feel sorry for him. > | 1:05:38 | 1:05:42 | |
Sorry? | 1:05:42 | 1:05:47 | |
Yes, I can't bear to see so upright a gentleman | 1:05:43 | 1:05:47 | |
being so shamefully deceived. | 1:05:47 | 1:05:50 | |
Deceived? | 1:05:50 | 1:05:53 | |
And on such positively pink paper. | 1:05:51 | 1:05:53 | |
What are you talking about? | 1:05:53 | 1:05:55 | |
"I need you after all, I'm coming to you now." | 1:05:55 | 1:05:59 | |
You stole Gertrude's letter? | 1:05:59 | 1:06:02 | |
Losing a man is scant cause for concern, but losing a man to her | 1:06:02 | 1:06:06 | |
is another matter. Robert should know, as he shall, | 1:06:06 | 1:06:11 | |
when the letter arrives at his office first thing in the morning. | 1:06:11 | 1:06:14 | |
You've got a good man there. You should try to hold on to him. | 1:06:17 | 1:06:22 | |
It occurs to me this whole business is really just about you and me. | 1:06:22 | 1:06:26 | |
Gertrude, I must speak with you. | 1:06:31 | 1:06:33 | |
Not now. | 1:06:33 | 1:06:35 | |
It's about that letter you wrote to me. | 1:06:35 | 1:06:38 | |
Come in the morning, I can't talk now. | 1:06:38 | 1:06:41 | |
Lord Goring? | 1:06:41 | 1:06:43 | |
Miss Mabel. About this evening, I... | 1:06:44 | 1:06:48 | |
-Congratulations. -I beg your pardon? | 1:06:48 | 1:06:52 | |
I gather you are to be congratulated. | 1:06:52 | 1:06:54 | |
There's nothing I like more, | 1:06:54 | 1:06:57 | |
but I find the pleasure increased by knowing what for. | 1:06:57 | 1:07:01 | |
Haven't you heard? You're to be married. | 1:07:01 | 1:07:04 | |
-Your father says... -Does he? | 1:07:04 | 1:07:07 | |
Yes, he does. | 1:07:07 | 1:07:09 | |
Did he tell you to who? | 1:07:09 | 1:07:12 | |
No. But when we saw you with Mrs Cheveley, | 1:07:12 | 1:07:16 | |
-we naturally assumed... -Oh, did we? | 1:07:16 | 1:07:19 | |
Yes, we did. | 1:07:19 | 1:07:20 | |
The fact is, your assumptions | 1:07:20 | 1:07:24 | |
are presumptuous. You see, | 1:07:24 | 1:07:27 | |
I'm not sure that I've seen anything | 1:07:27 | 1:07:32 | |
I quite like the look of yet. | 1:07:32 | 1:07:35 | |
Oh, really? | 1:07:35 | 1:07:39 | |
Mmm, really. | 1:07:36 | 1:07:39 | |
In which case, I have something vitally important to say to you. | 1:07:39 | 1:07:43 | |
Oh? | 1:07:43 | 1:07:45 | |
To look at a thing is quite different from seeing a thing. | 1:07:45 | 1:07:50 | |
And one does not see anything until one sees its beauty. | 1:07:50 | 1:07:55 | |
Oh, really? | 1:07:55 | 1:07:58 | |
Yes. Really. | 1:07:58 | 1:08:00 | |
Ah, Mabel. | 1:08:04 | 1:08:06 | |
Do you have something you wish to say to me? | 1:08:08 | 1:08:12 | |
Erm... | 1:08:16 | 1:08:18 | |
No. No, I don't think so. | 1:08:18 | 1:08:20 | |
Ahem... | 1:08:23 | 1:08:26 | |
Then I don't wish to hear it. Good night. | 1:08:26 | 1:08:29 | |
-Good night. -I'm sure Mr Trafford will have something to say to me. | 1:08:29 | 1:08:33 | |
I'm even surer... | 1:08:33 | 1:08:35 | |
I will be quite charmed to listen. | 1:08:35 | 1:08:38 | |
Damn! | 1:08:45 | 1:08:47 | |
HE SIGHS | 1:08:47 | 1:08:49 | |
It is a great nuisance. | 1:08:55 | 1:08:57 | |
I can't find anyone else to talk to, | 1:09:00 | 1:09:02 | |
and I'm so full of interesting information. | 1:09:02 | 1:09:05 | |
I feel like the latest edition of something or other. | 1:09:05 | 1:09:10 | |
Well, after some consideration, | 1:09:10 | 1:09:13 | |
there's so much to do, there's only one thing to be done. | 1:09:13 | 1:09:18 | |
There's a time in every son's life | 1:09:20 | 1:09:22 | |
when he must indeed follow his father's advice. | 1:09:22 | 1:09:26 | |
HE SIGHS | 1:09:26 | 1:09:29 | |
I shall go to bed at once. | 1:09:29 | 1:09:31 | |
I do hope we see you in the near future, Mrs Cheveley. | 1:09:34 | 1:09:38 | |
So do I. But I fear that for me, the future seems strangely uncertain. | 1:09:38 | 1:09:42 | |
What of the present? | 1:09:42 | 1:09:44 | |
As a very dear friend once said to me, | 1:09:44 | 1:09:47 | |
"To love oneself is the beginning of a lifelong romance." Goodbye. | 1:09:47 | 1:09:52 | |
London will be the lesser for your leaving. | 1:09:55 | 1:09:58 | |
And sadly lacking in scandal. | 1:09:58 | 1:10:01 | |
Lady Markby, my personal favourite is shortly to unfold. | 1:10:01 | 1:10:06 | |
Consider it a parting gift. | 1:10:06 | 1:10:08 | |
Thank you, Mrs Cheveley. | 1:10:08 | 1:10:11 | |
May I see it? | 1:10:48 | 1:10:51 | |
Mmm. | 1:10:51 | 1:10:52 | |
So...that is what you were doing with that woman, Mrs Cheveley? | 1:11:01 | 1:11:06 | |
Mmm. | 1:11:06 | 1:11:08 | |
Oh... It certainly didn't look that way. | 1:11:08 | 1:11:12 | |
Yes, but there's a great deal of difference | 1:11:12 | 1:11:14 | |
between looking and seeing, isn't there, Miss Mabel? | 1:11:14 | 1:11:17 | |
Oh, dear Arthur. | 1:11:19 | 1:11:22 | |
What a good friend you are to him. | 1:11:22 | 1:11:25 | |
To us. | 1:11:25 | 1:11:27 | |
But we're not out of danger yet. | 1:11:27 | 1:11:30 | |
There's a popular saying about frying pans and fires, | 1:11:30 | 1:11:34 | |
but this time, you and I are to be roasted. | 1:11:34 | 1:11:37 | |
Oh, no, Arthur, I couldn't. | 1:11:42 | 1:11:44 | |
He should know the exact truth. | 1:11:44 | 1:11:46 | |
So you want me to tell him...what? | 1:11:46 | 1:11:50 | |
-That I intended a secret... -Secret rendezvous, yes. | 1:11:50 | 1:11:55 | |
With a single man? At such an hour? | 1:11:55 | 1:11:58 | |
It's scandalous. | 1:11:58 | 1:12:00 | |
It's also the truth, and it may be our best option. | 1:12:00 | 1:12:04 | |
I couldn't possibly tell him. | 1:12:04 | 1:12:06 | |
-May I do it? -Certainly not. | 1:12:06 | 1:12:09 | |
Give me your word that you never will. | 1:12:09 | 1:12:12 | |
But you are wrong. | 1:12:12 | 1:12:14 | |
I will give you my word. | 1:12:14 | 1:12:18 | |
That you will never tell me what, Lord Goring? | 1:12:18 | 1:12:21 | |
Robert. | 1:12:21 | 1:12:23 | |
What does this mean? | 1:12:28 | 1:12:30 | |
I meant to give it to you last night. | 1:12:34 | 1:12:37 | |
Last night? | 1:12:37 | 1:12:39 | |
Yes, when Gertrude sent it over, but you left in such a hurry. | 1:12:40 | 1:12:45 | |
So this letter is intended for me? | 1:12:45 | 1:12:47 | |
Well, of co... | 1:12:50 | 1:12:53 | |
Oh, my goodness. | 1:12:53 | 1:12:55 | |
You didn't think, you couldn't possibly think that... | 1:12:55 | 1:12:58 | |
The name, the, erm, the address on the envelope is yours. | 1:13:00 | 1:13:05 | |
She knew that when you left here, you'd come to me at once. | 1:13:05 | 1:13:09 | |
It stands to reason, come on. | 1:13:09 | 1:13:12 | |
It's true, Robert. | 1:13:14 | 1:13:16 | |
I delivered it myself. | 1:13:16 | 1:13:18 | |
YOU did? | 1:13:19 | 1:13:21 | |
You DID? Ahem... You DID. | 1:13:21 | 1:13:24 | |
Certainly. Ahem... | 1:13:24 | 1:13:28 | |
As you'll remember, Gertrude, after my rehearsals, I called in for tea. | 1:13:28 | 1:13:32 | |
And when you mentioned the letter, | 1:13:32 | 1:13:35 | |
I said that I was to meet up with Lord Goring, | 1:13:35 | 1:13:37 | |
as we were visiting the new modern art exhibition | 1:13:37 | 1:13:40 | |
at the Grosvenor. Which, apart from two studies | 1:13:40 | 1:13:44 | |
by Whistler, was forgettable. | 1:13:44 | 1:13:46 | |
That's exactly what Lord Goring then proceeded to do. | 1:13:46 | 1:13:49 | |
Namely, forget it, before he saw it. For he never appeared. | 1:13:49 | 1:13:54 | |
A fact which I find | 1:13:54 | 1:13:56 | |
most upsetting. Mr Whistler and I | 1:13:56 | 1:14:00 | |
are both deciding whether or not to forgive him. | 1:14:00 | 1:14:02 | |
In the meantime, I delivered the letter myself. | 1:14:02 | 1:14:07 | |
And, you know, the fact of the matter is, I still haven't had | 1:14:07 | 1:14:11 | |
a word of apology. | 1:14:11 | 1:14:14 | |
Erm, sorry. | 1:14:14 | 1:14:16 | |
I forgive you. | 1:14:16 | 1:14:18 | |
Thank you. | 1:14:18 | 1:14:21 | |
Is this true? | 1:14:21 | 1:14:23 | |
"When you left... | 1:14:36 | 1:14:39 | |
"my life... | 1:14:39 | 1:14:41 | |
"my life fell apart. | 1:14:41 | 1:14:44 | |
"I need you, after all." | 1:14:47 | 1:14:49 | |
Your life fell apart, Gertrude? | 1:14:52 | 1:14:54 | |
Yes. | 1:14:58 | 1:15:00 | |
You need me, Gertrude? | 1:15:03 | 1:15:07 | |
Yes. | 1:15:07 | 1:15:09 | |
Why did you not say that you loved me? | 1:15:09 | 1:15:11 | |
Oh, because I love you. | 1:15:11 | 1:15:14 | |
-HE LAUGHS -I do not care what | 1:15:14 | 1:15:18 | |
punishment or disgrace is in store for me. This letter of yours... | 1:15:18 | 1:15:23 | |
makes me feel that nothing that the world can do can harm me now. | 1:15:23 | 1:15:27 | |
There is no disgrace in store for you, nor any public shame. | 1:15:27 | 1:15:31 | |
HE HUMS | 1:15:33 | 1:15:36 | |
Oh! I... | 1:15:36 | 1:15:38 | |
I don't understand. | 1:15:38 | 1:15:40 | |
We have much to thank him for, Robert. | 1:15:40 | 1:15:44 | |
When I finished my speech, I felt sure my future was in ruins. | 1:15:44 | 1:15:49 | |
When you began it, I wasn't so sure about my own. | 1:15:49 | 1:15:53 | |
I don't know how to thank you. Arthur. | 1:15:53 | 1:15:56 | |
I'm sure I'll think of something. | 1:15:56 | 1:15:59 | |
In the meantime, I'd be grateful for the return of my hand. | 1:15:59 | 1:16:03 | |
Oh. | 1:16:03 | 1:16:05 | |
Miss Mabel? | 1:16:07 | 1:16:09 | |
Miss Mabel? | 1:16:13 | 1:16:16 | |
Miss Mabel, wait! | 1:16:16 | 1:16:17 | |
I, er... | 1:16:22 | 1:16:23 | |
have something very particular to say to you. | 1:16:23 | 1:16:26 | |
Oh. Is it a proposal? | 1:16:26 | 1:16:29 | |
Well... Yes, it is. | 1:16:31 | 1:16:34 | |
It is?! | 1:16:34 | 1:16:36 | |
I think it is. | 1:16:38 | 1:16:40 | |
Well, yes or no? | 1:16:40 | 1:16:42 | |
Actually, yes, I'm afraid it is. | 1:16:42 | 1:16:46 | |
I'm so glad. | 1:16:44 | 1:16:46 | |
-That is the second one today. -What? | 1:16:46 | 1:16:49 | |
-Not...? -Yes. | 1:16:49 | 1:16:51 | |
Tommy Trafford. Tommy always proposes on Tuesdays and Thursdays. | 1:16:51 | 1:16:57 | |
Today is Friday. | 1:16:57 | 1:17:00 | |
I know. | 1:16:58 | 1:17:00 | |
Today is special. | 1:17:00 | 1:17:03 | |
You didn't accept him, did you? | 1:17:03 | 1:17:06 | |
I shall be in the conservatory, | 1:17:06 | 1:17:08 | |
under the second palm tree on the right. | 1:17:08 | 1:17:10 | |
Second palm tree on the right? | 1:17:13 | 1:17:14 | |
The USUAL palm tree. | 1:17:14 | 1:17:17 | |
And then we'll see how you do. | 1:17:17 | 1:17:19 | |
The usual? | 1:17:21 | 1:17:23 | |
Well, sir, what are you doing here? Wasting your time, as usual? | 1:17:23 | 1:17:28 | |
When one pays a visit, it wastes other people's time | 1:17:28 | 1:17:33 | |
and not one's own. Why are you here? | 1:17:33 | 1:17:36 | |
I've important news for Chiltern. | 1:17:36 | 1:17:38 | |
A seat in the Cabinet. | 1:17:41 | 1:17:42 | |
You well deserve it. You have got | 1:17:42 | 1:17:45 | |
what we want in political life. High character, | 1:17:45 | 1:17:48 | |
moral tone, principles. Everything that you have not got, sir! | 1:17:48 | 1:17:53 | |
I cannot accept this offer, Lord Caversham. | 1:18:05 | 1:18:09 | |
I have decided to decline it. | 1:18:09 | 1:18:12 | |
Decline it, sir?! | 1:18:12 | 1:18:13 | |
I will retire at once from public life. | 1:18:13 | 1:18:16 | |
Decline a seat and retire from public life?! | 1:18:16 | 1:18:20 | |
I never heard such damned nonsense! I beg your pardon, Lady Chiltern. | 1:18:20 | 1:18:25 | |
Prevent your husband from making a... | 1:18:25 | 1:18:28 | |
My husband is right, I agree with him. | 1:18:28 | 1:18:32 | |
You agree? Good heavens. | 1:18:32 | 1:18:35 | |
I admire him for it. I admire him immensely for it. | 1:18:35 | 1:18:40 | |
I shall write at once to the Prime Minister. | 1:18:42 | 1:18:45 | |
Do excuse me for a moment, Lord Caversham. | 1:18:47 | 1:18:49 | |
Lord Caversham. | 1:18:49 | 1:18:50 | |
What is the matter with this family? | 1:18:53 | 1:18:55 | |
There's something wrong here, eh? | 1:18:55 | 1:18:58 | |
Idiocy. Hereditary, perhaps. Both of them, too. | 1:18:58 | 1:19:01 | |
Very sad. Very sad indeed. They're not an old family. | 1:19:03 | 1:19:09 | |
Can't understand it. I'd better go to the Prime Minister | 1:19:09 | 1:19:13 | |
and tell him Chiltern's a fool! | 1:19:13 | 1:19:16 | |
No, not quite yet. I'd rather you took a seat yourself. | 1:19:16 | 1:19:19 | |
What now? | 1:19:19 | 1:19:23 | |
Go in there for a while. | 1:19:20 | 1:19:23 | |
The second palm tree to the right. The usual palm tree. | 1:19:23 | 1:19:26 | |
What?! | 1:19:26 | 1:19:27 | |
There's somebody I want you to talk to. | 1:19:27 | 1:19:28 | |
What about? | 1:19:28 | 1:19:30 | |
About me, sir. Hmm? | 1:19:30 | 1:19:32 | |
Not a subject on which much eloquence is possible. | 1:19:33 | 1:19:36 | |
Gertrude? | 1:19:42 | 1:19:44 | |
Oh. | 1:19:48 | 1:19:50 | |
Yes, it is Robert himself who wishes to retire from public life. | 1:19:50 | 1:19:54 | |
-Oh, really! -He said so. | 1:19:54 | 1:19:55 | |
Rather than lose your love, he would do anything. | 1:19:55 | 1:19:58 | |
Has he not been punished enough? | 1:19:58 | 1:20:00 | |
We've both been punished. I set him up too high. | 1:20:00 | 1:20:04 | |
Do not then set him down now too low. | 1:20:04 | 1:20:07 | |
It is not the perfect, but the imperfect who need love. | 1:20:07 | 1:20:11 | |
You know a great deal about everything, all of a sudden. | 1:20:11 | 1:20:14 | |
Oh, I hope not. | 1:20:14 | 1:20:17 | |
I do know that it takes great courage | 1:20:17 | 1:20:20 | |
to see the world in all its tainted glory and still to love it. | 1:20:20 | 1:20:25 | |
And even more courage to see it in the one you love. | 1:20:25 | 1:20:29 | |
You have more courage than any woman I know. Do not be afraid to use it. | 1:20:29 | 1:20:34 | |
HE HUMS | 1:20:42 | 1:20:44 | |
LAUGHTER | 1:20:45 | 1:20:47 | |
CHATTERING | 1:20:47 | 1:20:49 | |
< Lady Caversham need never know. | 1:20:55 | 1:20:57 | |
Thank you, Father. | 1:20:58 | 1:21:00 | |
-Can't say I hold up much hope. -What?! | 1:21:00 | 1:21:02 | |
HE SIGHS | 1:21:07 | 1:21:09 | |
Lord Goring. | 1:21:31 | 1:21:33 | |
You have something you wish to say to me? | 1:21:34 | 1:21:36 | |
Um... | 1:21:36 | 1:21:38 | |
Marry me, M... | 1:21:40 | 1:21:42 | |
Marry me, Miss Mabel. | 1:21:46 | 1:21:49 | |
SHE SIGHS | 1:21:49 | 1:21:51 | |
Well, Lord Goring, I must say, this comes as quite a surprise. | 1:21:51 | 1:21:56 | |
-If you need time to consider, I'll... -No! | 1:21:56 | 1:21:59 | |
I don't need time, I need a reason. | 1:21:59 | 1:22:02 | |
What? | 1:22:02 | 1:22:04 | |
A reason why you think I should marry you. | 1:22:04 | 1:22:08 | |
Oh, um... | 1:22:09 | 1:22:11 | |
A reason, you say? | 1:22:16 | 1:22:18 | |
A good one. Yes. | 1:22:18 | 1:22:20 | |
-Hmm. -Robert. > | 1:22:20 | 1:22:22 | |
May I? | 1:22:25 | 1:22:27 | |
Of course. | 1:22:27 | 1:22:28 | |
Gertrude! | 1:22:36 | 1:22:37 | |
It is more than enough to know that you would sacrifice it. | 1:22:37 | 1:22:41 | |
We have, all of us, feet of clay, Robert. | 1:22:41 | 1:22:45 | |
Women, as well as men. | 1:22:45 | 1:22:48 | |
Can it be that... | 1:22:50 | 1:22:52 | |
..you've forgiven me? | 1:22:53 | 1:22:55 | |
Oh, I suppose it must be that. | 1:22:57 | 1:23:00 | |
Oh, goodness. | 1:23:02 | 1:23:04 | |
Hold me, Robert. | 1:23:04 | 1:23:06 | |
Forgive ME? | 1:23:11 | 1:23:13 | |
Gertrude! | 1:23:13 | 1:23:15 | |
Gertrude, my wife! > | 1:23:18 | 1:23:20 | |
HE LAUGHS | 1:23:20 | 1:23:22 | |
I love you. | 1:23:28 | 1:23:30 | |
I love you. | 1:23:30 | 1:23:32 | |
I love you. | 1:23:32 | 1:23:34 | |
Is that your reason? | 1:23:37 | 1:23:39 | |
Mmm. | 1:23:39 | 1:23:40 | |
I love you. | 1:23:40 | 1:23:42 | |
I said... | 1:23:44 | 1:23:46 | |
I... I know. | 1:23:46 | 1:23:48 | |
Well, couldn't you... | 1:23:48 | 1:23:51 | |
..love me just a little bit in return? Hmm? | 1:23:53 | 1:23:56 | |
Oh, Arthur, you silly. | 1:23:57 | 1:24:01 | |
If you knew anything about anything, which you don't, | 1:24:01 | 1:24:06 | |
you'd know that I absolutely adore you. | 1:24:06 | 1:24:08 | |
-Really? -Mmm. | 1:24:08 | 1:24:11 | |
Well, why didn't you mention it before? | 1:24:11 | 1:24:15 | |
Because, dear boy, you never would have believed me. | 1:24:15 | 1:24:20 | |
Hmm. | 1:24:20 | 1:24:21 | |
HE CLEARS THROAT | 1:24:38 | 1:24:40 | |
What the devil's going on in this house?! | 1:24:47 | 1:24:49 | |
Congratulations! | 1:24:55 | 1:24:57 | |
If the country doesn't go to the dogs, we'll have you Prime Minister. | 1:24:57 | 1:25:02 | |
Thank you. Arthur, I wish I could repay you. | 1:25:02 | 1:25:06 | |
Well, as a matter of fact, there is. | 1:25:06 | 1:25:09 | |
You are your sister's guardian. I'd like to marry her, that is all. | 1:25:09 | 1:25:13 | |
Oh, I'm SO glad! | 1:25:13 | 1:25:16 | |
You wish to marry Mabel? It's quite out of the question. | 1:25:16 | 1:25:20 | |
THEY ALL LAUGH | 1:25:20 | 1:25:23 | |
I have to consider Mabel's future happiness | 1:25:23 | 1:25:27 | |
and, as much as I care for you, her happiness isn't safe in your hands. | 1:25:27 | 1:25:32 | |
I love Mabel. No other woman has a place in my heart. | 1:25:32 | 1:25:37 | |
They truly love each other, why should they not marry? | 1:25:37 | 1:25:41 | |
I shall tell you. | 1:25:41 | 1:25:43 | |
I called on Lord Goring and I found Mrs Cheveley concealed in his room. | 1:25:43 | 1:25:49 | |
I discovered that they were at one time engaged. | 1:25:49 | 1:25:53 | |
I'm very sorry, Mabel. | 1:25:53 | 1:25:56 | |
How can I allow you to marry him when he's already involved? | 1:25:56 | 1:26:00 | |
I'm sorry, Arthur. | 1:26:00 | 1:26:02 | |
It would be wrong of me. | 1:26:02 | 1:26:05 | |
It would be unjust to her. | 1:26:05 | 1:26:08 | |
Very well. | 1:26:18 | 1:26:19 | |
-But, Arthur... -Shh. | 1:26:19 | 1:26:22 | |
Mabel, | 1:26:22 | 1:26:24 | |
there is nothing I can say. | 1:26:24 | 1:26:27 | |
Robert? | 1:26:34 | 1:26:35 | |
Arthur was as surprised as you to find Mrs Cheveley in his rooms. | 1:26:40 | 1:26:46 | |
He was expecting... | 1:26:46 | 1:26:49 | |
..quite another woman. | 1:26:51 | 1:26:52 | |
Another woman? What do you mean? | 1:26:52 | 1:26:55 | |
Well, the truth is, | 1:26:55 | 1:26:59 | |
the business about Mabel and Mr Whistler, you see, | 1:26:59 | 1:27:03 | |
that was just my friends being kind and, erm, protecting me. | 1:27:03 | 1:27:09 | |
Er, well, the truth is, | 1:27:09 | 1:27:11 | |
when I agreed to the story about | 1:27:11 | 1:27:14 | |
the letter being intended for you and not for Arthur, | 1:27:14 | 1:27:19 | |
well, you see, | 1:27:19 | 1:27:22 | |
the truth is... | 1:27:22 | 1:27:23 | |
..the truth is... | 1:27:28 | 1:27:30 | |
..I lied! | 1:27:33 | 1:27:35 | |
Bravo! | 1:27:39 | 1:27:41 | |
THEY ALL LAUGH | 1:27:41 | 1:27:44 | |
Father! | 1:27:46 | 1:27:48 | |
THEY ALL LAUGH | 1:27:53 | 1:27:55 | |
I need a drink. | 1:28:01 | 1:28:03 | |
Me, too. | 1:28:03 | 1:28:04 | |
If you don't make her an ideal husband, | 1:28:24 | 1:28:25 | |
I'll cut you off with a shilling. | 1:28:25 | 1:28:27 | |
An ideal husband, I don't think I should like that. | 1:28:27 | 1:28:31 | |
What do you want him to be, then? | 1:28:31 | 1:28:34 | |
He can be whatever he chooses. | 1:28:34 | 1:28:37 | |
You don't deserve her, sir. | 1:28:37 | 1:28:39 | |
If men married the women we deserved, we should have a very bad time of it. | 1:28:39 | 1:28:44 | |
Your heart is quite heartless. | 1:28:44 | 1:28:48 | |
Oh, I hope not, sir. I hope not. | 1:28:48 | 1:28:52 |