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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:04 | 0:00:11 | |
MAN: Welcome to bonnie Scotland. | 0:00:51 | 0:00:53 | |
It is the year of Our Lord 1828. | 0:00:53 | 0:00:56 | |
And this is where I work, | 0:00:56 | 0:00:58 | |
the market square in Edinburgh, our capital city. | 0:00:58 | 0:01:01 | |
INDISTINCT CONVERSATIONS, GEESE HONKING | 0:01:01 | 0:01:03 | |
They're calling this the Scottish Enlightenment. | 0:01:03 | 0:01:06 | |
-HE CHUCKLES -Enlightenment? | 0:01:07 | 0:01:10 | |
You could have fooled me. | 0:01:10 | 0:01:11 | |
I mean, look at the state of them. | 0:01:11 | 0:01:14 | |
The only people round here looking to be enlightened are the medical students. | 0:01:14 | 0:01:18 | |
They come to study at the feet of our famous doctors. | 0:01:18 | 0:01:21 | |
Edinburgh is the medical capital of the world. | 0:01:21 | 0:01:24 | |
Get yourselves an education there, lads. | 0:01:24 | 0:01:27 | |
On one side of the city, you have Barclay's School of Anatomy, | 0:01:27 | 0:01:31 | |
And that's run by the esteemed surgeon, Doctor Robert Knox. | 0:01:31 | 0:01:35 | |
Now some say that he's the finest surgeon in all of Scotland. | 0:01:35 | 0:01:39 | |
All I can say about Doctor Knox is that he dresses well. | 0:01:39 | 0:01:44 | |
Quite the dandy. | 0:01:44 | 0:01:46 | |
Ah, there's nothing like starting off a new term with a fresh corpse. | 0:01:46 | 0:01:50 | |
-Is there, Patterson? -Indeed, sir. | 0:01:50 | 0:01:52 | |
Today I think I shall commence by removing the top of the cranium. | 0:01:52 | 0:01:56 | |
It will certainly give the freshmen something to write home about. | 0:01:56 | 0:01:59 | |
And on the other side of the city... | 0:01:59 | 0:02:03 | |
you've got Scotland's Royal College of Surgeons. | 0:02:03 | 0:02:05 | |
And that's run by Professor Alexander Monro. | 0:02:05 | 0:02:09 | |
He's... | 0:02:09 | 0:02:11 | |
how do you put it? Old-school. | 0:02:11 | 0:02:14 | |
MUFFLED SCREAMING, SAWING | 0:02:14 | 0:02:16 | |
CRACK | 0:02:19 | 0:02:21 | |
That would be an artery. | 0:02:26 | 0:02:28 | |
Anyway, you'll have to excuse me for a wee moment, ladies and gentlemen. | 0:02:32 | 0:02:36 | |
It's...showtime! | 0:02:36 | 0:02:38 | |
HE CLEARS HIS THROAT | 0:02:54 | 0:02:57 | |
Maggie O'Donnell of the West Port, also known as Mad Maggie. | 0:02:57 | 0:03:01 | |
You are convicted of the heinous crimes of thievery, | 0:03:01 | 0:03:05 | |
prostitution, public drunkenness, and a bad attitude. | 0:03:05 | 0:03:12 | |
Do you have anything to say before you are consigned to hell? | 0:03:12 | 0:03:15 | |
Aye! | 0:03:15 | 0:03:16 | |
Only that I hope it's as hot down there as they say it is! | 0:03:16 | 0:03:21 | |
ALL CHEER | 0:03:25 | 0:03:28 | |
INDISTINCT CONVERSATIONS, DOG BARKS | 0:03:29 | 0:03:34 | |
You see, you can only teach anatomy by cutting up people's bodies. | 0:03:34 | 0:03:37 | |
And the law of the land says you can only cut up bodies | 0:03:37 | 0:03:40 | |
of people like Mad Maggie here, the recently deceased. | 0:03:40 | 0:03:43 | |
So we sell them to the highest bidder. | 0:03:43 | 0:03:45 | |
But now, Professor Monro, the swine, | 0:03:53 | 0:03:57 | |
has used his influence to pass a new city bylaw. | 0:03:57 | 0:04:00 | |
Where's the body, Angus? | 0:04:08 | 0:04:10 | |
But we had an arrangement. | 0:04:12 | 0:04:13 | |
Professor Monro at the Royal College gets all the bodies now. | 0:04:13 | 0:04:16 | |
MUTTERING ANGRILY | 0:04:16 | 0:04:20 | |
Now when the demand for a certain commodity exceeds supply, | 0:04:20 | 0:04:23 | |
it creates a business opportunity | 0:04:23 | 0:04:26 | |
just waiting for the right kind of clever entrepreneurs to step in. | 0:04:26 | 0:04:31 | |
Ladies and gentlemen, gather round! Gather round! | 0:04:31 | 0:04:34 | |
My name is William Burke. | 0:04:34 | 0:04:36 | |
Like many of you, my colleague Mr Hare and I | 0:04:36 | 0:04:38 | |
came to this land looking for work. | 0:04:38 | 0:04:40 | |
We've dug canals, we've built roads, we've started a new life. | 0:04:40 | 0:04:44 | |
But none of us has forgotten that Emerald Isle from which we came. | 0:04:44 | 0:04:48 | |
That mystical land where a man... | 0:04:48 | 0:04:49 | |
-Get to the bloody point, Willy. -Right, sorry. -HE CLEARS HIS THROAT | 0:04:49 | 0:04:52 | |
In the County of Donegal, on the highest, greenest slopes, | 0:04:52 | 0:04:55 | |
there grows a certain moss which any educated person will tell you | 0:04:55 | 0:04:58 | |
cures all known afflictions. | 0:04:58 | 0:05:00 | |
The smallest cut, ladies and gentlemen, | 0:05:00 | 0:05:03 | |
can let in poisons from the earth and the air, | 0:05:03 | 0:05:05 | |
and before you know it, your very brain starts to boil. | 0:05:05 | 0:05:09 | |
But a touch of the moss from the hills of Donegal, ladies and gentlemen, | 0:05:09 | 0:05:13 | |
and it's gone in a flash. | 0:05:13 | 0:05:15 | |
A boil appears. You pay it no mind. | 0:05:15 | 0:05:17 | |
But suddenly there's a second! And a third! | 0:05:19 | 0:05:21 | |
And before you know it, the sufferings of Job are upon you! | 0:05:21 | 0:05:24 | |
A wart, madam. Starts off small, doesn't it? | 0:05:24 | 0:05:28 | |
But without a touch of the moss, it can grow as big as your head! | 0:05:28 | 0:05:33 | |
This is never moss. | 0:05:33 | 0:05:35 | |
It's cheese mould. | 0:05:35 | 0:05:37 | |
They're a pair of confidence men! | 0:05:37 | 0:05:40 | |
ANGRY SHOUTING | 0:05:40 | 0:05:41 | |
MAN: You bastards! | 0:05:41 | 0:05:43 | |
WOMAN: Fetch a constable! | 0:05:43 | 0:05:46 | |
INDISTINCT CONVERSATIONS | 0:05:48 | 0:05:50 | |
MAN: Gentlemen! | 0:05:57 | 0:05:58 | |
APPLAUSE | 0:06:00 | 0:06:01 | |
Gentlemen, the Lord created the heavens and the earth. | 0:06:12 | 0:06:17 | |
But His greatest work, His most perfect creation is Man. | 0:06:17 | 0:06:23 | |
The study of human anatomy, therefore, | 0:06:23 | 0:06:27 | |
is nothing less than a direct insight into the mind of God. | 0:06:27 | 0:06:34 | |
Gentlemen... | 0:06:41 | 0:06:42 | |
I give you the human form... | 0:06:42 | 0:06:47 | |
in all its glory. | 0:06:47 | 0:06:48 | |
-CROWD GASPS -MAN: Jesus Christ! | 0:06:48 | 0:06:50 | |
I've a very, very good explanation, sir. | 0:06:55 | 0:06:57 | |
Well, Patterson? | 0:07:00 | 0:07:01 | |
Let's hear this very, very good explanation. | 0:07:01 | 0:07:05 | |
Not content with butchering his own patients, | 0:07:13 | 0:07:16 | |
Monro has now taken to using political influence | 0:07:16 | 0:07:18 | |
to hinder the advancement of medical science. | 0:07:18 | 0:07:21 | |
Beggars can't be choosers, sir. I had to take the only one that Resurrectionist McTavish had left. | 0:07:21 | 0:07:25 | |
That's the third rotter I've had from McTavish and his gang | 0:07:25 | 0:07:27 | |
of grave robbers in the last three weeks. | 0:07:27 | 0:07:29 | |
I can't go on like this. | 0:07:29 | 0:07:31 | |
Is there anything I can do, doctor? | 0:07:31 | 0:07:33 | |
You could start praying, Patterson, for the one thing that could save us. | 0:07:33 | 0:07:39 | |
And what's that, sir? | 0:07:39 | 0:07:40 | |
An enormous and awful calamity right here in Edinburgh. | 0:07:40 | 0:07:44 | |
An accident or a... or a natural disaster. | 0:07:44 | 0:07:48 | |
Something which generates the large numbers of cadavers I need for my work. | 0:07:48 | 0:07:53 | |
Wouldn't that be nice, sir? | 0:07:53 | 0:07:54 | |
Yes, Patterson. | 0:07:54 | 0:07:57 | |
It would be nice. | 0:07:57 | 0:07:59 | |
You told your wife you was going to get a job. You lied. | 0:07:59 | 0:08:02 | |
An economy with the truth, Willy, isn't the same as a flat-out lie. | 0:08:02 | 0:08:05 | |
-HE LAUGHS -And you think Lucky's going to grasp that distinction? | 0:08:05 | 0:08:08 | |
She's not exactly a forgiving woman. | 0:08:08 | 0:08:10 | |
-I'll not hear a bad word said against her. -All right! | 0:08:10 | 0:08:13 | |
I'll grant you she's had her problems with the bottle, | 0:08:13 | 0:08:16 | |
but she's fighting her demons. | 0:08:16 | 0:08:19 | |
Besides she's bound to be in high spirits. | 0:08:19 | 0:08:22 | |
-It's rent day for Old Donald. -Ah! | 0:08:22 | 0:08:24 | |
Ah, ya see? | 0:08:24 | 0:08:26 | |
Within every cloud, there's a silver lining. | 0:08:26 | 0:08:29 | |
WOMAN: Where's the money you owe us, Mr Hare?! | 0:08:31 | 0:08:33 | |
I know this looks bad, love, but there's a good explanation. | 0:08:45 | 0:08:48 | |
You see, Willy here came up with this fantastic new product. | 0:08:48 | 0:08:52 | |
-Donegal moss. -It started off a roaring success. | 0:08:52 | 0:08:55 | |
Aye, for a while it looked as though all our troubles were over. | 0:08:55 | 0:08:58 | |
Jesus, what's that smell? | 0:09:01 | 0:09:03 | |
Er, it was an accident. | 0:09:03 | 0:09:05 | |
You're a lazy good-for-nothing, William Hare. | 0:09:05 | 0:09:08 | |
We're flat-out broke. | 0:09:08 | 0:09:10 | |
What about Old Donald's rent money? | 0:09:12 | 0:09:14 | |
HE GURGLES | 0:09:14 | 0:09:16 | |
-He's dead. -BOTH LAUGH | 0:09:17 | 0:09:20 | |
-Dead. -Dead! | 0:09:20 | 0:09:21 | |
HE SCOFFS What do you mean "dead"? | 0:09:21 | 0:09:23 | |
I mean deceased. He stopped living and died. | 0:09:23 | 0:09:26 | |
So he didn't pay his rent, then? | 0:09:26 | 0:09:28 | |
Are you telling us Old Donald is dead? | 0:09:29 | 0:09:31 | |
As a doornail. | 0:09:31 | 0:09:32 | |
So my suggestion is that you sort yourselves out | 0:09:32 | 0:09:36 | |
and get rid of the body before it starts to stink up the place more than you two. | 0:09:36 | 0:09:41 | |
How are we supposed to do that? | 0:09:41 | 0:09:43 | |
Use your imagination, William. | 0:09:43 | 0:09:45 | |
It's about all you're good for these days. | 0:09:45 | 0:09:48 | |
That's not working. | 0:09:52 | 0:09:54 | |
BOTH GRUNT | 0:09:54 | 0:09:56 | |
-Right, now push his right leg down. -It won't go! | 0:09:56 | 0:09:59 | |
-Going to have to break his back. -What?! | 0:09:59 | 0:10:02 | |
Well, it's either that, or we chop his legs off. | 0:10:02 | 0:10:04 | |
I know a building site in the New Town. | 0:10:06 | 0:10:08 | |
We can dump him there. No problem at all. | 0:10:08 | 0:10:09 | |
-Don't know about this, William. -It'll be a piece of cake. | 0:10:09 | 0:10:12 | |
-It's only another mile or so. -Only another mile or so?! | 0:10:12 | 0:10:15 | |
Let's stop over there, William. This is thirsty work. | 0:10:17 | 0:10:20 | |
Right, get it up. THEY GRUNT | 0:10:27 | 0:10:29 | |
DOOR OPENS | 0:10:29 | 0:10:31 | |
Watch your language, you fuckin' son-of-a-bitch bastard! | 0:10:34 | 0:10:39 | |
DOOR CLOSES | 0:10:39 | 0:10:41 | |
INDISTINCT CONVERSATIONS | 0:10:43 | 0:10:45 | |
What are we going to do, William? There's no more canals to dig. | 0:10:52 | 0:10:55 | |
Don't you worry, Willy. I have got all kinds of ideas. | 0:10:55 | 0:10:58 | |
Aye, but no money to speak of. No plan. | 0:10:58 | 0:11:01 | |
Just enough money for one last dram. | 0:11:04 | 0:11:06 | |
-HE CHUCKLES -I'll drink to that. | 0:11:06 | 0:11:08 | |
-Couple of large ones, Eileen. -Right away. | 0:11:13 | 0:11:15 | |
Willy! How's business? | 0:11:15 | 0:11:18 | |
Never better, Fergus. | 0:11:18 | 0:11:19 | |
What about you? | 0:11:23 | 0:11:25 | |
Diversifying is what we're doing. | 0:11:25 | 0:11:27 | |
Mr McTavish has moved into gambling, opium distribution and... | 0:11:27 | 0:11:32 | |
pimping whores. | 0:11:32 | 0:11:34 | |
WOMAN LAUGHS | 0:11:34 | 0:11:35 | |
SQUEALS OF LAUGHTER | 0:11:35 | 0:11:37 | |
We've gone legitimate. | 0:11:37 | 0:11:39 | |
So no more digging up graves, then? | 0:11:42 | 0:11:44 | |
Eh, it's nae worth the bother anymore. | 0:11:44 | 0:11:46 | |
Wee Tam McLintoch and his militia, | 0:11:46 | 0:11:49 | |
they've declared a war on grave robbery. | 0:11:49 | 0:11:52 | |
They're patrolling the graveyards every night. | 0:11:52 | 0:11:54 | |
It's a shame, really. | 0:11:54 | 0:11:56 | |
We used to sell to Doctor Knox at £3 a cadaver. | 0:11:56 | 0:12:01 | |
And these days, he'd be happy to pay double that. | 0:12:01 | 0:12:06 | |
And I thought life round here was supposed to be cheap? | 0:12:06 | 0:12:09 | |
It is. | 0:12:09 | 0:12:10 | |
But the price rockets once you're dead. | 0:12:13 | 0:12:16 | |
Willy... | 0:12:27 | 0:12:28 | |
So, this doctor is going to give us money to cut Old Donald up? | 0:12:32 | 0:12:36 | |
Old Donald is in heaven. These are just his mortal remains. | 0:12:36 | 0:12:39 | |
-You seem to have given this an awful lot of thought. -When have I ever let you down? | 0:12:39 | 0:12:43 | |
-When have you ever let me down?! -Oh, come on now, Willy. | 0:12:43 | 0:12:45 | |
Oh! | 0:12:45 | 0:12:47 | |
Holy shite! | 0:13:19 | 0:13:20 | |
This is wrong. | 0:13:31 | 0:13:33 | |
There's only one Surgeon's Square in Edinburgh, Willy. | 0:13:33 | 0:13:35 | |
No, what we're doing is wrong. | 0:13:35 | 0:13:37 | |
Sorry to disturb you, Doctor, | 0:13:37 | 0:13:38 | |
but we've two gentlemen at the door to see you. | 0:13:38 | 0:13:40 | |
They have a herring barrel with them, sir. | 0:13:40 | 0:13:42 | |
I have no taste for herring, Patterson. Send them away. | 0:13:42 | 0:13:45 | |
I believe there's something else in their herring barrel for you, sir. | 0:13:45 | 0:13:48 | |
I commend you both on account of his freshness. | 0:13:51 | 0:13:54 | |
Thank you, Doctor. | 0:13:54 | 0:13:55 | |
Why is he bent in half like that? | 0:13:55 | 0:13:57 | |
Er, this man obviously died in some kind of construction accident. | 0:13:58 | 0:14:02 | |
That is exactly what hap... isn't that exactly what happened, Mr Burke? | 0:14:02 | 0:14:06 | |
Aye, Mr Hare, yeah, that's exactly what happened. | 0:14:06 | 0:14:09 | |
Right. I'll give you £3. | 0:14:09 | 0:14:12 | |
We was looking for six pounds, sir. | 0:14:12 | 0:14:15 | |
I'm afraid I can go no higher than four pounds ten shillings. | 0:14:15 | 0:14:17 | |
Doctor Knox, sir, y-you yourself complimented us on account of its... | 0:14:17 | 0:14:21 | |
freshness, sir. | 0:14:21 | 0:14:23 | |
-HE CHUCKLES -Quite the salesman, aren't you, uh, Mr Hare? | 0:14:23 | 0:14:26 | |
Could you make it five pounds ten shillings? | 0:14:26 | 0:14:29 | |
What with so much... construction work going on in Edinburgh, | 0:14:29 | 0:14:34 | |
if we were to, uh, stumble on any other unfortunates... | 0:14:34 | 0:14:38 | |
would you be interested, Doctor? | 0:14:39 | 0:14:41 | |
I'll give you five pounds for your efforts, gentlemen. | 0:14:43 | 0:14:46 | |
And I'll pay you the same for any more unfortunates that you can deliver, | 0:14:46 | 0:14:50 | |
except in the summer, when we have a few problems keeping them fresh. | 0:14:50 | 0:14:53 | |
I completely understand, Doctor Knox. | 0:14:53 | 0:14:55 | |
All right, Patterson. Prepare this gentleman for the lecture. | 0:14:55 | 0:14:58 | |
What about his, uh... posture, sir? | 0:14:58 | 0:15:02 | |
Uh, straighten him out. I'm sure he won't complain. | 0:15:02 | 0:15:05 | |
-HE CHUCKLES -Sir? | 0:15:05 | 0:15:06 | |
Unbend him! These fellows will assist you. And then show them out. Goodnight. | 0:15:06 | 0:15:10 | |
-HE SIGHS -All right, give me a hand with this. | 0:15:10 | 0:15:13 | |
CRACKS AND SNAPPING | 0:15:16 | 0:15:18 | |
Here's to our new product. | 0:15:27 | 0:15:30 | |
And where exactly are we going to find more? | 0:15:34 | 0:15:36 | |
Oh, there's lots more... product just waiting for us to dig it up. | 0:15:36 | 0:15:41 | |
DOG WHINES | 0:15:57 | 0:15:59 | |
He's looking at me. | 0:16:07 | 0:16:09 | |
I'm sure he knows what we're doing. | 0:16:09 | 0:16:12 | |
Forget the damn dog, Willy. Just keep an eye out for the militia. | 0:16:12 | 0:16:15 | |
-You know this is hallowed ground. -Touch of frost is all. | 0:16:18 | 0:16:22 | |
THUMP | 0:16:22 | 0:16:23 | |
Look lively, men. | 0:16:29 | 0:16:31 | |
BOTH SCREAM | 0:16:54 | 0:16:55 | |
Who goes there?! | 0:16:55 | 0:16:57 | |
Fix bayonets! | 0:16:57 | 0:16:58 | |
-HE WHISPERS -It's the militia! | 0:17:01 | 0:17:03 | |
Listen up, lads! | 0:17:07 | 0:17:08 | |
-Agh! -GUNSHOT | 0:17:08 | 0:17:09 | |
They got guns! | 0:17:09 | 0:17:11 | |
Oh, for pity's sake, Private. | 0:17:13 | 0:17:15 | |
Come on. | 0:17:17 | 0:17:18 | |
Be careful. | 0:17:20 | 0:17:22 | |
Either we give ourselves up and risk being transported, | 0:17:25 | 0:17:28 | |
or we run for it and risk getting shot. | 0:17:28 | 0:17:31 | |
As much as I like to travel, I think I'm going to go with the latter. | 0:17:31 | 0:17:34 | |
-On three. -Right. One... | 0:17:34 | 0:17:37 | |
Ow!! | 0:17:44 | 0:17:45 | |
Well shot, sir! | 0:17:45 | 0:17:47 | |
Thank you, Sergeant. | 0:17:47 | 0:17:48 | |
DOG BARKS | 0:17:51 | 0:17:52 | |
GROANING | 0:17:54 | 0:17:57 | |
I can't believe this. | 0:17:58 | 0:18:00 | |
Six years in the Donegal Militia, and I never got a scratch. | 0:18:00 | 0:18:03 | |
And three hours as a grave robber, and I get shot in the arse. | 0:18:03 | 0:18:06 | |
All right, Willy, show me your wounds. | 0:18:06 | 0:18:08 | |
All right, just be careful. | 0:18:08 | 0:18:10 | |
I think you've got a perfectly lovely arse. | 0:18:12 | 0:18:16 | |
Evening, Mrs McFie. | 0:18:19 | 0:18:20 | |
-Is it bad? -It's nothing but a scratch, you big baby. | 0:18:24 | 0:18:27 | |
-Well, it still hurts. -Come on, Willy. | 0:18:27 | 0:18:29 | |
Oh, who was that screaming in the graveyard like a wee girl? | 0:18:29 | 0:18:32 | |
You! | 0:18:32 | 0:18:33 | |
For the love of Lord Jesus. She's fallen off the wagon again. | 0:18:43 | 0:18:46 | |
SHE GASPS AND SIGHS | 0:18:51 | 0:18:54 | |
Are you all right, love? | 0:18:54 | 0:18:55 | |
It's God. | 0:18:58 | 0:19:00 | |
He's punishing us. | 0:19:00 | 0:19:01 | |
Oh, you know that's not true. | 0:19:01 | 0:19:03 | |
First Old Donald. Now Joseph. | 0:19:03 | 0:19:07 | |
What's happened to Joseph? | 0:19:07 | 0:19:09 | |
That's two rents just gone. | 0:19:09 | 0:19:12 | |
Hello? | 0:19:32 | 0:19:33 | |
Are you all right, Joseph? | 0:19:33 | 0:19:35 | |
DO I LOOK ALL RIGHT, you bleedin' Irish bastards?! | 0:19:38 | 0:19:41 | |
You'll no' be takin' my coat. | 0:19:44 | 0:19:46 | |
I remember. | 0:19:48 | 0:19:50 | |
Old Nosey was there himself. | 0:19:50 | 0:19:53 | |
He says, "Stand up, guards. | 0:19:53 | 0:19:56 | |
"Now, Maitland, now's your time." | 0:19:56 | 0:20:00 | |
And over we go, fightin', fightin' the Frogs. | 0:20:00 | 0:20:05 | |
Did I ever tell you about the time... | 0:20:05 | 0:20:07 | |
HE COUGHS WETLY | 0:20:07 | 0:20:09 | |
-The time... -HE COUGHS | 0:20:09 | 0:20:12 | |
I saw the man, the wee man himself, Napoleon? | 0:20:12 | 0:20:17 | |
Aye, it were a treat. | 0:20:17 | 0:20:19 | |
HE LAUGHS | 0:20:19 | 0:20:21 | |
And that idiotic hat. | 0:20:21 | 0:20:23 | |
Forgive me, Father... | 0:20:31 | 0:20:34 | |
for I know not what I do. | 0:20:34 | 0:20:36 | |
He shouldn't have to go like this. | 0:20:37 | 0:20:39 | |
A hero should be laid to rest among his comrades | 0:20:41 | 0:20:43 | |
in the corner of some distant foreign field, | 0:20:43 | 0:20:46 | |
on the battle ground surrounded by his fellow men-at-arms. | 0:20:46 | 0:20:49 | |
No, Willy, it's far better this way. | 0:20:50 | 0:20:53 | |
A man deserves to die in the comfort of his own bed | 0:20:53 | 0:20:55 | |
surrounded by his friends. | 0:20:55 | 0:20:57 | |
HOOVES CLOPPING | 0:21:02 | 0:21:04 | |
LIVELY FOLK MUSIC PLAYING | 0:21:04 | 0:21:06 | |
CHEERING AND LAUGHTER | 0:21:10 | 0:21:12 | |
Never again, William. Old Joseph was the last one for me. | 0:21:42 | 0:21:45 | |
Look, we'll talk about it later, Willy. | 0:21:45 | 0:21:47 | |
For now just smile and try to look important. | 0:21:47 | 0:21:49 | |
SONG ENDS, ALL CHEER | 0:22:08 | 0:22:11 | |
-Er, excusez-moi... -You're not coming in wearing those. | 0:22:13 | 0:22:17 | |
-But they are French. -Exactly. So sling your hook. | 0:22:17 | 0:22:22 | |
-Pardon? -Sling your hook. | 0:22:22 | 0:22:24 | |
-Hook? -Your hook. | 0:22:24 | 0:22:25 | |
-Hook? -Your hook, sling it. | 0:22:25 | 0:22:28 | |
Je ne comprends pas. | 0:22:28 | 0:22:30 | |
-We're on the guest list. -Name? | 0:22:30 | 0:22:32 | |
ENGLISH ACCENT: William Wordsworth. | 0:22:35 | 0:22:38 | |
Plus one. | 0:22:38 | 0:22:39 | |
Welcome to McOakley's, Mr Wordsworth. | 0:22:40 | 0:22:43 | |
And may I say how much I admired your poem about the daffodils. | 0:22:43 | 0:22:47 | |
HE CHUCKLES Oh, too kind. | 0:22:47 | 0:22:49 | |
Very nice, very nice. Aye. | 0:22:49 | 0:22:51 | |
No chance. Piss off. Get out. | 0:22:53 | 0:22:55 | |
LIVELY MUSIC PLAYING, CHEERING AND LAUGHTER | 0:22:55 | 0:22:57 | |
What are you having? | 0:23:12 | 0:23:13 | |
It's inconceivable that the height of culture | 0:23:13 | 0:23:16 | |
on offer in Edinburgh is this bloody dive. | 0:23:16 | 0:23:19 | |
Which is why I'm proposing... and don't laugh at me... | 0:23:19 | 0:23:23 | |
that we put on... | 0:23:23 | 0:23:24 | |
"Macbeth." | 0:23:26 | 0:23:27 | |
It's got everything. Sex, murder, magic, betrayal. | 0:23:28 | 0:23:34 | |
I think it's a great idea, Ginny. | 0:23:34 | 0:23:36 | |
-You do? -I really do. | 0:23:36 | 0:23:38 | |
There's just one problem. | 0:23:38 | 0:23:40 | |
Wasn't Macbeth a king? | 0:23:40 | 0:23:41 | |
Wouldn't that make him a man? | 0:23:42 | 0:23:44 | |
I'm talking about the first all-female production | 0:23:45 | 0:23:49 | |
of a Shakespeare play! | 0:23:49 | 0:23:50 | |
But it costs money to put on a play, Ginny. | 0:23:50 | 0:23:53 | |
None of us want to go back on the game. | 0:23:53 | 0:23:55 | |
-Never. -Nobody's going back on the game. | 0:23:55 | 0:23:58 | |
All we need is for a wealthy and discerning patron to take the bait. | 0:23:58 | 0:24:04 | |
What are you doing? | 0:24:04 | 0:24:06 | |
That which hath made them drunk hath made me bold, Em. | 0:24:06 | 0:24:09 | |
LAUGHTER | 0:24:09 | 0:24:11 | |
Had I but died an hour before this chance, | 0:24:13 | 0:24:17 | |
I had liv'd a blessed time... | 0:24:17 | 0:24:19 | |
Someone's had a few too many. | 0:24:19 | 0:24:22 | |
Who can be wise, amaz'd, temp'rate and furious | 0:24:22 | 0:24:28 | |
-loyal and neutral in a moment? -DRAMATIC MUSIC SWELLING | 0:24:28 | 0:24:31 | |
-No man... -CHOIR SINGING BOISTEROUSLY | 0:24:31 | 0:24:33 | |
..the violent expedition of my love | 0:24:33 | 0:24:35 | |
has outrun the pauser reason. | 0:24:35 | 0:24:37 | |
MOCKING CONVERSATIONS | 0:24:43 | 0:24:45 | |
Have you not heard of William bloody Shakespeare?! | 0:24:47 | 0:24:50 | |
Show some respect! Bollocks. | 0:24:51 | 0:24:53 | |
Can I help you? | 0:24:56 | 0:24:57 | |
Uh... just, your... your speech there was... | 0:24:57 | 0:25:02 | |
it was wonderful, madam. | 0:25:02 | 0:25:03 | |
-Doctor. -Doctor. | 0:25:09 | 0:25:12 | |
Doctor! | 0:25:12 | 0:25:14 | |
You look like the proverbial cat that swallowed the canary, Doctor Monro. | 0:25:14 | 0:25:17 | |
You must know what this is all about. | 0:25:17 | 0:25:19 | |
I do, actually. | 0:25:19 | 0:25:21 | |
But forgive me, I need to have a word with Doctor Knox. | 0:25:21 | 0:25:25 | |
I'd be surprised if Knox would speak to you, now that... | 0:25:25 | 0:25:27 | |
Excuse me Doctor Lister. | 0:25:27 | 0:25:30 | |
And please do not misunderstand this, but... | 0:25:30 | 0:25:34 | |
your breath is appalling. | 0:25:34 | 0:25:37 | |
Ah! | 0:25:39 | 0:25:40 | |
Doctor Knox. How wonderful it is to see you. | 0:25:43 | 0:25:47 | |
Yes, I'm sure it is. | 0:25:47 | 0:25:49 | |
And your new students, are they enjoying your lectures? | 0:25:49 | 0:25:53 | |
Er, not as much as I understand they're enjoying your wife, sir. | 0:25:53 | 0:25:57 | |
Oh, I hate that man. | 0:26:01 | 0:26:04 | |
Doctors, professors, gentlemen, please take your seats. | 0:26:04 | 0:26:08 | |
Your attention, gentlemen. | 0:26:15 | 0:26:16 | |
His Majesty will be in residence at Holyrood Palace in eight weeks' time. | 0:26:17 | 0:26:22 | |
The King has decided that, in his wisdom, | 0:26:22 | 0:26:24 | |
he will create a competition to further the progress of medical science. | 0:26:24 | 0:26:29 | |
Accordingly, His Majesty has decided that during his visit, | 0:26:29 | 0:26:33 | |
he will listen to presentations from Scotland's leading physicians. | 0:26:33 | 0:26:37 | |
Whomsoever he determines has made the greatest advances | 0:26:37 | 0:26:40 | |
in the field of medicine, | 0:26:40 | 0:26:42 | |
will be awarded the Royal Seal and a handsome monetary reward. | 0:26:42 | 0:26:47 | |
ALL: Mmm! | 0:26:47 | 0:26:49 | |
This honour will confer immeasurable economic | 0:26:49 | 0:26:52 | |
and social status on Edinburgh, | 0:26:52 | 0:26:54 | |
on Scotland, on the medical profession, | 0:26:54 | 0:26:56 | |
and, of course, on its recipient. | 0:26:56 | 0:26:59 | |
I thank you, and goodnight. | 0:26:59 | 0:27:01 | |
Lord Harrington, I just... | 0:27:02 | 0:27:05 | |
Yes, I know. | 0:27:05 | 0:27:06 | |
I played Agnes in Moliere's "School For Wives" | 0:27:06 | 0:27:10 | |
at the Garrick Theatre in London. | 0:27:10 | 0:27:12 | |
And after that, times got tough, | 0:27:12 | 0:27:15 | |
and I branched out into... physical theatre. | 0:27:15 | 0:27:17 | |
-Ah, like acrobatics? -Sometimes. | 0:27:17 | 0:27:20 | |
Then I became a dancer and a showgirl, | 0:27:20 | 0:27:22 | |
and now I'm trying to produce my first play. | 0:27:22 | 0:27:25 | |
-Sounds very exciting. -It is. | 0:27:25 | 0:27:27 | |
I just need to put together a consortium of investors. | 0:27:27 | 0:27:30 | |
Anyway enough about me. Let's talk more about you. | 0:27:30 | 0:27:34 | |
-What do you do for a living? -Er, I'm in surgical supplies. | 0:27:34 | 0:27:38 | |
Sorry to interrupt, Willy, but we should be heading home. | 0:27:38 | 0:27:41 | |
-Got an early start. -It was lovely to meet you, Mr Burke. | 0:27:41 | 0:27:44 | |
-Well, can I see you again? -Oh, I'd like that. | 0:27:44 | 0:27:47 | |
-How about Friday night? -I'll meet you here at 7:00. | 0:27:47 | 0:27:49 | |
Goodnight, miss. Come along, Willy. | 0:27:49 | 0:27:51 | |
-Goodnight. -Goodnight. | 0:27:51 | 0:27:53 | |
I'll not explain myself again. Mr Wordsworth is already in the club. | 0:27:57 | 0:28:02 | |
That cannot be. I am he. | 0:28:02 | 0:28:05 | |
Newly returned from my tour of the continent. | 0:28:05 | 0:28:07 | |
And I am Samuel Coleridge. | 0:28:07 | 0:28:09 | |
Aye. And I'm Robbie fuckin' Burns! Now piss off, the both of youse! | 0:28:09 | 0:28:13 | |
Strange and peculiar gentleman. | 0:28:15 | 0:28:18 | |
I never realised there was so much to know about the human foot. | 0:28:18 | 0:28:22 | |
Doctor Knox? Will you be presenting to the committee? | 0:28:22 | 0:28:25 | |
I will, my Lord. | 0:28:25 | 0:28:28 | |
And I believe I shall prevail in His Majesty's competition. | 0:28:28 | 0:28:32 | |
And how will you do that, Doctor Knox? | 0:28:32 | 0:28:35 | |
I'm creating a complete map of the human body, | 0:28:35 | 0:28:38 | |
both inside and out. | 0:28:38 | 0:28:40 | |
If such a thing were possible, | 0:28:41 | 0:28:43 | |
it would constitute the greatest medical advance since Vesalius. | 0:28:43 | 0:28:46 | |
It is also impossible. | 0:28:46 | 0:28:48 | |
Such a map would be entirely useless unless it was 100% accurate. | 0:28:48 | 0:28:54 | |
And no artist can guarantee that. | 0:28:54 | 0:28:57 | |
No illustrator or painter, I agree. | 0:28:57 | 0:28:59 | |
So how on earth do you propose to achieve it? | 0:28:59 | 0:29:03 | |
You shall see, Professor, in the fullness of time. | 0:29:03 | 0:29:07 | |
My Lord. | 0:29:07 | 0:29:09 | |
Come, Patterson. | 0:29:09 | 0:29:11 | |
Vous etes pret? | 0:29:30 | 0:29:31 | |
Aye, ready. | 0:29:31 | 0:29:34 | |
Bon. Excuse me, sir. | 0:29:34 | 0:29:36 | |
Uh, Patterson? | 0:29:37 | 0:29:40 | |
Patterson? | 0:30:00 | 0:30:01 | |
Un, deux, trois, quatre, cinq, | 0:30:11 | 0:30:16 | |
six, sept, huit, neuf. | 0:30:16 | 0:30:20 | |
Patterson? | 0:30:21 | 0:30:22 | |
Voila. HE CHUCKLES | 0:30:29 | 0:30:32 | |
Merci. HE SINGS IN FRENCH | 0:30:36 | 0:30:40 | |
GLASS SHATTERS Ah! Merde. | 0:30:44 | 0:30:46 | |
SINGING CONTINUES | 0:30:46 | 0:30:49 | |
LIQUID POURS | 0:30:49 | 0:30:51 | |
CLANG Ah! | 0:30:58 | 0:31:00 | |
SINGING CONTINUES | 0:31:00 | 0:31:02 | |
Voila. | 0:31:13 | 0:31:15 | |
Excellent. | 0:31:15 | 0:31:17 | |
It is an heliographic, | 0:31:17 | 0:31:20 | |
a device to capture the image forever. | 0:31:20 | 0:31:23 | |
An heliographic? | 0:31:23 | 0:31:25 | |
Oui. | 0:31:25 | 0:31:27 | |
We shall have to come up with something better than that. | 0:31:27 | 0:31:30 | |
That was a great night. | 0:31:33 | 0:31:35 | |
Best night of my life. | 0:31:35 | 0:31:37 | |
It was a different world. | 0:31:37 | 0:31:39 | |
A world up high where the air is balmy and anything's possible. | 0:31:39 | 0:31:42 | |
That's where we belong, Willy. | 0:31:42 | 0:31:44 | |
SHE SNORTS | 0:31:44 | 0:31:46 | |
You know, we should probably keep this run of good fortune to ourselves. | 0:31:46 | 0:31:50 | |
Just till Lucky straightens herself out. | 0:31:50 | 0:31:52 | |
SHE SNORTS | 0:31:52 | 0:31:54 | |
Not a problem, William. | 0:31:54 | 0:31:55 | |
Besides, for us to come across any more of those unfortunates, | 0:31:55 | 0:31:58 | |
we'd need the devil's own luck. | 0:31:58 | 0:32:00 | |
That's where you're wrong, Willy. | 0:32:00 | 0:32:03 | |
Men like us make our own luck. | 0:32:03 | 0:32:06 | |
What do you mean? | 0:32:06 | 0:32:08 | |
Have you gone mad? | 0:32:15 | 0:32:17 | |
No, Willy. We've gone into business. | 0:32:17 | 0:32:19 | |
That doesn't give us the right to determine another man's fate. | 0:32:19 | 0:32:23 | |
Man is going to die from the moment he leaves his mother's womb. | 0:32:23 | 0:32:26 | |
Their fate's already been determined. | 0:32:26 | 0:32:29 | |
All we'd be doing is... helping them along a bit. | 0:32:29 | 0:32:32 | |
You know... | 0:32:36 | 0:32:37 | |
you look very elegant in that new suit. | 0:32:39 | 0:32:41 | |
Fine tailoring becomes you. | 0:32:43 | 0:32:45 | |
TRUNK CLOSES | 0:32:45 | 0:32:47 | |
If you think you're going to convince me like that, you're wrong. | 0:32:47 | 0:32:50 | |
I don't care about clothes. | 0:32:50 | 0:32:52 | |
No, but you care about women, right? | 0:32:52 | 0:32:54 | |
And a fine one costs an arm and a leg, at the very least. | 0:32:54 | 0:32:58 | |
And that Miss Ginny, she's a VERY fine one indeed. | 0:33:00 | 0:33:04 | |
Beautiful. | 0:33:07 | 0:33:08 | |
Talented. | 0:33:10 | 0:33:11 | |
-Not to mention a fine pair... -All right, you've made your point. | 0:33:11 | 0:33:15 | |
But not like this. | 0:33:15 | 0:33:16 | |
There's a place in the Old Town that'll suit us fine. | 0:33:16 | 0:33:20 | |
HE MUTTERS ANGRILY | 0:33:20 | 0:33:22 | |
HE LAUGHS | 0:33:26 | 0:33:28 | |
HE WHISTLES CHEERFULLY | 0:33:31 | 0:33:33 | |
BOTH GRUNT | 0:33:37 | 0:33:40 | |
THUDDING AND CRACKING | 0:33:40 | 0:33:41 | |
HE LAUGHS | 0:33:53 | 0:33:55 | |
-HE SLURS -Madam... | 0:33:57 | 0:34:00 | |
# I-I-I-I'll... | 0:34:01 | 0:34:04 | |
# Take the high road... # | 0:34:04 | 0:34:07 | |
Right. | 0:34:07 | 0:34:09 | |
The next one we just stab in the heart with a knife. | 0:34:09 | 0:34:11 | |
No! | 0:34:11 | 0:34:13 | |
# And I will be in Scotland afore ye! # | 0:34:13 | 0:34:19 | |
Look, I have another idea. | 0:34:19 | 0:34:20 | |
-Yah! -WHIP CRACKING | 0:34:37 | 0:34:39 | |
Yah! | 0:34:39 | 0:34:41 | |
I say, coachman! Can't this bloody thing go faster?! | 0:34:41 | 0:34:45 | |
Yah! | 0:34:45 | 0:34:46 | |
HORSE NEIGHS | 0:34:46 | 0:34:49 | |
They're coming! | 0:34:50 | 0:34:52 | |
Faster, Willy, faster! | 0:34:55 | 0:34:57 | |
Faster! | 0:34:57 | 0:34:59 | |
Yah! Yah! | 0:34:59 | 0:35:00 | |
Come on, Willy. Put your back into it. | 0:35:10 | 0:35:12 | |
Yah! Yah! | 0:35:14 | 0:35:16 | |
HORSES NEIGH | 0:35:18 | 0:35:20 | |
Aaaah! | 0:35:23 | 0:35:25 | |
Fuck me. | 0:35:34 | 0:35:35 | |
I'm telling you, Willy, it'll be over in a flash. | 0:35:43 | 0:35:45 | |
And I'm telling you I don't like this one bit. | 0:35:45 | 0:35:47 | |
And I am confident that this is the only way. | 0:35:47 | 0:35:50 | |
You know, William, I had confidence in a fart once | 0:35:50 | 0:35:54 | |
and I shat all over myself. | 0:35:54 | 0:35:56 | |
HE SIGHS | 0:35:56 | 0:35:57 | |
MAN: # When a body meets a body comin' through the rye | 0:36:02 | 0:36:07 | |
# When a body meets a body, a body cry? # | 0:36:07 | 0:36:10 | |
SINGING CHEERFULLY | 0:36:10 | 0:36:12 | |
BRICK SHATTERS, SINGING STOPS | 0:36:17 | 0:36:20 | |
CHEERFUL SINGING CONTINUES | 0:36:24 | 0:36:26 | |
BRICK CLATTERS, SINGING STOPS | 0:36:33 | 0:36:35 | |
HE SINGS NERVOUSLY | 0:36:43 | 0:36:44 | |
METAL SCRAPES | 0:36:53 | 0:36:54 | |
Who's there? Is anybody there?! | 0:36:56 | 0:37:00 | |
SINGING UNDER HIS BREATH | 0:37:02 | 0:37:03 | |
Agh! Ah! | 0:37:11 | 0:37:12 | |
D'you have a light? | 0:37:12 | 0:37:13 | |
HE SHRIEKS | 0:37:18 | 0:37:20 | |
Agh! Ah! | 0:37:20 | 0:37:22 | |
HE GURGLES | 0:37:22 | 0:37:24 | |
HE GASPS | 0:37:24 | 0:37:27 | |
Are you... are you all right? | 0:37:43 | 0:37:45 | |
This man's untimely and premature death... | 0:37:45 | 0:37:49 | |
was, as should be fairly obvious to all of you, | 0:37:49 | 0:37:53 | |
the direct result of gluttony! | 0:37:53 | 0:37:57 | |
-HE WHISTLES CHEERFULLY -I cooked your favourite. | 0:38:01 | 0:38:03 | |
Arbroath smokie and champit tattie. | 0:38:08 | 0:38:10 | |
That's lovely. | 0:38:20 | 0:38:21 | |
Thank you. | 0:38:27 | 0:38:29 | |
I'm not stupid, William. | 0:38:35 | 0:38:36 | |
Three dead bodies and a pocket full of money? | 0:38:36 | 0:38:39 | |
Doesn't take a genius to work out | 0:38:39 | 0:38:40 | |
what the pair of you have been up to. | 0:38:40 | 0:38:42 | |
I think it's the best bloody idea you've ever had. | 0:38:44 | 0:38:47 | |
One condition... I want a pound for every body you sell. | 0:38:49 | 0:38:52 | |
-A pound? -Man starts getting fancy clothes... | 0:38:52 | 0:38:56 | |
also starts getting fancy ideas. | 0:38:56 | 0:38:59 | |
Just think of it as a tax between a man and a wife. | 0:38:59 | 0:39:03 | |
A kind of nuptial agreement, if you will. | 0:39:03 | 0:39:06 | |
You may be named Lucky, | 0:39:08 | 0:39:12 | |
but I'm the lucky one, my darlin'. | 0:39:12 | 0:39:14 | |
I'm not listening to you. I'm watching you. | 0:39:17 | 0:39:19 | |
I'm watching you. | 0:39:19 | 0:39:20 | |
Oh, champagne! I AM impressed, William. | 0:39:20 | 0:39:25 | |
That must have set you back a pretty penny. | 0:39:25 | 0:39:27 | |
Well...thank you. | 0:39:27 | 0:39:29 | |
-To good news. -To good news. | 0:39:29 | 0:39:32 | |
-Mmm. -What good news? | 0:39:33 | 0:39:36 | |
I have decided to finance your play. | 0:39:36 | 0:39:38 | |
No! SHE SQUEALS | 0:39:39 | 0:39:41 | |
Mr Burke! SHE SQUEALS | 0:39:41 | 0:39:44 | |
Who's that over there with Ginny Hawkins? | 0:39:48 | 0:39:52 | |
-That's Willy Burke. -Who? | 0:39:54 | 0:39:57 | |
Regular at The Grave-diggers. Always in the company of William Hare. | 0:39:57 | 0:40:01 | |
They're drinking champagne. | 0:40:02 | 0:40:05 | |
Find out what his racket is. | 0:40:05 | 0:40:08 | |
May I ask what persuaded you to be so bold | 0:40:08 | 0:40:11 | |
as to invest in an all-female production of the Scottish play? | 0:40:11 | 0:40:14 | |
You have an incredible talent, Ginny. | 0:40:14 | 0:40:17 | |
I saw that the night we met. | 0:40:17 | 0:40:19 | |
A talent like that is a gift from God. | 0:40:19 | 0:40:21 | |
To see it go to waste over something as trivial as money, | 0:40:21 | 0:40:24 | |
that'd be a travesty. | 0:40:24 | 0:40:26 | |
I had no idea you were so passionate about the theatre, Mr Burke. | 0:40:26 | 0:40:31 | |
Not the theatre, Ginny. You. | 0:40:31 | 0:40:33 | |
Thank you for a lovely evening, Mr Burke. | 0:40:41 | 0:40:43 | |
Uh, William, please. | 0:40:43 | 0:40:45 | |
-Oh, sorry. Um... -HE CLEARS HIS THROAT | 0:40:48 | 0:40:50 | |
When will I be able to see you again, Ginny? | 0:40:53 | 0:40:56 | |
At the Lyceum Theatre. | 0:40:56 | 0:40:58 | |
Really? When? | 0:40:58 | 0:40:59 | |
When we put down the deposit. | 0:40:59 | 0:41:01 | |
Goodnight, William. | 0:41:04 | 0:41:05 | |
I need to make more money. Fast. | 0:41:19 | 0:41:21 | |
Don't tell me she charged you for the night. | 0:41:21 | 0:41:23 | |
She is an actress, not a whore. | 0:41:23 | 0:41:26 | |
-What's the difference? -I am going to finance her play. | 0:41:26 | 0:41:29 | |
With the economy in its current condition, | 0:41:29 | 0:41:31 | |
I think I'd have to advise against such a high-risk investment. | 0:41:31 | 0:41:34 | |
Not everything is about money, William. | 0:41:34 | 0:41:37 | |
William Hare? | 0:41:37 | 0:41:39 | |
This is no time to be resting on your laurels. | 0:41:39 | 0:41:41 | |
Or to be getting yourself inebriated. | 0:41:41 | 0:41:44 | |
You got a business to run. | 0:41:44 | 0:41:46 | |
We was just talking about that. Why don't you join us, love? | 0:41:46 | 0:41:49 | |
-She knows?! -Yes, she does. | 0:41:49 | 0:41:53 | |
Don't worry, Willy. I can keep me mouth shut. | 0:41:53 | 0:41:55 | |
I'm sorry to take so long. | 0:41:55 | 0:41:57 | |
But I was just having a word with that old lady over there. | 0:41:57 | 0:41:59 | |
Tragic story. | 0:41:59 | 0:42:00 | |
Just lost her whole family to the pox, and it's left her homeless. | 0:42:00 | 0:42:04 | |
I'll be back. | 0:42:04 | 0:42:05 | |
SHE SHRIEKS | 0:42:15 | 0:42:16 | |
Lucky got her drunk. Now you just hold her still. | 0:42:16 | 0:42:19 | |
I'm trying! | 0:42:19 | 0:42:21 | |
You know, this is how they put wounded soldiers out of their misery | 0:42:21 | 0:42:25 | |
on the battlefield. | 0:42:25 | 0:42:26 | |
-Oh, aye, what's that called? -Doesn't really have a name. | 0:42:26 | 0:42:30 | |
-Perhaps we should invent one. -Just get it over with, William. | 0:42:30 | 0:42:32 | |
I've got it, I've got it... in honour of my best friend, | 0:42:32 | 0:42:35 | |
from now on this shall be called... | 0:42:35 | 0:42:39 | |
"Burking." | 0:42:39 | 0:42:41 | |
WOMAN SHRIEKS | 0:42:54 | 0:42:56 | |
Help! Help! Help! | 0:42:56 | 0:43:00 | |
Help! Help! | 0:43:00 | 0:43:01 | |
Is she dead? | 0:43:07 | 0:43:09 | |
I think so. | 0:43:09 | 0:43:10 | |
-Yeah, she snuffed it. -I certainly hope so! | 0:43:17 | 0:43:20 | |
And thou opposed, being of no woman born, | 0:43:31 | 0:43:35 | |
Yet will I try the last. | 0:43:35 | 0:43:38 | |
Lay on, Macduff! | 0:43:38 | 0:43:39 | |
And damned be him who first cry, "Hold, enough!" | 0:43:39 | 0:43:43 | |
Thank you, Lucy. That was... | 0:43:43 | 0:43:46 | |
Please let go. That was interesting. | 0:43:46 | 0:43:48 | |
Well done. We'll, um, we'll be in touch. | 0:43:48 | 0:43:51 | |
-Just don't hold your breath. -Shh, silence, gentlemen. | 0:43:51 | 0:43:55 | |
Sorry. | 0:43:55 | 0:43:56 | |
I thought we'd agreed you'd keep your mouth shut? | 0:43:56 | 0:43:59 | |
-This is costing me enough without incurring any further delays. -I was just being honest. | 0:43:59 | 0:44:03 | |
This is the theatre, William. It's not a place for honesty. | 0:44:03 | 0:44:05 | |
GINNY: Next! | 0:44:05 | 0:44:07 | |
Miss Clarissa Windsor reading for the part of Macbeth. | 0:44:07 | 0:44:12 | |
GINNY: Thank you! | 0:44:12 | 0:44:15 | |
We're going to need another day of auditions. | 0:44:15 | 0:44:17 | |
Maybe even two, Willy. | 0:44:17 | 0:44:18 | |
That's not going to be a problem, is it? | 0:44:20 | 0:44:22 | |
Eh...no, no. | 0:44:22 | 0:44:24 | |
You take as much time as you like, love. | 0:44:24 | 0:44:25 | |
Could you unbutton me, darling? | 0:44:25 | 0:44:27 | |
-Aye, uh... -HE CLEARS HIS THROAT | 0:44:29 | 0:44:31 | |
-I trust all is well with your business? -Aye, I... | 0:44:56 | 0:44:59 | |
-HE CLEARS HIS THROAT -Can't complain. | 0:44:59 | 0:45:01 | |
I just don't know if we're ever going to find a convincing Macbeth. | 0:45:01 | 0:45:05 | |
Well, er, I think you should play the role. | 0:45:05 | 0:45:08 | |
What makes you think I could star and direct? | 0:45:09 | 0:45:13 | |
Your talent and your vision. | 0:45:13 | 0:45:16 | |
I have been blessed with a lot of talent. | 0:45:16 | 0:45:19 | |
And I have a vision. | 0:45:19 | 0:45:21 | |
-D'you think? -I know. | 0:45:21 | 0:45:24 | |
Climb in, Willy. | 0:45:38 | 0:45:40 | |
We're going for a wee chat with Mr McTavish. | 0:45:40 | 0:45:43 | |
Let me tell you how things work in this little city of mine. | 0:45:48 | 0:45:52 | |
Anyone who attempts to start a new business here | 0:45:52 | 0:45:56 | |
has to agree to pay me a small percentage of the gross. | 0:45:56 | 0:45:59 | |
And in return, I make sure you stay out of jail. | 0:45:59 | 0:46:03 | |
You're not harassed by the authorities, the competition, | 0:46:03 | 0:46:07 | |
or any other antagonist that might just come along. | 0:46:07 | 0:46:10 | |
So we pay you for... | 0:46:10 | 0:46:12 | |
protection? | 0:46:14 | 0:46:15 | |
Why, yes, I like that. Protection. | 0:46:17 | 0:46:20 | |
How much of a percentage are we talking about? | 0:46:20 | 0:46:23 | |
-50%. -Half?! | 0:46:23 | 0:46:24 | |
Don't be unhappy, boys. | 0:46:24 | 0:46:27 | |
Mr McTavish hasnae yet told you the good part. | 0:46:27 | 0:46:31 | |
And, uh... what would be the good part? | 0:46:31 | 0:46:35 | |
You get to remain alive. | 0:46:35 | 0:46:37 | |
We should leave town immediately. Go to London or America. | 0:46:49 | 0:46:52 | |
I think I might even have a cousin there. | 0:46:52 | 0:46:54 | |
And quit the most lucrative enterprise we're ever likely to find? | 0:46:54 | 0:46:57 | |
I don't think so. | 0:46:57 | 0:46:59 | |
Willy, we have identified a demand and found a supply. | 0:46:59 | 0:47:02 | |
It's perfect. | 0:47:02 | 0:47:03 | |
Yeah, but McTavish is not the full shilling, is he? | 0:47:03 | 0:47:06 | |
The last thing I want to do is get into bed with that man. | 0:47:06 | 0:47:08 | |
Ah, but you do want to get into bed with Ginny, right? | 0:47:08 | 0:47:11 | |
And to do that, you're going to have to stay right here and continue to finance her play. | 0:47:11 | 0:47:15 | |
Will all great Neptune's ocean wash this blood clean from my hand? | 0:47:15 | 0:47:21 | |
Ah! No! Aah! | 0:47:21 | 0:47:24 | |
This is my hand will rather the multitudinous seas incarnadine, | 0:47:24 | 0:47:28 | |
making the green ones red. | 0:47:28 | 0:47:31 | |
My hands are of your colour, | 0:47:31 | 0:47:33 | |
but I am shamed to wear a heart so white. | 0:47:33 | 0:47:36 | |
-Wait, stop right there. -Oh, what now?! | 0:47:36 | 0:47:38 | |
No, something's still not quite right. I need a minute to think. | 0:47:38 | 0:47:42 | |
Ginny, please! Just say the words! | 0:47:42 | 0:47:45 | |
I can't work out what makes this character commit murder. | 0:47:56 | 0:47:59 | |
Why, Ginny... he does it for love. | 0:48:01 | 0:48:03 | |
And power. | 0:48:07 | 0:48:09 | |
Macbeth isn't wholly evil. | 0:48:09 | 0:48:11 | |
There are traces of...of goodness and regret within him. | 0:48:11 | 0:48:14 | |
That's what makes him such a great tragic hero. | 0:48:14 | 0:48:17 | |
The whole play is about his... | 0:48:17 | 0:48:18 | |
his inner struggle between good and evil. | 0:48:18 | 0:48:21 | |
Right and wrong. | 0:48:21 | 0:48:23 | |
You have hidden depths, William. | 0:48:26 | 0:48:27 | |
Women like that in a man. | 0:48:29 | 0:48:31 | |
-May I see you tonight? -Uh, um... | 0:48:36 | 0:48:38 | |
I-I don't think that's a good idea. | 0:48:38 | 0:48:41 | |
I-I've got costume fittings tomorrow. | 0:48:41 | 0:48:44 | |
This is ground-breaking work, sir. | 0:48:49 | 0:48:51 | |
Now the King will be in residence at Holyrood in just three weeks. | 0:48:53 | 0:48:56 | |
Will this work be completed in time? | 0:48:56 | 0:48:58 | |
Aye, I shall have to step up the pace, but I don't foresee any major problems. | 0:48:58 | 0:49:02 | |
Sir Astley-Cooper acquired his knighthood | 0:49:02 | 0:49:04 | |
by having successfully lanced a boil on the King's head. | 0:49:04 | 0:49:07 | |
I can only begin to imagine the level of patronage | 0:49:07 | 0:49:10 | |
His Majesty will confer on you having seen these, uh... | 0:49:10 | 0:49:13 | |
Oh, I'm, um... I'm calling them "photographs," sir. | 0:49:13 | 0:49:19 | |
Photographs. | 0:49:19 | 0:49:21 | |
Excellent. HE CHUCKLES | 0:49:21 | 0:49:24 | |
My Lord. | 0:49:24 | 0:49:26 | |
Gentlemen. | 0:49:26 | 0:49:27 | |
Any difficulties acquiring subjects, Doctor? | 0:49:34 | 0:49:37 | |
I'll admit the anatomical bylaw was a temporary inconvenience. | 0:49:37 | 0:49:41 | |
But not even you, Monro, can stand in the way of progress. | 0:49:41 | 0:49:44 | |
Good day, gentlemen. | 0:49:44 | 0:49:46 | |
BOTH GRUNTING | 0:49:49 | 0:49:51 | |
You know, you got a good business going there, Willy. | 0:49:53 | 0:49:56 | |
I know. I know! | 0:49:56 | 0:49:57 | |
But the problem is... product acquisition. | 0:49:57 | 0:50:00 | |
HE PANTS What? | 0:50:00 | 0:50:02 | |
You know, killing people. That's how you acquire your product. | 0:50:02 | 0:50:05 | |
It's not efficient. | 0:50:05 | 0:50:06 | |
It's bloody hard work, that's what it is. | 0:50:06 | 0:50:08 | |
People are starting to notice, you know. | 0:50:08 | 0:50:10 | |
There's all kinds of crazy rumours flying around the West Port. | 0:50:10 | 0:50:13 | |
Keep going, Willy. Helps me think. | 0:50:13 | 0:50:17 | |
SHE MOANS | 0:50:17 | 0:50:19 | |
The thing is that nobody likes dealing with dead bodies. | 0:50:19 | 0:50:22 | |
So, for a fee, you could take them off their hands. | 0:50:22 | 0:50:26 | |
Sell them a coffin for their loved ones, arrange a burial. | 0:50:26 | 0:50:28 | |
Yeah, and when people are grieving they don't think about how much things cost. | 0:50:28 | 0:50:32 | |
-We could call it a "funeral store." -HE GROANS | 0:50:32 | 0:50:35 | |
-SHE MOANS -Funeral store, no. | 0:50:35 | 0:50:39 | |
Sounds too down-market. | 0:50:39 | 0:50:41 | |
I'd prefer something like "funeral parlour." | 0:50:41 | 0:50:44 | |
Oh, God, yes! Yeah, that's a fantastic idea! | 0:50:44 | 0:50:48 | |
Oh, don't stop! Don't stop, Willy! I'm almost there. | 0:50:48 | 0:50:52 | |
SHE MOANS | 0:50:52 | 0:50:56 | |
Ah, Mr Hare. | 0:51:05 | 0:51:07 | |
Doctor Knox would like the pleasure of your company. | 0:51:07 | 0:51:09 | |
As from now, I shall require two bodies a week. | 0:51:09 | 0:51:13 | |
Fresh ones, mind you, in good condition. | 0:51:15 | 0:51:17 | |
That won't be easy, Doctor. | 0:51:17 | 0:51:20 | |
Mr Hare I've never asked you how you came by these subjects. | 0:51:20 | 0:51:23 | |
Oh, my partner and I have arrangements | 0:51:23 | 0:51:26 | |
with the low lodging houses in the West Port. | 0:51:26 | 0:51:28 | |
-Whenever someone dies... -Mr Hare, I'm a doctor. | 0:51:28 | 0:51:33 | |
I know the difference between death by natural and unnatural causes. | 0:51:33 | 0:51:37 | |
Edinburgh's a very dangerous place, Doctor Knox. | 0:51:37 | 0:51:41 | |
And something tells me that recently, | 0:51:41 | 0:51:43 | |
it's become a lot MORE dangerous. | 0:51:43 | 0:51:46 | |
I don't presume to judge, Mr Hare. | 0:51:47 | 0:51:51 | |
But I know that as a result of my work and the doctors I train, | 0:51:51 | 0:51:57 | |
thousands, perhaps millions of lives will be saved. | 0:51:57 | 0:52:02 | |
Two a week, Mr Hare. Can you manage that? | 0:52:03 | 0:52:07 | |
At your service, sir. | 0:52:10 | 0:52:11 | |
What more could a man ask for? | 0:52:14 | 0:52:16 | |
Mighty fine place you have here, gentlemen. | 0:52:16 | 0:52:18 | |
How much will you be asking? | 0:52:18 | 0:52:20 | |
Nothing. HE CHUCKLES | 0:52:22 | 0:52:24 | |
HE SHOUTS | 0:52:27 | 0:52:28 | |
HE CHOKES | 0:52:30 | 0:52:31 | |
Willy, do something! | 0:52:34 | 0:52:35 | |
Unhand my boys! | 0:52:44 | 0:52:46 | |
Gentlemen... | 0:52:48 | 0:52:50 | |
we live, thank God, in enlightened times. | 0:52:50 | 0:52:53 | |
The watchword of our age is "progress." | 0:52:53 | 0:52:56 | |
Progress in the arts. | 0:52:56 | 0:52:59 | |
ALL GASP | 0:53:01 | 0:53:05 | |
Progress in science. Progress in technology. | 0:53:05 | 0:53:08 | |
Progress in transportation. | 0:53:10 | 0:53:11 | |
Progress in society. | 0:53:21 | 0:53:23 | |
Please help me. | 0:53:23 | 0:53:24 | |
Fox, get your sketchbook. | 0:53:24 | 0:53:27 | |
KNOX: In all these fields, | 0:53:27 | 0:53:29 | |
we've moved further and faster in the last two decades | 0:53:29 | 0:53:32 | |
than in the previous two centuries. | 0:53:32 | 0:53:35 | |
Never before have ordinary people | 0:53:35 | 0:53:37 | |
had so much freedom and opportunity. | 0:53:37 | 0:53:41 | |
The year is 1828, and we are building a new world. | 0:53:41 | 0:53:47 | |
A new and better world. | 0:53:49 | 0:53:53 | |
CROWD SHOUTING HYSTERICALLY | 0:53:55 | 0:53:58 | |
Sergeant, keep them quiet! | 0:53:58 | 0:54:00 | |
Quiet, please! | 0:54:00 | 0:54:02 | |
As men of science, it is our role...nae! | 0:54:02 | 0:54:07 | |
Our duty to be in the vanguard of that movement. | 0:54:07 | 0:54:13 | |
HE SNORES This is not the time for rest. | 0:54:13 | 0:54:16 | |
It is not a time for half measures. | 0:54:16 | 0:54:19 | |
This is not the time to sit on our achievements. | 0:54:19 | 0:54:23 | |
It is the time to work harder... | 0:54:23 | 0:54:29 | |
and faster than ever before. | 0:54:29 | 0:54:32 | |
Gentlemen, I give you... | 0:54:33 | 0:54:37 | |
a multiple dissection! | 0:54:37 | 0:54:39 | |
You don't think I look a little bit too masculine? | 0:54:57 | 0:55:01 | |
-You know, too much like a man? -I think you look lovely. | 0:55:01 | 0:55:04 | |
-SHE GIGGLES -I'll see you on Friday? | 0:55:04 | 0:55:06 | |
Excellent work, Fox. Now, we'll go and do the New Town. | 0:55:25 | 0:55:29 | |
Willy. | 0:55:35 | 0:55:36 | |
The militia have posters up all over the streets. | 0:55:41 | 0:55:44 | |
-Of us? -No! | 0:55:44 | 0:55:46 | |
Of the people we've... you know... | 0:55:46 | 0:55:50 | |
HE GURGLES | 0:55:50 | 0:55:52 | |
They're closing in, William. | 0:55:52 | 0:55:54 | |
Then it's our good fortune that we're not doing it any more. | 0:55:54 | 0:55:57 | |
I've been doing the sums, Willy. | 0:55:57 | 0:55:58 | |
I have got enough money put aside to start our new business. | 0:55:58 | 0:56:02 | |
-What new business? -Funeral parlours. | 0:56:02 | 0:56:06 | |
Funeral parlours? | 0:56:06 | 0:56:08 | |
It's a place where people bring bodies to be buried. | 0:56:08 | 0:56:11 | |
-And we wouldn't have to kill 'em? -They're already dead! | 0:56:11 | 0:56:13 | |
-Thank you. -I like it. | 0:56:15 | 0:56:18 | |
I knew you would. We're going straight to the top, Willy. | 0:56:18 | 0:56:21 | |
And nobody... NOBODY is going to stop us. | 0:56:21 | 0:56:24 | |
All right... Shh! Everyone. | 0:56:45 | 0:56:47 | |
I'd like to propose a toast | 0:56:49 | 0:56:52 | |
to the man whose hard work and whose commitment | 0:56:52 | 0:56:56 | |
made this possible. | 0:56:56 | 0:56:57 | |
To William Burke. | 0:56:57 | 0:56:59 | |
To William Burke! | 0:56:59 | 0:57:01 | |
-ALL: William Burke. -No, come on, now. | 0:57:01 | 0:57:04 | |
-You embarrassed me. -I know. | 0:57:07 | 0:57:09 | |
That's me! | 0:57:14 | 0:57:15 | |
Oh, Willy, I don't know how to thank you. | 0:57:15 | 0:57:19 | |
I can think of a few ways. | 0:57:19 | 0:57:21 | |
Come to buy a ticket, Danny? | 0:57:27 | 0:57:28 | |
Blood and guts aren't entertainment for me, William. | 0:57:28 | 0:57:32 | |
They're business. Now get in. | 0:57:32 | 0:57:35 | |
I've decided to bring you and Mr Burke into the firm. | 0:57:40 | 0:57:45 | |
Sorry? | 0:57:45 | 0:57:46 | |
You'll have regular employment. A steady wage. | 0:57:46 | 0:57:49 | |
We'll be partners. | 0:57:49 | 0:57:51 | |
Partners, is it?! | 0:57:51 | 0:57:54 | |
But Willy and I are out of the body-snatching business now. | 0:57:57 | 0:58:00 | |
Mm. So you say. | 0:58:00 | 0:58:03 | |
-Do I have a choice, Danny? -Of course you do, William. | 0:58:03 | 0:58:06 | |
Free will is what distinguishes man from beast. | 0:58:06 | 0:58:10 | |
Our final subject. | 0:58:21 | 0:58:23 | |
Isn't that Danny McTavish? | 0:58:30 | 0:58:32 | |
Danny McTavish has been dissected by Doctor Knox. | 0:58:34 | 0:58:37 | |
I am Captain McLintoch, and this is the Edinburgh Militia. | 0:58:43 | 0:58:47 | |
Your reputation precedes you, Captain McLintoch. | 0:58:49 | 0:58:52 | |
Thank you, sir. | 0:58:53 | 0:58:55 | |
Your preposterous war on grave robbery was a model of incompetence. | 0:58:55 | 0:58:59 | |
It has come to my attention, sir, that earlier on today, | 0:58:59 | 0:59:02 | |
you publicly dissected a corpse. | 0:59:02 | 0:59:05 | |
Well, if this is him, then your information is correct. | 0:59:05 | 0:59:08 | |
Pull yourself together, Private. | 0:59:11 | 0:59:14 | |
How did you obtain this body? | 0:59:16 | 0:59:18 | |
Patterson? | 0:59:18 | 0:59:19 | |
I believe it was dumped in the alley behind this building. Some students found him. | 0:59:19 | 0:59:23 | |
This is a notorious villain. Danny McTavish. | 0:59:23 | 0:59:26 | |
Ah, at least his demise might not be in vain. | 0:59:26 | 0:59:29 | |
Saint Peter might look kindly on his services to the teaching of medicine. | 0:59:29 | 0:59:33 | |
Fox, show me your hand. | 0:59:38 | 0:59:40 | |
A defensive wound, clear evidence of foul play. | 0:59:45 | 0:59:49 | |
And you, sir, have been tampering with the evidence. | 0:59:49 | 0:59:52 | |
That's an outrageous accusation, Captain McLintoch. | 0:59:52 | 0:59:56 | |
I shall be reporting this matter to the Solicitor-General. | 0:59:56 | 1:00:00 | |
Lord Harrington will back my judgment on this. | 1:00:00 | 1:00:02 | |
I stake my job on it. | 1:00:02 | 1:00:04 | |
You just did. | 1:00:04 | 1:00:07 | |
EXCITED CONVERSATIONS AND LAUGHTER | 1:00:13 | 1:00:15 | |
Er, Ginny? | 1:00:20 | 1:00:22 | |
How many people are out there? | 1:00:22 | 1:00:24 | |
-Standing room only. -SHE SQUEALS | 1:00:24 | 1:00:26 | |
Aw, thank you. | 1:00:28 | 1:00:30 | |
When shall we three meet again? | 1:00:32 | 1:00:37 | |
In thunder, lightning, or in rain? | 1:00:37 | 1:00:42 | |
When the hurly-burly's done. | 1:00:42 | 1:00:44 | |
When the battle's lost and won. | 1:00:44 | 1:00:47 | |
That will be ere the set of the sun. | 1:00:47 | 1:00:51 | |
Where the place? | 1:00:51 | 1:00:54 | |
Upon the heath. | 1:00:54 | 1:00:56 | |
There to meet with... Macbeth. | 1:00:56 | 1:01:00 | |
ALL CACKLE | 1:01:00 | 1:01:03 | |
If I stand here, I saw him! | 1:01:13 | 1:01:16 | |
Fie, for shame! | 1:01:16 | 1:01:18 | |
Blood hath been shed here now, in the olden time. | 1:01:18 | 1:01:22 | |
Ere humane statute purged the gentle weal... | 1:01:22 | 1:01:27 | |
Ay, and since, too, murders have been committed. | 1:01:27 | 1:01:32 | |
Too terrible for the ear! | 1:01:32 | 1:01:34 | |
There was a time that, when the brains were out, | 1:01:34 | 1:01:38 | |
the man would die, and there an end. | 1:01:38 | 1:01:42 | |
But now he rise again! | 1:01:42 | 1:01:46 | |
With 20 mortal murders on their crown! | 1:01:47 | 1:01:51 | |
And push us from our stools! | 1:01:51 | 1:01:55 | |
This is more strange. | 1:01:55 | 1:01:57 | |
Than such a murder is. | 1:01:57 | 1:02:00 | |
All our missing persons are here. | 1:02:00 | 1:02:03 | |
Qu'est ce que vous faites ici? | 1:02:03 | 1:02:05 | |
Who did all this?! | 1:02:05 | 1:02:08 | |
C'est moi. | 1:02:08 | 1:02:10 | |
APPLAUSE | 1:02:10 | 1:02:12 | |
HE LAUGHS | 1:02:18 | 1:02:20 | |
Bravo! | 1:02:24 | 1:02:26 | |
SHE LAUGHS | 1:02:40 | 1:02:41 | |
Ginny? | 1:02:41 | 1:02:43 | |
I think they liked it. | 1:02:43 | 1:02:44 | |
Five curtain calls and a standing ovation. I'd say it's a smash hit. | 1:02:44 | 1:02:47 | |
This is the happiest day of my life. | 1:02:47 | 1:02:49 | |
What's wrong, Willy? You don't seem happy. | 1:02:49 | 1:02:53 | |
I'm happy for you, Gin. I... | 1:02:53 | 1:02:56 | |
I just can't help thinking now this is over, | 1:02:56 | 1:02:58 | |
you don't really need me any more. | 1:02:58 | 1:03:00 | |
You're right. I don't need you. | 1:03:00 | 1:03:03 | |
-But I do want you. -Really? | 1:03:05 | 1:03:08 | |
Mm! Oh! We should take the play to London. | 1:03:11 | 1:03:14 | |
Make it a musical. I'm blessed with the voice of an angel. | 1:03:14 | 1:03:17 | |
Aye, they could do with something new in the West End. | 1:03:17 | 1:03:20 | |
Besides Edinburgh's changed. You know, people have changed. | 1:03:20 | 1:03:23 | |
-I've changed. -Me, too. | 1:03:23 | 1:03:25 | |
-Oh, I want us to be together, Willy. -Tonight? | 1:03:27 | 1:03:30 | |
Tomorrow. Tonight, I'm the star. I must shine. | 1:03:30 | 1:03:33 | |
Oh, there's Mary. Mary! | 1:03:33 | 1:03:35 | |
Oh, Ginny! They absolutely loved us! | 1:03:35 | 1:03:39 | |
These are not bad, but as you can see, the heliograph is the future. | 1:03:45 | 1:03:50 | |
Did you kill these people?! | 1:03:50 | 1:03:51 | |
Certainly not! They were all already... | 1:03:51 | 1:03:55 | |
How you say? Chopped into pieces. | 1:03:55 | 1:03:57 | |
You disgusting little French fop! | 1:03:57 | 1:04:00 | |
I was just doing what I was told. | 1:04:00 | 1:04:02 | |
What you were told? Told by whom?! | 1:04:02 | 1:04:06 | |
How do I look, Patterson? | 1:04:09 | 1:04:10 | |
Like someone who's about to go down in history, sir. | 1:04:10 | 1:04:13 | |
Yes? | 1:04:17 | 1:04:19 | |
We have questions on urgent militia matters for Doctor Knox. | 1:04:19 | 1:04:24 | |
He's not here. | 1:04:24 | 1:04:25 | |
Ow... | 1:04:29 | 1:04:30 | |
Well, I'd appreciate if you could tell us where we can find him. | 1:04:33 | 1:04:36 | |
He's making an official presentation at Holyrood Palace. | 1:04:36 | 1:04:39 | |
Sharpen up, men. We're going to pay the King a visit. | 1:04:44 | 1:04:47 | |
Morning, Willy. | 1:04:52 | 1:04:53 | |
For the love of Lord Jesus, she finally gave it up. | 1:04:56 | 1:05:00 | |
No! No. | 1:05:00 | 1:05:03 | |
Although I'm pretty sure tonight's the night. | 1:05:03 | 1:05:05 | |
I know this amazing trick you can do with your tongue. | 1:05:06 | 1:05:10 | |
Thank you, William! | 1:05:10 | 1:05:11 | |
Well, that could have been worse. | 1:05:17 | 1:05:19 | |
Do you mean if he'd fallen asleep earlier? | 1:05:19 | 1:05:21 | |
Excuse me, what would you like us to do with these, sir? | 1:05:21 | 1:05:24 | |
I don't care. Just get rid of them. | 1:05:24 | 1:05:27 | |
MAN: Doctor Robert Knox! | 1:05:27 | 1:05:29 | |
The King is looking forward to seeing your map of the human body. | 1:05:32 | 1:05:35 | |
Excellent. | 1:05:35 | 1:05:36 | |
My advice is to keep the presentation short. | 1:05:36 | 1:05:38 | |
And don't ask him to read too much. | 1:05:38 | 1:05:40 | |
His Majesty can just, er, look at the pictures. | 1:05:41 | 1:05:44 | |
Doctor Robert Knox! | 1:05:47 | 1:05:50 | |
Stop right there! | 1:05:50 | 1:05:51 | |
I demand you hand over these photographs in the name of the Solicitor-General. | 1:05:55 | 1:06:00 | |
May I remind you, Captain, that I AM the Solicitor-General. | 1:06:00 | 1:06:04 | |
What exactly do you think you're doing here? | 1:06:06 | 1:06:08 | |
Solving a crime, sir. | 1:06:08 | 1:06:10 | |
What on earth are you talking about? | 1:06:13 | 1:06:15 | |
I'm talking about murder, sir. | 1:06:15 | 1:06:16 | |
That volume contains evidence of foul play. | 1:06:16 | 1:06:19 | |
I don't know what this absurd little man is trying to prove, | 1:06:19 | 1:06:22 | |
but he's making a mockery of our profession. I want him removed. | 1:06:22 | 1:06:26 | |
It is YOU, sir who is making a mockery of the medical profession. | 1:06:26 | 1:06:30 | |
And if there is one single shred of truth in this man's allegations, | 1:06:30 | 1:06:36 | |
we shall all have to pay the price. | 1:06:36 | 1:06:39 | |
His Majesty has asked to see my work. | 1:06:41 | 1:06:44 | |
I intend to fulfil his wish. | 1:06:44 | 1:06:47 | |
Good day. | 1:06:47 | 1:06:48 | |
Either you hand over the evidence, Doctor Knox, | 1:06:49 | 1:06:52 | |
or I'll be forced to arrest you! | 1:06:52 | 1:06:55 | |
You're not touching it. | 1:06:55 | 1:06:57 | |
How many cadavers were used to create the portfolio? | 1:07:26 | 1:07:31 | |
-16. -16?! | 1:07:33 | 1:07:35 | |
And who provided the 16 cadavers?! | 1:07:35 | 1:07:38 | |
Edinburgh Militia! Nobody moves! | 1:08:12 | 1:08:14 | |
Oh, for the love of Lord Jesus! | 1:08:14 | 1:08:17 | |
I beg your pardon. | 1:08:17 | 1:08:19 | |
GRUNTING AND MOANING | 1:08:21 | 1:08:23 | |
Mr And Mrs Hare. | 1:08:27 | 1:08:28 | |
I'm arresting you both on suspicion of murder in the first degree! | 1:08:28 | 1:08:34 | |
We did terrible things, William. | 1:08:39 | 1:08:41 | |
A man has a right to scratch out a living. | 1:08:41 | 1:08:43 | |
Nobody's going to blame us for that. | 1:08:43 | 1:08:45 | |
Ginny can. | 1:08:45 | 1:08:48 | |
Ah. | 1:08:48 | 1:08:51 | |
She's going to find out, isn't she? She'll know everything. | 1:08:51 | 1:08:54 | |
I won't lie to you, Willy, it is a possibility. | 1:08:56 | 1:08:59 | |
This is unbelievable. | 1:09:08 | 1:09:10 | |
I can see the headline: "Macbeth accused of murder." | 1:09:10 | 1:09:15 | |
You really have no idea, do you? | 1:09:15 | 1:09:17 | |
DOOR OPENS | 1:09:17 | 1:09:18 | |
Captain, you've no right to keep us here. | 1:09:18 | 1:09:22 | |
I have every right. Will you please sit down? | 1:09:22 | 1:09:25 | |
Now, Mrs Hare, I have some questions I'd like to ask you. | 1:09:27 | 1:09:31 | |
I'm not saying anything, especially not to a Presbyterian. | 1:09:31 | 1:09:35 | |
I'm half Jewish. | 1:09:35 | 1:09:37 | |
I'm being persecuted by a heathen! This is an outrage. | 1:09:37 | 1:09:41 | |
I demand to speak to the... Solicitor-General! | 1:09:41 | 1:09:44 | |
-I demand to be released immediately. -Immediately! | 1:09:44 | 1:09:46 | |
I demand to speak to a Catholic! | 1:09:46 | 1:09:49 | |
Miss Hawkins and Mrs Hare, | 1:09:49 | 1:09:51 | |
either you keep quiet, or I'll have you both shot! | 1:09:51 | 1:09:54 | |
"Wee Captain Tam McLintoch of the Edinburgh Militia | 1:09:58 | 1:10:02 | |
"has apprehended the perpetrators of the notorious West Port murders. | 1:10:02 | 1:10:06 | |
"The list of victims include Mrs Mary O'Toole of the New Town... | 1:10:06 | 1:10:12 | |
"Daft Jamie of the West Port... | 1:10:12 | 1:10:14 | |
"the freed slave John Martin of London... | 1:10:14 | 1:10:18 | |
"Mrs Susanna McCorkindale of Aberdeen!" | 1:10:18 | 1:10:22 | |
In the name of the law! | 1:10:22 | 1:10:23 | |
I demand you disperse immediately! | 1:10:25 | 1:10:28 | |
-Let's get the bastards! Come on! -ALL SHOUTING | 1:10:28 | 1:10:30 | |
Stand fast, men. | 1:10:38 | 1:10:40 | |
CROWD SHOUTING WOMAN: Kill the bastards! | 1:10:49 | 1:10:51 | |
I can't live with this on my conscience. | 1:11:04 | 1:11:07 | |
All right? | 1:11:07 | 1:11:09 | |
I've got to confess. | 1:11:09 | 1:11:10 | |
The minute we're outta here, we'll find you a priest. | 1:11:13 | 1:11:16 | |
There's no way I will ever be redeemed in the eyes of the Lord Almighty. | 1:11:16 | 1:11:19 | |
I've gotta confess to the proper authorities here on earth. | 1:11:19 | 1:11:22 | |
That's not such a, a good idea, Willy. | 1:11:22 | 1:11:26 | |
Cos you'd be putting a noose around your own neck. | 1:11:27 | 1:11:30 | |
It's no more than I deserve. | 1:11:30 | 1:11:33 | |
Not to mention putting a noose around my neck. | 1:11:35 | 1:11:38 | |
And Lucky's. | 1:11:41 | 1:11:42 | |
And Ginny's. | 1:11:46 | 1:11:48 | |
DOOR UNLOCKS | 1:11:49 | 1:11:51 | |
Let me handle this. | 1:11:53 | 1:11:55 | |
Ahh, pleasure to see you again, Captain. | 1:11:55 | 1:11:59 | |
All right. | 1:11:59 | 1:12:00 | |
Can you tell us what we're supposed to have done? | 1:12:00 | 1:12:02 | |
16 counts of first-degree murder. | 1:12:02 | 1:12:06 | |
That does sound serious. And do you have any of the bodies? | 1:12:06 | 1:12:10 | |
Do you have any eyewitnesses? | 1:12:10 | 1:12:13 | |
In fact, do you have a single shred of evidence? | 1:12:13 | 1:12:16 | |
It's all in there, laddie. | 1:12:18 | 1:12:20 | |
DOOR OPENS | 1:12:31 | 1:12:33 | |
Captain, a message from Lord Harrington, sir. | 1:12:35 | 1:12:37 | |
He wants to see you, sir, at your earliest convenience. | 1:12:37 | 1:12:40 | |
His Lordship also said to bring Doctor Knox's portfolio with you. | 1:12:40 | 1:12:44 | |
Captain. | 1:12:55 | 1:12:57 | |
Take a seat. | 1:12:57 | 1:12:58 | |
Oh, thank you, my Lord. | 1:12:58 | 1:12:59 | |
-Chocolate? -Uh, thank you, my Lord. | 1:13:01 | 1:13:04 | |
The Lord Provost and I are very interested to know | 1:13:04 | 1:13:07 | |
how we're doing on this case. | 1:13:07 | 1:13:08 | |
Well, at present, I have Mr Burke and Mr Hare under lock and key. | 1:13:08 | 1:13:14 | |
They're not admitting anything, but I'm sure by the time | 1:13:14 | 1:13:16 | |
I have finished with them, they will crack, I'm sure of that. | 1:13:16 | 1:13:20 | |
But is that really what we want, Captain? | 1:13:20 | 1:13:24 | |
Excuse me, sir? | 1:13:24 | 1:13:25 | |
This city is renowned for its medical facilities. | 1:13:25 | 1:13:28 | |
Students come from all over the world | 1:13:28 | 1:13:30 | |
to train in our anatomy schools. | 1:13:30 | 1:13:32 | |
They bring a great deal of money with them. | 1:13:32 | 1:13:35 | |
We're rightfully proud of our status and of our traditions. | 1:13:35 | 1:13:40 | |
It would be a pity to sully them | 1:13:40 | 1:13:42 | |
with a scandal such as a high-profile murder trial. | 1:13:42 | 1:13:46 | |
Especially a murder trial that might compromise | 1:13:46 | 1:13:48 | |
the reputations of our esteemed teaching hospitals. | 1:13:48 | 1:13:52 | |
You're surely not suggesting that I let these two men go free? | 1:13:52 | 1:13:56 | |
No, no, we need someone to swing for these crimes, but no trial. | 1:13:56 | 1:14:01 | |
The city will gladly show its gratitude | 1:14:01 | 1:14:03 | |
for your delicate handling of this affair. | 1:14:03 | 1:14:05 | |
In fact, in a city of this standing, | 1:14:05 | 1:14:07 | |
surely the militia should be commanded by a...a Major. | 1:14:07 | 1:14:11 | |
Or even a Colonel. Hmm? | 1:14:11 | 1:14:14 | |
Indeed. | 1:14:16 | 1:14:17 | |
Rest assured, my Lord, my Lords, that the city can rely on me. | 1:14:17 | 1:14:21 | |
That's settled, then. | 1:14:21 | 1:14:23 | |
We'll look after that, Colonel. | 1:14:26 | 1:14:28 | |
Thank you, my lord. My lord. | 1:14:31 | 1:14:33 | |
So let me get this straight, Captain. | 1:14:56 | 1:14:58 | |
Colonel. | 1:14:58 | 1:14:59 | |
Colonel? | 1:15:01 | 1:15:02 | |
If one of us confesses to having committed these crimes | 1:15:04 | 1:15:09 | |
-the others will walk free? -Precisely. | 1:15:09 | 1:15:12 | |
But that is outrageous! We're all innocent! | 1:15:12 | 1:15:15 | |
Nobody's going to confess to a crime they didn't commit, | 1:15:15 | 1:15:18 | |
just to make YOU popular with the mob out there! | 1:15:18 | 1:15:20 | |
It's all right, William! | 1:15:20 | 1:15:21 | |
This is the chance for one of us to do the decent thing. | 1:15:21 | 1:15:24 | |
You call that decent? | 1:15:24 | 1:15:27 | |
What kind of man would do such a thing? | 1:15:27 | 1:15:29 | |
I will. | 1:15:32 | 1:15:33 | |
Thank you, God. | 1:15:38 | 1:15:40 | |
On one condition. | 1:15:40 | 1:15:42 | |
-I know what you did. -I am so sorry, Ginny. | 1:16:00 | 1:16:03 | |
I-I don't expect you to forgive me. | 1:16:05 | 1:16:09 | |
It's just so romantic. | 1:16:09 | 1:16:11 | |
Confessing to save the life of your lover. | 1:16:12 | 1:16:16 | |
It's like Shakespeare. | 1:16:18 | 1:16:19 | |
For never was there a story of... of such woe, | 1:16:23 | 1:16:29 | |
as of Ginny and her Romeo. | 1:16:29 | 1:16:31 | |
ALL SHOUTING ANGRILY | 1:17:12 | 1:17:14 | |
William Burke of the West Port, | 1:17:41 | 1:17:43 | |
formerly of County Donegal in Ireland... | 1:17:43 | 1:17:46 | |
MAN: Irish scum! | 1:17:46 | 1:17:47 | |
You are convicted of the heinous crimes of grave robbery | 1:17:47 | 1:17:50 | |
and multiple murder. | 1:17:50 | 1:17:52 | |
Do you have anything to say before you are consigned to hell? | 1:17:57 | 1:17:59 | |
CROWD QUIETS | 1:17:59 | 1:18:01 | |
Only this. | 1:18:03 | 1:18:05 | |
I did it for love. | 1:18:09 | 1:18:11 | |
CROWD CHEERS | 1:18:16 | 1:18:19 | |
THUD | 1:18:22 | 1:18:24 | |
I know he seemed like a nice guy and all that. | 1:18:40 | 1:18:42 | |
And I suppose you have to respect the fact | 1:18:47 | 1:18:49 | |
that he made the ultimate sacrifice for love. | 1:18:49 | 1:18:51 | |
But he did kill all those people just for money. | 1:18:55 | 1:18:58 | |
And that's just evil. | 1:18:58 | 1:19:00 | |
Thank you. | 1:19:02 | 1:19:03 | |
As for the rest of them... | 1:19:07 | 1:19:08 | |
The Doctor ended up in the New World. | 1:19:11 | 1:19:14 | |
After all, anything goes over there. | 1:19:14 | 1:19:16 | |
Rat catcher! Rat catcher! | 1:19:22 | 1:19:24 | |
Fergus took protection to a new level | 1:19:24 | 1:19:27 | |
and made a fortune selling life insurance. | 1:19:27 | 1:19:29 | |
As for our French friend here, he also became a minor celebrity. | 1:19:31 | 1:19:36 | |
He returned to Paris and continued his work. | 1:19:36 | 1:19:39 | |
Allez, allez, allez. Vite, vite, vite. Ah, come here. | 1:19:40 | 1:19:43 | |
I can't live without you. You're beautiful. | 1:19:45 | 1:19:47 | |
Ah, arret! Arret! | 1:19:47 | 1:19:48 | |
Say "cheese"! | 1:19:48 | 1:19:51 | |
ALL: Fromage! | 1:19:51 | 1:19:53 | |
Nicephore is widely credited as one of the inventors of photography. | 1:19:53 | 1:19:57 | |
Parfait. Bravo. | 1:19:57 | 1:19:59 | |
Lord Harrington, having weathered the storm of the West Port murders, | 1:20:00 | 1:20:04 | |
was later forced to resign after Colonel wee Tam McLintoch's | 1:20:04 | 1:20:08 | |
racy private memoirs were a publishing sensation. | 1:20:08 | 1:20:12 | |
But the real star turned out to be | 1:20:13 | 1:20:14 | |
Professor Monro's young assistant, Charles Darwin. | 1:20:14 | 1:20:18 | |
He went on to write a book that sold almost as well as the Bible. | 1:20:18 | 1:20:23 | |
It said only the fittest survive. | 1:20:23 | 1:20:26 | |
And living proof of that is young Ginny. | 1:20:26 | 1:20:30 | |
She finally overcame her grief and became a popular actress. | 1:20:30 | 1:20:33 | |
AUDIENCE BOOING WOMAN: She's terrible! | 1:20:33 | 1:20:35 | |
MAN: Get her off! | 1:20:35 | 1:20:37 | |
Well, not that popular. | 1:20:37 | 1:20:38 | |
As for our two heroes, William Hare followed his dream. | 1:20:38 | 1:20:42 | |
In the end, only Hare got the Royal Seal. | 1:20:50 | 1:20:53 | |
And William Burke ended up in the same place as his victims. | 1:20:55 | 1:20:59 | |
Where shall I start? | 1:20:59 | 1:21:00 | |
I think the feet. | 1:21:02 | 1:21:05 | |
THE PROCLAIMERS' "500 MILES" PLAYS | 1:21:05 | 1:21:08 | |
# When I wake up Well, I know I'm gonna be | 1:21:08 | 1:21:11 | |
# I'm gonna be the man who wakes up next to you | 1:21:11 | 1:21:15 | |
# When I go out Yeah, I know I'm gonna be | 1:21:15 | 1:21:18 | |
# I'm gonna be the man who goes along with you | 1:21:18 | 1:21:22 | |
# If I get drunk Well, I know I'm gonna be | 1:21:22 | 1:21:25 | |
# I'm gonna be the man who gets drunk next to you | 1:21:25 | 1:21:29 | |
# And if I haver Yeah, I know I'm gonna be | 1:21:29 | 1:21:33 | |
# I'm gonna be the man who's havering to you | 1:21:33 | 1:21:36 | |
# But I would walk 500 miles And I would walk 500 more | 1:21:36 | 1:21:42 | |
# Just to be the man who walks a thousand miles | 1:21:42 | 1:21:47 | |
# To fall down at your door | 1:21:47 | 1:21:50 | |
# When I'm working Yes, I know I'm gonna be | 1:21:50 | 1:21:53 | |
# I'm gonna be the man who's working hard for you | 1:21:53 | 1:21:56 | |
# And when the money comes in for the work I do | 1:21:56 | 1:22:00 | |
# I'll pass almost every penny on to you | 1:22:00 | 1:22:03 | |
# When I come home Yeah, I know I'm gonna be | 1:22:03 | 1:22:06 | |
# I'm gonna be the man who comes back home to you | 1:22:06 | 1:22:10 | |
# And if I grow old Yeah, I know I'm gonna be | 1:22:10 | 1:22:13 | |
# I'm gonna be the man who's growing old wi' you | 1:22:13 | 1:22:17 | |
# And I would walk 500 miles And I would walk 500 more | 1:22:17 | 1:22:24 | |
# Just to be the man who walks a thousand miles | 1:22:24 | 1:22:28 | |
# To fall down at your door | 1:22:28 | 1:22:31 | |
-# Da la la la, -da la la la -Da la la la, -da la la la | 1:22:31 | 1:22:34 | |
# Da da da dun diddle un Diddle un diddle uh da da | 1:22:34 | 1:22:38 | |
-# Da la la la, -da la la la -Da la la la, -da la la la | 1:22:38 | 1:22:42 | |
# Da da da dun diddle un Diddle un diddle uh da da | 1:22:42 | 1:22:45 | |
# When I'm lonely Well, I know I'm gonna be | 1:22:49 | 1:22:52 | |
# I'm gonna be the man who's lonely without you | 1:22:52 | 1:22:55 | |
# And when I'm dreaming Well, I know I'm gonna dream | 1:22:55 | 1:22:59 | |
# I'm gonna dream about the times when I'm wi' you | 1:22:59 | 1:23:03 | |
-# When I go out, -when I go out -Yeah, I know I'm gonna be | 1:23:03 | 1:23:06 | |
# I'm gonna be the man who goes along wi' you | 1:23:06 | 1:23:09 | |
-# And when I come home -Ooh, I come home | 1:23:09 | 1:23:11 | |
# Oh, I know I'm gonna be | 1:23:11 | 1:23:13 | |
# I'm gonna be the man who comes back home wi' you | 1:23:13 | 1:23:16 | |
# I'm gonna be the man who's coming home wi' you | 1:23:16 | 1:23:21 | |
# And I would walk 500 miles And I would walk 500 more | 1:23:22 | 1:23:30 | |
# Just to be the man who walked a thousand miles | 1:23:30 | 1:23:34 | |
# To fall down at your door | 1:23:34 | 1:23:37 | |
-# Da la la la, -da la la la -Da la la la, -da la la la | 1:23:37 | 1:23:41 | |
# Da da da dun diddle un Diddle un diddle uh da da | 1:23:41 | 1:23:44 | |
-# Da la la la, -da la la la -Da la la la, -da la la la | 1:23:44 | 1:23:48 | |
# Da da da dun diddle un Diddle un diddle uh da da | 1:23:48 | 1:23:51 | |
-# Da la la la, -da la la la -Da la la la, -da la la la | 1:23:51 | 1:23:54 | |
# Da da da dun diddle un Diddle un diddle uh da da... # | 1:23:54 | 1:23:58 |