
Browse content similar to Caught. Check below for episodes and series from the same categories and more!
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Um... I'll take this one. | 0:01:10 | 0:01:12 | |
I'll have that one. | 0:01:12 | 0:01:14 | |
Oh, look. | 0:01:15 | 0:01:16 | |
-And this. -Oh, really? | 0:01:16 | 0:01:19 | |
This one's for me. | 0:01:19 | 0:01:21 | |
-I like those. -You do? | 0:01:25 | 0:01:27 | |
Oh, Maud, isn't that stunning?! | 0:01:28 | 0:01:31 | |
I'd rather have mink. | 0:01:31 | 0:01:33 | |
You would?! Mink is so everyday. | 0:01:33 | 0:01:35 | |
I don't care. We're wishing for what we want. | 0:01:35 | 0:01:38 | |
-Well, I want mink. -Well, all right. Have mink. | 0:01:38 | 0:01:42 | |
I want chinchilla. | 0:01:42 | 0:01:44 | |
What do you spend on lunches? | 0:01:44 | 0:01:46 | |
It depends. | 0:01:46 | 0:01:48 | |
Can't you give me an average? | 0:01:48 | 0:01:50 | |
Oh, 65 cents. | 0:01:51 | 0:01:53 | |
One and three is four... | 0:01:53 | 0:01:55 | |
65. | 0:01:55 | 0:01:57 | |
65 x 6. | 0:01:57 | 0:01:59 | |
That's 3.90 a week. | 0:01:59 | 0:02:01 | |
How about car fare? | 0:02:02 | 0:02:04 | |
-30 cents a day. -30 cents a day... | 0:02:05 | 0:02:08 | |
Well... | 0:02:12 | 0:02:14 | |
That's the same... | 0:02:14 | 0:02:16 | |
Well... | 0:02:17 | 0:02:19 | |
if you don't spend more than a quarter a day for lunch, | 0:02:19 | 0:02:23 | |
and you don't wear stockings, you don't go to the movies, | 0:02:23 | 0:02:27 | |
unless somebody takes you, you can go to school. | 0:02:27 | 0:02:30 | |
Oh, yes, and you can't buy any more magazines. | 0:02:30 | 0:02:33 | |
Gee, maybe it isn't worth it. | 0:02:33 | 0:02:35 | |
Maybe you want to spend your life as a car-hop? | 0:02:35 | 0:02:38 | |
Oh, don't be a stoop. | 0:02:38 | 0:02:40 | |
-My feet are killing me. -Everything swells in the heat. | 0:02:40 | 0:02:44 | |
It isn't the heat, it's the humidity. | 0:02:44 | 0:02:47 | |
-Whose turn to wash? -Yours. I dry. | 0:02:47 | 0:02:49 | |
I'll get started. | 0:02:52 | 0:02:54 | |
Why couldn't you let me get a modelling job now? | 0:02:54 | 0:02:57 | |
I told you, I won't use my influence till you're ready | 0:02:57 | 0:03:01 | |
and you won't be till you go to school. | 0:03:01 | 0:03:03 | |
Reading this I won't need you. | 0:03:03 | 0:03:06 | |
"Dorothy Dale places her graduates in the best positions." | 0:03:06 | 0:03:10 | |
She looks like a nifty number. I'll bet this was retouched. | 0:03:10 | 0:03:14 | |
It's not just for a better job. | 0:03:14 | 0:03:16 | |
A charm school's college and finishing school combined. | 0:03:16 | 0:03:20 | |
I can read, Maxine. | 0:03:20 | 0:03:22 | |
Without a social education, you'll never meet a real man. | 0:03:22 | 0:03:26 | |
What's the matter with George? | 0:03:26 | 0:03:28 | |
He'll never be able to buy a mink coat. | 0:03:28 | 0:03:31 | |
"Girls," Dorothy Dale asks, "What is your most important asset? | 0:03:31 | 0:03:35 | |
-"Your smile. Be charming." -That's what I told you. | 0:03:35 | 0:03:39 | |
I'd love to go back to Denver with a mink coat someday, Maxine. | 0:03:39 | 0:03:43 | |
Two mink coats. | 0:03:43 | 0:03:45 | |
One for my mother. | 0:03:45 | 0:03:47 | |
I guess it won't kill me to have 25-cent lunches. | 0:03:47 | 0:03:51 | |
You still have to wear stockings. | 0:03:51 | 0:03:53 | |
How long a course should I take? | 0:03:53 | 0:03:55 | |
Six weeks. | 0:03:55 | 0:03:57 | |
Gee. Wouldn't it be wonderful if after I graduate, | 0:03:57 | 0:04:02 | |
I start work modelling in the store like you for a few weeks. | 0:04:02 | 0:04:07 | |
And then, one day, | 0:04:07 | 0:04:09 | |
in walks a handsome young millionaire. | 0:04:09 | 0:04:12 | |
-Wouldn't that be wonderful?! -And he's at the perfume counter. | 0:04:12 | 0:04:17 | |
And then suddenly he turns around and sees me. | 0:04:17 | 0:04:20 | |
We don't say a word for a long time | 0:04:20 | 0:04:22 | |
-and then he says... -Will you start drying the dishes? | 0:04:22 | 0:04:26 | |
OK. But it could happen. | 0:04:26 | 0:04:30 | |
Dorothy Dale says, "A charm school girl's future is unlimited. | 0:04:30 | 0:04:34 | |
"Once she leaves our doors, she is ready to meet anyone socially." | 0:04:34 | 0:04:39 | |
Good evening, Miss Chambers. | 0:04:45 | 0:04:47 | |
-Good evening, Miss Chambers. -Oh, Miss Eames? | 0:04:47 | 0:04:51 | |
About your tuition. | 0:04:51 | 0:04:52 | |
Each week must be paid in advance. | 0:04:52 | 0:04:55 | |
I'm sorry, Miss Chambers. | 0:04:55 | 0:04:57 | |
PHONE RINGS | 0:04:57 | 0:04:58 | |
Dorothy Dale School Of Charm. | 0:04:58 | 0:05:01 | |
Oh, yes. We'd be glad to recommend a model. | 0:05:01 | 0:05:04 | |
All of our models are highly qualified. | 0:05:04 | 0:05:07 | |
Yes, Mr Lawrence, she'll be there at nine. | 0:05:08 | 0:05:11 | |
Thank you. | 0:05:11 | 0:05:13 | |
Could I give you five now and the other five on Thursday? | 0:05:14 | 0:05:18 | |
THURS-day? | 0:05:18 | 0:05:19 | |
-THURS-day. -Certainly. | 0:05:19 | 0:05:22 | |
Miss Maud Eames. | 0:05:22 | 0:05:24 | |
5. | 0:05:24 | 0:05:25 | |
Oh, would you mind making that Leonora Eames? I've changed it. | 0:05:25 | 0:05:29 | |
Not at all. Leonora. | 0:05:29 | 0:05:32 | |
Leonora, that's charming. | 0:05:32 | 0:05:34 | |
Thank you. | 0:05:34 | 0:05:35 | |
Thank you. | 0:05:35 | 0:05:37 | |
It was a lovely luncheon, Mrs Burton. | 0:05:42 | 0:05:44 | |
Bur-TON. | 0:05:44 | 0:05:46 | |
Bur-TON. | 0:05:46 | 0:05:47 | |
Thank you for having me. | 0:05:47 | 0:05:49 | |
Pick up your bag. | 0:05:49 | 0:05:51 | |
Sorry. Thank you. | 0:05:51 | 0:05:53 | |
Good afternoon. Good afternoon. | 0:05:55 | 0:05:58 | |
Bravo. That was quite nice. | 0:05:58 | 0:06:00 | |
Cross your legs, my dear. | 0:06:01 | 0:06:03 | |
May we have Miss Eames? | 0:06:03 | 0:06:05 | |
-Yes, Miss Dale. -More confidence, my dear. | 0:06:05 | 0:06:08 | |
Speak out. Full tones. | 0:06:08 | 0:06:10 | |
What is your favourite fur? | 0:06:11 | 0:06:13 | |
-Mink. -Mm-ink. Mine too. | 0:06:13 | 0:06:16 | |
Well, believe it or not, this is a beautiful mink coat. | 0:06:17 | 0:06:21 | |
Fourth floor. Cosmetics, jewellery, perfume and furs. | 0:06:30 | 0:06:33 | |
Oh, Miss, just a minute. | 0:06:37 | 0:06:38 | |
Only 4,995 plus tax. | 0:06:38 | 0:06:40 | |
5,000, that's not bad. | 0:06:40 | 0:06:42 | |
-Do you like the full back? -I adore it! | 0:06:42 | 0:06:45 | |
The skins are divine. Heavenly. | 0:06:45 | 0:06:47 | |
Has Wally signed with Metro? | 0:06:47 | 0:06:49 | |
No. Not yet. Come along. | 0:06:49 | 0:06:51 | |
Let's have the old one glazed. | 0:06:51 | 0:06:53 | |
I'd rather make him buy me a new bracelet. | 0:06:53 | 0:06:56 | |
Of course, darling. | 0:06:56 | 0:06:58 | |
Like it, darling? | 0:06:59 | 0:07:01 | |
I hope you're not offended. I call everyone darling. | 0:07:01 | 0:07:04 | |
What a charming coat. | 0:07:04 | 0:07:07 | |
-May I see the lining? -Only 4,995. | 0:07:07 | 0:07:09 | |
Plus tax. | 0:07:09 | 0:07:11 | |
Plus tax. | 0:07:11 | 0:07:13 | |
Charming, darling. Charming. | 0:07:13 | 0:07:15 | |
I think we haven't been working here long, yes? | 0:07:15 | 0:07:18 | |
-Yes. -Hold this a moment, will you? | 0:07:18 | 0:07:20 | |
I'm giving a party, a lovely party, this weekend, on a yacht. | 0:07:20 | 0:07:25 | |
We go to Catalina. | 0:07:25 | 0:07:26 | |
-No, thank you. -There'd be lots of people. | 0:07:26 | 0:07:29 | |
Fresh air, sunshine. If you don't like it, you can leave. | 0:07:29 | 0:07:33 | |
-No, thanks. -Don't be a silly bourgeois, darling. | 0:07:33 | 0:07:37 | |
You have work to do, I have work to do. | 0:07:37 | 0:07:39 | |
We can chat here for hours, but we would still get to the same point. | 0:07:39 | 0:07:44 | |
The yacht is my business associate's. | 0:07:44 | 0:07:46 | |
Charming. | 0:07:46 | 0:07:48 | |
We leave at 6:30 on Friday. | 0:07:50 | 0:07:52 | |
Uh... | 0:07:52 | 0:07:54 | |
It'll be divine, darling. | 0:07:56 | 0:07:58 | |
Nice relaxation. | 0:07:59 | 0:08:01 | |
Tout alors. | 0:08:01 | 0:08:03 | |
-Did you get an invitation? -I'm not going. | 0:08:05 | 0:08:08 | |
You're out of your head. | 0:08:08 | 0:08:10 | |
9,995. Hand-made... Sorry. Just looking. | 0:08:10 | 0:08:13 | |
-Don't you know who it's for? -Smith Ohlrig. | 0:08:14 | 0:08:17 | |
Only the wall in Wall Street. The poodle works for him. | 0:08:17 | 0:08:21 | |
9,995. Hand-made from purest... | 0:08:21 | 0:08:25 | |
-The parties are terrific. -They can do without me. | 0:08:27 | 0:08:31 | |
Who are you? | 0:08:31 | 0:08:33 | |
Only 4,995, plus tax. | 0:08:34 | 0:08:37 | |
I'm not going, Maxine. | 0:08:39 | 0:08:41 | |
How else do you think girls like us meet guys like Ohlrig? | 0:08:41 | 0:08:45 | |
It's just no use, Maxine. | 0:08:45 | 0:08:47 | |
I just look terrible. I'm not going! | 0:08:47 | 0:08:49 | |
I'm not the type for this dress and... | 0:08:49 | 0:08:52 | |
This zipper! | 0:08:52 | 0:08:53 | |
I'm not the type for the yachting party. | 0:08:54 | 0:08:57 | |
How do you know? You haven't been on one. | 0:08:57 | 0:09:00 | |
That's the only reason I wanted to go, to find out what it'd be like. | 0:09:00 | 0:09:05 | |
But not with those characters. | 0:09:05 | 0:09:07 | |
A man going to a party like that has one idea. | 0:09:07 | 0:09:10 | |
-That's one too many. -You can take care of yourself. | 0:09:10 | 0:09:13 | |
I don't want to go to a party where I'm worrying about that. | 0:09:13 | 0:09:17 | |
Unzip me, please. | 0:09:17 | 0:09:19 | |
It's up to you. But the party's an investment. | 0:09:19 | 0:09:22 | |
I know. I should think of security. | 0:09:22 | 0:09:24 | |
KNOCK AT DOOR Who is it? | 0:09:24 | 0:09:26 | |
Thelma. > Thelma, see? | 0:09:26 | 0:09:28 | |
And what is security? Money. | 0:09:28 | 0:09:30 | |
-Period. -Exclamation point. | 0:09:30 | 0:09:32 | |
MAXINE: Hello. THELMA: Here's the fur. | 0:09:32 | 0:09:35 | |
-I'm sorry I'm late, but... -Thanks, but you ought to go home. | 0:09:35 | 0:09:39 | |
THELMA: I brought gloves in case you needed them. | 0:09:39 | 0:09:43 | |
MAXINE: They're stunning. Thanks a lot. | 0:09:43 | 0:09:46 | |
THELMA: I don't have to go yet. MAXINE: I'll talk to you tomorrow. | 0:09:46 | 0:09:50 | |
THELMA: Have a good time, honey. Spill some champagne on it. | 0:09:50 | 0:09:55 | |
If they ask if you have a friend, remember me! | 0:09:55 | 0:09:58 | |
-I'll look terrible in that, too. -Wait till I press your coat. | 0:09:58 | 0:10:02 | |
-You can put this on and look fine. -Don't get mad. | 0:10:02 | 0:10:06 | |
-It's just that I resent the whole set-up. -Resent it? | 0:10:06 | 0:10:10 | |
Yes. Right from the beginning when that slimy man | 0:10:10 | 0:10:13 | |
crawled up to me in the store and wiggled his eyebrows. | 0:10:13 | 0:10:17 | |
-It just makes me feel cheap. -Let's face it, | 0:10:17 | 0:10:20 | |
girls like us can't pick the way we meet men like Smith Ohlrig. | 0:10:20 | 0:10:25 | |
-Why, you should be grateful. -Well, I'm not. | 0:10:25 | 0:10:28 | |
Oh, no. You want to dream about Prince Charming on a golden horse. | 0:10:28 | 0:10:32 | |
You feel cheap. | 0:10:32 | 0:10:34 | |
That's touching. | 0:10:34 | 0:10:36 | |
Now, let me tell you, I'd be very glad to be in your shoes. | 0:10:36 | 0:10:40 | |
For Pete's sake, | 0:10:40 | 0:10:43 | |
here you are, with a chance to meet some decent men. | 0:10:43 | 0:10:47 | |
Men who could take you out of living in a dump like this. | 0:10:47 | 0:10:51 | |
You... | 0:10:51 | 0:10:53 | |
You don't know a break when you get it. | 0:10:54 | 0:10:57 | |
DANCE BAND PLAYING | 0:11:03 | 0:11:05 | |
ENGINE APPROACHES | 0:11:09 | 0:11:11 | |
-Are you from the Ohlrig yacht? -Yes. | 0:11:33 | 0:11:36 | |
I thought they'd never send someone to pick me up. | 0:11:36 | 0:11:39 | |
They didn't send me. I have some business to take care of. | 0:11:39 | 0:11:43 | |
Couldn't you take me to the yacht first? | 0:11:43 | 0:11:46 | |
Don't say yacht, say boat. | 0:11:46 | 0:11:49 | |
Boat. Couldn't you, please? | 0:11:49 | 0:11:51 | |
It's one of the dullest parties they've had. | 0:11:51 | 0:11:54 | |
-I don't care. I've got to go. -Why? | 0:11:54 | 0:11:57 | |
Well, because... I don't think that's any of your concern. | 0:11:57 | 0:12:01 | |
Why weren't you with the others? | 0:12:01 | 0:12:04 | |
I couldn't get off work in time. I'm a model. | 0:12:04 | 0:12:07 | |
I phoned Mr Kartos before he arrived, | 0:12:07 | 0:12:09 | |
but he said he'd send a taxi out and somebody to pick me up. | 0:12:09 | 0:12:14 | |
-If you wait for me, I'll take you. -You couldn't take me now? | 0:12:14 | 0:12:18 | |
No. | 0:12:18 | 0:12:19 | |
I guess I'll just have to wait till you're ready. | 0:12:19 | 0:12:23 | |
Come on. | 0:12:23 | 0:12:25 | |
Where? | 0:12:25 | 0:12:27 | |
You can drive to the office with me. | 0:12:27 | 0:12:29 | |
-I couldn't do that. -Why not? | 0:12:29 | 0:12:31 | |
To start with, I don't know you, except you're from the Ohlrig yacht. | 0:12:31 | 0:12:36 | |
Secondly, I owe that taxi driver 6.50, which Mr Kartos... | 0:12:36 | 0:12:40 | |
I'll take care of him. | 0:12:40 | 0:12:42 | |
My name's Leonora Eames, what's yours? | 0:12:44 | 0:12:47 | |
Smith Ohlrig. | 0:12:47 | 0:12:49 | |
It can't be done that way. If you spend... | 0:12:54 | 0:12:57 | |
I don't make money by throwing it away. | 0:12:57 | 0:13:00 | |
-Good night. -Good night. | 0:13:00 | 0:13:02 | |
-Good night. -Good night. | 0:13:02 | 0:13:04 | |
Sorry to be so long. It's a new organisation. | 0:13:06 | 0:13:09 | |
That's perfectly all right. I was having a delightful catnap. | 0:13:09 | 0:13:14 | |
So many people are on the boat. Do you mind if we go back to town? | 0:13:15 | 0:13:19 | |
-Not at all, Mr Ohlrig. I'd love to. -Well, that's fine. | 0:13:19 | 0:13:23 | |
What's so funny about walking with a book on your head? | 0:13:40 | 0:13:44 | |
Sorry. What did you say the name of that place was? | 0:13:44 | 0:13:48 | |
Dorothy Dale's School of Charm. It's quite famous. It is. | 0:13:48 | 0:13:52 | |
I wish you wouldn't drive so fast. | 0:13:52 | 0:13:54 | |
I like it. I'm a good driver. | 0:13:54 | 0:13:56 | |
I'm sure you are, but... | 0:13:56 | 0:13:58 | |
-Weren't you taught to be agreeable to your escort? -Yes. | 0:13:58 | 0:14:02 | |
-What else did they teach you? -Diction and make-up and fencing. | 0:14:05 | 0:14:09 | |
Mr Duval taught that. And posture and social usage. | 0:14:09 | 0:14:13 | |
Social what? | 0:14:13 | 0:14:14 | |
Usage. You know? Conversation, etiquette. | 0:14:14 | 0:14:17 | |
How to pour tea, listen to music, how to... | 0:14:17 | 0:14:20 | |
Please watch the road. | 0:14:20 | 0:14:22 | |
Mm-hm. | 0:14:22 | 0:14:24 | |
Where are you from? | 0:14:27 | 0:14:29 | |
-Denver. -Family poor? | 0:14:29 | 0:14:30 | |
-Yes. -How long have you been in Los Angeles? | 0:14:30 | 0:14:33 | |
-Almost five years. -Doing what? -Working. Modelling. | 0:14:33 | 0:14:37 | |
-Who paid for your charm school? -I did. | 0:14:37 | 0:14:40 | |
How many yachting trips have you been on? | 0:14:40 | 0:14:43 | |
None. | 0:14:43 | 0:14:44 | |
-How many Hollywood parties, then? -None. | 0:14:44 | 0:14:46 | |
-Come on. -I haven't! | 0:14:46 | 0:14:48 | |
-Why not? -Nobody else asked me. | 0:14:48 | 0:14:50 | |
There's some cigarettes in the glove compartment. Light one for me. | 0:14:50 | 0:14:55 | |
What do you know about me? | 0:14:55 | 0:14:58 | |
Oh... | 0:14:58 | 0:14:59 | |
-I know you're from the east. -New York. | 0:14:59 | 0:15:02 | |
And I know you're sort of an international something. | 0:15:03 | 0:15:07 | |
Well, that just about describes it. | 0:15:07 | 0:15:10 | |
What else? | 0:15:12 | 0:15:14 | |
And you're rich. | 0:15:14 | 0:15:16 | |
-How rich? -Oh, very rich. | 0:15:16 | 0:15:19 | |
What else? | 0:15:19 | 0:15:21 | |
Well, I know that you've never been married before. | 0:15:21 | 0:15:25 | |
And I'm not going to be, either. | 0:15:25 | 0:15:27 | |
-Where are we? -At the house. | 0:16:01 | 0:16:03 | |
My house. | 0:16:03 | 0:16:05 | |
No. | 0:16:06 | 0:16:08 | |
Come in and have a drink. | 0:16:08 | 0:16:10 | |
Don't be silly. You knew you weren't just taking a drive. | 0:16:12 | 0:16:16 | |
Please take me home, Mr Ohlrig. | 0:16:16 | 0:16:19 | |
Come on. Don't you think I like you? | 0:16:20 | 0:16:22 | |
Take me home. | 0:16:23 | 0:16:25 | |
Didn't your charm school tell you how to handle this? | 0:16:25 | 0:16:29 | |
I'm sorry. | 0:16:29 | 0:16:31 | |
I just want to go home. | 0:16:31 | 0:16:33 | |
Skip it. | 0:16:33 | 0:16:35 | |
I took her home and we said good night. | 0:16:45 | 0:16:48 | |
We did that a few more times, then I dropped her. | 0:16:48 | 0:16:51 | |
Why? | 0:16:51 | 0:16:53 | |
They come a dime a dozen. | 0:16:53 | 0:16:55 | |
I thought, from what you said before, | 0:16:55 | 0:16:58 | |
that she was sweeter than most of these girls. | 0:16:58 | 0:17:01 | |
Psychoanalysts and elephants. They never forget. | 0:17:01 | 0:17:05 | |
I think this is all pointless, anyway. | 0:17:06 | 0:17:09 | |
Why did you come here? | 0:17:09 | 0:17:10 | |
I don't like getting upset and you say you can calm me. | 0:17:10 | 0:17:14 | |
I can, if you work with me, not against me. | 0:17:14 | 0:17:17 | |
Let's go back to the girl. | 0:17:17 | 0:17:19 | |
Well, for your information, | 0:17:19 | 0:17:21 | |
she's after the same thing everyone's after, my money. | 0:17:21 | 0:17:25 | |
Maybe she feels that you just want to play around with her. | 0:17:25 | 0:17:29 | |
You don't think I want to marry her, do you? | 0:17:29 | 0:17:32 | |
I certainly hope not. | 0:17:32 | 0:17:34 | |
If I persisted I'd get what I want. I wish business were as easy. | 0:17:34 | 0:17:38 | |
Yesterday I battled with a man from noon till two in the morning. | 0:17:38 | 0:17:42 | |
-Then I had an idiotic attack. -A heart attack? | 0:17:42 | 0:17:46 | |
Yes. And I go to a specialist for that. | 0:17:46 | 0:17:48 | |
I think they're just a nervous reaction. | 0:17:48 | 0:17:52 | |
A year ago you wanted to buy out a rubber company. | 0:17:52 | 0:17:55 | |
And the owner didn't want to sell. | 0:17:55 | 0:17:58 | |
So, you had an attack. | 0:17:58 | 0:18:00 | |
-The next one was in that South... -I get it. | 0:18:00 | 0:18:03 | |
I get the connection. When I can't get what I want, I have an attack. | 0:18:03 | 0:18:08 | |
Yes. Nothing's organically wrong with your heart, so why the attacks? | 0:18:08 | 0:18:13 | |
Consider if it's a way of saying, "I'm not all-powerful. I'm weak. | 0:18:13 | 0:18:20 | |
"Take pity. Give me what I want." | 0:18:20 | 0:18:22 | |
I have these attacks because I have a bad heart. | 0:18:26 | 0:18:30 | |
But that's too simple for you. | 0:18:30 | 0:18:32 | |
You have to find some insane Freudian reason. | 0:18:32 | 0:18:35 | |
Heart attacks because I want pity. | 0:18:35 | 0:18:37 | |
What are your other little gems? | 0:18:37 | 0:18:39 | |
I destroy everyone I can't own. I think all anyone wants is my money. | 0:18:39 | 0:18:44 | |
I'd only be married for my money. Don't say you didn't say that. | 0:18:44 | 0:18:48 | |
-I only said... -You're wrong, Doctor. I am going to get married. | 0:18:48 | 0:18:52 | |
I'm not afraid of anyone. | 0:18:52 | 0:18:54 | |
What's more, do you want to know something? | 0:18:54 | 0:18:57 | |
I'm going to marry that girl. | 0:18:57 | 0:19:00 | |
You don't believe me, do you? | 0:19:01 | 0:19:03 | |
Hello. Franzi? | 0:19:03 | 0:19:05 | |
We're taking a plane to Yuma as soon as you can find Leonora... | 0:19:05 | 0:19:10 | |
What's her name? Yes. Eames. | 0:19:10 | 0:19:12 | |
Why do you think? | 0:19:12 | 0:19:14 | |
I'm going to get married. | 0:19:14 | 0:19:16 | |
Sorry to cut a major source of your income, but you won't see me again. | 0:19:18 | 0:19:22 | |
-It's up to you. -Completely. | 0:19:22 | 0:19:24 | |
And I do as I please. | 0:19:24 | 0:19:26 | |
Yes. That's why you made your call. | 0:19:26 | 0:19:29 | |
I said I didn't think you'd marry, | 0:19:29 | 0:19:32 | |
so you made arrangements to prove I'm wrong. | 0:19:32 | 0:19:35 | |
You don't really want to marry this girl. | 0:19:35 | 0:19:38 | |
You've only done this because you're angry at me. | 0:19:38 | 0:19:41 | |
And to prove that no-one has authority over you. | 0:19:41 | 0:19:45 | |
A marriage like this will only ruin the girl. And you. | 0:19:45 | 0:19:49 | |
That's your opinion. | 0:19:51 | 0:19:53 | |
I beg your pardon, madam, luncheon is ready. | 0:20:19 | 0:20:23 | |
Oh, thank you. | 0:20:23 | 0:20:25 | |
-He doesn't get home until midnight? -Sometimes later. | 0:20:32 | 0:20:35 | |
Do you sit polishing your jewellery? | 0:20:35 | 0:20:38 | |
They look so good, I'll take two. | 0:20:38 | 0:20:40 | |
I pick him up at whatever warehouse or office he's at. | 0:20:40 | 0:20:44 | |
Warehouse, uh-huh. What then? | 0:20:44 | 0:20:46 | |
Then we drive to the beach, or some joint. | 0:20:46 | 0:20:49 | |
Money and romance. Lucky girl. | 0:20:49 | 0:20:52 | |
Except that Franzi or one of the other men always comes. | 0:20:52 | 0:20:55 | |
-It sounds cosy. -Very. | 0:20:55 | 0:20:57 | |
-Altogether we're a very cosy couple. -What's the matter? | 0:20:59 | 0:21:03 | |
Oh, I just think that Smith wishes that he hadn't married me. | 0:21:03 | 0:21:07 | |
The minute you get rich, you get neurotic. | 0:21:07 | 0:21:10 | |
I mean it. I don't blame him. | 0:21:10 | 0:21:13 | |
I don't know how to fit into all of this, or how to behave. | 0:21:13 | 0:21:17 | |
Enjoy it. That's how. | 0:21:17 | 0:21:18 | |
He thinks I married him for his money. | 0:21:18 | 0:21:21 | |
No comment. | 0:21:21 | 0:21:23 | |
You know I didn't. I could never do a thing like that. | 0:21:24 | 0:21:28 | |
-You really love him, don't you? -Yes. | 0:21:28 | 0:21:30 | |
Can I have the butter, please? | 0:21:30 | 0:21:32 | |
So everything isn't cooing, so you didn't have a honeymoon... | 0:21:33 | 0:21:38 | |
You think this, he thinks that. Who cares? | 0:21:38 | 0:21:41 | |
Look at that house, the charge account, | 0:21:41 | 0:21:44 | |
lunch by the swimming pool. | 0:21:44 | 0:21:46 | |
Look at the silver and this glass. Look at this table. | 0:21:46 | 0:21:50 | |
Oh, honey, you're rich. | 0:21:50 | 0:21:52 | |
Yeah, rich, but... | 0:21:52 | 0:21:54 | |
-Things'll be better in New York. -The house is on Long Island. | 0:21:58 | 0:22:03 | |
Same difference. | 0:22:04 | 0:22:06 | |
HE HUMS | 0:22:23 | 0:22:25 | |
Franzi, | 0:22:30 | 0:22:32 | |
will you please stop playing? | 0:22:32 | 0:22:34 | |
Just this one, darling. It's so lovely. | 0:22:34 | 0:22:37 | |
-I wish I could go to bed. -So do I. | 0:22:39 | 0:22:42 | |
It's almost three o'clock, Franz. | 0:22:47 | 0:22:50 | |
Tough. Take a pill. | 0:22:50 | 0:22:52 | |
I've lived on pills ever since I came east. That's 10 months. | 0:22:52 | 0:22:58 | |
I won't anymore. | 0:22:58 | 0:23:00 | |
Then play with the necklace he gave you for your birthday. | 0:23:01 | 0:23:05 | |
Yes. | 0:23:05 | 0:23:07 | |
Instead of that honeymoon trip we'll never take. | 0:23:07 | 0:23:11 | |
Instead of going to Denver to see my family. | 0:23:12 | 0:23:16 | |
Instead of having dinner, spending time together, | 0:23:17 | 0:23:20 | |
being together, like other married people. | 0:23:20 | 0:23:23 | |
No. | 0:23:27 | 0:23:29 | |
All he wants me to do is sit and wait till he phones or comes home. | 0:23:30 | 0:23:35 | |
Then I see him exactly for one hour. | 0:23:35 | 0:23:37 | |
Two, if I'm lucky. | 0:23:37 | 0:23:39 | |
Tough. You got what you wanted, darling. | 0:23:39 | 0:23:42 | |
You're wearing it. Don't expect him to pick up your handkerchief, too. | 0:23:42 | 0:23:47 | |
-Maybe money's enough for you. -Of course. Isn't it for you? | 0:23:47 | 0:23:52 | |
No. | 0:23:52 | 0:23:53 | |
Why else marry a madman like that? | 0:23:53 | 0:23:56 | |
He wasn't like this before we were married. | 0:23:57 | 0:24:00 | |
-He was a batsman. -He was a human being. | 0:24:00 | 0:24:03 | |
Tough. Buy yourself a new hat. | 0:24:03 | 0:24:07 | |
Tough, darling. Tough. | 0:24:07 | 0:24:09 | |
Will you stop saying that?! | 0:24:09 | 0:24:11 | |
Will you stop playing that piano? Will you stop?! | 0:24:11 | 0:24:14 | |
You're a greedy little girl, darling. You're getting greedier every day. | 0:24:17 | 0:24:22 | |
-This part is divine. -Greedy. | 0:24:23 | 0:24:25 | |
How dare you? | 0:24:25 | 0:24:26 | |
-Greedy. -I remember hearing it... | 0:24:26 | 0:24:29 | |
Oh! | 0:24:29 | 0:24:30 | |
I'm sorry. I didn't mean it. | 0:24:30 | 0:24:33 | |
-I'm sorry. -It's all right. | 0:24:33 | 0:24:35 | |
It saves him from getting hit. | 0:24:35 | 0:24:37 | |
That's what I get paid for. | 0:24:37 | 0:24:39 | |
Stop playing. | 0:24:39 | 0:24:41 | |
Will you stop playing?! | 0:24:41 | 0:24:43 | |
CAR HORN | 0:24:44 | 0:24:46 | |
Here he is. Get ready. | 0:24:46 | 0:24:48 | |
Report for duty. | 0:24:48 | 0:24:50 | |
-Have you got a comb, Franzi? -Yes, I think I have. | 0:24:51 | 0:24:54 | |
Here it is, darling. | 0:24:54 | 0:24:56 | |
-I'm sorry, Franz. -Oh, that's all right. | 0:24:56 | 0:24:59 | |
Come right in, boys. Stack your coats anyplace. | 0:25:04 | 0:25:07 | |
-God morning, Mr Ohlrig. -Good morning. | 0:25:07 | 0:25:10 | |
Good morning, Leonora. Tired? | 0:25:12 | 0:25:14 | |
You look done in. You know the projection room? | 0:25:14 | 0:25:17 | |
Start right away. That's a movie for my new project. | 0:25:17 | 0:25:21 | |
Make yourself comfortable, boys. | 0:25:21 | 0:25:23 | |
The picture'll be on in a minute. | 0:25:23 | 0:25:26 | |
Help yourselves to a drink. | 0:25:30 | 0:25:32 | |
-Got any food? -There's some sandwiches... | 0:25:32 | 0:25:35 | |
-Nothing hot? -I'm sorry... | 0:25:35 | 0:25:37 | |
It's all right. | 0:25:37 | 0:25:39 | |
Anybody who wants anything to eat, ask Mrs Ohlrig. | 0:25:39 | 0:25:43 | |
Where do you think you're going? | 0:25:45 | 0:25:48 | |
I thought you'd be alone. There's so many men, I'll go to bed. | 0:25:53 | 0:25:57 | |
You're my wife and as my wife, you're the hostess in this house. | 0:25:57 | 0:26:02 | |
Wait till the next shot, the one after this. | 0:26:21 | 0:26:24 | |
Is this the one, Smith, where you had... | 0:26:24 | 0:26:27 | |
LEONORA GIGGLES | 0:26:27 | 0:26:29 | |
Lights. Turn on the lights. | 0:26:29 | 0:26:32 | |
Tell them to hold the screen, we're not through yet. | 0:26:32 | 0:26:35 | |
What was so funny, Leonora? | 0:26:37 | 0:26:39 | |
Nothing. | 0:26:39 | 0:26:40 | |
I'm glad you can laugh at me. I'd just like to know why. | 0:26:40 | 0:26:44 | |
I wasn't laughing at you, Smith. | 0:26:44 | 0:26:46 | |
It wasn't anything in the picture. | 0:26:46 | 0:26:49 | |
What was so funny, then? | 0:26:49 | 0:26:51 | |
I'm sorry. It was something I said. | 0:26:51 | 0:26:53 | |
Something about me? | 0:26:53 | 0:26:55 | |
-No. -Something private, then. | 0:26:55 | 0:26:57 | |
Perhaps if you watched the picture, you wouldn't be so bored. | 0:26:57 | 0:27:01 | |
I'm not bored, Smith. | 0:27:01 | 0:27:04 | |
Thanks to Mr Gentry. | 0:27:04 | 0:27:06 | |
-Good night, Gentry. -Look, I think you're... | 0:27:06 | 0:27:09 | |
I'm no longer interested in what you think. | 0:27:09 | 0:27:12 | |
Start the picture. | 0:27:17 | 0:27:18 | |
Harry, start the picture. | 0:27:18 | 0:27:20 | |
DOOR SLAMS | 0:27:20 | 0:27:22 | |
I can see now why they install love seats in movie balconies. | 0:27:22 | 0:27:27 | |
But please try to remember, you're not sitting there any more. | 0:27:28 | 0:27:32 | |
Leonora, don't leave this room! | 0:27:33 | 0:27:36 | |
Get out of here. Get out. All of you. | 0:27:38 | 0:27:41 | |
-I said all of you. -Of course. | 0:27:55 | 0:27:57 | |
Tell my wife to come down. | 0:28:05 | 0:28:07 | |
Darling, | 0:28:15 | 0:28:17 | |
watch out. | 0:28:17 | 0:28:18 | |
You might get slapped this time. | 0:28:18 | 0:28:21 | |
Why don't you turn around? | 0:28:32 | 0:28:34 | |
You know I'm here. | 0:28:36 | 0:28:38 | |
Look at me! | 0:28:40 | 0:28:43 | |
Look at what you've bought! | 0:28:44 | 0:28:46 | |
Don't scream. | 0:28:46 | 0:28:48 | |
Shall I call your friends back so you can insult me in front of them? | 0:28:48 | 0:28:52 | |
You merely got what you deserved. | 0:28:55 | 0:28:57 | |
I wasn't doing a thing and you know it! | 0:28:57 | 0:29:00 | |
-You look ridiculous. -Yes, I am ridiculous. | 0:29:03 | 0:29:06 | |
You made me ridiculous. | 0:29:06 | 0:29:08 | |
You didn't mean it, but after we married you were sorry. | 0:29:08 | 0:29:12 | |
You don't want me. You want me to want you. | 0:29:12 | 0:29:15 | |
My, aren't we sorry for ourself? | 0:29:15 | 0:29:17 | |
Do you want a divorce? | 0:29:17 | 0:29:20 | |
Oh, I get it. | 0:29:20 | 0:29:22 | |
I understand. You think it's been long enough for a big settlement. | 0:29:23 | 0:29:28 | |
I don't want a divorce, but you do. | 0:29:28 | 0:29:30 | |
I don't. I want you. | 0:29:30 | 0:29:33 | |
Your trouble is you want too much. | 0:29:33 | 0:29:35 | |
-You wanted to marry rich, you did. -I loved you! | 0:29:35 | 0:29:38 | |
That's what you tell yourself. | 0:29:38 | 0:29:40 | |
I thought you loved me and we could be happy. | 0:29:40 | 0:29:43 | |
You thought with money, you'd have it all. It's not that easy. | 0:29:43 | 0:29:48 | |
The world is clammy with people who think that way and they sicken me. | 0:29:48 | 0:29:52 | |
I was born rich. My father left me 4 million. | 0:29:52 | 0:29:56 | |
I didn't drink, gamble or marry it away. | 0:29:56 | 0:29:59 | |
I knew what to do with it. | 0:29:59 | 0:30:01 | |
I've got 22½ times that much now | 0:30:01 | 0:30:03 | |
and I'll have 50 times that before I die. | 0:30:03 | 0:30:06 | |
That's what everyone wants. I've got it. | 0:30:06 | 0:30:09 | |
And I made it myself. | 0:30:09 | 0:30:11 | |
Each of my corporations has different staff, lawyer, accountant. | 0:30:11 | 0:30:16 | |
None of them knows about each other. I run it all. | 0:30:16 | 0:30:19 | |
Each one has his place and stays there. | 0:30:19 | 0:30:22 | |
Why not? They're well paid. That's what you've got to learn. | 0:30:22 | 0:30:26 | |
You're better paid than any of them. And you've got your place. | 0:30:26 | 0:30:30 | |
And that's where you'll stay. | 0:30:30 | 0:30:33 | |
But you want more, don't you? | 0:30:34 | 0:30:37 | |
Yes. I want more of you. | 0:30:37 | 0:30:39 | |
Are you bored? | 0:30:39 | 0:30:42 | |
Do you tire of money so easily that you're bored? | 0:30:43 | 0:30:46 | |
Oh, Smith, I just meant that... | 0:30:46 | 0:30:48 | |
I can't... | 0:30:48 | 0:30:50 | |
Go away, then. Take a trip. Go to Palm Beach, Sun Valley. You're rich. | 0:30:50 | 0:30:55 | |
You should. There's charm school paint that needs scraping off. | 0:30:55 | 0:31:00 | |
Well, I guess that's all there is to do. | 0:31:00 | 0:31:03 | |
Go away, I mean. | 0:31:06 | 0:31:08 | |
Do you think I should? | 0:31:08 | 0:31:10 | |
By all means. | 0:31:10 | 0:31:12 | |
OK, I will. | 0:31:12 | 0:31:14 | |
Not to Palm Beach | 0:31:16 | 0:31:18 | |
and not to Sun Valley. I'm going to get a job. | 0:31:18 | 0:31:21 | |
How long will you wait table or sweat in a factory, Mrs Ohlrig? | 0:31:21 | 0:31:27 | |
That depends on you. | 0:31:27 | 0:31:30 | |
Oh, I see. The cold husband is supposed to miss his loving wife | 0:31:30 | 0:31:34 | |
and beg her to return to their million-dollar cottage. | 0:31:34 | 0:31:38 | |
I'm afraid you picked the wrong husband. | 0:31:38 | 0:31:41 | |
You've had more than a year of being rich. You like it. | 0:31:41 | 0:31:46 | |
I can't live like this, Smith. | 0:31:46 | 0:31:48 | |
I can't! | 0:31:48 | 0:31:51 | |
LEONORA'S FOOTSTEPS RETREAT | 0:31:51 | 0:31:53 | |
You'll be back. | 0:31:53 | 0:31:55 | |
DOOR SLAMS | 0:31:57 | 0:31:59 | |
INTERCOM BUZZES | 0:32:47 | 0:32:49 | |
Leonora? | 0:32:54 | 0:32:55 | |
'It's the projectionist. Is that all for tonight?' | 0:32:55 | 0:32:59 | |
-Yeah. -'Are you all right, Mr Ohlrig?' | 0:32:59 | 0:33:02 | |
Yes, I'm all right. | 0:33:03 | 0:33:05 | |
You can go home. | 0:33:05 | 0:33:07 | |
Are you waiting to be... Kevin, please be quiet. | 0:33:37 | 0:33:40 | |
-Are you waiting to be examined? -No. To apply for the job. | 0:33:40 | 0:33:44 | |
Thank heavens. The doctor will see you in a minute. | 0:33:44 | 0:33:47 | |
I hope you're looking for work, not a husband. | 0:33:47 | 0:33:50 | |
Oh, work, believe me. | 0:33:50 | 0:33:52 | |
Our last receptionist said that. We fired her. | 0:33:52 | 0:33:55 | |
Miss Murray. Yes, doctor. | 0:33:55 | 0:33:57 | |
Kevin, be quiet. Emergency call. | 0:33:57 | 0:34:00 | |
Help Mrs Dubro, will you? | 0:34:00 | 0:34:02 | |
What a world! | 0:34:02 | 0:34:04 | |
Mrs Dubro? | 0:34:05 | 0:34:07 | |
I'm Mrs Dubro. Step this way. | 0:34:07 | 0:34:09 | |
MRS DUBRO: I was on time. MISS MURRAY: I know. | 0:34:09 | 0:34:12 | |
He's on an emergency. He'll be right back. | 0:34:12 | 0:34:15 | |
I'll see if the doctor will see you now. | 0:34:15 | 0:34:18 | |
Doctor. Doctor Quinada. | 0:34:18 | 0:34:20 | |
Kevin, please stop that. | 0:34:20 | 0:34:22 | |
Will you see Miss... | 0:34:22 | 0:34:24 | |
What is your name? | 0:34:24 | 0:34:26 | |
-Eames. -Miss Eames about that job. | 0:34:26 | 0:34:29 | |
Do it again. | 0:34:29 | 0:34:31 | |
OK. Do it with me this time. | 0:34:31 | 0:34:33 | |
Here is the church. | 0:34:33 | 0:34:35 | |
Here is the steeple. | 0:34:35 | 0:34:38 | |
Open the door... | 0:34:38 | 0:34:40 | |
-Open the door, like this. -Miss Eames? | 0:34:40 | 0:34:42 | |
Just a minute. And see all the people. | 0:34:42 | 0:34:45 | |
That's good. | 0:34:45 | 0:34:47 | |
Would you come in, please? | 0:34:50 | 0:34:52 | |
Keep it down, Kevin. | 0:34:53 | 0:34:55 | |
Kevin, if you don't be quiet, I'll break your neck. | 0:34:55 | 0:34:59 | |
You have a knack with kids. | 0:35:00 | 0:35:02 | |
-I like them. -They're pretty tough here. | 0:35:02 | 0:35:05 | |
-They are where I'm from. -You're not from under the elevated. | 0:35:05 | 0:35:08 | |
-Neither were you. -No, closer to Park Avenue. | 0:35:08 | 0:35:11 | |
But I could hear it. You know what the job is? | 0:35:11 | 0:35:15 | |
-Receptionist. -For Dr Hoffman and me. | 0:35:15 | 0:35:17 | |
He's an obstetrician, I'm a paediatrician. | 0:35:17 | 0:35:20 | |
He brings them into the world, I try to keep them here. | 0:35:20 | 0:35:24 | |
I'm sure you succeed. | 0:35:24 | 0:35:25 | |
Writing prescriptions is easier than paying for them. | 0:35:25 | 0:35:29 | |
-What experience have you had? -I trained as a receptionist. | 0:35:29 | 0:35:33 | |
-Where? -In Los Angeles. The Dale school. | 0:35:33 | 0:35:37 | |
The Dale school, huh? | 0:35:37 | 0:35:39 | |
-Have you worked in New York? -No. | 0:35:39 | 0:35:41 | |
How long have you been here? | 0:35:41 | 0:35:43 | |
Less than a year. | 0:35:43 | 0:35:45 | |
So long? What have you been doing? | 0:35:45 | 0:35:47 | |
I've been living on Long Island. | 0:35:47 | 0:35:49 | |
-Oh. -Yes, but I've got to make some money now. | 0:35:49 | 0:35:52 | |
There's a cup somewhere. | 0:35:52 | 0:35:54 | |
-It's all right. I've had breakfast. -Where? | 0:35:54 | 0:35:57 | |
In the automat. | 0:35:57 | 0:35:59 | |
I bet you've never been in an automat. | 0:36:01 | 0:36:04 | |
-Oh, I was! -Miss Eames, this job only pays 25 a week. | 0:36:04 | 0:36:07 | |
-That's OK. -It isn't tough, but the hours are long. | 0:36:07 | 0:36:11 | |
I don't mind. | 0:36:11 | 0:36:12 | |
I've seen you somewhere. | 0:36:12 | 0:36:14 | |
-You haven't been in hospital recently? -No. | 0:36:15 | 0:36:18 | |
-You obviously don't live down here. -No. | 0:36:18 | 0:36:21 | |
-Do I look familiar? -No. | 0:36:21 | 0:36:23 | |
I must be wrong. | 0:36:23 | 0:36:25 | |
You've got a little smudge on your cheek. | 0:36:25 | 0:36:28 | |
-It's a beauty mark over a mole. -Why? There's nothing wrong with it. | 0:36:28 | 0:36:33 | |
Miss Eames, can you type and take dictation? | 0:36:33 | 0:36:36 | |
Yes. I can type. Some. | 0:36:36 | 0:36:38 | |
I could brush up on it. | 0:36:38 | 0:36:40 | |
Where? | 0:36:40 | 0:36:41 | |
I can go to night school and study shorthand too. | 0:36:41 | 0:36:45 | |
On 25 a week? Thank you very much for coming in. | 0:36:45 | 0:36:48 | |
Dr Quinada, I need the job. | 0:36:48 | 0:36:50 | |
So do many people. | 0:36:50 | 0:36:52 | |
Please, I've been job-hunting for two weeks. | 0:36:52 | 0:36:55 | |
-I haven't got 25 to my name. -You don't look it. | 0:36:55 | 0:36:58 | |
But it's true. | 0:36:58 | 0:37:00 | |
Honestly. | 0:37:02 | 0:37:03 | |
The work isn't hard. You said so yourself. | 0:37:03 | 0:37:06 | |
-I can answer phones and keep records. -And type? | 0:37:06 | 0:37:09 | |
-I'll practise. -And take dictation? -I could take it in long hand. | 0:37:09 | 0:37:13 | |
I write fast. And I'm good with children. | 0:37:13 | 0:37:16 | |
Yes. You are. That's important. | 0:37:16 | 0:37:19 | |
For 25 a week, it's hard to get somebody perfect. | 0:37:19 | 0:37:22 | |
-Well? -I'll give you a trial. | 0:37:25 | 0:37:27 | |
Oh, thank you. | 0:37:27 | 0:37:29 | |
Can you start, or do you want to look around and begin tomorrow? | 0:37:29 | 0:37:34 | |
-I might as well. Start, I mean. -OK. | 0:37:34 | 0:37:36 | |
-If it's OK with you? -Miss Murray can show you around. | 0:37:36 | 0:37:39 | |
-Thank you very much. -Goodbye. I mean... | 0:37:41 | 0:37:44 | |
Good afternoon. Dr Quinada and Dr Hoffman's office. | 0:37:47 | 0:37:51 | |
-Hello. Will you hold, please? -Any calls? | 0:37:51 | 0:37:54 | |
There was one from Mrs Palmer. | 0:37:54 | 0:37:56 | |
And Mrs Bernstein's in your office with Miss Murray. | 0:37:56 | 0:38:00 | |
Say, Le, would you mind calling her Bern-STEEN? | 0:38:00 | 0:38:03 | |
She never knows who you mean. | 0:38:03 | 0:38:06 | |
It's no tragedy. Nobody knows what anybody else is talking about. | 0:38:06 | 0:38:11 | |
Well, Mrs Bernsteen. | 0:38:11 | 0:38:13 | |
Hello? Yes. | 0:38:15 | 0:38:18 | |
Yes, I will. | 0:38:18 | 0:38:20 | |
Take her home. I don't want to hear any more. | 0:38:20 | 0:38:23 | |
Come on. Pick your feet up. | 0:38:23 | 0:38:25 | |
Mrs Rudecki, be back here at 7:30 with your husband. | 0:38:27 | 0:38:30 | |
Yes, Doctor, I will. | 0:38:30 | 0:38:32 | |
Some doctor he is! | 0:38:32 | 0:38:34 | |
He's a very good doctor. | 0:38:34 | 0:38:36 | |
-I think you'd better come in, Miss Eames. -Yes, sir. | 0:38:36 | 0:38:40 | |
Do you often chat with Mrs Rudecki and the other mothers? | 0:38:46 | 0:38:50 | |
No, not often. | 0:38:50 | 0:38:52 | |
Did you suggest that she give Lorraine elocution lessons? | 0:38:52 | 0:38:56 | |
-Yes. -Why? | 0:38:56 | 0:38:57 | |
Mr Rudecki has a foreign accent and Mrs Rudecki's afraid... | 0:38:57 | 0:39:01 | |
But wasn't there something about | 0:39:01 | 0:39:04 | |
if Lorraine learned to speak well and walk well, she'd marry well. | 0:39:04 | 0:39:09 | |
And that's the most important thing. | 0:39:09 | 0:39:12 | |
-Isn't that what you said? -Yes. I said that. | 0:39:12 | 0:39:15 | |
Your beliefs are up to you until you pump them into my patients. | 0:39:15 | 0:39:19 | |
Then they become my business. | 0:39:19 | 0:39:21 | |
Where'd you get these ideas? | 0:39:21 | 0:39:23 | |
Is it your burning ambition to marry rich? | 0:39:23 | 0:39:26 | |
Well, is it? | 0:39:26 | 0:39:28 | |
Is that... Is that all... | 0:39:29 | 0:39:31 | |
No. | 0:39:31 | 0:39:33 | |
-Do you want this job permanently? -Yes. | 0:39:33 | 0:39:36 | |
You act as if it's a temporary stopgap. | 0:39:36 | 0:39:39 | |
Your typing, filing, desk work haven't improved one iota. | 0:39:39 | 0:39:43 | |
I'm sorry. | 0:39:43 | 0:39:45 | |
Why don't you do something about it? | 0:39:45 | 0:39:47 | |
I don't want to bring up your personal standards again, | 0:39:47 | 0:39:51 | |
but you're letting them slop into your work. | 0:39:51 | 0:39:54 | |
You're a receptionist in an east side doctor's office, | 0:39:54 | 0:39:58 | |
not a hostess on Park Avenue. | 0:39:58 | 0:40:00 | |
How you treat your patients, the way... | 0:40:00 | 0:40:03 | |
Look at your hair! You're so fancy, you're scaring people off. | 0:40:03 | 0:40:07 | |
They may be poor, but we want patients. | 0:40:07 | 0:40:10 | |
You can keep them. If everything I do is wrong, I might as well quit. | 0:40:10 | 0:40:15 | |
DOOR BANGS | 0:40:15 | 0:40:17 | |
Stupid. | 0:40:26 | 0:40:28 | |
-Stupid. -What? | 0:40:33 | 0:40:35 | |
She's a stupid girl. | 0:40:35 | 0:40:37 | |
-Who? -I criticised her work, so she got mad and quit. | 0:40:37 | 0:40:41 | |
-Did she? -Her work was bad. | 0:40:41 | 0:40:43 | |
Was it? | 0:40:43 | 0:40:44 | |
She wasn't really stupid, she could be quite good, if she wanted to be. | 0:40:44 | 0:40:49 | |
Well, put the ad in the paper again. | 0:40:49 | 0:40:52 | |
Unless you want to ask her to come back. | 0:40:52 | 0:40:54 | |
I didn't fire her, she quit. | 0:40:54 | 0:40:57 | |
I don't know what's the matter with her. | 0:40:57 | 0:40:59 | |
You don't suppose there's anything the matter with you? | 0:40:59 | 0:41:04 | |
Ridiculous. | 0:41:05 | 0:41:07 | |
KNOCK AT DOOR | 0:41:10 | 0:41:12 | |
Yes. Who is it? | 0:41:12 | 0:41:14 | |
KNOCK AT DOOR | 0:41:14 | 0:41:16 | |
Just a minute. | 0:41:16 | 0:41:18 | |
May I come in? | 0:41:26 | 0:41:29 | |
May I sit down? | 0:41:35 | 0:41:37 | |
How did you know I was here? | 0:41:39 | 0:41:41 | |
I had you watched from the day you left. | 0:41:42 | 0:41:45 | |
I knew I wouldn't hear from you. | 0:41:46 | 0:41:48 | |
I wanted to be sure you were all right. | 0:41:48 | 0:41:51 | |
It's not a very nice way, but... | 0:41:54 | 0:41:56 | |
it's the only way I knew. | 0:41:56 | 0:41:58 | |
I guess everything turned out as you predicted. | 0:41:59 | 0:42:03 | |
Can you hear me? | 0:42:04 | 0:42:06 | |
Yes. | 0:42:07 | 0:42:09 | |
I've missed you. More than I thought I could miss anyone. | 0:42:09 | 0:42:13 | |
Thanks. | 0:42:20 | 0:42:22 | |
I've come running after you | 0:42:22 | 0:42:24 | |
to beg you to come back to me. | 0:42:24 | 0:42:27 | |
How's Dr... what's his name? Quinada. | 0:42:28 | 0:42:31 | |
All right. | 0:42:31 | 0:42:32 | |
-He works you pretty hard. -Not as hard as he works himself. | 0:42:32 | 0:42:36 | |
-Where does this go? -Any place. | 0:42:36 | 0:42:38 | |
It's too bad he isn't more successful. | 0:42:38 | 0:42:41 | |
He isn't just interested in success. | 0:42:41 | 0:42:45 | |
I'm sorry. That wasn't fair. | 0:42:47 | 0:42:49 | |
The truth is, I'm a little jealous of him. | 0:42:49 | 0:42:52 | |
You don't have any reason to be. | 0:42:52 | 0:42:54 | |
As much as I wish you did. | 0:42:54 | 0:42:57 | |
Why? | 0:42:58 | 0:43:00 | |
Because I'm glad to see you and... | 0:43:00 | 0:43:02 | |
I wish I weren't. | 0:43:02 | 0:43:04 | |
What are you looking for? | 0:43:08 | 0:43:10 | |
A cigarette. | 0:43:10 | 0:43:11 | |
I have one here. | 0:43:11 | 0:43:13 | |
-Leonora... -It's no good. I won't go back to the way it was. | 0:43:18 | 0:43:22 | |
I don't want you to. I was wrong. I admit it. | 0:43:22 | 0:43:25 | |
-Please, Smith, no. -It won't. | 0:43:25 | 0:43:27 | |
We'll make a fresh start. We'll make it how it ought to have been. | 0:43:27 | 0:43:32 | |
I'm so used to having my own way that... It was hard to come here. | 0:43:32 | 0:43:37 | |
But I missed you. | 0:43:37 | 0:43:39 | |
I wanted you so much. | 0:43:39 | 0:43:41 | |
I missed the things we ought to have done, like being together, | 0:43:41 | 0:43:45 | |
having a honeymoon. | 0:43:45 | 0:43:47 | |
Let's go on one tomorrow, Leonora. Let's start over again. | 0:43:47 | 0:43:51 | |
I can't see you living in this dirty little room. | 0:43:51 | 0:43:55 | |
-It's not dirty, Smith. -It's shabby. It's awful. | 0:43:55 | 0:43:58 | |
That racket. | 0:43:58 | 0:44:00 | |
Let's get out of here, Leonora. | 0:44:00 | 0:44:02 | |
I don't mean anything. We'll take a drive or have coffee. | 0:44:02 | 0:44:06 | |
I just can't talk in this room. | 0:44:06 | 0:44:08 | |
We'll come back as soon as you ask. | 0:44:08 | 0:44:10 | |
-Is that a promise? -Yes. | 0:44:10 | 0:44:12 | |
Turn out the light. | 0:44:12 | 0:44:14 | |
-Here? -No. The other side. | 0:44:23 | 0:44:25 | |
-You really don't like living here. -No-one's poor by choice. | 0:44:27 | 0:44:31 | |
It really isn't such a bad room. | 0:44:31 | 0:44:33 | |
Not if you haven't seen better. | 0:44:33 | 0:44:36 | |
Darling, good morning. | 0:44:44 | 0:44:46 | |
I would like to serve breakfast myself today. Just today. | 0:44:46 | 0:44:50 | |
I have a special reason. You can trust me. | 0:44:50 | 0:44:53 | |
Just one moment. | 0:44:53 | 0:44:55 | |
FRANZI WHISTLES | 0:45:18 | 0:45:20 | |
Good morning, darling. | 0:45:24 | 0:45:26 | |
Welcome home. | 0:45:26 | 0:45:28 | |
-What are you doing here, Franzi? -I brought you a lovely breakfast. | 0:45:30 | 0:45:34 | |
Three eggs, darling. | 0:45:34 | 0:45:36 | |
-I don't want to get up. -You must. Smith said to wake you. | 0:45:36 | 0:45:39 | |
-He did? -Yes. | 0:45:41 | 0:45:43 | |
We leave in an hour. | 0:45:43 | 0:45:44 | |
-Who's we? -All of us, darling. Smith, Tim, | 0:45:44 | 0:45:47 | |
Charlie, me, the whole crowd. | 0:45:47 | 0:45:50 | |
Where are we going? | 0:45:50 | 0:45:52 | |
On a tour of every Ohlrig part of the country. A publicity tour. | 0:45:52 | 0:45:56 | |
It'll be a lovely vacation and I need one. | 0:45:56 | 0:45:59 | |
Franzi, when did Smith decide to make this trip? | 0:45:59 | 0:46:02 | |
The day before yesterday. | 0:46:02 | 0:46:05 | |
I always said you were a smart girl. | 0:46:05 | 0:46:08 | |
This is a lovely suit to travel in. This and your mink. | 0:46:09 | 0:46:12 | |
I'm through with that coat. | 0:46:13 | 0:46:15 | |
-What? -I'm through with that coat. | 0:46:15 | 0:46:18 | |
-Darling, this is expensive. You can't afford... -I can. | 0:46:18 | 0:46:22 | |
Dr Quinada's office? | 0:46:22 | 0:46:25 | |
Miss Murray, this is Leonora Eames. | 0:46:25 | 0:46:27 | |
-I'll wait. -Don't be stupid, Leonora. | 0:46:28 | 0:46:31 | |
-Take this away, please. -I told you all this once before... | 0:46:31 | 0:46:35 | |
All right. All right. | 0:46:35 | 0:46:37 | |
Some darlings never know when they are well off. | 0:46:38 | 0:46:42 | |
No, but give them time and they'll find out. | 0:46:42 | 0:46:45 | |
Dr Quinada? I'm very sorry about yesterday and I was wondering... | 0:46:45 | 0:46:50 | |
Yes. I'd like to come back very much. | 0:46:50 | 0:46:52 | |
Yes. I'll be there as soon as I can. | 0:46:54 | 0:46:57 | |
Oh, come on, Le. Go home. Beat it. Here. For tomorrow morning. | 0:47:16 | 0:47:20 | |
I want to finish sending the bills. | 0:47:20 | 0:47:22 | |
Why bother? Nobody ever pays the doctor. | 0:47:22 | 0:47:25 | |
-Has Quinada left? -He isn't back from the clinic. | 0:47:25 | 0:47:29 | |
If he's not here by nine, you can lock up. | 0:47:29 | 0:47:31 | |
-Good night. -Good night. | 0:47:31 | 0:47:34 | |
Don't wait later than 9:30, anyway. | 0:47:34 | 0:47:36 | |
PHONE RINGS | 0:47:38 | 0:47:40 | |
Dr Quinada's office. | 0:47:41 | 0:47:43 | |
No. Not yet, Mrs Rudecki. | 0:47:43 | 0:47:45 | |
Yes, I did tell him, but... Yes, I'll tell him again, Mrs Rudecki. | 0:47:46 | 0:47:51 | |
Yes. | 0:47:51 | 0:47:52 | |
-Hello. -Hi. | 0:47:53 | 0:47:55 | |
-Tired? -Beat. | 0:47:56 | 0:47:58 | |
Is this becoming a habit, staying overtime? | 0:47:59 | 0:48:03 | |
Coffee'll be ready in a minute. | 0:48:03 | 0:48:05 | |
Take your coat off. | 0:48:07 | 0:48:09 | |
Mrs Rudecki phoned again for you to come over. | 0:48:11 | 0:48:14 | |
I told her this morning there was no sense in my coming over. | 0:48:14 | 0:48:19 | |
This is the 10th time she's called, which is a record. | 0:48:19 | 0:48:22 | |
You know what I'd like to do next time I see Lorraine? | 0:48:22 | 0:48:26 | |
Cut off those awful curls. | 0:48:26 | 0:48:28 | |
And you know how she could cure her stomach trouble? | 0:48:28 | 0:48:31 | |
By sending her mother to a good psychiatrist. | 0:48:31 | 0:48:35 | |
-Any temperature? -No. It's normal, but Lorraine's seeing double. | 0:48:35 | 0:48:39 | |
-Seeing double? -Yes. | 0:48:41 | 0:48:44 | |
-Miss Murray's gone, hasn't she? -Yes. | 0:48:52 | 0:48:54 | |
Le, grab a taxi and get over to the city drugstore. | 0:48:54 | 0:48:59 | |
-You know where it is? -Yeah, I'll find it. | 0:48:59 | 0:49:02 | |
-You have some money, haven't you? -Sure. | 0:49:02 | 0:49:05 | |
Have this filled and meet me at the Rudecki's right away. | 0:49:09 | 0:49:13 | |
-And hurry. -Yeah. | 0:49:14 | 0:49:16 | |
That light's too bright for her eyes. Find something to shade it. | 0:49:32 | 0:49:36 | |
I'm afraid it's botulism. | 0:49:45 | 0:49:47 | |
Botulism? | 0:49:47 | 0:49:49 | |
It's a fancy word for a very bad kind of food poisoning. | 0:49:49 | 0:49:53 | |
THEY SPEAK EASTERN-EUROPEAN LANGUAGE | 0:49:53 | 0:49:56 | |
Mama means will she get all right? | 0:49:59 | 0:50:02 | |
I don't know. I think so, but I don't know for sure. | 0:50:03 | 0:50:07 | |
You say I'm why she's sick and you won't come. | 0:50:07 | 0:50:10 | |
That canned meat she had must have been the cause. | 0:50:11 | 0:50:15 | |
Anyone else eat it? | 0:50:15 | 0:50:17 | |
-No. -Is there any left? | 0:50:17 | 0:50:19 | |
The kitchen window. | 0:50:19 | 0:50:21 | |
MR RUDECKI: You shouldn't have used it. | 0:50:25 | 0:50:28 | |
THEY ALL TALK AT ONCE | 0:50:28 | 0:50:30 | |
I'll give her an injection every six hours till it takes effect. | 0:50:35 | 0:50:40 | |
If it takes effect. | 0:50:42 | 0:50:44 | |
It will. | 0:50:44 | 0:50:46 | |
Even when you treat cases like this immediately, 18% die. | 0:50:46 | 0:50:50 | |
I know all the statistics. I'm a good textbook doctor. | 0:50:50 | 0:50:54 | |
-What's the matter, Quinada? -I slipped up. | 0:50:54 | 0:50:57 | |
I assumed it was her usual stomach trouble. | 0:50:57 | 0:51:00 | |
-A doctor can't assume. -Anyone can make a mistake. | 0:51:00 | 0:51:04 | |
Not when it comes to a kid's life. I should have come straight over. | 0:51:04 | 0:51:08 | |
What are you doing? | 0:51:08 | 0:51:10 | |
You were shouting a little and I didn't want the Rudeckis to hear. | 0:51:10 | 0:51:15 | |
Good idea. | 0:51:15 | 0:51:17 | |
You might just as well go home. | 0:51:17 | 0:51:20 | |
-It's after one o'clock. -No. I'll stay. | 0:51:20 | 0:51:22 | |
OK. | 0:51:23 | 0:51:26 | |
I'll be back here at about noon to give her another injection. | 0:51:27 | 0:51:31 | |
Thank you, Doctor. | 0:51:31 | 0:51:33 | |
-Sleepy? -Uh-uh. Not a bit. | 0:51:36 | 0:51:38 | |
I'm used to staying up all night. | 0:51:38 | 0:51:41 | |
You wait till about nine o'clock. That's when it catches up on you. | 0:51:41 | 0:51:46 | |
-Aren't you cold? -No. | 0:51:47 | 0:51:49 | |
Why do you wear that silly coat? Haven't you got a warmer one? | 0:51:49 | 0:51:53 | |
-I thought it would rain yesterday. -You must be freezing. | 0:51:53 | 0:51:57 | |
-How much would it cost to buy you a warm coat? -Oh, no. | 0:51:57 | 0:52:01 | |
Rudecki paid me for the last two months. | 0:52:01 | 0:52:04 | |
-I've got an overcoat. -It's very nice of you, but... | 0:52:04 | 0:52:07 | |
All right. You go home and get some sleep. | 0:52:07 | 0:52:11 | |
I'm going home to take a bath, but I'm coming back to work. | 0:52:11 | 0:52:15 | |
What do you think I am, a Park Avenue hostess? | 0:52:15 | 0:52:18 | |
No, not a bit. | 0:52:18 | 0:52:20 | |
-Good morning, Le. -Good morning. | 0:53:18 | 0:53:20 | |
Don't you ever go home? | 0:53:20 | 0:53:22 | |
Come in. | 0:53:32 | 0:53:34 | |
-It's really too early to be sure. -I know. | 0:53:43 | 0:53:46 | |
Are you worried? | 0:53:49 | 0:53:51 | |
That's a silly question. | 0:53:51 | 0:53:53 | |
How long will a lab report take? | 0:53:54 | 0:53:57 | |
Well, if you went there now, yourself, | 0:53:57 | 0:53:59 | |
they'd probably let you know first thing tomorrow. | 0:53:59 | 0:54:03 | |
-Can I just go? -I'll call and tell them you're coming. | 0:54:03 | 0:54:06 | |
Please. | 0:54:06 | 0:54:08 | |
I... | 0:54:14 | 0:54:16 | |
You won't say anything? | 0:54:16 | 0:54:18 | |
To Quinada? | 0:54:18 | 0:54:20 | |
Yes. | 0:54:20 | 0:54:21 | |
No. | 0:54:21 | 0:54:23 | |
It's none of my business, Le, but don't you think that you should? | 0:54:23 | 0:54:28 | |
I... I couldn't. | 0:54:29 | 0:54:31 | |
He's really a marvellous fella. | 0:54:31 | 0:54:33 | |
I know, but... | 0:54:33 | 0:54:36 | |
it's too much of a mess. | 0:54:36 | 0:54:38 | |
OK. | 0:54:38 | 0:54:40 | |
Anyway, thanks. | 0:54:42 | 0:54:44 | |
I must say, you don't look it. | 0:54:48 | 0:54:50 | |
Look what? | 0:54:50 | 0:54:52 | |
As though you've been up all night. Mrs Rudecki just phoned... | 0:54:52 | 0:54:57 | |
Good morning, Doctor. | 0:54:57 | 0:54:59 | |
-Good morning. -Morning. | 0:54:59 | 0:55:01 | |
Good morning, Mrs... | 0:55:01 | 0:55:03 | |
Where are you going? | 0:55:04 | 0:55:06 | |
I think I'd better get some sleep. It's catching up with me. | 0:55:06 | 0:55:10 | |
Le... | 0:55:15 | 0:55:17 | |
I know you'd rather freeze, but... | 0:55:21 | 0:55:24 | |
Will you try it on? | 0:55:25 | 0:55:27 | |
It's not mink, but it'll keep you warm. That's the main thing. | 0:55:28 | 0:55:32 | |
I hope it fits. | 0:55:32 | 0:55:34 | |
That's not bad. Turn around, let's see the front. | 0:55:34 | 0:55:38 | |
Now, Leonora... | 0:55:41 | 0:55:43 | |
Don't do that. | 0:55:44 | 0:55:46 | |
I'm sorry. | 0:55:46 | 0:55:48 | |
Thank you. | 0:55:48 | 0:55:50 | |
We still have our date tonight? | 0:55:52 | 0:55:54 | |
I was mad at you that day. | 0:56:17 | 0:56:19 | |
Did I ever apologise for bawling you out so badly? | 0:56:20 | 0:56:24 | |
What in the world made you think of that? | 0:56:24 | 0:56:26 | |
Was that because of how I talked about marrying rich? | 0:56:26 | 0:56:30 | |
It makes me see red when people talk that way. | 0:56:30 | 0:56:33 | |
My parents were miserable | 0:56:33 | 0:56:35 | |
due to an exaggerated idea about money's importance. | 0:56:35 | 0:56:39 | |
-Got a light, sweetie? -Sure. | 0:56:39 | 0:56:41 | |
By the time I came along, they'd lost most of it. | 0:56:43 | 0:56:46 | |
Muchas gracias. | 0:56:46 | 0:56:48 | |
Your hair looks good that way. | 0:56:48 | 0:56:50 | |
Thank you. | 0:56:50 | 0:56:52 | |
You look very lovely. | 0:56:52 | 0:56:54 | |
Is something worrying you? | 0:56:54 | 0:56:56 | |
No. I'm very happy. | 0:56:56 | 0:56:59 | |
Go on about your parents. | 0:56:59 | 0:57:01 | |
Oh, they just wasted their lives pretending to be rich. | 0:57:01 | 0:57:05 | |
Conniving and finagling. | 0:57:05 | 0:57:08 | |
Never working, of course. | 0:57:08 | 0:57:10 | |
-Thanks, sweetie. -Oh, thank you. | 0:57:11 | 0:57:13 | |
-This isn't mine. -Well, don't you want it? | 0:57:13 | 0:57:16 | |
-No, thank you. -Well, muchas gracias. | 0:57:16 | 0:57:20 | |
I can't imagine you pretending to be rich, or pretending anything. | 0:57:21 | 0:57:25 | |
I did for a while, until I pulled out of it. | 0:57:25 | 0:57:28 | |
-Two more, sir? -No, we're fine. Unless... | 0:57:28 | 0:57:31 | |
Oh, no. Thank you. | 0:57:31 | 0:57:33 | |
Larry, was it very difficult? | 0:57:33 | 0:57:35 | |
No. | 0:57:35 | 0:57:37 | |
That's because you don't care about money. | 0:57:37 | 0:57:40 | |
I've got to care to some extent. | 0:57:40 | 0:57:42 | |
How else could I take you out to dinner when I want to? | 0:57:42 | 0:57:45 | |
But I care more about other things, like doing work that interests me. | 0:57:45 | 0:57:51 | |
-Is that why you work on the east side? -Sure. | 0:57:51 | 0:57:53 | |
I learn more there in a day than anyplace else in a month. | 0:57:53 | 0:57:57 | |
-Sweetie, let's go. -I beg your pardon? | 0:57:57 | 0:58:00 | |
Well, that's perfectly OK. | 0:58:02 | 0:58:04 | |
-Buenos nochas. -Buenos nochas. | 0:58:04 | 0:58:07 | |
-That's a wonderful smile you've got. -Charming. | 0:58:09 | 0:58:12 | |
-What? -Nothing. I was just remembering something. | 0:58:12 | 0:58:16 | |
I wish I could remember where I saw you before. | 0:58:16 | 0:58:19 | |
-I don't think you did. -Didn't you come to town from Long Island? | 0:58:19 | 0:58:23 | |
-No. Hardly ever. -What were you doing there? | 0:58:23 | 0:58:26 | |
Oh, I was sort of a paid companion to somebody who was very rich. | 0:58:26 | 0:58:31 | |
Let's dance. | 0:58:31 | 0:58:33 | |
All right. I'm not very good. | 0:58:33 | 0:58:35 | |
-We don't have to. -I'd like to. | 0:58:35 | 0:58:37 | |
-I haven't danced in ages. -You'd rather not. | 0:58:37 | 0:58:40 | |
-Not unless you would. -I'm as happy here. -So am I. | 0:58:40 | 0:58:44 | |
Let's dance. | 0:58:44 | 0:58:46 | |
-I'm sorry. I stepped on your foot. -You didn't. | 0:59:04 | 0:59:07 | |
Good. It was somebody else's. | 0:59:07 | 0:59:10 | |
This dancing is quite an invention. You can get away with murder. | 0:59:11 | 0:59:15 | |
I'm having a wonderful time. | 0:59:25 | 0:59:27 | |
Oops. | 0:59:29 | 0:59:31 | |
We ought to have done this ages ago. | 0:59:34 | 0:59:37 | |
Why don't we go out on Saturday? And then spend Sunday together. | 0:59:44 | 0:59:48 | |
-And Monday too. -Sure. | 0:59:48 | 0:59:50 | |
And Tuesday. | 0:59:51 | 0:59:54 | |
And then we can go dancing again on Saturday night. | 1:00:10 | 1:00:13 | |
And then spend Sunday again. | 1:00:13 | 1:00:16 | |
You know, it'd be much simpler if we were married. | 1:00:17 | 1:00:20 | |
Then we wouldn't have to make dates. | 1:00:20 | 1:00:23 | |
Did you hear what I said? | 1:00:25 | 1:00:27 | |
Yes. | 1:00:27 | 1:00:28 | |
I was proposing. | 1:00:28 | 1:00:30 | |
-You weren't? -Sure. Why not? | 1:00:30 | 1:00:33 | |
You know, Larry, I... | 1:00:33 | 1:00:36 | |
I want to marry you more than anything in the world, but... | 1:00:36 | 1:00:40 | |
But? | 1:00:40 | 1:00:41 | |
There's something I have to straighten out first. | 1:00:41 | 1:00:45 | |
Let's not talk about it. | 1:00:45 | 1:00:47 | |
OK. | 1:00:47 | 1:00:49 | |
I'll propose again tomorrow. | 1:00:49 | 1:00:51 | |
ELECTRIC SHAVER | 1:00:55 | 1:00:57 | |
What's new? | 1:01:04 | 1:01:06 | |
I brought in a nine-pounder, this afternoon. A boy. | 1:01:06 | 1:01:10 | |
Congratulations. | 1:01:10 | 1:01:12 | |
It was a madhouse today. | 1:01:12 | 1:01:14 | |
-A rat race. -A little boy swallowed a dime. | 1:01:14 | 1:01:17 | |
No news from Leonora. | 1:01:19 | 1:01:21 | |
Maybe she isn't feeling well. She'll be back tomorrow. | 1:01:21 | 1:01:25 | |
I dropped by her place on the way back. She's moved. | 1:01:25 | 1:01:29 | |
Where to? | 1:01:29 | 1:01:30 | |
Long Island the landlady said. | 1:01:30 | 1:01:33 | |
This pipe's on the blink. We need a plumber. | 1:01:33 | 1:01:36 | |
-What about the landlord? -We'll never catch him. | 1:01:36 | 1:01:39 | |
I was out with her last night. | 1:01:39 | 1:01:43 | |
Oh. Did she say anything? | 1:01:43 | 1:01:45 | |
About leaving? No. | 1:01:45 | 1:01:47 | |
Did you criticise her again? | 1:01:47 | 1:01:50 | |
No. | 1:01:50 | 1:01:52 | |
I proposed to her, as a matter of fact. | 1:01:52 | 1:01:54 | |
I thought I'd run out to Long Island. | 1:01:57 | 1:02:00 | |
Oh... | 1:02:00 | 1:02:01 | |
Larry, was last night the first time you went out with her? | 1:02:01 | 1:02:06 | |
Yes. | 1:02:06 | 1:02:08 | |
Long Island... | 1:02:08 | 1:02:10 | |
I don't know. | 1:02:11 | 1:02:13 | |
I'd look pretty silly, anyway. | 1:02:13 | 1:02:16 | |
All I could get out of her | 1:02:17 | 1:02:19 | |
was that she was a paid companion to somebody rich. | 1:02:19 | 1:02:22 | |
Nice work if you can get it. | 1:02:23 | 1:02:25 | |
I can just hear the conversation. | 1:02:25 | 1:02:28 | |
"Good evening, Mr So-and-so, I'm Dr Quinada. | 1:02:28 | 1:02:31 | |
"Are you by any chance | 1:02:31 | 1:02:33 | |
keeping one of my former employees, a Miss Leonora Eames?" | 1:02:33 | 1:02:37 | |
Yeah. | 1:02:37 | 1:02:39 | |
Well... | 1:02:39 | 1:02:41 | |
Why don't you forget her? | 1:02:41 | 1:02:44 | |
Do you think so? | 1:02:44 | 1:02:46 | |
Yeah. | 1:02:46 | 1:02:48 | |
Good night. | 1:02:50 | 1:02:52 | |
Good night, Larry. | 1:02:52 | 1:02:54 | |
Yes. | 1:02:54 | 1:02:56 | |
I'll tell him. | 1:02:56 | 1:02:58 | |
..which shows no conception of the problem in dollars and cents. | 1:02:58 | 1:03:02 | |
As to paragraph 4, this too is ridiculous. | 1:03:02 | 1:03:05 | |
If you want me to invest... Who was that? | 1:03:05 | 1:03:08 | |
-Dr Quinada is calling to see a Miss Eames. -Who? | 1:03:08 | 1:03:11 | |
-Miss Eames? -I'll get rid of him, darling. | 1:03:11 | 1:03:14 | |
-Get rid of yourself. Send him in. -Of course, darling. | 1:03:14 | 1:03:18 | |
If you want me to invest one penny, you will do it my way or not at all. | 1:03:19 | 1:03:24 | |
Sincerely yours. | 1:03:25 | 1:03:27 | |
-That's all, gentlemen. Good night. -Good night. | 1:03:27 | 1:03:31 | |
In here, please. | 1:03:55 | 1:03:57 | |
Good evening. | 1:04:00 | 1:04:02 | |
I'm Smith Ohlrig. Would you like a drink? | 1:04:09 | 1:04:12 | |
Thank you. | 1:04:12 | 1:04:14 | |
Is Miss Eames here? | 1:04:16 | 1:04:18 | |
-She'll be down. Champagne? -I'd prefer something else. | 1:04:18 | 1:04:22 | |
-Scotch? -That'd be fine. | 1:04:22 | 1:04:23 | |
I might have known you'd be good-looking. | 1:04:24 | 1:04:27 | |
Leonora was impressed with you. | 1:04:27 | 1:04:30 | |
I was very much impressed with her. | 1:04:30 | 1:04:32 | |
She started from scratch and learned to do a good job. | 1:04:32 | 1:04:36 | |
-Soda? -Plain water, please. | 1:04:36 | 1:04:38 | |
Also, she's attractive. That always helps. | 1:04:38 | 1:04:41 | |
Yes, it does. | 1:04:41 | 1:04:43 | |
I'm glad you and Leonora are hitting it off so well. | 1:04:44 | 1:04:48 | |
There's nothing like extra-curricular romance, is there? | 1:04:48 | 1:04:52 | |
That's hardly your business. | 1:04:52 | 1:04:54 | |
Just interested in employer/employee relationships. | 1:04:54 | 1:04:58 | |
Leonora was an employee of mine. | 1:04:58 | 1:05:01 | |
-In a way, she still is. -How do you mean? | 1:05:01 | 1:05:04 | |
We're still married. | 1:05:04 | 1:05:07 | |
I always had a curious feeling that I'd seen Leonora before. | 1:05:14 | 1:05:19 | |
Now I know where. | 1:05:19 | 1:05:21 | |
In the newspapers. | 1:05:21 | 1:05:23 | |
A picture. Right after your wedding. | 1:05:23 | 1:05:26 | |
I'd better go. I'm afraid I've made a mistake. | 1:05:29 | 1:05:32 | |
I'm afraid you have. | 1:05:32 | 1:05:34 | |
Thank you. | 1:05:56 | 1:05:58 | |
Larry... | 1:05:59 | 1:06:01 | |
Larry, meet me outside. | 1:06:01 | 1:06:03 | |
-Where? -In the garden around the side. | 1:06:03 | 1:06:07 | |
Larry. | 1:07:06 | 1:07:09 | |
Why didn't you tell me? How could you run off? | 1:07:16 | 1:07:19 | |
-I tried to tell you. -When? -The first day, but I wanted the job. | 1:07:19 | 1:07:23 | |
But you sat at that bar and said nothing. | 1:07:23 | 1:07:26 | |
-I couldn't. -Did you know you'd go back to him? | 1:07:26 | 1:07:29 | |
-Not then. -What made you do it? | 1:07:29 | 1:07:31 | |
-I had to. -You said you loved me. | 1:07:31 | 1:07:33 | |
-I do. I... -Then what is it? | 1:07:33 | 1:07:35 | |
Are you afraid of him? | 1:07:36 | 1:07:38 | |
-No, I... -Well, what? Tell me. | 1:07:38 | 1:07:40 | |
I'm going to have a baby. | 1:07:40 | 1:07:42 | |
Le, listen. | 1:07:49 | 1:07:51 | |
Forget that I love you. I mean it. | 1:07:51 | 1:07:53 | |
Forget that I want to marry you, but believe me, | 1:07:53 | 1:07:57 | |
you can't stay here. You must go. | 1:07:57 | 1:07:59 | |
It's not because of how I feel. | 1:07:59 | 1:08:01 | |
I was with him for three minutes, but I know he's not normal. | 1:08:01 | 1:08:05 | |
-You've got to get out of here. -It's his baby. | 1:08:05 | 1:08:08 | |
So you'll let him destroy you and your child? | 1:08:08 | 1:08:11 | |
-No. I won't let him. -You'll help, without meaning to. | 1:08:11 | 1:08:15 | |
You know what happens to a child whose parents are messed up. | 1:08:15 | 1:08:19 | |
I know what happens when the parents have nothing. | 1:08:19 | 1:08:22 | |
-That's why you came back. -I came for my baby, for security. | 1:08:22 | 1:08:26 | |
You want money. That's why you married him. | 1:08:26 | 1:08:29 | |
-I loved him. -You made yourself think so. | 1:08:29 | 1:08:32 | |
You felt it wrong to marry for money, so you made yourself... | 1:08:32 | 1:08:36 | |
You've got ridiculous ideas. Marry rich, live rich. | 1:08:36 | 1:08:40 | |
-I didn't know what to do. -You know what you want. | 1:08:40 | 1:08:43 | |
-I want you. -But you want your child to be rich. | 1:08:43 | 1:08:46 | |
Make up your mind. I'd never say you can be secure without money, | 1:08:46 | 1:08:51 | |
but money alone isn't security, as you should know. | 1:08:51 | 1:08:54 | |
-What should I do? Tell me. -Grow up. | 1:08:54 | 1:08:57 | |
If you'll want mink coats and houses like this, I don't want you. | 1:08:57 | 1:09:01 | |
DOOR OPENS | 1:09:01 | 1:09:03 | |
Trying to recapture the feeling of the east side? | 1:09:07 | 1:09:10 | |
I thought you were moral, | 1:09:10 | 1:09:12 | |
not the type to make passes at someone's wife. | 1:09:12 | 1:09:15 | |
Leonora doesn't surprise me. | 1:09:15 | 1:09:17 | |
-That's enough. -Look... | 1:09:17 | 1:09:19 | |
And stop clenching your fists. | 1:09:19 | 1:09:22 | |
I'd take a crack at you, but it won't settle a thing. | 1:09:22 | 1:09:25 | |
The only one of us who can settle this is Leonora. | 1:09:27 | 1:09:30 | |
-Larry was... -Don't... -I'll tell you. | 1:09:30 | 1:09:33 | |
I told Leonora I loved her and want to marry her. | 1:09:33 | 1:09:36 | |
Did you bother to tell him about the child? | 1:09:36 | 1:09:40 | |
-I told her that you'd ruin it. -You take a lot for granted. | 1:09:40 | 1:09:44 | |
I don't even want Leonora until she decides how important money is. | 1:09:44 | 1:09:48 | |
-I can answer that... -It's her answer I'm interested in. | 1:09:48 | 1:09:52 | |
If you make up your mind, you can always call. | 1:09:57 | 1:10:01 | |
Whose child are you having? | 1:10:32 | 1:10:34 | |
Since I came back, I've listened to your filthy insinuations. | 1:10:37 | 1:10:41 | |
-I'm not any more. -Come down here. | 1:10:41 | 1:10:43 | |
I said, come down here. | 1:10:43 | 1:10:45 | |
You came back to get a divorce. | 1:10:45 | 1:10:47 | |
You wanted to divorce me | 1:10:47 | 1:10:49 | |
and live happily ever after with him on my money. | 1:10:49 | 1:10:52 | |
I don't want your money. | 1:10:52 | 1:10:54 | |
But you do want to leave me, don't you? | 1:10:54 | 1:10:57 | |
Yes. | 1:10:57 | 1:11:00 | |
We're all wrong together, Smith. | 1:11:00 | 1:11:02 | |
It's been a mistake from the beginning. | 1:11:04 | 1:11:07 | |
You can have a divorce on one condition. | 1:11:08 | 1:11:11 | |
Come down here. | 1:11:11 | 1:11:13 | |
Leonora, you still walk like a model, and not a very good one. | 1:11:19 | 1:11:23 | |
Are you in love with your doctor friend? | 1:11:23 | 1:11:26 | |
You are, aren't you? | 1:11:26 | 1:11:28 | |
-What does it...? -Admit it. | 1:11:28 | 1:11:30 | |
-Do you care whether I am, or not? -I want you to be in love with him. | 1:11:30 | 1:11:34 | |
-Why? -Because then it's easier for me to win. | 1:11:34 | 1:11:37 | |
Win what? | 1:11:37 | 1:11:39 | |
What is it you want, Smith? | 1:11:39 | 1:11:41 | |
You can have your divorce, but I get the child. | 1:11:41 | 1:11:45 | |
That's the condition. | 1:11:45 | 1:11:47 | |
You know I wouldn't do that. | 1:11:47 | 1:11:49 | |
Yes. I also know I can get custody of the child any time I want. | 1:11:49 | 1:11:53 | |
-How? -By suing you for divorce and naming Quinada as co-respondent. | 1:11:55 | 1:12:00 | |
We haven't done anything wrong. | 1:12:00 | 1:12:02 | |
With money, you can always get people to swear to anything. | 1:12:02 | 1:12:07 | |
You wouldn't. | 1:12:09 | 1:12:11 | |
Oh, yes, I would. And what's more, I will. | 1:12:11 | 1:12:14 | |
If you ever so much as talk to him on the phone. | 1:12:14 | 1:12:17 | |
You once said you thought after we married you were sorry. | 1:12:17 | 1:12:21 | |
I hated myself for being such a fool. | 1:12:21 | 1:12:24 | |
I never wanted you to start with. | 1:12:24 | 1:12:26 | |
The more you fought me, the more I disliked you. | 1:12:26 | 1:12:29 | |
I think now I hate you. | 1:12:29 | 1:12:32 | |
I only care about breaking you and if I have to use the child, I will. | 1:12:32 | 1:12:36 | |
You know I can't stand losing. | 1:12:36 | 1:12:38 | |
Only nice people lose and you're a nice girl. | 1:12:38 | 1:12:41 | |
You came for the child. | 1:12:41 | 1:12:43 | |
If you want it, you're stuck here. Probably for the rest of your life. | 1:12:43 | 1:12:48 | |
Smith... | 1:12:48 | 1:12:50 | |
Smith, wait! Wait, Smith! | 1:12:50 | 1:12:52 | |
Smith! Oh, Smith, you don't mean it. You're just angry with me. | 1:12:52 | 1:12:56 | |
Smith, listen. Please, let me have my baby. | 1:12:56 | 1:13:00 | |
Don't take my baby, Smith. Don't. | 1:13:00 | 1:13:03 | |
Oh, Smith! | 1:13:03 | 1:13:04 | |
Oh, Smith... | 1:13:04 | 1:13:07 | |
"From the way that multi-millionaire | 1:13:43 | 1:13:46 | |
"has treated his wife the last months, | 1:13:46 | 1:13:48 | |
"we understand she is ready to call their estate Wit's End. Ha! Ha!" | 1:13:48 | 1:13:53 | |
I can't even get her on the phone. | 1:13:53 | 1:13:56 | |
Tell Leonora I want to see her. | 1:14:05 | 1:14:07 | |
-Sir, it's so late. -Tell Leonora I want to see her. Now. | 1:14:07 | 1:14:11 | |
CLOCK CHIMES THREE | 1:14:11 | 1:14:13 | |
TAPPING | 1:14:27 | 1:14:29 | |
KNOCK AT DOOR | 1:15:03 | 1:15:05 | |
FRANZI: Leonora. | 1:15:05 | 1:15:07 | |
KNOCK AT DOOR | 1:15:07 | 1:15:09 | |
Leonora! I know you're awake. | 1:15:09 | 1:15:11 | |
Leonora. | 1:15:12 | 1:15:14 | |
PERSISTENT KNOCKING | 1:15:14 | 1:15:16 | |
He's in a rage. He'll come up himself. You know that. | 1:15:18 | 1:15:22 | |
Leonora. | 1:15:24 | 1:15:26 | |
Why didn't you answer the phone? He is in a terrible rage. | 1:15:30 | 1:15:35 | |
-I didn't hear. -He had to ring for five minutes from a meeting. | 1:15:35 | 1:15:39 | |
I pulled it out. I won't let him call night after night, | 1:15:39 | 1:15:42 | |
-week after week every night. -Yes, yes. I know, darling. | 1:15:42 | 1:15:46 | |
-He wants you to come downstairs. -No. No. | 1:15:46 | 1:15:49 | |
-Just a few minutes. -No, I won't. | 1:15:49 | 1:15:51 | |
He is furious. I've never seen him so upset. | 1:15:51 | 1:15:55 | |
The doctor told him I mustn't. | 1:15:55 | 1:15:57 | |
The doctor told him I mustn't go out of the house. I must get sleep. | 1:15:57 | 1:16:01 | |
He knows that. He was told he mustn't call | 1:16:01 | 1:16:04 | |
and take me out of the house at all hours. | 1:16:04 | 1:16:07 | |
-Just this last time. -No. I can't. -Please. | 1:16:07 | 1:16:10 | |
No. I won't. I won't. | 1:16:10 | 1:16:12 | |
I won't. | 1:16:12 | 1:16:14 | |
Larry... | 1:16:40 | 1:16:42 | |
Larry, I need you. | 1:16:42 | 1:16:44 | |
Larry, they won't let me sleep. | 1:16:44 | 1:16:46 | |
I want to sleep, Larry. | 1:16:46 | 1:16:48 | |
They won't let me. Help, please, Larry, make them leave me alone. | 1:16:48 | 1:16:52 | |
-Smith. -Is she coming down? | 1:16:56 | 1:16:58 | |
She's sick. I feel sorry for her. I think it's a mistake. | 1:16:58 | 1:17:01 | |
-To treat her like... -Is she coming down?! | 1:17:01 | 1:17:04 | |
Why do you think I sent you, you dirty parasite? Get her down. | 1:17:05 | 1:17:10 | |
I think I'd prefer to be a head waiter again, Mr Ohlrig. | 1:17:10 | 1:17:14 | |
I know you've got a big name, but not big enough to destroy that girl. | 1:17:20 | 1:17:25 | |
Goodbye. | 1:17:25 | 1:17:27 | |
Dirty little snake. | 1:17:32 | 1:17:34 | |
Big enough to... | 1:17:36 | 1:17:38 | |
If he doesn't come down... | 1:17:40 | 1:17:42 | |
BANG | 1:17:46 | 1:17:48 | |
SMITH: Leonora! | 1:17:48 | 1:17:50 | |
No. | 1:17:52 | 1:17:54 | |
(SMITH GASPS) | 1:18:10 | 1:18:12 | |
Leonora. | 1:18:36 | 1:18:38 | |
Get me some water... | 1:18:39 | 1:18:41 | |
Get me some water. | 1:18:41 | 1:18:43 | |
Leonora. | 1:18:44 | 1:18:46 | |
Le... | 1:18:47 | 1:18:49 | |
Le, get me some... | 1:18:49 | 1:18:52 | |
..water. | 1:18:53 | 1:18:55 | |
Leonora. | 1:18:58 | 1:19:00 | |
Leonora... | 1:19:02 | 1:19:04 | |
..I need... | 1:19:05 | 1:19:07 | |
..water... water... | 1:19:09 | 1:19:11 | |
Blood pressure 110/70. | 1:19:12 | 1:19:14 | |
EKG normal. | 1:19:14 | 1:19:16 | |
He'll live. | 1:19:16 | 1:19:18 | |
Discontinue the oxygen. | 1:19:18 | 1:19:20 | |
Le? | 1:19:53 | 1:19:54 | |
I killed him... | 1:19:54 | 1:19:56 | |
I killed him. | 1:19:57 | 1:19:59 | |
He was lying on the floor | 1:20:00 | 1:20:02 | |
and I left him there. | 1:20:02 | 1:20:05 | |
I killed him. | 1:20:06 | 1:20:08 | |
-I called you. -I'm here, darling. | 1:20:09 | 1:20:11 | |
I'm here. | 1:20:11 | 1:20:13 | |
I killed him. | 1:20:13 | 1:20:15 | |
I did it. | 1:20:16 | 1:20:18 | |
I killed him. | 1:20:18 | 1:20:20 | |
I wanted him to die. | 1:20:23 | 1:20:25 | |
Larry. | 1:20:25 | 1:20:27 | |
Larry, I need you. | 1:20:28 | 1:20:30 | |
I went... | 1:20:30 | 1:20:32 | |
-I went back... -Here, take a drink. | 1:20:32 | 1:20:36 | |
-I went back and... -Put your head back. | 1:20:36 | 1:20:38 | |
There. | 1:20:41 | 1:20:42 | |
..one of his pills. | 1:20:42 | 1:20:44 | |
And I called his doctor. | 1:20:44 | 1:20:46 | |
Take another drink. | 1:20:46 | 1:20:48 | |
There, now. You'll be all right. | 1:20:50 | 1:20:53 | |
And the doctor... | 1:20:53 | 1:20:55 | |
says he's going to die. | 1:20:55 | 1:20:57 | |
He won't. | 1:20:57 | 1:20:59 | |
I wanted him to die. | 1:20:59 | 1:21:01 | |
Now, be quiet. Be quiet now. | 1:21:01 | 1:21:03 | |
I'm with you. You're going to be safe. | 1:21:04 | 1:21:07 | |
Nothing's going to happen to you. | 1:21:07 | 1:21:09 | |
I wanted you so. | 1:21:09 | 1:21:11 | |
But he said he'd take my baby away. | 1:21:11 | 1:21:15 | |
He said... | 1:21:16 | 1:21:18 | |
Oh... | 1:21:18 | 1:21:20 | |
Oh, Larry... | 1:21:20 | 1:21:22 | |
Stay here. Don't move. | 1:21:35 | 1:21:37 | |
I'll be back in a minute. | 1:21:37 | 1:21:39 | |
Is there a telephone down here, sir? | 1:21:48 | 1:21:50 | |
Yes, sir. To the left of the front door. | 1:21:50 | 1:21:53 | |
-Right in there. -Good. | 1:21:55 | 1:21:58 | |
Operator. | 1:22:02 | 1:22:04 | |
SIREN | 1:22:04 | 1:22:06 | |
He isn't going to die. You didn't kill him. | 1:22:10 | 1:22:14 | |
I had a long talk with his doctor. He'll live to be an old man. | 1:22:14 | 1:22:18 | |
But you... | 1:22:18 | 1:22:20 | |
Le, listen, can you hear me? | 1:22:20 | 1:22:22 | |
You can only live if you want to and you must want to. | 1:22:23 | 1:22:27 | |
That's why it's so important that you hear me. | 1:22:27 | 1:22:31 | |
He wanted to take your child away, maybe he's succeeded. | 1:22:31 | 1:22:35 | |
Your child will die and it's a terrible thing, | 1:22:35 | 1:22:38 | |
but you'll be free to start living. | 1:22:38 | 1:22:41 | |
Isn't that true? | 1:22:42 | 1:22:44 | |
He can't hold you any more. He won't even want to. | 1:22:46 | 1:22:49 | |
All he wanted was to dominate and kick you around like everybody else. | 1:22:49 | 1:22:54 | |
All he cared about the child was to use it | 1:22:54 | 1:22:57 | |
to keep you under his thumb. | 1:22:57 | 1:22:59 | |
But now you'll be free. | 1:22:59 | 1:23:01 | |
Free to start living. | 1:23:01 | 1:23:03 | |
Free to be happy, to do all the things that are worthwhile. | 1:23:03 | 1:23:08 | |
You can be happy, darling. | 1:23:08 | 1:23:10 | |
That's why I want you to hear me. | 1:23:11 | 1:23:13 | |
I hear you, Larry. | 1:23:16 | 1:23:18 | |
Larry. Larry. | 1:23:28 | 1:23:30 | |
She's OK. Harry, premature birth. The baby died. | 1:23:30 | 1:23:34 | |
< He can't hold her now, | 1:23:35 | 1:23:37 | |
< even if he wants to. | 1:23:37 | 1:23:39 | |
< She's free. | 1:23:39 | 1:23:42 | |
-She shouldn't see anyone yet. -Oh, sure! | 1:23:42 | 1:23:45 | |
I'll give you two minutes. | 1:23:45 | 1:23:47 | |
Where are you going? In there. | 1:24:01 | 1:24:03 | |
She can't be disturbed. | 1:24:03 | 1:24:05 | |
We can't look after this. | 1:24:05 | 1:24:07 | |
If my diagnosis is correct, | 1:24:07 | 1:24:09 | |
she won't want it. | 1:24:09 | 1:24:11 | |
All right. | 1:24:11 | 1:24:13 | |
Subtitles by ITFC Ltd for BBC Broadcast - 2002 | 1:24:14 | 1:24:18 | |
E-mail us at [email protected] | 1:24:18 | 1:24:20 |