
Browse content similar to Comfort and Joy. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
SHOP MUSIC: "Jingle Bells" | 0:00:02 | 0:00:05 | |
AUTOMATED VOICE: Ho, ho, ho! | 0:00:10 | 0:00:13 | |
Hello, children, | 0:00:13 | 0:00:15 | |
this is Father Christmas speaking. | 0:00:15 | 0:00:18 | |
Welcome to my Christmas sweet factory | 0:00:18 | 0:00:20 | |
where my little helpers make all those lovely tasty sweets | 0:00:20 | 0:00:25 | |
that go into your Christmas stocking. | 0:00:25 | 0:00:28 | |
Watch how it's done. | 0:00:29 | 0:00:30 | |
First of all they fill the special sweet-making machine | 0:00:31 | 0:00:35 | |
with sugar. And then they add all the other lovely mixtures that | 0:00:35 | 0:00:39 | |
help make up your favourite sweets. | 0:00:39 | 0:00:43 | |
Here you can see some of my little helpers... | 0:00:43 | 0:00:46 | |
CHOIR SINGING: "God Rest You, Merry Gentlemen." | 0:00:47 | 0:00:50 | |
# Remember Christ our saviour | 0:00:52 | 0:00:54 | |
# Was born on Christmas day | 0:00:54 | 0:00:57 | |
# To save us all from Satan's power | 0:00:57 | 0:00:59 | |
# When we were gone astray | 0:00:59 | 0:01:02 | |
# Oh tidings of comfort and joy | 0:01:02 | 0:01:05 | |
# Comfort and joy | 0:01:05 | 0:01:07 | |
# Oh tidings of comfort and joy... | 0:01:07 | 0:01:10 | |
# Oh tidings of comfort and joy | 0:01:31 | 0:01:33 | |
# Comfort and joy | 0:01:33 | 0:01:35 | |
# Oh tidings of comfort and joy... # | 0:01:35 | 0:01:37 | |
-Thank you. -Thank you. Bye-bye. Bye. | 0:01:54 | 0:01:56 | |
BRASS BAND PLAYS | 0:02:15 | 0:02:17 | |
-You'll be the death of me, Maddy. -Shut up and get the car. | 0:02:24 | 0:02:27 | |
You're going bald, it must be nerves. | 0:02:31 | 0:02:33 | |
Thank you. | 0:02:33 | 0:02:36 | |
-Shit, these are all size large. -You've got to stop it, Maddy, | 0:02:36 | 0:02:39 | |
-I can't stand the strain. -Stay home, then. | 0:02:39 | 0:02:41 | |
If you've got to steal things then at least be practical. | 0:02:41 | 0:02:44 | |
We needed onions, we did not need more Christmas lights. | 0:02:44 | 0:02:47 | |
You buy the food, I'll get the goodies. | 0:02:47 | 0:02:49 | |
Please don't smoke in the car, Maddy. | 0:02:52 | 0:02:55 | |
Stop it. Stop it. | 0:03:01 | 0:03:03 | |
Maddy, have you any idea what a burning cigarette can do to velour upholstery? | 0:03:06 | 0:03:11 | |
I can live with the pollution, but you're becoming a fire hazard, too, and that's the problem. | 0:03:11 | 0:03:15 | |
-SHE SINGS -Look, don't get me wrong, I'm not worried about the car, | 0:03:15 | 0:03:18 | |
I can live with that, it's your own safety that concerns me. | 0:03:18 | 0:03:21 | |
SHE WHISTLES | 0:03:21 | 0:03:23 | |
HE SINGS IN BACKGROUND | 0:03:25 | 0:03:27 | |
Hm, very, very nice, thank you, Maddy. | 0:03:33 | 0:03:35 | |
Mwah! | 0:03:35 | 0:03:37 | |
But why the four sets of Christmas lights? | 0:03:37 | 0:03:39 | |
I want to have lots of lights on the tree. | 0:03:39 | 0:03:41 | |
Well, we can always use the other two sets as spares. | 0:03:42 | 0:03:44 | |
-No, they all go on the tree. -OK. | 0:03:44 | 0:03:47 | |
Do you want to go out tonight? | 0:03:51 | 0:03:53 | |
No. | 0:03:55 | 0:03:57 | |
Do you want to eat? | 0:03:58 | 0:03:59 | |
Later. | 0:04:01 | 0:04:02 | |
Do you want to wrap Auntie Betty's handbag? | 0:04:03 | 0:04:06 | |
-CHUCKLING: -No. | 0:04:06 | 0:04:07 | |
-WHISPERING: -No. -No. | 0:04:07 | 0:04:09 | |
No...? | 0:04:09 | 0:04:11 | |
-No, no...? -No, no... | 0:04:11 | 0:04:13 | |
Mmmmm... | 0:04:16 | 0:04:18 | |
SHE CHUCKLES | 0:04:18 | 0:04:20 | |
HE HUMS TO THE MUSIC ON STEREO | 0:04:20 | 0:04:24 | |
-Mmmm! -What time is it, Alan? | 0:04:24 | 0:04:27 | |
Christmas time, I think. Mm-hm. | 0:04:27 | 0:04:29 | |
MUSIC: "Love Over Gold" by Dire Straits | 0:04:29 | 0:04:31 | |
Just a wee something. | 0:04:31 | 0:04:34 | |
# Just to see what you will find... # | 0:04:34 | 0:04:36 | |
Cheers. | 0:04:40 | 0:04:42 | |
Maddy, I think it's time we took some of the price tags | 0:04:48 | 0:04:51 | |
-off these things, isn't it? -Why? | 0:04:51 | 0:04:53 | |
I think there was some tags in the olives. | 0:04:53 | 0:04:55 | |
-OK. -What are you doing, are you collecting them, or what? | 0:04:57 | 0:05:00 | |
I am, yeah. Get a Ford Fiesta. | 0:05:00 | 0:05:02 | |
THEY CHUCKLE | 0:05:02 | 0:05:05 | |
CROCKERY CLINKING | 0:05:05 | 0:05:08 | |
You sure you don't want to go out, Maddy? | 0:05:09 | 0:05:11 | |
-It's only eight. -No. | 0:05:11 | 0:05:14 | |
Maddy...? | 0:05:59 | 0:06:01 | |
What are you up to? | 0:06:01 | 0:06:02 | |
I'm leavin'. | 0:06:07 | 0:06:09 | |
Alan, I'm taking some things and... | 0:06:09 | 0:06:11 | |
my things, | 0:06:11 | 0:06:12 | |
and I'm leavin'. | 0:06:12 | 0:06:14 | |
I meant to tell you ages ago, but the moment didn't arise. | 0:06:14 | 0:06:17 | |
I have to go. I wanted to talk to you about it, but... | 0:06:17 | 0:06:20 | |
-..it just didn't happen. -Maddy, please... | 0:06:21 | 0:06:23 | |
-Sit down, we can talk about it now. -It's too late. | 0:06:24 | 0:06:27 | |
George is coming over soon, he's, er... | 0:06:27 | 0:06:29 | |
he's hired a truck. | 0:06:29 | 0:06:31 | |
I meant to tell you ages ago. | 0:06:31 | 0:06:33 | |
Your sister set this up, didn't she? | 0:06:35 | 0:06:37 | |
-It's your crazy sister. -No, it's me! | 0:06:37 | 0:06:39 | |
I'm doing it. | 0:06:39 | 0:06:41 | |
I asked George to help me move out, that...that's all. | 0:06:41 | 0:06:44 | |
DOORBELL RINGS | 0:06:44 | 0:06:45 | |
VOICES IN BACKGROUND | 0:06:51 | 0:06:53 | |
No, it'll be all right, it'll be finished quicker than you think. | 0:06:59 | 0:07:02 | |
Evening, Alan, all right... | 0:07:02 | 0:07:04 | |
MAN WHISTLES | 0:07:04 | 0:07:06 | |
-All right. -Good evening. | 0:07:06 | 0:07:08 | |
-Er, fellas, if you could go through here...? -Aye, sure, sure. -Nae bother. | 0:07:08 | 0:07:11 | |
-There's a table and some chairs. -We'll make a start. | 0:07:11 | 0:07:14 | |
Are you quite serious about this, then, Maddy? | 0:07:14 | 0:07:16 | |
Look, I'm really sorry about this, Alan. | 0:07:16 | 0:07:18 | |
I'm just helping out. | 0:07:18 | 0:07:20 | |
No hard feelings, eh? I mean it's just, it's just...women. | 0:07:20 | 0:07:24 | |
George, there's some more chairs in the kitchen. | 0:07:24 | 0:07:26 | |
-Right, right, Maddy. -Maddy, baby, please. Talk to me. | 0:07:26 | 0:07:29 | |
-Stay and talk to me. -Oh, don't let's drag it out, Alan. | 0:07:29 | 0:07:34 | |
Don't be cruel. | 0:07:34 | 0:07:35 | |
-Nice chair. -Aye. | 0:07:38 | 0:07:41 | |
Sorry. | 0:07:41 | 0:07:42 | |
-Maddy! -Please stop this, Alan. You're not making it easy. | 0:07:44 | 0:07:48 | |
You don't make anything easy. | 0:07:50 | 0:07:52 | |
MEN WHISTLE | 0:07:54 | 0:07:56 | |
All right, leave the book, I'm reading it. | 0:07:59 | 0:08:01 | |
Eh? Just leave that book, I'm reading it. | 0:08:01 | 0:08:03 | |
Oh, put it in the box, please. It's my book. | 0:08:03 | 0:08:06 | |
I'm halfway through it, could you just leave the damn book?! | 0:08:06 | 0:08:08 | |
-You didn't buy it. -Neither did you buy it. | 0:08:08 | 0:08:10 | |
Well, it's mine. | 0:08:10 | 0:08:12 | |
Oh, right, well, that's my sweater, if it comes down to it, | 0:08:12 | 0:08:15 | |
-so...give me the sweater. -Oh, you're upset, don't be childish. | 0:08:15 | 0:08:18 | |
If I'm a child then you're a... thief! | 0:08:18 | 0:08:21 | |
I only wanted it as a keepsake. | 0:08:23 | 0:08:24 | |
But if you feel that strongly about it you can have it. | 0:08:26 | 0:08:28 | |
Have the book too, with my compliments. | 0:08:33 | 0:08:35 | |
Oh... | 0:08:47 | 0:08:48 | |
I don't want to do this, you know. I don't know why I'm doing it. | 0:08:49 | 0:08:52 | |
-I don't want to do it. -Well, it's very good of you, Alan. | 0:08:52 | 0:08:55 | |
-I mean, very good. No, no, no, down. Right. - Easy with the handle. -Right. | 0:08:55 | 0:08:59 | |
So you really, really want to leave then, eh? | 0:09:04 | 0:09:07 | |
You really want to go... | 0:09:07 | 0:09:09 | |
-now? Leave? -Yeah. | 0:09:09 | 0:09:12 | |
Phoo... It's a bit of a shock. | 0:09:15 | 0:09:19 | |
I know. | 0:09:19 | 0:09:20 | |
HE SHIVERS | 0:09:20 | 0:09:22 | |
I wanted to get the lights on the tree for you, before I left. | 0:09:22 | 0:09:25 | |
Well, come upstairs and do that, then, eh? | 0:09:25 | 0:09:27 | |
No. You do it. | 0:09:28 | 0:09:31 | |
Don't leave it bare. | 0:09:31 | 0:09:32 | |
Can I drive you anywhere? | 0:09:39 | 0:09:41 | |
No. I'll go with George. | 0:09:43 | 0:09:45 | |
Be good. | 0:09:49 | 0:09:50 | |
DOOR SHUTS | 0:09:56 | 0:09:58 | |
ENGINE STARTS | 0:09:58 | 0:09:59 | |
ALARM BEEPS | 0:10:28 | 0:10:31 | |
HE GROANS | 0:10:31 | 0:10:34 | |
ALARM STOPS | 0:10:34 | 0:10:36 | |
MELANCHOLY SAXOPHONE MUSIC | 0:10:36 | 0:10:38 | |
Oi. | 0:10:58 | 0:10:59 | |
BIRDS CAW | 0:10:59 | 0:11:02 | |
HE MOUTHS | 0:11:02 | 0:11:03 | |
MILK BOTTLES CLINK | 0:11:15 | 0:11:18 | |
JINGLE: # It's six o'clock in the morning... # | 0:11:21 | 0:11:25 | |
-Morning, Moira. -Good morning, Dicky. | 0:11:25 | 0:11:27 | |
# 261, we bring you the national news on the hour... # | 0:11:27 | 0:11:34 | |
This is the six o'clock news headlines with Peter Porter reporting. | 0:11:36 | 0:11:40 | |
More fighting has broken out in Burunda, West Africa. | 0:11:40 | 0:11:42 | |
Rival guerrilla groups are claiming victory over President Mande's republican troops. | 0:11:42 | 0:11:46 | |
And Radio Burunda last night announced a total curfew in the capital. | 0:11:46 | 0:11:50 | |
In Washington, the Pentagon has confirmed that the US Fleet, | 0:11:50 | 0:11:52 | |
at present exercising off the coast of Burunda, would continue its watching patrol. | 0:11:52 | 0:11:57 | |
In the Middle East, the hoped-for settlement of fighting in Evonia has hit new obstacles. | 0:11:57 | 0:12:01 | |
Delegates from both sides abandoned the Christmas peace conference yesterday, | 0:12:01 | 0:12:04 | |
and later fresh rocket attacks took place at the capital's airport. | 0:12:04 | 0:12:07 | |
27 people died before UN troops managed to stop the shelling. | 0:12:07 | 0:12:11 | |
And in the Far East, 40 civilian refugees died in heavy bombing | 0:12:11 | 0:12:15 | |
attacks on the island of Samato | 0:12:15 | 0:12:16 | |
when the Christmas truce there broke down yesterday. | 0:12:16 | 0:12:19 | |
Opponents of the dictatorship government of President Barmi | 0:12:19 | 0:12:22 | |
claimed the armed forces were deliberately attacking | 0:12:22 | 0:12:25 | |
civilian targets as an act of provocation. | 0:12:25 | 0:12:27 | |
More foreign news... | 0:12:27 | 0:12:29 | |
Mamie, the giant panda recently arrived at the Moscow Zoo | 0:12:29 | 0:12:32 | |
as a gift from the People's Republic of China, might just be pregnant. | 0:12:32 | 0:12:35 | |
Officials at the Moscow Zoo said that tests today should confirm the pregnancy. | 0:12:35 | 0:12:40 | |
All this week, Mamie has been off her food | 0:12:40 | 0:12:42 | |
and suffering from morning sickness. "Mamie needs peace and quiet now," said the zoo official. | 0:12:42 | 0:12:47 | |
And lastly, the weather for west central Scotland and the city - | 0:12:47 | 0:12:50 | |
this morning will be milder than overnight, still no sign of a white Christmas, | 0:12:50 | 0:12:53 | |
and some light rain might reach the area by early evening. | 0:12:53 | 0:12:56 | |
The next news at seven, | 0:12:56 | 0:12:57 | |
and now stand by for your daily dose of Dicky Bird... | 0:12:57 | 0:13:00 | |
JINGLE: # National news on the hour... # | 0:13:00 | 0:13:04 | |
Thanks for all that wonderful six o'clock news, Peter. | 0:13:06 | 0:13:08 | |
You know, I keep telling him that it would be cheaper to telephone | 0:13:08 | 0:13:11 | |
the early news to those half a dozen poor souls that have been | 0:13:11 | 0:13:14 | |
listening to "Yawn-a-minute" Kelly all night but he won't listen to me. | 0:13:14 | 0:13:18 | |
JINGLE: # Time to get up | 0:13:18 | 0:13:20 | |
# Hello, Dicky. Good morning'... # | 0:13:20 | 0:13:23 | |
Hello! | 0:13:23 | 0:13:24 | |
# Tweet, tweet, hello! | 0:13:24 | 0:13:25 | |
# Good morning' tweet, tweet... # | 0:13:25 | 0:13:27 | |
Anyway, the fun starts now because Dicky Bird is here to get you up, | 0:13:27 | 0:13:31 | |
get you to work or wherever it is you have be by nine. | 0:13:31 | 0:13:33 | |
# Don't you know what they say about the early worm...? # | 0:13:33 | 0:13:37 | |
What do they say? | 0:13:37 | 0:13:39 | |
# It always gets the bird! # | 0:13:39 | 0:13:41 | |
Yes, it's the Dicky Bird Early Worm Show. | 0:13:41 | 0:13:44 | |
HE WHISTLES | 0:13:44 | 0:13:46 | |
SCOTTISH FIDDLE MUSIC | 0:13:46 | 0:13:50 | |
-What up? -Hi, Steve. | 0:13:50 | 0:13:54 | |
-You OK? -Aye, I'm fine, I'm fine. | 0:13:54 | 0:13:57 | |
Keep your pecker up, eh? | 0:13:57 | 0:13:59 | |
He's done it again, folks. Kelly's fallen asleep at the microphone. | 0:14:02 | 0:14:06 | |
I got here only just in time. | 0:14:06 | 0:14:08 | |
Anyway, here's a quick traffic round-up - | 0:14:08 | 0:14:10 | |
there's absolutely nothing on the streets right now. | 0:14:10 | 0:14:13 | |
Not a car in sight, so why don't you take advantage of that? | 0:14:13 | 0:14:15 | |
Get in your car and get into work straightaway, you'll be in three hours early. | 0:14:15 | 0:14:19 | |
There'll be another traffic round-up at the same time tomorrow. | 0:14:19 | 0:14:23 | |
And Nancy in the front office has just come in to tell me that the | 0:14:23 | 0:14:25 | |
lookalike competition has captured her imagination again this week. | 0:14:25 | 0:14:28 | |
A man from Paisley has just phoned in to say that his wife is | 0:14:28 | 0:14:31 | |
the absolute double of Richard Nixon. | 0:14:31 | 0:14:33 | |
HE CHUCKLES | 0:14:33 | 0:14:34 | |
We'll believe anything that happens in Paisley, but the rules are, | 0:14:34 | 0:14:37 | |
either a photograph sent to the station or why don't you | 0:14:37 | 0:14:39 | |
just pop up and let Nancy check you out in person, | 0:14:39 | 0:14:43 | |
and I can tell you that's a journey very, very well worth making, eh? | 0:14:43 | 0:14:47 | |
# Lookalike somebody famous! # | 0:14:47 | 0:14:50 | |
I've just seen the very lovely Anne coming in there | 0:14:50 | 0:14:53 | |
to give us the 8.30 travel round-up. | 0:14:53 | 0:14:55 | |
I wonder who Anne thinks she looks like. | 0:14:55 | 0:14:57 | |
I think there's a little touch of the Ingrid Bergman in there. | 0:14:57 | 0:15:00 | |
How are you, Annie? Are you all right? | 0:15:00 | 0:15:01 | |
-Thank you, Dicky, yes, I'm fine. -OK, so where should we avoid | 0:15:01 | 0:15:05 | |
-traffic-wise today? -Er, how about everywhere? | 0:15:05 | 0:15:08 | |
Oh, dear, oh, dear, oh, dear. I'll leave you to it, then. | 0:15:08 | 0:15:11 | |
Thank you. Well, Dicky, Christmas traffic is expected to be the main problem again today | 0:15:11 | 0:15:15 | |
with all city-centre car parks likely to be | 0:15:15 | 0:15:17 | |
filling up by mid morning, and a lot more vehicles prowling | 0:15:17 | 0:15:20 | |
the streets looking for parking space, so the same old advice... | 0:15:20 | 0:15:22 | |
Can you get me a line, Nancy, please? | 0:15:22 | 0:15:24 | |
-You can use public transport... -Thanks. | 0:15:24 | 0:15:26 | |
At the moment, however, traffic is moving well on the Kingston Bridge | 0:15:26 | 0:15:29 | |
despite the closure of Bothwell Street exit, | 0:15:29 | 0:15:32 | |
and the tunnel northbound and southbound | 0:15:32 | 0:15:33 | |
is easing off now, too. | 0:15:33 | 0:15:35 | |
-Some delays still to be expected... -Hello, Colin. | 0:15:35 | 0:15:37 | |
Alan here, yeah. I'm in deep trouble, friend. | 0:15:37 | 0:15:39 | |
Could you come over? I'll see you at the house about 11, OK? | 0:15:39 | 0:15:43 | |
Anyone travelling further north should be on the lookout... | 0:15:43 | 0:15:46 | |
-God bless. -..A9/M9 north of Perth. | 0:15:46 | 0:15:49 | |
Nothing else at the moment, so back to you, Dicky. | 0:15:49 | 0:15:51 | |
# Radio... 61 | 0:15:51 | 0:15:53 | |
# Here on 261... # | 0:15:53 | 0:15:55 | |
Oh, boy. | 0:15:57 | 0:16:00 | |
-She really meant business, eh? -Don't say that. | 0:16:00 | 0:16:02 | |
What do you want me to say? | 0:16:02 | 0:16:05 | |
That she'll be back in a day or two with her tail between her legs? | 0:16:05 | 0:16:08 | |
-And the piano and the dining table. -She left the washing machine, that could be a good sign, eh? | 0:16:08 | 0:16:12 | |
I don't see Maddy coming back for the washing machine. | 0:16:12 | 0:16:15 | |
Fur coat, maybe. | 0:16:15 | 0:16:17 | |
She, er, didn't leave her fur coat, did she? | 0:16:17 | 0:16:19 | |
-Was everything hers? -Hmm? | 0:16:22 | 0:16:24 | |
Mm-hm. | 0:16:24 | 0:16:26 | |
Except for the mortgage, that was mine. | 0:16:26 | 0:16:29 | |
Well, you know Maddy, she was always acquiring things. | 0:16:29 | 0:16:32 | |
She liked acquiring things! | 0:16:32 | 0:16:34 | |
What am I going to do? | 0:16:36 | 0:16:37 | |
Do you realise how lucky you are? | 0:16:38 | 0:16:40 | |
HE CHORTLES | 0:16:40 | 0:16:41 | |
Don't you see what an opportunity you have? | 0:16:41 | 0:16:44 | |
Many people our age would give an arm and a leg | 0:16:46 | 0:16:49 | |
to able to just break out and start all over again. | 0:16:49 | 0:16:52 | |
It's a new life. | 0:16:52 | 0:16:54 | |
That's what you've been handed on a plate. | 0:16:54 | 0:16:56 | |
Look around you... | 0:16:56 | 0:16:57 | |
Everything here is you. | 0:16:59 | 0:17:01 | |
This little table is you. | 0:17:04 | 0:17:05 | |
The book there...it's you. There's nothing but you here now. | 0:17:12 | 0:17:16 | |
What a chance! | 0:17:17 | 0:17:18 | |
Look, you've been submerged in another person's personality. | 0:17:35 | 0:17:39 | |
Become a sub-person, and now you're free. | 0:17:39 | 0:17:41 | |
Thanks a lot. | 0:17:41 | 0:17:43 | |
Why didn't you tell me all this before? | 0:17:43 | 0:17:45 | |
Because Maddy was... | 0:17:48 | 0:17:51 | |
just utterly fantastic and special. | 0:17:51 | 0:17:54 | |
And you deserved as much of her as you were going to get. | 0:17:54 | 0:17:57 | |
But now you've had it. | 0:17:59 | 0:18:01 | |
It's your turn now. | 0:18:01 | 0:18:02 | |
Anyway, there was always something unreal about you two. | 0:18:05 | 0:18:09 | |
You were like kids... playing and fighting. | 0:18:09 | 0:18:12 | |
-It was a bit of a caper, wasn't it? -No, don't say that, I worshipped her. | 0:18:13 | 0:18:17 | |
That's not the nicest thing you can do to somebody, is it? I hope you don't worship me. | 0:18:19 | 0:18:23 | |
No! | 0:18:23 | 0:18:24 | |
You're my friend. | 0:18:24 | 0:18:25 | |
BEEPING | 0:18:27 | 0:18:28 | |
Did Maddy take the telephone? | 0:18:36 | 0:18:38 | |
-SCOFFING: -No! It's in there. | 0:18:38 | 0:18:40 | |
286, please. | 0:18:50 | 0:18:51 | |
It works, you're still in business. | 0:18:53 | 0:18:55 | |
ALAN CHUCKLES | 0:18:55 | 0:18:57 | |
Rhona, it's Colin... | 0:18:57 | 0:18:59 | |
Uh-huh. Eh, where did it come from? | 0:19:01 | 0:19:05 | |
Aye. What age? | 0:19:05 | 0:19:06 | |
What, was it an accident? | 0:19:08 | 0:19:09 | |
Erm... | 0:19:10 | 0:19:12 | |
good. Well, you fix up the theatre for, er, two, uh-huh... | 0:19:12 | 0:19:16 | |
Get pre-med finished and I'll see you in, eh, | 0:19:17 | 0:19:20 | |
ten minutes, OK? | 0:19:20 | 0:19:21 | |
Erm... | 0:19:25 | 0:19:26 | |
got to go and introduce somebody to a second-hand kidney. | 0:19:26 | 0:19:29 | |
-Ha-ha. -What will you do? | 0:19:29 | 0:19:31 | |
I'll do some shopping. | 0:19:32 | 0:19:34 | |
Get some things for the house, pots and pans and things... | 0:19:34 | 0:19:37 | |
Good lad. Erm... | 0:19:37 | 0:19:40 | |
want to eat with us tonight? | 0:19:40 | 0:19:42 | |
Aye, maybe. I'll let you know. | 0:19:42 | 0:19:44 | |
OK. | 0:19:46 | 0:19:47 | |
Colin...? | 0:19:49 | 0:19:50 | |
Do you think she loved me? | 0:19:51 | 0:19:53 | |
Sure she did. She told me one night, when she was drunk. | 0:19:53 | 0:19:57 | |
-She never told me. -Well, she wouldn't. | 0:19:57 | 0:20:00 | |
Where was I at the time? | 0:20:01 | 0:20:03 | |
You were through in the kitchen telling Fiona you loved her. | 0:20:03 | 0:20:06 | |
You were drunk too. | 0:20:06 | 0:20:08 | |
SHOP MUSIC: "Silent Night" | 0:20:13 | 0:20:15 | |
You know you can have all three pots the same colour? | 0:20:51 | 0:20:54 | |
-Eh, no, no, it doesn't matter. -Are you sure?! Ha! OK. | 0:20:54 | 0:20:56 | |
I kind of like the mix and match. | 0:20:56 | 0:20:58 | |
THEY CHUCKLE | 0:20:58 | 0:21:00 | |
I just thought it might look nicer. | 0:21:00 | 0:21:01 | |
BRASS BAND PLAYS | 0:21:08 | 0:21:10 | |
WOMAN GIGGLES | 0:21:18 | 0:21:20 | |
MELANCHOLY SAXOPHONE MUSIC | 0:21:51 | 0:21:55 | |
RADIO ANNOUNCER: No less than eight Christmas truces are | 0:22:01 | 0:22:03 | |
in jeopardy around the world today and intense diplomatic | 0:22:03 | 0:22:06 | |
activity continues in an effort to reduce global tension. | 0:22:06 | 0:22:09 | |
In the Middle East, the American special envoy has meetings | 0:22:09 | 0:22:12 | |
with rival leaders whilst heavy fighting | 0:22:12 | 0:22:14 | |
continued on the outskirts of... | 0:22:14 | 0:22:17 | |
He said - "We will have peace here at any price." | 0:22:17 | 0:22:19 | |
Mamie, the giant panda is said to be comfortable and well... | 0:22:19 | 0:22:23 | |
shortly after her pregnancy was confirmed... | 0:22:23 | 0:22:26 | |
SONG ON RADIO | 0:22:27 | 0:22:30 | |
..in acts of looting and other violence... | 0:22:39 | 0:22:42 | |
RADIO JINGLE | 0:22:42 | 0:22:44 | |
# Sit tight we'll bring you the traffic situation right now | 0:22:46 | 0:22:51 | |
# In your car, right now in your car... # | 0:22:52 | 0:22:55 | |
HORNS BLARE | 0:23:32 | 0:23:34 | |
ICE-CREAM VAN JINGLE | 0:24:11 | 0:24:14 | |
# Hello, folks | 0:24:17 | 0:24:18 | |
# Hello, folks | 0:24:24 | 0:24:25 | |
# Hello, folks. # | 0:24:31 | 0:24:33 | |
GIGGLING | 0:24:55 | 0:24:56 | |
Yes, please, sir...? | 0:24:58 | 0:25:00 | |
-Eh, 99, please. -With or without? -Hm? | 0:25:00 | 0:25:02 | |
-Raspberry. -Oh, with, please. -Right. | 0:25:02 | 0:25:05 | |
There we are... | 0:25:09 | 0:25:10 | |
BOTTLE SQUELCHES | 0:25:10 | 0:25:11 | |
And, er...a Highland Toffee, please. | 0:25:14 | 0:25:17 | |
-Thank you. -There we are, thank you. | 0:25:20 | 0:25:23 | |
Thank you. | 0:25:23 | 0:25:24 | |
CAR APPROACHES AT SPEED | 0:25:27 | 0:25:29 | |
SQUELCHES | 0:25:46 | 0:25:48 | |
SQUELCHES | 0:25:53 | 0:25:55 | |
YELLING | 0:25:55 | 0:25:57 | |
BEAT IT! | 0:25:57 | 0:25:58 | |
GET TO HELL, THE PAIR OF YE! | 0:25:58 | 0:26:00 | |
Oh, oh! | 0:26:00 | 0:26:01 | |
Hey! It's you, innit? | 0:26:05 | 0:26:08 | |
It's Dicky Bird! | 0:26:08 | 0:26:09 | |
-Dicky Bird's here! -For God's sake, in the car! | 0:26:09 | 0:26:11 | |
-Give us an autograph, Dicky. -Sorry, I don't have a pen on me, I'm sorry. | 0:26:11 | 0:26:15 | |
Come on to hell, let's get out of here! | 0:26:15 | 0:26:16 | |
Give us a dedication at least, eh? For my mother. | 0:26:16 | 0:26:19 | |
-Yeah, yeah, sure, sure. -Tomorrow morning? -Right. | 0:26:19 | 0:26:21 | |
-Have you any Mantovani or Dean Martin? -Bound to, bound to. | 0:26:21 | 0:26:24 | |
-What, Memories Are Made Of This or something? -Aye, lovely. | 0:26:24 | 0:26:27 | |
Yes, sir, can I help you? A refill for your 99? | 0:26:44 | 0:26:46 | |
-Are you OK? -What, what? Oh, yes, everything's under control, don't worry about a thing, sir. | 0:26:46 | 0:26:50 | |
-Was there something you wanted? -Are you hurt, is that blood? | 0:26:50 | 0:26:53 | |
No, it's just raspberry essence. Don't worry about it, just some high-spirited youths. | 0:26:53 | 0:26:57 | |
Now, if there's nothing else you want I think we'd better be on our way. | 0:26:57 | 0:27:00 | |
GLASS TINKLES | 0:27:00 | 0:27:01 | |
VAN JINGLE | 0:27:07 | 0:27:09 | |
# Hello, folks | 0:27:09 | 0:27:11 | |
# Hello, folks | 0:27:11 | 0:27:13 | |
# Hello, folks | 0:27:13 | 0:27:15 | |
# Hello, folks | 0:27:15 | 0:27:17 | |
JINGLE PLAYS OFF KEY | 0:27:17 | 0:27:18 | |
# Hello, folks... # | 0:27:18 | 0:27:19 | |
HE GROANS | 0:27:26 | 0:27:27 | |
DOORBELL RINGS | 0:28:06 | 0:28:07 | |
Maddy! | 0:28:16 | 0:28:18 | |
SHE GIGGLES | 0:28:18 | 0:28:19 | |
Oh, baby, oh! | 0:28:19 | 0:28:21 | |
-Have you still got a bed? -Uh-huh! | 0:28:23 | 0:28:25 | |
Oh, I missed you! | 0:28:25 | 0:28:27 | |
Oh. | 0:28:30 | 0:28:32 | |
Where did you get these pyjamas? | 0:28:35 | 0:28:37 | |
I was cold. I don't need them. | 0:28:37 | 0:28:40 | |
Can I stay the night? | 0:28:42 | 0:28:44 | |
You can stay for ever. You know that. | 0:28:44 | 0:28:46 | |
OK, I'll stay for ever. | 0:28:47 | 0:28:49 | |
HE SIGHS | 0:29:04 | 0:29:06 | |
Oh, sh... | 0:29:30 | 0:29:32 | |
Sh-shit! | 0:29:43 | 0:29:44 | |
HE GROANS | 0:29:49 | 0:29:50 | |
JINGLE: # National news on the hour. # | 0:29:58 | 0:30:02 | |
Another border clash took place in the night in the Bulati mountains | 0:30:04 | 0:30:08 | |
between troops of Bulati and Nigorr. | 0:30:08 | 0:30:10 | |
A Bulati army statement claimed... | 0:30:10 | 0:30:11 | |
Keith...? | 0:30:11 | 0:30:13 | |
-Yeah. -Fix me up a booth for ten o'clock, would you? | 0:30:13 | 0:30:16 | |
I'd like to do some commercials and some trails for the weekend. You could edit them, OK? | 0:30:16 | 0:30:20 | |
Sure thing, Alan. | 0:30:20 | 0:30:22 | |
-Oh, Keith...? -Yeah? | 0:30:22 | 0:30:25 | |
What would clean ice-cream stains off velour upholstery? | 0:30:25 | 0:30:28 | |
Ah, now that sounds like a hot water and detergent job, | 0:30:28 | 0:30:32 | |
but you'd need to wet the whole seat so it wouldn't leave a mark. | 0:30:32 | 0:30:35 | |
-It'll be a bit tricky. -OK, thanks. | 0:30:35 | 0:30:37 | |
JINGLE: # Thrifty Pops, the big, big bag of munches, they last my whole day... # | 0:30:37 | 0:30:41 | |
Thrifty Pops, Thrifty Pops, you just munch them all day, they never stop. | 0:30:43 | 0:30:47 | |
# Thrifty Pops, Thrifty Pops, I want them now. # | 0:30:47 | 0:30:54 | |
Thrifty Pops, the big, big bag of munches | 0:30:54 | 0:30:56 | |
that lasts all-l-l-l-l...day. | 0:30:56 | 0:30:59 | |
MUNCHING | 0:30:59 | 0:31:01 | |
It was a bit dry, maybe? | 0:31:01 | 0:31:02 | |
TAPE REWINDS | 0:31:02 | 0:31:03 | |
All right. Spin it again. | 0:31:03 | 0:31:05 | |
# Thrifty Pops, the big, big bag of munches, they last my whole day... # | 0:31:05 | 0:31:10 | |
Thrifty Pops, Thrifty Pops! You just eat them all day, they never stop... | 0:31:10 | 0:31:14 | |
Oh, no, no. You said, "eat", Alan. It should be, "munch." | 0:31:14 | 0:31:17 | |
Oh, sh... | 0:31:17 | 0:31:19 | |
# ...the big, big bag of munches, they last my whole day. # | 0:31:19 | 0:31:22 | |
Thrifty Pops, Thrifty Pops, you just munch them all day, they never... | 0:31:22 | 0:31:25 | |
Cut. There's something wrong, the rhythm's wrong. | 0:31:25 | 0:31:28 | |
It's that "you." We don't need this "you." | 0:31:28 | 0:31:30 | |
How the...? Who wrote this stuff? | 0:31:30 | 0:31:32 | |
# Thrifty Pops, the big, big bag of munches, they last my whole day. # | 0:31:32 | 0:31:36 | |
Thrifty Pops, Thrifty Pops, munch them all day, they never stop. | 0:31:38 | 0:31:41 | |
# Thrifty Pops, Thrifty Pops... # | 0:31:41 | 0:31:43 | |
TAPE REWINDS | 0:31:43 | 0:31:44 | |
Well... | 0:31:44 | 0:31:46 | |
I'm not so sure. I think the "you" had something. | 0:31:47 | 0:31:50 | |
It broke the beat. You know, the way it came in on the sub beat was quite special. | 0:31:50 | 0:31:54 | |
Give us it, again. | 0:31:54 | 0:31:56 | |
# ...the big, big bag of munches, they last my whole day. # | 0:31:56 | 0:31:59 | |
Nancy, is Hilary in? I'd like a word with him. | 0:32:02 | 0:32:05 | |
I'll find out if he's free. | 0:32:05 | 0:32:06 | |
# Thrifty Pops, Thrifty Pops... # | 0:32:06 | 0:32:08 | |
-Oh, shut it. -Hello, Gloria. | 0:32:08 | 0:32:10 | |
Alan Bird would like to see Hilary if he's free. | 0:32:10 | 0:32:13 | |
-Two minutes' time? -Lovely. -Thanks, Gloria. | 0:32:13 | 0:32:16 | |
How's the lookalikes competition coming along? | 0:32:16 | 0:32:19 | |
Fine. Everyone still wants to look like Princess You Know Who, though. | 0:32:19 | 0:32:23 | |
Do you know, I'm going to get my dentist to write in, | 0:32:23 | 0:32:25 | |
he's the absolute spitting image of George C Scott. | 0:32:25 | 0:32:27 | |
I hear the Seven Deadly Sins and The Terrible Twins came to call on you. | 0:32:35 | 0:32:38 | |
Dire straits. | 0:32:38 | 0:32:39 | |
The bigger they are, babe, the harder they fall on you. | 0:32:40 | 0:32:43 | |
KNOCKS DOOR | 0:32:43 | 0:32:46 | |
JINGLE: # Turn your radio on. # | 0:32:46 | 0:32:49 | |
Hello...? | 0:32:51 | 0:32:52 | |
GIGGLING | 0:32:52 | 0:32:54 | |
Come on, now, stop your nonsense, Gloria. | 0:32:54 | 0:32:56 | |
-Oh, no, that's not fair. -It's absolutely fair. | 0:32:56 | 0:32:58 | |
-I'm allowed to do that. -Right, right, I want a turn, then. | 0:32:58 | 0:33:01 | |
No...you, look...listen. | 0:33:01 | 0:33:03 | |
Don't put your finger there, I can't get in if you put your finger there. | 0:33:03 | 0:33:06 | |
Well, you have to be quicker than that. | 0:33:06 | 0:33:08 | |
GAME BEEPS | 0:33:08 | 0:33:09 | |
-I was always known as very quick. -You did that when I wisnae looking. | 0:33:09 | 0:33:12 | |
Oh, look what you've done now! | 0:33:12 | 0:33:15 | |
LAUGHTER | 0:33:15 | 0:33:16 | |
-Get, get out of there! -I think that will be all, eh, Gloria, eh... | 0:33:16 | 0:33:21 | |
-for the moment. Ah, come in, Alan. Come away in. -Hello, Hilary. | 0:33:21 | 0:33:25 | |
That phone-in joke spot on Monday was ace, tip-top. | 0:33:26 | 0:33:30 | |
I hope you're going to keep it in. | 0:33:30 | 0:33:33 | |
-Thanks. -Well, now, what can I do for you? | 0:33:33 | 0:33:35 | |
Ah, I just like to talk. | 0:33:35 | 0:33:37 | |
I think, I think things are changing. | 0:33:37 | 0:33:42 | |
I think I'm changing...maybe. | 0:33:42 | 0:33:45 | |
I don't think this is a good time to talk about money, Alan, | 0:33:45 | 0:33:48 | |
I mean, the Christmas bonus is in the pipeline. Now, you know that. | 0:33:48 | 0:33:51 | |
Oh, it's not money, Hilary. No, I don't mean money, I mean formats. | 0:33:51 | 0:33:54 | |
Programmes. Other things that maybe I could handle. | 0:33:54 | 0:33:57 | |
-What do you mean? -I'm not a kid. | 0:33:57 | 0:34:01 | |
I'm a serious person, I've got serious friends. | 0:34:01 | 0:34:04 | |
Maybe I should be more serious, sometimes, on the air. | 0:34:04 | 0:34:09 | |
I don't... | 0:34:09 | 0:34:10 | |
catch your drift. | 0:34:10 | 0:34:12 | |
I'm not just a clown, maybe I could do other kinds of shows... | 0:34:12 | 0:34:15 | |
like a...like a documentary. | 0:34:15 | 0:34:17 | |
A documentary? | 0:34:17 | 0:34:19 | |
Yeah, it's a real kind of a show, it's got real things. | 0:34:19 | 0:34:21 | |
People. You know, out on the streets, you know, real things. | 0:34:21 | 0:34:24 | |
I could follow something up and make a show. | 0:34:24 | 0:34:27 | |
-In depth. -Aye. | 0:34:27 | 0:34:29 | |
Rufus told me about Madeline leaving. | 0:34:29 | 0:34:32 | |
Who the hell told Rufus? | 0:34:32 | 0:34:34 | |
Anyway, it's got nothing to do with Maddy, this is work. | 0:34:34 | 0:34:39 | |
I think I'm onto something, I want to chase it up. | 0:34:39 | 0:34:42 | |
Make a programme. You know, there are things | 0:34:42 | 0:34:45 | |
going on in this town that would make your hair curl. | 0:34:45 | 0:34:47 | |
Have I ever told you about my... navy days? | 0:34:50 | 0:34:54 | |
We used to do ship-to-ship transfers, you know, | 0:34:54 | 0:34:56 | |
breeches buoy. | 0:34:56 | 0:34:58 | |
Just a little bucket seat away out there in the ocean. | 0:34:59 | 0:35:02 | |
There was a point, you see, when you'd be halfway between | 0:35:04 | 0:35:06 | |
one ship and the other. | 0:35:06 | 0:35:07 | |
And the swell, sometimes, | 0:35:09 | 0:35:11 | |
would put both ships out of sight, oh, for 15, 20 seconds. | 0:35:11 | 0:35:15 | |
And there you'd be... hanging beneath a bit of rope | 0:35:17 | 0:35:22 | |
and nothing all about you but angry water. | 0:35:22 | 0:35:26 | |
You get my point? | 0:35:29 | 0:35:31 | |
No. | 0:35:33 | 0:35:34 | |
But, surely...? | 0:35:37 | 0:35:39 | |
If you're...where you... | 0:35:39 | 0:35:41 | |
Are you sure you don't get the point? | 0:35:42 | 0:35:44 | |
Not exactly. | 0:35:44 | 0:35:46 | |
It's depression, Alan, depression. | 0:35:46 | 0:35:49 | |
You're stuck between where you've been and where you're going. | 0:35:49 | 0:35:52 | |
And you've lost sight of both. | 0:35:52 | 0:35:54 | |
The secret, Alan...is faith. | 0:35:56 | 0:35:59 | |
Next time you look up, the way ahead will be clear. | 0:36:00 | 0:36:03 | |
Think about it. | 0:36:05 | 0:36:06 | |
Can I make a documentary anyway? | 0:36:08 | 0:36:10 | |
Alan, the resources of the station are yours to make use of, | 0:36:11 | 0:36:14 | |
you know that. | 0:36:14 | 0:36:16 | |
But I don't see any need to tamper with... | 0:36:16 | 0:36:18 | |
the Dicky Bird Early Worm Show, do you? | 0:36:18 | 0:36:20 | |
Fair enough. | 0:36:20 | 0:36:22 | |
-I can pick up a tape recorder at the newsroom? -Of course you can. | 0:36:22 | 0:36:27 | |
Knock on the door any time, Alan. Oh, and Alan...? | 0:36:27 | 0:36:30 | |
Don't fret about these angry seas below you. | 0:36:31 | 0:36:34 | |
I'll be seeing you, Hilary. | 0:36:35 | 0:36:37 | |
Aye, Gloria, listen, get on to the legal department, would you? | 0:36:46 | 0:36:49 | |
I want the lowdown on Alan Bird's contract. | 0:36:49 | 0:36:52 | |
Aye, find out if it's yearly or six-monthly. Oh, and, Gloria... | 0:36:52 | 0:36:56 | |
find out if there's a sanity clause. | 0:36:56 | 0:36:58 | |
No, sanity clause! | 0:37:01 | 0:37:03 | |
Santa Claus! | 0:37:05 | 0:37:07 | |
Oh, aye... | 0:37:07 | 0:37:08 | |
HE COUGHS | 0:37:15 | 0:37:17 | |
Dicky Bird, documentary - Bird's Eye View, take one... | 0:37:17 | 0:37:20 | |
Alan Bird, documentary, Bird's Eye View, take one. | 0:37:21 | 0:37:25 | |
Here I am, in the heart of the city. | 0:37:28 | 0:37:31 | |
Talking about this... | 0:37:32 | 0:37:34 | |
..place, er... | 0:37:35 | 0:37:37 | |
We all think that we know our own place. | 0:37:45 | 0:37:47 | |
Our own town, but...do we? | 0:37:48 | 0:37:51 | |
How much do we know? | 0:37:52 | 0:37:54 | |
Or care? | 0:37:56 | 0:37:57 | |
Things happen around us that... | 0:37:59 | 0:38:01 | |
The other night I saw two men demolish an ice-cream van | 0:38:13 | 0:38:15 | |
with iron bars. Can you believe it? | 0:38:15 | 0:38:18 | |
Right here, in this city. | 0:38:18 | 0:38:21 | |
There are things... | 0:38:24 | 0:38:26 | |
..going on in this city that would make you... | 0:38:27 | 0:38:30 | |
Maddy, please come home. | 0:38:34 | 0:38:36 | |
I want to see you today. | 0:38:38 | 0:38:40 | |
I want to see what you're wearing. | 0:38:41 | 0:38:43 | |
I want you to tell me a joke. | 0:38:44 | 0:38:46 | |
I want to make you something nice to eat. | 0:38:48 | 0:38:50 | |
Ice cream is not something that many of us | 0:38:54 | 0:38:57 | |
give a great deal of thought to, but, erm... | 0:38:57 | 0:38:59 | |
..especially at this time of year when... | 0:39:01 | 0:39:05 | |
Hello, Colin, yeah this is Alan. This is an SOS. | 0:39:27 | 0:39:31 | |
Can I come over? | 0:39:31 | 0:39:33 | |
-RADIO: -Hi, this is Dicky Bird and I've got a real problem. | 0:39:33 | 0:39:36 | |
I've just tasted an exciting new minty snack called Easy Chews, | 0:39:36 | 0:39:39 | |
but I can't decide whether it's a mint or a chew bar. | 0:39:39 | 0:39:41 | |
It comes from the people who make Minty Crunch so you know | 0:39:41 | 0:39:44 | |
that it tastes good and minty but it chews like a real chewy, chew bar. | 0:39:44 | 0:39:48 | |
It's a between-meals snack and it comes in four big chocolate-covered fingers. | 0:39:48 | 0:39:51 | |
Try one and then you decide - | 0:39:51 | 0:39:53 | |
is it a mint or is it a chew? It's a problem... | 0:39:53 | 0:39:56 | |
How was the operation yesterday? | 0:40:01 | 0:40:03 | |
-Eh? -The operation... | 0:40:05 | 0:40:07 | |
Oh, yeah. It was fine... | 0:40:08 | 0:40:10 | |
The bugger had eaten a sandwich the night before and not told us. | 0:40:12 | 0:40:15 | |
Very nearly sewed his new kidney onto a piece of tomato. | 0:40:15 | 0:40:17 | |
THEY CHUCKLE | 0:40:17 | 0:40:19 | |
The one essential is a good empty gut. | 0:40:19 | 0:40:21 | |
But, the kidney seems like a good match. | 0:40:21 | 0:40:23 | |
What did you do last night? | 0:40:25 | 0:40:27 | |
I bought some ice cream. | 0:40:27 | 0:40:30 | |
-Oh. -Do you know anything about ice cream? | 0:40:30 | 0:40:33 | |
I mean, professionally. Medically. | 0:40:33 | 0:40:36 | |
-Erm... -Chemically? | 0:40:36 | 0:40:38 | |
Not a lot, no. | 0:40:38 | 0:40:40 | |
BABY CRIES | 0:40:40 | 0:40:42 | |
You should ask the expert. | 0:40:42 | 0:40:44 | |
Aye! | 0:40:44 | 0:40:45 | |
BABY CRIES | 0:40:45 | 0:40:46 | |
Could you fix Katy's doll for her, please? | 0:40:46 | 0:40:50 | |
I've left my needle and thread at the hospital, sweetheart. | 0:40:50 | 0:40:53 | |
This is a real mess, Lily. | 0:40:53 | 0:40:54 | |
BABY CONTINUES CRYING | 0:40:54 | 0:40:55 | |
I told you about amputations, you just watch them closely | 0:40:55 | 0:40:58 | |
and only chop if you have to, OK? | 0:40:58 | 0:41:01 | |
BABY CONTINUES CRYING | 0:41:01 | 0:41:03 | |
I wish I could cry like that. I've forgotten how to. | 0:41:03 | 0:41:05 | |
Have another couple of drinks and it will all come back. | 0:41:05 | 0:41:08 | |
Oh, aye. | 0:41:08 | 0:41:09 | |
That's serious medical advice. | 0:41:09 | 0:41:11 | |
Sometimes there's nothing like a good skinful. | 0:41:11 | 0:41:14 | |
Stay the night, Alan, the girls can double up. | 0:41:14 | 0:41:17 | |
BABY CONTINUES CRYING | 0:41:17 | 0:41:18 | |
-Do you want me to ask him? -Mm-hm. | 0:41:18 | 0:41:21 | |
OK. | 0:41:21 | 0:41:22 | |
Lily says you can get her ready for bed tonight, | 0:41:22 | 0:41:25 | |
Uncle Dicky. And that's a great honour. | 0:41:25 | 0:41:28 | |
Dicky on the bed, girls in the bunk, all right? | 0:41:28 | 0:41:31 | |
-Yeah. -Night, night, ladies. -Kiss Daddy night, night. | 0:41:31 | 0:41:33 | |
-Big kiss. -Oh. | 0:41:33 | 0:41:35 | |
BABY CONTINUES CRYING | 0:41:35 | 0:41:38 | |
Night, night, sweetheart. | 0:41:38 | 0:41:40 | |
Come on... There. Come on... | 0:41:40 | 0:41:42 | |
You're a lucky bugger. | 0:41:44 | 0:41:46 | |
How did you get it all together? | 0:41:47 | 0:41:49 | |
-You're so productive. -Reproductive, there's a difference. | 0:41:51 | 0:41:55 | |
Don't forget, I was always jealous of you at university. | 0:41:57 | 0:42:00 | |
Organising the hops, mmm... | 0:42:00 | 0:42:02 | |
HE CHUCKLES | 0:42:02 | 0:42:03 | |
Mr Showbiz. Pulling girls. | 0:42:03 | 0:42:05 | |
Failing exams. | 0:42:05 | 0:42:07 | |
Even that made me jealous, I didn't have the guts to fail exams. | 0:42:07 | 0:42:10 | |
You're just trying to make me feel better. | 0:42:10 | 0:42:13 | |
Well, that's my job. | 0:42:13 | 0:42:15 | |
HE EXHALES | 0:42:15 | 0:42:17 | |
I only hung around with you because you knew all the fast girls. | 0:42:17 | 0:42:21 | |
You married one of them. You got one of them to keep. | 0:42:21 | 0:42:24 | |
I don't even have a home. | 0:42:24 | 0:42:26 | |
You drive around this city and all you see are homes. | 0:42:26 | 0:42:28 | |
-And I don't have one. -Oh, we've all got worries, you know. | 0:42:28 | 0:42:32 | |
I have this recurring nightmare about you coming to date | 0:42:32 | 0:42:35 | |
one of my daughters in about ten years' time, it's awful. | 0:42:35 | 0:42:37 | |
Well, she will be old enough to know her own mind, Colin. | 0:42:37 | 0:42:40 | |
Well, imagine... | 0:42:40 | 0:42:42 | |
..that little madam want you to undress her tonight? She's six years old. | 0:42:42 | 0:42:46 | |
HE CHUCKLES | 0:42:46 | 0:42:48 | |
TOY SQUEAKS | 0:42:54 | 0:42:55 | |
SQUEAK | 0:43:04 | 0:43:05 | |
TINY SQUEAK | 0:43:14 | 0:43:15 | |
SQUEAKING | 0:43:19 | 0:43:21 | |
HE SIGHS | 0:43:24 | 0:43:26 | |
Night, night, Dicky. | 0:43:32 | 0:43:34 | |
Night, night, Lily. | 0:43:36 | 0:43:38 | |
Erm, will you be staying tomorrow night? | 0:43:39 | 0:43:41 | |
-WHISPERS: -I don't think so. | 0:43:43 | 0:43:45 | |
Will you play me a record? | 0:43:45 | 0:43:47 | |
On the Saturday show. | 0:43:47 | 0:43:49 | |
-I promise. -And it's for Andrew, but don't mention my name. | 0:43:49 | 0:43:54 | |
OK. | 0:43:54 | 0:43:55 | |
-Night, night. -Night, night. | 0:43:55 | 0:43:57 | |
What happened to the car? | 0:44:40 | 0:44:43 | |
-Ice-cream cones. -Take me home, I'm freezing. | 0:44:43 | 0:44:46 | |
How did you find me? | 0:44:46 | 0:44:48 | |
Oh, I tried you at home and the rest was easy. | 0:44:48 | 0:44:51 | |
You're a dream, aren't you? | 0:44:52 | 0:44:54 | |
SHE CHUCKLES | 0:44:54 | 0:44:55 | |
No, I'm real. | 0:44:55 | 0:44:57 | |
Touch me. | 0:44:57 | 0:44:58 | |
Feel me. | 0:45:00 | 0:45:01 | |
Sniff me. | 0:45:01 | 0:45:02 | |
SHE LAUGHS | 0:45:02 | 0:45:04 | |
I smell nice, don't I? | 0:45:04 | 0:45:05 | |
-Even my sweat smells nice. -Mmm. | 0:45:07 | 0:45:09 | |
SHE CHUCKLES | 0:45:09 | 0:45:10 | |
Take me home. | 0:45:10 | 0:45:12 | |
Oh, you wee bugger, you're not a dream. | 0:45:12 | 0:45:15 | |
Maddy, I'm... | 0:45:19 | 0:45:20 | |
Hi, Dicky Bird here. My parties are going with a zing this Christmas and you know why? | 0:45:39 | 0:45:43 | |
It's new Party Mix. The drink mixer for every taste, | 0:45:43 | 0:45:46 | |
in tangy tropical four fruits or smoothie tomato flavour. | 0:45:46 | 0:45:49 | |
Yes, gin, vodka and Bacardi taste new and exciting with Party Mix. | 0:45:49 | 0:45:53 | |
Come in and join the crowd with Party Mix. | 0:45:53 | 0:45:55 | |
WOMAN: Hey, Dicky darling, over here... | 0:45:55 | 0:45:58 | |
Excuse me, folks, see you later! | 0:45:58 | 0:46:00 | |
Help yourself to the Party Mix. | 0:46:00 | 0:46:02 | |
JINGLE BEGINS | 0:46:02 | 0:46:04 | |
Sorry, Alan, we'd like to go again for the balance, we have to do a live mix, OK? | 0:46:04 | 0:46:07 | |
TAPE REWINDS | 0:46:07 | 0:46:10 | |
Clive says can you make it a bit more suggestive at the end, | 0:46:10 | 0:46:13 | |
like you know you're going to have a good time? | 0:46:13 | 0:46:16 | |
A good time. Lovely, aye. | 0:46:16 | 0:46:17 | |
DRINK FIZZES | 0:46:17 | 0:46:19 | |
Uhhm. | 0:46:19 | 0:46:20 | |
A message for you, Alan. | 0:46:23 | 0:46:25 | |
A Mr Bruno Culinari says he'll see you outside the car park | 0:46:28 | 0:46:32 | |
-at six o'clock. -Mr who...? | 0:46:32 | 0:46:33 | |
-Bruno Culinari. He was a bit weird. -Mm-hm. | 0:46:33 | 0:46:37 | |
-OK, thanks. -Alan - Bob Hope and Fred Astaire, the doubles competition. | 0:46:37 | 0:46:42 | |
-I'm Bob Hope. -Right. | 0:46:44 | 0:46:46 | |
I was actually more like him when I was younger. | 0:46:46 | 0:46:48 | |
I've got a photograph. | 0:46:48 | 0:46:50 | |
-Do photographs count? -I'm not sure about that. | 0:46:50 | 0:46:53 | |
No, the rules are a wee bit hazy on that score! | 0:46:53 | 0:46:56 | |
Look, this was taken in 1958 and everybody says that | 0:46:56 | 0:47:00 | |
I was Bob Hope's double. | 0:47:00 | 0:47:02 | |
Surely that must go for something? | 0:47:02 | 0:47:04 | |
Aye, well, look, Bob... we'll let you know, thanks. | 0:47:04 | 0:47:07 | |
Er, Mr Bird... Fred Astaire...? | 0:47:07 | 0:47:10 | |
-Yeah. -Thank you for coming, Mr Bird. Come on out. You're OK. | 0:49:10 | 0:49:14 | |
It's a real treat to meet you, Mr Bird. | 0:49:16 | 0:49:19 | |
This is my brother, Paolo. | 0:49:19 | 0:49:21 | |
-How you doing? -And that's Renato. | 0:49:23 | 0:49:25 | |
RENATO WHISTLES RADIO THEME TUNE | 0:49:25 | 0:49:26 | |
THEY CHUCKLE | 0:49:26 | 0:49:28 | |
And I'm Bruno. | 0:49:28 | 0:49:29 | |
Come inside and meet Mr McCool. | 0:49:29 | 0:49:31 | |
HE SPEAKS ITALIAN | 0:50:06 | 0:50:11 | |
Mr Bird, meet Mr McCool. | 0:50:11 | 0:50:13 | |
Mr Bird, I believe you know Mr Bunny. | 0:50:13 | 0:50:17 | |
Oh, no. Hardly at all. | 0:50:17 | 0:50:19 | |
I bought a 99 from him and we exchanged a few words. | 0:50:19 | 0:50:23 | |
Sit down, please, Mr Bird. | 0:50:23 | 0:50:25 | |
Mr Bird, ice cream is an old established business. | 0:50:42 | 0:50:47 | |
Everybody knows where he stands in this city. | 0:50:47 | 0:50:49 | |
We all work together. It's a kind of...family. | 0:50:49 | 0:50:52 | |
That sounds nice. | 0:50:53 | 0:50:54 | |
Of course, everything works on trust, kind of unwritten rules. | 0:50:56 | 0:51:01 | |
A certain amount of honour is involved. | 0:51:01 | 0:51:04 | |
-But Mr Bunny doesn't play by the rules. -The unwritten ones? -Yes. | 0:51:04 | 0:51:09 | |
The unwritten ones. | 0:51:09 | 0:51:11 | |
It's a territorial thing, really. | 0:51:12 | 0:51:15 | |
Other people working the east and in the south. | 0:51:15 | 0:51:18 | |
But we do business here in the north, where we belong. | 0:51:18 | 0:51:22 | |
But Mr Bunny is all over the place, Mr Bird. | 0:51:22 | 0:51:27 | |
He is an interloper. | 0:51:27 | 0:51:29 | |
He is like a rogue elephant. Wild, no rules. | 0:51:29 | 0:51:33 | |
Well, as I say, I... we only exchanged a few words. | 0:51:33 | 0:51:36 | |
In fact, I'm not even sure if it was Mr Bunny himself. | 0:51:36 | 0:51:39 | |
No, no, no. There is no Mr Bunny, Mr Bird. I told you. | 0:51:39 | 0:51:42 | |
He's wild, he's a rogue. | 0:51:42 | 0:51:45 | |
No family, no heart. Just a bunch of desperadoes. | 0:51:45 | 0:51:49 | |
What's it got to do with me? | 0:51:51 | 0:51:53 | |
You must talk to him. Let him see reason. | 0:51:54 | 0:51:57 | |
-Before things get bad. -But they're bad already! | 0:51:58 | 0:52:02 | |
I mean, my car, the seats are ruined. | 0:52:02 | 0:52:04 | |
You ever tried to get ice cream off velour upholstery? | 0:52:04 | 0:52:07 | |
HE SPEAKS ITALIAN | 0:52:07 | 0:52:11 | |
My father says that things can only get worse if you don't help us. | 0:52:38 | 0:52:42 | |
People do desperate things when their livelihood is threatened. | 0:52:42 | 0:52:45 | |
For reasons of honour | 0:52:45 | 0:52:46 | |
and for other reasons we can't talk directly to Mr Bunny. | 0:52:46 | 0:52:50 | |
Everybody puts their faith in you. | 0:52:50 | 0:52:52 | |
My father says that he speaks for the whole of the ice-cream community | 0:52:52 | 0:52:55 | |
and my father asks if he can call you Dicky? | 0:52:55 | 0:53:00 | |
HE SPEAKS ITALIAN | 0:53:00 | 0:53:02 | |
My father says that ice cream is his life. | 0:53:07 | 0:53:10 | |
And, er, he's called you Dicky again. | 0:53:10 | 0:53:12 | |
Oh, call me Alan. | 0:53:13 | 0:53:15 | |
My friends call me Alan. | 0:53:15 | 0:53:16 | |
Well, eh... | 0:53:17 | 0:53:18 | |
..I'll do what I can. | 0:53:20 | 0:53:21 | |
HE SPEAKS ITALIAN | 0:53:23 | 0:53:25 | |
HE REPLIES IN ITALIAN | 0:53:25 | 0:53:27 | |
Thank you for helping us. | 0:53:28 | 0:53:30 | |
I knew you would. You came along just when we needed you. | 0:53:30 | 0:53:33 | |
The best machine... | 0:53:37 | 0:53:38 | |
for the best ice cream. | 0:53:38 | 0:53:39 | |
Ah, grazie, Renato. | 0:53:42 | 0:53:43 | |
LIQUID BUBBLES | 0:53:43 | 0:53:45 | |
A small token of our appreciation, Alan. | 0:53:45 | 0:53:48 | |
Gold medal deluxe vanilla. | 0:53:48 | 0:53:50 | |
Of course you can have any flavour you like. | 0:53:50 | 0:53:52 | |
No, no, vanilla is fine, yes. | 0:53:52 | 0:53:55 | |
And this is what Mr Bunny and people like him | 0:53:55 | 0:53:58 | |
want to deprive the people of - a first-class ice cream. | 0:53:58 | 0:54:01 | |
Please. | 0:54:01 | 0:54:02 | |
-Oh. Thank you. -Pleasure. | 0:54:02 | 0:54:05 | |
-And I wonder...? -Yes. -Could you help me out with a pint of milk? | 0:54:05 | 0:54:07 | |
-I think I've missed the shop. -Of course, of course. | 0:54:07 | 0:54:10 | |
THEY SPEAK IN ITALIAN | 0:54:10 | 0:54:13 | |
Ah, that's Archie and Amos, two of my best men. | 0:54:13 | 0:54:16 | |
He's Dicky Bird from the radio. | 0:54:16 | 0:54:18 | |
Erm, I'm Amos, he's Archie. | 0:54:19 | 0:54:22 | |
POUNDING ON DOOR | 0:54:22 | 0:54:24 | |
Bruno... | 0:54:24 | 0:54:26 | |
-Oh... -Here, let me pay for this. | 0:54:30 | 0:54:33 | |
Well, if you insist, it's 20 pence, that's exactly what we pay. | 0:54:33 | 0:54:36 | |
ALAN MUMBLES | 0:54:36 | 0:54:37 | |
RENATO SHIVERS | 0:54:37 | 0:54:39 | |
-There you are. -Thank you. -Thank you. -Ah, Bruno... | 0:54:39 | 0:54:41 | |
HE SPEAKS ITALIAN | 0:54:41 | 0:54:43 | |
My father apologises for speaking in Italian | 0:54:46 | 0:54:48 | |
-but he says it's the language of his heart. -Oh, sure. | 0:54:48 | 0:54:52 | |
Well, eh... | 0:54:52 | 0:54:53 | |
cheerio and, erm, thanks for the milk and the ice cream and, erm... | 0:54:53 | 0:54:58 | |
Good night, Mr Bird. Thank you very much. Good night. | 0:54:58 | 0:55:00 | |
Shake the man's hand. | 0:55:00 | 0:55:02 | |
Good night. | 0:55:02 | 0:55:04 | |
Good night, we'll keep in touch. | 0:55:04 | 0:55:06 | |
Thank you. Bye-bye. | 0:55:06 | 0:55:07 | |
FOOTSTEPS APPROACH | 0:55:20 | 0:55:21 | |
Dicky, Dicky, could I have your autograph? | 0:55:21 | 0:55:25 | |
Oh, sure, sure. Yes. Have you got a pen, or something? | 0:55:25 | 0:55:29 | |
Lovely. What was your name again? | 0:55:29 | 0:55:31 | |
Could you make it, "To my dear friend Paolo"? | 0:55:31 | 0:55:34 | |
"To my dear friend, Paolo." | 0:55:34 | 0:55:37 | |
-Paolo. -That's a good Scots name, eh? | 0:55:37 | 0:55:39 | |
PAOLO CHUCKLES | 0:55:39 | 0:55:40 | |
"Dicky Bird. Tweet... | 0:55:40 | 0:55:43 | |
"..tweedly tweet." | 0:55:43 | 0:55:45 | |
-That's great. -Lovely, OK? -Thanks a lot. -See you. | 0:55:45 | 0:55:48 | |
-Lovely car. -Aye. Thanks very much. | 0:55:48 | 0:55:51 | |
ENGINE STARTS | 0:55:53 | 0:55:55 | |
THEY SPEAK ITALIAN | 0:55:57 | 0:56:00 | |
MUSIC ON RADIO: "Me And Mrs Jones" by Billy Paul | 0:56:08 | 0:56:11 | |
# Me and Mrs Jones | 0:56:11 | 0:56:13 | |
# We got a thing | 0:56:16 | 0:56:19 | |
# Going on | 0:56:20 | 0:56:22 | |
# We meet every day at the same cafe... # | 0:56:29 | 0:56:33 | |
MELANCHOLY SAXOPHONE MUSIC PLAYS | 0:57:02 | 0:57:05 | |
I know that this will be very bad news for Bob Hope of Anniesland | 0:57:28 | 0:57:31 | |
but come on, Bob, keep trying. Maybe you could practise looking like | 0:57:31 | 0:57:34 | |
somebody else, eh?! | 0:57:34 | 0:57:36 | |
JINGLE: # Somebody famous | 0:57:36 | 0:57:38 | |
# Lookalike, lookalike somebody famous. # | 0:57:39 | 0:57:45 | |
SINISTER SCORE | 0:57:45 | 0:57:47 | |
And before I go today I want to steal the airwaves | 0:57:47 | 0:57:49 | |
and just get a teensy bit serious. | 0:57:49 | 0:57:51 | |
I've got a message for someone who might just be listening. | 0:57:51 | 0:57:54 | |
Mr Bunny or Miss Bunny, I do want to talk to you again, | 0:57:54 | 0:57:58 | |
so how about same time same place? Tonight? | 0:57:58 | 0:58:03 | |
End of message. | 0:58:03 | 0:58:05 | |
And listen, everybody, one day soon I'm going to tell you all about this, | 0:58:06 | 0:58:10 | |
perhaps even in a very special programme | 0:58:10 | 0:58:12 | |
but until then, I'm a man of mystery! | 0:58:12 | 0:58:14 | |
I'm afraid that tooth's very bad. | 0:58:37 | 0:58:39 | |
So, what we'll do... | 0:58:40 | 0:58:41 | |
seeing it's you... | 0:58:41 | 0:58:43 | |
..we'll pop a dressing into it and... | 0:58:44 | 0:58:46 | |
..if there's no pain at all, fix it on your next visit. | 0:58:49 | 0:58:52 | |
ICE-CREAM VAN JINGLE | 0:59:31 | 0:59:34 | |
ICE-CREAM VAN JINGLE | 0:59:54 | 0:59:57 | |
# Hello, folks. # | 0:59:57 | 0:59:59 | |
ICE-CREAM VAN JINGLE | 1:00:09 | 1:00:11 | |
# Hello, folks! # | 1:00:11 | 1:00:13 | |
SMASH! | 1:00:13 | 1:00:15 | |
This is the reserve vehicle. The rest are back at the body shop. | 1:00:35 | 1:00:38 | |
This is me completely out of action, no more front-line units. | 1:00:38 | 1:00:40 | |
-I just wanted to have a word with you. -I know that. | 1:00:40 | 1:00:43 | |
I was coming to see you. What did you think I was doing? | 1:00:43 | 1:00:45 | |
-I thought you were trying to get away. -Oh, God Almighty. | 1:00:45 | 1:00:48 | |
This is my first night on the estate. I was cleaning up here. | 1:00:48 | 1:00:51 | |
The radiator's OK. | 1:00:54 | 1:00:55 | |
I'll get the lads at the body shop to beat this out for you. | 1:00:55 | 1:00:58 | |
No, no, I'll get it fixed. | 1:00:58 | 1:01:00 | |
There's no point in hanging about here, is there? | 1:01:01 | 1:01:03 | |
Follow me back to HQ. | 1:01:03 | 1:01:06 | |
Seen some action tonight, Trevor. Was it a ramming job? | 1:01:46 | 1:01:49 | |
It was Robin Hood here coming to rescue me. | 1:01:49 | 1:01:52 | |
Hello, folks. | 1:01:54 | 1:01:56 | |
-Oh, you're... -HE WHISTLES | 1:02:02 | 1:02:05 | |
It's just superficial damage. I'll get Roddy to bash it out | 1:02:12 | 1:02:15 | |
-and slap some paint on it. -Oh, no, please, I'll fix it tomorrow. | 1:02:15 | 1:02:18 | |
Suit yourself, it'll cost you a fortune to get fixed anywhere else. | 1:02:18 | 1:02:22 | |
Oh, we can field two units tomorrow night, | 1:02:22 | 1:02:25 | |
-I fixed up the freezer on the Merc. -Good, well done. | 1:02:25 | 1:02:28 | |
-Listen, is Charlotte in the...? -She's in the office. | 1:02:28 | 1:02:31 | |
So, is this really the ultimate driving machine? | 1:02:36 | 1:02:39 | |
-Hm. -Good. | 1:02:40 | 1:02:43 | |
Hello, folks! | 1:02:45 | 1:02:48 | |
Hello, folks! | 1:02:52 | 1:02:55 | |
Take a seat. | 1:03:06 | 1:03:08 | |
-Mr Bird here wants to talk to us. He's seen McCool. -Oh, yeah. | 1:03:13 | 1:03:19 | |
McCool wants to get together, reach an agreement. He's very upset. | 1:03:19 | 1:03:27 | |
SHE SPEAKS IN ITALIAN | 1:03:27 | 1:03:32 | |
-I think it's a serious offer. -McCool is serious all right. | 1:03:34 | 1:03:37 | |
He is deadly serious. | 1:03:39 | 1:03:40 | |
SHE SPEAKS IN ITALIAN | 1:03:40 | 1:03:44 | |
Do you have any idea what you're getting involved in here? | 1:03:44 | 1:03:47 | |
-Do you work for McCool? -Certainly not. I'm a journalist. | 1:03:47 | 1:03:51 | |
I'm trying to stop senseless violence. | 1:03:51 | 1:03:53 | |
McCool runs a big outfit, he wants to talk. | 1:03:54 | 1:03:57 | |
He wants to annihilate us, is what he wants. | 1:03:57 | 1:03:59 | |
McCool has a stranglehold on every independent operator in the north of this city. | 1:03:59 | 1:04:03 | |
He controls every franchise - wafer supply, ice cream, soft drinks. | 1:04:03 | 1:04:08 | |
He's even got a 10% mark-up on every gallon of raspberry essence. | 1:04:08 | 1:04:11 | |
You do your shopping elsewhere, you get the demolition treatment. | 1:04:11 | 1:04:14 | |
SHE SPEAKS IN ITALIAN | 1:04:14 | 1:04:17 | |
How long have you been locked up in that radio station of yours, Mr Bird? | 1:04:17 | 1:04:21 | |
Do you have any idea what's going on around here? | 1:04:21 | 1:04:23 | |
I got the impression he wants to try and find a working relationship. | 1:04:23 | 1:04:27 | |
Oh, yeah, exactly. Us working for him. | 1:04:27 | 1:04:30 | |
You want me to go out there and tell those people that you want them to work for McCool. | 1:04:30 | 1:04:34 | |
After the threats, the violence - you go and tell them. | 1:04:34 | 1:04:37 | |
Something's got to be done, it seems so stupid. | 1:04:37 | 1:04:40 | |
It's almost like a joke, people getting | 1:04:40 | 1:04:42 | |
so angry about ice cream, it's a joke. | 1:04:42 | 1:04:45 | |
And what deadly serious occupation are you involved in, Mr Dicky Bird? | 1:04:45 | 1:04:49 | |
What exactly is your contribution to humanity? | 1:04:49 | 1:04:52 | |
I want to help. But what can I do? | 1:04:53 | 1:04:57 | |
I want to help all of you find a solution. | 1:04:57 | 1:05:00 | |
SHE SPEAKS IN ITALIAN | 1:05:00 | 1:05:04 | |
Capisca. | 1:05:11 | 1:05:12 | |
SHE SPEAKS IN ITALIAN | 1:05:12 | 1:05:14 | |
You tell McCool this. | 1:05:14 | 1:05:16 | |
We'll take his ice cream but under our conditions. | 1:05:16 | 1:05:19 | |
Every Mr Bunny is his own boss and that's the way it stays. | 1:05:19 | 1:05:21 | |
We're talking equal prices with no mark-ups. | 1:05:21 | 1:05:24 | |
In an open market in wafers, we buy what we want. | 1:05:24 | 1:05:26 | |
If he prices fairly, then he gets the business. | 1:05:26 | 1:05:29 | |
On territories, we are willing to negotiate openly around the table, | 1:05:29 | 1:05:33 | |
we talk under those conditions. | 1:05:33 | 1:05:34 | |
Where do you get your supplies from at the moment? | 1:05:34 | 1:05:37 | |
So, that's what McCool's after. That's why he sent you. | 1:05:37 | 1:05:40 | |
-He must be worried, Charlotte. -Nobody sent me. | 1:05:40 | 1:05:42 | |
OK, well, you go back to where nobody sent you from and tell them | 1:05:42 | 1:05:46 | |
what we said - we talk in an open market. | 1:05:46 | 1:05:49 | |
-OK. -OK. | 1:05:49 | 1:05:51 | |
You'd better go before the boys get to work on your car. | 1:05:53 | 1:05:56 | |
You'll end up with a fridge in the back, and a set of chimes. | 1:05:56 | 1:06:00 | |
Charlotte, see Mr Bird off the premises. | 1:06:00 | 1:06:02 | |
HE TRIES TO SPEAK ITALIAN | 1:06:06 | 1:06:09 | |
-I speak English. -Good, I am on your side, Charlotte. You know that. | 1:06:09 | 1:06:14 | |
Well, I am on both your sides, really. | 1:06:14 | 1:06:18 | |
I think you should all be on the same side. | 1:06:18 | 1:06:21 | |
I'd really like to see you again. Get to know you better. | 1:06:24 | 1:06:28 | |
What's the matter? Don't people date each other any more? | 1:06:31 | 1:06:35 | |
-Well, I don't know. -Mr Bird...? | 1:06:35 | 1:06:39 | |
When you see McCool, be sure and remind him - formerly Mr Softy. | 1:06:43 | 1:06:48 | |
No more. | 1:06:49 | 1:06:51 | |
Here, some ice cream for you. | 1:06:54 | 1:06:56 | |
Thank you. | 1:06:57 | 1:06:59 | |
Oh, in the name of... | 1:06:59 | 1:07:02 | |
Be finished in a minute, Dicky. | 1:07:02 | 1:07:04 | |
JINGLES PLAY ON CAR RADIO | 1:07:59 | 1:08:02 | |
-Hello, Mr Bird, please come in. -Sit down. -Thank you. | 1:08:34 | 1:08:40 | |
Would you like a cup of coffee? | 1:08:40 | 1:08:42 | |
-Cake or chocolate biscuit, Alan? -Yes, please. -Maria. | 1:08:43 | 1:08:48 | |
Maria, what have you got left? Any Kunzel cake? | 1:08:52 | 1:08:54 | |
-Yes, I have two Kunzel cakes and some apple pie. -Oh, good, good. | 1:08:54 | 1:08:59 | |
Mr Bird and I will have Kunzel cakes, and some biscuit for the boys, | 1:08:59 | 1:09:03 | |
and a slice of apple pie, too. There's a good girl. | 1:09:03 | 1:09:07 | |
I wanted some Kunzel cake as well. | 1:09:08 | 1:09:12 | |
That's a pity, Bruno, because you'll just have to have some apple pie, won't you? | 1:09:12 | 1:09:16 | |
So, Alan, what did Mr Bunny have to say for himself? | 1:09:19 | 1:09:24 | |
A lot. He wants to talk. I think it could work out good. | 1:09:24 | 1:09:28 | |
-Where did you meet? His place? -Hm-mm. | 1:09:30 | 1:09:34 | |
-We went there, yes. -Where? | 1:09:34 | 1:09:37 | |
-Where is it? -Now, listen, I'm not taking any sides. | 1:09:37 | 1:09:41 | |
You asked me to help you talk to Mr Bunny. | 1:09:41 | 1:09:43 | |
That's all. | 1:09:43 | 1:09:45 | |
-Bruno, please. Here. Have this. -Thanks. -Bruno! | 1:10:12 | 1:10:16 | |
Give Alan his Kunzel cake. | 1:10:16 | 1:10:19 | |
They have simple demands, they want to do business with you, | 1:10:25 | 1:10:30 | |
-that's obvious. -Who? Who's they? | 1:10:30 | 1:10:35 | |
-I spoke with Trevor, that's no secret, is it? -Trevor? | 1:10:35 | 1:10:39 | |
Trevor, Trevor, Trevor! | 1:10:39 | 1:10:41 | |
HE RANTS IN ITALIAN | 1:10:41 | 1:10:44 | |
My father says, of all the most loathsome names you have to | 1:10:57 | 1:11:00 | |
mention that one, the most abhorred name of all, | 1:11:00 | 1:11:02 | |
the name of a two-timing interloping fish and chip seller, | 1:11:02 | 1:11:06 | |
a name without honour, | 1:11:06 | 1:11:07 | |
the name of a son whose father turns in his grave to see | 1:11:07 | 1:11:10 | |
the disgrace that he brings to his family. | 1:11:10 | 1:11:12 | |
I don't understand. | 1:11:12 | 1:11:14 | |
Trevor is a Marinetti, they have fish and chip shops | 1:11:14 | 1:11:17 | |
all over, we were close to them at one time | 1:11:17 | 1:11:19 | |
then Trevor started to drift into ice cream. | 1:11:19 | 1:11:21 | |
HE shouldn't have, because there was a kind of... | 1:11:21 | 1:11:24 | |
Unwritten law? | 1:11:24 | 1:11:26 | |
Yes, an unwritten law. | 1:11:26 | 1:11:27 | |
I forgot, I was at the dentist today. | 1:11:31 | 1:11:34 | |
-What else happened at Mr Bunny, Alan? -Nothing much. | 1:11:34 | 1:11:39 | |
He wants to talk, that's for sure and, um, | 1:11:39 | 1:11:42 | |
he gave me some ice cream, just like you did. | 1:11:42 | 1:11:45 | |
They gave you some ice cream, some ice cream. | 1:11:45 | 1:11:48 | |
Bruno... HE SPEAKS IN ITALIAN | 1:11:49 | 1:11:52 | |
My father says one taste of that ice cream can answer many questions. | 1:12:08 | 1:12:12 | |
My father has the taste buds of a master. | 1:12:12 | 1:12:15 | |
He knows every ice cream in the country. | 1:12:15 | 1:12:18 | |
HE SPEAKS IN ITALIAN | 1:12:18 | 1:12:21 | |
You're not having my ice cream, Mr McCool. | 1:12:21 | 1:12:23 | |
If you want one, there's a Mr Bunny van every night up in Possilpark. | 1:12:23 | 1:12:26 | |
Alan, Alan, come back. Have another cup of coffee. Come on, please. | 1:12:26 | 1:12:29 | |
-Can I have your autograph? -Sure. Is that to Maria? | 1:12:29 | 1:12:32 | |
Just let me know when you really want to talk. | 1:12:33 | 1:12:36 | |
I'll be happy to fix it up for you. Ciao! | 1:12:36 | 1:12:39 | |
Bruno, no! | 1:12:49 | 1:12:51 | |
Stupido. | 1:12:53 | 1:12:55 | |
-RADIO: -It was announced in Moscow today that Mami, the giant panda, died in the night. | 1:12:57 | 1:13:02 | |
Earlier this week, zoo officials were rejoicing at Mami's confirmed | 1:13:02 | 1:13:06 | |
pregnancy but a spokesman said today the tests have revealed a serious | 1:13:06 | 1:13:10 | |
stomach illness bearing similar symptoms to pregnancy. | 1:13:10 | 1:13:13 | |
Messages of condolence have been arriving at the Moscow zoo | 1:13:13 | 1:13:16 | |
from all over the world. The spokesman also said | 1:13:16 | 1:13:18 | |
that there would be early plans to have Mami stuffed | 1:13:18 | 1:13:21 | |
and put on permanent display at the zoo as a lasting | 1:13:21 | 1:13:23 | |
tribute to the generosity of the People's Republic of China | 1:13:23 | 1:13:26 | |
in gifting the animal to the Russian people. | 1:13:26 | 1:13:28 | |
LOWERED VOICES | 1:13:46 | 1:13:48 | |
FOOTSTEPS | 1:13:48 | 1:13:51 | |
BIRDSONG | 1:14:36 | 1:14:39 | |
And I'm saying this for any Mr Bunny who may be listening, | 1:14:41 | 1:14:43 | |
the message is urgent. Mr McCool is on the trail, be prepared. | 1:14:43 | 1:14:47 | |
Mr McCool is onto you so, please, same time, same place, Mr Bunny, | 1:14:47 | 1:14:52 | |
and I'll give you all the details, but in the meantime double | 1:14:52 | 1:14:55 | |
the guards, send the women and children to the hills. | 1:14:55 | 1:14:57 | |
So, this is Dicky, your early bird, saying cheery-bye, | 1:14:57 | 1:15:00 | |
and don't forget - big prize day tomorrow on the doubles match, | 1:15:00 | 1:15:03 | |
and the big prize this week is one whole day's use | 1:15:03 | 1:15:05 | |
of big station boss Hilary Sandiman's American Express card, | 1:15:05 | 1:15:09 | |
but knowing our Hilary, | 1:15:09 | 1:15:10 | |
he will make sure it is Boxing Day, when all the shops are shut. | 1:15:10 | 1:15:13 | |
But never mind. Finally, once again, Mr Bunny, | 1:15:13 | 1:15:16 | |
if any Mr Bunny is listening out there, then please get | 1:15:16 | 1:15:18 | |
the word back to big Mr Bunny. | 1:15:18 | 1:15:21 | |
Gloria, I want to see Alan Bird. | 1:15:21 | 1:15:24 | |
I told you, I am onto something. | 1:15:26 | 1:15:28 | |
It will break soon, I'll make a programme. | 1:15:28 | 1:15:30 | |
-Alan, you have not been yourself lately. -That's just the point. | 1:15:31 | 1:15:35 | |
I wasn't myself before when you thought I was myself | 1:15:35 | 1:15:37 | |
but now I am myself. Or very nearly. | 1:15:37 | 1:15:41 | |
-I don't follow you. -I told you, I'm changing. I had to. | 1:15:41 | 1:15:46 | |
My life was the wrong flavour, my whole life was the wrong ice cream. | 1:15:46 | 1:15:51 | |
-It needed a new flavour. -Ice cream? | 1:15:51 | 1:15:53 | |
-I was raspberry when I should have been vanilla. Do you get it? -Oh! | 1:15:54 | 1:15:58 | |
Alan, does... | 1:16:00 | 1:16:02 | |
Does this Mr Bunny talk to you a lot? | 1:16:02 | 1:16:06 | |
I talk to them all, I see them all. I'm helping them, they need me. | 1:16:06 | 1:16:09 | |
-Them all? -Yes, I needed to care for something, to get involved. | 1:16:09 | 1:16:13 | |
You can ask my friend Colin - he's a surgeon. | 1:16:13 | 1:16:15 | |
I've got a friend too, Alan, who is a kind of a doctor. | 1:16:15 | 1:16:20 | |
-Would you like to have a talk with him? -What about? | 1:16:20 | 1:16:23 | |
I think you should see someone soon, Alan, | 1:16:23 | 1:16:25 | |
someone who could help you find yourself. | 1:16:25 | 1:16:28 | |
Oh, do you mean a head psychiatrist? You think I'm nuts. I'm not nuts. | 1:16:28 | 1:16:31 | |
Alan, before you go back on the air again, I have to insist. | 1:16:31 | 1:16:36 | |
-Mr Swan. -Bird. -Make yourself at home, I'll be with you in a jiffy. | 1:16:50 | 1:16:54 | |
I wouldn't lie there. That's another £20 an hour. | 1:17:02 | 1:17:06 | |
It's mostly used for group therapy nowadays anyway. | 1:17:07 | 1:17:11 | |
So, I hear you have a friend called Mr Bunny. | 1:17:17 | 1:17:20 | |
Not a friend, somebody I'm helping. | 1:17:20 | 1:17:22 | |
I'm helping all of them, all the Mr Bunnys. | 1:17:22 | 1:17:24 | |
-How long have you been associating with these Mr Bunnys? -All week. | 1:17:25 | 1:17:30 | |
Since Maddy left. | 1:17:30 | 1:17:32 | |
-Maddy? -My girl. She left me. We've been together for four years. | 1:17:32 | 1:17:37 | |
-It was a bit of a shock. -How did that happen? | 1:17:37 | 1:17:42 | |
A removal truck came one night and she left. | 1:17:42 | 1:17:44 | |
It was very sudden, yes. Quite a shock. | 1:17:44 | 1:17:47 | |
How was your relationship with Maddy? | 1:17:49 | 1:17:51 | |
It was fine, I thought it was fine. I thought we were a very good team. | 1:17:51 | 1:17:55 | |
-Do you have a healthy sexual relationship? -Very healthy. | 1:17:55 | 1:18:00 | |
I thought. | 1:18:00 | 1:18:02 | |
Any abnormal sexual practices? | 1:18:02 | 1:18:05 | |
-No. -Nothing at all? -No. | 1:18:09 | 1:18:12 | |
-Any sexual violence? -Certainly not. | 1:18:13 | 1:18:16 | |
Very well. We'll take your word for it. | 1:18:16 | 1:18:19 | |
-So, tell me, how do you feel about losing Maddy? -Heartbroken. | 1:18:21 | 1:18:26 | |
It was a big shock. | 1:18:26 | 1:18:27 | |
-And I've had these dreams, these awful, depressing dreams. -Dreams. | 1:18:27 | 1:18:32 | |
Now I see it's all for the best. | 1:18:32 | 1:18:34 | |
I've explained this to Hilary. I think | 1:18:34 | 1:18:36 | |
we've all got to change at certain times. | 1:18:36 | 1:18:39 | |
But if your life is like an apple cake | 1:18:39 | 1:18:41 | |
when it should be like a Kunzel cake, you're in trouble. | 1:18:41 | 1:18:43 | |
I think you've got to find the right flavour. | 1:18:43 | 1:18:45 | |
Maddy and I were like a chocolate mousse, we were a terrific | 1:18:45 | 1:18:48 | |
chocolate mousse, but you can't live on chocolate mousse. No, you need other things. | 1:18:48 | 1:18:53 | |
I do miss her, though. | 1:18:55 | 1:18:57 | |
She was wonderful. | 1:18:57 | 1:19:00 | |
We were some chocolate mousse. | 1:19:00 | 1:19:04 | |
-I wonder if you've ever done any sailing, Mr Bird. -No. | 1:19:07 | 1:19:13 | |
I have a little illustration that might be of some comfort. | 1:19:13 | 1:19:18 | |
It goes back to my days in the Navy. They used to move us medicos | 1:19:18 | 1:19:21 | |
round a great deal, ship to ship, | 1:19:21 | 1:19:23 | |
-and they had this contraption called a breeches buoy. -Mm-hm. | 1:19:23 | 1:19:27 | |
And sometimes you could find yourself out there in the ocean. | 1:19:27 | 1:19:31 | |
Hanging on a piece of rope, there's nothing else around you but the angry waters, | 1:19:31 | 1:19:36 | |
and you're stuck between here and there. Oh, yes, you're right. | 1:19:36 | 1:19:39 | |
How did you know that? That's my story. | 1:19:39 | 1:19:42 | |
-Oh, I'm sorry. -That's my story. It really happened to me. | 1:19:42 | 1:19:45 | |
-Where did you hear it? -I don't remember. Maybe I read it in a book. | 1:19:45 | 1:19:49 | |
-No, I haven't written a book yet. -I'm sorry. -This is very upsetting. | 1:19:49 | 1:19:53 | |
It really happened, you know. It really happened. | 1:19:53 | 1:19:56 | |
And I've got to warn the Bunnys tonight. | 1:19:56 | 1:19:59 | |
I think the McCools could be onto them. | 1:19:59 | 1:20:02 | |
Listen...what about Maddy? | 1:20:03 | 1:20:06 | |
It's only been four days now. | 1:20:06 | 1:20:09 | |
I think you should take a little bit longer than that to get over her, | 1:20:09 | 1:20:12 | |
after all she meant to you. I don't think you're being fair. | 1:20:12 | 1:20:16 | |
Don't worry, I'm still miserable. I'll be miserable for ages, I know. | 1:20:17 | 1:20:21 | |
But I can see the way forward now, the ship on the horizon. | 1:20:21 | 1:20:25 | |
-Hello, Miss Wilson. -Hello, Doctor. | 1:20:29 | 1:20:32 | |
-How are you? -Fine, Doctor, just a bit stiff. | 1:20:32 | 1:20:37 | |
-I'll tell Sister you can have a real bath today, then. -Thank you. | 1:20:37 | 1:20:41 | |
I brought someone to meet you. It's Dicky Bird from the radio. | 1:20:42 | 1:20:45 | |
Mmm! | 1:20:45 | 1:20:47 | |
Very pleased to meet you, Dicky. | 1:20:47 | 1:20:49 | |
This is a real treat. I listen to you every morning here. | 1:20:49 | 1:20:53 | |
I'm always awake first, | 1:20:53 | 1:20:55 | |
and they don't bring breakfast till half past seven. | 1:20:55 | 1:20:57 | |
Oh, well, thank you very much. | 1:20:57 | 1:20:59 | |
I wish you did Saturday and Sunday, too. | 1:20:59 | 1:21:02 | |
They've got that other noisy clown on then. | 1:21:02 | 1:21:04 | |
Oh, aye, Rufus? | 1:21:04 | 1:21:06 | |
I don't like him. | 1:21:06 | 1:21:08 | |
I don't like him much, either! | 1:21:08 | 1:21:11 | |
We'll have to go just now. | 1:21:11 | 1:21:13 | |
Bye, Doctor. Cheerio, Dicky. | 1:21:13 | 1:21:15 | |
You make an old lady smile every morning. | 1:21:15 | 1:21:18 | |
Cheery-bye. | 1:21:18 | 1:21:21 | |
How long has she been in for? | 1:21:21 | 1:21:23 | |
-A couple of months. -Oh, Jesus. | 1:21:23 | 1:21:26 | |
No, she's OK. | 1:21:26 | 1:21:28 | |
She's got you. | 1:21:28 | 1:21:30 | |
PAGER BLEEPS | 1:21:30 | 1:21:32 | |
Well, anyway, you've obviously got a great deal to do, and, er, | 1:21:32 | 1:21:35 | |
you shouldn't really be here unless you're sick. | 1:21:35 | 1:21:38 | |
-You're not sick, are you? -No, no. | 1:21:38 | 1:21:41 | |
Well, not really! | 1:21:41 | 1:21:43 | |
Aye, well, I'll be seeing you. | 1:21:43 | 1:21:45 | |
-Keep on taking the alcohol. -Check! | 1:21:45 | 1:21:48 | |
KNOCKS AT DOOR | 1:22:02 | 1:22:04 | |
Trevor! I'm glad you're here. Did you get my message? | 1:22:12 | 1:22:16 | |
-What was that? -McCool got a hold of your ice cream. | 1:22:16 | 1:22:18 | |
He reckons that he can track you down. | 1:22:18 | 1:22:20 | |
Oh, I don't think he'll get too far. | 1:22:20 | 1:22:22 | |
See, it's his own recipe. | 1:22:22 | 1:22:25 | |
McCool's my father. | 1:22:25 | 1:22:27 | |
I don't get it... | 1:22:27 | 1:22:29 | |
What are you playing at? You're all crackers! | 1:22:29 | 1:22:32 | |
Nothing like a family feud, Dicky, is there? | 1:22:32 | 1:22:34 | |
Crazy people! You're all crazy people! | 1:22:34 | 1:22:37 | |
DOORS OPEN | 1:22:37 | 1:22:39 | |
BANGING | 1:22:47 | 1:22:49 | |
You brought them here! You bastard! | 1:22:49 | 1:22:52 | |
You're a dead man, Dicky Bird! You are a dead man! | 1:22:52 | 1:22:55 | |
YELLING | 1:22:55 | 1:22:57 | |
Cheerio, folks! | 1:23:20 | 1:23:22 | |
HE SPLUTTERS | 1:23:28 | 1:23:30 | |
SPRAY HISSES | 1:23:42 | 1:23:45 | |
SHOUTING | 1:23:47 | 1:23:49 | |
You bastard! | 1:24:21 | 1:24:23 | |
BANGING AND YELLING | 1:24:23 | 1:24:26 | |
Nobody fucks the Bunny! | 1:24:26 | 1:24:28 | |
I'm going to have you! | 1:24:28 | 1:24:29 | |
I'll have you, you bastard, Bird! | 1:24:32 | 1:24:35 | |
THEY YELL | 1:24:43 | 1:24:45 | |
They used me. They all used me. | 1:24:56 | 1:24:58 | |
They could've picked up the telephone if they wanted to talk to each other. | 1:24:58 | 1:25:02 | |
And the girl, all along it turns out that she's McCool's daughter. | 1:25:02 | 1:25:05 | |
-Do you want some egg, Alan? -Egg? Oh, no, thanks, Colin. | 1:25:05 | 1:25:08 | |
All the best fights happen inside families. | 1:25:10 | 1:25:12 | |
Yeah, that's what Trevor said shortly before he demolished my car. | 1:25:12 | 1:25:15 | |
I just don't see any hope for the world. | 1:25:15 | 1:25:17 | |
People want to damage each other over ice cream, we're doomed. | 1:25:17 | 1:25:21 | |
I don't know, I think ice cream's quite important. | 1:25:21 | 1:25:24 | |
-Isn't it, girls? -Yes! | 1:25:24 | 1:25:27 | |
Did you pay the milk this morning? | 1:25:27 | 1:25:29 | |
No, you paid him two weeks last week. | 1:25:29 | 1:25:31 | |
I wasn't here last week, love. | 1:25:31 | 1:25:33 | |
-Oh, Colin, you said you were going to. -I told you. | 1:25:33 | 1:25:36 | |
Look, I haven't got any cash to pay him this morning. | 1:25:36 | 1:25:40 | |
You remembering that Lily's got to be at her party at two o'clock? | 1:25:40 | 1:25:42 | |
-Can you take her? -If I'm back, love, OK? | 1:25:42 | 1:25:46 | |
-She's got two brothers, this girl? -Yes. | 1:25:48 | 1:25:51 | |
Well, that explains her rebellion, anyway. | 1:25:51 | 1:25:53 | |
That's what got McCool really angry. | 1:25:53 | 1:25:55 | |
His daughter mixed up with a fish and chip family. He's mortified. | 1:25:55 | 1:25:59 | |
Ice cream and chips! | 1:25:59 | 1:26:02 | |
Eh? No, no. | 1:26:02 | 1:26:05 | |
No, it couldn't work. | 1:26:06 | 1:26:08 | |
You said you would get me a request today, Dicky. | 1:26:08 | 1:26:12 | |
Oh, so I did, Lily, I'm sorry. | 1:26:12 | 1:26:14 | |
Don't worry, I'll fix it. | 1:26:14 | 1:26:16 | |
I'll go into the station after I've had my breakfast | 1:26:16 | 1:26:18 | |
and Rufus, he'll let me on for a minute or two. | 1:26:18 | 1:26:20 | |
You watch out for the ice-cream men, OK? | 1:26:20 | 1:26:22 | |
Aye. I've got to do something about them. | 1:26:22 | 1:26:25 | |
They're all so angry they can't think straight. | 1:26:25 | 1:26:28 | |
Let me into the studio, Rufus, just for one minute. | 1:26:28 | 1:26:30 | |
It's to say hello to a kiddie and an old lady that's in hospital, that's all. | 1:26:30 | 1:26:33 | |
Sorry, Alan, I'd have to clear it with Hilary first. | 1:26:33 | 1:26:36 | |
I don't know what happened between you two. | 1:26:36 | 1:26:38 | |
-You'll have to clear it. -You're a shit, Rufus. | 1:26:38 | 1:26:40 | |
I let you onto my show on Mother's Day, remember? | 1:26:40 | 1:26:42 | |
Just because you hadn't phoned her for three weeks. | 1:26:42 | 1:26:44 | |
Just give me the names and I'll take care of it, OK? | 1:26:44 | 1:26:46 | |
OK, thank you. | 1:26:46 | 1:26:48 | |
Well, this is to Andrew from Lily, but don't mention her name, | 1:26:48 | 1:26:51 | |
and to a Miss Wilson in the Western Infirmary, | 1:26:51 | 1:26:55 | |
just lots of love from me, OK? Thanks. | 1:26:55 | 1:26:57 | |
-Which ward? -Oh, I don't know which ward. | 1:26:57 | 1:27:00 | |
I'll play them something nice, Alan. No sweat. | 1:27:00 | 1:27:03 | |
No heavy metal, please. | 1:27:03 | 1:27:04 | |
Well, after all that exercise, | 1:27:04 | 1:27:06 | |
let's all sit down and think about a nice fattening pudding. | 1:27:06 | 1:27:09 | |
And here's Katie Pollock with today's recipe. | 1:27:09 | 1:27:11 | |
It sounds delicious. Banana fritters. | 1:27:11 | 1:27:14 | |
'Hello, everyone. The Chinese are the acknowledged masters | 1:27:14 | 1:27:18 | |
'in the art of fritter-making. | 1:27:18 | 1:27:19 | |
'Everything from the humble apple and pineapple fritters | 1:27:19 | 1:27:22 | |
'to the rare and exotic, and difficult, ice-cream fritter. | 1:27:22 | 1:27:27 | |
'But today we'll concentrate on the easy-to-make banana fritter, | 1:27:27 | 1:27:30 | |
'a very delicious hot sweet that'll make a change from leftover Christmas pudding.' | 1:27:30 | 1:27:35 | |
She said ice-cream fritters. | 1:27:35 | 1:27:37 | |
-Sorry, Alan? -Katie Pollock, she said ice-cream fritters. | 1:27:37 | 1:27:40 | |
Yeah, that's right. Like baked Alaska. | 1:27:40 | 1:27:42 | |
-How do you make them? -Ask Katie Pollock. | 1:27:42 | 1:27:45 | |
Yeah, but what... Is she a real person? | 1:27:45 | 1:27:48 | |
I don't know if she's a real person but she's Hilary Sandiman's wife. | 1:27:48 | 1:27:51 | |
'..baking the banana before frittering, | 1:27:51 | 1:27:53 | |
'but I don't hold with that. I think it's worth the extra effort...' | 1:27:53 | 1:27:56 | |
Yeah, Hilary, much better. Yeah, fine. | 1:27:56 | 1:27:58 | |
Everything's going to work out fine. | 1:27:58 | 1:28:00 | |
Oh, yeah, the angry scenes are subsiding. | 1:28:00 | 1:28:02 | |
No, I really phoned about something else, Hilary. | 1:28:02 | 1:28:05 | |
I wanted to speak to Heather. | 1:28:05 | 1:28:06 | |
I never realised that she was Katie Pollock. | 1:28:06 | 1:28:09 | |
I wanted to ask her for a recipe. | 1:28:09 | 1:28:13 | |
Just a recipe. | 1:28:13 | 1:28:15 | |
Eh? No, no, I'm fine, honestly. | 1:28:15 | 1:28:17 | |
I'm cool, everything's cool. Yeah, good shape, good shape. | 1:28:17 | 1:28:20 | |
But I do need a recipe from Katie...I mean, Heather, | 1:28:20 | 1:28:22 | |
and it's quite urgent. | 1:28:22 | 1:28:25 | |
I swear to you, Hilary, I'm on top of the world, yes, but... | 1:28:25 | 1:28:29 | |
It's a specific recipe. | 1:28:29 | 1:28:32 | |
Trevor wants to see you. | 1:29:07 | 1:29:09 | |
Oh, no, pal. No, you've got it wrong. | 1:29:09 | 1:29:11 | |
No, I want to see Trevor. | 1:29:11 | 1:29:14 | |
Oh, and, er, just one other thing... | 1:29:14 | 1:29:16 | |
..from now on, if anybody hits this car, | 1:29:20 | 1:29:22 | |
it'll be me and nobody else. Get in. | 1:29:22 | 1:29:25 | |
TYRES SCREECH | 1:29:46 | 1:29:48 | |
So, it's gone about as far as it can go, eh? | 1:30:02 | 1:30:06 | |
Yeah. | 1:30:06 | 1:30:08 | |
What does honour demand now? | 1:30:08 | 1:30:10 | |
Hara-kiri? | 1:30:10 | 1:30:12 | |
Look, I just wanted to tell you, | 1:30:12 | 1:30:14 | |
I don't blame you for anything that's happened. | 1:30:14 | 1:30:17 | |
Oh, thank you(!) | 1:30:17 | 1:30:20 | |
You and I are going to see Mr McCool. | 1:30:20 | 1:30:22 | |
I've got something to say to both of you. Fix it. | 1:30:22 | 1:30:26 | |
-How? -Phone the bastard! | 1:30:26 | 1:30:28 | |
Or would you rather send a war party? | 1:30:28 | 1:30:31 | |
What do I say? | 1:30:31 | 1:30:32 | |
Just tell him that I want to talk to him, that's all. He'll turn up. | 1:30:32 | 1:30:36 | |
DOOR OPENS AND CLOSES | 1:30:43 | 1:30:45 | |
He's a weird old bugger, picking a place like this. | 1:30:53 | 1:30:56 | |
What did he say on the telephone? | 1:30:57 | 1:31:00 | |
He said they do a nice lemon meringue pie here. | 1:31:00 | 1:31:03 | |
ALAN LAUGHS | 1:31:03 | 1:31:05 | |
What's the joke? | 1:31:05 | 1:31:07 | |
HE CONTINUES LAUGHING | 1:31:07 | 1:31:09 | |
Oh, dear. | 1:31:14 | 1:31:16 | |
ALAN SIGHS AND CHUCKLES | 1:31:19 | 1:31:22 | |
-Hello, Trevor. -Hello, Uncle Luigi. | 1:31:32 | 1:31:34 | |
-How's your mother? -She's very well, thanks. | 1:31:34 | 1:31:37 | |
Good, good. Have a sweetie. | 1:31:37 | 1:31:39 | |
ALAN LAUGHS | 1:31:39 | 1:31:42 | |
Can we get down to business, Mr Bird, please? | 1:31:48 | 1:31:50 | |
-You're Trevor's uncle? -That's right. | 1:31:52 | 1:31:56 | |
All the best families fight. You know that, Mr Bird? | 1:31:56 | 1:31:59 | |
Yes, I've heard that one a lot this week. | 1:31:59 | 1:32:01 | |
Only I'm not family, and neither is my car, | 1:32:01 | 1:32:04 | |
and neither are any of all those wonderful freedom-loving | 1:32:04 | 1:32:08 | |
independent operators that you care about so deeply, Trevor. | 1:32:08 | 1:32:12 | |
Now, I'm going to give you a chance to make it up. | 1:32:12 | 1:32:15 | |
To me, to all those people that you have duped into believing in you, | 1:32:15 | 1:32:19 | |
and to yourselves. | 1:32:19 | 1:32:21 | |
You're going to work together on this, a joint venture. | 1:32:21 | 1:32:26 | |
What is it? | 1:32:26 | 1:32:27 | |
Ice-cream fritters. | 1:32:28 | 1:32:31 | |
THEY LAUGH | 1:32:34 | 1:32:36 | |
Alan, you must be mad. Matto! | 1:32:44 | 1:32:47 | |
You can't afford to laugh. | 1:32:47 | 1:32:49 | |
You're going to annihilate one another. | 1:32:49 | 1:32:51 | |
This way, you pool your resources. | 1:32:51 | 1:32:53 | |
Your ice cream, your deep-fry shops, your trucks. | 1:32:53 | 1:32:56 | |
You share a new product. | 1:32:56 | 1:32:58 | |
600 million Chinese can't be wrong. | 1:32:58 | 1:33:01 | |
600 million Chinese! | 1:33:01 | 1:33:03 | |
Here's the secret bit. | 1:33:08 | 1:33:11 | |
Eh-eh-eh! | 1:33:18 | 1:33:20 | |
And we create... | 1:33:25 | 1:33:28 | |
a commodity, | 1:33:28 | 1:33:32 | |
which we sell at extreme profit to ourselves. | 1:33:32 | 1:33:36 | |
Perfect, eh? | 1:33:36 | 1:33:38 | |
OIL SIZZLES | 1:33:48 | 1:33:51 | |
Oh, it's...hot, and, er, then it's cold. | 1:34:22 | 1:34:26 | |
It's interesting. It's very, very interesting. | 1:34:26 | 1:34:28 | |
It's bitter...and sweet. | 1:34:28 | 1:34:31 | |
Syrup. It needs syrup. | 1:34:31 | 1:34:34 | |
But the syrup will be extra, on the side. | 1:34:34 | 1:34:37 | |
Five, even ten pence a portion. | 1:34:37 | 1:34:40 | |
Aye, and 30, 40 pence a fritter. More, maybe. | 1:34:40 | 1:34:43 | |
More, definitely more. It's a luxury item. | 1:34:43 | 1:34:46 | |
It needs a royal name. | 1:34:46 | 1:34:48 | |
King Fritter. | 1:34:48 | 1:34:50 | |
That's too obvious. | 1:34:50 | 1:34:51 | |
We're going to precook, freeze-pack and microwave at point of sale. | 1:34:51 | 1:34:56 | |
Hot ice cream, year-round sales. | 1:34:56 | 1:35:00 | |
Summer and winter! It's a miracle! | 1:35:00 | 1:35:03 | |
-It's a miracle! -Hey, hey, hey, slow down, slow down. | 1:35:03 | 1:35:06 | |
You haven't said if you liked it yet. Do you like it? | 1:35:06 | 1:35:08 | |
-It's a winner, Dicky! -Well done, Dicky! | 1:35:08 | 1:35:10 | |
-50-50 on the whole thing, Trevor. Manufacturing, sales. -Yep. | 1:35:10 | 1:35:14 | |
Paolo and I can handle the syrups. Maybe five or six flavours. | 1:35:14 | 1:35:17 | |
Flavours! Good boy, Bruno. You got the syrups. | 1:35:17 | 1:35:20 | |
-THEY ALL TALK AT ONCE -Slow down, slow down, slow down. | 1:35:20 | 1:35:22 | |
If you're talking business, you ought to be talking to me. | 1:35:22 | 1:35:25 | |
Don't you worry, Dicky. We need a big campaign behind this one. | 1:35:25 | 1:35:28 | |
Revolutionise the market. You can do the voice-overs. | 1:35:28 | 1:35:31 | |
You boys can run the show, that's fine. But, er, I'm in for... | 1:35:31 | 1:35:35 | |
what, er, 30% off the top? | 1:35:35 | 1:35:38 | |
You could call that a consideration | 1:35:38 | 1:35:40 | |
for having thought up the whole damned idea in the first place. | 1:35:40 | 1:35:43 | |
And just in case you get any fancy ideas, | 1:35:43 | 1:35:46 | |
you won't find this in any cookery book. | 1:35:46 | 1:35:48 | |
This is a batter adhesive agent. | 1:35:48 | 1:35:50 | |
Without this, you get a sticky, gooey mess. | 1:35:50 | 1:35:53 | |
The Chinese don't tell everybody about this one. | 1:35:53 | 1:35:57 | |
So, why don't we just visit a lawyer first thing Monday morning | 1:35:57 | 1:36:01 | |
and make this wonderful friendship legal? | 1:36:01 | 1:36:04 | |
Oh, and just one other further item of mutual company expenditure, | 1:36:04 | 1:36:09 | |
my car gets a new roof. OK? | 1:36:09 | 1:36:13 | |
Yeah, sure, Dicky. | 1:36:13 | 1:36:15 | |
OK, Dicky. | 1:36:15 | 1:36:17 | |
McCool, I think, offers a fantastic name. | 1:36:17 | 1:36:20 | |
No, no, we need something short and sweet, right? | 1:36:20 | 1:36:23 | |
-Bunny Fritz? -No, Cool Bun Fritters. | 1:36:23 | 1:36:25 | |
Well, it's 4pm on this lovely, peaceful Christmas afternoon, | 1:36:25 | 1:36:30 | |
and this is Dicky Bird here being a very happy Christmas worm. | 1:36:30 | 1:36:33 | |
You know, I got really sentimental after the morning show today, | 1:36:33 | 1:36:37 | |
and I thought about poor old Steve Kelly having to come in here, | 1:36:37 | 1:36:40 | |
spend the afternoon away from his lovely wife and happy kids. | 1:36:40 | 1:36:43 | |
So bachelor boy Dicky volunteered. And here I am. | 1:36:43 | 1:36:47 | |
I must be crackers. Matto, crazy. | 1:36:47 | 1:36:49 | |
But to tell you the truth, | 1:36:49 | 1:36:51 | |
we're having a pretty good time in Metro Sound today. | 1:36:51 | 1:36:54 | |
There's definitely a party atmosphere. | 1:36:54 | 1:36:55 | |
We've got the food, we've got the goodies, | 1:36:55 | 1:36:57 | |
and the odd drink or two, so don't you feel too sorry for us. | 1:36:57 | 1:37:01 | |
Anyway, Hilary Sandiman has promised all us Christmas workers | 1:37:01 | 1:37:05 | |
an extra four weeks' holiday in the Caribbean | 1:37:05 | 1:37:08 | |
as a means of compensation, so that can't be at all bad. | 1:37:08 | 1:37:11 | |
What an awfully nice boss Hilary is. | 1:37:11 | 1:37:13 | |
So I hope that you'll stay with us and let us join your party, | 1:37:13 | 1:37:16 | |
or if you haven't got a party of your own, you come and join ours. | 1:37:16 | 1:37:20 | |
So, cheers, everybody, | 1:37:20 | 1:37:24 | |
in this great, big, weird and wonderful city of ours. | 1:37:24 | 1:37:27 | |
And listen, folks, | 1:37:27 | 1:37:29 | |
I'm not going to tell you what the time is today, | 1:37:29 | 1:37:32 | |
or tell you what the traffic is doing, | 1:37:32 | 1:37:34 | |
or tell you what's happening with the weather. Oh, no. | 1:37:34 | 1:37:36 | |
We're going to have a day away from all that. | 1:37:36 | 1:37:39 | |
I'm just going to sit back, play you some very nice music, | 1:37:39 | 1:37:42 | |
talk my head off, | 1:37:42 | 1:37:43 | |
and tell you some of the worst jokes that you're ever likely to repeat. | 1:37:43 | 1:37:46 | |
So, in the meantime, here's a little bit of music | 1:37:46 | 1:37:49 | |
while I tuck into my Christmas pud. | 1:37:49 | 1:37:52 | |
Mm-mmm! | 1:37:52 | 1:37:54 | |
Merry Christmas, everybody! | 1:37:54 | 1:37:56 | |
God bless us, every one. | 1:37:56 | 1:37:59 | |
JAZZ MUSIC PLAYS | 1:37:59 | 1:38:01 | |
'Hello, folks, this is Dicky Bird, | 1:38:08 | 1:38:10 | |
'and I'm here to tell you that winter will never be the same again. | 1:38:10 | 1:38:13 | |
'From this Monday, exclusively from all Mr McCool and Mr Bunny outlets, | 1:38:13 | 1:38:17 | |
'you'll be able to enjoy the new taste sensation, Frosty Hots, | 1:38:17 | 1:38:22 | |
'a smooth and creamy ice cream wrapped in delicious hot batter | 1:38:22 | 1:38:25 | |
'and smothered in your favourite fruity syrup. Wow! | 1:38:25 | 1:38:28 | |
'And guess what? I invented it! | 1:38:28 | 1:38:30 | |
'Yes, I tell you that once my Frosty Hots reach the Eskimos, | 1:38:30 | 1:38:33 | |
'they won't need igloos any more. | 1:38:33 | 1:38:35 | |
'But right now, Frosty Hots are for you, | 1:38:35 | 1:38:37 | |
'so stop a Bunny or McCool van. | 1:38:37 | 1:38:39 | |
'Ice cream will never be the same again.' | 1:38:39 | 1:38:43 | |
-'Sorry, Alan, we'd like to go again. -'Ah, shit.' | 1:38:43 | 1:38:46 |