
Browse content similar to Deadline at Dawn. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
KNOCKING | 0:01:21 | 0:01:23 | |
Why, it's Sleepy Parsons! | 0:01:44 | 0:01:47 | |
Aren't you dead yet? | 0:01:47 | 0:01:50 | |
Here's to nothin'! | 0:02:02 | 0:02:05 | |
Still on your 20 cigars a day? | 0:02:07 | 0:02:10 | |
Can your heart take it, Sleepy? | 0:02:10 | 0:02:12 | |
You're drunk again. | 0:02:13 | 0:02:15 | |
Yes! | 0:02:16 | 0:02:18 | |
It took you a long time to answer the door. | 0:02:18 | 0:02:21 | |
-It's a relief being divorced from you. -Give me the money and I'll go. | 0:02:27 | 0:02:32 | |
You think it'll rain and cool off? | 0:02:32 | 0:02:35 | |
Give me my money, Edna. Don't kid around. | 0:02:35 | 0:02:38 | |
What are you gonna do? Take out a chorus girl? | 0:02:38 | 0:02:42 | |
It's gone! | 0:02:42 | 0:02:44 | |
Don't fool around. I'm not in the mood! | 0:02:44 | 0:02:48 | |
-Must be that kid! -You owe me 1,400. You said you'd have it here tonight! | 0:02:48 | 0:02:54 | |
The sailor took it! The money's gone and that's it! | 0:02:54 | 0:02:58 | |
He took MY cash but you're worried he kissed me! | 0:02:58 | 0:03:03 | |
Don't flatter yourself. I just want my money! | 0:03:03 | 0:03:06 | |
I remember you, Edna, as you used to be before... | 0:03:08 | 0:03:12 | |
long ago. | 0:03:12 | 0:03:14 | |
-Give me it to me and I'll go! -You'll get it when the police pick up the sailor! Good night! | 0:03:15 | 0:03:22 | |
You'll never change, Edna, you're bad! | 0:03:22 | 0:03:26 | |
I loved you very much... | 0:03:27 | 0:03:30 | |
but you're bad. | 0:03:30 | 0:03:32 | |
No, don't sit down, get out! | 0:03:32 | 0:03:35 | |
You're pulling some sort of trick. | 0:03:35 | 0:03:38 | |
I'm just too tired to think. | 0:03:38 | 0:03:40 | |
-You'll be sorry if you don't get out. You hear? -I heard you. | 0:03:40 | 0:03:45 | |
-Don't put your snout in my door again! You hear? -I hear it. | 0:03:45 | 0:03:50 | |
-I'll send my brother round. I don't think your heart can take another beating. -Yes, I hear you. | 0:03:50 | 0:03:57 | |
I hear you... | 0:03:57 | 0:04:00 | |
-Phew! This heat is bad! -I'm sweating like a river! | 0:04:04 | 0:04:08 | |
It's bad in August. Nature provides everyone with air conditioning in their nose. | 0:04:08 | 0:04:15 | |
I didn't realise that. | 0:04:15 | 0:04:17 | |
There's a sound in my ears like a seashell. | 0:04:17 | 0:04:21 | |
-Try some more of this coffee. -No, thanks. | 0:04:21 | 0:04:24 | |
It's very kind of you to let me sit here. | 0:04:24 | 0:04:28 | |
I wouldn't drink that stuff in this heat. Booze makes a million widows. | 0:04:28 | 0:04:33 | |
You know what I'll do? Walk down the street and cool off. | 0:04:33 | 0:04:38 | |
It's seven hours until my bus leaves. | 0:04:38 | 0:04:41 | |
-What's this? -Money, and you dropped it. | 0:04:47 | 0:04:50 | |
-Money? -Take it, it won't bite! | 0:04:50 | 0:04:53 | |
-I dropped this? -It came out with the handkerchief. | 0:04:53 | 0:04:56 | |
Hi! > | 0:04:56 | 0:04:58 | |
Hello, Tom. | 0:04:58 | 0:05:00 | |
Well, so long, Ray. It was nice to have met you. | 0:05:00 | 0:05:04 | |
So long! | 0:05:04 | 0:05:05 | |
Hey! | 0:05:07 | 0:05:09 | |
-Don't forget this! -Gee! It shows you how unconcentrated you can get. | 0:05:09 | 0:05:14 | |
-Non compos mentis, that's me! -No jokes! | 0:05:14 | 0:05:18 | |
ITALIAN ACCENT: Hello, mister! | 0:05:19 | 0:05:22 | |
-I'll sell you a hand of bananas for 30 cents. -No, thanks. | 0:05:22 | 0:05:27 | |
If I sell you my last bananas, I can go home. | 0:05:27 | 0:05:31 | |
-Why you no buy? -You wanna go home? | 0:05:31 | 0:05:33 | |
I like-a go home, yes! | 0:05:33 | 0:05:36 | |
-How much for the whole bunch? -Two dollars. | 0:05:36 | 0:05:39 | |
Don't struggle, sailor. Let them carry you along like a mother! | 0:05:48 | 0:05:53 | |
-Where's everyone going? -To the dogs! | 0:05:53 | 0:05:56 | |
< Upstairs! That's where the girls are! | 0:05:59 | 0:06:02 | |
< Upstairs! Dance to the haunting strains of the rumba-bumba! | 0:06:02 | 0:06:07 | |
Twisting, twirling girls! Upstairs! | 0:06:07 | 0:06:10 | |
Servicemen in uniform are half-price, brother. Upstairs! Don't wait! What's half a dollar to you? | 0:06:10 | 0:06:17 | |
Upstairs, folks! Dance with 40 young dancing partners, 40 lovely...! | 0:06:17 | 0:06:22 | |
BAND PLAYS A DANCE NUMBER | 0:06:22 | 0:06:26 | |
You'll have to get another partner. I'm tired. | 0:06:45 | 0:06:48 | |
-No disrespect. -It's late and I'm tired. | 0:06:48 | 0:06:52 | |
Refreshments? Meaning no disrespect. | 0:06:52 | 0:06:55 | |
No. | 0:06:55 | 0:06:56 | |
After all, you see, I... Don't misunderstand... | 0:06:56 | 0:07:00 | |
What's wrong here? > | 0:07:00 | 0:07:02 | |
She asked me to get another partner. | 0:07:02 | 0:07:05 | |
I have so many tickets, you see. | 0:07:05 | 0:07:07 | |
She won't dance! | 0:07:07 | 0:07:09 | |
-What's the idea? -He's been hanging on like a leech for nights! | 0:07:09 | 0:07:14 | |
-Meaning no disrespect! -That's what you're here for! | 0:07:14 | 0:07:18 | |
He don't buy tickets to look at himself! | 0:07:18 | 0:07:21 | |
What about the gloves? He's got the itch! | 0:07:21 | 0:07:24 | |
-You misunderstand. -He's got a rash! | 0:07:24 | 0:07:27 | |
-Is that a fact? -It's nerves! | 0:07:27 | 0:07:30 | |
Don't never come back in The Jungle again with things like that! | 0:07:30 | 0:07:35 | |
No disrespect...! | 0:07:35 | 0:07:37 | |
Gee, that's terrible! He could pass that on! | 0:07:41 | 0:07:44 | |
Excuse me. It was not my intention to get fresh. | 0:07:52 | 0:07:56 | |
Go away. I'm tired. | 0:07:56 | 0:07:59 | |
You wouldn't care to dance? | 0:07:59 | 0:08:01 | |
-Do you think it might rain and cool off? -Things DO happen. | 0:08:10 | 0:08:14 | |
There's a lot of nice people here. | 0:08:21 | 0:08:24 | |
It's a post office full of second class matter. | 0:08:24 | 0:08:28 | |
What did you want to do when you were 12 years old? | 0:08:30 | 0:08:34 | |
Marry John Barrymore! | 0:08:34 | 0:08:36 | |
Do we have to talk? Are you an author or something? | 0:08:36 | 0:08:40 | |
Conversation is very necessary, as my father says. | 0:08:40 | 0:08:45 | |
-Why? -What would life be without conversation? | 0:08:45 | 0:08:49 | |
They give men in the services salt pills when it's hot like this. | 0:08:53 | 0:08:58 | |
-What for? -They say it balances up the system. | 0:08:58 | 0:09:01 | |
What system? | 0:09:01 | 0:09:03 | |
I guess I need some food to settle my stomach. | 0:09:03 | 0:09:08 | |
I want one pound of steak, down there. | 0:09:15 | 0:09:19 | |
One glass of ice tea with lemon. | 0:09:19 | 0:09:21 | |
Let's not wait. Let's make the sandwiches up at my place. Don't misunderstand me... | 0:09:21 | 0:09:28 | |
We'll buy the food and make the sandwiches at your house. | 0:09:28 | 0:09:33 | |
-Half a pound of corned beef, no fat. -Corned beef! Make it snappy! | 0:09:33 | 0:09:38 | |
Well, is your system balanced yet? | 0:09:38 | 0:09:42 | |
I'm losing respect for myself, that's the truth. I've no confidence. | 0:09:42 | 0:09:48 | |
I even lost out to a girl I really cared about. | 0:09:48 | 0:09:52 | |
-Because you lacked confidence? -Yes. | 0:09:52 | 0:09:54 | |
-People say I'm too slow... -She gave you that bracelet? | 0:09:54 | 0:09:58 | |
No, my father did. That's where the trouble started. | 0:09:58 | 0:10:02 | |
I came home and he'd taken a body to Pennsylvania. | 0:10:02 | 0:10:06 | |
-A what? -My father's a mortician. | 0:10:06 | 0:10:08 | |
I thought it only happened in jokes. | 0:10:08 | 0:10:11 | |
Someone's father has to be a mortician! | 0:10:11 | 0:10:15 | |
He's got the largest stocks of caskets in Putnam County that's where I'm from. | 0:10:15 | 0:10:22 | |
My father's a very honest man, my stepmother don't like it. | 0:10:22 | 0:10:26 | |
Three or four haircuts ago... | 0:10:26 | 0:10:29 | |
That's the last time I saw him. | 0:10:29 | 0:10:32 | |
-Gee! Here we are getting blue this hour of the night. -I'm not blue. | 0:10:33 | 0:10:38 | |
I'm tired. | 0:10:39 | 0:10:41 | |
Please excuse me, the time didn't occur to me! Non compos mentis! | 0:10:41 | 0:10:47 | |
It's all right, I'm beat out. | 0:10:47 | 0:10:50 | |
It's this balmy weather. | 0:10:50 | 0:10:52 | |
-SIREN -What's that? | 0:10:52 | 0:10:54 | |
That, Colonel, is a ton of law a police car. | 0:10:54 | 0:10:58 | |
It's all right to live in a cocoon if you expect to be a butterfly some day. | 0:11:03 | 0:11:09 | |
-Are you unhappy, too? -Yes, I was too ambitious. | 0:11:09 | 0:11:14 | |
I should have taken the commercial course. | 0:11:14 | 0:11:18 | |
Now say good night. Drop into The Jungle. | 0:11:18 | 0:11:21 | |
It's nice of you, Miss Gough, but I'm leaving on the 6 o'clock bus. | 0:11:21 | 0:11:27 | |
-I'm proud of this uniform. -Why not? | 0:11:27 | 0:11:29 | |
That's what worries me. They'll nab me before I get to Norfolk. | 0:11:29 | 0:11:34 | |
-Norfolk? -Norfolk, Virginia, where the naval station is. | 0:11:34 | 0:11:38 | |
Is that where you're taking the 6 o'clock bus to? The terminal on the corner of Monticello? | 0:11:38 | 0:11:45 | |
-I was born in Norfolk! -You were? -Yes, I was! | 0:11:45 | 0:11:49 | |
I was, I was... | 0:11:49 | 0:11:52 | |
What's your problem, son? | 0:11:53 | 0:11:55 | |
Do something for me and I'll help you. Visit my mother in Norfolk. | 0:11:55 | 0:12:00 | |
All she's got is an old hound dog. | 0:12:00 | 0:12:03 | |
You saw me in a show, in a good leading part, dancing and singing. | 0:12:03 | 0:12:08 | |
-Say I looked happy and I'll visit soon. -That's not true. | 0:12:08 | 0:12:12 | |
Oh, sure! Of course! Why not?! | 0:12:12 | 0:12:16 | |
A stickler for the truth. | 0:12:16 | 0:12:19 | |
You'd like to say I'm a dance hall girl, | 0:12:19 | 0:12:23 | |
sick with pride and depression. | 0:12:23 | 0:12:25 | |
-Tell an old lady THAT, with a son a belly-gunner over Japan? -Wait! -Get out before I throw you out! | 0:12:25 | 0:12:33 | |
I'm sorry, I... | 0:12:33 | 0:12:35 | |
Can you do me a favour, Miss Gough? | 0:12:35 | 0:12:38 | |
I don't want to burden you with my problems but I have a lot of money. | 0:12:38 | 0:12:43 | |
You could use it. Go back to Norfolk, surprise your mother. | 0:12:43 | 0:12:47 | |
-This is real money, son. -I took it. | 0:12:47 | 0:12:52 | |
Let us pause for station identification... | 0:12:52 | 0:12:56 | |
-You stole it? -I did and I didn't. -You either do or you don't. | 0:12:56 | 0:13:01 | |
I didn't know what I was doing. | 0:13:01 | 0:13:03 | |
She and her brother run this Italian place. The brother asked me to play casino. | 0:13:03 | 0:13:10 | |
-After two hours of him cheating like a skunk, I was broke. -Why not stop him? -I was too embarrassed. | 0:13:10 | 0:13:18 | |
They closed up and the sister asked me to come back and fix her radio. | 0:13:18 | 0:13:23 | |
Up her house she kept...drinking and being disgusting in general. | 0:13:23 | 0:13:28 | |
But I fixed the radio. By this time I'd had a few drinks and then blacked out. | 0:13:28 | 0:13:35 | |
-When I came round she was asleep. -Passed out? -Yes. | 0:13:35 | 0:13:39 | |
I said if she paid me for the radio I'd go. | 0:13:39 | 0:13:42 | |
I decided to take the money for fixing the radio. | 0:13:42 | 0:13:46 | |
-That's all I remember. -Until? | 0:13:46 | 0:13:49 | |
Until I was sitting at a newsstand, drinking black coffee. | 0:13:49 | 0:13:53 | |
Then a roll of bills fell out of my pocket. I did THAT in this uniform! | 0:13:53 | 0:13:58 | |
1,400 and some cheques. | 0:13:58 | 0:14:01 | |
She's probably still out put it back. | 0:14:01 | 0:14:04 | |
Suppose I'm caught? Her brother knows where I'm from. | 0:14:04 | 0:14:08 | |
-Your only chance is to put it back. -Might I leave my radio here? | 0:14:08 | 0:14:14 | |
You might not, I'm going to bed. | 0:14:14 | 0:14:16 | |
I wonder if you would help me, Miss Gough? | 0:14:16 | 0:14:20 | |
-Just wait downstairs... -No! I should say not. | 0:14:20 | 0:14:24 | |
It's the uniform, otherwise I'd do it no problem. | 0:14:24 | 0:14:28 | |
You see, Miss Gough, suppose I was your brother, the belly-gunner, Miss Gough. | 0:14:28 | 0:14:35 | |
What an operator! | 0:14:37 | 0:14:40 | |
Are there any more at home like you? | 0:14:40 | 0:14:43 | |
-Which house? -Opposite the place with two lights. | 0:15:01 | 0:15:04 | |
That's a police station, that "place with two lights"? | 0:15:08 | 0:15:12 | |
This is it, Miss Gough. | 0:15:33 | 0:15:35 | |
Call me June, it rhymes with moon. | 0:15:35 | 0:15:38 | |
I'll turn on the radio if anyone starts up after you. | 0:15:43 | 0:15:48 | |
Yes. Thanks. | 0:15:49 | 0:15:51 | |
Come along now! > | 0:15:57 | 0:16:00 | |
POLICEMAN: No, you don't! | 0:16:03 | 0:16:06 | |
You can't come in here. Don't make the sergeant mad! > | 0:16:06 | 0:16:10 | |
All I want is to lay my head down. A cell... | 0:16:10 | 0:16:14 | |
You gotta commit a crime to get in a cell. | 0:16:14 | 0:16:17 | |
MUTTERING: No-one wants anyone on a night like this... | 0:16:17 | 0:16:22 | |
-Did you put it back? -I won't need your help any more. -What happened? | 0:16:23 | 0:16:29 | |
The woman is dead. | 0:16:29 | 0:16:31 | |
Hold this. | 0:16:33 | 0:16:34 | |
"I hear the whistle blowing." | 0:16:57 | 0:16:59 | |
Who did it? You? | 0:17:00 | 0:17:03 | |
-You think -I -did it? | 0:17:03 | 0:17:05 | |
Didn't you? | 0:17:05 | 0:17:07 | |
Don't look at me like that. | 0:17:07 | 0:17:10 | |
I think you'd better leave. | 0:17:10 | 0:17:13 | |
Yes. | 0:17:13 | 0:17:14 | |
Well, this is New York... | 0:17:15 | 0:17:18 | |
where hello means goodbye. | 0:17:18 | 0:17:20 | |
What are you gonna do? | 0:17:26 | 0:17:29 | |
I don't know. | 0:17:29 | 0:17:31 | |
Walk or we'll go home! | 0:17:37 | 0:17:40 | |
-DOG YAPS Hot, isn't it? -Yes. | 0:17:40 | 0:17:43 | |
He won't hurt you! He's just a puppy! A baby! | 0:17:43 | 0:17:47 | |
He wouldn't hurt a flea! | 0:17:47 | 0:17:50 | |
A baby... | 0:17:54 | 0:17:56 | |
Did you do it? | 0:18:11 | 0:18:13 | |
Please believe me someone has to! | 0:18:13 | 0:18:16 | |
Oh, sure(!) Why not? | 0:18:16 | 0:18:19 | |
The cops' windows look into these windows. Didn't you think of that? | 0:18:19 | 0:18:24 | |
Who did YOU want to be when you were 12? Boo McNut?! | 0:18:24 | 0:18:28 | |
It can't be suicide, there's no weapon. | 0:18:34 | 0:18:37 | |
Strangled, is she? | 0:18:37 | 0:18:39 | |
Yes, that's how it looks. Strangled. | 0:18:39 | 0:18:44 | |
-You're perspiring. -Well, I... | 0:18:44 | 0:18:46 | |
BUZZER | 0:18:46 | 0:18:50 | |
You better drop down on your bendified knees and pray! | 0:18:51 | 0:18:55 | |
SLURRED: Edna! It's Babe, Babe Dooley! > | 0:18:55 | 0:18:59 | |
Answer the door! > | 0:18:59 | 0:19:01 | |
Edna! Why don't you answer me?! | 0:19:01 | 0:19:05 | |
I need a bottle! > | 0:19:05 | 0:19:07 | |
Rain, rain, go away, come back another day. | 0:19:07 | 0:19:10 | |
You only love the fat man... | 0:19:10 | 0:19:13 | |
Or the second! Or the third! | 0:19:13 | 0:19:16 | |
Oh, never mind! | 0:19:17 | 0:19:20 | |
He's gone. | 0:19:20 | 0:19:21 | |
Yes. | 0:19:21 | 0:19:23 | |
We'd better wait in the dark a minute. | 0:19:23 | 0:19:26 | |
Do you hear anything? | 0:19:27 | 0:19:30 | |
-Only your breathing. -(Is that what that is?) | 0:19:30 | 0:19:34 | |
Yes...and mine. | 0:19:34 | 0:19:36 | |
-Should I call the police? -It's your problem, not mine. | 0:19:38 | 0:19:42 | |
You're smarter than me what should I do? | 0:19:42 | 0:19:46 | |
-Cut and run now. Get on your bus... -They'll catch me. | 0:19:46 | 0:19:50 | |
Her brother knew I came up here. I'm the first one they'd look for. | 0:19:50 | 0:19:55 | |
-What's the good...? -They couldn't say I ran away. | 0:19:55 | 0:19:58 | |
-If we look around... -Don't say "we"! It's not my problem. | 0:19:58 | 0:20:03 | |
-People don't drop clues! -Why are you so mad? | 0:20:03 | 0:20:07 | |
This weather brings me to the boil and you're such a helpless baby! | 0:20:07 | 0:20:12 | |
Here's a clue! Mentholated cigarettes, used by the million. | 0:20:15 | 0:20:19 | |
Or this a lipstick! Some matches and a book! | 0:20:19 | 0:20:24 | |
A dead carnation. | 0:20:24 | 0:20:27 | |
It's not her lipstick, it belongs to a blonde... | 0:20:27 | 0:20:30 | |
-Light... -A man did it, not a woman! | 0:20:30 | 0:20:33 | |
A man came here to get the money or she'd never have brought it home. | 0:20:33 | 0:20:38 | |
She let him in so she knew him. She made him mad and he did it. | 0:20:38 | 0:20:43 | |
A woman wouldn't strangle someone. | 0:20:43 | 0:20:46 | |
-It wasn't premeditated he'd have had a weapon. Sounds right? -Go on. | 0:20:46 | 0:20:51 | |
I can't. | 0:20:53 | 0:20:55 | |
But he must have been very nervous when he left. We have that clue! | 0:20:55 | 0:21:01 | |
We have that clue(!) What a clue(!) | 0:21:01 | 0:21:04 | |
Nervous like every butcher, baker, candlestick-maker in town. | 0:21:04 | 0:21:09 | |
Now suppose we stick to the text. | 0:21:12 | 0:21:15 | |
-What? -The text. | 0:21:15 | 0:21:17 | |
It wasn't theft her jewellery's on her. | 0:21:19 | 0:21:22 | |
-She lived alone, liked men, drank a lot. -Looks like she put up a good fight. | 0:21:22 | 0:21:29 | |
It's the biggest city in the world. | 0:21:32 | 0:21:34 | |
Somewhere in it, one man or woman... | 0:21:34 | 0:21:37 | |
I'm sorry, | 0:21:38 | 0:21:40 | |
it's no use. | 0:21:40 | 0:21:43 | |
So, I guess you're IT. | 0:21:43 | 0:21:45 | |
-Is this her key? -Yes, I saw her put it there. | 0:21:48 | 0:21:52 | |
What are you looking at? | 0:21:52 | 0:21:55 | |
You left and came back. Why? To leave me more alone? | 0:21:55 | 0:22:00 | |
This is hopeless! Why not admit it? Anyway, it's not my problem. | 0:22:00 | 0:22:05 | |
OK, it IS my problem. My brother's a belly-gunner, I'll help you. | 0:22:06 | 0:22:11 | |
How? Go where? | 0:22:11 | 0:22:13 | |
We need to find a murderer before you get the bus or the maid comes. | 0:22:13 | 0:22:19 | |
Well? Tell me what to do. | 0:22:19 | 0:22:21 | |
Let's go downstairs. Outside. | 0:22:21 | 0:22:24 | |
I'll take the key. I think I'll call you June. | 0:22:24 | 0:22:28 | |
Now, concentrate! | 0:22:42 | 0:22:44 | |
-On what? -You're the man who did it. You're as a nervous as a cat. | 0:22:44 | 0:22:49 | |
What do you do? Where do you go? | 0:22:49 | 0:22:52 | |
Where would I go? | 0:22:52 | 0:22:54 | |
Anywhere... Away from the police station. | 0:22:54 | 0:22:58 | |
This way. | 0:22:59 | 0:23:01 | |
Here you are. | 0:23:12 | 0:23:14 | |
-Here I am. -What do you do now? | 0:23:14 | 0:23:17 | |
Well... | 0:23:17 | 0:23:19 | |
What I do is go over there and take an orangeade cos my throat's dry. | 0:23:19 | 0:23:24 | |
I'm not thirsty. | 0:23:38 | 0:23:40 | |
-Neither am I. -Let's leave. | 0:23:40 | 0:23:44 | |
Wait a minute, that's just what that "certain party" might do! | 0:23:47 | 0:23:52 | |
-Would you settle a bet? -I'll lay you one you and your husband are looking for a hotel. | 0:23:53 | 0:24:00 | |
We bet we're the first to walk away without drinking our drink. | 0:24:00 | 0:24:05 | |
It happens eight times a day! An hour ago a beautiful blonde did it. | 0:24:05 | 0:24:11 | |
-I near fell when she stepped into a cab. Beautiful and lame. -How lame? | 0:24:11 | 0:24:16 | |
-Enough to make you want to treat her like a sister. -Oh. Thanks. | 0:24:16 | 0:24:22 | |
Come drink our grapeade next time! | 0:24:22 | 0:24:25 | |
She got in a cab, a blonde, lame. Shall we try to trace it? | 0:24:25 | 0:24:30 | |
-What do you think? -It might be worth it. Wait. | 0:24:30 | 0:24:34 | |
Say! | 0:24:35 | 0:24:37 | |
My sister walked out on me blonde, maybe limped a little... | 0:24:37 | 0:24:42 | |
That one! Why was she crying? Life's too short for tears. | 0:24:42 | 0:24:47 | |
Where'd you take her, philosopher? | 0:24:47 | 0:24:49 | |
Downtown on 11th. In the village, over a bakery. Drive you down? | 0:24:49 | 0:24:54 | |
-He took her. It might be worth a try. -We'll go! | 0:24:54 | 0:24:59 | |
Not "we", me. I can handle a woman alone. | 0:24:59 | 0:25:02 | |
You find a nervous man, Alex. That is your name? | 0:25:02 | 0:25:06 | |
Alex Winkler, yes. | 0:25:06 | 0:25:08 | |
Are you coming back, June? | 0:25:12 | 0:25:15 | |
That's a chance you'll have to take. | 0:25:15 | 0:25:18 | |
Be careful. | 0:25:18 | 0:25:20 | |
Cab! | 0:25:48 | 0:25:49 | |
Straight ahead! | 0:25:53 | 0:25:55 | |
Follow that cab! | 0:25:57 | 0:25:59 | |
-That's not soda water in his gas tank! -Don't lose him! | 0:26:06 | 0:26:11 | |
I'm a stubborn man, you'd be amazed! | 0:26:11 | 0:26:13 | |
KNOCKING | 0:26:30 | 0:26:32 | |
-Is something wrong? -Yes, something's wrong! | 0:26:33 | 0:26:37 | |
-He's not in. -Who? | 0:26:38 | 0:26:40 | |
She's dying...and he's not in! | 0:26:40 | 0:26:43 | |
-Who? -My Snappy... She's swallowed a chicken bone. | 0:26:43 | 0:26:47 | |
It's too late. I see now. | 0:26:51 | 0:26:54 | |
It's too late. | 0:26:54 | 0:26:56 | |
My dearest friend in the whole world. | 0:26:58 | 0:27:00 | |
From a chicken bone! | 0:27:00 | 0:27:03 | |
You can't feed a cat chicken bones! | 0:27:03 | 0:27:05 | |
He was my dearest friend. | 0:27:06 | 0:27:09 | |
I'm a janitor in a house, | 0:27:09 | 0:27:12 | |
this is my companion. | 0:27:12 | 0:27:14 | |
She did everything but speak. | 0:27:14 | 0:27:17 | |
I'm no hawk but this looks like the corner. | 0:27:29 | 0:27:32 | |
-Will you wait here? -The night is young and so am I. | 0:27:35 | 0:27:39 | |
Don't stop if you want a room. We don't want girls here. | 0:27:45 | 0:27:49 | |
That's right! They wash their things in the sink. | 0:27:49 | 0:27:54 | |
-A friend? -Yes. -You should know where she lives! | 0:27:57 | 0:28:01 | |
-I forgot. -350. | 0:28:01 | 0:28:03 | |
-I'm the super there and in four buildings in this block. -What of it? | 0:28:03 | 0:28:09 | |
I don't get paid enough! That's what. | 0:28:09 | 0:28:11 | |
DOOR BUZZES | 0:28:33 | 0:28:35 | |
Yes? | 0:28:41 | 0:28:42 | |
Sorry, my hand slipped. | 0:28:42 | 0:28:45 | |
-< -Is the baby asleep? | 0:28:48 | 0:28:51 | |
-I asked you a civil question. -WOMAN: Yes, he's asleep. | 0:28:53 | 0:28:58 | |
Go to bed, you have to get up early. | 0:29:00 | 0:29:03 | |
You're considerate but you haven't answered my question. | 0:29:03 | 0:29:07 | |
What about it? | 0:29:07 | 0:29:09 | |
-Can't I ask my wife where she was until 2.00am? -I took in a picture. | 0:29:09 | 0:29:15 | |
You took in a picture(!) You suddenly love pictures? | 0:29:15 | 0:29:19 | |
It's too hot to argue, Gerry. | 0:29:19 | 0:29:22 | |
Sure(!) When I open my mouth it's an argument! | 0:29:22 | 0:29:25 | |
Please don't wake the baby up! | 0:29:25 | 0:29:28 | |
How about when you left her alone for two hours? | 0:29:28 | 0:29:31 | |
What do you want, Gerry? Mrs Daniels kept an eye on her. | 0:29:31 | 0:29:36 | |
-I try to be a good wife. -Your best ain't good enough. -Please. What are we fighting about? | 0:29:36 | 0:29:43 | |
Some people call it love. | 0:29:44 | 0:29:46 | |
-I can't listen to this. -Jump out the window, then. | 0:29:46 | 0:29:50 | |
-< -Where are you going? -Downstairs to cool off. | 0:29:55 | 0:30:00 | |
Mrs Robinson? Don't turn around. | 0:30:29 | 0:30:32 | |
I know where you were tonight. | 0:30:32 | 0:30:35 | |
-Where was I? -You left a lipstick there. | 0:30:35 | 0:30:38 | |
Come in here a minute. | 0:30:38 | 0:30:41 | |
You wouldn't want him to know, would you? | 0:30:43 | 0:30:47 | |
Wouldn't want him to know what? | 0:30:47 | 0:30:49 | |
-You left a fine mess in that room. -I don't know you. What do you want? | 0:30:49 | 0:30:54 | |
You took a cab from 51st and Lexington... | 0:30:54 | 0:30:58 | |
-Did I? -Yes. | 0:30:58 | 0:31:00 | |
-Get out! Leave me alone! -Helen, are you down there? | 0:31:00 | 0:31:04 | |
-Do you want him to know? -No. -Then go sit on the step. | 0:31:04 | 0:31:09 | |
Fix your hair. | 0:31:09 | 0:31:11 | |
Helen?! | 0:31:11 | 0:31:13 | |
-I've got my eye on you. -I don't know you and I don't want to talk. | 0:31:15 | 0:31:20 | |
-Come back there with me. -I don't understand! | 0:31:20 | 0:31:24 | |
Is that why you tried to beat my brains out? | 0:31:24 | 0:31:28 | |
Don't you know Edna Bartelli is dead? | 0:31:28 | 0:31:31 | |
I don't know Edna Bartelli. | 0:31:31 | 0:31:33 | |
I went to a party with a man. Please, my husband mustn't know. | 0:31:33 | 0:31:39 | |
-What party? -Near the 50s. -Near where? | 0:31:39 | 0:31:42 | |
Near where you said... Please! | 0:31:42 | 0:31:44 | |
Turn around. | 0:31:45 | 0:31:47 | |
Face the light. | 0:31:47 | 0:31:50 | |
No lipstick. | 0:31:51 | 0:31:53 | |
-I don't use it. -Except when you go to parties. -No! Please! | 0:31:53 | 0:31:58 | |
Go upstairs to bed. | 0:32:00 | 0:32:02 | |
Don't leave unless you want the police knocking. | 0:32:05 | 0:32:09 | |
I won't leave. Good night. | 0:32:09 | 0:32:12 | |
-Did you cool that bird-brain off? -Edna Bartelli had been killed. | 0:32:26 | 0:32:31 | |
You saw a movie uptown! | 0:32:34 | 0:32:37 | |
And you? | 0:32:37 | 0:32:39 | |
Where were you until one o'clock? | 0:32:39 | 0:32:41 | |
-Back to where I picked you up? -Right. | 0:32:45 | 0:32:49 | |
HE SIGHS Beg your pardon? | 0:32:49 | 0:32:52 | |
-What? -You sigh like the end of summer. | 0:32:52 | 0:32:56 | |
-Troubles? -Personal. | 0:32:56 | 0:32:58 | |
Oh. | 0:32:58 | 0:33:00 | |
Personal... | 0:33:00 | 0:33:01 | |
-That's killed a lot of people in its day. -Yes. | 0:33:01 | 0:33:06 | |
If it's not too personal, what was that all about? | 0:33:16 | 0:33:20 | |
Er...personal. | 0:33:20 | 0:33:22 | |
-I buy it back forget I asked. Good night. -Good night. | 0:33:22 | 0:33:27 | |
-What is it? -Nothing. | 0:33:38 | 0:33:40 | |
Statistics tell us everyone has troubles. Was it your last dollar? | 0:33:40 | 0:33:46 | |
No? | 0:33:46 | 0:33:47 | |
Forget it. | 0:33:47 | 0:33:50 | |
-Good night. -Good night. | 0:33:50 | 0:33:52 | |
-THUD! -Who's that? -Alex! -June? | 0:34:44 | 0:34:46 | |
That noise is my skin creeping. Did anything happen? | 0:34:49 | 0:34:54 | |
That makes no hits, no runs and two errors. | 0:34:56 | 0:35:00 | |
You look happy, character! | 0:35:01 | 0:35:03 | |
Glad you came back cos you didn't have to...but you did. | 0:35:03 | 0:35:08 | |
I could sure use that orangeade now. | 0:35:11 | 0:35:13 | |
Is there an icebox? Let's see. | 0:35:13 | 0:35:16 | |
Are you hungry? | 0:35:25 | 0:35:28 | |
-No. -Thirsty? | 0:35:28 | 0:35:30 | |
Let's melt some ice together! | 0:35:32 | 0:35:34 | |
Frozen joy! | 0:35:40 | 0:35:42 | |
KNOCK AT DOOR | 0:35:42 | 0:35:45 | |
Who is it? | 0:35:49 | 0:35:51 | |
It's Mr Hoffman! | 0:35:51 | 0:35:53 | |
He's the one who drove me up. | 0:35:53 | 0:35:56 | |
-What did you say? -Nothing! Personal, I said. | 0:35:56 | 0:36:00 | |
We're having a cold drink. Come in! | 0:36:02 | 0:36:05 | |
-I heard your voice. -Must have been listening close! -As close as I can. | 0:36:05 | 0:36:10 | |
-This is... -Miss Bartelli. Why were you listening? | 0:36:10 | 0:36:14 | |
This man seemed in trouble, I wanted to help. Don't hate me for trying. | 0:36:14 | 0:36:19 | |
-Did you mention the "text" to Mr Hoffman? -No. | 0:36:19 | 0:36:23 | |
Take 100% for trying. Good night. | 0:36:23 | 0:36:26 | |
Good night. | 0:36:28 | 0:36:29 | |
-Between us and the lamppost, you're not Miss Bartelli. -What do you want? | 0:36:32 | 0:36:37 | |
Young lady, you're in a sweat why? | 0:36:37 | 0:36:40 | |
-Look at that boy. -Miss Bartelli's dead. -In the next room. | 0:36:40 | 0:36:45 | |
Oh, I'm very sorry to hear that. | 0:36:45 | 0:36:48 | |
Excuse me for this intrusion in your hour of grief. | 0:36:48 | 0:36:52 | |
Mr Hoffman, she was murdered. | 0:36:52 | 0:36:55 | |
-Have you informed the police? -It's more complicated than that. | 0:36:55 | 0:37:00 | |
I'm willing to listen. | 0:37:00 | 0:37:02 | |
My name is Alex Winkler, my father is an undertaker. | 0:37:04 | 0:37:08 | |
About seven o'clock last night I went to a restaurant... | 0:37:08 | 0:37:13 | |
Dark Mystery...very expensive! | 0:37:22 | 0:37:24 | |
What did you do after you cleared the blonde woman? | 0:37:24 | 0:37:29 | |
Came right back here. | 0:37:29 | 0:37:31 | |
The divine being made many loathsome creatures but none so low as a woman with a cold heart. | 0:37:32 | 0:37:40 | |
She had these to blackmail... even her own brother! | 0:37:40 | 0:37:44 | |
A blind man can see how many boyfriends she had! | 0:37:45 | 0:37:49 | |
The water tasted good so she jumped down the well! | 0:37:49 | 0:37:53 | |
But in the professor's opinion we are wasting our time. | 0:37:55 | 0:38:00 | |
Why? | 0:38:00 | 0:38:01 | |
-We have no clues... -There's a cheque. | 0:38:01 | 0:38:04 | |
-What cheque? -For 1,000, signed by Lester Brady. | 0:38:04 | 0:38:09 | |
That might give Mr Brady a motive, but we're only guessing. | 0:38:09 | 0:38:13 | |
The divine being would not permit an innocent boy to suffer. | 0:38:13 | 0:38:19 | |
What do you suggest we do? | 0:38:23 | 0:38:26 | |
Get out of here! Get your bus. | 0:38:27 | 0:38:30 | |
I can't leave, but you and June should go! | 0:38:30 | 0:38:33 | |
First it's stay, then it's go! | 0:38:33 | 0:38:36 | |
-It's hopeless! -He has a point. | 0:38:36 | 0:38:39 | |
-Why do you want to get him out? -It's hopeless. | 0:38:39 | 0:38:42 | |
I think we should try Lester Brady and his cheque. | 0:38:42 | 0:38:47 | |
I am putty in your hands. Whatever, Miss Gough. | 0:38:47 | 0:38:51 | |
Call me June. | 0:38:51 | 0:38:53 | |
June. | 0:38:53 | 0:38:54 | |
Blitzkrieg with hair on her head! | 0:39:05 | 0:39:08 | |
-Two numbers for Brady home and business. -Monkey business! | 0:39:08 | 0:39:12 | |
Someone called her at 10.38pm...or she called them! Let's try this one. | 0:39:12 | 0:39:18 | |
May I see? | 0:39:18 | 0:39:20 | |
This is my handwriting | 0:39:20 | 0:39:23 | |
but I don't remember writing it. | 0:39:23 | 0:39:25 | |
June... | 0:39:28 | 0:39:30 | |
-June, I think -I -murdered Miss Bartelli! | 0:39:30 | 0:39:34 | |
-What does that mean? -It's proven! | 0:39:34 | 0:39:36 | |
From 10.00 to 11.00pm, my mind is blank. I must have done it then! | 0:39:36 | 0:39:42 | |
-That's nonsense! -It's possible, isn't it? | 0:39:42 | 0:39:46 | |
I'm wrong four times out of five, but you're the wrongest guy I met! | 0:39:46 | 0:39:51 | |
-He did it? -No, but he's such a character! | 0:39:51 | 0:39:55 | |
Shhh! Don't raise your voices! We are not mice! | 0:39:55 | 0:39:58 | |
-You think it was you? -I don't know! | 0:39:58 | 0:40:01 | |
Let's stop zagging when we should be zigging! Call the 10.38pm number. | 0:40:01 | 0:40:07 | |
'When you hear the signal it will be 3.10am.' | 0:40:16 | 0:40:19 | |
Meridian 71212. | 0:40:19 | 0:40:23 | |
KNOCK AT DOOR | 0:40:23 | 0:40:25 | |
That's upstairs! | 0:40:25 | 0:40:27 | |
MORE KNOCKING | 0:40:28 | 0:40:30 | |
DOOR THUDS Edna! | 0:40:32 | 0:40:35 | |
Edna? | 0:40:35 | 0:40:37 | |
Are you here? | 0:40:37 | 0:40:39 | |
Aaagh! | 0:40:48 | 0:40:49 | |
Keep still! | 0:40:49 | 0:40:51 | |
-Who are you? -I'm Mrs Raymond. | 0:40:51 | 0:40:54 | |
Welcome! What are you doing here? | 0:40:54 | 0:40:57 | |
Miss Bartelli... | 0:40:57 | 0:40:59 | |
Was a friend so you stole her letters! | 0:40:59 | 0:41:03 | |
You don't understand... I read them, I understand. | 0:41:03 | 0:41:07 | |
I'll take them back and the money, too. | 0:41:07 | 0:41:10 | |
-The money was an accident. -Were you here earlier? | 0:41:10 | 0:41:14 | |
No, I wasn't. Now, what happened? Are you a detective? | 0:41:14 | 0:41:19 | |
Maybe. > I know a cab driver's badge! | 0:41:19 | 0:41:22 | |
-Put the gun down. -Keep away! | 0:41:22 | 0:41:25 | |
Alex! | 0:41:25 | 0:41:27 | |
I tripped over my own feet! | 0:41:28 | 0:41:31 | |
She's gone! | 0:41:35 | 0:41:37 | |
You weren't afraid of her. | 0:41:37 | 0:41:40 | |
I'm not afraid of anything that's real. | 0:41:40 | 0:41:43 | |
I'm polite but not afraid. | 0:41:43 | 0:41:45 | |
Can the Mutual Admiration Society decide what to do about that woman? | 0:41:45 | 0:41:51 | |
She won't report it, she's a criminal herself! | 0:41:51 | 0:41:55 | |
-She left the letters. -She'll be back. | 0:41:55 | 0:41:57 | |
Possibly. Honey draws flies! The town is full of flies there's one across the street now! | 0:41:57 | 0:42:04 | |
-"I hear the whistle blowing." -He's not police. -Let's find out who he is. | 0:42:09 | 0:42:15 | |
But not next to the station house! | 0:42:15 | 0:42:17 | |
We ride off in your cab, the human fly follows and Alex goes to see Brady. | 0:42:17 | 0:42:24 | |
-If the fly follows us? -Swat him! -Just like that? -Yes! | 0:42:24 | 0:42:28 | |
-June, our daddies had a better life, but Steve Brodie took a chance! -Alex... | 0:42:28 | 0:42:34 | |
get Mr Brady on the phone. | 0:42:34 | 0:42:37 | |
-Is this a gag? -'Don't get excited. It's not a gag.' | 0:42:40 | 0:42:44 | |
You say you're in a uniform... sailor... | 0:42:44 | 0:42:48 | |
-You said your name was? -'I didn't say.' | 0:42:48 | 0:42:51 | |
-Are you alone? -'Yes.' | 0:42:51 | 0:42:54 | |
Come right over to room 1019... Bring the cheque with ya! | 0:42:54 | 0:42:59 | |
KNOCK AT DOOR | 0:43:02 | 0:43:05 | |
Who is it? < Me. | 0:43:05 | 0:43:07 | |
What do you want? I don't want you in here! | 0:43:07 | 0:43:11 | |
< Let me in before you read about it. | 0:43:11 | 0:43:13 | |
Don't flatter yourself. I'm not here for the love of it! | 0:43:13 | 0:43:18 | |
Edna's been killed! | 0:43:18 | 0:43:20 | |
I've just been there. She's lying dead on the floor. | 0:43:20 | 0:43:24 | |
I have an idea who did it. You have? | 0:43:24 | 0:43:28 | |
You. | 0:43:28 | 0:43:30 | |
That's all the love I'm giving away this morning. Now you sit there! | 0:43:33 | 0:43:38 | |
Put Val Bartelli on the phone. | 0:43:48 | 0:43:51 | |
Only give him the cheque as a last resort. Pick his brains first. | 0:43:51 | 0:43:56 | |
Speech was given to man to hide his thoughts. | 0:43:56 | 0:43:59 | |
Best wishes. | 0:43:59 | 0:44:01 | |
June, I'm almost glad this happened. | 0:44:03 | 0:44:06 | |
-Are you nuts or what? -I mean it. | 0:44:06 | 0:44:09 | |
Oh, sure(!) Of course. Why not? | 0:44:11 | 0:44:15 | |
I'm mailing her letters to myself. If someone calls for them, we have a weapon. | 0:44:26 | 0:44:33 | |
-THUNDERCLAP -What's that? | 0:44:33 | 0:44:35 | |
A cooler for the city thunder. | 0:44:35 | 0:44:38 | |
Be indifferent, don't look around. My cab's beyond the door. | 0:44:40 | 0:44:44 | |
-Every minute brings Alex closer to his last hour of freedom. -We'll do our best. -He's such a baby! | 0:44:44 | 0:44:51 | |
A sweet baby? | 0:44:51 | 0:44:54 | |
Yes! | 0:44:55 | 0:44:56 | |
It's hot tonight! Not since the old days... | 0:45:03 | 0:45:06 | |
-Is he there? -Yes. | 0:45:06 | 0:45:09 | |
ENGINE STARTS | 0:45:11 | 0:45:13 | |
-Don't lose him! -He's right behind us. | 0:45:32 | 0:45:35 | |
We'll go up west and meet him uptown. | 0:45:35 | 0:45:39 | |
We'll make a sharp right. There's a police booth to intimidate him. | 0:45:41 | 0:45:47 | |
What is this? My fare asked me to follow ya. | 0:45:59 | 0:46:03 | |
Who is he? Ask him. | 0:46:03 | 0:46:05 | |
-What are you following the lady for? -It's a mistake. -What do you mean? | 0:46:05 | 0:46:10 | |
June! What kind of lizard are you following a lady in the night? You know this man? | 0:46:10 | 0:46:17 | |
-I can't see him. -Get out, kind sir. -No! | 0:46:17 | 0:46:21 | |
The police are there. No trouble! | 0:46:21 | 0:46:24 | |
I work. What are you following her for? | 0:46:24 | 0:46:27 | |
-Oh! -You know him? | 0:46:32 | 0:46:35 | |
-Meaning no disrespect, my admiration. -Let him go, Gus. | 0:46:35 | 0:46:40 | |
No disrespect, you understand. | 0:46:40 | 0:46:43 | |
I am Edward Hornig, 526 Fifth Avenue Hornig Accordion Company. | 0:46:43 | 0:46:48 | |
I am foreign-born but since last month am a citizen of your great country. | 0:46:48 | 0:46:54 | |
My citizenship papers. | 0:46:57 | 0:46:59 | |
American! | 0:47:00 | 0:47:02 | |
-No, don't go, please! -Come on, Gus. | 0:47:03 | 0:47:06 | |
No! Meaning no disrespect! | 0:47:06 | 0:47:09 | |
Quiet, Mr Hornig, quiet. | 0:47:09 | 0:47:11 | |
Take the American citizen home. | 0:47:13 | 0:47:16 | |
That poor wreck of a man proposed to me tonight on the dance floor. | 0:47:27 | 0:47:33 | |
Why are you crying, June? | 0:47:33 | 0:47:35 | |
I don't know. | 0:47:40 | 0:47:41 | |
I thought this chase would lead to something. | 0:47:41 | 0:47:45 | |
What'll happen to that boy? | 0:47:45 | 0:47:48 | |
He can't take care of himself. | 0:47:48 | 0:47:50 | |
It's hot and I feel unnerved. | 0:47:50 | 0:47:53 | |
Big storms always unnerve me. | 0:47:53 | 0:47:56 | |
This crazy city unnerves me but I pretend otherwise. Where's the logic to it? | 0:47:56 | 0:48:02 | |
-Where? -THUNDERCLAP | 0:48:02 | 0:48:05 | |
The storm clouds have passed us. | 0:48:06 | 0:48:09 | |
They're over Jersey now. | 0:48:09 | 0:48:11 | |
Statistics tell us we'll see the stars again. | 0:48:11 | 0:48:15 | |
Golly, the misery that walks around this pretty, quiet night. | 0:48:20 | 0:48:24 | |
June... | 0:48:24 | 0:48:26 | |
The logic you're looking for... | 0:48:28 | 0:48:30 | |
The logic is that there IS no logic. | 0:48:30 | 0:48:34 | |
The horror and terror you feel comes from being alive. | 0:48:34 | 0:48:38 | |
Die and there is no trouble. Live and you struggle. | 0:48:38 | 0:48:42 | |
It's beautiful to struggle for possibilities. | 0:48:42 | 0:48:45 | |
Not "I hate the sun cos it don't light my cigarette." | 0:48:45 | 0:48:50 | |
You're so young, you're a baby! Love's waiting at any door you open. | 0:48:50 | 0:48:55 | |
Some say love's a superstition. | 0:48:55 | 0:48:58 | |
Dismiss those Miss Bartellis from your mind. | 0:48:58 | 0:49:01 | |
Their poison is on the sweetest facts of life. | 0:49:01 | 0:49:05 | |
At 23 believe in love and its possibilities as I do at 53. | 0:49:05 | 0:49:10 | |
< What's wrong? | 0:49:10 | 0:49:12 | |
-Is he bothering you? -He's the only man in four years who hasn't. | 0:49:12 | 0:49:17 | |
It's no place to park. | 0:49:17 | 0:49:19 | |
Let's face it, Val, you and I are partners in a 42,000 investment. | 0:49:24 | 0:49:29 | |
You own 20% of my show. If it's not opening, you own a piece of dirt. | 0:49:29 | 0:49:35 | |
Why won't the show open Tuesday? And who's this broad here? | 0:49:35 | 0:49:41 | |
Mrs Raymond! Her husband has pledged 10 Gs for the show! | 0:49:41 | 0:49:45 | |
If he learns we're friends, we're ruined. | 0:49:45 | 0:49:49 | |
Cut off her head, she'd be pretty. | 0:49:49 | 0:49:51 | |
Yeah. What would you do in my place? | 0:49:51 | 0:49:55 | |
-How will he know? -Your sister has some letters. | 0:49:55 | 0:49:58 | |
Little notes she wrote last spring. | 0:49:58 | 0:50:01 | |
She'll show 'em to Raymond unless she gets a piece of the show. | 0:50:01 | 0:50:05 | |
Wax heads should keep out of the sun. | 0:50:05 | 0:50:09 | |
-I don't know anything about it. -Wait! | 0:50:09 | 0:50:12 | |
You tried to buy those letters back from Edna. | 0:50:12 | 0:50:16 | |
-You gave her a bad cheque. You're surprised she's sore? -Wait! | 0:50:16 | 0:50:21 | |
Frankly, I don't know how to tell you this... | 0:50:21 | 0:50:24 | |
We gotta get those letters because... | 0:50:24 | 0:50:27 | |
er...right now, your sister... is lying dead in a room. | 0:50:27 | 0:50:32 | |
Easy! | 0:50:32 | 0:50:34 | |
Yeah... Mrs Raymond just came from there. | 0:50:34 | 0:50:37 | |
You shut your mouth! Hear me? | 0:50:37 | 0:50:40 | |
Play it again and play it sweet! | 0:50:44 | 0:50:46 | |
-It's true. I swear, I didn't do it! -Who? Her? | 0:50:46 | 0:50:50 | |
Some people there tried to hold her up. A sailor, a cabbie and a dame. | 0:50:50 | 0:50:56 | |
-Who are they? -The boy's coming here! -Boy? | 0:50:56 | 0:50:59 | |
-RINGING -Stay put! -That's him! | 0:50:59 | 0:51:02 | |
Don't I know how to talk to a boy? | 0:51:02 | 0:51:06 | |
RINGING | 0:51:06 | 0:51:08 | |
Yeah? | 0:51:09 | 0:51:10 | |
Who's this? | 0:51:10 | 0:51:12 | |
Come right up, sailor boy. | 0:51:12 | 0:51:15 | |
Put on your clothes, Lester. | 0:51:17 | 0:51:19 | |
Come in. > | 0:51:33 | 0:51:35 | |
Put the cheque on the table. | 0:51:45 | 0:51:47 | |
-Going somewhere? -You wanna be paid first? | 0:51:47 | 0:51:51 | |
-I wanna be sure it's yours. -Out of seven million you found me, it must be mine. | 0:51:51 | 0:51:57 | |
Some grapes. | 0:51:58 | 0:52:00 | |
Frankly, you kids are the limit! | 0:52:00 | 0:52:03 | |
-You could be behind bars for that trick. -Or for passing bad cheques. | 0:52:03 | 0:52:09 | |
-< -You shouldn't have hit me! -Where was it? -In a cab. | 0:52:12 | 0:52:16 | |
-Where? -In a cab! -Where? -Who's that? | 0:52:16 | 0:52:19 | |
Call me sweetheart. Shut that transom so it don't rain in. | 0:52:19 | 0:52:24 | |
-Did you go home with my sister, Romeo? -Yes. -You killed her! -No! | 0:52:24 | 0:52:30 | |
Val! Not here! We can take him to Edna's place. This is a hotel! A public place! | 0:52:30 | 0:52:36 | |
-Go home! -Do as he tells you! | 0:52:36 | 0:52:39 | |
-Keep your mouth shut! -Keep it shut! | 0:52:39 | 0:52:42 | |
Yes, I will! | 0:52:42 | 0:52:44 | |
How can you love a boy you've just met? | 0:52:51 | 0:52:55 | |
How can a passing stranger change your entire life? | 0:52:55 | 0:52:59 | |
You'd be amazed. | 0:52:59 | 0:53:02 | |
My wife, I met and loved in a minute. | 0:53:02 | 0:53:05 | |
The dentist's office with all the vitamins, too! | 0:53:05 | 0:53:09 | |
I love her to this day. | 0:53:09 | 0:53:11 | |
Although it's sixteen years she's been gone. | 0:53:11 | 0:53:15 | |
No children? | 0:53:15 | 0:53:17 | |
A girl. She's married now. | 0:53:17 | 0:53:20 | |
Last year I put her husband in a dry-cleaning establishment. | 0:53:20 | 0:53:25 | |
I had some savings. | 0:53:25 | 0:53:27 | |
I'd die for that girl! | 0:53:29 | 0:53:31 | |
-She remembers her mother? -Very well. She even remembers the man. | 0:53:31 | 0:53:36 | |
-What man? -The man my wife ran off with. | 0:53:36 | 0:53:40 | |
HORN BLARES | 0:53:42 | 0:53:43 | |
The first six years I shaved every night before I went to bed. | 0:53:43 | 0:53:48 | |
I thought she might come back. | 0:53:48 | 0:53:51 | |
There's no papers in there, anyway. | 0:53:56 | 0:53:59 | |
She was no lullaby | 0:54:03 | 0:54:05 | |
but she had the brains like a man. | 0:54:05 | 0:54:09 | |
I'll take her inside. | 0:54:10 | 0:54:13 | |
Val! Stop it! | 0:54:45 | 0:54:47 | |
-The cops are across the street! -Stop? -Val! Stop! | 0:54:47 | 0:54:51 | |
GUNSHOT | 0:54:51 | 0:54:53 | |
I hope nobody heard that. | 0:54:55 | 0:54:58 | |
I was in the deep water for a minute. | 0:54:59 | 0:55:02 | |
Drop the gun and don't turn around! | 0:55:03 | 0:55:06 | |
-Is he hurt? -He's punched black and blue! | 0:55:06 | 0:55:10 | |
Get some water. | 0:55:10 | 0:55:12 | |
Now you can turn around. Who are you? | 0:55:12 | 0:55:16 | |
-Who likes to know? -A man with a gun. Don't move! | 0:55:16 | 0:55:19 | |
The body bleeds very easy. Don't move! Where's the body? | 0:55:19 | 0:55:24 | |
-My sister is in her bed. -I'm his friend Lester Brady. | 0:55:24 | 0:55:28 | |
-Are you hurt? -Pretty weak, can't deny that. | 0:55:28 | 0:55:32 | |
What did you beat that boy up for? | 0:55:32 | 0:55:35 | |
-He killed my sister. -Where is your eyes, gangster? He couldn't hurt a fly. | 0:55:35 | 0:55:41 | |
There HAS been a murder here tonight. | 0:55:41 | 0:55:44 | |
You had a motive, Mr Brady. And you, too. | 0:55:44 | 0:55:48 | |
< Call the cops if you're so legitimate. | 0:55:48 | 0:55:51 | |
-I don't need this gun to hold you here! -He knows something, Lester. | 0:55:51 | 0:55:56 | |
First some gas station courtesy. | 0:55:56 | 0:55:59 | |
What's Mr Raymond's wife's first name? | 0:55:59 | 0:56:02 | |
Nan. | 0:56:02 | 0:56:04 | |
-And the waiter who your sister found you were in cahoots with? -Why? | 0:56:04 | 0:56:09 | |
-Put nothing in writing the first law of life. -Don't waste time, Gus! | 0:56:09 | 0:56:14 | |
I read the incriminating papers you wanted and hid them like a squirrel. | 0:56:14 | 0:56:19 | |
Why? Intuition. | 0:56:19 | 0:56:22 | |
But you can get those papers back. | 0:56:22 | 0:56:25 | |
How? | 0:56:25 | 0:56:26 | |
-Help this young man. -A murderer is in this city. Help us find him! | 0:56:26 | 0:56:31 | |
Weren't you talking to my sister a while ago? | 0:56:31 | 0:56:35 | |
Never. What about my offer? | 0:56:35 | 0:56:37 | |
Edna! It's Babe! > | 0:56:37 | 0:56:40 | |
Are you home, Edna? > | 0:56:40 | 0:56:43 | |
He was here before. | 0:56:43 | 0:56:45 | |
Edna! It's late! I can't get a drinkie anywhere! | 0:56:53 | 0:56:59 | |
Throw down a bottle, will ya? | 0:56:59 | 0:57:01 | |
It's that drunk ball-player Dooley. | 0:57:01 | 0:57:04 | |
Throw it down, Edna! I'll come up there if you don't! | 0:57:04 | 0:57:08 | |
Do you think you're on a picnic? Move on! | 0:57:10 | 0:57:14 | |
It's the Babe! Babe Dooley! | 0:57:14 | 0:57:16 | |
Are you for me or against me? | 0:57:16 | 0:57:19 | |
Are ya? | 0:57:19 | 0:57:21 | |
Nothing's too good for the Babe. Then go up there. | 0:57:21 | 0:57:25 | |
I can't navigate the stairs. | 0:57:25 | 0:57:28 | |
Are we gonna cut it this year, Babe? | 0:57:28 | 0:57:30 | |
Give me the bottle and we'll cut the house! | 0:57:30 | 0:57:34 | |
He's coming up here the cop. | 0:57:36 | 0:57:39 | |
What are you going to do? | 0:57:42 | 0:57:45 | |
-Be careful! -Shut your face, Lester. -FOOTSTEPS | 0:57:52 | 0:57:57 | |
KNOCKING | 0:57:57 | 0:57:58 | |
-What's cooking? -Babe Dooley says a friend lives here. | 0:58:02 | 0:58:07 | |
-I'm her brother, she don't fuss. -He only wants a drink. | 0:58:07 | 0:58:11 | |
Here. Give him this but far away. | 0:58:14 | 0:58:17 | |
-Sorry for the trouble. -Excused. | 0:58:17 | 0:58:20 | |
Edna! Edna! > | 0:58:27 | 0:58:29 | |
There's a fat ball-player who'll die in the street. | 0:58:29 | 0:58:33 | |
OK. You've got until 6.00am. | 0:58:36 | 0:58:39 | |
We start with clues. Who smokes mentholated cigarettes? | 0:58:39 | 0:58:43 | |
-Who rides in subways? -A man in evening clothes was here. Would your sister know him? | 0:58:43 | 0:58:50 | |
Sure! About 50,000! | 0:58:50 | 0:58:52 | |
Statistics tell us white carnations go with tuxedo coats. Who wears white carnations? | 0:58:52 | 0:58:59 | |
-Why? -He was here. | 0:58:59 | 0:59:01 | |
-Who said? -This says! | 0:59:01 | 0:59:04 | |
Did you find this here? | 0:59:05 | 0:59:07 | |
-On the table. -What time is it now? | 0:59:07 | 0:59:11 | |
Ten past four. | 0:59:11 | 0:59:13 | |
I know where the sick pigeon is tonight. | 0:59:13 | 0:59:16 | |
Come with me, Lester. | 0:59:16 | 0:59:19 | |
-I need my sleep. -Sleep rots the brain! | 0:59:19 | 0:59:23 | |
-We'll all go. -You'll stay here. | 0:59:23 | 0:59:25 | |
No, we'll all go. | 0:59:25 | 0:59:27 | |
All right. | 0:59:27 | 0:59:29 | |
Gee, time takes so long and goes so fast. | 0:59:40 | 0:59:44 | |
The sun comes up soon, don't it? | 0:59:44 | 0:59:47 | |
Too soon. | 0:59:47 | 0:59:48 | |
HE WHIMPERS | 1:00:09 | 1:00:11 | |
Edna... | 1:00:11 | 1:00:13 | |
Edna! | 1:00:14 | 1:00:16 | |
Edna! | 1:00:17 | 1:00:18 | |
Edna... | 1:00:25 | 1:00:27 | |
Edna... | 1:00:28 | 1:00:29 | |
Edna... | 1:00:29 | 1:00:31 | |
Police! Police! Police! | 1:00:39 | 1:00:41 | |
What are you thinking, June? | 1:00:43 | 1:00:45 | |
Tired, son? | 1:00:47 | 1:00:49 | |
I'm in trouble and sick at heart, I know that. | 1:00:49 | 1:00:53 | |
Nothing can happen to me. | 1:00:53 | 1:00:56 | |
-I was dead once, did I tell you? -No! | 1:00:56 | 1:00:59 | |
Drowned in a river when I was 12. | 1:00:59 | 1:01:01 | |
I was "dead" but was revived after two hours. | 1:01:01 | 1:01:05 | |
Next day I played handball and fainted. I stayed in bed for six weeks. | 1:01:05 | 1:01:11 | |
Nothing more can happen to me. | 1:01:11 | 1:01:14 | |
The air goes to your head like dope. | 1:01:14 | 1:01:16 | |
Mr Bartelli, I'm mighty sorry about your sister but I'll have to hit you before 6.00am! | 1:01:16 | 1:01:23 | |
Now! | 1:01:23 | 1:01:24 | |
What's Val Bartelli doing here? This is a private party! | 1:01:54 | 1:01:58 | |
I couldn't stop him! | 1:01:58 | 1:02:00 | |
Whisky and soda. | 1:02:00 | 1:02:03 | |
WAITER: It's too late. Sandwiches? No. | 1:02:03 | 1:02:06 | |
Anyone want some sandwiches? | 1:02:06 | 1:02:09 | |
A mineral water and some lemonades. | 1:02:09 | 1:02:12 | |
What a surprise! | 1:02:12 | 1:02:14 | |
-Who are the people? -A party for a retiring police captain. | 1:02:14 | 1:02:19 | |
This boy's leaving, I'm showing him around. | 1:02:19 | 1:02:23 | |
-Fine. -Don't tell Sleepy we're here. -Sure, Val. | 1:02:23 | 1:02:27 | |
Old cops...delicious! | 1:02:36 | 1:02:39 | |
-We'll have to wait. -Until school opens? -Turn him over to the cops. | 1:02:39 | 1:02:44 | |
-If he's innocent? -He done it! | 1:02:44 | 1:02:47 | |
Wait! He'll see you! | 1:02:47 | 1:02:49 | |
He's as blind as a bat! Blind? | 1:02:49 | 1:02:52 | |
APPLAUSE | 1:02:58 | 1:03:00 | |
-Gee! -Don't waste your pity! | 1:03:11 | 1:03:13 | |
This girl has got a head! | 1:03:13 | 1:03:16 | |
If I can get him outside a moment... | 1:03:21 | 1:03:24 | |
The party'll be over soon. > Blind... | 1:03:24 | 1:03:28 | |
-Breaks your heart, don't it? -The city's full of men like that. | 1:03:28 | 1:03:33 | |
Nerves and worry. | 1:03:33 | 1:03:35 | |
Living on cigars and bicarbonate of soda. | 1:03:35 | 1:03:38 | |
-Wrung out by sleepless nights. -He'll sleep good in a box. | 1:03:38 | 1:03:43 | |
The bed bugs will never forgive you. Your skin is iron. | 1:03:43 | 1:03:48 | |
No fuss! | 1:03:49 | 1:03:51 | |
Am I supposed to baby him along all night? | 1:03:57 | 1:04:01 | |
-Be patient! -OK? | 1:04:01 | 1:04:03 | |
Yeah. What would you like to do? Because I suggest you do it. | 1:04:03 | 1:04:08 | |
Well? | 1:04:09 | 1:04:10 | |
That's right we'll wait. | 1:04:12 | 1:04:14 | |
It's not your nature to wait, nor your sister's. | 1:04:14 | 1:04:18 | |
Take, break, smash and kill! You and your sister alike! | 1:04:18 | 1:04:23 | |
-What do you know about my sister? -I read her intimate correspondence. | 1:04:23 | 1:04:28 | |
Highly perfumed! | 1:04:28 | 1:04:31 | |
The perfume. I'm wearing her perfume. | 1:04:31 | 1:04:34 | |
Suppose I stand at the piano and let him get a good whiff. | 1:04:34 | 1:04:39 | |
-Proving what? -If he's guilty we'll see it with our eyes. | 1:04:39 | 1:04:44 | |
-This girl has got a head! -BANGING ON TABLE | 1:04:44 | 1:04:48 | |
Friends, who have been so kind to make this gathering possible, | 1:04:48 | 1:04:54 | |
the hour grows late and we must part. | 1:04:54 | 1:04:58 | |
"Parting is such sweet sorrow," as the poet says. > | 1:04:58 | 1:05:02 | |
I must say a few words before... we won't get home until morning! | 1:05:02 | 1:05:08 | |
I've heard myself referred to tonight, > | 1:05:11 | 1:05:14 | |
as a credit to the force... > | 1:05:14 | 1:05:17 | |
l HE PLAYS A MOODY JAZZ BALLAD | 1:05:19 | 1:05:22 | |
MUSIC STOPS | 1:05:36 | 1:05:39 | |
MUSIC RESUMES | 1:05:40 | 1:05:42 | |
MUSIC STOPS | 1:05:48 | 1:05:51 | |
Who's that? | 1:05:51 | 1:05:54 | |
Is that...? | 1:05:54 | 1:05:56 | |
Who is it? | 1:05:57 | 1:05:59 | |
Is someone standing here? | 1:05:59 | 1:06:02 | |
Yes. | 1:06:02 | 1:06:03 | |
-Who is it? -Edna's dead and you killed her! | 1:06:03 | 1:06:07 | |
What? | 1:06:07 | 1:06:09 | |
What's that? | 1:06:09 | 1:06:11 | |
Shhh! The captain's talking. Don't run! | 1:06:23 | 1:06:26 | |
-Who's that? -You know who it is. | 1:06:40 | 1:06:44 | |
Val... Val, I just heard. A woman whispered... | 1:06:44 | 1:06:48 | |
-You heard? What you just heard? -Edna, she's... | 1:06:48 | 1:06:51 | |
No! Don't hit me! Don't hit me! | 1:06:51 | 1:06:54 | |
I can't take it, Val. Please don't hit me! I loved her, I always loved her! | 1:06:54 | 1:07:01 | |
He didn't do it! Leave him! | 1:07:01 | 1:07:03 | |
Which one of you spoiled the captain's party? | 1:07:14 | 1:07:18 | |
-You sure? -Yes. | 1:07:19 | 1:07:21 | |
-You're not lying? -No, sir. -She kept asking you to hug her? | 1:07:21 | 1:07:27 | |
-Yes. -But you wouldn't. -No, sir. | 1:07:27 | 1:07:29 | |
-Why? -She didn't appeal to me. -You don't say? | 1:07:29 | 1:07:34 | |
You say no to her. You expect us to believe that? | 1:07:34 | 1:07:38 | |
Why would I lie? This is like the time my aunt won a car and the whole family fought! | 1:07:38 | 1:07:44 | |
RINGING | 1:07:44 | 1:07:47 | |
Yes? | 1:07:47 | 1:07:48 | |
Right. | 1:07:49 | 1:07:51 | |
Bartelli's not wanted. Narcotics had him years back. | 1:07:51 | 1:07:55 | |
-You can't keep me here. -Lieutenant Kane's outside for you. | 1:07:55 | 1:08:00 | |
You're gonna see the building's foundations now! | 1:08:09 | 1:08:14 | |
Very sweet of you, June. | 1:08:14 | 1:08:16 | |
Look at the time! What will the captain say when I don't report for duty? Or my father when he hears? | 1:08:21 | 1:08:28 | |
Listen to how the murderer talks! | 1:08:28 | 1:08:31 | |
A punch on the nose, remember that? | 1:08:31 | 1:08:33 | |
June, there's something I've got to tell you. | 1:08:33 | 1:08:37 | |
Whatever happens, I don't know how I existed before I met you. | 1:08:37 | 1:08:42 | |
-That's the truth. -POLICEMAN: Sit down, sister. | 1:08:42 | 1:08:46 | |
Babe Dooley's in the case. I don't think he done it. | 1:08:52 | 1:08:57 | |
It gets more complicated. | 1:08:57 | 1:08:59 | |
The girl? | 1:08:59 | 1:09:01 | |
Airtight she left the dance at one. | 1:09:01 | 1:09:03 | |
Why take a boy back? Her brother's a belly-gunner. | 1:09:03 | 1:09:07 | |
Sympathy. | 1:09:07 | 1:09:09 | |
We can't hold Bartelli for Sleepy's death it was heart failure. | 1:09:09 | 1:09:13 | |
Did HE tap his sister? | 1:09:13 | 1:09:16 | |
I doubt it but I don't like him. | 1:09:16 | 1:09:18 | |
How about the cabbie? Clean record. We're wasting our time. | 1:09:18 | 1:09:24 | |
Why? The boy did it but he won't crack. | 1:09:24 | 1:09:27 | |
Maybe he's innocent. Maybe he ain't. | 1:09:27 | 1:09:30 | |
Ready for work, Smiley? Say when, Lieutenant. | 1:09:30 | 1:09:34 | |
When. | 1:09:34 | 1:09:35 | |
-SMILEY: Turn the radio off. -"I hear the whistle blowing." | 1:09:38 | 1:09:42 | |
-Bartelli, still making book? -I never had no interest in THAT. | 1:09:44 | 1:09:49 | |
You're the boy who killed her? > | 1:09:49 | 1:09:51 | |
-I did NOT. -Stand up! What's that? -I did NOT! -Get up! | 1:09:51 | 1:09:56 | |
Get up! > | 1:09:56 | 1:09:58 | |
I'm too tired, I won't get up. | 1:09:58 | 1:10:01 | |
-You're ready for a grave in Potter's field. -My friends will tell you I'm all right. -Your friends? | 1:10:01 | 1:10:08 | |
Put 'em out the hall with the mops and brooms! | 1:10:08 | 1:10:12 | |
Now you're alone. | 1:10:19 | 1:10:21 | |
No friends. A murderer has no friends. | 1:10:21 | 1:10:25 | |
-Are you ready to sign a confession? -I'm ready to sleep! | 1:10:25 | 1:10:29 | |
Do you know what it's like to fry in the electric chair? | 1:10:29 | 1:10:34 | |
-Stop this! -Detective, you're getting too rough. | 1:10:34 | 1:10:38 | |
Kids like this make my blood boil! | 1:10:38 | 1:10:41 | |
Calm down! We're in the United States! | 1:10:41 | 1:10:44 | |
Officer, bring this lad some cold water. | 1:10:44 | 1:10:48 | |
-What's happening in there? -The other one steps in, sympathetic, | 1:10:52 | 1:10:57 | |
and Alex tells him everything. | 1:10:57 | 1:11:00 | |
-What can he tell him? -About that blank hour in his life. | 1:11:00 | 1:11:04 | |
He didn't do it, Gus! | 1:11:04 | 1:11:07 | |
I know he didn't. | 1:11:07 | 1:11:10 | |
Do you want these others to leave? | 1:11:10 | 1:11:12 | |
No, they don't annoy me. I'm annoyed anyway. | 1:11:12 | 1:11:16 | |
I don't get it! He don't deserve no coddling. | 1:11:16 | 1:11:20 | |
There's no reason to lose your head! | 1:11:20 | 1:11:23 | |
Did you enlist or were you drafted, lad? | 1:11:24 | 1:11:28 | |
-I enlisted after Pearl Harbor. The president was on the radio. -You didn't kill that woman? | 1:11:28 | 1:11:35 | |
-No, sir. -Who do you think did? | 1:11:35 | 1:11:38 | |
I don't know. I thought it was her husband but I don't know. | 1:11:38 | 1:11:42 | |
-You didn't. -No, but... -But what? | 1:11:42 | 1:11:45 | |
Sometimes you wish you had a sore toe so you can sit and not worry. | 1:11:45 | 1:11:50 | |
That was my mood last night. | 1:11:50 | 1:11:53 | |
No place to go, disgusted. | 1:11:53 | 1:11:56 | |
She kept offering me these drinks. | 1:11:56 | 1:11:58 | |
I don't have any sales resistance, as my father says. | 1:11:58 | 1:12:02 | |
After a few drinks... Non compos mentis. | 1:12:02 | 1:12:06 | |
-Non compos mentis. -Yes, sir. | 1:12:06 | 1:12:09 | |
I was lost. Like swimming under water in the dark. | 1:12:09 | 1:12:14 | |
-Next thing the money was in my pocket. -You were unaware... | 1:12:14 | 1:12:18 | |
-I was. -..the money was in your pocket? -Right. | 1:12:18 | 1:12:22 | |
-You wanna help us find the killer? -Yes. | 1:12:22 | 1:12:25 | |
Did you do it? | 1:12:25 | 1:12:27 | |
When you were non compos mentis and didn't know that you took the money? | 1:12:27 | 1:12:33 | |
Is it possible? Be sincere. | 1:12:33 | 1:12:36 | |
It's possible. I might have done it and not known I did. | 1:12:36 | 1:12:41 | |
-Did she drink a lot? -More than I could count and I'm not dumb. -You're not dumb. | 1:12:41 | 1:12:48 | |
He's not dumb! What's he doing in there? Shhh! | 1:12:48 | 1:12:53 | |
You think it's possible you did it when you were fuzzy in the head. | 1:12:53 | 1:12:58 | |
Be sincere. | 1:12:58 | 1:13:00 | |
-Yes. It's possible. -You've pinned the tail on the donkey. | 1:13:00 | 1:13:05 | |
-RINGING That's all! -But it's only possible! | 1:13:05 | 1:13:09 | |
A technicality. Book him on a murder charge. | 1:13:09 | 1:13:12 | |
Lieutenant! | 1:13:12 | 1:13:13 | |
Tell my lawyer to go back to sleep when he gets here. | 1:13:15 | 1:13:19 | |
Gus! | 1:13:19 | 1:13:21 | |
-Yes? -You know what that means? | 1:13:21 | 1:13:23 | |
Yes, I know what it means. | 1:13:23 | 1:13:26 | |
The boy is innocent. | 1:13:26 | 1:13:28 | |
In a minute he'll be free. | 1:13:28 | 1:13:31 | |
Look at me, June. | 1:13:31 | 1:13:33 | |
Your face is very beautiful when it's sad. | 1:13:35 | 1:13:39 | |
A certain party is guilty. | 1:13:40 | 1:13:42 | |
-All night he's been sawing off the branches. -Who is it? | 1:13:42 | 1:13:47 | |
Do you want to come in with me? | 1:13:47 | 1:13:50 | |
Lieutenant! | 1:13:52 | 1:13:54 | |
The murderer of Edna Bartelli has just confessed to Captain Dill down at Homicide. | 1:13:54 | 1:14:01 | |
GUS: Who? A man I never heard of. | 1:14:01 | 1:14:04 | |
-Why are you keeping my wife? -You rushed? | 1:14:09 | 1:14:12 | |
Our baby's at home. | 1:14:12 | 1:14:14 | |
I love babies! Does my smoking bother you? | 1:14:14 | 1:14:18 | |
No. | 1:14:18 | 1:14:19 | |
Come in! | 1:14:22 | 1:14:23 | |
Hello, Ken. | 1:14:23 | 1:14:25 | |
Ever see 'em before? | 1:14:25 | 1:14:27 | |
No. | 1:14:29 | 1:14:30 | |
Just confessed like a baby doll! | 1:14:30 | 1:14:33 | |
-Make fun! -Why did you kill her? | 1:14:33 | 1:14:36 | |
-That's my business! -Not now, it isn't. | 1:14:36 | 1:14:40 | |
I killed her, that's enough! Let her go! | 1:14:40 | 1:14:43 | |
-She's exhausted. -Do you love your wife? | 1:14:43 | 1:14:47 | |
-Yes. -Where did you get the gun? | 1:14:48 | 1:14:51 | |
-I won't answer. Let her go home! -Did you ever rob a house before? | 1:14:51 | 1:14:57 | |
LIEUTENANT: What did you do with her rings? | 1:14:57 | 1:15:01 | |
-Let my wife go home! -I -did it! -> | 1:15:01 | 1:15:04 | |
-This gun you bought it? -What's the diff? | 1:15:04 | 1:15:08 | |
The diff is she wasn't robbed. And she was strangled not shot. | 1:15:09 | 1:15:15 | |
-She wasn't shot! -Shut your mouth! | 1:15:15 | 1:15:17 | |
How do you know, Mrs Robinson? | 1:15:17 | 1:15:20 | |
She knows cos she did it! > No! | 1:15:20 | 1:15:23 | |
Mrs Robinson? How do you know she wasn't shot? | 1:15:23 | 1:15:27 | |
Because she was there. | 1:15:27 | 1:15:30 | |
My daughter is innocent. She's protecting me. | 1:15:30 | 1:15:33 | |
He's protecting her. She followed me to the apartment, too late. | 1:15:33 | 1:15:38 | |
< Sit down. | 1:15:38 | 1:15:40 | |
Gerry met Miss Bartelli in his dry-cleaning business. Met and was conquered. | 1:15:50 | 1:15:56 | |
My grandchild was about to be born. | 1:15:56 | 1:15:58 | |
I visited the lady and begged her to cut it out. | 1:15:58 | 1:16:02 | |
It continued after the child was born. > | 1:16:02 | 1:16:06 | |
Naturally my daughter was unhappy. | 1:16:06 | 1:16:09 | |
I visited Miss Bartelli a second time useless! | 1:16:09 | 1:16:13 | |
Last night, I visited the lady again. | 1:16:13 | 1:16:16 | |
The lady was very abusive. | 1:16:16 | 1:16:19 | |
At best, I am not a happy man | 1:16:19 | 1:16:21 | |
but the years bring you discipline. | 1:16:21 | 1:16:24 | |
She made me break that discipline. I took her... | 1:16:24 | 1:16:27 | |
Sit down, Bartelli! | 1:16:27 | 1:16:30 | |
Anything can happen in this heat and it happened. | 1:16:31 | 1:16:35 | |
And yet I felt calm and satisfied, as if I did the right thing. | 1:16:35 | 1:16:40 | |
That woman's heart was made of ice. She made people suffer. > | 1:16:40 | 1:16:45 | |
People I love. > | 1:16:45 | 1:16:47 | |
Maybe you won't believe it, but I murdered her for love! | 1:16:47 | 1:16:52 | |
Statistics tell us... | 1:16:53 | 1:16:55 | |
Oh, I forgot what they tell us. | 1:16:58 | 1:17:01 | |
Then I picked up the boy innocence personified! | 1:17:01 | 1:17:05 | |
I chased him away, he wouldn't go. So I tagged along. | 1:17:05 | 1:17:09 | |
Every hour he got more involved. Myself, I could have saved a dozen times. But not at that boy's expense. | 1:17:09 | 1:17:16 | |
Between you and me and the lamppost, Captain, | 1:17:16 | 1:17:20 | |
happiness is no laughing matter. | 1:17:20 | 1:17:22 | |
SHE SOBS No! | 1:17:22 | 1:17:25 | |
No! | 1:17:25 | 1:17:26 | |
Don't cry! | 1:17:26 | 1:17:28 | |
Gerry, take her home. | 1:17:28 | 1:17:31 | |
-You earned the right tonight. Cherish anyone who loves unselfishly as she does. -Yeah. | 1:17:32 | 1:17:39 | |
Here. | 1:17:39 | 1:17:40 | |
We'll be back this afternoon. | 1:17:40 | 1:17:43 | |
Better lock him up. | 1:17:48 | 1:17:50 | |
Release the boy, he has a bus to catch. | 1:17:50 | 1:17:53 | |
He's a fine character. He'll give you an incentive. Pack and move closer to him! | 1:17:57 | 1:18:04 | |
-Go back to Norfolk together, on a later bus. -Yes. | 1:18:04 | 1:18:09 | |
Push through the daily cha-chaque of life together. | 1:18:09 | 1:18:13 | |
Go ahead. | 1:18:13 | 1:18:15 | |
Imagine, at my age, to have to learn to play a harp. | 1:18:20 | 1:18:24 | |
-Mr Bartelli! -> | 1:18:40 | 1:18:42 | |
It's terrible what happened, all of it. No hard feelings. | 1:18:42 | 1:18:46 | |
-What's the matter? Afraid you hurt him? -I should have hit him more! | 1:19:00 | 1:19:05 | |
It'll have to wait, character. We've a bus to catch. | 1:19:05 | 1:19:09 | |
-To Norfolk? -Mm-hm. | 1:19:09 | 1:19:12 | |
Home. | 1:19:12 | 1:19:14 | |
Subtitles by Mark Thomas BBC 1995 | 1:19:21 | 1:19:24 |