
Browse content similar to Enchanted April. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
There - that's better. | 0:01:28 | 0:01:30 | |
Wretched weather we're having, Mrs Arbuthnot. | 0:01:38 | 0:01:40 | |
Yes. | 0:01:41 | 0:01:43 | |
Not so many members dropping into the club nowadays. | 0:01:43 | 0:01:46 | |
I expect it's the rain what keeps them at home. | 0:01:46 | 0:01:48 | |
Yes. It's very nice and cheerful when you get here, though. | 0:01:48 | 0:01:51 | |
That's what I was saying to a friend of mine only the other day. I said... | 0:01:51 | 0:01:55 | |
DOOR OPENS | 0:01:55 | 0:01:57 | |
Excuse me just a moment. | 0:01:58 | 0:01:59 | |
-Oh! My, what a day, Mrs Hawkins. -Isn't it, though, Mrs Wilkins? | 0:02:03 | 0:02:07 | |
-Let me help you off with your things. -Thank you. | 0:02:07 | 0:02:09 | |
Give me your coat. I'll hang it up. | 0:02:09 | 0:02:12 | |
Quite a complement, | 0:02:15 | 0:02:16 | |
your coming to the club on a day like this. | 0:02:16 | 0:02:18 | |
-Well, it's such a nice day. -What? | 0:02:18 | 0:02:21 | |
I mean, it's such a nice day to be sociable in. | 0:02:21 | 0:02:23 | |
-Well, yes - oh, I'm sorry. -Thank you, my shoe. | 0:02:23 | 0:02:26 | |
You're always so kind. | 0:02:26 | 0:02:28 | |
Running a club is a life's work, Mrs Wilkins. | 0:02:28 | 0:02:31 | |
I'm sure it is, Mrs Hawkins. | 0:02:31 | 0:02:33 | |
It's still here. | 0:03:16 | 0:03:17 | |
Oh, wouldn't it be wonderful, if one could? | 0:03:20 | 0:03:23 | |
Have you seen this? | 0:03:23 | 0:03:25 | |
"To those who are looking for wisteria and tranquillity, | 0:03:26 | 0:03:29 | |
"sunshine and content, | 0:03:29 | 0:03:31 | |
"small Italian castle on the shores of the Mediterranean to let, | 0:03:31 | 0:03:35 | |
"furnished, for the month of April. | 0:03:35 | 0:03:37 | |
"Eight beds, £60. Necessary servants remain. | 0:03:37 | 0:03:40 | |
"AG Barker, Agent, 4 Brunton Place." | 0:03:40 | 0:03:43 | |
Isn't it a miracle? | 0:03:45 | 0:03:46 | |
I mean, this advertisement about wisteria and sunshine, | 0:03:46 | 0:03:50 | |
on a day like this. | 0:03:50 | 0:03:52 | |
It's such a miserable day. | 0:03:52 | 0:03:54 | |
But there's no use wasting one's time | 0:03:54 | 0:03:56 | |
thinking about such things. | 0:03:56 | 0:03:58 | |
Oh, but there is! | 0:03:58 | 0:03:59 | |
Even considering them is worthwhile it itself, | 0:03:59 | 0:04:02 | |
and sometimes, I believe - I really do believe - | 0:04:02 | 0:04:05 | |
that when one considers hard enough, one gets things. | 0:04:05 | 0:04:07 | |
-Oh...why don't we try to get it? -Get it? -Yes. | 0:04:09 | 0:04:13 | |
-How do you mean, "get it"? -Take it. | 0:04:13 | 0:04:16 | |
Take it? | 0:04:16 | 0:04:17 | |
Rent it, hire it, have it. | 0:04:17 | 0:04:19 | |
Do you mean you and I? | 0:04:19 | 0:04:21 | |
Between us - we could share, | 0:04:21 | 0:04:24 | |
then everything would only cost half as much. | 0:04:24 | 0:04:26 | |
You look so... | 0:04:26 | 0:04:27 | |
You look as if you wanted it just as much as I do. | 0:04:29 | 0:04:32 | |
As if you ought to have a rest | 0:04:32 | 0:04:34 | |
and have something happy happen to you. | 0:04:34 | 0:04:36 | |
But we don't know each other! | 0:04:36 | 0:04:38 | |
But think how well we would, | 0:04:38 | 0:04:39 | |
if we went away together for a month. | 0:04:39 | 0:04:41 | |
I've saved up for a rainy day and, I expect, so have you. | 0:04:42 | 0:04:45 | |
And this is the rainy day! | 0:04:45 | 0:04:47 | |
Tea is ready, ladies. | 0:04:47 | 0:04:48 | |
Oh, do you two ladies know each other? | 0:04:48 | 0:04:51 | |
-No. -Mrs Wilkins, this is Mrs Arbuthnot. | 0:04:51 | 0:04:53 | |
Mrs Arbuthnot, Mrs Wilkins. | 0:04:53 | 0:04:55 | |
-How do you do? -How do you do? | 0:04:55 | 0:04:57 | |
-Shall we have tea? -Yes. | 0:04:59 | 0:05:01 | |
Wisteria. Sunshine. | 0:05:04 | 0:05:06 | |
After a bit, everyone needs a holiday - | 0:05:12 | 0:05:14 | |
needs to get away from problems and troubles. | 0:05:14 | 0:05:17 | |
Oh, yes, and husbands and habits and homes and dinners | 0:05:18 | 0:05:21 | |
and let them fend for themselves. | 0:05:21 | 0:05:23 | |
Even troubles will fend for themselves, | 0:05:23 | 0:05:25 | |
if you let them alone long enough. | 0:05:25 | 0:05:27 | |
But wouldn't it be wrong | 0:05:27 | 0:05:28 | |
to spend one's nest egg for one's own pleasures? | 0:05:28 | 0:05:32 | |
My husband often says... | 0:05:32 | 0:05:34 | |
You are very lucky to have a nest egg. | 0:05:34 | 0:05:36 | |
You never know when you'll need it. | 0:05:36 | 0:05:38 | |
Yes, dear. You're quite right. | 0:05:38 | 0:05:40 | |
Thrift - how many times have I told you | 0:05:40 | 0:05:43 | |
that thrift is the foundation of an honourable life? | 0:05:43 | 0:05:47 | |
Unless it gets into the food - | 0:05:48 | 0:05:51 | |
that's bad housekeeping. | 0:05:51 | 0:05:53 | |
And what Henry says about money is rather impressive. | 0:05:53 | 0:05:57 | |
Oh...but compared to what we'd get out of it, | 0:05:59 | 0:06:02 | |
the money's just a trifle. | 0:06:02 | 0:06:04 | |
Isn't it odd - what Henry says about trifles is impressive, too. | 0:06:05 | 0:06:09 | |
The matter of a pipe in its proper place | 0:06:11 | 0:06:13 | |
may seem a trifle, | 0:06:13 | 0:06:15 | |
but it's trifles that make or mar. | 0:06:15 | 0:06:19 | |
Our senior partner, Mr Ogilvy, said to me today, | 0:06:19 | 0:06:22 | |
"Arbuthnot, you've a natural flair for trifles." | 0:06:22 | 0:06:27 | |
It was in connection with an action for damages. | 0:06:27 | 0:06:29 | |
A dog belonging to one of our clients bit a man. | 0:06:29 | 0:06:32 | |
Our client was ready to settle. | 0:06:32 | 0:06:33 | |
"Ah, let's look for trifles", said I. | 0:06:33 | 0:06:37 | |
"Was the dog provoked? Was the bite instigated?" | 0:06:37 | 0:06:41 | |
It was - the victim, a boy, | 0:06:41 | 0:06:43 | |
had attempted to deprive the dog of his bone. | 0:06:43 | 0:06:46 | |
How wonderful, dear. And you won your case? | 0:06:46 | 0:06:49 | |
That's beside the point - | 0:06:50 | 0:06:51 | |
I didn't come home to discuss complicated points of law, | 0:06:51 | 0:06:54 | |
I was merely making an observation on the value of trifles. | 0:06:54 | 0:06:58 | |
You're good - you're too good, that's what's the matter. | 0:07:04 | 0:07:08 | |
I can see that you've been good for years and years. | 0:07:08 | 0:07:12 | |
That's why you look so unhappy. | 0:07:12 | 0:07:14 | |
I'm sure it's wrong to go on being good for so long | 0:07:14 | 0:07:16 | |
that one gets miserable. | 0:07:16 | 0:07:18 | |
But what would your husband say, if you went away? | 0:07:18 | 0:07:21 | |
Oh, er...he wouldn't know. | 0:07:23 | 0:07:26 | |
He, er...he wouldn't even know that I'd gone. | 0:07:26 | 0:07:29 | |
You mean he...? Oh, I'm sorry. | 0:07:29 | 0:07:32 | |
Oh, no, no, it isn't... | 0:07:32 | 0:07:34 | |
He... | 0:07:34 | 0:07:35 | |
My husband wrote that book. | 0:07:36 | 0:07:38 | |
Oh - but isn't you name Wilkins? | 0:07:38 | 0:07:42 | |
This is by Ferdinand Arundel. | 0:07:42 | 0:07:43 | |
-That's his pen name. -Oh. | 0:07:43 | 0:07:46 | |
It's all my fault, really. | 0:07:46 | 0:07:48 | |
He was quite content, just where he was, | 0:07:48 | 0:07:50 | |
in the research department of the British Museum. | 0:07:50 | 0:07:52 | |
He'd been preparing a paper on French court life | 0:07:53 | 0:07:56 | |
for the ladies' fortnightly club, | 0:07:56 | 0:07:57 | |
and...and I suggested the most exciting idea to me. | 0:07:57 | 0:08:02 | |
I rushed right down to the British Museum, and... | 0:08:02 | 0:08:04 | |
But the museum wouldn't like my writing that sort of book. | 0:08:06 | 0:08:10 | |
The museum needn't know - you could use a pen name. | 0:08:10 | 0:08:14 | |
Writing memoirs about dead women isn't my forte. | 0:08:14 | 0:08:17 | |
I... | 0:08:17 | 0:08:19 | |
Pompadour and Du Barry aren't dead. They're daily influences. | 0:08:19 | 0:08:23 | |
Ask any woman. | 0:08:23 | 0:08:24 | |
BOOK THUDS ON FLOOR | 0:08:27 | 0:08:28 | |
HE TUTS | 0:08:32 | 0:08:35 | |
You see? The museum wouldn't like it. | 0:08:38 | 0:08:41 | |
But dear, I told you, | 0:08:41 | 0:08:43 | |
the museum needn't know anything about it. | 0:08:43 | 0:08:45 | |
I've thought about the most beautiful pen name for you - | 0:08:45 | 0:08:48 | |
-Ferdinand Arundel. -What? | 0:08:48 | 0:08:49 | |
But I don't like writing anything | 0:08:55 | 0:08:57 | |
that I can't publish under my own name. | 0:08:57 | 0:09:00 | |
Mellersh Wilkins, that's a good name. | 0:09:00 | 0:09:02 | |
But dear, you'd be Mellersh Wilkins just the same. | 0:09:02 | 0:09:06 | |
He, um...he wasn't Mellersh Wilkins, though. | 0:09:20 | 0:09:24 | |
He had an enormous success. | 0:09:24 | 0:09:26 | |
He became Ferdinand Arundel in fact, as well as in fancy. | 0:09:27 | 0:09:31 | |
His books sold by the thousands - women, chiefly. | 0:09:31 | 0:09:34 | |
I didn't realise how quickly a man could take an adoring public | 0:09:34 | 0:09:38 | |
to his bosom. | 0:09:38 | 0:09:39 | |
You mean he changed? | 0:09:39 | 0:09:41 | |
Well, I...I've seen so little of him in the past six months. | 0:09:41 | 0:09:45 | |
At first, he'd forget to come home to dinner, occasionally. | 0:09:47 | 0:09:51 | |
After a bit, he even forgot to come home at night. | 0:09:51 | 0:09:54 | |
And then...one day, I came home, | 0:09:56 | 0:09:58 | |
and, um...found him packing his things. | 0:09:58 | 0:10:01 | |
Mellersh! Are you going away? | 0:10:03 | 0:10:06 | |
Oh, eh...why, no. Just some things that I've... | 0:10:06 | 0:10:10 | |
I haven't told you - | 0:10:10 | 0:10:12 | |
I've taken a studio near the museum, you know. | 0:10:12 | 0:10:15 | |
Just some work rooms where I can write | 0:10:15 | 0:10:18 | |
any hour of the day or night. | 0:10:18 | 0:10:20 | |
You never disturb me, and I'd love helping you. | 0:10:20 | 0:10:22 | |
But you see, it's simpler if I have my own place. | 0:10:22 | 0:10:26 | |
I do some of my best thinking at night. | 0:10:26 | 0:10:29 | |
But darling, everything is so much brighter here now - | 0:10:29 | 0:10:32 | |
the scarlet curtains, the new desk, the new sofa. | 0:10:32 | 0:10:37 | |
I know, but for the next few months, | 0:10:37 | 0:10:39 | |
I must give up everything to my work, I've... | 0:10:39 | 0:10:42 | |
I've become a martyr to my reputation. | 0:10:42 | 0:10:45 | |
That may be difficult for you to understand, | 0:10:45 | 0:10:47 | |
but I'm really doing it all for you. | 0:10:47 | 0:10:50 | |
Yes, dear, of course. You have work to do. | 0:10:50 | 0:10:53 | |
That's the trouble with me, I suppose - | 0:10:53 | 0:10:56 | |
you were my work. | 0:10:56 | 0:10:58 | |
Oh, but Lottie, it's only temporary - | 0:10:59 | 0:11:02 | |
I'm not going away, really. | 0:11:02 | 0:11:04 | |
I shan't even say goodbye, just...toodle-oo! | 0:11:04 | 0:11:09 | |
Toodle-oo. | 0:11:10 | 0:11:11 | |
I suppose everyone feels lost, some time or other. | 0:11:16 | 0:11:19 | |
You know, I think women keep on trying to face things | 0:11:21 | 0:11:24 | |
that don't get any better for being faced. | 0:11:24 | 0:11:26 | |
And when you try for too long to solve problems, | 0:11:26 | 0:11:29 | |
you get all knotted up with them. | 0:11:29 | 0:11:31 | |
Let's just untangle ourselves | 0:11:31 | 0:11:33 | |
and let our problems untangle themselves | 0:11:33 | 0:11:35 | |
and they will, if we just go away and let them alone. | 0:11:35 | 0:11:38 | |
Oh, it would be beautiful. | 0:11:38 | 0:11:41 | |
But... | 0:11:41 | 0:11:42 | |
Do you ever see things, in a kind of a flash, | 0:11:42 | 0:11:45 | |
before they happen? | 0:11:45 | 0:11:46 | |
Never. | 0:11:46 | 0:11:47 | |
I do - it's funny, but I see us both, you and me, | 0:11:47 | 0:11:53 | |
in April, in a medieval castle in Italy. | 0:11:53 | 0:11:56 | |
Oh, but mightn't it be too expensive? | 0:11:56 | 0:11:58 | |
With £60 for the castle and the cost of food and servants | 0:11:58 | 0:12:02 | |
and the railway fare and all... | 0:12:02 | 0:12:04 | |
The advertisement said eight beds - we can't lie in all of them, can we? | 0:12:04 | 0:12:09 | |
Let's advertise for two other women to share with us. | 0:12:09 | 0:12:12 | |
There must be thousands - oh, hundreds of thousands of women - | 0:12:12 | 0:12:15 | |
who need it just as much as we do. | 0:12:15 | 0:12:16 | |
A castle in Italy. | 0:12:17 | 0:12:20 | |
I was just wondering about Henry. | 0:12:20 | 0:12:23 | |
Oh, tell him...tell him you're going as my guest. | 0:12:23 | 0:12:27 | |
He can't help liking that, it's so thrifty. | 0:12:27 | 0:12:30 | |
I needn't tell Mellersh anything. | 0:12:32 | 0:12:34 | |
Oh, it's so wonderful and clear and accomplished already. | 0:12:36 | 0:12:39 | |
We just advertise for the women, see the agent, | 0:12:39 | 0:12:42 | |
and in a week, we're leaving this wretched, drab London | 0:12:42 | 0:12:45 | |
for our enchanted April in Italy. | 0:12:45 | 0:12:48 | |
HORN HONKS | 0:12:50 | 0:12:52 | |
I don't know exactly what will happen | 0:12:53 | 0:12:55 | |
if Henry finds out I've spent my nest egg. | 0:12:55 | 0:12:58 | |
He was so pleased when I told him I was going as your guest. | 0:12:59 | 0:13:02 | |
Just let him stay pleased, dear, until the proper time. | 0:13:02 | 0:13:05 | |
Besides, you won't have to spend all of your nest egg, now, | 0:13:06 | 0:13:08 | |
-with Mrs Fisher and Lady Caroline sharing with us. -No. -No. | 0:13:08 | 0:13:12 | |
It's going to be a real privilege to act as hostess at a castle. | 0:13:14 | 0:13:18 | |
After all, Mrs Brockwell Templeton Fisher | 0:13:18 | 0:13:20 | |
and Lady Caroline Dester... | 0:13:20 | 0:13:22 | |
Well, one wouldn't ordinarily run into them at Hampstead, would they? | 0:13:22 | 0:13:27 | |
Decidedly not. | 0:13:27 | 0:13:28 | |
It doesn't seem possible we're actually on our way. | 0:13:31 | 0:13:34 | |
That agent made everything so easy for us, didn't he? | 0:13:36 | 0:13:39 | |
It hardly seems necessary to stop off in Paris to buy clothes. | 0:13:39 | 0:13:42 | |
I somehow feel that in San Salvatore, | 0:13:43 | 0:13:46 | |
I shan't need any clothes. | 0:13:46 | 0:13:47 | |
Oh... | 0:13:49 | 0:13:50 | |
Really, I'm getting more frightened every moment. | 0:13:50 | 0:13:53 | |
I'm only frightened because I'm so happy. | 0:13:53 | 0:13:55 | |
Oh! | 0:13:57 | 0:13:58 | |
HE SPEAKS IN ITALIAN | 0:14:09 | 0:14:12 | |
Oh, this can't be the way to San Salvatore! | 0:14:18 | 0:14:20 | |
But the young man at the station took charge of us so confidently. | 0:14:20 | 0:14:23 | |
Yes, I know, but where is he taking us? | 0:14:23 | 0:14:25 | |
-Well...we're in God's hands. -I'm afraid so. | 0:14:25 | 0:14:29 | |
San Salvatore? | 0:14:33 | 0:14:34 | |
Si, si, San Salvatore. | 0:14:34 | 0:14:36 | |
Well, keep your eye on the road! | 0:14:36 | 0:14:38 | |
LOTTIE YELLS | 0:14:38 | 0:14:39 | |
CROWD SHOUTS IN ITALIAN | 0:14:46 | 0:14:47 | |
LOTTIE SCREAMS | 0:14:47 | 0:14:49 | |
-No... -No... -San Salvatore. | 0:14:49 | 0:14:52 | |
Si, si, San Salvatore. | 0:14:52 | 0:14:53 | |
Oh, this can't be San Salvatore. | 0:14:53 | 0:14:55 | |
Si, si! San Salvatore. | 0:14:55 | 0:14:57 | |
Si, si, San Salvatore! | 0:14:59 | 0:15:00 | |
-San Salvatore? -Si, si, San Salvatore! | 0:15:03 | 0:15:06 | |
Si, si, San Salvatore! | 0:15:06 | 0:15:09 | |
Rose, ought we to pay him? | 0:15:09 | 0:15:11 | |
Well, not if we're going to be robbed and murdered. | 0:15:11 | 0:15:14 | |
Robbed and...? Oh...! | 0:15:14 | 0:15:15 | |
LOUD CHATTER IN ITALIAN | 0:15:18 | 0:15:20 | |
Persino, signore, siamo a San Salvatore. | 0:15:34 | 0:15:37 | |
How do you do? | 0:15:41 | 0:15:43 | |
ALL: Benvenuti a San Salvatore! | 0:15:43 | 0:15:45 | |
-Benvenuti, signore. -Per lei, signora. | 0:15:48 | 0:15:50 | |
Oh, the wisteria - Rose! | 0:15:50 | 0:15:52 | |
E un gran piacere e onore | 0:15:52 | 0:15:55 | |
di ricevere due tale bellissime signore a San Salvatore. | 0:15:55 | 0:15:59 | |
-Si, si, signore. -Thank you. | 0:15:59 | 0:16:01 | |
Oh... | 0:16:01 | 0:16:02 | |
Grazie! Oh... | 0:16:04 | 0:16:06 | |
-Ha parlato italiano! -Si! Andate! | 0:16:06 | 0:16:08 | |
CROWD CHATTER EXCITEDLY IN ITALIAN | 0:16:09 | 0:16:11 | |
-This is Francesca, the housekeeper. -How do you do? | 0:16:24 | 0:16:27 | |
Piacere, signore. | 0:16:27 | 0:16:28 | |
My name is Domenico. | 0:16:28 | 0:16:29 | |
I'm the gardener and everything - I do everything! | 0:16:29 | 0:16:31 | |
I do everything to please the beautiful ladies. | 0:16:31 | 0:16:34 | |
Francesca, show the noble English ladies to their rooms. | 0:16:34 | 0:16:38 | |
Domenico, I shall be hostess here. | 0:16:38 | 0:16:41 | |
We're expecting two more ladies tomorrow. | 0:16:41 | 0:16:43 | |
In the morning, I'll go over the place | 0:16:43 | 0:16:45 | |
and select and arrange their rooms for them. | 0:16:45 | 0:16:48 | |
Ah, but they are here, the two signoras inglese. | 0:16:48 | 0:16:51 | |
-The two other ladies are here? -Si, si, signore, si! | 0:16:52 | 0:16:56 | |
Si, they come today - | 0:16:56 | 0:16:58 | |
they are asleep this minute in the two biggest bedrooms | 0:16:58 | 0:17:01 | |
and they also take the big sitting room. | 0:17:01 | 0:17:04 | |
And for you two ladies, | 0:17:04 | 0:17:06 | |
they pick out two very nice, little, small bedrooms | 0:17:06 | 0:17:10 | |
and one very nice, little, small sitting room. | 0:17:10 | 0:17:14 | |
FRANCESCA SPEAKS IN ITALIAN | 0:17:14 | 0:17:16 | |
BIRDS CHIRP | 0:17:35 | 0:17:37 | |
Buongiorno, signora! | 0:18:18 | 0:18:20 | |
Oh! | 0:18:20 | 0:18:21 | |
Good morning, Domenico, Francesca! | 0:18:23 | 0:18:26 | |
Viva Italia! Viva San Salvatore! | 0:18:27 | 0:18:31 | |
THEY REPLY IN ITALIAN | 0:18:31 | 0:18:34 | |
Oh, thank you, thank you! | 0:18:34 | 0:18:38 | |
FRANCESCA SPEAKS IN ITALIAN | 0:18:38 | 0:18:41 | |
Lottie? | 0:18:45 | 0:18:46 | |
Good morning, dear. | 0:18:51 | 0:18:52 | |
Oh... | 0:18:56 | 0:18:57 | |
Lottie, what are you seeing now? | 0:18:57 | 0:19:00 | |
Were you ever in your life so hungry? | 0:19:03 | 0:19:06 | |
THEY LAUGH | 0:19:06 | 0:19:08 | |
I'm starved! Get dressed. Let's hurry. | 0:19:08 | 0:19:12 | |
I must get down and see that breakfast | 0:19:12 | 0:19:13 | |
is all ready for the others. | 0:19:13 | 0:19:14 | |
But darling, | 0:19:14 | 0:19:16 | |
isn't it going to be an awful bother for you, being hostess? | 0:19:16 | 0:19:19 | |
Oh, no - I'm going to love it. | 0:19:19 | 0:19:21 | |
-Would you like hot water in your coffee? -No, thank you. | 0:19:27 | 0:19:30 | |
Robert Browning always took hot water in his coffee. | 0:19:30 | 0:19:34 | |
Why, it's like taking the bread out of one's mouth. | 0:19:34 | 0:19:37 | |
We all agreed that you were to be the hostess. | 0:19:37 | 0:19:40 | |
-Well, I... -Sh...come on. | 0:19:40 | 0:19:43 | |
-Good morning! -Good morning. | 0:19:47 | 0:19:49 | |
How do you do? I can't get up, on account of my stick. | 0:19:49 | 0:19:52 | |
It's so disappointing, finding you here. | 0:19:52 | 0:19:55 | |
Eh? | 0:19:55 | 0:19:56 | |
Oh, oh, I mean...no. | 0:19:56 | 0:19:59 | |
I meant we wanted to choose the nicest rooms for you | 0:19:59 | 0:20:02 | |
and give you such a welcome. | 0:20:02 | 0:20:05 | |
I chose the nicest room yesterday. At least, I think it was the nicest. | 0:20:05 | 0:20:08 | |
It looks two ways. I adore a room that looks two ways. | 0:20:08 | 0:20:12 | |
Well, we...we wanted to make it so pretty for you, with flowers. | 0:20:12 | 0:20:15 | |
Oh, Domenico did that - I told him directly when I got here. | 0:20:15 | 0:20:18 | |
Oh. | 0:20:18 | 0:20:20 | |
Well... | 0:20:20 | 0:20:21 | |
-Good morning, Francesca. -Buongiorno, signora. | 0:20:23 | 0:20:26 | |
-Buongiorno, signora. -Good morning. | 0:20:26 | 0:20:27 | |
-Will you have some coffee? -Yes, thank you. Will you? | 0:20:29 | 0:20:33 | |
-No, thank you. I have some. -Oh... | 0:20:33 | 0:20:36 | |
Well, won't you have some more? | 0:20:38 | 0:20:40 | |
No, thank you. | 0:20:40 | 0:20:42 | |
At the present moment, my cup is filled with coffee. | 0:20:42 | 0:20:45 | |
-Will you have an orange? -No, thank you. | 0:20:46 | 0:20:49 | |
-Won't you? -No. | 0:20:49 | 0:20:51 | |
I don't eat fruit at breakfast. | 0:20:51 | 0:20:54 | |
Alfred Tennyson did not eat fruit at breakfast, | 0:20:54 | 0:20:56 | |
nor did Thomas Carlyle. | 0:20:56 | 0:20:58 | |
I have had the honour of breakfasting with both - | 0:20:58 | 0:21:01 | |
that is why I am at San Salvatore. | 0:21:01 | 0:21:03 | |
Oh, I don't understand - they aren't buried here, are they? | 0:21:03 | 0:21:06 | |
Their place of interment is of no consequence whatever! | 0:21:06 | 0:21:09 | |
They are immortal. | 0:21:09 | 0:21:11 | |
I came down here to sit the sun and remember them... | 0:21:11 | 0:21:14 | |
as economically as possible. | 0:21:14 | 0:21:16 | |
Thomas Carlyle himself was a very thrifty man. | 0:21:16 | 0:21:19 | |
I came down to forget them. | 0:21:19 | 0:21:21 | |
Whom? Tennyson? | 0:21:21 | 0:21:23 | |
Men - living or dead. | 0:21:23 | 0:21:24 | |
Thomas Carlyle's remedy for adolescent philosophies | 0:21:26 | 0:21:29 | |
was invariably the same - | 0:21:29 | 0:21:31 | |
castor oil. | 0:21:31 | 0:21:32 | |
Did he die of it? | 0:21:32 | 0:21:33 | |
Cream? | 0:21:37 | 0:21:38 | |
Yes, thank you. Will you? | 0:21:38 | 0:21:40 | |
No, thank you! | 0:21:40 | 0:21:41 | |
There were two beds in my room, filling it up unnecessarily. | 0:21:43 | 0:21:46 | |
I had one taken out. It's very much more comfortable. | 0:21:46 | 0:21:49 | |
Oh, that's why there are two beds in my room. | 0:21:49 | 0:21:51 | |
I gave no directions as to its disposal - | 0:21:51 | 0:21:53 | |
I merely asked Francesca to remove it. | 0:21:53 | 0:21:55 | |
But I have two beds in my room as well. | 0:21:55 | 0:21:57 | |
I had an extra bed removed, too. | 0:21:57 | 0:21:59 | |
I think it's foolish to have more beds in a room | 0:21:59 | 0:22:01 | |
than there are occupiers. | 0:22:01 | 0:22:03 | |
But we haven't our husbands here, either - | 0:22:03 | 0:22:05 | |
can't we have them taken away? | 0:22:05 | 0:22:07 | |
Beds cannot be removed from one room after another. | 0:22:07 | 0:22:10 | |
They must remain somewhere. | 0:22:10 | 0:22:12 | |
I see him! | 0:22:14 | 0:22:15 | |
-See whom? -Henry! | 0:22:15 | 0:22:18 | |
Lottie! | 0:22:18 | 0:22:19 | |
Oh, it's such a different Henry, Rose - it's amazing! | 0:22:19 | 0:22:23 | |
I see him in that other bed. | 0:22:24 | 0:22:27 | |
May I see whom you see so clearly | 0:22:27 | 0:22:29 | |
in the extra bed in Mrs Arbuthnot's room? | 0:22:29 | 0:22:32 | |
Why, her husband, of course - Henry Arbuthnot. | 0:22:32 | 0:22:34 | |
-Shall we go? -Let me help you up... | 0:22:39 | 0:22:41 | |
No, no, thank you. I can manage very well myself, | 0:22:41 | 0:22:44 | |
it's only sometimes my stick prevents me. | 0:22:44 | 0:22:47 | |
That woman must be - she SHALL be - curbed! | 0:22:57 | 0:23:01 | |
-Lottie, do you really see Henry? -Oh, I do see him. | 0:23:03 | 0:23:08 | |
I see him transformed and shining, just as you are now. | 0:23:08 | 0:23:13 | |
Look at yourself, Rose! | 0:23:13 | 0:23:15 | |
You're a different woman - it's like magic. | 0:23:15 | 0:23:17 | |
Look at Mrs Fisher. | 0:23:17 | 0:23:18 | |
Just now, I saw inside her. | 0:23:20 | 0:23:22 | |
She's going to be happy. | 0:23:22 | 0:23:23 | |
Well, Mrs Fisher doesn't seem very happy now. | 0:23:24 | 0:23:28 | |
Of course, when we decided to share the castle with them, | 0:23:28 | 0:23:30 | |
we wanted to save money, | 0:23:30 | 0:23:32 | |
and then we thought too we'd make them happy. | 0:23:32 | 0:23:34 | |
But if they're going to be happy by making it more difficult for us, | 0:23:34 | 0:23:37 | |
like...like being hostess and moving beds... | 0:23:37 | 0:23:41 | |
She'll change. I see her changing now. | 0:23:41 | 0:23:46 | |
She'll leave off being ossified and go all soft | 0:23:46 | 0:23:50 | |
and able to stretch - you'll see. | 0:23:50 | 0:23:52 | |
-Coffee, Lottie? -Oh, yes - thank you. | 0:23:55 | 0:23:57 | |
Place it across the entrance, Domenico. | 0:23:57 | 0:23:59 | |
But then nobody can come in, signora. | 0:23:59 | 0:24:01 | |
That is precisely the purpose I wish to achieve! | 0:24:01 | 0:24:03 | |
But the ladies, they come to visit, they cannot push... | 0:24:03 | 0:24:05 | |
They will not wish to push, under the circumstances. | 0:24:05 | 0:24:08 | |
I did not come here to be gregarious | 0:24:08 | 0:24:10 | |
and I shall take the same protective measures in my sitting room. | 0:24:10 | 0:24:13 | |
Si, si, signora. | 0:24:13 | 0:24:14 | |
I came here to be alone and to remember. | 0:24:16 | 0:24:18 | |
Ah...in this very bay, Shelley was drowned. | 0:24:20 | 0:24:24 | |
Signora, drowned! Who? | 0:24:24 | 0:24:27 | |
There is no occasion for alarm - this happened a century ago. | 0:24:27 | 0:24:31 | |
Oh...this Shelley, he was friend of yours, signora? | 0:24:31 | 0:24:36 | |
That will do, Domenico! | 0:24:36 | 0:24:38 | |
Oh, si, si, signora. | 0:24:38 | 0:24:39 | |
I must let Henry know I got here safely. | 0:24:41 | 0:24:43 | |
Oh, this is lovely stationary. | 0:24:43 | 0:24:46 | |
Look, Lottie. It has a crest on it. | 0:24:46 | 0:24:49 | |
It's very Italian, isn't it? | 0:24:51 | 0:24:54 | |
What do you suppose it is? | 0:24:54 | 0:24:56 | |
I think it's a vulture. | 0:24:56 | 0:24:57 | |
Oh, there's a monogram under it - BTF? | 0:24:58 | 0:25:02 | |
No, it isn't an F. | 0:25:02 | 0:25:03 | |
No, I think it's another B. | 0:25:03 | 0:25:05 | |
Oh, of course, Briggs - that's the name of our landlord. | 0:25:05 | 0:25:08 | |
It's not a B - it is a decided F. | 0:25:08 | 0:25:11 | |
Oh, Mrs Fisher - do come in. Isn't this the loveliest room? | 0:25:11 | 0:25:14 | |
We've just discovered it. | 0:25:14 | 0:25:15 | |
I should have thought you could have seen this is MY sitting room. | 0:25:15 | 0:25:18 | |
That is MY notepaper with MY crest on it. | 0:25:18 | 0:25:20 | |
It is not a vulture - it is an eagle, flying into the sun. | 0:25:20 | 0:25:24 | |
Oh, I'm very sorry. | 0:25:24 | 0:25:25 | |
-And that pen... -Is yours. | 0:25:25 | 0:25:27 | |
It was presented to me by Mr Gladstone. | 0:25:27 | 0:25:29 | |
-I'm really very sorry. -It's quite natural, dear. | 0:25:29 | 0:25:32 | |
-I'm an old woman. -Of course. | 0:25:32 | 0:25:34 | |
And I need a room for myself. | 0:25:34 | 0:25:37 | |
I cannot get about on account of my stick. | 0:25:37 | 0:25:39 | |
Since you get about, you have to sit. | 0:25:39 | 0:25:41 | |
And so why should I not sit quietly and undisturbed? | 0:25:41 | 0:25:43 | |
Oh, we hadn't the slightest wish to. | 0:25:43 | 0:25:45 | |
Oh, no - we're only too glad for you to have this room, | 0:25:45 | 0:25:47 | |
if it makes you happy. | 0:25:47 | 0:25:48 | |
I have already taken it and I am happy. | 0:25:48 | 0:25:51 | |
I intend to barricade it and I shall be happier. | 0:25:51 | 0:25:54 | |
We didn't know about it, that's all. | 0:25:54 | 0:25:56 | |
If we had, we wouldn't have come in...until you invited us. | 0:25:56 | 0:26:00 | |
I expect you will, soon. Come, Rose. | 0:26:01 | 0:26:05 | |
You may even go so far as to ask us to use your pen, | 0:26:10 | 0:26:14 | |
if you knew we didn't have one. | 0:26:14 | 0:26:16 | |
Ah! | 0:26:34 | 0:26:35 | |
Ah! | 0:26:45 | 0:26:46 | |
Good girl, good girl! Never thought it of her. | 0:26:51 | 0:26:54 | |
Really helping. | 0:26:54 | 0:26:55 | |
-Thalia. -Yes, sir? | 0:26:58 | 0:26:59 | |
What would you say if I told you I was going south? | 0:26:59 | 0:27:02 | |
-Touch of gout, sir? -Nothing of the sort! | 0:27:02 | 0:27:05 | |
Italy... | 0:27:05 | 0:27:07 | |
I need a rest - devilishly difficult things always popping up. | 0:27:07 | 0:27:10 | |
A man needs a holiday. | 0:27:10 | 0:27:12 | |
-Thalia, pack my bags. -Yes, sir. | 0:27:12 | 0:27:15 | |
Lady Caroline! | 0:27:18 | 0:27:20 | |
This is more than a pleasure - it is a... | 0:27:20 | 0:27:23 | |
No, no, that won't do. | 0:27:24 | 0:27:25 | |
Lady Caroline, I need hardly say that this meeting, uh, | 0:27:27 | 0:27:32 | |
to, uh....between, uh... | 0:27:32 | 0:27:35 | |
Bah! | 0:27:35 | 0:27:37 | |
Lady Caroline. | 0:27:41 | 0:27:42 | |
To anyone in whose veins flows the blood of England... | 0:27:45 | 0:27:48 | |
..the name Dester... | 0:27:49 | 0:27:51 | |
This applies also to you, Mrs Fisher, of course. | 0:27:52 | 0:27:55 | |
Uh... | 0:27:55 | 0:27:56 | |
I need a rest. | 0:27:59 | 0:28:00 | |
I've been walking in the lower garden and watching the sea. | 0:28:26 | 0:28:30 | |
I feel quite heady from it, | 0:28:30 | 0:28:32 | |
as though I've been drinking some of that wine. | 0:28:32 | 0:28:34 | |
Oh, the beauty of this place! | 0:28:34 | 0:28:37 | |
And the thought that I'm away from... | 0:28:37 | 0:28:39 | |
Well, after all, one's whole idea in coming down here | 0:28:39 | 0:28:42 | |
was to get away from things, wasn't it? | 0:28:42 | 0:28:45 | |
And from people. | 0:28:45 | 0:28:46 | |
And from one's husbands. | 0:28:46 | 0:28:48 | |
-Husbands? -Well, I really think of Mellersh as plural. | 0:28:49 | 0:28:54 | |
Mellersh? | 0:28:54 | 0:28:55 | |
That's my husband. | 0:28:55 | 0:28:56 | |
Of course, there was only one of him when I married him. | 0:28:56 | 0:28:59 | |
But then he became two, almost overnight. | 0:28:59 | 0:29:03 | |
There may be more of him by now. | 0:29:04 | 0:29:06 | |
But I can't bother about that here. | 0:29:06 | 0:29:08 | |
That's why I came away, really. | 0:29:09 | 0:29:10 | |
I should think you would. | 0:29:10 | 0:29:12 | |
I just couldn't stand his multiplying all by himself. | 0:29:12 | 0:29:15 | |
He sounds quite interesting. | 0:29:16 | 0:29:18 | |
I don't know...I can't quite see him as clearly as I see Henry. | 0:29:18 | 0:29:24 | |
Would you like a little wine? | 0:29:26 | 0:29:28 | |
Oh, no, thank you - oh, dear, no! | 0:29:28 | 0:29:30 | |
No, I feel just a little drunk as it is. | 0:29:30 | 0:29:34 | |
Drunk with freedom from... | 0:29:34 | 0:29:37 | |
Family affection? | 0:29:37 | 0:29:38 | |
The want of family affection. | 0:29:40 | 0:29:42 | |
That wouldn't be so bad. It would give one room. | 0:29:42 | 0:29:45 | |
Oh, no, it's quite dreadful. | 0:29:45 | 0:29:46 | |
It's like having no clothes on. | 0:29:46 | 0:29:48 | |
Oh, but I like that. | 0:29:48 | 0:29:50 | |
But in a bitter, cold wind? To have nothing on, | 0:29:50 | 0:29:54 | |
to know that there never will be anything? | 0:29:54 | 0:29:56 | |
You just get colder and colder until, finally, you... | 0:29:56 | 0:29:59 | |
Finally, you die of it. | 0:30:00 | 0:30:01 | |
That's what it's like to live with someone who doesn't love you. | 0:30:03 | 0:30:05 | |
But...didn't he? | 0:30:07 | 0:30:08 | |
I don't know - he showed no signs of it. | 0:30:08 | 0:30:11 | |
But then, he was just beginning to multiply. | 0:30:11 | 0:30:15 | |
Mrs Bristed-Lee, | 0:30:20 | 0:30:22 | |
I presume Lady Caroline will be here this afternoon? | 0:30:22 | 0:30:24 | |
I don't know. I sent her an invitation. | 0:30:24 | 0:30:27 | |
Oh. I telephoned two or three times, but I got no answer. | 0:30:27 | 0:30:30 | |
She's probably made one of her impulsive jaunts | 0:30:30 | 0:30:33 | |
into retirement. | 0:30:33 | 0:30:34 | |
Yes. | 0:30:34 | 0:30:35 | |
Oh, Mr Arundel? | 0:30:36 | 0:30:38 | |
I've often wondered what made you write about Du Barry | 0:30:38 | 0:30:41 | |
instead of, well, uh... | 0:30:41 | 0:30:44 | |
-Instead of the Duke of Wellington. LAUGHING: -Yes. | 0:30:44 | 0:30:46 | |
-LAUGHING: -Yes. | 0:30:46 | 0:30:47 | |
Well, it's...it's very difficult indeed to trace | 0:30:47 | 0:30:51 | |
the origin of an idea. | 0:30:51 | 0:30:53 | |
I...I well remember where I received my first command - | 0:30:54 | 0:30:59 | |
the command, it seemed, | 0:30:59 | 0:31:00 | |
to write the memoirs of that remarkable woman. | 0:31:00 | 0:31:03 | |
Oh, Mr Arundel, please go on. | 0:31:03 | 0:31:06 | |
I...uh? Oh... | 0:31:06 | 0:31:09 | |
Yes, it was a moonlit evening, | 0:31:09 | 0:31:11 | |
while walking in the gardens of Versailles, | 0:31:11 | 0:31:13 | |
the gardens where Du Barry walked. | 0:31:13 | 0:31:15 | |
Gazing up at the palace of the great French kings, | 0:31:15 | 0:31:18 | |
I realised, suddenly, how women inspire men - | 0:31:18 | 0:31:24 | |
not only ordinary men but kings. | 0:31:24 | 0:31:27 | |
Am I missing something? | 0:31:29 | 0:31:30 | |
I expected to see Lady Caroline with you. | 0:31:30 | 0:31:33 | |
You're almost inseparable. | 0:31:33 | 0:31:34 | |
Lady Caroline has disappeared completely, bag and baggage. | 0:31:34 | 0:31:37 | |
I understand she's going to be away for the entire month of April. | 0:31:37 | 0:31:40 | |
Oh...I see. | 0:31:41 | 0:31:45 | |
For the entire...month of April. | 0:31:45 | 0:31:48 | |
Oh, don't move! Hold it just a minute, will you, please? | 0:31:53 | 0:31:57 | |
Just like that, in that light. Yes...thank you. | 0:31:57 | 0:32:00 | |
Oh, that's charming. Charming. | 0:32:00 | 0:32:02 | |
Now, look up, will you? | 0:32:02 | 0:32:04 | |
Not at the ceiling, but through it - yes, that's right, that's right. | 0:32:04 | 0:32:08 | |
Oh, that's lovely. Thank you - thank you very much. | 0:32:08 | 0:32:11 | |
-My name's Briggs. I'm your landlord. -Oh! | 0:32:11 | 0:32:14 | |
I was on my way to Rome and I thought that I'd stop in | 0:32:14 | 0:32:16 | |
just to see that your weren't walking on my lilies. | 0:32:16 | 0:32:19 | |
Oh...oh, how very nice of you. | 0:32:19 | 0:32:21 | |
Is it? Is it, really? Thank you, thank you. | 0:32:21 | 0:32:25 | |
Yes, I'm staying at the inn, you know. | 0:32:25 | 0:32:27 | |
But, oh...I do wish that... | 0:32:27 | 0:32:29 | |
Oh, but of course - you must stay right here. | 0:32:29 | 0:32:31 | |
No, no, I didn't mean that. | 0:32:31 | 0:32:33 | |
What I was going to say was I wish you'd let me paint you. | 0:32:33 | 0:32:36 | |
Paint me? | 0:32:38 | 0:32:39 | |
Yes, of course. | 0:32:39 | 0:32:40 | |
Oh...! Oh, but...nobody ever wanted to paint me before. | 0:32:42 | 0:32:47 | |
Haven't they? Haven't they, really? Well, I can't understand it. | 0:32:47 | 0:32:51 | |
Do you know, for the first time in months, | 0:32:51 | 0:32:54 | |
I feel the divine fire upon me. | 0:32:54 | 0:32:57 | |
Why, I'd even try to pain Smithers. | 0:32:57 | 0:32:58 | |
-Smithers? -Yes - he's my butler. His father was with Browning. | 0:33:00 | 0:33:04 | |
Did I hear Robert Browning's name? | 0:33:04 | 0:33:07 | |
Oh, Mrs Fisher - this is Mr Briggs, our landlord. | 0:33:07 | 0:33:09 | |
Delighted - delighted, young man. | 0:33:09 | 0:33:12 | |
San Salvatore has done my rheumatism a great deal of good. | 0:33:12 | 0:33:16 | |
Naturally, any improvement in the body | 0:33:16 | 0:33:18 | |
communicates itself to the spirit. | 0:33:18 | 0:33:20 | |
Charmed, charmed. | 0:33:20 | 0:33:21 | |
I shall tell Francesca that you will be here for dinner | 0:33:21 | 0:33:24 | |
and to spend the night. | 0:33:24 | 0:33:26 | |
Why, you've burst your cocoon! | 0:33:26 | 0:33:28 | |
Oh... | 0:33:29 | 0:33:31 | |
Splendid, splendid! | 0:33:31 | 0:33:33 | |
You mean to say that you two ladies only met a week ago? | 0:33:33 | 0:33:35 | |
Well, it's most unusual. | 0:33:35 | 0:33:37 | |
I...I see nothing unusual about it. | 0:33:37 | 0:33:41 | |
Did you expect us to quarrel? | 0:33:41 | 0:33:42 | |
I'll tell Francesca. | 0:33:43 | 0:33:45 | |
SHE CLEARS HER THROAT | 0:33:48 | 0:33:49 | |
Oh, no, really - thank you. | 0:33:52 | 0:33:53 | |
But I couldn't dream of putting you to all that trouble. | 0:33:53 | 0:33:56 | |
I insist upon going back to the inn - | 0:33:56 | 0:33:57 | |
they expect it of me. | 0:33:57 | 0:33:58 | |
You know, it's so like coming home, to find you here. | 0:34:00 | 0:34:04 | |
But you're not accustomed to finding me here, are you? | 0:34:04 | 0:34:07 | |
No...no, unfortunately. | 0:34:07 | 0:34:10 | |
But it's always been my idea of really coming home. | 0:34:10 | 0:34:13 | |
Oh, my...it's so nice to be praised to one's face. | 0:34:15 | 0:34:19 | |
No, it isn't the castle at all - that's all poppycock. | 0:34:22 | 0:34:26 | |
It's Lottie. | 0:34:26 | 0:34:27 | |
Well, she swept me right out of the Hampstead Housewives' Club | 0:34:27 | 0:34:31 | |
and into San Salvatore. | 0:34:31 | 0:34:33 | |
Nobody ever did anything like that to me before. | 0:34:33 | 0:34:36 | |
That was long before she even saw the castle, wasn't it? | 0:34:36 | 0:34:39 | |
Mm, well - 'tis no castle that's ever got me into the mood | 0:34:39 | 0:34:43 | |
for trying to do this sort of thing. | 0:34:43 | 0:34:45 | |
Domenico! Domenico! Domenico! | 0:34:48 | 0:34:50 | |
THEY YELL IN ITALIAN | 0:34:50 | 0:34:53 | |
Benvenuti! Welcome to San Salvatore! | 0:34:58 | 0:35:01 | |
Presto, presto, presto! | 0:35:05 | 0:35:06 | |
Si, come...come. | 0:35:06 | 0:35:09 | |
Signor, they want money. | 0:35:16 | 0:35:18 | |
Oh, yes, of course. | 0:35:18 | 0:35:20 | |
Here you are - divide this among you. | 0:35:20 | 0:35:23 | |
Never mind all this fuss - show me to my room. | 0:35:25 | 0:35:28 | |
Si, signor. | 0:35:28 | 0:35:29 | |
Where is Mrs Arbuthnot? | 0:35:36 | 0:35:38 | |
This will be a pleasant surprise to her. | 0:35:38 | 0:35:40 | |
Oh, Henry! This is such a pleasant surprise! | 0:35:41 | 0:35:44 | |
I knew it would be - I was saying as much to the natives. | 0:35:44 | 0:35:47 | |
My dear, how charming you look! You've blossomed out! | 0:35:48 | 0:35:53 | |
Well, well, well... | 0:35:53 | 0:35:55 | |
Brava, brava! | 0:35:55 | 0:35:58 | |
You've evidently been telling them about me. | 0:35:58 | 0:36:01 | |
Thank you, my friends. | 0:36:01 | 0:36:03 | |
-Our room is on the next floor, dear. -This way, please. | 0:36:04 | 0:36:07 | |
MAIDS SPEAK IN ITALIAN | 0:36:11 | 0:36:14 | |
I'd like a hot bath at once, my dear. Will you arrange for it? | 0:36:14 | 0:36:17 | |
Domenico will have to see to that, dear - | 0:36:17 | 0:36:19 | |
it's rather...elaborate. | 0:36:19 | 0:36:21 | |
Elaborate? What's elaborate about a bath? | 0:36:21 | 0:36:24 | |
Nothing, dear. | 0:36:24 | 0:36:25 | |
Domenico, Mr Arbuthnot wishes a hot bath, immediately. | 0:36:29 | 0:36:33 | |
A bath? | 0:36:33 | 0:36:35 | |
Yes, and plenty of hot water - I want to sit in it and soak. | 0:36:35 | 0:36:39 | |
HE LAUGHS | 0:36:39 | 0:36:41 | |
Signor wants a bath in the bathtub? | 0:36:41 | 0:36:45 | |
Where else would I want it? | 0:36:45 | 0:36:46 | |
Yes, Domenico - in the bath downstairs. | 0:36:46 | 0:36:48 | |
FRANCESCA WHISPERS | 0:36:48 | 0:36:51 | |
Signor, I recommend a sponge bath in the room, right here. | 0:36:51 | 0:36:56 | |
Sponge bath? Rubbish! I want a bath! | 0:36:57 | 0:37:00 | |
-An Englishman's bath, a bath in a bathtub! -Yes, dear. | 0:37:00 | 0:37:04 | |
What's all this fuss about a man's having a bath in a bathtub? | 0:37:04 | 0:37:08 | |
-Si, si, signor. -Si, si, signor. | 0:37:09 | 0:37:11 | |
THEY SPEAK IN ITALIAN | 0:37:11 | 0:37:12 | |
Lady Caroline Dester and Mrs Fisher are still here, I suppose? | 0:37:16 | 0:37:21 | |
Yes...oh, yes, dear. | 0:37:21 | 0:37:23 | |
Very good associations. Very good. | 0:37:23 | 0:37:26 | |
Naturally, I want to look my best. | 0:37:26 | 0:37:29 | |
One mustn't let an opportunity like this go by. | 0:37:29 | 0:37:31 | |
Never mind, my dear - this is a holiday. | 0:37:31 | 0:37:34 | |
Oh...are you going to be here long, dear? | 0:37:34 | 0:37:36 | |
I'm going to stay the rest of the month | 0:37:36 | 0:37:38 | |
-and accompany you all back to London, my dear. -Oh...how nice. | 0:37:38 | 0:37:42 | |
Well, your bath will be ready, | 0:37:42 | 0:37:44 | |
as soon as they get the water hot, dear. | 0:37:44 | 0:37:46 | |
L'acqua, l'acqua , presto, presto! | 0:37:46 | 0:37:48 | |
THEY SHOUT IN ITALIAN | 0:37:48 | 0:37:51 | |
Presto, presto, presto! | 0:38:03 | 0:38:05 | |
-Domenico, Domenico! -Si, si, si... | 0:38:14 | 0:38:16 | |
SHE SPEAKS IN ITALIAN | 0:38:19 | 0:38:21 | |
You must not turn off the water while the fires is burning, | 0:38:23 | 0:38:28 | |
or the boiler, she'll go...pfft! | 0:38:28 | 0:38:31 | |
Ah, capito! | 0:38:31 | 0:38:33 | |
THEY CHATTER IN ITALIAN | 0:38:33 | 0:38:36 | |
THEY OFFER ADVICE IN ITALIAN | 0:39:10 | 0:39:12 | |
E caldo! | 0:39:25 | 0:39:27 | |
DOMENICO KNOCKS ON THE DOOR | 0:39:42 | 0:39:44 | |
The hot bath is now ready in the bathtub, signor. | 0:39:47 | 0:39:50 | |
Very good! | 0:39:50 | 0:39:51 | |
FRANCESCA SPEAKS IN ITALIAN | 0:39:51 | 0:39:53 | |
Sh, sh...! | 0:39:58 | 0:39:59 | |
Is this a public ceremony of some sort? | 0:40:01 | 0:40:04 | |
I'm not laying a cornerstone, you know, | 0:40:04 | 0:40:06 | |
or christening a battleship - I'm taking a bath. | 0:40:06 | 0:40:09 | |
Si, si, signor. | 0:40:09 | 0:40:10 | |
Da qui. Da qui, signore. | 0:40:12 | 0:40:14 | |
Beastly-looking contrivance, | 0:40:24 | 0:40:26 | |
but I suppose it furnishes the hot water. | 0:40:26 | 0:40:29 | |
Well, my good woman, you may go now. | 0:40:36 | 0:40:38 | |
Non posso, signore. Devo guardare il rubinetto. | 0:40:38 | 0:40:41 | |
What?! | 0:40:42 | 0:40:43 | |
Look here, take her out with you, my good fellow. | 0:40:43 | 0:40:47 | |
No, signor - I must stay here and watch the gauge. | 0:40:47 | 0:40:51 | |
Watch?! You'll do nothing of the sort! | 0:40:51 | 0:40:54 | |
-Out you go! -No, no, signore! | 0:40:54 | 0:40:56 | |
Get out! | 0:40:56 | 0:40:58 | |
FRANCESCA SHOUTS FRANTICALLY | 0:40:58 | 0:41:01 | |
Weird people, watching me take a bath... | 0:41:03 | 0:41:06 | |
Beastly inefficiency - left this running. | 0:41:10 | 0:41:13 | |
THEY CHATTER IN ITALIAN | 0:41:18 | 0:41:21 | |
Having a woman in the bathroom with you - | 0:41:23 | 0:41:26 | |
even if her back is turned! | 0:41:26 | 0:41:28 | |
Ah... | 0:41:44 | 0:41:45 | |
After hearing your translation of the word "pericoloso", | 0:41:50 | 0:41:53 | |
I've resolved on sponge baths for all of April. | 0:41:53 | 0:41:56 | |
Oh, I'm sure Domenico will explain everything to Henry. | 0:41:56 | 0:41:59 | |
I don't know why San Salvatore makes me so drowsy, | 0:42:00 | 0:42:03 | |
because I was drowsy in London, too. | 0:42:03 | 0:42:06 | |
I thought I was the traffic noises there. | 0:42:06 | 0:42:08 | |
Oh, everything is so quiet here, so tranquil. | 0:42:11 | 0:42:15 | |
THEY CHATTER IN ITALIAN | 0:42:15 | 0:42:16 | |
BOOM! | 0:42:16 | 0:42:17 | |
SCREAMING | 0:42:17 | 0:42:19 | |
BOILER HISSES | 0:42:19 | 0:42:21 | |
Signor! | 0:42:23 | 0:42:24 | |
What is this?! | 0:42:26 | 0:42:27 | |
HE COUGHS AND SPLUTTERS | 0:42:31 | 0:42:33 | |
Ah...Lady Caroline Dester, I presume. | 0:42:37 | 0:42:41 | |
Yes. | 0:42:41 | 0:42:42 | |
My name is Arbuthnot - Henry Arbuthnot. | 0:42:42 | 0:42:46 | |
The husband of Mrs Arbuthnot. | 0:42:46 | 0:42:49 | |
-How do you do? -Charmed. | 0:42:49 | 0:42:51 | |
Lady Caroline, | 0:42:52 | 0:42:54 | |
to anyone in whose veins flows the blood of England, | 0:42:54 | 0:42:57 | |
the name Dester... | 0:42:57 | 0:42:58 | |
Oh! I may say that this applies to you also, Mrs Fisher. | 0:43:00 | 0:43:03 | |
You are Mrs Brockwell Templeton Fisher, I presume? | 0:43:03 | 0:43:07 | |
I am Henry Arbuthnot. | 0:43:07 | 0:43:09 | |
I was just saying to your charming companion here | 0:43:10 | 0:43:13 | |
that to anyone in whose blood flows the veins of England, | 0:43:13 | 0:43:16 | |
the name Dester...and Fisher... | 0:43:16 | 0:43:20 | |
Are you aware of the state of your apparel, sir? | 0:43:20 | 0:43:23 | |
Oh, I beg your pardon! I beg your pardon! | 0:43:24 | 0:43:28 | |
A trifling mishap in the bathroom. | 0:43:28 | 0:43:30 | |
Great pleasure, I assure you, great pleasure. | 0:43:30 | 0:43:33 | |
Pardon me. Pardon me... | 0:43:33 | 0:43:35 | |
Italy is not what it was in Browning's time. | 0:43:37 | 0:43:40 | |
Henry! | 0:43:40 | 0:43:41 | |
My dear, I am convinced that a bath in Italy | 0:43:44 | 0:43:48 | |
is somewhere between a public function | 0:43:48 | 0:43:50 | |
and an eruption of Vesuvius. | 0:43:50 | 0:43:52 | |
Domenico! Bring a sponge bath to my room. | 0:43:54 | 0:43:57 | |
-Oh, signor! -Sono cosi contenta... -Bene, bravo, bravo! | 0:43:59 | 0:44:05 | |
HORN HONKS | 0:44:14 | 0:44:15 | |
Oh - good evening, Mr Arundel. Lady Caroline isn't at home. | 0:44:19 | 0:44:23 | |
Yes, I know, Martha. I just came to get her address. | 0:44:23 | 0:44:25 | |
-Won't you come in, sir? The housekeeper has it. -Thank you. | 0:44:25 | 0:44:28 | |
The first Sir Richard Dester, if I remember correctly, | 0:44:33 | 0:44:37 | |
was killed during the Second Crusade. | 0:44:37 | 0:44:40 | |
Then there was Sir Humphrey Dester in the reign of Henry VIII. | 0:44:40 | 0:44:44 | |
Sir Humphrey was in great peril of losing his estates | 0:44:44 | 0:44:47 | |
through the disfavour of his sovereign. | 0:44:47 | 0:44:50 | |
If I may be so bold to suggest, he was saved from that misfortune | 0:44:50 | 0:44:54 | |
through a member of my own profession - | 0:44:54 | 0:44:56 | |
a solicitor of great repute, Sir John Harrington. | 0:44:56 | 0:44:59 | |
HE CLEARS HIS THROAT | 0:44:59 | 0:45:00 | |
You will pardon me, Lady Caroline, | 0:45:01 | 0:45:04 | |
a little modest pride in what I may call a "colleague" of mine | 0:45:04 | 0:45:09 | |
who had the honour of being of service to one of the Desters. | 0:45:09 | 0:45:14 | |
HE BLOWS HIS NOSE LOUDLY | 0:45:16 | 0:45:17 | |
Ah... | 0:45:19 | 0:45:20 | |
And oh, Lottie - he took his explosion magnificently. | 0:45:21 | 0:45:25 | |
It just isn't the same Henry at all. | 0:45:25 | 0:45:28 | |
It's San Salvatore. | 0:45:28 | 0:45:30 | |
And he was so nice about it that I told him about the nest egg. | 0:45:30 | 0:45:33 | |
How did he take that explosion? | 0:45:33 | 0:45:35 | |
Beautifully. | 0:45:35 | 0:45:36 | |
You see? | 0:45:38 | 0:45:39 | |
I have now covered the first three centuries of the Desters, | 0:45:40 | 0:45:44 | |
which brings us up to the 18th century - | 0:45:44 | 0:45:47 | |
at that time, | 0:45:47 | 0:45:49 | |
there emerged in the illustrious annals of your family | 0:45:49 | 0:45:53 | |
Lord Oswald Dester, | 0:45:53 | 0:45:54 | |
Lord of the Privy Seal under James II. | 0:45:54 | 0:45:57 | |
At the expulsion of James | 0:45:58 | 0:46:00 | |
and on the ascension of William and Mary, | 0:46:00 | 0:46:03 | |
Lord Oswald found himself in considerable disfavour. | 0:46:03 | 0:46:07 | |
Again, a solicitor came to the rescue. | 0:46:07 | 0:46:09 | |
It may be more than a coincidence, my dear Lady Caroline, | 0:46:09 | 0:46:13 | |
that this gentleman's name was Arbuthnot - | 0:46:13 | 0:46:15 | |
the Northumberland Arbuthnots. | 0:46:15 | 0:46:17 | |
A distant branch of my family. | 0:46:18 | 0:46:20 | |
Lord Oswald found himself in the Tower of London. | 0:46:22 | 0:46:26 | |
One day, he walked to the window. | 0:46:26 | 0:46:29 | |
He was looking out of the window, precisely as I am now, | 0:46:29 | 0:46:34 | |
but on a scene, if I may say so, quite different. | 0:46:34 | 0:46:38 | |
Yes, quite different. | 0:46:38 | 0:46:40 | |
The scene which he witnessed and which I am about to describe | 0:46:40 | 0:46:44 | |
will hold you enthralled. | 0:46:44 | 0:46:45 | |
Sailing up the storied Thames was a barge, | 0:46:45 | 0:46:50 | |
with a canopy of peacock blue, something the colour of this - | 0:46:50 | 0:46:55 | |
what do you call this flower? | 0:46:55 | 0:46:56 | |
Oh, don't...don't move. Hold it, will you? | 0:47:05 | 0:47:09 | |
Would you mind standing there just for one minute in that light for me? | 0:47:09 | 0:47:12 | |
Oh, yes, it's lovely. It's charming. | 0:47:12 | 0:47:13 | |
Come a little nearer the edge for me? | 0:47:13 | 0:47:15 | |
That's charming - oh, yes. Now, look up, will you? | 0:47:15 | 0:47:18 | |
Or down - any way you like. | 0:47:18 | 0:47:19 | |
I take it you're one of my tenants? In that case, I'm your landlord. | 0:47:19 | 0:47:24 | |
My name is Briggs. | 0:47:24 | 0:47:25 | |
Yes, I know. You're on your way to Rome | 0:47:25 | 0:47:28 | |
and you stopped off to see if we weren't walking on your lilies. | 0:47:28 | 0:47:31 | |
Quite right. Were you? They'd adore it. | 0:47:31 | 0:47:35 | |
-Are you sure? -Certain. | 0:47:35 | 0:47:37 | |
-Oh, I wish you'd let me paint you. -Me? -Yes, yes, of course. | 0:47:37 | 0:47:42 | |
You know, it's most unaccountable, but for the first time in months, | 0:47:42 | 0:47:45 | |
the divine fire is upon me. | 0:47:45 | 0:47:47 | |
-I'd even try to paint Smithers. -Smithers? -Yes, he's my butler. | 0:47:47 | 0:47:51 | |
His father was with Tennyson. | 0:47:51 | 0:47:53 | |
Haven't you made a mistake? | 0:47:53 | 0:47:55 | |
Oh, no doubt, but why do you say that? | 0:47:55 | 0:47:57 | |
You were painting Lottie Wilkins yesterday. | 0:47:57 | 0:47:59 | |
Amazing woman! You know, she asked me to dinner. | 0:47:59 | 0:48:02 | |
Unfortunately, I was compelled to decline | 0:48:02 | 0:48:04 | |
because they were waiting for me at the inn. | 0:48:04 | 0:48:06 | |
But...I'm free tonight, | 0:48:06 | 0:48:08 | |
if you've got any ideas on the subject. | 0:48:08 | 0:48:11 | |
Well, why don't you come for dinner? After all, it is your house. | 0:48:11 | 0:48:16 | |
Quite right. Yes - of course, you merely rent it. | 0:48:16 | 0:48:19 | |
I never would have thought of that myself. | 0:48:19 | 0:48:21 | |
Amazing! | 0:48:21 | 0:48:23 | |
Well, I've got to go back to the inn and dress. | 0:48:23 | 0:48:26 | |
See you tonight! | 0:48:26 | 0:48:28 | |
SHE LAUGHS | 0:48:28 | 0:48:29 | |
CROWD CHATTERS IN ITALIAN | 0:48:34 | 0:48:37 | |
Give me a push! | 0:48:45 | 0:48:46 | |
Paga, signore. | 0:49:00 | 0:49:02 | |
No, I refuse to pay for this outrage. | 0:49:02 | 0:49:05 | |
I mean, I could have walked the whole distance | 0:49:05 | 0:49:08 | |
and done it in much better time. | 0:49:08 | 0:49:10 | |
I practically walked the whole distance as it is. | 0:49:10 | 0:49:12 | |
CROWD SHOUT ANGRILY | 0:49:12 | 0:49:15 | |
What's that? | 0:49:17 | 0:49:18 | |
I presume another unfortunate has suggested a bath in the bathtub. | 0:49:18 | 0:49:23 | |
I'll pay you your money, but it's still an outrage. | 0:49:30 | 0:49:33 | |
Grazie! Grazie, signore, grazie! | 0:49:33 | 0:49:36 | |
Caroline, you know why I came. | 0:50:00 | 0:50:03 | |
I know how you came. | 0:50:03 | 0:50:05 | |
I hope you won't be too angry with me. | 0:50:05 | 0:50:07 | |
What are you doing here? | 0:50:07 | 0:50:09 | |
Why, I have absolutely no excuse - I couldn't help myself. | 0:50:09 | 0:50:14 | |
Help yourself? From what? | 0:50:14 | 0:50:16 | |
I was passing through on my way to Rome | 0:50:16 | 0:50:19 | |
and I got off at Missaglia to see how you were. | 0:50:19 | 0:50:21 | |
I had to come. | 0:50:21 | 0:50:23 | |
Didn't they tell you I was taking a rest cure? | 0:50:23 | 0:50:25 | |
I assumed as much...or, rather, I didn't assume anything. | 0:50:25 | 0:50:31 | |
I just came. I started out early this morning to come here, | 0:50:31 | 0:50:35 | |
but each time, I lost my courage. | 0:50:35 | 0:50:37 | |
So, eventually, you relied on the donkey. | 0:50:38 | 0:50:42 | |
I'm sorry, Ferdinand. | 0:50:43 | 0:50:45 | |
Dinner's at seven. | 0:50:47 | 0:50:49 | |
Come and sit down. | 0:50:49 | 0:50:50 | |
Tell me how everybody is. | 0:50:55 | 0:50:56 | |
You're really asking me to dine with you, | 0:50:56 | 0:50:58 | |
in these travelling clothes? | 0:50:58 | 0:51:00 | |
Of course. | 0:51:00 | 0:51:01 | |
I suppose you'll be going out to Missaglia to take the night train. | 0:51:08 | 0:51:11 | |
Well, I...I might wait over and go on tomorrow. | 0:51:11 | 0:51:15 | |
Or the next day. | 0:51:15 | 0:51:17 | |
But tell me about yourself. Let me look at you. | 0:51:17 | 0:51:20 | |
London's been beastly without you. | 0:51:20 | 0:51:23 | |
-Are you here alone? -No. There are three other ladies. | 0:51:23 | 0:51:28 | |
Oh - friends of yours? People I know? | 0:51:28 | 0:51:30 | |
-Strangers. You'll like them. One of them in particular. -Really? | 0:51:30 | 0:51:35 | |
Yes - I'm fonder of her than I've been of anyone in years. | 0:51:35 | 0:51:39 | |
Hm...I envy her. | 0:51:39 | 0:51:41 | |
You should guess which of them it is when you see them at dinner. | 0:51:41 | 0:51:44 | |
I'll tell Domenico you're staying. | 0:51:44 | 0:51:46 | |
-You can wait in the living room while I brush up. -All right. | 0:51:48 | 0:51:51 | |
I'm really very proud of you, my dear. | 0:51:56 | 0:51:58 | |
You've been most helpful, most helpful. | 0:52:00 | 0:52:03 | |
Oh, I'm so glad, dear. | 0:52:03 | 0:52:05 | |
Thanks to you, I was able to convince Lady Caroline that I'm her man. | 0:52:05 | 0:52:09 | |
Oh, Henry - really? | 0:52:09 | 0:52:10 | |
I had the honour of pointing out to her this afternoon - | 0:52:10 | 0:52:14 | |
quite eloquently, if I may say so - | 0:52:14 | 0:52:16 | |
some of the glories of her family | 0:52:16 | 0:52:19 | |
with which she herself was not familiar. | 0:52:19 | 0:52:21 | |
She was deeply moved - so moved, in fact, that she withdrew abruptly | 0:52:21 | 0:52:26 | |
in order to conceal her emotion. | 0:52:26 | 0:52:28 | |
I was tactful enough not to try to detain her. | 0:52:30 | 0:52:32 | |
I flatter myself I have some understanding | 0:52:33 | 0:52:36 | |
of the sensibilities of women, | 0:52:36 | 0:52:38 | |
especially of women of the nobility. | 0:52:38 | 0:52:41 | |
Ah...thank you, my dear. | 0:52:41 | 0:52:43 | |
Mellersh, darling. | 0:52:54 | 0:52:56 | |
You remember, a long time ago, you used to tell me | 0:52:57 | 0:53:01 | |
that my hair was like acacia blossoms in the evening? | 0:53:01 | 0:53:04 | |
Mellersh! | 0:53:35 | 0:53:37 | |
Oh...! | 0:53:37 | 0:53:38 | |
Mellersh? | 0:53:42 | 0:53:43 | |
Mellersh... | 0:53:45 | 0:53:46 | |
Lottie! | 0:53:54 | 0:53:55 | |
Oh...! | 0:53:57 | 0:53:58 | |
I knew you'd come. | 0:54:00 | 0:54:01 | |
In my very heart, I always, always knew you'd come. | 0:54:03 | 0:54:06 | |
We're all here, now. | 0:54:11 | 0:54:13 | |
You and I and... | 0:54:13 | 0:54:15 | |
Oh, do you remember, Mellersh, | 0:54:17 | 0:54:19 | |
how, a long time ago, you used to say | 0:54:19 | 0:54:21 | |
that I had hair like acacia blossoms in the evening? | 0:54:21 | 0:54:24 | |
Of course. Of course, dear. | 0:54:24 | 0:54:26 | |
You must have flown to me | 0:54:26 | 0:54:28 | |
the very instant you got my telegram. | 0:54:28 | 0:54:31 | |
Telegram? Oh, yes... | 0:54:31 | 0:54:33 | |
-The very instant! -Yes, the very instant. | 0:54:33 | 0:54:36 | |
How quickly it flew to you - almost as fast as my thoughts. | 0:54:36 | 0:54:40 | |
And how quickly you came - almost as fast as my heart beats. | 0:54:40 | 0:54:45 | |
Oh, hold me close, close as you can, for all the empty days. | 0:54:48 | 0:54:54 | |
There won't be any more of them, will there? | 0:54:54 | 0:54:56 | |
Tonight, we'll walk under the stars, among the acacias, | 0:54:58 | 0:55:01 | |
and you'll tell me again how like them my hair is, won't you? | 0:55:01 | 0:55:05 | |
-Of course... -And then tomorrow, we'll walk by the sea, | 0:55:05 | 0:55:08 | |
where I've walked so often, remembering you as were, | 0:55:08 | 0:55:13 | |
and as I so wanted you to be again...and as you are now. | 0:55:13 | 0:55:17 | |
Yes, dear. | 0:55:17 | 0:55:19 | |
We'll have the whole month of April together, | 0:55:19 | 0:55:22 | |
and it will be really enchanted, won't it? | 0:55:22 | 0:55:25 | |
As I was saying to Mrs Fisher this afternoon, | 0:55:28 | 0:55:31 | |
there's no position in this world altogether immune | 0:55:31 | 0:55:35 | |
to the vicissitudes of fate. | 0:55:35 | 0:55:36 | |
Unfortunately, she was compelled to withdraw for her afternoon nap. | 0:55:38 | 0:55:42 | |
I was on the verge of explaining to her | 0:55:42 | 0:55:44 | |
that the only sure bulwark against misfortune | 0:55:44 | 0:55:47 | |
is the counsel and loyalty of a conscientious solicitor, | 0:55:47 | 0:55:50 | |
whose first duty, my dear, is to his clients. | 0:55:50 | 0:55:53 | |
She saw him here - oh, Lottie! | 0:55:54 | 0:55:58 | |
Rose, darling, he's here! This is Mellersh. | 0:55:59 | 0:56:01 | |
He came, he flew the very instant he got my telegram! | 0:56:01 | 0:56:04 | |
-This is Rose Arbuthnot. -How do you do? -How do you do? | 0:56:04 | 0:56:07 | |
Well, well! Let me congratulate you on this happy reunion. | 0:56:07 | 0:56:09 | |
Oh, thank you. | 0:56:09 | 0:56:10 | |
I am Henry Arbuthnot - | 0:56:10 | 0:56:12 | |
welcome to San Salvatore, Mr Mellersh. | 0:56:12 | 0:56:16 | |
You'll find the place perfectly charming, | 0:56:16 | 0:56:18 | |
perfectly charming people. | 0:56:18 | 0:56:20 | |
I don't suppose you, as yet, have had the pleasure | 0:56:20 | 0:56:22 | |
of meeting Mrs Brockwell Templeton Fisher? | 0:56:22 | 0:56:25 | |
-No... -And Lady Caroline Dester, of whom, no doubt, you've heard. | 0:56:25 | 0:56:30 | |
- They'll be down directly. - Did someone mention my name? | 0:56:30 | 0:56:33 | |
Why, Lottie - who is this charming but bewildered young man | 0:56:33 | 0:56:37 | |
at your side? | 0:56:37 | 0:56:38 | |
Oh, Phoebe, this is Mellersh. | 0:56:38 | 0:56:40 | |
-Delighted, delighted, young man. -Thank you. | 0:56:40 | 0:56:43 | |
Not unlike Darwin in appearance - | 0:56:43 | 0:56:45 | |
but, I hope, with none of his nonsense. | 0:56:45 | 0:56:47 | |
Where is that charming guest, our landlord? | 0:56:47 | 0:56:51 | |
Not guest tonight, but host. | 0:56:51 | 0:56:53 | |
I've just been talking over the wines with Francesca. | 0:56:53 | 0:56:56 | |
Young man, on this gala occasion, I must claim the privilege of age | 0:56:56 | 0:56:59 | |
and insist that this is my dinner. | 0:56:59 | 0:57:01 | |
Oh, Henry, how lovely, how thoughtful of you! | 0:57:01 | 0:57:04 | |
- Gala occasion? - Of course, of course. | 0:57:04 | 0:57:06 | |
By the way, you haven't met Mrs Wilkins' husband, Mr Mellersh. | 0:57:06 | 0:57:10 | |
- He's just arrived in San Salvatore. - Husband? | 0:57:10 | 0:57:14 | |
Oh...I didn't tell you about Mellersh, did I? | 0:57:14 | 0:57:18 | |
No, no... | 0:57:18 | 0:57:19 | |
Oh, charmed, charmed. | 0:57:19 | 0:57:21 | |
-I congratulate you, Mr Mellersh. -Thank you. | 0:57:21 | 0:57:24 | |
Oh...oh, I shall paint you both. | 0:57:24 | 0:57:27 | |
I see no reason for excluding the rest of us? | 0:57:27 | 0:57:30 | |
Excellent idea, Mrs Fisher - excellent. | 0:57:30 | 0:57:33 | |
I've always had rather a special fondness | 0:57:33 | 0:57:36 | |
for the group paintings. | 0:57:36 | 0:57:37 | |
But we're not all here - Lady Caroline isn't down yet. | 0:57:37 | 0:57:40 | |
You know, I can't account for it, | 0:57:42 | 0:57:45 | |
but for the first time in months, I feel the divine fire upon me. | 0:57:45 | 0:57:50 | |
Shall I go up and call Lady Caroline? | 0:57:50 | 0:57:52 | |
Oh, no, no, I wouldn't. | 0:57:52 | 0:57:54 | |
I don't think that Mr Briggs could paint us, anyway. | 0:57:54 | 0:57:56 | |
I mean, before dinner. | 0:57:56 | 0:57:58 | |
Domenico, my paints, my canvas! | 0:57:58 | 0:58:00 | |
The subject of the celebrated painting I was referring to, | 0:58:00 | 0:58:04 | |
as I remember, was Abraham with his wives and his... | 0:58:04 | 0:58:08 | |
MELLERSH MURMURS SOMETHING | 0:58:08 | 0:58:10 | |
..his wives and his herds and flocks. | 0:58:10 | 0:58:13 | |
And whom do you suggest for the herds and the flocks | 0:58:13 | 0:58:17 | |
in the present case, Mr Arbuthnot? | 0:58:17 | 0:58:19 | |
-Ah... -Yes, well, I'm really very hungry. | 0:58:19 | 0:58:23 | |
Could we postpone this till another time? | 0:58:23 | 0:58:26 | |
Yes, charming, a very good idea. I congratulate you, Mr Mellersh. | 0:58:26 | 0:58:30 | |
Il pranzo e pronto. | 0:58:30 | 0:58:32 | |
Dinner. | 0:58:32 | 0:58:34 | |
- Shall we go in? - But Lady Caroline isn't here yet. | 0:58:34 | 0:58:37 | |
Oh... | 0:58:37 | 0:58:38 | |
MRS FISHER: Oh, we never wait for her. | 0:58:38 | 0:58:40 | |
- She comes down when she pleases. - Oh, oh, I see... | 0:58:40 | 0:58:42 | |
-My dear? -Oh, Henry. | 0:58:42 | 0:58:44 | |
My dear, as your husband is host, he will sit at the head of the table. | 0:58:45 | 0:58:49 | |
-Oh! -Mr Arbuthnot. | 0:58:49 | 0:58:50 | |
Mr Briggs, there. | 0:58:52 | 0:58:53 | |
Lottie, would you mind sitting there? | 0:58:53 | 0:58:56 | |
Mr Wilkins here. | 0:58:56 | 0:58:57 | |
I shall sit on your right. | 0:58:57 | 0:58:59 | |
Oh, it's...it's so nice, being hostess. | 0:58:59 | 0:59:04 | |
I wish to propose a toast | 0:59:05 | 0:59:07 | |
to the happy reunion of the Wilkins family | 0:59:07 | 0:59:10 | |
we've all had the pleasure of witnessing in this enchanting place. | 0:59:10 | 0:59:13 | |
Here, here! | 0:59:13 | 0:59:15 | |
-Oh...oh! Thank you. -Oh, yes, thank you. | 0:59:15 | 0:59:21 | |
Mr Wilkins, I believe a response is in order. | 0:59:21 | 0:59:24 | |
Oh...a response? Eh... | 0:59:24 | 0:59:27 | |
A whole speech is in order, if you are so inclined, Mr Mellersh. | 0:59:27 | 0:59:31 | |
I'm not averse to a bit of dinner oratory - | 0:59:31 | 0:59:33 | |
very good custom. | 0:59:33 | 0:59:35 | |
Darling, you might tell them about Du Barry. | 0:59:35 | 0:59:39 | |
Eh...oh. Du Barry...yes. | 0:59:39 | 0:59:42 | |
Ladies and gentlemen, | 0:59:42 | 0:59:45 | |
I...of course, I wrote the memoirs of Du Barry. | 0:59:45 | 0:59:50 | |
I mean, when I...when...my... | 0:59:50 | 0:59:52 | |
First, it came to me in the gardens of Versailles, | 0:59:52 | 0:59:56 | |
eh...when I was walking through the....we...I... | 0:59:56 | 1:00:02 | |
LADY CAROLINE: Domenico, have they all gone into dinner? | 1:00:02 | 1:00:05 | |
-DOMENICO: -Si, si, signora. | 1:00:05 | 1:00:06 | |
Thank you. | 1:00:09 | 1:00:10 | |
LAUGHTER AND APPLAUSE | 1:00:11 | 1:00:13 | |
There you all are, having a pleasant dinner without me. | 1:00:16 | 1:00:19 | |
Well, I see you've become acquainted with everybody | 1:00:22 | 1:00:24 | |
since I deposited you in the living room. | 1:00:24 | 1:00:27 | |
Yes, I... | 1:00:27 | 1:00:28 | |
Oh - then you...you knew that... that my husband was here. | 1:00:30 | 1:00:35 | |
Yes - I met your husband when he arrived, | 1:00:39 | 1:00:42 | |
at the end of the path. | 1:00:42 | 1:00:43 | |
You met him at the end of the path. | 1:00:47 | 1:00:51 | |
And I met him at the hearthside. | 1:00:51 | 1:00:55 | |
That's really the end of the path, isn't it? | 1:00:55 | 1:00:59 | |
Will you excuse me, please? | 1:01:08 | 1:01:11 | |
You know, as long as you invited me to dinner, | 1:01:32 | 1:01:35 | |
I do think you might have been down to meet me. | 1:01:35 | 1:01:37 | |
If you'll just excuse me, please. | 1:01:37 | 1:01:40 | |
Ah, well, speaking of oratory, I'm reminded, as I remember, | 1:01:44 | 1:01:50 | |
of an incident which will amuse you vastly when you hear it... | 1:01:50 | 1:01:54 | |
CHATTER AND LAUGHTER | 1:01:54 | 1:01:56 | |
Lottie...Lottie, listen to me. | 1:01:57 | 1:02:01 | |
Please don't be angry. | 1:02:01 | 1:02:03 | |
It's all been...I've been so... | 1:02:03 | 1:02:06 | |
I don't know what you're thinking, | 1:02:06 | 1:02:08 | |
but whatever you're thinking, it isn't true. | 1:02:08 | 1:02:10 | |
-Oh, but it is true. -What do you mean? | 1:02:10 | 1:02:14 | |
That I love you. | 1:02:14 | 1:02:16 | |
Oh...you're lovely, darling. Lovelier than you've ever been. | 1:02:16 | 1:02:21 | |
And your hair is like acacia blossoms. | 1:02:21 | 1:02:24 | |
SHE GASPS | 1:02:24 | 1:02:25 | |
Do you know, Mr Arbuthnot, | 1:02:25 | 1:02:27 | |
in that light, for a moment, you looked like Robert Browning. | 1:02:27 | 1:02:31 | |
- I do? - You did...for a moment. | 1:02:31 | 1:02:35 | |
In that light. | 1:02:35 | 1:02:36 | |
THEY LAUGH | 1:02:38 | 1:02:40 | |
What's that? | 1:02:43 | 1:02:44 | |
-It's the Briggses. -The Briggses? | 1:02:46 | 1:02:49 | |
I see them as the Briggses. | 1:02:50 | 1:02:52 | |
And I see us as the Arundels. | 1:02:54 | 1:02:58 |