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This film contains some strong language | 0:00:02 | 0:00:10 | |
# Sometimes in your life you realise | 0:01:55 | 0:01:59 | |
# You just can't make it alone | 0:01:59 | 0:02:03 | |
# So come to me, brother | 0:02:03 | 0:02:06 | |
# Come to me, sister | 0:02:06 | 0:02:08 | |
# I can't face this on my own | 0:02:08 | 0:02:11 | |
# Our paths differ greatly Our fate is the same | 0:02:12 | 0:02:16 | |
# In spite all the bridges we cross | 0:02:16 | 0:02:19 | |
# There's no-one to blame And nothing to attain | 0:02:20 | 0:02:25 | |
# What we're looking for never was lost | 0:02:25 | 0:02:28 | |
# Stand up, lend me your weight | 0:02:30 | 0:02:35 | |
# Come give me your hand | 0:02:36 | 0:02:39 | |
# Stand up, stand by my side | 0:02:39 | 0:02:44 | |
# Make it right | 0:02:44 | 0:02:48 | |
# If you don't help me now If I don't help you | 0:02:50 | 0:02:54 | |
# Tell me what were we put here for? | 0:02:54 | 0:02:58 | |
# The wheel is in motion We fall to the ocean | 0:02:59 | 0:03:03 | |
# A part of the vastness of all | 0:03:03 | 0:03:07 | |
# So get on your feet March with me now | 0:03:07 | 0:03:11 | |
# Let's make this worth living for | 0:03:11 | 0:03:15 | |
# We've paid for the past As the future at last | 0:03:15 | 0:03:19 | |
# And together we'll face what's in store | 0:03:19 | 0:03:23 | |
# Stand up, lend me your weight | 0:03:25 | 0:03:29 | |
# Come give me your hand | 0:03:30 | 0:03:33 | |
# Stand up, stand by my side | 0:03:33 | 0:03:38 | |
# Make it right | 0:03:38 | 0:03:43 | |
# Never really knowing what to do from day to day | 0:03:47 | 0:03:51 | |
# Never knowing Never really knowing what to say | 0:03:55 | 0:03:59 | |
# Stand up, stand by my side | 0:03:59 | 0:04:05 | |
# Make it right | 0:04:05 | 0:04:09 | |
# If you don't help me now If I don't help you | 0:04:11 | 0:04:15 | |
# Tell me what were we put here for? | 0:04:15 | 0:04:20 | |
# The wheel is in motion We fall to the ocean | 0:04:20 | 0:04:23 | |
# A part of the vastness of all | 0:04:23 | 0:04:27 | |
# So get on your feet March with me now | 0:04:27 | 0:04:31 | |
# Let's make this worth living for | 0:04:31 | 0:04:35 | |
# We've paid for the past As the future at last | 0:04:35 | 0:04:40 | |
# And together we'll face what's in store | 0:04:40 | 0:04:44 | |
# Stand up, lend me your weight | 0:04:47 | 0:04:51 | |
# Come give me your hand | 0:04:51 | 0:04:55 | |
# Stand up, stand by my side | 0:04:55 | 0:04:59 | |
# Make it right | 0:04:59 | 0:05:04 | |
# Never really knowing what to do from day to day | 0:05:09 | 0:05:12 | |
# Never knowing Never really knowing what to say | 0:05:17 | 0:05:21 | |
# Stand up, lend me your weight | 0:05:24 | 0:05:28 | |
# Come give me your hand | 0:05:28 | 0:05:32 | |
# Stand up, stand by my side. # | 0:05:32 | 0:05:37 | |
CHEERING AND APPLAUSE | 0:05:37 | 0:05:40 | |
Thank you. | 0:05:45 | 0:05:47 | |
GLASS RATTLES | 0:05:54 | 0:05:56 | |
HE PANTS | 0:06:11 | 0:06:13 | |
PHONE RINGS | 0:06:22 | 0:06:25 | |
Hello? | 0:06:45 | 0:06:46 | |
'Um, is that Will?' | 0:06:46 | 0:06:48 | |
It is. | 0:06:48 | 0:06:49 | |
'It's Eve from the tavern.' | 0:06:49 | 0:06:51 | |
What? | 0:06:51 | 0:06:53 | |
'You left your guitar here.' | 0:06:53 | 0:06:54 | |
My guitar? | 0:06:56 | 0:06:58 | |
'Yeah. Yeah, look, are you nearby?' | 0:06:58 | 0:07:01 | |
Um... No... I'll get it some other time. | 0:07:01 | 0:07:05 | |
'OK, it's not going anywhere.' | 0:07:05 | 0:07:07 | |
Wait. | 0:07:07 | 0:07:09 | |
Are you still serving? | 0:07:10 | 0:07:11 | |
'Yeah, till 12.' | 0:07:11 | 0:07:13 | |
OK. | 0:07:13 | 0:07:14 | |
DRUNKEN MAN SINGS AT BAR | 0:07:19 | 0:07:22 | |
Hey, there's your guitar, she's safe. | 0:07:26 | 0:07:29 | |
So, any last requests? | 0:07:30 | 0:07:33 | |
-What? -Last orders? | 0:07:34 | 0:07:37 | |
-Could I get a bottle of single malt? -A bottle? | 0:07:38 | 0:07:42 | |
-Yeah. -Mm, what are we celebrating? | 0:07:42 | 0:07:45 | |
Um, nothing. | 0:07:45 | 0:07:46 | |
Oh, I love talking about nothing, | 0:07:46 | 0:07:48 | |
it's the only thing I know anything about. | 0:07:48 | 0:07:50 | |
HE MUMBLES | 0:07:54 | 0:07:57 | |
I'll just check. | 0:07:58 | 0:08:00 | |
-The talent wants a bottle of whisky. -What? | 0:08:03 | 0:08:08 | |
Well, he was really good. | 0:08:08 | 0:08:09 | |
-All right, give him a bottle of Glen Barra for 50 quid. -50? | 0:08:10 | 0:08:14 | |
Fine, 40. | 0:08:14 | 0:08:15 | |
Oh, look, by the way, Jay's at the party already | 0:08:15 | 0:08:17 | |
and he doesn't know anyone, are you all right to lock up by yourself? | 0:08:17 | 0:08:20 | |
Yeah, I can handle it. | 0:08:20 | 0:08:23 | |
There you go, don't say I don't look after you. 40 quid. | 0:08:24 | 0:08:27 | |
-Whoa, I'll have what he's having. -Sorry, chief, I called last orders. | 0:08:31 | 0:08:36 | |
-But...he's got one. -Yeah, special circumstances. | 0:08:36 | 0:08:40 | |
What, like, special needs? | 0:08:40 | 0:08:43 | |
All right, mate? | 0:08:43 | 0:08:45 | |
Don't mind him, he's got Van Gogh's ear for music. | 0:08:45 | 0:08:48 | |
-Hey, sweetie, we're off. We'll see you later. -Laters taters! | 0:08:48 | 0:08:51 | |
All right, see you soon, about an hour. | 0:08:51 | 0:08:54 | |
-Are you going to be OK with him? -Yeah. He's harmless. | 0:09:00 | 0:09:04 | |
-OK. -Night. | 0:09:05 | 0:09:07 | |
MELANCHOLY MUSIC PLAYS | 0:09:16 | 0:09:19 | |
HE GASPS A LITTLE | 0:09:52 | 0:09:55 | |
CRASHING OUTSIDE | 0:09:55 | 0:09:57 | |
WOMAN STRUGGLES | 0:09:59 | 0:10:01 | |
-Jim, that's enough. Jim, Jim, Jim! Ow! -Hey-hey! | 0:10:01 | 0:10:04 | |
JIM LAUGHS DRUNKENLY | 0:10:04 | 0:10:06 | |
Evie, come on. No, don't tell me what I can't do. | 0:10:06 | 0:10:09 | |
You keep telling me what I can do and how to do things, | 0:10:09 | 0:10:11 | |
don't tell me what to... | 0:10:11 | 0:10:13 | |
-Jim, Jim! -Don't tell me! | 0:10:13 | 0:10:15 | |
-You don't understand me! You don't understand! -No, I don't... | 0:10:18 | 0:10:21 | |
-You don't listen to me! -Calm down. | 0:10:21 | 0:10:23 | |
-Hey, hey! -Hey, hey! | 0:10:23 | 0:10:25 | |
-Don't tell me what to do! -Calm down, mate, calm down. Go home. Go home. | 0:10:25 | 0:10:28 | |
You OK? EVE SCREAMS | 0:10:28 | 0:10:31 | |
-Don't tell me what to do! -OK, OK! | 0:10:31 | 0:10:33 | |
Mm? | 0:10:33 | 0:10:34 | |
EVE AND WILL PANT | 0:10:34 | 0:10:36 | |
-Jim...put the bottle down. -Jim, put the bottle down, mate. | 0:10:36 | 0:10:40 | |
-Don't tell me what to do! -I'm not telling you what to do. | 0:10:40 | 0:10:42 | |
I'm not telling you what to do, I just want to go home. Yeah? | 0:10:42 | 0:10:46 | |
I'm not telling you what to do, I just want to go home, mate, OK? | 0:10:46 | 0:10:49 | |
SIREN BLARES IN DISTANCE | 0:10:49 | 0:10:51 | |
Fucking police! Bollocks! | 0:10:53 | 0:10:57 | |
-Have you got any cigarettes? -Yeah. -I need cigarettes. | 0:10:58 | 0:11:00 | |
Here, mate. Here, mate, a cigarette, here, here. Here, have one. | 0:11:02 | 0:11:06 | |
Have a couple, yeah? | 0:11:06 | 0:11:08 | |
Well... | 0:11:08 | 0:11:09 | |
Have a couple. | 0:11:09 | 0:11:10 | |
-Cheers, mate. -Take care, mate. | 0:11:10 | 0:11:12 | |
Oh, fucking bollocks... | 0:11:15 | 0:11:18 | |
-Wait, wait! -FUCKING BOLLOCKS! | 0:11:18 | 0:11:21 | |
-Bollocks! -EVE SCREAMS | 0:11:24 | 0:11:26 | |
Hey! Where's the fucking whisky? | 0:11:26 | 0:11:31 | |
EVE PANTS | 0:11:35 | 0:11:38 | |
Thank you. | 0:11:44 | 0:11:45 | |
-Are you all right? -Are you? | 0:11:48 | 0:11:50 | |
-I have to quit smoking. -I don't know, | 0:11:55 | 0:11:57 | |
they kind of saved you tonight. | 0:11:57 | 0:12:00 | |
-Yeah, they don't put that on the packet, do they? -No, no, thanks. | 0:12:00 | 0:12:04 | |
So, are you... | 0:12:25 | 0:12:28 | |
-Are you stealing my guitar? -No. | 0:12:28 | 0:12:31 | |
-No, no. No, the guys on the day shift aren't so honest! -Oh, yeah? | 0:12:32 | 0:12:37 | |
In fact, as I was rescuing it I thought...I might try it out. | 0:12:37 | 0:12:41 | |
-You can have it if you want? -What? | 0:12:41 | 0:12:44 | |
If I ever need it, I know where to find you. | 0:12:45 | 0:12:48 | |
No, you'd... You'd be doing me a favour. | 0:12:48 | 0:12:51 | |
Yeah, no. I think that might be a bit weird. | 0:12:53 | 0:12:57 | |
No, please... | 0:12:57 | 0:12:58 | |
I would like you to have it. | 0:13:00 | 0:13:01 | |
You don't even know my name. | 0:13:01 | 0:13:03 | |
I'm Will. | 0:13:04 | 0:13:05 | |
Eve. | 0:13:09 | 0:13:10 | |
Eve. | 0:13:12 | 0:13:13 | |
Eve of Eden. | 0:13:14 | 0:13:15 | |
Eve. | 0:13:17 | 0:13:18 | |
So... | 0:13:20 | 0:13:21 | |
-Do you want it? -No. | 0:13:23 | 0:13:26 | |
No, I already owe you one. | 0:13:26 | 0:13:29 | |
Oh, hey... I'm not after anything. | 0:13:29 | 0:13:34 | |
No, I know. | 0:13:34 | 0:13:36 | |
Listen, can I walk you anywhere or...? | 0:13:39 | 0:13:41 | |
I'm just catching the tube, I'll be fine. | 0:13:41 | 0:13:43 | |
Fine, I'll walk you to the station. | 0:13:43 | 0:13:45 | |
That's really not necessary, OK? | 0:13:45 | 0:13:47 | |
Fine. | 0:13:51 | 0:13:52 | |
-Nice to meet you. -Yeah, right. Night. | 0:13:57 | 0:14:00 | |
Shit. | 0:14:27 | 0:14:28 | |
Will? Will. | 0:14:31 | 0:14:33 | |
-I'm sorry, I was rude. -It's fine. | 0:14:37 | 0:14:40 | |
No, it's not, you were being really kind and I was being...paranoid. | 0:14:40 | 0:14:45 | |
Well... | 0:14:47 | 0:14:48 | |
..if the offer still stands, I would be grateful | 0:14:50 | 0:14:54 | |
if you would consent to walk with me? | 0:14:54 | 0:14:57 | |
RAILINGS CLANG | 0:15:03 | 0:15:06 | |
Thanks again for before. | 0:15:31 | 0:15:34 | |
Carly was talking about getting a bouncer, | 0:15:34 | 0:15:36 | |
but I thought it was a bit over the top. | 0:15:36 | 0:15:38 | |
-How long have you worked there? -About three months. | 0:15:38 | 0:15:41 | |
Didn't think I'd seen you there before. | 0:15:43 | 0:15:45 | |
I was working day shifts to start, but I've seen you a few times. | 0:15:45 | 0:15:48 | |
Sorry. | 0:15:50 | 0:15:51 | |
I'm...not very good with faces. | 0:15:52 | 0:15:54 | |
No, I just got back from travelling, | 0:16:00 | 0:16:02 | |
I took the job to pay for my training. | 0:16:02 | 0:16:05 | |
-You're training? -Yep. | 0:16:05 | 0:16:06 | |
I actually finally figured out what to do with my life. | 0:16:07 | 0:16:11 | |
-You did? -I did. | 0:16:12 | 0:16:14 | |
And? | 0:16:15 | 0:16:16 | |
Guess. | 0:16:18 | 0:16:19 | |
I don't know. | 0:16:22 | 0:16:24 | |
-Clearly something important. -Well, obviously! But important to who? | 0:16:25 | 0:16:29 | |
You know, ideally a job should be important to the person doing it | 0:16:29 | 0:16:32 | |
cos a barmaid's really only | 0:16:32 | 0:16:33 | |
important to the drunk buying the drink. | 0:16:33 | 0:16:36 | |
I mean, like you, for instance. | 0:16:36 | 0:16:38 | |
You're a musician and music's very important to you, yeah? | 0:16:38 | 0:16:41 | |
Because it's an expression of your true self | 0:16:41 | 0:16:43 | |
and if you never played again you'd be incomplete. | 0:16:43 | 0:16:46 | |
-Yeah. -Now that's how important a job should be. | 0:16:47 | 0:16:50 | |
-So, come on, you still haven't guessed. -A philosopher? | 0:16:52 | 0:16:55 | |
Yes! No. | 0:16:55 | 0:16:57 | |
I'm afraid I'm not much good at guessing games. | 0:16:57 | 0:17:00 | |
-All right, you can have a clue. -OK. | 0:17:00 | 0:17:02 | |
Crap! | 0:17:03 | 0:17:04 | |
-Sorry? -The tube's shut. | 0:17:06 | 0:17:08 | |
Just one sec. | 0:17:20 | 0:17:21 | |
RADIO CHATTER IN BACKGROUND | 0:17:37 | 0:17:40 | |
-30 minutes. -Right. | 0:17:50 | 0:17:52 | |
Do you... | 0:17:54 | 0:17:55 | |
Do you want me to wait with you? | 0:17:57 | 0:17:59 | |
I might walk. | 0:17:59 | 0:18:01 | |
-How far is it? -Just a few stops. | 0:18:01 | 0:18:02 | |
Right. | 0:18:04 | 0:18:05 | |
Are you, eh... | 0:18:10 | 0:18:12 | |
Are you going to be OK? | 0:18:12 | 0:18:14 | |
Listen, I'll walk with you. | 0:18:18 | 0:18:20 | |
No, I don't want you to feel like you have to look after me now. | 0:18:20 | 0:18:22 | |
I know. I... | 0:18:22 | 0:18:24 | |
..I'll walk with you. | 0:18:25 | 0:18:27 | |
-You don't seem so sure? -Trust me. | 0:18:27 | 0:18:29 | |
If I wasn't here, I wouldn't be doing anything, so... | 0:18:31 | 0:18:34 | |
OK. So you can come to the party with me and then I don't have to be | 0:18:35 | 0:18:38 | |
a sad git on my own. | 0:18:38 | 0:18:39 | |
Eh, I'm not going to come in, but thanks. | 0:18:41 | 0:18:43 | |
You said you've got nothing to do! | 0:18:43 | 0:18:45 | |
Yeah, I know... | 0:18:46 | 0:18:48 | |
Well, then, I'm just going to have to convince you to come. | 0:18:48 | 0:18:51 | |
So, do you have a day job or something? | 0:19:01 | 0:19:03 | |
No. | 0:19:03 | 0:19:05 | |
You must gig a lot. | 0:19:05 | 0:19:07 | |
Er... Not really. I used to. | 0:19:07 | 0:19:10 | |
There was a...band a little while back. We did OK. | 0:19:10 | 0:19:16 | |
Anything I'd know? | 0:19:16 | 0:19:17 | |
Er... | 0:19:17 | 0:19:19 | |
-We had this one song. -One-hit wonder! | 0:19:19 | 0:19:23 | |
No, not a hit and not so wonderful! | 0:19:23 | 0:19:24 | |
What's the song? | 0:19:27 | 0:19:28 | |
# Sally Anne just closed the door | 0:19:30 | 0:19:33 | |
# Like the time before the time before | 0:19:33 | 0:19:36 | |
# So we both know how a story like ours ends... # | 0:19:36 | 0:19:39 | |
-I think I know that song! -Yeah? | 0:19:39 | 0:19:41 | |
-Yeah. -It was used on an advert. Ended up on the radio quite a bit. | 0:19:41 | 0:19:46 | |
So what happened? | 0:19:47 | 0:19:48 | |
-We split. -Why? | 0:19:50 | 0:19:52 | |
Was it artistic differences? It's always artistic differences, right? | 0:19:52 | 0:19:57 | |
No, I, er... I found out that I was... | 0:19:57 | 0:19:59 | |
No, it was time to stop. | 0:20:02 | 0:20:04 | |
Shame. | 0:20:04 | 0:20:06 | |
I can't believe you sang that song! | 0:20:06 | 0:20:09 | |
# Sally Anne just closed the door | 0:20:09 | 0:20:11 | |
# Like the time before the time before | 0:20:11 | 0:20:14 | |
# Da-dah-dah-dah Bada-bam-bam-bam... # | 0:20:14 | 0:20:17 | |
You've not got a bad voice. | 0:20:19 | 0:20:21 | |
What? Thank you. | 0:20:21 | 0:20:23 | |
Singer. | 0:20:25 | 0:20:26 | |
No. Keep guessing. | 0:20:27 | 0:20:29 | |
I'm just going to pop in and get a bottle. | 0:20:37 | 0:20:39 | |
CHATTER INSIDE SHOP | 0:20:40 | 0:20:42 | |
CUSTOMER SPEAKS ITALIAN | 0:20:42 | 0:20:45 | |
Come on, Fernando! | 0:20:48 | 0:20:50 | |
HE SPEAKS ITALIAN | 0:20:51 | 0:20:56 | |
-Plum! -We don't have plums! | 0:20:56 | 0:20:59 | |
We have got apples and bananas. | 0:20:59 | 0:21:01 | |
Banana... banana... banana. | 0:21:01 | 0:21:05 | |
HE REMONSTRATES IN ITALIAN | 0:21:05 | 0:21:08 | |
SHE INTERRUPTS IN ITALIAN | 0:21:12 | 0:21:14 | |
-Parla Italiano? -Si, si! | 0:21:14 | 0:21:16 | |
He wants a plug, like an international adapter. | 0:21:20 | 0:21:23 | |
-For his Italian plug! -Plug! -Yeah, yeah. -Oh!! | 0:21:23 | 0:21:27 | |
CHATTER INSIDE SHOP | 0:21:27 | 0:21:30 | |
GIRLS CHEER | 0:21:34 | 0:21:37 | |
Guitar man! Play us a song, darlin'. | 0:21:42 | 0:21:45 | |
-Not tonight. -Oh, come on, gorgeous. | 0:21:45 | 0:21:47 | |
-My best mate's gettin' married. She'd totally love it. -Is she? | 0:21:47 | 0:21:51 | |
Come on! Come on! | 0:21:51 | 0:21:53 | |
Come on! Come on! | 0:21:53 | 0:21:56 | |
-TUNELESSLY: -Come on, come on, come on, come on, come on! | 0:21:56 | 0:22:01 | |
Jackie! | 0:22:01 | 0:22:03 | |
# Come on, come on, come on come on, come on! # | 0:22:03 | 0:22:07 | |
Jackie, he's going to serenade you! | 0:22:07 | 0:22:11 | |
If Phil finds out he'll be filing for a divorce! | 0:22:11 | 0:22:14 | |
Whooo! | 0:22:15 | 0:22:17 | |
THEY WHOOP | 0:22:18 | 0:22:21 | |
Go on, then, what ya going to play? | 0:22:21 | 0:22:24 | |
Go on. | 0:22:27 | 0:22:29 | |
Tenner. | 0:22:29 | 0:22:31 | |
# Jacqueline, oh, Jacqueline | 0:22:31 | 0:22:35 | |
# I hope that's not the dress you're getting married in | 0:22:35 | 0:22:38 | |
# Considering you're a sister It's as short as sin | 0:22:38 | 0:22:43 | |
# Like someone shaved the bottom of a pen-gu-in | 0:22:43 | 0:22:49 | |
# You're not a real lady of the cloth | 0:22:49 | 0:22:53 | |
# Since you've taken most of your clothing off | 0:22:53 | 0:22:57 | |
# You're not fooling anybody with that cross | 0:22:59 | 0:23:02 | |
# And your only real habit | 0:23:04 | 0:23:07 | |
# Is a... rather rampant rabbit... # | 0:23:07 | 0:23:10 | |
GIRLS: Ohhhh! | 0:23:10 | 0:23:12 | |
# Nun-nun-nun-nun | 0:23:12 | 0:23:15 | |
# Are you sure you're a nun | 0:23:15 | 0:23:17 | |
# Naughty, naughty, naughty nun | 0:23:17 | 0:23:20 | |
-# I'm sure I just saw your...# -BUM! | 0:23:20 | 0:23:22 | |
Now, come on, ladies! Please, ladies, keep it clean! | 0:23:22 | 0:23:25 | |
# Bum-bum-bum-bum | 0:23:25 | 0:23:28 | |
# Bum-bum-bum-bum | 0:23:28 | 0:23:30 | |
ALL: # Bum-bum-bum-bum | 0:23:30 | 0:23:32 | |
-WILL: # I'm sure I just saw your... -BUM! | 0:23:32 | 0:23:35 | |
All together now... | 0:23:35 | 0:23:38 | |
# Bum-bum-bum-bum | 0:23:38 | 0:23:40 | |
# Bum-bum-bum-bum | 0:23:40 | 0:23:43 | |
# Bum-bum-bum-bum | 0:23:43 | 0:23:45 | |
# Arse, arse, arse, arse | 0:23:45 | 0:23:47 | |
# Arse, arse, arse, arse | 0:23:47 | 0:23:50 | |
# Arse, arse, arse, arse... # | 0:23:50 | 0:23:52 | |
GIRLS WHOOP | 0:23:52 | 0:23:55 | |
You're shivering. | 0:24:41 | 0:24:42 | |
I'm all right. | 0:24:44 | 0:24:46 | |
-You're freezing. -It's very cold. | 0:24:51 | 0:24:55 | |
You should have said. Here. | 0:24:55 | 0:24:58 | |
Then you'll be cold. | 0:25:01 | 0:25:03 | |
I'm impervious to the cold. | 0:25:03 | 0:25:05 | |
That's one of my many superhero traits. | 0:25:05 | 0:25:09 | |
-How do I look? -Er... | 0:25:39 | 0:25:42 | |
..like a kid who's raided her mum's wardrobe! | 0:25:48 | 0:25:50 | |
SHE GIGGLES | 0:25:50 | 0:25:51 | |
Come on. | 0:25:54 | 0:25:55 | |
Let's get you to this thing before it ends. | 0:25:56 | 0:25:58 | |
25 Hinton Place. | 0:26:07 | 0:26:10 | |
I think it's just past the bridge. | 0:26:10 | 0:26:12 | |
OK. | 0:26:12 | 0:26:13 | |
SHE GIGGLES | 0:26:15 | 0:26:17 | |
Nice work with the nuns! | 0:26:17 | 0:26:20 | |
THEY LAUGH | 0:26:20 | 0:26:22 | |
Best audience I've had in months. | 0:26:22 | 0:26:24 | |
Seriously, you're really good. | 0:26:25 | 0:26:28 | |
Your folks must be chuffed. | 0:26:30 | 0:26:32 | |
-Oh? -Your parents. They must be proud, are they? | 0:26:33 | 0:26:36 | |
You know, my parents never gave a.. fudge what I did with my life. | 0:26:36 | 0:26:41 | |
You OK? | 0:26:44 | 0:26:45 | |
What's the matter? | 0:26:46 | 0:26:48 | |
My parents are both dead. | 0:26:49 | 0:26:51 | |
Oh, God, I am SO sorry. No, I didn't mean to... | 0:26:54 | 0:26:56 | |
-Was it...recent... Was it... Is that why you had the whisky? -What? | 0:27:00 | 0:27:04 | |
No. | 0:27:05 | 0:27:08 | |
No. | 0:27:08 | 0:27:09 | |
Will, are you all right? | 0:27:10 | 0:27:12 | |
Shouldn't be here, shouldn't be here. | 0:27:13 | 0:27:16 | |
-Invading your life with my shit. -You're not invading my life. | 0:27:16 | 0:27:19 | |
-Yeah, I am. -No, you're not. | 0:27:19 | 0:27:21 | |
-Really. I wanted you to come. -Yeah? | 0:27:21 | 0:27:23 | |
I didn't want to come. | 0:27:26 | 0:27:28 | |
-What? -I walked you out of duty. | 0:27:28 | 0:27:31 | |
Wow... | 0:27:36 | 0:27:38 | |
That's unfair. | 0:27:38 | 0:27:40 | |
Yeah, it is. | 0:27:40 | 0:27:42 | |
But it's true. | 0:27:42 | 0:27:43 | |
There you are. | 0:27:44 | 0:27:46 | |
-So I am going to walk you to this party and then I'm gone. -No, no! | 0:27:47 | 0:27:51 | |
We're here. Thanks. Job done, Romeo. | 0:27:53 | 0:27:57 | |
(Idiot!) | 0:28:09 | 0:28:11 | |
QUIET HEADPHONE MUSIC | 0:29:33 | 0:29:37 | |
SLOW, MELODIC GUITAR MUSIC | 0:31:02 | 0:31:09 | |
UP-TEMPO MUSIC PLAYS | 0:32:41 | 0:32:44 | |
# 12 o'clock they'll come runnin' | 0:32:51 | 0:32:53 | |
# Best of time | 0:32:53 | 0:32:57 | |
# Girls get down and dance in the middle | 0:32:57 | 0:33:00 | |
# Boys get up for shaking money | 0:33:00 | 0:33:04 | |
# So we play the loud... # | 0:33:10 | 0:33:13 | |
-Oh, that was a good one! -Hi, Anna! | 0:33:17 | 0:33:19 | |
Will, this is Anna, the lucky lady. Anna, this is Will. | 0:33:19 | 0:33:23 | |
Pleased to meet you. Ohh, are you going to make Eve lucky, too? | 0:33:23 | 0:33:27 | |
-We're friends. -Oh, you be lucky once. Yes. | 0:33:27 | 0:33:33 | |
This camera is amazing, right? Coming through already, see? | 0:33:33 | 0:33:37 | |
I told Ralph I wanted to be a photographer, | 0:33:37 | 0:33:40 | |
so he got me this for practice. | 0:33:40 | 0:33:42 | |
And he's going to have a dark room fitted here for my wedding present. | 0:33:42 | 0:33:45 | |
-Isn't that amazing? -It's great. | 0:33:45 | 0:33:47 | |
Oh, you're so cute together. You can keep it. | 0:33:47 | 0:33:51 | |
Oh, later, we're having an egg, barrow and spoon race. | 0:33:51 | 0:33:54 | |
First prize is a bottle of bubbly! | 0:33:54 | 0:33:57 | |
-Great! -Great! | 0:33:57 | 0:33:58 | |
-She seems nice. -Yeah. She is. | 0:34:01 | 0:34:04 | |
-About before... -Shhh! | 0:34:07 | 0:34:10 | |
-Do you want to know who she's marrying? -Who? | 0:34:19 | 0:34:22 | |
Guess. No, no, you don't have to guess. | 0:34:22 | 0:34:25 | |
Baldy? | 0:34:26 | 0:34:28 | |
And you said you're no good at guessing games. | 0:34:31 | 0:34:34 | |
# Girls get down and dance in the middle | 0:34:34 | 0:34:37 | |
# Boys get up for shaking money | 0:34:37 | 0:34:43 | |
# Girls get down and dance in the middle | 0:34:43 | 0:34:47 | |
# Boys get up for shaking money... # | 0:34:47 | 0:34:52 | |
-MAN: -They're starting the egg and spoon race thingy. Let's do it. | 0:35:01 | 0:35:05 | |
-Let's go in. -No. -No? | 0:35:05 | 0:35:07 | |
I'll let you be the wheelbarrow. | 0:35:09 | 0:35:12 | |
Come on! | 0:35:12 | 0:35:13 | |
-You not entering? -God, no! | 0:35:17 | 0:35:19 | |
-We're not entering? -No. | 0:35:23 | 0:35:25 | |
Come on! | 0:35:26 | 0:35:29 | |
CROWD CHEERS | 0:35:34 | 0:35:37 | |
HE CLICKS HIS TONGUE | 0:36:01 | 0:36:03 | |
Got it. Model. | 0:36:04 | 0:36:07 | |
Watch yourself, Will - calling me short and ugly. | 0:36:07 | 0:36:10 | |
You're not short. | 0:36:10 | 0:36:11 | |
HE CHUCKLES | 0:36:12 | 0:36:14 | |
-You've got quite a right hook on you, woman. -My father was a boxer. | 0:36:16 | 0:36:19 | |
Oh, really? There you go. | 0:36:19 | 0:36:22 | |
-We take after our parents. -Well, I'm screwed then. -Why? | 0:36:22 | 0:36:27 | |
Well, Mary got herself knocked up when she was 15. | 0:36:27 | 0:36:29 | |
And the guy - the boxer, Frank - wanted nothing to do with it. | 0:36:29 | 0:36:33 | |
Then neither did she. | 0:36:33 | 0:36:34 | |
She went off to college, met some fancy man, and that was it. | 0:36:34 | 0:36:39 | |
I was out of the equation. | 0:36:39 | 0:36:40 | |
So who raised you? | 0:36:40 | 0:36:42 | |
-My nan. And grandad. -Right. | 0:36:42 | 0:36:45 | |
Well, then, you'll take after them. | 0:36:45 | 0:36:48 | |
Yeah. I hope so. | 0:36:48 | 0:36:50 | |
SHE SIGHS | 0:36:54 | 0:36:56 | |
Actually, she's the reason I'm back. She's... She's getting old. | 0:36:57 | 0:37:03 | |
I mean, she's in a home and all, but recently she's been, she's... | 0:37:03 | 0:37:06 | |
-It's not going well. -What, your nan? | 0:37:06 | 0:37:08 | |
Yeah. Probably going to have to move to some specialist centre. | 0:37:08 | 0:37:11 | |
What's wrong with her? | 0:37:12 | 0:37:15 | |
They're not clear on the details yet... | 0:37:15 | 0:37:18 | |
Actually I have to go there this morning for a meeting. | 0:37:18 | 0:37:21 | |
Do you need to go home? | 0:37:22 | 0:37:25 | |
No. No, no - you can keep me awake until then. | 0:37:25 | 0:37:28 | |
You have to tell me terribly | 0:37:28 | 0:37:29 | |
interesting things about yourself to stop me from falling asleep. | 0:37:29 | 0:37:32 | |
-Yikes. -And revealing. | 0:37:32 | 0:37:35 | |
-Revealing? -Yeah. | 0:37:37 | 0:37:40 | |
Will... It's almost time. | 0:37:41 | 0:37:43 | |
For what? | 0:37:45 | 0:37:47 | |
Do you consent to enter the stark honesty of twilight's end? | 0:37:47 | 0:37:55 | |
HE CHUCKLES | 0:37:57 | 0:37:59 | |
-Sounds a little scary. -No, it is. | 0:37:59 | 0:38:01 | |
The night's wearing down, the alcohol is wearing off | 0:38:01 | 0:38:04 | |
and in the harsh light of day | 0:38:04 | 0:38:06 | |
nothing is ever as pretty as it seems. | 0:38:06 | 0:38:09 | |
Only the truth remains. | 0:38:10 | 0:38:13 | |
So... | 0:38:13 | 0:38:14 | |
We have the champagne. | 0:38:17 | 0:38:18 | |
Will...! | 0:38:18 | 0:38:20 | |
As you wish, yes. | 0:38:23 | 0:38:25 | |
OK, you realise, of course, I have you trapped now? | 0:38:26 | 0:38:29 | |
-Oh, I'm trapped now? -You're trapped. | 0:38:29 | 0:38:31 | |
Trapped, in a bubble of honesty. | 0:38:31 | 0:38:34 | |
-In a bubble of honesty? -Yeah. | 0:38:34 | 0:38:36 | |
No, not the bubble of honesty(!) SHE GIGGLES | 0:38:36 | 0:38:39 | |
Of course, if I'm trapped, | 0:38:40 | 0:38:44 | |
you're trapped too. | 0:38:44 | 0:38:46 | |
I want to hear your most embarrassing story. | 0:38:47 | 0:38:50 | |
Really? Jeez, I've got so much to choose from. | 0:38:50 | 0:38:53 | |
Give me your worst. | 0:38:53 | 0:38:54 | |
Oh...! | 0:38:56 | 0:38:59 | |
SHE SIGHS | 0:38:59 | 0:39:01 | |
OK... | 0:39:01 | 0:39:02 | |
OK! | 0:39:02 | 0:39:05 | |
Right... God, I can't believe this! | 0:39:05 | 0:39:08 | |
-Right. I was 14. -Mm-hm. | 0:39:11 | 0:39:13 | |
And for whatever reason I didn't have my first bra yet, | 0:39:13 | 0:39:15 | |
so I was way overdue. | 0:39:15 | 0:39:17 | |
Can I just say, I really like this story? | 0:39:17 | 0:39:20 | |
I mean, you've only just started, but it's already great. | 0:39:20 | 0:39:22 | |
I was going to play tennis, | 0:39:23 | 0:39:25 | |
with Claire Follows on the school tennis courts, but they were locked. | 0:39:25 | 0:39:28 | |
So we were just going to climb the fence. | 0:39:28 | 0:39:31 | |
And I, clumsy fool that I am, lost my footing as I was going over | 0:39:31 | 0:39:35 | |
the top, and you know the fence, the sharp bit at the top of the fence - | 0:39:35 | 0:39:38 | |
it caught on my top. And ripped it over my head. | 0:39:38 | 0:39:40 | |
No bra? | 0:39:40 | 0:39:42 | |
For 15 minutes I hung there, half strangled, half naked. | 0:39:42 | 0:39:48 | |
While Claire was busy trying to set me free | 0:39:48 | 0:39:50 | |
while the rugby team just stood by and watched. | 0:39:50 | 0:39:55 | |
Tennis Tits | 0:39:56 | 0:39:58 | |
was one of the many names I enjoyed for several years afterwards. | 0:39:58 | 0:40:04 | |
-It's OK. -Yes. | 0:40:06 | 0:40:08 | |
Go on, it's your turn. | 0:40:11 | 0:40:14 | |
Honestly? I'm not sure I can beat that. | 0:40:14 | 0:40:17 | |
No, no, it's not a competition, Will. It's just mutual humiliation. | 0:40:17 | 0:40:22 | |
Er... | 0:40:23 | 0:40:25 | |
-OK. -OK. | 0:40:29 | 0:40:31 | |
-Er, I'm 14 or 15. -Yep. | 0:40:31 | 0:40:34 | |
And I'm seeing this girl called er... | 0:40:34 | 0:40:35 | |
What was her name? | 0:40:40 | 0:40:42 | |
Helen. Helen...? | 0:40:42 | 0:40:44 | |
Anyway, the important thing is that she was older than me. | 0:40:45 | 0:40:50 | |
Ooh, toy boy! | 0:40:50 | 0:40:51 | |
Yeah. And I'm round at her place, and er... | 0:40:51 | 0:40:55 | |
God, I can't believe I'm telling you this. | 0:40:57 | 0:41:01 | |
Right, she decided that we needed to kind of spice up our sex life. So... | 0:41:01 | 0:41:06 | |
You're 14 and you have a sex life? | 0:41:06 | 0:41:08 | |
Er...yeah. Why? | 0:41:08 | 0:41:13 | |
Well, I don't know, I mean... | 0:41:13 | 0:41:15 | |
I mean, I guess I was a late bloomer, but I didn't kiss anyone | 0:41:15 | 0:41:19 | |
until I was... | 0:41:19 | 0:41:21 | |
Till when? | 0:41:21 | 0:41:23 | |
You tell ME. | 0:41:23 | 0:41:24 | |
Er...I was 12. | 0:41:24 | 0:41:27 | |
Same girl? | 0:41:27 | 0:41:29 | |
No. Different. | 0:41:29 | 0:41:30 | |
I asked her out in the summer holidays, | 0:41:30 | 0:41:33 | |
and for a whole week we walked around holding hands. | 0:41:33 | 0:41:36 | |
I finally plucked up courage to kiss her, and she turned to me | 0:41:36 | 0:41:40 | |
and said, "Well, it took you long enough." | 0:41:40 | 0:41:42 | |
-My God, the hussy! -"It took you long enough." | 0:41:42 | 0:41:45 | |
I dated her for four whole months, | 0:41:45 | 0:41:48 | |
and in fact she was the first girl I ever slept with. | 0:41:48 | 0:41:51 | |
-What? -Of course, "It took you long enough" | 0:41:51 | 0:41:53 | |
was not something she said on THAT occasion. | 0:41:53 | 0:41:55 | |
You had sex at 12? | 0:41:55 | 0:41:56 | |
God, no, I was 13. | 0:41:56 | 0:41:58 | |
Oh, my God, you're a whore! | 0:41:58 | 0:42:00 | |
Listen, I'm not the one who's hanging around with my bits on | 0:42:00 | 0:42:03 | |
-display for the rugby team. -I bet you were! | 0:42:03 | 0:42:06 | |
All right, Little Miss Righteous... | 0:42:06 | 0:42:09 | |
When was YOUR first kiss? | 0:42:09 | 0:42:10 | |
-I was 15. -What? Were you living in a box? -Well, it's not that old! | 0:42:10 | 0:42:15 | |
When did you lose your virginity? | 0:42:15 | 0:42:17 | |
I haven't. | 0:42:34 | 0:42:36 | |
What? | 0:42:38 | 0:42:39 | |
I'm joking. I was 18! | 0:42:49 | 0:42:52 | |
Oh, my God, what a man! | 0:42:53 | 0:42:55 | |
Look at your face. You so thought that you could pop my cherry | 0:42:55 | 0:42:59 | |
and add it to your vast shag collection. | 0:42:59 | 0:43:01 | |
-I was not... -Yeah, yeah, yeah. | 0:43:01 | 0:43:03 | |
Jeez, man! | 0:43:03 | 0:43:05 | |
12 years old. | 0:43:05 | 0:43:07 | |
So - any regrets? | 0:43:21 | 0:43:24 | |
-You? -No. Never. | 0:43:27 | 0:43:30 | |
You? | 0:43:30 | 0:43:31 | |
-Maybe. -Maybe? | 0:43:34 | 0:43:37 | |
I didn't have, till... | 0:43:39 | 0:43:42 | |
Oh, and then you met me(!) | 0:43:42 | 0:43:45 | |
Yeah. | 0:43:49 | 0:43:51 | |
Champagne? | 0:44:01 | 0:44:03 | |
Yeah. Great. | 0:44:05 | 0:44:07 | |
SHE LAUGHS Wayyy! | 0:44:20 | 0:44:23 | |
OK... | 0:44:28 | 0:44:30 | |
To you. | 0:44:38 | 0:44:39 | |
And you. | 0:44:39 | 0:44:41 | |
Hey, fancy a flight? | 0:44:54 | 0:44:56 | |
Did you know that in the Mayan civilisation, they believed | 0:45:08 | 0:45:11 | |
they had to make a blood sacrifice to make the sun come up? | 0:45:11 | 0:45:15 | |
That I did not know. | 0:45:17 | 0:45:18 | |
-Play a song. -A song? | 0:45:20 | 0:45:23 | |
Yeah, play a song about the morning light, | 0:45:23 | 0:45:25 | |
and that can be our sacrifice to the sun god. | 0:45:25 | 0:45:27 | |
I think the sun might go back down if I start singing. | 0:45:27 | 0:45:30 | |
Come on. I won't tell anyone. | 0:45:30 | 0:45:32 | |
-Are there cameras in these things? -Yay! | 0:45:35 | 0:45:38 | |
It's like my very own Top Of The Pops. | 0:45:44 | 0:45:46 | |
HE FINDS A KEY | 0:45:48 | 0:45:49 | |
GENTLE INTRO | 0:45:51 | 0:45:53 | |
# You feel the chill in the dead of the night | 0:45:59 | 0:46:03 | |
# You miss the sun shining bright | 0:46:03 | 0:46:07 | |
# But hold on, girl, steady now just close your eyes | 0:46:07 | 0:46:12 | |
# And when you wake you'll be revived | 0:46:12 | 0:46:16 | |
# In the light, in the light | 0:46:16 | 0:46:20 | |
# In the warm morning light | 0:46:20 | 0:46:24 | |
# In the light, in the light | 0:46:24 | 0:46:29 | |
# In the warm, newly-born | 0:46:29 | 0:46:33 | |
# Morning light | 0:46:33 | 0:46:36 | |
# Lift your head, girl | 0:46:39 | 0:46:42 | |
# To the sky | 0:46:43 | 0:46:46 | |
# Open up, girl | 0:46:48 | 0:46:50 | |
# You will thrive | 0:46:52 | 0:46:57 | |
# In the light, in the light | 0:47:01 | 0:47:05 | |
# In the warm morning light | 0:47:05 | 0:47:09 | |
# In the light, in the light | 0:47:09 | 0:47:14 | |
# In the warm | 0:47:14 | 0:47:18 | |
# Newly-born | 0:47:18 | 0:47:23 | |
# Morning light. # | 0:47:23 | 0:47:25 | |
It's beautiful. | 0:47:42 | 0:47:43 | |
I think I can see my flat. | 0:47:48 | 0:47:50 | |
When you're up high, do you ever feel something... | 0:47:57 | 0:48:03 | |
special, something...other? | 0:48:03 | 0:48:08 | |
Are you talking God? | 0:48:10 | 0:48:11 | |
-Not necessarily. Maybe. -SHE LAUGHS GENTLY | 0:48:13 | 0:48:16 | |
I don't know. | 0:48:18 | 0:48:20 | |
I think there's more to life than we can ever know, but... | 0:48:22 | 0:48:25 | |
a God... | 0:48:25 | 0:48:26 | |
But you do believe in something? | 0:48:29 | 0:48:32 | |
I have to. | 0:48:32 | 0:48:33 | |
But... | 0:48:34 | 0:48:35 | |
I'm pretty sure it's not some old man with a white beard, | 0:48:35 | 0:48:39 | |
or...a blue guy with 20 arms. | 0:48:39 | 0:48:41 | |
SHE CHUCKLES | 0:48:41 | 0:48:43 | |
So what is it, then? | 0:48:43 | 0:48:44 | |
I imagine it's like... like coming home. | 0:48:44 | 0:48:48 | |
Only, some people are ready, | 0:48:50 | 0:48:53 | |
and others want to stay out longer. | 0:48:53 | 0:48:55 | |
I don't think death's an end. | 0:48:59 | 0:49:01 | |
Before this, we're someplace else. | 0:49:03 | 0:49:07 | |
Like a... | 0:49:07 | 0:49:10 | |
a holiday for the senses. | 0:49:10 | 0:49:12 | |
How often do you do this kind of thing? | 0:49:13 | 0:49:16 | |
Stay up all night with a... random stranger? | 0:49:17 | 0:49:22 | |
Never. | 0:49:25 | 0:49:26 | |
Would it be a bit... | 0:49:26 | 0:49:29 | |
gooey, if I were to say that this felt more...intimate? | 0:49:29 | 0:49:35 | |
Yes. | 0:49:39 | 0:49:40 | |
Yes, gooey, or yes, intimate? | 0:49:40 | 0:49:43 | |
Yes. | 0:49:45 | 0:49:47 | |
Well, at least this way I don't have to wake up regretting anything. | 0:49:49 | 0:49:53 | |
-I mean, not that you would be... -No. Too late. I'm already offended. | 0:49:53 | 0:49:57 | |
Ow! Right, that is it... | 0:49:57 | 0:49:59 | |
SHE GIGGLES | 0:49:59 | 0:50:01 | |
So, would a kiss spoil it? | 0:50:10 | 0:50:12 | |
I do really like you, Eve. | 0:50:17 | 0:50:19 | |
Oh... Oh. | 0:50:21 | 0:50:24 | |
-No, listen, Eve, it's not that I don't want... -No, no, no, no, no. | 0:50:24 | 0:50:27 | |
-Really, you don't understand. -No, no, no, really. It's OK. | 0:50:28 | 0:50:31 | |
-I do really... -Will, leave it. | 0:50:31 | 0:50:33 | |
Can I ask you a question? | 0:50:41 | 0:50:43 | |
Yeah, of course. | 0:50:43 | 0:50:46 | |
It's erm... | 0:50:46 | 0:50:48 | |
It's about your parents. | 0:50:48 | 0:50:49 | |
I mean, you don't...you don't have to, it's just... | 0:50:51 | 0:50:56 | |
What is it? | 0:50:56 | 0:50:58 | |
What happened to them? | 0:51:00 | 0:51:04 | |
Er, my father was a victim of friendly fire in the first Gulf War. | 0:51:04 | 0:51:07 | |
He was a captain in the Desert Rats. | 0:51:08 | 0:51:12 | |
And...my mum... | 0:51:12 | 0:51:14 | |
..pretty Rhonda Fletcher from the Old Kent Road... | 0:51:18 | 0:51:21 | |
..she... | 0:51:26 | 0:51:27 | |
she died of a broken heart, really. | 0:51:27 | 0:51:29 | |
I'm sorry. | 0:51:31 | 0:51:33 | |
-It's not your fault. -Even so. | 0:51:35 | 0:51:37 | |
Yeah, well... | 0:51:39 | 0:51:41 | |
They're together now. | 0:51:44 | 0:51:46 | |
It's a nurse. | 0:51:50 | 0:51:52 | |
I'm going to be a nurse. | 0:51:54 | 0:51:56 | |
I know the training is long and arduous | 0:51:56 | 0:51:59 | |
and the pay's a pittance, but...there you go. | 0:51:59 | 0:52:01 | |
I saw them working out in Africa and I just...knew I had to... | 0:52:02 | 0:52:06 | |
It's a nurse. | 0:52:09 | 0:52:10 | |
It's a good job. | 0:52:11 | 0:52:13 | |
You'll make a difference. | 0:52:17 | 0:52:19 | |
I'm tired. | 0:52:39 | 0:52:41 | |
Yeah. | 0:52:41 | 0:52:42 | |
-Long night. -Yeah. | 0:52:43 | 0:52:46 | |
So... | 0:52:48 | 0:52:50 | |
..I have to go visit my grandmother in a couple of hours. | 0:52:51 | 0:52:54 | |
Yeah. | 0:52:57 | 0:53:00 | |
What are YOU doing? | 0:53:01 | 0:53:03 | |
Erm... | 0:53:03 | 0:53:04 | |
Listen, I know a pretty great coffee shop near here. Erm... | 0:53:10 | 0:53:14 | |
So, I guess the question is... | 0:53:17 | 0:53:19 | |
..do you like coffee? | 0:53:21 | 0:53:23 | |
Yes. | 0:53:28 | 0:53:30 | |
What are you thinking about? | 0:54:15 | 0:54:16 | |
The joke about the chicken. | 0:54:19 | 0:54:21 | |
What? | 0:54:22 | 0:54:23 | |
Why did the chicken cross the road? | 0:54:26 | 0:54:28 | |
To get to the other side? | 0:54:30 | 0:54:31 | |
Do you get it? | 0:54:35 | 0:54:37 | |
What's to get? It's a bad joke. | 0:54:37 | 0:54:39 | |
Yeah, but... | 0:54:40 | 0:54:41 | |
OK, what's on the other side that's of interest to the chicken? | 0:54:43 | 0:54:47 | |
OK. A...shop? | 0:54:48 | 0:54:50 | |
Or...to get into the shade? | 0:54:50 | 0:54:53 | |
Or what's on this side that the chicken is trying to escape? | 0:54:53 | 0:54:57 | |
Like, a fox... | 0:54:57 | 0:54:59 | |
Perhaps the pavement's closed for gasworks. | 0:54:59 | 0:55:02 | |
HE SNORTS | 0:55:02 | 0:55:03 | |
Why did the chicken cross the road? | 0:55:05 | 0:55:07 | |
I don't know, why? | 0:55:07 | 0:55:09 | |
Because the pavement it was on was closed for gasworks, | 0:55:09 | 0:55:12 | |
leaving it no choice but to cross. | 0:55:12 | 0:55:14 | |
Which would be just as hilarious. | 0:55:14 | 0:55:17 | |
You see, maybe the chicken | 0:55:22 | 0:55:24 | |
isn't trying to get to the other side of the road. | 0:55:24 | 0:55:27 | |
OK. | 0:55:27 | 0:55:28 | |
I mean, the punch line isn't, | 0:55:28 | 0:55:29 | |
"To get to the other side of the road." | 0:55:29 | 0:55:31 | |
No, it isn't, but that's taken for granted. | 0:55:31 | 0:55:34 | |
Maybe it shouldn't be. | 0:55:34 | 0:55:36 | |
The joke is, why did the chicken cross the road? | 0:55:36 | 0:55:38 | |
Answer - to get to the other side. | 0:55:38 | 0:55:41 | |
So... | 0:55:42 | 0:55:43 | |
the chicken wants to get to the other side. | 0:55:43 | 0:55:46 | |
The other side? | 0:55:46 | 0:55:48 | |
The spiritual world. | 0:55:49 | 0:55:50 | |
Mmm. | 0:55:51 | 0:55:54 | |
Yeah, the chicken, tired of its... | 0:55:54 | 0:55:58 | |
life and lack of prospects, is... | 0:55:58 | 0:56:01 | |
is ending its pointless existence. | 0:56:01 | 0:56:04 | |
The chicken is throwing itself into the road. | 0:56:04 | 0:56:07 | |
So it's a suicidal chicken? | 0:56:07 | 0:56:09 | |
Yeah. | 0:56:10 | 0:56:12 | |
You're weird. | 0:56:15 | 0:56:17 | |
Am I? | 0:56:17 | 0:56:18 | |
I've only just noticed, but, yeah. | 0:56:21 | 0:56:23 | |
Drink your coffee. | 0:56:31 | 0:56:32 | |
Are you OK? | 0:56:55 | 0:56:56 | |
Yeah. | 0:56:57 | 0:56:58 | |
Just a little worried. | 0:57:01 | 0:57:03 | |
Do you want me to come in with you? | 0:57:03 | 0:57:05 | |
Would you? | 0:57:07 | 0:57:08 | |
Lizzie, look who's here. | 0:57:36 | 0:57:38 | |
Mary, thank heavens you're here. | 0:57:44 | 0:57:46 | |
It's Eve, your granddaughter. Mary's my mother. | 0:57:46 | 0:57:50 | |
I know, I know, little Evie. | 0:57:50 | 0:57:52 | |
-I can mistake a name, can't I? Doesn't mean I'm crazy. -No. | 0:57:52 | 0:57:55 | |
Give us a hug. | 0:57:56 | 0:57:59 | |
They keep asking me probing questions, what do they want, eh? | 0:57:59 | 0:58:02 | |
Look at this. How old am I, seven or 70? | 0:58:03 | 0:58:06 | |
There's nothing wrong with me, Mary...Evie. | 0:58:07 | 0:58:09 | |
-There's nothing wrong with me, Eve. -I know that. | 0:58:09 | 0:58:11 | |
Then bloody tell them that. | 0:58:11 | 0:58:12 | |
Nobody thinks there's anything wrong with you. | 0:58:12 | 0:58:15 | |
There is no wrong or right, Lizzie, but we do need to ask you | 0:58:15 | 0:58:17 | |
a few simple questions just to see where you would be happier living. | 0:58:17 | 0:58:20 | |
I'm perfectly happy here, thank you. | 0:58:20 | 0:58:22 | |
Yes, but there is another place you might like even better. | 0:58:22 | 0:58:25 | |
-I'm happy here! -Please, Nan. | 0:58:25 | 0:58:27 | |
Try. | 0:58:27 | 0:58:28 | |
And remember, you always said to me | 0:58:28 | 0:58:30 | |
not to put all my eggs in one basket. | 0:58:30 | 0:58:32 | |
How absurd! I said nothing of the sort! | 0:58:32 | 0:58:34 | |
What does that even mean? | 0:58:34 | 0:58:36 | |
Who's this? | 0:58:38 | 0:58:39 | |
This is Will, he's a friend of mine. | 0:58:42 | 0:58:44 | |
-You're not pregnant, are you? -No! | 0:58:45 | 0:58:49 | |
Well, let's get on with it then. | 0:58:51 | 0:58:53 | |
Does everybody want to sit down? | 0:58:54 | 0:58:56 | |
OK, Lizzie. | 0:59:03 | 0:59:05 | |
These are ten questions, it's not a test. | 0:59:05 | 0:59:08 | |
Just try to answer them to the best of your knowledge. | 0:59:08 | 0:59:11 | |
Are they sport? I don't know sport. | 0:59:13 | 0:59:16 | |
-I need Horace for the sport ones. -You can see Horace after. | 0:59:16 | 0:59:19 | |
Just don't give me any sport. | 0:59:21 | 0:59:23 | |
No, there's no sport. | 0:59:23 | 0:59:25 | |
Good. | 0:59:25 | 0:59:26 | |
OK, before we start, | 0:59:27 | 0:59:29 | |
as you're here, sir, | 0:59:29 | 0:59:31 | |
can you tell us your name and profession, please? | 0:59:31 | 0:59:34 | |
Er, sure. | 0:59:35 | 0:59:37 | |
Um, my name is William Fletcher, and I'm a musician. | 0:59:37 | 0:59:41 | |
Were you listening, Lizzie? | 0:59:43 | 0:59:44 | |
Yes. | 0:59:46 | 0:59:47 | |
Can you repeat what he said? | 0:59:47 | 0:59:49 | |
He said his name's William Fletcher and he's a musician. | 0:59:50 | 0:59:53 | |
-Very good. -I'm not an idiot. | 0:59:53 | 0:59:55 | |
No, of course. | 0:59:55 | 0:59:57 | |
Now, what is your age? | 0:59:58 | 1:00:01 | |
It's rude to ask a lady's age. | 1:00:05 | 1:00:07 | |
Please, Nan. | 1:00:07 | 1:00:08 | |
I don't know, I lose track. | 1:00:08 | 1:00:10 | |
Stupid question. | 1:00:10 | 1:00:12 | |
I'm... | 1:00:12 | 1:00:14 | |
70...something. | 1:00:14 | 1:00:16 | |
And what is the year now? | 1:00:20 | 1:00:21 | |
Who's counting? | 1:00:23 | 1:00:24 | |
What is the name of this place that we're in? | 1:00:25 | 1:00:28 | |
It's an office. | 1:00:30 | 1:00:31 | |
I mean the name of the home? | 1:00:33 | 1:00:34 | |
The...Happy something home. | 1:00:34 | 1:00:38 | |
Do you know who I am? | 1:00:41 | 1:00:43 | |
Don't you? | 1:00:44 | 1:00:46 | |
Yes, I do, I want to know if you do. | 1:00:46 | 1:00:48 | |
You're the doctor. | 1:00:48 | 1:00:50 | |
Right. And this young lady? | 1:00:50 | 1:00:52 | |
Is my granddaughter, Eve. | 1:00:53 | 1:00:56 | |
Do you remember the year of your birth? | 1:01:01 | 1:01:04 | |
Course I do. I was born... | 1:01:04 | 1:01:07 | |
It was a long time ago. | 1:01:08 | 1:01:09 | |
Can you guess? | 1:01:13 | 1:01:14 | |
1928. | 1:01:33 | 1:01:34 | |
And do you remember | 1:01:38 | 1:01:41 | |
in which year did the First World War begin? | 1:01:41 | 1:01:45 | |
How should I know? | 1:01:47 | 1:01:48 | |
I didn't take any interest in history. | 1:01:50 | 1:01:52 | |
19...something. | 1:01:52 | 1:01:55 | |
42. | 1:01:55 | 1:01:56 | |
Thank you. | 1:01:56 | 1:01:58 | |
And what is the name of the current monarch? | 1:01:59 | 1:02:02 | |
-What? -The King or Queen. | 1:02:02 | 1:02:05 | |
-Well, which is it, King or Queen? -You tell me. | 1:02:05 | 1:02:08 | |
-Is this a trick question? -No, Nan. | 1:02:08 | 1:02:10 | |
Elizabeth. | 1:02:11 | 1:02:13 | |
Thank you. | 1:02:15 | 1:02:16 | |
And can you count backwards from 20 down to one for me, please? | 1:02:16 | 1:02:21 | |
This is ridiculous. | 1:02:21 | 1:02:23 | |
Please... | 1:02:23 | 1:02:25 | |
19, 18, 17, 16, five... | 1:02:26 | 1:02:30 | |
Fi... | 1:02:30 | 1:02:32 | |
15, 14, 12, 10, | 1:02:32 | 1:02:35 | |
nine, eight, seven, | 1:02:35 | 1:02:37 | |
five, four, three, two, one. There. | 1:02:37 | 1:02:41 | |
Very good. | 1:02:42 | 1:02:44 | |
And, finally, can you tell me the name | 1:02:44 | 1:02:46 | |
and profession of this gentleman? | 1:02:46 | 1:02:48 | |
No. I've never met him before in my life. | 1:02:50 | 1:02:53 | |
Is he a friend of yours, Mary? | 1:02:53 | 1:02:55 | |
Yes. Yes, he is. | 1:02:56 | 1:02:58 | |
-Is that it then? Can I go now? -Yes, Lizzie, thank you. | 1:03:06 | 1:03:09 | |
Right, I'll leave you in peace so you can whisper about me. | 1:03:10 | 1:03:13 | |
Do you want some time alone? | 1:03:32 | 1:03:35 | |
No. No, just some... | 1:03:35 | 1:03:38 | |
You should go for a walk, get some air. | 1:03:38 | 1:03:40 | |
Will. | 1:03:41 | 1:03:43 | |
Without further tests it's impossible to say for sure... | 1:04:32 | 1:04:36 | |
..but in all probability, about 90% or so, | 1:04:37 | 1:04:41 | |
given her age and the prevalence of the syndrome, | 1:04:41 | 1:04:46 | |
I'm very sorry to say I... | 1:04:46 | 1:04:49 | |
believe this is a case of Alzheimer's. | 1:04:49 | 1:04:52 | |
CHATTING AND LAUGHING | 1:04:57 | 1:04:59 | |
Thank you, Doctor. | 1:05:04 | 1:05:05 | |
We'll schedule those tests for as soon as possible. | 1:05:06 | 1:05:09 | |
We'll be in contact. | 1:05:09 | 1:05:10 | |
Brave heart, dear. | 1:05:12 | 1:05:14 | |
Mary! | 1:05:23 | 1:05:24 | |
Hey. | 1:06:05 | 1:06:07 | |
Hey. | 1:06:07 | 1:06:08 | |
Well, the doctor thinks it's Alzheimer's. | 1:06:10 | 1:06:13 | |
I mean, whether it is or it isn't, she's not right, | 1:06:13 | 1:06:16 | |
she'll have to move home. | 1:06:16 | 1:06:17 | |
Horace has offered to help, bless him. | 1:06:18 | 1:06:20 | |
God, Will, I'm so tired, I don't want to talk, I just want to sleep. | 1:06:24 | 1:06:27 | |
OK. | 1:06:27 | 1:06:28 | |
Let's go. | 1:06:28 | 1:06:29 | |
I think it's going to rain. | 1:06:31 | 1:06:34 | |
-Are you cold? -Yeah. | 1:06:34 | 1:06:36 | |
Here, hold this. | 1:06:36 | 1:06:38 | |
THUNDER RUMBLES | 1:06:38 | 1:06:42 | |
I got you a present. | 1:07:04 | 1:07:06 | |
It's for the Polaroid, | 1:07:19 | 1:07:21 | |
to remember me by. | 1:07:21 | 1:07:22 | |
-I don't understand what's going on. -What? | 1:07:32 | 1:07:34 | |
There's nothing to understand, Eve. | 1:07:35 | 1:07:38 | |
It's a gift, yeah? | 1:07:38 | 1:07:40 | |
I thought you'd like it. | 1:07:40 | 1:07:41 | |
Yes, I would. | 1:07:43 | 1:07:45 | |
Wouldn't you? | 1:07:45 | 1:07:46 | |
Yeah, of course. | 1:07:48 | 1:07:49 | |
You live on the other side of town, but, I... | 1:08:18 | 1:08:21 | |
-My place is close, do you want to...? -Yes. | 1:08:24 | 1:08:26 | |
OK. | 1:08:26 | 1:08:28 | |
Shall we make a run for it? | 1:08:30 | 1:08:32 | |
# It takes time to tell you how I feel | 1:08:32 | 1:08:38 | |
# More than just a few words | 1:08:40 | 1:08:45 | |
# Inside, I'm taking pictures all our past | 1:08:46 | 1:08:54 | |
# Postcards of memories to last | 1:08:54 | 1:09:01 | |
# One day where everything just stays the same | 1:09:03 | 1:09:09 | |
# And change only happens with love | 1:09:09 | 1:09:16 | |
# When love says so | 1:09:17 | 1:09:20 | |
# And all at once I have been found | 1:09:23 | 1:09:27 | |
# Yet I am lost within a sound | 1:09:27 | 1:09:30 | |
# Of your kind soul | 1:09:30 | 1:09:35 | |
# Don't ever let the image fade | 1:09:37 | 1:09:41 | |
# We know this journey we have made | 1:09:41 | 1:09:44 | |
# Is ours alone... # | 1:09:44 | 1:09:49 | |
Oh, freezing, freezing, freezing. | 1:09:49 | 1:09:51 | |
We should get out of these wet clothes. | 1:09:53 | 1:09:55 | |
Er, I'll get some towels. | 1:09:55 | 1:09:57 | |
SHE SHIVERS | 1:10:19 | 1:10:21 | |
Here, towels for us. | 1:10:30 | 1:10:31 | |
Brrr! | 1:10:36 | 1:10:37 | |
HE GIGGLES | 1:10:49 | 1:10:52 | |
I thought you didn't hang around on display? | 1:10:52 | 1:10:54 | |
LAUGHING: Can you help me, please? | 1:10:57 | 1:10:59 | |
THEY GIGGLE | 1:10:59 | 1:11:00 | |
Could you, um...? | 1:11:26 | 1:11:28 | |
Towel. | 1:12:12 | 1:12:13 | |
It took you long enough! | 1:13:15 | 1:13:17 | |
Don't. | 1:13:58 | 1:13:59 | |
What? | 1:13:59 | 1:14:01 | |
I can't. | 1:14:02 | 1:14:04 | |
What? | 1:14:04 | 1:14:05 | |
HE BREATHES HEAVILY | 1:14:05 | 1:14:09 | |
What is it? | 1:14:17 | 1:14:18 | |
Is there someone else? Is that it? Are you married? | 1:14:33 | 1:14:35 | |
No, that's not it. | 1:14:36 | 1:14:38 | |
Well, what then? | 1:14:40 | 1:14:42 | |
Where's your bathroom? | 1:15:03 | 1:15:04 | |
DOOR SLAMS | 1:15:15 | 1:15:17 | |
SHOES THUD | 1:15:36 | 1:15:38 | |
SHE SIGHS | 1:15:54 | 1:15:57 | |
I've been a complete idiot. | 1:17:12 | 1:17:15 | |
There never was any intimacy, was there? | 1:17:19 | 1:17:21 | |
I... | 1:17:23 | 1:17:24 | |
..have no idea who you are. | 1:17:27 | 1:17:29 | |
Do I? | 1:17:34 | 1:17:35 | |
RAZOR BLADE JANGLES | 1:17:46 | 1:17:48 | |
DOOR CLOSES | 1:18:01 | 1:18:02 | |
Eve. | 1:18:14 | 1:18:15 | |
Eve. | 1:18:35 | 1:18:37 | |
Eve. | 1:18:38 | 1:18:40 | |
Eve. | 1:18:40 | 1:18:41 | |
Eve. | 1:18:47 | 1:18:48 | |
Eve. | 1:19:00 | 1:19:01 | |
INDISTINCT | 1:19:15 | 1:19:18 | |
SHE SOBS | 1:19:23 | 1:19:25 | |
When I said last night that my mother died of a broken heart... | 1:19:59 | 1:20:04 | |
..that wasn't strictly true. | 1:20:08 | 1:20:10 | |
After my...Dad died, she was... | 1:20:14 | 1:20:19 | |
It was like she'd died with him, really. | 1:20:22 | 1:20:24 | |
When I turned 18, she took her own life. | 1:20:28 | 1:20:33 | |
-That's terrible. -No. | 1:20:35 | 1:20:38 | |
She wanted to die. | 1:20:40 | 1:20:42 | |
I just longed to be with my dad. | 1:20:46 | 1:20:49 | |
But she waited until I was old enough to cope. | 1:20:49 | 1:20:56 | |
What I'm saying is that...suicide doesn't have to be a cowardly | 1:21:01 | 1:21:07 | |
or a selfish act. | 1:21:07 | 1:21:10 | |
OK. | 1:21:12 | 1:21:13 | |
But why you? | 1:21:15 | 1:21:16 | |
Ask me the questions. | 1:21:39 | 1:21:40 | |
Questions? | 1:21:42 | 1:21:43 | |
Ask me the questions. | 1:21:44 | 1:21:46 | |
What's your age? | 1:21:53 | 1:21:55 | |
Um... | 1:21:55 | 1:21:56 | |
Um... 34, 35, I'm not quite certain. | 1:21:59 | 1:22:04 | |
What's the year now? | 1:22:06 | 1:22:08 | |
2000 and... | 1:22:11 | 1:22:12 | |
Do you remember the year of your birth? | 1:22:26 | 1:22:28 | |
No. | 1:22:29 | 1:22:30 | |
Do you know who I am? | 1:22:36 | 1:22:37 | |
Yeah. | 1:22:39 | 1:22:41 | |
You're Eve. | 1:22:42 | 1:22:44 | |
I don't understand. | 1:22:50 | 1:22:52 | |
I have a condition. OK? | 1:22:55 | 1:22:58 | |
Here. | 1:23:22 | 1:23:24 | |
It's called frontotemporal lobar degeneration | 1:23:25 | 1:23:29 | |
-and it leads to semantic dementia. -You're young. | 1:23:29 | 1:23:34 | |
At the moment I have trouble remembering facts. | 1:23:35 | 1:23:40 | |
Things I haven't personally experienced mostly. | 1:23:40 | 1:23:44 | |
But...it gets worse. | 1:23:44 | 1:23:47 | |
It can impact on your personality, your behaviour... | 1:23:49 | 1:23:54 | |
Potentially within a matter of years I'll be... | 1:23:57 | 1:24:03 | |
I... I don't want to be a burden to anyone. | 1:24:16 | 1:24:24 | |
But it's potentially. Not definitely. | 1:24:30 | 1:24:32 | |
Our memories make us. | 1:24:38 | 1:24:39 | |
But there must be some treatment. | 1:24:43 | 1:24:45 | |
Last night... | 1:24:47 | 1:24:49 | |
..you interrupted me. | 1:24:53 | 1:24:55 | |
SHE SOBS | 1:24:55 | 1:24:59 | |
You saved me. | 1:25:03 | 1:25:05 | |
But the truth is that... | 1:25:05 | 1:25:07 | |
No-one can save me from this. | 1:25:10 | 1:25:12 | |
I'm... | 1:25:18 | 1:25:19 | |
I'm going to become someone else. | 1:25:22 | 1:25:24 | |
Just... | 1:25:26 | 1:25:27 | |
Sorry. | 1:25:29 | 1:25:30 | |
Just a stranger with my face. | 1:25:33 | 1:25:37 | |
Now why would I want that? | 1:25:44 | 1:25:45 | |
Sorry. | 1:25:51 | 1:25:52 | |
HE EXHALES | 1:26:31 | 1:26:32 | |
-You have a piano. -Mm? Yeah. | 1:26:46 | 1:26:51 | |
You play? | 1:26:53 | 1:26:54 | |
A bit. | 1:26:56 | 1:26:57 | |
PIANO MELODY | 1:26:59 | 1:27:02 | |
You don't have to go today. | 1:27:05 | 1:27:07 | |
Not today, no. | 1:27:09 | 1:27:11 | |
Stay with me. | 1:27:15 | 1:27:16 | |
For a while. | 1:27:20 | 1:27:22 | |
Sing for me. | 1:27:25 | 1:27:27 | |
SONG: "Fragile Lullaby" | 1:27:34 | 1:27:37 | |
# As London passed us by | 1:27:45 | 1:27:48 | |
# It seems as though she smiled | 1:27:52 | 1:27:55 | |
# A blessing on our newborn unity | 1:27:58 | 1:28:03 | |
# Guided by her hand | 1:28:11 | 1:28:14 | |
# We met as she had planned | 1:28:17 | 1:28:21 | |
# The divine sanction for this harmony | 1:28:23 | 1:28:28 | |
# Now you're in my life | 1:28:35 | 1:28:39 | |
# Don't you leave my side | 1:28:41 | 1:28:45 | |
# We've so little time | 1:28:47 | 1:28:52 | |
# To get this right | 1:28:53 | 1:28:58 | |
# Beneath a watchful eye | 1:29:01 | 1:29:05 | |
# Our fragile lullaby | 1:29:07 | 1:29:11 | |
# A fleeting remedy | 1:29:13 | 1:29:16 | |
# For you and me. # | 1:29:16 | 1:29:20 |