Ladies in Lavender


Ladies in Lavender

Similar Content

Browse content similar to Ladies in Lavender. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

FOOTSTEPS

0:00:260:00:29

Shall we paddle?

0:01:030:01:05

I'd rather not.

0:01:050:01:07

I'm going to.

0:01:070:01:09

Oh! SHE LAUGHS

0:01:200:01:22

Is it cold?

0:01:220:01:24

Hey, Ursula, stop it!

0:01:330:01:35

-Oh! Ursula, stop!

-SHE LAUGHS

0:01:370:01:40

No, please, I beg you, don't.

0:01:400:01:42

RADIO: 'White, Dover, Thames, Humber, Heligoland.

0:01:490:01:52

'South-to-southwest gales spreading from the west,

0:01:520:01:55

'with rain and moderate or poor visibility.

0:01:550:01:59

'Storms are imminent.'

0:01:590:02:00

I'm going up.

0:02:050:02:07

Right. Oh, I'm coming now.

0:02:070:02:11

WIND HOWLING

0:02:250:02:28

SEAGULLS SCREECHING

0:02:540:02:57

Janet?

0:03:030:03:04

-Janet!

-Hmm?

0:03:050:03:08

The sun's out again.

0:03:080:03:10

JANET GROANS

0:03:110:03:13

-SHE SIGHS

-Oh, good.

0:03:150:03:18

Oh. It's so gorgeous.

0:03:220:03:26

Everything smells so fresh after the storm.

0:03:280:03:31

We seem to have escaped relatively unscathed.

0:03:310:03:34

Oh, the buddleia's knocked about a bit, though.

0:03:340:03:37

The tide was quite high last night.

0:03:420:03:44

Yes.

0:03:440:03:46

What's that? Janet, quick, come here.

0:03:500:03:54

What's that? There. At the end of the beach. That black thing.

0:03:540:03:56

-I can't see it.

-There... There.

0:03:580:04:00

Oh. Oh, dear.

0:04:020:04:03

I think it's a body.

0:04:030:04:05

I'll telephone Pendered.

0:04:060:04:09

'Where do you think he's gone?'

0:04:110:04:13

I don't know. Perhaps he's doing his nets or something.

0:04:130:04:15

-Did you telephone Dr Mead?

-Yes, of course I did.

0:04:150:04:19

Oh!

0:04:200:04:21

Do you think he's dead?

0:04:230:04:26

I suppose the sensible thing would be to turn him over.

0:04:320:04:36

Oh, God.

0:04:360:04:38

Oh, Janet, you do it.

0:04:380:04:40

He's alive.

0:04:530:04:55

The tide's low enough for you to get round the point.

0:04:550:04:58

See if you can find Pendered...and Luke.

0:04:580:05:01

Get them to bring a stretcher.

0:05:010:05:02

And ask Mrs Pendered for some brandy.

0:05:020:05:04

Go on! He's barely alive!

0:05:060:05:08

And send Joe Gallow on his bike to find Dr Mead.

0:05:100:05:14

What you got there, missus?

0:05:280:05:30

I should have thought that was obvious, Mr Pendered.

0:05:300:05:33

I don't know where he's come from. There ain't no sign of a wreck.

0:05:360:05:40

-You hear anything, Lukey?

-No.

0:05:400:05:42

That's enough for now.

0:05:420:05:44

Right. Get him on the stretcher.

0:05:440:05:46

Be careful with that ankle. I think it's broken.

0:05:510:05:54

Lift on three, Lukey.

0:05:540:05:57

Three!

0:05:570:05:59

Did you send Gallow for Dr Mead?

0:06:000:06:01

Yes, I suggested he came straight to the house.

0:06:010:06:03

Good.

0:06:030:06:05

Good heavens! What's going on here?

0:06:070:06:09

Dorcas, we have a visitor. Is the spare room ready?

0:06:090:06:11

-I'll do it, Miss Janet.

-This way, Mr Pendered.

0:06:110:06:14

We have to go straight up the stairs.

0:06:140:06:17

BIRD CHIRPING

0:06:180:06:20

You can get out for a start.

0:06:200:06:22

-What?

-I was talking to the magpie.

0:06:220:06:24

-You should've been more polite.

-Oh, get on with it.

0:06:240:06:28

He's decent. You can come in now.

0:06:320:06:34

He's obviously exhausted. That ankle's going to take some time.

0:06:360:06:39

Doesn't have much to say for himself, does he?

0:06:390:06:43

Perhaps he doesn't understand. He doesn't look English.

0:06:430:06:46

Yes, well, leave him to sleep now.

0:06:460:06:47

I'll take another look in the morning.

0:06:470:06:50

-I'll see myself out.

-Thank you, Doctor.

0:06:500:06:52

Don't keep building up that fire.

0:06:520:06:54

If he doesn't have a fever now, he soon will have.

0:06:540:06:57

We'd better leave him. There's nothing we can do for the moment.

0:06:580:07:02

DOOR OPENING

0:07:390:07:41

Tea.

0:07:410:07:42

Shhh.

0:07:420:07:44

Do you want tea?

0:07:450:07:47

You'll wake him up.

0:07:470:07:49

Think I'll wait until Janet gets up from her nap.

0:07:490:07:51

-Well, she's up.

-Is she?

0:07:510:07:53

She hasn't been long.

0:07:530:07:56

All right. I'll be down directly.

0:07:560:07:59

Well, he isn't going to run off.

0:07:590:08:00

DOOR SLAMS

0:08:040:08:05

Shhh, shhh.

0:08:080:08:11

Don't be frightened. You're among friends.

0:08:110:08:13

HE SPEAKS POLISH

0:08:150:08:16

What did you say?

0:08:160:08:19

HE SPEAKS POLISH

0:08:190:08:20

Don't you speak English?

0:08:220:08:24

Parlez-vous francais?

0:08:270:08:30

No.

0:08:300:08:31

No, no, you mustn't move.

0:08:310:08:32

No. Um...

0:08:320:08:35

Sprechen die... Sprechen Sie Deutsch?

0:08:350:08:39

Ja.

0:08:390:08:41

HE SPEAKS GERMAN

0:08:410:08:45

Oh, dear, I give up.

0:08:470:08:49

Um...

0:08:490:08:51

We... No, no.

0:08:510:08:53

Um...

0:08:530:08:56

We think... We think...

0:08:560:08:59

that you were shipwrecked...

0:08:590:09:01

SHE IMITATES WIND

0:09:010:09:02

Oh!

0:09:020:09:04

..and you managed to swim

0:09:040:09:08

to shore.

0:09:080:09:10

And somehow, you, um,

0:09:100:09:13

broke your ankle.

0:09:130:09:16

Erm...

0:09:160:09:17

You broke your ankle.

0:09:190:09:23

Dr Mead,

0:09:230:09:25

um, the doctor,

0:09:250:09:27

he thinks you need much rest.

0:09:270:09:30

Dziekuje.

0:09:340:09:36

HE KISSES

0:09:370:09:39

Dzieki.

0:09:500:09:51

But you don't think he's German?

0:09:560:09:58

-Oh, no.

-Just as well.

0:09:580:10:00

-He seemed to understand the language.

-Oh, Ursula. Please.

0:10:000:10:03

Sorry. He seems to understand the language.

0:10:030:10:06

Oh, really? Since when did you speak German?

0:10:060:10:09

Well, I...

0:10:090:10:11

How is he?

0:10:110:10:12

If he drinks any more tea, he's going to need a chamber pot,

0:10:120:10:15

cos he ain't fit to walk to the bathroom.

0:10:150:10:17

You finished with this lot?

0:10:170:10:18

Er, yes, I think so.

0:10:180:10:22

What's he going to do without his clothes?

0:10:230:10:25

His own are ruined.

0:10:250:10:26

I thought perhaps some of Father's might fit him.

0:10:260:10:29

I doubt it, but you could try.

0:10:290:10:31

Suppose you want me to get the chest, then?

0:10:310:10:33

If you wouldn't mind, Dorcas.

0:10:330:10:35

They're probably a bit damp.

0:10:350:10:37

I'll take him the pot, too, shall I?

0:10:370:10:41

Well, I'm sure he hasn't got nothin' I haven't seen before.

0:10:410:10:44

TOILET FLUSHES

0:10:490:10:51

They're nice and warm.

0:11:050:11:07

-Dziekuje.

-Hmm?

0:11:400:11:43

-Danke schon.

-Oh.

0:11:430:11:45

English - thank you.

0:11:450:11:48

Thank you.

0:11:480:11:50

Polnisch - dziekuje.

0:11:500:11:53

I see.

0:11:530:11:55

I'll just, um...

0:11:570:11:59

leave the door ajar.

0:11:590:12:01

And I'm going to get my knitting.

0:12:010:12:04

Why are you creeping about?

0:12:220:12:24

I'm not creeping about.

0:12:240:12:26

I'm just...

0:12:260:12:27

Ollendorff and I are going to speak to him.

0:12:270:12:30

-What, now?

-Yes.

0:12:300:12:33

He might be asleep.

0:12:330:12:35

Well, if he is, I won't.

0:12:350:12:36

What's the matter with you?

0:12:370:12:41

I think he's Polish.

0:12:410:12:42

What?

0:12:420:12:44

He used the word "Polnisch."

0:12:440:12:46

Well, why didn't you say so?

0:12:460:12:48

Neither of us speak Polish - we haven't even been to Poland.

0:12:480:12:51

Oh! Hopeless, Ursula.

0:12:510:12:54

-Shh!

-When did he say it?

-Shush.

-When did he say it?

0:12:540:12:58

Don't push!

0:12:580:13:00

FOOTSTEPS

0:13:000:13:02

Shh!

0:13:020:13:03

-Ah!

-Oh!

0:13:030:13:05

Hello.

0:13:050:13:07

Are you feeling better?

0:13:070:13:09

Are you hungry? Mmm-mmm!

0:13:090:13:11

Ursula, stop it.

0:13:110:13:12

You look like a cannibal.

0:13:120:13:15

Kommen aus Polen?

0:13:150:13:17

Aus Polen? Ja.

0:13:180:13:19

I told you.

0:13:190:13:21

Was ist dein Name?

0:13:230:13:25

Marowski. Andrea.

0:13:250:13:28

Andrea Marowski.

0:13:280:13:30

-Ja.

-JANET LAUGHS

0:13:300:13:32

Ich, Miss Widdington.

0:13:320:13:35

Und das ist mein Schwester.

0:13:350:13:37

Ursula.

0:13:370:13:39

Ursula.

0:13:390:13:40

CHEERING

0:13:440:13:46

-Young, see?

-What?

-Young.

0:13:480:13:51

He never would've won if I hadn't had a bad leg.

0:13:510:13:54

Bad leg? You haven't got any skill in your fingers.

0:13:540:13:57

How's your castaway getting along, then, Doctor?

0:13:590:14:01

Pretty bashed about a bit, actually, Jon.

0:14:010:14:04

God knows where he came from. Bugger doesn't speak

0:14:040:14:06

a word of English.

0:14:060:14:08

He isn't from around here, that's for sure.

0:14:080:14:10

MEN LAUGHING

0:14:100:14:13

Christ Almighty, Lukey!

0:14:130:14:15

What the hell's the matter wi' thee?

0:14:150:14:17

When did Dr Mead say he'd be here?

0:14:270:14:30

When he's finished his surgery.

0:14:300:14:33

So, what do people from Poland have for breakfast?

0:14:330:14:36

Probably some awful kind of sausage.

0:14:360:14:38

But I'm sure porridge will do him much more good.

0:14:390:14:43

We'll soon find out.

0:14:430:14:45

-Nothing wrong with his appetite.

-Glad to hear it.

0:14:550:14:58

Are the sisters of mercy in attendance?

0:14:580:15:00

Yes, we are.

0:15:000:15:02

Good morning, Doctor. Shall we go up?

0:15:020:15:05

Morning, Janet.

0:15:050:15:06

I'm glad to see that bruise.

0:15:100:15:12

Doesn't look very pretty, but better it's there than not.

0:15:120:15:14

-Eh, nurse? How's his temperature?

-It's a little over, I think.

0:15:140:15:18

Make sure he drinks lots of water.

0:15:180:15:21

So, Polish, is he?

0:15:210:15:23

It would appear so.

0:15:230:15:25

What are you going to do with him?

0:15:270:15:29

What do you mean, "do with him"?

0:15:290:15:31

He can't stay here for ever.

0:15:310:15:33

No. When he's recovered, that's for him to decide.

0:15:330:15:37

You look a little flushed, dear.

0:16:350:16:37

Do I?

0:16:370:16:39

Perhaps you should get some fresh air.

0:16:400:16:43

Well, when it's a little cooler, I will.

0:16:430:16:46

Well, it's time for my rest, I think.

0:16:490:16:53

I'll look in on the patient.

0:16:530:16:55

Hello.

0:17:140:17:16

Hello.

0:17:170:17:18

I've had an idea.

0:17:200:17:22

Now, look.

0:17:240:17:25

I say the word,

0:17:270:17:29

and you repeat it after me.

0:17:290:17:33

You understand?

0:17:330:17:35

Never mind. You'll soon catch on.

0:17:350:17:37

"Chair." Now you say it.

0:17:370:17:40

"Chair."

0:17:400:17:42

Chair.

0:17:420:17:44

Very good! Very good!

0:17:440:17:46

"Door."

0:17:470:17:50

Door.

0:17:500:17:52

Oh!

0:17:520:17:54

Uh, "clock."

0:17:540:17:56

-Clock.

-Yes.

0:17:560:17:59

"Mirror."

0:17:590:18:00

-Mirror.

-Very good.

0:18:000:18:03

"Curtain."

0:18:040:18:05

-Curtain.

-Yes!

0:18:050:18:07

-"Bed."

-Bed.

0:18:100:18:13

"Ursula." SHE LAUGHS

0:18:190:18:21

Ursula. Me. Ursula.

0:18:210:18:25

Ursula.

0:18:250:18:26

Now, I'm going to take the paper away.

0:18:260:18:30

-Window.

-Window.

0:18:300:18:33

Yes! Very good!

0:18:330:18:35

We're learning English.

0:18:390:18:41

He might be, Ursula.

0:18:410:18:43

You are making holes in the furniture.

0:18:430:18:46

RADIO: 'Another sausage, and he still owes for the brushes.

0:18:530:18:54

'AUDIENCE LAUGHS

0:18:540:18:56

'Well, now I'm going to get on with my little song.

0:18:560:18:59

'HE LAUGHS

0:18:590:19:01

'Excuse me laughing. I know what's coming but it's awfully good.'

0:19:010:19:03

VOLUME INCREASE: 'I'd like to have done my dance for you tonight...

0:19:030:19:06

VOLUME DECREASES: 'cos my dancing...'

0:19:060:19:08

-I can hardly hear it.

-I don't want it to disturb Andrea.

0:19:080:19:11

-Anyway, you don't like Arthur Askey.

-That's beside the point.

0:19:110:19:13

"Ghastly little man," you call him.

0:19:130:19:15

Right.

0:19:170:19:19

I might as well go to bed.

0:19:190:19:22

You coming?

0:19:240:19:25

Not for a minute, no.

0:19:250:19:28

MAN SINGING ON RADIO

0:19:280:19:29

SHE HUMS

0:19:310:19:34

So you want pilchards, do you?

0:19:380:19:40

I think so.

0:19:400:19:41

We always used to use coley fish.

0:19:410:19:44

I'm sure. I think pilchards would be better.

0:19:440:19:48

You going to make it, are you?

0:19:480:19:51

All right. What did he think of my pasties?

0:19:530:19:57

He loved them.

0:19:570:19:59

Ha! Thought he might.

0:19:590:20:02

Don't forget the washing. Looks like rain.

0:20:020:20:04

You know...

0:20:060:20:08

when Andrea's able to walk, he's going to need some clothes.

0:20:080:20:12

-Yes, I know.

-I thought I'd use some

0:20:120:20:15

of the money Aunt Elizabeth left me to get him a new outfit.

0:20:150:20:18

Why?

0:20:180:20:20

What do you mean, "Why?"?

0:20:200:20:21

Why not use our joint account?

0:20:210:20:24

What?

0:20:240:20:25

We're both responsible for him.

0:20:250:20:27

And I was the one who saw him first.

0:20:270:20:31

Oh, don't be ridiculous!

0:20:330:20:36

Very well. We'll use the joint account.

0:20:380:20:41

-Don't be angry with me.

-I'm not angry with you, Ursula.

0:20:410:20:44

I'm just going to get the washing.

0:20:440:20:46

No, no, I'll do it. I'll do it!

0:20:460:20:48

Oh, Ursula.

0:21:040:21:06

MEN CHATTERING

0:21:100:21:11

Not cheap, is it?

0:21:110:21:14

It is for everyone else. You can afford it.

0:21:140:21:16

It's just as well.

0:21:160:21:17

MEN CHATTERING

0:21:170:21:20

I want some pilchards.

0:21:220:21:24

No more left.

0:21:240:21:26

What do you mean, haven't got any left?

0:21:260:21:27

I did have half an hour ago.

0:21:270:21:28

What have you done with it, then?

0:21:280:21:29

All right. Phyllis has got 'em up at the shed.

0:21:290:21:32

She'd better have.

0:21:320:21:35

What's she want pilchards for?

0:21:390:21:41

Stargazey pie.

0:21:410:21:43

What's the matter with coley fish?

0:21:430:21:45

She wants pilchards.

0:21:450:21:47

-Can she tell the difference?

-DORCAS CHUCKLES

0:21:470:21:50

Andrea seems a lot brighter.

0:21:520:21:56

Why don't you take him up a cup of tea?

0:21:560:21:59

Ursula.

0:22:010:22:03

-Ursula.

-What?

0:22:030:22:05

Don't you think you're being rather silly?

0:22:050:22:08

Silly now, is it?

0:22:080:22:10

Oh, for goodness' sake!

0:22:100:22:13

How many?

0:22:200:22:22

I think we need some more.

0:22:380:22:42

-Mm-hmm.

-JANET CHUCKLES

0:22:420:22:44

It hasn't let up for a minute.

0:22:450:22:48

-I said...

-I heard you.

0:22:500:22:54

I think you should apologise.

0:22:560:22:59

What for?

0:22:590:23:00

For snapping at me.

0:23:000:23:01

Right.

0:23:040:23:06

I'm sorry.

0:23:060:23:08

I'd call that perfunctory.

0:23:090:23:12

-Ursula.

-You can be so insensitive.

0:23:120:23:15

On the contrary.

0:23:160:23:18

Sehr gut?

0:23:180:23:20

What did you say?

0:23:200:23:22

Nothing.

0:23:230:23:24

THUNDER RUMBLING

0:23:240:23:28

Ursula, I'm sorry if I upset you.

0:23:280:23:30

Thank you.

0:23:300:23:32

Don't you think you're behaving rather oddly?

0:23:360:23:38

Janet, you've apologised. I've accepted your apology.

0:23:380:23:41

Just leave it at that, please.

0:23:410:23:43

-All right for you?

-Get out.

0:23:510:23:54

Jump in. You'll get soaked.

0:23:570:23:59

Oh, bloomin' heck!

0:23:590:24:01

I knew this was comin'.

0:24:010:24:04

Oh, what's all this about?

0:24:040:24:06

It's for your patient.

0:24:060:24:09

Ain't my patient.

0:24:090:24:11

-SHE COUGHS

-Bit of a fog in here.

0:24:110:24:12

She were a cracker 40 year ago.

0:24:120:24:17

Do you think he's ready for this?

0:24:180:24:20

If it gets him from the bed to the chair, it's a start.

0:24:200:24:23

He mustn't put any weight on the ankle, though.

0:24:230:24:26

Do be careful.

0:24:260:24:28

-Oh!

-Oh, goodness.

-Bravo.

0:24:280:24:32

Good. Right. I'll see you in a week or so.

0:24:320:24:36

LOUDLY: Don't try and run before you can walk.

0:24:360:24:40

RADIO: 'Events of major importance happened in Europe today.

0:24:420:24:46

'First, this morning,

0:24:460:24:47

'the representatives of Britain, France and...'

0:24:470:24:50

-Do you think Andrea would be a soldier if he were at home?

-Probably.

0:24:500:24:54

'..informed by the German government

0:24:540:24:55

'that Germany regarded the Franco-Russian...'

0:24:550:24:57

We're going to have to go into Truro to get him some clothes.

0:24:570:25:00

-I know.

-Who did father go to?

0:25:000:25:03

Can't remember.

0:25:030:25:05

'..by the obligations assumed at the Carno.'

0:25:050:25:08

He's so young, isn't he?

0:25:080:25:11

Yes, he is.

0:25:110:25:14

-I think we can eat.

-I'll take Andrea's tray up.

0:25:140:25:17

Perhaps he might want to try coming downstairs.

0:25:170:25:20

Oh, no. It's far too early for that.

0:25:200:25:23

I hope he's going to like it.

0:25:260:25:28

They look so sad, don't they?

0:25:360:25:38

Not at all.

0:25:390:25:41

Don't eat too quickly.

0:25:440:25:46

Hmm?

0:25:460:25:48

Doesn't matter.

0:25:480:25:49

It's very filling, isn't it?

0:25:540:25:57

You don't have to eat it, Ursula.

0:25:580:26:01

I'm sure Andrea will eat what you can't manage.

0:26:010:26:04

Perhaps I'll eat later.

0:26:080:26:10

He might like some of my bottled pears.

0:26:170:26:19

Penhaligan and Hallett.

0:26:220:26:24

What, dear?

0:26:240:26:26

Father's tailors. Penhaligan and Hallett.

0:26:260:26:29

Oh, yes.

0:26:290:26:31

INDISTINCT CHATTERING

0:26:390:26:41

Socks.

0:27:210:27:22

Socks.

0:27:230:27:24

Socks.

0:27:270:27:29

For your feet.

0:27:290:27:30

HE LAUGHS

0:27:310:27:33

"Tank" you.

0:27:340:27:36

Th-th-thank you.

0:27:360:27:40

Th-thank you.

0:27:400:27:43

It's my pleasure.

0:27:430:27:45

PIANO PLAYS

0:27:450:27:49

SPEAKING POLISH

0:28:000:28:01

Bitte, das ist furchtbar... schrecklich!

0:28:040:28:08

Schrecklich!

0:28:090:28:11

Um...

0:28:110:28:12

HE SIGHS

0:28:130:28:15

Straszne!

0:28:160:28:19

-Janet!

-Straszne!

0:28:190:28:21

Janet.

0:28:220:28:24

Janet, stop!

0:28:250:28:27

What's the matter?

0:28:270:28:29

It's Andrea. I don't think he likes your playing.

0:28:290:28:32

He's become almost violent.

0:28:320:28:34

Andrea? Andrea?

0:28:360:28:38

Lieben Sie nicht Musik?

0:28:420:28:44

HE SPEAKS GERMAN

0:28:460:28:49

Oh! Oh, he does...

0:28:550:28:58

He does like music.

0:28:580:28:59

He just prefers the violin.

0:28:590:29:01

-Ja.

-Ja.

-Ja.

0:29:010:29:04

Oh, dear. What a pity we don't have a gramophone.

0:29:040:29:07

-We could buy one.

-Well, they're frightfully expensive.

0:29:070:29:09

Adam Penruddocke plays the violin.

0:29:090:29:11

Does he?

0:29:110:29:12

I believe so.

0:29:120:29:14

-Wipe your feet.

-FEET WIPING

0:29:170:29:19

All right.

0:29:190:29:21

Just a minute. Lift them up.

0:29:210:29:24

And the other one.

0:29:240:29:26

All right.

0:29:260:29:27

Oh, Adam.

0:29:360:29:38

How good of you to come.

0:29:380:29:40

Our guest has expressed a desire

0:29:400:29:42

to hear some music on the violin.

0:29:420:29:45

All right.

0:29:450:29:47

Andrea.

0:29:500:29:51

This is Adam Penruddocke.

0:29:530:29:57

Er ist gekommen zu spielen fur Dich.

0:29:570:30:01

Oh.

0:30:010:30:02

You've come to play for him.

0:30:020:30:04

Perhaps you better sit down.

0:30:040:30:06

TUNING

0:30:210:30:23

HE HITS BAD NOTE

0:30:550:30:58

Shall I play something else for you?

0:31:060:31:09

Give me.

0:31:110:31:12

TUNING

0:31:280:31:30

HE PLAYS PENRUDDOCKE'S SONG

0:31:330:31:36

Bravo! Encore! Encore!

0:32:370:32:39

Forgive me.

0:32:420:32:44

I simply couldn't help responding to such marvellous playing.

0:32:440:32:47

Was it you?

0:32:470:32:48

It was neither of us.

0:32:480:32:50

Well, whoever it is is extremely gifted.

0:32:500:32:52

Yes, they are.

0:32:530:32:56

Now if you'll excuse us.

0:32:560:32:57

-You don't think that was rather rude?

-No, I do not.

0:33:000:33:04

HE SPEAKS GERMAN

0:33:040:33:07

It's no good looking at me.

0:33:070:33:09

Who was that, then?

0:33:090:33:10

I don't know. Never seen her in my life before.

0:33:100:33:13

Would he like me to leave me fiddle?

0:33:130:33:15

Oh, that would be very kind, Adam.

0:33:150:33:18

You can be assured, it will be well looked after.

0:33:180:33:21

It's all right. You can hang onto it for a bit.

0:33:210:33:25

SPEAKING GERMAN

0:33:270:33:29

Well, now.

0:33:340:33:36

I think that's enough excitement for today.

0:33:360:33:39

Thank you, Adam. It's so kind of you.

0:33:390:33:43

This way. Mind your head.

0:33:430:33:46

CRANKING MOTOR

0:34:270:34:31

SHE EXHALES

0:34:310:34:32

Perhaps we should phone Mr Bennett.

0:34:340:34:37

Certainly not. Is the choke full out?

0:34:370:34:39

I don't know.

0:34:390:34:41

Oh...

0:34:410:34:43

Ursula.

0:34:430:34:45

There's the choke.

0:34:450:34:48

Now, come on, old girl.

0:34:490:34:52

ENGINE STARTS

0:34:520:34:55

FOOTSTEPS

0:35:200:35:22

I've got a job for you.

0:35:250:35:27

You put the peel in here and the spuds in here.

0:35:310:35:35

You have done this before, haven't you?

0:35:350:35:38

No.

0:35:410:35:43

You put the peel in here

0:35:440:35:46

and the spuds in here.

0:35:460:35:48

"Spuds"?

0:35:480:35:50

Yes.

0:35:500:35:52

Proper name is potato, but we calls 'em spuds.

0:35:520:35:56

Potato.

0:35:560:35:57

Potato!

0:35:570:35:58

Oh. Ziemniaka.

0:35:580:36:01

What?

0:36:010:36:02

Ziemniaka.

0:36:020:36:04

Right.

0:36:040:36:06

What?

0:36:110:36:12

It's no good. I can't understand a word you're saying.

0:36:170:36:23

And don't get artistic. Just peel the bloomin' thing.

0:36:270:36:30

Harris tweed.

0:36:360:36:37

Your father had a suit not dissimilar to this one.

0:36:370:36:41

I remember. It lasted him for years.

0:36:410:36:44

It's a lovely colour, Janet.

0:36:440:36:46

Hmm. That's as may be.

0:36:460:36:49

That's it.

0:36:520:36:53

You don't think it a little heavy for the summer, Mr Penhaligan?

0:36:530:36:57

No, the advantage of tweed, Miss Widdington,

0:36:570:36:59

is that it allows the wearer to breathe, as it were,

0:36:590:37:02

because of the openness of the weave.

0:37:020:37:04

-I see.

-I like it.

0:37:040:37:08

It's also very hard wearing.

0:37:080:37:11

And the price?

0:37:110:37:12

Um...just over three guineas.

0:37:120:37:16

Oh, good Lord.

0:37:160:37:18

WHISPERING

0:37:180:37:19

Oh, yes.

0:37:190:37:20

And that includes an extra pair of trousers.

0:37:200:37:22

And without?

0:37:220:37:24

Zip or button fly, sir?

0:37:250:37:28

Zip, please.

0:37:280:37:29

Two pounds and 15 shillings.

0:37:290:37:31

Fine. Shirts?

0:37:310:37:33

Certainly. Size?

0:37:330:37:35

Is this a five or a six, Ursula?

0:37:350:37:38

Ursula?

0:37:380:37:40

What? Sorry.

0:37:400:37:41

Neck size. Is it a 15 or a 16?

0:37:410:37:44

-16. You need new glasses.

-Not at all. It's your writing.

0:37:440:37:47

-16, please.

-Just a minute.

0:37:490:37:51

We have collars, Miss Widdington.

0:37:510:37:53

Attached and for detached.

0:37:530:37:56

A stiff collar looks awfully smart, Janet.

0:37:580:38:00

Possibly, but it's awfully uncomfortable.

0:38:000:38:04

Attached, I think.

0:38:040:38:06

Ties?

0:38:070:38:09

Hmm?

0:38:090:38:11

Either of you?

0:38:150:38:17

CHURCH BELLS RINGING

0:38:170:38:19

That's it. Spread it out nice.

0:38:490:38:51

Keep them coming.

0:38:580:38:59

What's Barry doing? Counting it?

0:38:590:39:02

INAUDIBLE

0:39:030:39:05

All done now, nearly.

0:39:270:39:30

'Do you think he should go?'

0:39:420:39:43

Oh, why not? The harvest party's always fun.

0:39:430:39:46

No, I mean, with Luke on his motorcycle.

0:39:460:39:48

Oh, I think he'll be all right.

0:39:480:39:50

Oh.

0:39:510:39:53

-Oh, you do look smart.

-HORN HONKS

0:39:530:39:55

-That sounds like your chauffeur.

-Thank you.

0:39:550:39:59

Oh!

0:40:010:40:02

Do be careful, Luke.

0:40:020:40:05

Goodbye.

0:40:050:40:07

Bye.

0:40:070:40:08

Have a lovely time.

0:40:080:40:10

# Going up Camborne Hill Coming down

0:40:160:40:19

# Going up Camborne Hill Coming down... #

0:40:190:40:23

There you go, boys.

0:40:240:40:26

I used to run up Camborne Hill.

0:40:260:40:29

All right, Barry?

0:40:300:40:32

-Who's he?

-Who?

0:40:330:40:35

-Him there.

-He's a foreigner.

0:40:350:40:37

-A foreigner?

-He plays the fiddle.

0:40:370:40:39

Well, he can come and fiddle with me any day he likes.

0:40:390:40:42

ANDREA: What is Camborne Hill?

0:40:420:40:44

A bloody great hill, as big as a mountain, between Redruth...

0:40:440:40:48

-I should have retired a long time ago.

-No, really?

0:40:480:40:50

Yes, but I have the energy of a man ten years my junior.

0:40:500:40:55

I don't believe it. But you were saying

0:40:550:40:59

he lives with the old ladies.

0:40:590:41:00

-Who?

-The young man.

0:41:000:41:02

Oh, yes. For the time being. Yes. But I...

0:41:020:41:06

What else do you know about him?

0:41:060:41:07

Precious little other than that he's Polish.

0:41:070:41:11

Come on, Adam. Let's have The White Rose.

0:41:110:41:13

CROWD CHEERS

0:41:130:41:15

# I love the white rose in its splendour

0:41:220:41:26

# I love the white rose in its bloom

0:41:260:41:31

# I love the white rose

0:41:310:41:33

-# So fair as she blows... #

-Come on, have a dance.

0:41:340:41:38

No, thank you.

0:41:380:41:40

Cheer up, Barry. It'll never happen.

0:41:420:41:46

# The first time I met you, my darling

0:41:470:41:51

# Your face was as red as the rose

0:41:510:41:55

# But now your dear face has grown pale

0:41:560:42:00

# As pale as the lily white rose

0:42:010:42:05

# I love the white rose in its splendour

0:42:050:42:09

# I love the white rose in its bloom

0:42:090:42:14

# I love the white rose... #

0:42:140:42:17

Now then, keep in tune.

0:42:170:42:19

# It's the rose that reminds me of you

0:42:210:42:23

# I love the white rose in its splendour... #

0:42:250:42:28

FOOTSTEPS

0:42:280:42:29

Keep your foreign eyes off her, boy.

0:42:310:42:34

Pack it up, Barry...

0:42:340:42:36

or I shall have to piss all over you.

0:42:360:42:41

MUSIC FINISHES, APPLAUSE

0:42:460:42:48

Bravo!

0:42:570:42:59

HUSHED CHATTER

0:43:150:43:18

LAUGHTER

0:43:210:43:22

Shh!

0:43:220:43:24

CROWD CHEERING

0:44:380:44:41

SHE SPEAKS GERMAN

0:44:460:44:47

Polish.

0:44:540:44:56

Polish.

0:44:560:44:58

MAN LAUGHING OUTSIDE

0:44:580:45:00

Janet.

0:45:000:45:02

Janet!

0:45:020:45:04

JANET GROANS, DOOR OPENS

0:45:040:45:05

Shh-shh-shh!

0:45:050:45:08

MEN TALKING, INDISTINCTLY

0:45:080:45:11

DRUNKLY: # Going up Camborne Hill Coming down

0:45:110:45:14

# Going up Camborne Hill Coming down

0:45:140:45:18

# Coming down

0:45:180:45:20

# Going up Camborne Hill Coming down... #

0:45:200:45:23

HE CHUCKLES

0:45:230:45:25

Trevor?

0:45:390:45:41

Trevor!

0:45:420:45:44

-What?

-What do you mean, "what?"?

0:45:440:45:46

Get them out of here!

0:45:470:45:50

Go on.

0:45:500:45:51

Go on. Go on by, then.

0:45:520:45:54

Go on.

0:45:540:45:56

Get past me.

0:45:560:45:58

Go on.

0:45:580:45:59

I said go on.

0:45:590:46:01

Do you think we should wake him?

0:46:040:46:07

I'd rather you didn't.

0:46:070:46:08

He hasn't made a sound.

0:46:080:46:10

He made enough last night.

0:46:100:46:12

-DOOR OPENS

-Morning.

0:46:120:46:14

Morning, Dorcas.

0:46:140:46:15

That Trevor's in a right state this morning.

0:46:150:46:18

-Beasts all over the place.

-He's not the only one.

0:46:180:46:20

We think Andrea may be rather the worse for wear.

0:46:200:46:23

So I hear. Jan had to take him back.

0:46:230:46:26

We haven't woken him yet.

0:46:260:46:28

Want me to?

0:46:280:46:30

Perhaps some strong tea.

0:46:300:46:32

Right.

0:46:320:46:33

SNORING

0:46:330:46:35

Oi.

0:46:400:46:42

Oi!

0:46:450:46:47

Look at the state of you.

0:46:550:46:58

He's up.

0:47:080:47:09

How do you feel?

0:47:120:47:14

Pretty sorry for himself, I should think.

0:47:140:47:17

Never mind.

0:47:200:47:22

Dorcas has made you some pasties for lunch.

0:47:220:47:26

This is where we found you.

0:47:370:47:39

I was dead.

0:48:100:48:13

We thought you were.

0:48:130:48:15

VIOLIN PLAYS

0:48:560:49:00

Wunderbar!

0:49:410:49:43

-Wunderbar!

-SHE LAUGHS

0:49:430:49:45

Hello, again.

0:49:450:49:47

My name is Olga.

0:49:470:49:48

-How do you do?

-Good afternoon.

0:49:480:49:51

Wie geht es Ihnen?

0:49:540:49:55

Gut, danke.

0:49:550:49:57

We met the other evening at the village hall.

0:49:570:50:01

Forgive me. I had to stop to listen to that music.

0:50:020:50:06

You have such a beautiful garden.

0:50:060:50:08

Thank you.

0:50:100:50:12

Well, I should go.

0:50:120:50:15

Goodbye.

0:50:150:50:16

Mmm. That's delicious. Auf wiedersehen.

0:50:190:50:22

ANDREA SPEAKS GERMAN KISSES

0:50:220:50:25

I know it's not really Christian of me,

0:50:330:50:35

but I dislike that woman intensely.

0:50:350:50:38

Is she German?

0:50:380:50:40

I wouldn't be at all surprised.

0:50:400:50:42

Olga's a Russian name.

0:50:420:50:47

She frightens me.

0:50:470:50:49

She's like the witch in a fairytale.

0:50:490:50:52

She's no better than she ought to be, that one.

0:50:520:50:55

For you.

0:50:570:50:59

Music and flowers.

0:50:590:51:03

Thank you. Dankeschon.

0:51:030:51:06

Oh. Oh, thank you.

0:51:060:51:09

Shall we put them in water, Ursula?

0:51:120:51:14

I only said Dankeschon.

0:51:190:51:21

I just think it would be better for Andrea

0:51:210:51:24

if we spoke in English from now on.

0:51:240:51:28

Whatever you say, Janet.

0:51:280:51:31

SOFTLY: # Three blind mice three blind mice

0:51:390:51:42

# See how they run see how they run

0:51:420:51:46

# They all ran after the farmer's wife... #

0:51:460:51:50

URSULA: "Forgive my intrusion recently.

0:52:010:52:04

"I feel I should explain my interest in your companion and his music.

0:52:040:52:07

"My name is Daniloff. My brother

0:52:070:52:10

"is the violinist Boris Daniloff, of whom you may have heard."

0:52:100:52:13

Daniloff?

0:52:130:52:16

"Your companion has a rare gift,

0:52:160:52:18

"and I should like to know a lot more about him.

0:52:180:52:21

"I'm here for a short holiday

0:52:210:52:24

"in the hope of improving my meagre ability as a painter.

0:52:240:52:27

"Perhaps you would be good enough to pass on my best wishes to -

0:52:270:52:30

"is it Andrea?

0:52:300:52:32

"Yours sincerely, Olga Daniloff"

0:52:320:52:34

-Boris?

-FOOTSTEPS

0:52:340:52:37

Good morning.

0:52:370:52:39

-Morning.

-Good morning, Andrea.

0:52:390:52:41

Would you like some tea?

0:52:410:52:42

Yes, thank you.

0:52:420:52:44

Well, there's no cup. Some porridge?

0:52:440:52:46

No. No, thank you.

0:52:460:52:48

You sit and I'll get you a cup.

0:52:480:52:51

Andrea.

0:52:560:52:58

SHE SPEAKS GERMAN

0:52:580:53:00

..Daniloff?

0:53:000:53:01

Daniloff? Boris Daniloff?

0:53:010:53:05

Possibly.

0:53:050:53:08

Ja. He's a god.

0:53:080:53:09

Really?

0:53:090:53:11

Maestro.

0:53:110:53:13

Why you ask?

0:53:130:53:15

Oh!

0:53:160:53:18

-How clumsy of me.

-Please, I will do.

0:53:200:53:24

Breaking up the happy home, are we?

0:53:240:53:26

TURNS OFF ENGINE

0:53:480:53:51

HUMMING

0:54:000:54:03

RINGS BELL

0:54:170:54:19

-Good afternoon!

-Good afternoon.

0:54:240:54:27

Oh.

0:54:320:54:34

Very lovely.

0:54:350:54:37

Thank you.

0:54:370:54:39

Please, carry on.

0:54:390:54:41

Well, I'm not sure how I feel about having an audience.

0:54:410:54:45

Admirer.

0:54:450:54:47

Nevertheless.

0:54:470:54:50

I'm sorry. It's just that you puzzle me.

0:54:500:54:54

A talented and, may I say, attractive woman, alone.

0:54:540:55:00

The fact that I am alone should not give you,

0:55:000:55:03

or anyone else, cause for concern.

0:55:030:55:05

Yes, of course.

0:55:050:55:07

HE EXHALES

0:55:070:55:09

That building over there is a folly.

0:55:100:55:12

Is it?

0:55:120:55:14

It was built by the owner of the big house

0:55:140:55:16

as a place to escape from his wife.

0:55:160:55:19

Enjoy a quiet drink with his cronies.

0:55:190:55:22

Rather a good idea, don't you think?

0:55:220:55:24

Mm.

0:55:240:55:26

Well, better let you get on.

0:55:270:55:30

I have to heal the sick.

0:55:300:55:34

Make the lame walk.

0:55:340:55:37

How is your Polish patient?

0:55:370:55:39

The Polish patient?

0:55:390:55:41

Yes, the young musician who is staying with the old ladies.

0:55:410:55:45

Well... Yes, he's fine.

0:55:450:55:46

I'm a bit of a musician myself, you know.

0:55:460:55:49

Are you?

0:55:490:55:50

Contrabass with the Hospital Orchestral Society.

0:55:500:55:54

I haven't played for years, mind.

0:55:540:55:56

My late wife couldn't abide it.

0:55:560:55:58

Well, I better be off.

0:56:000:56:02

HE GRUNTS

0:56:020:56:04

Perhaps I should have built myself a folly.

0:56:070:56:10

Goodbye.

0:56:120:56:14

It's mended very well.

0:56:280:56:30

I don't see why we can't send him back to Poland.

0:56:300:56:34

Andrea is part of the family, Doctor.

0:56:340:56:37

Is he, now? That's very nice.

0:56:370:56:40

All these artistic visitors, suddenly.

0:56:400:56:43

What do you mean, "all these visitors"?

0:56:430:56:46

I saw that young painter woman on my way here.

0:56:460:56:48

She asked after you.

0:56:480:56:50

Hmm.

0:56:510:56:53

SHE SPEAKS GERMAN

0:56:530:56:55

Olga.

0:57:030:57:04

Yes, indeed.

0:57:040:57:07

Right. Well, I'll shoot off now, then.

0:57:070:57:09

No need for me to see him again.

0:57:090:57:12

Don't you think perhaps you should tell the authorities that he's here?

0:57:120:57:17

Probably, yes.

0:57:170:57:19

-Thank you, Doctor.

-I'll see you out.

0:57:190:57:22

Just a moment, Andrea.

0:57:370:57:39

What is it?

0:57:410:57:43

-He asked me again about Daniloff.

-What did you say?

0:57:430:57:46

I said we'd heard his name on the wireless.

0:57:460:57:48

We do listen to the occasional concert on Friday evenings.

0:57:480:57:51

-But we didn't.

-Janet.

0:57:510:57:53

Do we have to tell the authorities?

0:57:530:57:57

We hear wireless?

0:57:570:57:58

Well, in the evenings - Abend.

0:57:580:58:02

-This evening?

-No, no, no. Not this evening.

0:58:020:58:05

We'd rather hear you play, Andrea.

0:58:050:58:07

No. If you could hear Boris Daniloff!

0:58:070:58:11

That way is America - a new life for me.

0:58:140:58:19

Let's go back. It's getting chilly.

0:58:190:58:22

Aunt Elizabeth used to say,

0:58:280:58:31

"America was made up of the sweepings of Europe."

0:58:310:58:34

I no understand.

0:58:340:58:36

It doesn't matter.

0:58:360:58:38

CLASSICAL MUSIC ON RADIO

0:58:410:58:45

SHE COUGHS

0:58:470:58:49

-Shall I make some cocoa?

-Shh!

0:58:500:58:54

SHE MOUTHS

0:58:540:58:56

SHE MOUTHS

0:58:560:58:57

-Do you think he should?

-Hmm?

0:59:340:59:37

Yes, it's a bit like falling off a horse.

0:59:370:59:40

The sooner you get back on, the sooner you conquer the fear.

0:59:400:59:44

I see.

0:59:440:59:45

I hope you checked Father's bathing costume for moth holes.

0:59:480:59:52

Yes, silly.

0:59:520:59:53

Don't go out of your depth!

1:00:021:00:05

Andrea?

1:00:321:00:33

Andrea!

1:00:351:00:38

Andrea!

1:00:381:00:39

-Andrea!

-Andrea!

1:00:391:00:42

Where's he gone? Janet, where's he gone?

1:00:441:00:47

I don't know.

1:00:471:00:48

Andrea?

1:00:491:00:51

HE COUGHS

1:00:511:00:53

Oh!

1:00:531:00:54

-Andrea?

-Oh!

1:00:541:00:57

HE LAUGHS

1:01:031:01:07

That is not funny.

1:01:111:01:12

# Roses are shining in Picardy

1:01:221:01:27

# In the hush of the silver dew

1:01:271:01:33

# Roses are showering in Picardy

1:01:331:01:38

# But there's never a rose like you

1:01:381:01:44

# And the roses will die in the summertime

1:01:441:01:49

# And our paths may be far apart

1:01:491:01:54

# But there's one rose that dies not in Picardy

1:01:541:02:00

# 'Tis the rose

1:02:001:02:03

# That I keep in my heart... #

1:02:031:02:09

Were you very much in love with Peter?

1:02:191:02:23

Ursula, really.

1:02:231:02:24

It's just that I keep thinking about you both.

1:02:241:02:27

You never speak of him.

1:02:281:02:31

I have done.

1:02:311:02:33

Did he want to go back to the war?

1:02:381:02:41

He felt it was his duty.

1:02:411:02:43

They all did.

1:02:431:02:45

I don't think they had any choice.

1:02:451:02:48

Pillow.

1:02:481:02:50

Did you nurse Germans, too?

1:02:561:02:58

If they were brought to us.

1:02:581:03:01

I hope it doesn't happen all over again.

1:03:051:03:08

So do I.

1:03:091:03:11

THUMP

1:03:181:03:20

-COUGHING

-Oh!

1:03:201:03:22

Oh!

1:03:241:03:26

Oh! Oh!

1:03:261:03:29

Oh!

1:03:291:03:31

You!

1:03:351:03:37

You're full of the joys of spring this morning.

1:03:371:03:40

Oh!

1:03:401:03:42

SHE COUGHS

1:03:421:03:43

I want to go to America.

1:03:531:03:56

-You want to go where, boy?

-America he said, I think.

1:03:561:03:59

-Ask Joe over there.

-Joe will take you.

1:04:011:04:03

MEN LAUGH He'll take you on his back, won't he?

1:04:031:04:06

Barry would.

1:04:061:04:07

-Barry would take him anywhere.

-America?

1:04:081:04:11

Don't be daft.

1:04:111:04:13

Land's End is about as far as I'll take you.

1:04:131:04:16

MEN LAUGH

1:04:371:04:39

Gave you a bit of a fright, didn't it, boy?

1:04:391:04:42

SHUTS OFF ENGINE

1:06:211:06:22

OLGA LAUGHING

1:06:281:06:30

SPEAKING GERMAN

1:06:311:06:33

STARTS ENGINE

1:06:361:06:38

Did you have an enjoyable day, Andrea?

1:06:491:06:51

I no understand.

1:06:541:06:55

Haben Sie einen schonen Tag gehabt?

1:06:571:07:01

Yes. Yes. I had a good day.

1:07:011:07:04

Good.

1:07:041:07:05

Mm-hmm.

1:07:081:07:10

Interessant.

1:07:101:07:12

InteresTING.

1:07:141:07:15

InteresTING.

1:07:151:07:17

Will you have some more?

1:07:221:07:23

No. Thank you.

1:07:231:07:25

I go to play.

1:07:291:07:31

What do you think's the matter with him?

1:07:401:07:43

I don't know.

1:07:451:07:46

OLGA: My dear brother,

1:07:461:07:49

I hope this finds you well

1:07:491:07:50

and that your concerts are a huge success.

1:07:501:07:52

During my stay in Cornwall, I have had the great good fortune

1:07:521:07:55

to meet a young man of extraordinary talent.

1:07:551:07:58

He plays the violin almost as exquisitely as you.

1:07:581:08:03

If only you could hear him.

1:08:051:08:07

I believe you would be astounded.

1:08:071:08:10

(Ursula!

1:08:321:08:34

(What are you doing?

1:08:361:08:40

(Come back to bed.)

1:08:401:08:42

I made you a sandwich.

1:09:211:09:23

What do you think you were doing last night?

1:09:291:09:32

Ursula.

1:09:341:09:36

I don't know.

1:09:391:09:41

You were happy with Peter, weren't you?

1:09:511:09:53

It wasn't all pain.

1:09:551:09:58

Why, no, but...

1:09:591:10:02

Before he was killed, you...

1:10:021:10:04

Ursula...

1:10:081:10:10

Andrea's a boy.

1:10:101:10:13

Yes, and I'm an old woman...

1:10:131:10:15

Silly and ridiculous and...

1:10:151:10:17

foolish.

1:10:171:10:20

Naive.

1:10:201:10:21

Well, how could I be anything else?

1:10:221:10:24

It's not fair.

1:10:271:10:30

No.

1:10:301:10:31

No, it isn't.

1:10:331:10:36

SNIFFLES Do you want him to go?

1:10:371:10:40

What?

1:10:401:10:41

Andrea - do you want him to leave?

1:10:411:10:44

No, but...

1:10:461:10:48

I'll be all right, Janet.

1:10:511:10:54

Will you?

1:10:541:10:56

SHUTS OFF ENGINE

1:11:161:11:18

RESUMES PLAY SLOWLY

1:11:501:11:53

SHE SIGHS

1:12:141:12:15

I think you should go.

1:13:501:13:52

I no understand.

1:13:551:13:56

Please, Andrea.

1:14:021:14:04

Andrea.

1:14:151:14:16

Auf wiedersehen.

1:14:181:14:21

Auf wiedersehen.

1:14:211:14:23

SHE SIGHS

1:14:321:14:34

The nights will soon be drawing in.

1:14:391:14:42

Hmm.

1:14:421:14:43

Shouldn't we wait for Andrea?

1:14:451:14:48

I don't see why.

1:14:481:14:50

Well, he'll be hungry.

1:14:501:14:52

He's been away a long time.

1:14:521:14:54

DOOR OPENS

1:14:541:14:57

DOOR SLAMS

1:14:571:14:58

Andrea?!

1:15:001:15:01

Ursula? Ursula!

1:15:011:15:03

VIOLIN PLAYING

1:15:031:15:06

Andrea?

1:15:081:15:09

Andrea?

1:15:121:15:13

Andrea, what's the matter?!

1:15:131:15:14

What do you think?!

1:15:141:15:17

Boris Daniloff.

1:15:171:15:19

What?

1:15:201:15:21

Boris Daniloff. Why you not tell me?

1:15:211:15:23

Because she didn't know.

1:15:231:15:24

It's all right, Ursula.

1:15:241:15:25

I no understand.

1:15:251:15:27

Because she didn't know.

1:15:271:15:29

I no understand why.

1:15:291:15:30

Now do you understand?

1:15:321:15:33

How did you know?

1:15:461:15:49

Stupid, stupid, stupid.

1:15:491:15:53

SHE SIGHS

1:16:081:16:10

Ursula, I sorry.

1:16:161:16:19

No, no. I'm sorry.

1:16:191:16:22

It's not your fault.

1:16:221:16:23

Fault? What is fault?

1:16:231:16:26

It doesn't matter.

1:16:261:16:27

Really, Andrea,

1:16:271:16:30

it's all right.

1:16:301:16:32

SHE SIGHS

1:16:321:16:34

-Good morning.

-Morning, Madam.

1:16:551:16:57

-Uh, I've got a telegram for you.

-Oh.

1:16:571:17:00

Any reply?

1:17:051:17:06

No, thank you. Thank you.

1:17:061:17:08

-Yeah?

-That's better.

1:17:251:17:28

Wait a minute.

1:17:291:17:31

Yeah.

1:17:331:17:35

Oh.

1:17:361:17:37

Dankeschon.

1:17:371:17:39

They're never going to recognise you down at the pub.

1:17:391:17:42

Shall we go in?

1:17:421:17:44

Get low and strong, right?

1:17:561:17:58

Now, you get three goes.

1:17:581:18:02

Take the ball.

1:18:021:18:04

Mind your front foot there.

1:18:041:18:05

That's right.

1:18:051:18:07

Now you're going to pull it back.

1:18:071:18:08

Slow but sure. Slow.

1:18:081:18:10

-ALL CHATTERING

-There you are, huh?

1:18:131:18:15

Set 'em up again, Hedley.

1:18:151:18:17

He's foreign, you see.

1:18:171:18:21

Holland?

1:18:211:18:23

I don't know.

1:18:231:18:24

CHATTERING CONTINUES

1:18:241:18:26

Miss Daniloff, what an unexpected pleasure.

1:18:441:18:47

I'd offer you a drink, but I doubt that Arthur

1:18:471:18:49

has any schnapps.

1:18:491:18:51

No, please, allow me, Doctor.

1:18:511:18:53

What would you like?

1:18:531:18:54

Good God. That's beyond belief. I wouldn't think of it.

1:18:541:18:57

Please, I insist.

1:18:571:19:00

Oh, all right, then.

1:19:001:19:01

Another whiskey and soda, please, Arthur.

1:19:011:19:03

And a beer for me. A pint, please.

1:19:031:19:06

A whiskey and soda and a pint for the lady.

1:19:061:19:08

How's the painting coming along?

1:19:081:19:10

Oh, it's improving, I think.

1:19:101:19:13

I haven't seen much of you alfresco lately.

1:19:131:19:18

Andrea!

1:19:181:19:20

My, my, you look very smart.

1:19:201:19:21

You like?

1:19:231:19:24

Yeah.

1:19:241:19:26

Miss Janet thinks I look like girl.

1:19:261:19:28

That is not possible.

1:19:281:19:31

Your English is improving. Been having private lessons?

1:19:311:19:34

He has a very good ear.

1:19:341:19:36

That'll be two and eight.

1:19:361:19:37

Thank you. Would you like a drink?

1:19:371:19:39

Yeah.

1:19:391:19:41

Beer.

1:19:411:19:42

-And another beer for my friend.

-Righty-ho.

1:19:421:19:45

RADIO: '..our principal cities

1:20:081:20:09

'within 24 hours of an outbreak of war...'

1:20:091:20:12

VIOLIN PLAYING, HIGH-PITCHED

1:20:121:20:16

'People will be billeted in the country...'

1:20:161:20:19

Doesn't sound good. I can't listen any more.

1:20:231:20:27

Don't know how you can stand it. Sounds like a strangled cat.

1:20:271:20:29

I meant the news.

1:20:291:20:31

Oh.

1:20:311:20:33

Do we have any parsnips?

1:20:331:20:35

Bit early for parsnips.

1:20:351:20:37

Plenty of spuds, though.

1:20:371:20:39

Then we'll have to have extra spuds.

1:20:391:20:41

Potatoes.

1:20:411:20:43

FOOTSTEPS ON STAIRS

1:20:431:20:47

I walk.

1:20:471:20:48

Oh, good.

1:20:481:20:50

Um, we have chicken for supper.

1:20:501:20:53

Hmm?

1:20:531:20:55

Um...

1:20:551:20:56

Oh...

1:21:001:21:02

Hundchen?

1:21:061:21:08

Hundchen. Das ist gut. Auf wiedersehen.

1:21:111:21:14

I'll see you later.

1:21:141:21:16

I don't think I'll bother Truro with it just yet.

1:21:301:21:33

Well, that's up to you.

1:21:331:21:35

But I still think it's rather odd.

1:21:351:21:38

I'll look into it, Francis.

1:21:381:21:40

-All right.

-Morning.

1:21:431:21:46

Dr Mead said they were speakin' German.

1:21:461:21:48

-I, uh...

-I speak fluent German.

1:21:481:21:50

Does he think I'm involved in espionage as well?

1:21:501:21:53

Well, no, but...

1:21:541:21:56

I've never heard of anything so ridiculous.

1:21:561:21:59

-I know you were only doing your job.

-Well, you can't be too careful.

1:22:021:22:05

-All right, Miss Ursula.

-Goodbye.

1:22:051:22:08

Uh...

1:22:081:22:09

-You don't know where he's gone, then?

-Sorry?

1:22:091:22:12

The young foreign chap - you don't know where he's gone?

1:22:121:22:15

Oh, for a walk, I think.

1:22:151:22:18

Right. Bye, then.

1:22:181:22:19

Bye.

1:22:191:22:21

You don't speak fluent German at all.

1:22:271:22:29

-But she does.

-Oh, don't you start.

1:22:291:22:32

Hello?

1:22:401:22:42

There you are.

1:22:421:22:44

-Are you going?

-WE are going.

1:22:441:22:46

My brother is in London for the next 24 hours

1:22:461:22:49

-and he said he could see you tonight.

-Slowly, please. What?

1:22:491:22:51

Mein Bruder ist fur 24 Stunden in London

1:22:511:22:54

und kann euch heute Abend treffen.

1:22:541:22:55

HORN HONKING

1:23:041:23:05

You can take those two cases and I can manage everything else.

1:23:141:23:18

Come on!

1:23:221:23:24

SHE SIGHS

1:23:341:23:36

He won't be here any sooner.

1:23:371:23:39

Oh, I know. I just...

1:23:391:23:41

I told him we were having chicken.

1:23:411:23:45

I think we should eat.

1:23:451:23:47

No, let's wait.

1:23:471:23:49

He's sure to be here soon.

1:23:491:23:52

-I'm going to phone Pendered.

-All right.

1:24:111:24:14

Trevannic 412, please, Mrs Pengelley.

1:24:171:24:21

Hello?

1:24:231:24:24

Mr Pendered?

1:24:241:24:26

It's Janet Widdington.

1:24:261:24:28

Yeah... Hello.

1:24:281:24:31

We're rather worried about Andrea.

1:24:311:24:34

We were expecting him for supper, and we...

1:24:341:24:37

Oh, I...

1:24:431:24:46

I see.

1:24:461:24:47

No. No, we didn't know.

1:24:511:24:54

Mm. Yes.

1:24:561:24:58

Well...thank you.

1:24:591:25:01

Janet, what's happened?

1:25:041:25:05

They've gone.

1:25:051:25:07

What do you mean?

1:25:091:25:10

I mean Andrea is gone.

1:25:121:25:13

With that woman.

1:25:151:25:17

I don't understand.

1:25:181:25:21

Andrea...

1:25:211:25:23

and the Daniloff woman were seen getting on the train to London.

1:25:231:25:27

Oh... Oh, Janet.

1:25:301:25:32

No.

1:25:321:25:34

-Oh, Janet.

-Don't.

1:25:341:25:36

-SOBBING

-Ursula.

1:25:361:25:39

Oh, don't.

1:25:411:25:42

SOBBING

1:25:421:25:45

Shh.

1:25:481:25:50

Don't.

1:25:521:25:54

You mustn't, Ursula.

1:25:541:25:56

No, you mustn't. Please.

1:25:561:25:58

RADIO BROADCAST, INDISTINCT

1:26:231:26:26

SWITCHES OFF RADIO

1:26:381:26:39

Waste not, want not.

1:27:251:27:27

I wanted her to see Mead.

1:27:271:27:28

-She won't hear of it.

-Oh.

1:27:281:27:31

KNOCK ON DOOR

1:27:311:27:33

From London. "Fragile."

1:27:371:27:40

-London?

-Yeah.

1:27:401:27:42

It's from London.

1:27:461:27:48

ANDREA: I am sorry I left without goodbye.

1:27:521:27:54

Please do not think bad of me.

1:27:541:27:57

You gave me life. Now I have chance to use it.

1:27:571:28:01

So much has happened since I met Maestro Daniloff.

1:28:011:28:04

But even with Olga's help,

1:28:041:28:06

my English is not enough to tell you all.

1:28:061:28:09

What I can tell is that on Friday, November 10th,

1:28:091:28:13

I'm on wireless.

1:28:131:28:15

Please to listen.

1:28:151:28:16

You are always in my thoughts.

1:28:161:28:18

Andrea.

1:28:181:28:20

PS. I hope you like the painting.

1:28:201:28:23

It was done by Olga.

1:28:231:28:26

CHATTERING

1:28:471:28:49

Come on in, then.

1:28:581:28:59

SYMPHONY TUNING ON RADIO

1:28:591:29:02

Evening.

1:29:021:29:04

Make yourselves comfortable.

1:29:041:29:05

Mrs Pendered, I've got a chair for you over there.

1:29:051:29:09

Come in. Hurry up, please.

1:29:111:29:13

Startin' soon.

1:29:131:29:16

You keep quiet now.

1:29:161:29:17

SYMPHONY STOPS TUNING

1:29:201:29:23

RADIO: 'Good evening, ladies and gentlemen,

1:29:231:29:24

'and welcome to the Queen's Hall, London.'

1:29:241:29:27

-Could you turn it up a bit?

-Cant go up no more.

-Shh!

1:29:271:29:31

..with "Fantasy for Violin and Orchestra," by Boris Daniloff.

1:29:311:29:35

Under the baton of Mr Daniloff himself,

1:29:351:29:39

the soloist is the gifted

1:29:391:29:41

'young violinist, Andrea Marowski.

1:29:411:29:44

'APPLAUSE'

1:29:441:29:47

ORCHESTRA BEGINS

1:30:001:30:02

CHATTERING

1:33:571:33:59

No.

1:34:131:34:15

I don't believe...

1:34:151:34:17

Is it you?

1:34:181:34:20

-You were wonderful.

-Wonderful.

1:34:211:34:24

-Just wonderful.

-Thank you. I was so nervous.

1:34:241:34:27

-Did it show?

-No. Not at all.

1:34:271:34:30

How did you get here?

1:34:301:34:31

Why you not say you were coming?

1:34:311:34:33

It was Dorcas's idea.

1:34:331:34:35

Janet wanted to come by car, but we came by train.

1:34:351:34:38

Do excuse me, ladies.

1:34:381:34:40

Andrea, Sir Thomas is simply dying to meet you.

1:34:401:34:43

-No, wait.

-Go.

1:34:431:34:45

Yes, go.

1:34:451:34:47

Let's go, Janet.

1:34:591:35:01

Download Subtitles

SRT

ASS