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| Line | From | To | |
|---|---|---|---|
FOOTSTEPS | 0:00:26 | 0:00:29 | |
Shall we paddle? | 0:01:03 | 0:01:05 | |
I'd rather not. | 0:01:05 | 0:01:07 | |
I'm going to. | 0:01:07 | 0:01:09 | |
Oh! SHE LAUGHS | 0:01:20 | 0:01:22 | |
Is it cold? | 0:01:22 | 0:01:24 | |
Hey, Ursula, stop it! | 0:01:33 | 0:01:35 | |
-Oh! Ursula, stop! -SHE LAUGHS | 0:01:37 | 0:01:40 | |
No, please, I beg you, don't. | 0:01:40 | 0:01:42 | |
RADIO: 'White, Dover, Thames, Humber, Heligoland. | 0:01:49 | 0:01:52 | |
'South-to-southwest gales spreading from the west, | 0:01:52 | 0:01:55 | |
'with rain and moderate or poor visibility. | 0:01:55 | 0:01:59 | |
'Storms are imminent.' | 0:01:59 | 0:02:00 | |
I'm going up. | 0:02:05 | 0:02:07 | |
Right. Oh, I'm coming now. | 0:02:07 | 0:02:11 | |
WIND HOWLING | 0:02:25 | 0:02:28 | |
SEAGULLS SCREECHING | 0:02:54 | 0:02:57 | |
Janet? | 0:03:03 | 0:03:04 | |
-Janet! -Hmm? | 0:03:05 | 0:03:08 | |
The sun's out again. | 0:03:08 | 0:03:10 | |
JANET GROANS | 0:03:11 | 0:03:13 | |
-SHE SIGHS -Oh, good. | 0:03:15 | 0:03:18 | |
Oh. It's so gorgeous. | 0:03:22 | 0:03:26 | |
Everything smells so fresh after the storm. | 0:03:28 | 0:03:31 | |
We seem to have escaped relatively unscathed. | 0:03:31 | 0:03:34 | |
Oh, the buddleia's knocked about a bit, though. | 0:03:34 | 0:03:37 | |
The tide was quite high last night. | 0:03:42 | 0:03:44 | |
Yes. | 0:03:44 | 0:03:46 | |
What's that? Janet, quick, come here. | 0:03:50 | 0:03:54 | |
What's that? There. At the end of the beach. That black thing. | 0:03:54 | 0:03:56 | |
-I can't see it. -There... There. | 0:03:58 | 0:04:00 | |
Oh. Oh, dear. | 0:04:02 | 0:04:03 | |
I think it's a body. | 0:04:03 | 0:04:05 | |
I'll telephone Pendered. | 0:04:06 | 0:04:09 | |
'Where do you think he's gone?' | 0:04:11 | 0:04:13 | |
I don't know. Perhaps he's doing his nets or something. | 0:04:13 | 0:04:15 | |
-Did you telephone Dr Mead? -Yes, of course I did. | 0:04:15 | 0:04:19 | |
Oh! | 0:04:20 | 0:04:21 | |
Do you think he's dead? | 0:04:23 | 0:04:26 | |
I suppose the sensible thing would be to turn him over. | 0:04:32 | 0:04:36 | |
Oh, God. | 0:04:36 | 0:04:38 | |
Oh, Janet, you do it. | 0:04:38 | 0:04:40 | |
He's alive. | 0:04:53 | 0:04:55 | |
The tide's low enough for you to get round the point. | 0:04:55 | 0:04:58 | |
See if you can find Pendered...and Luke. | 0:04:58 | 0:05:01 | |
Get them to bring a stretcher. | 0:05:01 | 0:05:02 | |
And ask Mrs Pendered for some brandy. | 0:05:02 | 0:05:04 | |
Go on! He's barely alive! | 0:05:06 | 0:05:08 | |
And send Joe Gallow on his bike to find Dr Mead. | 0:05:10 | 0:05:14 | |
What you got there, missus? | 0:05:28 | 0:05:30 | |
I should have thought that was obvious, Mr Pendered. | 0:05:30 | 0:05:33 | |
I don't know where he's come from. There ain't no sign of a wreck. | 0:05:36 | 0:05:40 | |
-You hear anything, Lukey? -No. | 0:05:40 | 0:05:42 | |
That's enough for now. | 0:05:42 | 0:05:44 | |
Right. Get him on the stretcher. | 0:05:44 | 0:05:46 | |
Be careful with that ankle. I think it's broken. | 0:05:51 | 0:05:54 | |
Lift on three, Lukey. | 0:05:54 | 0:05:57 | |
Three! | 0:05:57 | 0:05:59 | |
Did you send Gallow for Dr Mead? | 0:06:00 | 0:06:01 | |
Yes, I suggested he came straight to the house. | 0:06:01 | 0:06:03 | |
Good. | 0:06:03 | 0:06:05 | |
Good heavens! What's going on here? | 0:06:07 | 0:06:09 | |
Dorcas, we have a visitor. Is the spare room ready? | 0:06:09 | 0:06:11 | |
-I'll do it, Miss Janet. -This way, Mr Pendered. | 0:06:11 | 0:06:14 | |
We have to go straight up the stairs. | 0:06:14 | 0:06:17 | |
BIRD CHIRPING | 0:06:18 | 0:06:20 | |
You can get out for a start. | 0:06:20 | 0:06:22 | |
-What? -I was talking to the magpie. | 0:06:22 | 0:06:24 | |
-You should've been more polite. -Oh, get on with it. | 0:06:24 | 0:06:28 | |
He's decent. You can come in now. | 0:06:32 | 0:06:34 | |
He's obviously exhausted. That ankle's going to take some time. | 0:06:36 | 0:06:39 | |
Doesn't have much to say for himself, does he? | 0:06:39 | 0:06:43 | |
Perhaps he doesn't understand. He doesn't look English. | 0:06:43 | 0:06:46 | |
Yes, well, leave him to sleep now. | 0:06:46 | 0:06:47 | |
I'll take another look in the morning. | 0:06:47 | 0:06:50 | |
-I'll see myself out. -Thank you, Doctor. | 0:06:50 | 0:06:52 | |
Don't keep building up that fire. | 0:06:52 | 0:06:54 | |
If he doesn't have a fever now, he soon will have. | 0:06:54 | 0:06:57 | |
We'd better leave him. There's nothing we can do for the moment. | 0:06:58 | 0:07:02 | |
DOOR OPENING | 0:07:39 | 0:07:41 | |
Tea. | 0:07:41 | 0:07:42 | |
Shhh. | 0:07:42 | 0:07:44 | |
Do you want tea? | 0:07:45 | 0:07:47 | |
You'll wake him up. | 0:07:47 | 0:07:49 | |
Think I'll wait until Janet gets up from her nap. | 0:07:49 | 0:07:51 | |
-Well, she's up. -Is she? | 0:07:51 | 0:07:53 | |
She hasn't been long. | 0:07:53 | 0:07:56 | |
All right. I'll be down directly. | 0:07:56 | 0:07:59 | |
Well, he isn't going to run off. | 0:07:59 | 0:08:00 | |
DOOR SLAMS | 0:08:04 | 0:08:05 | |
Shhh, shhh. | 0:08:08 | 0:08:11 | |
Don't be frightened. You're among friends. | 0:08:11 | 0:08:13 | |
HE SPEAKS POLISH | 0:08:15 | 0:08:16 | |
What did you say? | 0:08:16 | 0:08:19 | |
HE SPEAKS POLISH | 0:08:19 | 0:08:20 | |
Don't you speak English? | 0:08:22 | 0:08:24 | |
Parlez-vous francais? | 0:08:27 | 0:08:30 | |
No. | 0:08:30 | 0:08:31 | |
No, no, you mustn't move. | 0:08:31 | 0:08:32 | |
No. Um... | 0:08:32 | 0:08:35 | |
Sprechen die... Sprechen Sie Deutsch? | 0:08:35 | 0:08:39 | |
Ja. | 0:08:39 | 0:08:41 | |
HE SPEAKS GERMAN | 0:08:41 | 0:08:45 | |
Oh, dear, I give up. | 0:08:47 | 0:08:49 | |
Um... | 0:08:49 | 0:08:51 | |
We... No, no. | 0:08:51 | 0:08:53 | |
Um... | 0:08:53 | 0:08:56 | |
We think... We think... | 0:08:56 | 0:08:59 | |
that you were shipwrecked... | 0:08:59 | 0:09:01 | |
SHE IMITATES WIND | 0:09:01 | 0:09:02 | |
Oh! | 0:09:02 | 0:09:04 | |
..and you managed to swim | 0:09:04 | 0:09:08 | |
to shore. | 0:09:08 | 0:09:10 | |
And somehow, you, um, | 0:09:10 | 0:09:13 | |
broke your ankle. | 0:09:13 | 0:09:16 | |
Erm... | 0:09:16 | 0:09:17 | |
You broke your ankle. | 0:09:19 | 0:09:23 | |
Dr Mead, | 0:09:23 | 0:09:25 | |
um, the doctor, | 0:09:25 | 0:09:27 | |
he thinks you need much rest. | 0:09:27 | 0:09:30 | |
Dziekuje. | 0:09:34 | 0:09:36 | |
HE KISSES | 0:09:37 | 0:09:39 | |
Dzieki. | 0:09:50 | 0:09:51 | |
But you don't think he's German? | 0:09:56 | 0:09:58 | |
-Oh, no. -Just as well. | 0:09:58 | 0:10:00 | |
-He seemed to understand the language. -Oh, Ursula. Please. | 0:10:00 | 0:10:03 | |
Sorry. He seems to understand the language. | 0:10:03 | 0:10:06 | |
Oh, really? Since when did you speak German? | 0:10:06 | 0:10:09 | |
Well, I... | 0:10:09 | 0:10:11 | |
How is he? | 0:10:11 | 0:10:12 | |
If he drinks any more tea, he's going to need a chamber pot, | 0:10:12 | 0:10:15 | |
cos he ain't fit to walk to the bathroom. | 0:10:15 | 0:10:17 | |
You finished with this lot? | 0:10:17 | 0:10:18 | |
Er, yes, I think so. | 0:10:18 | 0:10:22 | |
What's he going to do without his clothes? | 0:10:23 | 0:10:25 | |
His own are ruined. | 0:10:25 | 0:10:26 | |
I thought perhaps some of Father's might fit him. | 0:10:26 | 0:10:29 | |
I doubt it, but you could try. | 0:10:29 | 0:10:31 | |
Suppose you want me to get the chest, then? | 0:10:31 | 0:10:33 | |
If you wouldn't mind, Dorcas. | 0:10:33 | 0:10:35 | |
They're probably a bit damp. | 0:10:35 | 0:10:37 | |
I'll take him the pot, too, shall I? | 0:10:37 | 0:10:41 | |
Well, I'm sure he hasn't got nothin' I haven't seen before. | 0:10:41 | 0:10:44 | |
TOILET FLUSHES | 0:10:49 | 0:10:51 | |
They're nice and warm. | 0:11:05 | 0:11:07 | |
-Dziekuje. -Hmm? | 0:11:40 | 0:11:43 | |
-Danke schon. -Oh. | 0:11:43 | 0:11:45 | |
English - thank you. | 0:11:45 | 0:11:48 | |
Thank you. | 0:11:48 | 0:11:50 | |
Polnisch - dziekuje. | 0:11:50 | 0:11:53 | |
I see. | 0:11:53 | 0:11:55 | |
I'll just, um... | 0:11:57 | 0:11:59 | |
leave the door ajar. | 0:11:59 | 0:12:01 | |
And I'm going to get my knitting. | 0:12:01 | 0:12:04 | |
Why are you creeping about? | 0:12:22 | 0:12:24 | |
I'm not creeping about. | 0:12:24 | 0:12:26 | |
I'm just... | 0:12:26 | 0:12:27 | |
Ollendorff and I are going to speak to him. | 0:12:27 | 0:12:30 | |
-What, now? -Yes. | 0:12:30 | 0:12:33 | |
He might be asleep. | 0:12:33 | 0:12:35 | |
Well, if he is, I won't. | 0:12:35 | 0:12:36 | |
What's the matter with you? | 0:12:37 | 0:12:41 | |
I think he's Polish. | 0:12:41 | 0:12:42 | |
What? | 0:12:42 | 0:12:44 | |
He used the word "Polnisch." | 0:12:44 | 0:12:46 | |
Well, why didn't you say so? | 0:12:46 | 0:12:48 | |
Neither of us speak Polish - we haven't even been to Poland. | 0:12:48 | 0:12:51 | |
Oh! Hopeless, Ursula. | 0:12:51 | 0:12:54 | |
-Shh! -When did he say it? -Shush. -When did he say it? | 0:12:54 | 0:12:58 | |
Don't push! | 0:12:58 | 0:13:00 | |
FOOTSTEPS | 0:13:00 | 0:13:02 | |
Shh! | 0:13:02 | 0:13:03 | |
-Ah! -Oh! | 0:13:03 | 0:13:05 | |
Hello. | 0:13:05 | 0:13:07 | |
Are you feeling better? | 0:13:07 | 0:13:09 | |
Are you hungry? Mmm-mmm! | 0:13:09 | 0:13:11 | |
Ursula, stop it. | 0:13:11 | 0:13:12 | |
You look like a cannibal. | 0:13:12 | 0:13:15 | |
Kommen aus Polen? | 0:13:15 | 0:13:17 | |
Aus Polen? Ja. | 0:13:18 | 0:13:19 | |
I told you. | 0:13:19 | 0:13:21 | |
Was ist dein Name? | 0:13:23 | 0:13:25 | |
Marowski. Andrea. | 0:13:25 | 0:13:28 | |
Andrea Marowski. | 0:13:28 | 0:13:30 | |
-Ja. -JANET LAUGHS | 0:13:30 | 0:13:32 | |
Ich, Miss Widdington. | 0:13:32 | 0:13:35 | |
Und das ist mein Schwester. | 0:13:35 | 0:13:37 | |
Ursula. | 0:13:37 | 0:13:39 | |
Ursula. | 0:13:39 | 0:13:40 | |
CHEERING | 0:13:44 | 0:13:46 | |
-Young, see? -What? -Young. | 0:13:48 | 0:13:51 | |
He never would've won if I hadn't had a bad leg. | 0:13:51 | 0:13:54 | |
Bad leg? You haven't got any skill in your fingers. | 0:13:54 | 0:13:57 | |
How's your castaway getting along, then, Doctor? | 0:13:59 | 0:14:01 | |
Pretty bashed about a bit, actually, Jon. | 0:14:01 | 0:14:04 | |
God knows where he came from. Bugger doesn't speak | 0:14:04 | 0:14:06 | |
a word of English. | 0:14:06 | 0:14:08 | |
He isn't from around here, that's for sure. | 0:14:08 | 0:14:10 | |
MEN LAUGHING | 0:14:10 | 0:14:13 | |
Christ Almighty, Lukey! | 0:14:13 | 0:14:15 | |
What the hell's the matter wi' thee? | 0:14:15 | 0:14:17 | |
When did Dr Mead say he'd be here? | 0:14:27 | 0:14:30 | |
When he's finished his surgery. | 0:14:30 | 0:14:33 | |
So, what do people from Poland have for breakfast? | 0:14:33 | 0:14:36 | |
Probably some awful kind of sausage. | 0:14:36 | 0:14:38 | |
But I'm sure porridge will do him much more good. | 0:14:39 | 0:14:43 | |
We'll soon find out. | 0:14:43 | 0:14:45 | |
-Nothing wrong with his appetite. -Glad to hear it. | 0:14:55 | 0:14:58 | |
Are the sisters of mercy in attendance? | 0:14:58 | 0:15:00 | |
Yes, we are. | 0:15:00 | 0:15:02 | |
Good morning, Doctor. Shall we go up? | 0:15:02 | 0:15:05 | |
Morning, Janet. | 0:15:05 | 0:15:06 | |
I'm glad to see that bruise. | 0:15:10 | 0:15:12 | |
Doesn't look very pretty, but better it's there than not. | 0:15:12 | 0:15:14 | |
-Eh, nurse? How's his temperature? -It's a little over, I think. | 0:15:14 | 0:15:18 | |
Make sure he drinks lots of water. | 0:15:18 | 0:15:21 | |
So, Polish, is he? | 0:15:21 | 0:15:23 | |
It would appear so. | 0:15:23 | 0:15:25 | |
What are you going to do with him? | 0:15:27 | 0:15:29 | |
What do you mean, "do with him"? | 0:15:29 | 0:15:31 | |
He can't stay here for ever. | 0:15:31 | 0:15:33 | |
No. When he's recovered, that's for him to decide. | 0:15:33 | 0:15:37 | |
You look a little flushed, dear. | 0:16:35 | 0:16:37 | |
Do I? | 0:16:37 | 0:16:39 | |
Perhaps you should get some fresh air. | 0:16:40 | 0:16:43 | |
Well, when it's a little cooler, I will. | 0:16:43 | 0:16:46 | |
Well, it's time for my rest, I think. | 0:16:49 | 0:16:53 | |
I'll look in on the patient. | 0:16:53 | 0:16:55 | |
Hello. | 0:17:14 | 0:17:16 | |
Hello. | 0:17:17 | 0:17:18 | |
I've had an idea. | 0:17:20 | 0:17:22 | |
Now, look. | 0:17:24 | 0:17:25 | |
I say the word, | 0:17:27 | 0:17:29 | |
and you repeat it after me. | 0:17:29 | 0:17:33 | |
You understand? | 0:17:33 | 0:17:35 | |
Never mind. You'll soon catch on. | 0:17:35 | 0:17:37 | |
"Chair." Now you say it. | 0:17:37 | 0:17:40 | |
"Chair." | 0:17:40 | 0:17:42 | |
Chair. | 0:17:42 | 0:17:44 | |
Very good! Very good! | 0:17:44 | 0:17:46 | |
"Door." | 0:17:47 | 0:17:50 | |
Door. | 0:17:50 | 0:17:52 | |
Oh! | 0:17:52 | 0:17:54 | |
Uh, "clock." | 0:17:54 | 0:17:56 | |
-Clock. -Yes. | 0:17:56 | 0:17:59 | |
"Mirror." | 0:17:59 | 0:18:00 | |
-Mirror. -Very good. | 0:18:00 | 0:18:03 | |
"Curtain." | 0:18:04 | 0:18:05 | |
-Curtain. -Yes! | 0:18:05 | 0:18:07 | |
-"Bed." -Bed. | 0:18:10 | 0:18:13 | |
"Ursula." SHE LAUGHS | 0:18:19 | 0:18:21 | |
Ursula. Me. Ursula. | 0:18:21 | 0:18:25 | |
Ursula. | 0:18:25 | 0:18:26 | |
Now, I'm going to take the paper away. | 0:18:26 | 0:18:30 | |
-Window. -Window. | 0:18:30 | 0:18:33 | |
Yes! Very good! | 0:18:33 | 0:18:35 | |
We're learning English. | 0:18:39 | 0:18:41 | |
He might be, Ursula. | 0:18:41 | 0:18:43 | |
You are making holes in the furniture. | 0:18:43 | 0:18:46 | |
RADIO: 'Another sausage, and he still owes for the brushes. | 0:18:53 | 0:18:54 | |
'AUDIENCE LAUGHS | 0:18:54 | 0:18:56 | |
'Well, now I'm going to get on with my little song. | 0:18:56 | 0:18:59 | |
'HE LAUGHS | 0:18:59 | 0:19:01 | |
'Excuse me laughing. I know what's coming but it's awfully good.' | 0:19:01 | 0:19:03 | |
VOLUME INCREASE: 'I'd like to have done my dance for you tonight... | 0:19:03 | 0:19:06 | |
VOLUME DECREASES: 'cos my dancing...' | 0:19:06 | 0:19:08 | |
-I can hardly hear it. -I don't want it to disturb Andrea. | 0:19:08 | 0:19:11 | |
-Anyway, you don't like Arthur Askey. -That's beside the point. | 0:19:11 | 0:19:13 | |
"Ghastly little man," you call him. | 0:19:13 | 0:19:15 | |
Right. | 0:19:17 | 0:19:19 | |
I might as well go to bed. | 0:19:19 | 0:19:22 | |
You coming? | 0:19:24 | 0:19:25 | |
Not for a minute, no. | 0:19:25 | 0:19:28 | |
MAN SINGING ON RADIO | 0:19:28 | 0:19:29 | |
SHE HUMS | 0:19:31 | 0:19:34 | |
So you want pilchards, do you? | 0:19:38 | 0:19:40 | |
I think so. | 0:19:40 | 0:19:41 | |
We always used to use coley fish. | 0:19:41 | 0:19:44 | |
I'm sure. I think pilchards would be better. | 0:19:44 | 0:19:48 | |
You going to make it, are you? | 0:19:48 | 0:19:51 | |
All right. What did he think of my pasties? | 0:19:53 | 0:19:57 | |
He loved them. | 0:19:57 | 0:19:59 | |
Ha! Thought he might. | 0:19:59 | 0:20:02 | |
Don't forget the washing. Looks like rain. | 0:20:02 | 0:20:04 | |
You know... | 0:20:06 | 0:20:08 | |
when Andrea's able to walk, he's going to need some clothes. | 0:20:08 | 0:20:12 | |
-Yes, I know. -I thought I'd use some | 0:20:12 | 0:20:15 | |
of the money Aunt Elizabeth left me to get him a new outfit. | 0:20:15 | 0:20:18 | |
Why? | 0:20:18 | 0:20:20 | |
What do you mean, "Why?"? | 0:20:20 | 0:20:21 | |
Why not use our joint account? | 0:20:21 | 0:20:24 | |
What? | 0:20:24 | 0:20:25 | |
We're both responsible for him. | 0:20:25 | 0:20:27 | |
And I was the one who saw him first. | 0:20:27 | 0:20:31 | |
Oh, don't be ridiculous! | 0:20:33 | 0:20:36 | |
Very well. We'll use the joint account. | 0:20:38 | 0:20:41 | |
-Don't be angry with me. -I'm not angry with you, Ursula. | 0:20:41 | 0:20:44 | |
I'm just going to get the washing. | 0:20:44 | 0:20:46 | |
No, no, I'll do it. I'll do it! | 0:20:46 | 0:20:48 | |
Oh, Ursula. | 0:21:04 | 0:21:06 | |
MEN CHATTERING | 0:21:10 | 0:21:11 | |
Not cheap, is it? | 0:21:11 | 0:21:14 | |
It is for everyone else. You can afford it. | 0:21:14 | 0:21:16 | |
It's just as well. | 0:21:16 | 0:21:17 | |
MEN CHATTERING | 0:21:17 | 0:21:20 | |
I want some pilchards. | 0:21:22 | 0:21:24 | |
No more left. | 0:21:24 | 0:21:26 | |
What do you mean, haven't got any left? | 0:21:26 | 0:21:27 | |
I did have half an hour ago. | 0:21:27 | 0:21:28 | |
What have you done with it, then? | 0:21:28 | 0:21:29 | |
All right. Phyllis has got 'em up at the shed. | 0:21:29 | 0:21:32 | |
She'd better have. | 0:21:32 | 0:21:35 | |
What's she want pilchards for? | 0:21:39 | 0:21:41 | |
Stargazey pie. | 0:21:41 | 0:21:43 | |
What's the matter with coley fish? | 0:21:43 | 0:21:45 | |
She wants pilchards. | 0:21:45 | 0:21:47 | |
-Can she tell the difference? -DORCAS CHUCKLES | 0:21:47 | 0:21:50 | |
Andrea seems a lot brighter. | 0:21:52 | 0:21:56 | |
Why don't you take him up a cup of tea? | 0:21:56 | 0:21:59 | |
Ursula. | 0:22:01 | 0:22:03 | |
-Ursula. -What? | 0:22:03 | 0:22:05 | |
Don't you think you're being rather silly? | 0:22:05 | 0:22:08 | |
Silly now, is it? | 0:22:08 | 0:22:10 | |
Oh, for goodness' sake! | 0:22:10 | 0:22:13 | |
How many? | 0:22:20 | 0:22:22 | |
I think we need some more. | 0:22:38 | 0:22:42 | |
-Mm-hmm. -JANET CHUCKLES | 0:22:42 | 0:22:44 | |
It hasn't let up for a minute. | 0:22:45 | 0:22:48 | |
-I said... -I heard you. | 0:22:50 | 0:22:54 | |
I think you should apologise. | 0:22:56 | 0:22:59 | |
What for? | 0:22:59 | 0:23:00 | |
For snapping at me. | 0:23:00 | 0:23:01 | |
Right. | 0:23:04 | 0:23:06 | |
I'm sorry. | 0:23:06 | 0:23:08 | |
I'd call that perfunctory. | 0:23:09 | 0:23:12 | |
-Ursula. -You can be so insensitive. | 0:23:12 | 0:23:15 | |
On the contrary. | 0:23:16 | 0:23:18 | |
Sehr gut? | 0:23:18 | 0:23:20 | |
What did you say? | 0:23:20 | 0:23:22 | |
Nothing. | 0:23:23 | 0:23:24 | |
THUNDER RUMBLING | 0:23:24 | 0:23:28 | |
Ursula, I'm sorry if I upset you. | 0:23:28 | 0:23:30 | |
Thank you. | 0:23:30 | 0:23:32 | |
Don't you think you're behaving rather oddly? | 0:23:36 | 0:23:38 | |
Janet, you've apologised. I've accepted your apology. | 0:23:38 | 0:23:41 | |
Just leave it at that, please. | 0:23:41 | 0:23:43 | |
-All right for you? -Get out. | 0:23:51 | 0:23:54 | |
Jump in. You'll get soaked. | 0:23:57 | 0:23:59 | |
Oh, bloomin' heck! | 0:23:59 | 0:24:01 | |
I knew this was comin'. | 0:24:01 | 0:24:04 | |
Oh, what's all this about? | 0:24:04 | 0:24:06 | |
It's for your patient. | 0:24:06 | 0:24:09 | |
Ain't my patient. | 0:24:09 | 0:24:11 | |
-SHE COUGHS -Bit of a fog in here. | 0:24:11 | 0:24:12 | |
She were a cracker 40 year ago. | 0:24:12 | 0:24:17 | |
Do you think he's ready for this? | 0:24:18 | 0:24:20 | |
If it gets him from the bed to the chair, it's a start. | 0:24:20 | 0:24:23 | |
He mustn't put any weight on the ankle, though. | 0:24:23 | 0:24:26 | |
Do be careful. | 0:24:26 | 0:24:28 | |
-Oh! -Oh, goodness. -Bravo. | 0:24:28 | 0:24:32 | |
Good. Right. I'll see you in a week or so. | 0:24:32 | 0:24:36 | |
LOUDLY: Don't try and run before you can walk. | 0:24:36 | 0:24:40 | |
RADIO: 'Events of major importance happened in Europe today. | 0:24:42 | 0:24:46 | |
'First, this morning, | 0:24:46 | 0:24:47 | |
'the representatives of Britain, France and...' | 0:24:47 | 0:24:50 | |
-Do you think Andrea would be a soldier if he were at home? -Probably. | 0:24:50 | 0:24:54 | |
'..informed by the German government | 0:24:54 | 0:24:55 | |
'that Germany regarded the Franco-Russian...' | 0:24:55 | 0:24:57 | |
We're going to have to go into Truro to get him some clothes. | 0:24:57 | 0:25:00 | |
-I know. -Who did father go to? | 0:25:00 | 0:25:03 | |
Can't remember. | 0:25:03 | 0:25:05 | |
'..by the obligations assumed at the Carno.' | 0:25:05 | 0:25:08 | |
He's so young, isn't he? | 0:25:08 | 0:25:11 | |
Yes, he is. | 0:25:11 | 0:25:14 | |
-I think we can eat. -I'll take Andrea's tray up. | 0:25:14 | 0:25:17 | |
Perhaps he might want to try coming downstairs. | 0:25:17 | 0:25:20 | |
Oh, no. It's far too early for that. | 0:25:20 | 0:25:23 | |
I hope he's going to like it. | 0:25:26 | 0:25:28 | |
They look so sad, don't they? | 0:25:36 | 0:25:38 | |
Not at all. | 0:25:39 | 0:25:41 | |
Don't eat too quickly. | 0:25:44 | 0:25:46 | |
Hmm? | 0:25:46 | 0:25:48 | |
Doesn't matter. | 0:25:48 | 0:25:49 | |
It's very filling, isn't it? | 0:25:54 | 0:25:57 | |
You don't have to eat it, Ursula. | 0:25:58 | 0:26:01 | |
I'm sure Andrea will eat what you can't manage. | 0:26:01 | 0:26:04 | |
Perhaps I'll eat later. | 0:26:08 | 0:26:10 | |
He might like some of my bottled pears. | 0:26:17 | 0:26:19 | |
Penhaligan and Hallett. | 0:26:22 | 0:26:24 | |
What, dear? | 0:26:24 | 0:26:26 | |
Father's tailors. Penhaligan and Hallett. | 0:26:26 | 0:26:29 | |
Oh, yes. | 0:26:29 | 0:26:31 | |
INDISTINCT CHATTERING | 0:26:39 | 0:26:41 | |
Socks. | 0:27:21 | 0:27:22 | |
Socks. | 0:27:23 | 0:27:24 | |
Socks. | 0:27:27 | 0:27:29 | |
For your feet. | 0:27:29 | 0:27:30 | |
HE LAUGHS | 0:27:31 | 0:27:33 | |
"Tank" you. | 0:27:34 | 0:27:36 | |
Th-th-thank you. | 0:27:36 | 0:27:40 | |
Th-thank you. | 0:27:40 | 0:27:43 | |
It's my pleasure. | 0:27:43 | 0:27:45 | |
PIANO PLAYS | 0:27:45 | 0:27:49 | |
SPEAKING POLISH | 0:28:00 | 0:28:01 | |
Bitte, das ist furchtbar... schrecklich! | 0:28:04 | 0:28:08 | |
Schrecklich! | 0:28:09 | 0:28:11 | |
Um... | 0:28:11 | 0:28:12 | |
HE SIGHS | 0:28:13 | 0:28:15 | |
Straszne! | 0:28:16 | 0:28:19 | |
-Janet! -Straszne! | 0:28:19 | 0:28:21 | |
Janet. | 0:28:22 | 0:28:24 | |
Janet, stop! | 0:28:25 | 0:28:27 | |
What's the matter? | 0:28:27 | 0:28:29 | |
It's Andrea. I don't think he likes your playing. | 0:28:29 | 0:28:32 | |
He's become almost violent. | 0:28:32 | 0:28:34 | |
Andrea? Andrea? | 0:28:36 | 0:28:38 | |
Lieben Sie nicht Musik? | 0:28:42 | 0:28:44 | |
HE SPEAKS GERMAN | 0:28:46 | 0:28:49 | |
Oh! Oh, he does... | 0:28:55 | 0:28:58 | |
He does like music. | 0:28:58 | 0:28:59 | |
He just prefers the violin. | 0:28:59 | 0:29:01 | |
-Ja. -Ja. -Ja. | 0:29:01 | 0:29:04 | |
Oh, dear. What a pity we don't have a gramophone. | 0:29:04 | 0:29:07 | |
-We could buy one. -Well, they're frightfully expensive. | 0:29:07 | 0:29:09 | |
Adam Penruddocke plays the violin. | 0:29:09 | 0:29:11 | |
Does he? | 0:29:11 | 0:29:12 | |
I believe so. | 0:29:12 | 0:29:14 | |
-Wipe your feet. -FEET WIPING | 0:29:17 | 0:29:19 | |
All right. | 0:29:19 | 0:29:21 | |
Just a minute. Lift them up. | 0:29:21 | 0:29:24 | |
And the other one. | 0:29:24 | 0:29:26 | |
All right. | 0:29:26 | 0:29:27 | |
Oh, Adam. | 0:29:36 | 0:29:38 | |
How good of you to come. | 0:29:38 | 0:29:40 | |
Our guest has expressed a desire | 0:29:40 | 0:29:42 | |
to hear some music on the violin. | 0:29:42 | 0:29:45 | |
All right. | 0:29:45 | 0:29:47 | |
Andrea. | 0:29:50 | 0:29:51 | |
This is Adam Penruddocke. | 0:29:53 | 0:29:57 | |
Er ist gekommen zu spielen fur Dich. | 0:29:57 | 0:30:01 | |
Oh. | 0:30:01 | 0:30:02 | |
You've come to play for him. | 0:30:02 | 0:30:04 | |
Perhaps you better sit down. | 0:30:04 | 0:30:06 | |
TUNING | 0:30:21 | 0:30:23 | |
HE HITS BAD NOTE | 0:30:55 | 0:30:58 | |
Shall I play something else for you? | 0:31:06 | 0:31:09 | |
Give me. | 0:31:11 | 0:31:12 | |
TUNING | 0:31:28 | 0:31:30 | |
HE PLAYS PENRUDDOCKE'S SONG | 0:31:33 | 0:31:36 | |
Bravo! Encore! Encore! | 0:32:37 | 0:32:39 | |
Forgive me. | 0:32:42 | 0:32:44 | |
I simply couldn't help responding to such marvellous playing. | 0:32:44 | 0:32:47 | |
Was it you? | 0:32:47 | 0:32:48 | |
It was neither of us. | 0:32:48 | 0:32:50 | |
Well, whoever it is is extremely gifted. | 0:32:50 | 0:32:52 | |
Yes, they are. | 0:32:53 | 0:32:56 | |
Now if you'll excuse us. | 0:32:56 | 0:32:57 | |
-You don't think that was rather rude? -No, I do not. | 0:33:00 | 0:33:04 | |
HE SPEAKS GERMAN | 0:33:04 | 0:33:07 | |
It's no good looking at me. | 0:33:07 | 0:33:09 | |
Who was that, then? | 0:33:09 | 0:33:10 | |
I don't know. Never seen her in my life before. | 0:33:10 | 0:33:13 | |
Would he like me to leave me fiddle? | 0:33:13 | 0:33:15 | |
Oh, that would be very kind, Adam. | 0:33:15 | 0:33:18 | |
You can be assured, it will be well looked after. | 0:33:18 | 0:33:21 | |
It's all right. You can hang onto it for a bit. | 0:33:21 | 0:33:25 | |
SPEAKING GERMAN | 0:33:27 | 0:33:29 | |
Well, now. | 0:33:34 | 0:33:36 | |
I think that's enough excitement for today. | 0:33:36 | 0:33:39 | |
Thank you, Adam. It's so kind of you. | 0:33:39 | 0:33:43 | |
This way. Mind your head. | 0:33:43 | 0:33:46 | |
CRANKING MOTOR | 0:34:27 | 0:34:31 | |
SHE EXHALES | 0:34:31 | 0:34:32 | |
Perhaps we should phone Mr Bennett. | 0:34:34 | 0:34:37 | |
Certainly not. Is the choke full out? | 0:34:37 | 0:34:39 | |
I don't know. | 0:34:39 | 0:34:41 | |
Oh... | 0:34:41 | 0:34:43 | |
Ursula. | 0:34:43 | 0:34:45 | |
There's the choke. | 0:34:45 | 0:34:48 | |
Now, come on, old girl. | 0:34:49 | 0:34:52 | |
ENGINE STARTS | 0:34:52 | 0:34:55 | |
FOOTSTEPS | 0:35:20 | 0:35:22 | |
I've got a job for you. | 0:35:25 | 0:35:27 | |
You put the peel in here and the spuds in here. | 0:35:31 | 0:35:35 | |
You have done this before, haven't you? | 0:35:35 | 0:35:38 | |
No. | 0:35:41 | 0:35:43 | |
You put the peel in here | 0:35:44 | 0:35:46 | |
and the spuds in here. | 0:35:46 | 0:35:48 | |
"Spuds"? | 0:35:48 | 0:35:50 | |
Yes. | 0:35:50 | 0:35:52 | |
Proper name is potato, but we calls 'em spuds. | 0:35:52 | 0:35:56 | |
Potato. | 0:35:56 | 0:35:57 | |
Potato! | 0:35:57 | 0:35:58 | |
Oh. Ziemniaka. | 0:35:58 | 0:36:01 | |
What? | 0:36:01 | 0:36:02 | |
Ziemniaka. | 0:36:02 | 0:36:04 | |
Right. | 0:36:04 | 0:36:06 | |
What? | 0:36:11 | 0:36:12 | |
It's no good. I can't understand a word you're saying. | 0:36:17 | 0:36:23 | |
And don't get artistic. Just peel the bloomin' thing. | 0:36:27 | 0:36:30 | |
Harris tweed. | 0:36:36 | 0:36:37 | |
Your father had a suit not dissimilar to this one. | 0:36:37 | 0:36:41 | |
I remember. It lasted him for years. | 0:36:41 | 0:36:44 | |
It's a lovely colour, Janet. | 0:36:44 | 0:36:46 | |
Hmm. That's as may be. | 0:36:46 | 0:36:49 | |
That's it. | 0:36:52 | 0:36:53 | |
You don't think it a little heavy for the summer, Mr Penhaligan? | 0:36:53 | 0:36:57 | |
No, the advantage of tweed, Miss Widdington, | 0:36:57 | 0:36:59 | |
is that it allows the wearer to breathe, as it were, | 0:36:59 | 0:37:02 | |
because of the openness of the weave. | 0:37:02 | 0:37:04 | |
-I see. -I like it. | 0:37:04 | 0:37:08 | |
It's also very hard wearing. | 0:37:08 | 0:37:11 | |
And the price? | 0:37:11 | 0:37:12 | |
Um...just over three guineas. | 0:37:12 | 0:37:16 | |
Oh, good Lord. | 0:37:16 | 0:37:18 | |
WHISPERING | 0:37:18 | 0:37:19 | |
Oh, yes. | 0:37:19 | 0:37:20 | |
And that includes an extra pair of trousers. | 0:37:20 | 0:37:22 | |
And without? | 0:37:22 | 0:37:24 | |
Zip or button fly, sir? | 0:37:25 | 0:37:28 | |
Zip, please. | 0:37:28 | 0:37:29 | |
Two pounds and 15 shillings. | 0:37:29 | 0:37:31 | |
Fine. Shirts? | 0:37:31 | 0:37:33 | |
Certainly. Size? | 0:37:33 | 0:37:35 | |
Is this a five or a six, Ursula? | 0:37:35 | 0:37:38 | |
Ursula? | 0:37:38 | 0:37:40 | |
What? Sorry. | 0:37:40 | 0:37:41 | |
Neck size. Is it a 15 or a 16? | 0:37:41 | 0:37:44 | |
-16. You need new glasses. -Not at all. It's your writing. | 0:37:44 | 0:37:47 | |
-16, please. -Just a minute. | 0:37:49 | 0:37:51 | |
We have collars, Miss Widdington. | 0:37:51 | 0:37:53 | |
Attached and for detached. | 0:37:53 | 0:37:56 | |
A stiff collar looks awfully smart, Janet. | 0:37:58 | 0:38:00 | |
Possibly, but it's awfully uncomfortable. | 0:38:00 | 0:38:04 | |
Attached, I think. | 0:38:04 | 0:38:06 | |
Ties? | 0:38:07 | 0:38:09 | |
Hmm? | 0:38:09 | 0:38:11 | |
Either of you? | 0:38:15 | 0:38:17 | |
CHURCH BELLS RINGING | 0:38:17 | 0:38:19 | |
That's it. Spread it out nice. | 0:38:49 | 0:38:51 | |
Keep them coming. | 0:38:58 | 0:38:59 | |
What's Barry doing? Counting it? | 0:38:59 | 0:39:02 | |
INAUDIBLE | 0:39:03 | 0:39:05 | |
All done now, nearly. | 0:39:27 | 0:39:30 | |
'Do you think he should go?' | 0:39:42 | 0:39:43 | |
Oh, why not? The harvest party's always fun. | 0:39:43 | 0:39:46 | |
No, I mean, with Luke on his motorcycle. | 0:39:46 | 0:39:48 | |
Oh, I think he'll be all right. | 0:39:48 | 0:39:50 | |
Oh. | 0:39:51 | 0:39:53 | |
-Oh, you do look smart. -HORN HONKS | 0:39:53 | 0:39:55 | |
-That sounds like your chauffeur. -Thank you. | 0:39:55 | 0:39:59 | |
Oh! | 0:40:01 | 0:40:02 | |
Do be careful, Luke. | 0:40:02 | 0:40:05 | |
Goodbye. | 0:40:05 | 0:40:07 | |
Bye. | 0:40:07 | 0:40:08 | |
Have a lovely time. | 0:40:08 | 0:40:10 | |
# Going up Camborne Hill Coming down | 0:40:16 | 0:40:19 | |
# Going up Camborne Hill Coming down... # | 0:40:19 | 0:40:23 | |
There you go, boys. | 0:40:24 | 0:40:26 | |
I used to run up Camborne Hill. | 0:40:26 | 0:40:29 | |
All right, Barry? | 0:40:30 | 0:40:32 | |
-Who's he? -Who? | 0:40:33 | 0:40:35 | |
-Him there. -He's a foreigner. | 0:40:35 | 0:40:37 | |
-A foreigner? -He plays the fiddle. | 0:40:37 | 0:40:39 | |
Well, he can come and fiddle with me any day he likes. | 0:40:39 | 0:40:42 | |
ANDREA: What is Camborne Hill? | 0:40:42 | 0:40:44 | |
A bloody great hill, as big as a mountain, between Redruth... | 0:40:44 | 0:40:48 | |
-I should have retired a long time ago. -No, really? | 0:40:48 | 0:40:50 | |
Yes, but I have the energy of a man ten years my junior. | 0:40:50 | 0:40:55 | |
I don't believe it. But you were saying | 0:40:55 | 0:40:59 | |
he lives with the old ladies. | 0:40:59 | 0:41:00 | |
-Who? -The young man. | 0:41:00 | 0:41:02 | |
Oh, yes. For the time being. Yes. But I... | 0:41:02 | 0:41:06 | |
What else do you know about him? | 0:41:06 | 0:41:07 | |
Precious little other than that he's Polish. | 0:41:07 | 0:41:11 | |
Come on, Adam. Let's have The White Rose. | 0:41:11 | 0:41:13 | |
CROWD CHEERS | 0:41:13 | 0:41:15 | |
# I love the white rose in its splendour | 0:41:22 | 0:41:26 | |
# I love the white rose in its bloom | 0:41:26 | 0:41:31 | |
# I love the white rose | 0:41:31 | 0:41:33 | |
-# So fair as she blows... # -Come on, have a dance. | 0:41:34 | 0:41:38 | |
No, thank you. | 0:41:38 | 0:41:40 | |
Cheer up, Barry. It'll never happen. | 0:41:42 | 0:41:46 | |
# The first time I met you, my darling | 0:41:47 | 0:41:51 | |
# Your face was as red as the rose | 0:41:51 | 0:41:55 | |
# But now your dear face has grown pale | 0:41:56 | 0:42:00 | |
# As pale as the lily white rose | 0:42:01 | 0:42:05 | |
# I love the white rose in its splendour | 0:42:05 | 0:42:09 | |
# I love the white rose in its bloom | 0:42:09 | 0:42:14 | |
# I love the white rose... # | 0:42:14 | 0:42:17 | |
Now then, keep in tune. | 0:42:17 | 0:42:19 | |
# It's the rose that reminds me of you | 0:42:21 | 0:42:23 | |
# I love the white rose in its splendour... # | 0:42:25 | 0:42:28 | |
FOOTSTEPS | 0:42:28 | 0:42:29 | |
Keep your foreign eyes off her, boy. | 0:42:31 | 0:42:34 | |
Pack it up, Barry... | 0:42:34 | 0:42:36 | |
or I shall have to piss all over you. | 0:42:36 | 0:42:41 | |
MUSIC FINISHES, APPLAUSE | 0:42:46 | 0:42:48 | |
Bravo! | 0:42:57 | 0:42:59 | |
HUSHED CHATTER | 0:43:15 | 0:43:18 | |
LAUGHTER | 0:43:21 | 0:43:22 | |
Shh! | 0:43:22 | 0:43:24 | |
CROWD CHEERING | 0:44:38 | 0:44:41 | |
SHE SPEAKS GERMAN | 0:44:46 | 0:44:47 | |
Polish. | 0:44:54 | 0:44:56 | |
Polish. | 0:44:56 | 0:44:58 | |
MAN LAUGHING OUTSIDE | 0:44:58 | 0:45:00 | |
Janet. | 0:45:00 | 0:45:02 | |
Janet! | 0:45:02 | 0:45:04 | |
JANET GROANS, DOOR OPENS | 0:45:04 | 0:45:05 | |
Shh-shh-shh! | 0:45:05 | 0:45:08 | |
MEN TALKING, INDISTINCTLY | 0:45:08 | 0:45:11 | |
DRUNKLY: # Going up Camborne Hill Coming down | 0:45:11 | 0:45:14 | |
# Going up Camborne Hill Coming down | 0:45:14 | 0:45:18 | |
# Coming down | 0:45:18 | 0:45:20 | |
# Going up Camborne Hill Coming down... # | 0:45:20 | 0:45:23 | |
HE CHUCKLES | 0:45:23 | 0:45:25 | |
Trevor? | 0:45:39 | 0:45:41 | |
Trevor! | 0:45:42 | 0:45:44 | |
-What? -What do you mean, "what?"? | 0:45:44 | 0:45:46 | |
Get them out of here! | 0:45:47 | 0:45:50 | |
Go on. | 0:45:50 | 0:45:51 | |
Go on. Go on by, then. | 0:45:52 | 0:45:54 | |
Go on. | 0:45:54 | 0:45:56 | |
Get past me. | 0:45:56 | 0:45:58 | |
Go on. | 0:45:58 | 0:45:59 | |
I said go on. | 0:45:59 | 0:46:01 | |
Do you think we should wake him? | 0:46:04 | 0:46:07 | |
I'd rather you didn't. | 0:46:07 | 0:46:08 | |
He hasn't made a sound. | 0:46:08 | 0:46:10 | |
He made enough last night. | 0:46:10 | 0:46:12 | |
-DOOR OPENS -Morning. | 0:46:12 | 0:46:14 | |
Morning, Dorcas. | 0:46:14 | 0:46:15 | |
That Trevor's in a right state this morning. | 0:46:15 | 0:46:18 | |
-Beasts all over the place. -He's not the only one. | 0:46:18 | 0:46:20 | |
We think Andrea may be rather the worse for wear. | 0:46:20 | 0:46:23 | |
So I hear. Jan had to take him back. | 0:46:23 | 0:46:26 | |
We haven't woken him yet. | 0:46:26 | 0:46:28 | |
Want me to? | 0:46:28 | 0:46:30 | |
Perhaps some strong tea. | 0:46:30 | 0:46:32 | |
Right. | 0:46:32 | 0:46:33 | |
SNORING | 0:46:33 | 0:46:35 | |
Oi. | 0:46:40 | 0:46:42 | |
Oi! | 0:46:45 | 0:46:47 | |
Look at the state of you. | 0:46:55 | 0:46:58 | |
He's up. | 0:47:08 | 0:47:09 | |
How do you feel? | 0:47:12 | 0:47:14 | |
Pretty sorry for himself, I should think. | 0:47:14 | 0:47:17 | |
Never mind. | 0:47:20 | 0:47:22 | |
Dorcas has made you some pasties for lunch. | 0:47:22 | 0:47:26 | |
This is where we found you. | 0:47:37 | 0:47:39 | |
I was dead. | 0:48:10 | 0:48:13 | |
We thought you were. | 0:48:13 | 0:48:15 | |
VIOLIN PLAYS | 0:48:56 | 0:49:00 | |
Wunderbar! | 0:49:41 | 0:49:43 | |
-Wunderbar! -SHE LAUGHS | 0:49:43 | 0:49:45 | |
Hello, again. | 0:49:45 | 0:49:47 | |
My name is Olga. | 0:49:47 | 0:49:48 | |
-How do you do? -Good afternoon. | 0:49:48 | 0:49:51 | |
Wie geht es Ihnen? | 0:49:54 | 0:49:55 | |
Gut, danke. | 0:49:55 | 0:49:57 | |
We met the other evening at the village hall. | 0:49:57 | 0:50:01 | |
Forgive me. I had to stop to listen to that music. | 0:50:02 | 0:50:06 | |
You have such a beautiful garden. | 0:50:06 | 0:50:08 | |
Thank you. | 0:50:10 | 0:50:12 | |
Well, I should go. | 0:50:12 | 0:50:15 | |
Goodbye. | 0:50:15 | 0:50:16 | |
Mmm. That's delicious. Auf wiedersehen. | 0:50:19 | 0:50:22 | |
ANDREA SPEAKS GERMAN KISSES | 0:50:22 | 0:50:25 | |
I know it's not really Christian of me, | 0:50:33 | 0:50:35 | |
but I dislike that woman intensely. | 0:50:35 | 0:50:38 | |
Is she German? | 0:50:38 | 0:50:40 | |
I wouldn't be at all surprised. | 0:50:40 | 0:50:42 | |
Olga's a Russian name. | 0:50:42 | 0:50:47 | |
She frightens me. | 0:50:47 | 0:50:49 | |
She's like the witch in a fairytale. | 0:50:49 | 0:50:52 | |
She's no better than she ought to be, that one. | 0:50:52 | 0:50:55 | |
For you. | 0:50:57 | 0:50:59 | |
Music and flowers. | 0:50:59 | 0:51:03 | |
Thank you. Dankeschon. | 0:51:03 | 0:51:06 | |
Oh. Oh, thank you. | 0:51:06 | 0:51:09 | |
Shall we put them in water, Ursula? | 0:51:12 | 0:51:14 | |
I only said Dankeschon. | 0:51:19 | 0:51:21 | |
I just think it would be better for Andrea | 0:51:21 | 0:51:24 | |
if we spoke in English from now on. | 0:51:24 | 0:51:28 | |
Whatever you say, Janet. | 0:51:28 | 0:51:31 | |
SOFTLY: # Three blind mice three blind mice | 0:51:39 | 0:51:42 | |
# See how they run see how they run | 0:51:42 | 0:51:46 | |
# They all ran after the farmer's wife... # | 0:51:46 | 0:51:50 | |
URSULA: "Forgive my intrusion recently. | 0:52:01 | 0:52:04 | |
"I feel I should explain my interest in your companion and his music. | 0:52:04 | 0:52:07 | |
"My name is Daniloff. My brother | 0:52:07 | 0:52:10 | |
"is the violinist Boris Daniloff, of whom you may have heard." | 0:52:10 | 0:52:13 | |
Daniloff? | 0:52:13 | 0:52:16 | |
"Your companion has a rare gift, | 0:52:16 | 0:52:18 | |
"and I should like to know a lot more about him. | 0:52:18 | 0:52:21 | |
"I'm here for a short holiday | 0:52:21 | 0:52:24 | |
"in the hope of improving my meagre ability as a painter. | 0:52:24 | 0:52:27 | |
"Perhaps you would be good enough to pass on my best wishes to - | 0:52:27 | 0:52:30 | |
"is it Andrea? | 0:52:30 | 0:52:32 | |
"Yours sincerely, Olga Daniloff" | 0:52:32 | 0:52:34 | |
-Boris? -FOOTSTEPS | 0:52:34 | 0:52:37 | |
Good morning. | 0:52:37 | 0:52:39 | |
-Morning. -Good morning, Andrea. | 0:52:39 | 0:52:41 | |
Would you like some tea? | 0:52:41 | 0:52:42 | |
Yes, thank you. | 0:52:42 | 0:52:44 | |
Well, there's no cup. Some porridge? | 0:52:44 | 0:52:46 | |
No. No, thank you. | 0:52:46 | 0:52:48 | |
You sit and I'll get you a cup. | 0:52:48 | 0:52:51 | |
Andrea. | 0:52:56 | 0:52:58 | |
SHE SPEAKS GERMAN | 0:52:58 | 0:53:00 | |
..Daniloff? | 0:53:00 | 0:53:01 | |
Daniloff? Boris Daniloff? | 0:53:01 | 0:53:05 | |
Possibly. | 0:53:05 | 0:53:08 | |
Ja. He's a god. | 0:53:08 | 0:53:09 | |
Really? | 0:53:09 | 0:53:11 | |
Maestro. | 0:53:11 | 0:53:13 | |
Why you ask? | 0:53:13 | 0:53:15 | |
Oh! | 0:53:16 | 0:53:18 | |
-How clumsy of me. -Please, I will do. | 0:53:20 | 0:53:24 | |
Breaking up the happy home, are we? | 0:53:24 | 0:53:26 | |
TURNS OFF ENGINE | 0:53:48 | 0:53:51 | |
HUMMING | 0:54:00 | 0:54:03 | |
RINGS BELL | 0:54:17 | 0:54:19 | |
-Good afternoon! -Good afternoon. | 0:54:24 | 0:54:27 | |
Oh. | 0:54:32 | 0:54:34 | |
Very lovely. | 0:54:35 | 0:54:37 | |
Thank you. | 0:54:37 | 0:54:39 | |
Please, carry on. | 0:54:39 | 0:54:41 | |
Well, I'm not sure how I feel about having an audience. | 0:54:41 | 0:54:45 | |
Admirer. | 0:54:45 | 0:54:47 | |
Nevertheless. | 0:54:47 | 0:54:50 | |
I'm sorry. It's just that you puzzle me. | 0:54:50 | 0:54:54 | |
A talented and, may I say, attractive woman, alone. | 0:54:54 | 0:55:00 | |
The fact that I am alone should not give you, | 0:55:00 | 0:55:03 | |
or anyone else, cause for concern. | 0:55:03 | 0:55:05 | |
Yes, of course. | 0:55:05 | 0:55:07 | |
HE EXHALES | 0:55:07 | 0:55:09 | |
That building over there is a folly. | 0:55:10 | 0:55:12 | |
Is it? | 0:55:12 | 0:55:14 | |
It was built by the owner of the big house | 0:55:14 | 0:55:16 | |
as a place to escape from his wife. | 0:55:16 | 0:55:19 | |
Enjoy a quiet drink with his cronies. | 0:55:19 | 0:55:22 | |
Rather a good idea, don't you think? | 0:55:22 | 0:55:24 | |
Mm. | 0:55:24 | 0:55:26 | |
Well, better let you get on. | 0:55:27 | 0:55:30 | |
I have to heal the sick. | 0:55:30 | 0:55:34 | |
Make the lame walk. | 0:55:34 | 0:55:37 | |
How is your Polish patient? | 0:55:37 | 0:55:39 | |
The Polish patient? | 0:55:39 | 0:55:41 | |
Yes, the young musician who is staying with the old ladies. | 0:55:41 | 0:55:45 | |
Well... Yes, he's fine. | 0:55:45 | 0:55:46 | |
I'm a bit of a musician myself, you know. | 0:55:46 | 0:55:49 | |
Are you? | 0:55:49 | 0:55:50 | |
Contrabass with the Hospital Orchestral Society. | 0:55:50 | 0:55:54 | |
I haven't played for years, mind. | 0:55:54 | 0:55:56 | |
My late wife couldn't abide it. | 0:55:56 | 0:55:58 | |
Well, I better be off. | 0:56:00 | 0:56:02 | |
HE GRUNTS | 0:56:02 | 0:56:04 | |
Perhaps I should have built myself a folly. | 0:56:07 | 0:56:10 | |
Goodbye. | 0:56:12 | 0:56:14 | |
It's mended very well. | 0:56:28 | 0:56:30 | |
I don't see why we can't send him back to Poland. | 0:56:30 | 0:56:34 | |
Andrea is part of the family, Doctor. | 0:56:34 | 0:56:37 | |
Is he, now? That's very nice. | 0:56:37 | 0:56:40 | |
All these artistic visitors, suddenly. | 0:56:40 | 0:56:43 | |
What do you mean, "all these visitors"? | 0:56:43 | 0:56:46 | |
I saw that young painter woman on my way here. | 0:56:46 | 0:56:48 | |
She asked after you. | 0:56:48 | 0:56:50 | |
Hmm. | 0:56:51 | 0:56:53 | |
SHE SPEAKS GERMAN | 0:56:53 | 0:56:55 | |
Olga. | 0:57:03 | 0:57:04 | |
Yes, indeed. | 0:57:04 | 0:57:07 | |
Right. Well, I'll shoot off now, then. | 0:57:07 | 0:57:09 | |
No need for me to see him again. | 0:57:09 | 0:57:12 | |
Don't you think perhaps you should tell the authorities that he's here? | 0:57:12 | 0:57:17 | |
Probably, yes. | 0:57:17 | 0:57:19 | |
-Thank you, Doctor. -I'll see you out. | 0:57:19 | 0:57:22 | |
Just a moment, Andrea. | 0:57:37 | 0:57:39 | |
What is it? | 0:57:41 | 0:57:43 | |
-He asked me again about Daniloff. -What did you say? | 0:57:43 | 0:57:46 | |
I said we'd heard his name on the wireless. | 0:57:46 | 0:57:48 | |
We do listen to the occasional concert on Friday evenings. | 0:57:48 | 0:57:51 | |
-But we didn't. -Janet. | 0:57:51 | 0:57:53 | |
Do we have to tell the authorities? | 0:57:53 | 0:57:57 | |
We hear wireless? | 0:57:57 | 0:57:58 | |
Well, in the evenings - Abend. | 0:57:58 | 0:58:02 | |
-This evening? -No, no, no. Not this evening. | 0:58:02 | 0:58:05 | |
We'd rather hear you play, Andrea. | 0:58:05 | 0:58:07 | |
No. If you could hear Boris Daniloff! | 0:58:07 | 0:58:11 | |
That way is America - a new life for me. | 0:58:14 | 0:58:19 | |
Let's go back. It's getting chilly. | 0:58:19 | 0:58:22 | |
Aunt Elizabeth used to say, | 0:58:28 | 0:58:31 | |
"America was made up of the sweepings of Europe." | 0:58:31 | 0:58:34 | |
I no understand. | 0:58:34 | 0:58:36 | |
It doesn't matter. | 0:58:36 | 0:58:38 | |
CLASSICAL MUSIC ON RADIO | 0:58:41 | 0:58:45 | |
SHE COUGHS | 0:58:47 | 0:58:49 | |
-Shall I make some cocoa? -Shh! | 0:58:50 | 0:58:54 | |
SHE MOUTHS | 0:58:54 | 0:58:56 | |
SHE MOUTHS | 0:58:56 | 0:58:57 | |
-Do you think he should? -Hmm? | 0:59:34 | 0:59:37 | |
Yes, it's a bit like falling off a horse. | 0:59:37 | 0:59:40 | |
The sooner you get back on, the sooner you conquer the fear. | 0:59:40 | 0:59:44 | |
I see. | 0:59:44 | 0:59:45 | |
I hope you checked Father's bathing costume for moth holes. | 0:59:48 | 0:59:52 | |
Yes, silly. | 0:59:52 | 0:59:53 | |
Don't go out of your depth! | 1:00:02 | 1:00:05 | |
Andrea? | 1:00:32 | 1:00:33 | |
Andrea! | 1:00:35 | 1:00:38 | |
Andrea! | 1:00:38 | 1:00:39 | |
-Andrea! -Andrea! | 1:00:39 | 1:00:42 | |
Where's he gone? Janet, where's he gone? | 1:00:44 | 1:00:47 | |
I don't know. | 1:00:47 | 1:00:48 | |
Andrea? | 1:00:49 | 1:00:51 | |
HE COUGHS | 1:00:51 | 1:00:53 | |
Oh! | 1:00:53 | 1:00:54 | |
-Andrea? -Oh! | 1:00:54 | 1:00:57 | |
HE LAUGHS | 1:01:03 | 1:01:07 | |
That is not funny. | 1:01:11 | 1:01:12 | |
# Roses are shining in Picardy | 1:01:22 | 1:01:27 | |
# In the hush of the silver dew | 1:01:27 | 1:01:33 | |
# Roses are showering in Picardy | 1:01:33 | 1:01:38 | |
# But there's never a rose like you | 1:01:38 | 1:01:44 | |
# And the roses will die in the summertime | 1:01:44 | 1:01:49 | |
# And our paths may be far apart | 1:01:49 | 1:01:54 | |
# But there's one rose that dies not in Picardy | 1:01:54 | 1:02:00 | |
# 'Tis the rose | 1:02:00 | 1:02:03 | |
# That I keep in my heart... # | 1:02:03 | 1:02:09 | |
Were you very much in love with Peter? | 1:02:19 | 1:02:23 | |
Ursula, really. | 1:02:23 | 1:02:24 | |
It's just that I keep thinking about you both. | 1:02:24 | 1:02:27 | |
You never speak of him. | 1:02:28 | 1:02:31 | |
I have done. | 1:02:31 | 1:02:33 | |
Did he want to go back to the war? | 1:02:38 | 1:02:41 | |
He felt it was his duty. | 1:02:41 | 1:02:43 | |
They all did. | 1:02:43 | 1:02:45 | |
I don't think they had any choice. | 1:02:45 | 1:02:48 | |
Pillow. | 1:02:48 | 1:02:50 | |
Did you nurse Germans, too? | 1:02:56 | 1:02:58 | |
If they were brought to us. | 1:02:58 | 1:03:01 | |
I hope it doesn't happen all over again. | 1:03:05 | 1:03:08 | |
So do I. | 1:03:09 | 1:03:11 | |
THUMP | 1:03:18 | 1:03:20 | |
-COUGHING -Oh! | 1:03:20 | 1:03:22 | |
Oh! | 1:03:24 | 1:03:26 | |
Oh! Oh! | 1:03:26 | 1:03:29 | |
Oh! | 1:03:29 | 1:03:31 | |
You! | 1:03:35 | 1:03:37 | |
You're full of the joys of spring this morning. | 1:03:37 | 1:03:40 | |
Oh! | 1:03:40 | 1:03:42 | |
SHE COUGHS | 1:03:42 | 1:03:43 | |
I want to go to America. | 1:03:53 | 1:03:56 | |
-You want to go where, boy? -America he said, I think. | 1:03:56 | 1:03:59 | |
-Ask Joe over there. -Joe will take you. | 1:04:01 | 1:04:03 | |
MEN LAUGH He'll take you on his back, won't he? | 1:04:03 | 1:04:06 | |
Barry would. | 1:04:06 | 1:04:07 | |
-Barry would take him anywhere. -America? | 1:04:08 | 1:04:11 | |
Don't be daft. | 1:04:11 | 1:04:13 | |
Land's End is about as far as I'll take you. | 1:04:13 | 1:04:16 | |
MEN LAUGH | 1:04:37 | 1:04:39 | |
Gave you a bit of a fright, didn't it, boy? | 1:04:39 | 1:04:42 | |
SHUTS OFF ENGINE | 1:06:21 | 1:06:22 | |
OLGA LAUGHING | 1:06:28 | 1:06:30 | |
SPEAKING GERMAN | 1:06:31 | 1:06:33 | |
STARTS ENGINE | 1:06:36 | 1:06:38 | |
Did you have an enjoyable day, Andrea? | 1:06:49 | 1:06:51 | |
I no understand. | 1:06:54 | 1:06:55 | |
Haben Sie einen schonen Tag gehabt? | 1:06:57 | 1:07:01 | |
Yes. Yes. I had a good day. | 1:07:01 | 1:07:04 | |
Good. | 1:07:04 | 1:07:05 | |
Mm-hmm. | 1:07:08 | 1:07:10 | |
Interessant. | 1:07:10 | 1:07:12 | |
InteresTING. | 1:07:14 | 1:07:15 | |
InteresTING. | 1:07:15 | 1:07:17 | |
Will you have some more? | 1:07:22 | 1:07:23 | |
No. Thank you. | 1:07:23 | 1:07:25 | |
I go to play. | 1:07:29 | 1:07:31 | |
What do you think's the matter with him? | 1:07:40 | 1:07:43 | |
I don't know. | 1:07:45 | 1:07:46 | |
OLGA: My dear brother, | 1:07:46 | 1:07:49 | |
I hope this finds you well | 1:07:49 | 1:07:50 | |
and that your concerts are a huge success. | 1:07:50 | 1:07:52 | |
During my stay in Cornwall, I have had the great good fortune | 1:07:52 | 1:07:55 | |
to meet a young man of extraordinary talent. | 1:07:55 | 1:07:58 | |
He plays the violin almost as exquisitely as you. | 1:07:58 | 1:08:03 | |
If only you could hear him. | 1:08:05 | 1:08:07 | |
I believe you would be astounded. | 1:08:07 | 1:08:10 | |
(Ursula! | 1:08:32 | 1:08:34 | |
(What are you doing? | 1:08:36 | 1:08:40 | |
(Come back to bed.) | 1:08:40 | 1:08:42 | |
I made you a sandwich. | 1:09:21 | 1:09:23 | |
What do you think you were doing last night? | 1:09:29 | 1:09:32 | |
Ursula. | 1:09:34 | 1:09:36 | |
I don't know. | 1:09:39 | 1:09:41 | |
You were happy with Peter, weren't you? | 1:09:51 | 1:09:53 | |
It wasn't all pain. | 1:09:55 | 1:09:58 | |
Why, no, but... | 1:09:59 | 1:10:02 | |
Before he was killed, you... | 1:10:02 | 1:10:04 | |
Ursula... | 1:10:08 | 1:10:10 | |
Andrea's a boy. | 1:10:10 | 1:10:13 | |
Yes, and I'm an old woman... | 1:10:13 | 1:10:15 | |
Silly and ridiculous and... | 1:10:15 | 1:10:17 | |
foolish. | 1:10:17 | 1:10:20 | |
Naive. | 1:10:20 | 1:10:21 | |
Well, how could I be anything else? | 1:10:22 | 1:10:24 | |
It's not fair. | 1:10:27 | 1:10:30 | |
No. | 1:10:30 | 1:10:31 | |
No, it isn't. | 1:10:33 | 1:10:36 | |
SNIFFLES Do you want him to go? | 1:10:37 | 1:10:40 | |
What? | 1:10:40 | 1:10:41 | |
Andrea - do you want him to leave? | 1:10:41 | 1:10:44 | |
No, but... | 1:10:46 | 1:10:48 | |
I'll be all right, Janet. | 1:10:51 | 1:10:54 | |
Will you? | 1:10:54 | 1:10:56 | |
SHUTS OFF ENGINE | 1:11:16 | 1:11:18 | |
RESUMES PLAY SLOWLY | 1:11:50 | 1:11:53 | |
SHE SIGHS | 1:12:14 | 1:12:15 | |
I think you should go. | 1:13:50 | 1:13:52 | |
I no understand. | 1:13:55 | 1:13:56 | |
Please, Andrea. | 1:14:02 | 1:14:04 | |
Andrea. | 1:14:15 | 1:14:16 | |
Auf wiedersehen. | 1:14:18 | 1:14:21 | |
Auf wiedersehen. | 1:14:21 | 1:14:23 | |
SHE SIGHS | 1:14:32 | 1:14:34 | |
The nights will soon be drawing in. | 1:14:39 | 1:14:42 | |
Hmm. | 1:14:42 | 1:14:43 | |
Shouldn't we wait for Andrea? | 1:14:45 | 1:14:48 | |
I don't see why. | 1:14:48 | 1:14:50 | |
Well, he'll be hungry. | 1:14:50 | 1:14:52 | |
He's been away a long time. | 1:14:52 | 1:14:54 | |
DOOR OPENS | 1:14:54 | 1:14:57 | |
DOOR SLAMS | 1:14:57 | 1:14:58 | |
Andrea?! | 1:15:00 | 1:15:01 | |
Ursula? Ursula! | 1:15:01 | 1:15:03 | |
VIOLIN PLAYING | 1:15:03 | 1:15:06 | |
Andrea? | 1:15:08 | 1:15:09 | |
Andrea? | 1:15:12 | 1:15:13 | |
Andrea, what's the matter?! | 1:15:13 | 1:15:14 | |
What do you think?! | 1:15:14 | 1:15:17 | |
Boris Daniloff. | 1:15:17 | 1:15:19 | |
What? | 1:15:20 | 1:15:21 | |
Boris Daniloff. Why you not tell me? | 1:15:21 | 1:15:23 | |
Because she didn't know. | 1:15:23 | 1:15:24 | |
It's all right, Ursula. | 1:15:24 | 1:15:25 | |
I no understand. | 1:15:25 | 1:15:27 | |
Because she didn't know. | 1:15:27 | 1:15:29 | |
I no understand why. | 1:15:29 | 1:15:30 | |
Now do you understand? | 1:15:32 | 1:15:33 | |
How did you know? | 1:15:46 | 1:15:49 | |
Stupid, stupid, stupid. | 1:15:49 | 1:15:53 | |
SHE SIGHS | 1:16:08 | 1:16:10 | |
Ursula, I sorry. | 1:16:16 | 1:16:19 | |
No, no. I'm sorry. | 1:16:19 | 1:16:22 | |
It's not your fault. | 1:16:22 | 1:16:23 | |
Fault? What is fault? | 1:16:23 | 1:16:26 | |
It doesn't matter. | 1:16:26 | 1:16:27 | |
Really, Andrea, | 1:16:27 | 1:16:30 | |
it's all right. | 1:16:30 | 1:16:32 | |
SHE SIGHS | 1:16:32 | 1:16:34 | |
-Good morning. -Morning, Madam. | 1:16:55 | 1:16:57 | |
-Uh, I've got a telegram for you. -Oh. | 1:16:57 | 1:17:00 | |
Any reply? | 1:17:05 | 1:17:06 | |
No, thank you. Thank you. | 1:17:06 | 1:17:08 | |
-Yeah? -That's better. | 1:17:25 | 1:17:28 | |
Wait a minute. | 1:17:29 | 1:17:31 | |
Yeah. | 1:17:33 | 1:17:35 | |
Oh. | 1:17:36 | 1:17:37 | |
Dankeschon. | 1:17:37 | 1:17:39 | |
They're never going to recognise you down at the pub. | 1:17:39 | 1:17:42 | |
Shall we go in? | 1:17:42 | 1:17:44 | |
Get low and strong, right? | 1:17:56 | 1:17:58 | |
Now, you get three goes. | 1:17:58 | 1:18:02 | |
Take the ball. | 1:18:02 | 1:18:04 | |
Mind your front foot there. | 1:18:04 | 1:18:05 | |
That's right. | 1:18:05 | 1:18:07 | |
Now you're going to pull it back. | 1:18:07 | 1:18:08 | |
Slow but sure. Slow. | 1:18:08 | 1:18:10 | |
-ALL CHATTERING -There you are, huh? | 1:18:13 | 1:18:15 | |
Set 'em up again, Hedley. | 1:18:15 | 1:18:17 | |
He's foreign, you see. | 1:18:17 | 1:18:21 | |
Holland? | 1:18:21 | 1:18:23 | |
I don't know. | 1:18:23 | 1:18:24 | |
CHATTERING CONTINUES | 1:18:24 | 1:18:26 | |
Miss Daniloff, what an unexpected pleasure. | 1:18:44 | 1:18:47 | |
I'd offer you a drink, but I doubt that Arthur | 1:18:47 | 1:18:49 | |
has any schnapps. | 1:18:49 | 1:18:51 | |
No, please, allow me, Doctor. | 1:18:51 | 1:18:53 | |
What would you like? | 1:18:53 | 1:18:54 | |
Good God. That's beyond belief. I wouldn't think of it. | 1:18:54 | 1:18:57 | |
Please, I insist. | 1:18:57 | 1:19:00 | |
Oh, all right, then. | 1:19:00 | 1:19:01 | |
Another whiskey and soda, please, Arthur. | 1:19:01 | 1:19:03 | |
And a beer for me. A pint, please. | 1:19:03 | 1:19:06 | |
A whiskey and soda and a pint for the lady. | 1:19:06 | 1:19:08 | |
How's the painting coming along? | 1:19:08 | 1:19:10 | |
Oh, it's improving, I think. | 1:19:10 | 1:19:13 | |
I haven't seen much of you alfresco lately. | 1:19:13 | 1:19:18 | |
Andrea! | 1:19:18 | 1:19:20 | |
My, my, you look very smart. | 1:19:20 | 1:19:21 | |
You like? | 1:19:23 | 1:19:24 | |
Yeah. | 1:19:24 | 1:19:26 | |
Miss Janet thinks I look like girl. | 1:19:26 | 1:19:28 | |
That is not possible. | 1:19:28 | 1:19:31 | |
Your English is improving. Been having private lessons? | 1:19:31 | 1:19:34 | |
He has a very good ear. | 1:19:34 | 1:19:36 | |
That'll be two and eight. | 1:19:36 | 1:19:37 | |
Thank you. Would you like a drink? | 1:19:37 | 1:19:39 | |
Yeah. | 1:19:39 | 1:19:41 | |
Beer. | 1:19:41 | 1:19:42 | |
-And another beer for my friend. -Righty-ho. | 1:19:42 | 1:19:45 | |
RADIO: '..our principal cities | 1:20:08 | 1:20:09 | |
'within 24 hours of an outbreak of war...' | 1:20:09 | 1:20:12 | |
VIOLIN PLAYING, HIGH-PITCHED | 1:20:12 | 1:20:16 | |
'People will be billeted in the country...' | 1:20:16 | 1:20:19 | |
Doesn't sound good. I can't listen any more. | 1:20:23 | 1:20:27 | |
Don't know how you can stand it. Sounds like a strangled cat. | 1:20:27 | 1:20:29 | |
I meant the news. | 1:20:29 | 1:20:31 | |
Oh. | 1:20:31 | 1:20:33 | |
Do we have any parsnips? | 1:20:33 | 1:20:35 | |
Bit early for parsnips. | 1:20:35 | 1:20:37 | |
Plenty of spuds, though. | 1:20:37 | 1:20:39 | |
Then we'll have to have extra spuds. | 1:20:39 | 1:20:41 | |
Potatoes. | 1:20:41 | 1:20:43 | |
FOOTSTEPS ON STAIRS | 1:20:43 | 1:20:47 | |
I walk. | 1:20:47 | 1:20:48 | |
Oh, good. | 1:20:48 | 1:20:50 | |
Um, we have chicken for supper. | 1:20:50 | 1:20:53 | |
Hmm? | 1:20:53 | 1:20:55 | |
Um... | 1:20:55 | 1:20:56 | |
Oh... | 1:21:00 | 1:21:02 | |
Hundchen? | 1:21:06 | 1:21:08 | |
Hundchen. Das ist gut. Auf wiedersehen. | 1:21:11 | 1:21:14 | |
I'll see you later. | 1:21:14 | 1:21:16 | |
I don't think I'll bother Truro with it just yet. | 1:21:30 | 1:21:33 | |
Well, that's up to you. | 1:21:33 | 1:21:35 | |
But I still think it's rather odd. | 1:21:35 | 1:21:38 | |
I'll look into it, Francis. | 1:21:38 | 1:21:40 | |
-All right. -Morning. | 1:21:43 | 1:21:46 | |
Dr Mead said they were speakin' German. | 1:21:46 | 1:21:48 | |
-I, uh... -I speak fluent German. | 1:21:48 | 1:21:50 | |
Does he think I'm involved in espionage as well? | 1:21:50 | 1:21:53 | |
Well, no, but... | 1:21:54 | 1:21:56 | |
I've never heard of anything so ridiculous. | 1:21:56 | 1:21:59 | |
-I know you were only doing your job. -Well, you can't be too careful. | 1:22:02 | 1:22:05 | |
-All right, Miss Ursula. -Goodbye. | 1:22:05 | 1:22:08 | |
Uh... | 1:22:08 | 1:22:09 | |
-You don't know where he's gone, then? -Sorry? | 1:22:09 | 1:22:12 | |
The young foreign chap - you don't know where he's gone? | 1:22:12 | 1:22:15 | |
Oh, for a walk, I think. | 1:22:15 | 1:22:18 | |
Right. Bye, then. | 1:22:18 | 1:22:19 | |
Bye. | 1:22:19 | 1:22:21 | |
You don't speak fluent German at all. | 1:22:27 | 1:22:29 | |
-But she does. -Oh, don't you start. | 1:22:29 | 1:22:32 | |
Hello? | 1:22:40 | 1:22:42 | |
There you are. | 1:22:42 | 1:22:44 | |
-Are you going? -WE are going. | 1:22:44 | 1:22:46 | |
My brother is in London for the next 24 hours | 1:22:46 | 1:22:49 | |
-and he said he could see you tonight. -Slowly, please. What? | 1:22:49 | 1:22:51 | |
Mein Bruder ist fur 24 Stunden in London | 1:22:51 | 1:22:54 | |
und kann euch heute Abend treffen. | 1:22:54 | 1:22:55 | |
HORN HONKING | 1:23:04 | 1:23:05 | |
You can take those two cases and I can manage everything else. | 1:23:14 | 1:23:18 | |
Come on! | 1:23:22 | 1:23:24 | |
SHE SIGHS | 1:23:34 | 1:23:36 | |
He won't be here any sooner. | 1:23:37 | 1:23:39 | |
Oh, I know. I just... | 1:23:39 | 1:23:41 | |
I told him we were having chicken. | 1:23:41 | 1:23:45 | |
I think we should eat. | 1:23:45 | 1:23:47 | |
No, let's wait. | 1:23:47 | 1:23:49 | |
He's sure to be here soon. | 1:23:49 | 1:23:52 | |
-I'm going to phone Pendered. -All right. | 1:24:11 | 1:24:14 | |
Trevannic 412, please, Mrs Pengelley. | 1:24:17 | 1:24:21 | |
Hello? | 1:24:23 | 1:24:24 | |
Mr Pendered? | 1:24:24 | 1:24:26 | |
It's Janet Widdington. | 1:24:26 | 1:24:28 | |
Yeah... Hello. | 1:24:28 | 1:24:31 | |
We're rather worried about Andrea. | 1:24:31 | 1:24:34 | |
We were expecting him for supper, and we... | 1:24:34 | 1:24:37 | |
Oh, I... | 1:24:43 | 1:24:46 | |
I see. | 1:24:46 | 1:24:47 | |
No. No, we didn't know. | 1:24:51 | 1:24:54 | |
Mm. Yes. | 1:24:56 | 1:24:58 | |
Well...thank you. | 1:24:59 | 1:25:01 | |
Janet, what's happened? | 1:25:04 | 1:25:05 | |
They've gone. | 1:25:05 | 1:25:07 | |
What do you mean? | 1:25:09 | 1:25:10 | |
I mean Andrea is gone. | 1:25:12 | 1:25:13 | |
With that woman. | 1:25:15 | 1:25:17 | |
I don't understand. | 1:25:18 | 1:25:21 | |
Andrea... | 1:25:21 | 1:25:23 | |
and the Daniloff woman were seen getting on the train to London. | 1:25:23 | 1:25:27 | |
Oh... Oh, Janet. | 1:25:30 | 1:25:32 | |
No. | 1:25:32 | 1:25:34 | |
-Oh, Janet. -Don't. | 1:25:34 | 1:25:36 | |
-SOBBING -Ursula. | 1:25:36 | 1:25:39 | |
Oh, don't. | 1:25:41 | 1:25:42 | |
SOBBING | 1:25:42 | 1:25:45 | |
Shh. | 1:25:48 | 1:25:50 | |
Don't. | 1:25:52 | 1:25:54 | |
You mustn't, Ursula. | 1:25:54 | 1:25:56 | |
No, you mustn't. Please. | 1:25:56 | 1:25:58 | |
RADIO BROADCAST, INDISTINCT | 1:26:23 | 1:26:26 | |
SWITCHES OFF RADIO | 1:26:38 | 1:26:39 | |
Waste not, want not. | 1:27:25 | 1:27:27 | |
I wanted her to see Mead. | 1:27:27 | 1:27:28 | |
-She won't hear of it. -Oh. | 1:27:28 | 1:27:31 | |
KNOCK ON DOOR | 1:27:31 | 1:27:33 | |
From London. "Fragile." | 1:27:37 | 1:27:40 | |
-London? -Yeah. | 1:27:40 | 1:27:42 | |
It's from London. | 1:27:46 | 1:27:48 | |
ANDREA: I am sorry I left without goodbye. | 1:27:52 | 1:27:54 | |
Please do not think bad of me. | 1:27:54 | 1:27:57 | |
You gave me life. Now I have chance to use it. | 1:27:57 | 1:28:01 | |
So much has happened since I met Maestro Daniloff. | 1:28:01 | 1:28:04 | |
But even with Olga's help, | 1:28:04 | 1:28:06 | |
my English is not enough to tell you all. | 1:28:06 | 1:28:09 | |
What I can tell is that on Friday, November 10th, | 1:28:09 | 1:28:13 | |
I'm on wireless. | 1:28:13 | 1:28:15 | |
Please to listen. | 1:28:15 | 1:28:16 | |
You are always in my thoughts. | 1:28:16 | 1:28:18 | |
Andrea. | 1:28:18 | 1:28:20 | |
PS. I hope you like the painting. | 1:28:20 | 1:28:23 | |
It was done by Olga. | 1:28:23 | 1:28:26 | |
CHATTERING | 1:28:47 | 1:28:49 | |
Come on in, then. | 1:28:58 | 1:28:59 | |
SYMPHONY TUNING ON RADIO | 1:28:59 | 1:29:02 | |
Evening. | 1:29:02 | 1:29:04 | |
Make yourselves comfortable. | 1:29:04 | 1:29:05 | |
Mrs Pendered, I've got a chair for you over there. | 1:29:05 | 1:29:09 | |
Come in. Hurry up, please. | 1:29:11 | 1:29:13 | |
Startin' soon. | 1:29:13 | 1:29:16 | |
You keep quiet now. | 1:29:16 | 1:29:17 | |
SYMPHONY STOPS TUNING | 1:29:20 | 1:29:23 | |
RADIO: 'Good evening, ladies and gentlemen, | 1:29:23 | 1:29:24 | |
'and welcome to the Queen's Hall, London.' | 1:29:24 | 1:29:27 | |
-Could you turn it up a bit? -Cant go up no more. -Shh! | 1:29:27 | 1:29:31 | |
..with "Fantasy for Violin and Orchestra," by Boris Daniloff. | 1:29:31 | 1:29:35 | |
Under the baton of Mr Daniloff himself, | 1:29:35 | 1:29:39 | |
the soloist is the gifted | 1:29:39 | 1:29:41 | |
'young violinist, Andrea Marowski. | 1:29:41 | 1:29:44 | |
'APPLAUSE' | 1:29:44 | 1:29:47 | |
ORCHESTRA BEGINS | 1:30:00 | 1:30:02 | |
CHATTERING | 1:33:57 | 1:33:59 | |
No. | 1:34:13 | 1:34:15 | |
I don't believe... | 1:34:15 | 1:34:17 | |
Is it you? | 1:34:18 | 1:34:20 | |
-You were wonderful. -Wonderful. | 1:34:21 | 1:34:24 | |
-Just wonderful. -Thank you. I was so nervous. | 1:34:24 | 1:34:27 | |
-Did it show? -No. Not at all. | 1:34:27 | 1:34:30 | |
How did you get here? | 1:34:30 | 1:34:31 | |
Why you not say you were coming? | 1:34:31 | 1:34:33 | |
It was Dorcas's idea. | 1:34:33 | 1:34:35 | |
Janet wanted to come by car, but we came by train. | 1:34:35 | 1:34:38 | |
Do excuse me, ladies. | 1:34:38 | 1:34:40 | |
Andrea, Sir Thomas is simply dying to meet you. | 1:34:40 | 1:34:43 | |
-No, wait. -Go. | 1:34:43 | 1:34:45 | |
Yes, go. | 1:34:45 | 1:34:47 | |
Let's go, Janet. | 1:34:59 | 1:35:01 |