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| Line | From | To | |
|---|---|---|---|
BEEPING | 0:00:02 | 0:00:03 | |
FAINT RADIO STATIC | 0:00:03 | 0:00:06 | |
BEEPING | 0:00:06 | 0:00:08 | |
DISTORTED RADIO CHATTER | 0:00:08 | 0:00:11 | |
This film contains some strong language. | 0:00:12 | 0:00:18 | |
DISTANT BOOMING | 0:00:19 | 0:00:22 | |
DISTORTED VOICES INTENSIFY THEN STOP | 0:00:22 | 0:00:24 | |
BOOMING ECHOES | 0:00:24 | 0:00:28 | |
BOOMING, RADIO STATIC | 0:00:34 | 0:00:37 | |
WIND BLOWS | 0:00:49 | 0:00:52 | |
They say... | 0:01:12 | 0:01:13 | |
..when you hear the sounds of devils... | 0:01:15 | 0:01:17 | |
..all else is quiet. | 0:01:22 | 0:01:23 | |
My general question to that is, | 0:01:43 | 0:01:46 | |
how do you know if what you are hearing | 0:01:46 | 0:01:49 | |
is the work of such devious beings? | 0:01:49 | 0:01:53 | |
I would venture to say that most devilish noises occur | 0:02:03 | 0:02:07 | |
when large numbers of men decide | 0:02:07 | 0:02:10 | |
to force the hand of mortality upon one another. | 0:02:10 | 0:02:13 | |
And I'd say futher, | 0:02:16 | 0:02:18 | |
that on such occasions, | 0:02:18 | 0:02:21 | |
there is not just one sound... | 0:02:21 | 0:02:23 | |
DISTANT BOOMING, CROPS RUSTLE | 0:02:23 | 0:02:26 | |
..but many. | 0:02:26 | 0:02:27 | |
VOICES SHOUT, METAL GRINDS | 0:02:27 | 0:02:30 | |
It is a quiet orchestra of death. | 0:02:33 | 0:02:36 | |
DISTANT EXPLOSION | 0:02:42 | 0:02:44 | |
SHOTS CRACKLE | 0:02:44 | 0:02:46 | |
It is also possible that the man who wrote that saying... | 0:02:56 | 0:03:02 | |
LOUD BOOM | 0:03:02 | 0:03:04 | |
..might've just had some broke ears. | 0:03:05 | 0:03:08 | |
BOOMING | 0:03:08 | 0:03:12 | |
BOOM | 0:03:14 | 0:03:15 | |
I had been moved from one wiped-out regiment to the next, | 0:03:19 | 0:03:23 | |
witnessing countless moral felonies. | 0:03:23 | 0:03:27 | |
I met General McClain in the last summer of the war. | 0:03:27 | 0:03:31 | |
Peculiar man. | 0:03:33 | 0:03:34 | |
DISTANT BOOM | 0:03:35 | 0:03:37 | |
DISTANT BOOM | 0:03:43 | 0:03:45 | |
Captain Lee Briggs. | 0:03:47 | 0:03:48 | |
Sir? | 0:03:48 | 0:03:50 | |
Man of nine lives. | 0:03:50 | 0:03:51 | |
DISTANT BOOM | 0:03:54 | 0:03:56 | |
Have you any idea how many divisions have us pinned here? | 0:03:58 | 0:04:01 | |
No, sir. | 0:04:01 | 0:04:03 | |
Let's just say, enough to make fate unfavorable. | 0:04:03 | 0:04:06 | |
DISTANT BOOM | 0:04:06 | 0:04:08 | |
I've got a job for you, Briggs. | 0:04:09 | 0:04:12 | |
It's recently come to my attention | 0:04:12 | 0:04:14 | |
that an object of the grandest design | 0:04:14 | 0:04:16 | |
has been discovered east of the Colorado basin. | 0:04:16 | 0:04:19 | |
Given the undeniable truth | 0:04:19 | 0:04:21 | |
that we here are on a collision course with destiny... | 0:04:21 | 0:04:23 | |
..neither I nor my men will be able to get witness to this object. | 0:04:26 | 0:04:31 | |
Someone ought to see it. | 0:04:31 | 0:04:33 | |
I reckon it should be you. | 0:04:34 | 0:04:36 | |
The sole survivor of the 22nd Connecticut. | 0:04:38 | 0:04:41 | |
Even one man alive is homage to the rest. | 0:04:52 | 0:04:55 | |
Make record of your journey, Briggs. | 0:04:55 | 0:04:58 | |
To be given a pass | 0:05:03 | 0:05:06 | |
to watch all others go... | 0:05:06 | 0:05:08 | |
..is perhaps the most troubling thing to one's being. | 0:05:10 | 0:05:13 | |
DISTANT BOOMING | 0:05:20 | 0:05:22 | |
BOOMING | 0:05:31 | 0:05:33 | |
MEN SHOUT | 0:05:45 | 0:05:48 | |
Sometimes when I wake up, | 0:05:48 | 0:05:51 | |
I feel like I'm still sleeping. | 0:05:51 | 0:05:54 | |
I feel like all the colours and shapes of the world | 0:05:54 | 0:05:57 | |
have collided and all I can do | 0:05:57 | 0:05:59 | |
is just sit there and watch. | 0:05:59 | 0:06:02 | |
I think a person's heart has a way of turning off | 0:06:04 | 0:06:07 | |
when it can't find reason. | 0:06:07 | 0:06:09 | |
I guess that's why nature has always had an inspiring presence. | 0:06:11 | 0:06:15 | |
Everything follows a purpose. | 0:06:16 | 0:06:18 | |
I guess we're missing something. | 0:06:23 | 0:06:25 | |
Why do we struggle | 0:06:26 | 0:06:28 | |
to breathe a more righteous breath, | 0:06:28 | 0:06:31 | |
when we all end up in the same place? | 0:06:31 | 0:06:34 | |
I'd like to hope our history is worth remembering, | 0:06:40 | 0:06:45 | |
an imprint of careful design, | 0:06:45 | 0:06:48 | |
a feeling of heartfelt purpose. | 0:06:48 | 0:06:51 | |
And a sense of hope | 0:06:52 | 0:06:55 | |
for something bigger than ourselves. | 0:06:55 | 0:06:57 | |
And...maybe I'll wake up. | 0:06:59 | 0:07:02 | |
FAINT RADIO CHATTER | 0:07:26 | 0:07:30 | |
RADIO CHATTER DISTORTS AND CRACKLES | 0:07:36 | 0:07:40 | |
MULTIPLE VOICES OVERLAP ON RADIO | 0:07:51 | 0:07:54 | |
'ISS module, 32 Delta, this is Cambridge. | 0:08:03 | 0:08:06 | |
'Do you have a fix on us? Over.' | 0:08:06 | 0:08:08 | |
Copy that, this is 32 Delta, I've got you. | 0:08:08 | 0:08:11 | |
'Alpha Bravo, we are linking a satcom now. | 0:08:11 | 0:08:15 | |
'Wait for transmissions to follow.' | 0:08:15 | 0:08:18 | |
-Copy that. -'That is 89 43.23 | 0:08:18 | 0:08:24 | |
'follow it 32.35 x 12.67 | 0:08:24 | 0:08:30 | |
'follow it 21.01. | 0:08:30 | 0:08:34 | |
'ISS, your satcom link is now active. | 0:08:34 | 0:08:38 | |
'Houston, you have line operation. | 0:08:38 | 0:08:41 | |
'Roger that, thank you, Cambridge. | 0:08:41 | 0:08:42 | |
'How are you up there?' | 0:08:42 | 0:08:44 | |
I'm doing fine, how are you? | 0:08:44 | 0:08:46 | |
'We are all doing well. | 0:08:46 | 0:08:47 | |
'We've been monitoring your interlink bipeds. | 0:08:47 | 0:08:50 | |
'Very pleased with the results. | 0:08:50 | 0:08:51 | |
-'How are you feeling now that you have been able to settle in?' -Good. | 0:08:51 | 0:08:55 | |
The station is in pretty decent shape. | 0:08:55 | 0:08:58 | |
The only device that seems really out of whack is the RS7 pump. | 0:08:58 | 0:09:03 | |
It seems to be operating at half pressure. | 0:09:03 | 0:09:05 | |
'Don't worry, we will add it to the squad sheet.' | 0:09:05 | 0:09:08 | |
Well, for the sake of future ISS inhabitants, I strongly recommand it. | 0:09:08 | 0:09:14 | |
'Are you receiving the data package?' | 0:09:14 | 0:09:15 | |
Yeah, it just started. | 0:09:15 | 0:09:18 | |
Houston, this thing ain't opening, do you want to resend it? | 0:09:18 | 0:09:22 | |
'No, why don't you give the audio a try?' | 0:09:22 | 0:09:24 | |
All right, one moment. | 0:09:24 | 0:09:25 | |
-'Captain Lee Miller!' -APPLAUSE | 0:09:27 | 0:09:30 | |
-'We recorded this the other night.' -Oh, God. | 0:09:30 | 0:09:32 | |
'We haven't been in space in almost 20 years now, right? | 0:09:32 | 0:09:35 | |
'I gotta say, I feel so honoured and thankful...' | 0:09:35 | 0:09:37 | |
I sound terrible. | 0:09:37 | 0:09:39 | |
'..to be one of the first to be going back after so long. | 0:09:39 | 0:09:42 | |
'I'll make sure the guys get the visual for you.' | 0:09:42 | 0:09:44 | |
'A little nervous, but...' | 0:09:44 | 0:09:45 | |
'We have a com link test down here at 23:00 | 0:09:45 | 0:09:47 | |
'so we'll get back to you in the morning.' | 0:09:47 | 0:09:49 | |
-All right, you guys have a good night. -'Likewise. | 0:09:49 | 0:09:52 | |
'Houston to Cambridge, out.' | 0:09:52 | 0:09:53 | |
TREADMILL WHIRS RHYTHMICALLY | 0:10:01 | 0:10:05 | |
BEEP, TREADMILL SLOWS | 0:10:14 | 0:10:18 | |
-RADIO: -'Troops with armored vehicles, machine guns, | 0:10:58 | 0:11:04 | |
'didn't feel comfortable going into that area | 0:11:04 | 0:11:07 | |
'in the aftermath of the bombing.' | 0:11:07 | 0:11:08 | |
'ISS module, this is 23 Alpha in for Cambridge. How do you read, over?' | 0:11:25 | 0:11:28 | |
'ISS module, this is 23 Alpha in for Cambridge. How do you read, over?' | 0:11:35 | 0:11:39 | |
Copy that, this is ISS. | 0:11:41 | 0:11:43 | |
'ISS, this is 23 Alpha. | 0:11:43 | 0:11:45 | |
'Can you transmit your orbital bearing numbers? | 0:11:45 | 0:11:47 | |
'We are doing a quick line-up test.' | 0:11:47 | 0:11:49 | |
OK. | 0:11:49 | 0:11:51 | |
'Give us eight packets, we will figure the constant.' | 0:11:51 | 0:11:54 | |
Eight packets is a hell of a projection. | 0:11:54 | 0:11:56 | |
'Yeah, well, they want to see if the ISS will stay in orbit | 0:11:56 | 0:11:59 | |
'without remote positioning.' | 0:11:59 | 0:12:01 | |
Copy that, did you receive them? | 0:12:01 | 0:12:03 | |
'Looks like it, thanks. | 0:12:03 | 0:12:06 | |
'How are you holding up?' | 0:12:06 | 0:12:09 | |
-Good! -'Good. Well, I don't want to keep you. | 0:12:09 | 0:12:13 | |
'23 Alpha out. | 0:12:13 | 0:12:14 | |
'Godspeed, Lee.' | 0:12:14 | 0:12:16 | |
Godspeed to you too. | 0:12:20 | 0:12:21 | |
DISTORTED RADIO CHATTER | 0:12:31 | 0:12:34 | |
DISTORTED RADIO CHATTER | 0:12:44 | 0:12:46 | |
RADIO STATIC | 0:13:00 | 0:13:03 | |
WHINING RADIO STATIC | 0:13:06 | 0:13:10 | |
RADIO OFF, BEEP | 0:13:13 | 0:13:16 | |
DISTORTED RADIO CHATTER | 0:13:34 | 0:13:38 | |
SILENCE | 0:13:38 | 0:13:41 | |
'ISS 32, this is mission control, Cambridge. | 0:14:17 | 0:14:19 | |
'Did you receive our data package?' | 0:14:19 | 0:14:22 | |
Copy that. It's downloading right now. | 0:14:22 | 0:14:25 | |
Did you guys rezip for the clip of the Late Show? | 0:14:25 | 0:14:27 | |
'Negative. I believe the chef will get that to you later. | 0:14:27 | 0:14:31 | |
'This is a recorded message from your brother.' | 0:14:31 | 0:14:34 | |
-Copy that. -'Cheers.' | 0:14:36 | 0:14:39 | |
'Hey, buddy, I hope everything is going well up there. | 0:14:39 | 0:14:41 | |
'Thinking about you. | 0:14:41 | 0:14:43 | |
'But the important news is you are officially an uncle. | 0:14:43 | 0:14:46 | |
'You've got a nephew, | 0:14:46 | 0:14:47 | |
'and he is beautiful, he's just incredible. | 0:14:47 | 0:14:51 | |
'He can't wait to meet you. | 0:14:51 | 0:14:54 | |
'I'm going to try to send some photos if I can figure out. | 0:14:54 | 0:14:57 | |
'It's so complicated to do that with these guys. | 0:14:58 | 0:15:00 | |
'Anyway, take care of yourself, please. | 0:15:00 | 0:15:03 | |
'I will talk to you soon, bye.' | 0:15:03 | 0:15:05 | |
LOUD RADIO STATIC, DISTORTED VOICES | 0:15:07 | 0:15:09 | |
RADIO SILENCE | 0:15:12 | 0:15:14 | |
Hey, Houston, did you pick that up? | 0:15:14 | 0:15:16 | |
Cambridge, have I been crossed over yet? | 0:15:23 | 0:15:26 | |
Cambridge, this is ISS 37. Did you guys pick up that radio interference? | 0:15:44 | 0:15:49 | |
That's a tough one. | 0:16:02 | 0:16:04 | |
People need other people. | 0:16:05 | 0:16:07 | |
That's why I really think I'm a storyteller, | 0:16:09 | 0:16:11 | |
I will get into situations where | 0:16:11 | 0:16:16 | |
I probably maybe shouldn't stick my nose in, but I do. | 0:16:16 | 0:16:19 | |
Because I feel that... | 0:16:19 | 0:16:20 | |
..I've seen a lot, | 0:16:21 | 0:16:23 | |
I've been through a lot. | 0:16:23 | 0:16:25 | |
That's really my opinion, that's the only way | 0:16:25 | 0:16:27 | |
to really communicate among the races and the people inthe world. | 0:16:27 | 0:16:30 | |
If I can drop a word here or there or a little tale here or there, | 0:16:31 | 0:16:36 | |
that I think might help somebody, | 0:16:36 | 0:16:39 | |
I'd drop it like a bomb. | 0:16:39 | 0:16:41 | |
If something like that did happen, where everybody stopped talking | 0:16:42 | 0:16:45 | |
stopped telling stories, stopped relating. | 0:16:45 | 0:16:47 | |
Nobody learns anything. No-one does anything! | 0:16:47 | 0:16:50 | |
I wouldn't even want to think what it would be like. | 0:16:50 | 0:16:53 | |
Maybe peaceful as hell. | 0:16:53 | 0:16:55 | |
HE LAUGHS | 0:16:55 | 0:16:56 | |
I think it would be a horrible world. | 0:16:58 | 0:17:00 | |
RADIO INTERFERENCE | 0:17:04 | 0:17:08 | |
RADIO BUZZES AND WHINES | 0:17:17 | 0:17:20 | |
MC, this is ISS, do you guys have a read on me? | 0:17:32 | 0:17:35 | |
FAINT AND DISTORTED RADIO CHATTER | 0:17:35 | 0:17:39 | |
MC, this is ISS, do you copy? | 0:17:46 | 0:17:50 | |
HE SIGHS | 0:18:05 | 0:18:07 | |
This is genius. | 0:18:20 | 0:18:22 | |
Make a big radio with English buttons and then... | 0:18:22 | 0:18:25 | |
write a manual for it in Russian! | 0:18:25 | 0:18:27 | |
Houston, this is ISS, do you copy? | 0:18:33 | 0:18:35 | |
Houston? Cambridge? Do you copy? | 0:18:52 | 0:18:54 | |
HE WHISPERS TO HIMSELF | 0:19:09 | 0:19:12 | |
HE GRUNTS | 0:19:13 | 0:19:15 | |
DISTORTED RADIO CHATTER | 0:19:20 | 0:19:23 | |
'Cambridge, this is ISS, do you copy?' | 0:19:24 | 0:19:26 | |
'Cambridge, this is ISS, do you copy?' | 0:19:29 | 0:19:31 | |
'Hello, Lee. | 0:19:37 | 0:19:39 | |
-DISTORTING: -'Sorry I'm sending this message as recording. | 0:19:41 | 0:19:44 | |
'I'll be honest, it's the best I can do right now. | 0:19:44 | 0:19:48 | |
'Still, I'm kind of glad I don't need to tell you this directly... | 0:19:50 | 0:19:54 | |
'..but we've had some shit going on down here that I... | 0:19:56 | 0:19:59 | |
'I don't even know where to begin. | 0:20:00 | 0:20:02 | |
'Even if I wanted to bring you out of orbit, | 0:20:04 | 0:20:06 | |
'I don't have the people to do it. | 0:20:06 | 0:20:09 | |
'Look, we're going to need you to sit tight for a while. | 0:20:10 | 0:20:12 | |
'I'm sorry. | 0:20:14 | 0:20:15 | |
'I'm sorry.' | 0:20:17 | 0:20:18 | |
I don't know what kind of transmission that was | 0:20:35 | 0:20:38 | |
and, unless I'm mistaken, we're nowhere near April, | 0:20:38 | 0:20:41 | |
so I'm going to need a confirmation of any sort of mission extension | 0:20:41 | 0:20:45 | |
from you assholes! | 0:20:45 | 0:20:46 | |
FAINT RADIO STATIC | 0:20:46 | 0:20:48 | |
Look, I don't think it's funny | 0:20:52 | 0:20:54 | |
and if you guys are doing some type of stress experiments, | 0:20:54 | 0:20:57 | |
or isolation tests, | 0:20:57 | 0:21:00 | |
well, you can stop now because... | 0:21:00 | 0:21:01 | |
because I'm very isolated and very stressed! | 0:21:01 | 0:21:04 | |
FAINT RADIO STATIC | 0:21:04 | 0:21:06 | |
If the line is open enough for me to get a pre-recorded message | 0:21:08 | 0:21:12 | |
then I know you can hear me and I would appreciate knowing | 0:21:12 | 0:21:15 | |
what the hell is going on! | 0:21:15 | 0:21:16 | |
FAINT RADIO STATIC | 0:21:16 | 0:21:20 | |
Houston? | 0:21:24 | 0:21:26 | |
Cambridge? | 0:21:29 | 0:21:30 | |
This is ISS, do you copy? | 0:21:30 | 0:21:32 | |
TREADMILL WHIRS | 0:21:43 | 0:21:46 | |
HE BREATHES HEAVILY | 0:21:59 | 0:22:02 | |
ALARM BLARES | 0:22:04 | 0:22:06 | |
WHOOSHING AND GROANING OF METAL | 0:23:20 | 0:23:25 | |
METALLIC CREAKING | 0:23:31 | 0:23:34 | |
THUD | 0:24:19 | 0:24:21 | |
When... | 0:24:25 | 0:24:27 | |
that interactivity is suddenly just cut, | 0:24:27 | 0:24:31 | |
you're just left kind of standing by yourself, | 0:24:31 | 0:24:34 | |
in the darkness, kind of like... | 0:24:34 | 0:24:37 | |
What... "I didn't see that coming, what was that all about? | 0:24:37 | 0:24:41 | |
"Where do I go from here?" | 0:24:41 | 0:24:43 | |
I think we control our own surroundings | 0:24:44 | 0:24:47 | |
for the... | 0:24:47 | 0:24:49 | |
Er, well, see... | 0:24:49 | 0:24:51 | |
Yeah. | 0:24:54 | 0:24:56 | |
For the most part, we control our own surroundings, | 0:24:56 | 0:24:58 | |
we can decide to go here or there. | 0:24:58 | 0:25:00 | |
But once we have established ourselves, | 0:25:00 | 0:25:02 | |
I think that's when | 0:25:02 | 0:25:04 | |
our environment starts to take a toll on our personality, | 0:25:04 | 0:25:10 | |
our habits, | 0:25:10 | 0:25:11 | |
the way we think every day. | 0:25:11 | 0:25:14 | |
We are social creatures and we need to interact with people. | 0:25:14 | 0:25:18 | |
That's why relationships are so...important, | 0:25:18 | 0:25:22 | |
so just crucial for existence. | 0:25:22 | 0:25:25 | |
Because if you don't talk to anybody, | 0:25:27 | 0:25:28 | |
you don't interact with anybody, | 0:25:28 | 0:25:31 | |
your whole sense of reality is pretty warped. | 0:25:31 | 0:25:35 | |
RADIO CHATTER | 0:25:39 | 0:25:42 | |
BEEPING AND RATTLING | 0:25:57 | 0:26:00 | |
HE GASPS | 0:26:22 | 0:26:25 | |
HE BREATHES HEAVILY | 0:26:27 | 0:26:31 | |
RADIO STATIC | 0:27:53 | 0:27:57 | |
"Run physical diagnostics check..." | 0:27:57 | 0:27:59 | |
(Blah, blah, blah, blah.) | 0:27:59 | 0:28:01 | |
FEMALE VOICE IN HEADPHONES | 0:28:31 | 0:28:35 | |
I should make a proper introduction since I am the captain. | 0:30:05 | 0:30:08 | |
My name is Lee. | 0:30:10 | 0:30:11 | |
And you are? | 0:30:21 | 0:30:22 | |
You're an astronaut whose Polaroid I'm talking to. | 0:30:27 | 0:30:31 | |
HE SIGHS | 0:30:34 | 0:30:36 | |
This place sucks. | 0:30:37 | 0:30:38 | |
FAINT RADIO STATIC AND CHATTER | 0:30:59 | 0:31:02 | |
FAINT BUT STEADY BEEPING | 0:31:12 | 0:31:15 | |
STEADY BEEPING | 0:31:25 | 0:31:28 | |
ALARM BLARES | 0:31:38 | 0:31:41 | |
HE COUGHS | 0:31:41 | 0:31:43 | |
These guys have definitely won a space trip in orbit. | 0:32:45 | 0:32:49 | |
You, on the other hand... | 0:32:54 | 0:32:56 | |
Well, put it this way, if I was on your mission | 0:32:56 | 0:32:59 | |
we would definitely have some problems. | 0:32:59 | 0:33:01 | |
God, I love your smile. | 0:33:03 | 0:33:05 | |
How about this? I cadge a ride off this joint, | 0:33:07 | 0:33:11 | |
get back home, | 0:33:11 | 0:33:12 | |
take a shower, | 0:33:12 | 0:33:14 | |
put on a suit, | 0:33:14 | 0:33:16 | |
we'll head downtown, | 0:33:16 | 0:33:17 | |
East Village, | 0:33:17 | 0:33:19 | |
great little Italian restaurant. | 0:33:19 | 0:33:21 | |
Then, hell, while I'm making it up, how about a nice Malibu sunset? | 0:33:21 | 0:33:26 | |
It's the best. | 0:33:27 | 0:33:29 | |
Malibu sunset. | 0:33:30 | 0:33:32 | |
Yeah, that's what we'd do. | 0:33:41 | 0:33:42 | |
God... | 0:33:49 | 0:33:50 | |
'I've got say, I feel so honoured and thankful to be...' | 0:34:06 | 0:34:10 | |
'I'm kind of glad I don't have to tell you this directly...' | 0:34:11 | 0:34:14 | |
Whose idea was it to try to make a shower? | 0:34:16 | 0:34:18 | |
(I want a shower.) | 0:34:18 | 0:34:20 | |
'That's right, you've got a nephew and he's... | 0:34:20 | 0:34:23 | |
'Erm, I'm going to try to send some photos if I can figure out...' | 0:34:23 | 0:34:28 | |
Three seconds on the shot clock. | 0:34:28 | 0:34:30 | |
The ball's passed into play. | 0:34:30 | 0:34:32 | |
Goes to Miller! | 0:34:32 | 0:34:33 | |
He shoots! | 0:34:34 | 0:34:36 | |
Roll it. | 0:35:18 | 0:35:19 | |
'Hey, buddy, I hope everything is going well up there.' | 0:35:23 | 0:35:26 | |
SOUND DISTORTS BEYOND RECOGNITION | 0:35:26 | 0:35:28 | |
OK. | 0:35:28 | 0:35:30 | |
DISTORTED SOUND | 0:35:30 | 0:35:33 | |
Where the hell is my fucking video? | 0:35:40 | 0:35:42 | |
Fuck! | 0:35:47 | 0:35:48 | |
Why am I funny? | 0:36:48 | 0:36:50 | |
RADIO STATIC | 0:37:05 | 0:37:07 | |
SOLDERING IRON CRACKLES | 0:37:10 | 0:37:13 | |
HE SIGHS | 0:37:21 | 0:37:22 | |
-WOMAN WHISPERS: -Where are you going? | 0:37:30 | 0:37:32 | |
LEE CHUCKLES | 0:37:32 | 0:37:34 | |
I've got to reroute some power. | 0:37:35 | 0:37:37 | |
Why? | 0:37:37 | 0:37:38 | |
Because... | 0:37:42 | 0:37:43 | |
..the station is broken. | 0:37:46 | 0:37:47 | |
WOMAN IN TRANSLATION: | 0:37:51 | 0:37:53 | |
I'm choosing to entertain you because, | 0:37:56 | 0:37:59 | |
A, my logic slipped a long time ago, and, B... | 0:37:59 | 0:38:02 | |
I forgot what B was, but... | 0:38:10 | 0:38:12 | |
Make up any good reason in your head | 0:38:21 | 0:38:23 | |
and it's probably in mine too. | 0:38:23 | 0:38:25 | |
FAINT AND DISTORTED RADIO CHATTER | 0:39:56 | 0:39:59 | |
RADIO CHATTER STOPS ABRUPTLY | 0:39:59 | 0:40:01 | |
HE READS ALOUD: Journal of Captain Lee Briggs. | 0:40:25 | 0:40:28 | |
22nd Connecticut, seventh infantry division. | 0:40:28 | 0:40:33 | |
My personal thoughts and findings leading to our discovery. | 0:40:33 | 0:40:37 | |
June 4th, 1864. | 0:40:41 | 0:40:46 | |
You know, you can plan life, | 0:40:54 | 0:40:57 | |
but yet it doesn't mean it's going to happen. | 0:40:57 | 0:41:00 | |
You can, | 0:41:00 | 0:41:03 | |
plan and plan and...plan and... | 0:41:03 | 0:41:08 | |
put something over here and design something over here | 0:41:08 | 0:41:10 | |
and put borders on this and that in life | 0:41:10 | 0:41:12 | |
but it doesn't mean anything. | 0:41:12 | 0:41:14 | |
Because you're not in control. | 0:41:14 | 0:41:16 | |
Because nothing is guaranteed and nothing is secure in this world. | 0:41:18 | 0:41:21 | |
So, what is the most important thing? | 0:41:21 | 0:41:24 | |
I mean, everybody wants to be loved, | 0:41:24 | 0:41:27 | |
and when you actually, feel it, | 0:41:27 | 0:41:30 | |
I mean, kind of like with your parents, | 0:41:30 | 0:41:33 | |
it's one of those things where it is what it is | 0:41:33 | 0:41:35 | |
because you grow up into it, | 0:41:35 | 0:41:36 | |
but when you actually experience it | 0:41:36 | 0:41:39 | |
with someone else outside of that shell | 0:41:39 | 0:41:41 | |
it's... | 0:41:41 | 0:41:43 | |
very interesting. | 0:41:43 | 0:41:44 | |
Very fulfilling. | 0:41:44 | 0:41:46 | |
-WOMAN WHISPERS: -Are you waiting for someone? | 0:42:13 | 0:42:15 | |
Why are you sitting by yourself? | 0:42:23 | 0:42:25 | |
WOMAN IN TRANSLATION: | 0:42:37 | 0:42:40 | |
I forgot. | 0:42:47 | 0:42:48 | |
There are no seasons. | 0:42:55 | 0:42:57 | |
Just...time. | 0:43:01 | 0:43:04 | |
LEE SINGS IN A WHISPER | 0:43:22 | 0:43:26 | |
# ..Pour me | 0:43:26 | 0:43:31 | |
# Another sip of your wine | 0:43:31 | 0:43:34 | |
# If you please | 0:43:34 | 0:43:37 | |
# For my...mouth is empty | 0:43:37 | 0:43:44 | |
# Oh, my, oh, my | 0:43:44 | 0:43:47 | |
# Oh, how it's tempting | 0:43:47 | 0:43:49 | |
# Lying here | 0:43:49 | 0:43:52 | |
# All of the days are slowly | 0:43:52 | 0:43:57 | |
# Slipping... # | 0:43:57 | 0:44:02 | |
Everybody sing. | 0:44:02 | 0:44:05 | |
#.. Away. # | 0:44:05 | 0:44:08 | |
HE READS ALOUD: We found defeat again in Chancellorsville. | 0:44:25 | 0:44:27 | |
It's quite an unsettling feeling, to face one's nerves this often. | 0:44:29 | 0:44:33 | |
To accept death before each call to advance is frightening. | 0:44:36 | 0:44:39 | |
Yet it is the only way to move boots made solid | 0:44:41 | 0:44:44 | |
by the sounds of shelling. | 0:44:44 | 0:44:46 | |
I can't explain all this... | 0:44:48 | 0:44:50 | |
..what uncertainty does to a man's soul... | 0:44:53 | 0:44:55 | |
..but I do know it can drive the mind mad. | 0:44:58 | 0:45:01 | |
17,00 dead in one engagement. | 0:45:17 | 0:45:20 | |
The mind is like a closed grave. | 0:45:47 | 0:45:49 | |
EXPLOSION BOOMS | 0:45:49 | 0:45:51 | |
Some would say that it's the grace of God | 0:45:54 | 0:45:56 | |
that gives us the strength | 0:45:56 | 0:45:58 | |
to bear the shaking timbers and the falling earth. | 0:45:58 | 0:46:01 | |
Most would agree there was just nowhere to go. | 0:46:06 | 0:46:09 | |
LEE CHUCKLES | 0:46:38 | 0:46:40 | |
I hate sevens, I hate sevens! | 0:46:53 | 0:46:56 | |
He's a sore loser. | 0:47:22 | 0:47:24 | |
OK, this is the space station. | 0:47:29 | 0:47:33 | |
We are approximately 220 miles from Earth, OK? | 0:47:35 | 0:47:41 | |
You see, the original space station, was what they call LEO, | 0:47:42 | 0:47:47 | |
which stands for Low Earth Orbiting. | 0:47:47 | 0:47:52 | |
Later, with this new technology, | 0:47:52 | 0:47:56 | |
we were able to go a lot further than that. | 0:47:56 | 0:47:59 | |
WOMAN IN TRANSLATION: | 0:48:11 | 0:48:13 | |
-WOMAN WHISPERS: -Doesn't it bother you that we're not real? | 0:48:25 | 0:48:28 | |
I don't know. | 0:48:30 | 0:48:31 | |
They assure me that it's not the shape, | 0:48:51 | 0:48:54 | |
but what lies over the ridge's crest. | 0:48:54 | 0:48:56 | |
What? | 0:49:00 | 0:49:01 | |
I'm looking at it from a different angle. | 0:49:03 | 0:49:06 | |
I don't like the ending either, | 0:49:08 | 0:49:10 | |
but I'm not reading it with my eyes. | 0:49:10 | 0:49:12 | |
I'm reading it through this monitor, | 0:49:12 | 0:49:14 | |
so we can make sure that we have missed no details | 0:49:14 | 0:49:17 | |
of our odd tale. | 0:49:17 | 0:49:19 | |
HE CLEARS HIS THROAT | 0:49:23 | 0:49:26 | |
How can eyes that have seen so much | 0:49:26 | 0:49:28 | |
be brought to life by a simple thing? | 0:49:28 | 0:49:31 | |
It is as if we have some sort of predestined tempo of destruction. | 0:49:35 | 0:49:40 | |
I have decided that I am not looking for one discovery. | 0:49:48 | 0:49:51 | |
I am simply hoping that we have a history worth remembering. | 0:49:53 | 0:49:57 | |
An imprint of careful design... | 0:50:06 | 0:50:09 | |
A feeling of heartfelt purpose. | 0:50:09 | 0:50:12 | |
A sense of hope and wellbeing. | 0:50:12 | 0:50:15 | |
How can you write a journal this long | 0:50:38 | 0:50:41 | |
and not tell us what you found? | 0:50:41 | 0:50:44 | |
Did you die before you had a chance to finish the journal? | 0:50:44 | 0:50:48 | |
I mean, all you had to do was look over the ridge | 0:50:48 | 0:50:51 | |
and write down what you found. | 0:50:51 | 0:50:53 | |
Just write what you found. | 0:50:53 | 0:50:54 | |
You know, leave, but if you leave | 0:51:34 | 0:51:37 | |
no-one's going to be here when they come. | 0:51:37 | 0:51:39 | |
They're not going to leave us here for ever. | 0:51:43 | 0:51:46 | |
What would we do with... all this time? | 0:51:46 | 0:51:48 | |
I... I know, I know! | 0:51:51 | 0:51:55 | |
Hey, is your mouth dry? | 0:51:57 | 0:52:00 | |
Yeah, mine too, mine too. | 0:52:03 | 0:52:06 | |
-Am -I -scared? | 0:52:09 | 0:52:10 | |
You've got to be living to be scared. | 0:52:29 | 0:52:31 | |
My name is Lee James Miller, | 0:52:39 | 0:52:43 | |
son of Courtney and Michael Miller. | 0:52:43 | 0:52:46 | |
I lost contact with mission control | 0:52:48 | 0:52:52 | |
on July 7th, 2039. | 0:52:52 | 0:52:55 | |
I have remained in a perennial orbit | 0:52:56 | 0:52:59 | |
for six years. | 0:52:59 | 0:53:00 | |
My mission has long since been terminated | 0:53:03 | 0:53:07 | |
and my daily routine has been based on | 0:53:07 | 0:53:10 | |
stretching my life-support systems. | 0:53:10 | 0:53:13 | |
I've observed neither contact nor indication | 0:53:14 | 0:53:17 | |
of any awareness of my current condition. | 0:53:17 | 0:53:20 | |
It is with great sadness | 0:53:23 | 0:53:25 | |
but determined resolution, | 0:53:25 | 0:53:26 | |
that I must finally abandon this post. | 0:53:26 | 0:53:29 | |
Systems here can no longer be depended on | 0:53:32 | 0:53:35 | |
and I would rather face the journey home | 0:53:35 | 0:53:39 | |
than the slow, breathless, environment of failing O2. | 0:53:39 | 0:53:43 | |
Well, I have no idea | 0:53:45 | 0:53:46 | |
what the circumstances are surrounding my abandonment. | 0:53:46 | 0:53:50 | |
I would rather rest on Earth than up here alone. | 0:53:51 | 0:53:55 | |
I have come to terms with the fact | 0:53:57 | 0:53:59 | |
that some things will forever remain a mystery. | 0:53:59 | 0:54:02 | |
To whomever this message reaches, | 0:54:04 | 0:54:07 | |
I leave in goodwill towards all. | 0:54:07 | 0:54:09 | |
Respectfully... | 0:54:10 | 0:54:11 | |
Captain Lee James Miller. | 0:54:11 | 0:54:14 | |
July 7th, 2045. | 0:54:15 | 0:54:18 | |
WHOOSHING | 0:54:23 | 0:54:26 | |
When you get into a situation | 0:55:42 | 0:55:43 | |
where absolutley nothing is in your control, | 0:55:43 | 0:55:46 | |
it makes you wonder sometimes. | 0:55:46 | 0:55:48 | |
And very often I've been in those circumstances | 0:55:48 | 0:55:51 | |
where all of a sudden, | 0:55:51 | 0:55:53 | |
you're not calling the shots, | 0:55:53 | 0:55:54 | |
you're basically along for the ride. | 0:55:54 | 0:55:56 | |
I mean, even on a simplistic note, | 0:55:58 | 0:56:00 | |
I lost a wheel off a vehicle, | 0:56:00 | 0:56:03 | |
off the van, | 0:56:03 | 0:56:05 | |
a couple of years ago, taking my son to school | 0:56:05 | 0:56:07 | |
in really pretty heavy traffic. | 0:56:07 | 0:56:10 | |
It could have been an absolute disaster, | 0:56:10 | 0:56:12 | |
but all of a sudden I'm driving down the road | 0:56:12 | 0:56:14 | |
and the passenger wheel overtakes us. | 0:56:14 | 0:56:16 | |
I was along for the ride, | 0:56:16 | 0:56:18 | |
there was nothing I could do because I had no brakes, no steering | 0:56:18 | 0:56:21 | |
and it was just really fortunate | 0:56:21 | 0:56:22 | |
that the van veered off to the shoulder. | 0:56:22 | 0:56:24 | |
It could have gone into the incoming traffic, | 0:56:24 | 0:56:27 | |
it could have been a whole disaster. | 0:56:27 | 0:56:28 | |
It's really rather surprising | 0:56:28 | 0:56:30 | |
what flashes through your mind in those few split seconds | 0:56:30 | 0:56:32 | |
while this stuff is going on. | 0:56:32 | 0:56:34 | |
I mean, you think about all sort of strange things. | 0:56:36 | 0:56:39 | |
But for people to remember me, | 0:56:39 | 0:56:41 | |
or, any one particular thing, | 0:56:41 | 0:56:44 | |
I think it would be for the fact that never give up. | 0:56:44 | 0:56:48 | |
Just keep trying, | 0:56:48 | 0:56:49 | |
don't just accept it and say, | 0:56:49 | 0:56:50 | |
"Yes, this is what it is." Strive for something better. | 0:56:50 | 0:56:54 | |
FAINT AND DISTORTED RADIO CHATTER | 0:57:06 | 0:57:08 | |
DISTORTED RADIO CHATTER | 0:57:19 | 0:57:22 | |
COMPUTER BEEPS REPEATEDLY | 0:57:56 | 0:57:59 | |
LOUD STATIC BUZZ | 0:58:21 | 0:58:24 | |
DISTORTED VOICES | 0:58:24 | 0:58:27 | |
STATIC BUZZING | 0:58:32 | 0:58:35 | |
LOUD BUZZING, BEEP | 0:58:47 | 0:58:51 | |
DISTORTED RADIO CHATTER | 0:59:06 | 0:59:08 | |
SINGLE VOICE ON RADIO BECOMES CLEARER | 0:59:10 | 0:59:14 | |
'..to be one of the first to be going back in so long... | 0:59:14 | 0:59:17 | |
'I'm nervous but excited. | 0:59:19 | 0:59:21 | |
'So, I assume that the testing and the preparation | 0:59:24 | 0:59:28 | |
'can be quite extensive? | 0:59:28 | 0:59:30 | |
'Oh, yeah, a lot of testing, a lot of personal training, | 0:59:30 | 0:59:34 | |
'but, em...' | 0:59:34 | 0:59:36 | |
HE MIMICS A ROCKET LAUNCH | 1:00:09 | 1:00:12 | |
It's that easy. | 1:00:20 | 1:00:21 | |
It's time to go. | 1:00:24 | 1:00:26 | |
LOUD AND DISTORTED RADIO CHATTER | 1:00:26 | 1:00:31 | |
'..Grateful to be one of the first to be going back...' | 1:00:43 | 1:00:46 | |
ENGINES ROAR | 1:03:21 | 1:03:26 | |
METALLIC CREAKING | 1:04:36 | 1:04:39 | |
BELL RINGS | 1:05:19 | 1:05:22 | |
FAINT WHISPERING VOICES | 1:05:35 | 1:05:38 | |
LIFT BELL PINGS | 1:06:11 | 1:06:14 | |
ELECTRICAL BUZZING | 1:06:19 | 1:06:21 | |
'Six months' supply of magazines alone on a space station! | 1:06:50 | 1:06:55 | |
'Uh, the space station has been empty for a long time, right? | 1:06:55 | 1:06:59 | |
'So when you get there, I mean, is there any housework to do? | 1:06:59 | 1:07:03 | |
'I mean, is there going to be dishes in the sink, you've got to clean up? | 1:07:03 | 1:07:07 | |
'No, there's no house chores or dishes in space, thank God. | 1:07:07 | 1:07:12 | |
'We haven't been in space in almost 20 years now, right? | 1:07:12 | 1:07:16 | |
'How do you feel about that? | 1:07:16 | 1:07:17 | |
'I feel so honoored to be one of the first to be going back after so long. | 1:07:17 | 1:07:21 | |
'A little nervous, but... but excited. | 1:07:21 | 1:07:26 | |
'Now, I assume that the testing and the preparation | 1:07:26 | 1:07:29 | |
'has been quite extensive?' | 1:07:29 | 1:07:32 | |
BOOMING EXPLOSIONS | 1:07:32 | 1:07:36 | |
SUDDEN SILENCE | 1:07:39 | 1:07:42 | |
INDISTINCT VOICES JUMBLE ON RADIO | 1:09:50 | 1:09:53 | |
-MAN: -How you're doing, Lee? | 1:10:16 | 1:10:18 | |
Sorry about this projection, | 1:10:20 | 1:10:21 | |
but it's the only way we could reach you. | 1:10:21 | 1:10:23 | |
I can't tell you how relieved we are to have you here. | 1:10:26 | 1:10:29 | |
Now... | 1:10:31 | 1:10:32 | |
before we got ahead of ourselves, we have to tell you something. | 1:10:32 | 1:10:36 | |
You are the last one. | 1:10:39 | 1:10:40 | |
It's all gone. | 1:10:43 | 1:10:45 | |
We understand how you might feel. | 1:10:49 | 1:10:51 | |
Connection is perhaps the most cherished thing any being can have. | 1:10:57 | 1:11:01 | |
That's the thing. | 1:11:02 | 1:11:05 | |
That's why we have been listening. | 1:11:05 | 1:11:07 | |
The place you see here is a scrapbook of sorts, | 1:11:10 | 1:11:13 | |
a collection of memories and mementos | 1:11:13 | 1:11:16 | |
of mankind's brief existence. | 1:11:16 | 1:11:18 | |
You got to remember the good things | 1:11:19 | 1:11:22 | |
and cherish the memories. | 1:11:22 | 1:11:23 | |
And go on with life cos it don't stop. | 1:11:25 | 1:11:27 | |
You only have to remember that what you have done in your life | 1:11:27 | 1:11:30 | |
may change what someone else is doing their life | 1:11:30 | 1:11:33 | |
and so, therefore, your life continues in their eyes. | 1:11:33 | 1:11:36 | |
It's a good thing we found you. | 1:11:38 | 1:11:40 | |
We look forward to meeting you, Lee. | 1:11:42 | 1:11:44 | |
HE SCREAMS | 1:12:21 | 1:12:23 | |
HE PANTS | 1:12:25 | 1:12:26 | |
FAINT WHISPERING | 1:12:58 | 1:13:02 | |
MULTIPLE INDISTINCT VOICES | 1:14:05 | 1:14:09 | |
-MECHANICAL FEMALE VOICE: -Detecting life. | 1:14:38 | 1:14:41 | |
Verify location. | 1:14:41 | 1:14:43 | |
Good evening. | 1:14:44 | 1:14:46 | |
Tonight has been a wonderful experiment...of human contact. | 1:14:46 | 1:14:51 | |
A symbiotic relationship between man and machine | 1:14:51 | 1:14:55 | |
and you. | 1:14:55 | 1:14:57 | |
The human brain is capable of millions of connections. | 1:15:01 | 1:15:05 | |
Each one is a memory, an event. | 1:15:07 | 1:15:11 | |
Tonight shall be remembered not by one, | 1:15:11 | 1:15:13 | |
but by thousands of these relationships. | 1:15:13 | 1:15:16 | |
As you leave here tonight, | 1:15:17 | 1:15:20 | |
close your eyes and travel back to here, | 1:15:20 | 1:15:23 | |
to now. | 1:15:23 | 1:15:25 | |
And always remember that this was one moment you were not alone, | 1:15:25 | 1:15:31 | |
and you felt something that thousands of others have felt. | 1:15:31 | 1:15:36 | |
And it was... | 1:15:36 | 1:15:38 | |
love. | 1:15:38 | 1:15:39 |