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WAR CRIES | 0:00:11 | 0:00:13 | |
# There are stories of the West | 0:00:16 | 0:00:18 | |
# Of the glories of the West | 0:00:20 | 0:00:21 | |
# And they glorify the hardy pioneers | 0:00:23 | 0:00:26 | |
# But you'll find the tale we tell Is the tale of what befell | 0:00:26 | 0:00:30 | |
# Our young lady as she rode by bandolier | 0:00:30 | 0:00:33 | |
What's the aim of the story? | 0:00:33 | 0:00:35 | |
# To tell a tale | 0:00:35 | 0:00:36 | |
What's the name of the story? | 0:00:36 | 0:00:39 | |
# Slaughter Trail! | 0:00:39 | 0:00:41 | |
Now, where is this trail, and where does it go? | 0:00:41 | 0:00:44 | |
# It runs to Arizona through New Mexico | 0:00:44 | 0:00:49 | |
# The report from out the West | 0:00:49 | 0:00:50 | |
# From the forts throughout the West | 0:00:52 | 0:00:54 | |
# Was that everything was peaceful as could be | 0:00:56 | 0:00:59 | |
# In that period sublime Coming after Lincoln's time | 0:00:59 | 0:01:02 | |
# When America had grown from sea to sea | 0:01:02 | 0:01:06 | |
-Will there be some fightin' in it? -Yes, sirree! | 0:01:06 | 0:01:09 | |
Are our soldiers going to win it? | 0:01:09 | 0:01:11 | |
# Wait and see! | 0:01:11 | 0:01:13 | |
Does the soldier love a lady, or does he just pretend? | 0:01:13 | 0:01:16 | |
# The answer to that question's comin' at the end | 0:01:16 | 0:01:19 | |
# There'll be nothin' highfalutin | 0:01:21 | 0:01:23 | |
# There'll be shoutin', there'll be shootin' | 0:01:23 | 0:01:25 | |
# If you want to know what else is in this tale | 0:01:25 | 0:01:28 | |
# Fix your eyes upon the screen | 0:01:28 | 0:01:30 | |
# On a Cinecolor scene | 0:01:30 | 0:01:32 | |
# And ride with us along the Slaughter Trail! | 0:01:32 | 0:01:37 | |
# It was 1882 And the sky was peaceful blue | 0:01:37 | 0:01:41 | |
# When a stagecoach rode in view Across the trail | 0:01:41 | 0:01:44 | |
# And the horses pulled and strained But the driver kept them reined | 0:01:44 | 0:01:48 | |
# For he knew his coach contained The US Mail | 0:01:48 | 0:01:51 | |
# You could only hear the sound Of the hoofbeats on the ground | 0:01:51 | 0:01:55 | |
# And the wheels as they went round The Slaughter Trail | 0:01:55 | 0:01:58 | |
# Now, the driver, Matt Magroot A dependable galoot | 0:01:58 | 0:02:02 | |
# Helped to pioneer the route And blaze a trail | 0:02:02 | 0:02:05 | |
# Sittin' by the driver's side Ridin' shotgun was McBride | 0:02:05 | 0:02:09 | |
# On whom Uncle Sam relied To guard the mail | 0:02:09 | 0:02:12 | |
# You could only hear the sound Of the hoofbeats on the ground | 0:02:12 | 0:02:16 | |
# And the wheels as they went round The Slaughter Trail | 0:02:16 | 0:02:19 | |
# Now, the coach was Frisco bound If you looked inside you found | 0:02:19 | 0:02:23 | |
# A young lady fair and round And dressed to kill | 0:02:23 | 0:02:26 | |
# And the drummer, Rupert Black Quite a hypochondriac | 0:02:26 | 0:02:29 | |
# It's time now, Mr Black To take your pill | 0:02:29 | 0:02:33 | |
# You could only hear the sound Of the hoofbeats on the ground | 0:02:33 | 0:02:36 | |
# And the wheels as they went round The Slaughter Trail | 0:02:36 | 0:02:40 | |
# But the calm was soon to end For in hidin' round the bend | 0:02:40 | 0:02:43 | |
# Are three bandits who intend To rob the mail | 0:02:43 | 0:02:47 | |
# And the masks of their disguise Hide the their hatred in their eyes | 0:02:47 | 0:02:50 | |
# They're the guys who terrorise The Slaughter Trail | 0:02:50 | 0:02:54 | |
# You could only hear the sound Of the hoofbeats on the ground | 0:02:54 | 0:02:57 | |
# They're the bandits goin' round The Slaughter Trail. # | 0:02:57 | 0:03:01 | |
I know it! I feel it! I'm going to have a stroke. | 0:03:31 | 0:03:34 | |
Put down your gun. | 0:03:34 | 0:03:35 | |
-Now get down. Bring the mail pouch with you. -Everybody out, pronto. | 0:03:39 | 0:03:43 | |
Come out with your hands up. | 0:03:43 | 0:03:45 | |
Come on. | 0:03:48 | 0:03:49 | |
-This is an outrage, shooting at defenceless passengers! -Open it. | 0:03:50 | 0:03:53 | |
-Have you no respect for the law? -Around here, I'm the law. | 0:04:00 | 0:04:03 | |
Right now I'm ordering you to shut up and walk in that direction. Go on. | 0:04:03 | 0:04:07 | |
See if the dude's got anything on him that's worth taking. | 0:04:11 | 0:04:14 | |
Oh, please, don't take my pills. I can't live without them. | 0:04:17 | 0:04:21 | |
I'll see that you're all hung for this! | 0:04:28 | 0:04:30 | |
OK, honey. Everything's under control. | 0:04:30 | 0:04:32 | |
You can stop acting now. | 0:04:32 | 0:04:33 | |
Oh, beautiful. | 0:04:42 | 0:04:43 | |
Stash it. | 0:04:45 | 0:04:46 | |
Take your hands off of me! | 0:04:48 | 0:04:50 | |
-How am I doing? -Fine. | 0:04:50 | 0:04:52 | |
From here on in, it's a buggy ride. | 0:04:52 | 0:04:54 | |
I'll meet you tomorrow in Clifton. | 0:04:54 | 0:04:56 | |
From there to F'risco, it'll be a breeze. | 0:04:56 | 0:04:58 | |
Now go back to the coach and make out like you hate me. | 0:05:04 | 0:05:08 | |
-Yeah. -Go on. | 0:05:08 | 0:05:09 | |
Beat it. | 0:05:11 | 0:05:12 | |
All right, get in. Go on, get up there! | 0:05:23 | 0:05:27 | |
Goodbye, folks. I'm sorry to have inconvenienced you. | 0:05:28 | 0:05:31 | |
The east lies that way. I'd head that way if I was you. | 0:05:33 | 0:05:36 | |
HE LAUGHS | 0:05:36 | 0:05:39 | |
HE LAUGHS HYSTERICALLY | 0:05:39 | 0:05:41 | |
AIMLESS GUNSHOTS | 0:05:43 | 0:05:47 | |
Did you hear that horrible laugh? | 0:05:47 | 0:05:49 | |
Only a demented murderer would laugh like that. | 0:05:49 | 0:05:51 | |
# Now the bandits on from here On the trail to Bandelier | 0:05:53 | 0:05:57 | |
# For they wanted to appear they're heading east | 0:05:57 | 0:06:00 | |
# And their hoofprints will suggest they went north-east to the crest | 0:06:00 | 0:06:04 | |
# But they've gone a circle west with speed increased | 0:06:04 | 0:06:07 | |
# You could only hear the sound of the hoofbeats on the ground | 0:06:07 | 0:06:11 | |
# And the bandits going round the Slaughter Trail | 0:06:11 | 0:06:14 | |
# But the winds of vengeance wore down the men who break the law | 0:06:14 | 0:06:17 | |
# They will even up the score with those to blame | 0:06:17 | 0:06:21 | |
# They were riding kinda well, when the pace began to tell | 0:06:21 | 0:06:24 | |
# Now their horses' ankles swell until they're lame | 0:06:24 | 0:06:27 | |
# You could only hear the sound of their curses when they found | 0:06:27 | 0:06:31 | |
# That their horses couldn't pound the Slaughter Trail... # | 0:06:31 | 0:06:34 | |
Blast our luck. These horses are shot. | 0:06:35 | 0:06:38 | |
I wouldn't be giving up so fast I was you. | 0:06:38 | 0:06:40 | |
-What makes you so darn cheerful. -I reckon you don't see what I see. | 0:06:41 | 0:06:45 | |
See them? | 0:07:00 | 0:07:02 | |
What we waiting for? Those horses are aching to be rode. | 0:07:02 | 0:07:06 | |
Grab your saddles. Let's not keep them waiting. | 0:07:06 | 0:07:09 | |
GUNSHOTS | 0:07:23 | 0:07:25 | |
# They pillaged and they plundered But again the bandits blundered | 0:07:50 | 0:07:53 | |
# For the wounded redskin thundered down the trail | 0:07:53 | 0:07:57 | |
# He had dragged himself from hiding and his pony he was guiding | 0:07:57 | 0:08:00 | |
# To his clansmen he was riding with a tale | 0:08:00 | 0:08:04 | |
# You could only hear the sound of the hoofbeats on the ground | 0:08:04 | 0:08:07 | |
-# And the redskin went around the Slaughter Trail... -# | 0:08:07 | 0:08:12 | |
-Daddy, the stage is here, the stage is here! -Whoa there, Nancy. | 0:08:33 | 0:08:36 | |
-Is my surprise on it? -Well, I'm not sure, but I hope so. | 0:08:36 | 0:08:39 | |
I beg your pardon, sir. | 0:08:39 | 0:08:41 | |
Nancy, you know better than to come running into the captain's office like this. | 0:08:41 | 0:08:45 | |
Well, he's your captain, but he's my daddy. | 0:08:45 | 0:08:48 | |
Yes, sir... Oh, yes, ma'a... Oh, you know what I mean! | 0:08:48 | 0:08:51 | |
Now, you come along. | 0:08:51 | 0:08:53 | |
You run along with Sergeant Macintosh, honey. | 0:08:53 | 0:08:55 | |
I got some business to attend to. | 0:08:55 | 0:08:56 | |
Carry on, Sergeant. Daddy has business. | 0:08:56 | 0:08:58 | |
Fort Marcy! | 0:08:58 | 0:09:00 | |
You'll find food and refreshments in the canteen. | 0:09:00 | 0:09:03 | |
I don't want food, I want a doctor! I must see a doctor. | 0:09:03 | 0:09:06 | |
Sorry, can't help you. This here's a cavalry post. | 0:09:06 | 0:09:09 | |
We ain't got nothing but a horse doctor. | 0:09:09 | 0:09:11 | |
-How soon before we start moving? -It depends on Captain Dempster. | 0:09:11 | 0:09:14 | |
What he says goes. | 0:09:14 | 0:09:15 | |
You're three hours late. What were you doing? | 0:09:24 | 0:09:26 | |
-Having tea with the Indians? -Couldn't help it, Captain. | 0:09:26 | 0:09:29 | |
-We was held up. -You were what? -They got McBride. | 0:09:29 | 0:09:31 | |
There was three of them this time. | 0:09:31 | 0:09:33 | |
Couldn't make much out of their faces, they wore masks. | 0:09:33 | 0:09:36 | |
But the leader had a weird kind of laugh. | 0:09:36 | 0:09:38 | |
-He seemed to think everything was funny. -Three of them? | 0:09:38 | 0:09:40 | |
-What were you carrying? Gold? -No, just the mail. | 0:09:40 | 0:09:43 | |
Come to think of it, they seemed to know what was in the pouch. | 0:09:43 | 0:09:45 | |
He rummaged through the mail bag until he found a package he was looking for. | 0:09:45 | 0:09:49 | |
Got McBride, huh? Sounds like the Vaughn Gang. | 0:09:49 | 0:09:52 | |
Oh, the Vaughn Gang never operated this far west. | 0:09:52 | 0:09:54 | |
I guess they were getting a little cramped in Texas. | 0:09:54 | 0:09:57 | |
Figured the stagecoach would be easier farther west. | 0:09:57 | 0:10:00 | |
-Captain, we done the best... -I know. Get yourself some grub. | 0:10:00 | 0:10:04 | |
We'll take care of the Vaughn Gang. | 0:10:04 | 0:10:05 | |
Nobody's going to commit murder and robbery in this territory. | 0:10:05 | 0:10:08 | |
-I hope I'm not intruding... -What can I... Oh, excuse me. | 0:10:08 | 0:10:11 | |
Captain, this here is Miss Larkin, one of my passengers. | 0:10:11 | 0:10:14 | |
Captain. | 0:10:14 | 0:10:16 | |
I'm very anxious to get to San Francisco. | 0:10:16 | 0:10:18 | |
How soon before we get going? | 0:10:18 | 0:10:19 | |
Well, I'm sorry to delay your trip, | 0:10:19 | 0:10:21 | |
but I think you better stay over a few days. | 0:10:21 | 0:10:22 | |
Oh, but I'm not interested in stopping over. | 0:10:22 | 0:10:24 | |
-I'd like to leave as soon as possible. -I understand that, | 0:10:24 | 0:10:27 | |
but you'll need to wait until we can find a replacement to ride shotgun. | 0:10:27 | 0:10:30 | |
How long will that take? | 0:10:30 | 0:10:31 | |
I can't tell you at the moment, but I'll let you know. | 0:10:31 | 0:10:34 | |
Captain, I insist that we leave immediately. | 0:10:34 | 0:10:37 | |
Miss Larkin, I'm trying to remember my manners, | 0:10:37 | 0:10:40 | |
but I find you exceedingly rude. | 0:10:40 | 0:10:42 | |
I have more important matters to attend to. A man has been killed. | 0:10:42 | 0:10:45 | |
The driver will let you know when the stagecoach is ready to leave. | 0:10:45 | 0:10:48 | |
I thought you were an officer and a gentleman! | 0:10:49 | 0:10:52 | |
I'm the commanding officer of Fort Marcy. | 0:10:52 | 0:10:54 | |
The gentlemen you'll find in San Francisco. | 0:10:54 | 0:10:56 | |
HE LAUGHS | 0:11:00 | 0:11:02 | |
-Guess he told you, didn't he, lady? -Don't worry. I'll have the last word. | 0:11:02 | 0:11:08 | |
Not if you give orders to a man whose business is giving orders. | 0:11:08 | 0:11:11 | |
You seem to know him quite well. What approach would you suggest? | 0:11:13 | 0:11:17 | |
Charm, lady. Feminine charm. | 0:11:17 | 0:11:20 | |
KNOCKS ON DOOR | 0:11:22 | 0:11:23 | |
-Lieutenant Morgan reporting, sir. -At ease, Lieutenant. | 0:11:25 | 0:11:27 | |
Here's a federal circular on the Vaughn Gang. | 0:11:27 | 0:11:29 | |
I have an idea they're the bunch who held up that stagecoach. | 0:11:29 | 0:11:32 | |
What's good's this? It doesn't show faces. | 0:11:32 | 0:11:34 | |
What do you want? You seem to forget this is a wilderness. | 0:11:34 | 0:11:36 | |
-This could be any three men, Captain. -Precisely. | 0:11:36 | 0:11:39 | |
Out here, we have to rely on instinct. | 0:11:39 | 0:11:41 | |
Take a detail and trail them down. | 0:11:41 | 0:11:43 | |
The driver tells me they headed for Bandolier Mountain | 0:11:43 | 0:11:45 | |
-but I have an idea that was just a decoy. -Yes, sir. | 0:11:45 | 0:11:47 | |
-And don't come back without them. -Very well, sir. | 0:11:47 | 0:11:50 | |
By the way, Lieutenant... | 0:11:50 | 0:11:53 | |
You better take an Indian scout. I'd choose Chamorra. | 0:11:53 | 0:11:55 | |
He knows this country backwards. | 0:11:55 | 0:11:57 | |
Yes, sir. | 0:11:57 | 0:11:59 | |
Hard Saddle, why did you ever join the cavalry? | 0:12:13 | 0:12:17 | |
Well, why did you? | 0:12:17 | 0:12:19 | |
Well, Sarge. It's a long story. Especially the way I tell it. | 0:12:20 | 0:12:24 | |
# Recruiting posters are printed to attract the not so wise | 0:12:24 | 0:12:29 | |
# If what they said was really true, they needn't advertise... # | 0:12:29 | 0:12:34 | |
You know, nothing bothers you. | 0:12:34 | 0:12:36 | |
Anybody that goes through life just singing must be crazy. | 0:12:36 | 0:12:39 | |
# There you stand and scrub your horse | 0:12:39 | 0:12:42 | |
# While he works just as hard, of course | 0:12:42 | 0:12:45 | |
# I just sing a melody | 0:12:45 | 0:12:48 | |
# Everyone's crazy acceptin' me | 0:12:48 | 0:12:51 | |
# Now I got some bullets and I got a gun | 0:12:51 | 0:12:54 | |
# But shooting at people just ain't fun | 0:12:54 | 0:12:56 | |
# Then why'd you join the cavalry? | 0:12:56 | 0:12:59 | |
# Everyone's crazy acceptin' me | 0:12:59 | 0:13:01 | |
# Do-dee-do dee-voo day | 0:13:03 | 0:13:05 | |
# I don't care if I feel this way | 0:13:05 | 0:13:08 | |
# Do-dee-do dee-do dee | 0:13:08 | 0:13:10 | |
# Everyone's crazy acceptin' me | 0:13:10 | 0:13:12 | |
# When I eat pears, I eat the core | 0:13:14 | 0:13:16 | |
# I throw the meat upon the floor | 0:13:16 | 0:13:19 | |
# The seeds are best of all, you see | 0:13:19 | 0:13:21 | |
# Everyone's crazy acceptin' me | 0:13:21 | 0:13:23 | |
# When I go squawkin' with a lass | 0:13:25 | 0:13:27 | |
# I lead her through the meadow grass | 0:13:27 | 0:13:30 | |
# I don't kiss her, she kisses me | 0:13:30 | 0:13:32 | |
# Everyone's crazy acceptin' he | 0:13:32 | 0:13:34 | |
# Do-dee-do dedalo day | 0:13:34 | 0:13:36 | |
# I don't care if I feel this way | 0:13:36 | 0:13:39 | |
# Do-dee-doo dedalo dee | 0:13:39 | 0:13:41 | |
# Everyone's crazy acceptin' me | 0:13:41 | 0:13:43 | |
# White men chase the Navajos | 0:13:45 | 0:13:48 | |
# The Navajos chase the others, oh | 0:13:48 | 0:13:49 | |
# But I sit tight till they come to me | 0:13:49 | 0:13:52 | |
# Everyone's crazy acceptin' me | 0:13:52 | 0:13:54 | |
# Some drink whisky, some drink port | 0:13:56 | 0:13:58 | |
# Some folks drink from night till morn | 0:13:58 | 0:14:01 | |
# I drink my water straight, you see | 0:14:01 | 0:14:03 | |
# And chase it down with rye whisky | 0:14:03 | 0:14:05 | |
# Doo-dee do da dedalo day | 0:14:05 | 0:14:07 | |
# I don't care if I feel this way | 0:14:07 | 0:14:09 | |
# Doo-dee do da dedalo dee | 0:14:09 | 0:14:11 | |
# Everyone's crazy acceptin' me | 0:14:11 | 0:14:14 | |
# You ride your horse until you bend | 0:14:15 | 0:14:18 | |
# But where's it get you in the end | 0:14:18 | 0:14:20 | |
# I walk my horse and let him be | 0:14:20 | 0:14:22 | |
# Everyone's crazy acceptin' me | 0:14:22 | 0:14:24 | |
# When couples marry, they tempt fate | 0:14:27 | 0:14:29 | |
# Because their love can turn to hate | 0:14:29 | 0:14:31 | |
# I love them all but I stay free | 0:14:31 | 0:14:33 | |
# Everyone's crazy acceptin' me | 0:14:33 | 0:14:35 | |
# Do-dee do da dedalo day | 0:14:35 | 0:14:38 | |
# I don't care if I feel this way | 0:14:38 | 0:14:40 | |
# Do-dee do da dedalo dee | 0:14:40 | 0:14:43 | |
# Everyone's crazy acceptin' me. # | 0:14:43 | 0:14:47 | |
THEY LAUGH | 0:14:51 | 0:14:53 | |
Sergeant, get a patrol ready. | 0:14:53 | 0:14:54 | |
Full field equipment, three days' rations. We leave immediately. | 0:14:54 | 0:14:57 | |
Yes, sir. | 0:14:57 | 0:14:58 | |
All right, you guys. You heard what the Lieutenant said. On the double. | 0:14:58 | 0:15:01 | |
Come on, let's get everything packed. | 0:15:01 | 0:15:04 | |
-When are we leaving? -It's up to Captain Dempster. | 0:15:05 | 0:15:08 | |
Well, I guess I better help him make up his mind. | 0:15:08 | 0:15:12 | |
Yeah, but don't forget what I said about charm. | 0:15:12 | 0:15:15 | |
Feminine charm. | 0:15:15 | 0:15:16 | |
-KNOCKS ON DOOR -Come in. | 0:15:22 | 0:15:24 | |
-Miss Larkin to see you, sir. -Send her in. | 0:15:27 | 0:15:29 | |
Yes, sir. Miss Larkin... | 0:15:29 | 0:15:31 | |
-Captain Dempster... -Miss Larkin. | 0:15:34 | 0:15:38 | |
I... I want to apologise for the way I acted this morning. | 0:15:38 | 0:15:41 | |
I guess the combination of the long trip | 0:15:41 | 0:15:43 | |
and what happened sort of upset me. | 0:15:43 | 0:15:45 | |
I'm terribly sorry. | 0:15:45 | 0:15:47 | |
-That's all right. -How long do you think it'll be before we can go on? | 0:15:47 | 0:15:51 | |
That all depends. | 0:15:51 | 0:15:52 | |
Oh, but the driver told me he was willing to go on | 0:15:52 | 0:15:55 | |
without a replacement, only you ordered him to stay. | 0:15:55 | 0:15:57 | |
-That's right. I did. You must be in quite a hurry. -Yes. | 0:15:57 | 0:16:01 | |
Oh, yes, I am, Captain. You see, it's my grandmother. She's terribly ill. | 0:16:01 | 0:16:07 | |
I'll never forgive myself if I don't get there in time. | 0:16:07 | 0:16:10 | |
-Well, that's too bad. -Oh, please, please let us go on. | 0:16:10 | 0:16:13 | |
-Well, if I do, I can't... -Oh, thank you, Captain! I'll never forget this. | 0:16:13 | 0:16:18 | |
Goodbye, Captain. | 0:16:28 | 0:16:30 | |
Well, I see you're all set and ready to roll. | 0:16:32 | 0:16:33 | |
What made you so sure I'd let you go? | 0:16:33 | 0:16:35 | |
Well, if she convinced me, I knew she'd convince you. | 0:16:35 | 0:16:38 | |
HE LAUGHS | 0:16:38 | 0:16:40 | |
# You must cover lots of ground | 0:16:45 | 0:16:47 | |
# When you're Arizona bound | 0:16:47 | 0:16:49 | |
# So the wheels keep going round as you rolled on | 0:16:49 | 0:16:52 | |
# And because she had her way, Lorabelle is feeling gay | 0:16:52 | 0:16:56 | |
# For tomorrow is the day she's meeting Vaughn | 0:16:56 | 0:16:59 | |
# You could only hear the sound of the hoofbeats on the ground | 0:17:00 | 0:17:04 | |
# And the stage as it went round the Slaughter Trail | 0:17:04 | 0:17:08 | |
# The horizon greets the eye as the desert meets the sky | 0:17:08 | 0:17:11 | |
# And the cavalry rides by along the way | 0:17:11 | 0:17:15 | |
# They are following the trail of the men who robbed the mail | 0:17:15 | 0:17:19 | |
# And they know they mustn't fail to find their prey | 0:17:19 | 0:17:23 | |
# Now we see a group of tents They're the red men's residence | 0:17:23 | 0:17:27 | |
# And they add to the suspense on Slaughter Trail | 0:17:27 | 0:17:30 | |
# Now the redskin told his chief | 0:17:34 | 0:17:38 | |
# How his loved ones came to grief | 0:17:38 | 0:17:40 | |
# That the white man was a thief, and furthermore | 0:17:40 | 0:17:44 | |
# When the pale faced guns had spoken | 0:17:44 | 0:17:47 | |
# A lasting truce was broken | 0:17:47 | 0:17:49 | |
# So the chieftain raised the token which meant war | 0:17:49 | 0:17:53 | |
# You can only hear the sound of the war drums as they pound | 0:17:54 | 0:17:57 | |
# And the message that goes round the Slaughter Trail... # | 0:17:57 | 0:18:01 | |
INDIANS WAR WHOOP | 0:18:02 | 0:18:05 | |
# On the stage, they're unaware of the danger in the air | 0:18:20 | 0:18:23 | |
# For the Navajos are there, in front and back | 0:18:23 | 0:18:26 | |
# As the Indian's encroach, Paako signals for the coach | 0:18:26 | 0:18:30 | |
# They break ambush and approach for the attack | 0:18:30 | 0:18:32 | |
# You could only hear the sound of the hoofbeats on the ground | 0:18:33 | 0:18:36 | |
# As the redskins went around the Slaughter Trail | 0:18:36 | 0:18:39 | |
# There are Indians to the left | 0:18:39 | 0:18:41 | |
# There are Indians to the right | 0:18:44 | 0:18:46 | |
# And they ride with all their might to make the kill | 0:18:49 | 0:18:52 | |
# As they hasten in their flight, Lorabelle is filled with fright | 0:18:52 | 0:18:55 | |
# And the driver fears he might be killed | 0:18:55 | 0:18:58 | |
# The horses pull and strain, but their efforts are in vain | 0:18:58 | 0:19:02 | |
# For the redskins seem to gain upon the stage | 0:19:02 | 0:19:04 | |
# But it seems an act of grace led our soldiers to the place | 0:19:04 | 0:19:08 | |
# And they rode into the chase from the hill | 0:19:08 | 0:19:10 | |
# You can hear the heartbeat pound when Lieutenant Morgan found | 0:19:12 | 0:19:14 | |
# There were redskins all around the Slaughter Trail... # | 0:19:14 | 0:19:17 | |
Full charge! | 0:19:18 | 0:19:20 | |
GUNSHOTS | 0:19:42 | 0:19:44 | |
GUNSHOTS | 0:19:52 | 0:19:53 | |
GUNSHOTS | 0:20:00 | 0:20:02 | |
GUNSHOTS | 0:20:08 | 0:20:11 | |
GUNSHOTS | 0:20:20 | 0:20:22 | |
-What's the matter? Scared? -Who, me? | 0:20:32 | 0:20:34 | |
Scared? | 0:20:34 | 0:20:37 | |
GUNSHOTS | 0:20:37 | 0:20:39 | |
I thought you said you were | 0:20:40 | 0:20:41 | |
the hottest Indian fighter east of the Rio Grande. | 0:20:41 | 0:20:43 | |
That was east of the Rio Grande. | 0:20:43 | 0:20:45 | |
West of the Rio Grande, I ain't so hot. | 0:20:45 | 0:20:48 | |
GUNSHOTS | 0:20:48 | 0:20:49 | |
GUNSHOTS | 0:20:59 | 0:21:02 | |
-I hope you're all right. -Yes, thanks to you and your men. | 0:21:07 | 0:21:11 | |
GUNSHOTS | 0:21:16 | 0:21:18 | |
Steady! | 0:21:20 | 0:21:22 | |
-Lieutenant, I want to thank you again for... -Madame, don't thank us. | 0:21:23 | 0:21:26 | |
Thank the bandits who held you up this morning. | 0:21:26 | 0:21:28 | |
If their trail didn't lead westward from the mountain, | 0:21:28 | 0:21:31 | |
-we wouldn't have been here in time. -You mean you haven't caught them yet? | 0:21:31 | 0:21:34 | |
-We might have if you hadn't taken us off their trail. -I resent that. | 0:21:34 | 0:21:38 | |
-Why blame me! -You seem to have a special talent for attracting trouble. | 0:21:38 | 0:21:41 | |
After this delay, I doubt if we'll ever catch them. | 0:21:41 | 0:21:43 | |
Lieutenant, it appears that one of the qualifications for being | 0:21:43 | 0:21:46 | |
an officer in the US Cavalry is rudeness. | 0:21:46 | 0:21:49 | |
If you don't mind, I think I'll continue my trip. | 0:21:49 | 0:21:52 | |
And if you don't mind, you'll kindly step back into the coach. We're going back to the fort. | 0:21:52 | 0:21:56 | |
-Those Indians don't scare me! -Don't press your luck too far. | 0:21:56 | 0:21:59 | |
-We're all ready, Lieutenant. -All right, Sergeant, mount the patrol. | 0:21:59 | 0:22:02 | |
Patrol mounted! | 0:22:02 | 0:22:04 | |
KNOCKS ON DOOR | 0:22:21 | 0:22:22 | |
-Lieutenant, back so soon. Good. -Hold the compliments, Captain. | 0:22:24 | 0:22:28 | |
I'm sorry to report our mission was not accomplished. | 0:22:28 | 0:22:30 | |
-Then what the blazes are you doing back here? You had your orders. -I had no alternative, sir. -Huh? | 0:22:30 | 0:22:34 | |
We were trailing the bandits west when we crossed paths with a band of Navajos attacking the stage. | 0:22:34 | 0:22:39 | |
Navajos? Chief Paako and I have been friends for years. | 0:22:39 | 0:22:42 | |
-Are you sure they were Navajos? -Positive. -Any casualties? | 0:22:42 | 0:22:45 | |
We lost the driver. Two others were wounded. | 0:22:45 | 0:22:48 | |
Lieutenant, one of the few things I've been able to | 0:22:49 | 0:22:51 | |
accomplish in this forsaken place is to keep peace with the Navajos. | 0:22:51 | 0:22:54 | |
-We've had a treaty with them for years. -Not any more. -I'm not so sure. | 0:22:54 | 0:22:58 | |
Chief Paako wouldn't attack without a good reason. | 0:22:58 | 0:23:01 | |
-Indians on the war path are beyond reason. -Where did you learn that? | 0:23:01 | 0:23:04 | |
-In a textbook? -No, sir. On Slaughter Trail. | 0:23:04 | 0:23:07 | |
Those Navajos ought to be taught a lesson. | 0:23:07 | 0:23:10 | |
I know how to handle Chief Paako. | 0:23:10 | 0:23:11 | |
This situation calls for diplomacy, not force. | 0:23:11 | 0:23:14 | |
Let's go. | 0:23:14 | 0:23:16 | |
I beg your pardon, sir. Miss Larkin requests another audience. | 0:23:17 | 0:23:20 | |
-Captain Dempster, would you please...! -Captain Dempster would not! | 0:23:20 | 0:23:23 | |
If I hadn't listened to you, the stagecoach driver would still be alive. | 0:23:23 | 0:23:26 | |
Until further notice, you're confined to the fort. | 0:23:26 | 0:23:29 | |
How dare you! By what right do you think you can give me orders?! | 0:23:29 | 0:23:33 | |
By what right?! By an act of congress. | 0:23:33 | 0:23:35 | |
Pardon me. | 0:23:38 | 0:23:40 | |
Temper, temper! | 0:23:45 | 0:23:47 | |
Why won't you watch!... | 0:23:49 | 0:23:51 | |
-Sorry... Did I hurt you? -No. Did I hurt you? -No. Of course not. | 0:23:51 | 0:23:57 | |
-Um, look, do you know where I can find the women's quarters? -Come. | 0:23:58 | 0:24:04 | |
-I'll show you. -Thank you. | 0:24:04 | 0:24:06 | |
-What's your name? -Nancy Dempster. My daddy is commander of this post. | 0:24:09 | 0:24:13 | |
-Really? -What's your name? -Lorabelle. Lorabelle Larkin. | 0:24:13 | 0:24:18 | |
I like that name. It's pretty. | 0:24:18 | 0:24:20 | |
-But you may call me Lorabelle. -Thank you. You may call me Nancy. | 0:24:21 | 0:24:25 | |
-Thank you. -Well, here we are. | 0:24:26 | 0:24:29 | |
What beautiful gowns. | 0:24:33 | 0:24:35 | |
Do all the women back east wear such pretty clothes? | 0:24:35 | 0:24:38 | |
Well, only those that can afford to. | 0:24:38 | 0:24:40 | |
I bet you'd look beautiful in that gown. | 0:24:40 | 0:24:43 | |
Thank you, Nancy. | 0:24:43 | 0:24:44 | |
-That's a nice doll you have. -She's a present from Chief Paako. | 0:24:45 | 0:24:49 | |
He gave it to me when he and Daddy signed the truce. | 0:24:49 | 0:24:52 | |
Oh, then you must have had her for a long time. | 0:24:52 | 0:24:54 | |
-Wow, that's beautiful. Can I see it? -Sure. | 0:24:56 | 0:25:00 | |
When you grow up, maybe you'll have lots of pretty things. | 0:25:00 | 0:25:02 | |
-Miss Larkin? -Yes? | 0:25:02 | 0:25:04 | |
-I'm Susan Wilson, the school teacher. -Oh, how do you do? | 0:25:04 | 0:25:07 | |
I hope you don't mind my sharing your quarters with you. | 0:25:07 | 0:25:10 | |
-It'll only be a short while. -Not at all. | 0:25:10 | 0:25:12 | |
Is there anything I can do to make you more comfortable? | 0:25:12 | 0:25:15 | |
-I don't think so. Nancy's been very helpful. -Come on, Nancy. School time. | 0:25:15 | 0:25:20 | |
-Bye, Lorabelle. -Bye. | 0:25:20 | 0:25:22 | |
Well, Saddle, you're a veteran now. | 0:25:32 | 0:25:34 | |
-You mean I'm no longer a rookie? -Heck no. | 0:25:34 | 0:25:37 | |
Now that you've tasted blood and thunder | 0:25:37 | 0:25:39 | |
and you've fought the Indians, | 0:25:39 | 0:25:40 | |
you can look any man right in the eye and say, | 0:25:40 | 0:25:43 | |
"Here stands a fighting member of the United States Cavalry." | 0:25:43 | 0:25:47 | |
I bet that was the toughest Indian fight you was ever in. | 0:25:47 | 0:25:50 | |
-Toughest fight? -SCOFFING: -That was child's play. | 0:25:50 | 0:25:52 | |
You mean to say you've had it tougher? | 0:25:52 | 0:25:55 | |
Why, I remember when I was with the 7th Cavalry back in Kansas, | 0:25:55 | 0:25:59 | |
we were fighting the Cheyennes. It was the Battle of Chickasaw. | 0:25:59 | 0:26:02 | |
I don't know how it happened, but, all of a sudden, there I was, | 0:26:02 | 0:26:05 | |
all alone, all by myself, | 0:26:05 | 0:26:08 | |
so I whipped my horse around and started back to the regiment. | 0:26:08 | 0:26:12 | |
There, right in front of me, were 50 Indians, | 0:26:12 | 0:26:14 | |
so I turned around and started to retreat... | 0:26:14 | 0:26:17 | |
There, blocking my path, was 100 Indians. | 0:26:17 | 0:26:20 | |
So, quick, I turned to the left, and coming right at me, 200 Indians. | 0:26:20 | 0:26:24 | |
So I turned around to take to the right... | 0:26:24 | 0:26:27 | |
300 Indians bearing down on me. All around me, Indians. | 0:26:27 | 0:26:32 | |
Indians in front of me, Indians in back of me, | 0:26:32 | 0:26:34 | |
Indians to the left of me, and Indians to the right of me. | 0:26:34 | 0:26:38 | |
-What happened? -What happened? | 0:26:38 | 0:26:40 | |
I got killed. | 0:26:40 | 0:26:41 | |
If you were killed, how come you're still living? | 0:26:43 | 0:26:45 | |
You call this living? | 0:26:47 | 0:26:48 | |
LAUGHTER | 0:26:48 | 0:26:50 | |
-Sergeant Macintosh. -Yes, sir. | 0:26:52 | 0:26:54 | |
Replace your casualties and mount the patrol. We're going out again. | 0:26:54 | 0:26:57 | |
Very well, sir. Patrol, fall in! | 0:26:57 | 0:27:01 | |
# Oh, the hills are bearing brown | 0:27:03 | 0:27:05 | |
# Wearing cactus for a crown | 0:27:05 | 0:27:07 | |
# And the heat keeps bearing down without relief | 0:27:07 | 0:27:10 | |
# And the sweat pours through your clothes, but Lieutenant Morgan knows | 0:27:10 | 0:27:15 | |
# They must reach the Navajos and see their chief | 0:27:15 | 0:27:18 | |
# You could only hear the sound of the hoofbeats on the ground, | 0:27:20 | 0:27:23 | |
# As the Cavalry went round the Slaughter Trail | 0:27:23 | 0:27:26 | |
# Now the heat is so intense | 0:27:28 | 0:27:31 | |
# And you curse it, so immense | 0:27:31 | 0:27:33 | |
# And your spirits are so dense that you can't talk | 0:27:33 | 0:27:39 | |
# You've gone halfway across the state and your misery is great | 0:27:39 | 0:27:44 | |
# And your horse can't bear your weight, and so you walk | 0:27:44 | 0:27:49 | |
# You could only hear the sound of the hoofbeats on the ground | 0:27:50 | 0:27:56 | |
# As your horses drag around the Slaughter Trail | 0:27:56 | 0:28:00 | |
# It's approaching even tide when the sun begins to hide | 0:28:03 | 0:28:07 | |
# And so once again you ride, you're like a king | 0:28:07 | 0:28:11 | |
# Now your horses start to fly, there's a twinkle in your eye | 0:28:11 | 0:28:15 | |
# And your spirits feel so high you got to sing | 0:28:15 | 0:28:18 | |
# When the sky has turned to rust | 0:28:21 | 0:28:25 | |
# And your throat is dry as dust | 0:28:25 | 0:28:28 | |
# While you're riding for the shadows and the shade | 0:28:28 | 0:28:32 | |
# As your horses pound the ground | 0:28:32 | 0:28:35 | |
# You can hear the welcome sound of the hoofbeat serenade | 0:28:35 | 0:28:40 | |
# Then the miles begin to fly | 0:28:40 | 0:28:43 | |
# As the wind goes rushing by | 0:28:44 | 0:28:47 | |
# And you know you've reached the coolness of the glade | 0:28:47 | 0:28:51 | |
# You're in rhythm with your mount and your mount is keeping count | 0:28:51 | 0:28:55 | |
# To the hoofbeat serenade | 0:28:55 | 0:28:59 | |
# The song wind, the hum of the breeze | 0:28:59 | 0:29:03 | |
# The tune of the loon on the wing | 0:29:03 | 0:29:06 | |
# The cry of a bird, and with it is heard | 0:29:06 | 0:29:10 | |
# The rustling of leaves in the spring | 0:29:10 | 0:29:14 | |
# Then the mountains take the sound | 0:29:14 | 0:29:17 | |
# And they echo it around | 0:29:17 | 0:29:21 | |
# Till it comes back twice as strong as it was played | 0:29:21 | 0:29:24 | |
# There is music in our horse, and his melody, of course, | 0:29:24 | 0:29:28 | |
# Is the hoofbeat serenade | 0:29:28 | 0:29:32 | |
# Hear the song of the wind, hear the hum of the breeze | 0:29:32 | 0:29:36 | |
# The tune of the loon on the wing | 0:29:36 | 0:29:40 | |
# Hear the cry of the bird, and with it is heard | 0:29:40 | 0:29:44 | |
# The rustling of leaves in the spring | 0:29:44 | 0:29:47 | |
# Then the mountains take the sound | 0:29:47 | 0:29:51 | |
# And they echo it around | 0:29:51 | 0:29:55 | |
# Then it comes back twice as strong as it was played | 0:29:55 | 0:29:58 | |
# There is music in our horse, and his melody, of course, | 0:29:58 | 0:30:02 | |
# Is the hoofbeat serenade. # | 0:30:02 | 0:30:08 | |
Halt. | 0:30:19 | 0:30:20 | |
Dismount! | 0:30:28 | 0:30:30 | |
Chief Paako, I come to you with heavy heart. | 0:30:35 | 0:30:38 | |
For many moons now, your tribe and my people have lived in peace, | 0:30:38 | 0:30:41 | |
-but you have broken our long-time truce. -This is not true. | 0:30:41 | 0:30:44 | |
White man broke long time truce. | 0:30:44 | 0:30:46 | |
My people wish to live in peace, but white men killed my brethren and steal their horses. | 0:30:46 | 0:30:50 | |
Our treaty is broken and Navajos seek revenge. | 0:30:50 | 0:30:52 | |
What good is there seeking revenge on innocents? | 0:30:52 | 0:30:55 | |
What good do white men find in shooting innocent Navajos? | 0:30:55 | 0:30:57 | |
Chief Paako, it grieves me much to hear of this terrible injustice to | 0:30:57 | 0:31:00 | |
your blood brothers, but you cannot take the law into your own hands. | 0:31:00 | 0:31:05 | |
When white man sins he must be punished by white man. | 0:31:05 | 0:31:08 | |
When white man sins against red man, | 0:31:08 | 0:31:09 | |
he shall be punished by red man. That is Navajo law. | 0:31:09 | 0:31:11 | |
My government has every respect for the Navajo tribe and their laws. | 0:31:11 | 0:31:15 | |
I promise you that we will do all in our power to capture these man | 0:31:15 | 0:31:18 | |
and see that they pay for their crimes. | 0:31:18 | 0:31:19 | |
Please go back and tell that to your people | 0:31:19 | 0:31:21 | |
-and let's live in peace again. -There can be no peace between us | 0:31:21 | 0:31:24 | |
until you find the guilty ones and deliver them to me. | 0:31:24 | 0:31:26 | |
My commander asked for a truce, | 0:31:26 | 0:31:28 | |
so that we can settle things between us in a peaceful manner. | 0:31:28 | 0:31:30 | |
Tell your chief that we will wait until the sun has risen two more times in the eastern heavens. | 0:31:30 | 0:31:34 | |
If, by that time, you have not delivered the guilty ones to me, | 0:31:34 | 0:31:37 | |
I will gather all the tribes and there shall be war between us. | 0:31:37 | 0:31:40 | |
I beg you to reconsider, Chief Paako. | 0:31:40 | 0:31:42 | |
There must be better ways to settle our differences. | 0:31:42 | 0:31:44 | |
Why seek an eye for an eye and a tooth for a tooth? | 0:31:44 | 0:31:46 | |
Navajos want a life for a life! | 0:31:46 | 0:31:48 | |
Can I be of any service to you, neighbour? | 0:32:14 | 0:32:16 | |
-When's the stage due from San Felipe? -Well, sir, it's due any minute now. | 0:32:16 | 0:32:21 | |
But it ain't coming. | 0:32:21 | 0:32:22 | |
That supposed to be a joke? I don't get it. | 0:32:24 | 0:32:26 | |
Oh, it ain't no joke, neighbour. | 0:32:26 | 0:32:28 | |
See, the Navajos have been raising hell along the Slaughter Trail | 0:32:28 | 0:32:30 | |
and there ain't going to be no stage coming through. | 0:32:30 | 0:32:33 | |
At least-wise until the military puts down this Navajo uprising. | 0:32:33 | 0:32:37 | |
How long will that take? | 0:32:37 | 0:32:39 | |
Well, can't tell. May take a few days, may take a few weeks. | 0:32:39 | 0:32:44 | |
Then again, it may take a few months. That all depends. | 0:32:44 | 0:32:48 | |
Depends on what? | 0:32:48 | 0:32:49 | |
Well, depends on what the Indians want, | 0:32:49 | 0:32:52 | |
what we're willing to give them, and what the hell it's happening for. | 0:32:52 | 0:32:56 | |
Thanks. You've been a great help(!) | 0:32:56 | 0:32:58 | |
Now we know less than we did before we asked you. | 0:32:58 | 0:33:00 | |
Oh, that's all right, son. | 0:33:00 | 0:33:01 | |
Any time you want to know anything, you just drop in and ask me. | 0:33:01 | 0:33:04 | |
I'm always willing to tell you. | 0:33:04 | 0:33:06 | |
Where can we get a drink around here? | 0:33:06 | 0:33:07 | |
Well, sir, right down the road there, there's a saloon. | 0:33:07 | 0:33:11 | |
-And they got awful good liquor too, boy. -Sounds good to me. Let's go. | 0:33:11 | 0:33:16 | |
Wait a minute. Ain't no use going down there, boys. It's closed. | 0:33:16 | 0:33:21 | |
I ought to know. | 0:33:22 | 0:33:24 | |
Well, what do we do next? | 0:33:31 | 0:33:33 | |
Go back to Fort Marcy and get hold of Lorabelle and the jewels. | 0:33:33 | 0:33:36 | |
You going loco? | 0:33:36 | 0:33:37 | |
They see the three of us together, | 0:33:37 | 0:33:39 | |
they'll figure out who we are in no time. | 0:33:39 | 0:33:41 | |
He's right. I ain't sticking my neck out any more than I have to. | 0:33:41 | 0:33:44 | |
What about Lorabelle? | 0:33:44 | 0:33:46 | |
Can't leave her stranded at that fort all by her lonesome. | 0:33:46 | 0:33:49 | |
She's got the jewels for company. | 0:33:49 | 0:33:51 | |
They ought to keep her from being too lonesome. | 0:33:51 | 0:33:53 | |
Yeah, they'll start to make her nervous. | 0:33:53 | 0:33:55 | |
Toting all that evidence around a military post is kind of dangerous. | 0:33:55 | 0:33:57 | |
We got to get her out of there. | 0:33:57 | 0:33:59 | |
You mean YOU'VE got to get her out of there. | 0:33:59 | 0:34:01 | |
Not we. She's YOUR gal. | 0:34:01 | 0:34:03 | |
All right. I'll go myself. | 0:34:05 | 0:34:06 | |
-Once I get to her, I'll figure a way of getting her out. -No, you don't. | 0:34:06 | 0:34:09 | |
Once the two of you break free with that loot, | 0:34:09 | 0:34:11 | |
-we'll never see you again. -What makes you think I'd do that? | 0:34:11 | 0:34:14 | |
Cos that's just what I'd do if I was in your place. | 0:34:14 | 0:34:16 | |
Wait a minute. | 0:34:16 | 0:34:18 | |
I think you ought to go back to the fort, try and get Lorabelle out. | 0:34:18 | 0:34:21 | |
We'll go with you as far as Elephant Rock. We'll wait for you there. | 0:34:21 | 0:34:24 | |
Supposing he can't get out of the fort... | 0:34:24 | 0:34:26 | |
I'll get out. | 0:34:27 | 0:34:29 | |
All right, let's go. | 0:34:30 | 0:34:32 | |
Daddy! | 0:35:05 | 0:35:06 | |
-Nancy! -Daddy! | 0:35:06 | 0:35:08 | |
I suppose you want to cancel the regular Saturday night social? | 0:35:08 | 0:35:10 | |
Oh, Daddy, please don't cancel the Saturday night social! | 0:35:10 | 0:35:13 | |
-Of course not, Lieutenant, Nancy would never forgive me. -But Paako... | 0:35:13 | 0:35:16 | |
Navajos never attack at night. | 0:35:16 | 0:35:18 | |
Yes, sir. | 0:35:18 | 0:35:19 | |
Halt! | 0:35:19 | 0:35:21 | |
-Yes, sir. -I'm headed west and I'd like to put up overnight if I could. | 0:35:25 | 0:35:27 | |
Follow me, sir. | 0:35:27 | 0:35:29 | |
-Sir, this man wishes to stay over night. -Yes? -My name is Murray. | 0:35:33 | 0:35:37 | |
-I'm a cattleman heading for Arizona. -Cattle? Arizona? | 0:35:37 | 0:35:39 | |
-I heard there was mighty plain grazing land to be had there. -Maybe. | 0:35:39 | 0:35:43 | |
I'll be on my way first thing in the morning. | 0:35:43 | 0:35:44 | |
I think you better figure on taking a good, long rest. | 0:35:44 | 0:35:47 | |
There's been a Navajo uprising. | 0:35:47 | 0:35:48 | |
All civilians are restricted to the fort until it blows over. | 0:35:48 | 0:35:51 | |
I guess I'm lucky I got here with my skin in one piece. | 0:35:51 | 0:35:54 | |
Yeah, guess you are. | 0:35:54 | 0:35:55 | |
# Falling down, falling down | 0:36:00 | 0:36:03 | |
# London bridge is falling down | 0:36:03 | 0:36:07 | |
# My fair lady... # | 0:36:07 | 0:36:09 | |
LAUGHTER | 0:36:09 | 0:36:11 | |
# Get the key and lock her up | 0:36:11 | 0:36:14 | |
# Lock her up, lock her up... | 0:36:14 | 0:36:17 | |
# Take the key and lock her up... # | 0:36:17 | 0:36:20 | |
Um, Nancy, you take my place, will you? | 0:36:20 | 0:36:23 | |
Let's start all over again. Ready? Go. | 0:36:23 | 0:36:27 | |
You must be out of your mind coming here. | 0:36:30 | 0:36:32 | |
I thought you'd be glad to see me. | 0:36:32 | 0:36:34 | |
Not under these circumstances. | 0:36:34 | 0:36:37 | |
That's gratitude for you. | 0:36:37 | 0:36:39 | |
I risk my neck coming here to get you, | 0:36:39 | 0:36:41 | |
and you treat me like I was poison. | 0:36:41 | 0:36:43 | |
You are poison as far as the army's concerned. | 0:36:43 | 0:36:46 | |
Do you think I want to see you hung? | 0:36:46 | 0:36:48 | |
Why would the army want to hang a respectable rancher like me? | 0:36:48 | 0:36:51 | |
They're so fond of me, | 0:36:51 | 0:36:53 | |
they insist I be their guest until the Indians calm down. | 0:36:53 | 0:36:56 | |
You got more nerve than brains. Maybe that's why I'm so crazy about you. | 0:36:56 | 0:37:00 | |
-Where's Heath and Levering? -Waiting for us at Elephant Rock. | 0:37:01 | 0:37:04 | |
-Got the jewels? -Yes. -Good. | 0:37:06 | 0:37:08 | |
-As soon as it gets dark, we're getting out of here. -How? | 0:37:08 | 0:37:11 | |
Don't worry. I'll figure a way. | 0:37:11 | 0:37:14 | |
-Hey, kids! -Singalong, sing us a song! | 0:37:18 | 0:37:21 | |
ALL: Yeah! | 0:37:21 | 0:37:24 | |
-Go get my guitar. -Sure. | 0:37:24 | 0:37:25 | |
Move over here. | 0:37:27 | 0:37:28 | |
# Wish I was a mole in the ground | 0:37:44 | 0:37:48 | |
# I wish I was a mole in the ground | 0:37:50 | 0:37:53 | |
# If I was a mole in the ground, look, I'd root that mountain down | 0:37:53 | 0:37:57 | |
# I wish I was a mole in the ground... # | 0:37:57 | 0:38:01 | |
A bee, a bee. | 0:38:02 | 0:38:03 | |
# I wish I was woolly, boogie bee | 0:38:03 | 0:38:08 | |
# I wish I was a woolly, boogie bee | 0:38:08 | 0:38:12 | |
# I was a woolly, boogie bee, I'd make my nest so comfy | 0:38:12 | 0:38:16 | |
# I wish I was a woolly, boogie bee... # | 0:38:16 | 0:38:19 | |
How about a squirrel? | 0:38:21 | 0:38:23 | |
# I wish I was a squirrel with a big, long tail | 0:38:23 | 0:38:28 | |
# I wish I was a squirrel with a big, long tail | 0:38:29 | 0:38:32 | |
# If I was a squirrel with a big, long tail | 0:38:32 | 0:38:34 | |
# Spread it right out and away I'd sail | 0:38:34 | 0:38:35 | |
# I wish I was a squirrel with a big, long tail... # | 0:38:35 | 0:38:40 | |
Can you be a fox? | 0:38:40 | 0:38:42 | |
# I wish I was a fuzzy, wuzzy fox | 0:38:42 | 0:38:46 | |
# I wish I was a fuzzy, wuzzy fox | 0:38:47 | 0:38:49 | |
# If I was a fuzzy, wuzzy fox | 0:38:51 | 0:38:53 | |
# I'd never have to change my socks | 0:38:53 | 0:38:54 | |
# I wish I was a fuzzy, wuzzy fox... # | 0:38:54 | 0:38:58 | |
An apple. | 0:38:58 | 0:39:00 | |
# I wish I was an apple on a tree | 0:39:02 | 0:39:06 | |
# I wish I was an apple on a tree | 0:39:07 | 0:39:09 | |
# If I was an apple on a tree | 0:39:10 | 0:39:12 | |
# Girl come along and take a bite of me | 0:39:12 | 0:39:14 | |
# I wish I was an apple on a tree... # | 0:39:14 | 0:39:17 | |
How about the sun? | 0:39:17 | 0:39:19 | |
# I wish I was the sun up above | 0:39:21 | 0:39:26 | |
# I wish I was the sun up above | 0:39:27 | 0:39:30 | |
# If I was the sun up above | 0:39:30 | 0:39:32 | |
# Shine right down on the one I love... # | 0:39:32 | 0:39:36 | |
BELL RINGS | 0:39:36 | 0:39:37 | |
# I wish I was the sun up above | 0:39:37 | 0:39:41 | |
# Oh, when I was a young boy and drove my mother wild | 0:39:44 | 0:39:49 | |
# I met a maiden in the wood and she said, "Child... | 0:39:49 | 0:39:54 | |
# "Look deep into my green eyes and at my autumn hair | 0:39:54 | 0:40:00 | |
# "When you're a man, you'll never see a girl quite as fair | 0:40:00 | 0:40:07 | |
# "Remember me, remember me | 0:40:09 | 0:40:14 | |
# "Remember for the rest of your life..." # | 0:40:14 | 0:40:19 | |
-Daddy, I'm wearing your surprise. Isn't it beautiful? -Oh, it's lovely. | 0:40:22 | 0:40:26 | |
It's... Hey, why isn't it buttoned? | 0:40:26 | 0:40:29 | |
I guess I've grown since you ordered it. | 0:40:29 | 0:40:31 | |
You certainly are growing fast. Ah, well. | 0:40:31 | 0:40:34 | |
It takes the stagecoach a long time to make delivery. | 0:40:34 | 0:40:36 | |
But I want to wear it to the Saturday night social. | 0:40:36 | 0:40:39 | |
-Could you please fix it? -Well, let's see. | 0:40:39 | 0:40:41 | |
Guess I'll have to move the buttons. | 0:40:41 | 0:40:43 | |
How about a story? | 0:40:45 | 0:40:46 | |
Once upon a time, there was an old, brave knight. | 0:40:48 | 0:40:53 | |
-What was his rank? -Hmm? -What was his rank? | 0:40:53 | 0:40:56 | |
Oh, I guess he was a knight...first class. | 0:40:56 | 0:41:00 | |
One day, he put on his armour, he got on his horse... | 0:41:01 | 0:41:07 | |
-Oh, he was in the cavalry? -What else? -Did he have a lady? -Of course. | 0:41:07 | 0:41:12 | |
What was her name? | 0:41:13 | 0:41:15 | |
Ro... Ro... | 0:41:15 | 0:41:16 | |
-Roanoke. -Daddy, that's in Virginia. -Hmm? | 0:41:18 | 0:41:22 | |
-Oh, yeah. I got it. Lady Rowena. -Uh, Captain! | 0:41:24 | 0:41:29 | |
-May I speak to you for a minute? -No. -Oh... | 0:41:29 | 0:41:31 | |
Forgive the interruption, Captain, | 0:41:35 | 0:41:37 | |
but I did ask the Sergeant if I might see you? | 0:41:37 | 0:41:40 | |
-Hello, Lorabelle. -Yeah, what is it? | 0:41:40 | 0:41:43 | |
I just want you to know that I thoroughly understand... | 0:41:43 | 0:41:46 | |
Oh, Daddy knows, don't you, Daddy? | 0:41:46 | 0:41:49 | |
Thank you, Nancy. | 0:41:49 | 0:41:51 | |
-I know how you must you feel... -Oh, Daddy knows, don't you, Daddy? | 0:41:51 | 0:41:54 | |
-Sergeant! -Yes, sir? -Don't just stand there. Come here. | 0:41:54 | 0:41:58 | |
Yes, sir. | 0:41:58 | 0:42:00 | |
-What do you want me to do? -Finish it. Get out of here. | 0:42:02 | 0:42:04 | |
I don't know nothing about dressmaking. Come on, Nancy. | 0:42:04 | 0:42:07 | |
I never did any of that. | 0:42:07 | 0:42:08 | |
I didn't mean to shout, Miss Larkin. | 0:42:08 | 0:42:10 | |
I guess I've been around horses too long. | 0:42:10 | 0:42:13 | |
That's all right. | 0:42:13 | 0:42:14 | |
Have you any hopes of settling your differences with the Indians? | 0:42:14 | 0:42:18 | |
Well, I'm hoping for the best, but it looks pretty serious. | 0:42:18 | 0:42:21 | |
It's frightening when you think what three outlaws | 0:42:21 | 0:42:23 | |
can do to the lives of hundreds. | 0:42:23 | 0:42:25 | |
I'm really sorry. For a lot of things, I guess. | 0:42:27 | 0:42:30 | |
-Yeah... Well, I trust you're comfortable? -Oh, yes. Yes, I am. | 0:42:31 | 0:42:36 | |
Miss Susan was kind enough to put me up. | 0:42:36 | 0:42:38 | |
You'll excuse me, Miss Larkin. | 0:42:38 | 0:42:40 | |
-Now you stop jiggling. -I'm not jiggling! You're shaking! | 0:42:47 | 0:42:52 | |
Can I help you, Sergeant? | 0:42:52 | 0:42:54 | |
You sure can, ma'am. | 0:42:54 | 0:42:55 | |
I'm a lot better with a gun than I am this silly old needle. | 0:42:55 | 0:42:58 | |
-I'll bet two. -I'll raise you. -I raise you. | 0:43:01 | 0:43:04 | |
-I call. -I'm calling. -I call. | 0:43:05 | 0:43:10 | |
-I call. What you got? -I got nothing. -Nothing. | 0:43:10 | 0:43:14 | |
Ha! Nothing. | 0:43:14 | 0:43:16 | |
-Queens. -How many? | 0:43:16 | 0:43:18 | |
-One. -Good. I thought you were bluffing. | 0:43:18 | 0:43:21 | |
I don't understand it. I just don't seem to win a bet. | 0:43:22 | 0:43:25 | |
Well, maybe you're lucky in love. | 0:43:25 | 0:43:27 | |
-There must be some way of winning. -Have you ever tried cheating? | 0:43:27 | 0:43:31 | |
Come on, boys. Annie up, Annie up. | 0:43:31 | 0:43:34 | |
-Again? -Put your money where your mouth is. All right, here we go. | 0:43:34 | 0:43:38 | |
Around and around the joker goes, and where she stops, nobody knows. | 0:43:40 | 0:43:44 | |
-All right. It's a good honest deal. -Make a good hand. -Yeah. | 0:43:45 | 0:43:49 | |
Got a hunch this is all good hands this time. | 0:43:49 | 0:43:52 | |
What you got? | 0:43:55 | 0:43:56 | |
I bet four. | 0:44:03 | 0:44:05 | |
Bet 'em like you had 'em. What you got, deuces? | 0:44:05 | 0:44:07 | |
It's none of your business what he's got. What are you going to do? | 0:44:07 | 0:44:10 | |
I'm getting out while the getting's good. | 0:44:10 | 0:44:11 | |
How about you Mr Black? | 0:44:11 | 0:44:13 | |
My hand's not too good. I'll fold. | 0:44:16 | 0:44:18 | |
Well, I got a promising hand. I'll raise you four. | 0:44:18 | 0:44:21 | |
Call. All right. Two are out and three are in. | 0:44:23 | 0:44:27 | |
Draw the cars and the fun begins. How many? | 0:44:27 | 0:44:29 | |
I take one. | 0:44:30 | 0:44:32 | |
One. | 0:44:33 | 0:44:35 | |
-Three. -One, two, three. | 0:44:36 | 0:44:39 | |
One, two, three, four. | 0:44:43 | 0:44:46 | |
How can you draw four when the limit's three? | 0:44:46 | 0:44:49 | |
-This is dealer's choice, ain't it? -Yes. | 0:44:49 | 0:44:51 | |
Well, I'm the dealer and I choose to draw four cards. | 0:44:51 | 0:44:54 | |
Shoot the works, boys. This is it. Shoot the works. | 0:45:05 | 0:45:08 | |
This is a good hand. I'm betting. | 0:45:08 | 0:45:10 | |
-Call. You don't scare me. -I'm so glad I got out when I did. | 0:45:11 | 0:45:15 | |
What have you got? | 0:45:15 | 0:45:17 | |
-A straight to the jack! -Good, I've got four aces! -Whoa, whoa! Hold on! | 0:45:17 | 0:45:22 | |
I got the winning hand. | 0:45:22 | 0:45:23 | |
-What have you got? A royal flush? -What have I got? | 0:45:23 | 0:45:26 | |
2 of diamonds, 4 of hearts, 6 of spades, 8 of clubs, | 0:45:26 | 0:45:31 | |
and 10 of diamonds. | 0:45:31 | 0:45:33 | |
-What's that? -What's that?! That's a sneaky peeky. | 0:45:35 | 0:45:39 | |
-It's the greatest hand you can hold. -Sneaky peeky? -Sneaky peeky? | 0:45:39 | 0:45:42 | |
-I never heard of it. -Well, of course not. You're just a rookie. | 0:45:42 | 0:45:45 | |
Here, you did win the deal. Anyone want to float along? | 0:45:45 | 0:45:49 | |
I like to have some security. | 0:45:49 | 0:45:51 | |
-What have you got? -I got three jacks. -No good, I got three queens. | 0:45:53 | 0:45:56 | |
-This is the hand I've been waiting for. Sneaky peeky! -No good. | 0:45:56 | 0:46:00 | |
-What do you mean no good?! -Three aces. | 0:46:00 | 0:46:03 | |
I thought you told me sneaky peeky was the highest hand you could get? | 0:46:03 | 0:46:06 | |
It is, but it's only good once a night. | 0:46:06 | 0:46:08 | |
Shall we skip the light fantastic? | 0:46:31 | 0:46:33 | |
Of course, I use the word light advisedly. | 0:46:33 | 0:46:35 | |
He's changing the guard at midnight. | 0:46:38 | 0:46:40 | |
One minute after 12, I want you walking by the main gate. | 0:46:40 | 0:46:43 | |
We'll make our break then. | 0:46:43 | 0:46:45 | |
-What are we using for horses? -I got them. | 0:46:45 | 0:46:47 | |
You know I can look in your eye and see you've led a gay romantic life. | 0:46:50 | 0:46:54 | |
-If I'm not too personal, what do you do for a living? -I sell coffins. | 0:46:54 | 0:46:59 | |
SHE GIGGLES | 0:46:59 | 0:47:01 | |
-Daddy, why are you still mad at Miss Larkin? -Mad at her? -Yes? | 0:47:03 | 0:47:08 | |
Well, if it'll make you feel any better, we're on very good terms. Now, anything else? | 0:47:08 | 0:47:12 | |
Yes. Why don't you dance with her? She's awful pretty. | 0:47:12 | 0:47:15 | |
All right. | 0:47:16 | 0:47:18 | |
-Don't you think you better take these jewels now? -No, they're safer on you. | 0:47:18 | 0:47:22 | |
Smile. You're having a good time, remember? | 0:47:25 | 0:47:28 | |
Miss Larkin, I trust you're enjoying yourself? | 0:47:28 | 0:47:30 | |
Oh, very much, Captain, | 0:47:30 | 0:47:32 | |
but I was hoping you were going to ask me for a dance. | 0:47:32 | 0:47:34 | |
Nothing would suit me more. | 0:47:34 | 0:47:36 | |
However, I was about to suggest a walk in the moonlight. | 0:47:36 | 0:47:38 | |
Good. | 0:47:38 | 0:47:40 | |
I'm glad you and my daughter hit it off so well, Miss Larkin. | 0:47:50 | 0:47:53 | |
-It's easy to get along with Nancy. -I appreciate your kindness. | 0:47:53 | 0:47:56 | |
Lovely night, isn't it? | 0:47:58 | 0:47:59 | |
As commanding officer, I ordered that moon to appear. | 0:47:59 | 0:48:02 | |
You couldn't have ordered a lovelier moon. | 0:48:02 | 0:48:05 | |
-I hope it stays there for ever. -For ever, Captain? How romantic. | 0:48:05 | 0:48:10 | |
Not romantic. Worry. | 0:48:10 | 0:48:11 | |
When that moon disappears and the sun rises, | 0:48:11 | 0:48:14 | |
I'm faced with an Indian attack. | 0:48:14 | 0:48:16 | |
-Is it really that serious? -Very. | 0:48:16 | 0:48:18 | |
Last war with the Navajos cos Nancy her mother. | 0:48:18 | 0:48:20 | |
And your wife. | 0:48:22 | 0:48:24 | |
The only consolation I've had is this lasting truce with Chief Paako. | 0:48:24 | 0:48:28 | |
Now it looks like that might fall apart. | 0:48:28 | 0:48:30 | |
Isn't there any way to appease Paako? | 0:48:30 | 0:48:33 | |
Yes, if I can hand over the three outlaws who killed his tribesmen. | 0:48:33 | 0:48:37 | |
I couldn't do that, even if I had them. | 0:48:37 | 0:48:40 | |
Even if they're proven guilty? | 0:48:40 | 0:48:42 | |
Their guilt must be decided by a federal court, | 0:48:42 | 0:48:44 | |
not an Indian drumhead. | 0:48:44 | 0:48:47 | |
I don't know why I'm bothering you with my trouble. | 0:48:47 | 0:48:50 | |
You expect to be in San Francisco long? | 0:48:50 | 0:48:53 | |
-Depends. -Your grandmother. | 0:48:53 | 0:48:55 | |
I like it here. | 0:48:55 | 0:48:57 | |
I mean, the people are nice. Even you after hours. | 0:48:57 | 0:49:00 | |
Oh, I know what it's like to be lonely. | 0:49:02 | 0:49:04 | |
See, I've lived with relatives all my life. | 0:49:04 | 0:49:07 | |
-Always a mansion, but never a home. -Well, things may grow better. | 0:49:07 | 0:49:12 | |
Sooner than you think. | 0:49:12 | 0:49:14 | |
Maybe. | 0:49:14 | 0:49:15 | |
Shall we go back? | 0:49:16 | 0:49:17 | |
Hey, Singalong, how about giving out with a song? | 0:49:28 | 0:49:31 | |
I've got just the song you're looking for! | 0:49:31 | 0:49:33 | |
# Handygun Pete and Larry Lou and Jittery Dearfoot Dan | 0:49:36 | 0:49:40 | |
# Were three notorious outlaws who hit the Rio Grande | 0:49:40 | 0:49:43 | |
# Handygun Pete was quick in the draw | 0:49:43 | 0:49:45 | |
# Larry Lou could rope | 0:49:45 | 0:49:47 | |
# And little old Jittery Dearfoot Dan could run like an antelope | 0:49:47 | 0:49:50 | |
# Ah yip ah yip ah yippy hi hey | 0:49:50 | 0:49:52 | |
# They never was three cow hands | 0:49:52 | 0:49:55 | |
# Could draw a gun or use a rope or run like Dearfoot Dan | 0:49:55 | 0:49:58 | |
# Now these three fellas would drop the coach | 0:49:58 | 0:50:00 | |
# And hold up the railroad train | 0:50:00 | 0:50:02 | |
# But little old Jittery Dearfoot Dan never got one third of a gain | 0:50:02 | 0:50:06 | |
# Dearfoot Dan, he never griped, no matter how he would hope | 0:50:06 | 0:50:09 | |
# Cos Pete was handy with a gun and Lou was mean with a rope | 0:50:09 | 0:50:13 | |
# Ah yip ah yip ah yippy hi hey | 0:50:13 | 0:50:15 | |
# There never was three cow hands | 0:50:15 | 0:50:17 | |
# Could draw a gun or use a rope or run with Dearfoot Dan | 0:50:17 | 0:50:21 | |
# Rewards were posted on every tree throughout the western land | 0:50:21 | 0:50:24 | |
# 5,000 dollars for Lou and Pete and one for Dearfoot Dan | 0:50:24 | 0:50:28 | |
# Now this got poor old Dan so mad, he said | 0:50:28 | 0:50:31 | |
# "I'll show them snakes! | 0:50:31 | 0:50:32 | |
# "There ain't enough money on my head for all the work it takes | 0:50:32 | 0:50:35 | |
# Ah yip ah yip ah yippy hi hey | 0:50:35 | 0:50:37 | |
# There never were three cow hands | 0:50:37 | 0:50:39 | |
# Could draw a gun or use a rope or run like Dearfoot Dan | 0:50:39 | 0:50:43 | |
# So when they next held up a train, the posse got there too | 0:50:43 | 0:50:47 | |
# Shot their horses while they ran | 0:50:47 | 0:50:49 | |
# So on their feet they flew | 0:50:49 | 0:50:51 | |
# Handygun Pete and Lariat Lou were killed by gun and rope | 0:50:51 | 0:50:54 | |
# But Jittery Dan, he's running still, just like an antelope | 0:50:54 | 0:50:58 | |
# Ah yip ah yip ah yippy hi hey | 0:50:58 | 0:51:00 | |
# There never was three cow hands | 0:51:00 | 0:51:02 | |
# Could draw a gun or use a rope or run like Dearfoot Dan | 0:51:02 | 0:51:06 | |
# Handygun Pete and Lariat Lou were buried right on the slope | 0:51:06 | 0:51:09 | |
# One still has a hold of his gun, the other has got his rope | 0:51:09 | 0:51:13 | |
# Rewards run high for Jittery Dan, but everyone's lost hope | 0:51:13 | 0:51:17 | |
# Cos they all know it ain't no use to chase an antelope | 0:51:17 | 0:51:21 | |
# Ah yip ah yip ah yippy hi hey | 0:51:21 | 0:51:23 | |
# There never was three cow hands | 0:51:23 | 0:51:24 | |
# Could draw a gun or use a rope or run like Dearfoot Dan! # | 0:51:24 | 0:51:28 | |
CHEERING | 0:51:28 | 0:51:31 | |
Attention, everybody. | 0:51:35 | 0:51:37 | |
Hardsaddle Harry is going to give us his impersonation | 0:51:37 | 0:51:40 | |
of Buffalo Bill! | 0:51:40 | 0:51:41 | |
Impersonation - Buffalo Bill. | 0:51:47 | 0:51:49 | |
LAUGHTER | 0:51:51 | 0:51:53 | |
That was fine, sir! | 0:51:53 | 0:51:55 | |
LAUGHTER | 0:51:55 | 0:51:57 | |
HE LAUGHS HYSTERICALLY | 0:51:58 | 0:52:01 | |
Excuse me. | 0:52:06 | 0:52:07 | |
Captain Dempster, can I see you for a minute? | 0:52:07 | 0:52:10 | |
All right, everybody. Choose your ladies and sets. | 0:52:13 | 0:52:16 | |
Those on the sides, cut in when you want to. Let's go! | 0:52:16 | 0:52:19 | |
Please, Captain, it's very important. | 0:52:21 | 0:52:23 | |
Oh, take it easy, Mr Black. Have your drink first. | 0:52:23 | 0:52:25 | |
Captain, the man who held us up is here. | 0:52:25 | 0:52:28 | |
Mr Black, you better take another pill. | 0:52:28 | 0:52:30 | |
You're letting your imagination run away with you. | 0:52:30 | 0:52:32 | |
It's not my imagination, I'm positive. | 0:52:32 | 0:52:35 | |
There he is. Right there. | 0:52:35 | 0:52:37 | |
Dancing with Miss Larkin. | 0:52:37 | 0:52:39 | |
Why that's Mr Murray. He's a cattleman, he's a rancher. | 0:52:42 | 0:52:46 | |
Yes, and he's also a thief and a murderer. | 0:52:46 | 0:52:48 | |
-How do you know? -I recognised him by his laugh. | 0:52:50 | 0:52:53 | |
I'll remember that bloodthirsty laugh till the day I die. | 0:52:53 | 0:52:56 | |
Thank you, Mr Black. Don't say anything to anybody about this. | 0:52:57 | 0:53:00 | |
-Why, Captain, what a pleasant surprise. -Pleasure's all mine. | 0:53:00 | 0:53:04 | |
# Step right back and watch him grin | 0:53:05 | 0:53:07 | |
# An elbow hook and sling him again... # | 0:53:07 | 0:53:09 | |
What was Dempster talking to you about? | 0:53:34 | 0:53:36 | |
-Don't be so inquisitive. -I want to know. | 0:53:36 | 0:53:39 | |
What's the matter? Jealous? | 0:53:39 | 0:53:41 | |
# Swing that gin across this set | 0:53:42 | 0:53:43 | |
# Hurry up, gal, you're not through yet... # | 0:53:43 | 0:53:46 | |
# All around your left hand lady | 0:54:01 | 0:54:03 | |
# See-saw, you put a little on... # | 0:54:03 | 0:54:05 | |
We meet again, Captain. | 0:54:29 | 0:54:30 | |
You and Mr Murray seem to be getting along nicely. | 0:54:30 | 0:54:33 | |
-What makes you think so? -Did you ever see him before? -Yes. | 0:54:33 | 0:54:36 | |
-Where? -Tonight. At the supper table. | 0:54:36 | 0:54:39 | |
-Are you quite sure... -Captain...Mr Murray is the kind of man a woman would never forget. | 0:54:39 | 0:54:43 | |
Did you get a good look at the man who held you up? | 0:54:43 | 0:54:46 | |
Miss Lorabelle, you dropped these. | 0:55:04 | 0:55:06 | |
-I'll take them, honey. -I'll take them. | 0:55:09 | 0:55:12 | |
Captain, see that those gates are open pronto. | 0:55:16 | 0:55:19 | |
Put that child down, Vaughn. | 0:55:19 | 0:55:20 | |
I'll put her down when I'm free and clear of this fort. | 0:55:20 | 0:55:23 | |
I said I want those gates open. | 0:55:23 | 0:55:25 | |
Get moving, Lorabelle. | 0:55:25 | 0:55:26 | |
-I'm not going. -What's the matter? Lost your nerve? | 0:55:26 | 0:55:29 | |
No, my taste. | 0:55:29 | 0:55:31 | |
Suits me fine. Three's a crowd. | 0:55:32 | 0:55:34 | |
Nobody get behind me. | 0:55:36 | 0:55:39 | |
I said nobody. Now get back. | 0:55:39 | 0:55:41 | |
That's more like it. | 0:55:42 | 0:55:44 | |
Stay where you are. Except you, Captain. | 0:55:45 | 0:55:47 | |
You're coming with me. When you get outside, give that order about the gate. Now start moving. | 0:55:47 | 0:55:51 | |
That's close enough. | 0:55:54 | 0:55:55 | |
Now, Captain, give that order about that gate, and make it real loud. | 0:56:02 | 0:56:06 | |
Open the gates! | 0:56:07 | 0:56:08 | |
DRAMATIC MUSIC | 0:56:10 | 0:56:13 | |
-Nancy! Nancy, are you all right? -Daddy! | 0:56:28 | 0:56:33 | |
Now, now. You were very brave. | 0:56:33 | 0:56:35 | |
-Is she all right, Captain? -Sergeant, lock her up. -Yes, sir. | 0:56:35 | 0:56:39 | |
# He kept riding all night through till the morning came in view | 0:56:48 | 0:56:52 | |
# Then approached the rendezvous to meet his men | 0:56:52 | 0:56:56 | |
# They were happy as could be for they were back to three | 0:56:56 | 0:57:00 | |
# And they felt that they were free to rob again | 0:57:00 | 0:57:03 | |
# They began to cover ground and then suddenly they found | 0:57:04 | 0:57:07 | |
# There were redskins all around the cliffs | 0:57:07 | 0:57:13 | |
# All their guilty eyes could see was the wounded brave as he | 0:57:13 | 0:57:17 | |
# Recognised the wicked three and told his chief | 0:57:17 | 0:57:20 | |
# But they kept on riding through Some Navajos knew | 0:57:20 | 0:57:24 | |
# That death was riding too and time was free | 0:57:24 | 0:57:27 | |
# There were agents to the left | 0:57:27 | 0:57:30 | |
# There were agents to the right | 0:57:33 | 0:57:35 | |
# And the bandits knew they were not for sport | 0:57:38 | 0:57:41 | |
# No matter where they turned the Navajos appeared | 0:57:41 | 0:57:45 | |
# They were trapped and so they rode back to the fort. # | 0:57:45 | 0:57:47 | |
Open the gate! | 0:57:52 | 0:57:53 | |
Come here, Mr Vaughn. | 0:58:10 | 0:58:12 | |
Sergeant, lock 'em up. | 0:58:27 | 0:58:29 | |
All right, pick 'em up. | 0:58:29 | 0:58:31 | |
Sir, Chief Paako bearing a flag of truce is outside the fort. | 0:58:35 | 0:58:38 | |
-A flag of truce? -Yes, sir. -There's still hope. | 0:58:38 | 0:58:40 | |
Let's see what he wants. | 0:58:40 | 0:58:41 | |
You stay here, lieutenant. | 0:58:48 | 0:58:50 | |
Chief Paako! If you come in peace, I welcome you. | 0:58:56 | 0:58:59 | |
We come for the bad white man who harm my people. | 0:58:59 | 0:59:02 | |
You give him them to me, I go in peace. | 0:59:02 | 0:59:04 | |
I welcome your aid, Chief Paako, | 0:59:04 | 0:59:06 | |
you and your tribe can be witnesses against them when they're tried. | 0:59:06 | 0:59:09 | |
I refuse to wait for white man's justice. | 0:59:09 | 0:59:11 | |
Anger dies as time goes by. | 0:59:12 | 0:59:14 | |
When the shadow of spear move from west to east, | 0:59:19 | 0:59:22 | |
my patience will have ended. | 0:59:22 | 0:59:24 | |
If by that time you do not return the guilty ones to me, | 0:59:24 | 0:59:26 | |
we shall attack. | 0:59:26 | 0:59:29 | |
I'm in favour of turning them over. It's a cheap enough price for peace. | 0:59:39 | 0:59:42 | |
Are you ready to resign your commission? | 0:59:42 | 0:59:44 | |
-We're terribly outnumbered. -That's the tough part of being a soldier. Talking won't do us any good now. | 0:59:44 | 0:59:48 | |
In less than 30 minutes they'll attack. | 0:59:48 | 0:59:50 | |
Captain, we can't afford another mistake. | 0:59:50 | 0:59:51 | |
-Another mistake, lieutenant? -I think it was a mistake to allow the coach to leave the fort unprotected. | 0:59:51 | 0:59:55 | |
-Any further orders, Captain? -Yes, sergeant. Empty the arsenal. Pass out all the ammunition. | 0:59:55 | 0:59:59 | |
Have Jamora get through to the next fort and send for reinforcements. | 0:59:59 | 1:00:02 | |
-If anybody can get through the Navajos, he can. -Yes, sir. | 1:00:02 | 1:00:06 | |
Captain, the lives of our women | 1:00:07 | 1:00:09 | |
and children mean more than the Vaughn Gang. | 1:00:09 | 1:00:10 | |
Of course they do, but we have a sworn duty to preserve law and order. | 1:00:10 | 1:00:13 | |
As long as I'm in command we'll do it my way. | 1:00:13 | 1:00:15 | |
I want you to know that if we all aren't massacred, I intend to voice my... | 1:00:15 | 1:00:18 | |
Lieutenant, you're under orders. | 1:00:18 | 1:00:20 | |
Put all the children in the schoolhouse. | 1:00:20 | 1:00:21 | |
-And the women? -They can reload the rifles and care for the wounded. | 1:00:21 | 1:00:24 | |
Yes, sir. | 1:00:24 | 1:00:26 | |
One thing more, lieutenant. | 1:00:26 | 1:00:27 | |
Bring the prisoners to me. | 1:00:29 | 1:00:30 | |
-They started this thing, let's see if they can help to finish it. -Yes, sir. | 1:00:30 | 1:00:34 | |
-I want you to help care for the wounded. -I'll be glad too. | 1:00:48 | 1:00:50 | |
-You should be. -Captain! -I know, you're sorry. | 1:00:50 | 1:00:52 | |
You keep saying that and I keep believing you. | 1:00:52 | 1:00:54 | |
-I don't expect you to believe me. -Tell that to your grandmother. | 1:00:54 | 1:00:58 | |
-What do you want me to do? -Follow me. | 1:00:58 | 1:01:00 | |
Be good, children. I'll sing you a song. | 1:01:03 | 1:01:06 | |
# There were redskins all about And we needed help no doubt | 1:01:16 | 1:01:20 | |
# So the sergeant sent a scout to Fort Marcy | 1:01:20 | 1:01:23 | |
# We were hoping he'd get through by a secret way he new | 1:01:23 | 1:01:27 | |
# But a redskin came in view and shot him dead | 1:01:27 | 1:01:30 | |
# They heard the rifle boom | 1:01:30 | 1:01:32 | |
# It filled their hearts with gloom | 1:01:32 | 1:01:34 | |
# For that bullet sealed the doom for Slaughter Trail | 1:01:34 | 1:01:37 | |
# In the sky the morning sun's out as each able soldier runs out | 1:01:37 | 1:01:41 | |
# And the sergeant passes guns out to each man | 1:01:41 | 1:01:44 | |
# Since the cavalry's kind of short now | 1:01:44 | 1:01:47 | |
# The civilians lend support now | 1:01:47 | 1:01:49 | |
# The must help to hold the fort now if they can | 1:01:49 | 1:01:52 | |
# It's a ticklish proposition when you're short of ammunition | 1:01:52 | 1:01:57 | |
# And a bow is in position everywhere | 1:01:57 | 1:02:02 | |
# A soldier fears to mention that moment of suspension | 1:02:02 | 1:02:06 | |
# When he feels the mounting tension in the air | 1:02:06 | 1:02:11 | |
# Now the shadow moves | 1:02:11 | 1:02:15 | |
# And the redskins watch it through | 1:02:15 | 1:02:18 | |
# As we watch the shadow move we hold our breath | 1:02:20 | 1:02:25 | |
# As the Indians watch and wait we all contemplate our fate | 1:02:25 | 1:02:29 | |
# Can the shadow be a harbinger of death? | 1:02:29 | 1:02:34 | |
# With your rifle primed as that shadow moves you pray | 1:02:34 | 1:02:38 | |
# How you wish there was a way to move it back | 1:02:38 | 1:02:42 | |
# Now it seems the shadow's flying comes a moment now for dying | 1:02:42 | 1:02:47 | |
# And you hear Chief Paako cry attack! # | 1:02:47 | 1:02:50 | |
SCREAMING | 1:02:50 | 1:02:52 | |
They're coming in all directions. | 1:03:27 | 1:03:29 | |
Now we'll wait, but we'll show 'em some strength. | 1:03:29 | 1:03:31 | |
I need six volunteers to go outside the fort | 1:03:31 | 1:03:33 | |
-and form a perimeter of defence. -I'll go, sir. | 1:03:33 | 1:03:36 | |
-Oh, Hardsaddle, not you. -What did you expect? General Custer? | 1:03:38 | 1:03:42 | |
I'd like to go too, sir. | 1:03:42 | 1:03:44 | |
Just a minute, Lieutenant, you three are volunteering too. | 1:03:44 | 1:03:47 | |
Anybody going out there will be committing suicide. | 1:03:47 | 1:03:49 | |
-That's murder. -Then you ought to feel right at home. | 1:03:49 | 1:03:51 | |
Give 'em some guns and get 'em out of here. | 1:03:51 | 1:03:54 | |
Good luck, Lieutenant. | 1:04:03 | 1:04:05 | |
Now shoot the first man who tries to make a break. | 1:04:06 | 1:04:08 | |
Hold it. I'll tell you when. | 1:04:22 | 1:04:23 | |
Wait until they're close. We've got to make every bullet count. | 1:04:26 | 1:04:29 | |
GUNSHOTS | 1:04:33 | 1:04:34 | |
Fire! | 1:04:36 | 1:04:37 | |
There's so many Indians, I don't know which one to shoot first. | 1:05:04 | 1:05:07 | |
-Well, shoot the closest one to you. -OK, here goes. | 1:05:07 | 1:05:10 | |
-Did you get him? -Yep. -Where? | 1:05:12 | 1:05:14 | |
It will be a long time before he can ride again. | 1:05:14 | 1:05:16 | |
They're trying to surround us. Send some more men to the rear. | 1:05:30 | 1:05:34 | |
We hardly have men to hold down this section. | 1:05:34 | 1:05:36 | |
Do the best you can. | 1:05:36 | 1:05:37 | |
-Are you all right? -Yes. Nothing serious. | 1:06:56 | 1:06:58 | |
-Will you take care of the children? -Yes. | 1:06:58 | 1:07:00 | |
The children are safe, Captain. | 1:07:02 | 1:07:04 | |
I saw what you did, Ms Larkin, that was quick thinking. Thanks. | 1:07:04 | 1:07:07 | |
Better get back to your men, I'll look after the children. | 1:07:07 | 1:07:11 | |
# The redskin made his kill and he cried out loud and shrill | 1:08:32 | 1:08:36 | |
# To his tribesman on the hill and then we saw | 1:08:36 | 1:08:39 | |
# That the Indian waiting there shot a signal in the air | 1:08:39 | 1:08:43 | |
# And when Paako saw the flare he cried withdraw! # | 1:08:43 | 1:08:47 | |
Cease firing. | 1:08:47 | 1:08:48 | |
# They hadn't been defeated yet the Navajos retreated | 1:09:02 | 1:09:05 | |
# And the tale is oft repeated to this day | 1:09:05 | 1:09:09 | |
# When the bandits' lives are ended just as Paako had intended | 1:09:09 | 1:09:12 | |
# All the redskins proud and splendid rode away | 1:09:12 | 1:09:16 | |
# You can only hear the sound of the hoof beats on the ground | 1:09:16 | 1:09:19 | |
# As they redskins rode around the Slaughter Trail. # | 1:09:19 | 1:09:22 | |
Lieutenant Morgan to see you, sir. | 1:09:23 | 1:09:25 | |
-All right, and bring Ms Larkin here, will you? -Yes, sir. | 1:09:25 | 1:09:30 | |
All the wounded are in the schoolhouse. | 1:09:30 | 1:09:32 | |
It could have been worse. | 1:09:32 | 1:09:34 | |
Lieutenant, you can make any report you like. | 1:09:36 | 1:09:39 | |
I'll send it through. | 1:09:39 | 1:09:41 | |
Well, I changed my mind, Captain. | 1:09:41 | 1:09:43 | |
Perhaps things worked out for the best. | 1:09:43 | 1:09:46 | |
As your responsibilities increase, | 1:09:46 | 1:09:47 | |
you'll have to make quick decisions too. | 1:09:47 | 1:09:49 | |
If you're lucky, a few of them will be good ones. | 1:09:49 | 1:09:52 | |
Yes, sir. | 1:09:52 | 1:09:53 | |
-Where's Ms Larkin? -She won't come, sir. | 1:10:00 | 1:10:02 | |
What the blue blazes?! Why won't she? | 1:10:02 | 1:10:04 | |
-Well, she's in jail. -Jail?! | 1:10:04 | 1:10:06 | |
I specifically gave the order to release her. | 1:10:06 | 1:10:08 | |
Well, I know you did, sir, | 1:10:08 | 1:10:09 | |
but she walked right back in there as soon as the fighting was over | 1:10:09 | 1:10:12 | |
-and won't come out. -What? | 1:10:12 | 1:10:14 | |
How do you figure that woman? Me, I'd rather tangle with the Indians. | 1:10:14 | 1:10:17 | |
Nancy, what are you doing here? | 1:10:25 | 1:10:26 | |
I tried to send her out, but she wouldn't go. | 1:10:26 | 1:10:29 | |
I want to stay with Lorabelle. | 1:10:29 | 1:10:30 | |
Now you may be my commanding officer, | 1:10:30 | 1:10:32 | |
but I'm still in charge of the fort. | 1:10:32 | 1:10:34 | |
You run along with the sergeant. | 1:10:34 | 1:10:36 | |
Daddy, please don't send Lorabelle away. | 1:10:36 | 1:10:38 | |
Nancy, you better do as your daddy says. | 1:10:38 | 1:10:40 | |
I sent for you, Ms Larkin. | 1:10:43 | 1:10:45 | |
This cell isn't my idea, Captain. | 1:10:46 | 1:10:48 | |
I wanted to tell you that you're free to go. | 1:10:51 | 1:10:52 | |
Am I? | 1:10:56 | 1:10:57 | |
What I'm trying to say is that... | 1:10:57 | 1:11:00 | |
Now I'm sorry, I hope you believe that. | 1:11:00 | 1:11:02 | |
Does it matter? | 1:11:07 | 1:11:08 | |
I think it does. | 1:11:10 | 1:11:12 | |
Children are usually right about people. | 1:11:12 | 1:11:14 | |
What about commanding officers? | 1:11:16 | 1:11:18 | |
There's a west bound stage leaving in an hour. | 1:11:18 | 1:11:21 | |
You think you can be ready by then? | 1:11:21 | 1:11:23 | |
I'll be ready. | 1:11:24 | 1:11:26 | |
# Now the stage is set to roll | 1:11:34 | 1:11:36 | |
# And towards the coach they strolled | 1:11:36 | 1:11:39 | |
# There are feelings to control before they part | 1:11:39 | 1:11:42 | |
# Now she kisses Nancy's cheek but the captain cannot speak | 1:11:44 | 1:11:49 | |
# For the strongest men turn weak when ruled by heart | 1:11:49 | 1:11:53 | |
# They had evened up the score | 1:11:55 | 1:11:56 | |
# Then the soldier closed the door | 1:11:56 | 1:11:58 | |
# For the stage was right once more on Slaughter Trail | 1:11:58 | 1:12:02 | |
# Nancy waved to Lorabelle and her heart began to swell | 1:12:02 | 1:12:05 | |
# When the Captain waved farewell and she knew then | 1:12:05 | 1:12:09 | |
# That from now on come what may | 1:12:09 | 1:12:11 | |
# She would live the righteous way | 1:12:11 | 1:12:13 | |
# And she hoped perhaps one day they'll meet again | 1:12:13 | 1:12:16 | |
# You can only hear the sound of the hoof beats on the ground | 1:12:16 | 1:12:20 | |
# And the wheels as they went round the Slaughter Trail | 1:12:20 | 1:12:24 | |
# And so our story ends | 1:12:24 | 1:12:28 | |
# Thanks for listening, my friends | 1:12:28 | 1:12:31 | |
# At last we've reached the end of Slaughter Trail. # | 1:12:31 | 1:12:37 |