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CLOCK TICKS | 0:01:07 | 0:01:11 | |
-Morning, lieutenant. -Morning. | 0:02:07 | 0:02:10 | |
-They're all here. -Get me the woman who reported it first. | 0:02:12 | 0:02:17 | |
-The cleaning woman. -Her husband, the janitor, is with her. -All right, both of them. | 0:02:17 | 0:02:22 | |
DOOR OPENS You and your husband. | 0:02:22 | 0:02:25 | |
Sit down, please. | 0:02:27 | 0:02:29 | |
Um, what was the man's name? | 0:02:35 | 0:02:38 | |
-Dr Frank Peralta. -Dr Frank Peralta. All right, what happened? | 0:02:38 | 0:02:42 | |
I went in this morning to clean up. It was about half past seven. | 0:02:42 | 0:02:47 | |
There he was, just laying there! | 0:02:47 | 0:02:50 | |
-You live at the same address, I believe, Mr Benson. -Same floor. | 0:02:50 | 0:02:54 | |
-And you saw Dr Peralta last night? -About ten. He was coming in, I was going out. | 0:02:54 | 0:02:59 | |
-Was he alone? -No, he had a young lady with him. | 0:02:59 | 0:03:02 | |
-You know her? -Never seen her. Very nice looking. | 0:03:02 | 0:03:06 | |
-Remember what she was wearing? -A blue suit. Flowers in her hair. | 0:03:06 | 0:03:10 | |
-Gloves? -I don't think so, but I don't remember. | 0:03:10 | 0:03:14 | |
-They were going up to his apartment, presumably. -That's what I assumed. | 0:03:14 | 0:03:18 | |
-About ten o'clock? -Around ten. | 0:03:18 | 0:03:20 | |
-Think you'd know her if you saw her again? -Yes, we met, face to face. -I see. | 0:03:20 | 0:03:26 | |
What do you know about her, Mrs Didriksen? | 0:03:26 | 0:03:29 | |
I live in the apartment under Dr Peralta. | 0:03:29 | 0:03:32 | |
About 10.35 last night, I heard this thud on the floor above my ceiling. | 0:03:32 | 0:03:36 | |
-How do you know the time? -I'd just turned on the 10.30 news. | 0:03:36 | 0:03:39 | |
I heard footsteps on the stairs outside, so I opened my door and looked out. | 0:03:39 | 0:03:44 | |
-I was curious. -Yes. I'm glad you were. | 0:03:44 | 0:03:48 | |
-What did you see? -A young, pretty woman passed me and went out the door. | 0:03:48 | 0:03:53 | |
-From Dr Peralta's apartment? -I suppose so. | 0:03:53 | 0:03:56 | |
But you didn't actually see her come out of his door? | 0:03:56 | 0:03:59 | |
I'm not sure, but I don't think so. | 0:03:59 | 0:04:03 | |
-Do you think you'd recognise her again? -Oh, yes, I'm sure I would. | 0:04:03 | 0:04:08 | |
-I got a very good look, she passed under the light. -I see. | 0:04:08 | 0:04:12 | |
You're Dr Peralta's secretary? | 0:04:12 | 0:04:16 | |
-I was. -What do you know about his plans for last night? | 0:04:16 | 0:04:20 | |
He had a dinner engagement with a girl named Theresa Collins. | 0:04:20 | 0:04:24 | |
You didn't care for Miss Collins, I take it. | 0:04:24 | 0:04:26 | |
I know very little about her. But I couldn't believe Dr Peralta was in love with her. | 0:04:26 | 0:04:31 | |
-You mean, he thought he was? -Sometimes he did and sometimes he didn't. | 0:04:31 | 0:04:37 | |
But she treated him so wickedly. She kept him in such a state. | 0:04:37 | 0:04:41 | |
But he was going to propose to her last night, he said. | 0:04:41 | 0:04:44 | |
Theresa Collins. Do you know where she lives? | 0:04:44 | 0:04:49 | |
No. But I can tell you where she works. | 0:04:49 | 0:04:52 | |
She runs a magazine stand in the lobby of the medical building | 0:04:52 | 0:04:55 | |
where Dr Peralta's offices are. Were. | 0:04:55 | 0:04:59 | |
Mrs Didriksen, you go first. Just look around, see if you see anyone you know. | 0:05:13 | 0:05:18 | |
In the middle years, but not a bad little number! | 0:05:18 | 0:05:21 | |
Keep your mind on what you're doing, will you? | 0:05:21 | 0:05:24 | |
HE CLICKS TO TELL LIFT TO GO | 0:05:25 | 0:05:28 | |
-Go out with me and I'll buy you a steak. -Good enough for me. | 0:05:31 | 0:05:35 | |
-I ain't kidding. -Neither am I. | 0:05:35 | 0:05:38 | |
Thank you. | 0:05:38 | 0:05:40 | |
When I get out of this monkey suit, I ain't such a bad looking guy. | 0:05:40 | 0:05:44 | |
HE CLICKS | 0:05:44 | 0:05:47 | |
-Now Benson, you go. -That's the girl all right. Behind the counter. | 0:05:49 | 0:05:53 | |
-Sure of it? -Pretty sure. -Pretty sure? Won't you swear to it? | 0:05:53 | 0:05:57 | |
I think so. Still, there's something... I'll swear to it. | 0:05:57 | 0:06:02 | |
Well, I'll hope you'll remember that. | 0:06:02 | 0:06:05 | |
Don't you remember me? | 0:06:05 | 0:06:07 | |
-Sure, if you want me to. -I remember you all right. | 0:06:07 | 0:06:11 | |
-Where'd she go? -I don't know. How about in there? -That's her. | 0:06:15 | 0:06:18 | |
-Behind the counter. -You swear to it. -Yep. | 0:06:18 | 0:06:20 | |
On a stack of Bibles a mile high. | 0:06:20 | 0:06:22 | |
Thanks. We'll be in touch later. | 0:06:22 | 0:06:25 | |
Looks pretty good. | 0:06:27 | 0:06:30 | |
-Miss Collins? -Yes. | 0:06:30 | 0:06:32 | |
I'm from the police department. | 0:06:32 | 0:06:35 | |
-I beg your pardon. -Good morning, Doctor. | 0:06:35 | 0:06:38 | |
Could you show me something in the line of lemon drops? | 0:06:38 | 0:06:41 | |
-How about lemon drops? -Very good idea! | 0:06:41 | 0:06:45 | |
I don't know how I can thank you enough. | 0:06:45 | 0:06:48 | |
CASH REGISTER BELL RINGS | 0:06:50 | 0:06:53 | |
-I'm sorry. -OK. | 0:06:53 | 0:06:55 | |
-Would you tell me how you spent last night? -Why? -Do you mind? | 0:06:55 | 0:06:59 | |
-No, but... -From eight o'clock on. | 0:06:59 | 0:07:01 | |
-What's it all about? -Begin at nine. | 0:07:01 | 0:07:03 | |
Will you tell me then? All right. | 0:07:03 | 0:07:06 | |
-I went for a walk in Jefferson Park. -Alone? -Yes. | 0:07:06 | 0:07:09 | |
-How long did that take? -I got home about 11.30, 11.45. | 0:07:09 | 0:07:13 | |
-For three hours you walked alone in the park? -Not exactly. | 0:07:13 | 0:07:17 | |
For two hours, I listened to the band concert. | 0:07:17 | 0:07:19 | |
Then I sat by the lake to listen to the singing. | 0:07:19 | 0:07:23 | |
Then I got chilly so I went home. | 0:07:23 | 0:07:25 | |
-All that time you didn't meet anyone? -I didn't say that. | 0:07:25 | 0:07:28 | |
-Anyone who knows you, I mean. -My butcher was behind me in the concert. | 0:07:28 | 0:07:32 | |
-Oh. What's his name? -Mr Peterson. | 0:07:32 | 0:07:35 | |
-Vine and 14th, that's where his shop is. -Uh-huh. | 0:07:35 | 0:07:38 | |
-Did you speak to him? -Sure, we're old friends. | 0:07:38 | 0:07:42 | |
I can check, remember. | 0:07:42 | 0:07:44 | |
All right, check. | 0:07:44 | 0:07:46 | |
Anyone else? | 0:07:46 | 0:07:48 | |
Yes, the park policeman by the lake. | 0:07:48 | 0:07:50 | |
-We talked for a while. -You know his name and number? | 0:07:50 | 0:07:54 | |
No, but we know each other. We've talked there before at night. | 0:07:54 | 0:07:58 | |
-What's he? Some kind of sweetheart? -Not until I get his name anyway. | 0:07:58 | 0:08:02 | |
-The truth is... -And a boy named Nat. He walked home with me. | 0:08:02 | 0:08:07 | |
Where will I find him? | 0:08:10 | 0:08:12 | |
He works at the value shop on 15th and Vine. | 0:08:12 | 0:08:16 | |
And he actually walked home with you? | 0:08:16 | 0:08:19 | |
-Go ask him if you don't believe me. -I intend to. | 0:08:19 | 0:08:22 | |
All right, now what's this about? | 0:08:22 | 0:08:24 | |
Dr Frank Peralta was murdered last night. | 0:08:24 | 0:08:28 | |
Murdered? | 0:08:28 | 0:08:32 | |
Stabbed to death. Straight through the heart. | 0:08:32 | 0:08:35 | |
-Dawson. -Terry! | 0:08:44 | 0:08:48 | |
Terry, what happened? | 0:08:52 | 0:08:54 | |
-Break it up, break it up! -All right, folks, keep moving! | 0:08:58 | 0:09:03 | |
It's all over, lady, keep moving. | 0:09:03 | 0:09:05 | |
Well, what do you want? | 0:09:06 | 0:09:09 | |
-Hello, Franklin? -OK, she's all right now. | 0:09:25 | 0:09:29 | |
Bit shaky, but OK, the doctor says. | 0:09:29 | 0:09:32 | |
-All right, let her go. -Are you kidding? | 0:09:32 | 0:09:35 | |
Of course I'm not kidding, it's a free country, isn't it? | 0:09:35 | 0:09:39 | |
-But two witnesses saw her smack in the place. -Three saw her smack away from it. | 0:09:39 | 0:09:43 | |
Four smacking miles away from it. | 0:09:43 | 0:09:47 | |
I saw them. | 0:09:47 | 0:09:49 | |
Three solid, tax-paying, God-fearing citizens. | 0:09:49 | 0:09:53 | |
Who know her and talked to her all over Jefferson Park last night. | 0:09:53 | 0:09:57 | |
From 9.00 until 11.35. | 0:09:57 | 0:09:59 | |
-Well, what do you know! -I don't get it. Just don't get it. | 0:09:59 | 0:10:03 | |
-Don't make any more sense to me than Chinese music. -CHINESE MUSIC PLAYS | 0:10:03 | 0:10:08 | |
-Second floor, lieutenant. -Thanks. | 0:10:15 | 0:10:18 | |
-Can I come in? -Certainly. -Thanks. | 0:10:32 | 0:10:37 | |
-How are you feeling now? -All right, thanks. | 0:10:40 | 0:10:43 | |
-It sticks, you know? -It sticks? -The alibi. | 0:10:43 | 0:10:47 | |
Oh, well of course, it's the truth. | 0:10:47 | 0:10:50 | |
-That butcher, now. He couldn't be in love with you. -No. | 0:10:50 | 0:10:55 | |
The cop might, and that other guy, but not the butcher, I don't think. | 0:10:55 | 0:10:59 | |
-I don't think so either. -Guys generally fall in love with you. | 0:10:59 | 0:11:02 | |
-Some. -Peralta? | 0:11:02 | 0:11:04 | |
He was...a very dear friend. | 0:11:04 | 0:11:07 | |
Why did you quarrel with him? The elevator boy heard you yesterday. | 0:11:07 | 0:11:11 | |
It wasn't a quarrel, Rusty never liked him. | 0:11:11 | 0:11:14 | |
Oh. Jealous? | 0:11:14 | 0:11:16 | |
You think Rusty might have killed him? | 0:11:16 | 0:11:18 | |
-Why? -He was in love with you too. | 0:11:18 | 0:11:21 | |
-For a policeman, you think a lot about love. -I'm the romantic type. | 0:11:21 | 0:11:25 | |
-Thanks. -You left-handed? | 0:11:25 | 0:11:27 | |
Excuse me, is this visit social or professional? | 0:11:27 | 0:11:30 | |
You gave the lemon drops with your right hand. | 0:11:30 | 0:11:32 | |
I was born left-handed. | 0:11:32 | 0:11:35 | |
Since then, I learnt things right-handed. I didn't like being left-handed. | 0:11:35 | 0:11:40 | |
The medical exam says he was stabbed right-handed. | 0:11:40 | 0:11:43 | |
-What am I supposed to say to that? -I'm just waiting to see. | 0:11:43 | 0:11:47 | |
-If you don't mind... -We'll break it, you know. | 0:11:49 | 0:11:51 | |
The alibi. It may take time, but I'll figure it yet. For dough. | 0:11:51 | 0:11:55 | |
I'd like you to leave, please. I'm tired and I want to go to bed. | 0:11:55 | 0:11:59 | |
-You and your... -Oh, Terry! | 0:11:59 | 0:12:02 | |
-So that's it! -My sister. Ruth. | 0:12:17 | 0:12:21 | |
Why didn't you tell me? | 0:12:21 | 0:12:24 | |
Excuse me. | 0:12:25 | 0:12:27 | |
I was going to, when the time came. | 0:12:27 | 0:12:30 | |
Everyone knows, there'd be no use trying to hide it. | 0:12:30 | 0:12:33 | |
-Not at the medical building they don't. -No, not there. | 0:12:33 | 0:12:36 | |
So we could take days off when we wanted. When we didn't have another job. | 0:12:36 | 0:12:40 | |
-Do you make a habit of that kind of monkey business? -All twins do now and then. | 0:12:40 | 0:12:45 | |
Well... | 0:12:45 | 0:12:48 | |
You're Terry, and you're Ruth. | 0:12:48 | 0:12:51 | |
-You've no idea how much this relieves me. -That's nice. | 0:12:51 | 0:12:55 | |
-I thought I was losing my marbles. -It's not easy to tell us apart. | 0:12:55 | 0:12:59 | |
So I see. Which one was in Jefferson Park last night? | 0:12:59 | 0:13:03 | |
-One of us. -That I know. Which one is what I asked. | 0:13:03 | 0:13:08 | |
You or you? | 0:13:08 | 0:13:11 | |
No use stalling about it, I'll get it out of you one way or another. | 0:13:11 | 0:13:15 | |
-How? -Look, | 0:13:15 | 0:13:19 | |
don't want make this tougher than it is. | 0:13:19 | 0:13:21 | |
So let's get it over with. Which of you did which last night? | 0:13:21 | 0:13:25 | |
One of us spent the evening in Jefferson Park. | 0:13:25 | 0:13:28 | |
The other stayed home and went to bed early. | 0:13:28 | 0:13:31 | |
But how can that one prove that? And that's all we will say. | 0:13:31 | 0:13:35 | |
Were you in Jefferson Park last night? | 0:13:35 | 0:13:37 | |
Are you going to answer me or not? | 0:13:39 | 0:13:41 | |
I'm not. | 0:13:41 | 0:13:43 | |
You're only making trouble for yourselves, it'll be harder. | 0:13:43 | 0:13:47 | |
-How? -Because you can't get away with this, it's... -What? | 0:13:47 | 0:13:50 | |
Look, will you cut out this nonsense and be sensible? | 0:13:50 | 0:13:54 | |
A man was murdered! One more chance. | 0:13:54 | 0:13:56 | |
This time let's see if we get somewhere. | 0:13:56 | 0:13:59 | |
Who stayed home last night? | 0:13:59 | 0:14:01 | |
One of us went to Jefferson Park, | 0:14:04 | 0:14:06 | |
-and the other... -But what one did which, is what I'm asking. | 0:14:06 | 0:14:10 | |
Which one did which? | 0:14:10 | 0:14:12 | |
OK, I'll just have to run you both in. | 0:14:15 | 0:14:19 | |
-Are you allowed to play with fear like that? -What do you mean? | 0:14:19 | 0:14:24 | |
Can you throw any number of people to court and ask the judge to pick? | 0:14:24 | 0:14:28 | |
-You'll look funny explaining that to a lawyer. -What lawyer? | 0:14:28 | 0:14:31 | |
The one coming straight to the police station if we don't answer the phone tonight. | 0:14:31 | 0:14:36 | |
-Pretty smart, aren't you? -Not dumb. | 0:14:36 | 0:14:38 | |
Well, listen. Ever heard of a charge called obstructing justice? | 0:14:38 | 0:14:43 | |
-Yes. -Then will you reconsider? | 0:14:43 | 0:14:45 | |
Me? Or her? | 0:14:45 | 0:14:48 | |
Look, will you tell me one thing? | 0:14:50 | 0:14:53 | |
-One of us. -Will you cut that out! | 0:14:53 | 0:14:56 | |
-Is there no way of telling you two apart? -We're identical, I said. | 0:14:56 | 0:15:00 | |
It's all right, dear. He's not going to do anything. | 0:15:06 | 0:15:10 | |
-You don't think so, huh? -No, I don't! | 0:15:10 | 0:15:14 | |
I know our rights, and so will the judge. | 0:15:14 | 0:15:16 | |
-One is the constitutional right not to say anything incriminating. -Constitutional rights! | 0:15:16 | 0:15:22 | |
Now, will you please leave? Or shall I call our lawyer now? | 0:15:22 | 0:15:25 | |
OK, I'm a policeman, not a lawyer, | 0:15:25 | 0:15:28 | |
so you win. But just this round. | 0:15:28 | 0:15:30 | |
So don't try to escape or anything because we'll unravel this yet. | 0:15:30 | 0:15:34 | |
The law's never been licked by one of these Rube Goldberg defences, and it won't this time. | 0:15:34 | 0:15:38 | |
Bring a warrant next time. With a name on! | 0:15:38 | 0:15:41 | |
What, did you read up on this before you did it? Actually, I don't want to know. | 0:15:41 | 0:15:46 | |
I forgot to tell you, lieutenant. | 0:15:53 | 0:15:56 | |
There's two of them. Twins. Did you get that? | 0:15:56 | 0:15:59 | |
-I got that. -Look very alike, I was told. | 0:15:59 | 0:16:03 | |
-Some can't even tell them apart! -Really? | 0:16:03 | 0:16:06 | |
-That's how twins are. -Yeah, thanks. | 0:16:06 | 0:16:09 | |
-I see you've got your eyes open. -I try to keep on my toes if I can. | 0:16:09 | 0:16:13 | |
And don't think we don't appreciate it. | 0:16:13 | 0:16:17 | |
-Good night. -Good night, lieutenant. Thank you. | 0:16:17 | 0:16:21 | |
It's no use. There isn't even a piece of thread on this handle. | 0:16:26 | 0:16:29 | |
-Gloves? -Could be. -Should be a law against the sale of gloves to murderers. | 0:16:29 | 0:16:34 | |
-You know what they did in the old days. -No, ladies bruise too easily. | 0:16:34 | 0:16:37 | |
-Get me Judge Hill. -Yes, sir. | 0:16:37 | 0:16:39 | |
Judge Hill. | 0:16:43 | 0:16:45 | |
Y'know, lieutenant, I was thinking. | 0:16:45 | 0:16:47 | |
-Yeah? -Maybe one of these babies has a birth-mark somewhere. | 0:16:47 | 0:16:52 | |
So I thought it might be an idea | 0:16:52 | 0:16:54 | |
for me to go back and make a thorough examination of them. | 0:16:54 | 0:16:58 | |
Just an idea. | 0:16:58 | 0:17:00 | |
If the comic relief's over, here's a list of witnesses to chase. | 0:17:00 | 0:17:04 | |
-Have them here at 9.00 sharp tomorrow. Got it? -Got it. | 0:17:04 | 0:17:08 | |
-TELEPHONE RINGS -Hello, Judge? Judge Hill! | 0:17:08 | 0:17:11 | |
Lt Stevenson, Detective Bureau. I want warrants for Ruth and Theresa Collins. | 0:17:11 | 0:17:16 | |
That's right. Charge - suspicion of murder. | 0:17:16 | 0:17:19 | |
yes, sir. Both of them. | 0:17:19 | 0:17:22 | |
What? | 0:17:22 | 0:17:24 | |
I'm going to hang numbers on their backs like football players. | 0:17:24 | 0:17:28 | |
All right, bring her in. | 0:17:32 | 0:17:35 | |
-Where do you live, Collins? -492 Kendale Avenue. | 0:17:41 | 0:17:45 | |
-Have you been arrested before? -No. | 0:17:45 | 0:17:48 | |
Turn around. | 0:17:48 | 0:17:50 | |
That's her, all right. No question in the world. | 0:17:51 | 0:17:55 | |
Bring her in > I'd know her in a million. Came to me face to... | 0:17:55 | 0:17:59 | |
-Is your name Theresa Collins? -It is. | 0:17:59 | 0:18:02 | |
You two girls are held on suspicion of murder. | 0:18:02 | 0:18:05 | |
-What have you got to say? -Neither of us intends to say anything | 0:18:05 | 0:18:10 | |
-until we've talked to a lawyer. -Well, how do you like that! | 0:18:10 | 0:18:13 | |
Know her in a million, eh(!) | 0:18:13 | 0:18:16 | |
-What do you think, Doc? Really. -No idea, Rusty. | 0:18:21 | 0:18:25 | |
-It's hard to believe she could do it. -I know she didn't! | 0:18:25 | 0:18:29 | |
Those guys are crazy. | 0:18:29 | 0:18:31 | |
You'd better have a lemon drop. Good for the nerves. | 0:18:31 | 0:18:35 | |
-BUZZER -'Send them in.' -Please go in. | 0:18:35 | 0:18:38 | |
I won't say a word against her. I can say that now. | 0:18:41 | 0:18:45 | |
I know her too well... | 0:18:45 | 0:18:47 | |
We're sorry, Rusty. | 0:18:54 | 0:18:56 | |
-Dr Elliot, Mr District Attorney. -Thanks for coming over. | 0:18:56 | 0:19:00 | |
-Not at all. -Sit down, please. | 0:19:00 | 0:19:03 | |
I don't think this'll take very long, Rusty. | 0:19:06 | 0:19:09 | |
You told Lt Stevenson you saw Dr Peralta and the magazine-stand girl | 0:19:09 | 0:19:13 | |
talking and apparently arguing, | 0:19:13 | 0:19:15 | |
on the day Dr Peralta was killed. | 0:19:15 | 0:19:18 | |
-Is that right? -Yes, sir. -Can you say which girl that was? | 0:19:18 | 0:19:22 | |
-No, sir. -You're sure of that? | 0:19:24 | 0:19:27 | |
I didn't know there were two of them. | 0:19:27 | 0:19:29 | |
Quite a coincidence, Doctor. | 0:19:31 | 0:19:35 | |
Quite. | 0:19:35 | 0:19:38 | |
Scott Elliott, psychologist. BA, MD and PhD. | 0:19:38 | 0:19:42 | |
Author of Twins - A Clinical Study, | 0:19:42 | 0:19:44 | |
Mental Traits of Identical Twins, Twins and Siblings. | 0:19:44 | 0:19:47 | |
All published by the State University Press. | 0:19:47 | 0:19:50 | |
-Your own field. -I have devoted some time and study to the subject. | 0:19:50 | 0:19:54 | |
-Did you know they were twins in this case? -No. | 0:19:54 | 0:19:58 | |
One at a time, twins look just like singletons. | 0:19:58 | 0:20:01 | |
Is there any foundation for the old popular belief | 0:20:01 | 0:20:05 | |
that twins are usually penalised in some way, | 0:20:05 | 0:20:09 | |
physically or psychically? | 0:20:09 | 0:20:11 | |
No, that's a superstition. | 0:20:11 | 0:20:13 | |
Well, that clears that up. | 0:20:13 | 0:20:16 | |
Lt Stevenson says you spoke to Dr Peralta that morning. | 0:20:16 | 0:20:20 | |
Would you tell me what was said? | 0:20:20 | 0:20:22 | |
He asked if I'd ever come across a case of split personality. | 0:20:22 | 0:20:27 | |
-Go on. -Of course I told him I had. | 0:20:27 | 0:20:30 | |
He asked if there was any danger in such a case. | 0:20:30 | 0:20:33 | |
He used the word "danger"? | 0:20:33 | 0:20:35 | |
Yes. Or if I thought all that was exaggerated. | 0:20:35 | 0:20:39 | |
-To which you replied? -I told him I couldn't say. | 0:20:39 | 0:20:43 | |
I couldn't answer with a generality when he had something specific in mind. | 0:20:43 | 0:20:47 | |
The he said something... | 0:20:47 | 0:20:50 | |
Yes, "I battled with her this morning and I'm seeing her tonight. | 0:20:50 | 0:20:54 | |
"It's important." Then we separated. | 0:20:54 | 0:20:56 | |
Seeing whom tonight? | 0:20:56 | 0:21:00 | |
-Miss Collins, I supposed. -Which one? | 0:21:00 | 0:21:04 | |
I have no idea. | 0:21:06 | 0:21:10 | |
Can you say now which girl was behind the counter that morning? | 0:21:10 | 0:21:14 | |
No. | 0:21:14 | 0:21:17 | |
That's all. Thank you, ladies and gentlemen, | 0:21:17 | 0:21:20 | |
-for helping us out here. -Thank you. -Thank you. | 0:21:20 | 0:21:24 | |
Take the girls outside for a moment. | 0:21:24 | 0:21:27 | |
-You see? -You're letting them get away with it? -What else can I do? | 0:21:32 | 0:21:37 | |
You haven't a witness that can tell one girl from the other. It wouldn't have a chance in court. | 0:21:37 | 0:21:44 | |
I couldn't even get an indictment from the grand jury. They'd want to know which one, too. | 0:21:44 | 0:21:50 | |
-One of them murdered him! -Tell me which one, I'll put her on the chair. | 0:21:50 | 0:21:54 | |
I have just as much concern for the proper operation as the law as you. | 0:21:54 | 0:21:59 | |
-But if you have no more evidence than you've shown me, it would be a waste of time to take it to court. -OK. | 0:21:59 | 0:22:06 | |
Let's have them back. | 0:22:06 | 0:22:09 | |
Come in. | 0:22:13 | 0:22:15 | |
One of you women is a murderess. You have killed a man in cold blood. | 0:22:23 | 0:22:28 | |
The other is an accomplice. | 0:22:28 | 0:22:30 | |
But the law upholds your refusal to give any testimony. | 0:22:30 | 0:22:34 | |
It also forbids the indiscriminate prosecution of more than one person. | 0:22:34 | 0:22:39 | |
This protection now enables you | 0:22:39 | 0:22:43 | |
to become parties to an outrageous miscarriage of justice. | 0:22:43 | 0:22:48 | |
I have no words adequate to express my contempt for both of you. Get out. | 0:22:48 | 0:22:54 | |
We're free? | 0:22:55 | 0:22:57 | |
You're free. | 0:22:57 | 0:22:59 | |
Goodbye, Lieutenant. | 0:23:03 | 0:23:05 | |
Au revoir, Miss Collins. | 0:23:05 | 0:23:07 | |
DOOR CLOSES | 0:23:07 | 0:23:09 | |
CLASSICAL MUSIC PLAYS | 0:23:12 | 0:23:16 | |
RINGING | 0:23:16 | 0:23:18 | |
Remember me? | 0:23:25 | 0:23:28 | |
Of course, Lieutenant. Come on in. | 0:23:28 | 0:23:30 | |
Ah. | 0:23:32 | 0:23:33 | |
-HE TURNS MUSIC OFF -Sorry. | 0:23:33 | 0:23:35 | |
-I don't mind ordinary music. The wonderful stuff bores me. -That's snobbish. -This is an ordinary place. | 0:23:35 | 0:23:42 | |
-Where are the gimmicks? -Gimmicks? -Don't you treat people with tinker toys? -They're at the university. | 0:23:42 | 0:23:49 | |
-What about that office at the medical building? -Just a place to keep case histories. | 0:23:49 | 0:23:56 | |
-Would you have a drink? -No, thanks. -Sit down. | 0:23:56 | 0:23:59 | |
Thank you. | 0:23:59 | 0:24:01 | |
Ever given any thought to this twin case? | 0:24:03 | 0:24:06 | |
I supposed you'd given that one up. | 0:24:06 | 0:24:09 | |
No. Not me. Not me personally. This is all my own time. | 0:24:09 | 0:24:14 | |
You don't look ambitious! | 0:24:14 | 0:24:17 | |
It's not ambition. I don't like a perfect crime, not even in books. | 0:24:17 | 0:24:22 | |
I don't like to think things are organised that way. | 0:24:22 | 0:24:25 | |
Yes, I've thought about it. | 0:24:25 | 0:24:29 | |
I rather like those girls. One of them seemed nice. | 0:24:29 | 0:24:33 | |
You don't know which one? | 0:24:33 | 0:24:35 | |
No, I'm afraid not. I never had a chance to talk to them together. | 0:24:35 | 0:24:39 | |
-You think you'd know if you did? -I imagine so. | 0:24:39 | 0:24:42 | |
-You couldn't tell that day in the DA's office, could you? -No. | 0:24:42 | 0:24:47 | |
You see, the whole thing just burns me to a crisp. | 0:24:47 | 0:24:52 | |
-Why? How do you know somebody else didn't do it? -I don't. Meantime, I'll go with the twins. | 0:24:52 | 0:24:58 | |
One of them could knock that guy off on Main with 50 witnesses and we still couldn't hang it on her? | 0:24:58 | 0:25:04 | |
I guess not. | 0:25:04 | 0:25:07 | |
I could be in that room myself and see her plant that knife, | 0:25:07 | 0:25:11 | |
and I couldn't make it stick unless I grabbed her and held on till I had her in solitary? I can't bear it. | 0:25:11 | 0:25:18 | |
-I can't. -So? | 0:25:18 | 0:25:20 | |
So, first, tell me this, you're a twin expert. | 0:25:20 | 0:25:24 | |
-Do you know anything about those dames that would give me a chance to begin to work? -Oh, sure. | 0:25:24 | 0:25:31 | |
-What? -The crime. | 0:25:31 | 0:25:33 | |
-The crime? -You don't suppose anyone could commit a murder, do you? | 0:25:33 | 0:25:38 | |
You'll have to be very patient with me. | 0:25:38 | 0:25:42 | |
Just what do you mean by that? | 0:25:42 | 0:25:44 | |
Character. Not even nature can duplicate character, even in twins. | 0:25:44 | 0:25:49 | |
I interviewed twins once so alike their dogs get mixed up about them. | 0:25:49 | 0:25:54 | |
Living 1,000 miles apart, they both got toothaches in the same tooth and each had that tooth pulled out. | 0:25:54 | 0:26:00 | |
-Do you know why they were living that far apart? -Why? | 0:26:00 | 0:26:04 | |
One was lecturing at a big eastern university and the other was serving a stretch another way. | 0:26:04 | 0:26:11 | |
-Different characters. -I see. | 0:26:11 | 0:26:14 | |
I should say, if you're right about these girls, | 0:26:14 | 0:26:19 | |
one could and one couldn't commit murder. That's all there is to it. | 0:26:19 | 0:26:23 | |
Yes, that's all there is to it. | 0:26:23 | 0:26:27 | |
Constitutional rights. | 0:26:27 | 0:26:29 | |
Oh, well. Another thing - do you often interview twins? | 0:26:29 | 0:26:34 | |
Often. | 0:26:34 | 0:26:36 | |
But not for the police. | 0:26:36 | 0:26:39 | |
What about the one you liked? | 0:26:39 | 0:26:41 | |
What about it? | 0:26:41 | 0:26:43 | |
Suppose she's innocent? | 0:26:43 | 0:26:45 | |
There's no reason to believe she's in danger if that's what you mean. | 0:26:45 | 0:26:51 | |
Living with a killer? | 0:26:51 | 0:26:53 | |
It's not my business, that kind of thing. | 0:26:57 | 0:27:00 | |
If one of them kills with a knife, | 0:27:00 | 0:27:02 | |
isn't there a chance she'd kill her sister if she got nervous about her? | 0:27:02 | 0:27:07 | |
I'll never ask the name. | 0:27:07 | 0:27:09 | |
I swear, on anything you say. Some day you call me with the answer, I'll be satisfied. | 0:27:09 | 0:27:16 | |
-Why? -I've told you - because then I'll know there's no such thing as a perfect crime. The system worked. | 0:27:16 | 0:27:22 | |
You still can't beat a square rap. | 0:27:22 | 0:27:25 | |
Social regularity, eh? | 0:27:29 | 0:27:32 | |
If that's your name for it. | 0:27:32 | 0:27:35 | |
Well, it's out of the question, the whole idea. | 0:27:35 | 0:27:38 | |
There's no reason to assume I can be of help to her. | 0:27:38 | 0:27:43 | |
Besides, I didn't say I was in love with her! Simply said I liked her. | 0:27:43 | 0:27:48 | |
And you can't just look at a person and tell a thing like that! | 0:27:48 | 0:27:53 | |
She may have been killing people for years! | 0:27:53 | 0:27:57 | |
All I said was that she was...very pleasant, very nice and it's... | 0:27:57 | 0:28:02 | |
it's not easy to believe that... | 0:28:02 | 0:28:06 | |
KNOCKING | 0:28:08 | 0:28:11 | |
Oh! Mr Lemondrops! | 0:28:12 | 0:28:15 | |
-That couldn't be anyone but Terry. -Hi, Doc, glad to see you. -You too. | 0:28:15 | 0:28:20 | |
-Here. -Thanks. -Still chomping on that candy! | 0:28:20 | 0:28:23 | |
I've told you, I don't chomp! | 0:28:23 | 0:28:25 | |
I wear 'em down. | 0:28:25 | 0:28:28 | |
-Well, no wonder I never got it. -Didn't you really? -No. | 0:28:30 | 0:28:35 | |
Obviously, you were both wonderful. | 0:28:35 | 0:28:37 | |
-I'd almost forgotten there was such a thing as kidding. -Things not been so good? | 0:28:37 | 0:28:43 | |
-No. -You saw the papers - those pictures? We're celebrities now. | 0:28:43 | 0:28:47 | |
-No work, you mean? -One look at our face and fttt! -They don't forget. | 0:28:47 | 0:28:52 | |
-That's a little rough. -You can't blame 'em. You saw what the DA said. | 0:28:52 | 0:28:57 | |
-I wish you wouldn't say things like that. -He must've read the papers! | 0:28:57 | 0:29:02 | |
-I know, but... -Maybe my idea... That is the reason why I'm here... | 0:29:02 | 0:29:07 | |
-..may be of use to you as well as me. -How do you mean? | 0:29:07 | 0:29:11 | |
I'd like to add you two to my collection. Of twins! | 0:29:11 | 0:29:15 | |
I'm the twin student, remember? | 0:29:15 | 0:29:17 | |
I'd like to add you two to it. I'd pay you, of course. | 0:29:17 | 0:29:22 | |
-It'd only be an hour a day. -We did that once when we were kids. | 0:29:22 | 0:29:27 | |
Then you know what it is. Verbal, psychological, standard stuff. | 0:29:27 | 0:29:31 | |
-Are you quite sure you're not doing this for the police? -I was doing this before I ever met a policeman. | 0:29:31 | 0:29:38 | |
I was doing it long before I laid eyes on either of you. | 0:29:38 | 0:29:42 | |
It's been my main preoccupation for years. I'll be doing it when you're married with twins of your own! | 0:29:42 | 0:29:49 | |
Which you're very likely to have, you know. | 0:29:49 | 0:29:53 | |
-What is your purpose in this? -To learn as much as possible about the subject. | 0:29:53 | 0:29:59 | |
-To further my knowledge of identical twins. -And you'd pay us? | 0:29:59 | 0:30:03 | |
25 a week, apiece. | 0:30:03 | 0:30:05 | |
That's the customary allowance. | 0:30:05 | 0:30:07 | |
I'd expect you to come to the laboratory three times a week, | 0:30:07 | 0:30:12 | |
separately, for not more than two hours on each visit. | 0:30:12 | 0:30:16 | |
-What do you think? -I don't think we're interested. I don't like the idea of being a guinea pig. | 0:30:16 | 0:30:22 | |
-I don't want to press you if you're afraid. -We have nothing to be afraid of! Nothing but snoopers. | 0:30:22 | 0:30:29 | |
Well, in that case, there's nothing more to be said. | 0:30:29 | 0:30:33 | |
I'm sorry if I've given that impression and I apologise. | 0:30:33 | 0:30:37 | |
-I'm sorry, too. -I think we should do it. | 0:30:37 | 0:30:40 | |
I don't think Dr Elliott's a snooper and we could use the money. | 0:30:40 | 0:30:46 | |
You don't mind being asked a lot of...personal questions? | 0:30:46 | 0:30:50 | |
Why should I? Or why should you? If it's for a good purpose. | 0:30:50 | 0:30:55 | |
I think we should do it. There's no reason to fear it because we do need the money and... | 0:30:55 | 0:31:01 | |
we've always liked Dr Elliott, both of us. | 0:31:01 | 0:31:05 | |
Then let's leave it. Talk it over and call me. | 0:31:05 | 0:31:09 | |
I hope you can see things Terry's way. If not, I'll understand. | 0:31:09 | 0:31:13 | |
-Goodbye, now. -Goodbye. | 0:31:13 | 0:31:15 | |
-Goodbye. I hope I'll be seeing you both soon. -Goodbye. We'll call you. | 0:31:15 | 0:31:19 | |
Please do. | 0:31:19 | 0:31:20 | |
What's the matter with you? | 0:31:27 | 0:31:30 | |
Do you think that was very wise? | 0:31:32 | 0:31:34 | |
-Why? What are you afraid of? -I'm not afraid, it's... -Don't lie. | 0:31:34 | 0:31:39 | |
-You are afraid, you're more afraid every day. Why? -You know well why. | 0:31:39 | 0:31:45 | |
-You think I killed him! Admit it. -But I don't! You know I don't! -Why are you so frightened? | 0:31:45 | 0:31:51 | |
-If they knew who was in his apartment that night you know what it would mean. -He proposed and I said yes. | 0:31:51 | 0:31:59 | |
-Why should I kill him? -I know that, dear. I know you didn't do it. | 0:31:59 | 0:32:03 | |
I am willing to do anything to keep them from knowing you were in his apartment that night. | 0:32:03 | 0:32:10 | |
That's why I'm frightened. Please believe me! | 0:32:10 | 0:32:13 | |
Is there anything about yourself you're afraid for him to learn? | 0:32:13 | 0:32:17 | |
Of course not! | 0:32:17 | 0:32:18 | |
Well, then stop worrying. | 0:32:18 | 0:32:21 | |
There's no need for it. | 0:32:21 | 0:32:23 | |
And besides, he's very attractive. | 0:32:23 | 0:32:26 | |
Very good-looking. I like him. | 0:32:26 | 0:32:29 | |
You don't think we could fool you? | 0:32:54 | 0:32:56 | |
No, not any more, Terry. | 0:32:56 | 0:32:59 | |
-I even had you spotted at the magazine stand. -How do you mean? | 0:32:59 | 0:33:03 | |
I know some of the time it was you and sometimes Ruth. | 0:33:03 | 0:33:07 | |
What was the difference? | 0:33:08 | 0:33:10 | |
I don't know. I'm not sure yet. | 0:33:10 | 0:33:13 | |
-Which one did you like the best? -Oh, you. | 0:33:13 | 0:33:17 | |
Really? | 0:33:17 | 0:33:18 | |
Sit over here, would you? | 0:33:18 | 0:33:20 | |
Why? | 0:33:22 | 0:33:23 | |
Why what? | 0:33:23 | 0:33:25 | |
Why do you say you like me best? | 0:33:25 | 0:33:27 | |
That's always the answer during office hours. | 0:33:27 | 0:33:31 | |
What's this one? | 0:33:34 | 0:33:36 | |
These are pictures of ink blots. The kind you probably made yourself when you were a child. | 0:33:36 | 0:33:42 | |
-Blobs of ink on the paper. -What's it for? | 0:33:42 | 0:33:46 | |
It's another way of examining personality. | 0:33:46 | 0:33:49 | |
I'll hand them to you one by one. You have to tell me what you see. | 0:33:49 | 0:33:53 | |
What it looks like to you. | 0:33:53 | 0:33:56 | |
Quickly? | 0:33:56 | 0:33:57 | |
If you see it quickly, sure. | 0:33:57 | 0:33:59 | |
-As soon as you make something out of it, you tell me. Ready? -Hm. -Now face that way, please. | 0:33:59 | 0:34:05 | |
What does it look like to you? | 0:34:08 | 0:34:11 | |
It might be a mask. | 0:34:11 | 0:34:14 | |
-The black holes for eyes, heavy eyebrows and pursed lips give it a fixed expression. -Anything else? | 0:34:14 | 0:34:21 | |
-May I turn it? -Any way you wish. | 0:34:21 | 0:34:24 | |
This looks like the face of a white lamb with a black nose. | 0:34:26 | 0:34:30 | |
It's got a mark on its forehead. It looks like a moth. | 0:34:30 | 0:34:35 | |
Beneath its paws are two men, face-down with arms outstretched. | 0:34:35 | 0:34:41 | |
It looks symbolic. The lamb looks innocent but has men under its paws. | 0:34:41 | 0:34:45 | |
Symbolic of what? | 0:34:45 | 0:34:48 | |
The lamb's death? | 0:34:48 | 0:34:51 | |
-I wonder if you're as cool as you pretend. -I'm not. -I don't think so. | 0:34:53 | 0:34:59 | |
Outside the office I'm Robert Taylor with jet propulsion. | 0:34:59 | 0:35:04 | |
What do you see in this one? | 0:35:04 | 0:35:06 | |
What does it look like to you? | 0:35:07 | 0:35:10 | |
These are two men, back to back, | 0:35:12 | 0:35:14 | |
but they don't seem to be aware of each other. | 0:35:14 | 0:35:17 | |
Now it's changing into the face of a man with a moustache. | 0:35:17 | 0:35:22 | |
This is a woman dancing with a puppet. | 0:35:22 | 0:35:25 | |
Now you see the puppet reaching but she cares not to see her. | 0:35:25 | 0:35:30 | |
He's trying to reach and do some harm. | 0:35:30 | 0:35:34 | |
May I have a cigarette, please? | 0:35:34 | 0:35:36 | |
By the way, why'd you leave Nebraska, Ruth? | 0:35:49 | 0:35:52 | |
We'd lived on a farm for a year and the farmer's wife wanted to adopt me. | 0:35:52 | 0:35:58 | |
She couldn't have children. They could only afford to adopt one of us. | 0:35:58 | 0:36:02 | |
-Why did they pick you? -Oh, it just happened, I suppose. | 0:36:02 | 0:36:08 | |
No particular reason. Terry was very upset when she heard about it. | 0:36:08 | 0:36:13 | |
So we decided to pull out, that's all. | 0:36:13 | 0:36:16 | |
What do you see in this one? | 0:36:16 | 0:36:19 | |
These are two people in costume. | 0:36:22 | 0:36:24 | |
They're dancing around a maypole. | 0:36:24 | 0:36:27 | |
-They're bending over as they've just wound up the ribbons. -That's it. | 0:36:27 | 0:36:32 | |
Anything else? Turn it if you wish. | 0:36:32 | 0:36:35 | |
Oh. | 0:36:35 | 0:36:37 | |
These are two skaters, like in the ice show. | 0:36:40 | 0:36:43 | |
They're leaning with one foot high in the air and their arms extended. | 0:36:43 | 0:36:48 | |
-Er, how did Terry find out? -Hm? Oh, the farmer, I think. | 0:36:51 | 0:36:57 | |
He never liked her for some reason. | 0:36:57 | 0:37:00 | |
-Was he cranky? -I got along fine with him, but Terry for some reason... | 0:37:00 | 0:37:04 | |
What do you see in this one? | 0:37:04 | 0:37:06 | |
These are two old ladies sitting back to back in an open street car. | 0:37:06 | 0:37:12 | |
They seem frightened, they've got... | 0:37:12 | 0:37:15 | |
They're holding onto their arms with their chairs and their feet are tucked under their seats. | 0:37:15 | 0:37:22 | |
And this is a drum majorette with a bearskin hat. | 0:37:22 | 0:37:26 | |
She's very straight and graceful, light-footed, | 0:37:26 | 0:37:31 | |
and she's got her knee high in the air. | 0:37:31 | 0:37:34 | |
Thank you very much. | 0:37:35 | 0:37:37 | |
DOOR OPENS > | 0:37:38 | 0:37:39 | |
Hello! | 0:37:39 | 0:37:41 | |
It's about time! | 0:37:41 | 0:37:43 | |
Sorry I'm late. | 0:37:43 | 0:37:46 | |
-What'd you do, go through town? -No. | 0:37:46 | 0:37:48 | |
-Scott and I just got talking. -Talking? | 0:37:48 | 0:37:52 | |
After that stuff. Who do you suppose thought that one up? | 0:37:52 | 0:37:56 | |
-Talking about what? -Oh, just gabbing. | 0:37:56 | 0:37:59 | |
Chicago, movies, when we were kids. | 0:37:59 | 0:38:02 | |
Not about us? | 0:38:02 | 0:38:05 | |
Mostly about himself. He was awfully funny about when he went to school. | 0:38:05 | 0:38:09 | |
-He must have been. -He was, really! | 0:38:09 | 0:38:12 | |
Once he drops that office act, he's a lot of fun. We used to be around the cigar stand, remember? | 0:38:12 | 0:38:18 | |
Is that his line, down Memory Lane? | 0:38:18 | 0:38:20 | |
-It wasn't a line. He just wanted to talk. -Nothing romantic? | 0:38:20 | 0:38:24 | |
-I'm afraid not. -Dear me, you sound disappointed! -No! | 0:38:24 | 0:38:30 | |
Not falling for him, are you? | 0:38:31 | 0:38:33 | |
Sometimes it seems as if that were all you thought about! Of course not. | 0:38:33 | 0:38:38 | |
Just don't want to see you do anything foolish. | 0:38:38 | 0:38:42 | |
-Yes, Mama. -I'm not convinced yet he's being strictly on the level. | 0:38:42 | 0:38:47 | |
I don't know, of course. | 0:38:49 | 0:38:52 | |
Oh, I can't believe it. | 0:38:52 | 0:38:54 | |
Well, perhaps not. But if I were you, I'd be a little careful. | 0:38:54 | 0:38:59 | |
Not too friendly. Yes. | 0:38:59 | 0:39:01 | |
If only we weren't so... | 0:39:03 | 0:39:06 | |
I know. It's not very pleasant. | 0:39:06 | 0:39:08 | |
As long as we are we'll have to be on our guard with everybody. | 0:39:08 | 0:39:13 | |
Particularly him. | 0:39:13 | 0:39:15 | |
Well, it's something I hadn't figured on. | 0:39:49 | 0:39:53 | |
I'm not asking questions. | 0:39:53 | 0:39:56 | |
All I can do is stand here, a broken-down old policeman and wait for what you want to tell me. | 0:39:56 | 0:40:02 | |
-You know the blood test? -Hm. | 0:40:02 | 0:40:04 | |
I made other tests to check and cross check. | 0:40:04 | 0:40:08 | |
In the ink blot tests, about 80% of people who study the blots see the same illusions and figures. | 0:40:08 | 0:40:16 | |
What the other 20% see in the same blots reflecting the patterns of their minds | 0:40:16 | 0:40:22 | |
is illuminating and accurate. | 0:40:22 | 0:40:24 | |
In this case there doesn't seem to be room for doubt about one thing. | 0:40:24 | 0:40:30 | |
-What? -One of our young ladies is insane. | 0:40:30 | 0:40:33 | |
Very clever, very intelligent, but insane. | 0:40:33 | 0:40:37 | |
This one's called a free association test. | 0:40:41 | 0:40:45 | |
It's so simple even I understand it. | 0:40:45 | 0:40:47 | |
-If this is to see which of us is the smarter, I can save you time. It's Terry. -Is that official? | 0:40:47 | 0:40:53 | |
I'm older seven minutes older than she is but that isn't how it feels. | 0:40:53 | 0:40:58 | |
All our lives, she's been the oldest, always helping me. | 0:40:58 | 0:41:02 | |
Sit over there, please. | 0:41:02 | 0:41:05 | |
And like a mother, because we've been orphaned since we were ten. | 0:41:05 | 0:41:09 | |
I wish you'd get out of your head that this is a contest. | 0:41:09 | 0:41:14 | |
-I'm interested in absolute, not comparative results. -Yes, Professor. | 0:41:14 | 0:41:18 | |
-You know something? -What? | 0:41:18 | 0:41:21 | |
-I'm a very pleased man today. -Good! | 0:41:21 | 0:41:24 | |
-Which I haven't been for almost a week. -No? | 0:41:24 | 0:41:28 | |
-Because you haven't seemed happy. -I'm sorry. | 0:41:28 | 0:41:31 | |
I was afraid I'd offended you. | 0:41:31 | 0:41:34 | |
-Oh, no! -I didn't mean to, I assure you. | 0:41:34 | 0:41:37 | |
There's something else. I was worried about something else. | 0:41:37 | 0:41:43 | |
-And it's all right now? -Yes, it's OK now. -Good. That's how it should be. | 0:41:43 | 0:41:48 | |
Well, back to cold science. | 0:41:49 | 0:41:52 | |
I'll give you some words, one at a time. | 0:41:52 | 0:41:56 | |
When you hear the word, | 0:41:56 | 0:41:57 | |
answer with the first word that comes into your mind. | 0:41:57 | 0:42:01 | |
Answer as quickly as you can. That's the important part of it. | 0:42:01 | 0:42:06 | |
-You ready? -Mm-hm. | 0:42:06 | 0:42:08 | |
Table. | 0:42:08 | 0:42:10 | |
Chair. | 0:42:10 | 0:42:11 | |
Ready? Dark. | 0:42:12 | 0:42:14 | |
Night. | 0:42:14 | 0:42:16 | |
Moon. | 0:42:16 | 0:42:17 | |
Beams. | 0:42:17 | 0:42:18 | |
Knife. | 0:42:18 | 0:42:19 | |
Scissors. | 0:42:19 | 0:42:21 | |
White. | 0:42:22 | 0:42:23 | |
Black. | 0:42:23 | 0:42:24 | |
Mirror. | 0:42:24 | 0:42:26 | |
Death. | 0:42:26 | 0:42:27 | |
King. | 0:42:31 | 0:42:32 | |
Queen. | 0:42:33 | 0:42:34 | |
Blossom. | 0:42:35 | 0:42:36 | |
Flower. | 0:42:36 | 0:42:37 | |
River. | 0:42:39 | 0:42:40 | |
Lake. | 0:42:40 | 0:42:41 | |
-But how could you have said it? -It just popped out. | 0:42:43 | 0:42:47 | |
I don't understand all this fuss. What possible harm can it do? | 0:42:47 | 0:42:52 | |
None. None whatever. | 0:42:52 | 0:42:54 | |
I don't give two cents for that fellow's games. | 0:42:54 | 0:42:58 | |
I can do that stuff 24 hours a day, and be admitted every time. | 0:42:58 | 0:43:02 | |
He doesn't frighten me. | 0:43:02 | 0:43:05 | |
It's you I'm worried about. | 0:43:05 | 0:43:07 | |
But why? | 0:43:07 | 0:43:09 | |
Because it shows your mind's still on that thing. | 0:43:09 | 0:43:12 | |
When he said "mirror" and you said "death", that proved it! | 0:43:12 | 0:43:16 | |
It may not mean a thing to him, but it does to me! | 0:43:16 | 0:43:19 | |
It's a dead giveaway that I had something to do with it! | 0:43:19 | 0:43:24 | |
Terry, please! | 0:43:24 | 0:43:27 | |
I've told you... Why do you...? | 0:43:27 | 0:43:30 | |
Why DO you keep saying a thing like that? | 0:43:30 | 0:43:33 | |
-Forget it. -But you've no right, even to think. | 0:43:33 | 0:43:37 | |
-Why do you take sleeping pills every night? -I can't sleep without them. | 0:43:37 | 0:43:42 | |
Why can't you? | 0:43:42 | 0:43:44 | |
My nerves are still bad, and I haven't gotten over everything yet. | 0:43:44 | 0:43:49 | |
-Is that all? -What other reason could there be? | 0:43:49 | 0:43:53 | |
Not your conscience, perhaps? | 0:43:53 | 0:43:55 | |
My conscience about what? | 0:43:55 | 0:43:57 | |
Perhaps you're sorry you didn't tell the police all you know. | 0:43:57 | 0:44:02 | |
Maybe that's what's troubling you. | 0:44:02 | 0:44:05 | |
Maybe you're thinking you should. | 0:44:05 | 0:44:07 | |
That's ridiculous. Such a thought never entered my head. | 0:44:07 | 0:44:10 | |
Because if you are, there's the phone, right there. | 0:44:10 | 0:44:15 | |
Stop it. You're talking nonsense. | 0:44:15 | 0:44:18 | |
-Am I? -Of course you are. -I hope so. | 0:44:18 | 0:44:22 | |
Because if you ever suspected me, | 0:44:22 | 0:44:25 | |
I don't know what I'd do. | 0:44:25 | 0:44:27 | |
I really don't. | 0:44:29 | 0:44:31 | |
Table. | 0:44:38 | 0:44:39 | |
Chair. | 0:44:39 | 0:44:41 | |
Moon. | 0:44:41 | 0:44:42 | |
Stars. | 0:44:42 | 0:44:43 | |
King. | 0:44:43 | 0:44:46 | |
Queen. | 0:44:46 | 0:44:47 | |
-Death. -Mirror. | 0:44:47 | 0:44:49 | |
Girl. | 0:44:52 | 0:44:54 | |
Woman. | 0:44:54 | 0:44:55 | |
Black. | 0:44:55 | 0:44:56 | |
White. | 0:44:56 | 0:44:58 | |
Rose. | 0:44:58 | 0:45:00 | |
Thorn. | 0:45:00 | 0:45:01 | |
I have an idea you aren't very impressed with any of this. | 0:45:07 | 0:45:11 | |
Then why do you think I'm here? | 0:45:11 | 0:45:13 | |
Just humouring the old professor? | 0:45:13 | 0:45:16 | |
-That all? -Or nothing else to do. | 0:45:16 | 0:45:19 | |
Hadn't it occurred to you that I might like seeing you? | 0:45:19 | 0:45:22 | |
It hadn't, to tell the truth. | 0:45:22 | 0:45:25 | |
-Don't you like to see me? -If you knew how anxious I was for you to get here, you wouldn't have to ask. | 0:45:25 | 0:45:31 | |
-Honest? -Very honest. | 0:45:31 | 0:45:33 | |
Then maybe we can see each other outside the office. | 0:45:33 | 0:45:37 | |
We will, I'm sure. | 0:45:37 | 0:45:39 | |
-Would you like to? -Very much. | 0:45:39 | 0:45:41 | |
-All right, when? -Soon. | 0:45:41 | 0:45:44 | |
-But not until we've finished with these tests. -What's that got to do with it? | 0:45:44 | 0:45:49 | |
It's hard enough to keep my mind on science. Don't make it more difficult. | 0:45:49 | 0:45:53 | |
All right, but the first night after. | 0:45:53 | 0:45:57 | |
-It's a date. -The very next night. Remember. | 0:45:57 | 0:46:00 | |
-I'll remember, Terry. -Good night. | 0:46:00 | 0:46:02 | |
I was really crazy about that boy. | 0:46:05 | 0:46:08 | |
But Terry couldn't stand him. Said he wasn't on the level. | 0:46:08 | 0:46:12 | |
-How d'you find out? -He dated her one night and she told me. | 0:46:12 | 0:46:16 | |
-Terry's turned in, I guess. -Erm... | 0:46:16 | 0:46:20 | |
How many men have you been crazy about? | 0:46:20 | 0:46:23 | |
That was just kids' stuff. We were about 16. | 0:46:23 | 0:46:27 | |
All this autobiography I'm giving you. Is this for science too? | 0:46:28 | 0:46:33 | |
No, no. This is personal. | 0:46:33 | 0:46:36 | |
The more I know about you, the more I want to know. | 0:46:36 | 0:46:40 | |
I want to know everything about you that's possible to know. | 0:46:40 | 0:46:44 | |
Apparently, you will. | 0:46:44 | 0:46:46 | |
-Good night. -Er... | 0:46:46 | 0:46:49 | |
Do you think when all this business is over I can ask you out for dinner | 0:46:49 | 0:46:53 | |
or just to talk - in a purely personal way. | 0:46:53 | 0:46:57 | |
You think you'll still want to? | 0:46:57 | 0:46:59 | |
-That's what I'm looking forward to. Do you mind? -No, I like it. | 0:46:59 | 0:47:04 | |
You're a wonder. | 0:47:04 | 0:47:07 | |
Good night. | 0:47:16 | 0:47:18 | |
It's all right, I'm not asleep. | 0:47:33 | 0:47:36 | |
Don't turn on the light. | 0:47:36 | 0:47:38 | |
I'll undress in the bathroom. | 0:47:39 | 0:47:42 | |
-Are you taking a sleeping pill tonight? -I don't think so. | 0:48:12 | 0:48:16 | |
I slept all right, last night. | 0:48:16 | 0:48:19 | |
-I think you'd better take two. -Two? What on earth for? | 0:48:19 | 0:48:23 | |
Maybe you won't be so troubled in your sleep. | 0:48:23 | 0:48:27 | |
You mean I talk? | 0:48:27 | 0:48:30 | |
-Talk, cry, you scare me half to death sometimes. -Good heavens! | 0:48:30 | 0:48:35 | |
Dreaming, I suppose. | 0:48:35 | 0:48:38 | |
-No? -You don't remember what you dreamed? | 0:48:38 | 0:48:41 | |
I don't remember even dreaming recently. | 0:48:41 | 0:48:44 | |
You don't remember my waking you when you were sobbing? | 0:48:44 | 0:48:48 | |
-No. -Or what you said to me? | 0:48:48 | 0:48:51 | |
No, what did I say? | 0:48:52 | 0:48:54 | |
Such big, deep sobs. | 0:48:54 | 0:48:57 | |
As if you were seeing something so dreadful you couldn't bear to face it. You don't remember? | 0:48:57 | 0:49:04 | |
I don't remember anything about it at all. | 0:49:04 | 0:49:07 | |
But I thought you wakened. | 0:49:07 | 0:49:10 | |
No. | 0:49:10 | 0:49:11 | |
Pretty harrowing for a few minutes. | 0:49:11 | 0:49:15 | |
I can't imagine what it was to frighten me so. | 0:49:15 | 0:49:19 | |
-Has it happened before? -A few times. | 0:49:19 | 0:49:23 | |
One night you were rather gay for a change. | 0:49:23 | 0:49:27 | |
Seems to have been something about Scott. | 0:49:27 | 0:49:30 | |
Oh, dear. | 0:49:31 | 0:49:33 | |
-You think quite a lot of him, don't you? -I do like him, but... | 0:49:33 | 0:49:38 | |
-Does he like you? -Oh, some, I imagine. | 0:49:38 | 0:49:42 | |
Ever say anything? | 0:49:42 | 0:49:45 | |
You know, nothing serious. | 0:49:45 | 0:49:48 | |
Just casual things. | 0:49:48 | 0:49:50 | |
-Ever kiss you? -Uh-uh. | 0:49:50 | 0:49:52 | |
He may be just trying to pump you. | 0:49:54 | 0:49:56 | |
I don't think so. | 0:49:56 | 0:49:58 | |
-Don't you want to know what seemed to be frightening you? -I don't know. | 0:50:05 | 0:50:11 | |
You've talked about it before in your sleep. | 0:50:11 | 0:50:14 | |
You were worried... | 0:50:14 | 0:50:17 | |
about one of us being...crazy. | 0:50:17 | 0:50:20 | |
The old saying - one of a twin is likely to be abnormal. | 0:50:20 | 0:50:24 | |
But that's not true. That's superstition. | 0:50:24 | 0:50:27 | |
You heard Scott tell the district attorney that. | 0:50:27 | 0:50:31 | |
-I know. -That's an old wives' tale. | 0:50:31 | 0:50:34 | |
We've heard it for years, but it's not true. | 0:50:34 | 0:50:37 | |
Didn't you hear Scott say it wasn't? | 0:50:37 | 0:50:40 | |
Yes, I heard him. | 0:50:40 | 0:50:42 | |
Oh. | 0:50:42 | 0:50:45 | |
This is so awful. | 0:50:45 | 0:50:47 | |
It frightens me. | 0:50:47 | 0:50:50 | |
The whole idea of talking and dreaming and sobbing, | 0:50:50 | 0:50:55 | |
and remembering nothing about it. | 0:50:55 | 0:50:58 | |
Well, it can't be very pleasant. | 0:50:58 | 0:51:01 | |
But it's not really so important. | 0:51:01 | 0:51:03 | |
Just bad dreams. | 0:51:03 | 0:51:05 | |
I know. | 0:51:05 | 0:51:08 | |
Such a thought. | 0:51:09 | 0:51:11 | |
What's this one? | 0:51:44 | 0:51:45 | |
Blood pressure, Terry. And pulse. | 0:51:45 | 0:51:47 | |
You mean a lie detector? | 0:51:47 | 0:51:50 | |
-That's an easy name for it. Do you mind? -Why should I? | 0:51:50 | 0:51:53 | |
-What do you want me to talk about? -I'll let you know when we're ready. | 0:51:53 | 0:51:58 | |
-How much more of this stuff have we got? -Winding up this week. | 0:51:58 | 0:52:01 | |
-Friday afternoon and that's that. -The whole thing? | 0:52:01 | 0:52:05 | |
The work's complete. | 0:52:05 | 0:52:07 | |
-Then Saturday night's the night. -Night? -Don't say you've forgotten. | 0:52:07 | 0:52:12 | |
-Oh sure. -Remember. | 0:52:12 | 0:52:15 | |
-That's right. -Well? | 0:52:15 | 0:52:17 | |
Oh, I'm afraid I did forget, I'm sorry. | 0:52:17 | 0:52:20 | |
You mean you can't make it? | 0:52:20 | 0:52:22 | |
Any other night, but... | 0:52:22 | 0:52:26 | |
What a man. And me thinking you were living for that night. | 0:52:26 | 0:52:30 | |
It's inexcusable, but we finished sooner than I expected. | 0:52:30 | 0:52:34 | |
-Who's my rival? -You had no rival, you know that. | 0:52:34 | 0:52:39 | |
Is that always the answer? | 0:52:39 | 0:52:41 | |
Your memory's too good. | 0:52:41 | 0:52:43 | |
Come on, let's get on with this now. We'll straighten that out later. | 0:52:43 | 0:52:48 | |
Oh, no. Let's have the machine. | 0:52:48 | 0:52:52 | |
All I want you to do is answer a few simple questions. | 0:52:52 | 0:52:56 | |
It's all over, the whole thing? | 0:52:56 | 0:52:58 | |
-Ask me anything you wish. -Er... | 0:52:58 | 0:53:01 | |
Does that go for Ruth, too? | 0:53:01 | 0:53:03 | |
For that, you'd better ask her. | 0:53:03 | 0:53:05 | |
Yes, yes of course. | 0:53:05 | 0:53:07 | |
Well, I hope so, anyway. | 0:53:07 | 0:53:10 | |
You've both been through an ordeal. | 0:53:10 | 0:53:12 | |
If you come out of it OK, that's wonderful. | 0:53:12 | 0:53:16 | |
What are you going to ask me? | 0:53:16 | 0:53:18 | |
You were telling me about when you lived in Ohio. Remember? | 0:53:18 | 0:53:24 | |
-Anything else interesting about that time? -No, offhand. | 0:53:24 | 0:53:28 | |
Ruth was telling me about a boy she went with that you didn't care for. | 0:53:28 | 0:53:34 | |
-Freddie Eckland? -Yes, I think that was the name. | 0:53:35 | 0:53:39 | |
Indeed. | 0:53:39 | 0:53:42 | |
Why, what did she say? | 0:53:42 | 0:53:44 | |
She said you told her he wasn't on the level. | 0:53:44 | 0:53:47 | |
-And proved it. -Was she complaining? | 0:53:47 | 0:53:50 | |
No. She was grateful - you know how she depends on you. | 0:53:50 | 0:53:54 | |
She was rambling along about how you've always looked after her. | 0:53:54 | 0:53:59 | |
-Did she say I had him first? -No. | 0:53:59 | 0:54:02 | |
-I don't believe she did. -That's the truth. | 0:54:02 | 0:54:05 | |
I met him first then introduced him to her. | 0:54:05 | 0:54:08 | |
He didn't care for her. | 0:54:08 | 0:54:11 | |
Then he started going round with her, | 0:54:11 | 0:54:13 | |
not even gleaning for one second it was me he was interested in. | 0:54:13 | 0:54:17 | |
Terry... | 0:54:39 | 0:54:40 | |
-Terry! -Hm? | 0:54:40 | 0:54:43 | |
-What is it, dear? -That light again. | 0:54:45 | 0:54:49 | |
Wake up, dear. | 0:54:49 | 0:54:51 | |
-You're dreaming again. -No, it wasn't a dream! | 0:54:51 | 0:54:55 | |
-Didn't you see it? -There wasn't anything to see. You're dreaming. | 0:54:55 | 0:54:59 | |
I wasn't asleep! | 0:54:59 | 0:55:02 | |
The whole room lighted up. I saw everything in a great flash! | 0:55:02 | 0:55:06 | |
Now you're all right. | 0:55:06 | 0:55:08 | |
There's nothing to be afraid of. | 0:55:08 | 0:55:11 | |
But I was sure I saw it. | 0:55:13 | 0:55:15 | |
I was sure of it. | 0:55:15 | 0:55:17 | |
It doesn't matter. | 0:55:17 | 0:55:19 | |
It really doesn't. | 0:55:19 | 0:55:21 | |
But what is it? What do you think it is? | 0:55:21 | 0:55:25 | |
Something's happening to me and I don't know what it is! | 0:55:25 | 0:55:30 | |
You're just imagining things. | 0:55:30 | 0:55:33 | |
Your nerves are playing tricks on you. | 0:55:33 | 0:55:36 | |
I'm so scared. | 0:55:36 | 0:55:39 | |
I'm so scared, I don't know what to do. | 0:55:39 | 0:55:42 | |
It's nothing, really. | 0:55:45 | 0:55:48 | |
RUTH WHIMPERS | 0:55:49 | 0:55:52 | |
Just remember I'm with you. | 0:55:58 | 0:56:00 | |
And I'm always going to be with you. | 0:56:00 | 0:56:03 | |
No matter what happens. | 0:56:03 | 0:56:05 | |
So that's all there is to it. | 0:56:13 | 0:56:16 | |
Yes, that's all there is, I'm afraid. | 0:56:16 | 0:56:19 | |
I didn't promise you a great deal more, remember. | 0:56:19 | 0:56:22 | |
All I can say positively is Ruth didn't do it. | 0:56:22 | 0:56:25 | |
-She isn't capable of that sort of thing. -It does narrow it down though. | 0:56:25 | 0:56:30 | |
Terry's a paranoiac. They have no more conscience than a two-year-old. | 0:56:30 | 0:56:36 | |
A paranoiac's capable of anything. | 0:56:36 | 0:56:39 | |
That's something, but not much. | 0:56:39 | 0:56:42 | |
You can't run loonies in till they've done something. | 0:56:42 | 0:56:45 | |
If you can't commit them, you have to wait till someone's set on fire. | 0:56:45 | 0:56:50 | |
-Unfortunately. -Tough on Ruth. | 0:56:50 | 0:56:52 | |
You're gonna tell her, aren't you? | 0:56:52 | 0:56:55 | |
I suppose so, but it's not going to be easy. | 0:56:55 | 0:56:59 | |
Apparently she hasn't the ghost of a suspicion. | 0:56:59 | 0:57:03 | |
What about that double alibi? | 0:57:03 | 0:57:05 | |
She could be tricked. Terry could trick her. | 0:57:05 | 0:57:08 | |
Well... | 0:57:08 | 0:57:10 | |
Much obliged, anyway, Doc. | 0:57:12 | 0:57:14 | |
Sorry I couldn't have been more help, Lieutenant. Good night. | 0:57:14 | 0:57:19 | |
You gonna see Ruth again soon? | 0:57:19 | 0:57:22 | |
-I expect to. -Tell her, no matter how hard it is. | 0:57:22 | 0:57:25 | |
-I will. -The other one will pop off again before it's over. | 0:57:25 | 0:57:29 | |
-It's quite possible. -It is, and watch out for yourself, too. | 0:57:29 | 0:57:33 | |
I don't think I figure seriously in her calculations. | 0:57:33 | 0:57:37 | |
She didn't mind the tests. | 0:57:37 | 0:57:40 | |
An opportunity to show the world her contempt for it. | 0:57:40 | 0:57:44 | |
That was the first tip-off I got. | 0:57:44 | 0:57:46 | |
I thought there was no pattern to a psychotic's calculations. | 0:57:46 | 0:57:50 | |
-Well... -Don't be too modest. | 0:57:50 | 0:57:52 | |
All right, I'll tell her. | 0:57:52 | 0:57:54 | |
When? | 0:57:54 | 0:57:56 | |
..Tonight? Tonight, if I can. | 0:57:56 | 0:57:59 | |
-Good night. -Good night. | 0:57:59 | 0:58:02 | |
It might help if Terry came out to spit on the sidewalk. | 0:58:04 | 0:58:09 | |
Then we could pick her up. | 0:58:09 | 0:58:11 | |
If I was that young man, I'd feel a trifle nervous. | 0:58:11 | 0:58:15 | |
-Why? -Because he looks very much to me like the new Peralta to me. | 0:58:15 | 0:58:21 | |
-Target for the night, huh? -Uh-huh. | 0:58:21 | 0:58:23 | |
The minute the doctor falls in love with the patient, he's about as useful as a papoose. | 0:58:23 | 0:58:31 | |
PHONE RINGS | 0:58:34 | 0:58:36 | |
Hello? | 0:58:39 | 0:58:40 | |
Hello, Ruth? | 0:58:40 | 0:58:43 | |
Hello, Scott. How are you, dear? | 0:58:43 | 0:58:46 | |
-Are you alone? -Yes. | 0:58:46 | 0:58:48 | |
Why? | 0:58:48 | 0:58:49 | |
I don't want Terry to know, but could I see you alone tonight? | 0:58:49 | 0:58:55 | |
-Of course, when? -Any time. Whenever you say. | 0:58:55 | 0:58:58 | |
Could I make it around 11? | 0:58:58 | 0:59:00 | |
-She'll be asleep by then. -Eleven's all right for me. | 0:59:00 | 0:59:04 | |
I'll come to your apartment at 11. | 0:59:04 | 0:59:07 | |
I'll unlock the door. You come straight up the stairs. | 0:59:07 | 0:59:11 | |
I understand. | 0:59:11 | 0:59:13 | |
KNOCK ON DOOR | 0:59:29 | 0:59:32 | |
Come in. | 0:59:32 | 0:59:33 | |
-Do you mind? -Why no. | 0:59:38 | 0:59:42 | |
I couldn't be more pleased. | 0:59:42 | 0:59:45 | |
There's no-one I'd rather see walk in that door. | 0:59:45 | 0:59:49 | |
I saw your light and thought if you weren't busy... | 0:59:49 | 0:59:53 | |
I was just wondering what to do next. | 0:59:53 | 0:59:57 | |
Not that it's anything important. | 0:59:57 | 1:00:00 | |
-Feeling depressed? -I guess so. Something like that. | 1:00:00 | 1:00:04 | |
Have you had your dinner? | 1:00:06 | 1:00:09 | |
How about having dinner with me tonight? | 1:00:09 | 1:00:13 | |
-And tomorrow night. -I didn't mean... -Or as many other nights as you can. | 1:00:13 | 1:00:17 | |
Tonight, my dear, I think we should have it with music. | 1:00:17 | 1:00:21 | |
CLAPPING | 1:00:40 | 1:00:42 | |
You sure you don't want to tell me? | 1:00:47 | 1:00:50 | |
What causes hallucinations? | 1:00:50 | 1:00:52 | |
-Hallucinations? -Things you imagine you see or hear - what causes them? | 1:00:52 | 1:00:57 | |
Bad nerves. | 1:00:57 | 1:01:00 | |
Just nerves? | 1:01:00 | 1:01:02 | |
A sick mind. | 1:01:02 | 1:01:05 | |
May I explain something? | 1:01:15 | 1:01:17 | |
Please don't. I'd like to go home now. | 1:01:17 | 1:01:20 | |
Would you get my bag and gloves? | 1:01:20 | 1:01:23 | |
-We'll go out this way. -Of course. I'll be right back. | 1:01:23 | 1:01:28 | |
Er, police headquarters. | 1:01:57 | 1:01:59 | |
Lt Stevenson, please. | 1:02:00 | 1:02:03 | |
Lieutenant? This is Scott Elliott. | 1:02:04 | 1:02:07 | |
What do you think of me in the role of a human booby trap? | 1:02:07 | 1:02:11 | |
So you got the picture at last? | 1:02:11 | 1:02:13 | |
It's possible. Will you still be there at 10.30? | 1:02:13 | 1:02:16 | |
I want to talk to you about something that's come up tonight | 1:02:16 | 1:02:21 | |
that may be more in your line. | 1:02:21 | 1:02:23 | |
I'll be right here, partner, from 10.30 on. | 1:02:23 | 1:02:27 | |
-Is she loaded again? -Looks like it. | 1:02:28 | 1:02:31 | |
He's a very smart guy for a college man. | 1:02:31 | 1:02:34 | |
-Are you ready? -Thanks. | 1:02:52 | 1:02:55 | |
Oh, come on, you can do better than that! | 1:02:55 | 1:02:58 | |
FOOTSTEPS APPROACH | 1:03:11 | 1:03:15 | |
I was worried. Where did you go? | 1:03:21 | 1:03:24 | |
-Walk. -With Scott? | 1:03:24 | 1:03:27 | |
No. | 1:03:27 | 1:03:29 | |
Haven't you seen him? He called about 7.00. | 1:03:51 | 1:03:55 | |
-Who? -Scott. | 1:03:55 | 1:03:57 | |
I told you I haven't seen him. | 1:03:57 | 1:04:00 | |
Have you just come in? | 1:04:00 | 1:04:03 | |
No, I'm just going out. To dance. | 1:04:03 | 1:04:06 | |
I don't know whether I ought to leave you here alone. | 1:04:08 | 1:04:13 | |
-Don't be silly - I'm all right! -Have you been taking your capsules? | 1:04:13 | 1:04:19 | |
-No. -Why not? -They're no good. | 1:04:19 | 1:04:22 | |
Maybe you don't take enough. | 1:04:22 | 1:04:25 | |
But be careful - don't take too many. | 1:04:25 | 1:04:29 | |
Look, darling... | 1:04:32 | 1:04:36 | |
Try not to worry so much. | 1:04:37 | 1:04:39 | |
No matter what happens, they can't do a thing without my consent. | 1:04:39 | 1:04:43 | |
And I'll never give that, believe me. | 1:04:43 | 1:04:47 | |
-I know, dear. -So don't be too scared. We'll never be separated. | 1:04:47 | 1:04:51 | |
You and I are going to be together as long as we live. | 1:04:51 | 1:04:56 | |
Remember that, darling. Always. | 1:04:56 | 1:04:59 | |
Good night, dear. | 1:05:03 | 1:05:06 | |
I won't stay out too late. | 1:05:06 | 1:05:08 | |
Goodbye. | 1:05:08 | 1:05:10 | |
KNOCK AT DOOR Come in. | 1:06:39 | 1:06:42 | |
I'm so glad you came. | 1:06:44 | 1:06:46 | |
Oh, I wondered about how you lived! | 1:06:51 | 1:06:54 | |
I apologise for its neatness, | 1:06:54 | 1:06:57 | |
-but I have no woman around to keep it messed up. -I'll hold it. | 1:06:57 | 1:07:01 | |
-Something to drink? -No, thanks. | 1:07:01 | 1:07:04 | |
I hope I didn't alarm you with all that urgency. | 1:07:04 | 1:07:07 | |
I was just puzzled you thought you needed an excuse. | 1:07:07 | 1:07:11 | |
I'd have come anyway, you know that. Sit here. | 1:07:11 | 1:07:14 | |
It wasn't an excuse. I was serious. | 1:07:14 | 1:07:17 | |
It's something I thought we should discuss. | 1:07:17 | 1:07:20 | |
-But has it got to be tonight? -It's important. It's about Terry. | 1:07:20 | 1:07:26 | |
-You don't like Terry, do you? -Of course I like her! | 1:07:26 | 1:07:29 | |
-But why? -But I LOVE you. | 1:07:29 | 1:07:33 | |
-Why? -Why do I love you? -Why me and not her? | 1:07:33 | 1:07:37 | |
I'm very curious about that. Why did you choose me instead of her? | 1:07:37 | 1:07:42 | |
What was it you thought you saw in me that you didn't see in her? | 1:07:42 | 1:07:47 | |
How can I answer that? All I know is you're the one I fell in love with. | 1:07:47 | 1:07:52 | |
-What else do I have to know? -Am I better-looking than she is? | 1:07:52 | 1:07:56 | |
-To me you are. -Don't laugh! | 1:07:56 | 1:07:59 | |
I'm serious. I want to know what you think the difference is. | 1:07:59 | 1:08:04 | |
For instance, kiss me. | 1:08:04 | 1:08:07 | |
Do you really believe you could tell that from one of Terry's, | 1:08:11 | 1:08:16 | |
or my lips from hers? | 1:08:16 | 1:08:18 | |
I think so. | 1:08:18 | 1:08:20 | |
-Have you ever kissed Terry? -No. | 1:08:20 | 1:08:23 | |
Then how could you know? How could you say such a thing? | 1:08:23 | 1:08:27 | |
I'm not sure, but I think I'd know in my heart. | 1:08:27 | 1:08:32 | |
-Would you really? -I think so. | 1:08:32 | 1:08:36 | |
I don't believe it for a second. But I want to ask you anyway | 1:08:36 | 1:08:40 | |
because it's Terry they usually go for. | 1:08:40 | 1:08:43 | |
-She really sends them. -That's not true. | 1:08:43 | 1:08:47 | |
Of course it's true. Terry's a smart one. I told you that before. | 1:08:47 | 1:08:52 | |
No, no, they don't go for her. | 1:08:52 | 1:08:55 | |
-That's what I want to talk to you about. -I don't know what you mean. | 1:08:55 | 1:09:01 | |
It's not an easy thing to tell you, but I feel that I should. | 1:09:01 | 1:09:06 | |
Terry's, er... She's not well. | 1:09:06 | 1:09:08 | |
She's sick, inside. | 1:09:08 | 1:09:10 | |
-She needs help from you and from me if possible. -Sick? How? | 1:09:10 | 1:09:16 | |
She's twisted inside. | 1:09:16 | 1:09:20 | |
Some incident when you were babies, I imagine, that you've both forgotten. | 1:09:20 | 1:09:26 | |
But there's a natural strong rivalry between sisters. | 1:09:26 | 1:09:30 | |
Ever since that incident, whatever it was, | 1:09:30 | 1:09:33 | |
it's grown more and more bitter in her and now it's... It's abnormal. | 1:09:33 | 1:09:37 | |
She needs care and attention. | 1:09:37 | 1:09:40 | |
Terry and I have never been rivals. Never. Not in the slightest. | 1:09:40 | 1:09:46 | |
All women are rivals fundamentally. | 1:09:46 | 1:09:48 | |
But it never bothers them | 1:09:48 | 1:09:51 | |
because they automatically discount the successes of others. | 1:09:51 | 1:09:55 | |
But between sisters, it's a little more serious. | 1:09:55 | 1:09:59 | |
The circumstances are generally about the same. | 1:09:59 | 1:10:02 | |
So they have fewer excuses with which to comfort themselves. | 1:10:02 | 1:10:06 | |
That's why sisters can hate each other with such intensity. | 1:10:06 | 1:10:10 | |
And as for twins, especially identical twins... | 1:10:10 | 1:10:15 | |
You must have some idea what agonies or jealousy are possible. | 1:10:15 | 1:10:21 | |
Go on... | 1:10:23 | 1:10:25 | |
People, men particularly, find it easy enough to like you. | 1:10:30 | 1:10:35 | |
By the grace of God, | 1:10:35 | 1:10:37 | |
you've managed to escape that poison of rivalry and jealousy. | 1:10:37 | 1:10:41 | |
On the surface, there's so little to choose between you. | 1:10:41 | 1:10:47 | |
That is, of course, a lie. | 1:10:47 | 1:10:50 | |
I'm sorry, my dear, but it isn't. | 1:10:52 | 1:10:54 | |
It's the whole history of her case. | 1:10:54 | 1:10:56 | |
By her word as well as yours. | 1:10:56 | 1:10:59 | |
And the lawyer, and that family that want to adopt you but not her. | 1:10:59 | 1:11:04 | |
It's the same story over and again. | 1:11:04 | 1:11:06 | |
Whichever they met first, it was you they preferred. | 1:11:06 | 1:11:10 | |
I've never listened to such nonsense in all my life! | 1:11:10 | 1:11:14 | |
I called you tonight because I want you to talk to her about this. | 1:11:14 | 1:11:18 | |
I want you, as the one nearest and dearest to her, | 1:11:18 | 1:11:21 | |
to persuade her to go to a doctor and put herself under his care. | 1:11:21 | 1:11:25 | |
And if I refuse to insult her with such incredible rot? | 1:11:25 | 1:11:29 | |
You mustn't! It is vitally important. | 1:11:29 | 1:11:31 | |
And if SHE refuses? | 1:11:31 | 1:11:34 | |
If YOU refuse, Terry, | 1:11:37 | 1:11:39 | |
I'm afraid I'll have to tell who killed Frank Peralta...and why. | 1:11:39 | 1:11:44 | |
You can't. | 1:12:12 | 1:12:14 | |
You don't know. | 1:12:14 | 1:12:17 | |
I think I do. | 1:12:17 | 1:12:19 | |
Not that it matters - | 1:12:19 | 1:12:21 | |
there's nothing you'll ever be able to do about it. | 1:12:21 | 1:12:25 | |
-Whatever you guess. -Shall I remind you anyway? -If you wish. | 1:12:25 | 1:12:30 | |
Peralta was killed because the same thing happened to you again. | 1:12:30 | 1:12:34 | |
It was Ruth he really loved, | 1:12:34 | 1:12:36 | |
without really knowing she existed. | 1:12:36 | 1:12:39 | |
It was you he courted and finally asked to marry him. | 1:12:39 | 1:12:42 | |
He didn't know there were twins. | 1:12:42 | 1:12:44 | |
All he knew was that the girl at the counter brought him a warmth | 1:12:44 | 1:12:49 | |
that he missed at other times. | 1:12:49 | 1:12:51 | |
That's what puzzled him. That's why he asked about a split personality. | 1:12:51 | 1:12:56 | |
You weren't aware of all this until that night in the apartment | 1:12:56 | 1:13:01 | |
when he spoke of this curious difference in you from time to time. | 1:13:01 | 1:13:05 | |
It was Ruth he was in love with, not you. | 1:13:05 | 1:13:08 | |
You made sure that if you couldn't have his love, neither should Ruth. | 1:13:08 | 1:13:13 | |
Who else have you told this to? | 1:13:13 | 1:13:17 | |
I say, who else have you told this ridiculous story to? | 1:13:23 | 1:13:26 | |
Nobody else so far. And there'll be no need to tell it again, | 1:13:27 | 1:13:32 | |
if only you do as I suggest. | 1:13:32 | 1:13:34 | |
Go to your doctor and be guided by what he says. | 1:13:34 | 1:13:38 | |
I see no necessity for that. There's nothing you can do about it. | 1:13:38 | 1:13:43 | |
-You don't think so? -No. I'm afraid you've just been wasting your time. | 1:13:43 | 1:13:47 | |
-Haven't you forgotten Ruth? -Not at all. | 1:13:47 | 1:13:51 | |
You must have! She won't take this "ridiculous story" lightly. | 1:13:51 | 1:13:55 | |
I don't suppose so. She's been behaving so strangely lately | 1:13:55 | 1:13:59 | |
I wouldn't put anything past her. | 1:13:59 | 1:14:02 | |
But I doubt if anybody would take seriously the word of a girl | 1:14:02 | 1:14:07 | |
-who suffers form hallucinations. -Wait! What do you mean by that? | 1:14:07 | 1:14:12 | |
-Where's Ruth now? -Look! Are you so sure which one you've kissed? | 1:14:12 | 1:14:17 | |
-Of course I am. -Look closely. Are you certain? | 1:14:17 | 1:14:21 | |
PHONE RINGS | 1:14:21 | 1:14:23 | |
Hello. ..Speaking. | 1:14:26 | 1:14:29 | |
Have you still got that Terry there with you? | 1:14:29 | 1:14:33 | |
-Could you bring her over yourself? -DOORBELL | 1:14:33 | 1:14:36 | |
Just a minute. | 1:14:36 | 1:14:38 | |
-Who is that? -A guy from the hospital. | 1:14:38 | 1:14:41 | |
I'll be with you in a minute. I've got bad news for you. | 1:14:41 | 1:14:44 | |
I got nervous and I decided to come and take a look for myself. | 1:14:44 | 1:14:49 | |
I hate to have to tell you this, but when I got in here... | 1:14:49 | 1:14:53 | |
WHAT?! | 1:14:53 | 1:14:56 | |
No... | 1:14:58 | 1:14:59 | |
All right, Stevenson. I'll be right over. | 1:15:09 | 1:15:12 | |
Ruth's dead. | 1:15:17 | 1:15:19 | |
She's killed herself. | 1:15:19 | 1:15:22 | |
Does that surprise you? | 1:15:22 | 1:15:25 | |
I'm terribly sorry, Doc, but I... | 1:15:39 | 1:15:42 | |
Oh, I'm terribly sorry, Miss Collins. Sit here. | 1:15:43 | 1:15:48 | |
Er... May I go in? | 1:15:48 | 1:15:50 | |
I suppose so, if you want to. The examiner's in there. | 1:15:50 | 1:15:56 | |
Can you...tell me what happened? | 1:15:56 | 1:15:59 | |
She took some of this sleeping junk apparently. | 1:15:59 | 1:16:03 | |
-It was empty in the bathroom. -She's been taking it for three months. | 1:16:03 | 1:16:08 | |
Miss Collins... | 1:16:08 | 1:16:11 | |
I hate to have to ask you questions at a time like this, | 1:16:12 | 1:16:17 | |
-but did she have any reason you know of? -I'm afraid she did. | 1:16:17 | 1:16:21 | |
-What was it, Miss Collins? -Her conscience. | 1:16:21 | 1:16:25 | |
-Oh, yeah? -I don't... | 1:16:25 | 1:16:28 | |
Take your time. I'm not pressing you. I know it's a tough situation. | 1:16:28 | 1:16:33 | |
I'm all right. It's just... I've been under such a strain. | 1:16:33 | 1:16:37 | |
And now this. But she's free now, poor darling. | 1:16:37 | 1:16:42 | |
-I have arrived at some peace too. -Of course you have. | 1:16:43 | 1:16:47 | |
Make a clean breast of it now. You'll feel better. | 1:16:47 | 1:16:51 | |
She killed him. | 1:16:57 | 1:16:59 | |
She killed him? | 1:16:59 | 1:17:02 | |
She said she didn't, but I know she did. I believed her at first. | 1:17:03 | 1:17:07 | |
I kept on believing her. But now I know she did it. | 1:17:07 | 1:17:11 | |
Take this down. That night, Miss Collins, what happened? | 1:17:11 | 1:17:15 | |
When I got home, she was already in bed, I thought asleep. | 1:17:15 | 1:17:19 | |
She told me not to say anything | 1:17:19 | 1:17:22 | |
-as she knew I knew she'd been out with him. -You believed her? | 1:17:22 | 1:17:26 | |
Yes, but... There was something the matter with Terry. | 1:17:26 | 1:17:30 | |
She was sick inside. She was twisted. | 1:17:30 | 1:17:34 | |
You mean Ruth? | 1:17:34 | 1:17:36 | |
No, Terry. I'm Ruth! | 1:17:36 | 1:17:39 | |
-It was a kind of deep bitterness. -Wait... I thought you were Terry. | 1:17:39 | 1:17:44 | |
-No, I'm talking about Terry. I'm Ruth. -But didn't you... | 1:17:44 | 1:17:49 | |
Didn't I what? | 1:17:49 | 1:17:51 | |
Er, nothing. I'm just a little... Go on. | 1:17:51 | 1:17:55 | |
Then Scott found out about it. Something in those tests. | 1:17:55 | 1:18:00 | |
He told me tonight. He told me she was not right. | 1:18:00 | 1:18:03 | |
That she was sick inside. | 1:18:03 | 1:18:06 | |
Jealousy... That's why she killed him, Scott says. | 1:18:06 | 1:18:09 | |
Didn't know there were two of us. All he knew was... | 1:18:09 | 1:18:13 | |
Just a minute! What are you trying to pull? | 1:18:13 | 1:18:17 | |
-I'm just telling him what you told me, dear. -Just what you told me. | 1:18:17 | 1:18:21 | |
-But this isn't Ruth. This is Terry! -We've been over that once tonight. | 1:18:21 | 1:18:26 | |
This is ridiculous. I know her as well as I know myself. It's Terry. | 1:18:26 | 1:18:31 | |
-How do you know? -How do I know? I've studied them for two months. | 1:18:31 | 1:18:35 | |
I have no difficulty in telling these girls apart. | 1:18:35 | 1:18:38 | |
Can you prove it? She says she's Ruth. | 1:18:38 | 1:18:42 | |
Unless you can prove different... | 1:18:42 | 1:18:44 | |
-Shall I go on? -You bet. We're getting somewhere. | 1:18:44 | 1:18:47 | |
The tests only showed what I'd known for a long time - | 1:18:47 | 1:18:52 | |
that she hated me. Men find it easy to like me, but not her. | 1:18:52 | 1:18:56 | |
It was the same story over and over again. Whichever they met first... | 1:18:56 | 1:19:00 | |
I'm sorry, dear. | 1:19:05 | 1:19:07 | |
-You're not sore are you? -Course not! | 1:19:37 | 1:19:40 | |
The reason I didn't explain was I didn't know myself until I got here. | 1:19:40 | 1:19:44 | |
Only then did the idea come to me and it was too late to explain. | 1:19:44 | 1:19:50 | |
All I can say is you aged me ten years. But I forgive you! | 1:19:50 | 1:19:54 | |
-Do you want to know why I got nervous? -Why? | 1:19:54 | 1:19:57 | |
-Psychological reasons. -Oh? | 1:19:57 | 1:20:00 | |
I got to thinking what you told me and it occurred to me | 1:20:00 | 1:20:04 | |
Ruth was in more danger than you. | 1:20:04 | 1:20:07 | |
Even a nut can figure out it's simpler to get rid of her rival | 1:20:07 | 1:20:11 | |
than to knock off her boyfriends. | 1:20:11 | 1:20:13 | |
-I take back what I said about the police. -Thank you, Doc. | 1:20:13 | 1:20:18 | |
MUSIC BOX PLAYS GENTLE MELODY | 1:20:19 | 1:20:22 | |
Novelty department, 9.75, this week only. | 1:20:34 | 1:20:37 | |
MUSIC STOPS | 1:20:37 | 1:20:39 | |
-MUSIC STARTS AGAIN -Oh! | 1:20:41 | 1:20:45 | |
-Was the mirror me? -The reflection was... | 1:20:48 | 1:20:52 | |
That's what twins are - reflections of each other. Everything in reverse. | 1:20:52 | 1:20:58 | |
-Now would you answer one question for me? -What? | 1:20:58 | 1:21:01 | |
Under the circumstances, you'll say it's impossible, but... | 1:21:01 | 1:21:06 | |
Why are you so much more beautiful than your sister? | 1:21:06 | 1:21:10 |