
Browse content similar to The Go-Between. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
'The past is a foreign country. | 0:01:41 | 0:01:44 | |
'They do things differently there.' | 0:01:44 | 0:01:47 | |
-This is Dry Toast. -Hello, Dry Toast. | 0:03:03 | 0:03:06 | |
STRAINS OF CONVERSATION AND LAUGHTER | 0:03:10 | 0:03:13 | |
Come on, slug! | 0:03:46 | 0:03:49 | |
That's my father. | 0:03:54 | 0:03:56 | |
Come on... | 0:04:03 | 0:04:06 | |
MAN, READING ALOUD: "Mr Mowbray of St Ronan's, | 0:04:18 | 0:04:24 | |
"or as he was called by the Company - | 0:04:24 | 0:04:27 | |
"who affected 'knapping English'... | 0:04:27 | 0:04:30 | |
"The Squire, who was leader of the opposite faction... | 0:04:30 | 0:04:35 | |
"The fortune of the lady..." | 0:04:35 | 0:04:38 | |
Who's that? | 0:04:38 | 0:04:41 | |
CONTINUES READING: "Her pretensions to beauty..." | 0:04:44 | 0:04:50 | |
My sister is VERY beautiful. | 0:04:58 | 0:05:00 | |
Yes. | 0:05:00 | 0:05:03 | |
-What's that? -Deadly Nightshade, you oaf! | 0:05:10 | 0:05:14 | |
-Atropa Belladonna. -Atropa...what? | 0:05:14 | 0:05:18 | |
Atropa Belladonna. Every part of it is poisonous. | 0:05:18 | 0:05:22 | |
Die(!) | 0:05:22 | 0:05:25 | |
CHARLES: "Lady Penelope shrieked faintly | 0:06:04 | 0:06:08 | |
"while Lord Etherington, his looks darkening with feeling, remained." | 0:06:08 | 0:06:14 | |
DISTANT LAUGHTER | 0:06:17 | 0:06:20 | |
BELL RINGS | 0:06:46 | 0:06:50 | |
BIRDSONG | 0:06:52 | 0:06:55 | |
VOICES AND LAUGHTER IN DISTANCE | 0:06:57 | 0:07:00 | |
SINGING | 0:07:30 | 0:07:33 | |
-Is his mother a widow, Marcus? -I think so. I don't know him well. | 0:07:41 | 0:07:47 | |
MARCUS: I think that he lives in rather a small house. | 0:07:47 | 0:07:54 | |
Yes, he seems to be a very nice boy. Now, is everyone here? | 0:07:54 | 0:07:59 | |
MARIAN PLAYS PIANO | 0:08:02 | 0:08:05 | |
Ah, Leo...good evening. | 0:08:05 | 0:08:07 | |
Good evening, Mrs Maudsley. | 0:08:07 | 0:08:10 | |
Mr Maudsley. | 0:08:10 | 0:08:12 | |
Let us go into dinner. | 0:08:15 | 0:08:17 | |
- Your croquet was good today, Marian. -Was it? | 0:08:17 | 0:08:20 | |
Come along, Marian...Marcus. | 0:08:20 | 0:08:23 | |
- You're formidable at croquet. -Am I? | 0:08:23 | 0:08:26 | |
I believe we must be wary of you, Leo. | 0:08:26 | 0:08:29 | |
I understand you're a magician. Are you? | 0:08:29 | 0:08:33 | |
Well, not really... only you know... | 0:08:33 | 0:08:37 | |
at school... | 0:08:37 | 0:08:39 | |
Anyway, it was supposed to be a secret, actually. | 0:08:39 | 0:08:44 | |
MARCUS: His curses are fearful! | 0:08:44 | 0:08:47 | |
He cast a fiendish spell on two boys at school. | 0:08:47 | 0:08:51 | |
They fell off a roof and were severely mutilated! | 0:08:51 | 0:08:56 | |
-< Did they die? -No...they were just a little... severely mutilated. | 0:08:56 | 0:09:02 | |
Was it difficult to arrange? To get them to fall without dying? | 0:09:03 | 0:09:09 | |
Well, it wasn't a killing curse. There are curses and curses. | 0:09:09 | 0:09:13 | |
-Oh, how frightening! -You're not going to bewitch us? | 0:09:13 | 0:09:20 | |
No...I shouldn't think so. | 0:09:20 | 0:09:22 | |
LAUGHTER | 0:09:22 | 0:09:25 | |
BABBLE OF CONVERSATION AND SINGING | 0:09:25 | 0:09:30 | |
-Hello. Enjoying yourself? -Yes, sir. | 0:10:17 | 0:10:22 | |
Good. Pretty warm... what does it say? | 0:10:22 | 0:10:27 | |
83. Warm. | 0:10:28 | 0:10:31 | |
-..Suit a little warm, isn't it? -No, sir. | 0:10:31 | 0:10:36 | |
-Enjoying yourself? -Yes, thank you, sir. | 0:10:36 | 0:10:40 | |
Good! | 0:10:42 | 0:10:44 | |
And another thing... | 0:10:57 | 0:11:00 | |
When you undress - you mustn't fold up your clothes - | 0:11:00 | 0:11:04 | |
leave them lying wherever they fall. | 0:11:04 | 0:11:07 | |
That's what the servants are for. | 0:11:07 | 0:11:09 | |
You are looking hot! Haven't you anything cooler? | 0:11:12 | 0:11:16 | |
I'm not hot really. | 0:11:16 | 0:11:18 | |
That's a Norfolk jacket, isn't it? | 0:11:18 | 0:11:21 | |
-Yes. -Well, it's quite appropriate. After all, we are in Norfolk! | 0:11:21 | 0:11:26 | |
-Have we a pair of bellows, Mama? -Why? | 0:11:32 | 0:11:36 | |
To cool Leo! | 0:11:36 | 0:11:38 | |
Does Leo need cooling? | 0:11:38 | 0:11:42 | |
I may look hot, but I'm really quite cool underneath. | 0:11:42 | 0:11:46 | |
Did you leave your summer clothes at home? | 0:11:46 | 0:11:50 | |
I expect...Mother forgot to put them in. | 0:11:50 | 0:11:55 | |
Why not write and ask her to send them? | 0:12:00 | 0:12:03 | |
That would take too long, Mama. | 0:12:03 | 0:12:06 | |
I could get him an outfit tomorrow in Norwich. | 0:12:06 | 0:12:10 | |
Would you like that, Leo? | 0:12:10 | 0:12:12 | |
Well, I haven't any money. Only... | 0:12:12 | 0:12:16 | |
They can be your birthday presents. When is it? | 0:12:16 | 0:12:20 | |
It's on the 27th of this month. I was born under the sign of Leo. | 0:12:20 | 0:12:25 | |
-I can give you a lion skin. -Or a mane! | 0:12:25 | 0:12:29 | |
Well, we'll go tomorrow. | 0:12:29 | 0:12:31 | |
Wouldn't you rather wait until Hugh is here? | 0:12:31 | 0:12:35 | |
Norwich would hardly be a treat for Hugh, Mama. | 0:12:36 | 0:12:40 | |
By then Leo will have melted into butter and need a muslin bag! | 0:12:40 | 0:12:46 | |
May we go, Mama? | 0:12:49 | 0:12:52 | |
Yes...of course you may. | 0:12:52 | 0:12:56 | |
'You flew too near the sun... | 0:13:12 | 0:13:15 | |
'and you were scorched.' | 0:13:15 | 0:13:17 | |
What did your father do? | 0:13:54 | 0:13:57 | |
-He worked in a bank, actually. He was a Pacifist. -Ah. | 0:13:57 | 0:14:02 | |
And he was a book collector. | 0:14:02 | 0:14:05 | |
He liked books very much... and so he collected them. | 0:14:05 | 0:14:10 | |
That was his hobby. | 0:14:10 | 0:14:12 | |
Mother said they're quite valuable. | 0:14:12 | 0:14:15 | |
We might have to sell them. | 0:14:15 | 0:14:18 | |
Here's your pudding. | 0:14:18 | 0:14:20 | |
What's it like? | 0:14:31 | 0:14:33 | |
Very good. | 0:14:33 | 0:14:35 | |
Used any Black Magic lately? | 0:14:35 | 0:14:38 | |
Not lately, no. | 0:14:38 | 0:14:41 | |
What does it feel like to have such power? | 0:14:41 | 0:14:45 | |
Oh, it makes you feel fairly good, | 0:14:46 | 0:14:49 | |
but I only ever use it at school. | 0:14:49 | 0:14:51 | |
Can you teach me? I could use it here. | 0:14:51 | 0:14:55 | |
-Would you really want to? -No, not really... | 0:14:55 | 0:15:00 | |
The results might be too alarming. | 0:15:00 | 0:15:03 | |
Can you amuse yourself in the Cathedral? | 0:15:07 | 0:15:12 | |
-I have shopping to do. -Certainly. -Can you be AMUSED in a cathedral? | 0:15:12 | 0:15:17 | |
'Well, it wasn't a killing curse. | 0:15:46 | 0:15:49 | |
'There are curses and curses.' | 0:15:49 | 0:15:52 | |
CHOIR SINGS PLAINSONG | 0:16:04 | 0:16:08 | |
STRAINS OF AUCTIONEER'S PATTER | 0:16:38 | 0:16:42 | |
AUCTIONEER: Right, gentlemen... Next lot - Number 68. | 0:16:42 | 0:16:46 | |
Lot Number 68. Property of a gentleman... | 0:16:46 | 0:16:51 | |
Bay gelding - seven years old. Sixteen two hands. | 0:16:51 | 0:16:57 | |
How much shall I say for it? Been hunted regularly... > | 0:17:03 | 0:17:07 | |
150 guineas...120...? | 0:17:07 | 0:17:10 | |
100 guineas. Thank you, sir. > | 0:17:10 | 0:17:13 | |
- Most impressive. - What a splendid green! | 0:17:20 | 0:17:24 | |
- Most fetching. - Charming. | 0:17:24 | 0:17:28 | |
-Is the tie from Challow & Challow? -Yes. | 0:17:28 | 0:17:31 | |
-And the shoes? -Sterling & Potter. | 0:17:31 | 0:17:34 | |
-What green is this? -Lincoln Green. | 0:17:34 | 0:17:38 | |
I shall dub you Sir Robin Hood. | 0:17:38 | 0:17:42 | |
- Do you feel different? -I feel quite another person. | 0:17:42 | 0:17:47 | |
Let me have a proper look at you. | 0:17:47 | 0:17:50 | |
I think it does very well. | 0:17:52 | 0:17:55 | |
And I hope that your mother will, too. | 0:17:55 | 0:17:59 | |
-Have you written to her, Leo? -Yes. -Good. | 0:17:59 | 0:18:03 | |
Did you do any shopping yourself, Marian? | 0:18:03 | 0:18:06 | |
No, Mama. That can wait. | 0:18:06 | 0:18:09 | |
It mustn't wait too long. | 0:18:09 | 0:18:12 | |
-You didn't see anyone in Norwich? -Not a soul. We were hard at it all the time. | 0:18:12 | 0:18:19 | |
Yes, we were. | 0:18:20 | 0:18:23 | |
'I believe that you are liable to colds. But you may watch, of course.' | 0:18:23 | 0:18:29 | |
-MARCUS: 'Why bring your bathing suit?' -'It is a bathing party.' | 0:18:29 | 0:18:36 | |
-'But you're not going to swim.' -'I know.' | 0:18:36 | 0:18:40 | |
'In that case, why?' | 0:18:40 | 0:18:42 | |
What cheek! He's trespassing! | 0:18:52 | 0:18:56 | |
What shall we do? Order him off! | 0:18:56 | 0:18:59 | |
What cheek! | 0:18:59 | 0:19:02 | |
-Who can he be? -I don't know. | 0:19:02 | 0:19:06 | |
He's a good swimmer and really rather well-built...don't you think? | 0:19:06 | 0:19:11 | |
Come on, Kate. Let's go and change. | 0:19:14 | 0:19:17 | |
Shall we order him off? | 0:19:21 | 0:19:23 | |
- It's Ted Burgess! - Who's he? | 0:19:23 | 0:19:27 | |
The tenant of Black Farm. He farms the land on the other side. | 0:19:27 | 0:19:32 | |
- You'd better be nice. - I shall ask how he is. | 0:19:32 | 0:19:36 | |
We don't know him socially, but I'd better be nice to him. | 0:19:36 | 0:19:42 | |
Yes. | 0:19:42 | 0:19:43 | |
I didn't know anyone would be here. | 0:19:45 | 0:19:47 | |
Just started on the harvest...it's hot. | 0:19:47 | 0:19:50 | |
Don't worry. We were hot too...up at the Hall. | 0:19:50 | 0:19:55 | |
I won't be long. Just one more header. | 0:19:55 | 0:20:00 | |
Absolutely! | 0:20:00 | 0:20:01 | |
I think I put him at ease, don't you? | 0:20:09 | 0:20:12 | |
Why undress if you're not swimming? | 0:20:17 | 0:20:20 | |
It will look absurd! | 0:20:20 | 0:20:23 | |
LAUGHTER I'll get you for that! > | 0:20:33 | 0:20:39 | |
No...! | 0:20:46 | 0:20:49 | |
- Aaah... - Revenge! | 0:20:51 | 0:20:55 | |
LAUGHING AND JOKING | 0:20:55 | 0:20:58 | |
My hair's come down... it's all wet! | 0:21:07 | 0:21:11 | |
I'll never get it dry. | 0:21:17 | 0:21:19 | |
You look so dry and smug, I should throw you in(!) | 0:21:19 | 0:21:24 | |
-..That man gone? -Yes. He went off in a hurry. | 0:21:24 | 0:21:28 | |
-His name is Ted Burgess. Do you know him? -We may have met. | 0:21:28 | 0:21:33 | |
'Ohh...it's dripping on my dress.' | 0:21:36 | 0:21:39 | |
Here's my bathing-suit... | 0:21:39 | 0:21:41 | |
It's quite dry. | 0:21:41 | 0:21:44 | |
If you fasten it round your neck - so that it hangs down - | 0:21:44 | 0:21:48 | |
you can spread your hair on it. | 0:21:48 | 0:21:51 | |
Your hair will dry and your dress won't get wet. | 0:21:51 | 0:21:55 | |
Spread my hair on it... | 0:21:55 | 0:21:58 | |
Take care not to pull it. O-hh...! | 0:21:58 | 0:22:01 | |
Is it well spread? | 0:22:04 | 0:22:07 | |
Is it dry? | 0:22:12 | 0:22:15 | |
What a comfort...your bathing-suit on my shoulders. | 0:22:22 | 0:22:28 | |
Is my hair well spread? | 0:22:28 | 0:22:31 | |
Oh, yes, it is. | 0:22:31 | 0:22:34 | |
THEY GREET EACH OTHER | 0:23:07 | 0:23:10 | |
"See then that ye walk circumspectly, | 0:23:25 | 0:23:28 | |
"not as fools, but as wise. Redeeming time, because of evil days. | 0:23:28 | 0:23:34 | |
"Wherefore be ye not unwise, | 0:23:34 | 0:23:38 | |
"but understanding what the will of the Lord is. | 0:23:38 | 0:23:42 | |
"And be not drunk with wine, wherein is excess. | 0:23:42 | 0:23:46 | |
"Be filled with the Spirit, speaking in psalms... | 0:23:46 | 0:23:52 | |
"singing and making melody in your heart to the Lord. | 0:23:52 | 0:23:57 | |
"Giving thanks always for all things." | 0:23:57 | 0:24:01 | |
Let us pray. | 0:24:01 | 0:24:03 | |
Keep us, we beseech thee, O Lord, with thy perpetual mercy. | 0:24:10 | 0:24:16 | |
< And because the frailty of man, without Thee, cannot but fall | 0:24:16 | 0:24:21 | |
< keep us ever from all things hurtful. | 0:24:21 | 0:24:25 | |
< Lead us to our salvation, through Jesus Christ our Lord. | 0:24:25 | 0:24:30 | |
TOGETHER: Amen. | 0:24:30 | 0:24:34 | |
- Kipper? - More sugar? | 0:24:38 | 0:24:41 | |
Now everybody, let us decide what we are to do today. Hugh... | 0:24:45 | 0:24:50 | |
come and sit down. | 0:24:50 | 0:24:52 | |
Advise us... | 0:24:56 | 0:24:58 | |
Now, what do you suggest? | 0:24:58 | 0:25:02 | |
-What's up? -Decent of you to ask, but don't come in. | 0:25:19 | 0:25:24 | |
-I have a headache and spots. It may be measles. -Hard cheese! | 0:25:24 | 0:25:29 | |
-See Trimingham? -The man with the face? | 0:25:29 | 0:25:33 | |
Yes. Got it in the war. He was gored by the Boers! | 0:25:33 | 0:25:38 | |
Hard cheese! | 0:25:38 | 0:25:40 | |
CHURCH BELLS RING | 0:25:45 | 0:25:48 | |
STRAINS OF ORGAN MUSIC | 0:26:57 | 0:27:01 | |
Morning, Vicar. | 0:27:11 | 0:27:14 | |
-Hello. My name is Trimingham. -How do you do, Trimingham? | 0:27:27 | 0:27:32 | |
Call me Hugh if you like. Or Trimingham, if you prefer. | 0:27:32 | 0:27:36 | |
Why not Mr Trimingham? | 0:27:36 | 0:27:38 | |
I think Trimingham is more in order, if you prefer it to Hugh. | 0:27:38 | 0:27:43 | |
But why not Mr Trimingham? | 0:27:43 | 0:27:46 | |
-Well, as a matter of fact, I'm a Viscount. -Viscount? -Yes. | 0:27:46 | 0:27:51 | |
-Oughtn't I to call you My Lord? -No...Hugh will do. | 0:27:51 | 0:27:55 | |
What's your name? | 0:27:55 | 0:27:59 | |
-Colston. -Mr Colston? -Well...er...Leo, if you like. | 0:27:59 | 0:28:03 | |
-I'll call you Leo, if I may. -Yes, that's fine. | 0:28:03 | 0:28:07 | |
-Does Marian call you Leo? -Yes. I think she's ripping! | 0:28:07 | 0:28:11 | |
-I'd do anything for her. -What would you do? -Er...anything. Anything. | 0:28:11 | 0:28:17 | |
-Would you take her a message for me? -What shall I say? | 0:28:17 | 0:28:21 | |
Tell her I've got her Prayer Book. | 0:28:21 | 0:28:24 | |
'How careless. I forget everything. Please thank him for me.' | 0:28:34 | 0:28:38 | |
LAUGHTER OUTSIDE | 0:29:26 | 0:29:29 | |
HE MOUTHS | 0:30:49 | 0:30:51 | |
HORSE NEIGHS | 0:32:32 | 0:32:35 | |
WHINNIES | 0:32:39 | 0:32:42 | |
Aahh...! | 0:33:27 | 0:33:31 | |
WHAT the hell are you doin'?! | 0:33:31 | 0:33:33 | |
I should give you the biggest thrashin'... | 0:33:33 | 0:33:37 | |
-My knee! -Get up...what are you doin' here? Who are you anyway? | 0:33:37 | 0:33:42 | |
I know you. We've met. | 0:33:42 | 0:33:45 | |
Met? | 0:33:45 | 0:33:47 | |
At the bathing place... you were bathing. | 0:33:47 | 0:33:51 | |
I came with the others. | 0:33:51 | 0:33:54 | |
Oh...you're from the Hall? | 0:33:54 | 0:33:58 | |
Can you walk? | 0:33:58 | 0:34:01 | |
I saw you dive... you did jolly well! | 0:34:12 | 0:34:16 | |
You were lucky, you might have spoiled your suit. | 0:34:33 | 0:34:37 | |
Miss Marian gave it to me... | 0:34:37 | 0:34:41 | |
Miss Marian Maudsley. | 0:34:41 | 0:34:43 | |
..Oh, did she? | 0:34:45 | 0:34:48 | |
-Is it stingin'? -Yes. | 0:34:51 | 0:34:54 | |
You're a Spartan! | 0:34:54 | 0:34:57 | |
-Won't you want that? -I got plenty more. | 0:34:57 | 0:35:01 | |
Try walkin'. | 0:35:03 | 0:35:05 | |
Thank you very much, Mr Burgess. | 0:35:15 | 0:35:18 | |
Is there...anything I can do for you? | 0:35:18 | 0:35:22 | |
..Well, p'raps there is. | 0:35:24 | 0:35:27 | |
Could you take a message for me? | 0:35:28 | 0:35:31 | |
Of course. Who to? | 0:35:31 | 0:35:34 | |
-How old are you? -I shall be 13 this month. | 0:35:39 | 0:35:44 | |
Can I trust you? | 0:35:49 | 0:35:51 | |
Of course you can. | 0:35:51 | 0:35:54 | |
There's a boy, isn't there...? | 0:35:59 | 0:36:02 | |
A lad of your age? | 0:36:02 | 0:36:05 | |
-He's in bed with measles. -Oh, is he? | 0:36:05 | 0:36:08 | |
Are you...ever alone with anybody - in the house? | 0:36:08 | 0:36:13 | |
Well...nobody talks to me much. | 0:36:13 | 0:36:16 | |
They're all grown-up, you see. Except Marcus... | 0:36:16 | 0:36:20 | |
And he's in bed. | 0:36:20 | 0:36:23 | |
Oh, Marian talks to me... Miss Marian. | 0:36:23 | 0:36:27 | |
Oh, does she? | 0:36:32 | 0:36:34 | |
She often does. | 0:36:34 | 0:36:37 | |
She talks to me most. | 0:36:37 | 0:36:40 | |
-When her hair was wet... -Are you ever alone with her? | 0:36:40 | 0:36:45 | |
I mean just the two of you - in a room - with no-one else? | 0:36:45 | 0:36:50 | |
Well, sometimes... | 0:36:50 | 0:36:53 | |
Sometimes we sit together on a sofa. | 0:36:53 | 0:36:56 | |
On a sofa...? | 0:36:56 | 0:36:58 | |
Could you give her a letter? | 0:37:00 | 0:37:02 | |
Without anybody else seein'? | 0:37:02 | 0:37:06 | |
Of course I could! | 0:37:09 | 0:37:12 | |
But can I trust you... | 0:37:12 | 0:37:15 | |
to keep your mouth shut? | 0:37:15 | 0:37:18 | |
Because you see...it's a secret. | 0:37:19 | 0:37:23 | |
All right... | 0:37:27 | 0:37:30 | |
I'll trust you! | 0:37:30 | 0:37:32 | |
Uuuh... | 0:37:38 | 0:37:40 | |
There. | 0:38:18 | 0:38:21 | |
-Is this his? -Yes. | 0:38:26 | 0:38:29 | |
He said he wouldn't want it back. | 0:38:29 | 0:38:33 | |
Shall I throw it on the rubbish-dump? | 0:38:33 | 0:38:36 | |
Oh, I don't know. Perhaps I'll wash it out. | 0:38:36 | 0:38:41 | |
It's quite a good handkerchief. | 0:38:41 | 0:38:43 | |
Oh...he asked me to give you this. | 0:38:47 | 0:38:50 | |
-It's a bit crumpled. -DOOR CLOSING NEARBY | 0:38:53 | 0:38:57 | |
These dresses...! | 0:39:01 | 0:39:04 | |
Now...the bandage. | 0:39:07 | 0:39:10 | |
-You've put it on! -Oh...yes. | 0:39:10 | 0:39:13 | |
-Now, I'll put on your stocking. -I...I can do that. | 0:39:13 | 0:39:18 | |
No, no. I'll put it on. | 0:39:18 | 0:39:21 | |
You won't tell anyone about this letter, will you? | 0:39:23 | 0:39:27 | |
Will you? | 0:39:29 | 0:39:31 | |
Of course I won't! | 0:39:31 | 0:39:34 | |
There! | 0:39:38 | 0:39:40 | |
Shall you be going to Goodwood? > | 0:39:40 | 0:39:44 | |
I thought I'd see Lady Mary. > | 0:39:44 | 0:39:48 | |
CHATTER CONTINUES I think I shall go. > | 0:39:48 | 0:39:52 | |
Shall you? > Yes...I think so. > | 0:39:52 | 0:39:57 | |
Are you referring to Augustine Thomas? | 0:39:57 | 0:40:01 | |
Hello, there's Mercury. | 0:40:01 | 0:40:04 | |
-Why do you call him Mercury? -Because he takes messages. | 0:40:04 | 0:40:09 | |
You took a message for me, didn't you? | 0:40:09 | 0:40:12 | |
To this young lady here. Didn't fetch a very warm response. | 0:40:12 | 0:40:17 | |
Do you know who Mercury was? | 0:40:17 | 0:40:20 | |
Mercury is the smallest of the planets. | 0:40:20 | 0:40:25 | |
Ah, but before that he was the messenger of the Gods. | 0:40:25 | 0:40:30 | |
He went to and fro between them. | 0:40:30 | 0:40:33 | |
BABBLE OF VOICES | 0:40:40 | 0:40:43 | |
Do you know Ted Burgess? | 0:41:14 | 0:41:16 | |
Ted Burgess? We ALL know Ted. He's a bit of lad, Ted Burgess. | 0:41:16 | 0:41:22 | |
What do you mean by "a lad"? I should have said he was a man! | 0:41:22 | 0:41:27 | |
-Enjoying yourself? -Oh, yes, thank you, sir. | 0:42:13 | 0:42:17 | |
Miss your mother? | 0:42:17 | 0:42:20 | |
Yes, sir...I mean, no, sir. | 0:42:20 | 0:42:23 | |
A little, sir. | 0:42:23 | 0:42:25 | |
-Pretty hot today. -Is it a record? | 0:42:25 | 0:42:29 | |
I shouldn't be surprised. I'll have to look it up. | 0:42:29 | 0:42:33 | |
-Hot weather suit you? -Yes, sir. | 0:42:33 | 0:42:36 | |
GEESE CALL | 0:42:42 | 0:42:45 | |
< HI...MERCURY...! | 0:42:49 | 0:42:53 | |
Come here! I want you. | 0:42:53 | 0:42:56 | |
Trying to sneak past in dead ground? | 0:43:04 | 0:43:07 | |
-Where were you off to? -Nowhere. | 0:43:07 | 0:43:10 | |
Ah, nowhere. Would you like to go somewhere? | 0:43:10 | 0:43:14 | |
-Well, yes. Where? -It's up to you. -Oh. | 0:43:14 | 0:43:18 | |
I want you to find Marian. We need her to make a four at croquet. | 0:43:20 | 0:43:25 | |
-Can you find her? -I don't know. | 0:43:25 | 0:43:29 | |
-No-one else can. But YOU can. Will you? -Yes. | 0:43:29 | 0:43:34 | |
You must bring her back, dead or alive! | 0:43:37 | 0:43:41 | |
RUSTLING IN UNDERGROWTH | 0:44:03 | 0:44:06 | |
What are YOU doing here? | 0:44:08 | 0:44:11 | |
-Hugh asked me to find you. -Why? | 0:44:11 | 0:44:13 | |
He wants you to play croquet. | 0:44:13 | 0:44:16 | |
He said to bring you dead or alive. | 0:44:16 | 0:44:19 | |
Well, which am I? | 0:44:19 | 0:44:21 | |
We're going to luncheon with some neighbours tomorrow. | 0:44:23 | 0:44:27 | |
-I don't suppose you want to come. -No, I can stay here. | 0:44:27 | 0:44:31 | |
-What will you do? -Oh...anything. | 0:44:31 | 0:44:35 | |
Yes, but what? | 0:44:35 | 0:44:37 | |
I might go for a walk. | 0:44:37 | 0:44:40 | |
Where to? | 0:44:40 | 0:44:42 | |
-I might slide down the straw-stack. -Oh, whose? | 0:44:42 | 0:44:46 | |
-Farmer Burgess. -Oh, his! | 0:44:46 | 0:44:49 | |
Well, if you go that way perhaps you'd give him a letter. | 0:44:49 | 0:44:54 | |
I was hoping you'd say that. | 0:44:54 | 0:44:57 | |
-Why? Because you like him? -Yes. | 0:44:57 | 0:44:59 | |
-But there's another reason. -What? | 0:44:59 | 0:45:03 | |
Because I like you. | 0:45:03 | 0:45:05 | |
Hello. | 0:45:14 | 0:45:16 | |
Tell 'er that's all right. | 0:45:27 | 0:45:30 | |
GUNSHOT | 0:45:44 | 0:45:46 | |
Look what you've done. | 0:45:51 | 0:45:54 | |
HE SIGHS Tell 'er that's no go. | 0:46:00 | 0:46:04 | |
Enter boldly. My disease has fled! | 0:46:11 | 0:46:15 | |
You don't look better. | 0:46:15 | 0:46:17 | |
I am. I shall be down later. | 0:46:17 | 0:46:21 | |
You can bore me with your stories. | 0:46:21 | 0:46:23 | |
-Marcus is bet... -KNOCK AT DOOR | 0:47:03 | 0:47:06 | |
Ah! A conspiracy. A love scene! | 0:47:06 | 0:47:11 | |
May I seize you from this fortunate fellow? | 0:47:12 | 0:47:16 | |
Is "seize" an appropriate word? | 0:47:16 | 0:47:19 | |
Gather, then. May I gather you from this fortunate fellow? | 0:47:19 | 0:47:23 | |
-Do you mind if I'm "gathered", Leo? -Oh, no... | 0:47:23 | 0:47:26 | |
Not at all. | 0:47:26 | 0:47:29 | |
WHISPERS INAUDIBLY | 0:47:41 | 0:47:44 | |
HE SOBS | 0:49:10 | 0:49:13 | |
HORSE WHINNIES > | 0:49:53 | 0:49:56 | |
Hello. | 0:49:58 | 0:50:01 | |
How's the Postman? | 0:50:01 | 0:50:05 | |
Very well, thank you. | 0:50:05 | 0:50:07 | |
Brought anythin' for me? | 0:50:07 | 0:50:10 | |
I'm afraid I shan't be able to bring you any more letters. | 0:50:37 | 0:50:42 | |
-Why not? -Well, Marcus has got over his measles. | 0:50:42 | 0:50:46 | |
You said he wasn't to know. | 0:50:46 | 0:50:49 | |
If he came here with me, then he would know. | 0:50:49 | 0:50:53 | |
-'Ave you told Miss Marian that? -No. | 0:50:57 | 0:51:00 | |
She won't know what to do. | 0:51:00 | 0:51:04 | |
Nor shall I. | 0:51:04 | 0:51:06 | |
What did you do before I came? | 0:51:06 | 0:51:09 | |
Well...it wasn't so easy then. | 0:51:09 | 0:51:13 | |
She likes you, don't she? | 0:51:34 | 0:51:37 | |
You want her to like you, don't you? | 0:51:37 | 0:51:39 | |
You wouldn't want 'er to stop liking you... | 0:51:39 | 0:51:44 | |
No, you wouldn't. | 0:51:44 | 0:51:46 | |
She won't be the same to you, if you don't take 'er letters. | 0:51:48 | 0:51:53 | |
That's the truth. | 0:51:53 | 0:51:55 | |
They're not just ordinary letters. | 0:51:57 | 0:52:00 | |
She'll miss them... | 0:52:00 | 0:52:03 | |
So shall I. | 0:52:04 | 0:52:07 | |
She'll cry p'raps. | 0:52:11 | 0:52:13 | |
Do you want 'er to cry? | 0:52:13 | 0:52:16 | |
That's not hard to make 'er cry. | 0:52:16 | 0:52:19 | |
She used to cry before you come along. | 0:52:21 | 0:52:25 | |
Did you make her cry? | 0:52:25 | 0:52:27 | |
She cried when... she couldn't see me. | 0:52:30 | 0:52:33 | |
How do you know? | 0:52:33 | 0:52:36 | |
Because she cried when she did see me. | 0:52:43 | 0:52:47 | |
I've been busy... Smiler's going to have a foal. | 0:52:57 | 0:53:01 | |
She's ill. | 0:53:01 | 0:53:04 | |
Why does she have it then, if it makes her ill? | 0:53:04 | 0:53:08 | |
She hadn't much choice. | 0:53:08 | 0:53:10 | |
What made her have one? | 0:53:13 | 0:53:15 | |
What? | 0:53:18 | 0:53:20 | |
What made her have one? | 0:53:20 | 0:53:22 | |
Hah...between you and me... | 0:53:24 | 0:53:27 | |
she did...a bit of spoonin'. | 0:53:27 | 0:53:30 | |
Spooning?! I didn't know horses could spoon? | 0:53:30 | 0:53:34 | |
That's a silly word really. | 0:53:34 | 0:53:37 | |
What does it mean? | 0:53:37 | 0:53:39 | |
You seem to know something about it. | 0:53:39 | 0:53:42 | |
I don't know anything about it. That's the point. | 0:53:42 | 0:53:47 | |
It's all this kissing, isn't it? That's what it is. | 0:53:47 | 0:53:51 | |
I've seen it on postcards at the seaside. | 0:53:51 | 0:53:56 | |
-You can't tell me horses do that! -No. Horses don't...do that. | 0:53:56 | 0:54:02 | |
Well, what do they do? What does anyone do? | 0:54:02 | 0:54:06 | |
There's more to it than kissing. But what? | 0:54:06 | 0:54:10 | |
You'll find out. | 0:54:10 | 0:54:12 | |
Could you marry someone without ever spooning with them? | 0:54:18 | 0:54:23 | |
Spooning's a silly word. | 0:54:23 | 0:54:27 | |
Well, whatever the word is, could you marry someone... | 0:54:27 | 0:54:31 | |
and never do - whatever it is? | 0:54:31 | 0:54:34 | |
You could. | 0:54:34 | 0:54:37 | |
But it wouldn't be a very lover-like thing to do. | 0:54:37 | 0:54:41 | |
-"Lov...?" -That's enough questions. | 0:54:41 | 0:54:44 | |
-But you haven't told me anything! -Let's make a bargain. | 0:54:44 | 0:54:48 | |
I'll tell you all about it on the condition that you go on being our postman. | 0:54:48 | 0:54:55 | |
Why shouldn't I wear my cap? | 0:54:55 | 0:54:58 | |
Because it's a school cap. | 0:54:58 | 0:55:00 | |
If it were an England cap, or a County cap you could wear it. | 0:55:00 | 0:55:05 | |
But to wear a school cap at a private match isn't done. | 0:55:05 | 0:55:10 | |
Stomach-pump! | 0:55:10 | 0:55:12 | |
-Yoo-hoo! -Hoi! | 0:55:20 | 0:55:22 | |
Mr Quick...Mr Burgess. How do you do? | 0:55:36 | 0:55:40 | |
This is our twelfth man, Mr Colston. | 0:55:40 | 0:55:44 | |
Mr Payne...Mr Burgess. | 0:55:44 | 0:55:46 | |
We know each other - Master Colston and me. | 0:55:46 | 0:55:50 | |
He comes to slide down my straw-stack. | 0:55:50 | 0:55:54 | |
Of course! | 0:55:54 | 0:55:55 | |
Are you a good batsman? | 0:55:55 | 0:55:57 | |
Oh, no. I'm not much of a cricketer really. | 0:55:57 | 0:56:01 | |
He's very dangerous, Leo. | 0:56:01 | 0:56:04 | |
I just hit 'em. | 0:56:04 | 0:56:07 | |
We're going to get you out anyway! | 0:56:07 | 0:56:10 | |
- I ain't seen 'im for years. - Yeah? | 0:56:13 | 0:56:16 | |
He's won the toss... we're batting. | 0:56:22 | 0:56:26 | |
-Good luck. -Thanks, Leo. | 0:56:26 | 0:56:28 | |
Such command and elegance! | 0:56:39 | 0:56:42 | |
SPECTATORS APPLAUD | 0:56:52 | 0:56:55 | |
Good ol' boy! | 0:57:00 | 0:57:03 | |
Another one. > APPLAUSE | 0:57:03 | 0:57:08 | |
We're in trouble. There's only me to come... that's any good! | 0:57:10 | 0:57:17 | |
CROWD MURMURS | 0:57:17 | 0:57:20 | |
Come on... | 0:57:41 | 0:57:43 | |
Out! | 0:57:52 | 0:57:54 | |
That's me! But he's not young - I mustn't tire him. | 0:57:54 | 0:57:59 | |
No! | 0:58:12 | 0:58:15 | |
Why doesn't he run? | 0:58:24 | 0:58:27 | |
He wants to save Father's strength, which is quite unnecessary. | 0:58:27 | 0:58:32 | |
- No! - Come on...! | 0:58:32 | 0:58:36 | |
OUT! | 0:58:37 | 0:58:40 | |
NOISY HUBBUB | 0:58:44 | 0:58:47 | |
Beautifully played! Thank you. | 0:58:54 | 0:58:57 | |
Now...what about you? | 0:58:57 | 0:59:01 | |
Oh, I shan't give you much trouble. | 0:59:01 | 0:59:03 | |
We've got to get Burgess out. Trimingham's cunning. | 0:59:06 | 0:59:10 | |
Burgess has no culture or discipline. | 0:59:10 | 0:59:13 | |
CRIES OF ASTONISHMENT | 0:59:33 | 0:59:37 | |
HEARTY APPLAUSE | 0:59:37 | 0:59:41 | |
Get two there. > | 0:59:54 | 0:59:57 | |
He's a hard man to beat... > | 1:00:04 | 1:00:07 | |
FRIGHTENED SCREAMS | 1:00:13 | 1:00:16 | |
-Are you all right? -Yes... -A close shave! | 1:00:16 | 1:00:20 | |
He's terribly savage! | 1:00:20 | 1:00:23 | |
My word! It come through fast. > | 1:00:23 | 1:00:26 | |
HUGH: WHERE'S our twelfth man? | 1:00:26 | 1:00:29 | |
-Are you all right, Marian? -Yes. -The ball didn't hurt you? -No, Mama. | 1:00:29 | 1:00:34 | |
- We got a head in front? - Yeah, that's right. | 1:00:45 | 1:00:52 | |
CROWD CHEERS AND APPLAUDS | 1:01:06 | 1:01:11 | |
MAG-NIFICENT catch! | 1:01:15 | 1:01:18 | |
-I didn't mean to catch you out. -Damned good catch! | 1:01:25 | 1:01:29 | |
Fancy bein' caught out by our postman! | 1:01:29 | 1:01:33 | |
- Well played, Ted. - Yes. | 1:01:33 | 1:01:36 | |
BURST OF APPLAUSE < Good ol' Ted! | 1:01:36 | 1:01:40 | |
And last but not least, except in stature, our young "David"... | 1:01:59 | 1:02:06 | |
who slew "Goliath" of Black Farm, if I may so describe him, | 1:02:06 | 1:02:11 | |
not with a sling but with a catch! APPLAUSE | 1:02:11 | 1:02:18 | |
And now, it is time for the music. Who will give us the first song? | 1:02:28 | 1:02:33 | |
Ted's the one... He's he big hitter. > | 1:02:33 | 1:02:38 | |
Come on, Ted! | 1:02:38 | 1:02:42 | |
CHEERS | 1:02:42 | 1:02:45 | |
I can't see the piano-player. < Where is he? | 1:03:00 | 1:03:05 | |
He's got a fatal finger disease! LAUGHTER | 1:03:05 | 1:03:10 | |
You don't need music, Ted. Don't be shy. | 1:03:10 | 1:03:15 | |
Take yer collar off first! | 1:03:15 | 1:03:18 | |
C'mon, be a gen'leman! You're dressed up like one! | 1:03:20 | 1:03:24 | |
MURMURS OF APPROVAL | 1:03:33 | 1:03:36 | |
- (Take A Pair Of Sparkling Eyes.) - What you say? | 1:03:53 | 1:03:58 | |
Take A Pair Of Sparkling Eyes. | 1:03:58 | 1:04:00 | |
BEGINS INTRODUCTION | 1:04:02 | 1:04:05 | |
# Take a pair of sparkling eyes | 1:04:07 | 1:04:09 | |
# Hidden ever and anon In a merci-i-iful eclipse | 1:04:09 | 1:04:16 | |
# Do not heed their mild surprise | 1:04:16 | 1:04:20 | |
# Having passed the Rubicon Take a pair of rosy lips | 1:04:20 | 1:04:25 | |
# Take a figure trimly planned | 1:04:25 | 1:04:29 | |
# Such as admiration whets | 1:04:29 | 1:04:32 | |
# Be particular in this | 1:04:32 | 1:04:35 | |
# Take a tender little hand Fringed with dainty fingerettes | 1:04:35 | 1:04:40 | |
# Pre-e-e-ess it! Press it! | 1:04:40 | 1:04:44 | |
# In parenthesis A-a-a-a-ah | 1:04:44 | 1:04:49 | |
# Take all these, you lucky man | 1:04:49 | 1:04:53 | |
# Take and keep them | 1:04:53 | 1:04:55 | |
# If you can, if you can | 1:04:55 | 1:04:57 | |
# Take all these, you lucky man | 1:04:57 | 1:05:01 | |
# Take and ke-ep them if you ca-an | 1:05:01 | 1:05:04 | |
# If you can | 1:05:04 | 1:05:09 | |
# Take my counsel, happy man | 1:05:11 | 1:05:14 | |
# Act upon it if you can | 1:05:16 | 1:05:19 | |
# If you can, if you can | 1:05:19 | 1:05:22 | |
# Act upon it if you ca-a-an | 1:05:22 | 1:05:27 | |
# Happy man If you ca-a-an. # | 1:05:27 | 1:05:34 | |
APPLAUSE | 1:05:37 | 1:05:40 | |
'Well, Leo, what's it to be? | 1:05:57 | 1:06:01 | |
'I can sing Angels Ever Bright And Fair. | 1:06:01 | 1:06:05 | |
'All right.' | 1:06:05 | 1:06:08 | |
-# -Angels ever bright and fair | 1:06:12 | 1:06:17 | |
-# -Take, oh, take me to your care | 1:06:17 | 1:06:25 | |
-# -Speed to your own courts my flight | 1:06:29 | 1:06:36 | |
-# -Clad in robes of virgin white | 1:06:36 | 1:06:42 | |
-# -Clad in robes of virgin white. -# | 1:06:42 | 1:06:49 | |
Well, thank goodness we've said goodbye to the village for a year. | 1:06:56 | 1:07:01 | |
-Did you notice the stink in there? -No. -What a whiff! | 1:07:01 | 1:07:06 | |
You were too busy rolling your eyes and sucking up the applause... | 1:07:06 | 1:07:11 | |
Still, toadstool, I must admit you didn't do TOO badly(!) | 1:07:11 | 1:07:16 | |
Oh, thank you. | 1:07:16 | 1:07:19 | |
Apart from your slimy serpent tongue stuck to the roof of your mouth, | 1:07:19 | 1:07:22 | |
and your face like a sick cow! | 1:07:22 | 1:07:25 | |
You po-faced, pot-bellied bed-wetter! | 1:07:25 | 1:07:29 | |
Pax...! I'll tell you a secret. | 1:07:29 | 1:07:32 | |
-What? -Marian's engaged to marry Trimingham. | 1:07:32 | 1:07:36 | |
It'll be announced after the Ball. Are you glad? | 1:07:36 | 1:07:40 | |
Yes, I am. | 1:07:43 | 1:07:46 | |
I'm sure I am. | 1:07:46 | 1:07:49 | |
TRACTOR ENGINE IN DISTANCE | 1:08:10 | 1:08:13 | |
-Are you going out? -Yes, shall we? | 1:08:52 | 1:08:55 | |
-I'm afraid I can't. -Why not, sewer-rat? | 1:08:55 | 1:08:59 | |
Nanny Robson isn't well, she lives in the village. | 1:08:59 | 1:09:03 | |
Marian says I have to visit this afternoon. | 1:09:03 | 1:09:07 | |
Isn't it boring?! | 1:09:07 | 1:09:09 | |
Marian said she was going herself after tea. | 1:09:09 | 1:09:14 | |
What will you do with your evil-smelling carcass? | 1:09:14 | 1:09:19 | |
-I may hang round the rubbish-tip... -Don't get carted away! | 1:09:19 | 1:09:23 | |
Hello, Leo. Just the man I was looking for. | 1:09:43 | 1:09:47 | |
-Will you do something for me? -Yes, what? | 1:09:47 | 1:09:50 | |
Take this letter. | 1:09:50 | 1:09:53 | |
But, who to? | 1:09:53 | 1:09:56 | |
Who to?! Why, to the farm, you silly! | 1:09:56 | 1:09:59 | |
What's the matter? | 1:10:01 | 1:10:04 | |
-But I can't. -"Can't"? Why not? | 1:10:04 | 1:10:07 | |
-Because of Hugh. -Hugh? | 1:10:07 | 1:10:09 | |
What's Hugh to do with it? | 1:10:09 | 1:10:12 | |
He might be upset. | 1:10:12 | 1:10:15 | |
WHAT has Hugh got to do with it? | 1:10:15 | 1:10:17 | |
It's business between Mr Burgess and me. | 1:10:17 | 1:10:21 | |
It has nothing to do with anyone else! Understand? | 1:10:21 | 1:10:25 | |
-You and Hugh... -WHAT are you talking about? You come in here... | 1:10:25 | 1:10:30 | |
our guest... a poor nothing out of nowhere! | 1:10:30 | 1:10:35 | |
We know nothing about you... | 1:10:35 | 1:10:37 | |
we feed you, clothe you, make a great fuss of you... | 1:10:37 | 1:10:42 | |
Then you have the damned cheek to say you won't do a simple thing | 1:10:42 | 1:10:47 | |
any ragamuffin would do for nothing! | 1:10:47 | 1:10:49 | |
NOTHING! | 1:10:49 | 1:10:53 | |
You want paying, I suppose? | 1:10:53 | 1:10:55 | |
I see...how much do you want? | 1:10:55 | 1:10:58 | |
Hello...it's the Postman. | 1:12:01 | 1:12:04 | |
How are you? | 1:12:04 | 1:12:07 | |
..You've been cryin'. | 1:12:09 | 1:12:12 | |
What's the matter? | 1:12:12 | 1:12:15 | |
Here... | 1:12:21 | 1:12:23 | |
Do you want to 'ave a go with my gun? | 1:12:26 | 1:12:29 | |
I was just goin' to clean it, but I can do that afterwards. | 1:12:29 | 1:12:34 | |
Come and watch me, then. | 1:12:37 | 1:12:39 | |
Some rooks round 'ere could do with a peppering. | 1:12:39 | 1:12:44 | |
FIRES TWO SHOTS | 1:12:49 | 1:12:51 | |
ROOKS CAWING | 1:12:51 | 1:12:54 | |
You got a letter for me? | 1:13:08 | 1:13:11 | |
Looks as though you been sleepin' on it! | 1:13:16 | 1:13:20 | |
You'd like some tea, wouldn't you? | 1:13:42 | 1:13:45 | |
I'm on me own today. | 1:13:49 | 1:13:52 | |
My daily woman doesn't come on Sundays. | 1:13:57 | 1:14:01 | |
Oh, do you have a woman every day? | 1:14:01 | 1:14:04 | |
No. | 1:14:06 | 1:14:08 | |
I told you. She doesn't come on Sundays. | 1:14:12 | 1:14:16 | |
Have you any message for her? | 1:14:23 | 1:14:26 | |
-Who? -Marian. | 1:14:26 | 1:14:29 | |
I might have. | 1:14:30 | 1:14:33 | |
Do you want to take it? | 1:14:35 | 1:14:38 | |
Not very much. | 1:14:38 | 1:14:40 | |
But she'll be angry if I don't. | 1:14:40 | 1:14:43 | |
So, it was her? | 1:14:48 | 1:14:51 | |
It's not fair to ask you to do it for nothin'... | 1:14:54 | 1:14:58 | |
What could I do to make it worth your while? | 1:14:58 | 1:15:02 | |
Last time I was here... you said you'd tell me something. | 1:15:05 | 1:15:10 | |
-Oh, did I? -Yes. | 1:15:12 | 1:15:15 | |
You said you'd tell me about... spooning. | 1:15:15 | 1:15:19 | |
Hm! | 1:15:19 | 1:15:21 | |
I don't know any other word... | 1:15:21 | 1:15:24 | |
Is there another word? | 1:15:24 | 1:15:26 | |
You said you'd tell me. | 1:15:26 | 1:15:30 | |
Yes... | 1:15:32 | 1:15:34 | |
-but now I'm not sure that I shall. -Why not? | 1:15:34 | 1:15:38 | |
It's a job for your dad really. | 1:15:38 | 1:15:41 | |
-My father's dead...but I'm sure he never did it. -Oh, are you? | 1:15:41 | 1:15:46 | |
You can't break your promise. | 1:15:46 | 1:15:49 | |
It's puttin' your arm round a girl and kissing her, | 1:15:49 | 1:15:53 | |
that's what it means. | 1:15:53 | 1:15:55 | |
I know that...but it's something else. It makes you feel something. | 1:15:55 | 1:16:00 | |
What do you like doin' best? | 1:16:02 | 1:16:05 | |
The kettle's boilin'... | 1:16:05 | 1:16:07 | |
It's like whatever you like doin' best... | 1:16:10 | 1:16:14 | |
and then some more. | 1:16:14 | 1:16:17 | |
But WHAT more? What is "lover-like"? | 1:16:17 | 1:16:20 | |
What does it mean? What is a lover? What does a lover do? | 1:16:20 | 1:16:24 | |
Are you a lover? What do you do? | 1:16:24 | 1:16:27 | |
You know. I know YOU know! | 1:16:27 | 1:16:31 | |
I won't take messages unless you tell me... | 1:16:31 | 1:16:35 | |
GET OUT! | 1:16:35 | 1:16:38 | |
HOI! | 1:16:38 | 1:16:39 | |
"Dear Mother, | 1:16:56 | 1:16:59 | |
"I am sorry to tell you... | 1:16:59 | 1:17:02 | |
"I am not enjoying myself here. | 1:17:02 | 1:17:07 | |
"I would like to come home." | 1:17:09 | 1:17:11 | |
FOOTSTEPS ON STAIRS | 1:17:23 | 1:17:27 | |
Hello. | 1:17:59 | 1:18:01 | |
Come in. | 1:18:01 | 1:18:03 | |
-Never been in here before? -No. | 1:18:07 | 1:18:10 | |
Sit down. | 1:18:10 | 1:18:12 | |
Cigar? | 1:18:28 | 1:18:30 | |
No, thank you. | 1:18:32 | 1:18:34 | |
-Can I ask you something? -You can. | 1:18:48 | 1:18:51 | |
I've been reading a book... | 1:18:51 | 1:18:55 | |
and in this book, two men fought a duel over a quarrel | 1:18:55 | 1:19:00 | |
-about one of the men's wife. -Hm? | 1:19:00 | 1:19:03 | |
And then...in this duel, | 1:19:03 | 1:19:07 | |
the wife's husband... | 1:19:07 | 1:19:09 | |
the husband was shot. | 1:19:09 | 1:19:14 | |
Mmm? | 1:19:14 | 1:19:17 | |
What's your question? | 1:19:19 | 1:19:22 | |
Well, I thought... | 1:19:22 | 1:19:24 | |
when I read it, that it was probably the lady's fault, | 1:19:24 | 1:19:29 | |
but SHE didn't have to fight the duel. | 1:19:29 | 1:19:32 | |
And I just thought that it was a little unfair. | 1:19:32 | 1:19:36 | |
NOTHING is ever a lady's fault. | 1:19:38 | 1:19:43 | |
Oh! | 1:19:44 | 1:19:46 | |
Does that answer your question? | 1:19:53 | 1:19:56 | |
Yes. | 1:19:56 | 1:19:58 | |
Any other questions? | 1:20:05 | 1:20:08 | |
What do you think of Ted Burgess? | 1:20:11 | 1:20:15 | |
What do I think of Ted Burgess? | 1:20:20 | 1:20:23 | |
He's a powerful hitter... | 1:20:32 | 1:20:35 | |
but you had the measure of him. | 1:20:35 | 1:20:38 | |
You defeated him, didn't you? | 1:20:38 | 1:20:42 | |
Ted is quite a decent fellow - | 1:20:45 | 1:20:48 | |
a bit wild. | 1:20:48 | 1:20:49 | |
"Wild"? Do you mean he's dangerous? | 1:20:49 | 1:20:53 | |
He's not dangerous to you or to me... | 1:20:53 | 1:20:56 | |
he's a bit of lady-killer, that's all. | 1:20:56 | 1:20:59 | |
-"Lady-killer"? -DOOR OPENS | 1:20:59 | 1:21:02 | |
Sit down... please sit down. | 1:21:02 | 1:21:05 | |
Ah, a new recruit to the smoking-room. | 1:21:05 | 1:21:08 | |
Have you been showing him the pictures? | 1:21:08 | 1:21:13 | |
Have you looked at the pictures? | 1:21:13 | 1:21:17 | |
He doesn't like them! | 1:21:24 | 1:21:27 | |
We were talking about Ted Burgess when you came in. | 1:21:35 | 1:21:40 | |
I told Leo... | 1:21:40 | 1:21:41 | |
that he was a lady-killer. | 1:21:41 | 1:21:44 | |
He has that reputation, I believe. | 1:21:44 | 1:21:47 | |
I've talked to him about the Army. | 1:21:47 | 1:21:49 | |
A likely man...single... no ties. | 1:21:49 | 1:21:53 | |
And a pretty good shot I'm told. | 1:21:53 | 1:21:56 | |
He has THAT reputation, too. | 1:21:56 | 1:21:59 | |
Do you think he'll go? | 1:22:01 | 1:22:04 | |
He may... He was quite interested. | 1:22:08 | 1:22:11 | |
MR MAUDSLEY: He won't altogether be a loss to the district. | 1:22:11 | 1:22:18 | |
Why? What you were just saying... | 1:22:18 | 1:22:22 | |
They say he's got a woman up this way. | 1:22:27 | 1:22:31 | |
I know. | 1:22:31 | 1:22:34 | |
But she doesn't come on Sundays. | 1:22:38 | 1:22:40 | |
Cigar? | 1:22:46 | 1:22:49 | |
GRAMOPHONE PLAYS MUSIC | 1:22:51 | 1:22:54 | |
MOWER ENGINE | 1:23:18 | 1:23:21 | |
Whoa! | 1:23:33 | 1:23:35 | |
Jack... | 1:23:36 | 1:23:38 | |
Walk on...walk on. | 1:23:43 | 1:23:46 | |
I didn't think you'd come again. | 1:23:46 | 1:23:48 | |
I'm sorry I shouted at you... | 1:23:59 | 1:24:02 | |
I didn't mean to. | 1:24:02 | 1:24:05 | |
I just didn't feel like tellin' you | 1:24:05 | 1:24:08 | |
what you wanted to know, that's all. | 1:24:08 | 1:24:11 | |
But I'll tell you now, if you like. | 1:24:13 | 1:24:16 | |
Do you want me to tell you? | 1:24:16 | 1:24:19 | |
Because I'll tell you now. If you want me to. | 1:24:19 | 1:24:23 | |
No, no...I wouldn't dream of troubling you. | 1:24:23 | 1:24:27 | |
I know someone who'll tell me. | 1:24:27 | 1:24:30 | |
As a matter of fact, I know several people who could. | 1:24:30 | 1:24:34 | |
As long as they don't tell you wrong. | 1:24:37 | 1:24:39 | |
How could they? It's common knowledge, isn't it? | 1:24:39 | 1:24:43 | |
What you doin' with your bathing-suit? | 1:24:45 | 1:24:49 | |
I said you were teaching me to swim. | 1:24:49 | 1:24:52 | |
I've come to say goodbye, you see. | 1:24:52 | 1:24:55 | |
Oh, you're off, are you? | 1:24:55 | 1:24:58 | |
I'm expecting to hear from my mother by Friday at least. | 1:24:58 | 1:25:02 | |
I think I really should go. | 1:25:02 | 1:25:05 | |
She does miss me, you know. | 1:25:05 | 1:25:07 | |
I'm sure she do. | 1:25:07 | 1:25:10 | |
Is it true you're going to the war? | 1:25:10 | 1:25:14 | |
Who told you that? | 1:25:14 | 1:25:17 | |
Lord Trimingham. | 1:25:17 | 1:25:19 | |
Did you know Marian was engaged to him? | 1:25:19 | 1:25:23 | |
Yes, I did. | 1:25:25 | 1:25:27 | |
Is that why you're going? | 1:25:27 | 1:25:30 | |
I don't know that I am goin'... | 1:25:31 | 1:25:35 | |
That's for her to say. | 1:25:35 | 1:25:38 | |
-It's not what -I -want... | 1:25:40 | 1:25:43 | |
It's what she wants. | 1:25:43 | 1:25:45 | |
Well, goodbye... | 1:25:50 | 1:25:53 | |
So long - Postman. | 1:25:53 | 1:25:56 | |
Goodbye, Ted. | 1:25:56 | 1:25:58 | |
Shall I take one more message? | 1:26:05 | 1:26:08 | |
Yes... | 1:26:10 | 1:26:12 | |
Tell 'er tomorrow's no good, | 1:26:12 | 1:26:15 | |
but...er...Friday - half past five - same as usual. | 1:26:15 | 1:26:19 | |
RECALLS TED SHOOTING ROOKS | 1:26:40 | 1:26:44 | |
'So, you met my grandson?' | 1:26:45 | 1:26:47 | |
-'Yes, I did.' -'Does he remind you of anyone?' | 1:26:47 | 1:26:52 | |
'Of course... | 1:26:52 | 1:26:54 | |
'Ted Burgess.' | 1:26:54 | 1:26:56 | |
'That's it...that's it. He does.' | 1:26:56 | 1:27:00 | |
Why don't you marry Ted? | 1:27:10 | 1:27:12 | |
I can't. | 1:27:12 | 1:27:15 | |
I can't. Can't you see why? | 1:27:16 | 1:27:19 | |
Why are you marrying Hugh? | 1:27:21 | 1:27:24 | |
Because I must. | 1:27:24 | 1:27:27 | |
I must...I've got to. | 1:27:27 | 1:27:29 | |
-What about these mysterious out-houses? -Good idea. | 1:27:55 | 1:28:00 | |
Not that there's anything worth seeing when we're there. | 1:28:00 | 1:28:05 | |
-There's the Deadly Nightshade. -La Belladonna. -Atropa Belladonna. | 1:28:06 | 1:28:11 | |
I don't mean that at all, I mean Deadly Nightshade. | 1:28:11 | 1:28:16 | |
-Mama's ill in bed. -Why? | 1:28:19 | 1:28:22 | |
I don't know. | 1:28:22 | 1:28:25 | |
What do you think of my mother? | 1:28:25 | 1:28:27 | |
I think she has a lot to look after... | 1:28:29 | 1:28:33 | |
with the house and everything, and organising the Ball. | 1:28:33 | 1:28:37 | |
She has...yes. She undoubtedly has! | 1:28:37 | 1:28:41 | |
My sister is VERY beautiful, isn't she? | 1:28:52 | 1:28:56 | |
Yes, she is very beautiful. | 1:28:56 | 1:28:58 | |
-She's going to London tomorrow. -What for? | 1:28:58 | 1:29:02 | |
To buy a dress for the Ball... the engagement Ball, you oaf. | 1:29:07 | 1:29:12 | |
-And then to get something for you. -What do you mean? | 1:29:12 | 1:29:17 | |
A birthday present, frog-spawn! | 1:29:17 | 1:29:20 | |
Now, shall I tell you what it is... | 1:29:23 | 1:29:27 | |
or shall I not? | 1:29:27 | 1:29:30 | |
Do you know what it is? | 1:29:32 | 1:29:35 | |
Yes, but I don't tell little boys! | 1:29:35 | 1:29:39 | |
-Well, swear you won't tell anyone. -I swear. | 1:29:42 | 1:29:45 | |
-It's a bicycle. -What?! | 1:29:47 | 1:29:50 | |
And do you know what colour it is? | 1:29:50 | 1:29:53 | |
It's green...green, you imbecile! Bright green. | 1:29:53 | 1:29:56 | |
D'you know why? Because you're green yourself. | 1:29:56 | 1:30:00 | |
Your true colour...Marian said so. | 1:30:00 | 1:30:03 | |
Green...green...green! | 1:30:03 | 1:30:05 | |
-Did she say that? -But, of course! | 1:30:08 | 1:30:11 | |
Green...green...green! | 1:30:11 | 1:30:13 | |
-Do you know where Marian is at this moment? -No. | 1:30:13 | 1:30:17 | |
-Do you? -Yes. -Where? | 1:30:17 | 1:30:21 | |
"I don't tell little boys..." | 1:30:21 | 1:30:24 | |
Little boy...little boy, wouldn't you like to know? | 1:30:24 | 1:30:28 | |
Pax! | 1:30:29 | 1:30:31 | |
-Do you really know where she is? -Ah-ha! | 1:30:37 | 1:30:40 | |
"Dear Leo, it would be ungrateful to Mrs Maudsley | 1:30:51 | 1:30:55 | |
"after all her kindness to you, if you were to leave suddenly. | 1:30:55 | 1:31:00 | |
"The ten days will soon pass, my darling, then you'll be home. | 1:31:00 | 1:31:05 | |
"We can't expect to be happy all the time, can we?" | 1:31:05 | 1:31:10 | |
STRAINS OF SOMEONE SINGING | 1:31:32 | 1:31:35 | |
PANTING | 1:32:39 | 1:32:43 | |
DIE! | 1:32:50 | 1:32:52 | |
Die...all evil! | 1:32:52 | 1:32:55 | |
Delenda...est Belladonna. | 1:32:57 | 1:33:00 | |
CLOCK CHIMES MIDNIGHT | 1:33:05 | 1:33:08 | |
(Delenda...delenda...delenda!) | 1:33:42 | 1:33:45 | |
-ADULT COLSTON'S VOICE: -'Delenda est Belladonna.' | 1:33:58 | 1:34:03 | |
-Lucky thing! Who gave it to you? -Mr Maudsley. | 1:34:03 | 1:34:08 | |
And now... | 1:34:08 | 1:34:10 | |
today is Leo's day. | 1:34:10 | 1:34:13 | |
You've opened your presents, | 1:34:13 | 1:34:16 | |
at seven o'clock you'll cut your birthday cake | 1:34:16 | 1:34:19 | |
and receive a rather special present - so, I believe. | 1:34:19 | 1:34:23 | |
Now, how would you like to spend the day? | 1:34:23 | 1:34:28 | |
Unfortunately, the weather has changed, | 1:34:29 | 1:34:32 | |
but if it clears, perhaps we could go for a drive to Beeston Castle. | 1:34:32 | 1:34:38 | |
-That would be very nice. -We shall do that...if it clears. | 1:34:38 | 1:34:42 | |
-We shall decide at luncheon. -What if the weather doesn't clear? | 1:34:42 | 1:34:48 | |
Then we shall have to think again. We will make our decision at lunch. | 1:34:48 | 1:34:53 | |
-Hugh? -Quite a fair plan, I should say. | 1:34:53 | 1:34:58 | |
But it may not clear! | 1:34:58 | 1:35:00 | |
HUGH: I think it will. | 1:35:00 | 1:35:03 | |
The rain seems to have stopped now. | 1:35:03 | 1:35:07 | |
'It seems that all will be well for Leo's birthday.' | 1:35:07 | 1:35:10 | |
Hello, Leo. Come and tell me what the weather means to do. | 1:35:29 | 1:35:34 | |
Do you think the summer's over? | 1:35:34 | 1:35:37 | |
It's one of the hottest summers on record, you know. | 1:35:37 | 1:35:41 | |
-Of course it isn't over... Would you like to walk? -Oh, yes. | 1:35:41 | 1:35:46 | |
-Where shall we walk? -I can't, I'm afraid... | 1:35:46 | 1:35:50 | |
You see, it's this kind of walk... | 1:35:50 | 1:35:53 | |
-Oh, no...! -Oh, yes. | 1:35:53 | 1:35:56 | |
MARIAN LAUGHS | 1:36:01 | 1:36:04 | |
Marian...! Leo...! | 1:36:19 | 1:36:22 | |
What were you fighting about? | 1:36:22 | 1:36:26 | |
Oh, I was just teaching him a lesson. | 1:36:26 | 1:36:29 | |
Was that the bone of contention? | 1:36:34 | 1:36:37 | |
Yes, it's for Nanny Robson... | 1:36:43 | 1:36:45 | |
I wanted him to take a message. | 1:36:45 | 1:36:48 | |
I'm going to see her this afternoon sometime. | 1:36:48 | 1:36:51 | |
But Leo didn't want to, | 1:36:51 | 1:36:54 | |
pretended he had something to do. | 1:36:54 | 1:36:57 | |
-But I... -Yes, you did! -Don't let it worry you... | 1:36:57 | 1:37:00 | |
she often doesn't remember you have been. | 1:37:00 | 1:37:04 | |
She is growing old, poor Nanny Robson. | 1:37:04 | 1:37:07 | |
It's time that Leo and I took a walk in the garden. | 1:37:07 | 1:37:11 | |
Come on...I don't think you've seen the garden properly. | 1:37:11 | 1:37:15 | |
-You can spare Leo now, can't you, Marian? -Oh, yes. | 1:37:15 | 1:37:19 | |
-Would you like Marcus to come? -Oh, no... | 1:37:19 | 1:37:22 | |
-Marcus isn't interested in flowers, but you are, aren't you? -Yes, I am. | 1:37:22 | 1:37:28 | |
Well, now, here's the garden. | 1:37:41 | 1:37:44 | |
Well, the rain has certainly stopped. | 1:37:48 | 1:37:51 | |
-What kind of flowers truly interest you? -Poisonous ones, really. | 1:37:51 | 1:37:56 | |
I don't think you'll find many of those. | 1:37:56 | 1:38:00 | |
-Oh, there is one in the out... -In the what? | 1:38:02 | 1:38:06 | |
-Well, I've seen... -WHAT have you seen, Leo? | 1:38:06 | 1:38:11 | |
Well...there is a Deadly Nightshade in one of the out-houses. | 1:38:11 | 1:38:16 | |
Oh - you mean where the old garden used to be? | 1:38:16 | 1:38:21 | |
-Yes. Somewhere there. -Do you often go to the out-houses? | 1:38:21 | 1:38:25 | |
Oh, no...not often. | 1:38:25 | 1:38:28 | |
These always remind me of Marian. | 1:38:28 | 1:38:31 | |
How sweet of you to say you'll take her note to Nanny Robson. | 1:38:31 | 1:38:36 | |
Does she often send you with notes? | 1:38:36 | 1:38:40 | |
Oh, no. Just once or twice. | 1:38:40 | 1:38:42 | |
It rather worries me that I stopped you going just now. | 1:38:42 | 1:38:47 | |
Perhaps you'd like to go? | 1:38:47 | 1:38:50 | |
-You know the way, don't you? -Well, not quite... | 1:38:50 | 1:38:54 | |
but I can ask. | 1:38:54 | 1:38:56 | |
You don't know the way? I thought you'd taken notes before. | 1:38:56 | 1:39:01 | |
Yes... | 1:39:01 | 1:39:03 | |
Well, yes, I have. | 1:39:03 | 1:39:07 | |
But you don't know the way? | 1:39:07 | 1:39:09 | |
I think perhaps the note should be delivered...You have it, don't you? | 1:39:13 | 1:39:18 | |
I'll call the gardener and ask him to take it. | 1:39:18 | 1:39:22 | |
Oh, no, really. It's...it's not important. Please, don't bother. | 1:39:22 | 1:39:27 | |
It is important in a way, you see. | 1:39:27 | 1:39:31 | |
-STANTON! -Yes, ma'am? | 1:39:31 | 1:39:34 | |
Would you come here a minute? | 1:39:34 | 1:39:36 | |
We have a note here for Miss Robson...rather urgent. | 1:39:38 | 1:39:43 | |
-Would you mind taking it? -Yes, ma'am. | 1:39:43 | 1:39:46 | |
I-I've...lost it. I haven't got it... | 1:39:47 | 1:39:51 | |
It must have fallen out... | 1:39:51 | 1:39:53 | |
Feel again! | 1:39:53 | 1:39:56 | |
Oh, I must have dropped it. | 1:40:00 | 1:40:03 | |
Very well, Stanton. | 1:40:03 | 1:40:06 | |
Take your hands from your pockets! | 1:40:10 | 1:40:13 | |
Has no-one told you not to stand with your hands in your pockets? | 1:40:13 | 1:40:18 | |
I could ask you to turn your pockets out... | 1:40:20 | 1:40:23 | |
but I won't do that. | 1:40:23 | 1:40:26 | |
I'll just ask you one question. | 1:40:27 | 1:40:30 | |
You say you've taken messages for Marian before? | 1:40:33 | 1:40:38 | |
-Well, I... -I think you said so. | 1:40:38 | 1:40:42 | |
If you don't take them to Nanny Robson... | 1:40:42 | 1:40:46 | |
'to whom DO you take them?' | 1:40:46 | 1:40:49 | |
'So you met my grandson?' | 1:41:04 | 1:41:06 | |
-'Yes, I did.' -'Does he remind you of anyone?' | 1:41:06 | 1:41:10 | |
'Of course...Ted Burgess.' | 1:41:10 | 1:41:14 | |
'That's it... | 1:41:14 | 1:41:16 | |
'That's it.' | 1:41:16 | 1:41:18 | |
He does. | 1:41:18 | 1:41:20 | |
-It must be a comfort to you to have him near you. -Yes... | 1:41:20 | 1:41:25 | |
but he doesn't come to see me very much. | 1:41:25 | 1:41:28 | |
I think he has a grudge against me. | 1:41:28 | 1:41:31 | |
Ohh, surely not. | 1:41:31 | 1:41:34 | |
They tell me he wants to marry a girl - a nice girl, | 1:41:34 | 1:41:39 | |
but he won't ask her. | 1:41:39 | 1:41:42 | |
He feels...I think he feels, | 1:41:42 | 1:41:46 | |
he's under some sort of spell... or curse, you see. | 1:41:46 | 1:41:51 | |
That's just plain silly! | 1:41:52 | 1:41:54 | |
Now, this is where you come in. | 1:41:56 | 1:41:59 | |
-I...? -Yes, you. | 1:41:59 | 1:42:02 | |
You know the facts. You know what really happened. | 1:42:02 | 1:42:07 | |
Tell him. Tell him everything, just as it was. | 1:42:07 | 1:42:11 | |
Every man should get married. | 1:42:21 | 1:42:24 | |
You ought to have married. | 1:42:28 | 1:42:30 | |
You're all dried up inside. I can tell that. | 1:42:30 | 1:42:34 | |
Don't you feel any need of love? | 1:42:34 | 1:42:37 | |
Speak to him. | 1:42:40 | 1:42:42 | |
Tell him there's no spell or curse... | 1:42:42 | 1:42:46 | |
except an unloving heart. | 1:42:46 | 1:42:49 | |
'Tell him that.' | 1:42:49 | 1:42:51 | |
ROLLING THUNDER | 1:42:51 | 1:42:54 | |
PEAL OF THUNDER Look at the lightning, Mama. | 1:43:04 | 1:43:08 | |
-Lucky we didn't go to Beeston Castle. -It would have been rather damp. | 1:43:08 | 1:43:14 | |
Sit here, please, Leo dear... | 1:43:17 | 1:43:20 | |
You see, I don't like the number 13 - isn't it silly of me? | 1:43:20 | 1:43:25 | |
So, we've put 12 candles round the big cake, | 1:43:25 | 1:43:29 | |
and when they're blown-out you can light that one... | 1:43:29 | 1:43:33 | |
and blow that one out. | 1:43:33 | 1:43:35 | |
-When? -When Marian comes. | 1:43:35 | 1:43:38 | |
She has a rather special present for you. | 1:43:38 | 1:43:42 | |
She wants to give it to you herself... | 1:43:42 | 1:43:45 | |
naturally. | 1:43:45 | 1:43:48 | |
Let's all sit down. | 1:43:48 | 1:43:50 | |
Marian will be back at about six o'clock...from Nanny Robson. | 1:43:50 | 1:43:55 | |
-HUGH: I haven't seen her for years... How is she? -Remarkably well. | 1:43:55 | 1:44:02 | |
-Isn't it time that Leo cut the cake? -Yes. If he can do it! | 1:44:03 | 1:44:08 | |
That's unkind! Of course he can do it. | 1:44:08 | 1:44:12 | |
He's a man of great capabilities. | 1:44:12 | 1:44:14 | |
Considerable. And well-loved. | 1:44:14 | 1:44:17 | |
Didn't you know he was Marian's cavalier? | 1:44:17 | 1:44:22 | |
LOUD PEAL OF THUNDER | 1:44:22 | 1:44:25 | |
CHEERS AND APPLAUSE | 1:44:27 | 1:44:30 | |
Leave a piece for Marian. | 1:44:51 | 1:44:53 | |
- She ought to be here now. - It's still raining... | 1:44:53 | 1:44:58 | |
We'd better send the carriage down to fetch her. | 1:44:58 | 1:45:03 | |
< Why didn't we think of it before? | 1:45:03 | 1:45:05 | |
MR MAUDSLEY: Send the carriage for Miss Marian. | 1:45:05 | 1:45:11 | |
She may be walking up in the rain. She'll get soaked. | 1:45:23 | 1:45:28 | |
What about your thirteenth candle? | 1:45:28 | 1:45:31 | |
You must cut a piece for yourself. | 1:45:35 | 1:45:38 | |
He'd rather have his cake than eat it(!) | 1:45:40 | 1:45:43 | |
Let's have a round of crackers. | 1:45:45 | 1:45:48 | |
Here, Leo...come pull one with me. | 1:45:48 | 1:45:51 | |
Now, all together... CRACK | 1:45:53 | 1:45:57 | |
-WHISPERS INAUDIBLY -Leo? | 1:46:00 | 1:46:04 | |
Excuse me, ma'am. The carriage is back, | 1:46:04 | 1:46:08 | |
but Miss Marian wasn't there and hasn't been there all day. | 1:46:08 | 1:46:13 | |
Well, all we can do is wait for her. | 1:46:19 | 1:46:23 | |
I've just found a riddle. Listen to this... | 1:46:23 | 1:46:27 | |
"What's the...?" | 1:46:27 | 1:46:30 | |
No...we won't wait! | 1:46:30 | 1:46:33 | |
I'm going to look for her. | 1:46:33 | 1:46:36 | |
Leo...you know where she is. You shall show me the way! | 1:46:37 | 1:46:42 | |
MADELEINE! | 1:46:45 | 1:46:48 | |
-No! -You SHALL come! | 1:48:06 | 1:48:09 | |
MOANS FROM HAYLOFT | 1:48:28 | 1:48:31 | |
Look...! | 1:48:43 | 1:48:45 | |
'You came out of the blue to make us happy... | 1:48:47 | 1:48:51 | |
'and we made YOU happy, didn't we? | 1:48:51 | 1:48:54 | |
'We trusted you with our great treasure. | 1:48:54 | 1:48:58 | |
'You might never have known what it was... | 1:48:58 | 1:49:01 | |
'You might have gone through life without knowing.' | 1:49:01 | 1:49:06 | |
You see, you can tell him, Leo. | 1:49:06 | 1:49:08 | |
Tell everything - just as it was. | 1:49:08 | 1:49:12 | |
'Hugh was true as steel. He wouldn't hear a word against me. | 1:49:16 | 1:49:20 | |
But everybody wanted to know us, of course. | 1:49:20 | 1:49:24 | |
I was Lady Trimingham, you see. | 1:49:24 | 1:49:27 | |
I still am. There is no other. | 1:49:27 | 1:49:31 | |
Remember how you loved taking our messages... | 1:49:31 | 1:49:36 | |
'bringing us together in happiness. | 1:49:36 | 1:49:39 | |
'Well, this is an another errand of love... | 1:49:39 | 1:49:43 | |
'and the last time I shall ever ask you to be our postman.' | 1:49:43 | 1:49:48 | |
Our love was a beautiful thing, wasn't it? | 1:49:50 | 1:49:54 | |
Tell him he can feel proud to be descended from our union. | 1:49:56 | 1:50:01 | |
'The child of so much happiness and beauty. | 1:50:01 | 1:50:05 | |
'Tell him.' | 1:50:05 | 1:50:08 |