
Browse content similar to The Resident. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains some strong language and some violent scenes. | 0:00:04 | 0:00:11 | |
INSTRUMENTAL MUSIC | 0:00:24 | 0:00:29 | |
It's about that time, man. | 0:02:04 | 0:02:07 | |
SHE BREATHES HEAVILY | 0:02:11 | 0:02:14 | |
HEART BEATING RHYTHMICALLY | 0:02:18 | 0:02:21 | |
WOMAN: Here. | 0:02:25 | 0:02:27 | |
-MAN: -Let's go. Bay one. | 0:02:27 | 0:02:28 | |
That's a pulse. INDISTINCT CHATTER | 0:02:28 | 0:02:30 | |
Code three. | 0:02:30 | 0:02:31 | |
It's an involuntary admission, OK? | 0:02:31 | 0:02:35 | |
-HE PANTS -OK, we're going to intubate this guy. | 0:02:35 | 0:02:38 | |
And fix the hole in his heart. | 0:02:38 | 0:02:40 | |
MACHINE HISSING | 0:02:41 | 0:02:44 | |
-METALLIC SNAP -Got it. | 0:02:55 | 0:02:58 | |
Looks tight. Pressure's holding. | 0:03:00 | 0:03:02 | |
OK, call CT Surgery, tell them they got a sick one coming up. | 0:03:02 | 0:03:06 | |
CAR HORN HONKS | 0:03:08 | 0:03:10 | |
MAN ON TV: Here you are, Natasha, right over my shoulder. | 0:03:25 | 0:03:29 | |
-I certainly am. -Natasha, is you? | 0:03:29 | 0:03:33 | |
Boris, how could you mistake me for a possum? | 0:03:33 | 0:03:36 | |
I help it if you put on weight? | 0:03:36 | 0:03:38 | |
TV CONTINUES, INDISTINCT | 0:03:38 | 0:03:41 | |
Where's the bedroom? | 0:04:25 | 0:04:26 | |
This IS your bedroom. BED CLUNKS | 0:04:26 | 0:04:29 | |
And your kitchen, your dining room, your study. | 0:04:29 | 0:04:31 | |
It's real New York living. | 0:04:31 | 0:04:34 | |
And there's a bonus. The view is amazing. Go ahead. | 0:04:34 | 0:04:37 | |
DISTANT DRILLING | 0:04:38 | 0:04:41 | |
This is a great view? | 0:04:41 | 0:04:42 | |
Interested? | 0:04:42 | 0:04:44 | |
BED CLUNKS | 0:04:44 | 0:04:45 | |
TRAIN ROARS | 0:04:45 | 0:04:47 | |
BUZZING | 0:04:55 | 0:04:57 | |
ELEVATOR DINGS | 0:05:11 | 0:05:13 | |
WHIRRING | 0:05:18 | 0:05:20 | |
Hello? | 0:05:25 | 0:05:27 | |
WHIRRING GETS LOUDER | 0:05:32 | 0:05:34 | |
Excuse me? | 0:05:38 | 0:05:40 | |
WHIRRING STOPS | 0:05:42 | 0:05:44 | |
Hi. | 0:05:44 | 0:05:46 | |
Um, someone called about a rental here? | 0:05:46 | 0:05:49 | |
It's not ready yet. | 0:05:49 | 0:05:51 | |
Well, could I see it? | 0:05:51 | 0:05:53 | |
HE SIGHS | 0:05:53 | 0:05:56 | |
You're looking at it. | 0:05:56 | 0:05:57 | |
Oh. | 0:05:57 | 0:05:59 | |
-I can't afford this. -It's 38. | 0:05:59 | 0:06:03 | |
What? | 0:06:03 | 0:06:05 | |
-The place, it's 38. -Thousand? | 0:06:05 | 0:06:08 | |
3,800. | 0:06:08 | 0:06:11 | |
SHE EXHALES | 0:06:11 | 0:06:13 | |
Wait, what's the catch? | 0:06:13 | 0:06:15 | |
Are you putting a nightclub down on the first floor? | 0:06:15 | 0:06:17 | |
Well, utilities would be separate. | 0:06:17 | 0:06:19 | |
It takes a lot to heat a place like this. | 0:06:19 | 0:06:21 | |
-So, expect Con Ed to stick it to you in the wintertime. -Right. | 0:06:21 | 0:06:25 | |
This would be the best view in the building. | 0:06:25 | 0:06:28 | |
-Are you the super? -Owner, actually. | 0:06:31 | 0:06:34 | |
Oh. Right. | 0:06:34 | 0:06:36 | |
My family bought the building in the '40s. | 0:06:36 | 0:06:38 | |
And to answer your question no, there is no nightclub. | 0:06:38 | 0:06:42 | |
A lot of my tenants started to move out | 0:06:42 | 0:06:44 | |
and so I'm renovating the apartments. | 0:06:44 | 0:06:46 | |
Until then, it could get a bit noisy around here. | 0:06:46 | 0:06:49 | |
I don't I don't mind noise. I'm an ER doctor, so... | 0:06:49 | 0:06:51 | |
When we sleep, we really sleep. | 0:06:51 | 0:06:54 | |
Well, a couple things about the building, | 0:06:58 | 0:07:00 | |
it doesn't get the best cellphone reception. | 0:07:00 | 0:07:02 | |
OK, I can figure that out. | 0:07:02 | 0:07:04 | |
RUMBLING, RATTLING | 0:07:04 | 0:07:07 | |
And there's the F Line. | 0:07:09 | 0:07:11 | |
-Jesus. -Yeah. | 0:07:11 | 0:07:13 | |
There's a maintenance track that runs directly under this building. | 0:07:13 | 0:07:16 | |
Usually at night. | 0:07:16 | 0:07:19 | |
I'm going to need your Social Security number and three references. | 0:07:19 | 0:07:22 | |
Oh, I can get you all of that, including records of my taxes | 0:07:22 | 0:07:25 | |
-for the last five years, if you'd like. -I prefer no pets. | 0:07:25 | 0:07:28 | |
-Of course. -All right. | 0:07:28 | 0:07:30 | |
The heaters bang loudly in the morning. | 0:07:30 | 0:07:34 | |
-You haven't checked my references. -I will. | 0:07:34 | 0:07:37 | |
Take a look around. I'm going to get back to work. | 0:07:37 | 0:07:40 | |
I gotta be uptown in exactly 100 minutes | 0:07:48 | 0:07:51 | |
so, you got 60 to get the shit out of this rented truck | 0:07:51 | 0:07:53 | |
or I gotta charge you for another day. | 0:07:53 | 0:07:55 | |
Take a deep breath, I don't want you to strain yourself talking. | 0:07:55 | 0:07:58 | |
-Did you hire the only moving guy in New York who doesn't actually move furniture? -Yeah, right? | 0:07:58 | 0:08:02 | |
Well, you travel pretty light. | 0:08:09 | 0:08:11 | |
Oh, I got rid of a lot. | 0:08:11 | 0:08:13 | |
I would have liked to have sawed the bed in half and burned it, | 0:08:13 | 0:08:17 | |
but I need a place to sleep at night. | 0:08:17 | 0:08:20 | |
SHE CHUCKLES | 0:08:20 | 0:08:21 | |
-Well... -Not easy at forgiving. | 0:08:21 | 0:08:25 | |
Change is good. | 0:08:25 | 0:08:29 | |
Should we go get that mattress? | 0:08:29 | 0:08:30 | |
JULIET GASPS | 0:08:37 | 0:08:38 | |
-SHE CHUCKLES -Hi. | 0:08:38 | 0:08:40 | |
This is my grandfather. August, Juliet. Juliet, August. | 0:08:40 | 0:08:44 | |
She's our new tenant. | 0:08:44 | 0:08:45 | |
Hi. | 0:08:45 | 0:08:47 | |
-Got any pets? -No. | 0:08:47 | 0:08:50 | |
-Are you loud? -No, not at all. | 0:08:50 | 0:08:53 | |
Sorry I scared you. | 0:08:53 | 0:08:55 | |
Nice to meet you. | 0:08:56 | 0:08:58 | |
FAINT GROAN | 0:10:32 | 0:10:34 | |
TRAIN RUMBLING | 0:10:34 | 0:10:36 | |
RATTLING | 0:10:37 | 0:10:39 | |
EERIE MUSIC | 0:11:05 | 0:11:09 | |
CREAKING | 0:11:31 | 0:11:32 | |
FOOTSTEPS | 0:11:35 | 0:11:37 | |
CREAKING | 0:11:41 | 0:11:43 | |
THUD | 0:12:14 | 0:12:15 | |
EERIE MUSIC CONTINUES | 0:12:43 | 0:12:46 | |
SHE PANTS | 0:13:21 | 0:13:22 | |
ELEVATOR DINGS | 0:13:26 | 0:13:27 | |
TV ON, INDISTINCT | 0:13:34 | 0:13:35 | |
Max? | 0:13:35 | 0:13:37 | |
KNOCKING | 0:13:38 | 0:13:39 | |
Max? | 0:13:39 | 0:13:41 | |
SHE SIGHS | 0:13:53 | 0:13:54 | |
Fuck you! | 0:14:14 | 0:14:16 | |
-It's crystal meth. Stop it! -It's all right, it's all right. | 0:14:16 | 0:14:19 | |
-Don't do anything. -It's going to be all right. | 0:14:19 | 0:14:22 | |
No! Don't touch me! | 0:14:22 | 0:14:24 | |
It's going to be fine. | 0:14:24 | 0:14:25 | |
SOBBING No. | 0:14:25 | 0:14:27 | |
-You're going to be all right. -Oh, my God. | 0:14:27 | 0:14:31 | |
Hey. | 0:14:34 | 0:14:36 | |
-Hey. -Heard you had a long one. | 0:14:36 | 0:14:38 | |
Mm. That was an insane day. | 0:14:38 | 0:14:41 | |
Rob and I are going out today, you want to come? | 0:14:41 | 0:14:43 | |
No, thanks. I think I'm just going to go home and get to bed early. | 0:14:43 | 0:14:47 | |
CELLPHONE RINGS | 0:14:47 | 0:14:50 | |
You have got to stop thinking about him. | 0:14:50 | 0:14:53 | |
The love of my life cheated on me. In my own bed. | 0:14:53 | 0:14:57 | |
Every time I look at myself all I see is someone who wasn't enough. | 0:14:57 | 0:15:00 | |
You were enough. You are enough. | 0:15:00 | 0:15:03 | |
More than enough. He's an asshole. | 0:15:03 | 0:15:07 | |
I gave up my dream to move to New York City to be his | 0:15:07 | 0:15:10 | |
and he just threw it all away. | 0:15:10 | 0:15:12 | |
SHE SCOFFS | 0:15:12 | 0:15:13 | |
It's an art opening. It's not going to kill you. | 0:15:13 | 0:15:16 | |
And you're going. | 0:15:16 | 0:15:20 | |
We can handle this, it's going to cost you a little extra | 0:15:20 | 0:15:22 | |
-cos of all the unused space. -Grandfather doesn't want to change | 0:15:22 | 0:15:25 | |
the integrity of the structure. | 0:15:25 | 0:15:27 | |
OK. No problem. We'll take care of it. | 0:15:27 | 0:15:29 | |
All right, thank you. DOOR OPENS | 0:15:29 | 0:15:31 | |
-Hey. -Hi. -About to start making a lot of noise? | 0:15:32 | 0:15:35 | |
If I can get the city's approval. | 0:15:35 | 0:15:37 | |
There are a lot of "I"s to dot and "T"s to cross around here. | 0:15:37 | 0:15:40 | |
Yeah, I bet. | 0:15:40 | 0:15:41 | |
Oh! Thank you for the gift. | 0:15:41 | 0:15:43 | |
It was so kind and, and really thoughtful. | 0:15:43 | 0:15:46 | |
ELEVATOR DINGS | 0:15:46 | 0:15:47 | |
The gift that was outside my door yesterday? | 0:15:47 | 0:15:49 | |
Yeah, that, uh, that wasn't me. | 0:15:49 | 0:15:51 | |
August. | 0:15:51 | 0:15:52 | |
Oh, there you are. | 0:15:54 | 0:15:56 | |
Hi. I wanted to thank you for the incredibly thoughtful gift. | 0:15:56 | 0:16:00 | |
I'm just putting myself in your shoes. | 0:16:00 | 0:16:02 | |
I thought, "If I were a woman | 0:16:02 | 0:16:05 | |
"alone, in a new apartment | 0:16:05 | 0:16:07 | |
"surrounded by strangers | 0:16:07 | 0:16:10 | |
"what would I want?" | 0:16:10 | 0:16:11 | |
TV ON, INDISTINCT | 0:16:11 | 0:16:13 | |
I don't get much company. | 0:16:15 | 0:16:18 | |
Oh, I'm sorry. I should really go. | 0:16:19 | 0:16:23 | |
Thanks. | 0:16:23 | 0:16:25 | |
Great. | 0:16:33 | 0:16:34 | |
Oh, excuse me. | 0:16:34 | 0:16:36 | |
-Max? -Hey. | 0:16:36 | 0:16:37 | |
Hey, I didn't recognise you outside of the building. | 0:16:37 | 0:16:39 | |
-Who's this? -You, too. -Oh, this is Max. | 0:16:39 | 0:16:42 | |
This is Sidney, we work together. | 0:16:42 | 0:16:43 | |
Very nice to meet you, Sidney. | 0:16:43 | 0:16:45 | |
Nice to meet you too, Max. | 0:16:45 | 0:16:46 | |
I haven't heard about you. Hm... Nice day, isn't it? | 0:16:46 | 0:16:50 | |
It is. You know, sometimes I feel like all I ever do is work. | 0:16:50 | 0:16:53 | |
And, I don't know, I just thought I'd stop and come out | 0:16:53 | 0:16:56 | |
-and feel Brooklyn, you know? -Yeah. | 0:16:56 | 0:17:00 | |
Well, Max, would you like to have a drink with us? | 0:17:00 | 0:17:02 | |
No. No, thanks. I'm actually getting ready to leave. | 0:17:02 | 0:17:05 | |
It was very nice to meet you. Great to see you. | 0:17:05 | 0:17:08 | |
-You, too, Max. -SHE GASPS | 0:17:08 | 0:17:11 | |
-Shh! He's my landlord. -So? -And I'm his tenant. | 0:17:11 | 0:17:14 | |
You mean like what if it sucks and you can't get away from each other? | 0:17:14 | 0:17:17 | |
-Yeah. It's not recommended. -So, you thought about it? -Shh! | 0:17:17 | 0:17:20 | |
-Hey, Max? -Hey. | 0:17:20 | 0:17:22 | |
Um, do you, actually do you mind walking me home? | 0:17:22 | 0:17:25 | |
I'd love to. | 0:17:25 | 0:17:27 | |
-Great. OK. Bye. -See ya. | 0:17:27 | 0:17:30 | |
WHISPERING: He's cute. | 0:17:30 | 0:17:31 | |
Thanks. | 0:17:31 | 0:17:33 | |
-Bye, you guys. -Bye-bye. | 0:17:34 | 0:17:36 | |
August, uh, he worries about me, you know? | 0:17:40 | 0:17:44 | |
People from his generation were married with ten kids by the time they were my age. | 0:17:44 | 0:17:49 | |
Yeah, he is kind of a unique guy, isn't he? | 0:17:49 | 0:17:51 | |
That's one way to put it. | 0:17:51 | 0:17:53 | |
Unique. Uh, difficult. | 0:17:53 | 0:17:55 | |
Pain in the ass would be another way to characterize him. | 0:17:55 | 0:17:58 | |
-Is he OK? -Well, up until a year ago | 0:17:59 | 0:18:02 | |
we were partners in the building. We did everything together. | 0:18:02 | 0:18:04 | |
Fixed everything together, made all the decisions together | 0:18:04 | 0:18:08 | |
and then he had a stroke. | 0:18:08 | 0:18:10 | |
Oh. What about your parents? | 0:18:10 | 0:18:14 | |
They, uh, they, they died when I was, when I was very young. | 0:18:14 | 0:18:18 | |
What about, uh, what about your family? | 0:18:18 | 0:18:21 | |
Um. Let's see, my parents, they're kind of, uh, after-the-fact hippies. | 0:18:21 | 0:18:26 | |
I guess that makes you the black sheep of the family, huh? | 0:18:26 | 0:18:29 | |
Definitely. Yeah. | 0:18:29 | 0:18:31 | |
For me, uh, rebellion was going through med school. | 0:18:31 | 0:18:34 | |
Free love sucked, as far as I could tell. | 0:18:34 | 0:18:36 | |
It led to a quick divorce on my parents' part | 0:18:36 | 0:18:38 | |
so I was every other weekend with my dad. | 0:18:38 | 0:18:41 | |
I never really knew where my home was | 0:18:41 | 0:18:44 | |
not until Jack and I moved in together. | 0:18:44 | 0:18:46 | |
-Jack? -My ex. | 0:18:46 | 0:18:48 | |
Yeah. | 0:18:49 | 0:18:50 | |
So I thought all hippy kids had weird names. | 0:18:52 | 0:18:57 | |
HE LAUGHS Oh, you do, don't you? | 0:18:57 | 0:18:58 | |
What's your real name? | 0:18:58 | 0:19:00 | |
-Juliet. It's my real name. -What's your middle name? | 0:19:00 | 0:19:03 | |
Want to sit here? | 0:19:03 | 0:19:05 | |
-Are you ignoring my question? -No. | 0:19:05 | 0:19:08 | |
HE CHUCKLES | 0:19:08 | 0:19:09 | |
-No, I just thought we'd take in the view. -Uh-huh. OK. | 0:19:09 | 0:19:14 | |
When I was little, I used to walk around the neighbourhood at night. | 0:19:25 | 0:19:28 | |
And look into windows | 0:19:28 | 0:19:30 | |
at families around televisions | 0:19:30 | 0:19:32 | |
brothers, sisters, parents, meeting, you know, talking. | 0:19:32 | 0:19:36 | |
And, you know, I knew I couldn't have that. | 0:19:36 | 0:19:41 | |
But, just watching them | 0:19:41 | 0:19:44 | |
it somehow made me feel like I was part of it. | 0:19:44 | 0:19:47 | |
Seeing all these families, it's sweet. | 0:19:50 | 0:19:52 | |
Yeah. Yeah. | 0:19:52 | 0:19:56 | |
Bliss. | 0:19:57 | 0:19:59 | |
-Bliss? -Yep. | 0:20:00 | 0:20:02 | |
Oh, my Jesus. | 0:20:02 | 0:20:04 | |
"Dr Bliss." HE CHUCKLES | 0:20:04 | 0:20:08 | |
Doctor Bliss. | 0:20:08 | 0:20:10 | |
Yep. | 0:20:11 | 0:20:13 | |
Very nice. | 0:20:13 | 0:20:14 | |
LAUGHING | 0:20:19 | 0:20:20 | |
Thank you. | 0:20:41 | 0:20:43 | |
-Sorry. -No, don't be sorry, Juliet. | 0:20:49 | 0:20:51 | |
God, I'm an idiot. Of course it's a bad idea. | 0:20:51 | 0:20:53 | |
That's not what I meant. | 0:20:53 | 0:20:55 | |
I'm just confused. | 0:20:57 | 0:20:59 | |
Reading the wrong signals. | 0:20:59 | 0:21:01 | |
EERIE MUSIC | 0:21:06 | 0:21:08 | |
SHE SIGHS | 0:21:10 | 0:21:12 | |
WATER RUNNING | 0:21:14 | 0:21:15 | |
FOOTSTEPS | 0:21:20 | 0:21:22 | |
CLANKING | 0:21:22 | 0:21:24 | |
WHIRRING | 0:21:27 | 0:21:29 | |
WATER RUNNING | 0:21:49 | 0:21:51 | |
EERIE MUSIC INTENSIFIES | 0:21:59 | 0:22:02 | |
TRAIN RUMBLING | 0:22:54 | 0:22:56 | |
SHE GASPS | 0:22:56 | 0:22:58 | |
CRASH | 0:22:58 | 0:22:59 | |
SHE SIGHS | 0:23:01 | 0:23:03 | |
FAINT CAR ALARM | 0:23:10 | 0:23:12 | |
EERIE MUSIC | 0:23:22 | 0:23:24 | |
SCREECHING AND THUD | 0:23:31 | 0:23:33 | |
SHE GASPS | 0:23:33 | 0:23:35 | |
-Jesus Christ, Juliet. Calm the fuck down. -SHE SIGHS | 0:23:35 | 0:23:38 | |
I don't know what I was expecting. | 0:24:02 | 0:24:04 | |
You were expecting rebound sex, honey. | 0:24:04 | 0:24:08 | |
Hot. Landlord. Rebound. Sex. | 0:24:08 | 0:24:13 | |
-BOTH LAUGHING -You're crazy. | 0:24:13 | 0:24:15 | |
-See you later. -Bye, girl. | 0:24:15 | 0:24:18 | |
CELLPHONE RINGING | 0:24:18 | 0:24:19 | |
Jack. | 0:24:26 | 0:24:28 | |
You picked up. | 0:24:28 | 0:24:29 | |
What do you want? | 0:24:31 | 0:24:32 | |
I just called to say hi. | 0:24:32 | 0:24:35 | |
Well, hi. | 0:24:35 | 0:24:38 | |
Can I see you? | 0:24:38 | 0:24:42 | |
-Juliet. -HE SIGHS | 0:24:42 | 0:24:45 | |
-I'm sorry. -I gotta go. | 0:24:45 | 0:24:48 | |
SHE SIGHS | 0:24:48 | 0:24:49 | |
CELLPHONE RINGING | 0:24:49 | 0:24:52 | |
Look, I don't think it's a good idea for us to talk yet. | 0:24:52 | 0:24:55 | |
MAX: Juliet. It's Max. | 0:24:55 | 0:24:57 | |
-Max? -Listen. | 0:24:57 | 0:25:00 | |
Um. I'm sorry about yesterday. | 0:25:00 | 0:25:03 | |
Well, I was wondering if | 0:25:03 | 0:25:05 | |
I could make it up to you with, with dinner tonight? | 0:25:05 | 0:25:08 | |
SOFT MUSIC | 0:25:08 | 0:25:10 | |
You like old things. | 0:25:15 | 0:25:16 | |
I suppose I do. | 0:25:16 | 0:25:18 | |
You know, I'm not really one of the text message, Twitter crowd. | 0:25:18 | 0:25:23 | |
Technology seems to be about telling everybody your deep, dark secrets. | 0:25:23 | 0:25:27 | |
And, I don't know, I guess I think secrets should be secrets. | 0:25:27 | 0:25:31 | |
What? | 0:25:34 | 0:25:36 | |
It's just... | 0:25:38 | 0:25:40 | |
It's starting to feel like home. | 0:25:40 | 0:25:42 | |
Safe. | 0:25:42 | 0:25:44 | |
Warm. Inviting. | 0:25:44 | 0:25:47 | |
You did that for me. | 0:25:47 | 0:25:49 | |
Good. | 0:25:53 | 0:25:55 | |
So what's your secret? Why aren't you married? | 0:25:57 | 0:26:01 | |
I guess I just never found anyone that... | 0:26:03 | 0:26:06 | |
Anyone that? | 0:26:07 | 0:26:09 | |
That got me, I guess. Or that I got. | 0:26:12 | 0:26:15 | |
And the truth is, um | 0:26:17 | 0:26:19 | |
I'm not very social. | 0:26:19 | 0:26:21 | |
You know, it's probably the way I grew up. | 0:26:21 | 0:26:24 | |
You know, I spent my whole life taking care of my family's building | 0:26:24 | 0:26:28 | |
and recently, my grandfather. | 0:26:28 | 0:26:30 | |
And because of that, I just | 0:26:30 | 0:26:33 | |
I never had a relationship that mattered. | 0:26:33 | 0:26:35 | |
You know, going to that, that art opening thing the other day | 0:26:38 | 0:26:41 | |
that was a big deal for me. | 0:26:41 | 0:26:44 | |
-I'm sorry about that day. -No. | 0:26:44 | 0:26:47 | |
No, I was just surprised that, | 0:26:47 | 0:26:50 | |
that you... | 0:26:50 | 0:26:52 | |
That I what? | 0:26:52 | 0:26:54 | |
That you wanted to kiss me. | 0:26:55 | 0:26:57 | |
Why wouldn't I? | 0:26:59 | 0:27:00 | |
Landlord. | 0:27:06 | 0:27:07 | |
Tenant. | 0:27:07 | 0:27:09 | |
Messy. | 0:27:10 | 0:27:12 | |
UNINTELLIGIBLE WHISPERING | 0:27:53 | 0:27:55 | |
-That's a pulse! -RAPID CHATTERING | 0:28:00 | 0:28:03 | |
EERIE MUSIC | 0:28:10 | 0:28:12 | |
He thought he was dying. It's another stroke, isn't it? | 0:28:20 | 0:28:23 | |
I called in a scrip for Klonopin. He should see a psychiatrist. | 0:28:23 | 0:28:26 | |
Are you OK? | 0:28:28 | 0:28:29 | |
Yeah. Yeah. | 0:28:29 | 0:28:31 | |
EERIE MUSIC | 0:28:33 | 0:28:34 | |
WOMAN ON PA, INDISTINCT | 0:28:38 | 0:28:40 | |
WHIRRING | 0:28:55 | 0:28:57 | |
Someone called about a rental here? | 0:28:57 | 0:29:00 | |
SUSPENSE MUSIC | 0:29:00 | 0:29:01 | |
HEARTBEAT | 0:29:26 | 0:29:31 | |
-Excuse me. -Max? -Hey. -Hi. | 0:29:31 | 0:29:34 | |
Who's this? | 0:29:34 | 0:29:35 | |
Oh, this is Max. This is Sidney, we work together. | 0:29:35 | 0:29:38 | |
Sometimes I feel like all I do is work, and, um | 0:29:38 | 0:29:40 | |
I don't know, I decided to stop | 0:29:40 | 0:29:42 | |
and come out and feel Brooklyn, you know? | 0:29:42 | 0:29:44 | |
-Yeah. -Hey, Max, do you actually do you mind walking me home? | 0:29:44 | 0:29:48 | |
SUSPENSE MUSIC | 0:29:48 | 0:29:52 | |
EERIE MUSIC | 0:30:02 | 0:30:04 | |
Sorry. I'm confused. Reading the wrong signals. | 0:30:12 | 0:30:16 | |
SHE LOCKS THE DOOR | 0:30:17 | 0:30:19 | |
REPEATED CLICKING AND DOOR LOCKING, ECHOING | 0:30:27 | 0:30:32 | |
CLICKING KEY CHAIN | 0:30:34 | 0:30:36 | |
Sorry. God, I'm an idiot. | 0:30:39 | 0:30:43 | |
Of course, it's a bad idea. | 0:30:44 | 0:30:47 | |
KEYS CLINKING | 0:30:47 | 0:30:49 | |
I'm confused. Reading the wrong signals. | 0:30:49 | 0:30:51 | |
DOOR CLUNKS, WHIRRING | 0:31:05 | 0:31:07 | |
DRIPPING | 0:31:14 | 0:31:15 | |
EERIE MUSIC | 0:31:21 | 0:31:24 | |
HEARTBEAT | 0:31:29 | 0:31:31 | |
TRAIN RUMBLING | 0:31:37 | 0:31:39 | |
CRASH | 0:31:39 | 0:31:41 | |
SHE SIGHS | 0:31:42 | 0:31:44 | |
SCREECHING AND THUD | 0:32:12 | 0:32:14 | |
Jesus Christ, Juliet. Calm the fuck down. | 0:32:14 | 0:32:16 | |
SHE SIGHS | 0:32:16 | 0:32:18 | |
Max? | 0:33:44 | 0:33:46 | |
What? | 0:33:46 | 0:33:48 | |
Max. I can't do this. | 0:33:48 | 0:33:52 | |
Max. | 0:33:52 | 0:33:53 | |
I can't do this. I can't get him out of my mind. | 0:33:53 | 0:33:58 | |
Jack. | 0:33:58 | 0:34:00 | |
I still only know his smell. | 0:34:00 | 0:34:03 | |
And the way he touches me, I... | 0:34:03 | 0:34:06 | |
I don't want it to be like this. | 0:34:06 | 0:34:09 | |
SHE EXHALES | 0:34:09 | 0:34:10 | |
I understand. | 0:34:12 | 0:34:14 | |
Yeah, yeah, you understand, right? | 0:34:16 | 0:34:19 | |
SUSPENSE MUSIC | 0:34:19 | 0:34:20 | |
-I'll call you later. -OK. | 0:34:25 | 0:34:28 | |
DOOR OPENS, CLOSES | 0:34:37 | 0:34:39 | |
NAIL GUN FIRING | 0:34:53 | 0:34:55 | |
THUD | 0:35:02 | 0:35:04 | |
KNOCKING AND SOBBING | 0:35:04 | 0:35:06 | |
STIFLED SOBBING | 0:35:15 | 0:35:18 | |
I know everything that goes on in this building. | 0:35:22 | 0:35:25 | |
I know everything that goes on in your head. | 0:35:25 | 0:35:28 | |
You think I don't know how your brain works? | 0:35:28 | 0:35:32 | |
Just like your father. | 0:35:32 | 0:35:34 | |
Jealous and perverted. | 0:35:36 | 0:35:39 | |
That's enough. | 0:35:39 | 0:35:40 | |
Your mother. | 0:35:42 | 0:35:45 | |
She was beautiful. | 0:35:45 | 0:35:47 | |
She married a weak man. | 0:35:49 | 0:35:53 | |
Then she gave birth to another. | 0:35:54 | 0:35:56 | |
-Hey. -Hey. | 0:36:19 | 0:36:21 | |
Um... I've been meaning to talk to you. | 0:36:23 | 0:36:26 | |
Yeah. Look, I'm sorry. | 0:36:26 | 0:36:28 | |
It suddenly felt weird, I... | 0:36:28 | 0:36:30 | |
It had nothing to do with you, I just... | 0:36:30 | 0:36:33 | |
-I need more time. -That's OK. | 0:36:33 | 0:36:35 | |
You know, that, that tells me you take being with someone seriously. | 0:36:35 | 0:36:39 | |
And, you know, I like that. | 0:36:39 | 0:36:41 | |
Um, but, you know, I was thinking about it | 0:36:42 | 0:36:46 | |
and maybe we shouldn't have done that, you know? | 0:36:46 | 0:36:49 | |
-Meaning that we live in the same building, and all. -Really? | 0:36:49 | 0:36:53 | |
No offense, I just... I just needed company, I guess. | 0:36:53 | 0:36:57 | |
I'm so glad you feel the same way. | 0:36:57 | 0:36:59 | |
I just... | 0:36:59 | 0:37:01 | |
It's meant a lot to me the last couple weeks. | 0:37:01 | 0:37:04 | |
Well, I... I should go, I... | 0:37:06 | 0:37:08 | |
Yeah. OK. | 0:37:08 | 0:37:10 | |
OK. I'll see you. | 0:37:10 | 0:37:13 | |
Have a nice day. | 0:37:13 | 0:37:14 | |
You too. | 0:37:14 | 0:37:15 | |
EERIE MUSIC | 0:37:15 | 0:37:17 | |
AUGUST: What's the matter with you? | 0:37:25 | 0:37:29 | |
Why didn't you stand up for yourself? | 0:37:29 | 0:37:32 | |
Just like your father. | 0:37:32 | 0:37:35 | |
Your mother, she was beautiful. | 0:37:35 | 0:37:37 | |
She married a weak man. | 0:37:40 | 0:37:42 | |
-Then she gave birth to another. -WOMAN SCREAMS | 0:37:45 | 0:37:48 | |
GUNSHOT | 0:37:48 | 0:37:49 | |
HE GRUNTS | 0:38:02 | 0:38:04 | |
CRACKING | 0:38:04 | 0:38:06 | |
TRAIN RUMBLING | 0:39:27 | 0:39:28 | |
DOOR CLOSES | 0:39:39 | 0:39:40 | |
CREAKING | 0:39:49 | 0:39:51 | |
CREAKING | 0:40:08 | 0:40:09 | |
CREAKING | 0:40:13 | 0:40:15 | |
This place is driving me crazy. | 0:40:54 | 0:40:57 | |
HE PANTS | 0:41:00 | 0:41:03 | |
And I thought I knew everything about this building. | 0:41:03 | 0:41:05 | |
-I never realised your kitchen had an old wine closet. -Hmm. | 0:41:05 | 0:41:09 | |
August's old place had... | 0:41:09 | 0:41:10 | |
had one of these, but this... | 0:41:10 | 0:41:13 | |
They must've covered this up years ago. | 0:41:13 | 0:41:15 | |
Well, I think it's really cool. Can I use it? | 0:41:15 | 0:41:17 | |
Yeah, absolutely. Erm... | 0:41:17 | 0:41:19 | |
Why don't I just fix it up for you and I'll get out of your hair. | 0:41:19 | 0:41:22 | |
-Well, I have work. -That's-that's OK. | 0:41:22 | 0:41:24 | |
I can... I can do it while you're gone. | 0:41:24 | 0:41:27 | |
That's really sweet of you. | 0:41:27 | 0:41:29 | |
Thanks for being such a good friend. | 0:41:29 | 0:41:31 | |
BUZZING | 0:42:06 | 0:42:08 | |
PHONE BEEPS | 0:42:23 | 0:42:25 | |
HE PANTS | 0:42:44 | 0:42:46 | |
-Hi. Hi. No, let me help you with this. -Oh, no. That's OK. | 0:43:02 | 0:43:05 | |
-No, no, no. I should help you. -That... It's sweet. | 0:43:05 | 0:43:08 | |
Uh, it goes, it goes in the kitchen? | 0:43:08 | 0:43:11 | |
-Yeah. -OK, good. Yeah. | 0:43:11 | 0:43:14 | |
Got a lot of stuff. | 0:43:14 | 0:43:16 | |
-HE GRUNTS -You, uh, you cooking? | 0:43:19 | 0:43:22 | |
Yeah. | 0:43:22 | 0:43:25 | |
Maybe I'll, uh, I'll stay and help, yeah? | 0:43:25 | 0:43:28 | |
You-you... You don't have to do that. | 0:43:28 | 0:43:29 | |
Uh, I wanted to... | 0:43:34 | 0:43:37 | |
I wanted to try to speak to you about, about something. | 0:43:37 | 0:43:40 | |
Um, it's been a little confusing for me | 0:43:40 | 0:43:43 | |
because you, because you kissed me first. | 0:43:43 | 0:43:46 | |
-What? -Yeah, you made the first move. | 0:43:46 | 0:43:48 | |
You kissed me first and, um, | 0:43:48 | 0:43:50 | |
and now you're acting like nothing happened. | 0:43:50 | 0:43:53 | |
SHE SCOFFS I'm sorry, I... | 0:43:54 | 0:43:57 | |
Um, we were just getting to know each other. | 0:43:57 | 0:44:00 | |
You know, seeing if things worked or-or didn't. | 0:44:00 | 0:44:02 | |
I mean, that's what, that's what people do. | 0:44:02 | 0:44:04 | |
I don't do that. | 0:44:07 | 0:44:08 | |
You shouldn't do that either. | 0:44:14 | 0:44:16 | |
DOOR CLOSES | 0:44:20 | 0:44:22 | |
PHONE RINGS | 0:44:34 | 0:44:37 | |
Hey. | 0:44:44 | 0:44:46 | |
Yeah. Ten minutes is perfect. | 0:44:46 | 0:44:48 | |
All right, I'll see you then. | 0:44:50 | 0:44:52 | |
Bye. | 0:44:52 | 0:44:53 | |
WATER RUNNING | 0:45:45 | 0:45:47 | |
DOORBELL BUZZES | 0:45:53 | 0:45:55 | |
-Hey. -Oh! | 0:46:04 | 0:46:06 | |
Amelie, hi! I missed you so much. | 0:46:06 | 0:46:08 | |
DOG WHIMPERS | 0:46:08 | 0:46:10 | |
-Hi. -Hi. | 0:46:10 | 0:46:11 | |
-Uh... -What happened to her? | 0:46:12 | 0:46:15 | |
She's been picking a fight with a German shepherd at, um... | 0:46:15 | 0:46:18 | |
-Oh? -Yeah. I didn't know what to bring to a dinner like this, but... | 0:46:18 | 0:46:21 | |
Thank you. They're beautiful. | 0:46:21 | 0:46:23 | |
WHINES SOFTLY | 0:46:24 | 0:46:26 | |
Let's sit here, in the living room. | 0:46:26 | 0:46:27 | |
Place is huge. | 0:46:27 | 0:46:29 | |
And cheap. | 0:46:29 | 0:46:30 | |
How much? | 0:46:30 | 0:46:31 | |
3,800. | 0:46:31 | 0:46:33 | |
Anything available for me? | 0:46:34 | 0:46:37 | |
I don't know if we're quite ready for that. | 0:46:37 | 0:46:40 | |
-HE CHUCKLES -Right. | 0:46:40 | 0:46:42 | |
Thanks. | 0:46:44 | 0:46:45 | |
DOG WHINING | 0:46:45 | 0:46:48 | |
DOG BARKING | 0:46:50 | 0:46:53 | |
Tell me about the German Shepherd. | 0:46:53 | 0:46:55 | |
She's been having a hard time at doggy day care. | 0:46:55 | 0:46:57 | |
DOG BARKING | 0:46:57 | 0:47:00 | |
Why are you taking her to doggy day care? | 0:47:01 | 0:47:03 | |
Been travelling a lot the past few weeks. | 0:47:03 | 0:47:05 | |
-It was business. -I wasn't thinking that. | 0:47:08 | 0:47:11 | |
-Look, I could tell you everything. -I don't want to know. | 0:47:11 | 0:47:13 | |
You were never home. I literally never saw you. | 0:47:13 | 0:47:16 | |
Please don't tell me you slept with someone else | 0:47:18 | 0:47:20 | |
because I work too hard. | 0:47:20 | 0:47:21 | |
I was with someone else. | 0:47:24 | 0:47:26 | |
It was just a flirtation, but it felt amazing for a moment. | 0:47:28 | 0:47:32 | |
I want to be clear about something. | 0:47:32 | 0:47:35 | |
He was nice but he was never you. | 0:47:35 | 0:47:37 | |
It's the guy with the beard, right? | 0:47:39 | 0:47:41 | |
How do you know that? | 0:47:41 | 0:47:44 | |
I followed you one night. I was gonna ring your bell, but... | 0:47:44 | 0:47:47 | |
You followed me home? | 0:47:47 | 0:47:50 | |
I wasn't good anymore. | 0:47:50 | 0:47:51 | |
My life, without you... | 0:47:53 | 0:47:57 | |
I missed you. | 0:47:57 | 0:47:58 | |
I missed you too, Jack. | 0:48:08 | 0:48:11 | |
I'm sorry. | 0:48:12 | 0:48:14 | |
SHE INHALES DEEPLY | 0:48:35 | 0:48:37 | |
HE PANTS | 0:49:25 | 0:49:26 | |
WATER DRIPPING | 0:49:30 | 0:49:32 | |
I'm sorry dinner burned. | 0:49:40 | 0:49:42 | |
I'm not. | 0:49:42 | 0:49:44 | |
BOTH CHUCKLE | 0:49:44 | 0:49:45 | |
I want you to stay. | 0:49:50 | 0:49:51 | |
I can't. I've got a 7am. | 0:49:51 | 0:49:54 | |
I'm in no way prepared. I'm gonna be up all night. | 0:49:54 | 0:49:57 | |
You want to keep Amelie tonight? | 0:50:00 | 0:50:02 | |
No pets allowed. | 0:50:02 | 0:50:04 | |
Here, keep this. | 0:50:04 | 0:50:06 | |
I love you. | 0:50:07 | 0:50:08 | |
All right, come on. | 0:50:08 | 0:50:10 | |
(Bye.) | 0:50:12 | 0:50:13 | |
HE PANTS | 0:51:21 | 0:51:23 | |
PAGER BEEPS | 0:51:58 | 0:52:00 | |
SHE MOANS | 0:52:12 | 0:52:14 | |
PAGER STOPS | 0:52:14 | 0:52:15 | |
So what's going on? I heard you were late again. | 0:52:44 | 0:52:46 | |
Yeah, I slept through my alarm three times in two weeks... | 0:52:46 | 0:52:49 | |
and I never oversleep. | 0:52:49 | 0:52:51 | |
So, you been out late? | 0:52:51 | 0:52:52 | |
No, no. There's just... | 0:52:52 | 0:52:54 | |
There's something creepy about my apartment. | 0:52:54 | 0:52:56 | |
A guy gives you a gorgeous apartment, at an unbelievable price, | 0:52:56 | 0:53:00 | |
cooks for you and is an absolute gentleman and that's creepy? | 0:53:00 | 0:53:03 | |
No, no. There's just something about it. | 0:53:03 | 0:53:05 | |
I can't wake up in the morning and I don't know... It's... a feeling. | 0:53:05 | 0:53:09 | |
SHE SIGHS | 0:53:09 | 0:53:10 | |
If I were you I'd keep the apartment, | 0:53:10 | 0:53:13 | |
get a louder alarm. | 0:53:13 | 0:53:14 | |
So the record feature's triggered by movement, | 0:53:22 | 0:53:25 | |
so any activity in your apartment | 0:53:25 | 0:53:28 | |
will be recorded in up to ten-minute intervals. | 0:53:28 | 0:53:30 | |
It's a wireless system which can be accessed through your computer. | 0:53:30 | 0:53:36 | |
This position and the position in the living room | 0:53:36 | 0:53:38 | |
will cover as much of the apartment as possible, | 0:53:38 | 0:53:41 | |
but that still leaves the kitchen and the bathroom uncovered. | 0:53:41 | 0:53:46 | |
That's OK. As long as I have the front door and my bedroom. | 0:53:46 | 0:53:49 | |
Well, you got that. | 0:53:49 | 0:53:50 | |
These things have automatic night vision, | 0:53:57 | 0:53:59 | |
so you've no need to leave a light on. | 0:53:59 | 0:54:00 | |
These babies will catch anything that moves. | 0:54:00 | 0:54:03 | |
So, you gonna sublet? | 0:54:04 | 0:54:06 | |
-I'm sorry, what? -Most people put these in if they're going to sublet | 0:54:06 | 0:54:10 | |
or have a party, or even for babysitters. | 0:54:10 | 0:54:13 | |
You know, so nobody steals anything. | 0:54:13 | 0:54:15 | |
I'm gonna sublet. | 0:54:15 | 0:54:17 | |
Here we go. | 0:54:17 | 0:54:19 | |
ELEVATOR DINGS | 0:54:22 | 0:54:23 | |
Well, that's it. | 0:54:30 | 0:54:31 | |
-So, um call if you have any questions. -Thanks. | 0:54:33 | 0:54:37 | |
RHYTHMIC TAPPING | 0:55:00 | 0:55:02 | |
HE BREATHES HEAVILY | 0:55:12 | 0:55:14 | |
HE SNORES | 0:55:40 | 0:55:42 | |
Grandfather? | 0:55:58 | 0:55:59 | |
Max? | 0:55:59 | 0:56:02 | |
What're you doing? | 0:56:02 | 0:56:04 | |
HE CRIES OUT | 0:56:04 | 0:56:05 | |
It's my life now. | 0:56:05 | 0:56:06 | |
HE GROANS | 0:56:06 | 0:56:08 | |
HE GRUNTS | 0:56:11 | 0:56:13 | |
HE EXHALES | 0:56:19 | 0:56:20 | |
CHATTER | 0:56:52 | 0:56:54 | |
I'm sorry to rush. | 0:56:57 | 0:56:58 | |
OK. | 0:57:01 | 0:57:02 | |
HE GRUNTS | 0:57:26 | 0:57:27 | |
HE GROANS | 0:57:30 | 0:57:31 | |
DOOR CLOSES | 0:57:48 | 0:57:50 | |
FAINT ARGUING | 0:58:11 | 0:58:13 | |
HE BREATHES HEAVILY | 0:59:11 | 0:59:13 | |
INDISTINCT WHISPERING | 0:59:14 | 0:59:17 | |
SHE MOANS SOFTLY | 0:59:41 | 0:59:43 | |
HE SOBS | 1:00:25 | 1:00:27 | |
HE GASPS | 1:00:35 | 1:00:36 | |
SHE MOANS | 1:00:36 | 1:00:38 | |
SHE INHALES SHARPLY | 1:00:59 | 1:01:01 | |
SHE GROANS | 1:01:01 | 1:01:03 | |
HE SOBS | 1:01:05 | 1:01:07 | |
ALARM CLOCK BEEPING | 1:01:25 | 1:01:27 | |
ALARM STOPS | 1:01:39 | 1:01:40 | |
PHONE BEEPS | 1:01:47 | 1:01:48 | |
Hi. It's Devereau. I'm sorry, I somehow seriously overslept... | 1:01:53 | 1:01:57 | |
I'll be there in, uh, ten. | 1:02:01 | 1:02:03 | |
INDISTINCT CHATTER ON TANNOY | 1:02:18 | 1:02:22 | |
-Uh, I need a TR on these, ASAP please. -OK, got it. -Thanks. | 1:02:35 | 1:02:39 | |
DRILLING | 1:02:54 | 1:02:56 | |
PHONE BEEPS | 1:03:05 | 1:03:08 | |
-WOMAN ON TANNOY: -Mr Franklin, please return to the emergency room. | 1:03:08 | 1:03:10 | |
DRILLING | 1:03:15 | 1:03:16 | |
DOOR SLAMS | 1:03:36 | 1:03:38 | |
THUD | 1:03:40 | 1:03:41 | |
Shit. | 1:04:11 | 1:04:12 | |
HE GRUNTS | 1:04:23 | 1:04:25 | |
PHONE RINGS | 1:04:33 | 1:04:34 | |
Thanks. | 1:04:36 | 1:04:37 | |
-This is Juliet. -I faxed the toxicology report you ordered. | 1:04:39 | 1:04:43 | |
Great, thanks. | 1:04:43 | 1:04:45 | |
Jack, don't go to my apartment. | 1:05:02 | 1:05:04 | |
I don't know how the fuck it happened, but somehow... Shit. | 1:05:04 | 1:05:08 | |
SIREN BLARES | 1:05:09 | 1:05:12 | |
DOOR OPENS | 1:05:15 | 1:05:16 | |
Jack? | 1:05:21 | 1:05:23 | |
CREAKING | 1:05:31 | 1:05:34 | |
SHE GASPS | 1:06:53 | 1:06:55 | |
SHE GASPS | 1:07:04 | 1:07:07 | |
(No.) | 1:07:41 | 1:07:42 | |
KNOCK ON DOOR | 1:07:48 | 1:07:49 | |
Juliet. | 1:07:55 | 1:07:57 | |
Hi, there. | 1:07:57 | 1:07:58 | |
You just get home? | 1:07:58 | 1:08:01 | |
Yeah. | 1:08:01 | 1:08:02 | |
Look what I found. | 1:08:04 | 1:08:06 | |
This great old bottle of wine from August's wine closet. | 1:08:06 | 1:08:09 | |
I'll-I'll open it. | 1:08:10 | 1:08:12 | |
No, no need. I already cracked it. | 1:08:12 | 1:08:15 | |
-I wanted it to breathe a little bit. Do you mind? -No, that's great. | 1:08:15 | 1:08:18 | |
You have a rough day, Juliet? | 1:08:18 | 1:08:20 | |
SHE SNIFFLES Yeah. | 1:08:22 | 1:08:25 | |
Well, here. Drink this. Maybe it will help. | 1:08:25 | 1:08:27 | |
Thanks. | 1:08:27 | 1:08:29 | |
Come sit down. | 1:08:31 | 1:08:32 | |
HE EXHALES | 1:08:37 | 1:08:39 | |
So...to... | 1:08:44 | 1:08:47 | |
To our friendship. | 1:08:47 | 1:08:49 | |
Cheers. | 1:08:57 | 1:08:58 | |
You're not going to try it? | 1:09:06 | 1:09:07 | |
SHE SIGHS | 1:09:07 | 1:09:09 | |
I'm not, um... | 1:09:09 | 1:09:11 | |
Juliet, are you OK? | 1:09:11 | 1:09:13 | |
Just, I'm exhausted. I'm not really sleeping well. | 1:09:14 | 1:09:17 | |
I like this wine a lot. | 1:09:22 | 1:09:24 | |
It's good. | 1:09:25 | 1:09:26 | |
I'll be right back. | 1:09:31 | 1:09:33 | |
SHE SIGHS | 1:09:42 | 1:09:43 | |
Juliet... | 1:09:43 | 1:09:45 | |
can you please put your phone down? | 1:09:45 | 1:09:47 | |
Just... SHE GASPS | 1:09:47 | 1:09:49 | |
Why are you calling him? | 1:09:50 | 1:09:53 | |
Where is he? | 1:09:58 | 1:09:59 | |
Why did you give him keys to my building? | 1:10:01 | 1:10:04 | |
You know where he is? | 1:10:06 | 1:10:08 | |
Why did you betray me, Juliet? | 1:10:08 | 1:10:10 | |
Sit down! | 1:10:10 | 1:10:12 | |
(I'm sorry.) | 1:10:13 | 1:10:16 | |
I'm sorry, Juliet | 1:10:16 | 1:10:17 | |
What did you do to him? | 1:10:17 | 1:10:19 | |
What did you do? | 1:10:19 | 1:10:20 | |
SHE GASPS | 1:10:20 | 1:10:21 | |
Hey. | 1:10:21 | 1:10:23 | |
Juliet... | 1:10:24 | 1:10:26 | |
you're so beautiful. | 1:10:26 | 1:10:28 | |
This time you get to be awake. | 1:10:29 | 1:10:31 | |
This time you get to remember. | 1:10:33 | 1:10:35 | |
SHE GASPS | 1:10:35 | 1:10:37 | |
HE GRUNTS | 1:10:37 | 1:10:39 | |
HE SCREAMS | 1:10:39 | 1:10:41 | |
SHE SCREAMS | 1:10:41 | 1:10:43 | |
SHE GRUNTS | 1:11:00 | 1:11:02 | |
HE SCREAMS | 1:11:04 | 1:11:05 | |
SHE PANTS | 1:11:14 | 1:11:16 | |
Damn! | 1:11:21 | 1:11:22 | |
Help! | 1:11:24 | 1:11:26 | |
Help! | 1:11:26 | 1:11:28 | |
Help! | 1:11:29 | 1:11:30 | |
Come on! | 1:11:37 | 1:11:39 | |
CLANKING | 1:12:02 | 1:12:03 | |
PHONE RINGS | 1:12:15 | 1:12:17 | |
Hello? | 1:12:20 | 1:12:21 | |
Hello? | 1:12:24 | 1:12:26 | |
PHONE CLICKING Hello? Hello? | 1:12:26 | 1:12:29 | |
SHE GASPS | 1:12:34 | 1:12:36 | |
SHE MOANS | 1:12:45 | 1:12:47 | |
HE GROANS | 1:13:09 | 1:13:11 | |
Oh! | 1:13:13 | 1:13:14 | |
BANGING | 1:13:21 | 1:13:23 | |
DOOR HANDLE RATTLING | 1:13:27 | 1:13:29 | |
SHE BREATHES HEAVILY | 1:13:38 | 1:13:40 | |
POUNDING | 1:14:20 | 1:14:22 | |
SHE GASPS | 1:14:44 | 1:14:46 | |
You bitch! | 1:14:50 | 1:14:52 | |
MAX SCREAMS | 1:14:53 | 1:14:54 | |
God! | 1:14:58 | 1:15:00 | |
Jesus Christ. | 1:15:21 | 1:15:24 | |
Juliet! | 1:15:30 | 1:15:32 | |
There's nowhere for you to go. | 1:15:48 | 1:15:50 | |
SCRAPING | 1:16:13 | 1:16:14 | |
METAL CLANGING | 1:16:15 | 1:16:17 | |
DOOR OPENS | 1:16:27 | 1:16:28 | |
CREAKING | 1:17:43 | 1:17:45 | |
DOOR CREAKS | 1:18:26 | 1:18:27 | |
HE GRUNTS | 1:18:47 | 1:18:49 | |
Juliet. | 1:18:56 | 1:18:58 | |
I thought... I thought you could pull me out of these walls. | 1:19:01 | 1:19:04 | |
I didn't want this. | 1:19:07 | 1:19:10 | |
I didn't want this at all. | 1:19:10 | 1:19:12 | |
I'm so sorry. | 1:19:14 | 1:19:15 | |
I'm sorry. | 1:19:16 | 1:19:18 | |
I was never gonna hurt you... | 1:19:19 | 1:19:21 | |
..but you fucking betrayed me! | 1:19:22 | 1:19:24 | |
HE GRUNTS | 1:19:26 | 1:19:28 | |
HE COUGHS | 1:19:32 | 1:19:34 | |
(No.) | 1:19:45 | 1:19:46 | |
You bitch! | 1:19:55 | 1:19:56 | |
HE GROANS | 1:19:59 | 1:20:00 | |
SHE GRUNTS | 1:20:18 | 1:20:20 | |
HE GROANS | 1:20:26 | 1:20:28 | |
(Jack?) | 1:20:56 | 1:20:59 | |
HE GRUNTS | 1:21:14 | 1:21:16 | |
SHE CHOKES | 1:21:38 | 1:21:39 | |
HE GROANS | 1:21:41 | 1:21:43 | |
HE EXHALES | 1:21:45 | 1:21:46 | |
HE SCREAMS | 1:21:54 | 1:21:57 | |
SIRENS BLARE | 1:22:25 | 1:22:27 |