The Skin I Live In
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Transcript
| Line | From | To | |
|---|---|---|---|
This programme contains scenes of sexual violence, | 0:00:02 | 0:00:08 | |
very strong language, some scenes which some viewers may find upsetting | 0:00:08 | 0:00:14 | |
and scenes of a sexual nature. | 0:00:14 | 0:00:20 | |
Si, senora. | 0:02:29 | 0:02:30 | |
DOOR OPENS | 0:09:18 | 0:09:20 | |
DOOR IS UNLOCKED | 0:17:36 | 0:17:38 | |
HE LOCKS THE DOOR | 0:17:47 | 0:17:48 | |
No. | 0:18:21 | 0:18:22 | |
THEY CHAT | 0:22:03 | 0:22:05 | |
DOORBELL RINGS | 0:22:28 | 0:22:30 | |
HE SPEAKS WITH A BRAZILIAN ACCENT | 0:22:36 | 0:22:38 | |
Marilia... | 0:23:07 | 0:23:08 | |
HE ROARS | 0:23:24 | 0:23:26 | |
MUSIC PLAYS ON TV | 0:24:27 | 0:24:29 | |
GUNSHOT | 0:27:41 | 0:27:42 | |
Marilia? | 0:27:58 | 0:28:00 | |
MUFFLED GROANING | 0:28:12 | 0:28:14 | |
SHE GASPS | 0:28:57 | 0:28:59 | |
FOOTSTEPS APPROACH | 0:29:27 | 0:29:29 | |
HE KNOCKS ON THE DOOR | 0:29:43 | 0:29:44 | |
FOOTSTEPS FADE AWAY | 0:30:02 | 0:30:04 | |
FOOTSTEPS APPROACH | 0:30:13 | 0:30:15 | |
SHE GAGS | 0:30:29 | 0:30:30 | |
SHE GRUNTS | 0:31:20 | 0:31:23 | |
MUFFLED SCREAMS | 0:31:23 | 0:31:25 | |
DOOR HANDLE RATTLES | 0:31:35 | 0:31:36 | |
SHE SCREAMS | 0:32:06 | 0:32:07 | |
HE GRUNTS | 0:32:09 | 0:32:11 | |
Si. | 0:33:05 | 0:33:06 | |
Eso. | 0:33:13 | 0:33:14 | |
-No. -Si. -No. | 0:33:22 | 0:33:23 | |
HE GRUNTS | 0:33:38 | 0:33:41 | |
SHE GROANS | 0:33:41 | 0:33:42 | |
HE GRUNTS | 0:33:59 | 0:34:01 | |
CAR ARRIVES | 0:34:14 | 0:34:16 | |
CAR DOOR CLOSES | 0:34:21 | 0:34:22 | |
MUFFLED SCREAM | 0:34:22 | 0:34:23 | |
MUFFLED SCREAM | 0:34:25 | 0:34:27 | |
HE GRUNTS | 0:34:43 | 0:34:46 | |
SHE SOBS | 0:35:28 | 0:35:30 | |
SHE SIGHS | 0:36:29 | 0:36:31 | |
GIRL SINGS "PELO AMOR DE AMAR" | 0:39:07 | 0:39:08 | |
NORMA SINGS: # ..no mar | 0:39:15 | 0:39:18 | |
# Quero o mar sem fim | 0:39:20 | 0:39:27 | |
# Para nao ter fim este mal de amar | 0:39:27 | 0:39:34 | |
# Como a flor feliz que ver nascer a flor | 0:39:34 | 0:39:40 | |
# So nasci para viver no solo vento | 0:39:40 | 0:39:48 | |
# Quem me quer amor | 0:39:48 | 0:39:55 | |
# Tem de amar tambem meu amor de amar | 0:39:55 | 0:40:04 | |
# O coracao do mundo | 0:40:04 | 0:40:08 | |
# Canta no meu coracao | 0:40:08 | 0:40:10 | |
# Meus pes seguem sozinhos a dancar... # | 0:40:10 | 0:40:13 | |
# ..Se em tudo eu encontro | 0:40:18 | 0:40:20 | |
# O dom de amar... # | 0:40:20 | 0:40:23 | |
SHE YELLS | 0:40:43 | 0:40:45 | |
NORMA GASPS | 0:40:45 | 0:40:47 | |
SHE GROANS | 0:42:33 | 0:42:34 | |
MUSIC: "Se Me Hizo Facil" by Concha Buika | 0:45:17 | 0:45:19 | |
# La abandone porque me fue preciso | 0:45:29 | 0:45:35 | |
# Asi abandono a la mujer que a mi me ofenda | 0:45:37 | 0:45:44 | |
# Voy a buscar un nuevo amor que a mi me comprenda | 0:45:44 | 0:45:51 | |
# Yo este lo olvido | 0:45:51 | 0:45:54 | |
# Cada dia mas y mas | 0:45:54 | 0:46:02 | |
# Mas y mas... # | 0:46:02 | 0:46:04 | |
# Yo este lo olvido, lo olvido... | 0:46:08 | 0:46:12 | |
# Lo olvido, lo olvido | 0:46:15 | 0:46:17 | |
# Como casi todo lo que he sido lo olvido | 0:46:17 | 0:46:20 | |
# Lo olvido mas y mas y mas y mas... | 0:46:22 | 0:46:30 | |
# La olvido mas y mas y mas y mas | 0:46:30 | 0:46:33 | |
# La olvido mas y mas... # | 0:46:33 | 0:46:38 | |
PANTING | 0:47:08 | 0:47:11 | |
WOMEN PANT | 0:47:17 | 0:47:19 | |
Norma! | 0:48:27 | 0:48:29 | |
Norma! | 0:48:29 | 0:48:30 | |
Norma? | 0:48:31 | 0:48:33 | |
SHE GASPS | 0:48:33 | 0:48:34 | |
Norma... | 0:48:34 | 0:48:36 | |
SHE YELLS | 0:48:36 | 0:48:37 | |
No! No! | 0:48:37 | 0:48:39 | |
No! | 0:48:42 | 0:48:43 | |
Ya, ya, ya, ya, ya! | 0:48:46 | 0:48:49 | |
SHE CRIES | 0:48:49 | 0:48:50 | |
Ya esta, ya esta, ya esta. | 0:48:50 | 0:48:52 | |
MUTED SCREAMS | 0:48:54 | 0:48:56 | |
HE GASPS | 0:48:58 | 0:49:00 | |
-Adios. -Hasta luego. | 0:50:26 | 0:50:27 | |
-Hola, buenas. -Hola. | 0:51:31 | 0:51:32 | |
Vaya... | 0:51:40 | 0:51:41 | |
No. No, no, no. | 0:51:45 | 0:51:46 | |
Ah, si. | 0:53:45 | 0:53:46 | |
HE SNIFFS | 0:54:10 | 0:54:11 | |
SHE MOANS | 0:54:19 | 0:54:20 | |
APPLAUSE | 0:56:07 | 0:56:10 | |
MUSIC: "Por El Amor De Amar" by Concha Buika | 0:56:10 | 0:56:12 | |
# Quiero la luz del sol | 0:56:20 | 0:56:26 | |
# Tambien quiero el azul del cielo en el mar | 0:56:27 | 0:56:35 | |
# Quiero un mar sin fin | 0:56:35 | 0:56:41 | |
# Para no tener nunca que terminar... # | 0:56:41 | 0:56:49 | |
NORMA AS A GIRL: # Como a flor feliz que ver nascer a flor | 0:56:49 | 0:56:55 | |
# So nasci para viver no solo vento... # | 0:56:55 | 0:57:01 | |
No. No, no, para. | 0:57:04 | 0:57:07 | |
SHE YELLS | 0:57:08 | 0:57:10 | |
Shh, shh! | 0:57:12 | 0:57:13 | |
HE SCREAMS | 0:57:17 | 0:57:18 | |
# ..Eu nao conheco em mim a grande dor da solidao | 0:57:29 | 0:57:33 | |
# Se em tudo eu encontro | 0:57:33 | 0:57:35 | |
# O dom de amar | 0:57:35 | 0:57:40 | |
# Pelo amor de amar | 0:57:40 | 0:57:47 | |
# Quero ser a luz que sorrir na flor | 0:57:48 | 0:57:54 | |
# Pelo dom de amar | 0:57:56 | 0:58:02 | |
# Quero ser a flor que se deu | 0:58:04 | 0:58:07 | |
# De amor. # | 0:58:09 | 0:58:17 | |
MUSIC: "Between the Bars" by Chris Garneau | 0:58:36 | 0:58:38 | |
Vicente... | 0:59:18 | 0:59:19 | |
HE MOANS | 1:00:55 | 1:00:57 | |
HE GASPS | 1:02:48 | 1:02:50 | |
HE SOBS | 1:02:56 | 1:02:59 | |
HE CRIES | 1:03:07 | 1:03:09 | |
DOOR IS UNLOCKED | 1:05:10 | 1:05:12 | |
SHE GROANS | 1:05:33 | 1:05:34 | |
Norma... | 1:05:41 | 1:05:42 | |
No. | 1:05:42 | 1:05:44 | |
SHE SOBS | 1:05:47 | 1:05:49 | |
Norma. | 1:05:54 | 1:05:55 | |
SHE CRIES | 1:05:58 | 1:06:00 | |
KNOCKING ON THE DOOR | 1:06:00 | 1:06:01 | |
CHAINS RATTLE | 1:07:10 | 1:07:11 | |
DOOR CLOSES | 1:08:07 | 1:08:08 | |
HE SCREAMS | 1:08:52 | 1:08:54 | |
DOOR CLOSES | 1:09:56 | 1:09:57 | |
No se vaya, por favor... | 1:10:45 | 1:10:47 | |
Tenemos que hablar... | 1:10:47 | 1:10:49 | |
No se vaya... | 1:10:49 | 1:10:51 | |
No se vaya... | 1:10:51 | 1:10:53 | |
HE GASPS | 1:11:47 | 1:11:49 | |
MUFFLED SCREAMS | 1:13:01 | 1:13:02 | |
DOORBELL RINGS | 1:13:35 | 1:13:37 | |
DOORBELL RINGS | 1:13:41 | 1:13:43 | |
Una vaginopla...? | 1:16:09 | 1:16:11 | |
No... | 1:16:21 | 1:16:22 | |
DOOR IS UNLOCKED | 1:16:53 | 1:16:54 | |
ROBERT LOCKS THE DOOR | 1:16:59 | 1:17:00 | |
HE GROANS | 1:21:49 | 1:21:50 | |
SHE LOCKS THE DOOR | 1:21:56 | 1:21:57 | |
'Hay que tener cuidado, no obstante, | 1:27:56 | 1:27:58 | |
'de no confundir asana, | 1:27:58 | 1:28:02 | |
'la forma, con el fondo.' | 1:28:02 | 1:28:04 | |
Robert, Robert... | 1:39:10 | 1:39:11 | |
PANTING | 1:40:26 | 1:40:28 | |
SHE GROANS | 1:40:43 | 1:40:44 | |
Si. | 1:41:24 | 1:41:25 | |
SHE SIGHS | 1:42:05 | 1:42:06 | |
HE GROANS | 1:42:55 | 1:42:56 | |
Berto? | 1:43:27 | 1:43:28 | |
WOMEN CHATTING | 1:46:10 | 1:46:13 | |
FOOTSTEPS APPROACH | 1:47:53 | 1:47:55 |
