Trishna


Trishna

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This programme contains some violent scenes, some strong language

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and some scenes of a sexual nature.

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-Darjeeling.

-That your favourite?

-Yeah, it's up there. For sure.

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-Varanasi was the best, I thought.

-Varanasi?

-Yeah, just surreal.

-Yeah.

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-Amritsar was nice.

-Yeah, you would say that!

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Never seen Deepak so Punjabi in my life. "Yeah, I'm a local.

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-"Golden Temple, that's me."

-Goa, I like Goa.

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-You spent the whole time on the beach.

-Kerela had better beaches.

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It's like the least Indian thing you could do.

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-Beaches in Kerela, girls in Goa.

-Yeah, check.

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-Can't believe this is the end of the trip.

-Yeah.

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-I'm back to work on Wednesday.

-I know, mate, and the weather's going to suck, as well.

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Enjoy work, enjoy the weather, think of me,

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out here suffering in the heat.

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-You all right there, Mark?

-Too many Bhang lassis.

-How many did you have?

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Don't know.

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ALL LAUGH

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Remember this?

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# Shoot the runner

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# Shoot shoot the runner

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# I'm a king and she's my queen, bitch

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# Shoot the runner

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# Shoot shoot the runner

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# I'm a king and she's my queen, bitch... #

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Those were the days.

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You got laid twice in three years, how are those the days?

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HE GIVES AN INSTRUCTION

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# Shoot the runner

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# Shoot shoot the runner

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# I'm a king and she's my queen, bitch... #

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-How are you feeling, man?

-Bit better.

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-Yeah?

-Yeah.

-Yeah, you look like you're feeling better!

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THEY CHEER

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# Shoot the runner Shoot shoot the runner

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# I'm a king and she's my queen

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# Shoot the runner

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# Shoot shoot the runner

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# I'm a king and she's my queen, bitch. #

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What's up?

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He's stuck.

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ENGINE REVS

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THEY SHOUT ENCOURAGEMENT

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THEY LAUGH

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Why are you bringing us here?

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There's a really nice temple. Look, you can see, look. See that?

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One temple.

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It's got, out of 400 plus pages in this guidebook,

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there's one paragraph dedicated to this place. It must be boom town.

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It's off the beaten track.

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This is the Jain temple of Mahavira.

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This temple is very oldest temple in India.

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Mohammad was the last, number 24 prophet, about a Jain.

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The statue from there is 2,500 years old,

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-handmade by sand with milk.

-What were the eyes?

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-And eyes were diamond.

-Diamonds?

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Real diamond, 24 carats.

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Who are these characters?

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They are the Apsara dancing girls.

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Dancing girls are represent for God the playful singing song and dancing.

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-See, he wants to convert now, I think, after that.

-Yeah, yeah.

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And these are very old pillars of the gate.

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-And can you look the very big detail, sir.

-Yeah.

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Now we build the new temple over here

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and these are the old temples of 2,500 years old.

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And the left-hand gallery, they all are female goddess

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of individuals.

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Like Parvati, Durga, Lakshimi, and Saraswati.

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First people go the main temple of the principle,

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then others go around, left to right,

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pray, pray to pray for the other temples.

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-Is there going to be a test at the end?

-Yeah.

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Ah, it's nice, man.

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Yeah, we should have stayed here the whole time.

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So, was it worth the drive?

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It's a great place, man.

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The dancers have arrived.

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-Hello.

-Good evening.

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Good evening.

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Thank you.

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Those girls are cute, right?

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Yeah, we should dance, come on.

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You should do it, man.

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You're boring.

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Yeah, your moves are great, bro.

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How are you? Rita? I'm Sandeep.

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MUSIC MIXES WITH CHAT

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MUSIC STOPS

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-What happened, buddy?

-What do you mean, what happened?

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-Going so good.

-So why didn't you guys join in?

-You gave up far too easily.

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You know, I think I saw you at the temple today.

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Yeah, I was there with my sister and my brother. My sister's birthday today.

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-How old is she?

-Six, sir.

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-How old are you?

-Sir, I'm 19.

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19. Do you work here full-time?

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No, sir. Sir, I come here only on special occasions like today.

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But you don't go to college or university?

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No, sir. In Osian there is no college

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and if I had to study then I would have to go far,

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far away and it's very expensive for my family.

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Hey, guys, it's us. You need a lift?

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Guys, guys, listen.

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We've even got a chaperone here, look, there's a driver.

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-What did she say?

-Get in the front.

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-You've never learned Hindi.

-No, we never spoke it at home.

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Yeah, do you want to hear it?

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Oh, my God! Thank you.

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-What was that?

-I would like to say one thing in Punjabi.

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Thank you very much.

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Thank you so much for that.

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So, maybe see you at the hotel?

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Bye-bye.

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-Your father's in.

-Yes.

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-E-mail me.

-Yes, I will.

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-Take care.

-Bye-bye.

-Bye.

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DANCE MUSIC ON TV

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# We twist, we twist

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# We twist, we twist, and we twist

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# We twist, we twist

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# We twist, and we twist

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# We twist, we twist, and we twist

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# We twist, we twist

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# And we twist, we twist... #

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MUSIC CONTINUES

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CHILDREN CHATTER

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HORN BEEPS

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HORN BLARES

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HUBBUB OF VOICES

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HUBBUB CONTINUES

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SHE SCREAMS

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SHE GROANS

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SHE SIGHS

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Enjoy the desert, dude.

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Wait, wait, stop, stop, stop.

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It's the girl from the hotel.

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Oh, yeah, go check on her, go be a doctor, bro.

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Trishna!

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What's he up to?

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He is a hit with the kids.

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You've got your own personal army.

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But they couldn't stop you from getting injured.

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How's your dad?

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-He's still in the hospital.

-He has chest injuries.

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-Is this your sister?

-Yes, sir.

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-What's your name?

-My name is Devshri.

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Devshri?

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She just ran away from him.

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He's got to work a lot faster than this.

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So, if your dad's in hospital and you've got a broken arm,

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like, what are you guys going to do?

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It is going to be very difficult now

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because my father had to pay the loan for the jeep.

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Yo, Jay, we got to go, man.

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Yeah, one minute.

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Have you got a phone number or something?

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No, sir, my phone was broken in accident.

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My father's got a hotel near Jaipur.

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I can get my father to send a letter to your family offering you a job.

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Thank you, sir

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Jay, come on, bro.

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-Get well soon, and I hope it works out.

-Thank you, sir.

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And I hope your dad gets better.

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-Thank you, sir.

-See you later.

-Thank you, bye.

-Bye.

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-Take your time, man.

-Have a game of cricket.

-I don't want you to scuff your shoes.

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You want some extra time at the airport to buy each other perfume.

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-How was she?

-What?

-Was she OK?

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Can we get these guys out of the country straightaway?

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What did she say?

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She said, "Tell your friend that was a fake number...

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-"my friend gave your friend."

-I've got an e-mail address, too.

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THEY ALL LAUGH

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"Dear sir, please accept this l-letter

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"as a formal offer of employment..."

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Hey.

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-Hello.

-Hello, sir.

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How are you doing? You OK?

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My driver can't come till later so I thought I'd come and get you myself.

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-Thank you.

-Don't want you breaking anything else.

-OK.

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I'll put this in the luggage room. He can pick it up later.

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OK, sir.

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My friend, this is for the Samode Bagh Hotel.

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I thought that cast would come off by now.

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-Sir, two weeks more and then I can take off.

-OK.

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You can hold onto me.

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I'm fine, sir.

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All the milk and butter comes from here.

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These are my dad's.

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He had two budgies when he was a kid and he's been upgrading ever since.

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You won't be able to start your training until your arm's better,

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-so we'll start you off with feeding these guys.

-Thank you.

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THEY SPEAK IN OWN LANGUAGE

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What shall I say to them when they say that?

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SHE SPEAKS IN OWN LANGUAGE

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HE REPEATS THE PHRASE

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HE SPEAKS IN OWN LANGUAGE

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JAY REPLIES HESITANTLY

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Yeah, that wasn't bad.

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KNOCK ON DOOR

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Hey, this is Trishna.

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Hi.

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-This is, um...

-Shweta.

-..Shweta.

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So you're going to be sharing. I'll get another mattress in.

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Leave you guys to it.

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BIRDSONG

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THEY CHATTER IN OWN LANGUAGE

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It's kind of like a retreat?

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Yeah, it would be a retreat for them.

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They'll be staying here 15, 16 nights.

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Yeah, mate, if there was something to report,

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I promise you, I'd be on the blower straightaway.

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And I will pay the builders directly.

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BIRDS CHIRP

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SHE CALLS TO THE BIRDS

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Hey. How's it going?

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-Oh, good.

-Have you tried whistling to them?

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-You haven't?

-No.

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My dad likes it when you whistle to them.

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HE WHISTLES

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You know how to whistle, don't you?

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-No, sir.

-You just put your lips together and blow.

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Put your lips like this...

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..and then blow.

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SHE EXHALES

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Even more softly, softly.

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HE WHISTLES A NOTE

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SHE WHISTLES SOFTLY

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Yeah.

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SHE WHISTLES

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Yeah! See? Easy.

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You OK?

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What's the difference between that one and the others?

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May I?

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Yes. Thank you.

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So, sir, today we are having 27 rooms,

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23 are in a group...

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-OK.

-..and the others are on an IPIA plant...

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INDISTINCT

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KNOCK ON DOOR

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-May I come in?

-OK.

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THEY SPEAK IN OWN LANGUAGE

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MUSIC PLAYS ON TV

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-Did you have a good journey?

-Fine.

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It's so good to escape the frenzy of India's cities

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-and arrive here.

-Hmm.

-Oh, boy.

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Morning, sir.

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"Frenzy" isn't the word. Chaos...

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-Good morning, sir.

-Hello!

-BIRD CRIES

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Ah, there it is.

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There's my boy. How are you?

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Thank you.

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-What's that?

-What?

-That.

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-Do you know it?

-No, what is it?

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-It's a variety of bird.

-Of what?

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Little hummingbird kind of thing, you know?

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You don't know that.

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They flap their wings in one spot and drink nectar.

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Trishna, this is my dad.

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-Hello, sir.

-Dad, this is Trishna, she's been looking after your birds.

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Oh, have you really, Trishna? How nice to meet you.

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-Good, I'm glad. Do you like the job?

-Yes, sir.

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(Very nice.)

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But, you know, that peacock, that is so strange, isn't it?

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Half shriek, half lament, half call for its lover.

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BIRD CRIES

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-What is that?

-Partridge.

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I used to shoot them as a boy.

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You don't know that, you don't know that.

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Your knowledge of flora and fauna is absolutely zero.

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-You were just making it up, weren't you?

-No, of course not.

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-I bet you they're not.

-Take your bets...

-OK.

-..ladies and gentlemen

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before the roulette wheel turns.

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Sorry, sir.

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Not at all.

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-Good. Do you have a moment?

-Yes, sir.

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-May I take your arm?

-Yes, sir.

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What's that?

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HE SNIFFS

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Nice perfume. Is it you?

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Or is it jasmine?

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Oh, listen to them all singing.

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-SHE WHISTLES

-Ah...

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Wonderful. Well, you whistle so well - no wonder.

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Who taught you to whistle like that?

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-Jay, sir.

-Jay? I don't believe it.

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I used to be able to whistle.

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I can't whistle to save my life.

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Come here a minute, will you? Let's have a look at you.

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Take that. Come here.

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Oh, yes.

0:30:090:30:10

Yes...

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Yes.

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Well...

0:30:150:30:17

Jay said you were very beautiful.

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Well, he was right for a change. You are.

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Is he treating you well?

0:30:260:30:29

Yes, sir.

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Good.

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As long as you're happy.

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No hotel runs itself. No business runs itself.

0:30:350:30:37

Whatever gave you that idea? You've got to work at it.

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-Can one ask...what else you want to do?

-Yeah.

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I'd like to go to Bombay and find some projects to invest in there.

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You really are sometimes impossible. Really are.

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I said I'd come here, I've given it a go. Great.

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Your mother was right.

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I really spoilt you.

0:31:000:31:02

I'm not asking for any more than what you did for Ojun.

0:31:020:31:05

Look, you're no longer a child.

0:31:050:31:07

-You don't want to do this business, don't do it.

-Thank you.

0:31:070:31:11

It's OK.

0:31:120:31:14

-Can you manage?

-Yeah.

0:31:150:31:18

Thanks a lot.

0:31:180:31:20

See you.

0:31:200:31:22

Listen, can you get Trishna to serve me lunch in my room from now on?

0:31:500:31:55

-Upstairs.

-Yes, sir.

0:31:550:31:57

Hello, sir. May I come in?

0:32:020:32:05

Oh, hey. Just here is fine.

0:32:050:32:07

Thank you, sir.

0:32:340:32:35

Listen, I found a course that you might be interested in.

0:32:350:32:40

It is a diploma in hotel management.

0:32:400:32:43

Would you be interested in going to that?

0:32:430:32:46

Yes, sir.

0:32:460:32:48

I could give you a couple of mornings off every week.

0:32:480:32:51

Thank you, sir.

0:32:510:32:53

Roll it like this.

0:33:440:33:46

This part to go down side.

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OK, add more water.

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The table wine, we have red wine, white wine and rose wine...

0:33:520:33:55

You know that all these champagnes are sparkling wine

0:33:550:33:58

-but the sparkling wines are not... STUDENTS:

-Champagne.

-..champagne.

0:33:580:34:02

Bedroom, please.

0:34:020:34:04

Sir, lunch.

0:34:060:34:07

-Do you want to just put it down on the table?

-OK.

0:34:070:34:10

Actually, it would be better on the bed.

0:34:100:34:13

Thank you, sir. Sorry.

0:34:130:34:15

-How are you doing? You OK?

-Yes, sir.

-Good.

0:34:180:34:20

Sir, on Friday it is my friend's wedding and I wanted to go.

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-Oh, of course.

-Thank you, sir.

0:34:250:34:27

Where is it? Back in...where you're from?

0:34:270:34:29

-No, no, sir, Jaipur.

-Is it somebody from the hotel?

0:34:290:34:32

No, sir. Sir, from my class.

0:34:320:34:33

-Oh, from the college?

-From the college.

-Ah, OK.

0:34:330:34:36

Who are you going with?

0:34:360:34:38

Sir, I asked to Chanchal, it is her day off, and she said OK.

0:34:380:34:41

Are you sure you don't need a male chaperone

0:34:430:34:45

-to take care of you out there?

-No, sir.

0:34:450:34:47

MUSIC PLAYS

0:34:470:34:49

THEY SING ALONG

0:34:510:34:54

Thank you.

0:35:240:35:25

Nice!

0:35:270:35:28

Hello.

0:35:300:35:32

THEY MOUTH

0:36:280:36:31

Excuse me.

0:37:080:37:09

Excuse me!

0:37:090:37:11

PHONE RINGS

0:37:130:37:15

Excuse me. Hello?

0:37:180:37:20

Trishna. Trishna!

0:37:240:37:27

Are you all right? You OK?

0:37:270:37:29

-Sorry?

-You can go now.

-Piss off.

0:37:310:37:33

Thank you.

0:37:430:37:45

Why have we stopped here?

0:38:230:38:26

Are you OK?

0:38:290:38:30

Yes.

0:38:300:38:32

You're very beautiful.

0:38:330:38:36

SHE SIGHS

0:39:160:39:19

WATER RUNS

0:39:190:39:21

SHE SOBS

0:39:470:39:51

CHILDREN CHATTER

0:40:500:40:52

Devshri.

0:41:020:41:05

Devshri!

0:41:050:41:07

Trishna.

0:41:070:41:08

How are you doing?

0:51:470:51:49

Can we talk?

0:51:550:51:56

How did you find me?

0:52:140:52:16

I went to your house and you weren't there.

0:52:160:52:19

Your sister told me you were here.

0:52:190:52:21

I left...

0:52:240:52:26

I left the hotel.

0:52:260:52:28

Why?

0:52:290:52:31

Why?

0:52:310:52:33

Because the hotel business isn't really my thing.

0:52:330:52:35

I'm in Bombay now, it's good.

0:52:350:52:38

Why did you leave that day?

0:52:410:52:43

Tell me.

0:52:460:52:48

I tried calling you, your phone was off.

0:52:490:52:52

I carried on trying to call, it became disconnected.

0:52:520:52:55

What happened?

0:52:570:52:59

We didn't do anything wrong.

0:53:000:53:02

Did it feel wrong to you?

0:53:020:53:05

I've got my own place in Bombay, OK.

0:53:080:53:11

And nobody cares if we're together over there.

0:53:120:53:15

You don't have to worry about what people think.

0:53:150:53:18

And I can't stop thinking about you.

0:53:200:53:23

I want to be with you.

0:53:230:53:24

I want you by my side.

0:53:240:53:26

Will you come to Bombay with me?

0:53:260:53:28

Will you come to Bombay with me?

0:53:320:53:34

OK.

0:53:400:53:42

-Yes.

-When can you come?

0:53:430:53:46

-Now.

-Now?

-Now.

0:53:480:53:51

Don't you have to tell your uncle?

0:53:510:53:53

No. No, if I tell him he won't let me leave.

0:53:530:53:56

Is this like how you thought it would be?

0:54:120:54:14

I think it's better.

0:54:140:54:16

Almost there.

0:54:360:54:38

This is it.

0:54:420:54:43

This is the kitchen.

0:54:450:54:47

This is where you're going to be spending most of your time,

0:54:470:54:50

obviously(!)

0:54:500:54:51

Nice, huh?

0:54:510:54:53

Very nice.

0:54:530:54:54

Wow, it's so big.

0:54:570:55:00

So this is all yours?

0:55:000:55:01

I'm renting it.

0:55:010:55:03

And this is your room.

0:55:030:55:06

-My room?

-Yeah.

0:55:060:55:07

-What do you think?

-I don't need a room.

0:55:070:55:10

In case you ever want your own space.

0:55:100:55:12

This is beautiful. I've never seen the sea before.

0:55:120:55:15

Well, I thought you might like the view.

0:55:150:55:18

-What's up?

-You OK?

0:55:520:55:54

-Amit, this is Trishna.

-Hi.

-Hi.

0:55:540:55:57

-How are you?

-I'm fine.

0:55:570:55:59

-Trishna, Anurag.

-Hi. This is Amit, Shahin.

0:55:590:56:01

-Hi.

-Hi, Trishna, nice to meet you.

0:56:010:56:04

They are dancers.

0:56:040:56:06

So what is going on?

0:56:060:56:07

This is for you.

0:56:070:56:09

-What's this?

-The script.

0:56:090:56:11

We are trying to form a company together.

0:56:110:56:14

You know he's got a rich father?

0:56:140:56:16

I'm a writer/director, Amit is a music director.

0:56:160:56:20

Thanks(!) Is that my only qualification? Rich father?

0:56:200:56:22

You could have just said, "Jay's the producer,

0:56:220:56:25

"he's good at organising things."

0:56:250:56:26

He's got a father with lots of money

0:56:260:56:28

and we are trying to make him a producer.

0:56:280:56:31

-Tell us about you.

-What do you want to know?

0:56:320:56:35

-You act?

-No.

0:56:350:56:36

You don't act? You don't like to act?

0:56:360:56:39

-You don't want to act?

-No, I don't think so.

0:56:400:56:43

OK, leave her alone.

0:56:430:56:44

I going to put this up right here... So there we go.

0:56:440:56:47

Hi, Anurag.

0:56:470:56:49

Oh, hey, hey.

0:56:490:56:50

Kalki, hello. Nice to see you. Are you OK? This is Trishna.

0:56:500:56:54

-Trishna, Kalki.

-Hi.

-Hi.

0:56:540:56:57

-Sit.

-No, you know what, it's really loud in here.

0:56:570:57:00

Shall we go somewhere else? We really have to talk right now.

0:57:000:57:03

He's trying to get me to do his commercial.

0:57:030:57:05

-I'll see you soon, all right?

-I'll be back.

-Bye, Kalki.

-Bye.

0:57:050:57:09

Don't worry, she's always like that.

0:57:110:57:13

Why do you meet me in this place?

0:57:130:57:15

-So you are originally from Rajasthan?

-Osian, Rajasthan.

0:57:150:57:19

THEY SPEAK IN OWN LANGUAGE

0:57:280:57:31

MUSICIANS PLAY

0:57:440:57:47

One, two, three and four!

0:57:530:57:55

Five, six, seven and eight!

0:57:550:57:58

SHE SINGS IN OWN LANGUAGE

0:57:580:58:01

The end section was nice.

0:58:110:58:14

We'll take the first section.

0:58:140:58:17

THEY SING

0:58:170:58:20

MUSIC PLAYS

0:58:410:58:44

Yes, yes, correct.

0:58:460:58:48

INDISTINCT CONVERSATION

0:59:040:59:06

Espresso.

0:59:060:59:09

Do you like it?

0:59:090:59:10

What else do you need?

0:59:170:59:19

One, two, three and four!

0:59:240:59:26

Five, six, seven and eight!

0:59:260:59:28

One, two, three, four, five, six, seven, eight!

0:59:280:59:33

JAY LAUGHS

0:59:330:59:35

Yeah, I like that one.

0:59:370:59:39

-How are you?

-OK.

1:00:271:00:29

How are you?

1:00:321:00:33

-OK. You all right?

-Yeah.

-So, you're playing a diva in this.

1:00:331:00:37

Playing? I AM a diva, darling. What are we doing?

1:00:371:00:40

Let's get it going, before I fucking melt.

1:00:401:00:43

You're holding this...

1:00:431:00:45

Why don't you want her to be a dancer?

1:00:591:01:02

Have you been telling tales on me?

1:01:021:01:03

-No, I just said...

-SHE doesn't want to be a dancer.

1:01:031:01:06

You don't like Trishna dancing?

1:01:061:01:08

I love Trishna's dancing.

1:01:081:01:09

You don't want to BE a dancer, and I don't want you to be a dancer.

1:01:091:01:12

-Why not? Why not?

-So we're happy.

1:01:121:01:15

That's how we like it.

1:01:161:01:18

Yeah? I'm glad you're so happy, but Trishna's happy as well.

1:01:181:01:22

DANCE MUSIC PLAYS

1:01:251:01:28

Wait, wait, wait.

1:01:321:01:33

I thought you guys were meant to be the dancers.

1:01:331:01:35

Show us how it's done.

1:01:351:01:38

# Na-na-na-na-na-na-na... # Hey!

1:01:571:01:59

Hoi!

1:02:021:02:03

OK?

1:02:031:02:04

One, two, three, four, five, six, seven, eight.

1:02:041:02:07

One, two, three, four, five, six, seven, eight.

1:02:071:02:11

One, two. One, two. One, two.

1:02:111:02:14

Very good, very good.

1:02:161:02:17

Hi.

1:02:181:02:20

Hello.

1:02:201:02:21

Trishna.

1:02:231:02:24

Thank you.

1:02:251:02:26

-Hello!

-Hello!

-Hello.

-Hi.

1:02:441:02:46

Bye.

1:02:551:02:56

Bye.

1:02:561:02:57

-Bye. Bye. Bye. Bye, Trishna.

-Bye.

1:02:571:02:59

It's really hard, you know, and Bollywood people

1:03:051:03:07

don't take you seriously when you do theatre.

1:03:071:03:10

They think, "Oh theatre, it's just a side job."

1:03:101:03:12

What's the play you're doing?

1:03:121:03:13

I'm doing two. One is a clown version of Hamlet.

1:03:131:03:16

-Really?

-Yeah, it's clowns playing Hamlet.

1:03:161:03:19

-That's quite cool.

-Yeah, and we talk in gibberish.

1:03:191:03:21

The life of an actor would make a good movie, you know.

1:03:211:03:24

-MAN: A white girl in Bollywood.

-My life is dramatic enough.

1:03:241:03:26

I do not want a movie about it, OK?

1:03:261:03:28

Set it in stone in history so people could watch it and see...

1:03:281:03:31

It wouldn't really be a movie - it would be soap opera.

1:03:311:03:34

Oh, it's hot.

1:03:341:03:35

What happened to the cherry? Who ate my cherry?

1:03:351:03:37

I took your cherry.

1:03:401:03:41

It is so cute how you guys have dressed up in the same coloured top.

1:03:411:03:44

Why thank you. I'm glad we've got your blessing.

1:03:441:03:46

-That's sweet.

-It was deliberate.

1:03:461:03:48

It's nice how you dress like Brangelina.

1:03:481:03:50

Romance, hey? I need some of that.

1:03:531:03:55

-Hi.

-Hey.

1:04:181:04:19

-Come back early?

-Yeah.

1:04:231:04:25

You OK?

1:04:281:04:29

Just had a call from London...

1:04:311:04:33

..and, um, my dad's in hospital.

1:04:341:04:37

What happened?

1:04:401:04:41

They're saying he's had a stroke.

1:04:411:04:43

Is he OK now?

1:04:451:04:46

-No, he's still in hospital.

-OK.

1:04:481:04:51

-I need to go back and see him.

-Yes, OK.

1:04:511:04:53

It's OK.

1:04:531:04:55

When I go back and see my dad, I'm going to tell him about us, OK?

1:05:021:05:05

Really?

1:05:111:05:12

Is that OK?

1:05:141:05:15

Listen, he's got this really old necklace my grandmother left for me.

1:05:261:05:30

-And my grandmother told me to give it to the girl that I love.

-Mm.

1:05:321:05:36

And I want to get it and come back and give it to you.

1:05:381:05:41

I don't want us to have any secrets that you find out about later.

1:05:431:05:47

Before you came to Bombay, I slept with...

1:05:481:05:52

Pooja

1:05:521:05:53

and Kalki.

1:05:531:05:55

It's OK.

1:05:581:06:00

Promise?

1:06:021:06:03

-(WHISPERS)

-Yes.

1:06:031:06:05

There's something I need to tell you too.

1:06:101:06:13

When I went back home...

1:06:151:06:17

..I found out that I got pregnant.

1:06:191:06:21

My...

1:06:271:06:28

My dad took me to the doctor.

1:06:311:06:34

And... And I had to get an abortion.

1:06:351:06:38

Why didn't you tell me?

1:06:541:06:56

I...

1:07:011:07:02

I was just so scared.

1:07:021:07:04

Sorry.

1:07:081:07:09

What... Wait, wait. What about...?

1:07:111:07:13

I just want to understand, OK?

1:07:131:07:16

-Yeah? I just want to understand.

-Yeah.

1:07:161:07:18

Why haven't you told me...

1:07:181:07:20

..like, in Bombay, until now?

1:07:211:07:24

Huh?

1:07:261:07:27

That's like a big deal.

1:07:311:07:32

Don't you think?

1:07:341:07:35

Yes.

1:07:371:07:39

So, then, why didn't you tell me?

1:07:391:07:40

Do you think maybe I had a right to know?

1:07:451:07:48

Huh?

1:07:511:07:52

But I don't understand how you can...

1:07:541:07:57

One second. Just one second.

1:07:571:07:58

I don't understand how you can...

1:07:581:08:01

Like, we've seen each other every day,

1:08:011:08:03

we've been doing everything together.

1:08:031:08:05

You can't say it's like you haven't had a chance to talk to me, can you?

1:08:051:08:09

Hm? We've been sleeping together, we're meant to be in love.

1:08:091:08:12

Now, that... That feels like a bit of a slap in the face.

1:08:121:08:16

To think you don't trust me enough to tell me something that's so...

1:08:161:08:20

Huh?

1:08:231:08:24

I'm just coming down now.

1:08:341:08:36

Thank you.

1:08:361:08:37

Some tea for you.

1:08:391:08:40

-I don't have time for tea, so just put it down.

-OK.

1:08:401:08:43

That's all I've got on me, but it should be enough.

1:08:451:08:49

HORNS HONK LOUDLY

1:09:071:09:10

THEY SPEAK OWN LANGUAGE

1:09:131:09:16

Hi!

1:10:091:10:11

Hi, Shahin.

1:10:111:10:12

Sorry.

1:10:161:10:17

HE SPEAKS OWN LANGUAGE

1:10:281:10:31

FRONT DOOR OPENING

1:10:341:10:37

Hello?

1:10:371:10:39

FRONT DOOR CLOSING

1:10:391:10:40

Oh. I'm sorry.

1:10:411:10:43

Thank you.

1:11:011:11:02

Good morning.

1:11:261:11:28

Good morning.

1:11:281:11:29

Good morning.

1:11:291:11:30

-Hi, Agnes.

-Hi.

-Good morning.

1:11:301:11:32

MUSIC PLAYS

1:11:381:11:41

Ow!

1:11:451:11:46

Zero,

1:11:551:11:57

nine, nine,..

1:11:571:11:58

Zero, nine, nine...

1:11:581:11:59

..four, four...

1:11:591:12:00

-..four, four...

-..one, two.

1:12:001:12:02

One, two, three, four!

1:12:041:12:05

One, two, three, four!

1:12:091:12:11

Ah!

1:12:121:12:14

-Hi.

-Hello.

1:12:251:12:27

MUSIC BEGINS

1:12:281:12:29

MUSIC ENDS

1:12:441:12:45

CHEERING AND APPLAUSE

1:12:451:12:48

SHE SINGS IN OWN LANGUAGE

1:13:021:13:05

HORNS HONK

1:13:241:13:28

PHONE RINGS

1:14:141:14:18

Jay?

1:14:201:14:21

Hey.

1:14:211:14:22

Hi.

1:14:221:14:23

You're OK?

1:14:251:14:27

-I'm OK. How are y...

-Listen, where are you?

1:14:271:14:31

In Versova.

1:14:311:14:32

OK, I'm back in Bombay. Can we meet, today?

1:14:321:14:35

Hey.

1:14:501:14:51

Are you OK?

1:14:541:14:55

I'm OK.

1:14:571:14:58

-I'm sorry I'm late.

-How are you?

1:14:581:15:00

I'm OK. Listen, I'm SO sorry about the flat.

1:15:011:15:06

Why didn't you call me?

1:15:071:15:09

I just didn't want to trouble you.

1:15:091:15:11

Hi, sir.

1:15:111:15:12

Um, a bottle of water, please. Mineral water, large bottle.

1:15:121:15:14

Yeah, she said, "You have to leave because the owners are coming back."

1:15:161:15:19

-It's ridiculous.

-And so...

1:15:191:15:21

They should have phoned me. YOU could have called me.

1:15:211:15:23

How's your father?

1:15:231:15:25

He's just not really himself.

1:15:251:15:27

Should I open, sir?

1:15:281:15:30

-I'm fine, thanks.

-Oh.

1:15:301:15:32

HE CLEARS THROAT

1:15:321:15:34

Like, he's in bed - he's bedbound, he can't walk.

1:15:341:15:37

They're not sure if he will be able to walk again. And, um...

1:15:371:15:41

obviously, everyone's just massively on edge.

1:15:411:15:44

Yeah.

1:15:441:15:46

It's like...my brothers are actually just arguing in front of his bed.

1:15:461:15:51

He's just lying there.

1:15:511:15:52

All the stuff that my dad was doing might have been boring,

1:15:521:15:55

but it's important - just being around, just taking care of stuff.

1:15:551:15:58

They're not up for it.

1:15:581:15:59

Like, they're not going to do it, so I'll have to do it.

1:15:591:16:01

I feel like, you know, it's the least I can do for him.

1:16:031:16:06

So I've got to take care of the hotels in Rajasthan,

1:16:071:16:10

surprise, surprise(!)

1:16:101:16:12

I know that, um...

1:16:221:16:24

I know it's different in Rajasthan to here.

1:16:241:16:27

I know for you it would be difficult,

1:16:271:16:30

you know - how you would be seen if...

1:16:301:16:32

You know, as my live-in girlfriend.

1:16:321:16:34

But I could get... I was thinking I could get you a job at the hotel.

1:16:371:16:41

OK.

1:16:441:16:45

I guess it will be a little bit like before.

1:16:461:16:49

In public, we...

1:16:491:16:51

So this fucker is leaving us.

1:17:051:17:06

-ALL:

-Ohhh!

1:17:061:17:08

-My movie is fucked.

-LAUGHTER

1:17:081:17:10

I hope...you fuck up your dad's hotel and go to hell.

1:17:101:17:15

You son of a bitch. You bastard. Three cheers for the bastard.

1:17:151:17:19

THEY CHEER

1:17:191:17:22

How was your journey, sir?

1:17:561:17:57

Um, long.

1:17:571:17:59

Hello, sir. Welcome to Ranvas.

1:17:591:18:01

-This is Trishna.

-Hello, Trishna.

-She'll be working with you now.

1:18:011:18:03

-She was from the Samode Hotel.

-Yes, yes, sir.

1:18:031:18:06

At this hotel, we have 16 havelis.

1:18:111:18:14

In past time, it was accommodation of the queens.

1:18:141:18:17

-He had 16 wives?

-16 wives.

1:18:171:18:19

Must have been a very happy man.

1:18:191:18:21

Very happy.

1:18:211:18:22

Amar Singh came here in 1638...

1:18:371:18:41

This is the ladies' swimming pool.

1:18:421:18:44

On other side, there is a men's swimming pool.

1:18:461:18:48

This is the Amar Singh Palace, built in 16th century.

1:18:501:18:54

-This is the bedroom?

-It's the bedroom.

1:18:581:19:01

-And these are all the different wives?

-Yes.

1:19:011:19:04

You can see our window.

1:19:091:19:10

It's a different type of window, in which she can see outside

1:19:121:19:17

but nobody can see inside this palace.

1:19:171:19:19

Shall I open the water?

1:19:341:19:36

No.

1:19:361:19:37

Don't do anything.

1:19:371:19:38

OK?

1:19:401:19:41

-(WHISPERS)

-Yeah.

1:19:431:19:44

SHE GASPS

1:20:331:20:34

Hell-o.

1:21:171:21:19

Hello.

1:21:191:21:20

Do you know what the Kama Sutra says?

1:21:251:21:27

No.

1:21:281:21:30

It says there are three different kinds of heroines

1:21:301:21:33

that you're allowed to make love to, right?

1:21:331:21:35

You've got the maid,

1:21:351:21:37

the single lady

1:21:371:21:39

and the courtesan.

1:21:391:21:40

So which one are you?

1:21:401:21:42

I don't know.

1:21:451:21:47

You don't know?

1:21:481:21:50

You have to pick one.

1:21:501:21:51

You know what I think?

1:21:581:22:00

I think you're all three.

1:22:001:22:02

Three in one.

1:22:061:22:07

No.

1:22:141:22:15

Why not?

1:22:151:22:17

Sh-sh. Come on.

1:22:181:22:19

Not here.

1:22:271:22:29

What's wrong?

1:22:291:22:30

Not here.

1:22:331:22:34

No-one can see us.

1:22:361:22:38

DRUMMING AND SINGING FROM INSIDE

1:22:441:22:46

SHE GREETS THEM IN OWN LANGUAGE

1:22:461:22:50

-Hi, Trishna.

-Hello, sir.

1:23:091:23:12

SHE SPEAKS IN OWN LANGUAGE

1:23:271:23:28

Why are you so late?

1:23:521:23:54

Hm?

1:23:541:23:55

Sorry. The kitchen was busy.

1:23:551:23:57

Trishna?

1:24:381:24:40

Huh?

1:24:401:24:41

Mm.

1:24:591:25:00

I want to see what the uniform looks like without that red thing.

1:25:371:25:40

Just take the red thing off.

1:25:401:25:42

Open your hair.

1:25:441:25:45

Take your pants off.

1:25:511:25:53

Uh?

1:25:561:25:57

Just lift up your skirt.

1:26:111:26:12

You know, it's so boring always seeing you wearing the same clothes.

1:28:071:28:11

Can't you wear something else?

1:28:111:28:13

You wear one of the dresses I got you in Bombay?

1:28:131:28:16

How do I bring it here?

1:28:161:28:18

Just put it in with my clean laundry.

1:28:181:28:20

SHE GREETS THEM IN OWN LANGUAGE

1:28:261:28:28

-Welcome to Ranvas.

-Thank you.

1:28:281:28:30

Drink, please?

1:28:301:28:31

Your dress is inside.

1:28:471:28:49

MUSIC PLAYS: All Mine by Portishead

1:29:051:29:08

Looks nice.

1:29:081:29:10

Turn around.

1:29:101:29:11

Do you know why I've got champagne?

1:29:131:29:15

It's our anniversary.

1:29:171:29:18

I want you to dance for me.

1:29:201:29:22

I don't want to dance.

1:29:221:29:24

HE SIGHS

1:29:241:29:25

I thought you liked dancing.

1:29:271:29:30

You like it, don't you?

1:29:301:29:31

Do you miss Bombay?

1:29:331:29:35

-Yes.

-Yeah.

1:29:351:29:36

Well, you can dance - for me.

1:29:361:29:39

Because we're celebrating.

1:29:411:29:42

Look at me.

1:30:191:30:22

Come here.

1:30:221:30:23

Come HERE.

1:30:311:30:33

Can't you do one little thing for me,

1:31:191:31:21

after everything I've done for you?

1:31:211:31:23

SHE GASPS

1:31:231:31:24

WATER RUNNING

1:31:331:31:36

HE GASPS AND CHOKES

1:32:481:32:51

HE SPLUTTERS

1:32:551:32:57

BOY SPEAKS IN OWN LANGUAGE

1:36:141:36:16

THEY GIGGLE

1:36:161:36:19

-ON TV:

-# My fantasy Come and see

1:38:561:39:00

# It's my fantasy

1:39:001:39:02

# My fantasy Come and see... #

1:39:021:39:04

CHILDREN SING ALONG QUIETLY

1:39:041:39:07

# My fantasy Come and see

1:39:071:39:09

# It's my fantasy

1:39:091:39:11

# My fantasy Come and see

1:39:111:39:13

# It's my fantasy... #

1:39:131:39:16

-Eight.

-Eight.

-TOGETHER: Nine, ten.

1:39:261:39:28

HORN HONKS A TUNE

1:39:571:39:59

HORN HONKS A TUNE

1:40:001:40:02

-Bye.

-Bye.

-Bye.

1:40:171:40:18

-BOY:

-Attention!

1:40:271:40:28

Stand at ease!

1:40:281:40:30

Attention!

1:40:301:40:31

Get ready for the prayer!

1:40:311:40:33

-Our Father...

-ALL: Our father...

1:40:341:40:37

-in heaven!

-in heaven!

1:40:371:40:39

-Give us today...

-Give us today...

1:40:391:40:42

-our daily bread...

-our daily bread...

1:40:421:40:44

-and forgive us...

-and forgive us...

1:40:441:40:47

-our sins!

-our sins!

1:40:471:40:49

-As we...

-As we...

1:40:491:40:51

-forgive those...

-forgive those...

1:40:511:40:53

-who sins...

-who sins...

1:40:531:40:56

-against us.

-against us.

1:40:561:40:58

-Do not bring us...

-Do not bring us...

1:40:581:41:00

-to the test...

-to the test...

1:41:001:41:02

-but deliver us...

-but deliver us...

1:41:021:41:04

-from evil!

-from evil!

1:41:041:41:07

-Amen!

-Amen!

1:41:071:41:09

Get ready for the pledge!

1:41:111:41:13

-India is my country!

-India is my country!

1:41:141:41:17

-All Indians...

-All Indians...

1:41:171:41:20

-are my...

-are my...

1:41:201:41:22

-brothers and sisters!

-brothers and sisters!

1:41:221:41:25

-I shall give my parents...

-I shall give my parents...

1:41:251:41:28

-teachers...

-teachers...

1:41:281:41:30

-and all elders...

-and all elders...

1:41:301:41:33

-respect!

-respect!

1:41:331:41:34

-And treat everyone...

-And treat everyone...

1:41:341:41:37

-with courtesy!

-with courtesy!

1:41:371:41:39

-To my country...

-To my country...

1:41:391:41:42

-and my people...

-and my people...

1:41:421:41:44

-I pledge my devotion!

-I pledge my devotion!

1:41:441:41:47

-In their well-being...

-In their well-being...

1:41:471:41:50

-and prosperity...

-and prosperity...

1:41:501:41:53

-alone lies...

-alone lies...

1:41:531:41:55

-my happiness!

-my happiness!

1:41:551:41:57

Hands down!

1:41:571:41:58

SHE GASPS

1:43:101:43:11

SHE PANTS

1:43:151:43:17

PANTING CONTINUES

1:43:211:43:24

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