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|---|---|---|---|
This programme contains some violent scenes, some strong language | 0:00:02 | 0:00:06 | |
and some scenes of a sexual nature. | 0:00:06 | 0:00:08 | |
-Darjeeling. -That your favourite? -Yeah, it's up there. For sure. | 0:00:34 | 0:00:39 | |
-Varanasi was the best, I thought. -Varanasi? -Yeah, just surreal. -Yeah. | 0:00:39 | 0:00:43 | |
-Amritsar was nice. -Yeah, you would say that! | 0:00:43 | 0:00:47 | |
Never seen Deepak so Punjabi in my life. "Yeah, I'm a local. | 0:00:47 | 0:00:52 | |
-"Golden Temple, that's me." -Goa, I like Goa. | 0:00:52 | 0:00:55 | |
-You spent the whole time on the beach. -Kerela had better beaches. | 0:00:55 | 0:00:58 | |
It's like the least Indian thing you could do. | 0:00:58 | 0:01:00 | |
-Beaches in Kerela, girls in Goa. -Yeah, check. | 0:01:00 | 0:01:03 | |
-Can't believe this is the end of the trip. -Yeah. | 0:01:04 | 0:01:07 | |
-I'm back to work on Wednesday. -I know, mate, and the weather's going to suck, as well. | 0:01:07 | 0:01:11 | |
Enjoy work, enjoy the weather, think of me, | 0:01:11 | 0:01:14 | |
out here suffering in the heat. | 0:01:14 | 0:01:15 | |
-You all right there, Mark? -Too many Bhang lassis. -How many did you have? | 0:01:16 | 0:01:21 | |
Don't know. | 0:01:21 | 0:01:22 | |
ALL LAUGH | 0:01:22 | 0:01:23 | |
Remember this? | 0:01:31 | 0:01:32 | |
# Shoot the runner | 0:01:32 | 0:01:34 | |
# Shoot shoot the runner | 0:01:34 | 0:01:36 | |
# I'm a king and she's my queen, bitch | 0:01:36 | 0:01:40 | |
# Shoot the runner | 0:01:40 | 0:01:41 | |
# Shoot shoot the runner | 0:01:41 | 0:01:43 | |
# I'm a king and she's my queen, bitch... # | 0:01:43 | 0:01:47 | |
Those were the days. | 0:01:49 | 0:01:50 | |
You got laid twice in three years, how are those the days? | 0:01:50 | 0:01:53 | |
HE GIVES AN INSTRUCTION | 0:01:56 | 0:01:57 | |
# Shoot the runner | 0:02:01 | 0:02:02 | |
# Shoot shoot the runner | 0:02:02 | 0:02:04 | |
# I'm a king and she's my queen, bitch... # | 0:02:04 | 0:02:08 | |
-How are you feeling, man? -Bit better. | 0:02:08 | 0:02:11 | |
-Yeah? -Yeah. -Yeah, you look like you're feeling better! | 0:02:11 | 0:02:14 | |
THEY CHEER | 0:02:23 | 0:02:24 | |
# Shoot the runner Shoot shoot the runner | 0:02:36 | 0:02:39 | |
# I'm a king and she's my queen | 0:02:39 | 0:02:42 | |
# Shoot the runner | 0:02:43 | 0:02:45 | |
# Shoot shoot the runner | 0:02:45 | 0:02:47 | |
# I'm a king and she's my queen, bitch. # | 0:02:47 | 0:02:50 | |
What's up? | 0:02:51 | 0:02:53 | |
He's stuck. | 0:02:55 | 0:02:56 | |
ENGINE REVS | 0:02:56 | 0:02:58 | |
THEY SHOUT ENCOURAGEMENT | 0:02:58 | 0:02:59 | |
THEY LAUGH | 0:03:03 | 0:03:04 | |
Why are you bringing us here? | 0:03:06 | 0:03:08 | |
There's a really nice temple. Look, you can see, look. See that? | 0:03:08 | 0:03:12 | |
One temple. | 0:03:12 | 0:03:13 | |
It's got, out of 400 plus pages in this guidebook, | 0:03:13 | 0:03:16 | |
there's one paragraph dedicated to this place. It must be boom town. | 0:03:16 | 0:03:19 | |
It's off the beaten track. | 0:03:19 | 0:03:20 | |
This is the Jain temple of Mahavira. | 0:03:24 | 0:03:27 | |
This temple is very oldest temple in India. | 0:03:27 | 0:03:30 | |
Mohammad was the last, number 24 prophet, about a Jain. | 0:03:30 | 0:03:33 | |
The statue from there is 2,500 years old, | 0:03:33 | 0:03:36 | |
-handmade by sand with milk. -What were the eyes? | 0:03:36 | 0:03:39 | |
-And eyes were diamond. -Diamonds? | 0:03:39 | 0:03:41 | |
Real diamond, 24 carats. | 0:03:41 | 0:03:43 | |
Who are these characters? | 0:03:43 | 0:03:45 | |
They are the Apsara dancing girls. | 0:03:45 | 0:03:47 | |
Dancing girls are represent for God the playful singing song and dancing. | 0:03:47 | 0:03:51 | |
-See, he wants to convert now, I think, after that. -Yeah, yeah. | 0:03:51 | 0:03:53 | |
And these are very old pillars of the gate. | 0:03:53 | 0:03:56 | |
-And can you look the very big detail, sir. -Yeah. | 0:03:56 | 0:03:59 | |
Now we build the new temple over here | 0:03:59 | 0:04:01 | |
and these are the old temples of 2,500 years old. | 0:04:01 | 0:04:05 | |
And the left-hand gallery, they all are female goddess | 0:04:05 | 0:04:07 | |
of individuals. | 0:04:07 | 0:04:09 | |
Like Parvati, Durga, Lakshimi, and Saraswati. | 0:04:09 | 0:04:14 | |
First people go the main temple of the principle, | 0:04:14 | 0:04:16 | |
then others go around, left to right, | 0:04:16 | 0:04:19 | |
pray, pray to pray for the other temples. | 0:04:19 | 0:04:21 | |
-Is there going to be a test at the end? -Yeah. | 0:04:21 | 0:04:23 | |
Ah, it's nice, man. | 0:04:26 | 0:04:27 | |
Yeah, we should have stayed here the whole time. | 0:04:27 | 0:04:30 | |
So, was it worth the drive? | 0:04:36 | 0:04:38 | |
It's a great place, man. | 0:04:38 | 0:04:39 | |
The dancers have arrived. | 0:04:42 | 0:04:44 | |
-Hello. -Good evening. | 0:04:52 | 0:04:54 | |
Good evening. | 0:04:54 | 0:04:56 | |
Thank you. | 0:04:58 | 0:05:00 | |
Those girls are cute, right? | 0:05:11 | 0:05:13 | |
Yeah, we should dance, come on. | 0:05:13 | 0:05:15 | |
You should do it, man. | 0:05:15 | 0:05:17 | |
You're boring. | 0:05:17 | 0:05:19 | |
Yeah, your moves are great, bro. | 0:05:19 | 0:05:21 | |
How are you? Rita? I'm Sandeep. | 0:05:25 | 0:05:27 | |
MUSIC MIXES WITH CHAT | 0:05:27 | 0:05:29 | |
MUSIC STOPS | 0:05:46 | 0:05:47 | |
-What happened, buddy? -What do you mean, what happened? | 0:05:49 | 0:05:52 | |
-Going so good. -So why didn't you guys join in? -You gave up far too easily. | 0:05:52 | 0:05:56 | |
You know, I think I saw you at the temple today. | 0:05:56 | 0:05:58 | |
Yeah, I was there with my sister and my brother. My sister's birthday today. | 0:05:58 | 0:06:02 | |
-How old is she? -Six, sir. | 0:06:02 | 0:06:03 | |
-How old are you? -Sir, I'm 19. | 0:06:03 | 0:06:06 | |
19. Do you work here full-time? | 0:06:06 | 0:06:09 | |
No, sir. Sir, I come here only on special occasions like today. | 0:06:09 | 0:06:14 | |
But you don't go to college or university? | 0:06:14 | 0:06:17 | |
No, sir. In Osian there is no college | 0:06:17 | 0:06:19 | |
and if I had to study then I would have to go far, | 0:06:19 | 0:06:23 | |
far away and it's very expensive for my family. | 0:06:23 | 0:06:25 | |
Hey, guys, it's us. You need a lift? | 0:06:44 | 0:06:46 | |
Guys, guys, listen. | 0:06:49 | 0:06:50 | |
We've even got a chaperone here, look, there's a driver. | 0:06:50 | 0:06:53 | |
-What did she say? -Get in the front. | 0:06:55 | 0:06:57 | |
-You've never learned Hindi. -No, we never spoke it at home. | 0:07:05 | 0:07:09 | |
Yeah, do you want to hear it? | 0:07:26 | 0:07:28 | |
Oh, my God! Thank you. | 0:07:30 | 0:07:31 | |
-What was that? -I would like to say one thing in Punjabi. | 0:07:31 | 0:07:35 | |
Thank you very much. | 0:07:37 | 0:07:39 | |
Thank you so much for that. | 0:07:42 | 0:07:44 | |
So, maybe see you at the hotel? | 0:07:45 | 0:07:46 | |
Bye-bye. | 0:07:46 | 0:07:48 | |
-Your father's in. -Yes. | 0:07:51 | 0:07:52 | |
-E-mail me. -Yes, I will. | 0:07:52 | 0:07:54 | |
-Take care. -Bye-bye. -Bye. | 0:07:54 | 0:07:56 | |
DANCE MUSIC ON TV | 0:08:09 | 0:08:10 | |
# We twist, we twist | 0:08:10 | 0:08:11 | |
# We twist, we twist, and we twist | 0:08:11 | 0:08:14 | |
# We twist, we twist | 0:08:14 | 0:08:16 | |
# We twist, and we twist | 0:08:16 | 0:08:18 | |
# We twist, we twist, and we twist | 0:08:18 | 0:08:20 | |
# We twist, we twist | 0:08:20 | 0:08:23 | |
# And we twist, we twist... # | 0:08:23 | 0:08:25 | |
MUSIC CONTINUES | 0:08:32 | 0:08:33 | |
CHILDREN CHATTER | 0:09:36 | 0:09:37 | |
HORN BEEPS | 0:11:10 | 0:11:11 | |
HORN BLARES | 0:11:13 | 0:11:14 | |
HUBBUB OF VOICES | 0:11:25 | 0:11:27 | |
HUBBUB CONTINUES | 0:11:49 | 0:11:50 | |
SHE SCREAMS | 0:12:07 | 0:12:08 | |
SHE GROANS | 0:12:15 | 0:12:17 | |
SHE SIGHS | 0:12:23 | 0:12:24 | |
Enjoy the desert, dude. | 0:13:42 | 0:13:44 | |
Wait, wait, stop, stop, stop. | 0:13:46 | 0:13:47 | |
It's the girl from the hotel. | 0:13:51 | 0:13:52 | |
Oh, yeah, go check on her, go be a doctor, bro. | 0:13:52 | 0:13:55 | |
Trishna! | 0:13:55 | 0:13:56 | |
What's he up to? | 0:14:03 | 0:14:04 | |
He is a hit with the kids. | 0:14:04 | 0:14:05 | |
You've got your own personal army. | 0:14:06 | 0:14:09 | |
But they couldn't stop you from getting injured. | 0:14:09 | 0:14:12 | |
How's your dad? | 0:14:15 | 0:14:17 | |
-He's still in the hospital. -He has chest injuries. | 0:14:17 | 0:14:20 | |
-Is this your sister? -Yes, sir. | 0:14:20 | 0:14:23 | |
-What's your name? -My name is Devshri. | 0:14:23 | 0:14:25 | |
Devshri? | 0:14:25 | 0:14:27 | |
She just ran away from him. | 0:14:27 | 0:14:29 | |
He's got to work a lot faster than this. | 0:14:29 | 0:14:30 | |
So, if your dad's in hospital and you've got a broken arm, | 0:14:30 | 0:14:33 | |
like, what are you guys going to do? | 0:14:33 | 0:14:37 | |
It is going to be very difficult now | 0:14:37 | 0:14:40 | |
because my father had to pay the loan for the jeep. | 0:14:40 | 0:14:43 | |
Yo, Jay, we got to go, man. | 0:14:43 | 0:14:45 | |
Yeah, one minute. | 0:14:45 | 0:14:47 | |
Have you got a phone number or something? | 0:14:47 | 0:14:49 | |
No, sir, my phone was broken in accident. | 0:14:49 | 0:14:51 | |
My father's got a hotel near Jaipur. | 0:14:51 | 0:14:53 | |
I can get my father to send a letter to your family offering you a job. | 0:14:53 | 0:14:58 | |
Thank you, sir | 0:14:58 | 0:14:59 | |
Jay, come on, bro. | 0:14:59 | 0:15:01 | |
-Get well soon, and I hope it works out. -Thank you, sir. | 0:15:01 | 0:15:03 | |
And I hope your dad gets better. | 0:15:03 | 0:15:05 | |
-Thank you, sir. -See you later. -Thank you, bye. -Bye. | 0:15:05 | 0:15:08 | |
-Take your time, man. -Have a game of cricket. -I don't want you to scuff your shoes. | 0:15:09 | 0:15:12 | |
You want some extra time at the airport to buy each other perfume. | 0:15:12 | 0:15:15 | |
-How was she? -What? -Was she OK? | 0:15:22 | 0:15:25 | |
Can we get these guys out of the country straightaway? | 0:15:25 | 0:15:27 | |
What did she say? | 0:15:27 | 0:15:28 | |
She said, "Tell your friend that was a fake number... | 0:15:28 | 0:15:31 | |
-"my friend gave your friend." -I've got an e-mail address, too. | 0:15:31 | 0:15:34 | |
THEY ALL LAUGH | 0:15:34 | 0:15:36 | |
"Dear sir, please accept this l-letter | 0:16:48 | 0:16:52 | |
"as a formal offer of employment..." | 0:16:52 | 0:16:55 | |
Hey. | 0:19:19 | 0:19:21 | |
-Hello. -Hello, sir. | 0:19:21 | 0:19:23 | |
How are you doing? You OK? | 0:19:23 | 0:19:25 | |
My driver can't come till later so I thought I'd come and get you myself. | 0:19:25 | 0:19:28 | |
-Thank you. -Don't want you breaking anything else. -OK. | 0:19:28 | 0:19:32 | |
I'll put this in the luggage room. He can pick it up later. | 0:19:32 | 0:19:35 | |
OK, sir. | 0:19:35 | 0:19:36 | |
My friend, this is for the Samode Bagh Hotel. | 0:19:38 | 0:19:41 | |
I thought that cast would come off by now. | 0:19:41 | 0:19:44 | |
-Sir, two weeks more and then I can take off. -OK. | 0:19:44 | 0:19:48 | |
You can hold onto me. | 0:20:26 | 0:20:28 | |
I'm fine, sir. | 0:20:28 | 0:20:30 | |
All the milk and butter comes from here. | 0:21:08 | 0:21:11 | |
These are my dad's. | 0:21:11 | 0:21:13 | |
He had two budgies when he was a kid and he's been upgrading ever since. | 0:21:13 | 0:21:17 | |
You won't be able to start your training until your arm's better, | 0:21:17 | 0:21:20 | |
-so we'll start you off with feeding these guys. -Thank you. | 0:21:20 | 0:21:24 | |
THEY SPEAK IN OWN LANGUAGE | 0:21:24 | 0:21:27 | |
What shall I say to them when they say that? | 0:21:27 | 0:21:30 | |
SHE SPEAKS IN OWN LANGUAGE | 0:21:30 | 0:21:31 | |
HE REPEATS THE PHRASE | 0:21:31 | 0:21:33 | |
HE SPEAKS IN OWN LANGUAGE | 0:21:33 | 0:21:35 | |
JAY REPLIES HESITANTLY | 0:21:35 | 0:21:38 | |
Yeah, that wasn't bad. | 0:21:38 | 0:21:40 | |
KNOCK ON DOOR | 0:21:41 | 0:21:43 | |
Hey, this is Trishna. | 0:21:43 | 0:21:46 | |
Hi. | 0:21:46 | 0:21:48 | |
-This is, um... -Shweta. -..Shweta. | 0:21:48 | 0:21:51 | |
So you're going to be sharing. I'll get another mattress in. | 0:21:51 | 0:21:54 | |
Leave you guys to it. | 0:21:54 | 0:21:56 | |
BIRDSONG | 0:22:01 | 0:22:04 | |
THEY CHATTER IN OWN LANGUAGE | 0:22:08 | 0:22:11 | |
It's kind of like a retreat? | 0:22:19 | 0:22:22 | |
Yeah, it would be a retreat for them. | 0:22:22 | 0:22:24 | |
They'll be staying here 15, 16 nights. | 0:22:24 | 0:22:28 | |
Yeah, mate, if there was something to report, | 0:22:38 | 0:22:41 | |
I promise you, I'd be on the blower straightaway. | 0:22:41 | 0:22:43 | |
And I will pay the builders directly. | 0:23:14 | 0:23:17 | |
BIRDS CHIRP | 0:23:30 | 0:23:33 | |
SHE CALLS TO THE BIRDS | 0:23:33 | 0:23:36 | |
Hey. How's it going? | 0:23:38 | 0:23:41 | |
-Oh, good. -Have you tried whistling to them? | 0:23:41 | 0:23:44 | |
-You haven't? -No. | 0:23:44 | 0:23:47 | |
My dad likes it when you whistle to them. | 0:23:47 | 0:23:50 | |
HE WHISTLES | 0:23:50 | 0:23:52 | |
You know how to whistle, don't you? | 0:23:52 | 0:23:54 | |
-No, sir. -You just put your lips together and blow. | 0:23:54 | 0:23:57 | |
Put your lips like this... | 0:23:59 | 0:24:01 | |
..and then blow. | 0:24:03 | 0:24:05 | |
SHE EXHALES | 0:24:05 | 0:24:06 | |
Even more softly, softly. | 0:24:06 | 0:24:09 | |
HE WHISTLES A NOTE | 0:24:09 | 0:24:12 | |
SHE WHISTLES SOFTLY | 0:24:12 | 0:24:14 | |
Yeah. | 0:24:17 | 0:24:19 | |
SHE WHISTLES | 0:24:19 | 0:24:21 | |
Yeah! See? Easy. | 0:24:21 | 0:24:24 | |
You OK? | 0:25:08 | 0:25:10 | |
What's the difference between that one and the others? | 0:25:48 | 0:25:52 | |
May I? | 0:26:00 | 0:26:01 | |
Yes. Thank you. | 0:26:01 | 0:26:03 | |
So, sir, today we are having 27 rooms, | 0:26:17 | 0:26:20 | |
23 are in a group... | 0:26:20 | 0:26:21 | |
-OK. -..and the others are on an IPIA plant... | 0:26:21 | 0:26:26 | |
INDISTINCT | 0:26:26 | 0:26:28 | |
KNOCK ON DOOR | 0:26:31 | 0:26:33 | |
-May I come in? -OK. | 0:26:33 | 0:26:35 | |
THEY SPEAK IN OWN LANGUAGE | 0:26:59 | 0:27:02 | |
MUSIC PLAYS ON TV | 0:27:03 | 0:27:05 | |
-Did you have a good journey? -Fine. | 0:27:29 | 0:27:32 | |
It's so good to escape the frenzy of India's cities | 0:27:32 | 0:27:35 | |
-and arrive here. -Hmm. -Oh, boy. | 0:27:35 | 0:27:40 | |
Morning, sir. | 0:27:40 | 0:27:41 | |
"Frenzy" isn't the word. Chaos... | 0:27:41 | 0:27:43 | |
-Good morning, sir. -Hello! -BIRD CRIES | 0:27:43 | 0:27:46 | |
Ah, there it is. | 0:27:46 | 0:27:48 | |
There's my boy. How are you? | 0:27:48 | 0:27:50 | |
Thank you. | 0:27:50 | 0:27:52 | |
-What's that? -What? -That. | 0:27:52 | 0:27:54 | |
-Do you know it? -No, what is it? | 0:27:54 | 0:27:56 | |
-It's a variety of bird. -Of what? | 0:27:57 | 0:27:59 | |
Little hummingbird kind of thing, you know? | 0:27:59 | 0:28:02 | |
You don't know that. | 0:28:02 | 0:28:04 | |
They flap their wings in one spot and drink nectar. | 0:28:04 | 0:28:07 | |
Trishna, this is my dad. | 0:28:07 | 0:28:09 | |
-Hello, sir. -Dad, this is Trishna, she's been looking after your birds. | 0:28:09 | 0:28:13 | |
Oh, have you really, Trishna? How nice to meet you. | 0:28:13 | 0:28:16 | |
-Good, I'm glad. Do you like the job? -Yes, sir. | 0:28:16 | 0:28:20 | |
(Very nice.) | 0:28:20 | 0:28:21 | |
But, you know, that peacock, that is so strange, isn't it? | 0:28:21 | 0:28:27 | |
Half shriek, half lament, half call for its lover. | 0:28:27 | 0:28:33 | |
BIRD CRIES | 0:28:34 | 0:28:36 | |
-What is that? -Partridge. | 0:28:36 | 0:28:38 | |
I used to shoot them as a boy. | 0:28:39 | 0:28:41 | |
You don't know that, you don't know that. | 0:28:41 | 0:28:43 | |
Your knowledge of flora and fauna is absolutely zero. | 0:28:43 | 0:28:48 | |
-You were just making it up, weren't you? -No, of course not. | 0:28:48 | 0:28:51 | |
-I bet you they're not. -Take your bets... -OK. -..ladies and gentlemen | 0:28:51 | 0:28:55 | |
before the roulette wheel turns. | 0:28:55 | 0:28:59 | |
Sorry, sir. | 0:29:07 | 0:29:08 | |
Not at all. | 0:29:08 | 0:29:09 | |
-Good. Do you have a moment? -Yes, sir. | 0:29:09 | 0:29:12 | |
-May I take your arm? -Yes, sir. | 0:29:12 | 0:29:14 | |
What's that? | 0:29:20 | 0:29:21 | |
HE SNIFFS | 0:29:21 | 0:29:23 | |
Nice perfume. Is it you? | 0:29:23 | 0:29:27 | |
Or is it jasmine? | 0:29:27 | 0:29:29 | |
Oh, listen to them all singing. | 0:29:32 | 0:29:36 | |
-SHE WHISTLES -Ah... | 0:29:36 | 0:29:38 | |
Wonderful. Well, you whistle so well - no wonder. | 0:29:38 | 0:29:43 | |
Who taught you to whistle like that? | 0:29:43 | 0:29:46 | |
-Jay, sir. -Jay? I don't believe it. | 0:29:46 | 0:29:49 | |
I used to be able to whistle. | 0:29:49 | 0:29:52 | |
I can't whistle to save my life. | 0:29:52 | 0:29:55 | |
Come here a minute, will you? Let's have a look at you. | 0:29:58 | 0:30:02 | |
Take that. Come here. | 0:30:02 | 0:30:04 | |
Oh, yes. | 0:30:09 | 0:30:10 | |
Yes... | 0:30:10 | 0:30:12 | |
Yes. | 0:30:13 | 0:30:15 | |
Well... | 0:30:15 | 0:30:17 | |
Jay said you were very beautiful. | 0:30:19 | 0:30:22 | |
Well, he was right for a change. You are. | 0:30:23 | 0:30:26 | |
Is he treating you well? | 0:30:26 | 0:30:29 | |
Yes, sir. | 0:30:29 | 0:30:31 | |
Good. | 0:30:31 | 0:30:32 | |
As long as you're happy. | 0:30:32 | 0:30:35 | |
No hotel runs itself. No business runs itself. | 0:30:35 | 0:30:37 | |
Whatever gave you that idea? You've got to work at it. | 0:30:37 | 0:30:40 | |
-Can one ask...what else you want to do? -Yeah. | 0:30:42 | 0:30:46 | |
I'd like to go to Bombay and find some projects to invest in there. | 0:30:46 | 0:30:50 | |
You really are sometimes impossible. Really are. | 0:30:50 | 0:30:54 | |
I said I'd come here, I've given it a go. Great. | 0:30:54 | 0:30:58 | |
Your mother was right. | 0:30:58 | 0:31:00 | |
I really spoilt you. | 0:31:00 | 0:31:02 | |
I'm not asking for any more than what you did for Ojun. | 0:31:02 | 0:31:05 | |
Look, you're no longer a child. | 0:31:05 | 0:31:07 | |
-You don't want to do this business, don't do it. -Thank you. | 0:31:07 | 0:31:11 | |
It's OK. | 0:31:12 | 0:31:14 | |
-Can you manage? -Yeah. | 0:31:15 | 0:31:18 | |
Thanks a lot. | 0:31:18 | 0:31:20 | |
See you. | 0:31:20 | 0:31:22 | |
Listen, can you get Trishna to serve me lunch in my room from now on? | 0:31:50 | 0:31:55 | |
-Upstairs. -Yes, sir. | 0:31:55 | 0:31:57 | |
Hello, sir. May I come in? | 0:32:02 | 0:32:05 | |
Oh, hey. Just here is fine. | 0:32:05 | 0:32:07 | |
Thank you, sir. | 0:32:34 | 0:32:35 | |
Listen, I found a course that you might be interested in. | 0:32:35 | 0:32:40 | |
It is a diploma in hotel management. | 0:32:40 | 0:32:43 | |
Would you be interested in going to that? | 0:32:43 | 0:32:46 | |
Yes, sir. | 0:32:46 | 0:32:48 | |
I could give you a couple of mornings off every week. | 0:32:48 | 0:32:51 | |
Thank you, sir. | 0:32:51 | 0:32:53 | |
Roll it like this. | 0:33:44 | 0:33:46 | |
This part to go down side. | 0:33:46 | 0:33:49 | |
OK, add more water. | 0:33:49 | 0:33:52 | |
The table wine, we have red wine, white wine and rose wine... | 0:33:52 | 0:33:55 | |
You know that all these champagnes are sparkling wine | 0:33:55 | 0:33:58 | |
-but the sparkling wines are not... STUDENTS: -Champagne. -..champagne. | 0:33:58 | 0:34:02 | |
Bedroom, please. | 0:34:02 | 0:34:04 | |
Sir, lunch. | 0:34:06 | 0:34:07 | |
-Do you want to just put it down on the table? -OK. | 0:34:07 | 0:34:10 | |
Actually, it would be better on the bed. | 0:34:10 | 0:34:13 | |
Thank you, sir. Sorry. | 0:34:13 | 0:34:15 | |
-How are you doing? You OK? -Yes, sir. -Good. | 0:34:18 | 0:34:20 | |
Sir, on Friday it is my friend's wedding and I wanted to go. | 0:34:20 | 0:34:25 | |
-Oh, of course. -Thank you, sir. | 0:34:25 | 0:34:27 | |
Where is it? Back in...where you're from? | 0:34:27 | 0:34:29 | |
-No, no, sir, Jaipur. -Is it somebody from the hotel? | 0:34:29 | 0:34:32 | |
No, sir. Sir, from my class. | 0:34:32 | 0:34:33 | |
-Oh, from the college? -From the college. -Ah, OK. | 0:34:33 | 0:34:36 | |
Who are you going with? | 0:34:36 | 0:34:38 | |
Sir, I asked to Chanchal, it is her day off, and she said OK. | 0:34:38 | 0:34:41 | |
Are you sure you don't need a male chaperone | 0:34:43 | 0:34:45 | |
-to take care of you out there? -No, sir. | 0:34:45 | 0:34:47 | |
MUSIC PLAYS | 0:34:47 | 0:34:49 | |
THEY SING ALONG | 0:34:51 | 0:34:54 | |
Thank you. | 0:35:24 | 0:35:25 | |
Nice! | 0:35:27 | 0:35:28 | |
Hello. | 0:35:30 | 0:35:32 | |
THEY MOUTH | 0:36:28 | 0:36:31 | |
Excuse me. | 0:37:08 | 0:37:09 | |
Excuse me! | 0:37:09 | 0:37:11 | |
PHONE RINGS | 0:37:13 | 0:37:15 | |
Excuse me. Hello? | 0:37:18 | 0:37:20 | |
Trishna. Trishna! | 0:37:24 | 0:37:27 | |
Are you all right? You OK? | 0:37:27 | 0:37:29 | |
-Sorry? -You can go now. -Piss off. | 0:37:31 | 0:37:33 | |
Thank you. | 0:37:43 | 0:37:45 | |
Why have we stopped here? | 0:38:23 | 0:38:26 | |
Are you OK? | 0:38:29 | 0:38:30 | |
Yes. | 0:38:30 | 0:38:32 | |
You're very beautiful. | 0:38:33 | 0:38:36 | |
SHE SIGHS | 0:39:16 | 0:39:19 | |
WATER RUNS | 0:39:19 | 0:39:21 | |
SHE SOBS | 0:39:47 | 0:39:51 | |
CHILDREN CHATTER | 0:40:50 | 0:40:52 | |
Devshri. | 0:41:02 | 0:41:05 | |
Devshri! | 0:41:05 | 0:41:07 | |
Trishna. | 0:41:07 | 0:41:08 | |
How are you doing? | 0:51:47 | 0:51:49 | |
Can we talk? | 0:51:55 | 0:51:56 | |
How did you find me? | 0:52:14 | 0:52:16 | |
I went to your house and you weren't there. | 0:52:16 | 0:52:19 | |
Your sister told me you were here. | 0:52:19 | 0:52:21 | |
I left... | 0:52:24 | 0:52:26 | |
I left the hotel. | 0:52:26 | 0:52:28 | |
Why? | 0:52:29 | 0:52:31 | |
Why? | 0:52:31 | 0:52:33 | |
Because the hotel business isn't really my thing. | 0:52:33 | 0:52:35 | |
I'm in Bombay now, it's good. | 0:52:35 | 0:52:38 | |
Why did you leave that day? | 0:52:41 | 0:52:43 | |
Tell me. | 0:52:46 | 0:52:48 | |
I tried calling you, your phone was off. | 0:52:49 | 0:52:52 | |
I carried on trying to call, it became disconnected. | 0:52:52 | 0:52:55 | |
What happened? | 0:52:57 | 0:52:59 | |
We didn't do anything wrong. | 0:53:00 | 0:53:02 | |
Did it feel wrong to you? | 0:53:02 | 0:53:05 | |
I've got my own place in Bombay, OK. | 0:53:08 | 0:53:11 | |
And nobody cares if we're together over there. | 0:53:12 | 0:53:15 | |
You don't have to worry about what people think. | 0:53:15 | 0:53:18 | |
And I can't stop thinking about you. | 0:53:20 | 0:53:23 | |
I want to be with you. | 0:53:23 | 0:53:24 | |
I want you by my side. | 0:53:24 | 0:53:26 | |
Will you come to Bombay with me? | 0:53:26 | 0:53:28 | |
Will you come to Bombay with me? | 0:53:32 | 0:53:34 | |
OK. | 0:53:40 | 0:53:42 | |
-Yes. -When can you come? | 0:53:43 | 0:53:46 | |
-Now. -Now? -Now. | 0:53:48 | 0:53:51 | |
Don't you have to tell your uncle? | 0:53:51 | 0:53:53 | |
No. No, if I tell him he won't let me leave. | 0:53:53 | 0:53:56 | |
Is this like how you thought it would be? | 0:54:12 | 0:54:14 | |
I think it's better. | 0:54:14 | 0:54:16 | |
Almost there. | 0:54:36 | 0:54:38 | |
This is it. | 0:54:42 | 0:54:43 | |
This is the kitchen. | 0:54:45 | 0:54:47 | |
This is where you're going to be spending most of your time, | 0:54:47 | 0:54:50 | |
obviously(!) | 0:54:50 | 0:54:51 | |
Nice, huh? | 0:54:51 | 0:54:53 | |
Very nice. | 0:54:53 | 0:54:54 | |
Wow, it's so big. | 0:54:57 | 0:55:00 | |
So this is all yours? | 0:55:00 | 0:55:01 | |
I'm renting it. | 0:55:01 | 0:55:03 | |
And this is your room. | 0:55:03 | 0:55:06 | |
-My room? -Yeah. | 0:55:06 | 0:55:07 | |
-What do you think? -I don't need a room. | 0:55:07 | 0:55:10 | |
In case you ever want your own space. | 0:55:10 | 0:55:12 | |
This is beautiful. I've never seen the sea before. | 0:55:12 | 0:55:15 | |
Well, I thought you might like the view. | 0:55:15 | 0:55:18 | |
-What's up? -You OK? | 0:55:52 | 0:55:54 | |
-Amit, this is Trishna. -Hi. -Hi. | 0:55:54 | 0:55:57 | |
-How are you? -I'm fine. | 0:55:57 | 0:55:59 | |
-Trishna, Anurag. -Hi. This is Amit, Shahin. | 0:55:59 | 0:56:01 | |
-Hi. -Hi, Trishna, nice to meet you. | 0:56:01 | 0:56:04 | |
They are dancers. | 0:56:04 | 0:56:06 | |
So what is going on? | 0:56:06 | 0:56:07 | |
This is for you. | 0:56:07 | 0:56:09 | |
-What's this? -The script. | 0:56:09 | 0:56:11 | |
We are trying to form a company together. | 0:56:11 | 0:56:14 | |
You know he's got a rich father? | 0:56:14 | 0:56:16 | |
I'm a writer/director, Amit is a music director. | 0:56:16 | 0:56:20 | |
Thanks(!) Is that my only qualification? Rich father? | 0:56:20 | 0:56:22 | |
You could have just said, "Jay's the producer, | 0:56:22 | 0:56:25 | |
"he's good at organising things." | 0:56:25 | 0:56:26 | |
He's got a father with lots of money | 0:56:26 | 0:56:28 | |
and we are trying to make him a producer. | 0:56:28 | 0:56:31 | |
-Tell us about you. -What do you want to know? | 0:56:32 | 0:56:35 | |
-You act? -No. | 0:56:35 | 0:56:36 | |
You don't act? You don't like to act? | 0:56:36 | 0:56:39 | |
-You don't want to act? -No, I don't think so. | 0:56:40 | 0:56:43 | |
OK, leave her alone. | 0:56:43 | 0:56:44 | |
I going to put this up right here... So there we go. | 0:56:44 | 0:56:47 | |
Hi, Anurag. | 0:56:47 | 0:56:49 | |
Oh, hey, hey. | 0:56:49 | 0:56:50 | |
Kalki, hello. Nice to see you. Are you OK? This is Trishna. | 0:56:50 | 0:56:54 | |
-Trishna, Kalki. -Hi. -Hi. | 0:56:54 | 0:56:57 | |
-Sit. -No, you know what, it's really loud in here. | 0:56:57 | 0:57:00 | |
Shall we go somewhere else? We really have to talk right now. | 0:57:00 | 0:57:03 | |
He's trying to get me to do his commercial. | 0:57:03 | 0:57:05 | |
-I'll see you soon, all right? -I'll be back. -Bye, Kalki. -Bye. | 0:57:05 | 0:57:09 | |
Don't worry, she's always like that. | 0:57:11 | 0:57:13 | |
Why do you meet me in this place? | 0:57:13 | 0:57:15 | |
-So you are originally from Rajasthan? -Osian, Rajasthan. | 0:57:15 | 0:57:19 | |
THEY SPEAK IN OWN LANGUAGE | 0:57:28 | 0:57:31 | |
MUSICIANS PLAY | 0:57:44 | 0:57:47 | |
One, two, three and four! | 0:57:53 | 0:57:55 | |
Five, six, seven and eight! | 0:57:55 | 0:57:58 | |
SHE SINGS IN OWN LANGUAGE | 0:57:58 | 0:58:01 | |
The end section was nice. | 0:58:11 | 0:58:14 | |
We'll take the first section. | 0:58:14 | 0:58:17 | |
THEY SING | 0:58:17 | 0:58:20 | |
MUSIC PLAYS | 0:58:41 | 0:58:44 | |
Yes, yes, correct. | 0:58:46 | 0:58:48 | |
INDISTINCT CONVERSATION | 0:59:04 | 0:59:06 | |
Espresso. | 0:59:06 | 0:59:09 | |
Do you like it? | 0:59:09 | 0:59:10 | |
What else do you need? | 0:59:17 | 0:59:19 | |
One, two, three and four! | 0:59:24 | 0:59:26 | |
Five, six, seven and eight! | 0:59:26 | 0:59:28 | |
One, two, three, four, five, six, seven, eight! | 0:59:28 | 0:59:33 | |
JAY LAUGHS | 0:59:33 | 0:59:35 | |
Yeah, I like that one. | 0:59:37 | 0:59:39 | |
-How are you? -OK. | 1:00:27 | 1:00:29 | |
How are you? | 1:00:32 | 1:00:33 | |
-OK. You all right? -Yeah. -So, you're playing a diva in this. | 1:00:33 | 1:00:37 | |
Playing? I AM a diva, darling. What are we doing? | 1:00:37 | 1:00:40 | |
Let's get it going, before I fucking melt. | 1:00:40 | 1:00:43 | |
You're holding this... | 1:00:43 | 1:00:45 | |
Why don't you want her to be a dancer? | 1:00:59 | 1:01:02 | |
Have you been telling tales on me? | 1:01:02 | 1:01:03 | |
-No, I just said... -SHE doesn't want to be a dancer. | 1:01:03 | 1:01:06 | |
You don't like Trishna dancing? | 1:01:06 | 1:01:08 | |
I love Trishna's dancing. | 1:01:08 | 1:01:09 | |
You don't want to BE a dancer, and I don't want you to be a dancer. | 1:01:09 | 1:01:12 | |
-Why not? Why not? -So we're happy. | 1:01:12 | 1:01:15 | |
That's how we like it. | 1:01:16 | 1:01:18 | |
Yeah? I'm glad you're so happy, but Trishna's happy as well. | 1:01:18 | 1:01:22 | |
DANCE MUSIC PLAYS | 1:01:25 | 1:01:28 | |
Wait, wait, wait. | 1:01:32 | 1:01:33 | |
I thought you guys were meant to be the dancers. | 1:01:33 | 1:01:35 | |
Show us how it's done. | 1:01:35 | 1:01:38 | |
# Na-na-na-na-na-na-na... # Hey! | 1:01:57 | 1:01:59 | |
Hoi! | 1:02:02 | 1:02:03 | |
OK? | 1:02:03 | 1:02:04 | |
One, two, three, four, five, six, seven, eight. | 1:02:04 | 1:02:07 | |
One, two, three, four, five, six, seven, eight. | 1:02:07 | 1:02:11 | |
One, two. One, two. One, two. | 1:02:11 | 1:02:14 | |
Very good, very good. | 1:02:16 | 1:02:17 | |
Hi. | 1:02:18 | 1:02:20 | |
Hello. | 1:02:20 | 1:02:21 | |
Trishna. | 1:02:23 | 1:02:24 | |
Thank you. | 1:02:25 | 1:02:26 | |
-Hello! -Hello! -Hello. -Hi. | 1:02:44 | 1:02:46 | |
Bye. | 1:02:55 | 1:02:56 | |
Bye. | 1:02:56 | 1:02:57 | |
-Bye. Bye. Bye. Bye, Trishna. -Bye. | 1:02:57 | 1:02:59 | |
It's really hard, you know, and Bollywood people | 1:03:05 | 1:03:07 | |
don't take you seriously when you do theatre. | 1:03:07 | 1:03:10 | |
They think, "Oh theatre, it's just a side job." | 1:03:10 | 1:03:12 | |
What's the play you're doing? | 1:03:12 | 1:03:13 | |
I'm doing two. One is a clown version of Hamlet. | 1:03:13 | 1:03:16 | |
-Really? -Yeah, it's clowns playing Hamlet. | 1:03:16 | 1:03:19 | |
-That's quite cool. -Yeah, and we talk in gibberish. | 1:03:19 | 1:03:21 | |
The life of an actor would make a good movie, you know. | 1:03:21 | 1:03:24 | |
-MAN: A white girl in Bollywood. -My life is dramatic enough. | 1:03:24 | 1:03:26 | |
I do not want a movie about it, OK? | 1:03:26 | 1:03:28 | |
Set it in stone in history so people could watch it and see... | 1:03:28 | 1:03:31 | |
It wouldn't really be a movie - it would be soap opera. | 1:03:31 | 1:03:34 | |
Oh, it's hot. | 1:03:34 | 1:03:35 | |
What happened to the cherry? Who ate my cherry? | 1:03:35 | 1:03:37 | |
I took your cherry. | 1:03:40 | 1:03:41 | |
It is so cute how you guys have dressed up in the same coloured top. | 1:03:41 | 1:03:44 | |
Why thank you. I'm glad we've got your blessing. | 1:03:44 | 1:03:46 | |
-That's sweet. -It was deliberate. | 1:03:46 | 1:03:48 | |
It's nice how you dress like Brangelina. | 1:03:48 | 1:03:50 | |
Romance, hey? I need some of that. | 1:03:53 | 1:03:55 | |
-Hi. -Hey. | 1:04:18 | 1:04:19 | |
-Come back early? -Yeah. | 1:04:23 | 1:04:25 | |
You OK? | 1:04:28 | 1:04:29 | |
Just had a call from London... | 1:04:31 | 1:04:33 | |
..and, um, my dad's in hospital. | 1:04:34 | 1:04:37 | |
What happened? | 1:04:40 | 1:04:41 | |
They're saying he's had a stroke. | 1:04:41 | 1:04:43 | |
Is he OK now? | 1:04:45 | 1:04:46 | |
-No, he's still in hospital. -OK. | 1:04:48 | 1:04:51 | |
-I need to go back and see him. -Yes, OK. | 1:04:51 | 1:04:53 | |
It's OK. | 1:04:53 | 1:04:55 | |
When I go back and see my dad, I'm going to tell him about us, OK? | 1:05:02 | 1:05:05 | |
Really? | 1:05:11 | 1:05:12 | |
Is that OK? | 1:05:14 | 1:05:15 | |
Listen, he's got this really old necklace my grandmother left for me. | 1:05:26 | 1:05:30 | |
-And my grandmother told me to give it to the girl that I love. -Mm. | 1:05:32 | 1:05:36 | |
And I want to get it and come back and give it to you. | 1:05:38 | 1:05:41 | |
I don't want us to have any secrets that you find out about later. | 1:05:43 | 1:05:47 | |
Before you came to Bombay, I slept with... | 1:05:48 | 1:05:52 | |
Pooja | 1:05:52 | 1:05:53 | |
and Kalki. | 1:05:53 | 1:05:55 | |
It's OK. | 1:05:58 | 1:06:00 | |
Promise? | 1:06:02 | 1:06:03 | |
-(WHISPERS) -Yes. | 1:06:03 | 1:06:05 | |
There's something I need to tell you too. | 1:06:10 | 1:06:13 | |
When I went back home... | 1:06:15 | 1:06:17 | |
..I found out that I got pregnant. | 1:06:19 | 1:06:21 | |
My... | 1:06:27 | 1:06:28 | |
My dad took me to the doctor. | 1:06:31 | 1:06:34 | |
And... And I had to get an abortion. | 1:06:35 | 1:06:38 | |
Why didn't you tell me? | 1:06:54 | 1:06:56 | |
I... | 1:07:01 | 1:07:02 | |
I was just so scared. | 1:07:02 | 1:07:04 | |
Sorry. | 1:07:08 | 1:07:09 | |
What... Wait, wait. What about...? | 1:07:11 | 1:07:13 | |
I just want to understand, OK? | 1:07:13 | 1:07:16 | |
-Yeah? I just want to understand. -Yeah. | 1:07:16 | 1:07:18 | |
Why haven't you told me... | 1:07:18 | 1:07:20 | |
..like, in Bombay, until now? | 1:07:21 | 1:07:24 | |
Huh? | 1:07:26 | 1:07:27 | |
That's like a big deal. | 1:07:31 | 1:07:32 | |
Don't you think? | 1:07:34 | 1:07:35 | |
Yes. | 1:07:37 | 1:07:39 | |
So, then, why didn't you tell me? | 1:07:39 | 1:07:40 | |
Do you think maybe I had a right to know? | 1:07:45 | 1:07:48 | |
Huh? | 1:07:51 | 1:07:52 | |
But I don't understand how you can... | 1:07:54 | 1:07:57 | |
One second. Just one second. | 1:07:57 | 1:07:58 | |
I don't understand how you can... | 1:07:58 | 1:08:01 | |
Like, we've seen each other every day, | 1:08:01 | 1:08:03 | |
we've been doing everything together. | 1:08:03 | 1:08:05 | |
You can't say it's like you haven't had a chance to talk to me, can you? | 1:08:05 | 1:08:09 | |
Hm? We've been sleeping together, we're meant to be in love. | 1:08:09 | 1:08:12 | |
Now, that... That feels like a bit of a slap in the face. | 1:08:12 | 1:08:16 | |
To think you don't trust me enough to tell me something that's so... | 1:08:16 | 1:08:20 | |
Huh? | 1:08:23 | 1:08:24 | |
I'm just coming down now. | 1:08:34 | 1:08:36 | |
Thank you. | 1:08:36 | 1:08:37 | |
Some tea for you. | 1:08:39 | 1:08:40 | |
-I don't have time for tea, so just put it down. -OK. | 1:08:40 | 1:08:43 | |
That's all I've got on me, but it should be enough. | 1:08:45 | 1:08:49 | |
HORNS HONK LOUDLY | 1:09:07 | 1:09:10 | |
THEY SPEAK OWN LANGUAGE | 1:09:13 | 1:09:16 | |
Hi! | 1:10:09 | 1:10:11 | |
Hi, Shahin. | 1:10:11 | 1:10:12 | |
Sorry. | 1:10:16 | 1:10:17 | |
HE SPEAKS OWN LANGUAGE | 1:10:28 | 1:10:31 | |
FRONT DOOR OPENING | 1:10:34 | 1:10:37 | |
Hello? | 1:10:37 | 1:10:39 | |
FRONT DOOR CLOSING | 1:10:39 | 1:10:40 | |
Oh. I'm sorry. | 1:10:41 | 1:10:43 | |
Thank you. | 1:11:01 | 1:11:02 | |
Good morning. | 1:11:26 | 1:11:28 | |
Good morning. | 1:11:28 | 1:11:29 | |
Good morning. | 1:11:29 | 1:11:30 | |
-Hi, Agnes. -Hi. -Good morning. | 1:11:30 | 1:11:32 | |
MUSIC PLAYS | 1:11:38 | 1:11:41 | |
Ow! | 1:11:45 | 1:11:46 | |
Zero, | 1:11:55 | 1:11:57 | |
nine, nine,.. | 1:11:57 | 1:11:58 | |
Zero, nine, nine... | 1:11:58 | 1:11:59 | |
..four, four... | 1:11:59 | 1:12:00 | |
-..four, four... -..one, two. | 1:12:00 | 1:12:02 | |
One, two, three, four! | 1:12:04 | 1:12:05 | |
One, two, three, four! | 1:12:09 | 1:12:11 | |
Ah! | 1:12:12 | 1:12:14 | |
-Hi. -Hello. | 1:12:25 | 1:12:27 | |
MUSIC BEGINS | 1:12:28 | 1:12:29 | |
MUSIC ENDS | 1:12:44 | 1:12:45 | |
CHEERING AND APPLAUSE | 1:12:45 | 1:12:48 | |
SHE SINGS IN OWN LANGUAGE | 1:13:02 | 1:13:05 | |
HORNS HONK | 1:13:24 | 1:13:28 | |
PHONE RINGS | 1:14:14 | 1:14:18 | |
Jay? | 1:14:20 | 1:14:21 | |
Hey. | 1:14:21 | 1:14:22 | |
Hi. | 1:14:22 | 1:14:23 | |
You're OK? | 1:14:25 | 1:14:27 | |
-I'm OK. How are y... -Listen, where are you? | 1:14:27 | 1:14:31 | |
In Versova. | 1:14:31 | 1:14:32 | |
OK, I'm back in Bombay. Can we meet, today? | 1:14:32 | 1:14:35 | |
Hey. | 1:14:50 | 1:14:51 | |
Are you OK? | 1:14:54 | 1:14:55 | |
I'm OK. | 1:14:57 | 1:14:58 | |
-I'm sorry I'm late. -How are you? | 1:14:58 | 1:15:00 | |
I'm OK. Listen, I'm SO sorry about the flat. | 1:15:01 | 1:15:06 | |
Why didn't you call me? | 1:15:07 | 1:15:09 | |
I just didn't want to trouble you. | 1:15:09 | 1:15:11 | |
Hi, sir. | 1:15:11 | 1:15:12 | |
Um, a bottle of water, please. Mineral water, large bottle. | 1:15:12 | 1:15:14 | |
Yeah, she said, "You have to leave because the owners are coming back." | 1:15:16 | 1:15:19 | |
-It's ridiculous. -And so... | 1:15:19 | 1:15:21 | |
They should have phoned me. YOU could have called me. | 1:15:21 | 1:15:23 | |
How's your father? | 1:15:23 | 1:15:25 | |
He's just not really himself. | 1:15:25 | 1:15:27 | |
Should I open, sir? | 1:15:28 | 1:15:30 | |
-I'm fine, thanks. -Oh. | 1:15:30 | 1:15:32 | |
HE CLEARS THROAT | 1:15:32 | 1:15:34 | |
Like, he's in bed - he's bedbound, he can't walk. | 1:15:34 | 1:15:37 | |
They're not sure if he will be able to walk again. And, um... | 1:15:37 | 1:15:41 | |
obviously, everyone's just massively on edge. | 1:15:41 | 1:15:44 | |
Yeah. | 1:15:44 | 1:15:46 | |
It's like...my brothers are actually just arguing in front of his bed. | 1:15:46 | 1:15:51 | |
He's just lying there. | 1:15:51 | 1:15:52 | |
All the stuff that my dad was doing might have been boring, | 1:15:52 | 1:15:55 | |
but it's important - just being around, just taking care of stuff. | 1:15:55 | 1:15:58 | |
They're not up for it. | 1:15:58 | 1:15:59 | |
Like, they're not going to do it, so I'll have to do it. | 1:15:59 | 1:16:01 | |
I feel like, you know, it's the least I can do for him. | 1:16:03 | 1:16:06 | |
So I've got to take care of the hotels in Rajasthan, | 1:16:07 | 1:16:10 | |
surprise, surprise(!) | 1:16:10 | 1:16:12 | |
I know that, um... | 1:16:22 | 1:16:24 | |
I know it's different in Rajasthan to here. | 1:16:24 | 1:16:27 | |
I know for you it would be difficult, | 1:16:27 | 1:16:30 | |
you know - how you would be seen if... | 1:16:30 | 1:16:32 | |
You know, as my live-in girlfriend. | 1:16:32 | 1:16:34 | |
But I could get... I was thinking I could get you a job at the hotel. | 1:16:37 | 1:16:41 | |
OK. | 1:16:44 | 1:16:45 | |
I guess it will be a little bit like before. | 1:16:46 | 1:16:49 | |
In public, we... | 1:16:49 | 1:16:51 | |
So this fucker is leaving us. | 1:17:05 | 1:17:06 | |
-ALL: -Ohhh! | 1:17:06 | 1:17:08 | |
-My movie is fucked. -LAUGHTER | 1:17:08 | 1:17:10 | |
I hope...you fuck up your dad's hotel and go to hell. | 1:17:10 | 1:17:15 | |
You son of a bitch. You bastard. Three cheers for the bastard. | 1:17:15 | 1:17:19 | |
THEY CHEER | 1:17:19 | 1:17:22 | |
How was your journey, sir? | 1:17:56 | 1:17:57 | |
Um, long. | 1:17:57 | 1:17:59 | |
Hello, sir. Welcome to Ranvas. | 1:17:59 | 1:18:01 | |
-This is Trishna. -Hello, Trishna. -She'll be working with you now. | 1:18:01 | 1:18:03 | |
-She was from the Samode Hotel. -Yes, yes, sir. | 1:18:03 | 1:18:06 | |
At this hotel, we have 16 havelis. | 1:18:11 | 1:18:14 | |
In past time, it was accommodation of the queens. | 1:18:14 | 1:18:17 | |
-He had 16 wives? -16 wives. | 1:18:17 | 1:18:19 | |
Must have been a very happy man. | 1:18:19 | 1:18:21 | |
Very happy. | 1:18:21 | 1:18:22 | |
Amar Singh came here in 1638... | 1:18:37 | 1:18:41 | |
This is the ladies' swimming pool. | 1:18:42 | 1:18:44 | |
On other side, there is a men's swimming pool. | 1:18:46 | 1:18:48 | |
This is the Amar Singh Palace, built in 16th century. | 1:18:50 | 1:18:54 | |
-This is the bedroom? -It's the bedroom. | 1:18:58 | 1:19:01 | |
-And these are all the different wives? -Yes. | 1:19:01 | 1:19:04 | |
You can see our window. | 1:19:09 | 1:19:10 | |
It's a different type of window, in which she can see outside | 1:19:12 | 1:19:17 | |
but nobody can see inside this palace. | 1:19:17 | 1:19:19 | |
Shall I open the water? | 1:19:34 | 1:19:36 | |
No. | 1:19:36 | 1:19:37 | |
Don't do anything. | 1:19:37 | 1:19:38 | |
OK? | 1:19:40 | 1:19:41 | |
-(WHISPERS) -Yeah. | 1:19:43 | 1:19:44 | |
SHE GASPS | 1:20:33 | 1:20:34 | |
Hell-o. | 1:21:17 | 1:21:19 | |
Hello. | 1:21:19 | 1:21:20 | |
Do you know what the Kama Sutra says? | 1:21:25 | 1:21:27 | |
No. | 1:21:28 | 1:21:30 | |
It says there are three different kinds of heroines | 1:21:30 | 1:21:33 | |
that you're allowed to make love to, right? | 1:21:33 | 1:21:35 | |
You've got the maid, | 1:21:35 | 1:21:37 | |
the single lady | 1:21:37 | 1:21:39 | |
and the courtesan. | 1:21:39 | 1:21:40 | |
So which one are you? | 1:21:40 | 1:21:42 | |
I don't know. | 1:21:45 | 1:21:47 | |
You don't know? | 1:21:48 | 1:21:50 | |
You have to pick one. | 1:21:50 | 1:21:51 | |
You know what I think? | 1:21:58 | 1:22:00 | |
I think you're all three. | 1:22:00 | 1:22:02 | |
Three in one. | 1:22:06 | 1:22:07 | |
No. | 1:22:14 | 1:22:15 | |
Why not? | 1:22:15 | 1:22:17 | |
Sh-sh. Come on. | 1:22:18 | 1:22:19 | |
Not here. | 1:22:27 | 1:22:29 | |
What's wrong? | 1:22:29 | 1:22:30 | |
Not here. | 1:22:33 | 1:22:34 | |
No-one can see us. | 1:22:36 | 1:22:38 | |
DRUMMING AND SINGING FROM INSIDE | 1:22:44 | 1:22:46 | |
SHE GREETS THEM IN OWN LANGUAGE | 1:22:46 | 1:22:50 | |
-Hi, Trishna. -Hello, sir. | 1:23:09 | 1:23:12 | |
SHE SPEAKS IN OWN LANGUAGE | 1:23:27 | 1:23:28 | |
Why are you so late? | 1:23:52 | 1:23:54 | |
Hm? | 1:23:54 | 1:23:55 | |
Sorry. The kitchen was busy. | 1:23:55 | 1:23:57 | |
Trishna? | 1:24:38 | 1:24:40 | |
Huh? | 1:24:40 | 1:24:41 | |
Mm. | 1:24:59 | 1:25:00 | |
I want to see what the uniform looks like without that red thing. | 1:25:37 | 1:25:40 | |
Just take the red thing off. | 1:25:40 | 1:25:42 | |
Open your hair. | 1:25:44 | 1:25:45 | |
Take your pants off. | 1:25:51 | 1:25:53 | |
Uh? | 1:25:56 | 1:25:57 | |
Just lift up your skirt. | 1:26:11 | 1:26:12 | |
You know, it's so boring always seeing you wearing the same clothes. | 1:28:07 | 1:28:11 | |
Can't you wear something else? | 1:28:11 | 1:28:13 | |
You wear one of the dresses I got you in Bombay? | 1:28:13 | 1:28:16 | |
How do I bring it here? | 1:28:16 | 1:28:18 | |
Just put it in with my clean laundry. | 1:28:18 | 1:28:20 | |
SHE GREETS THEM IN OWN LANGUAGE | 1:28:26 | 1:28:28 | |
-Welcome to Ranvas. -Thank you. | 1:28:28 | 1:28:30 | |
Drink, please? | 1:28:30 | 1:28:31 | |
Your dress is inside. | 1:28:47 | 1:28:49 | |
MUSIC PLAYS: All Mine by Portishead | 1:29:05 | 1:29:08 | |
Looks nice. | 1:29:08 | 1:29:10 | |
Turn around. | 1:29:10 | 1:29:11 | |
Do you know why I've got champagne? | 1:29:13 | 1:29:15 | |
It's our anniversary. | 1:29:17 | 1:29:18 | |
I want you to dance for me. | 1:29:20 | 1:29:22 | |
I don't want to dance. | 1:29:22 | 1:29:24 | |
HE SIGHS | 1:29:24 | 1:29:25 | |
I thought you liked dancing. | 1:29:27 | 1:29:30 | |
You like it, don't you? | 1:29:30 | 1:29:31 | |
Do you miss Bombay? | 1:29:33 | 1:29:35 | |
-Yes. -Yeah. | 1:29:35 | 1:29:36 | |
Well, you can dance - for me. | 1:29:36 | 1:29:39 | |
Because we're celebrating. | 1:29:41 | 1:29:42 | |
Look at me. | 1:30:19 | 1:30:22 | |
Come here. | 1:30:22 | 1:30:23 | |
Come HERE. | 1:30:31 | 1:30:33 | |
Can't you do one little thing for me, | 1:31:19 | 1:31:21 | |
after everything I've done for you? | 1:31:21 | 1:31:23 | |
SHE GASPS | 1:31:23 | 1:31:24 | |
WATER RUNNING | 1:31:33 | 1:31:36 | |
HE GASPS AND CHOKES | 1:32:48 | 1:32:51 | |
HE SPLUTTERS | 1:32:55 | 1:32:57 | |
BOY SPEAKS IN OWN LANGUAGE | 1:36:14 | 1:36:16 | |
THEY GIGGLE | 1:36:16 | 1:36:19 | |
-ON TV: -# My fantasy Come and see | 1:38:56 | 1:39:00 | |
# It's my fantasy | 1:39:00 | 1:39:02 | |
# My fantasy Come and see... # | 1:39:02 | 1:39:04 | |
CHILDREN SING ALONG QUIETLY | 1:39:04 | 1:39:07 | |
# My fantasy Come and see | 1:39:07 | 1:39:09 | |
# It's my fantasy | 1:39:09 | 1:39:11 | |
# My fantasy Come and see | 1:39:11 | 1:39:13 | |
# It's my fantasy... # | 1:39:13 | 1:39:16 | |
-Eight. -Eight. -TOGETHER: Nine, ten. | 1:39:26 | 1:39:28 | |
HORN HONKS A TUNE | 1:39:57 | 1:39:59 | |
HORN HONKS A TUNE | 1:40:00 | 1:40:02 | |
-Bye. -Bye. -Bye. | 1:40:17 | 1:40:18 | |
-BOY: -Attention! | 1:40:27 | 1:40:28 | |
Stand at ease! | 1:40:28 | 1:40:30 | |
Attention! | 1:40:30 | 1:40:31 | |
Get ready for the prayer! | 1:40:31 | 1:40:33 | |
-Our Father... -ALL: Our father... | 1:40:34 | 1:40:37 | |
-in heaven! -in heaven! | 1:40:37 | 1:40:39 | |
-Give us today... -Give us today... | 1:40:39 | 1:40:42 | |
-our daily bread... -our daily bread... | 1:40:42 | 1:40:44 | |
-and forgive us... -and forgive us... | 1:40:44 | 1:40:47 | |
-our sins! -our sins! | 1:40:47 | 1:40:49 | |
-As we... -As we... | 1:40:49 | 1:40:51 | |
-forgive those... -forgive those... | 1:40:51 | 1:40:53 | |
-who sins... -who sins... | 1:40:53 | 1:40:56 | |
-against us. -against us. | 1:40:56 | 1:40:58 | |
-Do not bring us... -Do not bring us... | 1:40:58 | 1:41:00 | |
-to the test... -to the test... | 1:41:00 | 1:41:02 | |
-but deliver us... -but deliver us... | 1:41:02 | 1:41:04 | |
-from evil! -from evil! | 1:41:04 | 1:41:07 | |
-Amen! -Amen! | 1:41:07 | 1:41:09 | |
Get ready for the pledge! | 1:41:11 | 1:41:13 | |
-India is my country! -India is my country! | 1:41:14 | 1:41:17 | |
-All Indians... -All Indians... | 1:41:17 | 1:41:20 | |
-are my... -are my... | 1:41:20 | 1:41:22 | |
-brothers and sisters! -brothers and sisters! | 1:41:22 | 1:41:25 | |
-I shall give my parents... -I shall give my parents... | 1:41:25 | 1:41:28 | |
-teachers... -teachers... | 1:41:28 | 1:41:30 | |
-and all elders... -and all elders... | 1:41:30 | 1:41:33 | |
-respect! -respect! | 1:41:33 | 1:41:34 | |
-And treat everyone... -And treat everyone... | 1:41:34 | 1:41:37 | |
-with courtesy! -with courtesy! | 1:41:37 | 1:41:39 | |
-To my country... -To my country... | 1:41:39 | 1:41:42 | |
-and my people... -and my people... | 1:41:42 | 1:41:44 | |
-I pledge my devotion! -I pledge my devotion! | 1:41:44 | 1:41:47 | |
-In their well-being... -In their well-being... | 1:41:47 | 1:41:50 | |
-and prosperity... -and prosperity... | 1:41:50 | 1:41:53 | |
-alone lies... -alone lies... | 1:41:53 | 1:41:55 | |
-my happiness! -my happiness! | 1:41:55 | 1:41:57 | |
Hands down! | 1:41:57 | 1:41:58 | |
SHE GASPS | 1:43:10 | 1:43:11 | |
SHE PANTS | 1:43:15 | 1:43:17 | |
PANTING CONTINUES | 1:43:21 | 1:43:24 |