
Browse content similar to Albatross. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
This film contains strong language | 0:00:02 | 0:00:09 | |
FIREWORKS BANGING | 0:01:05 | 0:01:07 | |
# If you can't make me happy | 0:01:10 | 0:01:13 | |
# Gonna walk away the blame | 0:01:13 | 0:01:16 | |
# If you can't make me happy | 0:01:19 | 0:01:21 | |
# Gonna walk away the shame | 0:01:22 | 0:01:25 | |
# See, I got my cuts and bruises | 0:01:28 | 0:01:30 | |
# Ah-ooh | 0:01:30 | 0:01:31 | |
# Gonna walk away the pain | 0:01:31 | 0:01:33 | |
# Ah-ooh | 0:01:33 | 0:01:35 | |
# And if you can't make me happy | 0:01:36 | 0:01:39 | |
# Ah-ooh | 0:01:39 | 0:01:40 | |
# Gonna walk away again. # | 0:01:40 | 0:01:42 | |
Oh, you are up. | 0:01:43 | 0:01:44 | |
I'm taking Posy to an audition, | 0:01:46 | 0:01:48 | |
so you're manning the front desk this morning. | 0:01:48 | 0:01:50 | |
Can I not? I'm revising. Is Dad not around? | 0:01:50 | 0:01:52 | |
Your dad's writing. You can revise on the desk. | 0:01:52 | 0:01:55 | |
You have to give people keys, Beth. | 0:01:55 | 0:01:58 | |
Won't be any different to up here. Come on. | 0:01:58 | 0:02:00 | |
Take your hair down and make yourself a bit more presentable | 0:02:00 | 0:02:03 | |
# Why don't you see | 0:02:03 | 0:02:05 | |
# What you're doing to me? # | 0:02:07 | 0:02:08 | |
SIREN | 0:02:08 | 0:02:10 | |
Police! Run! | 0:02:10 | 0:02:12 | |
# Why won't you go? | 0:02:12 | 0:02:13 | |
# Leave me walking alone. # | 0:02:15 | 0:02:18 | |
Hey! | 0:02:18 | 0:02:20 | |
# Why won't you go? | 0:02:20 | 0:02:21 | |
# If you can't make me happy. # | 0:02:21 | 0:02:26 | |
-Mmm, did you bring coffee? -Yes, thanks. | 0:02:30 | 0:02:32 | |
I'm taking Posy to an audition, | 0:02:32 | 0:02:34 | |
so you're going to have to get your own lunch as well. | 0:02:34 | 0:02:37 | |
There's some nice turkey ham in the fridge. | 0:02:37 | 0:02:39 | |
Which? | 0:02:39 | 0:02:40 | |
Which what? | 0:02:40 | 0:02:41 | |
No, which is it, turkey or ham? | 0:02:41 | 0:02:42 | |
It's turkey ham. | 0:02:42 | 0:02:44 | |
That's what it is, turkey ham. | 0:02:44 | 0:02:47 | |
Why do they call it turkey ham when it's only got turkey in it? | 0:02:47 | 0:02:50 | |
It's from flying bloody pigs, that's what, | 0:02:50 | 0:02:53 | |
like your next bestseller. | 0:02:53 | 0:02:55 | |
# Why won't you see | 0:02:56 | 0:02:57 | |
# What you're doing to me? | 0:03:00 | 0:03:01 | |
# Why won't you go? | 0:03:04 | 0:03:06 | |
# Leave me walking alone | 0:03:08 | 0:03:11 | |
# Why won't you go? # | 0:03:11 | 0:03:13 | |
Was everything all right? Did you sleep OK? | 0:03:16 | 0:03:18 | |
No, I didn't. | 0:03:18 | 0:03:20 | |
All those bloody seagulls squawking since sunrise. | 0:03:20 | 0:03:22 | |
They kind of come with the sea. | 0:03:22 | 0:03:24 | |
Wasn't like that in the book. | 0:03:24 | 0:03:26 | |
It was a peaceful retreat in the book. | 0:03:26 | 0:03:28 | |
You're lucky I'm not coming in to talk to your mother and father. | 0:03:42 | 0:03:44 | |
Well, good luck with that if you change your mind. | 0:03:44 | 0:03:48 | |
Um... | 0:03:51 | 0:03:53 | |
is this actually your house? | 0:03:53 | 0:03:55 | |
Yeah. | 0:03:56 | 0:03:57 | |
Hmm. I'm late, aren't I? | 0:04:11 | 0:04:13 | |
You've missed breakfast, I'm afraid. Which room are you in? | 0:04:13 | 0:04:15 | |
All of them, unfortunately. | 0:04:15 | 0:04:17 | |
I'm the new cleaner. | 0:04:17 | 0:04:19 | |
Right, yeah. | 0:04:19 | 0:04:21 | |
I'm Beth Fischer. | 0:04:21 | 0:04:23 | |
Oh, charmed. Serena. | 0:04:23 | 0:04:24 | |
Nice to meet you, Serena. | 0:04:24 | 0:04:27 | |
Can I just take your surname for the key log? | 0:04:27 | 0:04:29 | |
Yeah, um, | 0:04:29 | 0:04:31 | |
it's spelled M-O-L-I-N-A. | 0:04:31 | 0:04:35 | |
Great. So you know you don't need to do the attic room on the top floor, | 0:04:35 | 0:04:39 | |
just the guest rooms. | 0:04:39 | 0:04:40 | |
This is Edna, our other cleaner. | 0:04:40 | 0:04:42 | |
She'll show you around. | 0:04:42 | 0:04:44 | |
How do you say your surname, just so I don't get it wrong? | 0:04:46 | 0:04:49 | |
Molina. | 0:04:49 | 0:04:50 | |
Molina. | 0:04:50 | 0:04:52 | |
Mm-hmm, yeah. | 0:04:52 | 0:04:53 | |
Serena Molina the cleaner. | 0:04:53 | 0:04:56 | |
Meant to be. | 0:04:57 | 0:05:00 | |
Right, um, so Edna's just down there. | 0:05:02 | 0:05:05 | |
Ew. | 0:05:34 | 0:05:35 | |
WOMAN MOANING ON COMPUTER | 0:06:01 | 0:06:04 | |
CLATTERING | 0:06:08 | 0:06:09 | |
-WOMAN ON COMPUTER: -Yeah, in deep. Oh. | 0:06:09 | 0:06:11 | |
You don't need to clean here. | 0:06:12 | 0:06:14 | |
Are you sure? Looks pretty dirty from where I'm standing. | 0:06:14 | 0:06:17 | |
Filthy, actually. | 0:06:17 | 0:06:18 | |
Fuck. | 0:06:28 | 0:06:30 | |
Is that your dad then? | 0:06:32 | 0:06:34 | |
The pervert you keep locked away in the attic? | 0:06:34 | 0:06:36 | |
-So you've read the book then? -No. | 0:06:36 | 0:06:38 | |
It's a little lightweight for me. | 0:06:38 | 0:06:40 | |
Any good? | 0:06:40 | 0:06:41 | |
Really brilliant. | 0:06:42 | 0:06:44 | |
What's he doing here then? | 0:06:44 | 0:06:46 | |
He lives here. | 0:06:46 | 0:06:48 | |
No, I mean he's German, isn't he? | 0:06:48 | 0:06:50 | |
So what's he doing in this culture vacuum? | 0:06:50 | 0:06:52 | |
Well, I imagine he's asking himself the same question now | 0:06:52 | 0:06:55 | |
that he's got writer's block. | 0:06:55 | 0:06:57 | |
My name's not Serena Molina, by the way. | 0:06:57 | 0:07:00 | |
Did you not realise I was joking? | 0:07:00 | 0:07:02 | |
Oh. I thought the joke was on you. | 0:07:05 | 0:07:08 | |
Emelia... Conan Doyle. | 0:07:08 | 0:07:10 | |
And, yes, I am related to the Sherlock Holmes author. | 0:07:10 | 0:07:14 | |
Wow. | 0:07:14 | 0:07:16 | |
That's great. | 0:07:18 | 0:07:19 | |
Anyway... | 0:07:19 | 0:07:21 | |
I'd better go. Got to skooch. | 0:07:22 | 0:07:24 | |
Bye. | 0:07:26 | 0:07:28 | |
She wants to do it, so why can't she? | 0:07:44 | 0:07:47 | |
Because she will... | 0:07:47 | 0:07:49 | |
Because she will have to come out of school | 0:07:49 | 0:07:51 | |
if the rehearsals are during the day. | 0:07:51 | 0:07:53 | |
She is six years old, Jonathan. | 0:07:53 | 0:07:55 | |
What's she going to miss, eh? | 0:07:55 | 0:07:57 | |
What's she going to miss? | 0:07:57 | 0:07:58 | |
Oh, I don't know. Just the important stuff! | 0:07:58 | 0:08:01 | |
Reading! Writing! | 0:08:01 | 0:08:02 | |
A lot of bloody good those things have done you, | 0:08:02 | 0:08:04 | |
parked up here fiddling with your arsehole, | 0:08:04 | 0:08:07 | |
and it's the rest of us... do not turn away! | 0:08:07 | 0:08:09 | |
It is the rest of us who are running around, | 0:08:09 | 0:08:11 | |
trying to make money out of this godforsaken house | 0:08:11 | 0:08:14 | |
to make ends meet. | 0:08:14 | 0:08:15 | |
It's a professional engagement | 0:08:15 | 0:08:17 | |
she's been offered, and she wants to do it. | 0:08:17 | 0:08:19 | |
-Does she really want to? -Yes, look at her! | 0:08:19 | 0:08:21 | |
Or is it just you trying to make up for your own failures? | 0:08:21 | 0:08:24 | |
Oh, well, I can only bow | 0:08:25 | 0:08:26 | |
to your superior knowledge of failure. | 0:08:26 | 0:08:29 | |
You are the Grand Poobah of it. | 0:08:29 | 0:08:31 | |
You are so fucking childish. | 0:08:31 | 0:08:33 | |
It takes years to write a great novel. | 0:08:33 | 0:08:35 | |
And it takes you just as long to write a shit one. | 0:08:35 | 0:08:39 | |
KNOCKING | 0:08:42 | 0:08:44 | |
Go away, Mum! | 0:08:45 | 0:08:46 | |
I'm revising! | 0:08:46 | 0:08:47 | |
KNOCKING | 0:08:47 | 0:08:48 | |
Oh. | 0:08:52 | 0:08:54 | |
Sorry, I didn't realise you were here. | 0:08:54 | 0:08:57 | |
I'd say the same goes for this lot. | 0:08:57 | 0:08:59 | |
You caught the show then? | 0:08:59 | 0:09:00 | |
This is my get-out-of-jail card. | 0:09:02 | 0:09:04 | |
And, uh... is that your sex hat? | 0:09:05 | 0:09:07 | |
Look, I don't have long. I just stopped by to give you this. | 0:09:07 | 0:09:10 | |
You had a book on fairies by your bed. | 0:09:13 | 0:09:15 | |
Oh, yeah. | 0:09:15 | 0:09:17 | |
Yeah, it was my little sister's. | 0:09:17 | 0:09:19 | |
But that's lovely. Thanks. | 0:09:19 | 0:09:22 | |
Anyway, I should get going. | 0:09:22 | 0:09:25 | |
You should come for dinner, | 0:09:26 | 0:09:27 | |
tonight, as a thank you for the book. | 0:09:27 | 0:09:30 | |
Seriously? With your family? | 0:09:31 | 0:09:33 | |
Yeah. | 0:09:33 | 0:09:34 | |
That would be amazing. | 0:09:34 | 0:09:36 | |
Great, so do you need to call your mum to check? | 0:09:36 | 0:09:38 | |
I would, but she's a bit dead. | 0:09:38 | 0:09:41 | |
Oh. Sorry. | 0:09:43 | 0:09:45 | |
It's OK. | 0:09:45 | 0:09:47 | |
It's not very fair for you to take the blame. | 0:09:47 | 0:09:50 | |
She did kill herself. | 0:09:50 | 0:09:51 | |
But thanks anyway. | 0:09:52 | 0:09:54 | |
Fucking useless arsehole. Come on, Posy, get in the car. | 0:09:57 | 0:09:59 | |
We need to get going if we're going to really fuck your father off. | 0:09:59 | 0:10:02 | |
-POSY: -You said a bad word! | 0:10:02 | 0:10:04 | |
Nice! | 0:10:04 | 0:10:05 | |
Bye. | 0:10:07 | 0:10:08 | |
Bye. | 0:10:08 | 0:10:09 | |
Have you got any ID? | 0:10:34 | 0:10:35 | |
Yeah, definitely me. | 0:10:42 | 0:10:44 | |
No. Are you 18? | 0:10:44 | 0:10:46 | |
-Yes. -Can you prove it? | 0:10:46 | 0:10:48 | |
There. | 0:10:51 | 0:10:53 | |
Are these not the breasts of an 18-year-old? | 0:10:53 | 0:10:55 | |
That'll be £2.99, please. | 0:10:55 | 0:10:56 | |
I can't believe we're stooping to the hired help | 0:11:01 | 0:11:04 | |
for friendships now, Beth. | 0:11:04 | 0:11:05 | |
What's going on? | 0:11:05 | 0:11:07 | |
Your daughter has invited the bloody cleaner for dinner. | 0:11:07 | 0:11:10 | |
Which one? | 0:11:10 | 0:11:12 | |
Well, I assume it's the 17-year-old. | 0:11:12 | 0:11:15 | |
Please tell me it's not Edna, the bearded pensioner. | 0:11:15 | 0:11:17 | |
Sorry. I came in through the private entrance. | 0:11:22 | 0:11:25 | |
-I didn't know which one I should use. -Oh, hey. | 0:11:25 | 0:11:27 | |
Hello, Mrs Fischer. | 0:11:28 | 0:11:30 | |
Thank you so much for inviting me. | 0:11:30 | 0:11:31 | |
This is for you. | 0:11:31 | 0:11:32 | |
Oh, thank you. | 0:11:32 | 0:11:34 | |
Are you old enough to drink wine? | 0:11:34 | 0:11:35 | |
Yes... | 0:11:35 | 0:11:37 | |
in Denmark and restricted parts of Europe. | 0:11:37 | 0:11:40 | |
Oh, have you met my dad, Emelia? | 0:11:40 | 0:11:42 | |
No, I don't think we've actually been introduced. | 0:11:42 | 0:11:45 | |
Beth, can you come and finish up the plates? | 0:11:45 | 0:11:48 | |
Hi, I'm Jonathan Fischer. | 0:11:48 | 0:11:51 | |
Hmm. I hope you've washed that hand before I shake it, Mr Fischer. | 0:11:52 | 0:11:55 | |
Emelia. Hi. | 0:11:57 | 0:12:00 | |
Lovely to meet you properly, Emelia. | 0:12:00 | 0:12:02 | |
Conan Doyle. Emelia Conan Doyle. | 0:12:02 | 0:12:04 | |
Yes, I am related to the Sherlock Holmes author. | 0:12:05 | 0:12:09 | |
Sir Arthur Conan Doyle? | 0:12:09 | 0:12:11 | |
Oh. | 0:12:11 | 0:12:12 | |
I've read all his work. | 0:12:13 | 0:12:15 | |
So I'll get you a drink. Wine? | 0:12:17 | 0:12:19 | |
You can have a glass of wine with dinner, can't you? White, huh? | 0:12:19 | 0:12:23 | |
That's what you girls prefer, white? | 0:12:23 | 0:12:25 | |
So tell me about the cliff house. | 0:12:31 | 0:12:34 | |
I want to know everything. | 0:12:34 | 0:12:35 | |
Hmm. There's not much to tell. | 0:12:35 | 0:12:38 | |
I came over here to go to Cambridge. | 0:12:39 | 0:12:42 | |
Saw a beautiful young actress in a touring play... | 0:12:42 | 0:12:44 | |
and whisked her away to the cliff house, | 0:12:44 | 0:12:46 | |
just for the weekend. | 0:12:46 | 0:12:48 | |
Wrote the book in ignorance at 22, | 0:12:48 | 0:12:51 | |
struck gold... | 0:12:51 | 0:12:52 | |
..and now it hangs around my neck, | 0:12:53 | 0:12:55 | |
taunting me with its success. | 0:12:55 | 0:12:56 | |
Yeah, I meant the house, | 0:12:57 | 0:12:59 | |
like the actual building. | 0:12:59 | 0:13:01 | |
Is it Victorian? | 0:13:01 | 0:13:03 | |
LAUGHTER | 0:13:03 | 0:13:04 | |
No, Edwardian, actually. | 0:13:07 | 0:13:10 | |
I'm joking. | 0:13:10 | 0:13:12 | |
I'd love to know about the book. | 0:13:12 | 0:13:14 | |
Are you applying to university, Emelia? | 0:13:14 | 0:13:17 | |
I'm sure Beth told you she's applying to Oxford. | 0:13:17 | 0:13:19 | |
Um, I'm not actually going to uni. | 0:13:20 | 0:13:22 | |
Are you at the University of Life, Emelia? | 0:13:22 | 0:13:25 | |
Yes. | 0:13:25 | 0:13:27 | |
Mum says that's what dossers say. | 0:13:27 | 0:13:30 | |
Actually, um, I'm also writing a novel. | 0:13:33 | 0:13:36 | |
Are you? That's cool. | 0:13:36 | 0:13:38 | |
Yeah, but, um, got quite a lot to live up to, though, | 0:13:38 | 0:13:42 | |
as you can imagine. | 0:13:42 | 0:13:43 | |
I mean, you can't exactly go looking under "Conan Doyle" | 0:13:43 | 0:13:46 | |
and come up with some airport read... | 0:13:46 | 0:13:48 | |
called "Dirty Bitch", can you? | 0:13:48 | 0:13:51 | |
That's exactly what I should have done. | 0:13:51 | 0:13:53 | |
Nothing to me, all this university education. | 0:13:53 | 0:13:56 | |
What a shame you didn't realise that before you wrote Mental Interiors. | 0:13:57 | 0:14:00 | |
You might still have a publisher. | 0:14:00 | 0:14:01 | |
You should take it on board, Mr Fischer. | 0:14:01 | 0:14:05 | |
"It is with bad sentiments that one makes good novels". | 0:14:05 | 0:14:08 | |
That's Aldous Huxley, Mrs Fischer. | 0:14:08 | 0:14:11 | |
Who does this belong to? | 0:14:45 | 0:14:47 | |
-It's not mine. It's Emelia's. -Well, where is Emelia? | 0:14:47 | 0:14:49 | |
What are you doing? | 0:14:54 | 0:14:56 | |
Was having a break. | 0:14:57 | 0:14:58 | |
Don't be smart. Get in. | 0:14:58 | 0:15:00 | |
Emelia! | 0:15:01 | 0:15:02 | |
Emelia! | 0:15:02 | 0:15:04 | |
(Fuck you very much.) | 0:15:06 | 0:15:09 | |
What? I said, "Thank you. " | 0:15:09 | 0:15:10 | |
Like, I just sang it. # Thank you! # | 0:15:10 | 0:15:13 | |
Hi. | 0:15:20 | 0:15:21 | |
What are you doing here? | 0:15:22 | 0:15:23 | |
Certainly not waitressing, if that's what you're thinking. | 0:15:23 | 0:15:26 | |
Hello, Pokey. | 0:15:26 | 0:15:27 | |
-It's Posy! -I know. | 0:15:27 | 0:15:29 | |
Sit in my section. | 0:15:29 | 0:15:31 | |
I'll move someone. | 0:15:31 | 0:15:32 | |
How's your novel going? | 0:15:37 | 0:15:38 | |
Oh, well, you know. | 0:15:38 | 0:15:41 | |
Posy, would you like a milkshake? | 0:15:41 | 0:15:44 | |
Yes. | 0:15:44 | 0:15:47 | |
I'd like to have... | 0:15:47 | 0:15:48 | |
Uh, ladies first. | 0:15:48 | 0:15:50 | |
I'll be back in a moment to take your order. | 0:15:50 | 0:15:53 | |
Excuse me? | 0:15:53 | 0:15:54 | |
I am a vegetarian. | 0:15:54 | 0:15:57 | |
That isn't something to boast about. | 0:15:57 | 0:15:59 | |
SHE SPEAKS FRENCH | 0:16:03 | 0:16:04 | |
Mmm, thank you! | 0:16:17 | 0:16:18 | |
I need a spoon. | 0:16:19 | 0:16:20 | |
So what can I do for you? | 0:16:20 | 0:16:22 | |
Actually, I was just thinking... | 0:16:22 | 0:16:24 | |
You know, if you get that down on paper, it's called writing. | 0:16:24 | 0:16:27 | |
You can have that lesson on me. | 0:16:28 | 0:16:30 | |
Actually, I was thinking I might be able to do something for you. | 0:16:30 | 0:16:34 | |
Seriously. | 0:16:34 | 0:16:35 | |
I could teach you creative writing...if you're struggling. | 0:16:35 | 0:16:38 | |
Just you and me writing? | 0:16:38 | 0:16:40 | |
Yes. | 0:16:40 | 0:16:41 | |
Sounds fun. | 0:16:41 | 0:16:43 | |
I'll see you tomorrow. | 0:16:43 | 0:16:44 | |
TAPPING ON WINDOW | 0:16:45 | 0:16:46 | |
Oh, Annie, you scared the wits out of me. | 0:17:29 | 0:17:34 | |
Granny, it's Emelia. | 0:17:34 | 0:17:35 | |
Not Annie. | 0:17:35 | 0:17:37 | |
Mum's dead, remember? | 0:17:37 | 0:17:39 | |
Don't stay up too late now, will you? | 0:17:46 | 0:17:48 | |
There's school tomorrow. | 0:17:48 | 0:17:50 | |
Granny, it's only 4:00, and it's Sunday tomorrow. | 0:17:50 | 0:17:55 | |
And I'm working as well, to tide me over for a bit. | 0:17:57 | 0:17:59 | |
Yes, yes. | 0:17:59 | 0:18:02 | |
Of course. | 0:18:03 | 0:18:05 | |
Basically, yeah, I go like, | 0:18:18 | 0:18:19 | |
"So who's your sexual fantasy?" Yeah? | 0:18:19 | 0:18:21 | |
And instead of saying like, you know, Pamela Anderson | 0:18:21 | 0:18:25 | |
or something, he goes, "A mermaid." | 0:18:25 | 0:18:28 | |
I was like, "A mermaid? | 0:18:29 | 0:18:30 | |
"That is half fish you want to shag, you sick fuck." | 0:18:30 | 0:18:34 | |
He goes, "Yeah pretty much is with most girls, innit?" | 0:18:35 | 0:18:38 | |
I think my granny's dying. | 0:18:43 | 0:18:45 | |
All right. | 0:18:46 | 0:18:48 | |
When my granny died, yeah, my brother, little Tommy, yeah, | 0:18:48 | 0:18:50 | |
starts singing, "Burn, baby, burn," as she's going in the oven. | 0:18:50 | 0:18:54 | |
Fucking priceless, calling my nan "baby." | 0:18:54 | 0:18:58 | |
Babe? | 0:19:04 | 0:19:05 | |
Babe? | 0:19:05 | 0:19:07 | |
SPLASHING | 0:19:08 | 0:19:10 | |
Well, I... I haven't actually acted professionally... | 0:20:15 | 0:20:19 | |
for a few years now, no. | 0:20:19 | 0:20:22 | |
Um, I was in a really popular coffee commercial. | 0:20:22 | 0:20:25 | |
Um, I used to be Joa Saunders. | 0:20:25 | 0:20:28 | |
I'm the one who married... | 0:20:28 | 0:20:30 | |
the novelist Jonathan A Fischer. | 0:20:30 | 0:20:32 | |
So, um, I was just calling because I'm looking... | 0:20:32 | 0:20:37 | |
for new representation. | 0:20:37 | 0:20:39 | |
Right. | 0:20:39 | 0:20:40 | |
Yeah. | 0:20:40 | 0:20:41 | |
Yes, all right, I will. | 0:20:41 | 0:20:43 | |
I'll, um, I'll call back when I'm in something. | 0:20:43 | 0:20:46 | |
Thanks. | 0:20:46 | 0:20:48 | |
BELL RINGS | 0:20:51 | 0:20:52 | |
Morning, Mrs Fischer. | 0:20:55 | 0:20:57 | |
How's it hanging? | 0:20:57 | 0:20:58 | |
You're late. | 0:20:58 | 0:21:00 | |
And I want to have a word with you. | 0:21:01 | 0:21:03 | |
What are you doing with things that are left in the rooms? | 0:21:03 | 0:21:07 | |
Oh, well, uh... | 0:21:07 | 0:21:09 | |
The bed, I'm making. | 0:21:09 | 0:21:10 | |
The carpet, I've... | 0:21:10 | 0:21:11 | |
I've been walking on that. | 0:21:11 | 0:21:13 | |
And the curtains, | 0:21:13 | 0:21:14 | |
recently I've taken to swinging on them. Is that OK? | 0:21:14 | 0:21:17 | |
I mean the things that people leave behind accidentally. | 0:21:17 | 0:21:21 | |
Are you stealing them? | 0:21:21 | 0:21:23 | |
No. | 0:21:23 | 0:21:24 | |
I haven't found anything that's been left behind. | 0:21:25 | 0:21:27 | |
What's been left behind? | 0:21:27 | 0:21:30 | |
Well, the man who vacated room three on Tuesday... | 0:21:30 | 0:21:35 | |
couldn't find his teeth. | 0:21:35 | 0:21:36 | |
Are you actually accusing me of stealing | 0:21:39 | 0:21:41 | |
a set of old man's false teeth? | 0:21:41 | 0:21:43 | |
What did you think I was going to do with them? | 0:21:43 | 0:21:45 | |
These not look like mine? | 0:21:45 | 0:21:46 | |
I know that you live with your grandparents. | 0:21:46 | 0:21:49 | |
Yes, and they both have their own teeth. | 0:21:49 | 0:21:51 | |
If things get left behind, they come down to the lost property box. | 0:21:51 | 0:21:55 | |
I know. | 0:21:55 | 0:21:56 | |
I read the memo. | 0:21:57 | 0:21:59 | |
It was...fascinating | 0:21:59 | 0:22:01 | |
You should have been the writer in the family. | 0:22:01 | 0:22:04 | |
Emelia, | 0:22:04 | 0:22:06 | |
you are this close to getting fired. | 0:22:06 | 0:22:10 | |
KNOCKING | 0:22:18 | 0:22:20 | |
Come in. | 0:22:24 | 0:22:25 | |
Hi. | 0:22:29 | 0:22:30 | |
Give me one minute. | 0:22:32 | 0:22:33 | |
Let me just finish what I am doing here. Sit down. | 0:22:33 | 0:22:36 | |
Sorry about that. | 0:22:45 | 0:22:47 | |
A moment of inspiration can be lost | 0:22:48 | 0:22:50 | |
in far less time if you don't indulge it. | 0:22:50 | 0:22:52 | |
But I...caught it. | 0:22:53 | 0:22:55 | |
So hello. | 0:22:56 | 0:22:59 | |
Did you just fake that? | 0:22:59 | 0:23:01 | |
No. | 0:23:01 | 0:23:03 | |
Yes. | 0:23:07 | 0:23:08 | |
So where's your work? | 0:23:12 | 0:23:14 | |
I didn't bring anything with me. | 0:23:14 | 0:23:16 | |
I understand if you're not ready to show me what you have written. | 0:23:16 | 0:23:19 | |
Wherever you've been, I went there first. | 0:23:21 | 0:23:24 | |
I'm not sure I'd own up to that. | 0:23:26 | 0:23:27 | |
So can you at least tell me what your novel's about? | 0:23:30 | 0:23:33 | |
Do you have anything to drink? | 0:23:38 | 0:23:40 | |
No. | 0:23:40 | 0:23:41 | |
Can't you just go downstairs? I mean, there must be something downstairs. | 0:23:41 | 0:23:45 | |
So you haven't told your family about our lessons then. | 0:23:48 | 0:23:52 | |
No, I haven't. | 0:23:52 | 0:23:53 | |
Hmm. | 0:23:56 | 0:23:57 | |
I do have a story actually. It's about a naughty pixie. | 0:23:59 | 0:24:02 | |
Emelia, come on, this isn't school. | 0:24:03 | 0:24:07 | |
Good, because I got expelled from school. | 0:24:07 | 0:24:09 | |
I really wouldn't let your daughter anywhere near me. | 0:24:12 | 0:24:15 | |
She's 17. | 0:24:16 | 0:24:17 | |
That's old enough to know your own mind. | 0:24:17 | 0:24:19 | |
Is this a lesson on subtext, Mr Fischer? | 0:24:20 | 0:24:23 | |
OK, let's start with text and subtext then. | 0:24:26 | 0:24:29 | |
I suppose that's something. | 0:24:29 | 0:24:31 | |
And please don't call me Mr Fischer. It makes me feel old. | 0:24:31 | 0:24:34 | |
I don't want to eat it! I don't like it! | 0:25:06 | 0:25:08 | |
You haven't even tried it. Come on, you have to eat some. | 0:25:08 | 0:25:11 | |
No, she doesn't. You don't have to eat it, Posy, darling. | 0:25:13 | 0:25:15 | |
Beth, don't force-feed her. | 0:25:15 | 0:25:18 | |
You would have made me eat it. | 0:25:18 | 0:25:19 | |
Well, we've learned from our mistakes. | 0:25:19 | 0:25:22 | |
How's the book going? | 0:25:28 | 0:25:30 | |
PHONE RINGS | 0:25:46 | 0:25:48 | |
Hello? | 0:25:50 | 0:25:51 | |
Emelia! | 0:25:53 | 0:25:54 | |
Can I go out for the evening? | 0:26:01 | 0:26:03 | |
Well, it's a school night. | 0:26:03 | 0:26:06 | |
-Yeah, but I'm on study leave. -Technically, it's a school night. | 0:26:06 | 0:26:09 | |
You can go out. | 0:26:10 | 0:26:11 | |
-Be back by 10:00. -Great. | 0:26:14 | 0:26:16 | |
Show some fucking backbone, you total tool. | 0:26:19 | 0:26:23 | |
Don't start, Joa! | 0:26:23 | 0:26:24 | |
You'd slept with half of Basingstoke by her age. | 0:26:24 | 0:26:27 | |
Lucky fucking Basingstoke! | 0:26:27 | 0:26:28 | |
Wow, look at that. | 0:26:31 | 0:26:33 | |
Wow. That's amazing. | 0:26:33 | 0:26:35 | |
-Boy, I wish I had a camera. -Take a picture on your phone. | 0:26:35 | 0:26:38 | |
I wish I had a phone. Anyway, we should grab what we can | 0:26:38 | 0:26:41 | |
before they realise it's wrecked here. | 0:26:41 | 0:26:44 | |
Oh. | 0:26:44 | 0:26:45 | |
Huge men's T-shirts. | 0:26:50 | 0:26:52 | |
Not as good as these. | 0:26:52 | 0:26:53 | |
-Women's shoes. -Oh, those are revolting! | 0:26:54 | 0:26:56 | |
Look at the size of them! | 0:26:57 | 0:26:58 | |
Why is everything so massive? | 0:26:58 | 0:27:00 | |
Here, you should have this. | 0:27:00 | 0:27:02 | |
-We can't actually take them. -They might belong to someone. | 0:27:02 | 0:27:05 | |
No, you can claim it, provided notice is given | 0:27:05 | 0:27:07 | |
so the rightful owner has a chance to come forward. | 0:27:07 | 0:27:09 | |
We are taking all your stuff, OK? | 0:27:11 | 0:27:15 | |
We're having the big T-shirts and the shoes, all right? | 0:27:15 | 0:27:20 | |
Is that all right with you? | 0:27:20 | 0:27:21 | |
BOTH SCREAM | 0:27:21 | 0:27:24 | |
Ha-ha! | 0:27:36 | 0:27:37 | |
Aah! | 0:27:37 | 0:27:39 | |
What's that? | 0:27:50 | 0:27:52 | |
It's a joint. Do you want some? | 0:27:52 | 0:27:54 | |
No, thanks. | 0:27:54 | 0:27:55 | |
Where on earth do you get hard drugs from? | 0:27:55 | 0:27:58 | |
Are you for real, Pollyanna? | 0:27:59 | 0:28:01 | |
-Can I try it? -Yeah. | 0:28:05 | 0:28:08 | |
It's just a rollie, though. | 0:28:09 | 0:28:11 | |
I just wanted to see your face. | 0:28:11 | 0:28:13 | |
COUGHING | 0:28:16 | 0:28:18 | |
How come you're not doing your A-levels? | 0:28:25 | 0:28:28 | |
Surely you want to get out of here like everyone else. | 0:28:29 | 0:28:31 | |
My dad thinks you're really clever. | 0:28:33 | 0:28:35 | |
I was doing A-levels. | 0:28:37 | 0:28:39 | |
I was at The Holy Family, but I got kicked out. | 0:28:40 | 0:28:43 | |
I'm quite pleased actually. | 0:28:44 | 0:28:45 | |
Cos my mum always said that being a Conan Doyle | 0:28:47 | 0:28:50 | |
made you special, and now I get to skip | 0:28:50 | 0:28:52 | |
all that religious indoctrination and do something proper. | 0:28:52 | 0:28:55 | |
Did your dad really say that? | 0:28:58 | 0:28:59 | |
What else did he say? | 0:29:01 | 0:29:03 | |
Nothing. | 0:29:03 | 0:29:04 | |
I hope you don't mind me asking, but what happened to your mum? | 0:29:08 | 0:29:10 | |
She jumped off the flyover at Shoreham cos my dad didn't love her. | 0:29:14 | 0:29:17 | |
That didn't kill her, though. | 0:29:18 | 0:29:20 | |
She squeaked around in a wheelchair for a couple years after that. | 0:29:20 | 0:29:23 | |
And then when he didn't come back and save her, | 0:29:23 | 0:29:25 | |
she overdosed on sleeping pills. | 0:29:25 | 0:29:28 | |
Why didn't he come back? Where is he? | 0:29:28 | 0:29:30 | |
Dead...disabled, divorced. | 0:29:32 | 0:29:35 | |
Fuck knows. | 0:29:35 | 0:29:36 | |
God, Emelia, that's awful. | 0:29:36 | 0:29:38 | |
So is this what your book's going to be about? | 0:29:41 | 0:29:44 | |
No. | 0:29:47 | 0:29:48 | |
It's about bestiality. | 0:29:51 | 0:29:53 | |
SHE LAUGHS | 0:29:53 | 0:29:55 | |
Emelia? | 0:30:00 | 0:30:02 | |
Do you want to come up to Oxford with me? | 0:30:02 | 0:30:04 | |
For my interview? We could go for a couple of days. | 0:30:04 | 0:30:08 | |
Stay over. | 0:30:08 | 0:30:09 | |
I'll pay. | 0:30:11 | 0:30:12 | |
What, and hang out with a load of geeks? | 0:30:13 | 0:30:15 | |
Fuck that. I'd rather chew off my own arm and club myself to death with it. | 0:30:16 | 0:30:20 | |
Uh, sorry. | 0:31:01 | 0:31:03 | |
-I was looking for Beth. -Yeah, I can see that. | 0:31:03 | 0:31:05 | |
Looking...long and...hard. | 0:31:05 | 0:31:09 | |
What, is that quits now? | 0:31:10 | 0:31:12 | |
Oh, that's right. | 0:31:17 | 0:31:18 | |
Go back to your procrast-urbating | 0:31:18 | 0:31:21 | |
I'm done with my answers. | 0:31:30 | 0:31:32 | |
Are you? | 0:31:34 | 0:31:35 | |
No. | 0:31:35 | 0:31:36 | |
Stop cheating. | 0:31:38 | 0:31:39 | |
-How can you write like that? -Well... | 0:31:42 | 0:31:45 | |
I found these miraculous claw-like appendages at the end of my arms, | 0:31:45 | 0:31:49 | |
and they were ideal for clutching blunt instruments | 0:31:49 | 0:31:52 | |
such as this, a pencil. | 0:31:52 | 0:31:53 | |
I meant, wouldn't it just be easier to use your laptop? | 0:31:55 | 0:31:58 | |
I'd be lost without mine. | 0:32:00 | 0:32:02 | |
I don't have a laptop. | 0:32:05 | 0:32:06 | |
I come from a no-parent family. | 0:32:06 | 0:32:08 | |
We spend most of our money on gravestones. | 0:32:08 | 0:32:11 | |
Ah. | 0:32:13 | 0:32:14 | |
I'm sorry. | 0:32:14 | 0:32:16 | |
Maybe you could use Posy's computer. | 0:32:18 | 0:32:20 | |
Maybe I could. | 0:32:21 | 0:32:23 | |
I forgive you. | 0:32:25 | 0:32:26 | |
Your shoes are massive. | 0:32:32 | 0:32:34 | |
There you are. | 0:33:05 | 0:33:07 | |
Yep, here I am. | 0:33:07 | 0:33:08 | |
What are you doing here? I thought you'd finished for the day. | 0:33:08 | 0:33:11 | |
Um, I was wondering about Oxford. | 0:33:11 | 0:33:14 | |
Um, and I wondered if the offer still stands for me to come with you. | 0:33:15 | 0:33:19 | |
-I thought you said you didn't want to come. -Of course I want to come. | 0:33:19 | 0:33:22 | |
You don't have to. I don't mind. I'm not bothered. | 0:33:22 | 0:33:25 | |
I want to come. | 0:33:25 | 0:33:27 | |
Well, the offer's still there. I'd love you to come. | 0:33:28 | 0:33:31 | |
Wicked. Cup of tea? | 0:33:32 | 0:33:35 | |
Yeah, great. | 0:33:35 | 0:33:36 | |
What's that? | 0:33:56 | 0:33:58 | |
It's a doggie bag, Granny. | 0:33:58 | 0:34:00 | |
Is it Bonnie's food? | 0:34:01 | 0:34:03 | |
No, Granny, um... | 0:34:04 | 0:34:06 | |
doggie bag, as in leftovers. | 0:34:06 | 0:34:08 | |
Bonnie's dead, remember? | 0:34:08 | 0:34:10 | |
Bonnie's dead? | 0:34:13 | 0:34:15 | |
-Bonnie's dead! -Yes, yes. | 0:34:16 | 0:34:19 | |
Well, well, when? | 0:34:19 | 0:34:20 | |
Why didn't somebody tell me? | 0:34:20 | 0:34:24 | |
Oh, Annie... | 0:34:25 | 0:34:27 | |
Why didn't you tell me? | 0:34:27 | 0:34:30 | |
Why didn't somebody tell me? | 0:34:30 | 0:34:33 | |
What are you doing? | 0:34:46 | 0:34:48 | |
Nothing. The usual, boring. | 0:34:48 | 0:34:51 | |
I was wondering... | 0:34:53 | 0:34:55 | |
..if you would like to go out to dinner. | 0:34:57 | 0:35:01 | |
I can't, darling. I've got tons to do. | 0:35:01 | 0:35:03 | |
Oh, come on. It's Friday night. | 0:35:03 | 0:35:05 | |
I'm onto something here. Really, I... I can't just stop now. | 0:35:05 | 0:35:09 | |
Fine. Starve then. | 0:35:09 | 0:35:12 | |
You're not going to need that today. | 0:35:24 | 0:35:26 | |
Um... | 0:35:26 | 0:35:28 | |
You're going on a field trip. | 0:35:28 | 0:35:29 | |
Hmm, what about the Shrew? | 0:35:31 | 0:35:32 | |
She's in London with Posy for an audition, so... let's go. | 0:35:32 | 0:35:36 | |
# Are you following me | 0:35:51 | 0:35:53 | |
# Or am I following you? | 0:35:53 | 0:35:54 | |
# Tell me, how do you do What you do? # | 0:35:54 | 0:35:57 | |
Come with me. | 0:35:57 | 0:35:59 | |
# Cos the truth is I never thought two...# | 0:35:59 | 0:36:02 | |
So where are we going? | 0:36:03 | 0:36:05 | |
You'll see. | 0:36:05 | 0:36:06 | |
# Could ever come Close as we do. # | 0:36:09 | 0:36:12 | |
You are very quiet. | 0:37:05 | 0:37:07 | |
Have I bored you to death? | 0:37:09 | 0:37:10 | |
No...the opposite. | 0:37:12 | 0:37:14 | |
It's just... | 0:37:16 | 0:37:17 | |
My dad was never around to talk to about him... | 0:37:18 | 0:37:21 | |
Arthur. | 0:37:21 | 0:37:22 | |
All I have are a collection of his books my mum gave me. | 0:37:24 | 0:37:27 | |
That's your experience, Emelia. | 0:37:27 | 0:37:30 | |
That's you. | 0:37:30 | 0:37:31 | |
And it's your experiences that shape you as a writer. | 0:37:35 | 0:37:38 | |
When I wrote The Cliff House, it was me. | 0:37:40 | 0:37:43 | |
It ripped everything I had from my soul. It devoured me. | 0:37:43 | 0:37:47 | |
And it's left me with nothing. | 0:37:48 | 0:37:50 | |
But, fuck, it was good. | 0:37:51 | 0:37:53 | |
Even if you do say so yourself. | 0:37:59 | 0:38:01 | |
# If I could bottle you up in an essence or two | 0:38:04 | 0:38:08 | |
# I would sip you forever and never need you | 0:38:08 | 0:38:12 | |
# Cos I howl at the moon and the sun and the sea | 0:38:12 | 0:38:16 | |
# But I wish I could tell what this spell is on me | 0:38:16 | 0:38:20 | |
# And I don't know how you do what you do | 0:38:20 | 0:38:23 | |
# But Shakespeare has nothing on words like you do | 0:38:23 | 0:38:28 | |
# Don't know how you do what you do | 0:38:28 | 0:38:31 | |
# Please do it to me. # | 0:38:31 | 0:38:34 | |
Thank you. | 0:38:37 | 0:38:38 | |
That was one of the best days of my life. | 0:38:39 | 0:38:41 | |
There was no-one at the desk when we got in, | 0:39:16 | 0:39:18 | |
so we helped ourselves to our key, | 0:39:18 | 0:39:20 | |
only to find that the room wasn't cleaned. | 0:39:20 | 0:39:22 | |
It's not on. | 0:39:22 | 0:39:24 | |
No, it's not, but I left my husband manning the fort today, | 0:39:24 | 0:39:27 | |
and you know what men are like. | 0:39:27 | 0:39:28 | |
No. | 0:39:28 | 0:39:30 | |
In the book, the rooms are clean. | 0:39:30 | 0:39:32 | |
Look. | 0:39:32 | 0:39:34 | |
Here and, uh, here | 0:39:34 | 0:39:37 | |
and here. | 0:39:37 | 0:39:40 | |
"The room sparkles. " | 0:39:40 | 0:39:42 | |
It says it. | 0:39:42 | 0:39:43 | |
Where have you been? | 0:39:45 | 0:39:46 | |
Meeting a new editor. | 0:39:46 | 0:39:48 | |
I'm Jonathan Fischer, the author. | 0:39:48 | 0:39:52 | |
Hi... | 0:39:52 | 0:39:54 | |
Actually, the room was sparkling | 0:39:56 | 0:39:58 | |
with energy and atmosphere. | 0:39:58 | 0:40:00 | |
Yeah, right, yeah, of course. | 0:40:00 | 0:40:03 | |
The room is through here, | 0:40:03 | 0:40:04 | |
if you would like to take your wife for a tour? | 0:40:04 | 0:40:07 | |
Yeah. Lovely. | 0:40:07 | 0:40:09 | |
Let's go. | 0:40:09 | 0:40:11 | |
Come on, Margaret. Bring the cagoules. | 0:40:11 | 0:40:12 | |
Jonathan, | 0:40:14 | 0:40:15 | |
how could you not have noticed that that bloody girl didn't turn up? | 0:40:15 | 0:40:20 | |
Oh... didn't she turn up? | 0:40:20 | 0:40:21 | |
You said, "bloody"! | 0:40:26 | 0:40:27 | |
Bethany! | 0:40:27 | 0:40:29 | |
# Oh, yeah | 0:40:37 | 0:40:39 | |
# Ooh | 0:40:40 | 0:40:42 | |
# Mr Big Stuff | 0:40:43 | 0:40:46 | |
# Who do you think you are? | 0:40:46 | 0:40:47 | |
# Mr Big Stuff | 0:40:47 | 0:40:50 | |
# You're never gonna get my love | 0:40:50 | 0:40:53 | |
# Now because you wear all those fancy clothes | 0:40:53 | 0:40:57 | |
# Oh, yeah | 0:40:57 | 0:40:58 | |
# And have a big, fine car, oh, yes, you do, now | 0:40:58 | 0:41:02 | |
# Do you think I can afford to give you my love? | 0:41:02 | 0:41:06 | |
# Oh, yeah | 0:41:06 | 0:41:08 | |
# You think you're higher than every star above? | 0:41:08 | 0:41:11 | |
# Mr Big Stuff...# | 0:41:11 | 0:41:14 | |
Dad? Have you seen Emelia? | 0:41:38 | 0:41:40 | |
No, isn't she here? | 0:41:40 | 0:41:42 | |
And why ask me? | 0:41:43 | 0:41:45 | |
I only asked if you'd seen her. | 0:41:45 | 0:41:46 | |
She just didn't show up for work this morning. That's all. | 0:41:46 | 0:41:49 | |
Hmm... | 0:41:53 | 0:41:54 | |
Oh, thank God. | 0:42:08 | 0:42:09 | |
I thought I was going to be arrested. | 0:42:09 | 0:42:11 | |
Why? What have you done? | 0:42:11 | 0:42:13 | |
Oh. | 0:42:14 | 0:42:15 | |
Well, I am 17. | 0:42:15 | 0:42:18 | |
Unless there's some strange local bylaw I don't know about, | 0:42:18 | 0:42:21 | |
and kissing's been deemed illegal. | 0:42:21 | 0:42:23 | |
Well, anyway, got other things to worry about today, | 0:42:26 | 0:42:29 | |
starting with a showdown with the Shrew cos of you. | 0:42:29 | 0:42:32 | |
Why, what-what's going on? | 0:42:32 | 0:42:35 | |
What's she said? | 0:42:35 | 0:42:36 | |
All right, keep your wig on. | 0:42:36 | 0:42:37 | |
It's about yesterday. | 0:42:37 | 0:42:39 | |
Somebody was supposed to cover for me. | 0:42:39 | 0:42:41 | |
You're not very good at this, are you? | 0:42:43 | 0:42:45 | |
Are you coming to Posy's party? | 0:42:50 | 0:42:52 | |
It's a P party, but... | 0:42:53 | 0:42:55 | |
Um... | 0:42:56 | 0:42:57 | |
So she can come as a princess. | 0:42:58 | 0:43:00 | |
You can come as...a pervert. | 0:43:01 | 0:43:04 | |
Or a...paedophile. | 0:43:04 | 0:43:07 | |
Finish your food, Posy. | 0:43:34 | 0:43:36 | |
Emelia said to give peas a chance. | 0:43:36 | 0:43:39 | |
I love Emelia. | 0:43:41 | 0:43:42 | |
She's great, isn't she, Dad? | 0:43:44 | 0:43:46 | |
Yes. | 0:43:47 | 0:43:49 | |
Yes, she's great. | 0:43:49 | 0:43:50 | |
So can she come to Posy's party on Saturday? | 0:44:00 | 0:44:02 | |
-No. -Of course she can come. | 0:44:02 | 0:44:05 | |
What on Earth are you talking about? | 0:44:05 | 0:44:08 | |
It's bad enough that Beth's decided she's going up to Oxford with her. | 0:44:08 | 0:44:11 | |
It's not like she's one of our kids. | 0:44:11 | 0:44:12 | |
Of course she can come to Posy's party. | 0:44:12 | 0:44:15 | |
I'm finished. | 0:44:15 | 0:44:17 | |
Fine, get down. | 0:44:17 | 0:44:20 | |
Can I watch Sex and the City? | 0:44:22 | 0:44:25 | |
(Thanks, Dad.) | 0:44:33 | 0:44:34 | |
DISHES CLATTER LOUDLY | 0:44:37 | 0:44:38 | |
Where do you want me to put this? | 0:44:46 | 0:44:48 | |
Oh, just there, anywhere. | 0:44:48 | 0:44:50 | |
It's fine. | 0:44:50 | 0:44:51 | |
Hey! | 0:45:05 | 0:45:06 | |
Hello, Peter. | 0:45:08 | 0:45:09 | |
Why are you wearing that massive coat? | 0:45:11 | 0:45:13 | |
To stash this. | 0:45:13 | 0:45:14 | |
And I'd have felt self-conscious on the bus wearing this. | 0:45:14 | 0:45:19 | |
Oh, my God, you look amazing. | 0:45:21 | 0:45:23 | |
Bethany. | 0:45:34 | 0:45:35 | |
Better go and help my mum before she has a nervous breakdown. Wait here. | 0:45:37 | 0:45:40 | |
-Hiya. -Hi. | 0:46:09 | 0:46:11 | |
Ooh! | 0:46:12 | 0:46:14 | |
You look unbelievable. | 0:46:14 | 0:46:16 | |
Um, is that appropriate behaviour for a man of the cloth? | 0:46:16 | 0:46:20 | |
I can't help it. | 0:46:20 | 0:46:21 | |
Oh, well, it's not the sexiest of outfits. Was Piglet taken? | 0:46:21 | 0:46:24 | |
I'll go out first. | 0:46:52 | 0:46:54 | |
Don't come until I'm out and away, OK? | 0:46:54 | 0:46:56 | |
I won't come at all after that performance. | 0:46:56 | 0:46:59 | |
Joa. | 0:47:04 | 0:47:06 | |
What were you doing in there? | 0:47:06 | 0:47:09 | |
I spilled fromage frais on my ecclesiastical smock. | 0:47:09 | 0:47:12 | |
Where's Beth? | 0:47:15 | 0:47:16 | |
Definitely not in the cleaning cupboard. That's for sure. | 0:47:16 | 0:47:20 | |
Fuck. | 0:47:20 | 0:47:21 | |
You stop right there, young lady. | 0:47:21 | 0:47:23 | |
What's going on? | 0:47:23 | 0:47:24 | |
I have just found, | 0:47:24 | 0:47:26 | |
in your underage daughter's bedroom, | 0:47:26 | 0:47:28 | |
this... at a children's party. | 0:47:28 | 0:47:31 | |
You are weeks away from your exams, | 0:47:31 | 0:47:34 | |
and you've started drinking alcohol? | 0:47:34 | 0:47:36 | |
You still have to work. | 0:47:36 | 0:47:38 | |
Keep it together, Beth. | 0:47:38 | 0:47:41 | |
Oh, who bloody cares? | 0:47:41 | 0:47:43 | |
You want to be a dropout too, do you? | 0:47:43 | 0:47:44 | |
Like that ghastly girl that you've been hanging around with? | 0:47:44 | 0:47:47 | |
Emelia is amazing. | 0:47:47 | 0:47:49 | |
You're just too... bloody stupid to see it. | 0:47:49 | 0:47:53 | |
While you are living under our roof | 0:47:55 | 0:47:58 | |
and you are only 17, | 0:47:58 | 0:48:00 | |
Bethany, you will live by our rules. | 0:48:00 | 0:48:03 | |
Tell her, Jonathan. | 0:48:03 | 0:48:05 | |
I mean, it's hardly a terrible crime, Joe. | 0:48:05 | 0:48:08 | |
It's Beth we are talking about. | 0:48:09 | 0:48:11 | |
Her idea of rebellion is staying up late for News At Ten. | 0:48:11 | 0:48:14 | |
Shouldn't we just be grateful that she's showing some spark | 0:48:19 | 0:48:22 | |
for the first time in her life? | 0:48:22 | 0:48:23 | |
In fact, I applaud that she's being more like Emelia. | 0:48:23 | 0:48:26 | |
At least she's getting some spirit about her. | 0:48:26 | 0:48:29 | |
Gobsmacking | 0:48:30 | 0:48:32 | |
Utterly gobsmacking | 0:48:32 | 0:48:34 | |
Parent of the year award. | 0:48:37 | 0:48:38 | |
Oh, thank God. | 0:48:56 | 0:48:57 | |
I actually thought I was going to have to go with my mum. | 0:48:57 | 0:48:59 | |
Well, don't worry. | 0:49:00 | 0:49:02 | |
I'm ready! | 0:49:02 | 0:49:03 | |
Come on. | 0:49:07 | 0:49:08 | |
What do you think he meant by "staircase"? | 0:49:29 | 0:49:31 | |
Seriously? | 0:49:31 | 0:49:33 | |
Can't recognise stairs? | 0:49:33 | 0:49:34 | |
Don't think you'll get in here. | 0:49:34 | 0:49:36 | |
Don't say that. | 0:49:36 | 0:49:37 | |
Ah, hello. Staircase 12. | 0:49:37 | 0:49:40 | |
Ah. | 0:49:40 | 0:49:41 | |
Oh, my God. I have never seen so many ugly men in all my life. | 0:50:05 | 0:50:08 | |
I mean, look at them. | 0:50:08 | 0:50:09 | |
Looks like they wear their brains on the outside. | 0:50:09 | 0:50:12 | |
Obviously, I chose The Queen's College | 0:50:12 | 0:50:13 | |
because of a lifelong fascination | 0:50:13 | 0:50:15 | |
with the Jacobean playwright Thomas Middleton. | 0:50:15 | 0:50:17 | |
I assume you know why all of the colleges are built in quads? | 0:50:17 | 0:50:22 | |
Is it so that geeks only have to look at each other | 0:50:22 | 0:50:24 | |
when they open the curtains in the morning? | 0:50:24 | 0:50:25 | |
And what are you hoping to read? | 0:50:27 | 0:50:30 | |
Wasn't it to keep the gownies safe from attack... | 0:50:32 | 0:50:35 | |
from the townies? | 0:50:35 | 0:50:37 | |
Good girl. | 0:50:37 | 0:50:38 | |
I do like a lady who does her homework. | 0:50:38 | 0:50:40 | |
Bet he fucking does. | 0:50:40 | 0:50:43 | |
And so when he asked me how I knew, | 0:50:45 | 0:50:47 | |
I said, "Well, sir, as Sherlock Holmes always said, | 0:50:47 | 0:50:50 | |
"Elementary, my dear Watson". | 0:50:50 | 0:50:53 | |
It was quite funny, cos his name was also Watson, you see. | 0:50:53 | 0:50:56 | |
Holmes never said that. | 0:50:56 | 0:50:59 | |
I'll think you'll find that he did in his books, | 0:50:59 | 0:51:03 | |
but I wouldn't expect you to have managed to squeeze in | 0:51:03 | 0:51:05 | |
much Conan Doyle during your romp around the chick-lit bucket at ASDA. | 0:51:05 | 0:51:09 | |
And I think if you'd actually read Conan Doyle, | 0:51:09 | 0:51:12 | |
you'd find out that you're wrong. | 0:51:12 | 0:51:13 | |
In 1892, he used the words, | 0:51:13 | 0:51:16 | |
"it was very superficial, my dear Watson," | 0:51:16 | 0:51:18 | |
and in the following year, he said simply, "Elementary". | 0:51:18 | 0:51:22 | |
He never, ever said them together, | 0:51:22 | 0:51:25 | |
you fuck-trumpet. | 0:51:25 | 0:51:26 | |
Emelia, I am trying to get a place here. | 0:51:31 | 0:51:34 | |
Yeah, but he was a pompous twat. | 0:51:34 | 0:51:37 | |
All right, sorry. | 0:51:38 | 0:51:40 | |
Come on, we'll go out for a drink. | 0:51:40 | 0:51:43 | |
Ugh, shared showers are rancid. | 0:51:49 | 0:51:53 | |
I swear there was a pubic hair doll in the plughole. | 0:51:53 | 0:51:55 | |
Ah, look at you, hot patootie. | 0:51:59 | 0:52:03 | |
I look ridiculous. | 0:52:03 | 0:52:05 | |
No, you don't. | 0:52:05 | 0:52:07 | |
I just don't want to be embarrassing. | 0:52:12 | 0:52:14 | |
You're not embarrassing. | 0:52:15 | 0:52:17 | |
I'm not your mum. | 0:52:17 | 0:52:18 | |
Doesn't bother me what you wear. | 0:52:18 | 0:52:20 | |
Wear what you want. You look amazing. | 0:52:21 | 0:52:24 | |
-To Oxford. -Oxford. | 0:52:30 | 0:52:33 | |
Shall we have another? | 0:52:38 | 0:52:40 | |
Interview's not until Friday. | 0:52:40 | 0:52:42 | |
Yes. | 0:52:42 | 0:52:43 | |
Tell you what. Let's get them to get us another. | 0:52:53 | 0:52:56 | |
All right. Come on then. | 0:52:56 | 0:52:58 | |
My sister and I were wondering if you'd like to buy us | 0:53:01 | 0:53:04 | |
a couple of pints...of wine. | 0:53:04 | 0:53:07 | |
We're sisters. | 0:53:08 | 0:53:10 | |
Yeah, she said. | 0:53:10 | 0:53:12 | |
Go on, then. | 0:53:12 | 0:53:13 | |
# Yeah | 0:53:17 | 0:53:18 | |
# Pick up that sound | 0:53:18 | 0:53:21 | |
# Yeah | 0:53:21 | 0:53:23 | |
# Pick up that sound | 0:53:23 | 0:53:25 | |
# Yeah | 0:53:25 | 0:53:27 | |
# Pick up that sound | 0:53:27 | 0:53:28 | |
# Pick up that sound | 0:53:28 | 0:53:30 | |
# They did it again | 0:53:30 | 0:53:32 | |
# They did it again They did it again | 0:53:32 | 0:53:34 | |
# Yeah | 0:53:34 | 0:53:36 | |
# Pick up that sound | 0:53:36 | 0:53:38 | |
# Pick up that sound | 0:53:38 | 0:53:41 | |
#They did it again They did it again | 0:53:41 | 0:53:43 | |
# They did it again. # | 0:53:43 | 0:53:46 | |
(Emelia.) | 0:54:06 | 0:54:07 | |
Mmm? | 0:54:07 | 0:54:08 | |
Mmm... | 0:54:08 | 0:54:11 | |
How did this happen? | 0:54:11 | 0:54:13 | |
Just stick your fingers down your throat. | 0:54:17 | 0:54:19 | |
Honestly, you'll be fine. I do it all the time. | 0:54:19 | 0:54:21 | |
SHE RETCHES | 0:54:24 | 0:54:25 | |
Oi! Can't you read? | 0:54:31 | 0:54:32 | |
Get off of that grass! | 0:54:32 | 0:54:34 | |
What are you doing? | 0:55:05 | 0:55:07 | |
I'm going to do it for you. | 0:55:07 | 0:55:08 | |
What? | 0:55:08 | 0:55:09 | |
The interview. | 0:55:09 | 0:55:11 | |
It's been moved to today, but it's fine. | 0:55:11 | 0:55:13 | |
I'm going to do the interview for you, as you. | 0:55:13 | 0:55:16 | |
Today? | 0:55:16 | 0:55:17 | |
How do I look? | 0:55:17 | 0:55:19 | |
It's today? When today? | 0:55:19 | 0:55:21 | |
Well, there was a notice stuck to the door. | 0:55:22 | 0:55:24 | |
It said 2:00, but... | 0:55:24 | 0:55:26 | |
-it'll be fine. I can bluff this for you. -Don't be ridiculous. | 0:55:26 | 0:55:29 | |
Come on, pass me my notes. | 0:55:33 | 0:55:34 | |
Come on. | 0:55:34 | 0:55:36 | |
It's all right. Don't panic. | 0:55:43 | 0:55:46 | |
# Who gives a fuck about an Oxford comma? | 0:56:02 | 0:56:05 | |
# I've seen those English dramas too | 0:56:05 | 0:56:07 | |
# They're cruel | 0:56:08 | 0:56:10 | |
# So if there's any other way to spell the word | 0:56:10 | 0:56:13 | |
# It's fine with me, with me. # | 0:56:13 | 0:56:16 | |
Bye. | 0:56:16 | 0:56:17 | |
So how'd it go? | 0:56:17 | 0:56:20 | |
Touch and go on all fronts. | 0:56:21 | 0:56:22 | |
I did offer, though. Can you imagine? | 0:56:22 | 0:56:25 | |
I know. It was a stupid suggestion. | 0:56:25 | 0:56:27 | |
You know absolutely nothing about medicine. | 0:56:27 | 0:56:29 | |
-I dunno, I've taken some drugs in my time. -Why am I not surprised? | 0:56:29 | 0:56:31 | |
But you did it, Beth. I mean, you just went right ahead and did it. | 0:56:33 | 0:56:36 | |
You look absolutely ridiculous, by the way. | 0:56:38 | 0:56:41 | |
# Who gives a fuck about an Oxford comma? | 0:56:41 | 0:56:43 | |
# I climbed to Dharamsala too | 0:56:43 | 0:56:45 | |
# I did | 0:56:45 | 0:56:48 | |
# I met the highest lama | 0:56:48 | 0:56:51 | |
# His accent sounded fine to me...# | 0:56:51 | 0:56:53 | |
Where did you get that book from? | 0:56:53 | 0:56:55 | |
Oh, I borrowed it from one of the rooms. | 0:56:55 | 0:56:57 | |
Do you know there's one in every drawer? | 0:56:57 | 0:56:59 | |
You don't have to be embarrassed. | 0:56:59 | 0:57:01 | |
I do know what it's like, you know. | 0:57:01 | 0:57:04 | |
I mean, my great-grandfather is Sir Arthur Conan Doyle. | 0:57:04 | 0:57:06 | |
Don't know why you keep going on about it. | 0:57:06 | 0:57:09 | |
I mean, unless you're actually Arthur Conan Doyle, | 0:57:09 | 0:57:11 | |
it's just a pointless hindrance, isn't it? | 0:57:11 | 0:57:13 | |
My dad's Jonathan A Fischer. | 0:57:13 | 0:57:16 | |
So what? | 0:57:16 | 0:57:17 | |
Hello, darling. | 0:57:35 | 0:57:37 | |
Come on, give me a hug. | 0:57:37 | 0:57:39 | |
Emelia, are you coming back for dinner? | 0:57:46 | 0:57:48 | |
Um, no, thanks, Mr Fischer. | 0:57:48 | 0:57:50 | |
I've got to get back home. | 0:57:50 | 0:57:52 | |
But I'll see you on Monday. | 0:57:52 | 0:57:54 | |
OK, see you then. | 0:57:54 | 0:57:56 | |
Bye. | 0:57:58 | 0:58:00 | |
She ate it all. | 0:58:10 | 0:58:11 | |
She's not doing too badly. | 0:58:11 | 0:58:13 | |
What are you doing, Emelia? | 0:58:17 | 0:58:20 | |
I'm eating my dinner, same as you. | 0:58:20 | 0:58:22 | |
Surely you can't find fault in that. | 0:58:22 | 0:58:24 | |
No, I mean with your life. | 0:58:24 | 0:58:25 | |
What are you going to do with yourself? | 0:58:25 | 0:58:27 | |
What do you mean? I'm writing a book. | 0:58:27 | 0:58:29 | |
I'm a Conan Doyle. | 0:58:30 | 0:58:32 | |
It's in my blood, for goodness' sake. | 0:58:32 | 0:58:34 | |
And I'm really good at it. | 0:58:34 | 0:58:36 | |
Emelia... life is not a fairy tale. | 0:58:36 | 0:58:42 | |
What is that supposed to mean? | 0:58:43 | 0:58:45 | |
Look, I'm just saying, it's not all that's in your blood. | 0:58:45 | 0:58:48 | |
Don't...waste your life like your mother did. | 0:58:50 | 0:58:54 | |
Don't cut yourself off because of some fantasy you have. | 0:58:54 | 0:59:01 | |
It's too late to start with me now | 0:59:03 | 0:59:04 | |
just cos your own daughter killed herself. | 0:59:04 | 0:59:07 | |
KNOCKING | 0:59:07 | 0:59:10 | |
Where have you been? | 0:59:17 | 0:59:19 | |
No. | 0:59:19 | 0:59:20 | |
No? | 0:59:20 | 0:59:22 | |
No what? That's not the answer to that question. | 0:59:22 | 0:59:26 | |
No, I'm not into you any more. | 0:59:26 | 0:59:28 | |
All right. | 0:59:28 | 0:59:29 | |
Bye then. | 0:59:31 | 0:59:32 | |
Babe? | 0:59:33 | 0:59:35 | |
"In my younger and more vulnerable years, | 0:59:54 | 0:59:57 | |
"my father gave me some advice | 0:59:57 | 0:59:58 | |
"that I've been turning over in my mind ever since." | 0:59:58 | 1:00:01 | |
It's an odd first line, given the absence of a father character. | 1:00:01 | 1:00:04 | |
It's good. | 1:00:07 | 1:00:09 | |
It's very good. | 1:00:09 | 1:00:10 | |
Don't worry. A little overwritten. | 1:00:10 | 1:00:13 | |
Sometimes you get very confused by the use of a simile. | 1:00:13 | 1:00:17 | |
There's something there. | 1:00:21 | 1:00:22 | |
You seem very distracted. | 1:00:27 | 1:00:29 | |
Is it that you can't take criticism? | 1:00:30 | 1:00:35 | |
Jonathan... | 1:00:35 | 1:00:36 | |
Dad? | 1:00:36 | 1:00:38 | |
Come on. | 1:00:39 | 1:00:41 | |
Can you sign this, please? | 1:00:45 | 1:00:46 | |
What is it? | 1:00:46 | 1:00:48 | |
Parental consent for my Leavers' Ball. | 1:00:48 | 1:00:51 | |
Do I have to do this now? | 1:00:51 | 1:00:53 | |
That's a bit of a lifeless outfit. | 1:00:59 | 1:01:01 | |
Well, it's obviously reflecting my personality. | 1:01:01 | 1:01:04 | |
She didn't make it. | 1:01:55 | 1:01:57 | |
She's gone. | 1:01:59 | 1:02:00 | |
QUIET CRYING | 1:02:05 | 1:02:07 | |
Are you going to dress up for the school ball? | 1:02:35 | 1:02:37 | |
Wear something special? | 1:02:37 | 1:02:39 | |
Beth? | 1:02:44 | 1:02:45 | |
What's wrong? | 1:02:47 | 1:02:48 | |
Nothing. | 1:02:50 | 1:02:51 | |
I know what's wrong. | 1:02:51 | 1:02:53 | |
Beth thinks you love Emelia more than her. | 1:02:53 | 1:02:56 | |
You wish Emelia was your daughter. | 1:02:56 | 1:02:58 | |
What was I fucking thinking? | 1:03:22 | 1:03:24 | |
Hey. | 1:03:39 | 1:03:40 | |
Hey. | 1:03:40 | 1:03:42 | |
Just wondered if you fancied a cup of tea? | 1:03:42 | 1:03:45 | |
Oh, I can't. | 1:03:45 | 1:03:47 | |
Got to get back, unfortunately. | 1:03:47 | 1:03:49 | |
My bloody mother. | 1:03:49 | 1:03:50 | |
Are you all right? | 1:03:54 | 1:03:55 | |
My granny died. | 1:03:58 | 1:04:00 | |
When? | 1:04:00 | 1:04:01 | |
Why didn't you call me? | 1:04:01 | 1:04:03 | |
I'm so sorry. | 1:04:06 | 1:04:08 | |
SHE SOBS | 1:04:11 | 1:04:13 | |
Excuse me, has your room been cleaned? | 1:05:20 | 1:05:23 | |
Not yet. Yours? | 1:05:23 | 1:05:25 | |
I heard the lady on the desk moaning about the cleaner | 1:05:28 | 1:05:32 | |
not showing up for work. | 1:05:32 | 1:05:33 | |
What about that pretty one? | 1:05:33 | 1:05:35 | |
If only we were 20 years younger, eh? | 1:05:37 | 1:05:40 | |
KNOCKING | 1:05:55 | 1:05:56 | |
Hello. | 1:05:58 | 1:05:59 | |
How are you? | 1:06:01 | 1:06:02 | |
There's been a lot to sort out, but I'm fine. | 1:06:06 | 1:06:09 | |
You look bloody awful, though. What's up? | 1:06:11 | 1:06:12 | |
I've just been sick every morning this week. | 1:06:14 | 1:06:16 | |
I think it's just a bug. | 1:06:17 | 1:06:18 | |
But isn't that morning sickness? | 1:06:18 | 1:06:20 | |
Can't be, can it? | 1:06:23 | 1:06:24 | |
We used a condom. | 1:06:25 | 1:06:27 | |
Don't worry. I'll get you a test. | 1:06:30 | 1:06:33 | |
Emelia? | 1:06:58 | 1:06:59 | |
Can you come up, please? | 1:07:03 | 1:07:05 | |
Emelia, I... | 1:07:34 | 1:07:35 | |
-There's something... -Jonathan... | 1:07:39 | 1:07:41 | |
I'm sorry. I just want... | 1:07:41 | 1:07:43 | |
I can't write. I can't do it. | 1:07:43 | 1:07:45 | |
Of course you can. | 1:07:50 | 1:07:51 | |
I quite often think of a quote by Tolstoy. | 1:07:52 | 1:07:55 | |
"In a writer, there must always be two people, | 1:07:55 | 1:07:57 | |
"the writer and the critic." | 1:07:57 | 1:08:00 | |
When I was writing The Cliff House... | 1:08:01 | 1:08:03 | |
For God's sake, get over The Cliff House. | 1:08:03 | 1:08:05 | |
What do you mean by that? | 1:08:05 | 1:08:07 | |
You haven't lived a bloody day since, have you? | 1:08:07 | 1:08:09 | |
I mean, what else have you achieved in the last 20 years? | 1:08:11 | 1:08:14 | |
I've read your other work, | 1:08:16 | 1:08:17 | |
and it sure ain't Tolstoy. | 1:08:17 | 1:08:19 | |
Unless it's the sequel, Bore and Cease. | 1:08:19 | 1:08:23 | |
CLOCK TICKS | 1:08:28 | 1:08:31 | |
What's this? | 1:08:36 | 1:08:38 | |
Nothing. | 1:08:40 | 1:08:41 | |
What was that? | 1:08:43 | 1:08:44 | |
That better not be what I thought it was, young lady. | 1:08:44 | 1:08:47 | |
"What's this? What's that?" What's it got to do with you, anyway? | 1:08:47 | 1:08:49 | |
It's got everything to do with me. | 1:08:49 | 1:08:51 | |
-You think you're pregnant? -I'm not pregnant. It's negative. | 1:08:51 | 1:08:53 | |
So why don't you just fuck off?! | 1:08:53 | 1:08:55 | |
Had your head so far up your own arse, | 1:08:58 | 1:09:00 | |
you can't have seen daylight in years. | 1:09:00 | 1:09:02 | |
Do you even know that you questioned The Great Gatsby? You idiot. | 1:09:02 | 1:09:06 | |
You told Truman Capote he need not to be so obvious with his metaphors. | 1:09:06 | 1:09:10 | |
What on earth are you talking about? | 1:09:10 | 1:09:12 | |
Half of the stuff I gave you as samples weren't even mine. | 1:09:12 | 1:09:15 | |
I just copied them from books by my bed. | 1:09:15 | 1:09:17 | |
Why are you being so cruel and childish? | 1:09:19 | 1:09:22 | |
Because I am a child. | 1:09:24 | 1:09:25 | |
I'm best friends with your daughter, in case you hadn't noticed. | 1:09:27 | 1:09:29 | |
Emelia, you don't need to do this. | 1:09:33 | 1:09:35 | |
I can't do this to Beth any more. | 1:09:37 | 1:09:39 | |
And I hate you for being able to. | 1:09:42 | 1:09:44 | |
It's all right. | 1:10:08 | 1:10:10 | |
It's going to be all right. You're OK. | 1:10:12 | 1:10:14 | |
Thank fuck. | 1:10:26 | 1:10:27 | |
Come on. | 1:10:34 | 1:10:35 | |
Get your things together. We're going out. | 1:10:35 | 1:10:37 | |
OK. | 1:10:37 | 1:10:39 | |
Let's go out. | 1:10:39 | 1:10:40 | |
Let me put some make-up on my big, fat, swollen face. | 1:10:40 | 1:10:44 | |
Did you know that Beth is now having sex? | 1:10:53 | 1:10:56 | |
Did you? | 1:10:56 | 1:10:57 | |
Well, she is, so maybe you can think about that next time | 1:10:57 | 1:11:00 | |
before you celebrate her for getting sloshed. | 1:11:00 | 1:11:02 | |
I mean, look at the mess she is in | 1:11:02 | 1:11:04 | |
because of that stupid girl. | 1:11:04 | 1:11:06 | |
You're just so selfish. | 1:11:09 | 1:11:10 | |
You lock yourself away up here | 1:11:10 | 1:11:12 | |
as if you're curing cancer | 1:11:12 | 1:11:14 | |
instead of churning out a potboiler once a decade. | 1:11:14 | 1:11:17 | |
You think buying this house is just your entire contribution | 1:11:17 | 1:11:21 | |
to this family done, don't you? | 1:11:21 | 1:11:23 | |
That's your bit done, isn't it? | 1:11:23 | 1:11:24 | |
I've been sleeping with Emelia. | 1:11:27 | 1:11:29 | |
You have got to be joking! | 1:11:29 | 1:11:32 | |
MUFFLED LAUGHTER | 1:11:32 | 1:11:36 | |
Shall we get going, then? | 1:11:36 | 1:11:38 | |
'Fat fucking father you are.' | 1:11:38 | 1:11:39 | |
You've been fucking the maid? | 1:11:39 | 1:11:41 | |
If you want to put it that way, um, yes, I have. | 1:11:41 | 1:11:44 | |
I am going to throw up. | 1:11:49 | 1:11:51 | |
Shall we head out, then? | 1:11:52 | 1:11:53 | |
Let's head out. | 1:11:54 | 1:11:58 | |
So while I've been bringing up the kids and running this house... | 1:11:58 | 1:12:02 | |
and this business has been hanging around my neck... | 1:12:02 | 1:12:05 | |
draining every last morsel of energy I've got left, | 1:12:05 | 1:12:08 | |
you have been up here... | 1:12:08 | 1:12:09 | |
'fucking our daughter's best friend?!' | 1:12:09 | 1:12:12 | |
I'm leaving you. | 1:12:27 | 1:12:29 | |
Although, um, I'll be keeping the house, | 1:12:29 | 1:12:31 | |
so technically, | 1:12:31 | 1:12:33 | |
you'll actually be leaving me. | 1:12:33 | 1:12:36 | |
Beth... | 1:12:36 | 1:12:37 | |
I want you gone by morning. | 1:12:37 | 1:12:39 | |
You can clear all of this out. | 1:12:40 | 1:12:43 | |
Want you to take it with you. | 1:12:43 | 1:12:46 | |
I thought you were my friend. | 1:12:46 | 1:12:48 | |
I am, Beth. | 1:12:48 | 1:12:52 | |
I am. | 1:12:52 | 1:12:54 | |
Not you, you fucking idiot. | 1:12:54 | 1:12:56 | |
Look, Mummy, I'm Emelia! | 1:12:59 | 1:13:01 | |
LAUGHTER AND CHATTER | 1:13:17 | 1:13:20 | |
Woo! | 1:13:20 | 1:13:21 | |
CHEERING AND WHOOPING | 1:13:26 | 1:13:29 | |
CAN CLINKS | 1:13:35 | 1:13:36 | |
See? My dad's right. | 1:13:36 | 1:13:37 | |
I can't get anything through my thick skull. | 1:13:37 | 1:13:40 | |
SHE SIGHS | 1:13:43 | 1:13:45 | |
SEAGULLS CRY | 1:13:45 | 1:13:48 | |
STUDENTS CHATTER | 1:13:48 | 1:13:51 | |
Beth? Beth? | 1:13:52 | 1:13:55 | |
Beth, I need to talk to you. | 1:13:55 | 1:13:57 | |
Beth, I'm sorry. | 1:13:58 | 1:14:00 | |
I didn't mean for it to happen, | 1:14:00 | 1:14:01 | |
any of it, I just... | 1:14:01 | 1:14:02 | |
I want us to be friends again. | 1:14:02 | 1:14:04 | |
We can't be friends, Emelia. | 1:14:04 | 1:14:06 | |
You're a liar. | 1:14:06 | 1:14:07 | |
No, I'm not. | 1:14:07 | 1:14:09 | |
You... You know everything now. | 1:14:09 | 1:14:11 | |
You must know why I had to lie. | 1:14:11 | 1:14:14 | |
I did a bad thing. | 1:14:14 | 1:14:16 | |
I'm not talking about that. | 1:14:16 | 1:14:18 | |
Your name may not be Serena Molina, | 1:14:19 | 1:14:21 | |
but it certainly isn't Conan Doyle either. | 1:14:21 | 1:14:23 | |
What? | 1:14:25 | 1:14:27 | |
Do you actually believe your name is Conan Doyle? | 1:14:27 | 1:14:30 | |
SEAGULLS CRY | 1:14:39 | 1:14:41 | |
Grandpa, can I ask you a question? | 1:14:51 | 1:14:54 | |
Yeah. | 1:14:54 | 1:14:56 | |
Was my father the grandson of Arthur Conan Doyle? | 1:15:06 | 1:15:10 | |
Well, his name was Doyle. | 1:15:10 | 1:15:12 | |
Was it Conan Doyle? | 1:15:12 | 1:15:14 | |
Was he related to the author? | 1:15:14 | 1:15:16 | |
Your mother did a lot of things for the right reasons... | 1:15:24 | 1:15:28 | |
and a lot of things for the wrong reasons. | 1:15:28 | 1:15:32 | |
Your father's name was Doyle. | 1:15:32 | 1:15:34 | |
But... | 1:15:35 | 1:15:37 | |
it wasn't Conan Doyle. | 1:15:37 | 1:15:40 | |
Me and your granny felt it would have crushed you | 1:15:42 | 1:15:45 | |
to take it away from you after your mum died. | 1:15:45 | 1:15:48 | |
It seemed...another cruelty. | 1:15:48 | 1:15:54 | |
We knew how much it meant to you. | 1:15:54 | 1:15:58 | |
This just means that the foundation... | 1:16:01 | 1:16:04 | |
that my life's built on is based on lies. | 1:16:04 | 1:16:07 | |
My ambition to be a writer is based on a lie. | 1:16:08 | 1:16:11 | |
I need to rewrite myself. | 1:16:12 | 1:16:14 | |
But you can. | 1:16:14 | 1:16:18 | |
You're a great writer anyway, | 1:16:18 | 1:16:20 | |
without all that nonsense. | 1:16:20 | 1:16:22 | |
You can't push everybody away, Emelia. | 1:16:25 | 1:16:29 | |
Your mother wanted you so much. | 1:16:30 | 1:16:33 | |
She can't have wanted me that much. | 1:16:37 | 1:16:39 | |
She jumped off a bridge onto a main road. | 1:16:39 | 1:16:41 | |
Millie, she was ill. | 1:16:41 | 1:16:43 | |
Her mind wasn't right. | 1:16:43 | 1:16:46 | |
But she'd be so proud of how clever you've made yourself. | 1:16:46 | 1:16:49 | |
Because of him, without him, | 1:16:49 | 1:16:51 | |
what does it matter? | 1:16:51 | 1:16:52 | |
It's just a name, Emelia. | 1:16:52 | 1:16:54 | |
It's just an albatross around your neck, really, | 1:16:54 | 1:16:58 | |
but you just can't see that yet. | 1:16:58 | 1:16:59 | |
You're still special, you know. | 1:17:02 | 1:17:05 | |
Special bloody needs, thanks to her. | 1:17:05 | 1:17:08 | |
You'll stop being angry with her one day. | 1:17:08 | 1:17:14 | |
And with yourself. | 1:17:14 | 1:17:16 | |
You're a writer. | 1:17:16 | 1:17:18 | |
But if you change your mind... | 1:17:18 | 1:17:19 | |
and want to go to college instead, there's money, you know. | 1:17:19 | 1:17:22 | |
I don't need anything but to upgrade my teabags | 1:17:22 | 1:17:27 | |
every once in a while. | 1:17:27 | 1:17:28 | |
THEY CHUCKLE | 1:17:28 | 1:17:31 | |
Well, don't go bloody mad. | 1:17:31 | 1:17:34 | |
I want some kind of inheritance. | 1:17:34 | 1:17:36 | |
CAR APPROACHES | 1:18:50 | 1:18:52 | |
ENGINE IDLES | 1:18:52 | 1:18:55 | |
KNOCK AT DOOR | 1:18:57 | 1:18:59 | |
ENGINE REVVING | 1:19:01 | 1:19:04 | |
SEAGULLS CRY | 1:19:44 | 1:19:47 | |
Daddy! | 1:19:55 | 1:19:57 | |
Hello, my darling. | 1:19:58 | 1:20:00 | |
Are you coming home? | 1:20:00 | 1:20:02 | |
No, I'm not. | 1:20:02 | 1:20:06 | |
I'm just here to drive my Oxford undergrad to college. | 1:20:06 | 1:20:09 | |
Hi. | 1:20:10 | 1:20:12 | |
Hi. | 1:20:12 | 1:20:14 | |
Thank you for letting me drive you. | 1:20:15 | 1:20:18 | |
Hi, hello. | 1:20:23 | 1:20:25 | |
Hi. | 1:20:25 | 1:20:27 | |
How are you? | 1:20:31 | 1:20:32 | |
Good. | 1:20:32 | 1:20:34 | |
Hear you got a job. | 1:20:34 | 1:20:37 | |
Yes, I'm teaching creative writing. | 1:20:37 | 1:20:39 | |
Oh. Huh. | 1:20:39 | 1:20:41 | |
-Let's go. -Come on, then. | 1:20:47 | 1:20:49 | |
-Grab something. -Yes. | 1:20:49 | 1:20:51 | |
Hi, um... can I get this printed on A-4 and bound? | 1:21:14 | 1:21:17 | |
Yep, no problem. | 1:21:17 | 1:21:19 | |
Just take a seat. | 1:21:19 | 1:21:20 | |
MUSIC: Smokers Outside The Hospital Doors by Editors | 1:21:31 | 1:21:34 | |
# We've all been changed | 1:21:38 | 1:21:42 | |
# From what we were | 1:21:42 | 1:21:45 | |
# Our broken hearts | 1:21:45 | 1:21:49 | |
# Left smashed on the floor | 1:21:49 | 1:21:53 | |
# I can't believe you | 1:21:53 | 1:21:57 | |
# If I can't hear you | 1:21:57 | 1:22:00 | |
# I can't believe you | 1:22:00 | 1:22:04 | |
# If I can't hear you... # | 1:22:04 | 1:22:08 | |
ENGINE TURNS OVER | 1:22:10 | 1:22:12 | |
# We've all been changed | 1:22:30 | 1:22:34 | |
# From what we were | 1:22:34 | 1:22:38 | |
# Our broken hearts | 1:22:38 | 1:22:42 | |
# Smashed on the floor | 1:22:42 | 1:22:46 | |
# We've all been changed | 1:22:46 | 1:22:49 | |
# From what we were | 1:22:49 | 1:22:53 | |
# Our broken hearts | 1:22:53 | 1:22:57 | |
# Smashed on the floor | 1:22:57 | 1:23:01 | |
# Someone turn me round | 1:23:01 | 1:23:07 | |
# Can I start this again? | 1:23:07 | 1:23:15 | |
# Now someone turn us around | 1:23:15 | 1:23:23 | |
# Can we start this again? | 1:23:23 | 1:23:30 | |
# We've all been changed | 1:23:34 | 1:23:38 | |
# From what we were | 1:23:38 | 1:23:42 | |
# Our broken hearts | 1:23:42 | 1:23:45 | |
# Left smashed on the floor | 1:23:45 | 1:23:48 | |
# I can't believe you | 1:23:48 | 1:23:52 | |
# If I can't hear you | 1:23:52 | 1:23:56 | |
# I can't believe you | 1:23:56 | 1:24:00 | |
# If I can't hear you. # | 1:24:00 | 1:24:04 | |
# I never wondered how the world kept turning | 1:24:04 | 1:24:09 | |
# Till the middle of my world came crashing in | 1:24:09 | 1:24:12 | |
# Then I got to wondering how I never got to wondering | 1:24:12 | 1:24:17 | |
# Way back then. # | 1:24:17 | 1:24:19 |