Albatross


Albatross

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Transcript


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This film contains strong language

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FIREWORKS BANGING

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# If you can't make me happy

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# Gonna walk away the blame

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# If you can't make me happy

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# Gonna walk away the shame

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# See, I got my cuts and bruises

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# Ah-ooh

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# Gonna walk away the pain

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# Ah-ooh

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# And if you can't make me happy

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# Ah-ooh

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# Gonna walk away again. #

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Oh, you are up.

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I'm taking Posy to an audition,

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so you're manning the front desk this morning.

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Can I not? I'm revising. Is Dad not around?

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Your dad's writing. You can revise on the desk.

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You have to give people keys, Beth.

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Won't be any different to up here. Come on.

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Take your hair down and make yourself a bit more presentable

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# Why don't you see

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# What you're doing to me? #

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SIREN

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Police! Run!

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# Why won't you go?

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# Leave me walking alone. #

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Hey!

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# Why won't you go?

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# If you can't make me happy. #

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-Mmm, did you bring coffee?

-Yes, thanks.

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I'm taking Posy to an audition,

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so you're going to have to get your own lunch as well.

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There's some nice turkey ham in the fridge.

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Which?

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Which what?

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No, which is it, turkey or ham?

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It's turkey ham.

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That's what it is, turkey ham.

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Why do they call it turkey ham when it's only got turkey in it?

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It's from flying bloody pigs, that's what,

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like your next bestseller.

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# Why won't you see

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# What you're doing to me?

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# Why won't you go?

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# Leave me walking alone

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# Why won't you go? #

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Was everything all right? Did you sleep OK?

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No, I didn't.

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All those bloody seagulls squawking since sunrise.

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They kind of come with the sea.

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Wasn't like that in the book.

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It was a peaceful retreat in the book.

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You're lucky I'm not coming in to talk to your mother and father.

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Well, good luck with that if you change your mind.

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Um...

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is this actually your house?

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Yeah.

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Hmm. I'm late, aren't I?

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You've missed breakfast, I'm afraid. Which room are you in?

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All of them, unfortunately.

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I'm the new cleaner.

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Right, yeah.

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I'm Beth Fischer.

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Oh, charmed. Serena.

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Nice to meet you, Serena.

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Can I just take your surname for the key log?

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Yeah, um,

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it's spelled M-O-L-I-N-A.

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Great. So you know you don't need to do the attic room on the top floor,

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just the guest rooms.

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This is Edna, our other cleaner.

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She'll show you around.

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How do you say your surname, just so I don't get it wrong?

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Molina.

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Molina.

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Mm-hmm, yeah.

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Serena Molina the cleaner.

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Meant to be.

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Right, um, so Edna's just down there.

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Ew.

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WOMAN MOANING ON COMPUTER

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CLATTERING

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-WOMAN ON COMPUTER:

-Yeah, in deep. Oh.

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You don't need to clean here.

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Are you sure? Looks pretty dirty from where I'm standing.

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Filthy, actually.

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Fuck.

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Is that your dad then?

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The pervert you keep locked away in the attic?

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-So you've read the book then?

-No.

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It's a little lightweight for me.

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Any good?

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Really brilliant.

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What's he doing here then?

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He lives here.

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No, I mean he's German, isn't he?

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So what's he doing in this culture vacuum?

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Well, I imagine he's asking himself the same question now

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that he's got writer's block.

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My name's not Serena Molina, by the way.

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Did you not realise I was joking?

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Oh. I thought the joke was on you.

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Emelia... Conan Doyle.

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And, yes, I am related to the Sherlock Holmes author.

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Wow.

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That's great.

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Anyway...

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I'd better go. Got to skooch.

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Bye.

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She wants to do it, so why can't she?

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Because she will...

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Because she will have to come out of school

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if the rehearsals are during the day.

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She is six years old, Jonathan.

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What's she going to miss, eh?

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What's she going to miss?

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Oh, I don't know. Just the important stuff!

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Reading! Writing!

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A lot of bloody good those things have done you,

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parked up here fiddling with your arsehole,

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and it's the rest of us... do not turn away!

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It is the rest of us who are running around,

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trying to make money out of this godforsaken house

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to make ends meet.

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It's a professional engagement

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she's been offered, and she wants to do it.

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-Does she really want to?

-Yes, look at her!

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Or is it just you trying to make up for your own failures?

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Oh, well, I can only bow

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to your superior knowledge of failure.

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You are the Grand Poobah of it.

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You are so fucking childish.

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It takes years to write a great novel.

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And it takes you just as long to write a shit one.

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KNOCKING

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Go away, Mum!

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I'm revising!

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KNOCKING

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Oh.

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Sorry, I didn't realise you were here.

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I'd say the same goes for this lot.

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You caught the show then?

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This is my get-out-of-jail card.

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And, uh... is that your sex hat?

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Look, I don't have long. I just stopped by to give you this.

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You had a book on fairies by your bed.

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Oh, yeah.

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Yeah, it was my little sister's.

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But that's lovely. Thanks.

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Anyway, I should get going.

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You should come for dinner,

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tonight, as a thank you for the book.

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Seriously? With your family?

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Yeah.

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That would be amazing.

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Great, so do you need to call your mum to check?

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I would, but she's a bit dead.

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Oh. Sorry.

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It's OK.

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It's not very fair for you to take the blame.

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She did kill herself.

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But thanks anyway.

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Fucking useless arsehole. Come on, Posy, get in the car.

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We need to get going if we're going to really fuck your father off.

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-POSY:

-You said a bad word!

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Nice!

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Bye.

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Bye.

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Have you got any ID?

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Yeah, definitely me.

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No. Are you 18?

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-Yes.

-Can you prove it?

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There.

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Are these not the breasts of an 18-year-old?

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That'll be £2.99, please.

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I can't believe we're stooping to the hired help

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for friendships now, Beth.

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What's going on?

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Your daughter has invited the bloody cleaner for dinner.

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Which one?

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Well, I assume it's the 17-year-old.

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Please tell me it's not Edna, the bearded pensioner.

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Sorry. I came in through the private entrance.

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-I didn't know which one I should use.

-Oh, hey.

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Hello, Mrs Fischer.

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Thank you so much for inviting me.

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This is for you.

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Oh, thank you.

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Are you old enough to drink wine?

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Yes...

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in Denmark and restricted parts of Europe.

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Oh, have you met my dad, Emelia?

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No, I don't think we've actually been introduced.

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Beth, can you come and finish up the plates?

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Hi, I'm Jonathan Fischer.

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Hmm. I hope you've washed that hand before I shake it, Mr Fischer.

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Emelia. Hi.

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Lovely to meet you properly, Emelia.

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Conan Doyle. Emelia Conan Doyle.

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Yes, I am related to the Sherlock Holmes author.

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Sir Arthur Conan Doyle?

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Oh.

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I've read all his work.

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So I'll get you a drink. Wine?

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You can have a glass of wine with dinner, can't you? White, huh?

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That's what you girls prefer, white?

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So tell me about the cliff house.

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I want to know everything.

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Hmm. There's not much to tell.

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I came over here to go to Cambridge.

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Saw a beautiful young actress in a touring play...

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and whisked her away to the cliff house,

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just for the weekend.

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Wrote the book in ignorance at 22,

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struck gold...

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..and now it hangs around my neck,

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taunting me with its success.

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Yeah, I meant the house,

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like the actual building.

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Is it Victorian?

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LAUGHTER

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No, Edwardian, actually.

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I'm joking.

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I'd love to know about the book.

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Are you applying to university, Emelia?

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I'm sure Beth told you she's applying to Oxford.

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Um, I'm not actually going to uni.

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Are you at the University of Life, Emelia?

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Yes.

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Mum says that's what dossers say.

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Actually, um, I'm also writing a novel.

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Are you? That's cool.

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Yeah, but, um, got quite a lot to live up to, though,

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as you can imagine.

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I mean, you can't exactly go looking under "Conan Doyle"

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and come up with some airport read...

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called "Dirty Bitch", can you?

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That's exactly what I should have done.

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Nothing to me, all this university education.

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What a shame you didn't realise that before you wrote Mental Interiors.

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You might still have a publisher.

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You should take it on board, Mr Fischer.

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"It is with bad sentiments that one makes good novels".

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That's Aldous Huxley, Mrs Fischer.

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Who does this belong to?

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-It's not mine. It's Emelia's.

-Well, where is Emelia?

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What are you doing?

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Was having a break.

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Don't be smart. Get in.

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Emelia!

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Emelia!

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(Fuck you very much.)

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What? I said, "Thank you. "

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Like, I just sang it. # Thank you! #

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Hi.

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What are you doing here?

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Certainly not waitressing, if that's what you're thinking.

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Hello, Pokey.

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-It's Posy!

-I know.

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Sit in my section.

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I'll move someone.

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How's your novel going?

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Oh, well, you know.

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Posy, would you like a milkshake?

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Yes.

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I'd like to have...

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Uh, ladies first.

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I'll be back in a moment to take your order.

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Excuse me?

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I am a vegetarian.

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That isn't something to boast about.

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SHE SPEAKS FRENCH

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Mmm, thank you!

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I need a spoon.

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So what can I do for you?

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Actually, I was just thinking...

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You know, if you get that down on paper, it's called writing.

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You can have that lesson on me.

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Actually, I was thinking I might be able to do something for you.

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Seriously.

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I could teach you creative writing...if you're struggling.

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Just you and me writing?

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Yes.

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Sounds fun.

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I'll see you tomorrow.

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TAPPING ON WINDOW

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Oh, Annie, you scared the wits out of me.

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Granny, it's Emelia.

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Not Annie.

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Mum's dead, remember?

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Don't stay up too late now, will you?

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There's school tomorrow.

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Granny, it's only 4:00, and it's Sunday tomorrow.

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And I'm working as well, to tide me over for a bit.

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Yes, yes.

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Of course.

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Basically, yeah, I go like,

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"So who's your sexual fantasy?" Yeah?

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And instead of saying like, you know, Pamela Anderson

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or something, he goes, "A mermaid."

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I was like, "A mermaid?

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"That is half fish you want to shag, you sick fuck."

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He goes, "Yeah pretty much is with most girls, innit?"

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I think my granny's dying.

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All right.

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When my granny died, yeah, my brother, little Tommy, yeah,

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starts singing, "Burn, baby, burn," as she's going in the oven.

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Fucking priceless, calling my nan "baby."

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Babe?

0:19:040:19:05

Babe?

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SPLASHING

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Well, I... I haven't actually acted professionally...

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for a few years now, no.

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Um, I was in a really popular coffee commercial.

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Um, I used to be Joa Saunders.

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I'm the one who married...

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the novelist Jonathan A Fischer.

0:20:300:20:32

So, um, I was just calling because I'm looking...

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for new representation.

0:20:370:20:39

Right.

0:20:390:20:40

Yeah.

0:20:400:20:41

Yes, all right, I will.

0:20:410:20:43

I'll, um, I'll call back when I'm in something.

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Thanks.

0:20:460:20:48

BELL RINGS

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Morning, Mrs Fischer.

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How's it hanging?

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You're late.

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And I want to have a word with you.

0:21:010:21:03

What are you doing with things that are left in the rooms?

0:21:030:21:07

Oh, well, uh...

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The bed, I'm making.

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The carpet, I've...

0:21:100:21:11

I've been walking on that.

0:21:110:21:13

And the curtains,

0:21:130:21:14

recently I've taken to swinging on them. Is that OK?

0:21:140:21:17

I mean the things that people leave behind accidentally.

0:21:170:21:21

Are you stealing them?

0:21:210:21:23

No.

0:21:230:21:24

I haven't found anything that's been left behind.

0:21:250:21:27

What's been left behind?

0:21:270:21:30

Well, the man who vacated room three on Tuesday...

0:21:300:21:35

couldn't find his teeth.

0:21:350:21:36

Are you actually accusing me of stealing

0:21:390:21:41

a set of old man's false teeth?

0:21:410:21:43

What did you think I was going to do with them?

0:21:430:21:45

These not look like mine?

0:21:450:21:46

I know that you live with your grandparents.

0:21:460:21:49

Yes, and they both have their own teeth.

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If things get left behind, they come down to the lost property box.

0:21:510:21:55

I know.

0:21:550:21:56

I read the memo.

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It was...fascinating

0:21:590:22:01

You should have been the writer in the family.

0:22:010:22:04

Emelia,

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you are this close to getting fired.

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KNOCKING

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Come in.

0:22:240:22:25

Hi.

0:22:290:22:30

Give me one minute.

0:22:320:22:33

Let me just finish what I am doing here. Sit down.

0:22:330:22:36

Sorry about that.

0:22:450:22:47

A moment of inspiration can be lost

0:22:480:22:50

in far less time if you don't indulge it.

0:22:500:22:52

But I...caught it.

0:22:530:22:55

So hello.

0:22:560:22:59

Did you just fake that?

0:22:590:23:01

No.

0:23:010:23:03

Yes.

0:23:070:23:08

So where's your work?

0:23:120:23:14

I didn't bring anything with me.

0:23:140:23:16

I understand if you're not ready to show me what you have written.

0:23:160:23:19

Wherever you've been, I went there first.

0:23:210:23:24

I'm not sure I'd own up to that.

0:23:260:23:27

So can you at least tell me what your novel's about?

0:23:300:23:33

Do you have anything to drink?

0:23:380:23:40

No.

0:23:400:23:41

Can't you just go downstairs? I mean, there must be something downstairs.

0:23:410:23:45

So you haven't told your family about our lessons then.

0:23:480:23:52

No, I haven't.

0:23:520:23:53

Hmm.

0:23:560:23:57

I do have a story actually. It's about a naughty pixie.

0:23:590:24:02

Emelia, come on, this isn't school.

0:24:030:24:07

Good, because I got expelled from school.

0:24:070:24:09

I really wouldn't let your daughter anywhere near me.

0:24:120:24:15

She's 17.

0:24:160:24:17

That's old enough to know your own mind.

0:24:170:24:19

Is this a lesson on subtext, Mr Fischer?

0:24:200:24:23

OK, let's start with text and subtext then.

0:24:260:24:29

I suppose that's something.

0:24:290:24:31

And please don't call me Mr Fischer. It makes me feel old.

0:24:310:24:34

I don't want to eat it! I don't like it!

0:25:060:25:08

You haven't even tried it. Come on, you have to eat some.

0:25:080:25:11

No, she doesn't. You don't have to eat it, Posy, darling.

0:25:130:25:15

Beth, don't force-feed her.

0:25:150:25:18

You would have made me eat it.

0:25:180:25:19

Well, we've learned from our mistakes.

0:25:190:25:22

How's the book going?

0:25:280:25:30

PHONE RINGS

0:25:460:25:48

Hello?

0:25:500:25:51

Emelia!

0:25:530:25:54

Can I go out for the evening?

0:26:010:26:03

Well, it's a school night.

0:26:030:26:06

-Yeah, but I'm on study leave.

-Technically, it's a school night.

0:26:060:26:09

You can go out.

0:26:100:26:11

-Be back by 10:00.

-Great.

0:26:140:26:16

Show some fucking backbone, you total tool.

0:26:190:26:23

Don't start, Joa!

0:26:230:26:24

You'd slept with half of Basingstoke by her age.

0:26:240:26:27

Lucky fucking Basingstoke!

0:26:270:26:28

Wow, look at that.

0:26:310:26:33

Wow. That's amazing.

0:26:330:26:35

-Boy, I wish I had a camera.

-Take a picture on your phone.

0:26:350:26:38

I wish I had a phone. Anyway, we should grab what we can

0:26:380:26:41

before they realise it's wrecked here.

0:26:410:26:44

Oh.

0:26:440:26:45

Huge men's T-shirts.

0:26:500:26:52

Not as good as these.

0:26:520:26:53

-Women's shoes.

-Oh, those are revolting!

0:26:540:26:56

Look at the size of them!

0:26:570:26:58

Why is everything so massive?

0:26:580:27:00

Here, you should have this.

0:27:000:27:02

-We can't actually take them.

-They might belong to someone.

0:27:020:27:05

No, you can claim it, provided notice is given

0:27:050:27:07

so the rightful owner has a chance to come forward.

0:27:070:27:09

We are taking all your stuff, OK?

0:27:110:27:15

We're having the big T-shirts and the shoes, all right?

0:27:150:27:20

Is that all right with you?

0:27:200:27:21

BOTH SCREAM

0:27:210:27:24

Ha-ha!

0:27:360:27:37

Aah!

0:27:370:27:39

What's that?

0:27:500:27:52

It's a joint. Do you want some?

0:27:520:27:54

No, thanks.

0:27:540:27:55

Where on earth do you get hard drugs from?

0:27:550:27:58

Are you for real, Pollyanna?

0:27:590:28:01

-Can I try it?

-Yeah.

0:28:050:28:08

It's just a rollie, though.

0:28:090:28:11

I just wanted to see your face.

0:28:110:28:13

COUGHING

0:28:160:28:18

How come you're not doing your A-levels?

0:28:250:28:28

Surely you want to get out of here like everyone else.

0:28:290:28:31

My dad thinks you're really clever.

0:28:330:28:35

I was doing A-levels.

0:28:370:28:39

I was at The Holy Family, but I got kicked out.

0:28:400:28:43

I'm quite pleased actually.

0:28:440:28:45

Cos my mum always said that being a Conan Doyle

0:28:470:28:50

made you special, and now I get to skip

0:28:500:28:52

all that religious indoctrination and do something proper.

0:28:520:28:55

Did your dad really say that?

0:28:580:28:59

What else did he say?

0:29:010:29:03

Nothing.

0:29:030:29:04

I hope you don't mind me asking, but what happened to your mum?

0:29:080:29:10

She jumped off the flyover at Shoreham cos my dad didn't love her.

0:29:140:29:17

That didn't kill her, though.

0:29:180:29:20

She squeaked around in a wheelchair for a couple years after that.

0:29:200:29:23

And then when he didn't come back and save her,

0:29:230:29:25

she overdosed on sleeping pills.

0:29:250:29:28

Why didn't he come back? Where is he?

0:29:280:29:30

Dead...disabled, divorced.

0:29:320:29:35

Fuck knows.

0:29:350:29:36

God, Emelia, that's awful.

0:29:360:29:38

So is this what your book's going to be about?

0:29:410:29:44

No.

0:29:470:29:48

It's about bestiality.

0:29:510:29:53

SHE LAUGHS

0:29:530:29:55

Emelia?

0:30:000:30:02

Do you want to come up to Oxford with me?

0:30:020:30:04

For my interview? We could go for a couple of days.

0:30:040:30:08

Stay over.

0:30:080:30:09

I'll pay.

0:30:110:30:12

What, and hang out with a load of geeks?

0:30:130:30:15

Fuck that. I'd rather chew off my own arm and club myself to death with it.

0:30:160:30:20

Uh, sorry.

0:31:010:31:03

-I was looking for Beth.

-Yeah, I can see that.

0:31:030:31:05

Looking...long and...hard.

0:31:050:31:09

What, is that quits now?

0:31:100:31:12

Oh, that's right.

0:31:170:31:18

Go back to your procrast-urbating

0:31:180:31:21

I'm done with my answers.

0:31:300:31:32

Are you?

0:31:340:31:35

No.

0:31:350:31:36

Stop cheating.

0:31:380:31:39

-How can you write like that?

-Well...

0:31:420:31:45

I found these miraculous claw-like appendages at the end of my arms,

0:31:450:31:49

and they were ideal for clutching blunt instruments

0:31:490:31:52

such as this, a pencil.

0:31:520:31:53

I meant, wouldn't it just be easier to use your laptop?

0:31:550:31:58

I'd be lost without mine.

0:32:000:32:02

I don't have a laptop.

0:32:050:32:06

I come from a no-parent family.

0:32:060:32:08

We spend most of our money on gravestones.

0:32:080:32:11

Ah.

0:32:130:32:14

I'm sorry.

0:32:140:32:16

Maybe you could use Posy's computer.

0:32:180:32:20

Maybe I could.

0:32:210:32:23

I forgive you.

0:32:250:32:26

Your shoes are massive.

0:32:320:32:34

There you are.

0:33:050:33:07

Yep, here I am.

0:33:070:33:08

What are you doing here? I thought you'd finished for the day.

0:33:080:33:11

Um, I was wondering about Oxford.

0:33:110:33:14

Um, and I wondered if the offer still stands for me to come with you.

0:33:150:33:19

-I thought you said you didn't want to come.

-Of course I want to come.

0:33:190:33:22

You don't have to. I don't mind. I'm not bothered.

0:33:220:33:25

I want to come.

0:33:250:33:27

Well, the offer's still there. I'd love you to come.

0:33:280:33:31

Wicked. Cup of tea?

0:33:320:33:35

Yeah, great.

0:33:350:33:36

What's that?

0:33:560:33:58

It's a doggie bag, Granny.

0:33:580:34:00

Is it Bonnie's food?

0:34:010:34:03

No, Granny, um...

0:34:040:34:06

doggie bag, as in leftovers.

0:34:060:34:08

Bonnie's dead, remember?

0:34:080:34:10

Bonnie's dead?

0:34:130:34:15

-Bonnie's dead!

-Yes, yes.

0:34:160:34:19

Well, well, when?

0:34:190:34:20

Why didn't somebody tell me?

0:34:200:34:24

Oh, Annie...

0:34:250:34:27

Why didn't you tell me?

0:34:270:34:30

Why didn't somebody tell me?

0:34:300:34:33

What are you doing?

0:34:460:34:48

Nothing. The usual, boring.

0:34:480:34:51

I was wondering...

0:34:530:34:55

..if you would like to go out to dinner.

0:34:570:35:01

I can't, darling. I've got tons to do.

0:35:010:35:03

Oh, come on. It's Friday night.

0:35:030:35:05

I'm onto something here. Really, I... I can't just stop now.

0:35:050:35:09

Fine. Starve then.

0:35:090:35:12

You're not going to need that today.

0:35:240:35:26

Um...

0:35:260:35:28

You're going on a field trip.

0:35:280:35:29

Hmm, what about the Shrew?

0:35:310:35:32

She's in London with Posy for an audition, so... let's go.

0:35:320:35:36

# Are you following me

0:35:510:35:53

# Or am I following you?

0:35:530:35:54

# Tell me, how do you do What you do? #

0:35:540:35:57

Come with me.

0:35:570:35:59

# Cos the truth is I never thought two...#

0:35:590:36:02

So where are we going?

0:36:030:36:05

You'll see.

0:36:050:36:06

# Could ever come Close as we do. #

0:36:090:36:12

You are very quiet.

0:37:050:37:07

Have I bored you to death?

0:37:090:37:10

No...the opposite.

0:37:120:37:14

It's just...

0:37:160:37:17

My dad was never around to talk to about him...

0:37:180:37:21

Arthur.

0:37:210:37:22

All I have are a collection of his books my mum gave me.

0:37:240:37:27

That's your experience, Emelia.

0:37:270:37:30

That's you.

0:37:300:37:31

And it's your experiences that shape you as a writer.

0:37:350:37:38

When I wrote The Cliff House, it was me.

0:37:400:37:43

It ripped everything I had from my soul. It devoured me.

0:37:430:37:47

And it's left me with nothing.

0:37:480:37:50

But, fuck, it was good.

0:37:510:37:53

Even if you do say so yourself.

0:37:590:38:01

# If I could bottle you up in an essence or two

0:38:040:38:08

# I would sip you forever and never need you

0:38:080:38:12

# Cos I howl at the moon and the sun and the sea

0:38:120:38:16

# But I wish I could tell what this spell is on me

0:38:160:38:20

# And I don't know how you do what you do

0:38:200:38:23

# But Shakespeare has nothing on words like you do

0:38:230:38:28

# Don't know how you do what you do

0:38:280:38:31

# Please do it to me. #

0:38:310:38:34

Thank you.

0:38:370:38:38

That was one of the best days of my life.

0:38:390:38:41

There was no-one at the desk when we got in,

0:39:160:39:18

so we helped ourselves to our key,

0:39:180:39:20

only to find that the room wasn't cleaned.

0:39:200:39:22

It's not on.

0:39:220:39:24

No, it's not, but I left my husband manning the fort today,

0:39:240:39:27

and you know what men are like.

0:39:270:39:28

No.

0:39:280:39:30

In the book, the rooms are clean.

0:39:300:39:32

Look.

0:39:320:39:34

Here and, uh, here

0:39:340:39:37

and here.

0:39:370:39:40

"The room sparkles. "

0:39:400:39:42

It says it.

0:39:420:39:43

Where have you been?

0:39:450:39:46

Meeting a new editor.

0:39:460:39:48

I'm Jonathan Fischer, the author.

0:39:480:39:52

Hi...

0:39:520:39:54

Actually, the room was sparkling

0:39:560:39:58

with energy and atmosphere.

0:39:580:40:00

Yeah, right, yeah, of course.

0:40:000:40:03

The room is through here,

0:40:030:40:04

if you would like to take your wife for a tour?

0:40:040:40:07

Yeah. Lovely.

0:40:070:40:09

Let's go.

0:40:090:40:11

Come on, Margaret. Bring the cagoules.

0:40:110:40:12

Jonathan,

0:40:140:40:15

how could you not have noticed that that bloody girl didn't turn up?

0:40:150:40:20

Oh... didn't she turn up?

0:40:200:40:21

You said, "bloody"!

0:40:260:40:27

Bethany!

0:40:270:40:29

# Oh, yeah

0:40:370:40:39

# Ooh

0:40:400:40:42

# Mr Big Stuff

0:40:430:40:46

# Who do you think you are?

0:40:460:40:47

# Mr Big Stuff

0:40:470:40:50

# You're never gonna get my love

0:40:500:40:53

# Now because you wear all those fancy clothes

0:40:530:40:57

# Oh, yeah

0:40:570:40:58

# And have a big, fine car, oh, yes, you do, now

0:40:580:41:02

# Do you think I can afford to give you my love?

0:41:020:41:06

# Oh, yeah

0:41:060:41:08

# You think you're higher than every star above?

0:41:080:41:11

# Mr Big Stuff...#

0:41:110:41:14

Dad? Have you seen Emelia?

0:41:380:41:40

No, isn't she here?

0:41:400:41:42

And why ask me?

0:41:430:41:45

I only asked if you'd seen her.

0:41:450:41:46

She just didn't show up for work this morning. That's all.

0:41:460:41:49

Hmm...

0:41:530:41:54

Oh, thank God.

0:42:080:42:09

I thought I was going to be arrested.

0:42:090:42:11

Why? What have you done?

0:42:110:42:13

Oh.

0:42:140:42:15

Well, I am 17.

0:42:150:42:18

Unless there's some strange local bylaw I don't know about,

0:42:180:42:21

and kissing's been deemed illegal.

0:42:210:42:23

Well, anyway, got other things to worry about today,

0:42:260:42:29

starting with a showdown with the Shrew cos of you.

0:42:290:42:32

Why, what-what's going on?

0:42:320:42:35

What's she said?

0:42:350:42:36

All right, keep your wig on.

0:42:360:42:37

It's about yesterday.

0:42:370:42:39

Somebody was supposed to cover for me.

0:42:390:42:41

You're not very good at this, are you?

0:42:430:42:45

Are you coming to Posy's party?

0:42:500:42:52

It's a P party, but...

0:42:530:42:55

Um...

0:42:560:42:57

So she can come as a princess.

0:42:580:43:00

You can come as...a pervert.

0:43:010:43:04

Or a...paedophile.

0:43:040:43:07

Finish your food, Posy.

0:43:340:43:36

Emelia said to give peas a chance.

0:43:360:43:39

I love Emelia.

0:43:410:43:42

She's great, isn't she, Dad?

0:43:440:43:46

Yes.

0:43:470:43:49

Yes, she's great.

0:43:490:43:50

So can she come to Posy's party on Saturday?

0:44:000:44:02

-No.

-Of course she can come.

0:44:020:44:05

What on Earth are you talking about?

0:44:050:44:08

It's bad enough that Beth's decided she's going up to Oxford with her.

0:44:080:44:11

It's not like she's one of our kids.

0:44:110:44:12

Of course she can come to Posy's party.

0:44:120:44:15

I'm finished.

0:44:150:44:17

Fine, get down.

0:44:170:44:20

Can I watch Sex and the City?

0:44:220:44:25

(Thanks, Dad.)

0:44:330:44:34

DISHES CLATTER LOUDLY

0:44:370:44:38

Where do you want me to put this?

0:44:460:44:48

Oh, just there, anywhere.

0:44:480:44:50

It's fine.

0:44:500:44:51

Hey!

0:45:050:45:06

Hello, Peter.

0:45:080:45:09

Why are you wearing that massive coat?

0:45:110:45:13

To stash this.

0:45:130:45:14

And I'd have felt self-conscious on the bus wearing this.

0:45:140:45:19

Oh, my God, you look amazing.

0:45:210:45:23

Bethany.

0:45:340:45:35

Better go and help my mum before she has a nervous breakdown. Wait here.

0:45:370:45:40

-Hiya.

-Hi.

0:46:090:46:11

Ooh!

0:46:120:46:14

You look unbelievable.

0:46:140:46:16

Um, is that appropriate behaviour for a man of the cloth?

0:46:160:46:20

I can't help it.

0:46:200:46:21

Oh, well, it's not the sexiest of outfits. Was Piglet taken?

0:46:210:46:24

I'll go out first.

0:46:520:46:54

Don't come until I'm out and away, OK?

0:46:540:46:56

I won't come at all after that performance.

0:46:560:46:59

Joa.

0:47:040:47:06

What were you doing in there?

0:47:060:47:09

I spilled fromage frais on my ecclesiastical smock.

0:47:090:47:12

Where's Beth?

0:47:150:47:16

Definitely not in the cleaning cupboard. That's for sure.

0:47:160:47:20

Fuck.

0:47:200:47:21

You stop right there, young lady.

0:47:210:47:23

What's going on?

0:47:230:47:24

I have just found,

0:47:240:47:26

in your underage daughter's bedroom,

0:47:260:47:28

this... at a children's party.

0:47:280:47:31

You are weeks away from your exams,

0:47:310:47:34

and you've started drinking alcohol?

0:47:340:47:36

You still have to work.

0:47:360:47:38

Keep it together, Beth.

0:47:380:47:41

Oh, who bloody cares?

0:47:410:47:43

You want to be a dropout too, do you?

0:47:430:47:44

Like that ghastly girl that you've been hanging around with?

0:47:440:47:47

Emelia is amazing.

0:47:470:47:49

You're just too... bloody stupid to see it.

0:47:490:47:53

While you are living under our roof

0:47:550:47:58

and you are only 17,

0:47:580:48:00

Bethany, you will live by our rules.

0:48:000:48:03

Tell her, Jonathan.

0:48:030:48:05

I mean, it's hardly a terrible crime, Joe.

0:48:050:48:08

It's Beth we are talking about.

0:48:090:48:11

Her idea of rebellion is staying up late for News At Ten.

0:48:110:48:14

Shouldn't we just be grateful that she's showing some spark

0:48:190:48:22

for the first time in her life?

0:48:220:48:23

In fact, I applaud that she's being more like Emelia.

0:48:230:48:26

At least she's getting some spirit about her.

0:48:260:48:29

Gobsmacking

0:48:300:48:32

Utterly gobsmacking

0:48:320:48:34

Parent of the year award.

0:48:370:48:38

Oh, thank God.

0:48:560:48:57

I actually thought I was going to have to go with my mum.

0:48:570:48:59

Well, don't worry.

0:49:000:49:02

I'm ready!

0:49:020:49:03

Come on.

0:49:070:49:08

What do you think he meant by "staircase"?

0:49:290:49:31

Seriously?

0:49:310:49:33

Can't recognise stairs?

0:49:330:49:34

Don't think you'll get in here.

0:49:340:49:36

Don't say that.

0:49:360:49:37

Ah, hello. Staircase 12.

0:49:370:49:40

Ah.

0:49:400:49:41

Oh, my God. I have never seen so many ugly men in all my life.

0:50:050:50:08

I mean, look at them.

0:50:080:50:09

Looks like they wear their brains on the outside.

0:50:090:50:12

Obviously, I chose The Queen's College

0:50:120:50:13

because of a lifelong fascination

0:50:130:50:15

with the Jacobean playwright Thomas Middleton.

0:50:150:50:17

I assume you know why all of the colleges are built in quads?

0:50:170:50:22

Is it so that geeks only have to look at each other

0:50:220:50:24

when they open the curtains in the morning?

0:50:240:50:25

And what are you hoping to read?

0:50:270:50:30

Wasn't it to keep the gownies safe from attack...

0:50:320:50:35

from the townies?

0:50:350:50:37

Good girl.

0:50:370:50:38

I do like a lady who does her homework.

0:50:380:50:40

Bet he fucking does.

0:50:400:50:43

And so when he asked me how I knew,

0:50:450:50:47

I said, "Well, sir, as Sherlock Holmes always said,

0:50:470:50:50

"Elementary, my dear Watson".

0:50:500:50:53

It was quite funny, cos his name was also Watson, you see.

0:50:530:50:56

Holmes never said that.

0:50:560:50:59

I'll think you'll find that he did in his books,

0:50:590:51:03

but I wouldn't expect you to have managed to squeeze in

0:51:030:51:05

much Conan Doyle during your romp around the chick-lit bucket at ASDA.

0:51:050:51:09

And I think if you'd actually read Conan Doyle,

0:51:090:51:12

you'd find out that you're wrong.

0:51:120:51:13

In 1892, he used the words,

0:51:130:51:16

"it was very superficial, my dear Watson,"

0:51:160:51:18

and in the following year, he said simply, "Elementary".

0:51:180:51:22

He never, ever said them together,

0:51:220:51:25

you fuck-trumpet.

0:51:250:51:26

Emelia, I am trying to get a place here.

0:51:310:51:34

Yeah, but he was a pompous twat.

0:51:340:51:37

All right, sorry.

0:51:380:51:40

Come on, we'll go out for a drink.

0:51:400:51:43

Ugh, shared showers are rancid.

0:51:490:51:53

I swear there was a pubic hair doll in the plughole.

0:51:530:51:55

Ah, look at you, hot patootie.

0:51:590:52:03

I look ridiculous.

0:52:030:52:05

No, you don't.

0:52:050:52:07

I just don't want to be embarrassing.

0:52:120:52:14

You're not embarrassing.

0:52:150:52:17

I'm not your mum.

0:52:170:52:18

Doesn't bother me what you wear.

0:52:180:52:20

Wear what you want. You look amazing.

0:52:210:52:24

-To Oxford.

-Oxford.

0:52:300:52:33

Shall we have another?

0:52:380:52:40

Interview's not until Friday.

0:52:400:52:42

Yes.

0:52:420:52:43

Tell you what. Let's get them to get us another.

0:52:530:52:56

All right. Come on then.

0:52:560:52:58

My sister and I were wondering if you'd like to buy us

0:53:010:53:04

a couple of pints...of wine.

0:53:040:53:07

We're sisters.

0:53:080:53:10

Yeah, she said.

0:53:100:53:12

Go on, then.

0:53:120:53:13

# Yeah

0:53:170:53:18

# Pick up that sound

0:53:180:53:21

# Yeah

0:53:210:53:23

# Pick up that sound

0:53:230:53:25

# Yeah

0:53:250:53:27

# Pick up that sound

0:53:270:53:28

# Pick up that sound

0:53:280:53:30

# They did it again

0:53:300:53:32

# They did it again They did it again

0:53:320:53:34

# Yeah

0:53:340:53:36

# Pick up that sound

0:53:360:53:38

# Pick up that sound

0:53:380:53:41

#They did it again They did it again

0:53:410:53:43

# They did it again. #

0:53:430:53:46

(Emelia.)

0:54:060:54:07

Mmm?

0:54:070:54:08

Mmm...

0:54:080:54:11

How did this happen?

0:54:110:54:13

Just stick your fingers down your throat.

0:54:170:54:19

Honestly, you'll be fine. I do it all the time.

0:54:190:54:21

SHE RETCHES

0:54:240:54:25

Oi! Can't you read?

0:54:310:54:32

Get off of that grass!

0:54:320:54:34

What are you doing?

0:55:050:55:07

I'm going to do it for you.

0:55:070:55:08

What?

0:55:080:55:09

The interview.

0:55:090:55:11

It's been moved to today, but it's fine.

0:55:110:55:13

I'm going to do the interview for you, as you.

0:55:130:55:16

Today?

0:55:160:55:17

How do I look?

0:55:170:55:19

It's today? When today?

0:55:190:55:21

Well, there was a notice stuck to the door.

0:55:220:55:24

It said 2:00, but...

0:55:240:55:26

-it'll be fine. I can bluff this for you.

-Don't be ridiculous.

0:55:260:55:29

Come on, pass me my notes.

0:55:330:55:34

Come on.

0:55:340:55:36

It's all right. Don't panic.

0:55:430:55:46

# Who gives a fuck about an Oxford comma?

0:56:020:56:05

# I've seen those English dramas too

0:56:050:56:07

# They're cruel

0:56:080:56:10

# So if there's any other way to spell the word

0:56:100:56:13

# It's fine with me, with me. #

0:56:130:56:16

Bye.

0:56:160:56:17

So how'd it go?

0:56:170:56:20

Touch and go on all fronts.

0:56:210:56:22

I did offer, though. Can you imagine?

0:56:220:56:25

I know. It was a stupid suggestion.

0:56:250:56:27

You know absolutely nothing about medicine.

0:56:270:56:29

-I dunno, I've taken some drugs in my time.

-Why am I not surprised?

0:56:290:56:31

But you did it, Beth. I mean, you just went right ahead and did it.

0:56:330:56:36

You look absolutely ridiculous, by the way.

0:56:380:56:41

# Who gives a fuck about an Oxford comma?

0:56:410:56:43

# I climbed to Dharamsala too

0:56:430:56:45

# I did

0:56:450:56:48

# I met the highest lama

0:56:480:56:51

# His accent sounded fine to me...#

0:56:510:56:53

Where did you get that book from?

0:56:530:56:55

Oh, I borrowed it from one of the rooms.

0:56:550:56:57

Do you know there's one in every drawer?

0:56:570:56:59

You don't have to be embarrassed.

0:56:590:57:01

I do know what it's like, you know.

0:57:010:57:04

I mean, my great-grandfather is Sir Arthur Conan Doyle.

0:57:040:57:06

Don't know why you keep going on about it.

0:57:060:57:09

I mean, unless you're actually Arthur Conan Doyle,

0:57:090:57:11

it's just a pointless hindrance, isn't it?

0:57:110:57:13

My dad's Jonathan A Fischer.

0:57:130:57:16

So what?

0:57:160:57:17

Hello, darling.

0:57:350:57:37

Come on, give me a hug.

0:57:370:57:39

Emelia, are you coming back for dinner?

0:57:460:57:48

Um, no, thanks, Mr Fischer.

0:57:480:57:50

I've got to get back home.

0:57:500:57:52

But I'll see you on Monday.

0:57:520:57:54

OK, see you then.

0:57:540:57:56

Bye.

0:57:580:58:00

She ate it all.

0:58:100:58:11

She's not doing too badly.

0:58:110:58:13

What are you doing, Emelia?

0:58:170:58:20

I'm eating my dinner, same as you.

0:58:200:58:22

Surely you can't find fault in that.

0:58:220:58:24

No, I mean with your life.

0:58:240:58:25

What are you going to do with yourself?

0:58:250:58:27

What do you mean? I'm writing a book.

0:58:270:58:29

I'm a Conan Doyle.

0:58:300:58:32

It's in my blood, for goodness' sake.

0:58:320:58:34

And I'm really good at it.

0:58:340:58:36

Emelia... life is not a fairy tale.

0:58:360:58:42

What is that supposed to mean?

0:58:430:58:45

Look, I'm just saying, it's not all that's in your blood.

0:58:450:58:48

Don't...waste your life like your mother did.

0:58:500:58:54

Don't cut yourself off because of some fantasy you have.

0:58:540:59:01

It's too late to start with me now

0:59:030:59:04

just cos your own daughter killed herself.

0:59:040:59:07

KNOCKING

0:59:070:59:10

Where have you been?

0:59:170:59:19

No.

0:59:190:59:20

No?

0:59:200:59:22

No what? That's not the answer to that question.

0:59:220:59:26

No, I'm not into you any more.

0:59:260:59:28

All right.

0:59:280:59:29

Bye then.

0:59:310:59:32

Babe?

0:59:330:59:35

"In my younger and more vulnerable years,

0:59:540:59:57

"my father gave me some advice

0:59:570:59:58

"that I've been turning over in my mind ever since."

0:59:581:00:01

It's an odd first line, given the absence of a father character.

1:00:011:00:04

It's good.

1:00:071:00:09

It's very good.

1:00:091:00:10

Don't worry. A little overwritten.

1:00:101:00:13

Sometimes you get very confused by the use of a simile.

1:00:131:00:17

There's something there.

1:00:211:00:22

You seem very distracted.

1:00:271:00:29

Is it that you can't take criticism?

1:00:301:00:35

Jonathan...

1:00:351:00:36

Dad?

1:00:361:00:38

Come on.

1:00:391:00:41

Can you sign this, please?

1:00:451:00:46

What is it?

1:00:461:00:48

Parental consent for my Leavers' Ball.

1:00:481:00:51

Do I have to do this now?

1:00:511:00:53

That's a bit of a lifeless outfit.

1:00:591:01:01

Well, it's obviously reflecting my personality.

1:01:011:01:04

She didn't make it.

1:01:551:01:57

She's gone.

1:01:591:02:00

QUIET CRYING

1:02:051:02:07

Are you going to dress up for the school ball?

1:02:351:02:37

Wear something special?

1:02:371:02:39

Beth?

1:02:441:02:45

What's wrong?

1:02:471:02:48

Nothing.

1:02:501:02:51

I know what's wrong.

1:02:511:02:53

Beth thinks you love Emelia more than her.

1:02:531:02:56

You wish Emelia was your daughter.

1:02:561:02:58

What was I fucking thinking?

1:03:221:03:24

Hey.

1:03:391:03:40

Hey.

1:03:401:03:42

Just wondered if you fancied a cup of tea?

1:03:421:03:45

Oh, I can't.

1:03:451:03:47

Got to get back, unfortunately.

1:03:471:03:49

My bloody mother.

1:03:491:03:50

Are you all right?

1:03:541:03:55

My granny died.

1:03:581:04:00

When?

1:04:001:04:01

Why didn't you call me?

1:04:011:04:03

I'm so sorry.

1:04:061:04:08

SHE SOBS

1:04:111:04:13

Excuse me, has your room been cleaned?

1:05:201:05:23

Not yet. Yours?

1:05:231:05:25

I heard the lady on the desk moaning about the cleaner

1:05:281:05:32

not showing up for work.

1:05:321:05:33

What about that pretty one?

1:05:331:05:35

If only we were 20 years younger, eh?

1:05:371:05:40

KNOCKING

1:05:551:05:56

Hello.

1:05:581:05:59

How are you?

1:06:011:06:02

There's been a lot to sort out, but I'm fine.

1:06:061:06:09

You look bloody awful, though. What's up?

1:06:111:06:12

I've just been sick every morning this week.

1:06:141:06:16

I think it's just a bug.

1:06:171:06:18

But isn't that morning sickness?

1:06:181:06:20

Can't be, can it?

1:06:231:06:24

We used a condom.

1:06:251:06:27

Don't worry. I'll get you a test.

1:06:301:06:33

Emelia?

1:06:581:06:59

Can you come up, please?

1:07:031:07:05

Emelia, I...

1:07:341:07:35

-There's something...

-Jonathan...

1:07:391:07:41

I'm sorry. I just want...

1:07:411:07:43

I can't write. I can't do it.

1:07:431:07:45

Of course you can.

1:07:501:07:51

I quite often think of a quote by Tolstoy.

1:07:521:07:55

"In a writer, there must always be two people,

1:07:551:07:57

"the writer and the critic."

1:07:571:08:00

When I was writing The Cliff House...

1:08:011:08:03

For God's sake, get over The Cliff House.

1:08:031:08:05

What do you mean by that?

1:08:051:08:07

You haven't lived a bloody day since, have you?

1:08:071:08:09

I mean, what else have you achieved in the last 20 years?

1:08:111:08:14

I've read your other work,

1:08:161:08:17

and it sure ain't Tolstoy.

1:08:171:08:19

Unless it's the sequel, Bore and Cease.

1:08:191:08:23

CLOCK TICKS

1:08:281:08:31

What's this?

1:08:361:08:38

Nothing.

1:08:401:08:41

What was that?

1:08:431:08:44

That better not be what I thought it was, young lady.

1:08:441:08:47

"What's this? What's that?" What's it got to do with you, anyway?

1:08:471:08:49

It's got everything to do with me.

1:08:491:08:51

-You think you're pregnant?

-I'm not pregnant. It's negative.

1:08:511:08:53

So why don't you just fuck off?!

1:08:531:08:55

Had your head so far up your own arse,

1:08:581:09:00

you can't have seen daylight in years.

1:09:001:09:02

Do you even know that you questioned The Great Gatsby? You idiot.

1:09:021:09:06

You told Truman Capote he need not to be so obvious with his metaphors.

1:09:061:09:10

What on earth are you talking about?

1:09:101:09:12

Half of the stuff I gave you as samples weren't even mine.

1:09:121:09:15

I just copied them from books by my bed.

1:09:151:09:17

Why are you being so cruel and childish?

1:09:191:09:22

Because I am a child.

1:09:241:09:25

I'm best friends with your daughter, in case you hadn't noticed.

1:09:271:09:29

Emelia, you don't need to do this.

1:09:331:09:35

I can't do this to Beth any more.

1:09:371:09:39

And I hate you for being able to.

1:09:421:09:44

It's all right.

1:10:081:10:10

It's going to be all right. You're OK.

1:10:121:10:14

Thank fuck.

1:10:261:10:27

Come on.

1:10:341:10:35

Get your things together. We're going out.

1:10:351:10:37

OK.

1:10:371:10:39

Let's go out.

1:10:391:10:40

Let me put some make-up on my big, fat, swollen face.

1:10:401:10:44

Did you know that Beth is now having sex?

1:10:531:10:56

Did you?

1:10:561:10:57

Well, she is, so maybe you can think about that next time

1:10:571:11:00

before you celebrate her for getting sloshed.

1:11:001:11:02

I mean, look at the mess she is in

1:11:021:11:04

because of that stupid girl.

1:11:041:11:06

You're just so selfish.

1:11:091:11:10

You lock yourself away up here

1:11:101:11:12

as if you're curing cancer

1:11:121:11:14

instead of churning out a potboiler once a decade.

1:11:141:11:17

You think buying this house is just your entire contribution

1:11:171:11:21

to this family done, don't you?

1:11:211:11:23

That's your bit done, isn't it?

1:11:231:11:24

I've been sleeping with Emelia.

1:11:271:11:29

You have got to be joking!

1:11:291:11:32

MUFFLED LAUGHTER

1:11:321:11:36

Shall we get going, then?

1:11:361:11:38

'Fat fucking father you are.'

1:11:381:11:39

You've been fucking the maid?

1:11:391:11:41

If you want to put it that way, um, yes, I have.

1:11:411:11:44

I am going to throw up.

1:11:491:11:51

Shall we head out, then?

1:11:521:11:53

Let's head out.

1:11:541:11:58

So while I've been bringing up the kids and running this house...

1:11:581:12:02

and this business has been hanging around my neck...

1:12:021:12:05

draining every last morsel of energy I've got left,

1:12:051:12:08

you have been up here...

1:12:081:12:09

'fucking our daughter's best friend?!'

1:12:091:12:12

I'm leaving you.

1:12:271:12:29

Although, um, I'll be keeping the house,

1:12:291:12:31

so technically,

1:12:311:12:33

you'll actually be leaving me.

1:12:331:12:36

Beth...

1:12:361:12:37

I want you gone by morning.

1:12:371:12:39

You can clear all of this out.

1:12:401:12:43

Want you to take it with you.

1:12:431:12:46

I thought you were my friend.

1:12:461:12:48

I am, Beth.

1:12:481:12:52

I am.

1:12:521:12:54

Not you, you fucking idiot.

1:12:541:12:56

Look, Mummy, I'm Emelia!

1:12:591:13:01

LAUGHTER AND CHATTER

1:13:171:13:20

Woo!

1:13:201:13:21

CHEERING AND WHOOPING

1:13:261:13:29

CAN CLINKS

1:13:351:13:36

See? My dad's right.

1:13:361:13:37

I can't get anything through my thick skull.

1:13:371:13:40

SHE SIGHS

1:13:431:13:45

SEAGULLS CRY

1:13:451:13:48

STUDENTS CHATTER

1:13:481:13:51

Beth? Beth?

1:13:521:13:55

Beth, I need to talk to you.

1:13:551:13:57

Beth, I'm sorry.

1:13:581:14:00

I didn't mean for it to happen,

1:14:001:14:01

any of it, I just...

1:14:011:14:02

I want us to be friends again.

1:14:021:14:04

We can't be friends, Emelia.

1:14:041:14:06

You're a liar.

1:14:061:14:07

No, I'm not.

1:14:071:14:09

You... You know everything now.

1:14:091:14:11

You must know why I had to lie.

1:14:111:14:14

I did a bad thing.

1:14:141:14:16

I'm not talking about that.

1:14:161:14:18

Your name may not be Serena Molina,

1:14:191:14:21

but it certainly isn't Conan Doyle either.

1:14:211:14:23

What?

1:14:251:14:27

Do you actually believe your name is Conan Doyle?

1:14:271:14:30

SEAGULLS CRY

1:14:391:14:41

Grandpa, can I ask you a question?

1:14:511:14:54

Yeah.

1:14:541:14:56

Was my father the grandson of Arthur Conan Doyle?

1:15:061:15:10

Well, his name was Doyle.

1:15:101:15:12

Was it Conan Doyle?

1:15:121:15:14

Was he related to the author?

1:15:141:15:16

Your mother did a lot of things for the right reasons...

1:15:241:15:28

and a lot of things for the wrong reasons.

1:15:281:15:32

Your father's name was Doyle.

1:15:321:15:34

But...

1:15:351:15:37

it wasn't Conan Doyle.

1:15:371:15:40

Me and your granny felt it would have crushed you

1:15:421:15:45

to take it away from you after your mum died.

1:15:451:15:48

It seemed...another cruelty.

1:15:481:15:54

We knew how much it meant to you.

1:15:541:15:58

This just means that the foundation...

1:16:011:16:04

that my life's built on is based on lies.

1:16:041:16:07

My ambition to be a writer is based on a lie.

1:16:081:16:11

I need to rewrite myself.

1:16:121:16:14

But you can.

1:16:141:16:18

You're a great writer anyway,

1:16:181:16:20

without all that nonsense.

1:16:201:16:22

You can't push everybody away, Emelia.

1:16:251:16:29

Your mother wanted you so much.

1:16:301:16:33

She can't have wanted me that much.

1:16:371:16:39

She jumped off a bridge onto a main road.

1:16:391:16:41

Millie, she was ill.

1:16:411:16:43

Her mind wasn't right.

1:16:431:16:46

But she'd be so proud of how clever you've made yourself.

1:16:461:16:49

Because of him, without him,

1:16:491:16:51

what does it matter?

1:16:511:16:52

It's just a name, Emelia.

1:16:521:16:54

It's just an albatross around your neck, really,

1:16:541:16:58

but you just can't see that yet.

1:16:581:16:59

You're still special, you know.

1:17:021:17:05

Special bloody needs, thanks to her.

1:17:051:17:08

You'll stop being angry with her one day.

1:17:081:17:14

And with yourself.

1:17:141:17:16

You're a writer.

1:17:161:17:18

But if you change your mind...

1:17:181:17:19

and want to go to college instead, there's money, you know.

1:17:191:17:22

I don't need anything but to upgrade my teabags

1:17:221:17:27

every once in a while.

1:17:271:17:28

THEY CHUCKLE

1:17:281:17:31

Well, don't go bloody mad.

1:17:311:17:34

I want some kind of inheritance.

1:17:341:17:36

CAR APPROACHES

1:18:501:18:52

ENGINE IDLES

1:18:521:18:55

KNOCK AT DOOR

1:18:571:18:59

ENGINE REVVING

1:19:011:19:04

SEAGULLS CRY

1:19:441:19:47

Daddy!

1:19:551:19:57

Hello, my darling.

1:19:581:20:00

Are you coming home?

1:20:001:20:02

No, I'm not.

1:20:021:20:06

I'm just here to drive my Oxford undergrad to college.

1:20:061:20:09

Hi.

1:20:101:20:12

Hi.

1:20:121:20:14

Thank you for letting me drive you.

1:20:151:20:18

Hi, hello.

1:20:231:20:25

Hi.

1:20:251:20:27

How are you?

1:20:311:20:32

Good.

1:20:321:20:34

Hear you got a job.

1:20:341:20:37

Yes, I'm teaching creative writing.

1:20:371:20:39

Oh. Huh.

1:20:391:20:41

-Let's go.

-Come on, then.

1:20:471:20:49

-Grab something.

-Yes.

1:20:491:20:51

Hi, um... can I get this printed on A-4 and bound?

1:21:141:21:17

Yep, no problem.

1:21:171:21:19

Just take a seat.

1:21:191:21:20

MUSIC: Smokers Outside The Hospital Doors by Editors

1:21:311:21:34

# We've all been changed

1:21:381:21:42

# From what we were

1:21:421:21:45

# Our broken hearts

1:21:451:21:49

# Left smashed on the floor

1:21:491:21:53

# I can't believe you

1:21:531:21:57

# If I can't hear you

1:21:571:22:00

# I can't believe you

1:22:001:22:04

# If I can't hear you... #

1:22:041:22:08

ENGINE TURNS OVER

1:22:101:22:12

# We've all been changed

1:22:301:22:34

# From what we were

1:22:341:22:38

# Our broken hearts

1:22:381:22:42

# Smashed on the floor

1:22:421:22:46

# We've all been changed

1:22:461:22:49

# From what we were

1:22:491:22:53

# Our broken hearts

1:22:531:22:57

# Smashed on the floor

1:22:571:23:01

# Someone turn me round

1:23:011:23:07

# Can I start this again?

1:23:071:23:15

# Now someone turn us around

1:23:151:23:23

# Can we start this again?

1:23:231:23:30

# We've all been changed

1:23:341:23:38

# From what we were

1:23:381:23:42

# Our broken hearts

1:23:421:23:45

# Left smashed on the floor

1:23:451:23:48

# I can't believe you

1:23:481:23:52

# If I can't hear you

1:23:521:23:56

# I can't believe you

1:23:561:24:00

# If I can't hear you. #

1:24:001:24:04

# I never wondered how the world kept turning

1:24:041:24:09

# Till the middle of my world came crashing in

1:24:091:24:12

# Then I got to wondering how I never got to wondering

1:24:121:24:17

# Way back then. #

1:24:171:24:19

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