
Browse content similar to Albert Nobbs. Check below for episodes and series from the same categories and more!
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|---|---|---|---|
Contains some strong language. | 0:00:03 | 0:00:10 | |
A MATCH IS STRUCK | 0:00:12 | 0:00:13 | |
BELL RINGS | 0:00:39 | 0:00:41 | |
DOOR CREAKS OPEN | 0:00:46 | 0:00:48 | |
-Evening, Mr Nobbs. -Miss Dawes. | 0:00:53 | 0:00:55 | |
-Good evening, Albert. -Mrs Baker, ma'am. | 0:01:05 | 0:01:08 | |
All right, girls, | 0:01:08 | 0:01:10 | |
no finger marks on the knife blades, please. | 0:01:10 | 0:01:12 | |
BELL RINGS | 0:01:19 | 0:01:23 | |
What? Well, Helen Dawes, what are you grinning about? | 0:01:25 | 0:01:29 | |
Nothing, Mrs Baker. Sorry, Mrs Baker. | 0:01:29 | 0:01:31 | |
Good evening, Mr and Mrs Moore. Your table awaits. | 0:01:49 | 0:01:53 | |
Thank you. | 0:01:53 | 0:01:55 | |
What sweet roses, Nobbs. You always remember. | 0:02:00 | 0:02:03 | |
Madam. | 0:02:03 | 0:02:04 | |
-Milady. -Good evening, Mrs Baker. | 0:02:11 | 0:02:13 | |
MRS MOORE: Such a kind little man. | 0:02:15 | 0:02:17 | |
-Who? -Nobbs. | 0:02:17 | 0:02:19 | |
Oh, right. | 0:02:19 | 0:02:21 | |
-You look gorgeous. -Thank you. | 0:02:21 | 0:02:25 | |
What do you say, the lamb or the beef? | 0:02:25 | 0:02:26 | |
Do you think we'll be able to tell the difference? | 0:02:26 | 0:02:29 | |
Good evening. | 0:02:29 | 0:02:30 | |
Dr Holloran. | 0:02:37 | 0:02:40 | |
Follow me. | 0:02:40 | 0:02:41 | |
There now. | 0:02:43 | 0:02:44 | |
Thank you. | 0:02:46 | 0:02:47 | |
Have the lamb, Dr Holloran. It will melt in your mouth. | 0:02:47 | 0:02:50 | |
The lamb it shall be, Duchess. | 0:02:50 | 0:02:53 | |
Sean, Dr Holloran will take the lamb. | 0:02:53 | 0:02:55 | |
Yes, ma'am. | 0:02:55 | 0:02:56 | |
-Will you have the soup? -I won't, thank you. | 0:02:58 | 0:03:00 | |
Sean. | 0:03:00 | 0:03:01 | |
-There's a stain on your tie. -Ma'am? | 0:03:05 | 0:03:07 | |
Have a care, Sean. | 0:03:07 | 0:03:09 | |
Last week it was the jacket, tonight the tie. | 0:03:09 | 0:03:11 | |
-Yes, ma'am, I'm sorry. -Remember, there are hundreds, | 0:03:11 | 0:03:13 | |
hundreds of young men walking the streets of Dublin | 0:03:13 | 0:03:16 | |
looking for work. | 0:03:16 | 0:03:18 | |
Young men, Sean. | 0:03:18 | 0:03:20 | |
Good man, Nobbs. | 0:03:20 | 0:03:22 | |
-Oh! Monsieur et Madame! -Madame. | 0:03:25 | 0:03:28 | |
MONSIEUR PIGOT SPEAKS FRENCH | 0:03:28 | 0:03:30 | |
Toute suite, monsieur. Patrick! | 0:03:30 | 0:03:31 | |
PEOPLE SPEAKING LOUDLY AND LAUGHING | 0:03:33 | 0:03:35 | |
-My lordship. -Mrs Baker. | 0:03:43 | 0:03:46 | |
Terribly sorry. I know. We're late, | 0:03:49 | 0:03:51 | |
but could you forgive us just this once? | 0:03:51 | 0:03:53 | |
-We're simply famished. -Of course. | 0:03:53 | 0:03:55 | |
Aubrey insisted we walk all the way from Ballsbridge. | 0:03:55 | 0:03:58 | |
Well, milady, there's nothing like a brisk walk | 0:03:58 | 0:04:00 | |
for giving a body an appetite. | 0:04:00 | 0:04:01 | |
Come along now, your table is set and waiting. | 0:04:01 | 0:04:04 | |
Tell me, how is your mother, dear Lady Yarrell? | 0:04:05 | 0:04:08 | |
Tip-top, Mrs B, tip-top. | 0:04:08 | 0:04:09 | |
I certainly hope she will come and visit us soon. | 0:04:09 | 0:04:12 | |
She'd be delighted, I'm sure. | 0:04:12 | 0:04:14 | |
So sorry, dear lady. | 0:04:14 | 0:04:15 | |
No bother at all, Mr Smythe-Willard. | 0:04:15 | 0:04:18 | |
-To be sure. -LAUGHTER | 0:04:18 | 0:04:20 | |
My friends, we do apologise. | 0:04:21 | 0:04:24 | |
Now, drinks. | 0:04:27 | 0:04:28 | |
Albert. | 0:04:28 | 0:04:30 | |
PEOPLE SPEAKING LOUDLY AND LAUGHING | 0:04:41 | 0:04:45 | |
Bunny, you're a featherbrain. | 0:04:52 | 0:04:54 | |
No, he's not, he's brilliant. | 0:04:54 | 0:04:56 | |
Do your Clara Westfield. | 0:04:58 | 0:05:00 | |
Dudley, Dudley, call the brigade! | 0:05:00 | 0:05:03 | |
My hair's on fire! My hair's on fire! | 0:05:03 | 0:05:05 | |
A long old day, Mr Nobbs. | 0:05:11 | 0:05:13 | |
Well... | 0:05:17 | 0:05:20 | |
I wouldn't say no to a nightcap now, sure I wouldn't. | 0:05:20 | 0:05:23 | |
Only I haven't a drop left, meself. | 0:05:24 | 0:05:27 | |
Good night, Mr Casey. | 0:05:29 | 0:05:31 | |
Mr Nobbs. | 0:05:34 | 0:05:35 | |
DOOR LOCKS | 0:05:42 | 0:05:43 | |
Half a crown from Mrs Moore, | 0:05:52 | 0:05:55 | |
sixpence from the doctor, | 0:05:55 | 0:05:57 | |
tuppence... | 0:05:57 | 0:05:59 | |
Monsieur Pigot. | 0:05:59 | 0:06:01 | |
Thruppence, Mrs Cavendish, when I brought her stationery. | 0:06:01 | 0:06:04 | |
Another thruppence from what's-his-name, | 0:06:04 | 0:06:06 | |
the Viscount's friend. | 0:06:06 | 0:06:07 | |
Tenner from the Viscount and another from his missus. | 0:06:07 | 0:06:11 | |
Two-and-six, and six and two is eight, and three is eleven, | 0:06:16 | 0:06:20 | |
three is one-and-two, six is one-and-eight, | 0:06:20 | 0:06:22 | |
six is two-and-two, that's... | 0:06:22 | 0:06:25 | |
four shillings, eight pence. | 0:06:27 | 0:06:31 | |
Ah, Mr Gilligan, Madam, so good to have had you with us again. | 0:07:28 | 0:07:31 | |
-I hope your stay was satisfactory? -Yes. Perfectly fine. Thank you. | 0:07:31 | 0:07:35 | |
-For God's sake, man! -I'm sorry, sir! | 0:07:42 | 0:07:44 | |
Look what you've done. You've ruined my boots, defaced my luggage. | 0:07:44 | 0:07:46 | |
I've never seen such blatant incompetence. | 0:07:46 | 0:07:48 | |
Are you all right, my dear? | 0:07:48 | 0:07:50 | |
Does that look all right to you? | 0:07:50 | 0:07:52 | |
Where's the manager? Where's that fool Sweeney? | 0:07:52 | 0:07:54 | |
I'm very sorry, sir. | 0:07:54 | 0:07:55 | |
Yes, yes, everyone's sorry! It's outrageous ineptitude. | 0:07:55 | 0:07:57 | |
Clean up the mess you've made of my boots. | 0:07:58 | 0:08:00 | |
I won't patronise this establishment again | 0:08:05 | 0:08:08 | |
and I will urge my friends and acquaintances to do the same, | 0:08:08 | 0:08:11 | |
if you keep this man in your employ. | 0:08:11 | 0:08:13 | |
Yes, Mr Gilligan, sir. | 0:08:13 | 0:08:14 | |
-Dismiss him immediately. -Sir, I was... | 0:08:26 | 0:08:27 | |
-Now! -Yes, sir. | 0:08:27 | 0:08:30 | |
Fine. | 0:08:31 | 0:08:32 | |
Give us the marmalade there, Mr Donaghue. | 0:08:37 | 0:08:39 | |
-It's the marmalade. -The MARMALADE, Patrick. | 0:08:47 | 0:08:50 | |
Will you pass the marmalade to Mr Casey? | 0:08:50 | 0:08:53 | |
Always on Tuesdays, if I recall correctly. | 0:08:53 | 0:08:57 | |
Thank you, Mr Nobbs. | 0:08:58 | 0:08:59 | |
-God, but isn't he a smasher? -Who? | 0:09:01 | 0:09:05 | |
What's-his-name, the Viscount. | 0:09:05 | 0:09:06 | |
-Not to mention rich. -Young and handsome, | 0:09:06 | 0:09:09 | |
with money and land. That's the kind of man I want. | 0:09:09 | 0:09:12 | |
I'll wear my new blouse tonight and give him an eyeful. | 0:09:14 | 0:09:16 | |
WOMEN CHUCKLING | 0:09:16 | 0:09:18 | |
Would you care for a tasty breast of duck, my lord? | 0:09:20 | 0:09:22 | |
Pink and succulent, | 0:09:22 | 0:09:24 | |
just the way you like it. | 0:09:24 | 0:09:26 | |
LAUGHTER | 0:09:26 | 0:09:29 | |
That's right, lower yourself. | 0:09:29 | 0:09:31 | |
The likes of him will only take advantage of a girl | 0:09:31 | 0:09:34 | |
and then leave her high and dry. | 0:09:34 | 0:09:35 | |
High, maybe, but I wouldn't say dry. | 0:09:35 | 0:09:38 | |
Now, girls, stop this tittle-tattling | 0:09:38 | 0:09:40 | |
and just get on with your breakfast, please. | 0:09:40 | 0:09:42 | |
It's no trouble at all, mind you. | 0:09:42 | 0:09:44 | |
-DR HOLLORAN: Morning, all. -MARY: Good morning. | 0:09:45 | 0:09:49 | |
Somebody didn't bring me my wake-up cuppa. | 0:09:49 | 0:09:52 | |
Oh. | 0:09:52 | 0:09:53 | |
I'll have to lodge a complaint with Mrs Baker. | 0:09:54 | 0:09:57 | |
Morning, Nobbs. | 0:10:00 | 0:10:01 | |
Doctor. | 0:10:01 | 0:10:03 | |
-Did you know we have a lord and lady staying? -Is that so? | 0:10:04 | 0:10:08 | |
What do you think, any chance? | 0:10:09 | 0:10:11 | |
I'm sorry, there's nothing here. | 0:10:11 | 0:10:13 | |
I was two years in the Ardlane. | 0:10:13 | 0:10:14 | |
-Maybe you should have stayed there. -Well, is there any...? | 0:10:14 | 0:10:17 | |
BELL JINGLES | 0:10:43 | 0:10:45 | |
-Good morning, Nobbs. -Hello, Nobbs. | 0:10:45 | 0:10:47 | |
Mistress Milly. Master George. | 0:10:47 | 0:10:49 | |
MILLY GIGGLES | 0:10:59 | 0:11:01 | |
BOTH GIGGLING | 0:11:03 | 0:11:04 | |
VISCOUNT YARRELL SIGHS | 0:11:06 | 0:11:08 | |
HE GARGLES | 0:11:19 | 0:11:21 | |
Bunny, breakfast. | 0:11:26 | 0:11:27 | |
Shall we wake the girls? | 0:11:32 | 0:11:33 | |
WOMAN CHATTERING | 0:11:36 | 0:11:40 | |
That hat's very important. Be careful with that. | 0:11:43 | 0:11:45 | |
Katie, get those sheets nice and clean, good girl. | 0:11:45 | 0:11:48 | |
Hey, are you the fella about the boiler for us? | 0:11:50 | 0:11:53 | |
I'm a boiler man. | 0:11:55 | 0:11:56 | |
Well, you certainly took your sweet time getting here. | 0:11:56 | 0:12:00 | |
Mrs Baker is waiting inside. Come on inside. Follow me. | 0:12:00 | 0:12:02 | |
Mrs Baker, ma'am. | 0:12:13 | 0:12:14 | |
Albert, Mr Hubert Page is working in the morning | 0:12:14 | 0:12:17 | |
and he's come over and asked us for a bed | 0:12:17 | 0:12:19 | |
so I've told him he can muddle in with you for one night. | 0:12:19 | 0:12:22 | |
With... With me, ma'am? | 0:12:24 | 0:12:27 | |
Yes, Mr Nobbs. With you. | 0:12:27 | 0:12:29 | |
-But... -What? | 0:12:29 | 0:12:32 | |
What are you trying to say? | 0:12:32 | 0:12:34 | |
My bed is full of lumps. | 0:12:36 | 0:12:38 | |
Full of lumps? | 0:12:38 | 0:12:39 | |
Your bed was re-picked and buttoned just six months ago. | 0:12:41 | 0:12:44 | |
-What are you talking about? -So it was, ma'am, so it was. | 0:12:44 | 0:12:47 | |
But you see, I'm a very light sleeper, | 0:12:47 | 0:12:50 | |
and me being sleepless might keep Mr Page awake. | 0:12:50 | 0:12:52 | |
I'm thinking he might be better off on the sofa in the coffee room. | 0:12:52 | 0:12:55 | |
On the sofa in a coffee room?! | 0:12:55 | 0:12:58 | |
I don't wish to be an inconvenience. It's a fine night. | 0:12:58 | 0:13:01 | |
I'll keep meself warm with a sharp walk. | 0:13:01 | 0:13:02 | |
You'll do nothing of the kind, Mr Page. | 0:13:02 | 0:13:05 | |
Of course, Mrs Baker. | 0:13:07 | 0:13:09 | |
If Mr Page is pleased to share my bed, | 0:13:09 | 0:13:12 | |
he's welcome, I'm sure. | 0:13:12 | 0:13:14 | |
I should think so, indeed. | 0:13:14 | 0:13:16 | |
Right. That's settled then. | 0:13:17 | 0:13:19 | |
Mrs Baker, ma'am, the man about the boiler has just arrived. | 0:13:19 | 0:13:23 | |
Have you a letter from Holmans? | 0:13:24 | 0:13:26 | |
Holmans? | 0:13:26 | 0:13:27 | |
The plumbers? No. | 0:13:27 | 0:13:29 | |
I thought you said he was from Holmans? | 0:13:29 | 0:13:31 | |
Um, yes, I... Didn't they give you... | 0:13:31 | 0:13:32 | |
No, indeed. I said nothing about Holmans. | 0:13:32 | 0:13:34 | |
-I thought you said they gave you... -I said I know about boilers. | 0:13:34 | 0:13:36 | |
And do you... know about boilers? | 0:13:37 | 0:13:40 | |
I do, ma'am. | 0:13:40 | 0:13:41 | |
I'm an apprentice boiler man. | 0:13:43 | 0:13:46 | |
Well. | 0:13:46 | 0:13:48 | |
Since you're here, you might as well come | 0:13:48 | 0:13:50 | |
and have a look at the blessed thing. | 0:13:50 | 0:13:53 | |
Thank you, Polly. | 0:13:53 | 0:13:55 | |
Thanks, ma'am. | 0:13:55 | 0:13:56 | |
INDISTINCT CHATTER | 0:13:56 | 0:14:00 | |
There, now. It's the bane of our lives. | 0:14:04 | 0:14:07 | |
I'm depending on you to put some manners on it. | 0:14:07 | 0:14:10 | |
We've our costume ball tomorrow | 0:14:10 | 0:14:12 | |
and it's of the utmost importance that it's in full working order. | 0:14:12 | 0:14:16 | |
I'll do me best, ma'am. | 0:14:21 | 0:14:22 | |
Right then. | 0:14:23 | 0:14:25 | |
Good night, Mr Mackins. | 0:14:25 | 0:14:27 | |
CLOCK TICK-TOCK | 0:14:30 | 0:14:34 | |
CLOCK CHIMES | 0:14:34 | 0:14:35 | |
Dang. | 0:15:03 | 0:15:04 | |
HUBERT COUGHS | 0:15:44 | 0:15:45 | |
FLOORBOARDS CREAK | 0:15:55 | 0:15:57 | |
HUBERT SIGHS | 0:16:22 | 0:16:24 | |
HUBERT: Jesus. | 0:17:11 | 0:17:12 | |
You're a woman. | 0:17:17 | 0:17:18 | |
You won't tell on me, will you, Mr Page? | 0:17:18 | 0:17:21 | |
-I'm on my knees. -Stop that! Get up! | 0:17:22 | 0:17:25 | |
I beg you. | 0:17:25 | 0:17:26 | |
You won't tell on me, Mr Page. | 0:17:26 | 0:17:29 | |
Stop a poor woman from making a living. | 0:17:29 | 0:17:31 | |
It would be the end of me! | 0:17:31 | 0:17:33 | |
I don't want to finish up in the poorhouse! | 0:17:33 | 0:17:35 | |
-Stop blubbering. -No, no, no! | 0:17:35 | 0:17:37 | |
-Get up off the floor! -No! Don't! | 0:17:37 | 0:17:38 | |
Get a hold of yourself! You'll wake the entire fucking hotel! | 0:17:38 | 0:17:41 | |
You won't tell on me? Now, stop with your noise! | 0:17:41 | 0:17:43 | |
POUNDING ON WALL | 0:17:43 | 0:17:45 | |
What were you doing jumping around like that for anyway? | 0:17:51 | 0:17:53 | |
It was... It was a flea. | 0:17:54 | 0:17:57 | |
I'm a martyr to fleas. | 0:17:59 | 0:18:02 | |
You must have brought one in with you. | 0:18:02 | 0:18:04 | |
-SHE WHIMPERS -I'll be covered in blotches in the morning! | 0:18:04 | 0:18:08 | |
All right, all right. | 0:18:09 | 0:18:12 | |
Just get a hold of yourself. | 0:18:13 | 0:18:14 | |
METALLIC RUMBLING | 0:18:26 | 0:18:29 | |
So why are you dressed like a fella? | 0:18:40 | 0:18:42 | |
No-one would have suspected me till the day of my death, | 0:18:42 | 0:18:46 | |
if it hadn't been for the flea you brought in. | 0:18:46 | 0:18:49 | |
So... | 0:18:53 | 0:18:54 | |
Mr Nobbs. | 0:18:56 | 0:18:57 | |
What do you suggest we do now | 0:19:00 | 0:19:02 | |
as far as the sleeping arrangements are concerned? | 0:19:02 | 0:19:05 | |
Any ideas? | 0:19:05 | 0:19:07 | |
Ah, go on, you take the bed. | 0:19:10 | 0:19:13 | |
I'll go downstairs and find me a sofa or something. | 0:19:13 | 0:19:15 | |
-No. -So what then? | 0:19:15 | 0:19:17 | |
Mrs Baker will have my hide if she finds out you didn't sleep here. | 0:19:17 | 0:19:21 | |
-You'll take the bed. -And where will you sleep? | 0:19:21 | 0:19:23 | |
Here. I don't mind. | 0:19:23 | 0:19:26 | |
-Don't be pathetic. -No, please. | 0:19:26 | 0:19:29 | |
I know her. | 0:19:29 | 0:19:30 | |
Just promise you won't tell. | 0:19:31 | 0:19:33 | |
Jesus. | 0:19:35 | 0:19:36 | |
-All right. -You promise? | 0:19:40 | 0:19:43 | |
You won't tell? | 0:19:43 | 0:19:45 | |
Yes, I will promise anything. I just need to get some sleep. | 0:19:45 | 0:19:49 | |
Here. | 0:19:51 | 0:19:52 | |
Might as well make yourself comfortable. | 0:19:52 | 0:19:54 | |
And that. | 0:19:54 | 0:19:55 | |
HE GROANS | 0:19:57 | 0:19:58 | |
I didn't ask to share your bloody bed. | 0:19:58 | 0:20:00 | |
Oh, should have gone for a walk. | 0:20:03 | 0:20:05 | |
METAL SCRAPING | 0:20:20 | 0:20:22 | |
BOILER GROANING | 0:20:27 | 0:20:30 | |
STEAM HISSING | 0:20:33 | 0:20:36 | |
Bloody hell. | 0:20:36 | 0:20:38 | |
SHE MOANS | 0:20:59 | 0:21:02 | |
BELL JINGLING | 0:21:07 | 0:21:09 | |
JINGLING CONTINUES | 0:21:13 | 0:21:15 | |
DOOR SHUTS | 0:21:17 | 0:21:18 | |
DEPARTING FOOTSTEPS | 0:21:18 | 0:21:21 | |
BELL JINGLES | 0:21:36 | 0:21:39 | |
An hour late. | 0:21:41 | 0:21:43 | |
-BELLS JINGLING -Has nine rung their bell yet? | 0:21:43 | 0:21:45 | |
Yeah, a while ago. | 0:21:45 | 0:21:46 | |
Good morning, Mr Nobbs. | 0:21:48 | 0:21:50 | |
How was your new bedfellow? | 0:21:50 | 0:21:52 | |
I couldn't sleep. Now I'm late. | 0:21:52 | 0:21:54 | |
Well, I wouldn't worry with that about being late for one morning. | 0:21:54 | 0:21:57 | |
Good morning, Mr Nobbs. | 0:21:57 | 0:21:59 | |
-Good morning, Mr... -Page. Hubert Page. | 0:21:59 | 0:22:01 | |
Charmed to meet ya. | 0:22:01 | 0:22:02 | |
-He's a shy one, our Mr Nobbs. -Oh, I know. | 0:22:02 | 0:22:06 | |
I'll bring the children's. | 0:22:06 | 0:22:07 | |
Mr Nobbs? | 0:22:22 | 0:22:24 | |
Mrs Moore. She prefers roses. Lilies make her sneeze. | 0:22:28 | 0:22:33 | |
Oh, I see. | 0:22:33 | 0:22:34 | |
Yes, well. | 0:22:34 | 0:22:36 | |
I heard yourself and Mr Page chattering away into the small hours. | 0:22:36 | 0:22:40 | |
He's a fine man, he is. | 0:22:40 | 0:22:42 | |
Who? | 0:22:44 | 0:22:45 | |
Mr Page. Is he married? | 0:22:45 | 0:22:49 | |
We didn't discuss that sort of thing. | 0:22:49 | 0:22:51 | |
Then what did we discuss? | 0:22:51 | 0:22:54 | |
Horses. | 0:23:00 | 0:23:01 | |
Yes, backing horses. | 0:23:03 | 0:23:06 | |
Mr Page is a great one for racing and so on. | 0:23:06 | 0:23:10 | |
For horses. | 0:23:13 | 0:23:14 | |
THEY GIGGLE | 0:23:19 | 0:23:21 | |
A... A cup of tea, Mr Page? | 0:23:30 | 0:23:32 | |
Do you know, Mr Nobbs, I believe this house runs on tea. | 0:23:35 | 0:23:39 | |
I must have been offered, oh, three or four cups of it already this morning. | 0:23:39 | 0:23:42 | |
Well, I wanted to... | 0:23:44 | 0:23:45 | |
Will I take something in to Mr Page? | 0:23:59 | 0:24:01 | |
Oh, yes, good girl. He wants to work through and finish early. | 0:24:01 | 0:24:04 | |
I declare, the smell of paint from that laundry room is making me feel sick. | 0:24:07 | 0:24:10 | |
Oh, is it the morning sickness, is it? | 0:24:10 | 0:24:12 | |
LAUGHTER | 0:24:12 | 0:24:14 | |
You just think you are the funniest thing on earth, Helen Dawes. | 0:24:14 | 0:24:17 | |
DOOR OPENS | 0:24:17 | 0:24:18 | |
So, everyone, this is Mr Joe Mackins. | 0:24:18 | 0:24:22 | |
He's worked all night long and, believe it or not, | 0:24:22 | 0:24:25 | |
he has tamed that boiler of ours. | 0:24:25 | 0:24:27 | |
Oh, thank God for that. | 0:24:27 | 0:24:29 | |
Now, I've been thinking that we need a strong man about the house, | 0:24:29 | 0:24:32 | |
So I've asked Mr Mackins to stay on. | 0:24:32 | 0:24:35 | |
-Mr Nobbs. -Ma'am. | 0:24:35 | 0:24:37 | |
After Mr Mackins has had something to eat, | 0:24:37 | 0:24:39 | |
-would you show him to the yard room. -Yes, ma'am. | 0:24:39 | 0:24:41 | |
Welcome to Morrison's, Mr Mackins. | 0:24:41 | 0:24:43 | |
Mrs Baker is talking about a party tomorrow. | 0:25:00 | 0:25:03 | |
It's our fancy-dress ball. We have it every year. | 0:25:03 | 0:25:06 | |
We don't dress up. It's only for the guests. | 0:25:06 | 0:25:08 | |
-That's a shame. -Where are you from, then? | 0:25:08 | 0:25:11 | |
-Where are you from? -Can you not tell? | 0:25:11 | 0:25:13 | |
-Cork? -Cork! | 0:25:13 | 0:25:16 | |
Are you mad, are you? | 0:25:16 | 0:25:17 | |
I'm from Galway, of course. | 0:25:17 | 0:25:19 | |
I declare to me granny, if you can't tell the difference... | 0:25:19 | 0:25:21 | |
Cork, Galway, it's all the same to a Dublin man. | 0:25:21 | 0:25:24 | |
Oh, a Jackeen, are you? Never would have known. | 0:25:24 | 0:25:27 | |
Born and bred in Sheriff Street, where no sheriff was ever known to venture. | 0:25:27 | 0:25:31 | |
NOBBS CLEARS HIS THROAT | 0:25:36 | 0:25:37 | |
What delicacy have you got for me this time, Mr Nobbs? | 0:25:41 | 0:25:43 | |
Don't worry. | 0:25:46 | 0:25:47 | |
Your secret's safe with me. | 0:25:47 | 0:25:50 | |
It's just... | 0:25:50 | 0:25:51 | |
It's just I'm afraid, | 0:25:51 | 0:25:54 | |
you see, in case Mrs Baker... | 0:25:54 | 0:25:56 | |
SHE GASPS | 0:26:06 | 0:26:08 | |
Oh. | 0:26:12 | 0:26:13 | |
SHE GASPS | 0:26:17 | 0:26:19 | |
DOOR OPENS, CLOSES | 0:26:30 | 0:26:33 | |
Mr Nobbs. | 0:26:35 | 0:26:36 | |
-You're back. -Tea time. | 0:26:51 | 0:26:54 | |
Jesus, Mary and Joseph. Not more tea. | 0:26:54 | 0:26:57 | |
Do you want to hear my story? | 0:27:02 | 0:27:03 | |
It's not much to tell. | 0:27:11 | 0:27:13 | |
I was married, to a house-painter, as it happens, | 0:27:13 | 0:27:17 | |
a drunk and a bully. | 0:27:17 | 0:27:19 | |
One night he came home scuttered, gave me the usual hiding. | 0:27:19 | 0:27:23 | |
Only this time he rounded it off with an almighty kick. | 0:27:23 | 0:27:26 | |
And that was the end of that. | 0:27:29 | 0:27:30 | |
-What did you do? -WOMEN CHATTERING | 0:27:31 | 0:27:34 | |
I took his things, and I left. | 0:27:42 | 0:27:45 | |
This is his work coat, | 0:27:45 | 0:27:47 | |
I kept it, all these years, to remember him by, the feckin' waster. | 0:27:47 | 0:27:50 | |
So you're still married. | 0:27:52 | 0:27:54 | |
I am. APPROACHING FOOTSTEPS | 0:27:54 | 0:27:56 | |
Her name's Cathleen. | 0:28:03 | 0:28:05 | |
POLLY: Girls, it's time to start the dinner. | 0:28:05 | 0:28:07 | |
Hubert Page, have you dealt with that damp patch yet? | 0:28:07 | 0:28:09 | |
Ah, you're a terrible slave driver, Mrs Donaghue, so you are. | 0:28:09 | 0:28:12 | |
-And you're just a big ladies' man. -HE CHUCKLES | 0:28:12 | 0:28:14 | |
POLLY CHATTERING TO HERSELF | 0:28:14 | 0:28:16 | |
So... | 0:28:24 | 0:28:25 | |
you married a woman? | 0:28:25 | 0:28:29 | |
I met a girl as lonely as myself. | 0:28:29 | 0:28:31 | |
We fixed up to get a place, sharing the rent and all that. | 0:28:33 | 0:28:36 | |
She had her dressmaking, | 0:28:36 | 0:28:38 | |
I had me work. | 0:28:38 | 0:28:41 | |
But people began to talk, so we got married. | 0:28:41 | 0:28:44 | |
-But... -What's your name? | 0:28:46 | 0:28:48 | |
Albert. | 0:28:49 | 0:28:50 | |
Your real name. | 0:28:50 | 0:28:51 | |
Albert. | 0:28:54 | 0:28:55 | |
Listen, Mr Page, I hear tell you're a betting man. | 0:29:02 | 0:29:06 | |
Have you a tip for Leopardstown tomorrow? | 0:29:07 | 0:29:09 | |
I'm in need of a winner. | 0:29:09 | 0:29:11 | |
I lost me shirt on Lightning Lad in the Gold Cup. | 0:29:11 | 0:29:15 | |
Lightning, my arse. | 0:29:15 | 0:29:17 | |
You did a grand job, Mr Page. Very salubrious. | 0:29:18 | 0:29:22 | |
Thank you, ma'am. | 0:29:22 | 0:29:24 | |
If only I could afford to have the whole place done. | 0:29:24 | 0:29:27 | |
Could you possibly tell me in your expert opinion, | 0:29:27 | 0:29:29 | |
how much do you think it would cost? | 0:29:29 | 0:29:31 | |
-What, to paint the whole interior? -Indeed. | 0:29:31 | 0:29:33 | |
Oh, well now... Uh... let me think. | 0:29:33 | 0:29:35 | |
Um... Well, there's all this out here. | 0:29:37 | 0:29:40 | |
And the coffee room. | 0:29:42 | 0:29:44 | |
-Is that the dining room? -Yes. | 0:29:50 | 0:29:52 | |
-And how many guest floors? -Two. | 0:29:52 | 0:29:53 | |
Two. | 0:29:53 | 0:29:55 | |
Well, it's only an estimate, but... | 0:29:55 | 0:29:58 | |
I'd say it couldn't be done for under £200. | 0:29:58 | 0:30:01 | |
200?! Oh, my! | 0:30:01 | 0:30:03 | |
Aren't I the dreamer. I... I can't even afford a new boiler. | 0:30:04 | 0:30:09 | |
-Good night, Mr Page. -Good night, ma'am. | 0:30:09 | 0:30:11 | |
I'll dream of more salubrious rooms. | 0:30:12 | 0:30:16 | |
Jesus. | 0:30:17 | 0:30:19 | |
HE GASPS | 0:30:22 | 0:30:23 | |
-Mr Page. -God almigh... | 0:30:23 | 0:30:25 | |
You scared the bejesus out of me. | 0:30:25 | 0:30:27 | |
-How did you manage it? -What? | 0:30:27 | 0:30:30 | |
To marry? | 0:30:30 | 0:30:31 | |
Easy. You could do it yourself. | 0:30:32 | 0:30:36 | |
Waiter. | 0:30:36 | 0:30:37 | |
Mr Moore, sir? | 0:30:38 | 0:30:39 | |
Mrs Moore and I would like a glass of sherry before dinner. | 0:30:39 | 0:30:42 | |
Fetch a couple of glasses up to the room, will you? | 0:30:42 | 0:30:45 | |
Yes, sir. | 0:30:45 | 0:30:46 | |
It's been a pleasure, Mrs Donaghue. | 0:30:56 | 0:30:58 | |
Ah, go on with yourself. | 0:30:58 | 0:31:00 | |
I'll be counting the minutes. | 0:31:00 | 0:31:02 | |
Go on. | 0:31:02 | 0:31:04 | |
But... | 0:31:21 | 0:31:22 | |
when did he tell his wife he was a woman? | 0:31:23 | 0:31:26 | |
Before the wedding? | 0:31:30 | 0:31:32 | |
Or after? | 0:31:33 | 0:31:35 | |
Did she say her wife was a milliner? | 0:31:49 | 0:31:52 | |
Sean, what in the name of God are you doing letting our Patrick up there? | 0:31:57 | 0:32:01 | |
Come along down slowly. | 0:32:01 | 0:32:03 | |
ALL SCREAMING | 0:32:04 | 0:32:05 | |
Mr Mackins. Mr Mackins, help us. | 0:32:05 | 0:32:08 | |
There, you have it. | 0:32:08 | 0:32:09 | |
Oh, my! Patrick, what are you doing up those ladders? | 0:32:10 | 0:32:13 | |
All right. All right, now everyone back to work. | 0:32:13 | 0:32:16 | |
CLASSICAL MUSIC PLAYING | 0:32:16 | 0:32:18 | |
MRS BAKER: Oh, wonderful. | 0:32:40 | 0:32:42 | |
Ladies... | 0:32:47 | 0:32:48 | |
Ladies and gentlemen, your attention, please. | 0:32:48 | 0:32:51 | |
I now call upon the mistress of the house | 0:32:52 | 0:32:56 | |
to open the ball. | 0:32:56 | 0:32:58 | |
Mrs Margaret Baker. | 0:32:58 | 0:33:00 | |
DR HOLLORAN: Hear, hear! | 0:33:00 | 0:33:01 | |
APPLAUSE | 0:33:01 | 0:33:04 | |
IRISH WALTZ PLAYING | 0:33:10 | 0:33:13 | |
HE CHUCKLES | 0:33:44 | 0:33:46 | |
APPLAUSE | 0:33:46 | 0:33:47 | |
IRISH JIG PLAYING | 0:33:49 | 0:33:51 | |
Come on, Bunny. Bunny. | 0:33:59 | 0:34:01 | |
Get out. | 0:35:02 | 0:35:03 | |
MUSIC STOPS, APPLAUSE | 0:35:15 | 0:35:17 | |
-Albert, my good man. -Doctor. | 0:35:24 | 0:35:27 | |
Why aren't you in fancy dress? | 0:35:29 | 0:35:31 | |
Me, sir? | 0:35:34 | 0:35:35 | |
But I'm a waiter. | 0:35:35 | 0:35:38 | |
And I'm a doctor. | 0:35:41 | 0:35:43 | |
We are both disguised as ourselves. | 0:35:45 | 0:35:48 | |
That's a good one, eh? | 0:35:51 | 0:35:53 | |
-SHE GASPS Tell me your name. -Let me go. | 0:36:33 | 0:36:36 | |
What's your name? | 0:36:36 | 0:36:37 | |
You're hurting me. | 0:36:37 | 0:36:39 | |
Wait! | 0:36:49 | 0:36:50 | |
Helen. | 0:36:52 | 0:36:54 | |
Helen Dawes. | 0:36:54 | 0:36:55 | |
DOOR SHUTS | 0:36:57 | 0:36:59 | |
Dr Holloran. | 0:37:06 | 0:37:08 | |
-Give me that now. -Whoa, whoa. | 0:37:09 | 0:37:11 | |
Stop. | 0:37:12 | 0:37:13 | |
Stop. | 0:37:15 | 0:37:16 | |
£514, | 0:37:28 | 0:37:30 | |
17 shillings and sixpence. | 0:37:30 | 0:37:32 | |
Now... seven pence | 0:37:32 | 0:37:35 | |
and... one, two, three farthings. | 0:37:35 | 0:37:38 | |
In six months, I could have £600. | 0:37:46 | 0:37:50 | |
Doctor. | 0:37:59 | 0:38:01 | |
Your morning cuppa, sir. | 0:38:02 | 0:38:05 | |
HE GROANS | 0:38:05 | 0:38:07 | |
Suffering God, Albert, | 0:38:07 | 0:38:10 | |
what was I drinking last night? | 0:38:10 | 0:38:12 | |
Your tea, sir? | 0:38:14 | 0:38:15 | |
Your Bushmills. | 0:38:19 | 0:38:20 | |
Oh, good man, Nobbs. | 0:38:20 | 0:38:23 | |
Let's have a drop, shall we, for an eye-opener. | 0:38:23 | 0:38:26 | |
That's good. Oh, dear. | 0:38:28 | 0:38:31 | |
HE GROANS | 0:38:31 | 0:38:32 | |
HE GRUMBLES | 0:38:38 | 0:38:40 | |
Everything all right, Albert? | 0:38:45 | 0:38:47 | |
Sir? | 0:38:49 | 0:38:50 | |
Is there something on your mind? | 0:38:50 | 0:38:52 | |
Oh, no. No, sir. | 0:38:52 | 0:38:54 | |
Well... | 0:38:59 | 0:39:00 | |
Well, sir, the fact is, uh... | 0:39:02 | 0:39:04 | |
I've been thinking. | 0:39:06 | 0:39:08 | |
Oh, thinking, are you? | 0:39:08 | 0:39:10 | |
-Yes, sir. -Hmm. | 0:39:10 | 0:39:12 | |
I've been thinking... | 0:39:12 | 0:39:14 | |
I might purchase a little business. | 0:39:15 | 0:39:17 | |
Ah, a business. Fancy that. | 0:39:17 | 0:39:20 | |
What kind of a business? | 0:39:20 | 0:39:22 | |
Perhaps... | 0:39:24 | 0:39:25 | |
-a little shop. -Hmm. | 0:39:26 | 0:39:29 | |
What kind of a shop? | 0:39:29 | 0:39:32 | |
I'm thinking, maybe... tobacco. | 0:39:32 | 0:39:35 | |
Oh, well, yes, a tobacconist's, now? | 0:39:35 | 0:39:39 | |
That would suit a man. | 0:39:39 | 0:39:40 | |
But a woman could serve at the counter. | 0:39:40 | 0:39:43 | |
Yes, indeed, a woman could. | 0:39:43 | 0:39:45 | |
You're not thinking of taking a wife? | 0:39:51 | 0:39:53 | |
Are you, Nobbs? | 0:39:53 | 0:39:55 | |
Who's the lucky lady? HE CHUCKLES | 0:39:55 | 0:39:57 | |
-Good morning, Dr Holloran. -Good morning, Mary. | 0:39:57 | 0:39:59 | |
Good morning, Mr Nobbs. | 0:39:59 | 0:40:01 | |
Get that out of your way there. | 0:40:03 | 0:40:05 | |
Women. | 0:40:11 | 0:40:13 | |
Here. Oh! Whoa, there. | 0:40:18 | 0:40:21 | |
Oh, mister. | 0:40:35 | 0:40:36 | |
VENDORS HAWKING, CHILDREN SHOUTING | 0:40:36 | 0:40:39 | |
Two counters... | 0:41:09 | 0:41:11 | |
One for tobacco... and things. | 0:41:12 | 0:41:16 | |
The other for sweetmeats. | 0:41:17 | 0:41:19 | |
There's a door behind | 0:41:25 | 0:41:27 | |
leading to the parlour. | 0:41:27 | 0:41:30 | |
The wife's parlour. | 0:41:30 | 0:41:33 | |
But where do Hubert and Cathleen sleep? | 0:41:46 | 0:41:49 | |
-Need a hand there, Mr Nobbs? -No. | 0:41:54 | 0:41:56 | |
All right, don't lose your rag. | 0:41:56 | 0:41:59 | |
Lovely to see you again, ladies. | 0:41:59 | 0:42:01 | |
We will be back. Thank you, Mrs Baker. | 0:42:01 | 0:42:05 | |
There now, Albert will look after you. | 0:42:05 | 0:42:08 | |
Now she can have a clock on a marble chimneypiece. | 0:42:22 | 0:42:25 | |
Yes? | 0:42:59 | 0:43:00 | |
Mr Nobbs. | 0:43:05 | 0:43:06 | |
I was... passing by. | 0:43:08 | 0:43:11 | |
Come in, come in. | 0:43:13 | 0:43:15 | |
Cathleen, this is Mr Nobbs. | 0:43:23 | 0:43:25 | |
Mr Nobbs, my wife. | 0:43:25 | 0:43:27 | |
Mrs Page. | 0:43:29 | 0:43:31 | |
Pleased to meet you, Mr Nobbs. | 0:43:31 | 0:43:33 | |
Well now, | 0:43:37 | 0:43:39 | |
we were just about to have a bit of dinner, Mr Nobbs. | 0:43:39 | 0:43:42 | |
-Will you join us? -Oh, no, thank you, Mrs Page, | 0:43:42 | 0:43:45 | |
I wanted to... to give you this. | 0:43:45 | 0:43:50 | |
You left it in my... | 0:43:50 | 0:43:52 | |
in the room. | 0:43:52 | 0:43:54 | |
You came all this way, just to give me this. | 0:43:54 | 0:43:58 | |
It's the button from my work coat. | 0:43:58 | 0:44:00 | |
I didn't have another one to match. THE CHUCKLE | 0:44:00 | 0:44:03 | |
Well, you have averted a veritable tragedy, Mr Nobbs. | 0:44:03 | 0:44:08 | |
For that you must certainly stay and have your dinner with us. | 0:44:08 | 0:44:11 | |
Hubert, you take Mr Nobbs's coat and hat, | 0:44:11 | 0:44:14 | |
and not have him standing there like a stranger. | 0:44:14 | 0:44:16 | |
Well, I... I thought she'd be... | 0:44:35 | 0:44:40 | |
-different. -Cathleen? | 0:44:40 | 0:44:42 | |
In what way? | 0:44:42 | 0:44:44 | |
Well, she's... | 0:44:44 | 0:44:46 | |
-Real. -Ah, she's real, all right. | 0:44:48 | 0:44:50 | |
So, you've been thinking about my Cathleen, have you? | 0:44:53 | 0:44:54 | |
Or, how you might find a Cathleen of your own? | 0:44:57 | 0:45:00 | |
Sit down. | 0:45:05 | 0:45:06 | |
I thought you'd be dressed as a woman at home. | 0:45:18 | 0:45:22 | |
And what if a neighbour passing by happened to look in the window? | 0:45:22 | 0:45:25 | |
So... you never wear a dress? | 0:45:25 | 0:45:29 | |
It's safer, this way. But I don't need to tell you that. | 0:45:29 | 0:45:32 | |
And anyway, it's not like we robbed a bank or killed someone. | 0:45:34 | 0:45:38 | |
You know, um... | 0:45:43 | 0:45:45 | |
I never gave you the chance to tell your story. | 0:45:49 | 0:45:52 | |
So, why don't you tell me now? | 0:45:56 | 0:45:58 | |
I don't know the beginning. | 0:46:07 | 0:46:09 | |
I was a... | 0:46:16 | 0:46:18 | |
bastard. | 0:46:19 | 0:46:21 | |
Mrs Nobbs, the woman who was paid to raise me, | 0:46:25 | 0:46:30 | |
she knew who I was, but she never told me. | 0:46:30 | 0:46:32 | |
Maybe she would have one day, but... | 0:46:33 | 0:46:36 | |
she died suddenly. | 0:46:36 | 0:46:38 | |
-Without telling you who you are? -Yes. | 0:46:38 | 0:46:42 | |
She gave me a picture of a lady she said was my mother | 0:46:43 | 0:46:47 | |
and she hinted, more than once, | 0:46:47 | 0:46:50 | |
that my people were grand folk. | 0:46:50 | 0:46:54 | |
I got a convent education | 0:46:55 | 0:46:57 | |
because of a big allowance from my mother's family. | 0:46:57 | 0:47:00 | |
But one day, the Reverend Mother told us that my mother was dead | 0:47:00 | 0:47:05 | |
and we had to leave. | 0:47:05 | 0:47:07 | |
So we went to live in Seven Dials. | 0:47:07 | 0:47:10 | |
Had to go find work. | 0:47:10 | 0:47:12 | |
Thought I'd die living among such rough people. | 0:47:13 | 0:47:17 | |
They were poor, | 0:47:17 | 0:47:19 | |
living like animals. | 0:47:19 | 0:47:21 | |
Indecently. | 0:47:21 | 0:47:23 | |
Life without decency is unbearable. | 0:47:24 | 0:47:26 | |
Then Mrs Nobbs died. | 0:47:29 | 0:47:32 | |
And you were what age? | 0:47:33 | 0:47:34 | |
14. | 0:47:35 | 0:47:36 | |
So... you decided to become a man? | 0:47:41 | 0:47:45 | |
One night. | 0:47:58 | 0:47:59 | |
There was... | 0:48:01 | 0:48:02 | |
There was five of them. | 0:48:05 | 0:48:08 | |
They caught me and they... | 0:48:08 | 0:48:11 | |
They pulled me apart. | 0:48:13 | 0:48:15 | |
It was under the stairs. | 0:48:17 | 0:48:19 | |
They hurt me... | 0:48:26 | 0:48:27 | |
And then they left me there. | 0:48:33 | 0:48:37 | |
Soon after that, I... | 0:48:41 | 0:48:43 | |
I heard there was to be a big dinner at the Freemasons Hall, | 0:48:43 | 0:48:48 | |
-and that they were short of waiters. -SHE CHUCKLES | 0:48:48 | 0:48:51 | |
And back then, my... | 0:48:52 | 0:48:54 | |
my figure was just right for a waiter's, so... | 0:48:54 | 0:48:57 | |
I managed to get a second-hand suit of clothes, | 0:49:00 | 0:49:03 | |
an evening suit. | 0:49:04 | 0:49:06 | |
I didn't think they'd hire me, | 0:49:07 | 0:49:09 | |
but they were short-handed | 0:49:09 | 0:49:12 | |
and I got the job. | 0:49:12 | 0:49:14 | |
I was paid ten shillings. | 0:49:16 | 0:49:18 | |
That was it. | 0:49:25 | 0:49:27 | |
Since then, I've sewed round tables of all the biggest places | 0:49:34 | 0:49:39 | |
in London and Manchester, Liverpool. | 0:49:39 | 0:49:43 | |
Then... | 0:49:43 | 0:49:44 | |
Then I came to Morrison's. | 0:49:47 | 0:49:49 | |
FOOTSTEPS | 0:49:51 | 0:49:52 | |
Right, you men, up you get, | 0:49:53 | 0:49:54 | |
before everything on the table is stone-cold. | 0:49:54 | 0:49:57 | |
"Oh, very salubrious, Mr Page, | 0:50:01 | 0:50:03 | |
-"very salubrious." -SHE LAUGHS | 0:50:03 | 0:50:06 | |
Salubrious? | 0:50:06 | 0:50:08 | |
Who does she think she is, the Queen of England? | 0:50:08 | 0:50:10 | |
Oh, I'd love to get a squint at her, the old trout. | 0:50:10 | 0:50:15 | |
HUBERT AND CATHLEEN LAUGH | 0:50:15 | 0:50:17 | |
It must be nice, though, Mr Nobbs, working in a hotel. | 0:50:27 | 0:50:30 | |
Always something happening, something to give you a laugh. | 0:50:31 | 0:50:35 | |
Yesterday... | 0:50:47 | 0:50:49 | |
Sean Casey fell down the coal-hole steps. | 0:50:49 | 0:50:52 | |
And who, may I ask, is Sean Casey? | 0:50:53 | 0:50:56 | |
He's one of the waiters. | 0:50:56 | 0:50:58 | |
And did he hurt himself? | 0:50:59 | 0:51:01 | |
-He got a black eye. -A black eye. In the coal-hole. | 0:51:01 | 0:51:06 | |
THEY LAUGH You're funny. | 0:51:09 | 0:51:10 | |
Now, you'd better learn how to do this, if you're going to open a tobacco shop. | 0:51:13 | 0:51:18 | |
So we were speaking of Morrison's. | 0:51:18 | 0:51:20 | |
That Helen Dawes, she's a fine girl. | 0:51:20 | 0:51:25 | |
Aw, she's the life of the place, she is. | 0:51:25 | 0:51:27 | |
Helen, is it? | 0:51:30 | 0:51:32 | |
That's not the first time that name's been heard in this house, Mr Nobbs. | 0:51:32 | 0:51:36 | |
Hubert took quite a shine to her, didn't you, now? | 0:51:36 | 0:51:38 | |
-Well... -Look at you, you're all thumbs. Give it to me. | 0:51:38 | 0:51:41 | |
I'm just saying, you know, if one day you should | 0:51:41 | 0:51:43 | |
take it into your head to run off to America, | 0:51:43 | 0:51:46 | |
I might indeed try me luck with Miss Dawes. | 0:51:46 | 0:51:48 | |
How could you deny that sweet little face | 0:51:48 | 0:51:50 | |
and all those lovely blonde curls? Aw, she's gorgeous. | 0:51:50 | 0:51:54 | |
Try me luck, is it? HUBERT CHUCKLES | 0:51:54 | 0:51:57 | |
I wouldn't be getting me hopes up, Hubert Page, | 0:51:57 | 0:51:59 | |
cos I have no intentions of budging from this spot. | 0:51:59 | 0:52:02 | |
There you go, Mr Nobbs. | 0:52:02 | 0:52:03 | |
The shop is a sound idea, Albert. | 0:52:19 | 0:52:22 | |
You've been shrewd in the way you've saved up money, all these years. | 0:52:22 | 0:52:26 | |
I haven't enough yet. | 0:52:26 | 0:52:27 | |
You have it all stashed under the mattress, is it, Mr Nobbs? | 0:52:27 | 0:52:30 | |
HE COUGHS | 0:52:30 | 0:52:31 | |
Easy now, little fella. | 0:52:31 | 0:52:33 | |
Could we have some water? Are you all right? | 0:52:33 | 0:52:36 | |
My dad, now there was a boozer, | 0:52:39 | 0:52:41 | |
a fierce whore for the drink. | 0:52:41 | 0:52:43 | |
None of us ever slept, | 0:52:43 | 0:52:46 | |
we'd be lying there, | 0:52:46 | 0:52:48 | |
shivering with the fright, waiting for him to come home, | 0:52:48 | 0:52:51 | |
knowing that if he did... | 0:52:51 | 0:52:53 | |
there'd be no place to hide. | 0:52:53 | 0:52:56 | |
He'd get up in the morning with no memory | 0:52:59 | 0:53:01 | |
of having beat the stuffing out of us the night before. | 0:53:01 | 0:53:04 | |
You know what kept me from killing him? | 0:53:07 | 0:53:10 | |
What? | 0:53:10 | 0:53:11 | |
The thought of getting on a boat and hopping it to America. | 0:53:13 | 0:53:15 | |
INDISTINCT CHATTER | 0:53:41 | 0:53:44 | |
Good evening, Miss Dawes. | 0:54:42 | 0:54:44 | |
Evening, Mr Nobbs. | 0:54:44 | 0:54:46 | |
Miss Dawes. | 0:54:50 | 0:54:51 | |
I was wondering, Miss Dawes, if you would care to come out for a walk. | 0:55:03 | 0:55:06 | |
Uh, pardon me, Mr Nobbs? | 0:55:08 | 0:55:09 | |
I'm off duty at 3:00 tomorrow and if you're not engaged... | 0:55:11 | 0:55:15 | |
"Engaged"? | 0:55:15 | 0:55:18 | |
No, I'm not engaged, Mr Nobbs. | 0:55:18 | 0:55:21 | |
But are you asking me to walk out with you? | 0:55:21 | 0:55:25 | |
I am. | 0:55:27 | 0:55:28 | |
Well, uh... | 0:55:31 | 0:55:33 | |
Well, the thing is, I'm walking out with Joe Mackins. | 0:55:34 | 0:55:37 | |
I don't know what he'd say if I started walking out with you, as well. | 0:55:38 | 0:55:41 | |
Ah, yes. | 0:55:42 | 0:55:44 | |
Good night, Miss Dawes. | 0:55:47 | 0:55:49 | |
Mr Nobbs. | 0:55:51 | 0:55:52 | |
BOTH LAUGHING | 0:55:54 | 0:55:57 | |
He asked you to go for a walk? | 0:55:57 | 0:55:59 | |
That's a good one. The sly old dog. | 0:55:59 | 0:56:02 | |
Why don't you go for a walk with the charmer, then? | 0:56:06 | 0:56:09 | |
-What? -Sure, why not? There's a whiff of money off him. | 0:56:09 | 0:56:14 | |
Maybe he could take you out. | 0:56:15 | 0:56:18 | |
Have a good time. | 0:56:18 | 0:56:19 | |
What about you? | 0:56:21 | 0:56:23 | |
I'm not the jealous type. | 0:56:23 | 0:56:25 | |
Come here to me, Helen Dawes. | 0:56:27 | 0:56:29 | |
If he lays a hand on you, I'd wring his scrawny neck, so help me I will. | 0:56:29 | 0:56:34 | |
Poke him up. | 0:56:39 | 0:56:40 | |
See what he's after. | 0:56:40 | 0:56:42 | |
Get him to take you somewhere fancy. | 0:56:43 | 0:56:47 | |
Get him to buy you something sweet, like yourself. | 0:56:47 | 0:56:51 | |
Be sure not to keep him waiting. | 0:56:54 | 0:56:56 | |
Not for me, not for Joseph. | 0:56:56 | 0:56:58 | |
Were you afraid I wasn't coming? | 0:57:19 | 0:57:21 | |
Not very. | 0:57:22 | 0:57:24 | |
CALLIOPE MUSIC | 0:57:32 | 0:57:35 | |
Did you see that one? | 0:57:36 | 0:57:38 | |
Did you see that dress? | 0:57:39 | 0:57:41 | |
Five guineas if it was a penny. | 0:57:41 | 0:57:43 | |
-Five guineas? -At least. | 0:57:43 | 0:57:46 | |
Lord, I love the smell of roasting coffee. | 0:57:49 | 0:57:52 | |
Would you like to go in? | 0:57:56 | 0:57:58 | |
All right. | 0:58:02 | 0:58:03 | |
HARP PLAYING | 0:58:08 | 0:58:10 | |
Look at the chocolates. | 0:58:15 | 0:58:18 | |
Aren't they gorgeous? | 0:58:18 | 0:58:20 | |
I'm afraid they'd cost a lot. | 0:58:21 | 0:58:23 | |
Oh. Well... | 0:58:24 | 0:58:26 | |
We'll go somewhere else, somewhere cheaper. | 0:58:27 | 0:58:31 | |
No, please. | 0:58:31 | 0:58:33 | |
May I help you? | 0:59:03 | 0:59:05 | |
We'd like some chocolate, please. | 0:59:05 | 0:59:07 | |
What kind of chocolate? | 0:59:07 | 0:59:09 | |
Just chocolate. | 0:59:10 | 0:59:13 | |
Dark chocolate? Milk chocolate? Creams? Caramels? | 0:59:13 | 0:59:15 | |
Nougat? Nuts? | 0:59:15 | 0:59:17 | |
No, a box of chocolates. | 0:59:17 | 0:59:20 | |
To take with us. | 0:59:21 | 0:59:23 | |
Oh, to take with you. And not something to drink? | 0:59:23 | 0:59:26 | |
No. A box of chocolates. | 0:59:26 | 0:59:30 | |
-One of those. -Which one? | 0:59:30 | 0:59:32 | |
Which one? | 0:59:33 | 0:59:34 | |
That one, with the two ladies. | 0:59:34 | 0:59:37 | |
Oh, no, wait. | 0:59:38 | 0:59:40 | |
That one, with the soldier and the lady. | 0:59:40 | 0:59:43 | |
Wait, I can't decide. | 0:59:43 | 0:59:46 | |
Then me dad died, and I had to go out to work. | 0:59:49 | 0:59:52 | |
First I was in service, | 0:59:52 | 0:59:54 | |
then I served behind the counter in a shop for a while. | 0:59:54 | 0:59:57 | |
In a shop? | 0:59:59 | 1:00:01 | |
Yes. | 1:00:02 | 1:00:03 | |
In a draper's. | 1:00:03 | 1:00:05 | |
Treated like dirt by any bloody bitch with sixpence to spend. | 1:00:05 | 1:00:09 | |
-Where did you live? -I had me own room. | 1:00:11 | 1:00:14 | |
Above the shop? | 1:00:16 | 1:00:17 | |
Yes, above the shop. | 1:00:19 | 1:00:20 | |
Do you know what, Mr Nobbs? | 1:00:26 | 1:00:28 | |
I think you are the strangest man I've ever met. | 1:00:29 | 1:00:32 | |
Chocolates, three shillings, sixpence. | 1:00:35 | 1:00:39 | |
If every time we walk out is to cost three and six, | 1:00:39 | 1:00:42 | |
14 shillings a month, | 1:00:42 | 1:00:44 | |
twice, that's 28 shillings a month, | 1:00:44 | 1:00:47 | |
two boxes a week. | 1:00:47 | 1:00:49 | |
At this rate, £16, six shillings a year. | 1:00:49 | 1:00:53 | |
Oh, Lord. | 1:00:54 | 1:00:55 | |
Perhaps I'd only need to court her for three months. | 1:01:27 | 1:01:31 | |
APPROACHING FOOTSTEPS | 1:01:42 | 1:01:44 | |
Here. | 1:01:51 | 1:01:52 | |
-Is this the best you could do? -At least he bought me something. | 1:01:53 | 1:01:56 | |
Oh, look at you, Miss High-and-Mighty. | 1:01:56 | 1:01:59 | |
Lord Albert put ideas in your head, did he? | 1:01:59 | 1:02:01 | |
You should have seen him pay for it. Blood from a turnip. | 1:02:01 | 1:02:04 | |
Oh, so he's sweet on you then, eh? | 1:02:04 | 1:02:06 | |
Hmm. | 1:02:06 | 1:02:07 | |
-Well, next time... -Next time? | 1:02:07 | 1:02:09 | |
Ask him for, I don't know, a bottle of something. | 1:02:09 | 1:02:12 | |
What sort of something? | 1:02:12 | 1:02:14 | |
Whisky. | 1:02:14 | 1:02:16 | |
A good bottle of malt. | 1:02:16 | 1:02:18 | |
I like a drop of malt. Say... Say it's for your brother. | 1:02:18 | 1:02:21 | |
-I haven't got a brother. -Well, he won't know that. | 1:02:21 | 1:02:23 | |
I've walked out before, but never with the likes of Albert Nobbs. | 1:02:25 | 1:02:29 | |
-He's a freak, is what he is. -He has manners, at least. | 1:02:29 | 1:02:32 | |
Not like SOME people I could mention. | 1:02:32 | 1:02:34 | |
Well, his manners won't get you to America now, will they? | 1:02:34 | 1:02:38 | |
What? | 1:02:38 | 1:02:39 | |
I may not have manners... | 1:02:41 | 1:02:43 | |
But I swear, I'm getting us out of here. | 1:02:45 | 1:02:47 | |
There's no hope for us here, Helen. | 1:02:50 | 1:02:52 | |
None. | 1:02:54 | 1:02:55 | |
All my life I've dreamed of getting out | 1:02:57 | 1:03:01 | |
and nothing's going to stop me. | 1:03:01 | 1:03:03 | |
America's the only place for people like me. | 1:03:04 | 1:03:07 | |
Over there, I'd learn fast and I'd work hard. And we could have a life. | 1:03:07 | 1:03:11 | |
Will you chance it with me? | 1:03:15 | 1:03:17 | |
Will you? | 1:03:20 | 1:03:21 | |
Yes. | 1:03:23 | 1:03:25 | |
I love you, Joe. | 1:03:27 | 1:03:28 | |
I love you. | 1:03:30 | 1:03:31 | |
-Why are we going this way? -You'll see. | 1:03:34 | 1:03:36 | |
Can we not stop and have a cup of tea somewhere? | 1:03:37 | 1:03:40 | |
My heels are raw, we've walked that far. | 1:03:40 | 1:03:43 | |
What's this? | 1:03:49 | 1:03:51 | |
Just imagine. | 1:03:51 | 1:03:53 | |
Blue doors, cream walls inside, | 1:03:53 | 1:03:57 | |
nice curtains on the upstairs windows. | 1:03:57 | 1:04:01 | |
Up there a sign. | 1:04:01 | 1:04:03 | |
Tobacconist, A Nobbs. | 1:04:03 | 1:04:06 | |
What do you think? | 1:04:06 | 1:04:08 | |
It's big enough for a shop | 1:04:12 | 1:04:14 | |
and for... | 1:04:14 | 1:04:16 | |
For... people | 1:04:18 | 1:04:21 | |
to live above. | 1:04:21 | 1:04:22 | |
It's a very desirable property, | 1:04:25 | 1:04:28 | |
and can only appreciate, the agent said so. | 1:04:28 | 1:04:31 | |
In 15 years, it will fetch three times what it's worth now. | 1:04:31 | 1:04:35 | |
Sell up then, | 1:04:36 | 1:04:38 | |
move to some place by the sea. | 1:04:38 | 1:04:40 | |
I've always wanted to live by the sea. | 1:04:42 | 1:04:45 | |
You haven't moved in and you've already got yourself retired. | 1:04:46 | 1:04:50 | |
But I just... I just wanted to show it to you. | 1:04:50 | 1:04:54 | |
You ask me to come out with you. | 1:04:54 | 1:04:56 | |
You walk me off my feet, and we end up in this back alley. | 1:04:56 | 1:05:00 | |
I've spent my life trying to get out of holes like this. | 1:05:00 | 1:05:03 | |
Helen? | 1:05:03 | 1:05:04 | |
Helen. | 1:05:05 | 1:05:07 | |
Please take me back. I'm tired. | 1:05:09 | 1:05:13 | |
Thanks for the bottle. | 1:05:19 | 1:05:21 | |
And the hat. | 1:05:24 | 1:05:25 | |
Oh, yes. Thank you. | 1:05:27 | 1:05:30 | |
Where does he live? | 1:05:34 | 1:05:35 | |
Who? | 1:05:35 | 1:05:37 | |
-Your brother. -Me brother? | 1:05:37 | 1:05:40 | |
Oh. Me brother. | 1:05:40 | 1:05:41 | |
In... In Mallow. | 1:05:41 | 1:05:44 | |
But he often comes up to Dublin. | 1:05:46 | 1:05:47 | |
Joe. | 1:05:55 | 1:05:56 | |
Joe. | 1:05:57 | 1:05:59 | |
HE BLOWS SHARPLY Joe Mackins. | 1:06:03 | 1:06:06 | |
You nearly made me wet meself. | 1:06:06 | 1:06:08 | |
-Here. -What's this? | 1:06:11 | 1:06:14 | |
Well, well. So his nibs coughed up, did he? | 1:06:14 | 1:06:17 | |
This is good stuff. Good girl. | 1:06:21 | 1:06:23 | |
Now see if you can screw a few quid out of him. | 1:06:31 | 1:06:32 | |
-A few quid? -The first one's always the hardest. | 1:06:32 | 1:06:36 | |
But after that, it's like shelling peas. | 1:06:36 | 1:06:38 | |
You don't know Albert Nobbs | 1:06:38 | 1:06:39 | |
if you think we can get him to pay our way out of here. | 1:06:39 | 1:06:42 | |
He wouldn't give you the steam off his water. | 1:06:42 | 1:06:44 | |
He bought you those chocolates, didn't he? | 1:06:44 | 1:06:46 | |
And now this? | 1:06:46 | 1:06:48 | |
Oh, and that hat. | 1:06:53 | 1:06:54 | |
See, you got him hooked. | 1:06:58 | 1:07:00 | |
Has he tried any...? | 1:07:05 | 1:07:06 | |
-What? -You know. | 1:07:09 | 1:07:11 | |
Next time you go out with him... | 1:07:18 | 1:07:20 | |
work him up a bit, | 1:07:21 | 1:07:23 | |
see what he's made of. | 1:07:23 | 1:07:25 | |
See if there's a sting in him. | 1:07:25 | 1:07:28 | |
I'm not going out with him any more. | 1:07:28 | 1:07:30 | |
Well, how else we going to get to America? | 1:07:30 | 1:07:32 | |
You've got to walk out with him as long as there | 1:07:34 | 1:07:36 | |
is a bob in his pocket, and you've a hand to pull it out. | 1:07:36 | 1:07:39 | |
Here, here. | 1:07:43 | 1:07:44 | |
Come back tonight. | 1:07:48 | 1:07:49 | |
Should I... | 1:07:56 | 1:07:59 | |
tell her before we're married... | 1:07:59 | 1:08:02 | |
or save it for the wedding night? | 1:08:02 | 1:08:05 | |
She might call the police, | 1:08:08 | 1:08:11 | |
who'd take us both to the station. | 1:08:11 | 1:08:13 | |
If only I'd been able to ask Hubert how she did it. | 1:08:16 | 1:08:21 | |
She was like this when we came in. | 1:08:24 | 1:08:26 | |
Is she going to die? | 1:08:28 | 1:08:29 | |
-Has anyone else been here? -No, only us. | 1:08:30 | 1:08:33 | |
Ay, leave her with me. And wash your hands, all of you, | 1:08:35 | 1:08:38 | |
scrub them in carbolic. | 1:08:38 | 1:08:39 | |
Mother of God, is it the fever? Is it? | 1:08:39 | 1:08:43 | |
Go on. Don't say anything to anybody. I'll talk to Mrs Baker. | 1:08:44 | 1:08:47 | |
And wash your hands. | 1:08:50 | 1:08:51 | |
SHE VOMITS | 1:08:57 | 1:08:59 | |
Never mind. | 1:09:07 | 1:09:09 | |
Amelia, for God's sake. | 1:09:14 | 1:09:17 | |
Come on. | 1:09:17 | 1:09:18 | |
Pick up your feet. | 1:09:19 | 1:09:21 | |
That's it. Good boy. | 1:09:21 | 1:09:22 | |
Monsieur Pigot. | 1:09:22 | 1:09:24 | |
Monsieur Pigot, I insist you not go without paying your bill. | 1:09:24 | 1:09:27 | |
Send it on. | 1:09:27 | 1:09:28 | |
But where is my man? Where is my Patrick? | 1:09:28 | 1:09:31 | |
Why isn't he here? | 1:09:31 | 1:09:33 | |
-Who are you? -SHE SCOFFS | 1:09:33 | 1:09:35 | |
Oh! Everything's impossible. | 1:09:35 | 1:09:37 | |
But there's only one girl who died. Madam, madam, please. | 1:09:37 | 1:09:39 | |
-She was sick when she came here. -This is in the public interest. | 1:09:39 | 1:09:41 | |
-This is my livelihood. -I'm sorry. | 1:09:41 | 1:09:43 | |
This is the way I earn my living. You'll destroy me! | 1:09:43 | 1:09:46 | |
SHE SOBS | 1:09:46 | 1:09:47 | |
SHE MOANS | 1:09:59 | 1:10:01 | |
Mr Nobbs? | 1:10:24 | 1:10:25 | |
LOCK TURNS, DOOR OPENS | 1:10:36 | 1:10:38 | |
Joe. | 1:11:13 | 1:11:14 | |
There's something I have to tell you. | 1:11:18 | 1:11:21 | |
What's that, then? | 1:11:21 | 1:11:22 | |
Is it something I want to hear? | 1:11:27 | 1:11:29 | |
I'm expecting. | 1:11:32 | 1:11:33 | |
I'm going to have a baby. | 1:11:37 | 1:11:39 | |
I'm sorry. | 1:12:08 | 1:12:09 | |
I'll take care of you. | 1:12:43 | 1:12:44 | |
Don't you worry. | 1:12:51 | 1:12:53 | |
Come here. Come here. | 1:12:53 | 1:12:55 | |
I'm ruined. | 1:13:26 | 1:13:28 | |
Finished. | 1:13:28 | 1:13:30 | |
You do have a great gift for exaggeration, Duchess. | 1:13:31 | 1:13:34 | |
No, I am. I am. | 1:13:34 | 1:13:36 | |
I'm mortgaged up to my ears, I've an office full of unpaid bills. | 1:13:36 | 1:13:40 | |
If the guests are afraid to return... | 1:13:41 | 1:13:44 | |
Come on, Madge, you'll rise again. | 1:13:46 | 1:13:50 | |
Ohh... | 1:13:52 | 1:13:53 | |
I surely would have perished without you. | 1:13:54 | 1:13:57 | |
Good morning, Mr N. | 1:14:07 | 1:14:08 | |
Sweet Jesus and all the saints in heaven, | 1:14:08 | 1:14:10 | |
Mr Nobbs, will you eat something? | 1:14:10 | 1:14:13 | |
Have you some porridge? | 1:14:16 | 1:14:17 | |
Yes, of course. | 1:14:17 | 1:14:20 | |
Mr Nobbs. | 1:14:20 | 1:14:22 | |
Thank the Lord you're well again. | 1:14:22 | 1:14:24 | |
-Is Helen safe? -Oh, yes, she's all right. | 1:14:27 | 1:14:30 | |
Blooming, you could say. | 1:14:30 | 1:14:32 | |
The fever never touched her. | 1:14:33 | 1:14:35 | |
And the others? | 1:14:37 | 1:14:38 | |
SHE SOBS Oh, my Patrick, my Patrick is gone. | 1:14:38 | 1:14:43 | |
Hundreds of others in town. | 1:14:46 | 1:14:47 | |
They don't even know how many in the country. | 1:14:47 | 1:14:49 | |
DOOR OPENS | 1:15:19 | 1:15:21 | |
What am I going to do? | 1:15:51 | 1:15:53 | |
Mr Page... | 1:15:54 | 1:15:56 | |
The two of us could always... set up together. | 1:15:59 | 1:16:03 | |
I mean... | 1:16:05 | 1:16:07 | |
perhaps we could pool our money | 1:16:07 | 1:16:11 | |
and buy a bigger shop. | 1:16:11 | 1:16:13 | |
We could run it together. | 1:16:14 | 1:16:16 | |
Just like you and Cathleen did. | 1:16:16 | 1:16:19 | |
Or you could keep at the house painting, | 1:16:19 | 1:16:23 | |
and I could run the shop. | 1:16:23 | 1:16:25 | |
What are you saying? | 1:16:28 | 1:16:31 | |
Um... | 1:16:31 | 1:16:33 | |
perhaps... | 1:16:33 | 1:16:34 | |
I could live here, like Cathleen. | 1:16:36 | 1:16:39 | |
Neither of us would be alone. | 1:16:42 | 1:16:44 | |
-You can't just... -SHE SIGHS | 1:16:49 | 1:16:53 | |
She was my world. | 1:17:00 | 1:17:02 | |
We loved each other. | 1:17:09 | 1:17:11 | |
Come with me. | 1:17:18 | 1:17:20 | |
She made them all herself. | 1:17:33 | 1:17:35 | |
They're very beautiful. | 1:17:49 | 1:17:51 | |
I can't remember what it's like. | 1:17:53 | 1:17:55 | |
SEAGULLS CALLING | 1:18:35 | 1:18:38 | |
Albert... | 1:20:17 | 1:20:18 | |
You don't have to be anything but who you are. | 1:20:19 | 1:20:22 | |
Look at how you've survived all these years. | 1:20:24 | 1:20:26 | |
You've worked hard, you've saved your money. | 1:20:28 | 1:20:30 | |
So if you want to go out and find someone to start a new life with | 1:20:30 | 1:20:34 | |
then you go out and find that person. | 1:20:34 | 1:20:36 | |
-HELEN: I didn't say that, Joe. -JOE: Well, I'm not deaf, am I? | 1:20:39 | 1:20:42 | |
I know what you said. You couldn't help yourself. | 1:20:42 | 1:20:44 | |
-Why would I ever say that? -Because it's what you think. | 1:20:44 | 1:20:47 | |
-It's not fair, Joe. -Tell me what's fair. | 1:20:47 | 1:20:50 | |
Tell me, tell me, tell me what you think is fair. | 1:20:50 | 1:20:53 | |
I'm all fucking ears. | 1:20:53 | 1:20:55 | |
Nothing in this whole bloody place. That's what. | 1:20:55 | 1:20:59 | |
POLLY: Good dog. | 1:20:59 | 1:21:01 | |
Good, good dog. | 1:21:01 | 1:21:03 | |
Are you all right, Mr N? | 1:21:03 | 1:21:05 | |
Are you all right? | 1:21:09 | 1:21:10 | |
She's not worth it, you know. | 1:21:24 | 1:21:26 | |
She's just full of that Joe Mackins. | 1:21:28 | 1:21:32 | |
And he's a waster, if ever I met one. | 1:21:32 | 1:21:34 | |
And he's put her in the family way. | 1:21:36 | 1:21:38 | |
And now they're talking about going to America. | 1:21:39 | 1:21:41 | |
Ha. It's complete for show. | 1:21:41 | 1:21:45 | |
Mark my words. | 1:21:45 | 1:21:46 | |
He'll never take her. | 1:21:48 | 1:21:50 | |
Not now. Not ever. | 1:21:50 | 1:21:54 | |
It's a pity this place isn't nearer Morrison's. | 1:22:30 | 1:22:34 | |
You think we'd be let out to walk in it if it was? | 1:22:35 | 1:22:38 | |
It'd be Lord and Lady Snot | 1:22:39 | 1:22:42 | |
swanking it up and down the grass. | 1:22:42 | 1:22:44 | |
Not you and me. | 1:22:45 | 1:22:46 | |
You and Joe have been down to the sea, haven't you? | 1:22:50 | 1:22:53 | |
And what if we have? | 1:22:55 | 1:22:56 | |
Well, it's just that I don't think it's right | 1:22:56 | 1:23:00 | |
for a girl to be keeping company with two fellows. | 1:23:00 | 1:23:04 | |
And I thought... | 1:23:04 | 1:23:05 | |
What did you think? | 1:23:05 | 1:23:06 | |
That you didn't care for ME enough. | 1:23:09 | 1:23:12 | |
Enough for what? | 1:23:13 | 1:23:15 | |
We've been walking out, so-called, for a while now. | 1:23:16 | 1:23:19 | |
It's not natural to be just talking, | 1:23:19 | 1:23:22 | |
never wanting to put your arm around a girl's waist. | 1:23:22 | 1:23:25 | |
But that's for when we're married. | 1:23:25 | 1:23:27 | |
Married?! | 1:23:27 | 1:23:29 | |
This is the first time you've said ANYTHING about getting married. | 1:23:30 | 1:23:34 | |
I've put a deposit on the shop. A hundred pounds. | 1:23:34 | 1:23:38 | |
The agent says he has another offer | 1:23:38 | 1:23:41 | |
and that we have till Monday to decide. | 1:23:41 | 1:23:44 | |
After that we'll lose the deposit. | 1:23:45 | 1:23:47 | |
"We"? | 1:23:47 | 1:23:48 | |
We'll make a great success of our shop. | 1:23:49 | 1:23:52 | |
People will be coming to see us, | 1:23:52 | 1:23:55 | |
having tea with us in the parlour. | 1:23:55 | 1:23:58 | |
And our wedding will be a great... | 1:23:58 | 1:24:00 | |
wonder. | 1:24:01 | 1:24:04 | |
A great wonder? | 1:24:04 | 1:24:06 | |
Oh, it would be that, all right. | 1:24:06 | 1:24:09 | |
Sometimes I think you're soft in the head, did you know that? | 1:24:09 | 1:24:12 | |
What kind of man would ask a girl to marry him | 1:24:12 | 1:24:16 | |
without ever having so much as kissed her? | 1:24:16 | 1:24:18 | |
You must not love me if you don't want to kiss me. | 1:24:18 | 1:24:21 | |
I don't want to many a man who isn't in love with me. | 1:24:21 | 1:24:24 | |
But... | 1:24:25 | 1:24:27 | |
I DO love you. | 1:24:29 | 1:24:31 | |
You call that kissing? | 1:24:40 | 1:24:42 | |
That's the way people in love kiss. | 1:24:51 | 1:24:54 | |
That's the way Joe Mackins kisses me. | 1:24:54 | 1:24:57 | |
That's the way I like to be kissed. | 1:24:57 | 1:24:58 | |
I'm going home. | 1:25:00 | 1:25:01 | |
Helen. | 1:25:02 | 1:25:04 | |
-Helen, wait... -You're a fool of a man. | 1:25:04 | 1:25:07 | |
If you think me a fool of a man, why did you walk out with me? | 1:25:07 | 1:25:10 | |
I don't know why. I wish I hadn't. | 1:25:10 | 1:25:13 | |
Anyway, you don't have to worry about that any more. | 1:25:13 | 1:25:16 | |
What do you mean? Please, Helen, wait. | 1:25:16 | 1:25:19 | |
What about the shoes and stockings I ordered for you. | 1:25:19 | 1:25:21 | |
-What shall I do with them? -I'll take the stockings. | 1:25:21 | 1:25:23 | |
-And the shoes? -And the shoes. | 1:25:23 | 1:25:25 | |
And you'll wear them when you walk out with Joe Mackins? | 1:25:25 | 1:25:27 | |
-Yes. -He won't take you to America. | 1:25:27 | 1:25:30 | |
He'll leave you here. You and the baby. | 1:25:30 | 1:25:33 | |
He will. He'll leave you. | 1:25:33 | 1:25:35 | |
No! | 1:25:36 | 1:25:37 | |
-He will NOT leave me! -You'll be safe with me. | 1:25:37 | 1:25:40 | |
-He will not leave me! -I'll take care of you both. | 1:25:40 | 1:25:43 | |
Stop it! | 1:25:43 | 1:25:45 | |
Why do you say that? | 1:25:45 | 1:25:46 | |
It's snowing. | 1:26:18 | 1:26:19 | |
Don't worry about the hat. | 1:26:22 | 1:26:25 | |
I'll buy you another one. | 1:26:25 | 1:26:26 | |
No. | 1:26:27 | 1:26:29 | |
Goodbye. | 1:26:31 | 1:26:32 | |
-SHE GASPS -Your ladyship. | 1:27:11 | 1:27:13 | |
How wonderful to see you back. | 1:27:15 | 1:27:17 | |
-Miss Shaw. -Thank you. | 1:27:17 | 1:27:19 | |
I've put you in your usual rooms. | 1:27:19 | 1:27:21 | |
There, now. | 1:27:22 | 1:27:24 | |
Joseph will look after you. | 1:27:24 | 1:27:26 | |
Out of my way. | 1:27:26 | 1:27:28 | |
Out of the way. | 1:27:28 | 1:27:30 | |
Oh, hop to it, you lazy fellow. Hop to it. | 1:27:32 | 1:27:35 | |
BELL JINGLES | 1:27:35 | 1:27:38 | |
BELL JINGLES AGAIN | 1:27:41 | 1:27:43 | |
What's that? | 1:28:04 | 1:28:06 | |
Oh, I never eat anything blue. Please take it away. | 1:28:06 | 1:28:08 | |
Am I the last to know? | 1:28:15 | 1:28:17 | |
I'll throw her out, brazen hussy. | 1:28:17 | 1:28:19 | |
I'll throw them both out. By God I will. | 1:28:19 | 1:28:21 | |
You'll do no such thing. | 1:28:21 | 1:28:23 | |
I can't do it, Helen. | 1:29:15 | 1:29:17 | |
I hate meself for it, but I can't do it. | 1:29:18 | 1:29:21 | |
It's the same old story and you know it. | 1:29:21 | 1:29:23 | |
And how many times have you seen it happen? | 1:29:23 | 1:29:25 | |
-It shouldn't have happened. -But it did happen. | 1:29:29 | 1:29:31 | |
Yeah, but it happened too soon. | 1:29:31 | 1:29:33 | |
It will change us. | 1:29:36 | 1:29:38 | |
It will change me. | 1:29:40 | 1:29:41 | |
I don't want to be that person, Helen. | 1:29:43 | 1:29:45 | |
I don't want to be me feckin' da! | 1:29:48 | 1:29:50 | |
I can't even feckin' read. | 1:29:52 | 1:29:54 | |
Joe... | 1:29:57 | 1:29:58 | |
What have you done to us? You've ruined everything. | 1:29:58 | 1:30:01 | |
What are you saying? You can't leave. | 1:30:01 | 1:30:04 | |
You wouldn't let me go and now you say it's my fault? | 1:30:04 | 1:30:07 | |
-I didn't mean that, Helen. -What didn't you mean? | 1:30:07 | 1:30:10 | |
Mr Nobbs. What are you going to...? | 1:30:10 | 1:30:12 | |
Everything you promised me, what didn't you mean? | 1:30:12 | 1:30:16 | |
KNOCKING | 1:30:16 | 1:30:17 | |
-Helen... -There's nothing more to say. | 1:30:21 | 1:30:23 | |
-Please go away. -Wait. | 1:30:23 | 1:30:25 | |
-WHISPERING -Marry me. | 1:30:26 | 1:30:27 | |
I'll take care of the two of you. | 1:30:27 | 1:30:29 | |
You and the child. | 1:30:29 | 1:30:31 | |
He'll never take you to America. | 1:30:31 | 1:30:33 | |
What do you know, you miserable little prick? | 1:30:33 | 1:30:35 | |
-Joseph... -Huh? You were all talk just now. | 1:30:35 | 1:30:37 | |
Why don't you say to me what you were saying to her? | 1:30:37 | 1:30:38 | |
Joe. Stop it. | 1:30:38 | 1:30:40 | |
You won't... You won't... You won't take her to America. | 1:30:40 | 1:30:42 | |
That is none of your fucking goddamn business. | 1:30:42 | 1:30:44 | |
Joe, stop it! | 1:30:44 | 1:30:47 | |
SHOUTING | 1:30:47 | 1:30:48 | |
Don't you hurt her! | 1:30:48 | 1:30:51 | |
SHOUTING STARTS UP AGAIN | 1:30:53 | 1:30:56 | |
Joe! Helen, please! Come on! | 1:30:56 | 1:30:58 | |
-Keep your hands off me! -Both of you get a hold of yourselves! | 1:30:58 | 1:31:01 | |
-Get a hold of yourself! -Get your fucking hands off me! | 1:31:03 | 1:31:05 | |
Joe! No, no! | 1:31:05 | 1:31:08 | |
-No, Joe! -Get away from me! | 1:31:08 | 1:31:10 | |
Get away from me, huh! | 1:31:13 | 1:31:16 | |
All right, both of you... Both of you stop this! | 1:31:16 | 1:31:18 | |
SEAN: Oh, no, please, Joe. Joe! | 1:31:18 | 1:31:20 | |
SHOUTING CONTINUES | 1:31:29 | 1:31:32 | |
You did this to us. | 1:31:50 | 1:31:51 | |
You're a boozer, Joe Mackins, Just like your father. | 1:31:51 | 1:31:54 | |
-I'm not like that bastard! -A boozer and a dirty bully. | 1:31:54 | 1:31:56 | |
Get your paws off me, you fucking nancy-boy. | 1:31:56 | 1:31:58 | |
-I'll smash your fucking face! -I don't WANT you any more! | 1:31:58 | 1:32:01 | |
I don't want you. | 1:32:06 | 1:32:07 | |
-Joe. -Helen, no, no. | 1:32:24 | 1:32:27 | |
-Come, let's go. -No! | 1:32:28 | 1:32:30 | |
Mr Nobbs? | 1:33:04 | 1:33:06 | |
BELL JINGLES Uh, coal, please. | 1:34:08 | 1:34:12 | |
Lucy, would you go downstairs and get some coal. | 1:34:12 | 1:34:15 | |
A big load of coal. This has got to be kept red hot for my cooking. | 1:34:16 | 1:34:20 | |
Ow! BELL JINGLES | 1:34:20 | 1:34:22 | |
Now there's the black pudding. | 1:34:22 | 1:34:24 | |
Now, which room ordered kippers? Was it seven or nine? | 1:34:24 | 1:34:28 | |
-Seven. -Seven. Good girl. | 1:34:28 | 1:34:29 | |
Get me a nice plate for the kippers. Now we've got everything else. | 1:34:29 | 1:34:32 | |
Chicken livers, bacon, black pudding, black pudding, | 1:34:32 | 1:34:35 | |
prunes, sausages, jam, milk. | 1:34:35 | 1:34:38 | |
Yeah, we got everything. Now what else? | 1:34:38 | 1:34:39 | |
KNOCKING | 1:34:50 | 1:34:52 | |
Mr Nobbs? | 1:34:52 | 1:34:53 | |
KNOCKING | 1:34:57 | 1:34:59 | |
Mr Nobbs? | 1:35:13 | 1:35:15 | |
Albert? | 1:35:22 | 1:35:23 | |
That's fine. I'll take it from here. | 1:35:31 | 1:35:33 | |
Oh, Albert Nobbs. | 1:36:38 | 1:36:40 | |
Dear Jesus, I don't know what makes people live such miserable lives. | 1:37:07 | 1:37:11 | |
SHE SCOFFS | 1:37:23 | 1:37:25 | |
Rubbish. | 1:37:29 | 1:37:30 | |
-WHISPERING -Oh, my God. | 1:37:47 | 1:37:50 | |
Albert Nobbs, a woman? | 1:38:07 | 1:38:09 | |
Yes. Did you not hear about it? It was in all the papers. | 1:38:09 | 1:38:13 | |
I mean the death was bad enough, | 1:38:13 | 1:38:14 | |
but then all those years, and no-one suspecting. | 1:38:14 | 1:38:17 | |
Not even you, and you slept here, in the same bed with him. | 1:38:17 | 1:38:22 | |
Her. | 1:38:22 | 1:38:23 | |
And Dr Holloran left us. | 1:38:25 | 1:38:28 | |
Took off to England with, what's-her-name, Mary. | 1:38:29 | 1:38:32 | |
Said he was tired of secrets. Can you imagine? | 1:38:32 | 1:38:35 | |
And that good-for-nothing Joe Mackins went off to America, | 1:38:35 | 1:38:38 | |
and left me with an unwed hussy of a maid, with a brat. | 1:38:38 | 1:38:42 | |
Now, Mr Page, I have a heart. | 1:38:42 | 1:38:46 | |
I couldn't throw her out onto the streets | 1:38:46 | 1:38:47 | |
and call myself a Christian, now could I? | 1:38:47 | 1:38:49 | |
LAUGHTER | 1:38:49 | 1:38:51 | |
Oh, my lordship. | 1:38:51 | 1:38:53 | |
I trust you're finding your suites satisfactory. | 1:38:56 | 1:39:00 | |
Splendid, Mrs B. Splendid. | 1:39:00 | 1:39:03 | |
However, we seem to have misplaced the key to the connecting door. | 1:39:03 | 1:39:07 | |
Could you have your man open it for us? | 1:39:07 | 1:39:09 | |
I'll have it done right away. | 1:39:09 | 1:39:11 | |
Thank you. | 1:39:11 | 1:39:12 | |
I have an appetite. | 1:39:13 | 1:39:15 | |
Lovely, lovely people. | 1:39:18 | 1:39:19 | |
-So you want the whole place painted? -Yes. | 1:39:21 | 1:39:23 | |
Top to bottom. You'll have to hire in help, I should think. | 1:39:23 | 1:39:27 | |
Well, it's a big job. It won't be cheap, ma'am. | 1:39:27 | 1:39:30 | |
Oh, don't worry about that. I... I came into a bit of money. | 1:39:30 | 1:39:34 | |
A bit of good fortune. | 1:39:35 | 1:39:37 | |
Well, to work, Mr Page. | 1:39:37 | 1:39:40 | |
I've put you up in Albert's old room. | 1:39:40 | 1:39:43 | |
For old time's sake. | 1:39:43 | 1:39:44 | |
DISTANT CHATTER | 1:39:48 | 1:39:50 | |
BABY CRYING | 1:41:06 | 1:41:09 | |
Mr Page. | 1:41:24 | 1:41:26 | |
Hello, Helen Dawes. | 1:41:27 | 1:41:29 | |
I heard Mrs Baker say you were coming. | 1:41:31 | 1:41:33 | |
Well, it's a big job she wants me to do. | 1:41:33 | 1:41:36 | |
Good. | 1:41:37 | 1:41:38 | |
May I? | 1:41:41 | 1:41:42 | |
Shh, shh, shh, shh, shh. | 1:41:59 | 1:42:02 | |
His name is Albert. | 1:42:02 | 1:42:04 | |
Albert Joseph. | 1:42:07 | 1:42:09 | |
So, it's a "he," is it? | 1:42:11 | 1:42:13 | |
BABY CRIES, HUBERT SHUSHES | 1:42:16 | 1:42:20 | |
So, Mrs Baker is letting you stay, is she? | 1:42:23 | 1:42:25 | |
Oh, she told you that, did she? | 1:42:25 | 1:42:27 | |
Out of the kindness of her Christian heart? | 1:42:28 | 1:42:30 | |
The truth is, Mr Page... | 1:42:34 | 1:42:37 | |
The truth is, | 1:42:37 | 1:42:39 | |
she says she won't tell the priest about my Albert | 1:42:39 | 1:42:41 | |
as long as I work here for nothing. | 1:42:41 | 1:42:43 | |
But they ARE going to take him away from me. | 1:42:48 | 1:42:50 | |
You know they will. | 1:42:52 | 1:42:54 | |
And they will throw me out onto the street. | 1:42:58 | 1:43:01 | |
It's just a matter of time. | 1:43:05 | 1:43:07 | |
Well, now... | 1:43:11 | 1:43:13 | |
We can't let that happen, can we? | 1:43:15 | 1:43:17 |