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This film contains very strong language. | 0:00:03 | 0:00:07 | |
BIRDS CHIRP | 0:01:05 | 0:01:06 | |
MAN: Dear Ryan, | 0:01:06 | 0:01:08 | |
I reckon you're feeling lonely now that your mother is gone. | 0:01:08 | 0:01:11 | |
You're too young for something like this. | 0:01:11 | 0:01:14 | |
I know she must've told you about me, | 0:01:15 | 0:01:17 | |
and I for one never stopped thinking about you. | 0:01:17 | 0:01:20 | |
Even though I've never seen you, | 0:01:20 | 0:01:22 | |
I bet my best memories I'd recognise you in the blackest night. | 0:01:22 | 0:01:26 | |
These past years have been hard on us all. | 0:01:26 | 0:01:29 | |
Very few of us are still around. | 0:01:29 | 0:01:32 | |
The land where I live now is a good one... | 0:01:33 | 0:01:36 | |
quiet people, peaceful for the most part. | 0:01:36 | 0:01:39 | |
But it's not home. | 0:01:39 | 0:01:42 | |
That's why it's time for me to come back. | 0:01:42 | 0:01:45 | |
Burn this letter after you read it, | 0:01:46 | 0:01:49 | |
like your mother would've done, and wait for me. | 0:01:49 | 0:01:52 | |
Much love, your uncle. | 0:01:52 | 0:01:56 | |
GIGGLING | 0:02:23 | 0:02:26 | |
MAN SHOUTING | 0:02:26 | 0:02:28 | |
SHE SPEAKS SPANISH | 0:02:44 | 0:02:48 | |
THUNDER RUMBLING | 0:03:29 | 0:03:31 | |
# Ain't no grave | 0:04:33 | 0:04:35 | |
# Can hold my body down | 0:04:35 | 0:04:38 | |
# There ain't no grave | 0:04:39 | 0:04:41 | |
# Can hold my body down | 0:04:41 | 0:04:43 | |
# When I hear that trumpet sound | 0:04:45 | 0:04:48 | |
# I'm going to rise right out off the ground | 0:04:48 | 0:04:50 | |
# Ain't no grave | 0:04:50 | 0:04:53 | |
# Can hold my body down | 0:04:53 | 0:04:55 | |
# When I look way down the river | 0:04:56 | 0:05:00 | |
# What do you think I see? | 0:05:00 | 0:05:03 | |
# I see me a band of angels | 0:05:03 | 0:05:05 | |
# They're coming after me | 0:05:05 | 0:05:08 | |
# Ain't no grave | 0:05:08 | 0:05:10 | |
# Can hold my body down | 0:05:10 | 0:05:14 | |
# Ain't no grave | 0:05:14 | 0:05:15 | |
# Can hold my body down | 0:05:15 | 0:05:18 | |
# Well, look down yonder, Gabriel | 0:05:20 | 0:05:23 | |
# Put your feet on the land and sea | 0:05:23 | 0:05:25 | |
# But, Gabriel, don't you blow your horn | 0:05:25 | 0:05:29 | |
# Until you hear from me | 0:05:29 | 0:05:31 | |
# There ain't no grave | 0:05:31 | 0:05:33 | |
# Can hold my body down | 0:05:33 | 0:05:36 | |
# Ain't no grave | 0:05:36 | 0:05:39 | |
# Can hold my body down. # | 0:05:39 | 0:05:41 | |
NEWSBOY SHOUTS CHURCH BELL RINGS | 0:05:47 | 0:05:50 | |
CAR HORN HONKS | 0:05:55 | 0:05:58 | |
IN SPANISH: | 0:06:39 | 0:06:41 | |
Mr Blackthorn, | 0:06:58 | 0:07:00 | |
have we done anything to upset you? | 0:07:00 | 0:07:02 | |
Well, you know, there is just one thing. | 0:07:02 | 0:07:05 | |
I can't remember ever being so well received at a bank before. | 0:07:05 | 0:07:08 | |
Buenos dias. | 0:07:08 | 0:07:11 | |
PIANO MUSIC PLAYS | 0:07:38 | 0:07:42 | |
Americans are creatures of habit. | 0:07:47 | 0:07:50 | |
They have excellent scotch here, French cognac, | 0:07:50 | 0:07:53 | |
but Mr Blackthorn here | 0:07:53 | 0:07:55 | |
likes to stick to his old gringo whisky. | 0:07:55 | 0:07:57 | |
Yeah, it just seems to haunt me, you know. | 0:07:57 | 0:08:00 | |
To a fine sale. | 0:08:00 | 0:08:02 | |
Gracias. | 0:08:02 | 0:08:04 | |
You have quite a talent for breeding horses. | 0:08:04 | 0:08:06 | |
Those horses will be the envy of many men around here. | 0:08:06 | 0:08:09 | |
But you'd think that here in Bolivia, | 0:08:09 | 0:08:11 | |
with so many bloody Indians, | 0:08:11 | 0:08:13 | |
it would be simple to find good horses. | 0:08:13 | 0:08:15 | |
Indians got nothing to do with it. | 0:08:15 | 0:08:18 | |
The terrain's too rugged here | 0:08:18 | 0:08:20 | |
for good horses, too high. | 0:08:20 | 0:08:22 | |
I was wondering if maybe you all would like to play | 0:08:24 | 0:08:27 | |
a few rounds of cards. | 0:08:27 | 0:08:30 | |
What do you think? | 0:08:30 | 0:08:32 | |
Yes, we're in. | 0:08:32 | 0:08:34 | |
You know, I miss a good game of cards out on the ranch. | 0:08:34 | 0:08:37 | |
Ain't nothing but a goddamn bunch of Indians out there, you know. | 0:08:37 | 0:08:41 | |
There's no civilised folk like yourselves. | 0:08:41 | 0:08:45 | |
HE WHISTLES | 0:09:18 | 0:09:20 | |
FLIES BUZZ | 0:09:43 | 0:09:45 | |
GUNSHOT HORSE NEIGHS | 0:10:13 | 0:10:16 | |
Easy. | 0:10:21 | 0:10:24 | |
Don't leave me now, Cinco. | 0:10:24 | 0:10:27 | |
HORSE SNORTS | 0:10:27 | 0:10:28 | |
Whoa. | 0:10:28 | 0:10:30 | |
Easy, buddy. | 0:10:30 | 0:10:31 | |
Oh, easy, buddy. | 0:10:33 | 0:10:35 | |
MAN SPEAKS SPANISH | 0:10:35 | 0:10:37 | |
GUNSHOT HORSE NEIGHS | 0:10:37 | 0:10:39 | |
COCKS GUN | 0:10:40 | 0:10:42 | |
MAN: Hiya! | 0:10:44 | 0:10:46 | |
HORSE NEIGHS MAN GRUNTS | 0:10:48 | 0:10:52 | |
No. WHISTLES | 0:10:54 | 0:10:57 | |
Cinco! | 0:10:57 | 0:10:58 | |
WHISTLES Hey! | 0:10:58 | 0:11:00 | |
Whoa! Cinco! | 0:11:00 | 0:11:04 | |
Goddamn it! | 0:11:05 | 0:11:07 | |
HE GRUNTS | 0:11:51 | 0:11:53 | |
Conquistador! | 0:12:08 | 0:12:09 | |
Are you going to kill me? | 0:12:16 | 0:12:18 | |
Oh, so you speak English. | 0:12:18 | 0:12:20 | |
You got any idea where in the world we are? | 0:12:22 | 0:12:25 | |
Huh? We're in the middle of nowhere. | 0:12:25 | 0:12:28 | |
My entire future ran off with that horse, | 0:12:28 | 0:12:31 | |
everything I've got... 6,000 to get me back home. | 0:12:31 | 0:12:34 | |
The horse alone's worth 500. | 0:12:34 | 0:12:36 | |
Now I've got your miserable life on my hands. | 0:12:36 | 0:12:39 | |
Ain't worth a nickel. | 0:12:39 | 0:12:41 | |
I'm sorry. | 0:12:41 | 0:12:43 | |
I thought you were after me. | 0:12:43 | 0:12:46 | |
Please, I just want to live a little longer. | 0:12:46 | 0:12:49 | |
You do, huh? | 0:12:49 | 0:12:52 | |
Be my guest. | 0:13:01 | 0:13:03 | |
Eat. | 0:13:16 | 0:13:18 | |
Eat, you flea-ridden coward. | 0:13:18 | 0:13:21 | |
It was just a little jump. | 0:13:21 | 0:13:25 | |
"The best horses." Filthy hag. | 0:13:25 | 0:13:27 | |
I'll run you all the way from here to El Paso. | 0:13:29 | 0:13:31 | |
Oh, shit. | 0:13:40 | 0:13:43 | |
Come on. | 0:13:43 | 0:13:44 | |
GUNSHOTS | 0:13:54 | 0:13:58 | |
What the hell are you doing, Butch? | 0:13:58 | 0:14:00 | |
Not the best place to rest. | 0:14:00 | 0:14:03 | |
It has a nice view. CHUCKLES | 0:14:03 | 0:14:05 | |
GUNSHOTS | 0:14:14 | 0:14:15 | |
Oh, she's handy. | 0:14:17 | 0:14:20 | |
You teach her? | 0:14:20 | 0:14:22 | |
I don't think anybody ever taught her anything. | 0:14:22 | 0:14:25 | |
And it's about time you learned her name. | 0:14:25 | 0:14:28 | |
Kid, I think it's time for us to go. | 0:14:32 | 0:14:36 | |
Don't worry. Those were the last. | 0:14:36 | 0:14:37 | |
You're not listening. | 0:14:37 | 0:14:39 | |
I mean go as in leave, | 0:14:39 | 0:14:42 | |
go to South America now. | 0:14:42 | 0:14:44 | |
Butch wants to leave, | 0:14:50 | 0:14:52 | |
go to South America. | 0:14:52 | 0:14:55 | |
And he wants me to go with him. | 0:14:55 | 0:14:57 | |
Why are you telling me? | 0:14:57 | 0:14:59 | |
I think it might be a good idea... | 0:14:59 | 0:15:02 | |
the three of us... | 0:15:02 | 0:15:05 | |
that's all. | 0:15:05 | 0:15:06 | |
It's a great idea. | 0:15:10 | 0:15:12 | |
COCKS GUN | 0:15:46 | 0:15:49 | |
You're pushing your luck, son. | 0:15:53 | 0:15:56 | |
Please. | 0:15:58 | 0:16:01 | |
They have been following me for days. | 0:16:01 | 0:16:04 | |
I need your help. | 0:16:04 | 0:16:06 | |
All right, now you can be on your way. | 0:16:42 | 0:16:46 | |
Taypi is only about 15 miles | 0:16:46 | 0:16:48 | |
down the tracks here. You just follow it. | 0:16:48 | 0:16:51 | |
Even if I make it, they'll catch me | 0:16:51 | 0:16:53 | |
and they'll kill me. | 0:16:53 | 0:16:55 | |
Well, good for them, whoever they are. | 0:16:55 | 0:16:57 | |
GUNSHOT I'm not going to repeat myself, | 0:16:57 | 0:16:59 | |
you son of a bitch. Get up and get down the tracks. | 0:16:59 | 0:17:01 | |
Please. | 0:17:03 | 0:17:05 | |
Have pity and help me. | 0:17:05 | 0:17:06 | |
I can give you your money back. | 0:17:09 | 0:17:11 | |
I have the money, but it's hidden. | 0:17:13 | 0:17:16 | |
That's why they're after me. | 0:17:16 | 0:17:18 | |
You'd better not be playing me, you bastard. | 0:17:21 | 0:17:23 | |
It's two or three days on horseback from here... | 0:17:28 | 0:17:31 | |
an abandoned mine. | 0:17:31 | 0:17:34 | |
I'm an engineer. | 0:17:34 | 0:17:35 | |
I work at the tin mines. | 0:17:35 | 0:17:37 | |
That's why I came over from Spain. | 0:17:37 | 0:17:39 | |
When we get there, I'll give you | 0:17:39 | 0:17:42 | |
your money back. I promise. | 0:17:42 | 0:17:44 | |
That's not good enough. | 0:17:44 | 0:17:46 | |
I stole from the mine I was working at in Oruro. | 0:17:49 | 0:17:52 | |
Those mines are well-guarded. Patino owns all that. | 0:17:52 | 0:17:55 | |
Yeah. | 0:17:57 | 0:17:59 | |
You stole from Simon Patino? | 0:17:59 | 0:18:02 | |
You're ploughing in high cotton, boy. | 0:18:03 | 0:18:07 | |
Can I have a drink? | 0:18:07 | 0:18:09 | |
Patino, huh? | 0:18:15 | 0:18:18 | |
Yes. | 0:18:18 | 0:18:21 | |
I robbed the Suyana Mine. | 0:18:21 | 0:18:22 | |
Patino... you know him? | 0:18:22 | 0:18:24 | |
I know snakes, no matter what hole they crawl out of. | 0:18:24 | 0:18:28 | |
-How many's following you? -I don't know. | 0:18:34 | 0:18:36 | |
A dozen, maybe. I'm not sure. | 0:18:36 | 0:18:39 | |
How far back are they? | 0:18:39 | 0:18:41 | |
A day or two. | 0:18:41 | 0:18:44 | |
Not any more. | 0:18:44 | 0:18:47 | |
Who are you? | 0:19:16 | 0:19:18 | |
My name is Eduardo. | 0:19:18 | 0:19:21 | |
How much money did you steal, Eduardo? | 0:19:21 | 0:19:24 | |
Not much. Just enough to... | 0:19:24 | 0:19:26 | |
Nobody steals "not much" from the richest man on the continent. | 0:19:26 | 0:19:29 | |
Now how much did you steal? | 0:19:29 | 0:19:31 | |
£10,000 sterling. | 0:19:31 | 0:19:34 | |
50,000 American, more or less. | 0:19:34 | 0:19:37 | |
Yeah, well, that's 25,000 for me, then. | 0:19:37 | 0:19:40 | |
But you said 6,000. | 0:19:40 | 0:19:41 | |
Look, the only reason that you're alive | 0:19:41 | 0:19:45 | |
is that you might have some money. | 0:19:45 | 0:19:47 | |
Now you owe me half. | 0:19:47 | 0:19:48 | |
You owe me for every step I take without a horse, | 0:19:48 | 0:19:51 | |
every hour I go without water. And you also owe me | 0:19:51 | 0:19:53 | |
for not shooting your sorry ass the first time I saw you. | 0:19:53 | 0:19:56 | |
-Do you understand? -Yeah. | 0:19:56 | 0:19:58 | |
Now shut the fuck up and just follow me. | 0:19:58 | 0:20:01 | |
EDUARDO SPEAKS SPANISH: | 0:20:17 | 0:20:18 | |
Meet me at the cantina. | 0:20:26 | 0:20:29 | |
SHE SPEAKS AYMARA | 0:21:10 | 0:21:12 | |
HE SPEAKS SPANISH: | 0:21:12 | 0:21:15 | |
I bought us a couple of mules. That's all there is around here. | 0:21:25 | 0:21:29 | |
At least buy me a drink. You'll soon be rich. | 0:21:29 | 0:21:33 | |
Nice pistol. | 0:21:33 | 0:21:35 | |
I should thank you. I could have died. | 0:21:44 | 0:21:46 | |
The plateau is like hell. | 0:21:48 | 0:21:50 | |
You got no business judging this land. | 0:21:50 | 0:21:52 | |
And I'm not helping you either. | 0:21:52 | 0:21:54 | |
I'm just trying to get back what's mine. | 0:21:54 | 0:21:56 | |
OK. | 0:21:56 | 0:21:58 | |
So what do we do now? | 0:22:00 | 0:22:02 | |
Drink. | 0:22:02 | 0:22:04 | |
OK, we agree on something. | 0:22:04 | 0:22:05 | |
In silence. | 0:22:05 | 0:22:07 | |
Will you get your ass up? | 0:22:13 | 0:22:16 | |
I've got a couple of mules here. | 0:22:16 | 0:22:18 | |
Let's get mounted. | 0:22:18 | 0:22:20 | |
Come on. | 0:22:23 | 0:22:25 | |
I'm ready when you are. | 0:22:26 | 0:22:28 | |
Hey. | 0:22:30 | 0:22:32 | |
-Thank you. -You know, if that money doesn't exist, | 0:22:33 | 0:22:36 | |
I'm going to kill you. I'll take my sweet time doing it too. | 0:22:36 | 0:22:41 | |
MULE BRAYS | 0:22:45 | 0:22:46 | |
Shouldn't we move faster? | 0:22:52 | 0:22:55 | |
Last time you moved faster, you killed your horse. | 0:22:55 | 0:22:58 | |
Don't you remember that? | 0:22:58 | 0:23:00 | |
I wouldn't say I killed my horse. | 0:23:00 | 0:23:02 | |
You wouldn't, huh? What would you say? | 0:23:02 | 0:23:04 | |
Hey, who do you think you are? | 0:23:04 | 0:23:07 | |
We could get shot any minute now | 0:23:07 | 0:23:09 | |
-and you acting like nothing... -What? Come on. | 0:23:09 | 0:23:12 | |
HORSES APPROACH | 0:23:24 | 0:23:26 | |
The last miner left eight years ago. | 0:23:57 | 0:24:00 | |
There were 10,000 people living here at one point. | 0:24:00 | 0:24:04 | |
Patino was convinced he could bleed a little more out of it. | 0:24:04 | 0:24:07 | |
So when I came over from Spain, | 0:24:07 | 0:24:10 | |
he sent me here and had me searching | 0:24:10 | 0:24:12 | |
six months for nothing. | 0:24:12 | 0:24:14 | |
I know this mine like I dug it myself. | 0:24:14 | 0:24:18 | |
You'd better. | 0:24:18 | 0:24:20 | |
Are you going to kill me when you get the money? | 0:24:29 | 0:24:32 | |
Come on, let's get this over with. | 0:24:32 | 0:24:35 | |
Wait. | 0:24:37 | 0:24:39 | |
I have no reason to trust you either. | 0:24:42 | 0:24:44 | |
There is a lot of money at stake. | 0:24:44 | 0:24:48 | |
Where did you get that antique? | 0:24:48 | 0:24:50 | |
I'm not so bad with Bolivian women. | 0:24:50 | 0:24:52 | |
So you're going to shoot me now? | 0:24:53 | 0:24:56 | |
Huh? | 0:24:56 | 0:24:57 | |
No, I don't want to. | 0:24:57 | 0:25:01 | |
We've been together for days | 0:25:01 | 0:25:03 | |
and I don't even know your name. | 0:25:03 | 0:25:05 | |
I can't trust someone with no name. | 0:25:05 | 0:25:08 | |
Well, you ought to trust me. | 0:25:08 | 0:25:11 | |
I saved your life a couple of times, didn't I? | 0:25:11 | 0:25:14 | |
Besides, I'm not your problem. | 0:25:14 | 0:25:17 | |
That's your problem over there. | 0:25:17 | 0:25:19 | |
What? | 0:25:19 | 0:25:20 | |
That dust. | 0:25:20 | 0:25:22 | |
Those could be several of your friends at full gallop. | 0:25:26 | 0:25:29 | |
COCKS GUN | 0:25:29 | 0:25:31 | |
You're empty, son. | 0:25:33 | 0:25:36 | |
You son of a bitch. | 0:25:36 | 0:25:37 | |
CHUCKLES | 0:25:37 | 0:25:38 | |
Yeah. | 0:25:38 | 0:25:41 | |
You should've heard what they called me back in Wyoming. | 0:25:41 | 0:25:44 | |
We are close. | 0:26:02 | 0:26:05 | |
Next gallery to the left. Watch your head. | 0:26:05 | 0:26:08 | |
When did you find out I had the other revolver? | 0:26:08 | 0:26:12 | |
About ten minutes ago. | 0:26:12 | 0:26:14 | |
Giddy-up, son. Bring the light. | 0:26:22 | 0:26:25 | |
I'm not a goddamn mole. | 0:26:25 | 0:26:27 | |
It's all here. | 0:26:39 | 0:26:41 | |
I'm willing to split it now. | 0:26:41 | 0:26:43 | |
-What's to split? -Sorry? | 0:26:43 | 0:26:46 | |
There's nothing to split. It's useless in here. | 0:26:46 | 0:26:48 | |
I mean, if you make it out of here alive, it might be worth something, | 0:26:48 | 0:26:51 | |
but right now all you got is your stupid gun and your lamp. | 0:26:51 | 0:26:54 | |
Now how the hell do we get out of here? | 0:26:54 | 0:26:56 | |
-Just follow me. -Yeah, that's what I've been doing. | 0:26:56 | 0:26:59 | |
Come on. The mine has lots of ways out of the mountain. | 0:26:59 | 0:27:02 | |
VOICES WHISPERING | 0:27:03 | 0:27:06 | |
Now what, Mr Engineer? | 0:27:13 | 0:27:15 | |
Shoot the lights. Leave them blind. | 0:27:17 | 0:27:20 | |
OK, here's your gun back. | 0:27:20 | 0:27:23 | |
GUNSHOTS PEOPLE CHATTERING | 0:27:29 | 0:27:32 | |
Goddamn Spaniard! | 0:27:44 | 0:27:46 | |
You call this a way out? | 0:27:46 | 0:27:48 | |
I could find my way out of hell easier than this. | 0:27:48 | 0:27:50 | |
Thanks to this way out, | 0:27:50 | 0:27:52 | |
it'll be impossible for them | 0:27:52 | 0:27:54 | |
to pick up our trail again, old man. | 0:27:54 | 0:27:56 | |
Where the hell are we? | 0:27:59 | 0:28:01 | |
-We are safe. -Safe? | 0:28:13 | 0:28:16 | |
You stole 50,000. You ain't going to be safe for long. | 0:28:16 | 0:28:19 | |
Well, I guess I'll have to live with that. | 0:28:19 | 0:28:21 | |
But I feel good. | 0:28:21 | 0:28:23 | |
I feel better than ever. | 0:28:23 | 0:28:26 | |
The name's James Blackthorn, | 0:28:34 | 0:28:37 | |
Utah, United States. | 0:28:37 | 0:28:39 | |
Eduardo Apodaca | 0:28:39 | 0:28:41 | |
from Madrid, Spain. | 0:28:41 | 0:28:45 | |
Rosario is not too far from here. | 0:28:45 | 0:28:46 | |
We can buy cheap horses over there. | 0:28:46 | 0:28:48 | |
I got me a little ranch somewhere around here. | 0:28:48 | 0:28:51 | |
We can get some rest up there. | 0:28:51 | 0:28:53 | |
Sometimes it's beautiful. | 0:28:56 | 0:28:58 | |
It is that. | 0:28:58 | 0:29:01 | |
-You kept me waiting for an hour for that? -You in a hurry? | 0:29:10 | 0:29:16 | |
Sometimes this is like having a little friend along with you, | 0:29:16 | 0:29:19 | |
-maybe even better. -Yeah. | 0:29:19 | 0:29:22 | |
# Well, my name, it is Sam Hall | 0:29:23 | 0:29:26 | |
# Sam Hall | 0:29:26 | 0:29:29 | |
# My name, it is Sam Hall | 0:29:29 | 0:29:31 | |
# Sam Hall | 0:29:31 | 0:29:34 | |
# My name, it is Sam Hall | 0:29:34 | 0:29:37 | |
# And I hate you, one and all | 0:29:37 | 0:29:39 | |
# I hate you, one and all | 0:29:39 | 0:29:42 | |
# Damn your eyes | 0:29:42 | 0:29:44 | |
# To the gallows I must go, I must go... # | 0:29:46 | 0:29:48 | |
Get him! | 0:29:48 | 0:29:50 | |
# To the gallows I must go, I must go | 0:29:50 | 0:29:55 | |
# To the gallows I must go | 0:29:55 | 0:29:58 | |
# While you critters down below | 0:29:58 | 0:30:00 | |
# Yell out, "Sam, I told you so" | 0:30:00 | 0:30:03 | |
# Well, damn your eyes | 0:30:03 | 0:30:05 | |
# Now the preacher, he did come | 0:30:05 | 0:30:08 | |
# He did come | 0:30:08 | 0:30:11 | |
# Now the preacher, he did come | 0:30:11 | 0:30:13 | |
# He did come | 0:30:13 | 0:30:16 | |
BOTH: # Now the preacher, he did come | 0:30:16 | 0:30:18 | |
# And he preached till kingdom come... | 0:30:18 | 0:30:21 | |
JAMES: # Well, you can kiss my bloody bum Damn his eyes! | 0:30:21 | 0:30:23 | |
# Damn your eyes | 0:30:23 | 0:30:25 | |
# My name is Samuel | 0:30:25 | 0:30:28 | |
# Samuel | 0:30:28 | 0:30:31 | |
# My name is Samuel | 0:30:31 | 0:30:33 | |
# Samuel | 0:30:33 | 0:30:36 | |
# My name is Samuel | 0:30:36 | 0:30:38 | |
# And I'll see you all in hell | 0:30:38 | 0:30:41 | |
# I'll see you all in hell | 0:30:41 | 0:30:44 | |
# Damn your eyes. # | 0:30:44 | 0:30:46 | |
CLANKING | 0:30:46 | 0:30:49 | |
You're rich, right? I mean your family. | 0:30:57 | 0:31:01 | |
Well, I guess it depends on whom you compare me to. | 0:31:01 | 0:31:04 | |
Poor people. | 0:31:04 | 0:31:05 | |
In that case, I reckon | 0:31:07 | 0:31:09 | |
you could say I grew up comfortably. | 0:31:09 | 0:31:12 | |
Never rode with a gentleman before. | 0:31:12 | 0:31:15 | |
Never thought I would. | 0:31:16 | 0:31:18 | |
THUNDER RUMBLES | 0:31:19 | 0:31:21 | |
'Friendship is the most valuable thing a man can have. | 0:31:21 | 0:31:25 | |
'It's worth more than money, land, horses or cattle. | 0:31:25 | 0:31:28 | |
'It might be the only thing you never forget. | 0:31:30 | 0:31:33 | |
'And it lasts forever. | 0:31:33 | 0:31:35 | |
'Your father believed that. Your mother did too.' | 0:31:35 | 0:31:39 | |
You just have to hold the cards steady. | 0:31:55 | 0:31:58 | |
Rattlesnake bites are your thing, | 0:31:59 | 0:32:01 | |
not mosquitoes. | 0:32:01 | 0:32:03 | |
Etta bought these suits so we could wear them, Butch. | 0:32:05 | 0:32:09 | |
Now get up off your sorry ass and come downstairs with us. | 0:32:09 | 0:32:12 | |
Argentineans know plenty, but not about poker... | 0:32:12 | 0:32:15 | |
Not about poker, my friend. | 0:32:15 | 0:32:18 | |
You two are... | 0:32:18 | 0:32:20 | |
you're quite a sight. | 0:32:20 | 0:32:23 | |
All the more reason for you to join us. | 0:32:23 | 0:32:27 | |
Go on, get out of here, damn it. I need some sleep. | 0:32:27 | 0:32:30 | |
Bring me up something to drink. And watch yourselves. | 0:32:30 | 0:32:33 | |
Come on, Butch. Ain't nobody been chasing us for a long time. | 0:32:33 | 0:32:37 | |
"Ain't nobody been chasing us | 0:32:40 | 0:32:42 | |
"for a long time." Damn your eyes. | 0:32:42 | 0:32:45 | |
Shut up. We'd have been long gone three days ago | 0:32:45 | 0:32:48 | |
if it hadn't been for your mosquito bite. | 0:32:48 | 0:32:51 | |
I can't even pronounce the name of this damn place. | 0:32:51 | 0:32:54 | |
San Juan. | 0:32:54 | 0:32:56 | |
Anyways, | 0:32:56 | 0:32:58 | |
and why the hell haven't they put cuffs on us? | 0:32:58 | 0:33:00 | |
They probably don't have any handcuffs. | 0:33:00 | 0:33:03 | |
This is humiliating. | 0:33:05 | 0:33:07 | |
You don't say. | 0:33:07 | 0:33:09 | |
KNOCKS ON DOOR | 0:33:09 | 0:33:11 | |
Oh, here we go. | 0:33:15 | 0:33:17 | |
Sorry to hear you've not been too well. | 0:33:27 | 0:33:30 | |
Oh, it's just an insect bite, | 0:33:30 | 0:33:31 | |
Mr Mackinley, nothing serious. | 0:33:31 | 0:33:33 | |
Yes, these places... you never know | 0:33:33 | 0:33:36 | |
what'll be the next damn insect or vermin | 0:33:36 | 0:33:39 | |
to rip a piece off of you. | 0:33:39 | 0:33:43 | |
Look. | 0:33:43 | 0:33:45 | |
Snakebite, two years ago at Chaco. | 0:33:45 | 0:33:48 | |
There's a saying around here: "Dos pasitos"..."Two steps." | 0:33:48 | 0:33:52 | |
They say by the third step you're dead. | 0:33:52 | 0:33:55 | |
I got lucky. | 0:33:57 | 0:34:01 | |
This one | 0:34:01 | 0:34:03 | |
was last winter in Atacama... | 0:34:03 | 0:34:06 | |
a scorpion the size of a clock. | 0:34:06 | 0:34:08 | |
I could hardly walk for two months. | 0:34:08 | 0:34:11 | |
Then I was left with this lump. | 0:34:11 | 0:34:14 | |
But I'm sure I'm not telling you | 0:34:14 | 0:34:17 | |
a damn thing you don't know yourselves. | 0:34:17 | 0:34:19 | |
We've all been in the same places. | 0:34:19 | 0:34:22 | |
It was about time we met face to face | 0:34:22 | 0:34:25 | |
finally. | 0:34:25 | 0:34:27 | |
Go to hell, Mackinley. Let's get it over with. | 0:34:27 | 0:34:30 | |
-I can't wait. -KNOCKS ON DOOR | 0:34:30 | 0:34:32 | |
Mr Albion Mackinley, | 0:34:40 | 0:34:42 | |
May I introduce Miss Etta Place? | 0:34:42 | 0:34:44 | |
Well, well, Mackinley. | 0:34:47 | 0:34:50 | |
My, you're a gentleman. | 0:34:50 | 0:34:52 | |
I thought all Pinkerton men | 0:34:52 | 0:34:54 | |
were bloodthirsty thugs | 0:34:54 | 0:34:57 | |
sold to the highest bidder. | 0:34:57 | 0:34:59 | |
You going to run in your underwear? | 0:34:59 | 0:35:01 | |
What? | 0:35:01 | 0:35:03 | |
THEY LAUGH | 0:35:03 | 0:35:05 | |
SPEAKING QUECHUA | 0:35:09 | 0:35:11 | |
BOTH LAUGH | 0:35:15 | 0:35:16 | |
Yeah, me neither. | 0:35:36 | 0:35:38 | |
-No? -No. | 0:36:36 | 0:36:38 | |
What about all this? | 0:37:16 | 0:37:18 | |
This? | 0:37:19 | 0:37:20 | |
Eh, it's just a place. | 0:37:20 | 0:37:24 | |
Yana and her family will make good use of it. | 0:37:24 | 0:37:26 | |
They live off the land. | 0:37:26 | 0:37:29 | |
About two months ago I got a letter from San Francisco. | 0:37:42 | 0:37:45 | |
A woman I'd loved very much | 0:37:45 | 0:37:49 | |
died of tuberculosis, | 0:37:49 | 0:37:52 | |
left an only kid... | 0:37:52 | 0:37:54 | |
a son I've never seen before. | 0:37:54 | 0:37:57 | |
So I figured... | 0:38:00 | 0:38:02 | |
..now might be a good time to go back | 0:38:06 | 0:38:08 | |
and pay him a visit, you know, | 0:38:08 | 0:38:10 | |
keep each other company. | 0:38:10 | 0:38:13 | |
Sometimes I think | 0:38:13 | 0:38:15 | |
there's only two moments in a man's life. | 0:38:15 | 0:38:18 | |
One's when he leaves home, and the other one's | 0:38:18 | 0:38:20 | |
when he returns. | 0:38:20 | 0:38:22 | |
Everything else is just in the middle. | 0:38:22 | 0:38:26 | |
Well, looks like we'll be headed | 0:38:26 | 0:38:28 | |
in different directions, ain't we? | 0:38:28 | 0:38:30 | |
FOOTSTEPS HORSE TACK JINGLING | 0:38:33 | 0:38:36 | |
Yana? | 0:39:11 | 0:39:12 | |
HORSE NEIGHS | 0:39:16 | 0:39:18 | |
SNORING | 0:39:24 | 0:39:26 | |
GUNSHOT | 0:40:20 | 0:40:22 | |
HORSE NEIGHS | 0:40:22 | 0:40:24 | |
YANA PANTS | 0:40:29 | 0:40:31 | |
GUN CLICKS | 0:40:36 | 0:40:38 | |
PANTING | 0:40:56 | 0:40:58 | |
GUNSHOTS | 0:41:12 | 0:41:15 | |
Yana. | 0:41:37 | 0:41:39 | |
Yana. | 0:41:43 | 0:41:45 | |
Yana. | 0:41:51 | 0:41:54 | |
JAMES GROANS | 0:42:48 | 0:42:51 | |
Yana! | 0:43:03 | 0:43:05 | |
That's enough. | 0:43:24 | 0:43:25 | |
All right, let's get this over with. | 0:43:32 | 0:43:34 | |
Go. | 0:43:34 | 0:43:35 | |
Argh! | 0:43:37 | 0:43:40 | |
SHIT! | 0:43:41 | 0:43:43 | |
Here, you might need to use this. | 0:43:50 | 0:43:52 | |
Thanks for that. | 0:44:19 | 0:44:22 | |
They're smart. | 0:44:31 | 0:44:33 | |
Someone must have told them we were together, | 0:44:33 | 0:44:36 | |
so they sent two women so we wouldn't suspect. | 0:44:36 | 0:44:39 | |
When they realise they are not coming back, | 0:44:39 | 0:44:41 | |
they will come after us. | 0:44:41 | 0:44:43 | |
SPEAKING AYMARA | 0:44:50 | 0:44:52 | |
TRAIN HORN BLOWS | 0:45:19 | 0:45:21 | |
CROSSING BELLS DING | 0:45:21 | 0:45:23 | |
Is he waiting outside? | 0:45:39 | 0:45:41 | |
Yeah. | 0:45:41 | 0:45:43 | |
It's a long trip. | 0:45:43 | 0:45:47 | |
If I made it here, I can make it back. | 0:45:47 | 0:45:49 | |
We all can. | 0:45:52 | 0:45:55 | |
He'll forgive you. | 0:45:57 | 0:45:59 | |
You know what he's like. | 0:45:59 | 0:46:01 | |
Nothing to forgive, Butch. I'm not walking out on you. | 0:46:01 | 0:46:05 | |
I'm just defending what's ours. | 0:46:05 | 0:46:08 | |
CONDUCTOR: Sale a Oruro! | 0:46:08 | 0:46:10 | |
CONDUCTOR: Pasajeros con destino a Oruro | 0:46:14 | 0:46:16 | |
a abordar el tren. | 0:46:16 | 0:46:18 | |
Sale a Oruro! | 0:46:18 | 0:46:22 | |
Come with me. | 0:46:22 | 0:46:24 | |
Come on. | 0:46:24 | 0:46:26 | |
You're not young any more. | 0:46:26 | 0:46:27 | |
Truth be told, we're still losing, Butch. | 0:46:29 | 0:46:32 | |
You'd never have any peace. | 0:46:32 | 0:46:35 | |
TRAIN HORN BLOWS | 0:46:35 | 0:46:37 | |
CONDUCTOR: Ultimo llamado! | 0:46:40 | 0:46:42 | |
BELL DINGING | 0:46:42 | 0:46:44 | |
I love you both. | 0:46:44 | 0:46:46 | |
Tell him. | 0:46:48 | 0:46:50 | |
Wait, what will you name it? | 0:46:55 | 0:46:58 | |
Ryan. | 0:46:58 | 0:46:59 | |
She'll come back. | 0:47:21 | 0:47:23 | |
I know it. | 0:47:23 | 0:47:25 | |
Of course. | 0:47:25 | 0:47:28 | |
Who could stay away from all this? | 0:47:28 | 0:47:30 | |
# If the world from you withholds | 0:47:34 | 0:47:37 | |
# All its silver and its gold | 0:47:37 | 0:47:40 | |
# And you have to get along | 0:47:40 | 0:47:43 | |
# With meagre fare | 0:47:43 | 0:47:46 | |
# Just remember in God's world | 0:47:46 | 0:47:49 | |
# How he fed them little birds | 0:47:49 | 0:47:52 | |
# Take your burden to the Lord | 0:47:52 | 0:47:55 | |
# And leave it there | 0:47:55 | 0:47:57 | |
# Leave it there | 0:47:57 | 0:48:00 | |
# Oh, leave it there | 0:48:00 | 0:48:03 | |
# Take your burden to the Lord | 0:48:03 | 0:48:06 | |
# And leave it there. # | 0:48:06 | 0:48:08 | |
The Uyuni Salt Flats. | 0:48:10 | 0:48:13 | |
There's nothing more beautiful, | 0:48:15 | 0:48:17 | |
like a sweet death. | 0:48:17 | 0:48:20 | |
It'll be tough, | 0:48:20 | 0:48:22 | |
but it's the only way across those mountains. | 0:48:22 | 0:48:25 | |
The other side... I can catch me | 0:48:25 | 0:48:27 | |
a boat back home from Chile or Peru. | 0:48:27 | 0:48:29 | |
CHUCKLES | 0:48:34 | 0:48:36 | |
Come on over here, son. | 0:48:36 | 0:48:39 | |
Get down. | 0:48:40 | 0:48:42 | |
Drop your pants. | 0:48:46 | 0:48:48 | |
Are you nuts? | 0:48:48 | 0:48:50 | |
If we don't heal those saddle wounds, | 0:48:50 | 0:48:52 | |
you can't ride. You're going to die out here. | 0:48:52 | 0:48:54 | |
Come on, turn around. | 0:48:54 | 0:48:56 | |
You ready? | 0:49:01 | 0:49:03 | |
This might sting a little bit. | 0:49:03 | 0:49:06 | |
Oy. | 0:49:06 | 0:49:08 | |
GRUNTING | 0:49:08 | 0:49:10 | |
Argh! | 0:49:12 | 0:49:14 | |
There you go. | 0:49:14 | 0:49:15 | |
Fuck! | 0:49:15 | 0:49:18 | |
Your ass is softer than a book-keeper's. | 0:49:20 | 0:49:23 | |
You OK? | 0:49:24 | 0:49:26 | |
Yeah. | 0:49:26 | 0:49:28 | |
It's been a long time since I've been out here. | 0:49:31 | 0:49:34 | |
I like these places. | 0:49:37 | 0:49:39 | |
They can't be used. | 0:49:39 | 0:49:41 | |
They got no owners. | 0:49:41 | 0:49:43 | |
But they will. That's how life works. | 0:49:43 | 0:49:45 | |
Well, I hope I'm dead when that day comes. | 0:49:45 | 0:49:48 | |
James, I wanted to say, | 0:49:50 | 0:49:54 | |
all that happened about Yana and... | 0:49:54 | 0:49:57 | |
Nah. | 0:49:57 | 0:49:59 | |
Look, I knew the risks as well as you, going in. | 0:49:59 | 0:50:02 | |
There's nothing to say. | 0:50:02 | 0:50:04 | |
We should shelter up down there. | 0:50:08 | 0:50:10 | |
It's going to freeze tonight. | 0:50:10 | 0:50:12 | |
These horses ain't going to last very long | 0:50:12 | 0:50:15 | |
at this altitude... no air, no water. | 0:50:15 | 0:50:18 | |
What did you do in your country? | 0:50:21 | 0:50:24 | |
JAMES CHUCKLES | 0:50:24 | 0:50:26 | |
I think you got a pretty good idea, don't you? | 0:50:26 | 0:50:29 | |
EDUARDO CHUCKLES | 0:50:29 | 0:50:32 | |
We covered more than six states | 0:50:35 | 0:50:38 | |
back in the day, | 0:50:38 | 0:50:41 | |
some of 'em bigger than this whole country. | 0:50:41 | 0:50:46 | |
Of course, things were different back then. | 0:50:46 | 0:50:48 | |
There was room for everybody. | 0:50:48 | 0:50:53 | |
Then the railroad came in and the big ranchers | 0:50:53 | 0:50:57 | |
and everything changed. | 0:50:57 | 0:51:01 | |
It turned into a kind of a war. | 0:51:01 | 0:51:04 | |
We ended up on the losing end of the stick. | 0:51:04 | 0:51:08 | |
And why Bolivia? | 0:51:08 | 0:51:10 | |
It was far, far away. | 0:51:10 | 0:51:14 | |
Far away from what? | 0:51:14 | 0:51:15 | |
Everything. | 0:51:15 | 0:51:17 | |
See, one day | 0:51:17 | 0:51:21 | |
I woke up | 0:51:21 | 0:51:24 | |
and found myself alone. | 0:51:24 | 0:51:26 | |
Seemed like everybody I knew | 0:51:26 | 0:51:28 | |
was either dead or in jail. | 0:51:28 | 0:51:30 | |
They thought I was dead too. | 0:51:30 | 0:51:32 | |
So I just did | 0:51:32 | 0:51:34 | |
what any good dead person would do. | 0:51:34 | 0:51:36 | |
I went off and raised me some horses. | 0:51:36 | 0:51:39 | |
20 years... | 0:51:39 | 0:51:41 | |
that was a big change. | 0:51:41 | 0:51:44 | |
Quiet times. | 0:51:44 | 0:51:46 | |
You see, I'm too long in the tooth | 0:51:46 | 0:51:49 | |
to go off and be what I used to be, you know... | 0:51:49 | 0:51:51 | |
just an ordinary old bandit. | 0:51:51 | 0:51:54 | |
You should have become a rancher too. | 0:51:54 | 0:51:57 | |
You'd be rich now, instead of being here with me. | 0:51:57 | 0:52:01 | |
Rich? | 0:52:01 | 0:52:04 | |
I've been my own man. | 0:52:04 | 0:52:06 | |
Ain't nothing richer than that. | 0:52:06 | 0:52:10 | |
Had some good friends too. | 0:52:10 | 0:52:12 | |
They don't sleep. | 0:52:20 | 0:52:22 | |
Sure you killed a few not-so-friendly in those days, huh? | 0:52:24 | 0:52:27 | |
Me? I've never had to kill nobody. | 0:52:27 | 0:52:30 | |
So far. | 0:52:30 | 0:52:33 | |
Come on, let's get these horses saddled up. | 0:52:33 | 0:52:35 | |
SPEAKING AYMARA | 0:52:45 | 0:52:48 | |
They must be very well paid. | 0:52:58 | 0:53:01 | |
I've never seen anybody take so much punishment. | 0:53:01 | 0:53:04 | |
We should never have tried to cross the salt flats. | 0:53:04 | 0:53:07 | |
It's the only way. Otherwise they'd have surrounded us | 0:53:07 | 0:53:10 | |
and we wouldn't even see it coming. | 0:53:10 | 0:53:11 | |
This way all they can do is track us | 0:53:11 | 0:53:14 | |
and see whose horses die first. | 0:53:14 | 0:53:17 | |
Grab the rifle and the water and come on. | 0:53:51 | 0:53:54 | |
Mount up. | 0:53:54 | 0:53:56 | |
GUNSHOT HORSES NEIGH | 0:53:58 | 0:54:02 | |
Come on, let's go. | 0:54:02 | 0:54:04 | |
YELLING IN AYMARA | 0:54:28 | 0:54:31 | |
Three men on horseback. | 0:54:46 | 0:54:48 | |
We still have a few minutes. | 0:54:48 | 0:54:50 | |
We stand a chance here, right? | 0:54:52 | 0:54:54 | |
I don't know. | 0:54:54 | 0:54:56 | |
James, | 0:54:59 | 0:55:01 | |
I'm glad I'm with you. | 0:55:01 | 0:55:03 | |
You know, before I met you... damn the day... | 0:55:03 | 0:55:06 | |
I thought if I was going to die of old age, | 0:55:06 | 0:55:08 | |
I might as well go back home to do it. | 0:55:08 | 0:55:11 | |
But, hell, this seems like as good a day as any to die. | 0:55:11 | 0:55:14 | |
We are not going to die, old man. | 0:55:14 | 0:55:16 | |
Of course not, son. Nobody ever does. | 0:55:16 | 0:55:19 | |
Just in case, we ought to bury this money | 0:55:19 | 0:55:21 | |
before Patino gets his hands on it again. | 0:55:21 | 0:55:24 | |
Too late. They are too close. | 0:55:24 | 0:55:26 | |
They're going to surround us. They know we're here. | 0:55:32 | 0:55:36 | |
What are we going to do? | 0:55:55 | 0:55:57 | |
COCKS RIFLE | 0:56:12 | 0:56:14 | |
All right, look. | 0:56:20 | 0:56:23 | |
You take the good horse and the money. | 0:56:23 | 0:56:25 | |
Head southeast. You follow that mountain range. | 0:56:25 | 0:56:28 | |
-If you're lucky, you'll wind up in Tupiza. -What? | 0:56:28 | 0:56:30 | |
I'm going to take the other horse and head southwest. | 0:56:30 | 0:56:33 | |
Their horses have to be wiped out by now. I'll meet you down there. | 0:56:33 | 0:56:35 | |
-But... -It's the only way to do it... splitting up. | 0:56:35 | 0:56:38 | |
-They'll kill us! -This desert'll kill you before they do. | 0:56:38 | 0:56:42 | |
I don't want to be by myself. | 0:56:42 | 0:56:44 | |
Your horse will make it, don't worry. | 0:56:44 | 0:56:46 | |
All right, just remember... southeast, OK? | 0:56:49 | 0:56:53 | |
And don't buy one of those goddamn mansions full of flowers, all right? | 0:56:53 | 0:56:55 | |
-You spend that money quick. -But... | 0:56:55 | 0:56:58 | |
Hiya! | 0:56:58 | 0:57:00 | |
HE WHISTLES | 0:57:10 | 0:57:12 | |
Yahoo! | 0:57:21 | 0:57:23 | |
Yahoo! Yah! | 0:57:23 | 0:57:27 | |
Yah! | 0:57:27 | 0:57:29 | |
GUNSHOT HORSE NEIGHS | 0:57:33 | 0:57:37 | |
GRUNTS | 0:57:37 | 0:57:40 | |
GRUNTING | 0:58:10 | 0:58:13 | |
Drop the gun, you son of a bitch. | 0:58:30 | 0:58:32 | |
PANTING | 0:58:48 | 0:58:50 | |
GUN CLICKS | 0:59:17 | 0:59:19 | |
CLICKS | 0:59:21 | 0:59:23 | |
COCKS GUN | 1:00:18 | 1:00:20 | |
GUNSHOT | 1:00:23 | 1:00:25 | |
HORSE HUFFING | 1:02:11 | 1:02:13 | |
GUNFIRE | 1:02:31 | 1:02:33 | |
Whoa. Get on, Sundance. | 1:02:46 | 1:02:48 | |
Ain't nobody following us. | 1:02:53 | 1:02:55 | |
They think we're back at the corral. | 1:02:55 | 1:02:58 | |
The bullet's still inside. | 1:02:58 | 1:03:00 | |
You think the Chilean and the Yankee will make it? | 1:03:02 | 1:03:04 | |
When they find their bodies, they'll think they're us. | 1:03:04 | 1:03:07 | |
Then we're free. | 1:03:07 | 1:03:09 | |
I like being dead. | 1:03:09 | 1:03:12 | |
Hell, if I'd only known sooner. | 1:03:12 | 1:03:14 | |
Give me your hand, Sundance. | 1:03:14 | 1:03:16 | |
I should've gone with Etta | 1:03:16 | 1:03:19 | |
and the boy. | 1:03:19 | 1:03:21 | |
A son...that's more than a lot of people have to say for themselves. | 1:03:21 | 1:03:25 | |
Don't you think? | 1:03:25 | 1:03:29 | |
What makes you think he's yours, you desert dog? | 1:03:29 | 1:03:32 | |
Oh, it doesn't matter. He'll still be my son. | 1:03:32 | 1:03:35 | |
Let's head for the mountains, Butch. | 1:03:35 | 1:03:39 | |
We'll cross those mountains and go home. | 1:03:39 | 1:03:41 | |
Damn Bolivian army... | 1:03:43 | 1:03:45 | |
worst aim I've ever seen. | 1:03:45 | 1:03:48 | |
POUNDING ON DOOR | 1:04:09 | 1:04:11 | |
SPEAKING SPANISH: | 1:04:18 | 1:04:20 | |
Fuck off. | 1:05:06 | 1:05:08 | |
Sweet Jesus. | 1:05:36 | 1:05:39 | |
Sweet suffering Jesus, it's him. | 1:05:40 | 1:05:44 | |
Robert Leroy Parker. | 1:05:48 | 1:05:50 | |
Butch Cassidy. | 1:05:51 | 1:05:52 | |
Here we are. | 1:06:52 | 1:06:54 | |
You and me. | 1:07:01 | 1:07:03 | |
COUGHING | 1:07:05 | 1:07:07 | |
You're in poor shape, | 1:07:28 | 1:07:31 | |
even worse than the last time | 1:07:31 | 1:07:33 | |
we saw each other. | 1:07:33 | 1:07:35 | |
What the fuck are you doing in Bolivia? | 1:07:36 | 1:07:40 | |
Haven't you got anything better to do? | 1:07:40 | 1:07:42 | |
And where's my pistol? | 1:07:42 | 1:07:44 | |
What should I call you? | 1:07:48 | 1:07:50 | |
I've been going under Blackthorn. Doesn't matter. | 1:07:52 | 1:07:56 | |
It matters. Of course it does. | 1:07:56 | 1:08:00 | |
I never believed you were dead, you know. | 1:08:03 | 1:08:06 | |
Strange world, | 1:08:13 | 1:08:15 | |
wouldn't you agree, Mr Blackthorn? | 1:08:15 | 1:08:19 | |
I'm what they call an honorary consul... | 1:08:36 | 1:08:39 | |
89 a month, | 1:08:39 | 1:08:41 | |
a one-bedroom house | 1:08:41 | 1:08:43 | |
with a bed too small for my tastes. | 1:08:43 | 1:08:47 | |
I just greet the few North Americans | 1:08:47 | 1:08:49 | |
that show up around here... | 1:08:49 | 1:08:52 | |
gold diggers, people buying wool, | 1:08:52 | 1:08:54 | |
drunkards, an occasional runaway... | 1:08:54 | 1:08:57 | |
not many people. | 1:08:57 | 1:09:00 | |
The last one came by | 1:09:00 | 1:09:04 | |
two winters past. | 1:09:04 | 1:09:07 | |
I spend the rest of time looking out the window. | 1:09:07 | 1:09:11 | |
Huh, sad story. Not much of a life. | 1:09:11 | 1:09:14 | |
No. No, it's not. | 1:09:14 | 1:09:16 | |
But I couldn't aspire to much more... | 1:09:16 | 1:09:18 | |
..until today. | 1:09:21 | 1:09:23 | |
Last night I thought | 1:09:23 | 1:09:26 | |
everything could change for me. | 1:09:26 | 1:09:29 | |
I could even buy a huge bed | 1:09:29 | 1:09:32 | |
and travel home on it, smiling and waving | 1:09:32 | 1:09:37 | |
as I passed. | 1:09:37 | 1:09:39 | |
But, Mr Blackthorn, | 1:09:41 | 1:09:46 | |
these past few hours at your side | 1:09:46 | 1:09:49 | |
have reminded me of many things... | 1:09:49 | 1:09:52 | |
the fatigue, | 1:09:52 | 1:09:54 | |
the years of pursuit. | 1:09:54 | 1:09:59 | |
Carrying out one's duty is, | 1:09:59 | 1:10:03 | |
believe me, | 1:10:03 | 1:10:06 | |
exhausting. | 1:10:06 | 1:10:10 | |
Here in this godforsaken village | 1:10:10 | 1:10:14 | |
I finally found some rest... | 1:10:14 | 1:10:18 | |
a stupid | 1:10:18 | 1:10:20 | |
but well-deserved rest. | 1:10:20 | 1:10:23 | |
Well, | 1:10:23 | 1:10:26 | |
I guess we can't be blamed for growing older. | 1:10:26 | 1:10:29 | |
We're too old to keep on playing. | 1:10:29 | 1:10:31 | |
Never was a game with me. | 1:10:32 | 1:10:35 | |
Of course it was... | 1:10:35 | 1:10:37 | |
an absurd, deadly game. | 1:10:37 | 1:10:40 | |
Eh, you never understood. Doesn't matter. | 1:10:40 | 1:10:43 | |
Of course I understood. I was part of the game. | 1:10:43 | 1:10:46 | |
But this time... | 1:10:46 | 1:10:48 | |
There's no handcuffs either. | 1:10:48 | 1:10:51 | |
This time you're on your own. | 1:10:51 | 1:10:53 | |
No-one will come to the rescue. | 1:10:53 | 1:10:56 | |
Do whatever you need to do. | 1:10:57 | 1:10:59 | |
Take it. | 1:11:15 | 1:11:17 | |
Consider it a way to continue resting. | 1:11:18 | 1:11:22 | |
An army battalion is on its way here. | 1:11:30 | 1:11:33 | |
I sent for them. | 1:11:33 | 1:11:35 | |
This is the most important thing to have happened around here | 1:11:35 | 1:11:38 | |
since... well, since your death. | 1:11:38 | 1:11:41 | |
CHUCKLES | 1:11:41 | 1:11:42 | |
I'll get you to a safe place. | 1:11:43 | 1:11:46 | |
You'll leave | 1:11:46 | 1:11:48 | |
and you'll never come back. | 1:11:48 | 1:11:52 | |
Things will still be the same. | 1:11:52 | 1:11:55 | |
You're a right pain in the ass, Cassidy... | 1:11:58 | 1:12:01 | |
a right fucking pain in the ass. | 1:12:01 | 1:12:05 | |
SPANISH: | 1:12:09 | 1:12:11 | |
CHURCH BELLS RING | 1:13:09 | 1:13:12 | |
"Dear Ryan, I have enough money now | 1:14:02 | 1:14:05 | |
"for us to start a brand-new life... | 1:14:05 | 1:14:07 | |
"maybe horses, ranching. | 1:14:07 | 1:14:10 | |
"I've met an old friend of your father and mother's. | 1:14:10 | 1:14:13 | |
"He remembers them often. They were one of a kind. | 1:14:13 | 1:14:15 | |
"There's not much blood like yours left. | 1:14:15 | 1:14:18 | |
"I'm on my way back. | 1:14:18 | 1:14:21 | |
"I don't know how long it will take... not more than two months. | 1:14:21 | 1:14:23 | |
"With love, your Uncle Butch." | 1:14:23 | 1:14:27 | |
Hey, I was just writing about you. | 1:14:29 | 1:14:32 | |
I should have left you in the damn clinic. | 1:14:32 | 1:14:34 | |
Eduardo Apodaca is a friend of yours? | 1:14:34 | 1:14:39 | |
Have you seen him? Where is he? | 1:14:39 | 1:14:41 | |
He's heading West through the canyons. He was in Tupiza, | 1:14:41 | 1:14:43 | |
but made himself scarce when he saw the uproar | 1:14:43 | 1:14:46 | |
caused by your resurrection. | 1:14:46 | 1:14:49 | |
I haven't betrayed you, but my help stops here. | 1:14:49 | 1:14:52 | |
What the hell are you talking about? | 1:14:52 | 1:14:55 | |
Damn chicha. | 1:14:59 | 1:15:01 | |
Is it money you're after? | 1:15:01 | 1:15:04 | |
You can stick your dirty money where it fits. | 1:15:04 | 1:15:06 | |
You were better off dead, Cassidy. | 1:15:06 | 1:15:09 | |
And I hope you soon will be. | 1:15:09 | 1:15:11 | |
I'll drink until I forget this, | 1:15:11 | 1:15:13 | |
but for you, | 1:15:13 | 1:15:16 | |
all the liquor in this shitty world wouldn't be enough. | 1:15:16 | 1:15:20 | |
In my day, | 1:15:20 | 1:15:23 | |
the outlaws would have robbed banks | 1:15:23 | 1:15:25 | |
and the Union Pacific. | 1:15:25 | 1:15:27 | |
They would never have stolen from the mining families, no, sir. | 1:15:27 | 1:15:31 | |
Mining families? You better get off the bottle, Mackinley! | 1:15:31 | 1:15:34 | |
-You're losing your Irish mind. -Go to hell. | 1:15:34 | 1:15:37 | |
He never stole from the mining families. | 1:15:37 | 1:15:39 | |
It's Patino... the Suyana Mine. | 1:15:39 | 1:15:42 | |
You believe that? | 1:15:42 | 1:15:44 | |
He tricked you into believing that? | 1:15:44 | 1:15:47 | |
Jesus, I almost pity you. | 1:15:47 | 1:15:50 | |
Your Spanish friend didn't work for Patino. | 1:15:50 | 1:15:53 | |
He worked for the miners. The mine is theirs. | 1:15:53 | 1:15:56 | |
They took it from Patino two years ago. | 1:15:56 | 1:15:59 | |
What rock were you hiding under? | 1:15:59 | 1:16:00 | |
The whole country was talking about it. | 1:16:00 | 1:16:02 | |
The miners rebelled against the owners... | 1:16:04 | 1:16:06 | |
overdue wages, murders... the usual. | 1:16:06 | 1:16:09 | |
There was a huge battle. A lot of miners got killed. | 1:16:09 | 1:16:13 | |
Then justice stepped in and... | 1:16:13 | 1:16:16 | |
this country is full of surprises... | 1:16:16 | 1:16:18 | |
they decided in favour of the miners. | 1:16:18 | 1:16:21 | |
They awarded ownership of the mine to the surviving families. | 1:16:21 | 1:16:24 | |
This is no coincidence, of course... | 1:16:24 | 1:16:26 | |
the mine was almost empty. | 1:16:26 | 1:16:29 | |
Even the Spanish engineer who worked for Patino | 1:16:29 | 1:16:31 | |
stood up for them. | 1:16:31 | 1:16:33 | |
Poor fools, they trusted a Spaniard. | 1:16:33 | 1:16:36 | |
There are times when you'd prefer to be dead, | 1:16:41 | 1:16:45 | |
don't you agree? | 1:16:45 | 1:16:47 | |
CHILDREN LAUGHING | 1:17:46 | 1:17:49 | |
SPANISH: | 1:17:56 | 1:17:57 | |
No. | 1:18:18 | 1:18:20 | |
You're a fucking sentimentalist. | 1:18:37 | 1:18:40 | |
Mackinley. | 1:18:43 | 1:18:45 | |
OK, let's go, kid. | 1:20:56 | 1:20:59 | |
GROANING | 1:21:01 | 1:21:03 | |
Shit. | 1:21:05 | 1:21:08 | |
You'll get my suit dirty. | 1:21:11 | 1:21:14 | |
It'll help keep you warm. | 1:21:14 | 1:21:16 | |
Everybody will think we're dead | 1:21:23 | 1:21:26 | |
and look at us... | 1:21:26 | 1:21:28 | |
strong as trees, | 1:21:28 | 1:21:31 | |
snow-covered trees. | 1:21:31 | 1:21:33 | |
Bolivia. | 1:21:36 | 1:21:38 | |
Goddamn it, Bolivia. | 1:21:40 | 1:21:43 | |
Always knew you'd be the last. | 1:21:43 | 1:21:48 | |
Everybody's dead and you... | 1:21:48 | 1:21:51 | |
you're all alone now | 1:21:51 | 1:21:54 | |
so far from home, | 1:21:54 | 1:21:58 | |
my poor friend. | 1:21:58 | 1:22:00 | |
OK. | 1:22:04 | 1:22:06 | |
Do it. | 1:22:06 | 1:22:08 | |
Now is a good time. | 1:22:13 | 1:22:15 | |
Do it. | 1:22:17 | 1:22:18 | |
GUNSHOT | 1:22:32 | 1:22:35 | |
James. | 1:23:11 | 1:23:13 | |
Hey. | 1:23:13 | 1:23:15 | |
Or should I say Butch? | 1:23:15 | 1:23:17 | |
Mr Butch Cassidy himself. | 1:23:17 | 1:23:21 | |
I knew it. | 1:23:21 | 1:23:23 | |
That explains so many things. | 1:23:23 | 1:23:25 | |
You know what? | 1:23:25 | 1:23:27 | |
In Tupiza, everyone was shouting | 1:23:27 | 1:23:30 | |
that the famous gringo outlaw was alive. | 1:23:30 | 1:23:33 | |
And me buying new clothes... | 1:23:33 | 1:23:35 | |
can you imagine? | 1:23:35 | 1:23:37 | |
Take it easy. They still must be far. | 1:23:39 | 1:23:42 | |
So here we are | 1:23:51 | 1:23:54 | |
just a few hours from freedom | 1:23:54 | 1:23:56 | |
and the good life. | 1:23:56 | 1:23:58 | |
Are you OK? | 1:23:58 | 1:24:00 | |
You can't think I abandoned you, right? | 1:24:01 | 1:24:03 | |
I just couldn't stay there with so much going on. | 1:24:03 | 1:24:06 | |
And I knew you'd turn up. | 1:24:06 | 1:24:08 | |
That mine didn't belong to Patino? | 1:24:11 | 1:24:13 | |
And your name is not James Blackthorn. | 1:24:28 | 1:24:32 | |
Well, we all have our secrets. | 1:24:32 | 1:24:35 | |
But now all the cards are on the table. | 1:24:35 | 1:24:37 | |
No. You're right. It wasn't his any longer. | 1:24:39 | 1:24:42 | |
So what? | 1:24:42 | 1:24:45 | |
It had different owners... owners anyway. | 1:24:45 | 1:24:49 | |
50,000, James. | 1:24:49 | 1:24:52 | |
That's no lie. Come on, let's go. | 1:24:52 | 1:24:55 | |
Look, there are your mountains. | 1:24:55 | 1:24:57 | |
We're almost there. I'll be your gang now... | 1:24:57 | 1:25:00 | |
you and me, James. You and me. | 1:25:00 | 1:25:03 | |
You said yourself... you were dead, | 1:25:03 | 1:25:06 | |
breeding horses in that old house. | 1:25:06 | 1:25:08 | |
Now you have money and you have it all... | 1:25:08 | 1:25:10 | |
your name, your life. | 1:25:10 | 1:25:13 | |
You're a damn legend, and here you are. | 1:25:13 | 1:25:16 | |
Here you are. | 1:25:16 | 1:25:18 | |
Here I am. | 1:25:19 | 1:25:21 | |
SCREAMING | 1:25:21 | 1:25:24 | |
Have you gone crazy?! | 1:25:30 | 1:25:33 | |
Motherfucker! | 1:25:33 | 1:25:36 | |
They'll be here shortly. | 1:25:36 | 1:25:37 | |
This time they've got the army with them. | 1:25:37 | 1:25:39 | |
But you shot me! | 1:25:39 | 1:25:41 | |
Is it the money? | 1:25:50 | 1:25:51 | |
How can you, bastard? | 1:25:52 | 1:25:55 | |
You never did see the difference, did you? | 1:25:55 | 1:25:57 | |
For the Indians? | 1:26:02 | 1:26:04 | |
For a bunch of miners? For them? | 1:26:04 | 1:26:07 | |
And what about me? | 1:26:07 | 1:26:09 | |
I'm your friend. | 1:26:09 | 1:26:11 | |
I gave you everything... everything. | 1:26:11 | 1:26:14 | |
I saved your life. | 1:26:14 | 1:26:16 | |
I gave you your name back, I did. | 1:26:16 | 1:26:19 | |
Difference? What's the fucking difference? | 1:26:19 | 1:26:22 | |
What's the fucking difference? | 1:26:22 | 1:26:24 | |
Are you going to leave me like this, | 1:26:39 | 1:26:41 | |
you son of a bitch? | 1:26:41 | 1:26:44 | |
Are you? | 1:26:44 | 1:26:46 | |
OK. OK. | 1:26:48 | 1:26:52 | |
Give the money back to them. | 1:26:52 | 1:26:54 | |
Give the money back to them, | 1:26:54 | 1:26:56 | |
but don't leave me here, please. | 1:26:56 | 1:26:59 | |
Please. | 1:27:01 | 1:27:03 | |
Damn you, Butch Cassidy! | 1:27:12 | 1:27:15 | |
Damn you! | 1:27:15 | 1:27:17 | |
I could have killed you! | 1:27:18 | 1:27:20 | |
I could have killed you | 1:27:20 | 1:27:23 | |
and I didn't. | 1:27:23 | 1:27:25 | |
But they'll do it for me. | 1:27:28 | 1:27:31 | |
They'll track you down | 1:27:31 | 1:27:33 | |
and kill you like a dog. | 1:27:33 | 1:27:35 | |
Don't leave me here, please. | 1:27:42 | 1:27:46 | |
# To the gallows | 1:28:02 | 1:28:04 | |
# I must go | 1:28:04 | 1:28:06 | |
# I must go | 1:28:06 | 1:28:10 | |
# To the gallows | 1:28:10 | 1:28:12 | |
# I must go | 1:28:12 | 1:28:15 | |
# To the gallows | 1:28:25 | 1:28:27 | |
# I must go... # | 1:28:27 | 1:28:29 | |
GUNSHOTS | 1:28:51 | 1:28:54 | |
# I'm just a poor | 1:29:14 | 1:29:18 | |
# Wayfaring stranger | 1:29:18 | 1:29:22 | |
# Travelling through | 1:29:22 | 1:29:25 | |
# This world below | 1:29:25 | 1:29:29 | |
# There's no sickness | 1:29:29 | 1:29:33 | |
# No toil, nor danger | 1:29:33 | 1:29:37 | |
# In that bright land | 1:29:37 | 1:29:41 | |
# To which I go... # | 1:29:41 | 1:29:43 | |
# To see my father | 1:29:48 | 1:29:52 | |
# I'm going there | 1:29:52 | 1:29:56 | |
# No more to roam | 1:29:56 | 1:30:00 | |
# I'm just going | 1:30:00 | 1:30:04 | |
# Over Jordan | 1:30:04 | 1:30:08 | |
# I'm just going | 1:30:08 | 1:30:12 | |
# Over home | 1:30:12 | 1:30:16 | |
# I'm just going | 1:30:16 | 1:30:20 | |
# Over Jordan | 1:30:20 | 1:30:23 | |
# I'm just going | 1:30:23 | 1:30:27 | |
# Over home. # | 1:30:27 | 1:30:30 | |
Whoo-hoo-hoo! | 1:31:39 | 1:31:41 | |
ALL CHEER | 1:31:41 | 1:31:44 | |
INSTRUMENTAL MUSIC PLAYS | 1:32:28 | 1:32:31 |